id	sid	tid	token	lemma	pos
work_45wy3fczjvc5fj53ll2knwbjv4	1	1	I	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	1	2	See	see	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	1	3	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	1	4	Fretboard	Fretboard	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	1	5	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	1	6	Diagrams	Diagrams	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	1	7	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	1	8	:	:	:
work_45wy3fczjvc5fj53ll2knwbjv4	1	9	An	an	DT
work_45wy3fczjvc5fj53ll2knwbjv4	1	10	Examination	examination	NN
work_45wy3fczjvc5fj53ll2knwbjv4	1	11	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	1	12	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	1	13	Improvisatory	Improvisatory	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	1	14	Style	Style	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	1	15	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	1	16	Herbert	Herbert	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	1	17	Lawrence	Lawrence	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	1	18	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	1	19	Sonny	Sonny	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	1	20	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	1	21	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	1	22	All	All	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	1	23	Rights	Rights	NNPS
work_45wy3fczjvc5fj53ll2knwbjv4	1	24	Reserved	Reserved	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	1	25	©	©	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	1	26	Canadian	Canadian	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	1	27	University	University	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	1	28	Music	Music	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	1	29	Society	Society	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	1	30	/	/	SYM
work_45wy3fczjvc5fj53ll2knwbjv4	1	31	Société	Société	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	1	32	de	de	FW
work_45wy3fczjvc5fj53ll2knwbjv4	1	33	musique	musique	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	1	34	des	des	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	1	35	universités	universités	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	1	36	canadiennes	canadienne	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	1	37	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	1	38	2005	2005	CD
work_45wy3fczjvc5fj53ll2knwbjv4	1	39	Ce	Ce	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	1	40	document	document	NN
work_45wy3fczjvc5fj53ll2knwbjv4	1	41	est	est	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	1	42	protégé	protégé	VB
work_45wy3fczjvc5fj53ll2knwbjv4	1	43	par	par	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	1	44	la	la	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	1	45	loi	loi	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	1	46	sur	sur	FW
work_45wy3fczjvc5fj53ll2knwbjv4	1	47	le	le	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	1	48	droit	droit	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	1	49	d’auteur	d’auteur	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	1	50	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	2	1	L’utilisation	L’utilisation	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	2	2	des	des	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	2	3	services	service	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	2	4	d’Érudit	d’Érudit	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	2	5	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	2	6	y	y	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	2	7	compris	compris	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	2	8	la	la	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	2	9	reproduction	reproduction	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	2	10	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	2	11	est	est	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	2	12	assujettie	assujettie	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	2	13	à	à	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	2	14	sa	sa	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	2	15	politique	politique	NN
work_45wy3fczjvc5fj53ll2knwbjv4	2	16	d’utilisation	d’utilisation	NN
work_45wy3fczjvc5fj53ll2knwbjv4	2	17	que	que	FW
work_45wy3fczjvc5fj53ll2knwbjv4	2	18	vous	vous	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	2	19	pouvez	pouvez	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	2	20	consulter	consulter	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	2	21	en	en	IN
work_45wy3fczjvc5fj53ll2knwbjv4	2	22	ligne	ligne	FW
work_45wy3fczjvc5fj53ll2knwbjv4	2	23	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	3	1	https://apropos.erudit.org/fr/usagers/politique-dutilisation/	https://apropos.erudit.org/fr/usagers/politique-dutilisation/	ADD
work_45wy3fczjvc5fj53ll2knwbjv4	3	2	Cet	Cet	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	3	3	article	article	NN
work_45wy3fczjvc5fj53ll2knwbjv4	3	4	est	est	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	3	5	diffusé	diffusé	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	3	6	et	et	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	3	7	préservé	préservé	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	3	8	par	par	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	3	9	Érudit	Érudit	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	3	10	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	4	1	Érudit	érudit	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	4	2	est	est	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	4	3	un	un	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	4	4	consortium	consortium	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	4	5	interuniversitaire	interuniversitaire	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	4	6	sans	san	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	4	7	but	but	CC
work_45wy3fczjvc5fj53ll2knwbjv4	4	8	lucratif	lucratif	NN
work_45wy3fczjvc5fj53ll2knwbjv4	4	9	composé	composé	NN
work_45wy3fczjvc5fj53ll2knwbjv4	4	10	de	de	FW
work_45wy3fczjvc5fj53ll2knwbjv4	4	11	l’Université	l’Université	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	4	12	de	de	IN
work_45wy3fczjvc5fj53ll2knwbjv4	4	13	Montréal	Montréal	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	4	14	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	4	15	l’Université	l’Université	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	4	16	Laval	Laval	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	4	17	et	et	NN
work_45wy3fczjvc5fj53ll2knwbjv4	4	18	l’Université	l’Université	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	4	19	du	du	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	4	20	Québec	Québec	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	4	21	à	à	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	4	22	Montréal	Montréal	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	4	23	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	5	1	Il	il	IN
work_45wy3fczjvc5fj53ll2knwbjv4	5	2	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	5	3	pour	pour	NN
work_45wy3fczjvc5fj53ll2knwbjv4	5	4	mission	mission	NN
work_45wy3fczjvc5fj53ll2knwbjv4	5	5	la	la	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	5	6	promotion	promotion	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	5	7	et	et	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	5	8	la	la	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	5	9	valorisation	valorisation	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	5	10	de	de	FW
work_45wy3fczjvc5fj53ll2knwbjv4	5	11	la	la	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	5	12	recherche	recherche	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	5	13	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	6	1	https://www.erudit.org/fr/	https://www.erudit.org/fr/	ADD
work_45wy3fczjvc5fj53ll2knwbjv4	6	2	Document	document	NN
work_45wy3fczjvc5fj53ll2knwbjv4	6	3	généré	généré	NN
work_45wy3fczjvc5fj53ll2knwbjv4	6	4	le	le	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	6	5	5	5	CD
work_45wy3fczjvc5fj53ll2knwbjv4	6	6	avr	avr	NN
work_45wy3fczjvc5fj53ll2knwbjv4	6	7	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	7	1	2021	2021	CD
work_45wy3fczjvc5fj53ll2knwbjv4	7	2	21:12	21:12	CD
work_45wy3fczjvc5fj53ll2knwbjv4	7	3	Canadian	Canadian	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	7	4	University	University	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	7	5	Music	Music	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	7	6	Review	Review	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	7	7	Revue	Revue	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	7	8	de	de	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	7	9	musique	musique	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	7	10	des	des	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	7	11	universités	universités	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	7	12	canadiennes	canadienne	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	7	13	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	7	14	I	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	7	15	See	see	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	7	16	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	7	17	Fretboard	Fretboard	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	7	18	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	7	19	Diagrams	Diagrams	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	7	20	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	7	21	:	:	:
work_45wy3fczjvc5fj53ll2knwbjv4	7	22	An	an	DT
work_45wy3fczjvc5fj53ll2knwbjv4	7	23	Examination	examination	NN
work_45wy3fczjvc5fj53ll2knwbjv4	7	24	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	7	25	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	7	26	Improvisatory	Improvisatory	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	7	27	Style	Style	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	7	28	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	7	29	Herbert	Herbert	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	7	30	Lawrence	Lawrence	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	7	31	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	7	32	Sonny	Sonny	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	7	33	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	7	34	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	7	35	Andrew	Andrew	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	7	36	Scott	Scott	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	7	37	Volume	Volume	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	7	38	24	24	CD
work_45wy3fczjvc5fj53ll2knwbjv4	7	39	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	7	40	numéro	numéro	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	7	41	1	1	CD
work_45wy3fczjvc5fj53ll2knwbjv4	7	42	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	7	43	2003	2003	CD
work_45wy3fczjvc5fj53ll2knwbjv4	7	44	URI	uri	NN
work_45wy3fczjvc5fj53ll2knwbjv4	7	45	:	:	:
work_45wy3fczjvc5fj53ll2knwbjv4	7	46	https://id.erudit.org/iderudit/1014671ar	https://id.erudit.org/iderudit/1014671ar	NN
work_45wy3fczjvc5fj53ll2knwbjv4	7	47	DOI	doi	NN
work_45wy3fczjvc5fj53ll2knwbjv4	7	48	:	:	:
work_45wy3fczjvc5fj53ll2knwbjv4	7	49	https://doi.org/10.7202/1014671ar	https://doi.org/10.7202/1014671ar	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	7	50	Aller	Aller	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	7	51	au	au	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	7	52	sommaire	sommaire	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	7	53	du	du	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	7	54	numéro	numéro	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	7	55	Éditeur(s	Éditeur(s	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	7	56	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	7	57	Canadian	Canadian	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	7	58	University	University	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	7	59	Music	Music	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	7	60	Society	Society	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	7	61	/	/	SYM
work_45wy3fczjvc5fj53ll2knwbjv4	7	62	Société	Société	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	7	63	de	de	FW
work_45wy3fczjvc5fj53ll2knwbjv4	7	64	musique	musique	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	7	65	des	des	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	7	66	universités	universités	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	7	67	canadiennes	canadiennes	NNPS
work_45wy3fczjvc5fj53ll2knwbjv4	7	68	ISSN	ISSN	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	7	69	0710	0710	CD
work_45wy3fczjvc5fj53ll2knwbjv4	7	70	-	-	HYPH
work_45wy3fczjvc5fj53ll2knwbjv4	7	71	0353	0353	CD
work_45wy3fczjvc5fj53ll2knwbjv4	7	72	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	7	73	imprimé	imprimé	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	7	74	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	7	75	2291	2291	CD
work_45wy3fczjvc5fj53ll2knwbjv4	7	76	-	-	SYM
work_45wy3fczjvc5fj53ll2knwbjv4	7	77	2436	2436	CD
work_45wy3fczjvc5fj53ll2knwbjv4	7	78	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	7	79	numérique	numérique	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	7	80	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	7	81	Découvrir	Découvrir	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	7	82	la	la	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	7	83	revue	revue	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	7	84	Citer	Citer	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	7	85	cet	cet	NN
work_45wy3fczjvc5fj53ll2knwbjv4	7	86	article	article	NN
work_45wy3fczjvc5fj53ll2knwbjv4	7	87	Scott	Scott	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	7	88	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	7	89	A.	a.	NN
work_45wy3fczjvc5fj53ll2knwbjv4	8	1	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	8	2	2003	2003	CD
work_45wy3fczjvc5fj53ll2knwbjv4	8	3	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	8	4	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	9	1	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	9	2	I	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	9	3	See	see	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	9	4	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	9	5	Fretboard	Fretboard	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	9	6	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	9	7	Diagrams	Diagrams	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	9	8	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	9	9	:	:	:
work_45wy3fczjvc5fj53ll2knwbjv4	9	10	An	an	DT
work_45wy3fczjvc5fj53ll2knwbjv4	9	11	Examination	examination	NN
work_45wy3fczjvc5fj53ll2knwbjv4	9	12	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	9	13	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	9	14	Improvisatory	Improvisatory	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	9	15	Style	Style	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	9	16	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	9	17	Herbert	Herbert	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	9	18	Lawrence	Lawrence	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	9	19	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	9	20	Sonny	Sonny	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	9	21	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	9	22	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	9	23	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	10	1	Canadian	Canadian	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	10	2	University	University	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	10	3	Music	Music	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	10	4	Review	Review	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	10	5	/	/	SYM
work_45wy3fczjvc5fj53ll2knwbjv4	10	6	Revue	Revue	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	10	7	de	de	IN
work_45wy3fczjvc5fj53ll2knwbjv4	10	8	musique	musique	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	10	9	des	des	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	10	10	universités	universités	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	10	11	canadiennes	canadienne	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	10	12	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	10	13	24(1	24(1	CD
work_45wy3fczjvc5fj53ll2knwbjv4	10	14	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	10	15	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	10	16	62–78	62–78	CD
work_45wy3fczjvc5fj53ll2knwbjv4	10	17	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	11	1	https://doi.org/10.7202/1014671ar	https://doi.org/10.7202/1014671ar	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	11	2	Résumé	Résumé	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	11	3	de	de	FW
work_45wy3fczjvc5fj53ll2knwbjv4	11	4	l'article	l'article	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	11	5	L’auteur	L’auteur	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	11	6	se	se	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	11	7	penche	penche	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	11	8	sur	sur	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	11	9	le	le	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	11	10	style	style	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	11	11	d’improvisation	d’improvisation	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	11	12	du	du	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	11	13	musicien	musicien	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	11	14	de	de	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	11	15	jazz	jazz	NN
work_45wy3fczjvc5fj53ll2knwbjv4	11	16	Herbert	Herbert	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	11	17	Lawrence	Lawrence	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	11	18	«	«	``
work_45wy3fczjvc5fj53ll2knwbjv4	11	19	Sonny	Sonny	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	11	20	»	»	''
work_45wy3fczjvc5fj53ll2knwbjv4	11	21	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	11	22	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	12	1	Si	Si	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	12	2	de	de	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	12	3	nombreuses	nombreuses	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	12	4	sources	source	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	12	5	extra	extra	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	12	6	-	-	HYPH
work_45wy3fczjvc5fj53ll2knwbjv4	12	7	musicales	musicale	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	12	8	nous	nous	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	12	9	renseignent	renseignent	NN
work_45wy3fczjvc5fj53ll2knwbjv4	12	10	sur	sur	FW
work_45wy3fczjvc5fj53ll2knwbjv4	12	11	les	les	FW
work_45wy3fczjvc5fj53ll2knwbjv4	12	12	prestations	prestation	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	12	13	du	du	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	12	14	guitariste	guitariste	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	12	15	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	12	16	les	les	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	12	17	tableaux	tableaux	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	12	18	cubistes	cubiste	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	12	19	de	de	IN
work_45wy3fczjvc5fj53ll2knwbjv4	12	20	Paul	Paul	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	12	21	Klee	Klee	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	12	22	s’avèrent	s’avèrent	NN
work_45wy3fczjvc5fj53ll2knwbjv4	12	23	particulièrement	particulièrement	NN
work_45wy3fczjvc5fj53ll2knwbjv4	12	24	significatifs	significatif	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	12	25	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	13	1	À	à	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	13	2	l’aide	l’aide	NN
work_45wy3fczjvc5fj53ll2knwbjv4	13	3	de	de	FW
work_45wy3fczjvc5fj53ll2knwbjv4	13	4	transcriptions	transcription	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	13	5	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	13	6	d’analyses	d’analyses	FW
work_45wy3fczjvc5fj53ll2knwbjv4	13	7	et	et	FW
work_45wy3fczjvc5fj53ll2knwbjv4	13	8	d’entrevues	d’entrevues	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	13	9	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	13	10	l’auteur	l’auteur	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	13	11	démontre	démontre	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	13	12	que	que	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	13	13	les	les	FW
work_45wy3fczjvc5fj53ll2knwbjv4	13	14	«	«	``
work_45wy3fczjvc5fj53ll2knwbjv4	13	15	diagrammes	diagramme	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	13	16	»	»	ADD
work_45wy3fczjvc5fj53ll2knwbjv4	13	17	des	des	FW
work_45wy3fczjvc5fj53ll2knwbjv4	13	18	positions	position	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	13	19	sur	sur	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	13	20	le	le	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	13	21	manche	manche	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	13	22	—	—	:
work_45wy3fczjvc5fj53ll2knwbjv4	13	23	qui	qui	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	13	24	proviendraient	proviendraient	NN
work_45wy3fczjvc5fj53ll2knwbjv4	13	25	de	de	IN
work_45wy3fczjvc5fj53ll2knwbjv4	13	26	Klee	Klee	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	13	27	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	13	28	selon	selon	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	13	29	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	13	30	—	—	:
work_45wy3fczjvc5fj53ll2knwbjv4	13	31	jouent	jouent	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	13	32	trois	trois	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	13	33	rôles	rôles	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	13	34	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	14	1	D’abord	D’abord	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	14	2	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	14	3	ils	ils	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	14	4	fournissent	fournissent	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	14	5	à	à	DT
work_45wy3fczjvc5fj53ll2knwbjv4	14	6	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	14	7	une	une	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	14	8	manière	manière	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	14	9	personnelle	personnelle	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	14	10	d’approcher	d’approcher	FW
work_45wy3fczjvc5fj53ll2knwbjv4	14	11	son	son	NN
work_45wy3fczjvc5fj53ll2knwbjv4	14	12	art	art	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	14	13	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	15	1	Ensuite	Ensuite	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	15	2	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	15	3	ils	ils	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	15	4	offrent	offrent	NN
work_45wy3fczjvc5fj53ll2knwbjv4	15	5	une	une	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	15	6	stratégie	stratégie	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	15	7	convenue	convenue	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	15	8	et	et	FW
work_45wy3fczjvc5fj53ll2knwbjv4	15	9	perceptive	perceptive	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	15	10	pour	pour	NN
work_45wy3fczjvc5fj53ll2knwbjv4	15	11	traverser	traverser	FW
work_45wy3fczjvc5fj53ll2knwbjv4	15	12	les	les	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	15	13	différentes	différente	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	15	14	zones	zones	NNPS
work_45wy3fczjvc5fj53ll2knwbjv4	15	15	harmoniques	harmonique	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	15	16	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	16	1	Enfin	Enfin	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	16	2	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	16	3	les	les	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	16	4	diagrammes	diagrammes	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	16	5	jouent	jouent	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	16	6	le	le	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	16	7	rôle	rôle	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	16	8	d’une	d’une	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	16	9	théorie	théorie	NN
work_45wy3fczjvc5fj53ll2knwbjv4	16	10	musicale	musicale	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	16	11	de	de	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	16	12	substitution	substitution	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	16	13	pour	pour	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	16	14	cet	cet	NN
work_45wy3fczjvc5fj53ll2knwbjv4	16	15	autodidacte	autodidacte	RB
work_45wy3fczjvc5fj53ll2knwbjv4	16	16	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	16	17	lui	lui	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	16	18	procurant	procurant	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	16	19	une	une	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	16	20	méthode	méthode	NN
work_45wy3fczjvc5fj53ll2knwbjv4	16	21	unique	unique	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	16	22	d’organisation	d’organisation	FW
work_45wy3fczjvc5fj53ll2knwbjv4	16	23	de	de	FW
work_45wy3fczjvc5fj53ll2knwbjv4	16	24	la	la	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	16	25	guitare	guitare	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	16	26	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	17	1	https://apropos.erudit.org/fr/usagers/politique-dutilisation/	https://apropos.erudit.org/fr/usagers/politique-dutilisation/	LS
work_45wy3fczjvc5fj53ll2knwbjv4	17	2	https://www.erudit.org/fr/	https://www.erudit.org/fr/	UH
work_45wy3fczjvc5fj53ll2knwbjv4	17	3	https://www.erudit.org/fr/	https://www.erudit.org/fr/	UH
work_45wy3fczjvc5fj53ll2knwbjv4	17	4	https://www.erudit.org/fr/revues/cumr/	https://www.erudit.org/fr/revues/cumr/	ADD
work_45wy3fczjvc5fj53ll2knwbjv4	17	5	https://id.erudit.org/iderudit/1014671ar	https://id.erudit.org/iderudit/1014671ar	NN
work_45wy3fczjvc5fj53ll2knwbjv4	17	6	https://doi.org/10.7202/1014671ar	https://doi.org/10.7202/1014671ar	NN
work_45wy3fczjvc5fj53ll2knwbjv4	17	7	https://www.erudit.org/fr/revues/cumr/2003-v24-n1-cumr0485/	https://www.erudit.org/fr/revues/cumr/2003-v24-n1-cumr0485/	CD
work_45wy3fczjvc5fj53ll2knwbjv4	17	8	https://www.erudit.org/fr/revues/cumr/	https://www.erudit.org/fr/revues/cumr/	ADD
work_45wy3fczjvc5fj53ll2knwbjv4	17	9	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	17	10	I	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	17	11	SEE	see	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	17	12	THE	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	17	13	FRETBOARD	fretboard	NN
work_45wy3fczjvc5fj53ll2knwbjv4	17	14	IN	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	17	15	DIAGRAMS	diagrams	NN
work_45wy3fczjvc5fj53ll2knwbjv4	17	16	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	17	17	:	:	:
work_45wy3fczjvc5fj53ll2knwbjv4	17	18	AN	an	DT
work_45wy3fczjvc5fj53ll2knwbjv4	17	19	EXAMINATION	examination	NN
work_45wy3fczjvc5fj53ll2knwbjv4	17	20	OF	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	17	21	THE	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	17	22	IMPROVISATORY	IMPROVISATORY	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	17	23	STYLE	STYLE	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	17	24	OF	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	17	25	HERBERT	HERBERT	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	17	26	LAWRENCE	LAWRENCE	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	17	27	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	17	28	SONNY	SONNY	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	17	29	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	17	30	GREENWICH1	GREENWICH1	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	17	31	Andrew	Andrew	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	17	32	Scott	Scott	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	17	33	Although	although	IN
work_45wy3fczjvc5fj53ll2knwbjv4	17	34	listed	list	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	17	35	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	17	36	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	17	37	New	New	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	17	38	Grove	Grove	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	17	39	Dictionary	Dictionary	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	17	40	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	17	41	Jazz	Jazz	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	17	42	as	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	17	43	among	among	IN
work_45wy3fczjvc5fj53ll2knwbjv4	17	44	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	17	45	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	17	46	most	most	RBS
work_45wy3fczjvc5fj53ll2knwbjv4	17	47	important	important	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	17	48	Canadian	canadian	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	17	49	jazz	jazz	NN
work_45wy3fczjvc5fj53ll2knwbjv4	17	50	musicians	musician	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	17	51	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	17	52	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	17	53	Herbert	Herbert	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	17	54	Lawrence	Lawrence	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	17	55	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	17	56	Sonny	Sonny	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	17	57	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	17	58	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	17	59	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	17	60	b.	b.	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	18	1	1936	1936	LS
work_45wy3fczjvc5fj53ll2knwbjv4	18	2	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	18	3	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	18	4	who	who	WP
work_45wy3fczjvc5fj53ll2knwbjv4	18	5	emerged	emerge	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	18	6	on	on	IN
work_45wy3fczjvc5fj53ll2knwbjv4	18	7	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	18	8	Toronto	Toronto	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	18	9	scene	scene	NN
work_45wy3fczjvc5fj53ll2knwbjv4	18	10	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	18	11	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	18	12	late	late	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	18	13	1950s	1950	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	18	14	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	18	15	is	be	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	18	16	not	not	RB
work_45wy3fczjvc5fj53ll2knwbjv4	18	17	as	as	RB
work_45wy3fczjvc5fj53ll2knwbjv4	18	18	well	well	RB
work_45wy3fczjvc5fj53ll2knwbjv4	18	19	known	know	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	18	20	as	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	18	21	such	such	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	18	22	contemporaries	contemporary	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	18	23	as	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	18	24	guitarist	guitarist	NN
work_45wy3fczjvc5fj53ll2knwbjv4	18	25	Ed	Ed	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	18	26	Bickert	Bickert	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	18	27	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	18	28	alto	alto	NN
work_45wy3fczjvc5fj53ll2knwbjv4	18	29	saxophonist	saxophonist	NN
work_45wy3fczjvc5fj53ll2knwbjv4	18	30	Morris	Morris	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	18	31	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	18	32	Moe	Moe	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	18	33	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	18	34	Koffman	Koffman	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	18	35	or	or	CC
work_45wy3fczjvc5fj53ll2knwbjv4	18	36	trombonist	trombonist	NN
work_45wy3fczjvc5fj53ll2knwbjv4	18	37	/	/	SYM
work_45wy3fczjvc5fj53ll2knwbjv4	18	38	bandleader	bandleader	NN
work_45wy3fczjvc5fj53ll2knwbjv4	18	39	Rob	Rob	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	18	40	McConnell	McConnell	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	18	41	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	18	42	Kernfeld	Kernfeld	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	18	43	1988	1988	CD
work_45wy3fczjvc5fj53ll2knwbjv4	18	44	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	18	45	91	91	CD
work_45wy3fczjvc5fj53ll2knwbjv4	18	46	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	18	47	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	19	1	There	there	EX
work_45wy3fczjvc5fj53ll2knwbjv4	19	2	is	be	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	19	3	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	19	4	however	however	RB
work_45wy3fczjvc5fj53ll2knwbjv4	19	5	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	19	6	an	an	DT
work_45wy3fczjvc5fj53ll2knwbjv4	19	7	oral	oral	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	19	8	history	history	NN
work_45wy3fczjvc5fj53ll2knwbjv4	19	9	about	about	IN
work_45wy3fczjvc5fj53ll2knwbjv4	19	10	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	19	11	guitarist	guitarist	NN
work_45wy3fczjvc5fj53ll2knwbjv4	19	12	that	that	WDT
work_45wy3fczjvc5fj53ll2knwbjv4	19	13	speaks	speak	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	19	14	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	19	15	his	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	19	16	importance	importance	NN
work_45wy3fczjvc5fj53ll2knwbjv4	19	17	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	20	1	Interview	interview	NN
work_45wy3fczjvc5fj53ll2knwbjv4	20	2	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	20	3	documentary	documentary	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	20	4	research	research	NN
work_45wy3fczjvc5fj53ll2knwbjv4	20	5	indicates	indicate	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	20	6	that	that	IN
work_45wy3fczjvc5fj53ll2knwbjv4	20	7	such	such	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	20	8	major	major	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	20	9	jazz	jazz	NN
work_45wy3fczjvc5fj53ll2knwbjv4	20	10	figures	figure	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	20	11	as	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	20	12	Elvin	Elvin	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	20	13	Jones	Jones	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	20	14	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	20	15	Jack	Jack	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	20	16	DeJohnette	DeJohnette	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	20	17	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	20	18	John	John	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	20	19	Handy	Handy	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	20	20	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	20	21	Lee	Lee	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	20	22	Morgan	Morgan	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	20	23	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	20	24	Wayne	Wayne	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	20	25	Shorter	Shorter	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	20	26	all	all	DT
work_45wy3fczjvc5fj53ll2knwbjv4	20	27	knew	know	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	20	28	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	20	29	admired	admire	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	20	30	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	20	31	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	20	32	demonstrating	demonstrate	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	20	33	confidence	confidence	NN
work_45wy3fczjvc5fj53ll2knwbjv4	20	34	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	20	35	his	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	20	36	abilities	ability	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	20	37	by	by	IN
work_45wy3fczjvc5fj53ll2knwbjv4	20	38	hiring	hire	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	20	39	him	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	20	40	for	for	IN
work_45wy3fczjvc5fj53ll2knwbjv4	20	41	recordings	recording	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	20	42	or	or	CC
work_45wy3fczjvc5fj53ll2knwbjv4	20	43	live	live	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	20	44	performances	performance	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	20	45	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	21	1	For	for	IN
work_45wy3fczjvc5fj53ll2knwbjv4	21	2	example	example	NN
work_45wy3fczjvc5fj53ll2knwbjv4	21	3	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	21	4	John	John	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	21	5	Handy	Handy	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	21	6	employed	employ	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	21	7	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	21	8	for	for	IN
work_45wy3fczjvc5fj53ll2knwbjv4	21	9	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	21	10	1967	1967	CD
work_45wy3fczjvc5fj53ll2knwbjv4	21	11	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	21	12	Spirituals	spiritual	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	21	13	to	to	TO
work_45wy3fczjvc5fj53ll2knwbjv4	21	14	Swing	swing	VB
work_45wy3fczjvc5fj53ll2knwbjv4	21	15	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	21	16	concert	concert	NN
work_45wy3fczjvc5fj53ll2knwbjv4	21	17	at	at	IN
work_45wy3fczjvc5fj53ll2knwbjv4	21	18	Carnegie	Carnegie	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	21	19	Hall	Hall	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	21	20	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	21	21	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	21	22	both	both	CC
work_45wy3fczjvc5fj53ll2knwbjv4	21	23	Lee	Lee	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	21	24	Morgan	Morgan	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	21	25	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	21	26	Horace	Horace	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	21	27	Silver	Silver	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	21	28	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	21	29	independent	independent	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	21	30	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	21	31	one	one	NN
work_45wy3fczjvc5fj53ll2knwbjv4	21	32	another	another	DT
work_45wy3fczjvc5fj53ll2knwbjv4	21	33	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	21	34	approached	approach	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	21	35	Blue	Blue	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	21	36	Note	Note	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	21	37	Records	Records	NNPS
work_45wy3fczjvc5fj53ll2knwbjv4	21	38	about	about	IN
work_45wy3fczjvc5fj53ll2knwbjv4	21	39	recording	record	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	21	40	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	21	41	guitarist.2	guitarist.2	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	21	42	Green-	Green-	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	21	43	wich	wich	WDT
work_45wy3fczjvc5fj53ll2knwbjv4	21	44	did	do	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	21	45	ultimately	ultimately	RB
work_45wy3fczjvc5fj53ll2knwbjv4	21	46	record	record	VB
work_45wy3fczjvc5fj53ll2knwbjv4	21	47	for	for	IN
work_45wy3fczjvc5fj53ll2knwbjv4	21	48	Blue	Blue	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	21	49	Note	Note	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	21	50	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	21	51	as	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	21	52	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	21	53	side	side	NN
work_45wy3fczjvc5fj53ll2knwbjv4	21	54	person	person	NN
work_45wy3fczjvc5fj53ll2knwbjv4	21	55	on	on	IN
work_45wy3fczjvc5fj53ll2knwbjv4	21	56	Hank	Hank	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	21	57	Mobley	Mobley	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	21	58	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	21	59	1967	1967	CD
work_45wy3fczjvc5fj53ll2knwbjv4	21	60	recording	record	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	21	61	Third	Third	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	21	62	Season	Season	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	21	63	with	with	IN
work_45wy3fczjvc5fj53ll2knwbjv4	21	64	Lee	Lee	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	21	65	Morgan	Morgan	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	21	66	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	21	67	James	James	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	21	68	Spaulding	Spaulding	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	21	69	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	21	70	Cedar	Cedar	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	21	71	Walton	Walton	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	21	72	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	21	73	Walter	Walter	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	21	74	Booker	Booker	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	21	75	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	21	76	Billy	Billy	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	21	77	Higgins	Higgins	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	21	78	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	21	79	Mobley	Mobley	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	21	80	1998	1998	CD
work_45wy3fczjvc5fj53ll2knwbjv4	21	81	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	21	82	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	22	1	Further	further	RB
work_45wy3fczjvc5fj53ll2knwbjv4	22	2	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	22	3	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	22	4	signed	sign	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	22	5	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	22	6	recording	recording	NN
work_45wy3fczjvc5fj53ll2knwbjv4	22	7	contract	contract	NN
work_45wy3fczjvc5fj53ll2knwbjv4	22	8	with	with	IN
work_45wy3fczjvc5fj53ll2knwbjv4	22	9	Orrin	Orrin	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	22	10	Keepnews	Keepnews	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	22	11	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	22	12	Riverside	Riverside	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	22	13	Records	Records	NNPS
work_45wy3fczjvc5fj53ll2knwbjv4	22	14	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	22	15	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	22	16	was	be	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	22	17	preparing	prepare	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	22	18	to	to	TO
work_45wy3fczjvc5fj53ll2knwbjv4	22	19	make	make	VB
work_45wy3fczjvc5fj53ll2knwbjv4	22	20	his	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	22	21	first	first	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	22	22	album	album	NN
work_45wy3fczjvc5fj53ll2knwbjv4	22	23	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	22	24	with	with	IN
work_45wy3fczjvc5fj53ll2knwbjv4	22	25	Joe	Joe	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	22	26	Zawinul	Zawinul	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	22	27	on	on	IN
work_45wy3fczjvc5fj53ll2knwbjv4	22	28	piano	piano	NN
work_45wy3fczjvc5fj53ll2knwbjv4	22	29	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	22	30	when	when	WRB
work_45wy3fczjvc5fj53ll2knwbjv4	22	31	his	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	22	32	employment	employment	NN
work_45wy3fczjvc5fj53ll2knwbjv4	22	33	authorization	authorization	NN
work_45wy3fczjvc5fj53ll2knwbjv4	22	34	expired	expire	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	22	35	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	22	36	he	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	22	37	was	be	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	22	38	forced	force	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	22	39	to	to	TO
work_45wy3fczjvc5fj53ll2knwbjv4	22	40	return	return	VB
work_45wy3fczjvc5fj53ll2knwbjv4	22	41	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	22	42	Canada	Canada	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	22	43	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	22	44	1967.3	1967.3	CD
work_45wy3fczjvc5fj53ll2knwbjv4	22	45	Immigration	Immigration	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	22	46	issues	issue	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	22	47	were	be	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	22	48	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	22	49	consistent	consistent	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	22	50	problem	problem	NN
work_45wy3fczjvc5fj53ll2knwbjv4	22	51	for	for	IN
work_45wy3fczjvc5fj53ll2knwbjv4	22	52	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	22	53	guitarist	guitarist	NN
work_45wy3fczjvc5fj53ll2knwbjv4	22	54	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	23	1	Lacking	lack	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	23	2	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	23	3	permanent	permanent	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	23	4	work	work	NN
work_45wy3fczjvc5fj53ll2knwbjv4	23	5	permit	permit	NN
work_45wy3fczjvc5fj53ll2knwbjv4	23	6	that	that	WDT
work_45wy3fczjvc5fj53ll2knwbjv4	23	7	would	would	MD
work_45wy3fczjvc5fj53ll2knwbjv4	23	8	enable	enable	VB
work_45wy3fczjvc5fj53ll2knwbjv4	23	9	him	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	23	10	to	to	TO
work_45wy3fczjvc5fj53ll2knwbjv4	23	11	enter	enter	VB
work_45wy3fczjvc5fj53ll2knwbjv4	23	12	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	23	13	United	United	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	23	14	States	States	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	23	15	for	for	IN
work_45wy3fczjvc5fj53ll2knwbjv4	23	16	purposes	purpose	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	23	17	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	23	18	employment	employment	NN
work_45wy3fczjvc5fj53ll2knwbjv4	23	19	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	23	20	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	23	21	was	be	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	23	22	forced	force	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	23	23	to	to	TO
work_45wy3fczjvc5fj53ll2knwbjv4	23	24	turn	turn	VB
work_45wy3fczjvc5fj53ll2knwbjv4	23	25	down	down	RP
work_45wy3fczjvc5fj53ll2knwbjv4	23	26	potentially	potentially	RB
work_45wy3fczjvc5fj53ll2knwbjv4	23	27	career	career	NN
work_45wy3fczjvc5fj53ll2knwbjv4	23	28	-	-	HYPH
work_45wy3fczjvc5fj53ll2knwbjv4	23	29	altering	alter	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	23	30	job	job	NN
work_45wy3fczjvc5fj53ll2knwbjv4	23	31	offers	offer	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	23	32	from	from	IN
work_45wy3fczjvc5fj53ll2knwbjv4	23	33	Lena	Lena	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	23	34	Home	Home	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	23	35	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	23	36	Miles	Miles	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	23	37	Davis	Davis	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	23	38	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	23	39	with	with	IN
work_45wy3fczjvc5fj53ll2knwbjv4	23	40	whom	whom	WP
work_45wy3fczjvc5fj53ll2knwbjv4	23	41	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	23	42	performed	perform	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	23	43	at	at	IN
work_45wy3fczjvc5fj53ll2knwbjv4	23	44	Toronto	Toronto	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	23	45	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	23	46	Colonial	Colonial	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	23	47	Tavern	Tavern	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	23	48	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	23	49	December	December	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	23	50	1969	1969	CD
work_45wy3fczjvc5fj53ll2knwbjv4	23	51	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	24	1	1	1	LS
work_45wy3fczjvc5fj53ll2knwbjv4	24	2	This	this	DT
work_45wy3fczjvc5fj53ll2knwbjv4	24	3	essay	essay	NN
work_45wy3fczjvc5fj53ll2knwbjv4	24	4	is	be	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	24	5	an	an	DT
work_45wy3fczjvc5fj53ll2knwbjv4	24	6	expanded	expand	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	24	7	version	version	NN
work_45wy3fczjvc5fj53ll2knwbjv4	24	8	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	24	9	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	24	10	paper	paper	NN
work_45wy3fczjvc5fj53ll2knwbjv4	24	11	originally	originally	RB
work_45wy3fczjvc5fj53ll2knwbjv4	24	12	presented	present	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	24	13	at	at	IN
work_45wy3fczjvc5fj53ll2knwbjv4	24	14	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	24	15	University	University	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	24	16	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	24	17	Guelph	Guelph	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	24	18	Jazz	Jazz	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	24	19	Festival	Festival	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	24	20	Colloquium	Colloquium	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	24	21	on	on	IN
work_45wy3fczjvc5fj53ll2knwbjv4	24	22	4	4	CD
work_45wy3fczjvc5fj53ll2knwbjv4	24	23	September	September	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	24	24	2002	2002	CD
work_45wy3fczjvc5fj53ll2knwbjv4	24	25	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	25	1	The	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	25	2	author	author	NN
work_45wy3fczjvc5fj53ll2knwbjv4	25	3	wishes	wish	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	25	4	to	to	TO
work_45wy3fczjvc5fj53ll2knwbjv4	25	5	thank	thank	VB
work_45wy3fczjvc5fj53ll2knwbjv4	25	6	Dr.	Dr.	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	25	7	James	James	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	25	8	Deaville	Deaville	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	25	9	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	25	10	Charles	Charles	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	25	11	Henderson	Henderson	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	25	12	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	25	13	Marilyn	Marilyn	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	25	14	Scott	Scott	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	25	15	for	for	IN
work_45wy3fczjvc5fj53ll2knwbjv4	25	16	their	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	25	17	editing	editing	NN
work_45wy3fczjvc5fj53ll2knwbjv4	25	18	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	25	19	Dr.	Dr.	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	25	20	Howard	Howard	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	25	21	Spring	Spring	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	25	22	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	25	23	an	an	DT
work_45wy3fczjvc5fj53ll2knwbjv4	25	24	anonymous	anonymous	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	25	25	reviewer	reviewer	NN
work_45wy3fczjvc5fj53ll2knwbjv4	25	26	for	for	IN
work_45wy3fczjvc5fj53ll2knwbjv4	25	27	their	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	25	28	insights	insight	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	25	29	into	into	IN
work_45wy3fczjvc5fj53ll2knwbjv4	25	30	an	an	DT
work_45wy3fczjvc5fj53ll2knwbjv4	25	31	earlier	early	JJR
work_45wy3fczjvc5fj53ll2knwbjv4	25	32	version	version	NN
work_45wy3fczjvc5fj53ll2knwbjv4	25	33	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	25	34	this	this	DT
work_45wy3fczjvc5fj53ll2knwbjv4	25	35	article	article	NN
work_45wy3fczjvc5fj53ll2knwbjv4	25	36	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	25	37	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	25	38	Jim	Jim	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	25	39	Clayton	Clayton	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	25	40	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	25	41	Christy	Christy	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	25	42	DiFelice	DiFelice	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	25	43	for	for	IN
work_45wy3fczjvc5fj53ll2knwbjv4	25	44	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	25	45	music	music	NN
work_45wy3fczjvc5fj53ll2knwbjv4	25	46	engraving	engrave	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	25	47	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	26	1	Thanks	thank	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	26	2	also	also	RB
work_45wy3fczjvc5fj53ll2knwbjv4	26	3	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	26	4	Sonny	Sonny	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	26	5	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	26	6	as	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	26	7	artist	artist	NN
work_45wy3fczjvc5fj53ll2knwbjv4	26	8	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	26	9	Barry	Barry	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	26	10	Elmes	Elmes	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	26	11	as	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	26	12	President	President	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	26	13	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	26	14	Cornerstone	Cornerstone	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	26	15	Records	Records	NNPS
work_45wy3fczjvc5fj53ll2knwbjv4	26	16	Inc.	Inc.	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	26	17	for	for	IN
work_45wy3fczjvc5fj53ll2knwbjv4	26	18	authorizing	authorize	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	26	19	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	26	20	use	use	NN
work_45wy3fczjvc5fj53ll2knwbjv4	26	21	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	26	22	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	26	23	musical	musical	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	26	24	examples	example	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	26	25	contained	contain	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	26	26	within	within	IN
work_45wy3fczjvc5fj53ll2knwbjv4	26	27	this	this	DT
work_45wy3fczjvc5fj53ll2knwbjv4	26	28	article	article	NN
work_45wy3fczjvc5fj53ll2knwbjv4	26	29	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	26	30	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	26	31	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	26	32	Sonny	Sonny	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	26	33	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	26	34	for	for	IN
work_45wy3fczjvc5fj53ll2knwbjv4	26	35	graciously	graciously	RB
work_45wy3fczjvc5fj53ll2knwbjv4	26	36	consenting	consent	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	26	37	to	to	TO
work_45wy3fczjvc5fj53ll2knwbjv4	26	38	be	be	VB
work_45wy3fczjvc5fj53ll2knwbjv4	26	39	interviewed	interview	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	26	40	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	26	41	quoted	quote	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	26	42	for	for	IN
work_45wy3fczjvc5fj53ll2knwbjv4	26	43	this	this	DT
work_45wy3fczjvc5fj53ll2knwbjv4	26	44	project	project	NN
work_45wy3fczjvc5fj53ll2knwbjv4	26	45	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	27	1	2Sonny	2Sonny	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	27	2	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	27	3	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	27	4	interview	interview	NN
work_45wy3fczjvc5fj53ll2knwbjv4	27	5	with	with	IN
work_45wy3fczjvc5fj53ll2knwbjv4	27	6	Andrew	Andrew	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	27	7	Scott	Scott	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	27	8	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	27	9	12	12	CD
work_45wy3fczjvc5fj53ll2knwbjv4	27	10	July	July	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	27	11	2002	2002	CD
work_45wy3fczjvc5fj53ll2knwbjv4	27	12	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	28	1	Hereafter	Hereafter	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	28	2	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	28	3	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	28	4	pers	per	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	28	5	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	29	1	interv	interv	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	29	2	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	30	1	2002	2002	CD
work_45wy3fczjvc5fj53ll2knwbjv4	30	2	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	31	1	3	3	CD
work_45wy3fczjvc5fj53ll2knwbjv4	31	2	Joe	Joe	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	31	3	Zawinul	Zawinul	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	31	4	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	31	5	interview	interview	NN
work_45wy3fczjvc5fj53ll2knwbjv4	31	6	with	with	IN
work_45wy3fczjvc5fj53ll2knwbjv4	31	7	Andrew	Andrew	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	31	8	Scott	Scott	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	31	9	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	31	10	1	1	CD
work_45wy3fczjvc5fj53ll2knwbjv4	31	11	October	October	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	31	12	2004	2004	CD
work_45wy3fczjvc5fj53ll2knwbjv4	31	13	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	32	1	24/1	24/1	CD
work_45wy3fczjvc5fj53ll2knwbjv4	32	2	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	32	3	2003	2003	CD
work_45wy3fczjvc5fj53ll2knwbjv4	32	4	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	32	5	63	63	CD
work_45wy3fczjvc5fj53ll2knwbjv4	32	6	One	one	CD
work_45wy3fczjvc5fj53ll2knwbjv4	32	7	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	32	8	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	32	9	most	most	RBS
work_45wy3fczjvc5fj53ll2knwbjv4	32	10	intriguing	intriguing	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	32	11	aspects	aspect	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	32	12	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	32	13	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	32	14	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	32	15	history	history	NN
work_45wy3fczjvc5fj53ll2knwbjv4	32	16	is	be	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	32	17	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	32	18	reputation	reputation	NN
work_45wy3fczjvc5fj53ll2knwbjv4	32	19	he	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	32	20	holds	hold	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	32	21	among	among	IN
work_45wy3fczjvc5fj53ll2knwbjv4	32	22	fellow	fellow	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	32	23	jazz	jazz	NN
work_45wy3fczjvc5fj53ll2knwbjv4	32	24	guitarists	guitarist	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	32	25	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	33	1	For	for	IN
work_45wy3fczjvc5fj53ll2knwbjv4	33	2	example	example	NN
work_45wy3fczjvc5fj53ll2knwbjv4	33	3	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	33	4	Phil	Phil	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	33	5	Upchurch	Upchurch	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	33	6	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	33	7	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	33	8	guitarist	guitarist	NN
work_45wy3fczjvc5fj53ll2knwbjv4	33	9	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	33	10	bassist	bassist	NN
work_45wy3fczjvc5fj53ll2knwbjv4	33	11	who	who	WP
work_45wy3fczjvc5fj53ll2knwbjv4	33	12	enjoyed	enjoy	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	33	13	longstanding	longstanding	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	33	14	musical	musical	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	33	15	relationships	relationship	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	33	16	with	with	IN
work_45wy3fczjvc5fj53ll2knwbjv4	33	17	George	George	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	33	18	Benson	Benson	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	33	19	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	33	20	Donny	Donny	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	33	21	Hathaway	Hathaway	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	33	22	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	33	23	Otis	Otis	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	33	24	Rush	Rush	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	33	25	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	33	26	The	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	33	27	Ramsey	Ramsey	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	33	28	Lewis	Lewis	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	33	29	Trio	Trio	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	33	30	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	33	31	told	tell	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	33	32	me	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	33	33	how	how	WRB
work_45wy3fczjvc5fj53ll2knwbjv4	33	34	excited	excited	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	33	35	two	two	CD
work_45wy3fczjvc5fj53ll2knwbjv4	33	36	-	-	HYPH
work_45wy3fczjvc5fj53ll2knwbjv4	33	37	time	time	NN
work_45wy3fczjvc5fj53ll2knwbjv4	33	38	Grammy	Grammy	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	33	39	award	award	NN
work_45wy3fczjvc5fj53ll2knwbjv4	33	40	winning	win	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	33	41	guitarist	guitarist	NN
work_45wy3fczjvc5fj53ll2knwbjv4	33	42	Wes	Wes	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	33	43	Montgomery	Montgomery	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	33	44	was	be	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	33	45	after	after	IN
work_45wy3fczjvc5fj53ll2knwbjv4	33	46	hearing	hear	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	33	47	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	33	48	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	33	49	sit	sit	VB
work_45wy3fczjvc5fj53ll2knwbjv4	33	50	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	33	51	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	33	52	with	with	IN
work_45wy3fczjvc5fj53ll2knwbjv4	33	53	his	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	33	54	Montgomery	Montgomery	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	33	55	Brothers	Brothers	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	33	56	band	band	NN
work_45wy3fczjvc5fj53ll2knwbjv4	33	57	at	at	IN
work_45wy3fczjvc5fj53ll2knwbjv4	33	58	New	New	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	33	59	York	York	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	33	60	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	33	61	Half	Half	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	33	62	Note.4	note.4	NN
work_45wy3fczjvc5fj53ll2knwbjv4	33	63	According	accord	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	33	64	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	33	65	Upchurch	Upchurch	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	33	66	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	33	67	Montgomery	Montgomery	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	33	68	promised	promise	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	33	69	to	to	TO
work_45wy3fczjvc5fj53ll2knwbjv4	33	70	take	take	VB
work_45wy3fczjvc5fj53ll2knwbjv4	33	71	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	33	72	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	33	73	name	name	NN
work_45wy3fczjvc5fj53ll2knwbjv4	33	74	to	to	TO
work_45wy3fczjvc5fj53ll2knwbjv4	33	75	saxophonist	saxophonist	VB
work_45wy3fczjvc5fj53ll2knwbjv4	33	76	John	John	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	33	77	Coltrane	Coltrane	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	33	78	who	who	WP
work_45wy3fczjvc5fj53ll2knwbjv4	33	79	was	be	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	33	80	hoping	hope	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	33	81	to	to	TO
work_45wy3fczjvc5fj53ll2knwbjv4	33	82	add	add	VB
work_45wy3fczjvc5fj53ll2knwbjv4	33	83	guitar	guitar	NN
work_45wy3fczjvc5fj53ll2knwbjv4	33	84	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	33	85	his	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	33	86	band	band	NN
work_45wy3fczjvc5fj53ll2knwbjv4	33	87	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	34	1	Similarly	similarly	RB
work_45wy3fczjvc5fj53ll2knwbjv4	34	2	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	34	3	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	34	4	recounted	recount	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	34	5	that	that	IN
work_45wy3fczjvc5fj53ll2knwbjv4	34	6	pioneering	pioneer	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	34	7	jazz	jazz	NN
work_45wy3fczjvc5fj53ll2knwbjv4	34	8	/	/	SYM
work_45wy3fczjvc5fj53ll2knwbjv4	34	9	rock	rock	NN
work_45wy3fczjvc5fj53ll2knwbjv4	34	10	fusion	fusion	NN
work_45wy3fczjvc5fj53ll2knwbjv4	34	11	guitarist	guitarist	NN
work_45wy3fczjvc5fj53ll2knwbjv4	34	12	Larry	Larry	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	34	13	Coryell	Coryell	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	34	14	was	be	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	34	15	so	so	RB
work_45wy3fczjvc5fj53ll2knwbjv4	34	16	intimidated	intimidate	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	34	17	by	by	IN
work_45wy3fczjvc5fj53ll2knwbjv4	34	18	his	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	34	19	skills	skill	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	34	20	that	that	IN
work_45wy3fczjvc5fj53ll2knwbjv4	34	21	he	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	34	22	did	do	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	34	23	n't	not	RB
work_45wy3fczjvc5fj53ll2knwbjv4	34	24	want	want	VB
work_45wy3fczjvc5fj53ll2knwbjv4	34	25	to	to	TO
work_45wy3fczjvc5fj53ll2knwbjv4	34	26	perform	perform	VB
work_45wy3fczjvc5fj53ll2knwbjv4	34	27	after	after	IN
work_45wy3fczjvc5fj53ll2knwbjv4	34	28	hearing	hear	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	34	29	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	34	30	at	at	IN
work_45wy3fczjvc5fj53ll2knwbjv4	34	31	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	34	32	Village	Village	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	34	33	Vanguard	Vanguard	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	34	34	with	with	IN
work_45wy3fczjvc5fj53ll2knwbjv4	34	35	Teddy	Teddy	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	34	36	Saun-	Saun-	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	34	37	ders	der	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	34	38	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	34	39	Jimmy	Jimmy	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	34	40	Garrison	Garrison	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	34	41	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	34	42	Jack	Jack	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	34	43	De	De	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	34	44	Johnette	Johnette	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	34	45	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	34	46	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	34	47	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	34	48	pers	per	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	34	49	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	35	1	interv	interv	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	35	2	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	36	1	2002	2002	CD
work_45wy3fczjvc5fj53ll2knwbjv4	36	2	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	36	3	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	37	1	I	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	37	2	suggest	suggest	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	37	3	that	that	IN
work_45wy3fczjvc5fj53ll2knwbjv4	37	4	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	37	5	aforementioned	aforementioned	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	37	6	discourse	discourse	NN
work_45wy3fczjvc5fj53ll2knwbjv4	37	7	surrounding	surround	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	37	8	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	37	9	is	be	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	37	10	valuable	valuable	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	37	11	for	for	IN
work_45wy3fczjvc5fj53ll2knwbjv4	37	12	two	two	CD
work_45wy3fczjvc5fj53ll2knwbjv4	37	13	principal	principal	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	37	14	reasons	reason	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	37	15	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	38	1	First	first	RB
work_45wy3fczjvc5fj53ll2knwbjv4	38	2	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	38	3	it	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	38	4	underscores	underscore	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	38	5	how	how	WRB
work_45wy3fczjvc5fj53ll2knwbjv4	38	6	highly	highly	RB
work_45wy3fczjvc5fj53ll2knwbjv4	38	7	regarded	regarded	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	38	8	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	38	9	was	be	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	38	10	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	38	11	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	38	12	is	be	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	38	13	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	38	14	within	within	IN
work_45wy3fczjvc5fj53ll2knwbjv4	38	15	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	38	16	jazz	jazz	NN
work_45wy3fczjvc5fj53ll2knwbjv4	38	17	community	community	NN
work_45wy3fczjvc5fj53ll2knwbjv4	38	18	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	38	19	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	38	20	secondly	secondly	RB
work_45wy3fczjvc5fj53ll2knwbjv4	38	21	such	such	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	38	22	narratives	narrative	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	38	23	reveal	reveal	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	38	24	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	38	25	story	story	NN
work_45wy3fczjvc5fj53ll2knwbjv4	38	26	that	that	WDT
work_45wy3fczjvc5fj53ll2knwbjv4	38	27	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	38	28	until	until	IN
work_45wy3fczjvc5fj53ll2knwbjv4	38	29	now	now	RB
work_45wy3fczjvc5fj53ll2knwbjv4	38	30	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	38	31	has	have	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	38	32	not	not	RB
work_45wy3fczjvc5fj53ll2knwbjv4	38	33	been	be	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	38	34	examined	examine	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	38	35	fully.5	fully.5	PDT
work_45wy3fczjvc5fj53ll2knwbjv4	38	36	This	this	DT
work_45wy3fczjvc5fj53ll2knwbjv4	38	37	article	article	NN
work_45wy3fczjvc5fj53ll2knwbjv4	38	38	explores	explore	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	38	39	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	38	40	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	38	41	1994	1994	CD
work_45wy3fczjvc5fj53ll2knwbjv4	38	42	improvisation	improvisation	NN
work_45wy3fczjvc5fj53ll2knwbjv4	38	43	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	38	44	Sonics	Sonics	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	38	45	II	II	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	38	46	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	38	47	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	38	48	Green-	Green-	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	38	49	wich	wich	NN
work_45wy3fczjvc5fj53ll2knwbjv4	38	50	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	38	51	Bley	Bley	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	38	52	1995	1995	CD
work_45wy3fczjvc5fj53ll2knwbjv4	38	53	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	38	54	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	39	1	Unrehearsed	unrehearse	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	39	2	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	39	3	recorded	record	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	39	4	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	39	5	live	live	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	39	6	off	off	IN
work_45wy3fczjvc5fj53ll2knwbjv4	39	7	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	39	8	floor	floor	NN
work_45wy3fczjvc5fj53ll2knwbjv4	39	9	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	39	10	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	39	11	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	39	12	Montreal	Montreal	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	39	13	studio	studio	NN
work_45wy3fczjvc5fj53ll2knwbjv4	39	14	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	39	15	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	39	16	Sonics	Sonics	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	39	17	II	II	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	39	18	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	39	19	offers	offer	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	39	20	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	39	21	valuable	valuable	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	39	22	portal	portal	NN
work_45wy3fczjvc5fj53ll2knwbjv4	39	23	into	into	IN
work_45wy3fczjvc5fj53ll2knwbjv4	39	24	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	39	25	improvisational	improvisational	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	39	26	style	style	NN
work_45wy3fczjvc5fj53ll2knwbjv4	39	27	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	39	28	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	39	29	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	40	1	A	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	40	2	second	second	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	40	3	goal	goal	NN
work_45wy3fczjvc5fj53ll2knwbjv4	40	4	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	40	5	this	this	DT
work_45wy3fczjvc5fj53ll2knwbjv4	40	6	article	article	NN
work_45wy3fczjvc5fj53ll2knwbjv4	40	7	is	be	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	40	8	to	to	TO
work_45wy3fczjvc5fj53ll2knwbjv4	40	9	explore	explore	VB
work_45wy3fczjvc5fj53ll2knwbjv4	40	10	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	40	11	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	40	12	comments	comment	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	40	13	about	about	IN
work_45wy3fczjvc5fj53ll2knwbjv4	40	14	his	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	40	15	music	music	NN
work_45wy3fczjvc5fj53ll2knwbjv4	40	16	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	40	17	marry	marry	VB
work_45wy3fczjvc5fj53ll2knwbjv4	40	18	them	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	40	19	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	40	20	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	40	21	transcription	transcription	NN
work_45wy3fczjvc5fj53ll2knwbjv4	40	22	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	41	1	The	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	41	2	parallels	parallel	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	41	3	he	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	41	4	draws	draw	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	41	5	between	between	IN
work_45wy3fczjvc5fj53ll2knwbjv4	41	6	his	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	41	7	musical	musical	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	41	8	style	style	NN
work_45wy3fczjvc5fj53ll2knwbjv4	41	9	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	41	10	visual	visual	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	41	11	shapes	shape	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	41	12	are	be	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	41	13	especially	especially	RB
work_45wy3fczjvc5fj53ll2knwbjv4	41	14	intriguing	intriguing	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	41	15	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	42	1	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	42	2	was	be	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	42	3	born	bear	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	42	4	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	42	5	Hamilton	Hamilton	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	42	6	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	42	7	Ontario	Ontario	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	42	8	on	on	IN
work_45wy3fczjvc5fj53ll2knwbjv4	42	9	1	1	CD
work_45wy3fczjvc5fj53ll2knwbjv4	42	10	January	January	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	42	11	1936	1936	CD
work_45wy3fczjvc5fj53ll2knwbjv4	42	12	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	42	13	but	but	CC
work_45wy3fczjvc5fj53ll2knwbjv4	42	14	grew	grow	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	42	15	up	up	RP
work_45wy3fczjvc5fj53ll2knwbjv4	42	16	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	42	17	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	42	18	Kensington	Kensington	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	42	19	Market	Market	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	42	20	neighborhood	neighborhood	NN
work_45wy3fczjvc5fj53ll2knwbjv4	42	21	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	42	22	Toronto	Toronto	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	42	23	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	43	1	His	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	43	2	father	father	NN
work_45wy3fczjvc5fj53ll2knwbjv4	43	3	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	43	4	Herb	Herb	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	43	5	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	43	6	was	be	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	43	7	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	43	8	railroad	railroad	NN
work_45wy3fczjvc5fj53ll2knwbjv4	43	9	porter	porter	NN
work_45wy3fczjvc5fj53ll2knwbjv4	43	10	for	for	IN
work_45wy3fczjvc5fj53ll2knwbjv4	43	11	Canadian	Canadian	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	43	12	Pacific	Pacific	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	43	13	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	43	14	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	43	15	pianist	pianist	NN
work_45wy3fczjvc5fj53ll2knwbjv4	43	16	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	44	1	His	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	44	2	piano	piano	NN
work_45wy3fczjvc5fj53ll2knwbjv4	44	3	playing	playing	NN
work_45wy3fczjvc5fj53ll2knwbjv4	44	4	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	44	5	large	large	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	44	6	record	record	NN
work_45wy3fczjvc5fj53ll2knwbjv4	44	7	collection	collection	NN
work_45wy3fczjvc5fj53ll2knwbjv4	44	8	were	be	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	44	9	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	44	10	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	44	11	earliest	early	JJS
work_45wy3fczjvc5fj53ll2knwbjv4	44	12	musical	musical	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	44	13	influences	influence	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	44	14	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	45	1	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	45	2	I	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	45	3	grew	grow	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	45	4	up	up	RP
work_45wy3fczjvc5fj53ll2knwbjv4	45	5	listening	listen	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	45	6	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	45	7	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	45	8	records	record	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	45	9	that	that	WDT
work_45wy3fczjvc5fj53ll2knwbjv4	45	10	he	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	45	11	had	have	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	45	12	—	—	:
work_45wy3fczjvc5fj53ll2knwbjv4	45	13	Earl	Earl	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	45	14	Hines	Hines	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	45	15	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	45	16	Art	Art	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	45	17	Tatum	tatum	NN
work_45wy3fczjvc5fj53ll2knwbjv4	45	18	—	—	:
work_45wy3fczjvc5fj53ll2knwbjv4	45	19	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	45	20	I	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	45	21	still	still	RB
work_45wy3fczjvc5fj53ll2knwbjv4	45	22	remember	remember	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	45	23	them	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	45	24	very	very	RB
work_45wy3fczjvc5fj53ll2knwbjv4	45	25	clearly	clearly	RB
work_45wy3fczjvc5fj53ll2knwbjv4	45	26	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	45	27	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	45	28	O'Reilly	O'Reilly	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	45	29	1979/1981	1979/1981	CD
work_45wy3fczjvc5fj53ll2knwbjv4	45	30	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	45	31	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	46	1	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	46	2	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	46	3	first	first	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	46	4	professional	professional	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	46	5	music	music	NN
work_45wy3fczjvc5fj53ll2knwbjv4	46	6	job	job	NN
work_45wy3fczjvc5fj53ll2knwbjv4	46	7	was	be	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	46	8	with	with	IN
work_45wy3fczjvc5fj53ll2knwbjv4	46	9	The	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	46	10	Connie	Connie	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	46	11	Maynard	Maynard	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	46	12	band	band	NN
work_45wy3fczjvc5fj53ll2knwbjv4	46	13	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	46	14	Toronto	Toronto	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	46	15	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	47	1	A	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	47	2	soulful	soulful	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	47	3	pianist	pianist	NN
work_45wy3fczjvc5fj53ll2knwbjv4	47	4	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	47	5	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	47	6	style	style	NN
work_45wy3fczjvc5fj53ll2knwbjv4	47	7	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	47	8	Wynton	Wynton	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	47	9	Kelly	Kelly	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	47	10	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	47	11	Maynard	Maynard	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	47	12	was	be	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	47	13	one	one	CD
work_45wy3fczjvc5fj53ll2knwbjv4	47	14	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	47	15	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	47	16	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	47	17	earliest	early	JJS
work_45wy3fczjvc5fj53ll2knwbjv4	47	18	supporters	supporter	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	47	19	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	48	1	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	48	2	He	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	48	3	's	be	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	48	4	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	48	5	one	one	NN
work_45wy3fczjvc5fj53ll2knwbjv4	48	6	that	that	WDT
work_45wy3fczjvc5fj53ll2knwbjv4	48	7	got	get	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	48	8	me	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	48	9	started	start	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	48	10	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	49	1	I	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	49	2	was	be	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	49	3	sitting	sit	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	49	4	on	on	IN
work_45wy3fczjvc5fj53ll2knwbjv4	49	5	my	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	49	6	porch	porch	NN
work_45wy3fczjvc5fj53ll2knwbjv4	49	7	playing	play	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	49	8	guitar	guitar	NN
work_45wy3fczjvc5fj53ll2knwbjv4	49	9	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	49	10	he	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	49	11	drove	drive	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	49	12	by	by	RB
work_45wy3fczjvc5fj53ll2knwbjv4	49	13	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	50	1	He	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	50	2	backed	back	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	50	3	up	up	RP
work_45wy3fczjvc5fj53ll2knwbjv4	50	4	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	50	5	asked	ask	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	50	6	me	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	50	7	if	if	IN
work_45wy3fczjvc5fj53ll2knwbjv4	50	8	I	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	50	9	wanted	want	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	50	10	to	to	TO
work_45wy3fczjvc5fj53ll2knwbjv4	50	11	play	play	VB
work_45wy3fczjvc5fj53ll2knwbjv4	50	12	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	50	13	dance	dance	NN
work_45wy3fczjvc5fj53ll2knwbjv4	50	14	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	50	15	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	50	16	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	50	17	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	50	18	pers	per	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	50	19	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	51	1	interv	interv	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	51	2	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	52	1	2002	2002	CD
work_45wy3fczjvc5fj53ll2knwbjv4	52	2	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	52	3	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	53	1	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	53	2	played	play	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	53	3	rhythm	rhythm	NN
work_45wy3fczjvc5fj53ll2knwbjv4	53	4	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	53	5	blues	blue	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	53	6	with	with	IN
work_45wy3fczjvc5fj53ll2knwbjv4	53	7	Maynard	Maynard	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	53	8	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	54	1	As	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	54	2	he	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	54	3	told	tell	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	54	4	Ted	Ted	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	54	5	O'Reilly	O'Reilly	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	54	6	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	54	7	longtime	longtime	NN
work_45wy3fczjvc5fj53ll2knwbjv4	54	8	program	program	NN
work_45wy3fczjvc5fj53ll2knwbjv4	54	9	director	director	NN
work_45wy3fczjvc5fj53ll2knwbjv4	54	10	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	54	11	disc	disc	NN
work_45wy3fczjvc5fj53ll2knwbjv4	54	12	jockey	jockey	NN
work_45wy3fczjvc5fj53ll2knwbjv4	54	13	for	for	IN
work_45wy3fczjvc5fj53ll2knwbjv4	54	14	Toronto	Toronto	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	54	15	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	54	16	first	first	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	54	17	jazz	jazz	NN
work_45wy3fczjvc5fj53ll2knwbjv4	54	18	radio	radio	NN
work_45wy3fczjvc5fj53ll2knwbjv4	54	19	station	station	NN
work_45wy3fczjvc5fj53ll2knwbjv4	54	20	CJRT	CJRT	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	54	21	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	54	22	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	54	23	We	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	54	24	liked	like	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	54	25	jazz	jazz	NN
work_45wy3fczjvc5fj53ll2knwbjv4	54	26	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	54	27	but	but	CC
work_45wy3fczjvc5fj53ll2knwbjv4	54	28	we	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	54	29	could	could	MD
work_45wy3fczjvc5fj53ll2knwbjv4	54	30	only	only	RB
work_45wy3fczjvc5fj53ll2knwbjv4	54	31	exist	exist	VB
work_45wy3fczjvc5fj53ll2knwbjv4	54	32	through	through	IN
work_45wy3fczjvc5fj53ll2knwbjv4	54	33	rhythm	rhythm	NN
work_45wy3fczjvc5fj53ll2knwbjv4	54	34	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	54	35	blues	blue	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	54	36	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	55	1	So	so	RB
work_45wy3fczjvc5fj53ll2knwbjv4	55	2	we	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	55	3	played	play	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	55	4	jazz	jazz	NN
work_45wy3fczjvc5fj53ll2knwbjv4	55	5	sometimes	sometimes	RB
work_45wy3fczjvc5fj53ll2knwbjv4	55	6	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	55	7	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	55	8	community	community	NN
work_45wy3fczjvc5fj53ll2knwbjv4	55	9	centre	centre	NN
work_45wy3fczjvc5fj53ll2knwbjv4	55	10	where	where	WRB
work_45wy3fczjvc5fj53ll2knwbjv4	55	11	they	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	55	12	gave	give	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	55	13	us	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	55	14	this	this	DT
work_45wy3fczjvc5fj53ll2knwbjv4	55	15	room	room	NN
work_45wy3fczjvc5fj53ll2knwbjv4	55	16	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	55	17	people	people	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	55	18	would	would	MD
work_45wy3fczjvc5fj53ll2knwbjv4	55	19	come	come	VB
work_45wy3fczjvc5fj53ll2knwbjv4	55	20	in	in	RB
work_45wy3fczjvc5fj53ll2knwbjv4	55	21	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	55	22	listen	listen	VB
work_45wy3fczjvc5fj53ll2knwbjv4	55	23	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	56	1	For	for	IN
work_45wy3fczjvc5fj53ll2knwbjv4	56	2	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	56	3	living	living	NN
work_45wy3fczjvc5fj53ll2knwbjv4	56	4	we	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	56	5	played	play	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	56	6	rhythm	rhythm	NN
work_45wy3fczjvc5fj53ll2knwbjv4	56	7	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	56	8	blues	blue	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	56	9	—	—	:
work_45wy3fczjvc5fj53ll2knwbjv4	56	10	I	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	56	11	must	must	MD
work_45wy3fczjvc5fj53ll2knwbjv4	56	12	have	have	VB
work_45wy3fczjvc5fj53ll2knwbjv4	56	13	played	play	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	56	14	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	56	15	every	every	DT
work_45wy3fczjvc5fj53ll2knwbjv4	56	16	bar	bar	NN
work_45wy3fczjvc5fj53ll2knwbjv4	56	17	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	56	18	Toronto	Toronto	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	56	19	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	56	20	behind	behind	IN
work_45wy3fczjvc5fj53ll2knwbjv4	56	21	strippers	stripper	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	56	22	...	...	:
work_45wy3fczjvc5fj53ll2knwbjv4	56	23	everything	everything	NN
work_45wy3fczjvc5fj53ll2knwbjv4	56	24	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	56	25	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	56	26	O'Reilly	O'Reilly	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	56	27	1979/1981	1979/1981	CD
work_45wy3fczjvc5fj53ll2knwbjv4	56	28	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	56	29	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	57	1	Although	although	IN
work_45wy3fczjvc5fj53ll2knwbjv4	57	2	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	57	3	was	be	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	57	4	making	make	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	57	5	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	57	6	living	live	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	57	7	playing	playing	NN
work_45wy3fczjvc5fj53ll2knwbjv4	57	8	rhythm	rhythm	NN
work_45wy3fczjvc5fj53ll2knwbjv4	57	9	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	57	10	blues	blue	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	57	11	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	57	12	he	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	57	13	was	be	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	57	14	frustrated	frustrate	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	57	15	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	58	1	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	58	2	I	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	58	3	'd	'd	MD
work_45wy3fczjvc5fj53ll2knwbjv4	58	4	come	come	VB
work_45wy3fczjvc5fj53ll2knwbjv4	58	5	into	into	IN
work_45wy3fczjvc5fj53ll2knwbjv4	58	6	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	58	7	jazz	jazz	NN
work_45wy3fczjvc5fj53ll2knwbjv4	58	8	club	club	NN
work_45wy3fczjvc5fj53ll2knwbjv4	58	9	later	later	RB
work_45wy3fczjvc5fj53ll2knwbjv4	58	10	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	58	11	when	when	WRB
work_45wy3fczjvc5fj53ll2knwbjv4	58	12	I	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	58	13	played	play	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	58	14	I	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	58	15	'd	'd	MD
work_45wy3fczjvc5fj53ll2knwbjv4	58	16	be	be	VB
work_45wy3fczjvc5fj53ll2knwbjv4	58	17	playing	play	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	58	18	4	4	CD
work_45wy3fczjvc5fj53ll2knwbjv4	58	19	Phil	Phil	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	58	20	Upchurch	Upchurch	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	58	21	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	58	22	interview	interview	NN
work_45wy3fczjvc5fj53ll2knwbjv4	58	23	with	with	IN
work_45wy3fczjvc5fj53ll2knwbjv4	58	24	Andrew	Andrew	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	58	25	Scott	Scott	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	58	26	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	58	27	14	14	CD
work_45wy3fczjvc5fj53ll2knwbjv4	58	28	November	November	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	58	29	2002	2002	CD
work_45wy3fczjvc5fj53ll2knwbjv4	58	30	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	59	1	5	5	CD
work_45wy3fczjvc5fj53ll2knwbjv4	59	2	As	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	59	3	Steven	Steven	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	59	4	F.	F.	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	59	5	Pond	Pond	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	59	6	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	59	7	2003	2003	CD
work_45wy3fczjvc5fj53ll2knwbjv4	59	8	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	59	9	17	17	CD
work_45wy3fczjvc5fj53ll2knwbjv4	59	10	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	59	11	points	point	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	59	12	out	out	RP
work_45wy3fczjvc5fj53ll2knwbjv4	59	13	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	59	14	classifying	classify	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	59	15	only	only	RB
work_45wy3fczjvc5fj53ll2knwbjv4	59	16	certain	certain	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	59	17	writing	writing	NN
work_45wy3fczjvc5fj53ll2knwbjv4	59	18	as	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	59	19	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	59	20	academic	academic	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	59	21	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	59	22	or	or	CC
work_45wy3fczjvc5fj53ll2knwbjv4	59	23	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	59	24	scholarly	scholarly	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	59	25	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	59	26	is	be	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	59	27	clumsy	clumsy	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	59	28	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	60	1	Accordingly	accordingly	RB
work_45wy3fczjvc5fj53ll2knwbjv4	60	2	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	60	3	my	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	60	4	comment	comment	NN
work_45wy3fczjvc5fj53ll2knwbjv4	60	5	that	that	IN
work_45wy3fczjvc5fj53ll2knwbjv4	60	6	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	60	7	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	60	8	story	story	NN
work_45wy3fczjvc5fj53ll2knwbjv4	60	9	has	have	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	60	10	not	not	RB
work_45wy3fczjvc5fj53ll2knwbjv4	60	11	been	be	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	60	12	examined	examine	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	60	13	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	60	14	fully	fully	RB
work_45wy3fczjvc5fj53ll2knwbjv4	60	15	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	60	16	refers	refer	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	60	17	largely	largely	RB
work_45wy3fczjvc5fj53ll2knwbjv4	60	18	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	60	19	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	60	20	lack	lack	NN
work_45wy3fczjvc5fj53ll2knwbjv4	60	21	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	60	22	musical	musical	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	60	23	analysis	analysis	NN
work_45wy3fczjvc5fj53ll2knwbjv4	60	24	on	on	IN
work_45wy3fczjvc5fj53ll2knwbjv4	60	25	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	60	26	guitarist	guitarist	NN
work_45wy3fczjvc5fj53ll2knwbjv4	60	27	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	60	28	is	be	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	60	29	not	not	RB
work_45wy3fczjvc5fj53ll2knwbjv4	60	30	meant	mean	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	60	31	to	to	TO
work_45wy3fczjvc5fj53ll2knwbjv4	60	32	detract	detract	VB
work_45wy3fczjvc5fj53ll2knwbjv4	60	33	from	from	IN
work_45wy3fczjvc5fj53ll2knwbjv4	60	34	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	60	35	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	60	36	scholarly	scholarly	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	60	37	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	60	38	work	work	NN
work_45wy3fczjvc5fj53ll2knwbjv4	60	39	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	60	40	Mark	Mark	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	60	41	Miller	Miller	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	60	42	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	60	43	who	who	WP
work_45wy3fczjvc5fj53ll2knwbjv4	60	44	wrote	write	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	60	45	about	about	IN
work_45wy3fczjvc5fj53ll2knwbjv4	60	46	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	60	47	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	60	48	Miller	Miller	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	60	49	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	60	50	1982	1982	CD
work_45wy3fczjvc5fj53ll2knwbjv4	60	51	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	60	52	188	188	CD
work_45wy3fczjvc5fj53ll2knwbjv4	60	53	-	-	SYM
work_45wy3fczjvc5fj53ll2knwbjv4	60	54	207	207	CD
work_45wy3fczjvc5fj53ll2knwbjv4	60	55	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	60	56	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	61	1	64	64	CD
work_45wy3fczjvc5fj53ll2knwbjv4	61	2	CUMR	CUMR	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	61	3	/	/	SYM
work_45wy3fczjvc5fj53ll2knwbjv4	61	4	RMUC	rmuc	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	61	5	all	all	PDT
work_45wy3fczjvc5fj53ll2knwbjv4	61	6	these	these	DT
work_45wy3fczjvc5fj53ll2knwbjv4	61	7	rhythm	rhythm	NN
work_45wy3fczjvc5fj53ll2knwbjv4	61	8	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	61	9	blues	blue	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	61	10	licks	lick	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	61	11	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	62	1	Finally	finally	RB
work_45wy3fczjvc5fj53ll2knwbjv4	62	2	I	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	62	3	decided	decide	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	62	4	to	to	TO
work_45wy3fczjvc5fj53ll2knwbjv4	62	5	just	just	RB
work_45wy3fczjvc5fj53ll2knwbjv4	62	6	give	give	VB
work_45wy3fczjvc5fj53ll2knwbjv4	62	7	it	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	62	8	all	all	DT
work_45wy3fczjvc5fj53ll2knwbjv4	62	9	up	up	RP
work_45wy3fczjvc5fj53ll2knwbjv4	62	10	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	62	11	play	play	VB
work_45wy3fczjvc5fj53ll2knwbjv4	62	12	jazz	jazz	NN
work_45wy3fczjvc5fj53ll2knwbjv4	62	13	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	62	14	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	62	15	O'Reilly	O'Reilly	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	62	16	1979/1981	1979/1981	CD
work_45wy3fczjvc5fj53ll2knwbjv4	62	17	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	62	18	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	63	1	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	63	2	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	63	3	transition	transition	NN
work_45wy3fczjvc5fj53ll2knwbjv4	63	4	from	from	IN
work_45wy3fczjvc5fj53ll2knwbjv4	63	5	rhythm	rhythm	NN
work_45wy3fczjvc5fj53ll2knwbjv4	63	6	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	63	7	blues	blue	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	63	8	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	63	9	jazz	jazz	NN
work_45wy3fczjvc5fj53ll2knwbjv4	63	10	was	be	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	63	11	not	not	RB
work_45wy3fczjvc5fj53ll2knwbjv4	63	12	easy	easy	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	63	13	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	64	1	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	64	2	At	at	IN
work_45wy3fczjvc5fj53ll2knwbjv4	64	3	first	first	RB
work_45wy3fczjvc5fj53ll2knwbjv4	64	4	it	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	64	5	was	be	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	64	6	like	like	IN
work_45wy3fczjvc5fj53ll2knwbjv4	64	7	walking	walk	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	64	8	on	on	IN
work_45wy3fczjvc5fj53ll2knwbjv4	64	9	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	64	10	tightrope	tightrope	NN
work_45wy3fczjvc5fj53ll2knwbjv4	64	11	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	65	1	I	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	65	2	've	have	VB
work_45wy3fczjvc5fj53ll2knwbjv4	65	3	always	always	RB
work_45wy3fczjvc5fj53ll2knwbjv4	65	4	heard	hear	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	65	5	something	something	NN
work_45wy3fczjvc5fj53ll2knwbjv4	65	6	different	different	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	65	7	than	than	IN
work_45wy3fczjvc5fj53ll2knwbjv4	65	8	everyone	everyone	NN
work_45wy3fczjvc5fj53ll2knwbjv4	65	9	else	else	RB
work_45wy3fczjvc5fj53ll2knwbjv4	65	10	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	66	1	Even	even	RB
work_45wy3fczjvc5fj53ll2knwbjv4	66	2	when	when	WRB
work_45wy3fczjvc5fj53ll2knwbjv4	66	3	I	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	66	4	was	be	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	66	5	still	still	RB
work_45wy3fczjvc5fj53ll2knwbjv4	66	6	playing	play	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	66	7	traditional	traditional	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	66	8	songs	song	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	66	9	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	66	10	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	66	11	traditional	traditional	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	66	12	form	form	NN
work_45wy3fczjvc5fj53ll2knwbjv4	66	13	I	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	66	14	'd	'd	MD
work_45wy3fczjvc5fj53ll2knwbjv4	66	15	put	put	VB
work_45wy3fczjvc5fj53ll2knwbjv4	66	16	different	different	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	66	17	chords	chord	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	66	18	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	66	19	them	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	66	20	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	66	21	get	get	VB
work_45wy3fczjvc5fj53ll2knwbjv4	66	22	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	66	23	different	different	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	66	24	sound	sound	NN
work_45wy3fczjvc5fj53ll2knwbjv4	66	25	going	go	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	66	26	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	67	1	I	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	67	2	used	use	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	67	3	to	to	TO
work_45wy3fczjvc5fj53ll2knwbjv4	67	4	have	have	VB
work_45wy3fczjvc5fj53ll2knwbjv4	67	5	so	so	RB
work_45wy3fczjvc5fj53ll2knwbjv4	67	6	much	much	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	67	7	trouble	trouble	NN
work_45wy3fczjvc5fj53ll2knwbjv4	67	8	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	67	9	those	those	DT
work_45wy3fczjvc5fj53ll2knwbjv4	67	10	days	day	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	67	11	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	67	12	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	67	13	Barnes	Barnes	NNPS
work_45wy3fczjvc5fj53ll2knwbjv4	67	14	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	67	15	Gallagher	Gallagher	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	67	16	1975	1975	CD
work_45wy3fczjvc5fj53ll2knwbjv4	67	17	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	67	18	4	4	CD
work_45wy3fczjvc5fj53ll2knwbjv4	67	19	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	67	20	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	68	1	Green-	Green-	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	68	2	wich	wich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	68	3	was	be	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	68	4	neither	neither	CC
work_45wy3fczjvc5fj53ll2knwbjv4	68	5	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	68	6	first	first	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	68	7	nor	nor	CC
work_45wy3fczjvc5fj53ll2knwbjv4	68	8	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	68	9	last	last	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	68	10	jazz	jazz	NN
work_45wy3fczjvc5fj53ll2knwbjv4	68	11	musician	musician	NN
work_45wy3fczjvc5fj53ll2knwbjv4	68	12	to	to	TO
work_45wy3fczjvc5fj53ll2knwbjv4	68	13	encounter	encounter	VB
work_45wy3fczjvc5fj53ll2knwbjv4	68	14	resistance	resistance	NN
work_45wy3fczjvc5fj53ll2knwbjv4	68	15	for	for	IN
work_45wy3fczjvc5fj53ll2knwbjv4	68	16	having	have	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	68	17	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	68	18	unique	unique	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	68	19	musical	musical	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	68	20	approach	approach	NN
work_45wy3fczjvc5fj53ll2knwbjv4	68	21	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	69	1	In	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	69	2	this	this	DT
work_45wy3fczjvc5fj53ll2knwbjv4	69	3	next	next	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	69	4	section	section	NN
work_45wy3fczjvc5fj53ll2knwbjv4	69	5	I	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	69	6	offer	offer	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	69	7	one	one	CD
work_45wy3fczjvc5fj53ll2knwbjv4	69	8	historical	historical	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	69	9	example	example	NN
work_45wy3fczjvc5fj53ll2knwbjv4	69	10	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	69	11	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	69	12	career	career	NN
work_45wy3fczjvc5fj53ll2knwbjv4	69	13	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	69	14	saxophonist	saxophonist	NN
work_45wy3fczjvc5fj53ll2knwbjv4	69	15	Lester	Lester	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	69	16	Young	Young	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	69	17	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	70	1	When	when	WRB
work_45wy3fczjvc5fj53ll2knwbjv4	70	2	Young	Young	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	70	3	replaced	replace	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	70	4	Coleman	Coleman	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	70	5	Hawkins	Hawkins	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	70	6	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	70	7	Fletcher	Fletcher	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	70	8	Henderson	Henderson	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	70	9	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	70	10	band	band	NN
work_45wy3fczjvc5fj53ll2knwbjv4	70	11	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	70	12	1934	1934	CD
work_45wy3fczjvc5fj53ll2knwbjv4	70	13	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	70	14	Henderson	Henderson	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	70	15	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	70	16	band	band	NN
work_45wy3fczjvc5fj53ll2knwbjv4	70	17	members	member	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	70	18	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	70	19	wife	wife	NN
work_45wy3fczjvc5fj53ll2knwbjv4	70	20	/	/	SYM
work_45wy3fczjvc5fj53ll2knwbjv4	70	21	manager	manager	NN
work_45wy3fczjvc5fj53ll2knwbjv4	70	22	Leora	Leora	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	70	23	encouraged	encourage	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	70	24	Young	Young	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	70	25	to	to	TO
work_45wy3fczjvc5fj53ll2knwbjv4	70	26	model	model	VB
work_45wy3fczjvc5fj53ll2knwbjv4	70	27	his	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	70	28	sound	sound	NN
work_45wy3fczjvc5fj53ll2knwbjv4	70	29	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	70	30	improvisatory	improvisatory	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	70	31	style	style	NN
work_45wy3fczjvc5fj53ll2knwbjv4	70	32	after	after	IN
work_45wy3fczjvc5fj53ll2knwbjv4	70	33	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	70	34	recently	recently	RB
work_45wy3fczjvc5fj53ll2knwbjv4	70	35	departed	depart	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	70	36	tenor	tenor	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	70	37	saxo-	saxo-	NN
work_45wy3fczjvc5fj53ll2knwbjv4	70	38	phonist	phonist	NN
work_45wy3fczjvc5fj53ll2knwbjv4	70	39	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	70	40	Schuller	Schuller	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	70	41	1989	1989	CD
work_45wy3fczjvc5fj53ll2knwbjv4	70	42	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	70	43	547	547	CD
work_45wy3fczjvc5fj53ll2knwbjv4	70	44	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	70	45	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	71	1	Young	Young	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	71	2	never	never	RB
work_45wy3fczjvc5fj53ll2knwbjv4	71	3	did	do	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	71	4	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	72	1	He	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	72	2	was	be	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	72	3	fired	fire	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	72	4	from	from	IN
work_45wy3fczjvc5fj53ll2knwbjv4	72	5	Henderson	Henderson	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	72	6	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	72	7	group	group	NN
work_45wy3fczjvc5fj53ll2knwbjv4	72	8	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	72	9	replaced	replace	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	72	10	by	by	IN
work_45wy3fczjvc5fj53ll2knwbjv4	72	11	Ben	Ben	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	72	12	Webster	Webster	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	72	13	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	72	14	who	who	WP
work_45wy3fczjvc5fj53ll2knwbjv4	72	15	would	would	MD
work_45wy3fczjvc5fj53ll2knwbjv4	72	16	later	later	RB
work_45wy3fczjvc5fj53ll2knwbjv4	72	17	come	come	VB
work_45wy3fczjvc5fj53ll2knwbjv4	72	18	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	72	19	prominence	prominence	NN
work_45wy3fczjvc5fj53ll2knwbjv4	72	20	with	with	IN
work_45wy3fczjvc5fj53ll2knwbjv4	72	21	Count	Count	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	72	22	Basie	Basie	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	72	23	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	72	24	ensemble	ensemble	NN
work_45wy3fczjvc5fj53ll2knwbjv4	72	25	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	72	26	1936	1936	CD
work_45wy3fczjvc5fj53ll2knwbjv4	72	27	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	73	1	Although	although	IN
work_45wy3fczjvc5fj53ll2knwbjv4	73	2	Mark	Mark	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	73	3	Gridley	Gridley	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	73	4	dedicates	dedicate	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	73	5	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	73	6	page	page	NN
work_45wy3fczjvc5fj53ll2knwbjv4	73	7	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	73	8	his	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	73	9	undergraduate	undergraduate	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	73	10	text	text	NN
work_45wy3fczjvc5fj53ll2knwbjv4	73	11	Jazz	jazz	NN
work_45wy3fczjvc5fj53ll2knwbjv4	73	12	Styles	Styles	NNPS
work_45wy3fczjvc5fj53ll2knwbjv4	73	13	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	73	14	exploring	explore	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	73	15	such	such	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	73	16	differences	difference	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	73	17	between	between	IN
work_45wy3fczjvc5fj53ll2knwbjv4	73	18	Hawkins	Hawkins	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	73	19	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	73	20	Young	Young	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	73	21	as	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	73	22	their	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	73	23	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	73	24	tone	tone	NN
work_45wy3fczjvc5fj53ll2knwbjv4	73	25	quality	quality	NN
work_45wy3fczjvc5fj53ll2knwbjv4	73	26	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	73	27	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	73	28	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	73	29	rate	rate	NN
work_45wy3fczjvc5fj53ll2knwbjv4	73	30	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	73	31	vibrato	vibrato	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	73	32	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	73	33	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	73	34	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	73	35	swing	swing	VB
work_45wy3fczjvc5fj53ll2knwbjv4	73	36	feeling	feeling	NN
work_45wy3fczjvc5fj53ll2knwbjv4	73	37	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	73	38	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	73	39	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	73	40	intricacy	intricacy	NN
work_45wy3fczjvc5fj53ll2knwbjv4	73	41	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	73	42	solos	solos	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	73	43	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	73	44	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	73	45	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	73	46	tunefulness	tunefulness	NN
work_45wy3fczjvc5fj53ll2knwbjv4	73	47	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	73	48	improvisations	improvisation	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	73	49	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	73	50	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	73	51	among	among	IN
work_45wy3fczjvc5fj53ll2knwbjv4	73	52	other	other	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	73	53	parameters	parameter	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	73	54	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	73	55	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	73	56	recordings	recording	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	73	57	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	73	58	both	both	DT
work_45wy3fczjvc5fj53ll2knwbjv4	73	59	men	man	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	73	60	from	from	IN
work_45wy3fczjvc5fj53ll2knwbjv4	73	61	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	73	62	late	late	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	73	63	1930s	1930	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	73	64	reveal	reveal	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	73	65	differences	difference	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	73	66	mainly	mainly	RB
work_45wy3fczjvc5fj53ll2knwbjv4	73	67	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	73	68	their	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	73	69	timbre	timbre	NN
work_45wy3fczjvc5fj53ll2knwbjv4	73	70	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	73	71	improvisational	improvisational	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	73	72	style	style	NN
work_45wy3fczjvc5fj53ll2knwbjv4	73	73	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	73	74	Gridley	Gridley	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	73	75	2003,131	2003,131	CD
work_45wy3fczjvc5fj53ll2knwbjv4	73	76	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	73	77	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	74	1	While	while	IN
work_45wy3fczjvc5fj53ll2knwbjv4	74	2	Hawkins	Hawkins	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	74	3	had	have	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	74	4	moved	move	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	74	5	away	away	RB
work_45wy3fczjvc5fj53ll2knwbjv4	74	6	from	from	IN
work_45wy3fczjvc5fj53ll2knwbjv4	74	7	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	74	8	staccato	staccato	NN
work_45wy3fczjvc5fj53ll2knwbjv4	74	9	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	74	10	slap	slap	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	74	11	tongue	tongue	NN
work_45wy3fczjvc5fj53ll2knwbjv4	74	12	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	74	13	saxophone	saxophone	NN
work_45wy3fczjvc5fj53ll2knwbjv4	74	14	technique	technique	NN
work_45wy3fczjvc5fj53ll2knwbjv4	74	15	by	by	IN
work_45wy3fczjvc5fj53ll2knwbjv4	74	16	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	74	17	mid-1930s	mid-1930	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	74	18	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	74	19	his	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	74	20	playing	playing	NN
work_45wy3fczjvc5fj53ll2knwbjv4	74	21	continued	continue	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	74	22	to	to	TO
work_45wy3fczjvc5fj53ll2knwbjv4	74	23	exhibit	exhibit	VB
work_45wy3fczjvc5fj53ll2knwbjv4	74	24	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	74	25	heavier	heavier	RBR
work_45wy3fczjvc5fj53ll2knwbjv4	74	26	rhythmic	rhythmic	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	74	27	feeling	feeling	NN
work_45wy3fczjvc5fj53ll2knwbjv4	74	28	than	than	IN
work_45wy3fczjvc5fj53ll2knwbjv4	74	29	Young	Young	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	74	30	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	74	31	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	75	1	Secondly	secondly	RB
work_45wy3fczjvc5fj53ll2knwbjv4	75	2	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	75	3	Hawkins	Hawkins	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	75	4	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	75	5	Young	Young	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	75	6	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	75	7	improvisational	improvisational	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	75	8	styles	style	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	75	9	can	can	MD
work_45wy3fczjvc5fj53ll2knwbjv4	75	10	be	be	VB
work_45wy3fczjvc5fj53ll2knwbjv4	75	11	contrasted	contrast	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	75	12	as	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	75	13	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	75	14	vertical	vertical	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	75	15	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	75	16	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	75	17	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	75	18	horizon-	horizon-	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	75	19	tal	tal	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	75	20	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	75	21	respectively	respectively	RB
work_45wy3fczjvc5fj53ll2knwbjv4	75	22	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	76	1	While	while	IN
work_45wy3fczjvc5fj53ll2knwbjv4	76	2	Young	Young	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	76	3	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	76	4	improvisations	improvisation	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	76	5	would	would	MD
work_45wy3fczjvc5fj53ll2knwbjv4	76	6	not	not	RB
work_45wy3fczjvc5fj53ll2knwbjv4	76	7	implicitly	implicitly	RB
work_45wy3fczjvc5fj53ll2knwbjv4	76	8	follow	follow	VB
work_45wy3fczjvc5fj53ll2knwbjv4	76	9	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	76	10	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	76	11	changes	change	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	76	12	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	76	13	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	76	14	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	76	15	composition	composition	NN
work_45wy3fczjvc5fj53ll2knwbjv4	76	16	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	76	17	as	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	76	18	Lawrence	Lawrence	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	76	19	Gushee	Gushee	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	76	20	points	point	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	76	21	out	out	RP
work_45wy3fczjvc5fj53ll2knwbjv4	76	22	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	76	23	Hawkins	Hawkins	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	76	24	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	76	25	improvi-	improvi-	NN
work_45wy3fczjvc5fj53ll2knwbjv4	76	26	sations	sation	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	76	27	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	76	28	most	most	RBS
work_45wy3fczjvc5fj53ll2knwbjv4	76	29	notably	notably	RB
work_45wy3fczjvc5fj53ll2knwbjv4	76	30	his	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	76	31	1939	1939	CD
work_45wy3fczjvc5fj53ll2knwbjv4	76	32	recording	recording	NN
work_45wy3fczjvc5fj53ll2knwbjv4	76	33	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	76	34	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	76	35	Body	Body	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	76	36	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	76	37	Soul	Soul	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	76	38	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	76	39	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	76	40	find	find	VB
work_45wy3fczjvc5fj53ll2knwbjv4	76	41	him	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	76	42	arpeggiat-	arpeggiat-	IN
work_45wy3fczjvc5fj53ll2knwbjv4	76	43	ing	ing	NN
work_45wy3fczjvc5fj53ll2knwbjv4	76	44	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	76	45	vertically	vertically	RB
work_45wy3fczjvc5fj53ll2knwbjv4	76	46	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	76	47	through	through	IN
work_45wy3fczjvc5fj53ll2knwbjv4	76	48	various	various	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	76	49	triads	triad	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	76	50	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	76	51	four	four	CD
work_45wy3fczjvc5fj53ll2knwbjv4	76	52	-	-	HYPH
work_45wy3fczjvc5fj53ll2knwbjv4	76	53	part	part	NN
work_45wy3fczjvc5fj53ll2knwbjv4	76	54	chords	chord	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	76	55	that	that	WDT
work_45wy3fczjvc5fj53ll2knwbjv4	76	56	are	be	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	76	57	either	either	RB
work_45wy3fczjvc5fj53ll2knwbjv4	76	58	related	relate	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	76	59	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	76	60	or	or	CC
work_45wy3fczjvc5fj53ll2knwbjv4	76	61	implied	imply	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	76	62	by	by	IN
work_45wy3fczjvc5fj53ll2knwbjv4	76	63	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	76	64	harmony	harmony	NN
work_45wy3fczjvc5fj53ll2knwbjv4	76	65	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	76	66	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	76	67	composition	composition	NN
work_45wy3fczjvc5fj53ll2knwbjv4	76	68	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	76	69	harmony	harmony	NN
work_45wy3fczjvc5fj53ll2knwbjv4	76	70	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	76	71	Gushee	Gushee	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	76	72	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	76	73	Porter	Porter	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	76	74	1991	1991	CD
work_45wy3fczjvc5fj53ll2knwbjv4	76	75	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	76	76	247	247	CD
work_45wy3fczjvc5fj53ll2knwbjv4	76	77	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	76	78	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	77	1	To	to	TO
work_45wy3fczjvc5fj53ll2knwbjv4	77	2	be	be	VB
work_45wy3fczjvc5fj53ll2knwbjv4	77	3	sure	sure	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	77	4	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	77	5	jazz	jazz	NN
work_45wy3fczjvc5fj53ll2knwbjv4	77	6	historiography	historiography	NN
work_45wy3fczjvc5fj53ll2knwbjv4	77	7	embraces	embrace	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	77	8	both	both	DT
work_45wy3fczjvc5fj53ll2knwbjv4	77	9	styles	style	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	77	10	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	77	11	approaches	approach	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	77	12	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	78	1	However	however	RB
work_45wy3fczjvc5fj53ll2knwbjv4	78	2	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	78	3	I	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	78	4	am	be	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	78	5	pointing	point	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	78	6	out	out	RP
work_45wy3fczjvc5fj53ll2knwbjv4	78	7	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	78	8	differences	difference	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	78	9	between	between	IN
work_45wy3fczjvc5fj53ll2knwbjv4	78	10	Young	Young	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	78	11	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	78	12	Hawkins	Hawkins	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	78	13	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	78	14	improvisatory	improvisatory	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	78	15	styles	style	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	78	16	here	here	RB
work_45wy3fczjvc5fj53ll2knwbjv4	78	17	to	to	TO
work_45wy3fczjvc5fj53ll2knwbjv4	78	18	demonstrate	demonstrate	VB
work_45wy3fczjvc5fj53ll2knwbjv4	78	19	that	that	IN
work_45wy3fczjvc5fj53ll2knwbjv4	78	20	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	78	21	sonic	sonic	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	78	22	ideals	ideal	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	78	23	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	78	24	an	an	DT
work_45wy3fczjvc5fj53ll2knwbjv4	78	25	ensemble	ensemble	NN
work_45wy3fczjvc5fj53ll2knwbjv4	78	26	or	or	CC
work_45wy3fczjvc5fj53ll2knwbjv4	78	27	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	78	28	musical	musical	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	78	29	scene	scene	NN
work_45wy3fczjvc5fj53ll2knwbjv4	78	30	can	can	MD
work_45wy3fczjvc5fj53ll2knwbjv4	78	31	impact	impact	VB
work_45wy3fczjvc5fj53ll2knwbjv4	78	32	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	78	33	careers	career	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	78	34	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	78	35	jazz	jazz	NN
work_45wy3fczjvc5fj53ll2knwbjv4	78	36	musicians	musician	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	78	37	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	79	1	The	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	79	2	difficulties	difficulty	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	79	3	Young	Young	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	79	4	encountered	encounter	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	79	5	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	79	6	terms	term	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	79	7	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	79	8	his	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	79	9	acceptance	acceptance	NN
work_45wy3fczjvc5fj53ll2knwbjv4	79	10	into	into	IN
work_45wy3fczjvc5fj53ll2knwbjv4	79	11	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	79	12	music	music	NN
work_45wy3fczjvc5fj53ll2knwbjv4	79	13	community	community	NN
work_45wy3fczjvc5fj53ll2knwbjv4	79	14	resonate	resonate	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	79	15	with	with	IN
work_45wy3fczjvc5fj53ll2knwbjv4	79	16	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	79	17	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	79	18	experience	experience	NN
work_45wy3fczjvc5fj53ll2knwbjv4	79	19	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	80	1	At	at	IN
work_45wy3fczjvc5fj53ll2knwbjv4	80	2	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	80	3	time	time	NN
work_45wy3fczjvc5fj53ll2knwbjv4	80	4	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	80	5	Young	Young	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	80	6	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	80	7	entrée	entrée	NN
work_45wy3fczjvc5fj53ll2knwbjv4	80	8	into	into	IN
work_45wy3fczjvc5fj53ll2knwbjv4	80	9	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	80	10	Henderson	Henderson	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	80	11	orchestra	orchestra	NN
work_45wy3fczjvc5fj53ll2knwbjv4	80	12	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	80	13	Hawkins	Hawkins	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	80	14	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	80	15	wide	wide	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	80	16	vibrato	vibrato	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	80	17	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	80	18	muscular	muscular	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	80	19	tone	tone	NN
work_45wy3fczjvc5fj53ll2knwbjv4	80	20	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	80	21	harmonically	harmonically	RB
work_45wy3fczjvc5fj53ll2knwbjv4	80	22	adept	adept	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	80	23	improvisatory	improvisatory	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	80	24	style	style	NN
work_45wy3fczjvc5fj53ll2knwbjv4	80	25	enjoyed	enjoy	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	80	26	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	80	27	certain	certain	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	80	28	hegemony	hegemony	NN
work_45wy3fczjvc5fj53ll2knwbjv4	80	29	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	80	30	jazz	jazz	NN
work_45wy3fczjvc5fj53ll2knwbjv4	80	31	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	81	1	And	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	81	2	when	when	WRB
work_45wy3fczjvc5fj53ll2knwbjv4	81	3	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	81	4	appeared	appear	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	81	5	on	on	IN
work_45wy3fczjvc5fj53ll2knwbjv4	81	6	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	81	7	Toronto	Toronto	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	81	8	jazz	jazz	NN
work_45wy3fczjvc5fj53ll2knwbjv4	81	9	scene	scene	NN
work_45wy3fczjvc5fj53ll2knwbjv4	81	10	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	81	11	1959	1959	CD
work_45wy3fczjvc5fj53ll2knwbjv4	81	12	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	81	13	many	many	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	81	14	local	local	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	81	15	guitarists	guitarist	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	81	16	were	be	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	81	17	emulating	emulate	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	81	18	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	81	19	American	american	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	81	20	guitarist	guitarist	NN
work_45wy3fczjvc5fj53ll2knwbjv4	81	21	Jim	Jim	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	81	22	Hall	Hall	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	81	23	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	81	24	whom	whom	WP
work_45wy3fczjvc5fj53ll2knwbjv4	81	25	Green-	Green-	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	81	26	wich	wich	NN
work_45wy3fczjvc5fj53ll2knwbjv4	81	27	sounds	sound	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	81	28	nothing	nothing	NN
work_45wy3fczjvc5fj53ll2knwbjv4	81	29	like	like	IN
work_45wy3fczjvc5fj53ll2knwbjv4	81	30	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	82	1	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	82	2	Well	well	UH
work_45wy3fczjvc5fj53ll2knwbjv4	82	3	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	82	4	thing	thing	NN
work_45wy3fczjvc5fj53ll2knwbjv4	82	5	that	that	WDT
work_45wy3fczjvc5fj53ll2knwbjv4	82	6	has	have	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	82	7	always	always	RB
work_45wy3fczjvc5fj53ll2knwbjv4	82	8	happened	happen	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	82	9	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	82	10	me	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	82	11	is	be	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	82	12	that	that	IN
work_45wy3fczjvc5fj53ll2knwbjv4	82	13	I	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	82	14	've	have	VB
work_45wy3fczjvc5fj53ll2knwbjv4	82	15	always	always	RB
work_45wy3fczjvc5fj53ll2knwbjv4	82	16	had	have	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	82	17	my	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	82	18	own	own	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	82	19	style	style	NN
work_45wy3fczjvc5fj53ll2knwbjv4	82	20	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	82	21	sound	sound	NN
work_45wy3fczjvc5fj53ll2knwbjv4	82	22	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	83	1	And	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	83	2	so	so	RB
work_45wy3fczjvc5fj53ll2knwbjv4	83	3	many	many	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	83	4	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	83	5	many	many	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	83	6	times	time	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	83	7	I	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	83	8	've	have	VB
work_45wy3fczjvc5fj53ll2knwbjv4	83	9	been	be	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	83	10	put	put	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	83	11	down	down	RP
work_45wy3fczjvc5fj53ll2knwbjv4	83	12	for	for	IN
work_45wy3fczjvc5fj53ll2knwbjv4	83	13	it	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	83	14	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	84	1	Because	because	IN
work_45wy3fczjvc5fj53ll2knwbjv4	84	2	I	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	84	3	come	come	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	84	4	in	in	RP
work_45wy3fczjvc5fj53ll2knwbjv4	84	5	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	84	6	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	84	7	I	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	84	8	'm	be	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	84	9	playing	play	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	84	10	this	this	DT
work_45wy3fczjvc5fj53ll2knwbjv4	84	11	different	different	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	84	12	thing	thing	NN
work_45wy3fczjvc5fj53ll2knwbjv4	84	13	over	over	IN
work_45wy3fczjvc5fj53ll2knwbjv4	84	14	these	these	DT
work_45wy3fczjvc5fj53ll2knwbjv4	84	15	guitarists	guitarist	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	84	16	whose	whose	WP$
work_45wy3fczjvc5fj53ll2knwbjv4	84	17	source	source	NN
work_45wy3fczjvc5fj53ll2knwbjv4	84	18	is	be	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	84	19	Jim	Jim	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	84	20	Hall	Hall	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	84	21	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	85	1	That	that	DT
work_45wy3fczjvc5fj53ll2knwbjv4	85	2	's	be	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	85	3	happened	happen	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	85	4	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	85	5	me	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	85	6	many	many	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	85	7	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	85	8	many	many	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	85	9	times	time	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	85	10	over	over	IN
work_45wy3fczjvc5fj53ll2knwbjv4	85	11	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	85	12	years	year	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	85	13	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	85	14	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	85	15	O'Reilly	O'Reilly	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	85	16	1979/1981	1979/1981	CD
work_45wy3fczjvc5fj53ll2knwbjv4	85	17	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	85	18	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	86	1	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	86	2	suggests	suggest	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	86	3	that	that	IN
work_45wy3fczjvc5fj53ll2knwbjv4	86	4	his	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	86	5	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	86	6	different	different	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	86	7	musical	musical	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	86	8	outlook	outlook	NN
work_45wy3fczjvc5fj53ll2knwbjv4	86	9	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	86	10	was	be	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	86	11	influenced	influence	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	86	12	by	by	IN
work_45wy3fczjvc5fj53ll2knwbjv4	86	13	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	86	14	thorough	thorough	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	86	15	study	study	NN
work_45wy3fczjvc5fj53ll2knwbjv4	86	16	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	86	17	such	such	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	86	18	non	non	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	86	19	-	-	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	86	20	musical	musical	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	86	21	topics	topic	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	86	22	as	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	86	23	continental	continental	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	86	24	philosophy	philosophy	NN
work_45wy3fczjvc5fj53ll2knwbjv4	86	25	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	86	26	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	86	27	24/1	24/1	CD
work_45wy3fczjvc5fj53ll2knwbjv4	86	28	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	86	29	2003	2003	CD
work_45wy3fczjvc5fj53ll2knwbjv4	86	30	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	86	31	65	65	CD
work_45wy3fczjvc5fj53ll2knwbjv4	86	32	Vedic	Vedic	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	86	33	Upanishads	Upanishads	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	86	34	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	87	1	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	87	2	So	so	CC
work_45wy3fczjvc5fj53ll2knwbjv4	87	3	at	at	IN
work_45wy3fczjvc5fj53ll2knwbjv4	87	4	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	87	5	same	same	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	87	6	time	time	NN
work_45wy3fczjvc5fj53ll2knwbjv4	87	7	as	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	87	8	I	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	87	9	was	be	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	87	10	doing	do	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	87	11	all	all	DT
work_45wy3fczjvc5fj53ll2knwbjv4	87	12	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	87	13	this	this	DT
work_45wy3fczjvc5fj53ll2knwbjv4	87	14	rhythm	rhythm	NN
work_45wy3fczjvc5fj53ll2knwbjv4	87	15	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	87	16	blues	blue	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	87	17	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	87	18	this	this	DT
work_45wy3fczjvc5fj53ll2knwbjv4	87	19	jazz	jazz	NN
work_45wy3fczjvc5fj53ll2knwbjv4	87	20	playing	play	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	87	21	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	87	22	I	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	87	23	was	be	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	87	24	doing	do	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	87	25	all	all	DT
work_45wy3fczjvc5fj53ll2knwbjv4	87	26	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	87	27	this	this	DT
work_45wy3fczjvc5fj53ll2knwbjv4	87	28	studying	study	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	87	29	on	on	IN
work_45wy3fczjvc5fj53ll2knwbjv4	87	30	top	top	NN
work_45wy3fczjvc5fj53ll2knwbjv4	87	31	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	87	32	that	that	DT
work_45wy3fczjvc5fj53ll2knwbjv4	87	33	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	88	1	That	that	DT
work_45wy3fczjvc5fj53ll2knwbjv4	88	2	's	be	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	88	3	sort	sort	RB
work_45wy3fczjvc5fj53ll2knwbjv4	88	4	of	of	RB
work_45wy3fczjvc5fj53ll2knwbjv4	88	5	why	why	WRB
work_45wy3fczjvc5fj53ll2knwbjv4	88	6	I	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	88	7	have	have	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	88	8	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	88	9	different	different	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	88	10	outlook	outlook	NN
work_45wy3fczjvc5fj53ll2knwbjv4	88	11	on	on	IN
work_45wy3fczjvc5fj53ll2knwbjv4	88	12	things	thing	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	88	13	than	than	IN
work_45wy3fczjvc5fj53ll2knwbjv4	88	14	you	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	88	15	usually	usually	RB
work_45wy3fczjvc5fj53ll2knwbjv4	88	16	have	have	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	88	17	with	with	IN
work_45wy3fczjvc5fj53ll2knwbjv4	88	18	guitar	guitar	NN
work_45wy3fczjvc5fj53ll2knwbjv4	88	19	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	88	20	because	because	IN
work_45wy3fczjvc5fj53ll2knwbjv4	88	21	I	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	88	22	've	have	VB
work_45wy3fczjvc5fj53ll2knwbjv4	88	23	never	never	RB
work_45wy3fczjvc5fj53ll2knwbjv4	88	24	been	be	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	88	25	totally	totally	RB
work_45wy3fczjvc5fj53ll2knwbjv4	88	26	involved	involve	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	88	27	with	with	IN
work_45wy3fczjvc5fj53ll2knwbjv4	88	28	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	88	29	guitar	guitar	NN
work_45wy3fczjvc5fj53ll2knwbjv4	88	30	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	88	31	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	88	32	O'Reilly	O'Reilly	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	88	33	1979/1981	1979/1981	CD
work_45wy3fczjvc5fj53ll2knwbjv4	88	34	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	88	35	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	89	1	The	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	89	2	work	work	NN
work_45wy3fczjvc5fj53ll2knwbjv4	89	3	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	89	4	Swiss	swiss	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	89	5	painter	painter	NN
work_45wy3fczjvc5fj53ll2knwbjv4	89	6	Paul	Paul	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	89	7	Klee	Klee	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	89	8	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	89	9	1879	1879	CD
work_45wy3fczjvc5fj53ll2knwbjv4	89	10	-	-	SYM
work_45wy3fczjvc5fj53ll2knwbjv4	89	11	1940	1940	CD
work_45wy3fczjvc5fj53ll2knwbjv4	89	12	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	89	13	is	be	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	89	14	among	among	IN
work_45wy3fczjvc5fj53ll2knwbjv4	89	15	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	89	16	influences	influence	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	89	17	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	89	18	cites	cite	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	89	19	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	89	20	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	89	21	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	89	22	pers	per	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	89	23	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	90	1	interv	interv	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	90	2	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	91	1	2002	2002	CD
work_45wy3fczjvc5fj53ll2knwbjv4	91	2	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	91	3	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	92	1	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	92	2	The	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	92	3	solo	solo	NN
work_45wy3fczjvc5fj53ll2knwbjv4	92	4	struc-	struc-	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	92	5	tures	ture	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	92	6	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	92	7	my	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	92	8	playing	playing	NN
work_45wy3fczjvc5fj53ll2knwbjv4	92	9	were	be	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	92	10	based	base	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	92	11	on	on	IN
work_45wy3fczjvc5fj53ll2knwbjv4	92	12	an	an	DT
work_45wy3fczjvc5fj53ll2knwbjv4	92	13	interpretation	interpretation	NN
work_45wy3fczjvc5fj53ll2knwbjv4	92	14	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	92	15	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	92	16	work	work	NN
work_45wy3fczjvc5fj53ll2knwbjv4	92	17	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	92	18	cubist	cubist	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	92	19	artist	artist	NN
work_45wy3fczjvc5fj53ll2knwbjv4	92	20	Paul	Paul	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	92	21	Klee	Klee	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	92	22	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	92	23	where	where	WRB
work_45wy3fczjvc5fj53ll2knwbjv4	92	24	I	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	92	25	saw	see	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	92	26	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	92	27	fretboard	fretboard	NN
work_45wy3fczjvc5fj53ll2knwbjv4	92	28	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	92	29	diagrams	diagram	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	92	30	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	92	31	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	92	32	writes	write	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	92	33	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	92	34	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	92	35	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	92	36	liner	liner	NN
work_45wy3fczjvc5fj53ll2knwbjv4	92	37	notes	note	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	92	38	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	92	39	his	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	92	40	1993	1993	CD
work_45wy3fczjvc5fj53ll2knwbjv4	92	41	release	release	NN
work_45wy3fczjvc5fj53ll2knwbjv4	92	42	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	92	43	Standard	Standard	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	92	44	Idioms	Idioms	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	92	45	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	92	46	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	92	47	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	92	48	1993	1993	CD
work_45wy3fczjvc5fj53ll2knwbjv4	92	49	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	92	50	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	93	1	I	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	93	2	suggest	suggest	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	93	3	that	that	IN
work_45wy3fczjvc5fj53ll2knwbjv4	93	4	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	93	5	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	93	6	fretboard	fretboard	NN
work_45wy3fczjvc5fj53ll2knwbjv4	93	7	diagrams	diagram	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	93	8	act	act	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	93	9	as	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	93	10	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	93	11	surrogate	surrogate	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	93	12	music	music	NN
work_45wy3fczjvc5fj53ll2knwbjv4	93	13	theory	theory	NN
work_45wy3fczjvc5fj53ll2knwbjv4	93	14	for	for	IN
work_45wy3fczjvc5fj53ll2knwbjv4	93	15	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	93	16	self	self	NN
work_45wy3fczjvc5fj53ll2knwbjv4	93	17	-	-	HYPH
work_45wy3fczjvc5fj53ll2knwbjv4	93	18	taught	teach	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	93	19	guitarist	guitarist	NN
work_45wy3fczjvc5fj53ll2knwbjv4	93	20	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	93	21	enable	enable	VB
work_45wy3fczjvc5fj53ll2knwbjv4	93	22	him	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	93	23	to	to	TO
work_45wy3fczjvc5fj53ll2knwbjv4	93	24	overcome	overcome	VB
work_45wy3fczjvc5fj53ll2knwbjv4	93	25	potential	potential	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	93	26	problems	problem	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	93	27	that	that	WDT
work_45wy3fczjvc5fj53ll2knwbjv4	93	28	might	may	MD
work_45wy3fczjvc5fj53ll2knwbjv4	93	29	stem	stem	VB
work_45wy3fczjvc5fj53ll2knwbjv4	93	30	from	from	IN
work_45wy3fczjvc5fj53ll2knwbjv4	93	31	his	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	93	32	lack	lack	NN
work_45wy3fczjvc5fj53ll2knwbjv4	93	33	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	93	34	formal	formal	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	93	35	musical	musical	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	93	36	training	training	NN
work_45wy3fczjvc5fj53ll2knwbjv4	93	37	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	94	1	According	accord	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	94	2	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	94	3	David	David	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	94	4	Har-	Har-	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	94	5	greaves	greave	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	94	6	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	94	7	physical	physical	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	94	8	strategies	strategy	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	94	9	used	use	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	94	10	to	to	TO
work_45wy3fczjvc5fj53ll2knwbjv4	94	11	overcome	overcome	VB
work_45wy3fczjvc5fj53ll2knwbjv4	94	12	obstacles	obstacle	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	94	13	on	on	IN
work_45wy3fczjvc5fj53ll2knwbjv4	94	14	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	94	15	instrument	instrument	NN
work_45wy3fczjvc5fj53ll2knwbjv4	94	16	are	be	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	94	17	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	94	18	result	result	NN
work_45wy3fczjvc5fj53ll2knwbjv4	94	19	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	94	20	sophisticated	sophisticated	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	94	21	metacognitive	metacognitive	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	94	22	skills	skill	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	94	23	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	95	1	Unlike	unlike	IN
work_45wy3fczjvc5fj53ll2knwbjv4	95	2	beginning	begin	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	95	3	jazz	jazz	NN
work_45wy3fczjvc5fj53ll2knwbjv4	95	4	improvisers	improviser	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	95	5	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	95	6	who	who	WP
work_45wy3fczjvc5fj53ll2knwbjv4	95	7	are	be	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	95	8	perhaps	perhaps	RB
work_45wy3fczjvc5fj53ll2knwbjv4	95	9	fixated	fixate	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	95	10	at	at	IN
work_45wy3fczjvc5fj53ll2knwbjv4	95	11	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	95	12	sensorimotor	sensorimotor	NN
work_45wy3fczjvc5fj53ll2knwbjv4	95	13	phase	phase	NN
work_45wy3fczjvc5fj53ll2knwbjv4	95	14	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	95	15	are	be	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	95	16	limited	limited	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	95	17	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	95	18	their	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	95	19	musical	musical	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	95	20	expression	expression	NN
work_45wy3fczjvc5fj53ll2knwbjv4	95	21	by	by	IN
work_45wy3fczjvc5fj53ll2knwbjv4	95	22	physical	physical	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	95	23	or	or	CC
work_45wy3fczjvc5fj53ll2knwbjv4	95	24	technical	technical	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	95	25	problems	problem	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	95	26	with	with	IN
work_45wy3fczjvc5fj53ll2knwbjv4	95	27	their	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	95	28	instrument	instrument	NN
work_45wy3fczjvc5fj53ll2knwbjv4	95	29	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	95	30	seasoned	season	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	95	31	jazz	jazz	NN
work_45wy3fczjvc5fj53ll2knwbjv4	95	32	musicians	musician	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	95	33	employ	employ	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	95	34	physical	physical	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	95	35	gestures	gesture	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	95	36	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	95	37	order	order	NN
work_45wy3fczjvc5fj53ll2knwbjv4	95	38	to	to	TO
work_45wy3fczjvc5fj53ll2knwbjv4	95	39	overcome	overcome	VB
work_45wy3fczjvc5fj53ll2knwbjv4	95	40	potential	potential	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	95	41	problems	problem	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	95	42	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	95	43	achieve	achieve	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	95	44	desired	desire	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	95	45	musical	musical	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	95	46	results	result	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	95	47	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	95	48	Hargreaves	Hargreaves	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	95	49	1996	1996	CD
work_45wy3fczjvc5fj53ll2knwbjv4	95	50	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	95	51	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	96	1	Accordingly	accordingly	RB
work_45wy3fczjvc5fj53ll2knwbjv4	96	2	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	96	3	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	96	4	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	96	5	improvisational	improvisational	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	96	6	fluidity	fluidity	NN
work_45wy3fczjvc5fj53ll2knwbjv4	96	7	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	96	8	competence	competence	NN
work_45wy3fczjvc5fj53ll2knwbjv4	96	9	can	can	MD
work_45wy3fczjvc5fj53ll2knwbjv4	96	10	be	be	VB
work_45wy3fczjvc5fj53ll2knwbjv4	96	11	seen	see	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	96	12	as	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	96	13	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	96	14	result	result	NN
work_45wy3fczjvc5fj53ll2knwbjv4	96	15	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	96	16	his	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	96	17	ability	ability	NN
work_45wy3fczjvc5fj53ll2knwbjv4	96	18	to	to	TO
work_45wy3fczjvc5fj53ll2knwbjv4	96	19	encode	encode	VB
work_45wy3fczjvc5fj53ll2knwbjv4	96	20	various	various	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	96	21	musical	musical	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	96	22	elements	element	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	96	23	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	96	24	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	96	25	body	body	NN
work_45wy3fczjvc5fj53ll2knwbjv4	96	26	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	96	27	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	96	28	bodily	bodily	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	96	29	processes	process	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	96	30	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	97	1	For	for	IN
work_45wy3fczjvc5fj53ll2knwbjv4	97	2	example	example	NN
work_45wy3fczjvc5fj53ll2knwbjv4	97	3	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	97	4	instead	instead	RB
work_45wy3fczjvc5fj53ll2knwbjv4	97	5	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	97	6	thinking	think	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	97	7	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	97	8	keys	key	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	97	9	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	97	10	scales	scale	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	97	11	or	or	CC
work_45wy3fczjvc5fj53ll2knwbjv4	97	12	arpeggios	arpeggio	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	97	13	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	97	14	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	97	15	uses	use	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	97	16	visual	visual	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	97	17	shapes	shape	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	97	18	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	97	19	hand	hand	NN
work_45wy3fczjvc5fj53ll2knwbjv4	97	20	positions	position	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	97	21	—	—	:
work_45wy3fczjvc5fj53ll2knwbjv4	97	22	that	that	IN
work_45wy3fczjvc5fj53ll2knwbjv4	97	23	he	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	97	24	has	have	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	97	25	termed	term	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	97	26	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	97	27	diagrams	diagram	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	97	28	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	97	29	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	97	30	sees	see	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	97	31	as	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	97	32	resulting	result	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	97	33	from	from	IN
work_45wy3fczjvc5fj53ll2knwbjv4	97	34	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	97	35	work	work	NN
work_45wy3fczjvc5fj53ll2knwbjv4	97	36	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	97	37	Klee	Klee	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	97	38	—	—	:
work_45wy3fczjvc5fj53ll2knwbjv4	97	39	to	to	TO
work_45wy3fczjvc5fj53ll2knwbjv4	97	40	organize	organize	VB
work_45wy3fczjvc5fj53ll2knwbjv4	97	41	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	97	42	guitar	guitar	NN
work_45wy3fczjvc5fj53ll2knwbjv4	97	43	neck	neck	NN
work_45wy3fczjvc5fj53ll2knwbjv4	97	44	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	98	1	These	these	DT
work_45wy3fczjvc5fj53ll2knwbjv4	98	2	diagrams	diagram	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	98	3	inform	inform	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	98	4	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	98	5	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	98	6	im-	im-	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	98	7	provisations	provisation	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	98	8	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	98	9	suggesting	suggest	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	98	10	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	98	11	framework	framework	NN
work_45wy3fczjvc5fj53ll2knwbjv4	98	12	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	98	13	pitches	pitch	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	98	14	that	that	WDT
work_45wy3fczjvc5fj53ll2knwbjv4	98	15	he	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	98	16	can	can	MD
work_45wy3fczjvc5fj53ll2knwbjv4	98	17	delineate	delineate	VB
work_45wy3fczjvc5fj53ll2knwbjv4	98	18	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	98	19	surround	surround	VB
work_45wy3fczjvc5fj53ll2knwbjv4	98	20	or	or	CC
work_45wy3fczjvc5fj53ll2knwbjv4	98	21	approach	approach	VB
work_45wy3fczjvc5fj53ll2knwbjv4	98	22	through	through	IN
work_45wy3fczjvc5fj53ll2knwbjv4	98	23	any	any	DT
work_45wy3fczjvc5fj53ll2knwbjv4	98	24	number	number	NN
work_45wy3fczjvc5fj53ll2knwbjv4	98	25	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	98	26	malleable	malleable	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	98	27	trajectories	trajectory	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	98	28	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	99	1	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	99	2	With	with	IN
work_45wy3fczjvc5fj53ll2knwbjv4	99	3	me	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	99	4	it	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	99	5	is	be	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	99	6	what	what	WP
work_45wy3fczjvc5fj53ll2knwbjv4	99	7	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	99	8	chord	chord	NN
work_45wy3fczjvc5fj53ll2knwbjv4	99	9	looks	look	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	99	10	like	like	IN
work_45wy3fczjvc5fj53ll2knwbjv4	99	11	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	99	12	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	99	13	he	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	99	14	explains	explain	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	99	15	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	100	1	Picking	pick	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	100	2	up	up	RP
work_45wy3fczjvc5fj53ll2knwbjv4	100	3	his	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	100	4	guitar	guitar	NN
work_45wy3fczjvc5fj53ll2knwbjv4	100	5	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	100	6	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	100	7	continues	continue	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	100	8	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	100	9	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	100	10	...	...	:
work_45wy3fczjvc5fj53ll2knwbjv4	100	11	like	like	IN
work_45wy3fczjvc5fj53ll2knwbjv4	100	12	this	this	DT
work_45wy3fczjvc5fj53ll2knwbjv4	100	13	chord	chord	NN
work_45wy3fczjvc5fj53ll2knwbjv4	100	14	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	100	15	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	100	16	playing	play	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	100	17	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	100	18	standard	standard	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	100	19	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	100	20	A	A	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	100	21	-	-	HYPH
work_45wy3fczjvc5fj53ll2knwbjv4	100	22	minor	minor	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	100	23	7	7	CD
work_45wy3fczjvc5fj53ll2knwbjv4	100	24	add	add	VB
work_45wy3fczjvc5fj53ll2knwbjv4	100	25	9	9	CD
work_45wy3fczjvc5fj53ll2knwbjv4	100	26	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	100	27	voicing	voice	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	100	28	on	on	IN
work_45wy3fczjvc5fj53ll2knwbjv4	100	29	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	100	30	top	top	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	100	31	four	four	CD
work_45wy3fczjvc5fj53ll2knwbjv4	100	32	strings	string	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	100	33	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	100	34	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	100	35	guitar	guitar	NN
work_45wy3fczjvc5fj53ll2knwbjv4	100	36	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	100	37	example	example	NN
work_45wy3fczjvc5fj53ll2knwbjv4	100	38	1	1	CD
work_45wy3fczjvc5fj53ll2knwbjv4	100	39	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	100	40	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	101	1	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	101	2	I	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	101	3	know	know	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	101	4	how	how	WRB
work_45wy3fczjvc5fj53ll2knwbjv4	101	5	to	to	TO
work_45wy3fczjvc5fj53ll2knwbjv4	101	6	get	get	VB
work_45wy3fczjvc5fj53ll2knwbjv4	101	7	through	through	IN
work_45wy3fczjvc5fj53ll2knwbjv4	101	8	that	that	DT
work_45wy3fczjvc5fj53ll2knwbjv4	101	9	chord	chord	NN
work_45wy3fczjvc5fj53ll2knwbjv4	101	10	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	101	11	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	101	12	playing	play	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	101	13	example	example	NN
work_45wy3fczjvc5fj53ll2knwbjv4	101	14	2	2	CD
work_45wy3fczjvc5fj53ll2knwbjv4	101	15	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	101	16	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	101	17	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	101	18	pers	per	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	101	19	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	102	1	interv	interv	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	102	2	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	103	1	2002	2002	CD
work_45wy3fczjvc5fj53ll2knwbjv4	103	2	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	103	3	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	104	1	5th	5th	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	104	2	fret	fret	NN
work_45wy3fczjvc5fj53ll2knwbjv4	104	3	<	<	XX
work_45wy3fczjvc5fj53ll2knwbjv4	104	4	M	M	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	104	5	M	M	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	104	6	n	n	CC
work_45wy3fczjvc5fj53ll2knwbjv4	104	7	é	é	NN
work_45wy3fczjvc5fj53ll2knwbjv4	104	8	Example	Example	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	104	9	1	1	CD
work_45wy3fczjvc5fj53ll2knwbjv4	104	10	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	105	1	Guitar	Guitar	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	105	2	diagram	diagram	NN
work_45wy3fczjvc5fj53ll2knwbjv4	105	3	for	for	IN
work_45wy3fczjvc5fj53ll2knwbjv4	105	4	A	A	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	105	5	-	-	HYPH
work_45wy3fczjvc5fj53ll2knwbjv4	105	6	minor	minor	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	105	7	7	7	CD
work_45wy3fczjvc5fj53ll2knwbjv4	105	8	add	add	VB
work_45wy3fczjvc5fj53ll2knwbjv4	105	9	9	9	CD
work_45wy3fczjvc5fj53ll2knwbjv4	105	10	A	a	NN
work_45wy3fczjvc5fj53ll2knwbjv4	105	11	m	m	NN
work_45wy3fczjvc5fj53ll2knwbjv4	105	12	in	in	RB
work_45wy3fczjvc5fj53ll2knwbjv4	105	13	?	?	.
work_45wy3fczjvc5fj53ll2knwbjv4	106	1	JUL	jul	NN
work_45wy3fczjvc5fj53ll2knwbjv4	106	2	H	h	NN
work_45wy3fczjvc5fj53ll2knwbjv4	106	3	*	*	NFP
work_45wy3fczjvc5fj53ll2knwbjv4	106	4	S	s	NN
work_45wy3fczjvc5fj53ll2knwbjv4	106	5	-	-	HYPH
work_45wy3fczjvc5fj53ll2knwbjv4	106	6	o	o	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	106	7	-	-	HYPH
work_45wy3fczjvc5fj53ll2knwbjv4	106	8	f	f	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	106	9	f	f	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	106	10	|»f	|»f	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	106	11	ffP	ffP	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	106	12	0	0	NFP
work_45wy3fczjvc5fj53ll2knwbjv4	106	13	j	j	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	106	14	F	F	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	106	15	re	re	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	106	16	Fret	Fret	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	106	17	:	:	:
work_45wy3fczjvc5fj53ll2knwbjv4	106	18	10	10	CD
work_45wy3fczjvc5fj53ll2knwbjv4	106	19	7	7	CD
work_45wy3fczjvc5fj53ll2knwbjv4	106	20	8	8	CD
work_45wy3fczjvc5fj53ll2knwbjv4	106	21	5	5	CD
work_45wy3fczjvc5fj53ll2knwbjv4	106	22	6	6	CD
work_45wy3fczjvc5fj53ll2knwbjv4	106	23	7	7	CD
work_45wy3fczjvc5fj53ll2knwbjv4	106	24	String	string	NN
work_45wy3fczjvc5fj53ll2knwbjv4	106	25	:	:	:
work_45wy3fczjvc5fj53ll2knwbjv4	106	26	6	6	CD
work_45wy3fczjvc5fj53ll2knwbjv4	106	27	6	6	CD
work_45wy3fczjvc5fj53ll2knwbjv4	106	28	5	5	CD
work_45wy3fczjvc5fj53ll2knwbjv4	106	29	5	5	CD
work_45wy3fczjvc5fj53ll2knwbjv4	106	30	4	4	CD
work_45wy3fczjvc5fj53ll2knwbjv4	106	31	3	3	CD
work_45wy3fczjvc5fj53ll2knwbjv4	106	32	Example	Example	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	106	33	2	2	CD
work_45wy3fczjvc5fj53ll2knwbjv4	106	34	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	107	1	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	107	2	I	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	107	3	know	know	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	107	4	how	how	WRB
work_45wy3fczjvc5fj53ll2knwbjv4	107	5	to	to	TO
work_45wy3fczjvc5fj53ll2knwbjv4	107	6	get	get	VB
work_45wy3fczjvc5fj53ll2knwbjv4	107	7	through	through	IN
work_45wy3fczjvc5fj53ll2knwbjv4	107	8	that	that	DT
work_45wy3fczjvc5fj53ll2knwbjv4	107	9	chord	chord	NN
work_45wy3fczjvc5fj53ll2knwbjv4	107	10	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	107	11	The	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	107	12	musical	musical	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	107	13	phrase	phrase	NN
work_45wy3fczjvc5fj53ll2knwbjv4	107	14	that	that	IN
work_45wy3fczjvc5fj53ll2knwbjv4	107	15	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	107	16	plays	play	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	107	17	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	107	18	over	over	IN
work_45wy3fczjvc5fj53ll2knwbjv4	107	19	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	107	20	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	107	21	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	107	22	A	A	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	107	23	-	-	HYPH
work_45wy3fczjvc5fj53ll2knwbjv4	107	24	minor	minor	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	107	25	7	7	CD
work_45wy3fczjvc5fj53ll2knwbjv4	107	26	add	add	VB
work_45wy3fczjvc5fj53ll2knwbjv4	107	27	9	9	CD
work_45wy3fczjvc5fj53ll2knwbjv4	107	28	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	107	29	voicing	voice	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	107	30	demonstrates	demonstrate	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	107	31	that	that	IN
work_45wy3fczjvc5fj53ll2knwbjv4	107	32	individual	individual	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	107	33	pitches	pitch	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	107	34	have	have	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	107	35	less	less	JJR
work_45wy3fczjvc5fj53ll2knwbjv4	107	36	importance	importance	NN
work_45wy3fczjvc5fj53ll2knwbjv4	107	37	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	107	38	Green-	Green-	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	107	39	66	66	CD
work_45wy3fczjvc5fj53ll2knwbjv4	107	40	CUMR	CUMR	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	107	41	/	/	SYM
work_45wy3fczjvc5fj53ll2knwbjv4	107	42	RMUC	RMUC	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	107	43	wich	wich	IN
work_45wy3fczjvc5fj53ll2knwbjv4	107	44	then	then	RB
work_45wy3fczjvc5fj53ll2knwbjv4	107	45	how	how	WRB
work_45wy3fczjvc5fj53ll2knwbjv4	107	46	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	107	47	arc	arc	NN
work_45wy3fczjvc5fj53ll2knwbjv4	107	48	or	or	CC
work_45wy3fczjvc5fj53ll2knwbjv4	107	49	shape	shape	NN
work_45wy3fczjvc5fj53ll2knwbjv4	107	50	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	107	51	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	107	52	musical	musical	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	107	53	line	line	NN
work_45wy3fczjvc5fj53ll2knwbjv4	107	54	relates	relate	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	107	55	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	107	56	his	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	107	57	diagram	diagram	NN
work_45wy3fczjvc5fj53ll2knwbjv4	107	58	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	108	1	For	for	IN
work_45wy3fczjvc5fj53ll2knwbjv4	108	2	example	example	NN
work_45wy3fczjvc5fj53ll2knwbjv4	108	3	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	108	4	from	from	IN
work_45wy3fczjvc5fj53ll2knwbjv4	108	5	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	108	6	tonal	tonal	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	108	7	perspective	perspective	NN
work_45wy3fczjvc5fj53ll2knwbjv4	108	8	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	108	9	major	major	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	108	10	third	third	NN
work_45wy3fczjvc5fj53ll2knwbjv4	108	11	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	108	12	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	108	13	C	c	NN
work_45wy3fczjvc5fj53ll2knwbjv4	108	14	#	#	NN
work_45wy3fczjvc5fj53ll2knwbjv4	108	15	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	108	16	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	108	17	placed	place	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	108	18	on	on	IN
work_45wy3fczjvc5fj53ll2knwbjv4	108	19	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	108	20	strong	strong	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	108	21	beat	beat	NN
work_45wy3fczjvc5fj53ll2knwbjv4	108	22	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	108	23	beat	beat	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	108	24	three	three	CD
work_45wy3fczjvc5fj53ll2knwbjv4	108	25	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	108	26	contradicts	contradict	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	108	27	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	108	28	minor	minor	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	108	29	character	character	NN
work_45wy3fczjvc5fj53ll2knwbjv4	108	30	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	108	31	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	108	32	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	108	33	A	A	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	108	34	-	-	HYPH
work_45wy3fczjvc5fj53ll2knwbjv4	108	35	minor	minor	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	108	36	chord	chord	NN
work_45wy3fczjvc5fj53ll2knwbjv4	108	37	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	108	38	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	109	1	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	109	2	justifies	justify	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	109	3	his	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	109	4	pitch	pitch	NN
work_45wy3fczjvc5fj53ll2knwbjv4	109	5	choice	choice	NN
work_45wy3fczjvc5fj53ll2knwbjv4	109	6	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	109	7	however	however	RB
work_45wy3fczjvc5fj53ll2knwbjv4	109	8	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	109	9	by	by	IN
work_45wy3fczjvc5fj53ll2knwbjv4	109	10	relating	relate	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	109	11	every	every	DT
work_45wy3fczjvc5fj53ll2knwbjv4	109	12	note	note	NN
work_45wy3fczjvc5fj53ll2knwbjv4	109	13	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	109	14	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	109	15	phrase	phrase	NN
work_45wy3fczjvc5fj53ll2knwbjv4	109	16	as	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	109	17	either	either	DT
work_45wy3fczjvc5fj53ll2knwbjv4	109	18	part	part	NN
work_45wy3fczjvc5fj53ll2knwbjv4	109	19	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	109	20	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	109	21	leading	lead	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	109	22	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	109	23	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	109	24	or	or	CC
work_45wy3fczjvc5fj53ll2knwbjv4	109	25	within	within	IN
work_45wy3fczjvc5fj53ll2knwbjv4	109	26	close	close	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	109	27	proximity	proximity	NN
work_45wy3fczjvc5fj53ll2knwbjv4	109	28	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	109	29	his	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	109	30	chord	chord	NN
work_45wy3fczjvc5fj53ll2knwbjv4	109	31	diagram	diagram	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	109	32	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	110	1	The	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	110	2	initial	initial	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	110	3	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	110	4	D	d	NN
work_45wy3fczjvc5fj53ll2knwbjv4	110	5	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	110	6	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	110	7	played	play	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	110	8	with	with	IN
work_45wy3fczjvc5fj53ll2knwbjv4	110	9	his	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	110	10	third	third	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	110	11	finger	finger	NN
work_45wy3fczjvc5fj53ll2knwbjv4	110	12	on	on	IN
work_45wy3fczjvc5fj53ll2knwbjv4	110	13	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	110	14	high	high	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	110	15	E	E	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	110	16	string	string	NN
work_45wy3fczjvc5fj53ll2knwbjv4	110	17	10th	10th	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	110	18	fret	fret	NN
work_45wy3fczjvc5fj53ll2knwbjv4	110	19	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	110	20	leads	lead	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	110	21	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	110	22	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	110	23	B	b	NN
work_45wy3fczjvc5fj53ll2knwbjv4	110	24	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	110	25	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	110	26	first	first	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	110	27	finger	finger	NN
work_45wy3fczjvc5fj53ll2knwbjv4	110	28	on	on	IN
work_45wy3fczjvc5fj53ll2knwbjv4	110	29	high	high	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	110	30	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	110	31	E	e	NN
work_45wy3fczjvc5fj53ll2knwbjv4	110	32	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	110	33	string	string	NN
work_45wy3fczjvc5fj53ll2knwbjv4	110	34	7th	7th	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	110	35	fret	fret	NN
work_45wy3fczjvc5fj53ll2knwbjv4	110	36	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	110	37	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	111	1	The	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	111	2	next	next	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	111	3	dyad	dyad	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	111	4	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	111	5	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	111	6	G	g	NN
work_45wy3fczjvc5fj53ll2knwbjv4	111	7	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	111	8	to	to	TO
work_45wy3fczjvc5fj53ll2knwbjv4	111	9	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	111	10	E	E	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	111	11	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	111	12	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	111	13	is	be	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	111	14	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	111	15	same	same	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	111	16	harmonic	harmonic	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	111	17	interval	interval	NN
work_45wy3fczjvc5fj53ll2knwbjv4	111	18	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	111	19	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	111	20	descending	descend	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	111	21	minor	minor	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	111	22	third	third	NN
work_45wy3fczjvc5fj53ll2knwbjv4	111	23	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	111	24	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	111	25	is	be	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	111	26	analogous	analogous	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	111	27	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	111	28	shape	shape	NN
work_45wy3fczjvc5fj53ll2knwbjv4	111	29	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	111	30	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	111	31	first	first	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	111	32	dyad	dyad	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	111	33	:	:	:
work_45wy3fczjvc5fj53ll2knwbjv4	111	34	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	111	35	G	g	NN
work_45wy3fczjvc5fj53ll2knwbjv4	111	36	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	111	37	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	111	38	third	third	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	111	39	finger	finger	NN
work_45wy3fczjvc5fj53ll2knwbjv4	111	40	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	111	41	B	B	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	111	42	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	111	43	string	string	NN
work_45wy3fczjvc5fj53ll2knwbjv4	111	44	8th	8th	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	111	45	fret	fret	NN
work_45wy3fczjvc5fj53ll2knwbjv4	111	46	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	111	47	leading	lead	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	111	48	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	111	49	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	111	50	E	E	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	111	51	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	111	52	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	111	53	first	first	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	111	54	finger	finger	NN
work_45wy3fczjvc5fj53ll2knwbjv4	111	55	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	111	56	B	B	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	111	57	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	111	58	string	string	NN
work_45wy3fczjvc5fj53ll2knwbjv4	111	59	5th	5th	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	111	60	fret	fret	NN
work_45wy3fczjvc5fj53ll2knwbjv4	111	61	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	111	62	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	112	1	While	while	IN
work_45wy3fczjvc5fj53ll2knwbjv4	112	2	neither	neither	CC
work_45wy3fczjvc5fj53ll2knwbjv4	112	3	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	112	4	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	112	5	C	c	NN
work_45wy3fczjvc5fj53ll2knwbjv4	112	6	#	#	NN
work_45wy3fczjvc5fj53ll2knwbjv4	112	7	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	112	8	nor	nor	CC
work_45wy3fczjvc5fj53ll2knwbjv4	112	9	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	112	10	A	a	NN
work_45wy3fczjvc5fj53ll2knwbjv4	112	11	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	112	12	are	be	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	112	13	found	find	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	112	14	within	within	IN
work_45wy3fczjvc5fj53ll2knwbjv4	112	15	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	112	16	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	112	17	diagram	diagram	NN
work_45wy3fczjvc5fj53ll2knwbjv4	112	18	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	112	19	it	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	112	20	is	be	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	112	21	their	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	112	22	close	close	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	112	23	proximity	proximity	NN
work_45wy3fczjvc5fj53ll2knwbjv4	112	24	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	112	25	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	112	26	diagram	diagram	NN
work_45wy3fczjvc5fj53ll2knwbjv4	112	27	—	—	:
work_45wy3fczjvc5fj53ll2knwbjv4	112	28	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	112	29	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	112	30	C	C	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	112	31	#	#	NN
work_45wy3fczjvc5fj53ll2knwbjv4	112	32	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	112	33	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	112	34	second	second	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	112	35	finger	finger	NN
work_45wy3fczjvc5fj53ll2knwbjv4	112	36	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	112	37	G	g	NN
work_45wy3fczjvc5fj53ll2knwbjv4	112	38	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	112	39	string	string	NN
work_45wy3fczjvc5fj53ll2knwbjv4	112	40	6th	6th	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	112	41	fret	fret	NN
work_45wy3fczjvc5fj53ll2knwbjv4	112	42	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	112	43	is	be	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	112	44	one	one	CD
work_45wy3fczjvc5fj53ll2knwbjv4	112	45	fret	fret	NN
work_45wy3fczjvc5fj53ll2knwbjv4	112	46	away	away	RB
work_45wy3fczjvc5fj53ll2knwbjv4	112	47	from	from	IN
work_45wy3fczjvc5fj53ll2knwbjv4	112	48	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	112	49	diagram	diagram	NN
work_45wy3fczjvc5fj53ll2knwbjv4	112	50	note	note	NN
work_45wy3fczjvc5fj53ll2knwbjv4	112	51	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	112	52	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	112	53	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	112	54	A	a	NN
work_45wy3fczjvc5fj53ll2knwbjv4	112	55	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	112	56	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	112	57	third	third	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	112	58	finger	finger	NN
work_45wy3fczjvc5fj53ll2knwbjv4	112	59	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	112	60	D	D	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	112	61	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	112	62	string	string	NN
work_45wy3fczjvc5fj53ll2knwbjv4	112	63	7th	7th	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	112	64	fret	fret	NN
work_45wy3fczjvc5fj53ll2knwbjv4	112	65	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	112	66	is	be	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	112	67	two	two	CD
work_45wy3fczjvc5fj53ll2knwbjv4	112	68	frets	fret	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	112	69	away	away	RB
work_45wy3fczjvc5fj53ll2knwbjv4	112	70	—	—	:
work_45wy3fczjvc5fj53ll2knwbjv4	112	71	that	that	IN
work_45wy3fczjvc5fj53ll2knwbjv4	112	72	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	112	73	cites	cite	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	112	74	to	to	TO
work_45wy3fczjvc5fj53ll2knwbjv4	112	75	explain	explain	VB
work_45wy3fczjvc5fj53ll2knwbjv4	112	76	his	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	112	77	note	note	NN
work_45wy3fczjvc5fj53ll2knwbjv4	112	78	choice	choice	NN
work_45wy3fczjvc5fj53ll2knwbjv4	112	79	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	113	1	In	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	113	2	example	example	NN
work_45wy3fczjvc5fj53ll2knwbjv4	113	3	1	1	CD
work_45wy3fczjvc5fj53ll2knwbjv4	113	4	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	113	5	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	113	6	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	113	7	diagram	diagram	NN
work_45wy3fczjvc5fj53ll2knwbjv4	113	8	is	be	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	113	9	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	113	10	iconic	iconic	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	113	11	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	113	12	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	113	13	that	that	IN
work_45wy3fczjvc5fj53ll2knwbjv4	113	14	it	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	113	15	visually	visually	RB
work_45wy3fczjvc5fj53ll2knwbjv4	113	16	suggests	suggest	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	113	17	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	113	18	shape	shape	NN
work_45wy3fczjvc5fj53ll2knwbjv4	113	19	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	113	20	inflection	inflection	NN
work_45wy3fczjvc5fj53ll2knwbjv4	113	21	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	113	22	contour	contour	NN
work_45wy3fczjvc5fj53ll2knwbjv4	113	23	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	113	24	various	various	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	113	25	melodies	melody	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	113	26	without	without	IN
work_45wy3fczjvc5fj53ll2knwbjv4	113	27	reference	reference	NN
work_45wy3fczjvc5fj53ll2knwbjv4	113	28	to	to	TO
work_45wy3fczjvc5fj53ll2knwbjv4	113	29	pitch	pitch	VB
work_45wy3fczjvc5fj53ll2knwbjv4	113	30	or	or	CC
work_45wy3fczjvc5fj53ll2knwbjv4	113	31	note	note	VB
work_45wy3fczjvc5fj53ll2knwbjv4	113	32	duration	duration	NN
work_45wy3fczjvc5fj53ll2knwbjv4	113	33	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	114	1	This	this	DT
work_45wy3fczjvc5fj53ll2knwbjv4	114	2	handy	handy	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	114	3	coupling	coupling	NN
work_45wy3fczjvc5fj53ll2knwbjv4	114	4	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	114	5	fretboard	fretboard	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	114	6	diagram	diagram	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	114	7	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	114	8	harmonic	harmonic	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	114	9	shape	shape	NN
work_45wy3fczjvc5fj53ll2knwbjv4	114	10	is	be	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	114	11	not	not	RB
work_45wy3fczjvc5fj53ll2knwbjv4	114	12	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	114	13	however	however	RB
work_45wy3fczjvc5fj53ll2knwbjv4	114	14	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	114	15	always	always	RB
work_45wy3fczjvc5fj53ll2knwbjv4	114	16	consistent	consistent	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	114	17	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	115	1	Rather	rather	RB
work_45wy3fczjvc5fj53ll2knwbjv4	115	2	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	115	3	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	115	4	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	115	5	diagrams	diagram	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	115	6	can	can	MD
work_45wy3fczjvc5fj53ll2knwbjv4	115	7	be	be	VB
work_45wy3fczjvc5fj53ll2knwbjv4	115	8	viewed	view	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	115	9	as	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	115	10	representing	represent	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	115	11	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	115	12	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	115	13	complex	complex	NN
work_45wy3fczjvc5fj53ll2knwbjv4	115	14	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	115	15	habits	habit	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	115	16	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	115	17	associations	association	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	115	18	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	115	19	that	that	WDT
work_45wy3fczjvc5fj53ll2knwbjv4	115	20	trigger	trigger	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	115	21	mental	mental	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	115	22	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	115	23	musical	musical	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	115	24	processes	process	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	115	25	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	115	26	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	115	27	guitarist	guitarist	NN
work_45wy3fczjvc5fj53ll2knwbjv4	115	28	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	115	29	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	115	30	enable	enable	VB
work_45wy3fczjvc5fj53ll2knwbjv4	115	31	[	[	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	115	32	him	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	115	33	]	]	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	115	34	to	to	TO
work_45wy3fczjvc5fj53ll2knwbjv4	115	35	compose	compose	VB
work_45wy3fczjvc5fj53ll2knwbjv4	115	36	at	at	IN
work_45wy3fczjvc5fj53ll2knwbjv4	115	37	high	high	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	115	38	speed	speed	NN
work_45wy3fczjvc5fj53ll2knwbjv4	115	39	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	115	40	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	115	41	Treitler	Treitler	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	115	42	1974	1974	CD
work_45wy3fczjvc5fj53ll2knwbjv4	115	43	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	115	44	356	356	CD
work_45wy3fczjvc5fj53ll2knwbjv4	115	45	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	115	46	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	116	1	For	for	IN
work_45wy3fczjvc5fj53ll2knwbjv4	116	2	example	example	NN
work_45wy3fczjvc5fj53ll2knwbjv4	116	3	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	116	4	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	116	5	uses	use	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	116	6	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	116	7	diagram	diagram	NN
work_45wy3fczjvc5fj53ll2knwbjv4	116	8	presented	present	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	116	9	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	116	10	example	example	NN
work_45wy3fczjvc5fj53ll2knwbjv4	116	11	4	4	CD
work_45wy3fczjvc5fj53ll2knwbjv4	116	12	to	to	TO
work_45wy3fczjvc5fj53ll2knwbjv4	116	13	improvise	improvise	VB
work_45wy3fczjvc5fj53ll2knwbjv4	116	14	on	on	IN
work_45wy3fczjvc5fj53ll2knwbjv4	116	15	what	what	WP
work_45wy3fczjvc5fj53ll2knwbjv4	116	16	he	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	116	17	hears	hear	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	116	18	as	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	116	19	an	an	DT
work_45wy3fczjvc5fj53ll2knwbjv4	116	20	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	116	21	F	F	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	116	22	-	-	HYPH
work_45wy3fczjvc5fj53ll2knwbjv4	116	23	major	major	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	116	24	7	7	CD
work_45wy3fczjvc5fj53ll2knwbjv4	116	25	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	116	26	sound	sound	NN
work_45wy3fczjvc5fj53ll2knwbjv4	116	27	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	116	28	example	example	NN
work_45wy3fczjvc5fj53ll2knwbjv4	116	29	3	3	CD
work_45wy3fczjvc5fj53ll2knwbjv4	116	30	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	116	31	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	117	1	Example	example	NN
work_45wy3fczjvc5fj53ll2knwbjv4	117	2	4	4	CD
work_45wy3fczjvc5fj53ll2knwbjv4	117	3	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	118	1	What	what	WP
work_45wy3fczjvc5fj53ll2knwbjv4	118	2	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	118	3	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	118	4	hears	hear	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	118	5	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	118	6	over	over	IN
work_45wy3fczjvc5fj53ll2knwbjv4	118	7	an	an	DT
work_45wy3fczjvc5fj53ll2knwbjv4	118	8	F	F	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	118	9	major	major	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	118	10	tonality	tonality	NN
work_45wy3fczjvc5fj53ll2knwbjv4	118	11	as	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	118	12	guitar	guitar	NN
work_45wy3fczjvc5fj53ll2knwbjv4	118	13	diagram	diagram	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	118	14	Again	again	RB
work_45wy3fczjvc5fj53ll2knwbjv4	118	15	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	118	16	his	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	118	17	diagram	diagram	NN
work_45wy3fczjvc5fj53ll2knwbjv4	118	18	contradicts	contradict	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	118	19	tonality	tonality	NN
work_45wy3fczjvc5fj53ll2knwbjv4	118	20	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	119	1	While	while	IN
work_45wy3fczjvc5fj53ll2knwbjv4	119	2	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	119	3	diagram	diagram	NN
work_45wy3fczjvc5fj53ll2knwbjv4	119	4	contains	contain	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	119	5	three	three	CD
work_45wy3fczjvc5fj53ll2knwbjv4	119	6	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	119	7	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	119	8	four	four	CD
work_45wy3fczjvc5fj53ll2knwbjv4	119	9	notes	note	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	119	10	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	119	11	an	an	DT
work_45wy3fczjvc5fj53ll2knwbjv4	119	12	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	119	13	F	F	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	119	14	-	-	HYPH
work_45wy3fczjvc5fj53ll2knwbjv4	119	15	major	major	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	119	16	7	7	CD
work_45wy3fczjvc5fj53ll2knwbjv4	119	17	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	119	18	chord	chord	NN
work_45wy3fczjvc5fj53ll2knwbjv4	119	19	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	119	20	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	119	21	absence	absence	NN
work_45wy3fczjvc5fj53ll2knwbjv4	119	22	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	119	23	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	119	24	tonic	tonic	NN
work_45wy3fczjvc5fj53ll2knwbjv4	119	25	coupled	couple	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	119	26	with	with	IN
work_45wy3fczjvc5fj53ll2knwbjv4	119	27	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	119	28	presence	presence	NN
work_45wy3fczjvc5fj53ll2knwbjv4	119	29	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	119	30	such	such	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	119	31	out	out	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	119	32	-	-	HYPH
work_45wy3fczjvc5fj53ll2knwbjv4	119	33	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	119	34	-	-	HYPH
work_45wy3fczjvc5fj53ll2knwbjv4	119	35	key	key	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	119	36	notes	note	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	119	37	as	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	119	38	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	119	39	B	B	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	119	40	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	119	41	natural	natural	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	119	42	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	119	43	most	most	RBS
work_45wy3fczjvc5fj53ll2knwbjv4	119	44	startlingly	startlingly	RB
work_45wy3fczjvc5fj53ll2knwbjv4	119	45	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	119	46	F	f	NN
work_45wy3fczjvc5fj53ll2knwbjv4	119	47	#	#	NN
work_45wy3fczjvc5fj53ll2knwbjv4	119	48	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	119	49	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	119	50	suggests	suggest	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	119	51	poly	poly	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	119	52	tonality	tonality	NN
work_45wy3fczjvc5fj53ll2knwbjv4	119	53	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	120	1	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	120	2	then	then	RB
work_45wy3fczjvc5fj53ll2knwbjv4	120	3	improvises	improvise	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	120	4	some	some	DT
work_45wy3fczjvc5fj53ll2knwbjv4	120	5	melodies	melody	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	120	6	he	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	120	7	perceives	perceive	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	120	8	to	to	TO
work_45wy3fczjvc5fj53ll2knwbjv4	120	9	be	be	VB
work_45wy3fczjvc5fj53ll2knwbjv4	120	10	borne	bear	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	120	11	from	from	IN
work_45wy3fczjvc5fj53ll2knwbjv4	120	12	this	this	DT
work_45wy3fczjvc5fj53ll2knwbjv4	120	13	shape	shape	NN
work_45wy3fczjvc5fj53ll2knwbjv4	120	14	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	120	15	examples	example	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	120	16	5	5	CD
work_45wy3fczjvc5fj53ll2knwbjv4	120	17	-	-	SYM
work_45wy3fczjvc5fj53ll2knwbjv4	120	18	7	7	CD
work_45wy3fczjvc5fj53ll2knwbjv4	120	19	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	120	20	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	121	1	24/1	24/1	CD
work_45wy3fczjvc5fj53ll2knwbjv4	121	2	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	121	3	2003	2003	CD
work_45wy3fczjvc5fj53ll2knwbjv4	121	4	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	121	5	Example	example	NN
work_45wy3fczjvc5fj53ll2knwbjv4	121	6	7	7	CD
work_45wy3fczjvc5fj53ll2knwbjv4	121	7	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	122	1	Melody	melody	NN
work_45wy3fczjvc5fj53ll2knwbjv4	122	2	3	3	CD
work_45wy3fczjvc5fj53ll2knwbjv4	122	3	from	from	IN
work_45wy3fczjvc5fj53ll2knwbjv4	122	4	example	example	NN
work_45wy3fczjvc5fj53ll2knwbjv4	122	5	4	4	CD
work_45wy3fczjvc5fj53ll2knwbjv4	122	6	diagram	diagram	NN
work_45wy3fczjvc5fj53ll2knwbjv4	122	7	In	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	122	8	each	each	DT
work_45wy3fczjvc5fj53ll2knwbjv4	122	9	instance	instance	NN
work_45wy3fczjvc5fj53ll2knwbjv4	122	10	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	122	11	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	122	12	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	122	13	improvisations	improvisation	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	122	14	contain	contain	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	122	15	pitches	pitch	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	122	16	outside	outside	IN
work_45wy3fczjvc5fj53ll2knwbjv4	122	17	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	122	18	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	122	19	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	122	20	F	F	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	122	21	-	-	HYPH
work_45wy3fczjvc5fj53ll2knwbjv4	122	22	major	major	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	122	23	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	122	24	tonality	tonality	NN
work_45wy3fczjvc5fj53ll2knwbjv4	122	25	—	—	:
work_45wy3fczjvc5fj53ll2knwbjv4	122	26	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	122	27	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	122	28	F	f	NN
work_45wy3fczjvc5fj53ll2knwbjv4	122	29	#	#	NN
work_45wy3fczjvc5fj53ll2knwbjv4	122	30	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	122	31	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	122	32	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	122	33	C	C	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	122	34	#	#	NN
work_45wy3fczjvc5fj53ll2knwbjv4	122	35	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	122	36	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	122	37	example	example	NN
work_45wy3fczjvc5fj53ll2knwbjv4	122	38	5	5	CD
work_45wy3fczjvc5fj53ll2knwbjv4	122	39	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	122	40	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	122	41	F	f	NN
work_45wy3fczjvc5fj53ll2knwbjv4	122	42	#	#	NN
work_45wy3fczjvc5fj53ll2knwbjv4	122	43	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	122	44	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	122	45	example	example	NN
work_45wy3fczjvc5fj53ll2knwbjv4	122	46	6	6	CD
work_45wy3fczjvc5fj53ll2knwbjv4	122	47	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	122	48	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	122	49	multiple	multiple	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	122	50	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	122	51	B	b	NN
work_45wy3fczjvc5fj53ll2knwbjv4	122	52	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	122	53	naturals	natural	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	122	54	articulated	articulate	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	122	55	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	122	56	example	example	NN
work_45wy3fczjvc5fj53ll2knwbjv4	122	57	7	7	CD
work_45wy3fczjvc5fj53ll2knwbjv4	122	58	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	123	1	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	123	2	again	again	RB
work_45wy3fczjvc5fj53ll2knwbjv4	123	3	justifies	justify	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	123	4	these	these	DT
work_45wy3fczjvc5fj53ll2knwbjv4	123	5	pitch	pitch	NN
work_45wy3fczjvc5fj53ll2knwbjv4	123	6	choices	choice	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	123	7	as	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	123	8	connected	connect	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	123	9	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	123	10	his	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	123	11	diagram	diagram	NN
work_45wy3fczjvc5fj53ll2knwbjv4	123	12	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	124	1	In	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	124	2	this	this	DT
work_45wy3fczjvc5fj53ll2knwbjv4	124	3	instance	instance	NN
work_45wy3fczjvc5fj53ll2knwbjv4	124	4	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	124	5	however	however	RB
work_45wy3fczjvc5fj53ll2knwbjv4	124	6	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	124	7	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	124	8	diagram	diagram	NN
work_45wy3fczjvc5fj53ll2knwbjv4	124	9	not	not	RB
work_45wy3fczjvc5fj53ll2knwbjv4	124	10	only	only	RB
work_45wy3fczjvc5fj53ll2knwbjv4	124	11	suggests	suggest	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	124	12	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	124	13	framework	framework	NN
work_45wy3fczjvc5fj53ll2knwbjv4	124	14	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	124	15	pitches	pitch	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	124	16	for	for	IN
work_45wy3fczjvc5fj53ll2knwbjv4	124	17	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	124	18	to	to	TO
work_45wy3fczjvc5fj53ll2knwbjv4	124	19	employ	employ	VB
work_45wy3fczjvc5fj53ll2knwbjv4	124	20	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	124	21	but	but	CC
work_45wy3fczjvc5fj53ll2knwbjv4	124	22	lead	lead	VB
work_45wy3fczjvc5fj53ll2knwbjv4	124	23	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	124	24	guitarist	guitarist	NN
work_45wy3fczjvc5fj53ll2knwbjv4	124	25	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	124	26	new	new	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	124	27	harmonic	harmonic	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	124	28	trajectories	trajectory	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	124	29	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	125	1	According	accord	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	125	2	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	125	3	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	125	4	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	125	5	example	example	NN
work_45wy3fczjvc5fj53ll2knwbjv4	125	6	4	4	CD
work_45wy3fczjvc5fj53ll2knwbjv4	125	7	is	be	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	125	8	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	125	9	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	125	10	larger	large	JJR
work_45wy3fczjvc5fj53ll2knwbjv4	125	11	cube	cube	NN
work_45wy3fczjvc5fj53ll2knwbjv4	125	12	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	125	13	from	from	IN
work_45wy3fczjvc5fj53ll2knwbjv4	125	14	within	within	IN
work_45wy3fczjvc5fj53ll2knwbjv4	125	15	which	which	WDT
work_45wy3fczjvc5fj53ll2knwbjv4	125	16	various	various	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	125	17	melodic	melodic	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	125	18	lines	line	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	125	19	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	125	20	examples	examples	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	125	21	5	5	CD
work_45wy3fczjvc5fj53ll2knwbjv4	125	22	-	-	SYM
work_45wy3fczjvc5fj53ll2knwbjv4	125	23	7	7	CD
work_45wy3fczjvc5fj53ll2knwbjv4	125	24	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	125	25	can	can	MD
work_45wy3fczjvc5fj53ll2knwbjv4	125	26	be	be	VB
work_45wy3fczjvc5fj53ll2knwbjv4	125	27	created	create	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	125	28	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	126	1	As	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	126	2	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	126	3	told	tell	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	126	4	Ken	Ken	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	126	5	Waxman	Waxman	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	126	6	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	126	7	1978	1978	CD
work_45wy3fczjvc5fj53ll2knwbjv4	126	8	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	126	9	115	115	CD
work_45wy3fczjvc5fj53ll2knwbjv4	126	10	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	126	11	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	126	12	diagrams	diagram	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	126	13	enable	enable	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	126	14	him	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	126	15	to	to	TO
work_45wy3fczjvc5fj53ll2knwbjv4	126	16	play	play	VB
work_45wy3fczjvc5fj53ll2knwbjv4	126	17	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	126	18	not	not	RB
work_45wy3fczjvc5fj53ll2knwbjv4	126	19	only	only	RB
work_45wy3fczjvc5fj53ll2knwbjv4	126	20	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	126	21	melody	melody	NN
work_45wy3fczjvc5fj53ll2knwbjv4	126	22	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	126	23	but	but	CC
work_45wy3fczjvc5fj53ll2knwbjv4	126	24	other	other	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	126	25	melodies	melody	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	126	26	sug-	sug-	RB
work_45wy3fczjvc5fj53ll2knwbjv4	126	27	gested	geste	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	126	28	by	by	IN
work_45wy3fczjvc5fj53ll2knwbjv4	126	29	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	126	30	chord	chord	NN
work_45wy3fczjvc5fj53ll2knwbjv4	126	31	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	126	32	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	127	1	In	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	127	2	this	this	DT
work_45wy3fczjvc5fj53ll2knwbjv4	127	3	respect	respect	NN
work_45wy3fczjvc5fj53ll2knwbjv4	127	4	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	127	5	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	127	6	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	127	7	diagrams	diagram	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	127	8	are	be	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	127	9	highly	highly	RB
work_45wy3fczjvc5fj53ll2knwbjv4	127	10	flexible	flexible	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	127	11	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	128	1	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	128	2	I	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	128	3	'd	'd	MD
work_45wy3fczjvc5fj53ll2knwbjv4	128	4	see	see	VB
work_45wy3fczjvc5fj53ll2knwbjv4	128	5	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	128	6	diagram	diagram	NN
work_45wy3fczjvc5fj53ll2knwbjv4	128	7	here	here	RB
work_45wy3fczjvc5fj53ll2knwbjv4	128	8	on	on	IN
work_45wy3fczjvc5fj53ll2knwbjv4	128	9	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	128	10	keyboard	keyboard	NN
work_45wy3fczjvc5fj53ll2knwbjv4	128	11	[	[	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	128	12	fretboard	fretboard	NN
work_45wy3fczjvc5fj53ll2knwbjv4	128	13	]	]	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	128	14	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	128	15	I	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	128	16	'd	'd	MD
work_45wy3fczjvc5fj53ll2knwbjv4	128	17	see	see	VB
work_45wy3fczjvc5fj53ll2knwbjv4	128	18	between	between	IN
work_45wy3fczjvc5fj53ll2knwbjv4	128	19	here	here	RB
work_45wy3fczjvc5fj53ll2knwbjv4	128	20	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	128	21	here	here	RB
work_45wy3fczjvc5fj53ll2knwbjv4	128	22	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	129	1	So	so	RB
work_45wy3fczjvc5fj53ll2knwbjv4	129	2	I	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	129	3	'd	'd	MD
work_45wy3fczjvc5fj53ll2knwbjv4	129	4	play	play	VB
work_45wy3fczjvc5fj53ll2knwbjv4	129	5	these	these	DT
work_45wy3fczjvc5fj53ll2knwbjv4	129	6	diagrams	diagram	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	129	7	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	129	8	then	then	RB
work_45wy3fczjvc5fj53ll2knwbjv4	129	9	I	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	129	10	'd	'd	MD
work_45wy3fczjvc5fj53ll2knwbjv4	129	11	change	change	VB
work_45wy3fczjvc5fj53ll2knwbjv4	129	12	them	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	129	13	around	around	RB
work_45wy3fczjvc5fj53ll2knwbjv4	129	14	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	129	15	play	play	VB
work_45wy3fczjvc5fj53ll2knwbjv4	129	16	them	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	129	17	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	129	18	other	other	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	129	19	way	way	NN
work_45wy3fczjvc5fj53ll2knwbjv4	129	20	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	129	21	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	129	22	he	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	129	23	explains	explain	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	129	24	playing	play	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	129	25	melodies	melody	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	129	26	he	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	129	27	sees	see	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	129	28	as	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	129	29	contained	contain	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	129	30	within	within	IN
work_45wy3fczjvc5fj53ll2knwbjv4	129	31	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	129	32	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	129	33	larger	large	JJR
work_45wy3fczjvc5fj53ll2knwbjv4	129	34	cube	cube	NN
work_45wy3fczjvc5fj53ll2knwbjv4	129	35	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	129	36	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	129	37	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	129	38	diagram	diagram	NN
work_45wy3fczjvc5fj53ll2knwbjv4	129	39	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	129	40	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	129	41	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	129	42	pers	per	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	129	43	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	130	1	interv	interv	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	130	2	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	131	1	2002	2002	CD
work_45wy3fczjvc5fj53ll2knwbjv4	131	2	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	131	3	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	132	1	The	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	132	2	flexibility	flexibility	NN
work_45wy3fczjvc5fj53ll2knwbjv4	132	3	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	132	4	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	132	5	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	132	6	diagrams	diagram	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	132	7	has	have	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	132	8	similarities	similarity	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	132	9	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	132	10	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	132	11	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	132	12	formulaic	formulaic	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	132	13	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	132	14	approach	approach	NN
work_45wy3fczjvc5fj53ll2knwbjv4	132	15	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	132	16	guitarist	guitarist	NN
work_45wy3fczjvc5fj53ll2knwbjv4	132	17	Charlie	Charlie	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	132	18	Christian	Christian	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	132	19	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	133	1	Howard	Howard	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	133	2	Spring	Spring	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	133	3	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	133	4	who	who	WP
work_45wy3fczjvc5fj53ll2knwbjv4	133	5	has	have	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	133	6	concluded	conclude	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	133	7	that	that	IN
work_45wy3fczjvc5fj53ll2knwbjv4	133	8	Christian	Christian	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	133	9	used	use	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	133	10	guitar	guitar	NN
work_45wy3fczjvc5fj53ll2knwbjv4	133	11	chords	chord	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	133	12	or	or	CC
work_45wy3fczjvc5fj53ll2knwbjv4	133	13	shapes	shape	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	133	14	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	133	15	often	often	RB
work_45wy3fczjvc5fj53ll2knwbjv4	133	16	triadic	triadic	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	133	17	or	or	CC
work_45wy3fczjvc5fj53ll2knwbjv4	133	18	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	133	19	dominant-7	dominant-7	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	133	20	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	133	21	chord	chord	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	133	22	voicings	voicing	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	133	23	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	133	24	as	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	133	25	springboards	springboard	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	133	26	for	for	IN
work_45wy3fczjvc5fj53ll2knwbjv4	133	27	his	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	133	28	improvisations	improvisation	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	133	29	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	133	30	notes	note	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	133	31	that	that	IN
work_45wy3fczjvc5fj53ll2knwbjv4	133	32	Christian	Christian	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	133	33	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	133	34	formulas	formula	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	133	35	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	133	36	like	like	IN
work_45wy3fczjvc5fj53ll2knwbjv4	133	37	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	133	38	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	133	39	diagrams	diagram	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	133	40	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	133	41	exhibit	exhibit	VB
work_45wy3fczjvc5fj53ll2knwbjv4	133	42	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	133	43	considerable	considerable	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	133	44	degree	degree	NN
work_45wy3fczjvc5fj53ll2knwbjv4	133	45	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	133	46	variability	variability	NN
work_45wy3fczjvc5fj53ll2knwbjv4	133	47	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	133	48	detail	detail	NN
work_45wy3fczjvc5fj53ll2knwbjv4	133	49	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	133	50	Spring	Spring	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	133	51	1980	1980	CD
work_45wy3fczjvc5fj53ll2knwbjv4	133	52	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	133	53	3	3	CD
work_45wy3fczjvc5fj53ll2knwbjv4	133	54	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	133	55	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	134	1	Thus	thus	RB
work_45wy3fczjvc5fj53ll2knwbjv4	134	2	far	far	RB
work_45wy3fczjvc5fj53ll2knwbjv4	134	3	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	134	4	I	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	134	5	have	have	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	134	6	argued	argue	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	134	7	that	that	IN
work_45wy3fczjvc5fj53ll2knwbjv4	134	8	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	134	9	uses	use	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	134	10	diagrams	diagram	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	134	11	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	134	12	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	134	13	threefold	threefold	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	134	14	fashion	fashion	NN
work_45wy3fczjvc5fj53ll2knwbjv4	134	15	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	135	1	First	first	RB
work_45wy3fczjvc5fj53ll2knwbjv4	135	2	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	135	3	as	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	135	4	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	135	5	meaningful	meaningful	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	135	6	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	135	7	highly	highly	RB
work_45wy3fczjvc5fj53ll2knwbjv4	135	8	personal	personal	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	135	9	way	way	NN
work_45wy3fczjvc5fj53ll2knwbjv4	135	10	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	135	11	discussing	discuss	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	135	12	his	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	135	13	craft	craft	NN
work_45wy3fczjvc5fj53ll2knwbjv4	135	14	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	135	15	second	second	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	135	16	as	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	135	17	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	135	18	formulaic	formulaic	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	135	19	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	135	20	perceptual	perceptual	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	135	21	strategy	strategy	NN
work_45wy3fczjvc5fj53ll2knwbjv4	135	22	for	for	IN
work_45wy3fczjvc5fj53ll2knwbjv4	135	23	traversing	traverse	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	135	24	various	various	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	135	25	harmonic	harmonic	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	135	26	terrains	terrain	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	135	27	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	135	28	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	135	29	third	third	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	135	30	as	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	135	31	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	135	32	method	method	NN
work_45wy3fczjvc5fj53ll2knwbjv4	135	33	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	135	34	organizing	organize	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	135	35	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	135	36	guitar	guitar	NN
work_45wy3fczjvc5fj53ll2knwbjv4	135	37	neck	neck	NN
work_45wy3fczjvc5fj53ll2knwbjv4	135	38	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	136	1	In	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	136	2	this	this	DT
work_45wy3fczjvc5fj53ll2knwbjv4	136	3	next	next	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	136	4	section	section	NN
work_45wy3fczjvc5fj53ll2knwbjv4	136	5	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	136	6	I	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	136	7	analyze	analyze	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	136	8	my	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	136	9	own	own	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	136	10	transcription	transcription	NN
work_45wy3fczjvc5fj53ll2knwbjv4	136	11	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	136	12	appendix	appendix	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	136	13	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	136	14	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	136	15	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	136	16	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	136	17	improvisation	improvisation	NN
work_45wy3fczjvc5fj53ll2knwbjv4	136	18	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	136	19	Son-	Son-	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	136	20	ics	ics	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	136	21	II	II	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	136	22	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	136	23	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	137	1	Before	before	IN
work_45wy3fczjvc5fj53ll2knwbjv4	137	2	beginning	beginning	NN
work_45wy3fczjvc5fj53ll2knwbjv4	137	3	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	137	4	however	however	RB
work_45wy3fczjvc5fj53ll2knwbjv4	137	5	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	137	6	I	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	137	7	will	will	MD
work_45wy3fczjvc5fj53ll2knwbjv4	137	8	briefly	briefly	RB
work_45wy3fczjvc5fj53ll2knwbjv4	137	9	discuss	discuss	VB
work_45wy3fczjvc5fj53ll2knwbjv4	137	10	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	137	11	relevant	relevant	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	137	12	musi-	musi-	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	137	13	cological	cological	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	137	14	literature	literature	NN
work_45wy3fczjvc5fj53ll2knwbjv4	137	15	that	that	WDT
work_45wy3fczjvc5fj53ll2knwbjv4	137	16	mentions	mention	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	137	17	formulas	formula	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	137	18	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	137	19	patterns	pattern	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	137	20	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	137	21	shapes	shape	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	137	22	and/or	and/or	CC
work_45wy3fczjvc5fj53ll2knwbjv4	137	23	diagrams	diagram	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	137	24	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	138	1	Although	although	IN
work_45wy3fczjvc5fj53ll2knwbjv4	138	2	there	there	EX
work_45wy3fczjvc5fj53ll2knwbjv4	138	3	is	be	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	138	4	no	no	DT
work_45wy3fczjvc5fj53ll2knwbjv4	138	5	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	138	6	priori	priori	FW
work_45wy3fczjvc5fj53ll2knwbjv4	138	7	method	method	NN
work_45wy3fczjvc5fj53ll2knwbjv4	138	8	for	for	IN
work_45wy3fczjvc5fj53ll2knwbjv4	138	9	jazz	jazz	NN
work_45wy3fczjvc5fj53ll2knwbjv4	138	10	analysis	analysis	NN
work_45wy3fczjvc5fj53ll2knwbjv4	138	11	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	138	12	formulaic	formulaic	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	138	13	research	research	NN
work_45wy3fczjvc5fj53ll2knwbjv4	138	14	is	be	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	138	15	common	common	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	138	16	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	139	1	The	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	139	2	term	term	NN
work_45wy3fczjvc5fj53ll2knwbjv4	139	3	formula	formula	NN
work_45wy3fczjvc5fj53ll2knwbjv4	139	4	entered	enter	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	139	5	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	139	6	musicological	musicological	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	139	7	lexicon	lexicon	NN
work_45wy3fczjvc5fj53ll2knwbjv4	139	8	by	by	IN
work_45wy3fczjvc5fj53ll2knwbjv4	139	9	way	way	NN
work_45wy3fczjvc5fj53ll2knwbjv4	139	10	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	139	11	linguis-	linguis-	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	139	12	tics	tic	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	139	13	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	140	1	Milman	Milman	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	140	2	Parry	Parry	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	140	3	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	140	4	Albert	Albert	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	140	5	Lord	Lord	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	140	6	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	140	7	through	through	IN
work_45wy3fczjvc5fj53ll2knwbjv4	140	8	close	close	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	140	9	examination	examination	NN
work_45wy3fczjvc5fj53ll2knwbjv4	140	10	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	140	11	The	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	140	12	Iliad	Iliad	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	140	13	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	140	14	The	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	140	15	Odyssey	Odyssey	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	140	16	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	140	17	argued	argue	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	140	18	that	that	IN
work_45wy3fczjvc5fj53ll2knwbjv4	140	19	because	because	IN
work_45wy3fczjvc5fj53ll2knwbjv4	140	20	both	both	DT
work_45wy3fczjvc5fj53ll2knwbjv4	140	21	works	work	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	140	22	were	be	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	140	23	transmitted	transmit	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	140	24	orally	orally	RB
work_45wy3fczjvc5fj53ll2knwbjv4	140	25	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	140	26	they	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	140	27	are	be	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	140	28	better	better	RB
work_45wy3fczjvc5fj53ll2knwbjv4	140	29	understood	understand	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	140	30	as	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	140	31	spontaneous	spontaneous	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	140	32	oral	oral	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	140	33	creations	creation	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	140	34	than	than	IN
work_45wy3fczjvc5fj53ll2knwbjv4	140	35	written	write	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	140	36	work	work	NN
work_45wy3fczjvc5fj53ll2knwbjv4	140	37	as	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	140	38	discussed	discuss	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	140	39	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	140	40	Treitler	Treitler	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	140	41	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	140	42	1974	1974	CD
work_45wy3fczjvc5fj53ll2knwbjv4	140	43	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	140	44	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	141	1	Using	use	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	141	2	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	141	3	still	still	RB
work_45wy3fczjvc5fj53ll2knwbjv4	141	4	-	-	HYPH
work_45wy3fczjvc5fj53ll2knwbjv4	141	5	living	live	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	141	6	tradition	tradition	NN
work_45wy3fczjvc5fj53ll2knwbjv4	141	7	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	141	8	Yugoslavian	yugoslavian	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	141	9	epic	epic	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	141	10	poetry	poetry	NN
work_45wy3fczjvc5fj53ll2knwbjv4	141	11	as	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	141	12	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	141	13	68	68	CD
work_45wy3fczjvc5fj53ll2knwbjv4	141	14	CUMR	CUMR	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	141	15	/	/	SYM
work_45wy3fczjvc5fj53ll2knwbjv4	141	16	RMUC	RMUC	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	141	17	template	template	NN
work_45wy3fczjvc5fj53ll2knwbjv4	141	18	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	141	19	Parry	Parry	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	141	20	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	141	21	Lord	Lord	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	141	22	concluded	conclude	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	141	23	that	that	IN
work_45wy3fczjvc5fj53ll2knwbjv4	141	24	oral	oral	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	141	25	poetry	poetry	NN
work_45wy3fczjvc5fj53ll2knwbjv4	141	26	involves	involve	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	141	27	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	141	28	composing	composing	NN
work_45wy3fczjvc5fj53ll2knwbjv4	141	29	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	141	30	performing	perform	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	141	31	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	141	32	reciting	recite	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	141	33	triumvirate	triumvirate	NN
work_45wy3fczjvc5fj53ll2knwbjv4	141	34	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	142	1	Parry	Parry	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	142	2	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	142	3	Lord	Lord	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	142	4	were	be	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	142	5	most	most	RBS
work_45wy3fczjvc5fj53ll2knwbjv4	142	6	intrigued	intrigue	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	142	7	by	by	IN
work_45wy3fczjvc5fj53ll2knwbjv4	142	8	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	142	9	connection	connection	NN
work_45wy3fczjvc5fj53ll2knwbjv4	142	10	between	between	IN
work_45wy3fczjvc5fj53ll2knwbjv4	142	11	spontaneous	spontaneous	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	142	12	composition	composition	NN
work_45wy3fczjvc5fj53ll2knwbjv4	142	13	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	142	14	recitation	recitation	NN
work_45wy3fczjvc5fj53ll2knwbjv4	142	15	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	143	1	They	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	143	2	asserted	assert	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	143	3	that	that	IN
work_45wy3fczjvc5fj53ll2knwbjv4	143	4	oral	oral	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	143	5	poets	poet	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	143	6	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	143	7	or	or	CC
work_45wy3fczjvc5fj53ll2knwbjv4	143	8	singers	singer	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	143	9	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	143	10	draw	draw	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	143	11	from	from	IN
work_45wy3fczjvc5fj53ll2knwbjv4	143	12	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	143	13	collection	collection	NN
work_45wy3fczjvc5fj53ll2knwbjv4	143	14	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	143	15	formulas	formula	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	143	16	—	—	:
work_45wy3fczjvc5fj53ll2knwbjv4	143	17	defined	define	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	143	18	as	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	143	19	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	143	20	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	143	21	group	group	NN
work_45wy3fczjvc5fj53ll2knwbjv4	143	22	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	143	23	words	word	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	143	24	which	which	WDT
work_45wy3fczjvc5fj53ll2knwbjv4	143	25	is	be	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	143	26	regularly	regularly	RB
work_45wy3fczjvc5fj53ll2knwbjv4	143	27	employed	employ	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	143	28	under	under	IN
work_45wy3fczjvc5fj53ll2knwbjv4	143	29	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	143	30	same	same	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	143	31	metrical	metrical	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	143	32	conditions	condition	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	143	33	to	to	TO
work_45wy3fczjvc5fj53ll2knwbjv4	143	34	express	express	VB
work_45wy3fczjvc5fj53ll2knwbjv4	143	35	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	143	36	given	give	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	143	37	essential	essential	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	143	38	idea"—that	idea"—that	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	143	39	adhere	adhere	NN
work_45wy3fczjvc5fj53ll2knwbjv4	143	40	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	143	41	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	143	42	overarching	overarch	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	143	43	conventions	convention	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	143	44	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	143	45	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	143	46	poem	poem	NN
work_45wy3fczjvc5fj53ll2knwbjv4	143	47	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	143	48	while	while	IN
work_45wy3fczjvc5fj53ll2knwbjv4	143	49	simultaneously	simultaneously	RB
work_45wy3fczjvc5fj53ll2knwbjv4	143	50	adding	add	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	143	51	personalized	personalize	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	143	52	style	style	NN
work_45wy3fczjvc5fj53ll2knwbjv4	143	53	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	143	54	ornamentation	ornamentation	NN
work_45wy3fczjvc5fj53ll2knwbjv4	143	55	or	or	CC
work_45wy3fczjvc5fj53ll2knwbjv4	143	56	detail	detail	NN
work_45wy3fczjvc5fj53ll2knwbjv4	143	57	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	143	58	Parry	Parry	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	143	59	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	143	60	Lord	Lord	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	143	61	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	143	62	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	143	63	Treitler	Treitler	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	143	64	1974	1974	CD
work_45wy3fczjvc5fj53ll2knwbjv4	143	65	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	143	66	355	355	CD
work_45wy3fczjvc5fj53ll2knwbjv4	143	67	-	-	SYM
work_45wy3fczjvc5fj53ll2knwbjv4	143	68	56	56	CD
work_45wy3fczjvc5fj53ll2knwbjv4	143	69	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	143	70	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	144	1	Leo	Leo	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	144	2	Treitler	Treitler	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	144	3	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	144	4	an	an	DT
work_45wy3fczjvc5fj53ll2knwbjv4	144	5	early	early	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	144	6	music	music	NN
work_45wy3fczjvc5fj53ll2knwbjv4	144	7	specialist	specialist	NN
work_45wy3fczjvc5fj53ll2knwbjv4	144	8	working	work	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	144	9	with	with	IN
work_45wy3fczjvc5fj53ll2knwbjv4	144	10	medieval	medieval	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	144	11	plainchant	plainchant	NN
work_45wy3fczjvc5fj53ll2knwbjv4	144	12	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	144	13	saw	see	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	144	14	multiple	multiple	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	144	15	points	point	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	144	16	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	144	17	intersection	intersection	NN
work_45wy3fczjvc5fj53ll2knwbjv4	144	18	between	between	IN
work_45wy3fczjvc5fj53ll2knwbjv4	144	19	epic	epic	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	144	20	poetry	poetry	NN
work_45wy3fczjvc5fj53ll2knwbjv4	144	21	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	144	22	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	144	23	recitation	recitation	NN
work_45wy3fczjvc5fj53ll2knwbjv4	144	24	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	144	25	pre	pre	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	144	26	-	-	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	144	27	pneumatic	pneumatic	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	144	28	plainchant	plainchant	NN
work_45wy3fczjvc5fj53ll2knwbjv4	144	29	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	145	1	Specifically	specifically	RB
work_45wy3fczjvc5fj53ll2knwbjv4	145	2	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	145	3	he	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	145	4	argued	argue	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	145	5	that	that	IN
work_45wy3fczjvc5fj53ll2knwbjv4	145	6	formulas	formula	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	145	7	helped	help	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	145	8	constitute	constitute	VB
work_45wy3fczjvc5fj53ll2knwbjv4	145	9	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	145	10	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	145	11	mechanisms	mechanism	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	145	12	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	145	13	oral	oral	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	145	14	transmission	transmission	NN
work_45wy3fczjvc5fj53ll2knwbjv4	145	15	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	145	16	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	145	17	Treitler	Treitler	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	145	18	1974	1974	CD
work_45wy3fczjvc5fj53ll2knwbjv4	145	19	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	145	20	333	333	CD
work_45wy3fczjvc5fj53ll2knwbjv4	145	21	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	145	22	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	146	1	Formulas	formula	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	146	2	helped	help	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	146	3	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	146	4	singer	singer	NN
work_45wy3fczjvc5fj53ll2knwbjv4	146	5	make	make	VB
work_45wy3fczjvc5fj53ll2knwbjv4	146	6	music	music	NN
work_45wy3fczjvc5fj53ll2knwbjv4	146	7	equally	equally	RB
work_45wy3fczjvc5fj53ll2knwbjv4	146	8	informed	inform	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	146	9	by	by	IN
work_45wy3fczjvc5fj53ll2knwbjv4	146	10	memo-	memo-	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	146	11	rization	rization	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	146	12	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	146	13	improvisation	improvisation	NN
work_45wy3fczjvc5fj53ll2knwbjv4	146	14	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	147	1	Perhaps	perhaps	RB
work_45wy3fczjvc5fj53ll2knwbjv4	147	2	it	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	147	3	is	be	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	147	4	not	not	RB
work_45wy3fczjvc5fj53ll2knwbjv4	147	5	surprising	surprising	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	147	6	that	that	IN
work_45wy3fczjvc5fj53ll2knwbjv4	147	7	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	147	8	study	study	NN
work_45wy3fczjvc5fj53ll2knwbjv4	147	9	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	147	10	jazz	jazz	NN
work_45wy3fczjvc5fj53ll2knwbjv4	147	11	improvisation	improvisation	NN
work_45wy3fczjvc5fj53ll2knwbjv4	147	12	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	147	13	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	147	14	seem-	seem-	NN
work_45wy3fczjvc5fj53ll2knwbjv4	147	15	ingly	ingly	RB
work_45wy3fczjvc5fj53ll2knwbjv4	147	16	mysterious	mysterious	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	147	17	ability	ability	NN
work_45wy3fczjvc5fj53ll2knwbjv4	147	18	to	to	TO
work_45wy3fczjvc5fj53ll2knwbjv4	147	19	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	147	20	pick	pick	VB
work_45wy3fczjvc5fj53ll2knwbjv4	147	21	notes	note	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	147	22	out	out	IN
work_45wy3fczjvc5fj53ll2knwbjv4	147	23	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	147	24	thin	thin	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	147	25	air	air	NN
work_45wy3fczjvc5fj53ll2knwbjv4	147	26	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	147	27	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	147	28	was	be	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	147	29	aided	aid	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	147	30	by	by	IN
work_45wy3fczjvc5fj53ll2knwbjv4	147	31	formulaic	formulaic	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	147	32	research	research	NN
work_45wy3fczjvc5fj53ll2knwbjv4	147	33	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	147	34	Berliner	Berliner	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	147	35	1994,9	1994,9	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	147	36	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	147	37	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	148	1	Scholars	Scholars	NNPS
work_45wy3fczjvc5fj53ll2knwbjv4	148	2	Lawrence	Lawrence	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	148	3	Gushee	Gushee	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	148	4	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	148	5	1981	1981	CD
work_45wy3fczjvc5fj53ll2knwbjv4	148	6	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	148	7	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	148	8	Howard	Howard	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	148	9	Spring	Spring	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	148	10	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	148	11	1980	1980	CD
work_45wy3fczjvc5fj53ll2knwbjv4	148	12	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	148	13	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	148	14	Jonathon	Jonathon	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	148	15	Finkelman	Finkelman	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	148	16	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	148	17	1997	1997	CD
work_45wy3fczjvc5fj53ll2knwbjv4	148	18	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	148	19	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	148	20	Gregory	Gregory	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	148	21	E.	E.	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	148	22	Smith	Smith	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	148	23	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	148	24	1983	1983	CD
work_45wy3fczjvc5fj53ll2knwbjv4	148	25	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	148	26	have	have	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	148	27	applied	apply	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	148	28	conclusions	conclusion	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	148	29	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	148	30	concepts	concept	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	148	31	culled	cull	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	148	32	from	from	IN
work_45wy3fczjvc5fj53ll2knwbjv4	148	33	formulaic	formulaic	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	148	34	research	research	NN
work_45wy3fczjvc5fj53ll2knwbjv4	148	35	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	148	36	jazz	jazz	NN
work_45wy3fczjvc5fj53ll2knwbjv4	148	37	musicians	musician	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	148	38	Lester	Lester	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	148	39	Young	Young	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	148	40	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	148	41	Charlie	Charlie	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	148	42	Christian	Christian	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	148	43	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	148	44	Bill	Bill	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	148	45	Evans	Evans	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	148	46	respectively	respectively	RB
work_45wy3fczjvc5fj53ll2knwbjv4	148	47	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	149	1	In	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	149	2	this	this	DT
work_45wy3fczjvc5fj53ll2knwbjv4	149	3	next	next	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	149	4	section	section	NN
work_45wy3fczjvc5fj53ll2knwbjv4	149	5	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	149	6	I	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	149	7	use	use	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	149	8	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	149	9	conclusions	conclusion	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	149	10	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	149	11	these	these	DT
work_45wy3fczjvc5fj53ll2knwbjv4	149	12	scholars	scholar	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	149	13	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	149	14	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	149	15	others	other	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	149	16	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	149	17	to	to	TO
work_45wy3fczjvc5fj53ll2knwbjv4	149	18	examine	examine	VB
work_45wy3fczjvc5fj53ll2knwbjv4	149	19	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	149	20	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	149	21	improvisatory	improvisatory	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	149	22	style	style	NN
work_45wy3fczjvc5fj53ll2knwbjv4	149	23	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	150	1	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	150	2	Sonics	Sonics	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	150	3	II	II	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	150	4	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	150	5	is	be	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	150	6	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	150	7	solo	solo	NN
work_45wy3fczjvc5fj53ll2knwbjv4	150	8	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	150	9	unaccompanied	unaccompanied	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	150	10	guitar	guitar	NN
work_45wy3fczjvc5fj53ll2knwbjv4	150	11	piece	piece	NN
work_45wy3fczjvc5fj53ll2knwbjv4	150	12	that	that	WDT
work_45wy3fczjvc5fj53ll2knwbjv4	150	13	lasts	last	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	150	14	one	one	CD
work_45wy3fczjvc5fj53ll2knwbjv4	150	15	minute	minute	NN
work_45wy3fczjvc5fj53ll2knwbjv4	150	16	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	150	17	forty	forty	CD
work_45wy3fczjvc5fj53ll2knwbjv4	150	18	-	-	HYPH
work_45wy3fczjvc5fj53ll2knwbjv4	150	19	four	four	CD
work_45wy3fczjvc5fj53ll2knwbjv4	150	20	seconds	second	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	150	21	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	151	1	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	151	2	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	151	3	bright	bright	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	151	4	guitar	guitar	NN
work_45wy3fczjvc5fj53ll2knwbjv4	151	5	tone	tone	NN
work_45wy3fczjvc5fj53ll2knwbjv4	151	6	is	be	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	151	7	immediately	immediately	RB
work_45wy3fczjvc5fj53ll2knwbjv4	151	8	identifiable	identifiable	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	151	9	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	152	1	His	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	152	2	loose	loose	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	152	3	right	right	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	152	4	-	-	HYPH
work_45wy3fczjvc5fj53ll2knwbjv4	152	5	hand	hand	NN
work_45wy3fczjvc5fj53ll2knwbjv4	152	6	grip	grip	NN
work_45wy3fczjvc5fj53ll2knwbjv4	152	7	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	152	8	forceful	forceful	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	152	9	attack	attack	NN
work_45wy3fczjvc5fj53ll2knwbjv4	152	10	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	152	11	small	small	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	152	12	plectrum	plectrum	NN
work_45wy3fczjvc5fj53ll2knwbjv4	152	13	executing	execute	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	152	14	predominantly	predominantly	RB
work_45wy3fczjvc5fj53ll2knwbjv4	152	15	up	up	IN
work_45wy3fczjvc5fj53ll2knwbjv4	152	16	-	-	HYPH
work_45wy3fczjvc5fj53ll2knwbjv4	152	17	strokes	stroke	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	152	18	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	152	19	is	be	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	152	20	evident	evident	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	152	21	throughout	throughout	IN
work_45wy3fczjvc5fj53ll2knwbjv4	152	22	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	153	1	The	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	153	2	composition	composition	NN
work_45wy3fczjvc5fj53ll2knwbjv4	153	3	is	be	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	153	4	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	153	5	leadoff	leadoff	NN
work_45wy3fczjvc5fj53ll2knwbjv4	153	6	track	track	NN
work_45wy3fczjvc5fj53ll2knwbjv4	153	7	on	on	IN
work_45wy3fczjvc5fj53ll2knwbjv4	153	8	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	153	9	album	album	NN
work_45wy3fczjvc5fj53ll2knwbjv4	153	10	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	154	1	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	154	2	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	154	3	introductory	introductory	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	154	4	phrase	phrase	NN
work_45wy3fczjvc5fj53ll2knwbjv4	154	5	is	be	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	154	6	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	154	7	three	three	CD
work_45wy3fczjvc5fj53ll2knwbjv4	154	8	-	-	HYPH
work_45wy3fczjvc5fj53ll2knwbjv4	154	9	note	note	NN
work_45wy3fczjvc5fj53ll2knwbjv4	154	10	motif	motif	NN
work_45wy3fczjvc5fj53ll2knwbjv4	154	11	that	that	WDT
work_45wy3fczjvc5fj53ll2knwbjv4	154	12	descends	descend	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	154	13	by	by	IN
work_45wy3fczjvc5fj53ll2knwbjv4	154	14	whole	whole	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	154	15	-	-	HYPH
work_45wy3fczjvc5fj53ll2knwbjv4	154	16	steps	step	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	154	17	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	154	18	bars	bar	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	154	19	1	1	CD
work_45wy3fczjvc5fj53ll2knwbjv4	154	20	-	-	SYM
work_45wy3fczjvc5fj53ll2knwbjv4	154	21	4	4	CD
work_45wy3fczjvc5fj53ll2knwbjv4	154	22	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	154	23	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	155	1	The	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	155	2	phrase	phrase	NN
work_45wy3fczjvc5fj53ll2knwbjv4	155	3	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	155	4	which	which	WDT
work_45wy3fczjvc5fj53ll2knwbjv4	155	5	I	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	155	6	hear	hear	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	155	7	as	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	155	8	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	155	9	main	main	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	155	10	theme	theme	NN
work_45wy3fczjvc5fj53ll2knwbjv4	155	11	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	155	12	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	155	13	improvisation	improvisation	NN
work_45wy3fczjvc5fj53ll2knwbjv4	155	14	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	155	15	can	can	MD
work_45wy3fczjvc5fj53ll2knwbjv4	155	16	be	be	VB
work_45wy3fczjvc5fj53ll2knwbjv4	155	17	described	describe	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	155	18	as	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	155	19	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	155	20	broken	broken	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	155	21	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	155	22	suspended	suspend	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	155	23	fourth	fourth	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	155	24	triad	triad	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	155	25	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	155	26	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	155	27	1,4	1,4	CD
work_45wy3fczjvc5fj53ll2knwbjv4	155	28	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	155	29	5	5	CD
work_45wy3fczjvc5fj53ll2knwbjv4	155	30	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	155	31	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	156	1	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	156	2	does	do	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	156	3	not	not	RB
work_45wy3fczjvc5fj53ll2knwbjv4	156	4	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	156	5	however	however	RB
work_45wy3fczjvc5fj53ll2knwbjv4	156	6	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	156	7	view	view	VB
work_45wy3fczjvc5fj53ll2knwbjv4	156	8	it	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	156	9	as	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	156	10	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	156	11	triad	triad	NN
work_45wy3fczjvc5fj53ll2knwbjv4	156	12	related	relate	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	156	13	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	156	14	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	156	15	particular	particular	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	156	16	key	key	NN
work_45wy3fczjvc5fj53ll2knwbjv4	156	17	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	156	18	but	but	CC
work_45wy3fczjvc5fj53ll2knwbjv4	156	19	rather	rather	RB
work_45wy3fczjvc5fj53ll2knwbjv4	156	20	as	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	156	21	both	both	CC
work_45wy3fczjvc5fj53ll2knwbjv4	156	22	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	156	23	melodic	melodic	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	156	24	formula	formula	NN
work_45wy3fczjvc5fj53ll2knwbjv4	156	25	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	156	26	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	156	27	sound	sound	NN
work_45wy3fczjvc5fj53ll2knwbjv4	156	28	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	156	29	which	which	WDT
work_45wy3fczjvc5fj53ll2knwbjv4	156	30	is	be	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	156	31	discussed	discuss	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	156	32	below	below	RB
work_45wy3fczjvc5fj53ll2knwbjv4	156	33	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	156	34	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	156	35	as	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	156	36	part	part	NN
work_45wy3fczjvc5fj53ll2knwbjv4	156	37	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	156	38	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	156	39	diagram	diagram	NN
work_45wy3fczjvc5fj53ll2knwbjv4	156	40	he	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	156	41	utilizes	utilize	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	156	42	to	to	TO
work_45wy3fczjvc5fj53ll2knwbjv4	156	43	traverse	traverse	VB
work_45wy3fczjvc5fj53ll2knwbjv4	156	44	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	156	45	guitar	guitar	NN
work_45wy3fczjvc5fj53ll2knwbjv4	156	46	fretboard	fretboard	NN
work_45wy3fczjvc5fj53ll2knwbjv4	156	47	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	157	1	Additionally	additionally	RB
work_45wy3fczjvc5fj53ll2knwbjv4	157	2	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	157	3	Green-	Green-	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	157	4	wich	wich	WDT
work_45wy3fczjvc5fj53ll2knwbjv4	157	5	uses	use	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	157	6	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	157	7	phrase	phrase	NN
work_45wy3fczjvc5fj53ll2knwbjv4	157	8	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	157	9	with	with	IN
work_45wy3fczjvc5fj53ll2knwbjv4	157	10	some	some	DT
work_45wy3fczjvc5fj53ll2knwbjv4	157	11	melodic	melodic	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	157	12	variation	variation	NN
work_45wy3fczjvc5fj53ll2knwbjv4	157	13	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	157	14	to	to	TO
work_45wy3fczjvc5fj53ll2knwbjv4	157	15	organize	organize	VB
work_45wy3fczjvc5fj53ll2knwbjv4	157	16	his	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	157	17	improvisation	improvisation	NN
work_45wy3fczjvc5fj53ll2knwbjv4	157	18	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	158	1	By	by	IN
work_45wy3fczjvc5fj53ll2knwbjv4	158	2	articulating	articulate	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	158	3	or	or	CC
work_45wy3fczjvc5fj53ll2knwbjv4	158	4	alluding	allude	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	158	5	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	158	6	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	158	7	theme	theme	NN
work_45wy3fczjvc5fj53ll2knwbjv4	158	8	twenty	twenty	CD
work_45wy3fczjvc5fj53ll2knwbjv4	158	9	-	-	HYPH
work_45wy3fczjvc5fj53ll2knwbjv4	158	10	two	two	CD
work_45wy3fczjvc5fj53ll2knwbjv4	158	11	times	time	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	158	12	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	158	13	bars	bar	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	158	14	1	1	CD
work_45wy3fczjvc5fj53ll2knwbjv4	158	15	-	-	SYM
work_45wy3fczjvc5fj53ll2knwbjv4	158	16	4	4	CD
work_45wy3fczjvc5fj53ll2knwbjv4	158	17	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	158	18	9	9	CD
work_45wy3fczjvc5fj53ll2knwbjv4	158	19	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	158	20	17	17	CD
work_45wy3fczjvc5fj53ll2knwbjv4	158	21	-	-	SYM
work_45wy3fczjvc5fj53ll2knwbjv4	158	22	20	20	CD
work_45wy3fczjvc5fj53ll2knwbjv4	158	23	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	158	24	25	25	CD
work_45wy3fczjvc5fj53ll2knwbjv4	158	25	-	-	SYM
work_45wy3fczjvc5fj53ll2knwbjv4	158	26	27	27	CD
work_45wy3fczjvc5fj53ll2knwbjv4	158	27	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	158	28	44	44	CD
work_45wy3fczjvc5fj53ll2knwbjv4	158	29	-	-	SYM
work_45wy3fczjvc5fj53ll2knwbjv4	158	30	46	46	CD
work_45wy3fczjvc5fj53ll2knwbjv4	158	31	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	158	32	56	56	CD
work_45wy3fczjvc5fj53ll2knwbjv4	158	33	-	-	SYM
work_45wy3fczjvc5fj53ll2knwbjv4	158	34	59	59	CD
work_45wy3fczjvc5fj53ll2knwbjv4	158	35	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	158	36	70	70	CD
work_45wy3fczjvc5fj53ll2knwbjv4	158	37	-	-	SYM
work_45wy3fczjvc5fj53ll2knwbjv4	158	38	72	72	CD
work_45wy3fczjvc5fj53ll2knwbjv4	158	39	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	158	40	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	158	41	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	158	42	employs	employ	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	158	43	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	158	44	formula	formula	NN
work_45wy3fczjvc5fj53ll2knwbjv4	158	45	as	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	158	46	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	158	47	initial	initial	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	158	48	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	158	49	call"—to	call"—to	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	158	50	which	which	WDT
work_45wy3fczjvc5fj53ll2knwbjv4	158	51	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	158	52	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	158	53	response	response	NN
work_45wy3fczjvc5fj53ll2knwbjv4	158	54	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	158	55	occurs	occur	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	158	56	later	later	RB
work_45wy3fczjvc5fj53ll2knwbjv4	158	57	—	—	:
work_45wy3fczjvc5fj53ll2knwbjv4	158	58	lending	lend	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	158	59	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	158	60	conversational	conversational	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	158	61	aspect	aspect	NN
work_45wy3fczjvc5fj53ll2knwbjv4	158	62	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	158	63	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	158	64	improvisation	improvisation	NN
work_45wy3fczjvc5fj53ll2knwbjv4	158	65	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	159	1	As	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	159	2	Samuel	Samuel	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	159	3	Floyd	Floyd	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	159	4	argues	argue	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	159	5	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	159	6	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	159	7	such	such	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	159	8	call	call	VB
work_45wy3fczjvc5fj53ll2knwbjv4	159	9	-	-	HYPH
work_45wy3fczjvc5fj53ll2knwbjv4	159	10	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	159	11	-	-	HYPH
work_45wy3fczjvc5fj53ll2knwbjv4	159	12	response	response	NN
work_45wy3fczjvc5fj53ll2knwbjv4	159	13	passages	passage	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	159	14	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	159	15	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	159	16	instrument	instrument	NN
work_45wy3fczjvc5fj53ll2knwbjv4	159	17	performs	perform	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	159	18	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	159	19	kind	kind	NN
work_45wy3fczjvc5fj53ll2knwbjv4	159	20	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	159	21	sonic	sonic	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	159	22	mimicry	mimicry	NN
work_45wy3fczjvc5fj53ll2knwbjv4	159	23	that	that	WDT
work_45wy3fczjvc5fj53ll2knwbjv4	159	24	creates	create	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	159	25	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	159	26	illusion	illusion	NN
work_45wy3fczjvc5fj53ll2knwbjv4	159	27	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	159	28	speech	speech	NN
work_45wy3fczjvc5fj53ll2knwbjv4	159	29	or	or	CC
work_45wy3fczjvc5fj53ll2knwbjv4	159	30	narrative	narrative	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	159	31	conversation	conversation	NN
work_45wy3fczjvc5fj53ll2knwbjv4	159	32	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	159	33	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	159	34	Floyd	Floyd	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	159	35	1995,96	1995,96	CD
work_45wy3fczjvc5fj53ll2knwbjv4	159	36	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	159	37	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	160	1	Through	through	IN
work_45wy3fczjvc5fj53ll2knwbjv4	160	2	discussion	discussion	NN
work_45wy3fczjvc5fj53ll2knwbjv4	160	3	with	with	IN
work_45wy3fczjvc5fj53ll2knwbjv4	160	4	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	160	5	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	160	6	I	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	160	7	learned	learn	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	160	8	not	not	RB
work_45wy3fczjvc5fj53ll2knwbjv4	160	9	only	only	RB
work_45wy3fczjvc5fj53ll2knwbjv4	160	10	that	that	IN
work_45wy3fczjvc5fj53ll2knwbjv4	160	11	he	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	160	12	performed	perform	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	160	13	many	many	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	160	14	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	160	15	these	these	DT
work_45wy3fczjvc5fj53ll2knwbjv4	160	16	repeated	repeat	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	160	17	melodic	melodic	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	160	18	cells	cell	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	160	19	on	on	IN
work_45wy3fczjvc5fj53ll2knwbjv4	160	20	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	160	21	highest	high	JJS
work_45wy3fczjvc5fj53ll2knwbjv4	160	22	two	two	CD
work_45wy3fczjvc5fj53ll2knwbjv4	160	23	strings	string	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	160	24	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	160	25	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	160	26	guitar	guitar	NN
work_45wy3fczjvc5fj53ll2knwbjv4	160	27	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	160	28	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	160	29	B	b	NN
work_45wy3fczjvc5fj53ll2knwbjv4	160	30	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	160	31	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	160	32	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	160	33	E	e	NN
work_45wy3fczjvc5fj53ll2knwbjv4	160	34	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	160	35	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	160	36	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	160	37	but	but	CC
work_45wy3fczjvc5fj53ll2knwbjv4	160	38	that	that	IN
work_45wy3fczjvc5fj53ll2knwbjv4	160	39	he	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	160	40	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	160	41	sees	see	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	160	42	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	160	43	these	these	DT
work_45wy3fczjvc5fj53ll2knwbjv4	160	44	cells	cell	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	160	45	as	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	160	46	resulting	result	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	160	47	from	from	IN
work_45wy3fczjvc5fj53ll2knwbjv4	160	48	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	160	49	diagram	diagram	NN
work_45wy3fczjvc5fj53ll2knwbjv4	160	50	notated	notate	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	160	51	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	160	52	example	example	NN
work_45wy3fczjvc5fj53ll2knwbjv4	160	53	1	1	CD
work_45wy3fczjvc5fj53ll2knwbjv4	160	54	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	160	55	moving	move	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	160	56	by	by	IN
work_45wy3fczjvc5fj53ll2knwbjv4	160	57	whole	whole	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	160	58	steps	step	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	160	59	down	down	IN
work_45wy3fczjvc5fj53ll2knwbjv4	160	60	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	160	61	guitar	guitar	NN
work_45wy3fczjvc5fj53ll2knwbjv4	160	62	fretboard	fretboard	NN
work_45wy3fczjvc5fj53ll2knwbjv4	160	63	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	161	1	Just	just	RB
work_45wy3fczjvc5fj53ll2knwbjv4	161	2	as	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	161	3	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	161	4	first	first	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	161	5	melodic	melodic	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	161	6	cell	cell	NN
work_45wy3fczjvc5fj53ll2knwbjv4	161	7	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	161	8	bar	bar	NN
work_45wy3fczjvc5fj53ll2knwbjv4	161	9	1	1	CD
work_45wy3fczjvc5fj53ll2knwbjv4	161	10	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	161	11	can	can	MD
work_45wy3fczjvc5fj53ll2knwbjv4	161	12	be	be	VB
work_45wy3fczjvc5fj53ll2knwbjv4	161	13	related	relate	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	161	14	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	161	15	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	161	16	first	first	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	161	17	diagram	diagram	NN
work_45wy3fczjvc5fj53ll2knwbjv4	161	18	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	161	19	example	example	NN
work_45wy3fczjvc5fj53ll2knwbjv4	161	20	1	1	CD
work_45wy3fczjvc5fj53ll2knwbjv4	161	21	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	161	22	by	by	IN
work_45wy3fczjvc5fj53ll2knwbjv4	161	23	playing	play	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	161	24	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	161	25	diagram	diagram	NN
work_45wy3fczjvc5fj53ll2knwbjv4	161	26	with	with	IN
work_45wy3fczjvc5fj53ll2knwbjv4	161	27	his	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	161	28	left	left	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	161	29	hand	hand	NN
work_45wy3fczjvc5fj53ll2knwbjv4	161	30	first	first	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	161	31	finger	finger	NN
work_45wy3fczjvc5fj53ll2knwbjv4	161	32	on	on	IN
work_45wy3fczjvc5fj53ll2knwbjv4	161	33	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	161	34	ninth	ninth	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	161	35	fret	fret	NN
work_45wy3fczjvc5fj53ll2knwbjv4	161	36	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	161	37	as	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	161	38	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	161	39	does	do	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	161	40	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	161	41	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	161	42	bars	bar	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	161	43	2-A	2-a	CD
work_45wy3fczjvc5fj53ll2knwbjv4	161	44	can	can	MD
work_45wy3fczjvc5fj53ll2knwbjv4	161	45	be	be	VB
work_45wy3fczjvc5fj53ll2knwbjv4	161	46	related	relate	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	161	47	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	161	48	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	161	49	diagram	diagram	NN
work_45wy3fczjvc5fj53ll2knwbjv4	161	50	located	locate	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	161	51	on	on	IN
work_45wy3fczjvc5fj53ll2knwbjv4	161	52	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	161	53	seventh	seventh	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	161	54	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	161	55	fifth	fifth	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	161	56	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	161	57	third	third	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	161	58	frets	fret	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	161	59	respectively	respectively	RB
work_45wy3fczjvc5fj53ll2knwbjv4	161	60	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	162	1	The	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	162	2	motif	motif	NN
work_45wy3fczjvc5fj53ll2knwbjv4	162	3	thus	thus	RB
work_45wy3fczjvc5fj53ll2knwbjv4	162	4	maintains	maintain	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	162	5	its	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	162	6	physical	physical	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	162	7	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	162	8	look	look	NN
work_45wy3fczjvc5fj53ll2knwbjv4	162	9	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	162	10	on	on	IN
work_45wy3fczjvc5fj53ll2knwbjv4	162	11	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	162	12	fretboard	fretboard	NN
work_45wy3fczjvc5fj53ll2knwbjv4	162	13	regardless	regardless	RB
work_45wy3fczjvc5fj53ll2knwbjv4	162	14	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	162	15	pitch	pitch	NN
work_45wy3fczjvc5fj53ll2knwbjv4	162	16	selection	selection	NN
work_45wy3fczjvc5fj53ll2knwbjv4	162	17	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	163	1	Similar	similar	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	163	2	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	163	3	Smith	Smith	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	163	4	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	163	5	conclu-	conclu-	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	163	6	sions	sion	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	163	7	that	that	IN
work_45wy3fczjvc5fj53ll2knwbjv4	163	8	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	163	9	one	one	CD
work_45wy3fczjvc5fj53ll2knwbjv4	163	10	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	163	11	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	163	12	secrets	secret	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	163	13	[	[	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	163	14	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	163	15	Bill	Bill	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	163	16	Evans	Evans	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	163	17	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	163	18	]	]	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	163	19	rapid	rapid	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	163	20	decision	decision	NN
work_45wy3fczjvc5fj53ll2knwbjv4	163	21	making	make	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	163	22	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	163	23	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	163	24	choice	choice	NN
work_45wy3fczjvc5fj53ll2knwbjv4	163	25	24/1(2003	24/1(2003	CD
work_45wy3fczjvc5fj53ll2knwbjv4	163	26	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	163	27	69	69	CD
work_45wy3fczjvc5fj53ll2knwbjv4	163	28	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	163	29	pitches	pitch	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	163	30	may	may	MD
work_45wy3fczjvc5fj53ll2knwbjv4	163	31	lie	lie	VB
work_45wy3fczjvc5fj53ll2knwbjv4	163	32	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	163	33	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	163	34	nature	nature	NN
work_45wy3fczjvc5fj53ll2knwbjv4	163	35	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	163	36	arpegggiation	arpegggiation	NN
work_45wy3fczjvc5fj53ll2knwbjv4	163	37	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	163	38	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	163	39	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	163	40	physical	physical	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	163	41	shape	shape	NN
work_45wy3fczjvc5fj53ll2knwbjv4	163	42	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	163	43	guitar	guitar	NN
work_45wy3fczjvc5fj53ll2knwbjv4	163	44	chords	chords	NNPS
work_45wy3fczjvc5fj53ll2knwbjv4	163	45	influences	influence	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	163	46	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	163	47	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	163	48	pitch	pitch	NN
work_45wy3fczjvc5fj53ll2knwbjv4	163	49	selection	selection	NN
work_45wy3fczjvc5fj53ll2knwbjv4	163	50	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	163	51	Smith	Smith	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	163	52	1983	1983	CD
work_45wy3fczjvc5fj53ll2knwbjv4	163	53	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	163	54	43	43	CD
work_45wy3fczjvc5fj53ll2knwbjv4	163	55	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	163	56	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	164	1	While	while	IN
work_45wy3fczjvc5fj53ll2knwbjv4	164	2	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	164	3	rela-	rela-	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	164	4	tionship	tionship	NN
work_45wy3fczjvc5fj53ll2knwbjv4	164	5	between	between	IN
work_45wy3fczjvc5fj53ll2knwbjv4	164	6	diagram	diagram	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	164	7	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	164	8	pitch	pitch	NN
work_45wy3fczjvc5fj53ll2knwbjv4	164	9	is	be	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	164	10	not	not	RB
work_45wy3fczjvc5fj53ll2knwbjv4	164	11	uni	uni	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	164	12	-	-	HYPH
work_45wy3fczjvc5fj53ll2knwbjv4	164	13	directional	directional	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	164	14	—	—	:
work_45wy3fczjvc5fj53ll2knwbjv4	164	15	as	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	164	16	compositional	compositional	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	164	17	harmony	harmony	NN
work_45wy3fczjvc5fj53ll2knwbjv4	164	18	suggests	suggest	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	164	19	which	which	WDT
work_45wy3fczjvc5fj53ll2knwbjv4	164	20	diagrams	diagram	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	164	21	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	164	22	employs	employ	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	164	23	just	just	RB
work_45wy3fczjvc5fj53ll2knwbjv4	164	24	as	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	164	25	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	164	26	diagrams	diagram	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	164	27	offer	offer	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	164	28	him	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	164	29	melodic	melodic	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	164	30	choices	choice	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	164	31	—	—	:
work_45wy3fczjvc5fj53ll2knwbjv4	164	32	guitar	guitar	NN
work_45wy3fczjvc5fj53ll2knwbjv4	164	33	shapes	shape	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	164	34	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	164	35	physical	physical	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	164	36	fingerings	fingering	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	164	37	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	164	38	rather	rather	RB
work_45wy3fczjvc5fj53ll2knwbjv4	164	39	than	than	IN
work_45wy3fczjvc5fj53ll2knwbjv4	164	40	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	164	41	strict	strict	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	164	42	adherence	adherence	NN
work_45wy3fczjvc5fj53ll2knwbjv4	164	43	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	164	44	any	any	DT
work_45wy3fczjvc5fj53ll2knwbjv4	164	45	chord	chord	NN
work_45wy3fczjvc5fj53ll2knwbjv4	164	46	/	/	SYM
work_45wy3fczjvc5fj53ll2knwbjv4	164	47	scale	scale	NN
work_45wy3fczjvc5fj53ll2knwbjv4	164	48	system	system	NN
work_45wy3fczjvc5fj53ll2knwbjv4	164	49	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	164	50	improvisation	improvisation	NN
work_45wy3fczjvc5fj53ll2knwbjv4	164	51	informs	inform	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	164	52	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	164	53	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	164	54	music	music	NN
work_45wy3fczjvc5fj53ll2knwbjv4	164	55	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	165	1	For	for	IN
work_45wy3fczjvc5fj53ll2knwbjv4	165	2	example	example	NN
work_45wy3fczjvc5fj53ll2knwbjv4	165	3	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	165	4	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	165	5	interval	interval	NN
work_45wy3fczjvc5fj53ll2knwbjv4	165	6	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	165	7	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	165	8	perfect	perfect	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	165	9	fourth	fourth	NN
work_45wy3fczjvc5fj53ll2knwbjv4	165	10	—	—	:
work_45wy3fczjvc5fj53ll2knwbjv4	165	11	heard	hear	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	165	12	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	165	13	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	165	14	theme	theme	NN
work_45wy3fczjvc5fj53ll2knwbjv4	165	15	between	between	IN
work_45wy3fczjvc5fj53ll2knwbjv4	165	16	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	165	17	first	first	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	165	18	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	165	19	third	third	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	165	20	notes	note	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	165	21	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	165	22	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	165	23	phrase	phrase	NN
work_45wy3fczjvc5fj53ll2knwbjv4	165	24	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	165	25	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	165	26	Ab	Ab	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	165	27	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	165	28	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	165	29	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	165	30	Db	Db	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	165	31	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	165	32	bar	bar	NN
work_45wy3fczjvc5fj53ll2knwbjv4	165	33	1	1	CD
work_45wy3fczjvc5fj53ll2knwbjv4	165	34	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	165	35	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	165	36	Gb	Gb	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	165	37	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	165	38	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	165	39	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	165	40	Cb	Cb	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	165	41	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	165	42	bar	bar	NN
work_45wy3fczjvc5fj53ll2knwbjv4	165	43	2	2	CD
work_45wy3fczjvc5fj53ll2knwbjv4	165	44	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	165	45	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	165	46	E	e	NN
work_45wy3fczjvc5fj53ll2knwbjv4	165	47	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	165	48	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	165	49	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	165	50	A	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	165	51	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	165	52	bar	bar	NN
work_45wy3fczjvc5fj53ll2knwbjv4	165	53	3	3	CD
work_45wy3fczjvc5fj53ll2knwbjv4	165	54	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	165	55	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	165	56	D	d	NN
work_45wy3fczjvc5fj53ll2knwbjv4	165	57	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	165	58	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	165	59	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	165	60	G	g	NN
work_45wy3fczjvc5fj53ll2knwbjv4	165	61	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	165	62	bar	bar	NN
work_45wy3fczjvc5fj53ll2knwbjv4	165	63	4)—is	4)—i	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	165	64	particularly	particularly	RB
work_45wy3fczjvc5fj53ll2knwbjv4	165	65	attractive	attractive	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	165	66	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	165	67	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	165	68	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	165	69	who	who	WP
work_45wy3fczjvc5fj53ll2knwbjv4	165	70	connects	connect	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	165	71	this	this	DT
work_45wy3fczjvc5fj53ll2knwbjv4	165	72	sonic	sonic	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	165	73	gesture	gesture	NN
work_45wy3fczjvc5fj53ll2knwbjv4	165	74	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	165	75	certain	certain	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	165	76	twentieth	twentieth	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	165	77	-	-	HYPH
work_45wy3fczjvc5fj53ll2knwbjv4	165	78	century	century	NN
work_45wy3fczjvc5fj53ll2knwbjv4	165	79	West-	West-	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	165	80	ern	ern	NN
work_45wy3fczjvc5fj53ll2knwbjv4	165	81	Art	art	NN
work_45wy3fczjvc5fj53ll2knwbjv4	165	82	music	music	NN
work_45wy3fczjvc5fj53ll2knwbjv4	165	83	composers	composer	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	165	84	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	166	1	While	while	IN
work_45wy3fczjvc5fj53ll2knwbjv4	166	2	explaining	explain	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	166	3	his	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	166	4	improvisatory	improvisatory	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	166	5	approach	approach	NN
work_45wy3fczjvc5fj53ll2knwbjv4	166	6	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	166	7	me	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	166	8	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	166	9	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	166	10	executed	execute	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	166	11	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	166	12	following	follow	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	166	13	phrase	phrase	NN
work_45wy3fczjvc5fj53ll2knwbjv4	166	14	over	over	IN
work_45wy3fczjvc5fj53ll2knwbjv4	166	15	an	an	DT
work_45wy3fczjvc5fj53ll2knwbjv4	166	16	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	166	17	E	e	NN
work_45wy3fczjvc5fj53ll2knwbjv4	166	18	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	166	19	tonality	tonality	NN
work_45wy3fczjvc5fj53ll2knwbjv4	166	20	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	167	1	Example	example	NN
work_45wy3fczjvc5fj53ll2knwbjv4	167	2	8	8	CD
work_45wy3fczjvc5fj53ll2knwbjv4	167	3	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	168	1	Phrase	phrase	VB
work_45wy3fczjvc5fj53ll2knwbjv4	168	2	over	over	IN
work_45wy3fczjvc5fj53ll2knwbjv4	168	3	an	an	DT
work_45wy3fczjvc5fj53ll2knwbjv4	168	4	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	168	5	E	e	NN
work_45wy3fczjvc5fj53ll2knwbjv4	168	6	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	168	7	tonality	tonality	NN
work_45wy3fczjvc5fj53ll2knwbjv4	168	8	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	168	9	That	that	WDT
work_45wy3fczjvc5fj53ll2knwbjv4	168	10	sounds	sound	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	168	11	like	like	IN
work_45wy3fczjvc5fj53ll2knwbjv4	168	12	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	168	13	certain	certain	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	168	14	classical	classical	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	168	15	style	style	NN
work_45wy3fczjvc5fj53ll2knwbjv4	168	16	...	...	:
work_45wy3fczjvc5fj53ll2knwbjv4	168	17	like	like	IN
work_45wy3fczjvc5fj53ll2knwbjv4	168	18	Scriabin	Scriabin	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	168	19	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	168	20	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	168	21	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	168	22	states	state	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	168	23	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	169	1	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	169	2	So	so	RB
work_45wy3fczjvc5fj53ll2knwbjv4	169	3	I	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	169	4	think	think	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	169	5	that	that	DT
work_45wy3fczjvc5fj53ll2knwbjv4	169	6	's	be	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	169	7	why	why	WRB
work_45wy3fczjvc5fj53ll2knwbjv4	169	8	Bill	Bill	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	169	9	Evans	Evans	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	169	10	asked	ask	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	169	11	me	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	169	12	what	what	WP
work_45wy3fczjvc5fj53ll2knwbjv4	169	13	I	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	169	14	'm	be	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	169	15	doing	do	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	169	16	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	169	17	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	169	18	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	169	19	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	169	20	pers	per	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	169	21	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	170	1	interv	interv	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	170	2	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	171	1	2002	2002	CD
work_45wy3fczjvc5fj53ll2knwbjv4	171	2	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	171	3	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	172	1	Here	here	RB
work_45wy3fczjvc5fj53ll2knwbjv4	172	2	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	172	3	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	172	4	is	be	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	172	5	referring	refer	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	172	6	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	172	7	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	172	8	time	time	NN
work_45wy3fczjvc5fj53ll2knwbjv4	172	9	when	when	WRB
work_45wy3fczjvc5fj53ll2knwbjv4	172	10	he	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	172	11	played	play	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	172	12	opposite	opposite	IN
work_45wy3fczjvc5fj53ll2knwbjv4	172	13	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	172	14	late	late	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	172	15	pianist	pianist	NN
work_45wy3fczjvc5fj53ll2knwbjv4	172	16	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	172	17	1967	1967	CD
work_45wy3fczjvc5fj53ll2knwbjv4	172	18	as	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	172	19	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	172	20	member	member	NN
work_45wy3fczjvc5fj53ll2knwbjv4	172	21	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	172	22	John	John	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	172	23	Handy	Handy	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	172	24	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	172	25	group	group	NN
work_45wy3fczjvc5fj53ll2knwbjv4	172	26	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	173	1	Intrigued	intrigue	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	173	2	by	by	IN
work_45wy3fczjvc5fj53ll2knwbjv4	173	3	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	173	4	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	173	5	chords	chord	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	173	6	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	173	7	Evans	Evans	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	173	8	approached	approach	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	173	9	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	173	10	guitarist	guitarist	NN
work_45wy3fczjvc5fj53ll2knwbjv4	173	11	with	with	IN
work_45wy3fczjvc5fj53ll2knwbjv4	173	12	questions	question	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	173	13	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	174	1	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	174	2	What	what	WP
work_45wy3fczjvc5fj53ll2knwbjv4	174	3	he	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	174	4	wanted	want	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	174	5	to	to	TO
work_45wy3fczjvc5fj53ll2knwbjv4	174	6	discuss	discuss	VB
work_45wy3fczjvc5fj53ll2knwbjv4	174	7	were	be	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	174	8	my	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	174	9	ideas	idea	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	174	10	on	on	IN
work_45wy3fczjvc5fj53ll2knwbjv4	174	11	composition	composition	NN
work_45wy3fczjvc5fj53ll2knwbjv4	174	12	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	174	13	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	174	14	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	174	15	1993	1993	CD
work_45wy3fczjvc5fj53ll2knwbjv4	174	16	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	174	17	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	175	1	I	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	175	2	mention	mention	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	175	3	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	175	4	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	175	5	that	that	IN
work_45wy3fczjvc5fj53ll2knwbjv4	175	6	Evans	Evans	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	175	7	shared	share	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	175	8	his	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	175	9	affinity	affinity	NN
work_45wy3fczjvc5fj53ll2knwbjv4	175	10	for	for	IN
work_45wy3fczjvc5fj53ll2knwbjv4	175	11	fourths	fourth	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	175	12	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	175	13	citing	cite	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	175	14	Evans	Evans	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	175	15	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	175	16	use	use	NN
work_45wy3fczjvc5fj53ll2knwbjv4	175	17	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	175	18	quartal	quartal	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	175	19	voicings	voicing	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	175	20	on	on	IN
work_45wy3fczjvc5fj53ll2knwbjv4	175	21	Miles	Miles	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	175	22	Davis	Davis	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	175	23	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	175	24	1959	1959	CD
work_45wy3fczjvc5fj53ll2knwbjv4	175	25	recording	recording	NN
work_45wy3fczjvc5fj53ll2knwbjv4	175	26	So	so	RB
work_45wy3fczjvc5fj53ll2knwbjv4	175	27	What	what	WP
work_45wy3fczjvc5fj53ll2knwbjv4	175	28	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	175	29	Davis	Davis	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	175	30	1959	1959	CD
work_45wy3fczjvc5fj53ll2knwbjv4	175	31	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	175	32	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	176	1	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	176	2	picks	pick	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	176	3	up	up	RP
work_45wy3fczjvc5fj53ll2knwbjv4	176	4	on	on	IN
work_45wy3fczjvc5fj53ll2knwbjv4	176	5	my	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	176	6	terminology	terminology	NN
work_45wy3fczjvc5fj53ll2knwbjv4	176	7	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	177	1	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	177	2	That	that	DT
work_45wy3fczjvc5fj53ll2knwbjv4	177	3	's	be	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	177	4	what	what	WP
work_45wy3fczjvc5fj53ll2knwbjv4	177	5	I	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	177	6	'm	be	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	177	7	doing	do	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	177	8	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	178	1	Basically	basically	RB
work_45wy3fczjvc5fj53ll2knwbjv4	178	2	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	178	3	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	178	4	chords	chord	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	178	5	I	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	178	6	'm	be	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	178	7	playing	play	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	178	8	behind	behind	IN
work_45wy3fczjvc5fj53ll2knwbjv4	178	9	him	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	178	10	[	[	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	178	11	Handy	Handy	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	178	12	]	]	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	178	13	are	be	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	178	14	fourths	fourth	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	178	15	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	179	1	I	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	179	2	figured	figure	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	179	3	out	out	RP
work_45wy3fczjvc5fj53ll2knwbjv4	179	4	how	how	WRB
work_45wy3fczjvc5fj53ll2knwbjv4	179	5	they	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	179	6	all	all	DT
work_45wy3fczjvc5fj53ll2knwbjv4	179	7	fit	fit	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	179	8	together	together	RB
work_45wy3fczjvc5fj53ll2knwbjv4	179	9	from	from	IN
work_45wy3fczjvc5fj53ll2knwbjv4	179	10	major	major	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	179	11	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	179	12	minor	minor	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	179	13	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	179	14	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	179	15	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	179	16	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	179	17	pers	per	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	179	18	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	180	1	interv	interv	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	180	2	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	181	1	2002	2002	CD
work_45wy3fczjvc5fj53ll2knwbjv4	181	2	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	181	3	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	182	1	This	this	DT
work_45wy3fczjvc5fj53ll2knwbjv4	182	2	point	point	NN
work_45wy3fczjvc5fj53ll2knwbjv4	182	3	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	182	4	which	which	WDT
work_45wy3fczjvc5fj53ll2knwbjv4	182	5	is	be	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	182	6	central	central	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	182	7	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	182	8	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	182	9	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	182	10	approach	approach	NN
work_45wy3fczjvc5fj53ll2knwbjv4	182	11	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	182	12	can	can	MD
work_45wy3fczjvc5fj53ll2knwbjv4	182	13	be	be	VB
work_45wy3fczjvc5fj53ll2knwbjv4	182	14	developed	develop	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	182	15	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	182	16	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	182	17	twofold	twofold	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	182	18	manner	manner	NN
work_45wy3fczjvc5fj53ll2knwbjv4	182	19	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	183	1	As	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	183	2	demonstrated	demonstrate	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	183	3	earlier	early	RBR
work_45wy3fczjvc5fj53ll2knwbjv4	183	4	by	by	IN
work_45wy3fczjvc5fj53ll2knwbjv4	183	5	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	183	6	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	183	7	A	A	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	183	8	-	-	HYPH
work_45wy3fczjvc5fj53ll2knwbjv4	183	9	major	major	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	183	10	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	183	11	line	line	NN
work_45wy3fczjvc5fj53ll2knwbjv4	183	12	that	that	WDT
work_45wy3fczjvc5fj53ll2knwbjv4	183	13	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	183	14	impro-	impro-	NN
work_45wy3fczjvc5fj53ll2knwbjv4	183	15	vised	vise	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	183	16	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	183	17	over	over	IN
work_45wy3fczjvc5fj53ll2knwbjv4	183	18	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	183	19	an	an	DT
work_45wy3fczjvc5fj53ll2knwbjv4	183	20	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	183	21	A	A	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	183	22	-	-	HYPH
work_45wy3fczjvc5fj53ll2knwbjv4	183	23	minor	minor	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	183	24	7	7	CD
work_45wy3fczjvc5fj53ll2knwbjv4	183	25	add	add	VB
work_45wy3fczjvc5fj53ll2knwbjv4	183	26	9	9	CD
work_45wy3fczjvc5fj53ll2knwbjv4	183	27	chord	chord	NN
work_45wy3fczjvc5fj53ll2knwbjv4	183	28	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	183	29	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	183	30	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	183	31	rarely	rarely	RB
work_45wy3fczjvc5fj53ll2knwbjv4	183	32	thinks	think	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	183	33	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	183	34	terms	term	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	183	35	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	183	36	major	major	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	183	37	or	or	CC
work_45wy3fczjvc5fj53ll2knwbjv4	183	38	minor	minor	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	183	39	tonalities	tonality	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	183	40	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	184	1	For	for	IN
work_45wy3fczjvc5fj53ll2knwbjv4	184	2	example	example	NN
work_45wy3fczjvc5fj53ll2knwbjv4	184	3	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	184	4	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	184	5	quartal	quartal	NN
work_45wy3fczjvc5fj53ll2knwbjv4	184	6	or	or	CC
work_45wy3fczjvc5fj53ll2knwbjv4	184	7	suspended	suspend	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	184	8	-	-	HYPH
work_45wy3fczjvc5fj53ll2knwbjv4	184	9	fourth	fourth	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	184	10	triadic	triadic	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	184	11	line	line	NN
work_45wy3fczjvc5fj53ll2knwbjv4	184	12	that	that	IN
work_45wy3fczjvc5fj53ll2knwbjv4	184	13	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	184	14	improvised	improvise	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	184	15	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	184	16	example	example	NN
work_45wy3fczjvc5fj53ll2knwbjv4	184	17	8	8	CD
work_45wy3fczjvc5fj53ll2knwbjv4	184	18	lacks	lack	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	184	19	scale	scale	NN
work_45wy3fczjvc5fj53ll2knwbjv4	184	20	degree	degree	NN
work_45wy3fczjvc5fj53ll2knwbjv4	184	21	three	three	CD
work_45wy3fczjvc5fj53ll2knwbjv4	184	22	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	184	23	therefore	therefore	RB
work_45wy3fczjvc5fj53ll2knwbjv4	184	24	does	do	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	184	25	not	not	RB
work_45wy3fczjvc5fj53ll2knwbjv4	184	26	clearly	clearly	RB
work_45wy3fczjvc5fj53ll2knwbjv4	184	27	delineate	delineate	VB
work_45wy3fczjvc5fj53ll2knwbjv4	184	28	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	184	29	major	major	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	184	30	or	or	CC
work_45wy3fczjvc5fj53ll2knwbjv4	184	31	minor	minor	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	184	32	sound	sound	NN
work_45wy3fczjvc5fj53ll2knwbjv4	184	33	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	185	1	As	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	185	2	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	185	3	result	result	NN
work_45wy3fczjvc5fj53ll2knwbjv4	185	4	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	185	5	harmonic	harmonic	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	185	6	ambiguity	ambiguity	NN
work_45wy3fczjvc5fj53ll2knwbjv4	185	7	over	over	IN
work_45wy3fczjvc5fj53ll2knwbjv4	185	8	an	an	DT
work_45wy3fczjvc5fj53ll2knwbjv4	185	9	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	185	10	E	e	NN
work_45wy3fczjvc5fj53ll2knwbjv4	185	11	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	185	12	tonality	tonality	NN
work_45wy3fczjvc5fj53ll2knwbjv4	185	13	is	be	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	185	14	achieved	achieve	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	185	15	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	186	1	There	there	EX
work_45wy3fczjvc5fj53ll2knwbjv4	186	2	is	be	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	186	3	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	186	4	however	however	RB
work_45wy3fczjvc5fj53ll2knwbjv4	186	5	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	186	6	another	another	DT
work_45wy3fczjvc5fj53ll2knwbjv4	186	7	explanation	explanation	NN
work_45wy3fczjvc5fj53ll2knwbjv4	186	8	for	for	IN
work_45wy3fczjvc5fj53ll2knwbjv4	186	9	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	186	10	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	186	11	repeated	repeat	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	186	12	use	use	NN
work_45wy3fczjvc5fj53ll2knwbjv4	186	13	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	186	14	fourths	fourth	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	186	15	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	187	1	The	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	187	2	predominant	predominant	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	187	3	interval	interval	NN
work_45wy3fczjvc5fj53ll2knwbjv4	187	4	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	187	5	standard	standard	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	187	6	guitar	guitar	NN
work_45wy3fczjvc5fj53ll2knwbjv4	187	7	tuning	tuning	NN
work_45wy3fczjvc5fj53ll2knwbjv4	187	8	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	187	9	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	187	10	E	e	NN
work_45wy3fczjvc5fj53ll2knwbjv4	187	11	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	187	12	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	187	13	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	187	14	A	a	NN
work_45wy3fczjvc5fj53ll2knwbjv4	187	15	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	187	16	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	187	17	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	187	18	D	d	NN
work_45wy3fczjvc5fj53ll2knwbjv4	187	19	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	187	20	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	187	21	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	187	22	G	g	NN
work_45wy3fczjvc5fj53ll2knwbjv4	187	23	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	187	24	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	187	25	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	187	26	B	b	NN
work_45wy3fczjvc5fj53ll2knwbjv4	187	27	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	187	28	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	187	29	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	187	30	E	e	NN
work_45wy3fczjvc5fj53ll2knwbjv4	187	31	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	187	32	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	187	33	is	be	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	187	34	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	187	35	perfect	perfect	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	187	36	fourth	fourth	NN
work_45wy3fczjvc5fj53ll2knwbjv4	187	37	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	188	1	With	with	IN
work_45wy3fczjvc5fj53ll2knwbjv4	188	2	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	188	3	exception	exception	NN
work_45wy3fczjvc5fj53ll2knwbjv4	188	4	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	188	5	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	188	6	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	188	7	G	g	NN
work_45wy3fczjvc5fj53ll2knwbjv4	188	8	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	188	9	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	188	10	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	188	11	B	b	NN
work_45wy3fczjvc5fj53ll2knwbjv4	188	12	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	188	13	interval	interval	NN
work_45wy3fczjvc5fj53ll2knwbjv4	188	14	that	that	WDT
work_45wy3fczjvc5fj53ll2knwbjv4	188	15	separates	separate	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	188	16	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	188	17	instrument	instrument	NN
work_45wy3fczjvc5fj53ll2knwbjv4	188	18	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	188	19	fourth	fourth	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	188	20	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	188	21	fifth	fifth	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	188	22	strings	string	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	188	23	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	188	24	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	188	25	open	open	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	188	26	guitar	guitar	NN
work_45wy3fczjvc5fj53ll2knwbjv4	188	27	strings	string	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	188	28	are	be	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	188	29	built	build	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	188	30	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	188	31	fourths	fourth	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	188	32	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	189	1	Therefore	therefore	RB
work_45wy3fczjvc5fj53ll2knwbjv4	189	2	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	189	3	while	while	IN
work_45wy3fczjvc5fj53ll2knwbjv4	189	4	quartal	quartal	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	189	5	voicings	voicing	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	189	6	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	189	7	lines	line	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	189	8	are	be	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	189	9	difficult	difficult	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	189	10	to	to	TO
work_45wy3fczjvc5fj53ll2knwbjv4	189	11	execute	execute	VB
work_45wy3fczjvc5fj53ll2knwbjv4	189	12	on	on	IN
work_45wy3fczjvc5fj53ll2knwbjv4	189	13	piano	piano	NN
work_45wy3fczjvc5fj53ll2knwbjv4	189	14	as	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	189	15	they	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	189	16	require	require	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	189	17	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	189	18	larger	large	JJR
work_45wy3fczjvc5fj53ll2knwbjv4	189	19	hand	hand	NN
work_45wy3fczjvc5fj53ll2knwbjv4	189	20	span	span	NN
work_45wy3fczjvc5fj53ll2knwbjv4	189	21	then	then	RB
work_45wy3fczjvc5fj53ll2knwbjv4	189	22	close-	close-	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	189	23	voiced	voice	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	189	24	tertian	tertian	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	189	25	chords	chord	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	189	26	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	189	27	fourth	fourth	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	189	28	voicings	voicing	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	189	29	are	be	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	189	30	relatively	relatively	RB
work_45wy3fczjvc5fj53ll2knwbjv4	189	31	easy	easy	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	189	32	on	on	IN
work_45wy3fczjvc5fj53ll2knwbjv4	189	33	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	189	34	guitar	guitar	NN
work_45wy3fczjvc5fj53ll2knwbjv4	189	35	as	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	189	36	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	189	37	quartal	quartal	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	189	38	interval	interval	NN
work_45wy3fczjvc5fj53ll2knwbjv4	189	39	is	be	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	189	40	achieved	achieve	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	189	41	by	by	IN
work_45wy3fczjvc5fj53ll2knwbjv4	189	42	laying	lay	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	189	43	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	189	44	single	single	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	189	45	finger	finger	NN
work_45wy3fczjvc5fj53ll2knwbjv4	189	46	across	across	IN
work_45wy3fczjvc5fj53ll2knwbjv4	189	47	adjacent	adjacent	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	189	48	strings	string	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	189	49	on	on	IN
work_45wy3fczjvc5fj53ll2knwbjv4	189	50	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	189	51	same	same	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	189	52	fret	fret	NN
work_45wy3fczjvc5fj53ll2knwbjv4	189	53	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	189	54	except	except	IN
work_45wy3fczjvc5fj53ll2knwbjv4	189	55	between	between	IN
work_45wy3fczjvc5fj53ll2knwbjv4	189	56	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	189	57	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	189	58	G	g	NN
work_45wy3fczjvc5fj53ll2knwbjv4	189	59	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	189	60	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	189	61	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	189	62	B	b	NN
work_45wy3fczjvc5fj53ll2knwbjv4	189	63	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	189	64	strings	string	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	189	65	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	189	66	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	190	1	Accordingly	accordingly	RB
work_45wy3fczjvc5fj53ll2knwbjv4	190	2	for	for	IN
work_45wy3fczjvc5fj53ll2knwbjv4	190	3	70	70	CD
work_45wy3fczjvc5fj53ll2knwbjv4	190	4	CUMR	CUMR	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	190	5	/	/	SYM
work_45wy3fczjvc5fj53ll2knwbjv4	190	6	RMUC	RMUC	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	190	7	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	190	8	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	190	9	who	who	WP
work_45wy3fczjvc5fj53ll2knwbjv4	190	10	organizes	organize	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	190	11	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	190	12	guitar	guitar	NN
work_45wy3fczjvc5fj53ll2knwbjv4	190	13	by	by	IN
work_45wy3fczjvc5fj53ll2knwbjv4	190	14	hand	hand	NN
work_45wy3fczjvc5fj53ll2knwbjv4	190	15	position	position	NN
work_45wy3fczjvc5fj53ll2knwbjv4	190	16	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	190	17	shapes	shape	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	190	18	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	190	19	diagrams	diagram	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	190	20	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	190	21	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	190	22	connection	connection	NN
work_45wy3fczjvc5fj53ll2knwbjv4	190	23	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	190	24	fourths	fourth	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	190	25	is	be	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	190	26	as	as	RB
work_45wy3fczjvc5fj53ll2knwbjv4	190	27	much	much	RB
work_45wy3fczjvc5fj53ll2knwbjv4	190	28	visual	visual	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	190	29	as	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	190	30	aural	aural	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	190	31	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	191	1	Although	although	IN
work_45wy3fczjvc5fj53ll2knwbjv4	191	2	unusual	unusual	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	191	3	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	191	4	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	191	5	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	191	6	reliance	reliance	NN
work_45wy3fczjvc5fj53ll2knwbjv4	191	7	on	on	IN
work_45wy3fczjvc5fj53ll2knwbjv4	191	8	physical	physical	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	191	9	shapes	shape	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	191	10	as	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	191	11	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	191	12	method	method	NN
work_45wy3fczjvc5fj53ll2knwbjv4	191	13	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	191	14	improvisation	improvisation	NN
work_45wy3fczjvc5fj53ll2knwbjv4	191	15	is	be	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	191	16	not	not	RB
work_45wy3fczjvc5fj53ll2knwbjv4	191	17	sui	sui	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	191	18	generis	generis	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	191	19	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	192	1	As	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	192	2	Harris	Harris	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	192	3	Berger	Berger	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	192	4	has	have	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	192	5	argued	argue	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	192	6	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	192	7	rock	rock	NN
work_45wy3fczjvc5fj53ll2knwbjv4	192	8	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	192	9	heavy	heavy	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	192	10	metal	metal	NN
work_45wy3fczjvc5fj53ll2knwbjv4	192	11	musicians	musician	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	192	12	often	often	RB
work_45wy3fczjvc5fj53ll2knwbjv4	192	13	relate	relate	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	192	14	physically	physically	RB
work_45wy3fczjvc5fj53ll2knwbjv4	192	15	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	192	16	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	192	17	music	music	NN
work_45wy3fczjvc5fj53ll2knwbjv4	192	18	they	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	192	19	play	play	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	192	20	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	192	21	Berger	Berger	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	192	22	1999	1999	CD
work_45wy3fczjvc5fj53ll2knwbjv4	192	23	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	192	24	194	194	CD
work_45wy3fczjvc5fj53ll2knwbjv4	192	25	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	192	26	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	193	1	For	for	IN
work_45wy3fczjvc5fj53ll2knwbjv4	193	2	example	example	NN
work_45wy3fczjvc5fj53ll2knwbjv4	193	3	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	193	4	harmony	harmony	NN
work_45wy3fczjvc5fj53ll2knwbjv4	193	5	is	be	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	193	6	understood	understand	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	193	7	from	from	IN
work_45wy3fczjvc5fj53ll2knwbjv4	193	8	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	193	9	root	root	NN
work_45wy3fczjvc5fj53ll2knwbjv4	193	10	-	-	HYPH
work_45wy3fczjvc5fj53ll2knwbjv4	193	11	fifth	fifth	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	193	12	interval	interval	NN
work_45wy3fczjvc5fj53ll2knwbjv4	193	13	shape	shape	NN
work_45wy3fczjvc5fj53ll2knwbjv4	193	14	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	193	15	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	193	16	so	so	RB
work_45wy3fczjvc5fj53ll2knwbjv4	193	17	-	-	HYPH
work_45wy3fczjvc5fj53ll2knwbjv4	193	18	called	call	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	193	19	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	193	20	power	power	NN
work_45wy3fczjvc5fj53ll2knwbjv4	193	21	fifth	fifth	NN
work_45wy3fczjvc5fj53ll2knwbjv4	193	22	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	193	23	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	193	24	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	193	25	improvising	improvising	NN
work_45wy3fczjvc5fj53ll2knwbjv4	193	26	is	be	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	193	27	learned	learn	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	193	28	through	through	IN
work_45wy3fczjvc5fj53ll2knwbjv4	193	29	experimenta-	experimenta-	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	193	30	tion	tion	NN
work_45wy3fczjvc5fj53ll2knwbjv4	193	31	with	with	IN
work_45wy3fczjvc5fj53ll2knwbjv4	193	32	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	193	33	box	box	NN
work_45wy3fczjvc5fj53ll2knwbjv4	193	34	pattern	pattern	NN
work_45wy3fczjvc5fj53ll2knwbjv4	193	35	/	/	SYM
work_45wy3fczjvc5fj53ll2knwbjv4	193	36	shape	shape	NN
work_45wy3fczjvc5fj53ll2knwbjv4	193	37	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	193	38	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	193	39	pentatonic	pentatonic	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	193	40	scale	scale	NN
work_45wy3fczjvc5fj53ll2knwbjv4	193	41	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	193	42	examples	example	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	193	43	9	9	CD
work_45wy3fczjvc5fj53ll2knwbjv4	193	44	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	193	45	10	10	CD
work_45wy3fczjvc5fj53ll2knwbjv4	193	46	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	193	47	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	194	1	Baily	baily	NN
work_45wy3fczjvc5fj53ll2knwbjv4	194	2	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	194	3	Driver	Driver	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	194	4	present	present	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	194	5	arguments	argument	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	194	6	similar	similar	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	194	7	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	194	8	those	those	DT
work_45wy3fczjvc5fj53ll2knwbjv4	194	9	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	194	10	Berger	Berger	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	194	11	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	194	12	Baily	baily	NN
work_45wy3fczjvc5fj53ll2knwbjv4	194	13	1985	1985	CD
work_45wy3fczjvc5fj53ll2knwbjv4	194	14	;	;	:
work_45wy3fczjvc5fj53ll2knwbjv4	194	15	Baily	Baily	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	194	16	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	194	17	Driver	Driver	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	194	18	1992	1992	CD
work_45wy3fczjvc5fj53ll2knwbjv4	194	19	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	194	20	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	195	1	Indexing	index	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	195	2	musical	musical	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	195	3	creativity	creativity	NN
work_45wy3fczjvc5fj53ll2knwbjv4	195	4	to	to	TO
work_45wy3fczjvc5fj53ll2knwbjv4	195	5	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	195	6	finding	find	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	195	7	new	new	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	195	8	ways	way	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	195	9	to	to	TO
work_45wy3fczjvc5fj53ll2knwbjv4	195	10	move	move	VB
work_45wy3fczjvc5fj53ll2knwbjv4	195	11	on	on	IN
work_45wy3fczjvc5fj53ll2knwbjv4	195	12	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	195	13	instrument	instrument	NN
work_45wy3fczjvc5fj53ll2knwbjv4	195	14	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	195	15	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	195	16	Baily	Baily	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	195	17	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	195	18	Driver	Driver	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	195	19	argue	argue	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	195	20	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	195	21	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	195	22	spatio	spatio	NN
work_45wy3fczjvc5fj53ll2knwbjv4	195	23	-	-	HYPH
work_45wy3fczjvc5fj53ll2knwbjv4	195	24	motor	motor	NN
work_45wy3fczjvc5fj53ll2knwbjv4	195	25	mode	mode	NN
work_45wy3fczjvc5fj53ll2knwbjv4	195	26	should	should	MD
work_45wy3fczjvc5fj53ll2knwbjv4	195	27	be	be	VB
work_45wy3fczjvc5fj53ll2knwbjv4	195	28	regarded	regard	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	195	29	as	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	195	30	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	195	31	legitimate	legitimate	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	195	32	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	195	33	commonly	commonly	RB
work_45wy3fczjvc5fj53ll2knwbjv4	195	34	used	use	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	195	35	mode	mode	NN
work_45wy3fczjvc5fj53ll2knwbjv4	195	36	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	195	37	musical	musical	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	195	38	thought	thought	NN
work_45wy3fczjvc5fj53ll2knwbjv4	195	39	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	195	40	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	195	41	pointing	point	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	195	42	out	out	RP
work_45wy3fczjvc5fj53ll2knwbjv4	195	43	that	that	IN
work_45wy3fczjvc5fj53ll2knwbjv4	195	44	rock	rock	NN
work_45wy3fczjvc5fj53ll2knwbjv4	195	45	guitarists	guitarist	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	195	46	remember	remember	VB
work_45wy3fczjvc5fj53ll2knwbjv4	195	47	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	195	48	execute	execute	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	195	49	music	music	NN
work_45wy3fczjvc5fj53ll2knwbjv4	195	50	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	195	51	not	not	RB
work_45wy3fczjvc5fj53ll2knwbjv4	195	52	solely	solely	RB
work_45wy3fczjvc5fj53ll2knwbjv4	195	53	as	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	195	54	aural	aural	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	195	55	patterns	pattern	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	195	56	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	195	57	but	but	CC
work_45wy3fczjvc5fj53ll2knwbjv4	195	58	as	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	195	59	sequences	sequence	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	195	60	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	195	61	movements	movement	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	195	62	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	195	63	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	195	64	that	that	IN
work_45wy3fczjvc5fj53ll2knwbjv4	195	65	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	195	66	music	music	NN
work_45wy3fczjvc5fj53ll2knwbjv4	195	67	is	be	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	195	68	therefore	therefore	RB
work_45wy3fczjvc5fj53ll2knwbjv4	195	69	represented	represent	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	195	70	cognitively	cognitively	RB
work_45wy3fczjvc5fj53ll2knwbjv4	195	71	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	195	72	terms	term	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	195	73	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	195	74	movement	movement	NN
work_45wy3fczjvc5fj53ll2knwbjv4	195	75	patterns	pattern	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	195	76	which	which	WDT
work_45wy3fczjvc5fj53ll2knwbjv4	195	77	have	have	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	195	78	visual	visual	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	195	79	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	195	80	kinesthetic	kinesthetic	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	195	81	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	195	82	tactile	tactile	NN
work_45wy3fczjvc5fj53ll2knwbjv4	195	83	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	195	84	as	as	RB
work_45wy3fczjvc5fj53ll2knwbjv4	195	85	well	well	RB
work_45wy3fczjvc5fj53ll2knwbjv4	195	86	as	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	195	87	auditory	auditory	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	195	88	repercussions	repercussion	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	195	89	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	195	90	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	195	91	Baily	Baily	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	195	92	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	195	93	Driver	Driver	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	195	94	1992	1992	CD
work_45wy3fczjvc5fj53ll2knwbjv4	195	95	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	195	96	59	59	CD
work_45wy3fczjvc5fj53ll2knwbjv4	195	97	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	195	98	62	62	CD
work_45wy3fczjvc5fj53ll2knwbjv4	195	99	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	195	100	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	196	1	Physical	physical	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	196	2	relationships	relationship	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	196	3	are	be	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	196	4	not	not	RB
work_45wy3fczjvc5fj53ll2knwbjv4	196	5	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	196	6	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	196	7	course	course	NN
work_45wy3fczjvc5fj53ll2knwbjv4	196	8	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	196	9	limited	limit	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	196	10	to	to	TO
work_45wy3fczjvc5fj53ll2knwbjv4	196	11	rock	rock	VB
work_45wy3fczjvc5fj53ll2knwbjv4	196	12	musi-	musi-	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	196	13	cians	cian	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	196	14	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	197	1	Such	such	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	197	2	jazz	jazz	NN
work_45wy3fczjvc5fj53ll2knwbjv4	197	3	musicians	musician	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	197	4	as	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	197	5	Christian	Christian	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	197	6	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	197	7	Evans	Evans	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	197	8	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	197	9	as	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	197	10	I	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	197	11	have	have	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	197	12	articulated	articulate	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	197	13	earlier	early	RBR
work_45wy3fczjvc5fj53ll2knwbjv4	197	14	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	197	15	also	also	RB
work_45wy3fczjvc5fj53ll2knwbjv4	197	16	rely	rely	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	197	17	on	on	IN
work_45wy3fczjvc5fj53ll2knwbjv4	197	18	embodied	embody	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	197	19	fingering	finger	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	197	20	patterns	pattern	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	197	21	or	or	CC
work_45wy3fczjvc5fj53ll2knwbjv4	197	22	an	an	DT
work_45wy3fczjvc5fj53ll2knwbjv4	197	23	instrument	instrument	NN
work_45wy3fczjvc5fj53ll2knwbjv4	197	24	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	197	25	physical	physical	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	197	26	layout	layout	NN
work_45wy3fczjvc5fj53ll2knwbjv4	197	27	to	to	TO
work_45wy3fczjvc5fj53ll2knwbjv4	197	28	aid	aid	VB
work_45wy3fczjvc5fj53ll2knwbjv4	197	29	improvisation	improvisation	NN
work_45wy3fczjvc5fj53ll2knwbjv4	197	30	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	198	1	An	an	DT
work_45wy3fczjvc5fj53ll2knwbjv4	198	2	examination	examination	NN
work_45wy3fczjvc5fj53ll2knwbjv4	198	3	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	198	4	bars	bar	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	198	5	12	12	CD
work_45wy3fczjvc5fj53ll2knwbjv4	198	6	-	-	SYM
work_45wy3fczjvc5fj53ll2knwbjv4	198	7	13	13	CD
work_45wy3fczjvc5fj53ll2knwbjv4	198	8	yields	yield	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	198	9	another	another	DT
work_45wy3fczjvc5fj53ll2knwbjv4	198	10	clear	clear	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	198	11	example	example	NN
work_45wy3fczjvc5fj53ll2knwbjv4	198	12	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	198	13	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	198	14	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	198	15	reliance	reliance	NN
work_45wy3fczjvc5fj53ll2knwbjv4	198	16	on	on	IN
work_45wy3fczjvc5fj53ll2knwbjv4	198	17	chordal	chordal	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	198	18	shapes	shape	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	198	19	or	or	CC
work_45wy3fczjvc5fj53ll2knwbjv4	198	20	diagrams	diagram	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	198	21	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	199	1	Here	here	RB
work_45wy3fczjvc5fj53ll2knwbjv4	199	2	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	199	3	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	199	4	makes	make	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	199	5	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	199	6	I	i	NN
work_45wy3fczjvc5fj53ll2knwbjv4	199	7	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	199	8	IV	IV	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	199	9	move	move	NN
work_45wy3fczjvc5fj53ll2knwbjv4	199	10	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	199	11	arpeggiating	arpeggiate	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	199	12	up	up	RP
work_45wy3fczjvc5fj53ll2knwbjv4	199	13	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	199	14	close	close	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	199	15	voiced	voice	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	199	16	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	199	17	G	g	NN
work_45wy3fczjvc5fj53ll2knwbjv4	199	18	-	-	HYPH
work_45wy3fczjvc5fj53ll2knwbjv4	199	19	major	major	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	199	20	7	7	CD
work_45wy3fczjvc5fj53ll2knwbjv4	199	21	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	199	22	chord	chord	NN
work_45wy3fczjvc5fj53ll2knwbjv4	199	23	followed	follow	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	199	24	by	by	IN
work_45wy3fczjvc5fj53ll2knwbjv4	199	25	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	199	26	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	199	27	C	C	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	199	28	-	-	HYPH
work_45wy3fczjvc5fj53ll2knwbjv4	199	29	major	major	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	199	30	7	7	CD
work_45wy3fczjvc5fj53ll2knwbjv4	199	31	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	199	32	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	200	1	Through	through	IN
work_45wy3fczjvc5fj53ll2knwbjv4	200	2	conversation	conversation	NN
work_45wy3fczjvc5fj53ll2knwbjv4	200	3	with	with	IN
work_45wy3fczjvc5fj53ll2knwbjv4	200	4	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	200	5	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	200	6	I	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	200	7	learned	learn	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	200	8	that	that	DT
work_45wy3fczjvc5fj53ll2knwbjv4	200	9	pitch	pitch	NN
work_45wy3fczjvc5fj53ll2knwbjv4	200	10	selection	selection	NN
work_45wy3fczjvc5fj53ll2knwbjv4	200	11	was	be	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	200	12	again	again	RB
work_45wy3fczjvc5fj53ll2knwbjv4	200	13	dictated	dictate	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	200	14	by	by	IN
work_45wy3fczjvc5fj53ll2knwbjv4	200	15	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	200	16	diagram	diagram	NN
work_45wy3fczjvc5fj53ll2knwbjv4	200	17	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	200	18	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	200	19	chord	chord	NN
work_45wy3fczjvc5fj53ll2knwbjv4	200	20	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	200	21	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	200	22	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	200	23	pers	per	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	200	24	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	201	1	interv	interv	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	201	2	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	202	1	2002	2002	CD
work_45wy3fczjvc5fj53ll2knwbjv4	202	2	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	202	3	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	203	1	Because	because	IN
work_45wy3fczjvc5fj53ll2knwbjv4	203	2	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	203	3	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	203	4	symmetrical	symmetrical	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	203	5	nature	nature	NN
work_45wy3fczjvc5fj53ll2knwbjv4	203	6	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	203	7	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	203	8	guitar	guitar	NN
work_45wy3fczjvc5fj53ll2knwbjv4	203	9	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	203	10	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	203	11	uses	use	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	203	12	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	203	13	identical	identical	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	203	14	fingering	fingering	NN
work_45wy3fczjvc5fj53ll2knwbjv4	203	15	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	203	16	chord	chord	NN
work_45wy3fczjvc5fj53ll2knwbjv4	203	17	shape	shape	NN
work_45wy3fczjvc5fj53ll2knwbjv4	203	18	for	for	IN
work_45wy3fczjvc5fj53ll2knwbjv4	203	19	both	both	DT
work_45wy3fczjvc5fj53ll2knwbjv4	203	20	musical	musical	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	203	21	passages	passage	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	203	22	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	203	23	simply	simply	RB
work_45wy3fczjvc5fj53ll2knwbjv4	203	24	re	re	VB
work_45wy3fczjvc5fj53ll2knwbjv4	203	25	-	-	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	203	26	constituting	constitute	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	203	27	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	203	28	diagram	diagram	NN
work_45wy3fczjvc5fj53ll2knwbjv4	203	29	five	five	CD
work_45wy3fczjvc5fj53ll2knwbjv4	203	30	frets	fret	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	203	31	higher	higher	RBR
work_45wy3fczjvc5fj53ll2knwbjv4	203	32	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	204	1	With	with	IN
work_45wy3fczjvc5fj53ll2knwbjv4	204	2	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	204	3	exception	exception	NN
work_45wy3fczjvc5fj53ll2knwbjv4	204	4	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	204	5	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	204	6	major	major	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	204	7	sixth	sixth	NN
work_45wy3fczjvc5fj53ll2knwbjv4	204	8	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	204	9	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	204	10	E	e	NN
work_45wy3fczjvc5fj53ll2knwbjv4	204	11	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	204	12	over	over	IN
work_45wy3fczjvc5fj53ll2knwbjv4	204	13	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	204	14	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	204	15	G	G	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	204	16	-	-	HYPH
work_45wy3fczjvc5fj53ll2knwbjv4	204	17	major	major	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	204	18	7	7	CD
work_45wy3fczjvc5fj53ll2knwbjv4	204	19	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	204	20	chord	chord	NN
work_45wy3fczjvc5fj53ll2knwbjv4	204	21	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	204	22	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	204	23	A	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	204	24	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	204	25	over	over	IN
work_45wy3fczjvc5fj53ll2knwbjv4	204	26	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	204	27	C	C	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	204	28	-	-	HYPH
work_45wy3fczjvc5fj53ll2knwbjv4	204	29	major	major	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	204	30	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	204	31	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	204	32	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	204	33	all	all	DT
work_45wy3fczjvc5fj53ll2knwbjv4	204	34	notes	note	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	204	35	fit	fit	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	204	36	perfectly	perfectly	RB
work_45wy3fczjvc5fj53ll2knwbjv4	204	37	into	into	IN
work_45wy3fczjvc5fj53ll2knwbjv4	204	38	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	204	39	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	204	40	major-7	major-7	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	204	41	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	204	42	chord	chord	NN
work_45wy3fczjvc5fj53ll2knwbjv4	204	43	voicing	voicing	NN
work_45wy3fczjvc5fj53ll2knwbjv4	204	44	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	205	1	The	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	205	2	close	close	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	205	3	proximity	proximity	NN
work_45wy3fczjvc5fj53ll2knwbjv4	205	4	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	205	5	scale	scale	NN
work_45wy3fczjvc5fj53ll2knwbjv4	205	6	degree	degree	NN
work_45wy3fczjvc5fj53ll2knwbjv4	205	7	six	six	CD
work_45wy3fczjvc5fj53ll2knwbjv4	205	8	to	to	TO
work_45wy3fczjvc5fj53ll2knwbjv4	205	9	scale	scale	NN
work_45wy3fczjvc5fj53ll2knwbjv4	205	10	degree	degree	NN
work_45wy3fczjvc5fj53ll2knwbjv4	205	11	five	five	CD
work_45wy3fczjvc5fj53ll2knwbjv4	205	12	—	—	:
work_45wy3fczjvc5fj53ll2knwbjv4	205	13	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	205	14	latter	latter	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	205	15	note	note	NN
work_45wy3fczjvc5fj53ll2knwbjv4	205	16	is	be	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	205	17	contained	contain	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	205	18	within	within	IN
work_45wy3fczjvc5fj53ll2knwbjv4	205	19	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	205	20	diagram	diagram	NN
work_45wy3fczjvc5fj53ll2knwbjv4	205	21	—	—	:
work_45wy3fczjvc5fj53ll2knwbjv4	205	22	allows	allow	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	205	23	its	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	205	24	presence	presence	NN
work_45wy3fczjvc5fj53ll2knwbjv4	205	25	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	205	26	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	205	27	musical	musical	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	205	28	line	line	NN
work_45wy3fczjvc5fj53ll2knwbjv4	205	29	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	206	1	Tertian	tertian	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	206	2	triads	triad	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	206	3	offer	offer	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	206	4	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	206	5	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	206	6	threefold	threefold	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	206	7	improvisational	improvisational	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	206	8	strategy	strategy	NN
work_45wy3fczjvc5fj53ll2knwbjv4	206	9	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	207	1	First	first	RB
work_45wy3fczjvc5fj53ll2knwbjv4	207	2	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	207	3	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	207	4	uses	use	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	207	5	major	major	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	207	6	triads	triad	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	207	7	to	to	TO
work_45wy3fczjvc5fj53ll2knwbjv4	207	8	ascend	ascend	VB
work_45wy3fczjvc5fj53ll2knwbjv4	207	9	register	register	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	207	10	rapidly	rapidly	RB
work_45wy3fczjvc5fj53ll2knwbjv4	207	11	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	208	1	Bars	bar	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	208	2	29	29	CD
work_45wy3fczjvc5fj53ll2knwbjv4	208	3	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	208	4	37	37	CD
work_45wy3fczjvc5fj53ll2knwbjv4	208	5	clearly	clearly	RB
work_45wy3fczjvc5fj53ll2knwbjv4	208	6	illustrate	illustrate	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	208	7	this	this	DT
work_45wy3fczjvc5fj53ll2knwbjv4	208	8	point	point	NN
work_45wy3fczjvc5fj53ll2knwbjv4	208	9	as	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	208	10	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	208	11	uses	use	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	208	12	only	only	RB
work_45wy3fczjvc5fj53ll2knwbjv4	208	13	six	six	CD
work_45wy3fczjvc5fj53ll2knwbjv4	208	14	notes	note	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	208	15	to	to	TO
work_45wy3fczjvc5fj53ll2knwbjv4	208	16	traverse	traverse	VB
work_45wy3fczjvc5fj53ll2knwbjv4	208	17	an	an	DT
work_45wy3fczjvc5fj53ll2knwbjv4	208	18	octave	octave	NN
work_45wy3fczjvc5fj53ll2knwbjv4	208	19	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	209	1	Secondly	secondly	RB
work_45wy3fczjvc5fj53ll2knwbjv4	209	2	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	209	3	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	209	4	uses	use	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	209	5	parallel	parallel	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	209	6	triadic	triadic	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	209	7	shapes	shape	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	209	8	to	to	TO
work_45wy3fczjvc5fj53ll2knwbjv4	209	9	maneuver	maneuver	VB
work_45wy3fczjvc5fj53ll2knwbjv4	209	10	across	across	IN
work_45wy3fczjvc5fj53ll2knwbjv4	209	11	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	209	12	fretboard	fretboard	NN
work_45wy3fczjvc5fj53ll2knwbjv4	209	13	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	210	1	Bars	bar	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	210	2	12,13	12,13	CD
work_45wy3fczjvc5fj53ll2knwbjv4	210	3	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	210	4	29	29	CD
work_45wy3fczjvc5fj53ll2knwbjv4	210	5	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	210	6	37	37	CD
work_45wy3fczjvc5fj53ll2knwbjv4	210	7	demonstrate	demonstrate	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	210	8	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	210	9	using	use	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	210	10	parallel	parallel	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	210	11	chords	chord	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	210	12	or	or	CC
work_45wy3fczjvc5fj53ll2knwbjv4	210	13	triads	triad	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	210	14	to	to	TO
work_45wy3fczjvc5fj53ll2knwbjv4	210	15	ascend	ascend	VB
work_45wy3fczjvc5fj53ll2knwbjv4	210	16	harmonically	harmonically	RB
work_45wy3fczjvc5fj53ll2knwbjv4	210	17	—	—	:
work_45wy3fczjvc5fj53ll2knwbjv4	210	18	often	often	RB
work_45wy3fczjvc5fj53ll2knwbjv4	210	19	cycling	cycle	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	210	20	through	through	IN
work_45wy3fczjvc5fj53ll2knwbjv4	210	21	key	key	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	210	22	centres	centre	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	210	23	separated	separate	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	210	24	24/1	24/1	CD
work_45wy3fczjvc5fj53ll2knwbjv4	210	25	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	210	26	2003	2003	CD
work_45wy3fczjvc5fj53ll2knwbjv4	210	27	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	210	28	71	71	CD
work_45wy3fczjvc5fj53ll2knwbjv4	210	29	by	by	IN
work_45wy3fczjvc5fj53ll2knwbjv4	210	30	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	210	31	interval	interval	NN
work_45wy3fczjvc5fj53ll2knwbjv4	210	32	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	210	33	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	210	34	perfect	perfect	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	210	35	fourth	fourth	NN
work_45wy3fczjvc5fj53ll2knwbjv4	210	36	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	211	1	Bars	Bars	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	211	2	61	61	CD
work_45wy3fczjvc5fj53ll2knwbjv4	211	3	-	-	SYM
work_45wy3fczjvc5fj53ll2knwbjv4	211	4	67	67	CD
work_45wy3fczjvc5fj53ll2knwbjv4	211	5	demonstrate	demonstrate	NN
work_45wy3fczjvc5fj53ll2knwbjv4	211	6	another	another	DT
work_45wy3fczjvc5fj53ll2knwbjv4	211	7	use	use	NN
work_45wy3fczjvc5fj53ll2knwbjv4	211	8	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	211	9	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	211	10	triadic	triadic	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	211	11	form	form	NN
work_45wy3fczjvc5fj53ll2knwbjv4	211	12	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	212	1	Here	here	RB
work_45wy3fczjvc5fj53ll2knwbjv4	212	2	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	212	3	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	212	4	simply	simply	RB
work_45wy3fczjvc5fj53ll2knwbjv4	212	5	lays	lay	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	212	6	his	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	212	7	finger	finger	NN
work_45wy3fczjvc5fj53ll2knwbjv4	212	8	across	across	IN
work_45wy3fczjvc5fj53ll2knwbjv4	212	9	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	212	10	guitar	guitar	NN
work_45wy3fczjvc5fj53ll2knwbjv4	212	11	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	212	12	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	212	13	D	d	NN
work_45wy3fczjvc5fj53ll2knwbjv4	212	14	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	212	15	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	212	16	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	212	17	G	g	NN
work_45wy3fczjvc5fj53ll2knwbjv4	212	18	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	212	19	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	212	20	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	212	21	B	B	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	212	22	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	212	23	strings	string	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	212	24	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	213	1	The	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	213	2	result	result	NN
work_45wy3fczjvc5fj53ll2knwbjv4	213	3	is	be	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	213	4	an	an	DT
work_45wy3fczjvc5fj53ll2knwbjv4	213	5	arpeggiated	arpeggiated	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	213	6	second	second	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	213	7	inversion	inversion	NN
work_45wy3fczjvc5fj53ll2knwbjv4	213	8	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	213	9	major	major	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	213	10	triad	triad	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	213	11	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	213	12	that	that	IN
work_45wy3fczjvc5fj53ll2knwbjv4	213	13	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	213	14	moves	move	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	213	15	chromatically	chromatically	RB
work_45wy3fczjvc5fj53ll2knwbjv4	213	16	by	by	IN
work_45wy3fczjvc5fj53ll2knwbjv4	213	17	simply	simply	RB
work_45wy3fczjvc5fj53ll2knwbjv4	213	18	maintaining	maintain	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	213	19	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	213	20	physical	physical	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	213	21	shape	shape	NN
work_45wy3fczjvc5fj53ll2knwbjv4	213	22	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	213	23	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	213	24	chord	chord	NN
work_45wy3fczjvc5fj53ll2knwbjv4	213	25	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	213	26	shifting	shift	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	213	27	his	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	213	28	left	left	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	213	29	hand	hand	NN
work_45wy3fczjvc5fj53ll2knwbjv4	213	30	towards	towards	IN
work_45wy3fczjvc5fj53ll2knwbjv4	213	31	his	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	213	32	body	body	NN
work_45wy3fczjvc5fj53ll2knwbjv4	213	33	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	213	34	single	single	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	213	35	fret	fret	NN
work_45wy3fczjvc5fj53ll2knwbjv4	213	36	at	at	IN
work_45wy3fczjvc5fj53ll2knwbjv4	213	37	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	213	38	time	time	NN
work_45wy3fczjvc5fj53ll2knwbjv4	213	39	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	213	40	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	213	41	D	d	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	213	42	-	-	HYPH
work_45wy3fczjvc5fj53ll2knwbjv4	213	43	major	major	NN
work_45wy3fczjvc5fj53ll2knwbjv4	213	44	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	213	45	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	213	46	bar	bar	NN
work_45wy3fczjvc5fj53ll2knwbjv4	213	47	61	61	CD
work_45wy3fczjvc5fj53ll2knwbjv4	213	48	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	213	49	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	213	50	Eb	eb	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	213	51	-	-	HYPH
work_45wy3fczjvc5fj53ll2knwbjv4	213	52	major	major	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	213	53	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	213	54	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	213	55	bar	bar	NN
work_45wy3fczjvc5fj53ll2knwbjv4	213	56	62	62	CD
work_45wy3fczjvc5fj53ll2knwbjv4	213	57	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	213	58	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	213	59	E	e	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	213	60	-	-	NN
work_45wy3fczjvc5fj53ll2knwbjv4	213	61	major	major	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	213	62	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	213	63	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	213	64	bar	bar	NN
work_45wy3fczjvc5fj53ll2knwbjv4	213	65	63	63	CD
work_45wy3fczjvc5fj53ll2knwbjv4	213	66	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	213	67	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	213	68	F	F	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	213	69	-	-	HYPH
work_45wy3fczjvc5fj53ll2knwbjv4	213	70	major	major	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	213	71	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	213	72	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	213	73	bar	bar	NN
work_45wy3fczjvc5fj53ll2knwbjv4	213	74	64	64	CD
work_45wy3fczjvc5fj53ll2knwbjv4	213	75	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	213	76	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	213	77	Gb	gb	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	213	78	-	-	HYPH
work_45wy3fczjvc5fj53ll2knwbjv4	213	79	major	major	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	213	80	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	213	81	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	213	82	bar	bar	NN
work_45wy3fczjvc5fj53ll2knwbjv4	213	83	65	65	CD
work_45wy3fczjvc5fj53ll2knwbjv4	213	84	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	213	85	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	213	86	G	g	NN
work_45wy3fczjvc5fj53ll2knwbjv4	213	87	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	213	88	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	213	89	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	213	90	Ab	Ab	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	213	91	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	213	92	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	213	93	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	213	94	A	a	NN
work_45wy3fczjvc5fj53ll2knwbjv4	213	95	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	213	96	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	213	97	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	213	98	Bb	bb	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	213	99	-	-	HYPH
work_45wy3fczjvc5fj53ll2knwbjv4	213	100	major	major	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	213	101	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	213	102	triads	triad	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	213	103	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	213	104	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	213	105	first	first	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	213	106	two	two	CD
work_45wy3fczjvc5fj53ll2knwbjv4	213	107	notes	note	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	213	108	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	213	109	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	213	110	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	213	111	B	b	NN
work_45wy3fczjvc5fj53ll2knwbjv4	213	112	-	-	HYPH
work_45wy3fczjvc5fj53ll2knwbjv4	213	113	rnajor	rnajor	NN
work_45wy3fczjvc5fj53ll2knwbjv4	213	114	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	213	115	triad	triad	NN
work_45wy3fczjvc5fj53ll2knwbjv4	213	116	over	over	IN
work_45wy3fczjvc5fj53ll2knwbjv4	213	117	bars	bar	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	213	118	66	66	CD
work_45wy3fczjvc5fj53ll2knwbjv4	213	119	-	-	SYM
work_45wy3fczjvc5fj53ll2knwbjv4	213	120	68	68	CD
work_45wy3fczjvc5fj53ll2knwbjv4	213	121	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	213	122	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	214	1	Once	once	RB
work_45wy3fczjvc5fj53ll2knwbjv4	214	2	again	again	RB
work_45wy3fczjvc5fj53ll2knwbjv4	214	3	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	214	4	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	214	5	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	214	6	sonic	sonic	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	214	7	gesture	gesture	NN
work_45wy3fczjvc5fj53ll2knwbjv4	214	8	does	do	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	214	9	not	not	RB
work_45wy3fczjvc5fj53ll2knwbjv4	214	10	adhere	adhere	VB
work_45wy3fczjvc5fj53ll2knwbjv4	214	11	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	214	12	any	any	DT
work_45wy3fczjvc5fj53ll2knwbjv4	214	13	overarching	overarching	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	214	14	tonality	tonality	NN
work_45wy3fczjvc5fj53ll2knwbjv4	214	15	or	or	CC
work_45wy3fczjvc5fj53ll2knwbjv4	214	16	key	key	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	214	17	centre	centre	NN
work_45wy3fczjvc5fj53ll2knwbjv4	214	18	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	214	19	but	but	CC
work_45wy3fczjvc5fj53ll2knwbjv4	214	20	rather	rather	RB
work_45wy3fczjvc5fj53ll2knwbjv4	214	21	is	be	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	214	22	informed	inform	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	214	23	by	by	IN
work_45wy3fczjvc5fj53ll2knwbjv4	214	24	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	214	25	single	single	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	214	26	diagram	diagram	NN
work_45wy3fczjvc5fj53ll2knwbjv4	214	27	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	215	1	Bars	Bars	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	215	2	61	61	CD
work_45wy3fczjvc5fj53ll2knwbjv4	215	3	-	-	SYM
work_45wy3fczjvc5fj53ll2knwbjv4	215	4	67	67	CD
work_45wy3fczjvc5fj53ll2knwbjv4	215	5	also	also	RB
work_45wy3fczjvc5fj53ll2knwbjv4	215	6	exhibit	exhibit	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	215	7	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	215	8	most	most	RBS
work_45wy3fczjvc5fj53ll2knwbjv4	215	9	intense	intense	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	215	10	chromaticism	chromaticism	NN
work_45wy3fczjvc5fj53ll2knwbjv4	215	11	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	215	12	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	215	13	performance	performance	NN
work_45wy3fczjvc5fj53ll2knwbjv4	215	14	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	215	15	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	215	16	hallmark	hallmark	NN
work_45wy3fczjvc5fj53ll2knwbjv4	215	17	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	215	18	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	215	19	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	215	20	style	style	NN
work_45wy3fczjvc5fj53ll2knwbjv4	215	21	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	216	1	And	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	216	2	while	while	IN
work_45wy3fczjvc5fj53ll2knwbjv4	216	3	an	an	DT
work_45wy3fczjvc5fj53ll2knwbjv4	216	4	examination	examination	NN
work_45wy3fczjvc5fj53ll2knwbjv4	216	5	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	216	6	his	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	216	7	note	note	NN
work_45wy3fczjvc5fj53ll2knwbjv4	216	8	choice	choice	NN
work_45wy3fczjvc5fj53ll2knwbjv4	216	9	reveals	reveal	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	216	10	that	that	IN
work_45wy3fczjvc5fj53ll2knwbjv4	216	11	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	216	12	uses	use	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	216	13	ascending	ascend	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	216	14	inverted	inverted	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	216	15	major	major	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	216	16	triads	triad	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	216	17	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	216	18	manoeuvre	manoeuvre	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	216	19	through	through	IN
work_45wy3fczjvc5fj53ll2knwbjv4	216	20	these	these	DT
work_45wy3fczjvc5fj53ll2knwbjv4	216	21	bars	bar	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	216	22	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	216	23	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	216	24	is	be	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	216	25	once	once	RB
work_45wy3fczjvc5fj53ll2knwbjv4	216	26	again	again	RB
work_45wy3fczjvc5fj53ll2knwbjv4	216	27	not	not	RB
work_45wy3fczjvc5fj53ll2knwbjv4	216	28	thinking	think	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	216	29	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	216	30	triadic	triadic	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	216	31	harmony	harmony	NN
work_45wy3fczjvc5fj53ll2knwbjv4	216	32	while	while	IN
work_45wy3fczjvc5fj53ll2knwbjv4	216	33	improvising	improvise	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	216	34	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	217	1	Rather	rather	RB
work_45wy3fczjvc5fj53ll2knwbjv4	217	2	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	217	3	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	217	4	hears	hear	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	217	5	these	these	DT
work_45wy3fczjvc5fj53ll2knwbjv4	217	6	chromatic	chromatic	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	217	7	episodes	episode	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	217	8	as	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	217	9	building	build	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	217	10	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	217	11	necessary	necessary	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	217	12	tension	tension	NN
work_45wy3fczjvc5fj53ll2knwbjv4	217	13	for	for	IN
work_45wy3fczjvc5fj53ll2knwbjv4	217	14	an	an	DT
work_45wy3fczjvc5fj53ll2knwbjv4	217	15	effective	effective	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	217	16	harmonic	harmonic	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	217	17	release	release	NN
work_45wy3fczjvc5fj53ll2knwbjv4	217	18	heard	hear	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	217	19	here	here	RB
work_45wy3fczjvc5fj53ll2knwbjv4	217	20	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	217	21	bar	bar	NN
work_45wy3fczjvc5fj53ll2knwbjv4	217	22	68	68	CD
work_45wy3fczjvc5fj53ll2knwbjv4	217	23	as	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	217	24	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	217	25	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	217	26	E	e	NN
work_45wy3fczjvc5fj53ll2knwbjv4	217	27	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	217	28	to	to	TO
work_45wy3fczjvc5fj53ll2knwbjv4	217	29	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	217	30	A	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	217	31	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	217	32	double	double	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	217	33	-	-	HYPH
work_45wy3fczjvc5fj53ll2knwbjv4	217	34	stop	stop	NN
work_45wy3fczjvc5fj53ll2knwbjv4	217	35	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	218	1	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	218	2	often	often	RB
work_45wy3fczjvc5fj53ll2knwbjv4	218	3	builds	build	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	218	4	harmonic	harmonic	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	218	5	tension	tension	NN
work_45wy3fczjvc5fj53ll2knwbjv4	218	6	by	by	IN
work_45wy3fczjvc5fj53ll2knwbjv4	218	7	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	218	8	sidestepping	sidestep	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	218	9	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	218	10	chromatically	chromatically	RB
work_45wy3fczjvc5fj53ll2knwbjv4	218	11	between	between	IN
work_45wy3fczjvc5fj53ll2knwbjv4	218	12	chord	chord	NN
work_45wy3fczjvc5fj53ll2knwbjv4	218	13	changes	change	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	218	14	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	219	1	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	219	2	I	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	219	3	'd	'd	MD
work_45wy3fczjvc5fj53ll2knwbjv4	219	4	be	be	VB
work_45wy3fczjvc5fj53ll2knwbjv4	219	5	playing	play	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	219	6	across	across	IN
work_45wy3fczjvc5fj53ll2knwbjv4	219	7	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	219	8	neck	neck	NN
work_45wy3fczjvc5fj53ll2knwbjv4	219	9	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	219	10	whatever	whatever	WDT
work_45wy3fczjvc5fj53ll2knwbjv4	219	11	chord	chord	NN
work_45wy3fczjvc5fj53ll2knwbjv4	219	12	came	come	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	219	13	up	up	RP
work_45wy3fczjvc5fj53ll2knwbjv4	219	14	I	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	219	15	'd	'd	MD
work_45wy3fczjvc5fj53ll2knwbjv4	219	16	change	change	VB
work_45wy3fczjvc5fj53ll2knwbjv4	219	17	it	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	219	18	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	219	19	what	what	WP
work_45wy3fczjvc5fj53ll2knwbjv4	219	20	that	that	DT
work_45wy3fczjvc5fj53ll2knwbjv4	219	21	chord	chord	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	219	22	was	be	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	219	23	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	220	1	So	so	RB
work_45wy3fczjvc5fj53ll2knwbjv4	220	2	these	these	DT
work_45wy3fczjvc5fj53ll2knwbjv4	220	3	chords	chord	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	220	4	could	could	MD
work_45wy3fczjvc5fj53ll2knwbjv4	220	5	be	be	VB
work_45wy3fczjvc5fj53ll2knwbjv4	220	6	going	go	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	220	7	by	by	RB
work_45wy3fczjvc5fj53ll2knwbjv4	220	8	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	220	9	I	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	220	10	'd	'd	MD
work_45wy3fczjvc5fj53ll2knwbjv4	220	11	be	be	VB
work_45wy3fczjvc5fj53ll2knwbjv4	220	12	doing	do	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	220	13	those	those	DT
work_45wy3fczjvc5fj53ll2knwbjv4	220	14	figures	figure	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	220	15	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	220	16	I	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	220	17	'd	'd	MD
work_45wy3fczjvc5fj53ll2knwbjv4	220	18	change	change	VB
work_45wy3fczjvc5fj53ll2knwbjv4	220	19	it	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	220	20	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	220	21	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	220	22	chord	chord	NN
work_45wy3fczjvc5fj53ll2knwbjv4	220	23	that	that	WDT
work_45wy3fczjvc5fj53ll2knwbjv4	220	24	came	come	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	220	25	up	up	RP
work_45wy3fczjvc5fj53ll2knwbjv4	220	26	then	then	RB
work_45wy3fczjvc5fj53ll2knwbjv4	220	27	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	221	1	So	so	RB
work_45wy3fczjvc5fj53ll2knwbjv4	221	2	I	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	221	3	was	be	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	221	4	on	on	IN
work_45wy3fczjvc5fj53ll2knwbjv4	221	5	that	that	DT
work_45wy3fczjvc5fj53ll2knwbjv4	221	6	note	note	NN
work_45wy3fczjvc5fj53ll2knwbjv4	221	7	that	that	WDT
work_45wy3fczjvc5fj53ll2knwbjv4	221	8	came	come	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	221	9	up	up	RP
work_45wy3fczjvc5fj53ll2knwbjv4	221	10	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	222	1	Then	then	RB
work_45wy3fczjvc5fj53ll2knwbjv4	222	2	I	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	222	3	could	could	MD
work_45wy3fczjvc5fj53ll2knwbjv4	222	4	go	go	VB
work_45wy3fczjvc5fj53ll2knwbjv4	222	5	from	from	IN
work_45wy3fczjvc5fj53ll2knwbjv4	222	6	there	there	RB
work_45wy3fczjvc5fj53ll2knwbjv4	222	7	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	222	8	something	something	NN
work_45wy3fczjvc5fj53ll2knwbjv4	222	9	else	else	RB
work_45wy3fczjvc5fj53ll2knwbjv4	222	10	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	222	11	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	222	12	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	222	13	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	222	14	pers	per	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	222	15	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	223	1	interv	interv	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	223	2	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	224	1	2002	2002	CD
work_45wy3fczjvc5fj53ll2knwbjv4	224	2	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	224	3	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	225	1	In	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	225	2	addition	addition	NN
work_45wy3fczjvc5fj53ll2knwbjv4	225	3	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	225	4	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	225	5	seeing	see	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	225	6	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	225	7	how	how	WRB
work_45wy3fczjvc5fj53ll2knwbjv4	225	8	chord	chord	NN
work_45wy3fczjvc5fj53ll2knwbjv4	225	9	diagrams	diagram	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	225	10	connect	connect	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	225	11	together	together	RB
work_45wy3fczjvc5fj53ll2knwbjv4	225	12	visually	visually	RB
work_45wy3fczjvc5fj53ll2knwbjv4	225	13	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	225	14	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	225	15	is	be	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	225	16	clearly	clearly	RB
work_45wy3fczjvc5fj53ll2knwbjv4	225	17	noting	note	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	225	18	that	that	IN
work_45wy3fczjvc5fj53ll2knwbjv4	225	19	he	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	225	20	portends	portend	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	225	21	or	or	CC
work_45wy3fczjvc5fj53ll2knwbjv4	225	22	hears	hear	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	225	23	ahead	ahead	RB
work_45wy3fczjvc5fj53ll2knwbjv4	225	24	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	225	25	where	where	WRB
work_45wy3fczjvc5fj53ll2knwbjv4	225	26	he	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	225	27	is	be	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	225	28	playing	play	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	225	29	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	225	30	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	225	31	next	next	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	225	32	harmonic	harmonic	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	225	33	change	change	NN
work_45wy3fczjvc5fj53ll2knwbjv4	225	34	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	226	1	He	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	226	2	aims	aim	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	226	3	his	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	226	4	lines	line	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	226	5	at	at	IN
work_45wy3fczjvc5fj53ll2knwbjv4	226	6	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	226	7	pre	pre	NN
work_45wy3fczjvc5fj53ll2knwbjv4	226	8	-	-	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	226	9	ordained	ordained	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	226	10	target	target	NN
work_45wy3fczjvc5fj53ll2knwbjv4	226	11	pitch	pitch	NN
work_45wy3fczjvc5fj53ll2knwbjv4	226	12	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	226	13	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	226	14	note	note	NN
work_45wy3fczjvc5fj53ll2knwbjv4	226	15	he	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	226	16	sees	see	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	226	17	as	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	226	18	contained	contain	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	226	19	within	within	IN
work_45wy3fczjvc5fj53ll2knwbjv4	226	20	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	226	21	chord	chord	NN
work_45wy3fczjvc5fj53ll2knwbjv4	226	22	diagram	diagram	NN
work_45wy3fczjvc5fj53ll2knwbjv4	226	23	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	226	24	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	226	25	proceeds	proceed	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	226	26	along	along	IN
work_45wy3fczjvc5fj53ll2knwbjv4	226	27	any	any	DT
work_45wy3fczjvc5fj53ll2knwbjv4	226	28	number	number	NN
work_45wy3fczjvc5fj53ll2knwbjv4	226	29	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	226	30	trajectories	trajectory	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	226	31	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	226	32	chromatic	chromatic	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	226	33	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	226	34	scalar	scalar	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	226	35	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	226	36	appoggiatura	appoggiatura	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	226	37	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	226	38	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	227	1	The	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	227	2	key	key	NN
work_45wy3fczjvc5fj53ll2knwbjv4	227	3	for	for	IN
work_45wy3fczjvc5fj53ll2knwbjv4	227	4	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	227	5	is	be	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	227	6	that	that	IN
work_45wy3fczjvc5fj53ll2knwbjv4	227	7	he	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	227	8	is	be	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	227	9	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	227	10	on	on	IN
work_45wy3fczjvc5fj53ll2knwbjv4	227	11	that	that	DT
work_45wy3fczjvc5fj53ll2knwbjv4	227	12	note	note	NN
work_45wy3fczjvc5fj53ll2knwbjv4	227	13	when	when	WRB
work_45wy3fczjvc5fj53ll2knwbjv4	227	14	it	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	227	15	comes	come	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	227	16	up	up	RP
work_45wy3fczjvc5fj53ll2knwbjv4	227	17	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	227	18	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	228	1	In	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	228	2	other	other	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	228	3	words	word	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	228	4	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	228	5	how	how	WRB
work_45wy3fczjvc5fj53ll2knwbjv4	228	6	he	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	228	7	arrives	arrive	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	228	8	at	at	IN
work_45wy3fczjvc5fj53ll2knwbjv4	228	9	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	228	10	target	target	NN
work_45wy3fczjvc5fj53ll2knwbjv4	228	11	note	note	NN
work_45wy3fczjvc5fj53ll2knwbjv4	228	12	is	be	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	228	13	not	not	RB
work_45wy3fczjvc5fj53ll2knwbjv4	228	14	as	as	RB
work_45wy3fczjvc5fj53ll2knwbjv4	228	15	important	important	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	228	16	as	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	228	17	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	228	18	arrival	arrival	NN
work_45wy3fczjvc5fj53ll2knwbjv4	228	19	itself	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	228	20	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	229	1	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	229	2	In	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	229	3	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	229	4	song	song	NN
work_45wy3fczjvc5fj53ll2knwbjv4	229	5	F11	F11	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	229	6	go	go	VB
work_45wy3fczjvc5fj53ll2knwbjv4	229	7	out	out	IN
work_45wy3fczjvc5fj53ll2knwbjv4	229	8	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	229	9	one	one	CD
work_45wy3fczjvc5fj53ll2knwbjv4	229	10	pattern	pattern	NN
work_45wy3fczjvc5fj53ll2knwbjv4	229	11	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	229	12	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	229	13	come	come	VB
work_45wy3fczjvc5fj53ll2knwbjv4	229	14	back	back	RB
work_45wy3fczjvc5fj53ll2knwbjv4	229	15	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	229	16	another	another	DT
work_45wy3fczjvc5fj53ll2knwbjv4	229	17	pattern	pattern	NN
work_45wy3fczjvc5fj53ll2knwbjv4	229	18	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	229	19	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	229	20	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	229	21	elaborates	elaborate	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	229	22	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	229	23	pers	per	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	229	24	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	230	1	interv	interv	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	230	2	2002	2002	CD
work_45wy3fczjvc5fj53ll2knwbjv4	230	3	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	230	4	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	231	1	Arguably	arguably	RB
work_45wy3fczjvc5fj53ll2knwbjv4	231	2	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	231	3	it	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	231	4	is	be	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	231	5	this	this	DT
work_45wy3fczjvc5fj53ll2knwbjv4	231	6	sidestepping	sidestepping	NN
work_45wy3fczjvc5fj53ll2knwbjv4	231	7	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	231	8	resolution	resolution	NN
work_45wy3fczjvc5fj53ll2knwbjv4	231	9	that	that	IN
work_45wy3fczjvc5fj53ll2knwbjv4	231	10	not	not	RB
work_45wy3fczjvc5fj53ll2knwbjv4	231	11	only	only	RB
work_45wy3fczjvc5fj53ll2knwbjv4	231	12	imbues	imbue	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	231	13	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	231	14	sense	sense	NN
work_45wy3fczjvc5fj53ll2knwbjv4	231	15	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	231	16	tension	tension	NN
work_45wy3fczjvc5fj53ll2knwbjv4	231	17	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	231	18	release	release	VB
work_45wy3fczjvc5fj53ll2knwbjv4	231	19	into	into	IN
work_45wy3fczjvc5fj53ll2knwbjv4	231	20	his	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	231	21	improvisations	improvisation	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	231	22	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	231	23	but	but	CC
work_45wy3fczjvc5fj53ll2knwbjv4	231	24	also	also	RB
work_45wy3fczjvc5fj53ll2knwbjv4	231	25	gives	give	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	231	26	his	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	231	27	playing	play	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	231	28	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	231	29	propulsive	propulsive	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	231	30	sense	sense	NN
work_45wy3fczjvc5fj53ll2knwbjv4	231	31	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	231	32	swing	swing	NN
work_45wy3fczjvc5fj53ll2knwbjv4	231	33	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	232	1	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	232	2	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	232	3	2001	2001	CD
work_45wy3fczjvc5fj53ll2knwbjv4	232	4	improvisation	improvisation	NN
work_45wy3fczjvc5fj53ll2knwbjv4	232	5	on	on	IN
work_45wy3fczjvc5fj53ll2knwbjv4	232	6	Lionel	Lionel	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	232	7	Bart	Bart	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	232	8	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	232	9	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	232	10	Where	where	WRB
work_45wy3fczjvc5fj53ll2knwbjv4	232	11	is	be	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	232	12	Love	Love	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	232	13	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	232	14	offers	offer	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	232	15	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	232	16	good	good	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	232	17	example	example	NN
work_45wy3fczjvc5fj53ll2knwbjv4	232	18	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	232	19	this	this	DT
work_45wy3fczjvc5fj53ll2knwbjv4	232	20	sort	sort	NN
work_45wy3fczjvc5fj53ll2knwbjv4	232	21	of	of	RB
work_45wy3fczjvc5fj53ll2knwbjv4	232	22	forward	forward	RB
work_45wy3fczjvc5fj53ll2knwbjv4	232	23	motion	motion	NN
work_45wy3fczjvc5fj53ll2knwbjv4	232	24	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	232	25	resolution	resolution	NN
work_45wy3fczjvc5fj53ll2knwbjv4	232	26	during	during	IN
work_45wy3fczjvc5fj53ll2knwbjv4	232	27	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	232	28	composition	composition	NN
work_45wy3fczjvc5fj53ll2knwbjv4	232	29	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	232	30	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	232	31	turnaround	turnaround	NN
work_45wy3fczjvc5fj53ll2knwbjv4	232	32	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	232	33	back	back	RB
work_45wy3fczjvc5fj53ll2knwbjv4	232	34	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	232	35	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	232	36	tonic	tonic	NN
work_45wy3fczjvc5fj53ll2knwbjv4	232	37	key	key	NN
work_45wy3fczjvc5fj53ll2knwbjv4	232	38	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	232	39	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	232	40	Bb-	Bb-	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	232	41	major	major	NN
work_45wy3fczjvc5fj53ll2knwbjv4	232	42	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	232	43	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	232	44	example	example	NN
work_45wy3fczjvc5fj53ll2knwbjv4	232	45	11	11	CD
work_45wy3fczjvc5fj53ll2knwbjv4	232	46	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	232	47	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	232	48	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	232	49	2001	2001	CD
work_45wy3fczjvc5fj53ll2knwbjv4	232	50	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	232	51	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	233	1	Example	example	NN
work_45wy3fczjvc5fj53ll2knwbjv4	233	2	11	11	CD
work_45wy3fczjvc5fj53ll2knwbjv4	233	3	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	234	1	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	234	2	Where	where	WRB
work_45wy3fczjvc5fj53ll2knwbjv4	234	3	is	be	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	234	4	Love	love	NN
work_45wy3fczjvc5fj53ll2knwbjv4	234	5	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	234	6	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	234	7	guitar	guitar	NN
work_45wy3fczjvc5fj53ll2knwbjv4	234	8	improvisation	improvisation	NN
work_45wy3fczjvc5fj53ll2knwbjv4	234	9	as	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	234	10	played	play	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	234	11	by	by	IN
work_45wy3fczjvc5fj53ll2knwbjv4	234	12	Sonny	Sonny	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	234	13	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	234	14	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	234	15	2001	2001	CD
work_45wy3fczjvc5fj53ll2knwbjv4	234	16	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	234	17	Through	through	IN
work_45wy3fczjvc5fj53ll2knwbjv4	234	18	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	234	19	combination	combination	NN
work_45wy3fczjvc5fj53ll2knwbjv4	234	20	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	234	21	note	note	NN
work_45wy3fczjvc5fj53ll2knwbjv4	234	22	choice	choice	NN
work_45wy3fczjvc5fj53ll2knwbjv4	234	23	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	234	24	phrasing	phrasing	NN
work_45wy3fczjvc5fj53ll2knwbjv4	234	25	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	234	26	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	234	27	can	can	MD
work_45wy3fczjvc5fj53ll2knwbjv4	234	28	be	be	VB
work_45wy3fczjvc5fj53ll2knwbjv4	234	29	heard	hear	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	234	30	as	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	234	31	playing	play	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	234	32	ahead	ahead	RB
work_45wy3fczjvc5fj53ll2knwbjv4	234	33	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	234	34	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	234	35	next	next	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	234	36	harmonic	harmonic	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	234	37	change	change	NN
work_45wy3fczjvc5fj53ll2knwbjv4	234	38	—	—	:
work_45wy3fczjvc5fj53ll2knwbjv4	234	39	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	234	40	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	234	41	second	second	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	234	42	half	half	NN
work_45wy3fczjvc5fj53ll2knwbjv4	234	43	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	234	44	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	234	45	first	first	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	234	46	bar	bar	NN
work_45wy3fczjvc5fj53ll2knwbjv4	234	47	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	234	48	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	234	49	Gb	gb	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	234	50	-	-	HYPH
work_45wy3fczjvc5fj53ll2knwbjv4	234	51	major	major	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	234	52	7	7	CD
work_45wy3fczjvc5fj53ll2knwbjv4	234	53	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	234	54	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	234	55	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	234	56	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	234	57	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	234	58	note	note	NN
work_45wy3fczjvc5fj53ll2knwbjv4	234	59	choice	choice	NN
work_45wy3fczjvc5fj53ll2knwbjv4	234	60	adheres	adhere	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	234	61	better	well	JJR
work_45wy3fczjvc5fj53ll2knwbjv4	234	62	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	234	63	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	234	64	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	234	65	F	F	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	234	66	-	-	HYPH
work_45wy3fczjvc5fj53ll2knwbjv4	234	67	dominant	dominant	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	234	68	72	72	CD
work_45wy3fczjvc5fj53ll2knwbjv4	234	69	CUMR	CUMR	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	234	70	/	/	SYM
work_45wy3fczjvc5fj53ll2knwbjv4	234	71	RMUC	RMUC	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	234	72	7	7	CD
work_45wy3fczjvc5fj53ll2knwbjv4	234	73	#	#	$
work_45wy3fczjvc5fj53ll2knwbjv4	234	74	9	9	CD
work_45wy3fczjvc5fj53ll2knwbjv4	234	75	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	234	76	than	than	IN
work_45wy3fczjvc5fj53ll2knwbjv4	234	77	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	234	78	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	234	79	Gb	gb	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	234	80	-	-	HYPH
work_45wy3fczjvc5fj53ll2knwbjv4	234	81	major	major	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	234	82	7	7	CD
work_45wy3fczjvc5fj53ll2knwbjv4	234	83	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	234	84	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	235	1	While	while	IN
work_45wy3fczjvc5fj53ll2knwbjv4	235	2	this	this	DT
work_45wy3fczjvc5fj53ll2knwbjv4	235	3	phrase	phrase	NN
work_45wy3fczjvc5fj53ll2knwbjv4	235	4	is	be	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	235	5	not	not	RB
work_45wy3fczjvc5fj53ll2knwbjv4	235	6	predominantly	predominantly	RB
work_45wy3fczjvc5fj53ll2knwbjv4	235	7	rhythmic	rhythmic	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	235	8	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	235	9	by	by	IN
work_45wy3fczjvc5fj53ll2knwbjv4	235	10	delineating	delineate	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	235	11	scales	scale	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	235	12	-	-	:
work_45wy3fczjvc5fj53ll2knwbjv4	235	13	tones	tone	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	235	14	3	3	CD
work_45wy3fczjvc5fj53ll2knwbjv4	235	15	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	235	16	4	4	CD
work_45wy3fczjvc5fj53ll2knwbjv4	235	17	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	235	18	5	5	CD
work_45wy3fczjvc5fj53ll2knwbjv4	235	19	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	235	20	flat	flat	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	235	21	6	6	CD
work_45wy3fczjvc5fj53ll2knwbjv4	235	22	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	235	23	before	before	IN
work_45wy3fczjvc5fj53ll2knwbjv4	235	24	resolving	resolve	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	235	25	into	into	IN
work_45wy3fczjvc5fj53ll2knwbjv4	235	26	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	235	27	natural	natural	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	235	28	fifth	fifth	NN
work_45wy3fczjvc5fj53ll2knwbjv4	235	29	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	235	30	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	235	31	C	C	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	235	32	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	235	33	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	235	34	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	235	35	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	235	36	F	F	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	235	37	-	-	HYPH
work_45wy3fczjvc5fj53ll2knwbjv4	235	38	dominant	dominant	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	235	39	7	7	CD
work_45wy3fczjvc5fj53ll2knwbjv4	235	40	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	235	41	on	on	IN
work_45wy3fczjvc5fj53ll2knwbjv4	235	42	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	235	43	first	first	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	235	44	beat	beat	NN
work_45wy3fczjvc5fj53ll2knwbjv4	235	45	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	235	46	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	235	47	next	next	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	235	48	bar	bar	NN
work_45wy3fczjvc5fj53ll2knwbjv4	235	49	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	235	50	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	235	51	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	235	52	pulls	pull	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	235	53	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	235	54	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	235	55	listener	listener	NN
work_45wy3fczjvc5fj53ll2knwbjv4	235	56	toward	toward	IN
work_45wy3fczjvc5fj53ll2knwbjv4	235	57	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	235	58	next	next	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	235	59	harmonic	harmonic	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	235	60	change	change	NN
work_45wy3fczjvc5fj53ll2knwbjv4	235	61	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	235	62	imbues	imbue	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	235	63	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	235	64	sense	sense	NN
work_45wy3fczjvc5fj53ll2knwbjv4	235	65	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	235	66	swing	swing	NN
work_45wy3fczjvc5fj53ll2knwbjv4	235	67	into	into	IN
work_45wy3fczjvc5fj53ll2knwbjv4	235	68	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	235	69	performance	performance	NN
work_45wy3fczjvc5fj53ll2knwbjv4	235	70	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	236	1	I	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	236	2	am	be	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	236	3	aware	aware	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	236	4	that	that	IN
work_45wy3fczjvc5fj53ll2knwbjv4	236	5	much	much	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	236	6	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	236	7	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	236	8	sort	sort	NN
work_45wy3fczjvc5fj53ll2knwbjv4	236	9	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	236	10	musical	musical	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	236	11	analysis	analysis	NN
work_45wy3fczjvc5fj53ll2knwbjv4	236	12	presented	present	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	236	13	here	here	RB
work_45wy3fczjvc5fj53ll2knwbjv4	236	14	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	236	15	with	with	IN
work_45wy3fczjvc5fj53ll2knwbjv4	236	16	pitch	pitch	NN
work_45wy3fczjvc5fj53ll2knwbjv4	236	17	names	name	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	236	18	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	236	19	formalistic	formalistic	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	236	20	discussions	discussion	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	236	21	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	236	22	structure	structure	NN
work_45wy3fczjvc5fj53ll2knwbjv4	236	23	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	236	24	tonal	tonal	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	236	25	organization	organization	NN
work_45wy3fczjvc5fj53ll2knwbjv4	236	26	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	236	27	has	have	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	236	28	fallen	fall	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	236	29	under	under	IN
work_45wy3fczjvc5fj53ll2knwbjv4	236	30	considerable	considerable	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	236	31	scrutiny	scrutiny	NN
work_45wy3fczjvc5fj53ll2knwbjv4	236	32	when	when	WRB
work_45wy3fczjvc5fj53ll2knwbjv4	236	33	applied	apply	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	236	34	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	236	35	jazz	jazz	NN
work_45wy3fczjvc5fj53ll2knwbjv4	236	36	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	236	37	other	other	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	236	38	African	african	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	236	39	-	-	HYPH
work_45wy3fczjvc5fj53ll2knwbjv4	236	40	American	american	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	236	41	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	236	42	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	236	43	this	this	DT
work_45wy3fczjvc5fj53ll2knwbjv4	236	44	case	case	NN
work_45wy3fczjvc5fj53ll2knwbjv4	236	45	African	african	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	236	46	-	-	HYPH
work_45wy3fczjvc5fj53ll2knwbjv4	236	47	Canadian	canadian	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	236	48	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	236	49	music	music	NN
work_45wy3fczjvc5fj53ll2knwbjv4	236	50	making	make	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	236	51	practices	practice	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	236	52	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	237	1	For	for	IN
work_45wy3fczjvc5fj53ll2knwbjv4	237	2	example	example	NN
work_45wy3fczjvc5fj53ll2knwbjv4	237	3	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	237	4	central	central	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	237	5	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	237	6	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	237	7	criticism	criticism	NN
work_45wy3fczjvc5fj53ll2knwbjv4	237	8	leveled	level	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	237	9	at	at	IN
work_45wy3fczjvc5fj53ll2knwbjv4	237	10	such	such	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	237	11	jazz	jazz	NN
work_45wy3fczjvc5fj53ll2knwbjv4	237	12	scholars	scholar	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	237	13	as	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	237	14	Gunther	Gunther	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	237	15	Schuller	Schuller	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	237	16	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	237	17	André	André	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	237	18	Hodeir	Hodeir	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	237	19	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	237	20	both	both	DT
work_45wy3fczjvc5fj53ll2knwbjv4	237	21	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	237	22	whom	whom	WP
work_45wy3fczjvc5fj53ll2knwbjv4	237	23	were	be	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	237	24	trained	train	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	237	25	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	237	26	methodologies	methodology	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	237	27	utilized	utilize	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	237	28	primarily	primarily	RB
work_45wy3fczjvc5fj53ll2knwbjv4	237	29	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	237	30	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	237	31	study	study	NN
work_45wy3fczjvc5fj53ll2knwbjv4	237	32	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	237	33	Western	western	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	237	34	Art	Art	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	237	35	music	music	NN
work_45wy3fczjvc5fj53ll2knwbjv4	237	36	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	237	37	is	be	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	237	38	that	that	DT
work_45wy3fczjvc5fj53ll2knwbjv4	237	39	harmony	harmony	NN
work_45wy3fczjvc5fj53ll2knwbjv4	237	40	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	237	41	melody	melody	NN
work_45wy3fczjvc5fj53ll2knwbjv4	237	42	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	237	43	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	237	44	theoretical	theoretical	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	237	45	discussions	discussion	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	237	46	thereof	thereof	RB
work_45wy3fczjvc5fj53ll2knwbjv4	237	47	have	have	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	237	48	been	be	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	237	49	elevated	elevate	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	237	50	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	237	51	their	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	237	52	work	work	NN
work_45wy3fczjvc5fj53ll2knwbjv4	237	53	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	237	54	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	237	55	privileged	privileged	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	237	56	position	position	NN
work_45wy3fczjvc5fj53ll2knwbjv4	237	57	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	237	58	Schuller	Schuller	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	237	59	1989	1989	CD
work_45wy3fczjvc5fj53ll2knwbjv4	237	60	;	;	:
work_45wy3fczjvc5fj53ll2knwbjv4	237	61	Hodeir	Hodeir	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	237	62	1980	1980	CD
work_45wy3fczjvc5fj53ll2knwbjv4	237	63	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	237	64	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	238	1	As	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	238	2	Krin	Krin	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	238	3	Gabbard	Gabbard	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	238	4	argues	argue	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	238	5	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	238	6	although	although	IN
work_45wy3fczjvc5fj53ll2knwbjv4	238	7	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	238	8	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	238	9	jazz	jazz	NN
work_45wy3fczjvc5fj53ll2knwbjv4	238	10	musicologist	musicologist	NN
work_45wy3fczjvc5fj53ll2knwbjv4	238	11	influenced	influence	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	238	12	by	by	IN
work_45wy3fczjvc5fj53ll2knwbjv4	238	13	Hodeir	Hodeir	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	238	14	may	may	MD
work_45wy3fczjvc5fj53ll2knwbjv4	238	15	not	not	RB
work_45wy3fczjvc5fj53ll2knwbjv4	238	16	overtly	overtly	RB
work_45wy3fczjvc5fj53ll2knwbjv4	238	17	argue	argue	VB
work_45wy3fczjvc5fj53ll2knwbjv4	238	18	that	that	IN
work_45wy3fczjvc5fj53ll2knwbjv4	238	19	Ellington	Ellington	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	238	20	is	be	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	238	21	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	238	22	equal	equal	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	238	23	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	238	24	Brahms	Brahms	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	238	25	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	238	26	his	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	238	27	use	use	NN
work_45wy3fczjvc5fj53ll2knwbjv4	238	28	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	238	29	analytical	analytical	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	238	30	methods	method	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	238	31	designed	design	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	238	32	for	for	IN
work_45wy3fczjvc5fj53ll2knwbjv4	238	33	Brahms	Brahms	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	238	34	makes	make	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	238	35	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	238	36	argument	argument	NN
work_45wy3fczjvc5fj53ll2knwbjv4	238	37	all	all	PDT
work_45wy3fczjvc5fj53ll2knwbjv4	238	38	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	238	39	same	same	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	238	40	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	238	41	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	238	42	Gabbard	Gabbard	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	238	43	1995	1995	CD
work_45wy3fczjvc5fj53ll2knwbjv4	238	44	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	238	45	15	15	CD
work_45wy3fczjvc5fj53ll2knwbjv4	238	46	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	238	47	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	239	1	In	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	239	2	other	other	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	239	3	words	word	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	239	4	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	239	5	it	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	239	6	is	be	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	239	7	argued	argue	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	239	8	that	that	IN
work_45wy3fczjvc5fj53ll2knwbjv4	239	9	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	239	10	principles	principle	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	239	11	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	239	12	tools	tool	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	239	13	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	239	14	language	language	NN
work_45wy3fczjvc5fj53ll2knwbjv4	239	15	used	use	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	239	16	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	239	17	discussions	discussion	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	239	18	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	239	19	Western	western	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	239	20	Art	Art	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	239	21	music	music	NN
work_45wy3fczjvc5fj53ll2knwbjv4	239	22	to	to	TO
work_45wy3fczjvc5fj53ll2knwbjv4	239	23	explore	explore	VB
work_45wy3fczjvc5fj53ll2knwbjv4	239	24	melodic	melodic	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	239	25	development	development	NN
work_45wy3fczjvc5fj53ll2knwbjv4	239	26	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	239	27	logical	logical	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	239	28	phra-	phra-	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	239	29	seology	seology	NN
work_45wy3fczjvc5fj53ll2knwbjv4	239	30	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	239	31	teleological	teleological	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	239	32	narrative	narrative	NN
work_45wy3fczjvc5fj53ll2knwbjv4	239	33	do	do	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	239	34	not	not	RB
work_45wy3fczjvc5fj53ll2knwbjv4	239	35	necessarily	necessarily	RB
work_45wy3fczjvc5fj53ll2knwbjv4	239	36	have	have	VB
work_45wy3fczjvc5fj53ll2knwbjv4	239	37	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	239	38	commensurate	commensurate	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	239	39	place	place	NN
work_45wy3fczjvc5fj53ll2knwbjv4	239	40	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	239	41	analysis	analysis	NN
work_45wy3fczjvc5fj53ll2knwbjv4	239	42	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	239	43	African	african	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	239	44	-	-	HYPH
work_45wy3fczjvc5fj53ll2knwbjv4	239	45	American	american	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	239	46	music	music	NN
work_45wy3fczjvc5fj53ll2knwbjv4	239	47	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	240	1	These	these	DT
work_45wy3fczjvc5fj53ll2knwbjv4	240	2	aforementioned	aforementioned	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	240	3	aesthetics	aesthetic	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	240	4	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	240	5	not	not	RB
work_45wy3fczjvc5fj53ll2knwbjv4	240	6	to	to	TO
work_45wy3fczjvc5fj53ll2knwbjv4	240	7	mention	mention	VB
work_45wy3fczjvc5fj53ll2knwbjv4	240	8	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	240	9	competency	competency	NN
work_45wy3fczjvc5fj53ll2knwbjv4	240	10	one	one	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	240	11	must	must	MD
work_45wy3fczjvc5fj53ll2knwbjv4	240	12	possess	possess	VB
work_45wy3fczjvc5fj53ll2knwbjv4	240	13	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	240	14	order	order	NN
work_45wy3fczjvc5fj53ll2knwbjv4	240	15	to	to	TO
work_45wy3fczjvc5fj53ll2knwbjv4	240	16	maneuver	maneuver	VB
work_45wy3fczjvc5fj53ll2knwbjv4	240	17	freely	freely	RB
work_45wy3fczjvc5fj53ll2knwbjv4	240	18	within	within	IN
work_45wy3fczjvc5fj53ll2knwbjv4	240	19	this	this	DT
work_45wy3fczjvc5fj53ll2knwbjv4	240	20	discourse	discourse	NN
work_45wy3fczjvc5fj53ll2knwbjv4	240	21	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	240	22	are	be	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	240	23	both	both	DT
work_45wy3fczjvc5fj53ll2knwbjv4	240	24	socially	socially	RB
work_45wy3fczjvc5fj53ll2knwbjv4	240	25	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	240	26	politically	politically	RB
work_45wy3fczjvc5fj53ll2knwbjv4	240	27	mediated	mediate	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	240	28	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	240	29	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	240	30	historically	historically	RB
work_45wy3fczjvc5fj53ll2knwbjv4	240	31	indexed	index	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	240	32	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	240	33	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	240	34	cultural	cultural	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	240	35	group	group	NN
work_45wy3fczjvc5fj53ll2knwbjv4	240	36	removed	remove	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	240	37	from	from	IN
work_45wy3fczjvc5fj53ll2knwbjv4	240	38	African	african	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	240	39	-	-	HYPH
work_45wy3fczjvc5fj53ll2knwbjv4	240	40	American	american	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	240	41	culture	culture	NN
work_45wy3fczjvc5fj53ll2knwbjv4	240	42	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	241	1	The	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	241	2	frequent	frequent	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	241	3	result	result	NN
work_45wy3fczjvc5fj53ll2knwbjv4	241	4	is	be	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	241	5	that	that	IN
work_45wy3fczjvc5fj53ll2knwbjv4	241	6	scholarly	scholarly	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	241	7	explorations	exploration	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	241	8	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	241	9	African	african	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	241	10	-	-	HYPH
work_45wy3fczjvc5fj53ll2knwbjv4	241	11	American	american	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	241	12	music	music	NN
work_45wy3fczjvc5fj53ll2knwbjv4	241	13	that	that	WDT
work_45wy3fczjvc5fj53ll2knwbjv4	241	14	focus	focus	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	241	15	primarily	primarily	RB
work_45wy3fczjvc5fj53ll2knwbjv4	241	16	on	on	IN
work_45wy3fczjvc5fj53ll2knwbjv4	241	17	har-	har-	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	241	18	mony	mony	NN
work_45wy3fczjvc5fj53ll2knwbjv4	241	19	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	241	20	fail	fail	VB
work_45wy3fczjvc5fj53ll2knwbjv4	241	21	to	to	TO
work_45wy3fczjvc5fj53ll2knwbjv4	241	22	address	address	VB
work_45wy3fczjvc5fj53ll2knwbjv4	241	23	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	241	24	social	social	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	241	25	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	241	26	participatory	participatory	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	241	27	aspects	aspect	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	241	28	so	so	RB
work_45wy3fczjvc5fj53ll2knwbjv4	241	29	central	central	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	241	30	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	241	31	that	that	DT
work_45wy3fczjvc5fj53ll2knwbjv4	241	32	culture	culture	NN
work_45wy3fczjvc5fj53ll2knwbjv4	241	33	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	241	34	music	music	NN
work_45wy3fczjvc5fj53ll2knwbjv4	241	35	making	make	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	241	36	processes	process	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	241	37	leave	leave	VB
work_45wy3fczjvc5fj53ll2knwbjv4	241	38	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	241	39	great	great	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	241	40	deal	deal	NN
work_45wy3fczjvc5fj53ll2knwbjv4	241	41	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	241	42	need	need	NN
work_45wy3fczjvc5fj53ll2knwbjv4	241	43	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	241	44	unpacking	unpack	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	241	45	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	242	1	Accordingly	accordingly	RB
work_45wy3fczjvc5fj53ll2knwbjv4	242	2	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	242	3	my	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	242	4	final	final	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	242	5	section	section	NN
work_45wy3fczjvc5fj53ll2knwbjv4	242	6	offers	offer	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	242	7	an	an	DT
work_45wy3fczjvc5fj53ll2knwbjv4	242	8	alternate	alternate	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	242	9	reading	reading	NN
work_45wy3fczjvc5fj53ll2knwbjv4	242	10	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	242	11	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	242	12	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	242	13	impro-	impro-	NN
work_45wy3fczjvc5fj53ll2knwbjv4	242	14	visatory	visatory	NN
work_45wy3fczjvc5fj53ll2knwbjv4	242	15	style	style	NN
work_45wy3fczjvc5fj53ll2knwbjv4	242	16	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	243	1	Clearly	clearly	RB
work_45wy3fczjvc5fj53ll2knwbjv4	243	2	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	243	3	there	there	EX
work_45wy3fczjvc5fj53ll2knwbjv4	243	4	are	be	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	243	5	aspects	aspect	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	243	6	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	243	7	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	243	8	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	243	9	performance	performance	NN
work_45wy3fczjvc5fj53ll2knwbjv4	243	10	that	that	WDT
work_45wy3fczjvc5fj53ll2knwbjv4	243	11	have	have	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	243	12	escaped	escape	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	243	13	mention	mention	NN
work_45wy3fczjvc5fj53ll2knwbjv4	243	14	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	243	15	my	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	243	16	article	article	NN
work_45wy3fczjvc5fj53ll2knwbjv4	243	17	thus	thus	RB
work_45wy3fczjvc5fj53ll2knwbjv4	243	18	far	far	RB
work_45wy3fczjvc5fj53ll2knwbjv4	243	19	as	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	243	20	they	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	243	21	can	can	MD
work_45wy3fczjvc5fj53ll2knwbjv4	243	22	not	not	RB
work_45wy3fczjvc5fj53ll2knwbjv4	243	23	be	be	VB
work_45wy3fczjvc5fj53ll2knwbjv4	243	24	properly	properly	RB
work_45wy3fczjvc5fj53ll2knwbjv4	243	25	conveyed	convey	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	243	26	by	by	IN
work_45wy3fczjvc5fj53ll2knwbjv4	243	27	musical	musical	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	243	28	notation	notation	NN
work_45wy3fczjvc5fj53ll2knwbjv4	243	29	nor	nor	CC
work_45wy3fczjvc5fj53ll2knwbjv4	243	30	explained	explain	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	243	31	fully	fully	RB
work_45wy3fczjvc5fj53ll2knwbjv4	243	32	through	through	IN
work_45wy3fczjvc5fj53ll2knwbjv4	243	33	musical	musical	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	243	34	analysis	analysis	NN
work_45wy3fczjvc5fj53ll2knwbjv4	243	35	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	244	1	Four	four	CD
work_45wy3fczjvc5fj53ll2knwbjv4	244	2	examples	example	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	244	3	include	include	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	244	4	his	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	244	5	inflected	inflect	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	244	6	notes	note	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	244	7	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	244	8	often	often	RB
work_45wy3fczjvc5fj53ll2knwbjv4	244	9	bent	bent	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	244	10	sharp	sharp	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	244	11	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	244	12	heard	hear	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	244	13	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	244	14	bars	bar	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	244	15	54	54	CD
work_45wy3fczjvc5fj53ll2knwbjv4	244	16	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	244	17	59	59	CD
work_45wy3fczjvc5fj53ll2knwbjv4	244	18	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	244	19	71	71	CD
work_45wy3fczjvc5fj53ll2knwbjv4	244	20	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	244	21	72	72	CD
work_45wy3fczjvc5fj53ll2knwbjv4	244	22	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	244	23	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	244	24	his	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	244	25	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	244	26	muffled	muffle	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	244	27	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	244	28	notes	note	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	244	29	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	244	30	bars	bar	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	244	31	5	5	CD
work_45wy3fczjvc5fj53ll2knwbjv4	244	32	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	244	33	67	67	CD
work_45wy3fczjvc5fj53ll2knwbjv4	244	34	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	244	35	73	73	CD
work_45wy3fczjvc5fj53ll2knwbjv4	244	36	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	244	37	78	78	CD
work_45wy3fczjvc5fj53ll2knwbjv4	244	38	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	244	39	82	82	CD
work_45wy3fczjvc5fj53ll2knwbjv4	244	40	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	244	41	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	244	42	his	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	244	43	propulsive	propulsive	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	244	44	rhythmic	rhythmic	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	244	45	drive	drive	NN
work_45wy3fczjvc5fj53ll2knwbjv4	244	46	that	that	WDT
work_45wy3fczjvc5fj53ll2knwbjv4	244	47	is	be	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	244	48	not	not	RB
work_45wy3fczjvc5fj53ll2knwbjv4	244	49	tied	tie	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	244	50	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	244	51	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	244	52	overarching	overarching	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	244	53	rhythmic	rhythmic	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	244	54	grid	grid	NN
work_45wy3fczjvc5fj53ll2knwbjv4	244	55	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	244	56	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	244	57	improvisation	improvisation	NN
work_45wy3fczjvc5fj53ll2knwbjv4	244	58	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	244	59	bars	bar	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	244	60	19,27,43	19,27,43	CD
work_45wy3fczjvc5fj53ll2knwbjv4	244	61	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	244	62	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	244	63	his	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	244	64	distortions	distortion	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	244	65	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	244	66	timbre	timbre	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	244	67	—	—	:
work_45wy3fczjvc5fj53ll2knwbjv4	244	68	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	244	69	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	244	70	concluding	conclude	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	244	71	power	power	NN
work_45wy3fczjvc5fj53ll2knwbjv4	244	72	chord	chord	NN
work_45wy3fczjvc5fj53ll2knwbjv4	244	73	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	244	74	bar	bar	NN
work_45wy3fczjvc5fj53ll2knwbjv4	244	75	83	83	CD
work_45wy3fczjvc5fj53ll2knwbjv4	244	76	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	244	77	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	244	78	double	double	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	244	79	-	-	HYPH
work_45wy3fczjvc5fj53ll2knwbjv4	244	80	stops	stop	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	244	81	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	244	82	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	244	83	bars	bar	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	244	84	43	43	CD
work_45wy3fczjvc5fj53ll2knwbjv4	244	85	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	244	86	68	68	CD
work_45wy3fczjvc5fj53ll2knwbjv4	244	87	clearly	clearly	RB
work_45wy3fczjvc5fj53ll2knwbjv4	244	88	challenge	challenge	NN
work_45wy3fczjvc5fj53ll2knwbjv4	244	89	normative	normative	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	244	90	conceptions	conception	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	244	91	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	244	92	jazz	jazz	NN
work_45wy3fczjvc5fj53ll2knwbjv4	244	93	guitar	guitar	NN
work_45wy3fczjvc5fj53ll2knwbjv4	244	94	tone	tone	NN
work_45wy3fczjvc5fj53ll2knwbjv4	244	95	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	245	1	While	while	IN
work_45wy3fczjvc5fj53ll2knwbjv4	245	2	conventional	conventional	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	245	3	musical	musical	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	245	4	analysis	analysis	NN
work_45wy3fczjvc5fj53ll2knwbjv4	245	5	offers	offer	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	245	6	few	few	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	245	7	ways	way	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	245	8	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	245	9	discussing	discuss	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	245	10	these	these	DT
work_45wy3fczjvc5fj53ll2knwbjv4	245	11	four	four	CD
work_45wy3fczjvc5fj53ll2knwbjv4	245	12	musical	musical	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	245	13	gestures	gesture	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	245	14	—	—	:
work_45wy3fczjvc5fj53ll2knwbjv4	245	15	other	other	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	245	16	than	than	IN
work_45wy3fczjvc5fj53ll2knwbjv4	245	17	missing	miss	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	245	18	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	245	19	point	point	NN
work_45wy3fczjvc5fj53ll2knwbjv4	245	20	entirely	entirely	RB
work_45wy3fczjvc5fj53ll2knwbjv4	245	21	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	245	22	hearing	hear	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	245	23	these	these	DT
work_45wy3fczjvc5fj53ll2knwbjv4	245	24	qualities	quality	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	245	25	as	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	245	26	imperfect	imperfect	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	245	27	intonation	intonation	NN
work_45wy3fczjvc5fj53ll2knwbjv4	245	28	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	245	29	sloppy	sloppy	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	245	30	technique	technique	NN
work_45wy3fczjvc5fj53ll2knwbjv4	245	31	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	245	32	bad	bad	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	245	33	time	time	NN
work_45wy3fczjvc5fj53ll2knwbjv4	245	34	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	245	35	an	an	DT
work_45wy3fczjvc5fj53ll2knwbjv4	245	36	idiomatically	idiomatically	RB
work_45wy3fczjvc5fj53ll2knwbjv4	245	37	inappropri-	inappropri-	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	245	38	ate	ate	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	245	39	sound	sound	NN
work_45wy3fczjvc5fj53ll2knwbjv4	245	40	respectively	respectively	RB
work_45wy3fczjvc5fj53ll2knwbjv4	245	41	—	—	:
work_45wy3fczjvc5fj53ll2knwbjv4	245	42	these	these	DT
work_45wy3fczjvc5fj53ll2knwbjv4	245	43	qualities	quality	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	245	44	are	be	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	245	45	both	both	RB
work_45wy3fczjvc5fj53ll2knwbjv4	245	46	central	central	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	245	47	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	245	48	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	245	49	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	245	50	style	style	NN
work_45wy3fczjvc5fj53ll2knwbjv4	245	51	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	245	52	contribute	contribute	VB
work_45wy3fczjvc5fj53ll2knwbjv4	245	53	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	245	54	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	245	55	meaningfulness	meaningfulness	NN
work_45wy3fczjvc5fj53ll2knwbjv4	245	56	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	245	57	for	for	IN
work_45wy3fczjvc5fj53ll2knwbjv4	245	58	me	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	245	59	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	245	60	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	245	61	his	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	245	62	performances	performance	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	245	63	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	246	1	All	all	DT
work_45wy3fczjvc5fj53ll2knwbjv4	246	2	result	result	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	246	3	from	from	IN
work_45wy3fczjvc5fj53ll2knwbjv4	246	4	what	what	WP
work_45wy3fczjvc5fj53ll2knwbjv4	246	5	I	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	246	6	term	term	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	246	7	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	246	8	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	246	9	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	246	10	loose	loose	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	246	11	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	246	12	manner	manner	NN
work_45wy3fczjvc5fj53ll2knwbjv4	246	13	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	246	14	playing	play	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	246	15	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	246	16	instrument.6	instrument.6	XX
work_45wy3fczjvc5fj53ll2knwbjv4	246	17	He	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	246	18	achieves	achieve	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	246	19	this	this	DT
work_45wy3fczjvc5fj53ll2knwbjv4	246	20	loose	loose	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	246	21	aesthetic	aesthetic	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	246	22	three	three	CD
work_45wy3fczjvc5fj53ll2knwbjv4	246	23	ways	way	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	246	24	:	:	:
work_45wy3fczjvc5fj53ll2knwbjv4	246	25	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	246	26	1	1	LS
work_45wy3fczjvc5fj53ll2knwbjv4	246	27	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	246	28	his	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	246	29	use	use	NN
work_45wy3fczjvc5fj53ll2knwbjv4	246	30	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	246	31	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	246	32	thin	thin	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	246	33	plectrum	plectrum	NN
work_45wy3fczjvc5fj53ll2knwbjv4	246	34	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	246	35	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	246	36	2	2	LS
work_45wy3fczjvc5fj53ll2knwbjv4	246	37	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	246	38	his	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	246	39	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	246	40	light	light	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	246	41	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	246	42	right	right	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	246	43	-	-	HYPH
work_45wy3fczjvc5fj53ll2knwbjv4	246	44	hand	hand	NN
work_45wy3fczjvc5fj53ll2knwbjv4	246	45	plectrum	plectrum	NN
work_45wy3fczjvc5fj53ll2knwbjv4	246	46	grip	grip	NN
work_45wy3fczjvc5fj53ll2knwbjv4	246	47	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	246	48	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	246	49	3	3	LS
work_45wy3fczjvc5fj53ll2knwbjv4	246	50	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	246	51	his	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	246	52	frequent	frequent	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	246	53	left	left	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	246	54	-	-	HYPH
work_45wy3fczjvc5fj53ll2knwbjv4	246	55	hand	hand	NN
work_45wy3fczjvc5fj53ll2knwbjv4	246	56	shifts	shift	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	246	57	across	across	IN
work_45wy3fczjvc5fj53ll2knwbjv4	246	58	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	246	59	guitar	guitar	NN
work_45wy3fczjvc5fj53ll2knwbjv4	246	60	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	246	61	6The	6the	CD
work_45wy3fczjvc5fj53ll2knwbjv4	246	62	idea	idea	NN
work_45wy3fczjvc5fj53ll2knwbjv4	246	63	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	246	64	this	this	DT
work_45wy3fczjvc5fj53ll2knwbjv4	246	65	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	246	66	loose	loose	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	246	67	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	246	68	style	style	NN
work_45wy3fczjvc5fj53ll2knwbjv4	246	69	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	246	70	playing	playing	NN
work_45wy3fczjvc5fj53ll2knwbjv4	246	71	came	come	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	246	72	out	out	IN
work_45wy3fczjvc5fj53ll2knwbjv4	246	73	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	246	74	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	246	75	discussion	discussion	NN
work_45wy3fczjvc5fj53ll2knwbjv4	246	76	with	with	IN
work_45wy3fczjvc5fj53ll2knwbjv4	246	77	Rob	Rob	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	246	78	van	van	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	246	79	der	der	NN
work_45wy3fczjvc5fj53ll2knwbjv4	246	80	Bliek	Bliek	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	246	81	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	246	82	28	28	CD
work_45wy3fczjvc5fj53ll2knwbjv4	246	83	February	February	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	246	84	2005	2005	CD
work_45wy3fczjvc5fj53ll2knwbjv4	246	85	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	246	86	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	247	1	24/1	24/1	CD
work_45wy3fczjvc5fj53ll2knwbjv4	247	2	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	247	3	2003	2003	CD
work_45wy3fczjvc5fj53ll2knwbjv4	247	4	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	247	5	73	73	CD
work_45wy3fczjvc5fj53ll2knwbjv4	247	6	fretboard	fretboard	NN
work_45wy3fczjvc5fj53ll2knwbjv4	247	7	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	248	1	These	these	DT
work_45wy3fczjvc5fj53ll2knwbjv4	248	2	three	three	CD
work_45wy3fczjvc5fj53ll2knwbjv4	248	3	performance	performance	NN
work_45wy3fczjvc5fj53ll2knwbjv4	248	4	practices	practice	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	248	5	contribute	contribute	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	248	6	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	248	7	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	248	8	rhythmic	rhythmic	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	248	9	style	style	NN
work_45wy3fczjvc5fj53ll2knwbjv4	248	10	too	too	RB
work_45wy3fczjvc5fj53ll2knwbjv4	248	11	fluid	fluid	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	248	12	to	to	TO
work_45wy3fczjvc5fj53ll2knwbjv4	248	13	be	be	VB
work_45wy3fczjvc5fj53ll2knwbjv4	248	14	articulated	articulate	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	248	15	by	by	IN
work_45wy3fczjvc5fj53ll2knwbjv4	248	16	four	four	CD
work_45wy3fczjvc5fj53ll2knwbjv4	248	17	-	-	HYPH
work_45wy3fczjvc5fj53ll2knwbjv4	248	18	square	square	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	248	19	phrase	phrase	NN
work_45wy3fczjvc5fj53ll2knwbjv4	248	20	markings	marking	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	248	21	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	248	22	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	248	23	sonic	sonic	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	248	24	style	style	NN
work_45wy3fczjvc5fj53ll2knwbjv4	248	25	that	that	WDT
work_45wy3fczjvc5fj53ll2knwbjv4	248	26	includes	include	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	248	27	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	248	28	ringing	ringing	NN
work_45wy3fczjvc5fj53ll2knwbjv4	248	29	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	248	30	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	248	31	open	open	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	248	32	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	248	33	guitar	guitar	NN
work_45wy3fczjvc5fj53ll2knwbjv4	248	34	strings	string	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	248	35	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	248	36	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	248	37	melodic	melodic	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	248	38	style	style	NN
work_45wy3fczjvc5fj53ll2knwbjv4	248	39	that	that	WDT
work_45wy3fczjvc5fj53ll2knwbjv4	248	40	contains	contain	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	248	41	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	248	42	bent	bent	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	248	43	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	248	44	notes	note	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	248	45	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	248	46	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	248	47	muffled	muffle	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	248	48	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	248	49	pitches	pitch	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	248	50	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	248	51	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	248	52	later	later	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	248	53	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	248	54	which	which	WDT
work_45wy3fczjvc5fj53ll2knwbjv4	248	55	often	often	RB
work_45wy3fczjvc5fj53ll2knwbjv4	248	56	occur	occur	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	248	57	when	when	WRB
work_45wy3fczjvc5fj53ll2knwbjv4	248	58	his	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	248	59	fingers	finger	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	248	60	accidentally	accidentally	RB
work_45wy3fczjvc5fj53ll2knwbjv4	248	61	fall	fall	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	248	62	upon	upon	IN
work_45wy3fczjvc5fj53ll2knwbjv4	248	63	various	various	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	248	64	pitches	pitch	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	248	65	during	during	IN
work_45wy3fczjvc5fj53ll2knwbjv4	248	66	his	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	248	67	frequent	frequent	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	248	68	left	left	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	248	69	-	-	HYPH
work_45wy3fczjvc5fj53ll2knwbjv4	248	70	hand	hand	NN
work_45wy3fczjvc5fj53ll2knwbjv4	248	71	shifts	shift	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	248	72	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	249	1	Further	further	RB
work_45wy3fczjvc5fj53ll2knwbjv4	249	2	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	249	3	each	each	DT
work_45wy3fczjvc5fj53ll2knwbjv4	249	4	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	249	5	these	these	DT
work_45wy3fczjvc5fj53ll2knwbjv4	249	6	performance	performance	NN
work_45wy3fczjvc5fj53ll2knwbjv4	249	7	practices	practice	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	249	8	can	can	MD
work_45wy3fczjvc5fj53ll2knwbjv4	249	9	be	be	VB
work_45wy3fczjvc5fj53ll2knwbjv4	249	10	related	relate	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	249	11	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	249	12	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	249	13	blues	blue	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	249	14	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	250	1	Similar	similar	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	250	2	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	250	3	Omette	Omette	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	250	4	Coleman	Coleman	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	250	5	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	250	6	Albert	Albert	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	250	7	Ayler	Ayler	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	250	8	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	250	9	John	John	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	250	10	Coltrane	Coltrane	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	250	11	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	250	12	all	all	DT
work_45wy3fczjvc5fj53ll2knwbjv4	250	13	musicians	musician	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	250	14	who	who	WP
work_45wy3fczjvc5fj53ll2knwbjv4	250	15	performed	perform	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	250	16	so	so	RB
work_45wy3fczjvc5fj53ll2knwbjv4	250	17	-	-	HYPH
work_45wy3fczjvc5fj53ll2knwbjv4	250	18	called	call	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	250	19	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	250	20	free	free	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	250	21	jazz	jazz	NN
work_45wy3fczjvc5fj53ll2knwbjv4	250	22	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	250	23	at	at	IN
work_45wy3fczjvc5fj53ll2knwbjv4	250	24	various	various	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	250	25	times	time	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	250	26	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	250	27	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	250	28	began	begin	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	250	29	his	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	250	30	career	career	NN
work_45wy3fczjvc5fj53ll2knwbjv4	250	31	playing	play	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	250	32	rhythm	rhythm	NN
work_45wy3fczjvc5fj53ll2knwbjv4	250	33	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	250	34	blues	blue	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	250	35	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	251	1	By	by	IN
work_45wy3fczjvc5fj53ll2knwbjv4	251	2	his	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	251	3	own	own	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	251	4	account	account	NN
work_45wy3fczjvc5fj53ll2knwbjv4	251	5	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	251	6	these	these	DT
work_45wy3fczjvc5fj53ll2knwbjv4	251	7	early	early	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	251	8	musical	musical	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	251	9	experiences	experience	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	251	10	have	have	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	251	11	remained	remain	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	251	12	important	important	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	251	13	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	251	14	him	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	251	15	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	252	1	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	252	2	In	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	252	3	retrospect	retrospect	NN
work_45wy3fczjvc5fj53ll2knwbjv4	252	4	I	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	252	5	think	think	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	252	6	that	that	IN
work_45wy3fczjvc5fj53ll2knwbjv4	252	7	what	what	WP
work_45wy3fczjvc5fj53ll2knwbjv4	252	8	I	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	252	9	did	do	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	252	10	was	be	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	252	11	take	take	VB
work_45wy3fczjvc5fj53ll2knwbjv4	252	12	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	252	13	rhythm	rhythm	NN
work_45wy3fczjvc5fj53ll2knwbjv4	252	14	aspect	aspect	NN
work_45wy3fczjvc5fj53ll2knwbjv4	252	15	from	from	IN
work_45wy3fczjvc5fj53ll2knwbjv4	252	16	rhythm	rhythm	NN
work_45wy3fczjvc5fj53ll2knwbjv4	252	17	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	252	18	blues	blue	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	252	19	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	252	20	bring	bring	VB
work_45wy3fczjvc5fj53ll2knwbjv4	252	21	that	that	DT
work_45wy3fczjvc5fj53ll2knwbjv4	252	22	into	into	IN
work_45wy3fczjvc5fj53ll2knwbjv4	252	23	my	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	252	24	jazz	jazz	NN
work_45wy3fczjvc5fj53ll2knwbjv4	252	25	playing	play	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	252	26	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	252	27	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	252	28	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	252	29	recalled	recall	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	252	30	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	252	31	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	252	32	2004	2004	CD
work_45wy3fczjvc5fj53ll2knwbjv4	252	33	interview.7	interview.7	NN
work_45wy3fczjvc5fj53ll2knwbjv4	252	34	Through	through	IN
work_45wy3fczjvc5fj53ll2knwbjv4	252	35	further	further	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	252	36	discussion	discussion	NN
work_45wy3fczjvc5fj53ll2knwbjv4	252	37	with	with	IN
work_45wy3fczjvc5fj53ll2knwbjv4	252	38	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	252	39	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	252	40	I	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	252	41	interpret	interpret	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	252	42	his	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	252	43	comments	comment	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	252	44	to	to	TO
work_45wy3fczjvc5fj53ll2knwbjv4	252	45	mean	mean	VB
work_45wy3fczjvc5fj53ll2knwbjv4	252	46	that	that	IN
work_45wy3fczjvc5fj53ll2knwbjv4	252	47	he	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	252	48	wanted	want	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	252	49	to	to	TO
work_45wy3fczjvc5fj53ll2knwbjv4	252	50	imbue	imbue	VB
work_45wy3fczjvc5fj53ll2knwbjv4	252	51	his	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	252	52	jazz	jazz	NN
work_45wy3fczjvc5fj53ll2knwbjv4	252	53	playing	play	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	252	54	with	with	IN
work_45wy3fczjvc5fj53ll2knwbjv4	252	55	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	252	56	sort	sort	NN
work_45wy3fczjvc5fj53ll2knwbjv4	252	57	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	252	58	energy	energy	NN
work_45wy3fczjvc5fj53ll2knwbjv4	252	59	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	252	60	drive	drive	VB
work_45wy3fczjvc5fj53ll2knwbjv4	252	61	he	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	252	62	experienced	experience	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	252	63	performing	perform	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	252	64	with	with	IN
work_45wy3fczjvc5fj53ll2knwbjv4	252	65	such	such	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	252	66	Toronto	Toronto	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	252	67	rhythm	rhythm	NN
work_45wy3fczjvc5fj53ll2knwbjv4	252	68	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	252	69	blues	blue	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	252	70	bands	band	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	252	71	as	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	252	72	those	those	DT
work_45wy3fczjvc5fj53ll2knwbjv4	252	73	led	lead	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	252	74	by	by	IN
work_45wy3fczjvc5fj53ll2knwbjv4	252	75	Connie	Connie	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	252	76	Maynard	Maynard	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	252	77	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	252	78	Donnie	Donnie	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	252	79	Carrington	Carrington	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	252	80	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	252	81	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	252	82	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	252	83	pers	per	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	252	84	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	253	1	interv	interv	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	253	2	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	254	1	2004	2004	CD
work_45wy3fczjvc5fj53ll2knwbjv4	254	2	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	254	3	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	255	1	Accordingly	accordingly	RB
work_45wy3fczjvc5fj53ll2knwbjv4	255	2	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	255	3	I	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	255	4	hear	hear	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	255	5	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	255	6	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	255	7	rhythmic	rhythmic	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	255	8	drive	drive	NN
work_45wy3fczjvc5fj53ll2knwbjv4	255	9	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	255	10	microtonally	microtonally	RB
work_45wy3fczjvc5fj53ll2knwbjv4	255	11	inflected	inflect	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	255	12	notes	note	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	255	13	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	255	14	his	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	255	15	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	255	16	slid-	slid-	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	255	17	ing	ing	NN
work_45wy3fczjvc5fj53ll2knwbjv4	255	18	on	on	IN
work_45wy3fczjvc5fj53ll2knwbjv4	255	19	guitar	guitar	NN
work_45wy3fczjvc5fj53ll2knwbjv4	255	20	strings	string	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	255	21	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	255	22	as	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	255	23	indexed	index	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	255	24	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	255	25	both	both	CC
work_45wy3fczjvc5fj53ll2knwbjv4	255	26	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	255	27	blues	blue	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	255	28	tradition	tradition	NN
work_45wy3fczjvc5fj53ll2knwbjv4	255	29	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	255	30	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	255	31	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	255	32	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	255	33	set	set	NN
work_45wy3fczjvc5fj53ll2knwbjv4	255	34	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	255	35	musical	musical	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	255	36	aesthetics	aesthetic	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	255	37	reified	reify	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	255	38	by	by	IN
work_45wy3fczjvc5fj53ll2knwbjv4	255	39	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	255	40	musical	musical	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	255	41	community	community	NN
work_45wy3fczjvc5fj53ll2knwbjv4	255	42	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	255	43	which	which	WDT
work_45wy3fczjvc5fj53ll2knwbjv4	255	44	he	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	255	45	came	come	VBD
work_45wy3fczjvc5fj53ll2knwbjv4	255	46	up	up	RP
work_45wy3fczjvc5fj53ll2knwbjv4	255	47	as	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	255	48	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	255	49	player	player	NN
work_45wy3fczjvc5fj53ll2knwbjv4	255	50	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	255	51	Oliver	Oliver	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	255	52	2005	2005	CD
work_45wy3fczjvc5fj53ll2knwbjv4	255	53	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	255	54	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	256	1	Further	further	RB
work_45wy3fczjvc5fj53ll2knwbjv4	256	2	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	256	3	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	256	4	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	256	5	distorted	distorted	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	256	6	timbre	timbre	NN
work_45wy3fczjvc5fj53ll2knwbjv4	256	7	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	256	8	audibly	audibly	RB
work_45wy3fczjvc5fj53ll2knwbjv4	256	9	in-	in-	RB
work_45wy3fczjvc5fj53ll2knwbjv4	256	10	flected	flecte	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	256	11	notes	note	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	256	12	that	that	WDT
work_45wy3fczjvc5fj53ll2knwbjv4	256	13	are	be	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	256	14	both	both	DT
work_45wy3fczjvc5fj53ll2knwbjv4	256	15	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	256	16	out	out	IN
work_45wy3fczjvc5fj53ll2knwbjv4	256	17	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	256	18	tune	tune	NN
work_45wy3fczjvc5fj53ll2knwbjv4	256	19	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	256	20	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	256	21	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	256	22	out	out	IN
work_45wy3fczjvc5fj53ll2knwbjv4	256	23	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	256	24	time	time	NN
work_45wy3fczjvc5fj53ll2knwbjv4	256	25	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	256	26	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	256	27	to	to	TO
work_45wy3fczjvc5fj53ll2knwbjv4	256	28	cite	cite	VB
work_45wy3fczjvc5fj53ll2knwbjv4	256	29	Charles	Charles	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	256	30	Keil	Keil	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	256	31	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	256	32	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	256	33	participatory	participatory	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	256	34	discrepancy	discrepancy	NN
work_45wy3fczjvc5fj53ll2knwbjv4	256	35	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	256	36	theory	theory	NN
work_45wy3fczjvc5fj53ll2knwbjv4	256	37	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	256	38	can	can	MD
work_45wy3fczjvc5fj53ll2knwbjv4	256	39	be	be	VB
work_45wy3fczjvc5fj53ll2knwbjv4	256	40	indexed	index	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	256	41	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	256	42	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	256	43	blues	blue	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	256	44	topology	topology	NN
work_45wy3fczjvc5fj53ll2knwbjv4	256	45	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	256	46	which	which	WDT
work_45wy3fczjvc5fj53ll2knwbjv4	256	47	instrumental	instrumental	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	256	48	squawks	squawks	NN
work_45wy3fczjvc5fj53ll2knwbjv4	256	49	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	256	50	growls	growls	NN
work_45wy3fczjvc5fj53ll2knwbjv4	256	51	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	256	52	bent	bent	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	256	53	pitches	pitch	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	256	54	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	256	55	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	256	56	general	general	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	256	57	vocalized	vocalize	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	256	58	instru-	instru-	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	256	59	mental	mental	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	256	60	timbre	timbre	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	256	61	are	be	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	256	62	celebrated	celebrate	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	256	63	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	256	64	Keil	Keil	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	256	65	1994	1994	CD
work_45wy3fczjvc5fj53ll2knwbjv4	256	66	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	256	67	96	96	CD
work_45wy3fczjvc5fj53ll2knwbjv4	256	68	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	256	69	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	257	1	Whether	whether	IN
work_45wy3fczjvc5fj53ll2knwbjv4	257	2	viewed	view	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	257	3	as	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	257	4	signifying	signify	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	257	5	on	on	IN
work_45wy3fczjvc5fj53ll2knwbjv4	257	6	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	257	7	blues	blue	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	257	8	tradition	tradition	NN
work_45wy3fczjvc5fj53ll2knwbjv4	257	9	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	257	10	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	257	11	method	method	NN
work_45wy3fczjvc5fj53ll2knwbjv4	257	12	for	for	IN
work_45wy3fczjvc5fj53ll2knwbjv4	257	13	traversing	traverse	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	257	14	complex	complex	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	257	15	harmonic	harmonic	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	257	16	terrains	terrain	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	257	17	or	or	CC
work_45wy3fczjvc5fj53ll2knwbjv4	257	18	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	257	19	way	way	NN
work_45wy3fczjvc5fj53ll2knwbjv4	257	20	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	257	21	organizing	organize	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	257	22	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	257	23	guitar	guitar	NN
work_45wy3fczjvc5fj53ll2knwbjv4	257	24	fretboard	fretboard	NN
work_45wy3fczjvc5fj53ll2knwbjv4	257	25	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	257	26	chordal	chordal	NN
work_45wy3fczjvc5fj53ll2knwbjv4	257	27	diagrams	diagram	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	257	28	offer	offer	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	257	29	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	257	30	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	257	31	flexible	flexible	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	257	32	musical	musical	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	257	33	strategy	strategy	NN
work_45wy3fczjvc5fj53ll2knwbjv4	257	34	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	258	1	Like	like	IN
work_45wy3fczjvc5fj53ll2knwbjv4	258	2	Treitler	Treitler	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	258	3	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	258	4	plain-	plain-	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	258	5	chant	chant	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	258	6	singer	singer	NN
work_45wy3fczjvc5fj53ll2knwbjv4	258	7	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	258	8	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	258	9	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	258	10	does	do	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	258	11	not	not	RB
work_45wy3fczjvc5fj53ll2knwbjv4	258	12	make	make	VB
work_45wy3fczjvc5fj53ll2knwbjv4	258	13	sketches	sketch	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	258	14	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	258	15	he	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	258	16	does	do	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	258	17	not	not	RB
work_45wy3fczjvc5fj53ll2knwbjv4	258	18	consult	consult	VB
work_45wy3fczjvc5fj53ll2knwbjv4	258	19	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	258	20	catalogue	catalogue	NN
work_45wy3fczjvc5fj53ll2knwbjv4	258	21	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	258	22	formulas	formula	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	258	23	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	258	24	deliberate	deliberate	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	258	25	about	about	IN
work_45wy3fczjvc5fj53ll2knwbjv4	258	26	which	which	WDT
work_45wy3fczjvc5fj53ll2knwbjv4	258	27	ones	one	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	258	28	he	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	258	29	will	will	MD
work_45wy3fczjvc5fj53ll2knwbjv4	258	30	string	stre	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	258	31	together	together	RB
work_45wy3fczjvc5fj53ll2knwbjv4	258	32	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	258	33	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	258	34	Treitler	Treitler	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	258	35	1974	1974	CD
work_45wy3fczjvc5fj53ll2knwbjv4	258	36	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	258	37	346	346	CD
work_45wy3fczjvc5fj53ll2knwbjv4	258	38	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	258	39	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	259	1	Instead	instead	RB
work_45wy3fczjvc5fj53ll2knwbjv4	259	2	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	259	3	visual	visual	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	259	4	shapes	shape	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	259	5	—	—	:
work_45wy3fczjvc5fj53ll2knwbjv4	259	6	that	that	IN
work_45wy3fczjvc5fj53ll2knwbjv4	259	7	for	for	IN
work_45wy3fczjvc5fj53ll2knwbjv4	259	8	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	259	9	are	be	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	259	10	reminis-	reminis-	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	259	11	cent	cent	NN
work_45wy3fczjvc5fj53ll2knwbjv4	259	12	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	259	13	Klee	Klee	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	259	14	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	259	15	paintings	painting	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	259	16	—	—	:
work_45wy3fczjvc5fj53ll2knwbjv4	259	17	form	form	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	259	18	an	an	DT
work_45wy3fczjvc5fj53ll2knwbjv4	259	19	aggregate	aggregate	NN
work_45wy3fczjvc5fj53ll2knwbjv4	259	20	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	259	21	malleable	malleable	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	259	22	improvisatory	improvisatory	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	259	23	ideas	idea	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	259	24	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	260	1	7	7	CD
work_45wy3fczjvc5fj53ll2knwbjv4	260	2	Sonny	Sonny	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	260	3	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	260	4	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	260	5	interview	interview	NN
work_45wy3fczjvc5fj53ll2knwbjv4	260	6	with	with	IN
work_45wy3fczjvc5fj53ll2knwbjv4	260	7	Andrew	Andrew	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	260	8	Scott	Scott	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	260	9	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	260	10	12	12	CD
work_45wy3fczjvc5fj53ll2knwbjv4	260	11	December	December	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	260	12	2004	2004	CD
work_45wy3fczjvc5fj53ll2knwbjv4	260	13	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	261	1	Hereafter	Hereafter	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	261	2	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	261	3	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	261	4	pers	per	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	261	5	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	262	1	interv	interv	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	262	2	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	263	1	2004	2004	CD
work_45wy3fczjvc5fj53ll2knwbjv4	263	2	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	264	1	74	74	CD
work_45wy3fczjvc5fj53ll2knwbjv4	264	2	CUMR	CUMR	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	264	3	/	/	SYM
work_45wy3fczjvc5fj53ll2knwbjv4	264	4	RMUC	RMUC	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	264	5	Appendix	Appendix	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	264	6	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	265	1	Sonny	Sonny	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	265	2	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	265	3	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	265	4	improvised	improvised	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	265	5	composition	composition	NN
work_45wy3fczjvc5fj53ll2knwbjv4	265	6	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	265	7	Sonics	Sonics	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	265	8	II	II	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	265	9	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	265	10	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	265	11	transcription	transcription	NN
work_45wy3fczjvc5fj53ll2knwbjv4	265	12	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	265	13	24/1(2003	24/1(2003	CD
work_45wy3fczjvc5fj53ll2knwbjv4	265	14	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	265	15	75	75	CD
work_45wy3fczjvc5fj53ll2knwbjv4	265	16	Appendix	Appendix	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	265	17	—	—	:
work_45wy3fczjvc5fj53ll2knwbjv4	265	18	cont'd	cont'd	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	265	19	76	76	CD
work_45wy3fczjvc5fj53ll2knwbjv4	265	20	CUMR	CUMR	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	265	21	/	/	SYM
work_45wy3fczjvc5fj53ll2knwbjv4	265	22	RMUC	RMUC	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	265	23	REFERENCE	REFERENCE	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	265	24	LIST	LIST	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	265	25	Baily	Baily	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	265	26	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	265	27	John	John	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	265	28	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	266	1	1985	1985	CD
work_45wy3fczjvc5fj53ll2knwbjv4	266	2	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	267	1	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	267	2	Music	Music	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	267	3	Structure	Structure	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	267	4	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	267	5	Human	Human	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	267	6	Movement	Movement	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	267	7	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	267	8	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	268	1	In	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	268	2	Musical	Musical	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	268	3	Structure	Structure	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	268	4	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	268	5	Cognition	Cognition	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	268	6	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	268	7	eds	eds	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	268	8	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	269	1	Peter	Peter	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	269	2	Howell	Howell	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	269	3	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	269	4	Ian	Ian	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	269	5	Cross	Cross	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	269	6	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	269	7	Robert	Robert	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	269	8	West	West	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	269	9	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	269	10	237	237	CD
work_45wy3fczjvc5fj53ll2knwbjv4	269	11	-	-	SYM
work_45wy3fczjvc5fj53ll2knwbjv4	269	12	58	58	CD
work_45wy3fczjvc5fj53ll2knwbjv4	269	13	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	270	1	London	London	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	270	2	:	:	:
work_45wy3fczjvc5fj53ll2knwbjv4	270	3	Academic	Academic	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	270	4	Press	Press	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	270	5	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	271	1	Baily	baily	RB
work_45wy3fczjvc5fj53ll2knwbjv4	271	2	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	271	3	John	John	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	271	4	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	271	5	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	271	6	Peter	Peter	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	271	7	Driver	Driver	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	271	8	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	272	1	1992	1992	CD
work_45wy3fczjvc5fj53ll2knwbjv4	272	2	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	273	1	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	273	2	Spatio	Spatio	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	273	3	-	-	HYPH
work_45wy3fczjvc5fj53ll2knwbjv4	273	4	Motor	Motor	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	273	5	Thinking	think	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	273	6	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	273	7	Playing	Playing	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	273	8	Folk	Folk	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	273	9	Blues	Blues	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	273	10	Guitar	Guitar	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	273	11	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	273	12	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	274	1	World	World	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	274	2	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	274	3	Music	Music	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	274	4	34	34	CD
work_45wy3fczjvc5fj53ll2knwbjv4	274	5	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	274	6	no	no	UH
work_45wy3fczjvc5fj53ll2knwbjv4	274	7	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	275	1	3	3	CD
work_45wy3fczjvc5fj53ll2knwbjv4	275	2	:	:	SYM
work_45wy3fczjvc5fj53ll2knwbjv4	275	3	57	57	CD
work_45wy3fczjvc5fj53ll2knwbjv4	275	4	-	-	SYM
work_45wy3fczjvc5fj53ll2knwbjv4	275	5	71	71	CD
work_45wy3fczjvc5fj53ll2knwbjv4	275	6	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	276	1	Barnes	barne	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	276	2	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	276	3	Lilly	Lilly	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	276	4	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	276	5	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	276	6	Greg	Greg	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	276	7	Gallagher	Gallagher	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	276	8	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	277	1	1975	1975	CD
work_45wy3fczjvc5fj53ll2knwbjv4	277	2	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	278	1	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	278	2	Sonny	Sonny	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	278	3	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	278	4	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	278	5	Don	Don	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	278	6	Thompson	Thompson	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	278	7	:	:	:
work_45wy3fczjvc5fj53ll2knwbjv4	278	8	Love	love	NN
work_45wy3fczjvc5fj53ll2knwbjv4	278	9	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	278	10	Jazz	jazz	NN
work_45wy3fczjvc5fj53ll2knwbjv4	278	11	Dispels	Dispels	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	278	12	Contrasts	Contrasts	NNPS
work_45wy3fczjvc5fj53ll2knwbjv4	278	13	between	between	IN
work_45wy3fczjvc5fj53ll2knwbjv4	278	14	Musician	Musician	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	278	15	-	-	HYPH
work_45wy3fczjvc5fj53ll2knwbjv4	278	16	Composers	Composers	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	278	17	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	278	18	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	279	1	The	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	279	2	Music	Music	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	279	3	Scene	Scene	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	279	4	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	279	5	May	May	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	279	6	-	-	HYPH
work_45wy3fczjvc5fj53ll2knwbjv4	279	7	June	June	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	279	8	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	279	9	:	:	:
work_45wy3fczjvc5fj53ll2knwbjv4	279	10	4	4	CD
work_45wy3fczjvc5fj53ll2knwbjv4	279	11	-	-	SYM
work_45wy3fczjvc5fj53ll2knwbjv4	279	12	5	5	CD
work_45wy3fczjvc5fj53ll2knwbjv4	279	13	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	280	1	Berger	Berger	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	280	2	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	280	3	Harris	Harris	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	280	4	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	281	1	1999	1999	CD
work_45wy3fczjvc5fj53ll2knwbjv4	281	2	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	282	1	Metal	Metal	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	282	2	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	282	3	Rock	Rock	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	282	4	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	282	5	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	282	6	Jazz	jazz	NN
work_45wy3fczjvc5fj53ll2knwbjv4	282	7	:	:	:
work_45wy3fczjvc5fj53ll2knwbjv4	282	8	Perception	perception	NN
work_45wy3fczjvc5fj53ll2knwbjv4	282	9	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	282	10	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	282	11	Phenomenol-	Phenomenol-	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	282	12	ogy	ogy	NN
work_45wy3fczjvc5fj53ll2knwbjv4	282	13	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	282	14	Musical	Musical	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	282	15	Experience	Experience	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	282	16	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	283	1	Hanover	Hanover	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	283	2	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	283	3	NH	NH	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	283	4	:	:	:
work_45wy3fczjvc5fj53ll2knwbjv4	283	5	Wesleyan	Wesleyan	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	283	6	University	University	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	283	7	Press	Press	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	283	8	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	284	1	Berliner	Berliner	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	284	2	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	284	3	Paul	Paul	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	284	4	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	285	1	1994	1994	CD
work_45wy3fczjvc5fj53ll2knwbjv4	285	2	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	286	1	Thinking	think	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	286	2	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	286	3	Jazz	jazz	NN
work_45wy3fczjvc5fj53ll2knwbjv4	286	4	:	:	:
work_45wy3fczjvc5fj53ll2knwbjv4	286	5	The	The	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	286	6	Infinite	Infinite	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	286	7	Art	Art	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	286	8	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	286	9	Improvisation	Improvisation	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	286	10	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	287	1	Chicago	Chicago	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	287	2	:	:	:
work_45wy3fczjvc5fj53ll2knwbjv4	287	3	University	University	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	287	4	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	287	5	Chicago	Chicago	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	287	6	Press	Press	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	287	7	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	288	1	Davis	Davis	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	288	2	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	288	3	Miles	Miles	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	288	4	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	289	1	1959	1959	CD
work_45wy3fczjvc5fj53ll2knwbjv4	289	2	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	290	1	Kind	kind	RB
work_45wy3fczjvc5fj53ll2knwbjv4	290	2	of	of	RB
work_45wy3fczjvc5fj53ll2knwbjv4	290	3	Blue	Blue	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	290	4	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	291	1	Columbia	Columbia	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	291	2	469440	469440	CD
work_45wy3fczjvc5fj53ll2knwbjv4	291	3	-	-	SYM
work_45wy3fczjvc5fj53ll2knwbjv4	291	4	2	2	CD
work_45wy3fczjvc5fj53ll2knwbjv4	291	5	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	292	1	Finkelman	Finkelman	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	292	2	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	292	3	Jonathon	Jonathon	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	292	4	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	293	1	1997	1997	CD
work_45wy3fczjvc5fj53ll2knwbjv4	293	2	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	294	1	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	294	2	Charlie	Charlie	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	294	3	Christian	Christian	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	294	4	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	294	5	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	294	6	Role	Role	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	294	7	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	294	8	Formulas	Formulas	NNPS
work_45wy3fczjvc5fj53ll2knwbjv4	294	9	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	294	10	Jazz	Jazz	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	294	11	Improvisation	Improvisation	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	294	12	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	294	13	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	295	1	Jazzforschung	Jazzforschung	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	295	2	/	/	SYM
work_45wy3fczjvc5fj53ll2knwbjv4	295	3	Jazz	Jazz	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	295	4	Research	Research	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	295	5	29	29	CD
work_45wy3fczjvc5fj53ll2knwbjv4	295	6	:	:	:
work_45wy3fczjvc5fj53ll2knwbjv4	295	7	159	159	CD
work_45wy3fczjvc5fj53ll2knwbjv4	295	8	-	-	SYM
work_45wy3fczjvc5fj53ll2knwbjv4	295	9	88	88	CD
work_45wy3fczjvc5fj53ll2knwbjv4	295	10	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	296	1	Floyd	Floyd	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	296	2	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	296	3	Samuel	Samuel	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	296	4	A.	a.	NN
work_45wy3fczjvc5fj53ll2knwbjv4	297	1	1995	1995	CD
work_45wy3fczjvc5fj53ll2knwbjv4	297	2	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	298	1	The	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	298	2	Power	Power	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	298	3	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	298	4	Black	Black	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	298	5	Music	Music	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	298	6	:	:	:
work_45wy3fczjvc5fj53ll2knwbjv4	298	7	Interpreting	interpret	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	298	8	its	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	298	9	History	history	NN
work_45wy3fczjvc5fj53ll2knwbjv4	298	10	from	from	IN
work_45wy3fczjvc5fj53ll2knwbjv4	298	11	Africa	Africa	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	298	12	to	to	IN
work_45wy3fczjvc5fj53ll2knwbjv4	298	13	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	298	14	United	United	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	298	15	States	States	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	298	16	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	299	1	Oxford	oxford	NN
work_45wy3fczjvc5fj53ll2knwbjv4	299	2	:	:	:
work_45wy3fczjvc5fj53ll2knwbjv4	299	3	Oxford	Oxford	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	299	4	University	University	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	299	5	Press	Press	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	299	6	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	300	1	Gabbard	Gabbard	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	300	2	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	300	3	Krin	Krin	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	300	4	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	301	1	1995	1995	CD
work_45wy3fczjvc5fj53ll2knwbjv4	301	2	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	302	1	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	302	2	Introduction	introduction	NN
work_45wy3fczjvc5fj53ll2knwbjv4	302	3	:	:	:
work_45wy3fczjvc5fj53ll2knwbjv4	302	4	The	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	302	5	Jazz	jazz	NN
work_45wy3fczjvc5fj53ll2knwbjv4	302	6	Canon	Canon	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	302	7	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	302	8	Its	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	302	9	Consequences	consequence	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	302	10	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	302	11	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	303	1	In	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	303	2	Jazz	jazz	NN
work_45wy3fczjvc5fj53ll2knwbjv4	303	3	Among	among	IN
work_45wy3fczjvc5fj53ll2knwbjv4	303	4	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	303	5	Discources	Discources	NNPS
work_45wy3fczjvc5fj53ll2knwbjv4	303	6	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	303	7	ed	ed	NN
work_45wy3fczjvc5fj53ll2knwbjv4	303	8	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	304	1	Krin	Krin	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	304	2	Gabbard	Gabbard	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	304	3	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	304	4	1	1	CD
work_45wy3fczjvc5fj53ll2knwbjv4	304	5	-	-	SYM
work_45wy3fczjvc5fj53ll2knwbjv4	304	6	28	28	CD
work_45wy3fczjvc5fj53ll2knwbjv4	304	7	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	305	1	Durham	Durham	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	305	2	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	305	3	London	London	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	305	4	:	:	:
work_45wy3fczjvc5fj53ll2knwbjv4	305	5	Duke	Duke	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	305	6	University	University	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	305	7	Press	Press	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	305	8	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	306	1	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	306	2	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	306	3	Sonny	Sonny	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	306	4	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	307	1	1993	1993	CD
work_45wy3fczjvc5fj53ll2knwbjv4	307	2	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	308	1	Standard	standard	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	308	2	Idioms	Idioms	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	308	3	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	309	1	Kleo	Kleo	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	309	2	Records	Records	NNPS
work_45wy3fczjvc5fj53ll2knwbjv4	309	3	Kleo	Kleo	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	309	4	1-CD	1-cd	CD
work_45wy3fczjvc5fj53ll2knwbjv4	309	5	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	310	1	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	311	1	2001	2001	CD
work_45wy3fczjvc5fj53ll2knwbjv4	311	2	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	312	1	Fragments	fragment	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	312	2	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	312	3	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	312	4	Memory	memory	NN
work_45wy3fczjvc5fj53ll2knwbjv4	312	5	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	313	1	Cornerstone	Cornerstone	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	313	2	Records	Records	NNPS
work_45wy3fczjvc5fj53ll2knwbjv4	313	3	Inc.	Inc.	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	313	4	CRST	crst	CC
work_45wy3fczjvc5fj53ll2knwbjv4	313	5	CD	CD	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	313	6	116	116	CD
work_45wy3fczjvc5fj53ll2knwbjv4	313	7	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	314	1	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	314	2	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	314	3	Sonny	Sonny	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	314	4	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	314	5	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	314	6	Paul	Paul	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	314	7	Bley	Bley	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	314	8	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	315	1	1995	1995	CD
work_45wy3fczjvc5fj53ll2knwbjv4	315	2	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	316	1	Outside	outside	RB
work_45wy3fczjvc5fj53ll2knwbjv4	316	2	In	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	316	3	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	317	1	JustinTime	JustinTime	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	317	2	Records	Records	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	317	3	Just	just	RB
work_45wy3fczjvc5fj53ll2knwbjv4	317	4	69	69	CD
work_45wy3fczjvc5fj53ll2knwbjv4	317	5	-	-	SYM
work_45wy3fczjvc5fj53ll2knwbjv4	317	6	2	2	CD
work_45wy3fczjvc5fj53ll2knwbjv4	317	7	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	318	1	Gridley	Gridley	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	318	2	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	318	3	Mark	Mark	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	318	4	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	319	1	2003	2003	CD
work_45wy3fczjvc5fj53ll2knwbjv4	319	2	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	320	1	Jazz	jazz	NN
work_45wy3fczjvc5fj53ll2knwbjv4	320	2	Styles	style	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	320	3	:	:	:
work_45wy3fczjvc5fj53ll2knwbjv4	320	4	History	history	NN
work_45wy3fczjvc5fj53ll2knwbjv4	320	5	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	320	6	Analysis	Analysis	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	320	7	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	321	1	8th	8th	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	321	2	ed	ed	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	321	3	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	322	1	Upper	Upper	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	322	2	Saddle	Saddle	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	322	3	River	River	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	322	4	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	322	5	NJ	NJ	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	322	6	:	:	:
work_45wy3fczjvc5fj53ll2knwbjv4	322	7	Prentice	Prentice	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	322	8	Hall	Hall	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	322	9	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	323	1	Gushee	Gushee	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	323	2	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	323	3	Lawrence	Lawrence	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	323	4	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	324	1	1981	1981	CD
work_45wy3fczjvc5fj53ll2knwbjv4	324	2	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	325	1	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	325	2	Lester	Lester	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	325	3	Young	Young	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	325	4	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	325	5	Shoeshine	Shoeshine	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	325	6	Boy	Boy	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	325	7	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	325	8	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	325	9	In	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	325	10	International	International	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	325	11	Musicological	Musicological	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	325	12	Society	Society	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	325	13	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	325	14	Report	Report	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	325	15	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	325	16	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	325	17	Twelfth	Twelfth	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	325	18	Congress	Congress	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	325	19	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	325	20	Berkley	Berkley	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	325	21	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	325	22	1977	1977	CD
work_45wy3fczjvc5fj53ll2knwbjv4	325	23	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	325	24	ed	ed	NN
work_45wy3fczjvc5fj53ll2knwbjv4	325	25	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	326	1	Daniel	Daniel	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	326	2	Heartz	Heartz	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	326	3	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	326	4	Bonnie	Bonnie	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	326	5	Wade	Wade	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	326	6	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	326	7	151	151	CD
work_45wy3fczjvc5fj53ll2knwbjv4	326	8	-	-	SYM
work_45wy3fczjvc5fj53ll2knwbjv4	326	9	69	69	CD
work_45wy3fczjvc5fj53ll2knwbjv4	326	10	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	327	1	Kassel	Kassel	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	327	2	:	:	:
work_45wy3fczjvc5fj53ll2knwbjv4	327	3	Barenreiter	Barenreiter	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	327	4	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	328	1	Hargreaves	Hargreaves	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	328	2	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	328	3	David	David	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	328	4	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	329	1	1996	1996	CD
work_45wy3fczjvc5fj53ll2knwbjv4	329	2	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	330	1	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	330	2	The	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	330	3	Development	Development	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	330	4	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	330	5	Artists	Artists	NNPS
work_45wy3fczjvc5fj53ll2knwbjv4	330	6	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	330	7	Musical	Musical	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	330	8	Compe-	Compe-	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	330	9	tence	tence	NN
work_45wy3fczjvc5fj53ll2knwbjv4	330	10	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	330	11	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	331	1	In	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	331	2	Musical	musical	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	331	3	Beginnings	beginning	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	331	4	:	:	:
work_45wy3fczjvc5fj53ll2knwbjv4	331	5	Origins	Origins	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	331	6	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	331	7	Development	Development	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	331	8	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	331	9	Musical	Musical	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	331	10	Competence	Competence	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	331	11	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	331	12	eds	eds	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	331	13	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	332	1	Irène	Irène	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	332	2	Deliege	Deliege	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	332	3	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	332	4	John	John	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	332	5	Sloboda	Sloboda	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	332	6	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	332	7	145	145	CD
work_45wy3fczjvc5fj53ll2knwbjv4	332	8	-	-	SYM
work_45wy3fczjvc5fj53ll2knwbjv4	332	9	70	70	CD
work_45wy3fczjvc5fj53ll2knwbjv4	332	10	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	333	1	New	New	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	333	2	York	York	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	333	3	:	:	:
work_45wy3fczjvc5fj53ll2knwbjv4	333	4	Oxford	Oxford	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	333	5	University	University	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	333	6	Press	Press	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	333	7	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	334	1	Hodeir	Hodeir	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	334	2	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	334	3	André	andré	UH
work_45wy3fczjvc5fj53ll2knwbjv4	334	4	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	335	1	1980	1980	CD
work_45wy3fczjvc5fj53ll2knwbjv4	335	2	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	336	1	Jazz	jazz	NN
work_45wy3fczjvc5fj53ll2knwbjv4	336	2	:	:	:
work_45wy3fczjvc5fj53ll2knwbjv4	336	3	Its	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	336	4	Evolution	Evolution	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	336	5	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	336	6	Essence	Essence	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	336	7	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	337	1	Rev.	Rev.	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	338	1	ed	ed	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	338	2	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	339	1	New	New	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	339	2	York	York	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	339	3	:	:	:
work_45wy3fczjvc5fj53ll2knwbjv4	339	4	Grove	Grove	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	339	5	Press	Press	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	339	6	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	340	1	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	340	2	Orig	Orig	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	340	3	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	341	1	pub	pub	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	341	2	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	342	1	as	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	342	2	Hommes	Hommes	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	342	3	et	et	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	342	4	problèmes	problème	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	342	5	du	du	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	342	6	jazz	jazz	NN
work_45wy3fczjvc5fj53ll2knwbjv4	342	7	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	342	8	Paris	Paris	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	342	9	:	:	:
work_45wy3fczjvc5fj53ll2knwbjv4	342	10	Flam-	Flam-	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	342	11	marion	marion	NN
work_45wy3fczjvc5fj53ll2knwbjv4	342	12	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	342	13	1954	1954	CD
work_45wy3fczjvc5fj53ll2knwbjv4	342	14	;	;	:
work_45wy3fczjvc5fj53ll2knwbjv4	342	15	first	first	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	342	16	Engl	Engl	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	342	17	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	343	1	ed	ed	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	343	2	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	344	1	New	New	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	344	2	York	York	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	344	3	:	:	:
work_45wy3fczjvc5fj53ll2knwbjv4	344	4	Grove	Grove	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	344	5	Press	Press	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	344	6	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	344	7	1956	1956	CD
work_45wy3fczjvc5fj53ll2knwbjv4	344	8	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	344	9	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	345	1	Keil	Keil	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	345	2	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	345	3	Charles	Charles	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	345	4	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	346	1	1994	1994	CD
work_45wy3fczjvc5fj53ll2knwbjv4	346	2	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	347	1	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	347	2	Participatory	Participatory	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	347	3	Discrepancies	Discrepancies	NNPS
work_45wy3fczjvc5fj53ll2knwbjv4	347	4	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	347	5	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	347	6	Power	Power	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	347	7	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	347	8	Music	Music	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	347	9	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	347	10	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	348	1	In	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	348	2	Music	music	NN
work_45wy3fczjvc5fj53ll2knwbjv4	348	3	Grooves	groove	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	348	4	:	:	:
work_45wy3fczjvc5fj53ll2knwbjv4	348	5	Essays	essay	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	348	6	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	348	7	Dialogues	dialogue	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	348	8	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	348	9	Keil	Keil	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	348	10	Charles	Charles	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	348	11	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	348	12	Steven	Steven	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	348	13	Feld	Feld	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	348	14	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	348	15	chap	chap	NN
work_45wy3fczjvc5fj53ll2knwbjv4	348	16	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	349	1	3	3	LS
work_45wy3fczjvc5fj53ll2knwbjv4	349	2	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	350	1	Chicago	Chicago	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	350	2	:	:	:
work_45wy3fczjvc5fj53ll2knwbjv4	350	3	University	University	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	350	4	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	350	5	Chicago	Chicago	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	350	6	Press	Press	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	350	7	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	351	1	Kernfeld	Kernfeld	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	351	2	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	351	3	Barry	Barry	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	351	4	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	352	1	1988	1988	CD
work_45wy3fczjvc5fj53ll2knwbjv4	352	2	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	353	1	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	353	2	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	353	3	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	353	4	Sonny	Sonny	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	353	5	[	[	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	353	6	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	353	7	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	353	8	Herbert	Herbert	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	353	9	Lawrence	Lawrence	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	353	10	]	]	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	353	11	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	353	12	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	354	1	Grove	Grove	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	354	2	Music	Music	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	354	3	Online	Online	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	354	4	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	354	5	ed	ed	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	354	6	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	355	1	L.	L.	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	355	2	Macy	Macy	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	355	3	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	356	1	http://80-www.grovemusic.com	http://80-www.grovemusic.com	ADD
work_45wy3fczjvc5fj53ll2knwbjv4	356	2	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	357	1	ezproxy.library.yorku.ca	ezproxy.library.yorku.ca	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	357	2	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	357	3	accessed	access	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	357	4	21	21	CD
work_45wy3fczjvc5fj53ll2knwbjv4	357	5	March	March	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	357	6	2005	2005	CD
work_45wy3fczjvc5fj53ll2knwbjv4	357	7	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	357	8	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	358	1	Miller	Miller	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	358	2	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	358	3	Mark	Mark	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	358	4	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	359	1	1982	1982	CD
work_45wy3fczjvc5fj53ll2knwbjv4	359	2	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	360	1	Jazz	jazz	NN
work_45wy3fczjvc5fj53ll2knwbjv4	360	2	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	360	3	Canada	Canada	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	360	4	:	:	:
work_45wy3fczjvc5fj53ll2knwbjv4	360	5	Fourteen	Fourteen	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	360	6	Lives	life	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	360	7	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	361	1	Toronto	Toronto	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	361	2	:	:	:
work_45wy3fczjvc5fj53ll2knwbjv4	361	3	Nightwood	Nightwood	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	361	4	Editions	Editions	NNPS
work_45wy3fczjvc5fj53ll2knwbjv4	361	5	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	362	1	http://80-www.grovemusic.com	http://80-www.grovemusic.com	ADD
work_45wy3fczjvc5fj53ll2knwbjv4	362	2	24/1	24/1	CD
work_45wy3fczjvc5fj53ll2knwbjv4	362	3	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	362	4	2003	2003	CD
work_45wy3fczjvc5fj53ll2knwbjv4	362	5	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	362	6	77	77	CD
work_45wy3fczjvc5fj53ll2knwbjv4	362	7	Mobley	Mobley	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	362	8	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	362	9	Hank	Hank	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	362	10	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	363	1	1998	1998	CD
work_45wy3fczjvc5fj53ll2knwbjv4	363	2	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	364	1	Third	third	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	364	2	Season	Season	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	364	3	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	364	4	Blue	Blue	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	364	5	Note	Note	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	364	6	CD	CD	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	364	7	97506	97506	CD
work_45wy3fczjvc5fj53ll2knwbjv4	364	8	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	365	1	Oliver	Oliver	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	365	2	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	365	3	Paul	Paul	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	365	4	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	366	1	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	366	2	Origins	origin	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	366	3	:	:	:
work_45wy3fczjvc5fj53ll2knwbjv4	366	4	Blues	blue	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	366	5	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	366	6	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	367	1	Grove	Grove	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	367	2	Music	Music	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	367	3	Online	Online	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	367	4	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	367	5	ed	ed	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	367	6	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	368	1	L.	L.	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	368	2	Macy	Macy	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	368	3	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	369	1	http://80-	http://80-	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	369	2	www.grovemusic.com.exproxy.library.yorku.ca	www.grovemusic.com.exproxy.library.yorku.ca	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	369	3	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	369	4	accessed	access	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	369	5	9	9	CD
work_45wy3fczjvc5fj53ll2knwbjv4	369	6	February	February	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	369	7	2005	2005	CD
work_45wy3fczjvc5fj53ll2knwbjv4	369	8	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	369	9	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	370	1	O'Reilly	O'Reilly	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	370	2	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	370	3	Ted	Ted	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	370	4	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	371	1	1979/1981	1979/1981	CD
work_45wy3fczjvc5fj53ll2knwbjv4	371	2	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	372	1	Radio	radio	NN
work_45wy3fczjvc5fj53ll2knwbjv4	372	2	interviews	interview	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	372	3	with	with	IN
work_45wy3fczjvc5fj53ll2knwbjv4	372	4	Sonny	Sonny	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	372	5	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	372	6	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	372	7	CJRT-	CJRT-	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	372	8	FM	FM	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	372	9	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	372	10	29	29	CD
work_45wy3fczjvc5fj53ll2knwbjv4	372	11	August	August	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	372	12	1979	1979	CD
work_45wy3fczjvc5fj53ll2knwbjv4	372	13	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	372	14	25	25	CD
work_45wy3fczjvc5fj53ll2knwbjv4	372	15	February	February	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	372	16	1981	1981	CD
work_45wy3fczjvc5fj53ll2knwbjv4	372	17	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	373	1	Pond	Pond	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	373	2	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	373	3	Steven	Steven	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	373	4	F.	F.	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	373	5	2003	2003	CD
work_45wy3fczjvc5fj53ll2knwbjv4	373	6	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	374	1	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	374	2	Jamming	jam	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	374	3	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	374	4	Reception	reception	NN
work_45wy3fczjvc5fj53ll2knwbjv4	374	5	:	:	:
work_45wy3fczjvc5fj53ll2knwbjv4	374	6	Ken	Ken	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	374	7	Burns	Burns	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	374	8	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	375	1	Jazz	jazz	NN
work_45wy3fczjvc5fj53ll2knwbjv4	375	2	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	375	3	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	375	4	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	375	5	Problem	problem	NN
work_45wy3fczjvc5fj53ll2knwbjv4	375	6	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	375	7	'	'	''
work_45wy3fczjvc5fj53ll2knwbjv4	375	8	America	America	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	375	9	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	375	10	Music	Music	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	375	11	'	'	''
work_45wy3fczjvc5fj53ll2knwbjv4	375	12	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	375	13	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	376	1	Notes	note	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	376	2	:	:	:
work_45wy3fczjvc5fj53ll2knwbjv4	376	3	Quarterly	Quarterly	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	376	4	Journal	Journal	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	376	5	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	376	6	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	376	7	Music	Music	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	376	8	Library	Library	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	376	9	Association	Association	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	376	10	60	60	CD
work_45wy3fczjvc5fj53ll2knwbjv4	376	11	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	376	12	no	no	UH
work_45wy3fczjvc5fj53ll2knwbjv4	376	13	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	377	1	1	1	LS
work_45wy3fczjvc5fj53ll2knwbjv4	377	2	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	377	3	September	September	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	377	4	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	377	5	:	:	:
work_45wy3fczjvc5fj53ll2knwbjv4	377	6	11	11	CD
work_45wy3fczjvc5fj53ll2knwbjv4	377	7	-	-	SYM
work_45wy3fczjvc5fj53ll2knwbjv4	377	8	45	45	CD
work_45wy3fczjvc5fj53ll2knwbjv4	377	9	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	378	1	Porter	Porter	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	378	2	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	378	3	Lewis	Lewis	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	378	4	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	378	5	ed	ed	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	378	6	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	379	1	1991	1991	CD
work_45wy3fczjvc5fj53ll2knwbjv4	379	2	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	380	1	A	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	380	2	Lester	Lester	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	380	3	Young	Young	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	380	4	Reader	reader	NN
work_45wy3fczjvc5fj53ll2knwbjv4	380	5	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	381	1	Washington	Washington	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	381	2	:	:	:
work_45wy3fczjvc5fj53ll2knwbjv4	381	3	Smithsonian	Smithsonian	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	381	4	Institution	Institution	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	381	5	Press	Press	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	381	6	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	382	1	Schuller	Schuller	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	382	2	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	382	3	Gunther	Gunther	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	382	4	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	383	1	1989	1989	CD
work_45wy3fczjvc5fj53ll2knwbjv4	383	2	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	384	1	The	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	384	2	Swing	swing	NN
work_45wy3fczjvc5fj53ll2knwbjv4	384	3	Era	era	NN
work_45wy3fczjvc5fj53ll2knwbjv4	384	4	:	:	:
work_45wy3fczjvc5fj53ll2knwbjv4	384	5	The	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	384	6	Development	Development	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	384	7	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	384	8	Jazz	Jazz	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	384	9	1930	1930	CD
work_45wy3fczjvc5fj53ll2knwbjv4	384	10	-	-	SYM
work_45wy3fczjvc5fj53ll2knwbjv4	384	11	1945	1945	CD
work_45wy3fczjvc5fj53ll2knwbjv4	384	12	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	385	1	New	New	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	385	2	York	York	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	385	3	:	:	:
work_45wy3fczjvc5fj53ll2knwbjv4	385	4	Oxford	Oxford	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	385	5	University	University	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	385	6	Press	Press	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	385	7	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	386	1	Smith	Smith	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	386	2	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	386	3	Gregory	Gregory	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	386	4	Eugene	Eugene	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	386	5	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	387	1	1983	1983	CD
work_45wy3fczjvc5fj53ll2knwbjv4	387	2	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	388	1	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	388	2	Homer	Homer	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	388	3	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	388	4	Gregory	Gregory	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	388	5	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	388	6	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	388	7	Bill	Bill	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	388	8	Evans	Evans	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	388	9	?	?	.
work_45wy3fczjvc5fj53ll2knwbjv4	389	1	The	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	389	2	Theory	Theory	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	389	3	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	389	4	Formulaic	Formulaic	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	389	5	Composition	Composition	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	389	6	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	389	7	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	389	8	Context	Context	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	389	9	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	389	10	Jazz	Jazz	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	389	11	Piano	Piano	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	389	12	Improvisations	Improvisations	NNPS
work_45wy3fczjvc5fj53ll2knwbjv4	389	13	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	389	14	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	390	1	PhD	PhD	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	390	2	diss	diss	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	390	3	.	.	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	390	4	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	390	5	Harvard	Harvard	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	390	6	University	University	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	390	7	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	391	1	Spring	Spring	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	391	2	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	391	3	Howard	Howard	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	391	4	Allen	Allen	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	391	5	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	392	1	1980	1980	CD
work_45wy3fczjvc5fj53ll2knwbjv4	392	2	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	393	1	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	393	2	The	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	393	3	Improvisational	Improvisational	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	393	4	Style	Style	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	393	5	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	393	6	Charlie	Charlie	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	393	7	Christian	Christian	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	393	8	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	393	9	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	394	1	Master	Master	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	394	2	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	394	3	thesis	thesis	NN
work_45wy3fczjvc5fj53ll2knwbjv4	394	4	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	394	5	York	York	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	394	6	University	University	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	394	7	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	395	1	Treitler	Treitler	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	395	2	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	395	3	Leo	Leo	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	395	4	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	396	1	1974	1974	CD
work_45wy3fczjvc5fj53ll2knwbjv4	396	2	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	396	3	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	396	4	Homer	Homer	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	396	5	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	396	6	Gregory	Gregory	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	396	7	:	:	:
work_45wy3fczjvc5fj53ll2knwbjv4	396	8	The	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	396	9	Transmission	Transmission	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	396	10	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	396	11	Epic	Epic	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	396	12	Poetry	Poetry	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	396	13	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	396	14	Plainchant	Plainchant	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	396	15	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	396	16	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	397	1	Musical	Musical	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	397	2	Quarterly	Quarterly	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	397	3	40	40	CD
work_45wy3fczjvc5fj53ll2knwbjv4	397	4	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	397	5	no	no	UH
work_45wy3fczjvc5fj53ll2knwbjv4	397	6	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	398	1	3	3	LS
work_45wy3fczjvc5fj53ll2knwbjv4	398	2	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	398	3	July	July	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	398	4	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	398	5	:	:	:
work_45wy3fczjvc5fj53ll2knwbjv4	398	6	333	333	CD
work_45wy3fczjvc5fj53ll2knwbjv4	398	7	-	-	SYM
work_45wy3fczjvc5fj53ll2knwbjv4	398	8	72	72	CD
work_45wy3fczjvc5fj53ll2knwbjv4	398	9	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	399	1	Waxman	Waxman	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	399	2	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	399	3	Ken	Ken	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	399	4	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	400	1	1978	1978	CD
work_45wy3fczjvc5fj53ll2knwbjv4	400	2	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	401	1	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	401	2	Sonny	Sonny	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	401	3	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	401	4	Keeps	keep	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	401	5	His	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	401	6	Secrets	Secrets	NNPS
work_45wy3fczjvc5fj53ll2knwbjv4	401	7	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	401	8	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	402	1	Saturday	Saturday	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	402	2	Night	Night	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	402	3	(	(	-LRB-
work_45wy3fczjvc5fj53ll2knwbjv4	402	4	November	November	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	402	5	)	)	-RRB-
work_45wy3fczjvc5fj53ll2knwbjv4	402	6	:	:	:
work_45wy3fczjvc5fj53ll2knwbjv4	402	7	112	112	CD
work_45wy3fczjvc5fj53ll2knwbjv4	402	8	-	-	SYM
work_45wy3fczjvc5fj53ll2knwbjv4	402	9	19	19	CD
work_45wy3fczjvc5fj53ll2knwbjv4	402	10	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	403	1	Abstract	Abstract	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	403	2	In	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	403	3	this	this	DT
work_45wy3fczjvc5fj53ll2knwbjv4	403	4	article	article	NN
work_45wy3fczjvc5fj53ll2knwbjv4	403	5	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	403	6	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	403	7	author	author	NN
work_45wy3fczjvc5fj53ll2knwbjv4	403	8	examines	examine	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	403	9	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	403	10	improvisatory	improvisatory	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	403	11	style	style	NN
work_45wy3fczjvc5fj53ll2knwbjv4	403	12	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	403	13	jazz	jazz	NN
work_45wy3fczjvc5fj53ll2knwbjv4	403	14	musician	musician	NN
work_45wy3fczjvc5fj53ll2knwbjv4	403	15	Herbert	Herbert	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	403	16	Lawrence	Lawrence	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	403	17	"	"	``
work_45wy3fczjvc5fj53ll2knwbjv4	403	18	Sonny	Sonny	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	403	19	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	403	20	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	403	21	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	404	1	While	while	IN
work_45wy3fczjvc5fj53ll2knwbjv4	404	2	numerous	numerous	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	404	3	extra	extra	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	404	4	-	-	HYPH
work_45wy3fczjvc5fj53ll2knwbjv4	404	5	musical	musical	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	404	6	sources	source	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	404	7	inform	inform	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	404	8	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	404	9	guitarist	guitarist	NN
work_45wy3fczjvc5fj53ll2knwbjv4	404	10	's	's	POS
work_45wy3fczjvc5fj53ll2knwbjv4	404	11	performances	performance	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	404	12	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	404	13	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	404	14	cubist	cubist	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	404	15	paintings	painting	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	404	16	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	404	17	Paul	Paul	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	404	18	Klee	Klee	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	404	19	are	be	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	404	20	particularly	particularly	RB
work_45wy3fczjvc5fj53ll2knwbjv4	404	21	meaningful	meaningful	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	404	22	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	405	1	Through	through	IN
work_45wy3fczjvc5fj53ll2knwbjv4	405	2	transcription	transcription	NN
work_45wy3fczjvc5fj53ll2knwbjv4	405	3	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	405	4	analysis	analysis	NN
work_45wy3fczjvc5fj53ll2knwbjv4	405	5	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	405	6	interview	interview	NN
work_45wy3fczjvc5fj53ll2knwbjv4	405	7	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	405	8	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	405	9	author	author	NN
work_45wy3fczjvc5fj53ll2knwbjv4	405	10	demonstrates	demonstrate	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	405	11	that	that	IN
work_45wy3fczjvc5fj53ll2knwbjv4	405	12	fretboard	fretboard	NN
work_45wy3fczjvc5fj53ll2knwbjv4	405	13	"	"	''
work_45wy3fczjvc5fj53ll2knwbjv4	405	14	diagrams"—which	diagrams"—which	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	405	15	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	405	16	suggests	suggest	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	405	17	originate	originate	NN
work_45wy3fczjvc5fj53ll2knwbjv4	405	18	from	from	IN
work_45wy3fczjvc5fj53ll2knwbjv4	405	19	Klee	Klee	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	405	20	—	—	:
work_45wy3fczjvc5fj53ll2knwbjv4	405	21	act	act	NN
work_45wy3fczjvc5fj53ll2knwbjv4	405	22	in	in	IN
work_45wy3fczjvc5fj53ll2knwbjv4	405	23	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	405	24	threefold	threefold	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	405	25	manner	manner	NN
work_45wy3fczjvc5fj53ll2knwbjv4	405	26	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	406	1	First	first	RB
work_45wy3fczjvc5fj53ll2knwbjv4	406	2	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	406	3	they	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	406	4	afford	afford	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	406	5	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	406	6	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	406	7	personal	personal	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	406	8	way	way	NN
work_45wy3fczjvc5fj53ll2knwbjv4	406	9	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	406	10	discussing	discuss	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	406	11	his	-PRON-	PRP$
work_45wy3fczjvc5fj53ll2knwbjv4	406	12	craft	craft	NN
work_45wy3fczjvc5fj53ll2knwbjv4	406	13	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	406	14	second	second	RB
work_45wy3fczjvc5fj53ll2knwbjv4	406	15	they	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	406	16	offer	offer	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	406	17	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	406	18	formulaic	formulaic	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	406	19	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	406	20	percep-	percep-	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	406	21	tual	tual	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	406	22	strategy	strategy	NN
work_45wy3fczjvc5fj53ll2knwbjv4	406	23	for	for	IN
work_45wy3fczjvc5fj53ll2knwbjv4	406	24	traversing	traverse	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	406	25	various	various	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	406	26	harmonic	harmonic	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	406	27	terrains	terrain	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	406	28	and	and	CC
work_45wy3fczjvc5fj53ll2knwbjv4	406	29	third	third	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	406	30	these	these	DT
work_45wy3fczjvc5fj53ll2knwbjv4	406	31	diagrams	diagram	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	406	32	act	act	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	406	33	as	as	IN
work_45wy3fczjvc5fj53ll2knwbjv4	406	34	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	406	35	surrogate	surrogate	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	406	36	music	music	NN
work_45wy3fczjvc5fj53ll2knwbjv4	406	37	theory	theory	NN
work_45wy3fczjvc5fj53ll2knwbjv4	406	38	for	for	IN
work_45wy3fczjvc5fj53ll2knwbjv4	406	39	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	406	40	self	self	NN
work_45wy3fczjvc5fj53ll2knwbjv4	406	41	-	-	HYPH
work_45wy3fczjvc5fj53ll2knwbjv4	406	42	taught	teach	VBN
work_45wy3fczjvc5fj53ll2knwbjv4	406	43	musician	musician	NN
work_45wy3fczjvc5fj53ll2knwbjv4	406	44	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	406	45	affording	afford	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	406	46	him	-PRON-	PRP
work_45wy3fczjvc5fj53ll2knwbjv4	406	47	a	a	DT
work_45wy3fczjvc5fj53ll2knwbjv4	406	48	unique	unique	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	406	49	method	method	NN
work_45wy3fczjvc5fj53ll2knwbjv4	406	50	of	of	IN
work_45wy3fczjvc5fj53ll2knwbjv4	406	51	organizing	organize	VBG
work_45wy3fczjvc5fj53ll2knwbjv4	406	52	the	the	DT
work_45wy3fczjvc5fj53ll2knwbjv4	406	53	guitar	guitar	NN
work_45wy3fczjvc5fj53ll2knwbjv4	406	54	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	407	1	Résumé	Résumé	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	407	2	L'auteur	L'auteur	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	407	3	se	se	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	407	4	penche	penche	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	407	5	sur	sur	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	407	6	le	le	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	407	7	style	style	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	407	8	d'improvisation	d'improvisation	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	407	9	du	du	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	407	10	musicien	musicien	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	407	11	de	de	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	407	12	jazz	jazz	NN
work_45wy3fczjvc5fj53ll2knwbjv4	407	13	Herbert	Herbert	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	407	14	Lawrence	Lawrence	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	407	15	«	«	``
work_45wy3fczjvc5fj53ll2knwbjv4	407	16	Sonny	Sonny	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	407	17	»	»	''
work_45wy3fczjvc5fj53ll2knwbjv4	407	18	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	407	19	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	408	1	Si	Si	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	408	2	de	de	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	408	3	nombreuses	nombreuses	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	408	4	sources	source	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	408	5	extra	extra	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	408	6	-	-	HYPH
work_45wy3fczjvc5fj53ll2knwbjv4	408	7	musicales	musicale	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	408	8	nous	nous	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	408	9	renseignent	renseignent	NN
work_45wy3fczjvc5fj53ll2knwbjv4	408	10	sur	sur	FW
work_45wy3fczjvc5fj53ll2knwbjv4	408	11	les	les	FW
work_45wy3fczjvc5fj53ll2knwbjv4	408	12	prestations	prestation	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	408	13	du	du	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	408	14	guitariste	guitariste	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	408	15	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	408	16	les	les	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	408	17	tableaux	tableaux	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	408	18	cubistes	cubiste	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	408	19	de	de	IN
work_45wy3fczjvc5fj53ll2knwbjv4	408	20	Paul	Paul	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	408	21	Klee	Klee	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	408	22	s'avèrent	s'avèrent	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	408	23	particulièrement	particulièrement	NN
work_45wy3fczjvc5fj53ll2knwbjv4	408	24	significatifs	significatif	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	408	25	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	409	1	À	À	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	409	2	l'aide	l'aide	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	409	3	de	de	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	409	4	transcriptions	transcription	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	409	5	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	409	6	d'ana-	d'ana-	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	409	7	lyses	lyses	NNPS
work_45wy3fczjvc5fj53ll2knwbjv4	409	8	et	et	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	409	9	d'entrevues	d'entrevues	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	409	10	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	409	11	l'auteur	l'auteur	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	409	12	démontre	démontre	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	409	13	que	que	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	409	14	les	les	FW
work_45wy3fczjvc5fj53ll2knwbjv4	409	15	«	«	``
work_45wy3fczjvc5fj53ll2knwbjv4	409	16	diagrammes	diagramme	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	409	17	»	»	ADD
work_45wy3fczjvc5fj53ll2knwbjv4	409	18	des	des	FW
work_45wy3fczjvc5fj53ll2knwbjv4	409	19	positions	position	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	409	20	sur	sur	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	409	21	le	le	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	409	22	manche	manche	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	409	23	—	—	:
work_45wy3fczjvc5fj53ll2knwbjv4	409	24	qui	qui	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	409	25	proviendraient	proviendraient	NN
work_45wy3fczjvc5fj53ll2knwbjv4	409	26	de	de	IN
work_45wy3fczjvc5fj53ll2knwbjv4	409	27	Klee	Klee	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	409	28	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	409	29	selon	selon	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	409	30	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	409	31	—	—	:
work_45wy3fczjvc5fj53ll2knwbjv4	409	32	jouent	jouent	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	409	33	trois	trois	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	409	34	rôles	rôles	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	409	35	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	410	1	D'abord	D'abord	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	410	2	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	410	3	ils	il	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	410	4	fournissent	fournissent	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	410	5	à	à	DT
work_45wy3fczjvc5fj53ll2knwbjv4	410	6	Greenwich	Greenwich	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	410	7	une	une	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	410	8	manière	manière	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	410	9	personnelle	personnelle	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	410	10	d'appro-	d'appro-	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	410	11	cher	cher	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	410	12	son	son	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	410	13	art	art	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	410	14	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	411	1	Ensuite	Ensuite	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	411	2	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	411	3	ils	ils	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	411	4	offrent	offrent	NN
work_45wy3fczjvc5fj53ll2knwbjv4	411	5	une	une	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	411	6	stratégie	stratégie	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	411	7	convenue	convenue	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	411	8	et	et	FW
work_45wy3fczjvc5fj53ll2knwbjv4	411	9	perceptive	perceptive	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	411	10	pour	pour	VBP
work_45wy3fczjvc5fj53ll2knwbjv4	411	11	http://80	http://80	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	411	12	http://www.grovemusic.com.exproxy.library.yorku.ca	http://www.grovemusic.com.exproxy.library.yorku.ca	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	411	13	78	78	CD
work_45wy3fczjvc5fj53ll2knwbjv4	411	14	CUMR	CUMR	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	411	15	/	/	SYM
work_45wy3fczjvc5fj53ll2knwbjv4	411	16	RMUC	RMUC	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	411	17	traverser	traverser	IN
work_45wy3fczjvc5fj53ll2knwbjv4	411	18	les	les	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	411	19	différentes	différente	VBZ
work_45wy3fczjvc5fj53ll2knwbjv4	411	20	zones	zones	NNPS
work_45wy3fczjvc5fj53ll2knwbjv4	411	21	harmoniques	harmonique	NNS
work_45wy3fczjvc5fj53ll2knwbjv4	411	22	.	.	.
work_45wy3fczjvc5fj53ll2knwbjv4	412	1	Enfin	Enfin	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	412	2	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	412	3	les	les	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	412	4	diagrammes	diagrammes	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	412	5	jouent	jouent	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	412	6	le	le	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	412	7	rôle	rôle	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	412	8	d'une	d'une	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	412	9	théorie	théorie	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	412	10	musicale	musicale	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	412	11	de	de	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	412	12	substitution	substitution	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	412	13	pour	pour	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	412	14	cet	cet	NN
work_45wy3fczjvc5fj53ll2knwbjv4	412	15	autodidacte	autodidacte	RB
work_45wy3fczjvc5fj53ll2knwbjv4	412	16	,	,	,
work_45wy3fczjvc5fj53ll2knwbjv4	412	17	lui	lui	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	412	18	procurant	procurant	JJ
work_45wy3fczjvc5fj53ll2knwbjv4	412	19	une	une	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	412	20	méthode	méthode	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	412	21	unique	unique	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	412	22	d'organisation	d'organisation	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	412	23	de	de	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	412	24	la	la	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	412	25	guitare	guitare	NNP
work_45wy3fczjvc5fj53ll2knwbjv4	412	26	.	.	.