3 3433 074828959 The New Yor Public Librar TORLEMOR AMOTILDEN FOUNDADO "he New You 'ubVclibrar WITHIN FOUR WALLS ^ ., tffi ^> A memory had risen before Audrey nomina 919126 WITHIN FOUR WALLS BY EDITH BAULSIR NRO NEW YORK THE CENTURY CO. 192110, TI E ITEM: YORK PUBLIC LIBRARY 267994A- ASTOR, LENOX AND TILDEN FOUNDATIONS 1926 L R Copyright, 1921, by, THE CENTURY Co. NYPL RESEARCH LIBRARIES CONTENTS CHAPTER PAGE · · · I COMING TO A STRANGE HOME. .. II THE MYSTERIOUS CRY IN THE NIGHT III THE SECRET ROOM. . . . . IV THE PATH TO THE WOODS. . . 22 V AUDREY TORRANCE . . . . . VI “DONNIE! DONNIE! Oh, My God!” VII THE MURDER . . . . . . . VIII MARY'S TESTIMONY. . . . . IX THE INQUEST . . . . X THE UNEXPLAINED QUARREL. XI READING THE WILL . . . . . XII HENRY BLAKE, DETECTIVE . . XIII THE MISSING LETTER FROM ZANZI- BAR . . . . . . . . . XIV THE HIDDEN PACKAGE . . . . XV INTRODUCING BILLY FELLOWES . XVI FOLLOWING UP THE CLUE . . . XVII THE KNIFE-CASE . . : . . 122 XVIII THE KNIFE . . . . . . . 130 XIX THE ESCAPE . . . . . . . · · 113 137 26 X322 CONTENTS CHAPTER . 181 209 PAGH XX EXIT HENRY BLAKE 146 XXI THE DRUNKEN CABMAN . . . 151 XXII HARRY FORREST . . . . . 160 XXIII THIN ICE . . . . 167 XXIV ANOTHER MAN . . . . . . 172 XXV AUDREY PLANS . . . . . . XXVI THE TRUTH ABOUT THOMAS AND NORA · · · · · · · 186 · XXVII THE FLIGHT FOR LIFE . . . . 196 XXVIII A MEMORANDUM LEAF . ... XXIX TÊTE À TÊTE XXX COTESVILLE, PENNSYLVANIA . . XXXI RONALD FLETCHER'S STORY XXXII CRUIKSHANK & BLAKE XXXIII CLEARING THE SLATE , . . . 250 XXXIV SUDDEN LIGHT . . . . . . 261 XXXV FROM THE LIPS OF THE DEAD . . 273 XXXVI THE RETURN OF HENRY BLAKE . 284 XXXVII THE ARRAIGNMENT OF HARRY FOR- REST . . . . . . . . 294 XXXVIII CONFESSION . . . . . . . 304 XXXIX THE AFTERMATH , , , ; 316 · · · 217 226 235 242 ; WITHIN FOUR WALLS CHAPTER I COMING TO A STRANGE HOME A CASUAL observer noticing the man slouched in a seat of the railway carriage would have put him down for a bad traveler. His shoulders sagged and from time to time he impatiently stretched his legs under the seat before him on which several bags bearing for- eign labels were piled. But a second glance would have dispelled the first impression, for a pallor was visible under the fading coat of tan and occasionally his slender hands ran nervously through his hair as he sat in deep thought. He had the look of a man who had lived lonely years, through circumstance rather than choice; his mouth, which though determined,, was sensi- tive, almost tender, was set in lines of fatigue. He might have been any age from twenty-five to thirty-seven. His eyes alone were young and, 4 WITHIN FOUE WALLS while keen and observant, they had, despite their weariness, a tonch of hnmor that looked boyish. Sam Lane was in reality twenty-nine, and had spent the major number of his years globe-trot- ting, partly for diversion, but the last four in sober, earnest work. It was so long since he had seen his native land that he felt more like a foreigner than a returned traveler. From Gallipoli, fighting under the English flag, to New York was a far cry. The dreary days of step-by-step recovery from a wound which had all but snapped the slender thread that had held him to life, were past. But to-night the dog-weariness that overwhelmed him, after his trip across, brought back the old dread of feeling well one day to fall back again the next. The train was flying through small dismal- looking towns and the blurred landscape smote him with loneliness. His thoughts returned to his travels, recalling a boyhood in the capitals of Europe, with a mother who did not like America, and the conse- quent cosmopolitan education; chance glimpses of a fond uncle, who looked much older than this gay little mother, when he sought them at inter- vals through the years for a galloping visit; and then his mother's death! When he was twenty he had been summoned from school to her side; COMING TO A STRANGE HOME 5 she could only press his hand with hers, and then he was alone. The kaleidoscope of countries that his wandering feet had tramped since then —Java, Egypt, Japan, even the Congo—flooded his mind. He had seen it all and now he was through. Somewhere in Switzerland the lawyer's letter that told him his uncle was dead had reached him. Fumbling in his pocket, he pulled it out: Tour uncle has left you his place at Wedge-wood and an income of $10,000 a year. I am retaining his two old servants, Thomas and Nora Quimby, as caretakers await- ing your instructions. Robert Jameson. He had cabled from London that things should remain as they were, and then—Europe was swallowed in war. With a shrug of disgust, he pushed the thought of the last four years from him. Having lived them in all their horror was enough. He smiled grimly. Uncle Jerry had left him the only thing he did not need. Money! His mother had seen to that. Well, he was coming home alone, but coming home. His heart filled with the word. The train drew up with a jerk. "Wedge- wood!" He found himself at a neglected station where a battered lantern swinging in the wind threw grotesque, zigzag shadows in the dark- 6 WITHIN FOUR WALLS ness. The rain had settled into a penetrating drizzle. Suddenly the rumbling of a cab broke the stillness of the night. "Hello," Sam called and the cab turned into the lane leading to the station. A wizen-faced man peered down at him. "Where be yer goin'?" "Out to Batcheller's place," replied Sam. The old man climbed down reluctantly and helped him pile up the luggage. "It's a long ride," he said, carefully examining his prospective fare. "It '11 cost you a dollar," this last said grudgingly, as though he were mak- ing a concession. "That's all right; I '11 make it five if you get moving," said Sam. "I 'm cold." The man at first gaped at him and then, get- ting briskly up on the box, whipped up his horse. It was a long drive. The country came toward him in little damp patches without color. After a few minutes he leaned back and gave himself up to drowsiness, lulled by the rhyth- mical clip-clop of the horse's hoofs. His eyes flew open. They had turned off the main road and into a private drive. Sam leaned out with interest. He was home. Around the bend he descried the house, loom- ing dark and forbidding, and surrounded with COMING TO A STRANGE HOME 7 large oak-trees that now dripped with moisture. There was no sign of life. He had neglected to wire the Quimbys of his arrival. "It was just like me to do something like that," he thought with a shrug. A wry sense of amusement touched him when he found himself with his bags in the rain, knock- ing futilely at the door, and the only touch of life driving away rapidly. Groping around, his hand fell on the bell and its clamor sounded startlingly through the black house. A light was coming slowly toward him through the hall, and finally the curtains were pushed gingerly to one side. The frightened face of an old woman peered into the darkness. "Who are you and what do you want?" Sam smiled. "I want to get into my house, if you don't mind. I 'm Sam Lane, Mr. Batchel- ler's nephew." The door was opened cautiously and Nora, holding a flickering candle high above her head, called to her husband, who was hurrying down the stairs. CHAPTER II THE MYSTERIOUS CRY IN THE NIGHT A LITTLE later in the library, before a fire of crackling logs, Sam stretched in a lazy yawn. With the quiet efficiency of a well-trained servant, Thomas was serving him a light sup- per. "Tell me something of my uncle, Thomas. You see, I didn't know him very well," and Sam scrutinized the old man. He was bent and weather-beaten, with bushy eyebrows that all but concealed kindly blue eyes. He stood and looked into the fire ruminat- ingly. "He was a wonderful fine man," he said. "A kind gentleman, sir, for all he had few friends. I 've served him these thirty years," and he brushed away a tear. "What do you mean when you say he had few friends?" asked Sam. "Well, sir," said Thomas, "he kept much to himself and cared naught for anything but his books and his travels and the bit of a girl that lives near by." 8 THE CRY IN THE NIGHT 9 "Who is she?" Sam asked with interest. "Miss Audrey. The daughter of Judge Tor- rance, your uncle's old friend and your next- door neighbor, sir. A fine little lady. Indeed," and Thomas's face glowed, "there never was the like of her, except her sainted mother. Miss Audrey was the light of your uncle's life, and bright was the day when her merry laughter rang through this old house. It was like sunshine and spring coming in through the windows." Thomas stopped abruptly. "Excuse an old man for babbling so, but she doesn't forget old Thomas and his wife, even now, and she's a bon- nie young lady." "Well, well, Thomas!" and Sam broke into a teasing laugh, "I think you 're half in love with her." He jumped up and gave the old fellow a play- ful shove. "Now for a tour of inspection. I want you to take me to all the nooks and cran- nies of this old place and tell me about it." Thomas gave a start, and Sam noticed a look of anxiety in his face. "Yes, sir, of course, sir," he replied. "Queer old duck," thought Sam. "He cer- tainly feels his responsibilities." To the right of the library was a dining-room furnished in oak, with paintings of bygone Batch- ellers gazing stolidly from the walls. The room 10 WITHIN FOUR WALLS was massive and depressing. Sam passed quickly through it to a pantry which opened into an old-fashioned kitchen with shining pots hang- ing on the walls. On the coal-range a copper kettle was busily singing. An oblong rag rug filled the center of the floor, and drawn up to the table, on which stood a pottery lamp and a sew- ing-basket, were two comfortable rocking-chairs. Crossing a side hall, he found himself in a stiff parlor of the Victorian period with horse- hair chairs and sofa. The entire floor was cov- ered with a carpet nondescript in pattern. En- larged daguerrotypes and some framed immor- telles, relics of long-ago funerals, hung on the walls. Sam decided that this room should see little if anything of him. They crossed the main hall, which was dimly lighted by a hanging lamp, and as they mounted the shallow-stepped staircase they met Nora com- ing down. She paused on the landing by a grand- father's clock, to let them pass, and Sam was mystified by the look of caution she gave her husband. Or was it his fancy? Thomas silently led the way to the two bed- rooms adjoining old Mr. Batcheller's at the head of the stairs, which was now Sam's. They were furnished in mahogany, with four-poster beds. Gay chintz hung at the windows and covered THE CRY IN THE NIGHT 11 deep chairs, and there were quaint prints on the walls. The hall was like a square room, with a bath- room at the end and the stairs to the third floor beside it. Thomas led the way to the stairs. "Wait a moment," said Sam. "What's on the other side?" and he threw open the door opposite, disclosing a room that ran the length of the house. Thomas turned and his eyes were like coals. "It was the old master's favorite room, and one I seldom entered." He followed him, however, with the taper. Sam flooded the place with light and an ex- clamation broke from him. On the black-boarded floor were Turkish rugs, and rare tapestries covered the entire wall space, the only break being a fireplace opposite and two windows. Across one end of the room ran a billiard-table, and at comfortable intervals velvet chairs and a low couch were placed. By two of the chairs stood teakwood taborets with old relics of brass, copper, and beaten silver on them, that spoke of travels in foreign lands. In front of one of the windows were a Jaco- bean table and a high-backed chair. A jade lamp with a grass shade, standing on the table, threw a soft light on some rich-toned books in a case at the side. 12 WITHIN FOUR WALLS Sam, who was captivated by the beauty of the room, became conscious of Thomas waiting for him at the door, and reluctantly followed him out to see the rest of the house. The top floor consisted of a large attic, a trunk- and storeroom, and the sleeping-apartments of the servants. A clock was striking twelve as they came down. Sam noticed that the silence which, on the top floor, had marked Thomas's manner had become so pregnant with hushed expectancy that the old man seemed like a watch-dog following him. It was getting on his nerves. "Sorry to keep you up so late, Thomas. Turn in when you like. I '11 sit up and read a bit." And Sam moved toward the billiard-room. The servant showed a moment's hesitation and, although the night was a cool one, he took out his handkerchief and wiped the moisture from his brow, at the same time concealing the work- ing of his face. When he spoke his words seemed to be jerked from him. "Yes, sir. All right, sir," and Sam heard him go heavily downstairs. Sam stood for a moment, puzzled by his be- havior, hesitating as to whether or not to follow him for an explanation. He decided, however, to let it pass, for the thought came to him that it might have been merely his own fancy and he THE CRY IN THE NIGHT 13 recalled grimly how many fancies there had been during those long days in an English hospital. He stepped over to one of the taborets and picked up an old yashmak that had attracted his notice. As he did so he became conscious of the nearness of some one and, raising his head, he listened. It was just as though a foot had stepped across the sill of the room. He must be getting fanci- ful! There was no one near him! He was alone in the house except for the two servants. He went into the hall. Nora and Thomas were talk- ing in low voices and locking up downstairs. Yet he was positive about the step, and, cautiously crossing the hall, he examined the whole floor. The bedrooms were closed and empty and the windows shut. He listened at the stairs leading to the third floor. Nothing! "I 'd better obey my doctor and get to bed," he said half aloud. "I '11 have to pull up a bit, —can't get this way again \" Later, while undressing, he heard the old couple go upstairs. For a space the sound of their movements came to him, and then silence. He did not know what time it was nor how long he had slept, but he found himself sitting up in bed, straining to see into the darkness. The rain had ceased and a breeze was coming in through the window. He was not conscious of 14 WITHIN FOUR WALLS any particular sound having awakened him; in fact he was only half awake. Irritated with himself, he lay back on his pillow and his eyes closed. They were heavy with sleep, but sleep would not come. His senses were suddenly alert again. Was n't that the sound of a window being cautiously raised? He started sharply to his elbow and listened. The ticking of the clock in the hall betrayed the silence of the house. It was nothing but fancy! The sleepless nights had begun again! Sinking back utterly discouraged, he gave himself up to morose thoughts. Like a jar out of the oppressing stillness that surrounded him came a shriek, so filled with ter- ror that he suddenly found himself standing at the window, holding to the sash for support. He leaned out. Nothing but the breeze whispering through the oaks near the house disturbed the void of the night. Not satisfied, he ran across the hall into the billiard-room and, throwing open a window, looked out. Not a sound. Going over to the other rooms, he found them wrapped in silence, the windows shut. His footsteps echoed hollowly over the board floors. He seemed the only crea- ture stirring. Returning to the hall, he saw Nora at the head of the stairs leading to the third floor. Her THE CRY IN THE NIGHT 15 face was ashen and the candle she held in her shaking hand was dripping on the floor. "Nora, what was that shriek I heard just now?" he asked. "Shriek, sir?" Nora gasped. "Did n't you hear anything?" "No, sir, I can't say that I did. I heard you moving around and thought you might be sick, or wanting something. Can I do anything for you, sir?" Her voice shook, but her gaze was reso- lute. Sam stood staring up at her. "No, thanks. Go on back to bed. I 'm sorry I woke you up." His voice sounded metallic in his ears. She disappeared in the darkness above. Slipping on his bath-robe and sandals, he crossed into the billiard-room. He was wide awake now. Sleep was out of the question and a feeling of discouragement overcame him as he faced the old dread which he had hoped he had conquered. He sat down heavily and for a while his mind twisted and turned over what had hap- pened, endeavoring to find some logical answer that would be other than what he really thought. It was useless. With determination he took a book out of the case and methodically began to read. Later the print on the page began to dance before his eyes. Suppressing a yawn, 16 WITHIN FOUR WALLS he switched off the light and groped for the portieres. He drew back quickly. There were light steps coming up the stairs. Old Thomas Quimby, his face furrowed with anxiety, crept past. CHAPTER III THE SECRET EOOM A CLOCK somewhere was striking eight as Sam, opening his eyes, looked around the room. For a moment he did not know where he was. Then it all came back to him. Could he have dreamed it? No, there were his sandals and bath-robe where he had thrown them. Getting up quickly, he crossed the hall to the billiard-room. The yashmak was lying on the floor and the book he had been reading was open on the table. The pungent smell of coffee came to him from the hall and brought a famishing realization that hurried him to his bath. "How did you sleep last night, Thomas?" Sam asked at breakfast. "Quite well, sir, thank you, sir," Thomas an- swered stolidly. "Did you hear anything strange?" "No, can't say that I did, sir, anything out of the usual." His face was guileless as he left the room. 17 18 WITHIN FOUR WALLS His apparent innocence, Sam noted, was some- what at variance with the controlled nervousness in the way he had served the breakfast. Nora, looking tired and wan, came in with some hot biscuits. Her eyes were furtive. The feeling was strong in Sam that an explanation would never come from any questions he might ask. He might dismiss this old couple, but could he? Was he sure of any duplicity on their part? Was he sure of anything? An errant breath of pity touched him as she hovered about with little deft attentions to his comfort. "These are good, Nora," he said pleasantly as he broke into the hot crust. "You can surprise me this way three times a day." Her lips moved as if to speak, but fear showed in her face. "What is it?" he said gently. "You know, sir," timidly. She did not meet his eyes. "There has been tales as how this house was haunted—and—" a pause— "I 've been wondering what you could have heard last night." With a hearty laugh Sam reassured her. "Well, I 'm glad to know that's the explanation. Why didn't you say something about it?" "I was afraid you would not sleep, sir," the words came haltingly; "and then, of course, one can't put much faith in such tales." THE SECRET ROOM 19 For a moment he quietly studied her and she fidgeted under his gaze. "Maybe Thomas is the ghost," he said jovially. "Does he by any chance walk in his sleep?" The pupils of Nora's eyes dilated and the plate she was holding clattered to the floor. With a broken sob, she flung her apron over her head. Impulsively twisting his chair backward, Sam came to her side. "I saw him go up-stairs late last night," he said gently. The violent trembling of her body was her only answer. Quietly picking up the pieces of the plate, he pulled down her apron and wrapped them in it. "Don't be afraid of me, Nora. Does he walk in his sleep? Is that the answer to all this?" "You won't let it make any difference, sir?" "My gracious, no," said Sam, with a relieved expression, "but you just tip me off the next time he is due for one of those." And he re- turned to his breakfast in good spirits. "Thank you, sir," she gasped, and hurriedly left the room. After the rain of the night before, the sky was a mass of racing clouds. Sam, strolling around the house, felt the presage of another storm in the air. 20 WITHIN FOUR WALLS In spite the dourness of the day the place had a charm, and it drew him unconsciously around the path that led to the back. Age-old oaks lined the way and the velvet grass stretched before his gaze. Growing close to the. house he noticed a large tree that was particularly luxuriant. Its branches reached to the second story, brush- ing a window of the house, which was open. This caught his eye. Retracing his steps, he realized that it was at the farther end of the billiard- room, and yet he remembered no window there. He hurried inside and reached the second floor unobserved. The bath-room door was ajar and he could see that the window was closed. He threw it open and leaned out. Yes, there were the tree and the other window! A surge of tumultous excitement made his heart leap as he crossed over to the billiard-room and with trem- bling hands pulled aside the tapestry in the center of the rear wall. Disclosed before his astonished eyes was a wooden door. It yielded to his touch and opened into an alcove which must at some time have been a part of the room. On the wall facing him was the painting of a girl in an old-fashioned gown. Directly in front of it stood a Windsor chair on a jute rug that covered the floor. The chair was placed as if the owner had been in the habit of sitting there THE SECRET ROOM 21 to look at the picture. On one side was a low couch and in the opposite corner a hand-carved chest. Sam was perplexed. His gaze came back to the window. It was wide open and yet no rain had come in. He remembered the storm of the night before that on his journey had kept up a relentless beating against the window-panes of the train. Why, it was still raining when he re- tired! But it had stopped, he remembered, when he awakened later. This window must have been opened last night. He must have heard this, then! it was true and not fancy as he had thought! There was decision in his step as he went to the window and looked out into the tree. A sturdy limb of the old oak reached invitingly to him. CHAPTEE IV THE PATH TO THE WOODS CUTTING across his place that afternoon, Sam reached a path that divided his prop- erty from the next estate. Thomas had told him as he served lunch that Audrey Torrance lived there with her father, a retired judge, who was both feared and disliked by the community. He was in poor health now and very eccentric. They were alone in the big house, barely visible through the trees, except for three women servants and a distant cousin who acted as a secretary to Judge Torrance. Sam had asked questions about the secretary, hoping he was near his own age and companion- able, and Thomas had told him that his name was Harry Forrest and that he was young, but looked older than his years. "Sure, he's a strange lad, is Master Harry," said the old man, "with his nose always stuck in a book." The day was heavy and the place was getting 22 THE PATH TO THE WOODS 23 on his nerves, so he thought this a good time to cultivate his neighbors and see if he could learn from them if there were any strange tales about his new home that would substantiate what he had heard. "Miss Audrey ought to know if there's anything," he thought. "It's be- yond me." However, as he neared the house his courage failed him. He was not in the mood to make new friends to-day and certainly not with an eccen- tric invalid, so he retraced his steps to the path. It took a sudden turn, branching off across his grounds, and had the appearance of being much used. Following it for a few moments, he discovered that in the back his property ran down to an inlet of the sound, with a pier run- ning out into the water and two rowboats at- tached to it. In the distance there could be faintly seen the outline of an island, and beside it, built high on rocks, what was apparently a lighthouse. The water did not look inviting, so Sam kept to the path which turned from the water's edge and entered a dense woods at the right of the house. The beauty of the autumn foliage sur- rounded him and the trees crossed before his eyes in radiant blendings of red, green, and gold, entirely shutting out the leaden sky. 24 WITHIN FOUR WALLS "Why, this is a paradise!" thought Sam. "I wonder what it leads to." The path twisted in the most unexpected angles. "A wandering calf must have started all this," he said aloud, and some birds, frightened at the sound of his voice, fluttered away. Suddenly a terrier dog, jumping out of the shrubbery in their pursuit, crossed directly in front of his feet, almost upsetting him. A fresh young voice called, "Micky," and with a leap the. dog bounded back. Sam found himself looking down into a mis- chievous face with come-and-go dimples. "Thank you for saving my life," he said, smiling, and he leaned down to pick up his cap which had fallen off. "I thought I would explore this path and see where it leads, but I seem to have disturbed your dog." Her laughter filled the woods. "I think I ought to apologize. Are n't you Mr. Lane?" Her hand was held out tentatively. "Yes, I am, and you—" a pause—"are Miss Torrance, are n't you?" he asked pleasantly. Her little fingers seemed lost in his. "Yes— your neighbor. So you see / was the trespasser." She smiled up at him. He thought he had never seen a tinier nor a prettier woman. There was something haunt- ingly familiar in her face. THE PATH TO THE WOODS 25 "You know I feel as though I own these woods," she went on. "I've grown up in them." Sam looked at her. From her curly chestnut hair under a boy's hat, to her little feet in cow- hide boots, she was only an armful. Her head sat imperiously on her slender shoulders. She was dressed in corduroy. It passed through his mind that she was like autumn in her coloring but autumn smiling. He felt his heart warm to her. "I hope you '11 always feel they are yours," he answered aloud and was surprised at the inten- sity in his voice. "Thank you," she said simply and her face was pensive. "Your Uncle Jerry said that, too." "Come back with me," Sam said impulsively. "I want to see where this path leads. Old Thomas has said so much about you I feel as though I'd known you always." She swung around with him gaily. "Then I've known you even longer, for when I was a child your Uncle Jerry told me all about you. He called you his little ex-patriot. The moment I saw you," she continued, "I recognized you from his description." "How did he describe me?" Sam asked curi- ously. She blushed suddenly and stopped. "You won't be offended?" 26 WITHIN FOUR WALLS "Cross my heart." "He said you were big and dark with nice eyes and long legs." Sam found himself laughing heartily at her audacity. "He cared awfully for you," and her voice trembled a little. "He was so lonely. I tried to take your place with him and I thought I 'd tell you so sometime." He looked down at the little comrade trotting at his side and his heart bounded. How strangely she affected him and how sweet were the con- fidences coming so artlessly from her lips! "I knew very little about my uncle," he said at last, "and I like your telling me all this, for as a child I was very fond of him. We have n't happened to meet of late." Then after a moment he turned to her with affected solemnity: "I am lonely, too. I 'd like to have some one feel that way about me." His eyes were a challenge. She seemed to be considering it seriously for a moment. "Well, there's Father. He liked your Uncle Jerry. Now he might feel that way about you." Her voice was demure. "Thank you." Sam's tone was cold. Their eyes met and he saw that her lips were twitching. "You are very bold," she said. "You 've only THE PATH TO THE WOODS 27 known me twenty minutes," and she tried to look very dignified. "Why, you said you 'd known me longer than all my life," he returned. His lips formed an- other word, but he did not say it. "Well, what is it?" "What is what?" he replied innocently. "What you were going to say!" "'Checkmate,' " he answered simply, and they laughed together like merry children. A clearing in the woods opened up before their eyes and the water was visible once more. Waves were breaking on rocks from which an old spring- board ran into the sound. The air was damp with mist. On the shore were two small bath- houses and to the left of the path a table hewn out of logs with branches on each side. At a little distance from this was an old stone oven. "Your uncle built all this," said Audrey, with a little catch in her voice, "for me. I come here often to swim. I had some school friends visit- ing me one summer and these were for our pic- nics." Sam walked over to the table and stood lean- ing against it, looking off into the woods that surrounded them. "Where does all this lead to?" he said, waving his hand toward the path. 28 WITHIN FOUR WALLS "Back to the main road, about half a mile farther." She smiled. "All these woods are yours, you know," following his gaze. "No, I did n't know. Won't you tell me every- thing about everything?" he asked seriously. "I fell into all this and know nothing about it. Every move I make I find something surprising." She sat down on a bench a little way from him. "What in particular do you want to know? I '11 tell you if I can." "Well, about Thomas and Nora. Where did my uncle find them? What is their history?" She gave him a searching look and was silent . "Perhaps I 'd better tell you why I want to know all this and then you '11 understand." As briefly as possible he told her of his experiences since he reached the house. He was kicking holes in the ground at his feet, so did not see the look of apprehension that came over her face. "What do you make of it all?" he asked when he had finished. "Is the house haunted or is Thomas a sleep-walker? Are they on the level with me, or making a dupe of me? Or is it my- self?" Moving away from the table, he paced up and down before her, while she, very still, seemed to be turning her answer over in her mind. "What could that cry have been? Can't you THE PATH TO THE WOODS 29 tell me anything? I almost went to your house to-day to ask you these questions." "I do not know what it could have been. I heard nothing. What did it sound like?" The words came with difficulty. "I really could n't describe it," he answered in a low voice. "I only know that the terror in it was frightful; it made my flesh creep," and he shuddered. "You know, or most likely you don't know," he went on, "that besides being wounded very seriously in battle I was gassed. It took me a long time to—to come back," the words came from him jerkily. "It would mean a great deal to me to know that these things are as they appear, —that it is not myself." He sat down on the bench beside her and his head dropped into his hands. This made her look at him and her eyes were tender, full of pity. As she answered her voice broke a little. "I think you are worrying yourself need- lessly," she said in a low tone. "If you wait just a little you will find that everything is all right." There was a long pause before he spoke. "Is that all you can tell me?" His voice was fright- ened. "That—is all," and hers was an appeal. CHAPTER V AUDREY TORRANCE AS Audrey swung up the path to her house her mind was revolving on the happenings of the afternoon. She had met Sam Lane at last, and something had come into her life to drive away the dreadful monotony that had been warp- ing her very soul. The feeling of freedom that always filled her when she was away from Torrance House was singing in her heart. But suddenly before her loomed the dark structure and she glanced at it with repulsion. There had not been a day that she lived there that had not held its scar. Some of the oppressing memories shadowed her face for the moment, but she shook them off. Turning back, she loitered in the grounds. There was so much to think of now and she dreaded the sickening feeling that always accom- panied her return. Her pulses were throbbing with excitement. She felt a sudden shame, for a moment, at her hesitation to invite Sam Lane to her home. 30 AUDREY TORRANCE 31 He was Mr. Batcheller's nephew and the uncle had always been a welcome friend. A panorama of past pictures floated through her mind. There had never been any of her friends to whom her father had been cordial. She reviewed them all, —girls she had gone to school with in the few happy years she had spent away from home. But worst of all had been his treatment of the brothers of these girls. She could feel her face sting now at some of the veiled innuendos she had endured in those dreadful days. She remembered comrades who had left hurriedly the morning after their ar- rival, covering their departure with a palpable excuse to save her feelings. Her father's ironical smile had been hard to bear in the days that fol- lowed,—for after that she had heard from them only at long intervals. Robert Jameson, her father's lawyer, and Sam's Uncle Jerry had been favorites, and Harry —of course Harry—but then he had always played into her father's hand, and to him the old man was generally kind. She threw her head up imperiously and a faint scorn marred her young face. Of late she had felt that there had been some trouble between the two. Kate, her maid, had overheard a quarrel that very morning and had told her of it. Her mind flew back to the meeting in the woods 32 WITHIN FOUR WALLS and her conversation with Sam Lane. What could that shriek in the darkness have meant? She recalled how excited he had been as he told her of it. Some time to-morrow she must see Thomas and Nora and try to solve the mystery by talking to them of the unexplained footstep and the open window! At this thought everything in her mind halted except one misgiving,—a secret to herself. It could not be that! A tremor passed over her and she leant against a tree, suddenly weak. What would she do? What could she do if this dread were realized? The postman was coming up the drive on his wheel and she hurried over to intercept him. "Good afternoon, Miss." "How do you do, Mr. Temple. It's clouding over again." "We '11 have bad weather for some time, I 'm thinking/' and he got down and opened his bag. "If I remember rightly there 's a letter here for you, Miss. It's come some distance." And he winked facetiously. "Oh!" she said quickly and stooped over with a sudden gesture, watching him run through the pack. "Sure as you live," he said jovially, pulling it out, "Zanzibar." Audrey almost snatched it from the out- AUDREY TORRANCE 33 stretched hand, and stared at the inscription. The color slowly left her face. "Bad news?" he asked curiously. She looked at him blankly a moment and then, turning suddenly, rushed toward the house. "She 'a a queer 'un," he remarked, looking after her. "Must have been a love-letter." Audrey did not slacken her steps until she had reached her room and, closing the door be- hind her, had locked it. With trembling fingers she tore open the envelop and read: Dear Little Pal: Your letter just came and I cannot wait to answer it. We haven't touched port for several months and it has followed me all the way. Oh, but I 'm homesick, and so tired of the sea! I love those stray notes of yours. You are wonderful to do what you have done for me. I don't dare write very often, so send all my love to the folks through you. What would n't I give to see you now, little Donnie, and tell you all I 've been through since last we met. It's been two dreadful years since I 've seen the old town. I am bitter, girl—so bitter that I 'm afraid to let myself think about it at all for fear I '11 do something desperate. I should n't write these things to you, I know. But it has all been so unfair. He was so cruel and I did not deserve it. If I had not loved you always, I would now, for I know all you have done for me, loyal little friend. I don't know how long I shall be able to stand it. I have the feeling that I am coming home to square things and you know what I am when I get a notion. I shall reach you, somehow; you can depend on that. So watch for me, little one, behind each tree on the old path through the woods, for I may spring out at you. I know I'm coming now. Billy. 34 WITHIN FOUR WALLS She sank into a chair, gazing at the letter. Tears showed in her eyes, which were both frightened and joyous. All the intensity of youth was in her hushed words: "He is coming home." Yet scarcely were they spoken when a paralyzing fear showed in her face. It was growing dark and she heard the bell warning of dinner-time. Tearing off her walking dress without turning on the light, she pulled down the first evening gown she could find and tumbled into it. With determination in her face she seized the letter and, holding it in her clenched fist, hurried down the stairs. CHAPTER VI "donnie! donnie! oh, my god!" CROSSING the billiard-room, Sam silently swung back the alcove door. The place was just as he had left it. On the wall the picture smiled down at him with a bygone grace. "Will you be kinder than the rest?" he said half aloud, "and tell me what you know? How long has this window been open?" The eyes seemed to smile at him in a mysterious manner. Amused at his own foolishness, he returned the smile. "Perhaps the room will divulge something," was his thought, again serious. It looked as though it had not been tenanted for some time. He examined the couch. It was draped with a Paisley shawl and lying on it carelessly were three velvet pillows. He pulled aside the cover- ing. There were no others beneath it. "The ghost evidently does n't spend the night," he mut- tered, smiling. Lifting the lid of the old chest, he saw it was almost empty. "Nor does he keep a change of 35 36 WITHIN FOUR WALLS raiment handy," he mused. "I ought to have Dr. Watson here to ask me questions." As he ran his hands over the bottom of the chest, he found it was littered with papers and his fingers closed on a bulky parcel which he lifted out. Just a package of yellow letters tied with a string. A newspaper clipping slipped under the knot attracted his attention. Pulling it out, he read: Mrs. Paul Craddock of Arlington Place gave a formal reception at her home last evening, announcing the engage- ment of her daughter Isabel to Gerald S. Batcheller. Sam stared at the words and, sitting down hastily on the floor, faced the portrait. This must be Isabel Craddock! Funny he had never even heard of her! Filled with curiousity, he pulled the first let- ter out and opened it: My Deae: You have just left and Mummie has been in to see me. I can hardly realize that it is all true and that I am yours. What did you ever see in me to love,—you with the world at your feet? . . . Deeply moved, he stopped reading and re- placed the sheet in the envelop. As he did so, another clipping dropped from the package into his lap. It looked as though it had been wrenched from a newspaper. In smoothing it out he noticed the date was two years later and that one side was badly torn. He read; "DONNIE! DONNIE! OH, MY GOD!" 37 The most beautiful .wedding of the season was held in St. Thomas's Church last evening. Miss Isabel Craddock, daughter of Mrs. Paul Craddock of Arlington Place, was married to L. G. — The rest was gone. With twitching fingers he pulled out the former notice and compared them. So this was the reason Uncle Jerry had never married! Poor old chap! Sam looked back at the picture. The face was not cruel,—nor even frivolous. The painted smile seemed kind. An odd smile it was. He jumped up and looked at it carefully. Where had he seen it before? he mused. "At times it's mysterious, then confidential, sometimes gentle." As he studied it it seemed to mock him. There was none of the fine cynicism of the Mona Lisa; yet it haunted him as familiarly as that well- known smile. As he carefully put the letters back his hand touched a smaller, more compact bundle, and he took it out. It, too, consisted of letters, ad- dressed in the same handwriting, which from the postmarks had apparently traveled around the world. He was about to replace them when his eye was caught by a slip of paper on which he recognized his uncle's handwriting: My little love, your word never came until you were beyond my reach. Scanning them, he found they were a sue- 38 WITHIN FOUR WALLS cession of apologies for hasty judgment and mis- understanding. Then they pleaded for forgive- ness. The poignancy of the last one tore his heart. It was written the day of her marriage and was simply a good-hy. The room was getting dark, so he shut down the lid of the old chest. "I wonder where you are," was his thought as he kept his eyes on the face that was fading from him in the dusk. "I should like to give these back to you with his note. I think you'd care to have them." He closed the door behind him. All through dinner he was haunted by the whimsical smile of the portrait. He could not dismiss it. In his mind was revolving the thought, "I have seen her somewhere, or some one like her." Finally he turned to Thomas, who was serving him with uneasy concern. "How often does Mr. Jameson come here?" His tone was more abrupt than he realized and the other started. "Well, sir, only when I send for him and I have had no need lately." "I stopped at his office on my way through New York," Sam said, "but they told me he was at his country house, on his vacation." "Maybe I could tell you what you want to "DONNIE! DONNIE! OH, MY GOD!" 39 know, sir, if it'g about the place," he volunteered nervously. "It is n't," Sam said directly. "I guess your head 's humming now from all the questions I 've asked you," and he smiled boyishly. "It's some- thing altogether different and it can wait." Thomas paused as if to speak, but thought better of it and hurried from the room. Drawn irresistibly upstairs, Sam was cross- ing the billiard-room toward the alcove when he heard the indistinct ring of a bell, and, going to the corner from which it came, he saw a tele- phone on a stand half concealed by the hangings at the window. He took off the receiver, but before he could speak a man's terrified voice came to him: "Don- nie! Donnie!—Oh, my God!" He heard a groan and silence. "Hello! Hello! Hello!" he called. No an- swer. Finally central replied. "Were you calling me?" Sam asked sharply. "Excuse it, please." "Wait a minute. Some one was using this wire." "It's a party line," she answered. "They 've hung up." "Who's the other party?" 40 WITHIN FOUR WALLS She was gone, and although he tried for several minutes he could not get her back. He flung himself into the chair by the table. What did the message mean? Who was it? The clock on the stairs slowly struck seven. CHAPTER Vn THE MUBDER GETTING up quickly, Sam looked through the window, into the darkness. The large oak-trees were bending and lashing from a heavy wind which had arisen within the last hour. "I 'd like to take a run ahead of the rain," he thought. As he was closing the window he heard a piercing shriek above the howl of the wind. It was the cry of the night before. Some quality in it gave a crooked pull to his nerves. It came from the direction of the Torrance house. Where had he heard something like it before? Was it in Java? He remembered a savage scream somewhere in his junketings around the world, that had brought him up with just such a jolt . He leaped down the stairs two steps at a time and, snatching his cap off the stand in the hall, bolted out at the door. He paused a moment to listen and heard a crashing sound as of some one running wildly down the path between the houses. 41 42 WITHIN FOUR WALLS "I guess I 've run yon to the ground now, whatever you are," he thought and chased after the unknown. The night was so black he could barely see a foot ahead as he ran. No figure was visible. He placed the fugitive only by the sounds that came to him. Stumbling several times, he nearly fell. Yet the other seemed to be running swiftly and surely, as if familiar with the way. It paused near the pier and then, as if suddenly conscious of being followed, disappeared into the woods. Sam reached the opening and, listening, heard the crackling of twigs and rapid footsteps. "I suppose I 'm a fool to go into a thing like this unarmed," he thought, "but I 'm going to see it through." He was following more cautiously, when he suddenly became conscious that the sounds ahead of him had stopped at what seemed a twist in the path. Then he heard fluttered, hysterical breath- ing. As he paused to get his breath, listening, he could feel the other was listening, too. The minutes passed as he waited. "You'd better come out and show yourself," he called finally, "I know where you are." A stifled sob came to him. In a leap he was beside a little huddled figure on the ground. It was Audrey. With quick tenderness he lifted THE MURDER 43 her to her feet, but her body slipped back. Kneel- ing down, he supported her with his arm. "What is the matter?" he asked. Her head sank against his rough coat and he could feel the anguish of her trembling body. "Are you hurt?" As he held her silently for a few moments she became quieter; then she struggled to her feet, still supported by his arm. "You frightened me so!" she sobbed, drawing away. Releasing her, he took his coat off and man- aged to wrap her in it. "What are you doing out this way, a night like this?" he asked sternly, noting at a glance the evening dress that left her arms and neck bare. "You heard it?" Her voice was a whisper. "Yes, and you," suddenly remembering the cry. "Yes." He seized her by the arm. "Do you mean to say that you ran out here to see what it was?" He looked dangerous. "Well, did n't you?" her head was hanging wearily. "Look at me," Sam commanded, bending over her. She slowly raised her eyes to his. They were frightened. 'You are hurting me." 44 WITHIN FOUR WALLS He did not realize that he was still holding her arm in a convulsive grip. "Don't you know how serious this might have been?" in a shaken voice. He could not take his eyes from hers as she silently regarded him. A drop of rain fell upon her upturned face. "It's beginning to storm," she said quietly, as if she had not heard his question. "I '11 see that you get home safely," Sam said suddenly. As she hesitated a moment, he took her gently by the arm and led the way back to the path. Audrey walked beside him, looking nervously from side to side, and his coat slipped from her shoulders unnoticed. "You'll take cold," he said, replacing it and buttoning it under her chin. As they paused a moment he looked at her seriously. "Can't you trust me?" he asked in a gentler tone. "I can see you are in trouble. Let me help you." She moved nervously away from him. "There is nothing the matter. You are quite mistaken." The tone of her voice left him unconvinced. He walked on beside her, troubled but silent. Finally he spoke again. "Tell me this, at least: What do you make of that cry?" As she did not answer, he continued with an effort at his usual tone. "There isn't a madhouse in the THE MURDER 45 neighborhood, is there? For I 've never heard a more hideous screech from human lips." She shook her head in answer. "I 've never heard it myself before and so can tell you noth- ing." They had by this time almost reached the Tor- rance house and could hear the sounds of car- riage wheels driving up to the door. Sam quick- ened his steps and was conscious that his com- panion was dropping behind. "It's Mr. Jameson, I guess," Audrey volun- teered. "Robert Jameson?" queried Sam. "Yes, papa's lawyer. Do you know him?" Her voice lacked interest. "No, but he was Uncle Jerry's, too," he replied. As they crossed the drive the lawyer was en- tering the house and they could hear a woman crying. Out to the shadow where they stood there came a man's excited voice and the one word, "murdered." In the hall they found the secretary and Mr. Jameson in conversation. The three servants were huddled at the foot of the stairs and the youngest, very pretty, was crying. The other two, with blanched faces, were standing as if dazed. A door was open into what was apparently the library and through it Sam could see the 46 WITHIN FOUR WALLS figure of an elderly man in a chair. His body was leaning inertly against the tall back, with one arm hanging limply at his side and the other stretched across the desk in front of him with the fingers grasping the telephone. The lawyer came over to Audrey, who was standing with her back against the hall door, a look of still horror on her face. She did not see him. She was staring at the body of her father as though she could not tear her eyes away. Sam hurried over to Mr. Jameson and placed himself so that he shielded Audrey from the gaze of the others in the room. "I am Mr. Batcheller's nephew," he said, "and if there is anything I can do, please command me." The old lawyer took his outstretched hand warmly, and after a futile attempt to speak turned once more to Audrey. "My poor little girl," he said brokenly, "you have my deepest sympathy." But she neither turned nor spoke. A slight tremor passed through her body, and Sam caught her just as she slipped to her knees. She was un- conscious. He took the little burden lightly in his arms. "Where is her room?" he asked tensely. "Kate," said the secretary to the young ser- vant, "go up ahead and open the door to Donnie's —Miss Torrance's room." THE MURDER 47 The word "Donnie” fell like a blow on Sam's consciousness. Grasping his burden more closely to him, he stared blankly at the speaker. “This way, sir,” said Kate, brokenly. And like a sinister accompaniment to the new vague question filling him came the weeping girl's whispering cry- "Oh, poor Miss Donnie! poor Miss Donnie !"— as he carried Audrey upstairs. CHAPTER VIII MARY'S TESTIMONY WHEN Sam returned to the hall the two elder servants were standing as he had left them, but the lawyer and the secretary were in the library with two strange men. "Gentlemen, let me introduce Mr. Lane, the late Mr. Batcheller's nephew," Mr. Jameson said quietly, and then, turning to Sam: "Dr. Bird- sail, the coroner; Constable Warren; and Mr. Forrest you know." The men nodded with an easy acceptance of his presence there—all save the secretary, who was regarding Sam with a coolly fixed gaze. At last the coroner, finishing his examina- tion of the murdered man, spoke: "He has been dead, I should judge, about a half-hour, not more. The knife entered through the back, penetrating one lung and piercing the heart. Death must have been instantaneous." "The windows are all fastened on the inside," said the constable. "Has any one been in this room since the murder was discovered?" he asked. 48 MARY'S TESTIMONY 49 "No." It was the secretary who spoke. "I came in with papers that Mr. Torrance requested me to bring him at seven-thirty, and I found him —like this. I called the three servants and just then," turning to Mr. Jameson, "you arrived." "Where did you phone me from?" the coroner asked quickly, turning to the secretary. "From the hall. There are three extensions in the house. Being familiar with them, I pur- posely left this room undisturbed." "You say you came out directly?" was the coroner's reply. "Yes." "How did you know he had not merely fainted?" His tone was insistent. "If you look under the chair you'll see a very good reason," Forrest replied curtly. "It was the first thing I saw as I entered the room." Hardly noticeable from where they stood, but in full view of the door, was a pool of blood. "You saw no one in the room while you were here?" "No one." "Could any one have gotten out while you were calling the servants?" he continued. "Hardly," the secretary's voice was con- clusive. "I stood in the doorway. There is no other exit." "Call the servants, please," in a business-like 50 WITHIN FOUR WALLS tone. Forrest left the room. Coroner Birdsall turned to the constable confidentially: "I have a feeling that he knows more than he's telling; the knife is gone." And then, as a sudden thought: "Is Miss Torrance at home?" Sam spoke for the first time and his voice sounded hoarse: "She is ill." Just then the secretary returned, followed by the two servants, who stopped suddenly within the door with their eyes riveted on the figure of the dead man. "This is Sarah Hardy," and Forrest indicated the smaller of the two. The woman stared at him as he spoke her name. She seemed older than the other, was delicately built, and wore thick glasses. Her hair was gray and drawn back unbecomingly in a tight knot. Under the pallor and horror of her face was a gentle womanliness. "And this is Mary Ryan." She was nonde- script in appearance,—the usual self-effacing, faithful type of servant found in old families. Turning to the first servant, the coroner began to question her without further delay. "Sarah, where were you when Mr. Forrest called you?" For a moment she seemed to choke, as if she could not speak, but, gathering courage, she answered in a scarcely perceptible whisper: "In MARY'S TESTIMONY 51 the back pantry, sir. I was locking up for the night.” "Did you see any one pass in or out through the kitchen?” "No, sir." “Could you have heard any one entering the front door?” “I think so, sir.” “Did you?” "No, sir.” He turned hastily to the other. "Where were you, Mary, when Mr. Forrest discovered the body?” "I was upstairs, sir,” she answered apologeti- cally. “When did you go up?” After a pause: "About seven-fifteen, sir." "Did you see any one in the hall as you passed through ?” She hesitated and looked at Harry Forrest, who was watching her intently. As she did not answer, the coroner came over and stood before her. "Did you?" “Yes, sir.” It was like a breath. “Who was it?” “Miss Torrance, sir.” Sam's hands unconsciously grasped the chair in front of him. 52 WITHIN FOUR WALLS "What was she doing? Tell me what yon Baw," said the coroner. Mary was silent. "Come, now," he said impatiently, "yon saw Miss Torrance in the hall, you say. What was she doing?" "She ran oat of the front door." The words were scarcely andible. "Where did she come from? Speak up," and the tone was stern. "The library." Her words echoed like a hiss in the silent place, and Sam's hands convulsively clutched the back of the chair until his knuckles showed white. Something moved in the room. It was the body of the dead man, that had sagged stiffly to the arm of the chair. There was a sudden con- fusion as the two servants fled from the room. The four men looked at one another tensely for a moment. "Damn!" It seemed to come from the direc- tion of the constable. With this break in the silence that wrapped the room, the coroner cleared his throat and spoke gravely as he mopped his brow: "I would like to talk with Miss Torrance." The lawyer broke in huskily: "She fainted and has been put to bed. Please don't disturb her MARY'S TESTIMONY 53 to-night. The child has had more than she can bear just now." "When did she return after running out-of- doors?" the coroner asked. "Directly upon my arrival," replied the law- yer, and he looked spent. "Miss Torrance was with me." It was Sam who spoke and his voice was vibrant. "You met her by appointment?" The coro- ner regarded him closely for the first time. "No." The tone had an edge to it. "Miss Tor- rance heard what I did and we both rushed out to see what it was." "What was it?" suddenly on the alert. "A scream," he replied. "I heard it," came jerkily from the secretary. "I heard it last night, too." "Was there any reason why you did not go out to see what it was?" The coroner's voice was silky. "I stepped out on the veranda outside my room, but, seeing nothing, I dismissed it," he re- plied. "Living in an isolated spot like this, one is not surprised at strange sounds; and further- more I was busy with my papers." "I should think your argument at fault, per- sonally," said the coroner dryly. "What did you think of the cry, Mr. Lane?" returning to him. 54 WITHIN FOUR WALLS "I did not know what it was," Sam said slowly. "It sounded like some one insane with terror." "And that is why you ran out?" pertinently. "Yes," he replied. "It disturbed me so effec- tively the previous night, I wanted to find out what it was." "You heard it, then, the night before, also?" Sam inclined his head. "Did you see anything strange when you came out?" "No, I met Miss Torrance." "Did n't you try to locate the cry?" His eye- brows were quizzical. "I—forgot about it." His tone was embar- rassed and he was hotly conscious of a half-con- cealed smile on the constable's face. "I will call an inquest for to-morrow at nine, when I trust Miss Torrance will be able to be present," the coroner said brusquely. "Warren, you remain here to-night." Sam found Nora and Thomas waiting anx- iously in the hall when he came in. Nora approached him timidly: "Thomas met the coroner on the way to Torrance's," she said nervously. "Yes. I have just left them. Judge Torrance has been murdered." MARY'S TESTIMONY 55 "Did they—do they suspect any one?" Her voice was a whisper. "The inquest is to-morrow," Sam replied wear- ily. "There was hardly any evidence to-night. Mr. Forrest found him, stabbed in the back, in the library, at seven-thirty." Nora sank weakly against the door. Her eyes gazed past him and her husband, with such a look of recognition in their rigidness that Sam involuntarily turned as if to face some fourth person who might have entered behind him. There was no one there. When his eyes came back to Nora, she was trying to smile and wiping her face with her apron. The shaking of her fingers as she did so was the thing that remained in his memory. CHAPTER IX THE INQUEST A GRAY dawn was coming through the win- dows as Sam, wearied with a night of tor- menting thoughts, threw himself, fully dressed, on his bed. Over and over in his mind twisted the strange incidents that had preceded the murder. What had the telephone message meant? "By some she's called Donnie—" That voice on the tele- phone had cried out, "Donnie! Donnie!" Had she run out because of that cry? Her evasive reply to him in the woods distressed him. He thought of the little huddled figure on the ground,—her fear—the small curly head that had lain so helplessly against his arm later as he carried her upstairs. What a baby she had looked when he laid her on the couch in her room! He remembered her frightened glance as her eyes slowly opened,—and then the look of re- lief when she saw him leaning over her. "Am I in love with her?" he questioned himself wonder- ingly. 66 THE INQUEST 57 He recalled the moments when he had waited in the hall while Kate put her to bed—how the faithful little maid had brought him his coat, which he had forgotten, and assured him that her mistress was quieter. He must get to her the first thing in the morning, before the inquest if possible His thoughts trailed off in sleep. "It is eight o'clock, Mr. Lane. I brought your coffee up." Nora was bending over him,—but a different Nora,—with swollen eyes and trem- bling hands. He got up quickly, conscious of a painful throbbing in his head. "You did not sleep last night, sir! I heard you walking the floor." There was affection in her face. "No. I was over-tired and had much to think of." "It's terrible, sir, and in such a quiet neigh- borhood, too," she said breathlessly. "If you had seen the wholesale slaughter I have, in one-time quiet neighborhoods "he began bitterly, with a gesture of disgust. She gave him a startled glance. "You look as though you had felt it, sir." "I am sorry for Miss Torrance." His voice had suddenly become gentle. 58 WITHIN FOUR WALLS "Poor Miss Audrey!" Nora said sadly. "He was her father, after all, though he was a poor one and not kind." She caught herself as if she had said too much, and Sam noticed this as he turned and regarded her a moment. "He was not good to her?" he asked finally. "People used to wonder how she stood it, at times," she returned, shaking her head; "he was so cross; but, then, he was sick." "What was the matter with him?" "Heart-trouble, some said, and others thought it could n't be, for he had no heart." Her tone had become suddenly bitter. A thought held Sam for a moment. His gaze met the old woman's and then slipped past it, as he said in a voice he tried to make casual: "He called her 'Donnie,' didn't he?" "Yes, sir; he and Mr. Harry and one or two others often called her by that name. She gave it to herself when she was little." Nora was leaving the room: "It's half-past, sir. Are you going to the inquest to-day?" "Yes. I'll have to move right along, too. Why?" "Nothing, sir, I was just wondering what time they were going to hold it." "At nine." And as Sam crossed to the bath- room he noticed her rapidly descending the stairs. THE INQUEST 59 When he arrived at the Torrance house he found the lawyer and coroner already there with five strange men, four of whom were the jury, the fifth a reporter. With the help of the servants, the constable was arranging chairs in the par- lor. The door to the library was shut. As Sam greeted Mr. Jameson the secretary hurried down the stairs, and they went in to- gether and took their seats. "How is Miss Torrance?" He addressed the question to Harry Forrest. "Here she is now," was the evasive reply, and Sam looked up to see Audrey standing in the doorway. Her eyes slowly crossed the room till they met his and were held by them a mo- ment; then with a dignity that sat oddly on one so small she walked over quietly and sat down by Mr. Jameson. The coroner stood up pompously. "Well, now that we 're all here, let's get down to business," turning to Kate: "I did n't see you last night. Were you in the house?" "Yes, sir; I was upstairs with my young lady." "What were you doing at seven o'clock?" "I—I went up to my room at that time." "You were going out?" "No, sir." She kept moistening her lips and moving her hands with extreme nervousness. 60 WITHIN FOUR WALLS "Where were you at seven-thirty when the alarm was given?" "I was helping Mary fix over a dress." "Did you see or hear anything?" "No, sir." "No cry of any sort?" "No, sir. We were on the top floor and the wind was howling." "What was the first thing you heard?" "Mr. Forrest calling us." "What was Mr. Forrest doing when you came down?" "He was in the hall, phoning." "Was he alone?" "No. Sarah was there, and then Mr. Jameson came." "When did Miss Torrance come in?" "Just after Mr. Jameson arrived." "All right. Now, Mary, please repeat what you said last night!" She got up falteringly. "I left the kitchen about seven-fifteen, to go upstairs." She paused. "Go on." The words fell from her lips with a desperate rapidity that made them almost unintelligible. "I saw Miss Audrey run from the library and go out-of-doors." She stopped, her breath coming in gasps. THE INQUEST 61 Sam saw Audrey lean forward at the servant's words. "Then?" prompted the coroner. "I went to my room—Katie offered to help me with my sewing—I stayed there until I heard Mr. Forrest calling." "How was Miss Torrance dressed when you saw her?" "She had on her dark-blue velvet," said Mary. "Did she go out without first getting a hat or coat?" "Yes, sir," faintly. "How did she look?" The coroner leaned for- ward. "Tell me exactly the impression she made on you." "I can't say. I did not see her face, sir." "Were you not surprised to see her do this?" "No, sir. Not Miss Audrey." He dismissed her. Audrey sat back weakly. Her face had re- sumed its normal color. "Sarah, please. Repeat your story." "I know nothing, sir. I was in the pantry locking up for the night when I heard Mr. For- rest call." "What were your duties last night?" "I took Mary's place, as she wanted to finish her dress. I cooked most of the dinner, set the table, and waited on the family." 62 WITHIN FOUR WALLS "Tell me if you noticed anything peculiar in word, tone, or glance as you waited on the table?" She hesitated perceptibly. "Did you notice anything peculiar about Judge Torrance and his daughter? Remember, you are in duty bound to tell anything bearing on the case." "Well, I could not help hearing some words of a difference between them." Her voice was low and reluctant. "Just what was said?" "I can't say. At least—he said: 'I don't want to hear anything more from you about this. Consider the subject closed.'" "Will you state, please, her answer?" "I remember that she said,—'It can never be closed with me. You will regret the stand you are taking.'" There was silence in the room for a second. Then the coroner resumed: "Was Miss Torrance alone with her father at dinner?" "No, sir," faintly. "Who else was there?" "Mr. Forrest." "What happened then?" "I went into the library to latch the windows for the night. The Judge pushed past me in CHAPTER X THE UNEXPLAINED QUARREL AUDREY stood up quickly, her hands clasped tensely before her. "Would you please tell us what you were dis- cussing with your father at dinner?" questioned Dr. Birdsall. "I am sorry." Her voice was throaty. "I cannot. It was a personal matter and has no bearing whatsoever on the case." "You mean you refuse to say?" "If you will put it that way,—yes." "Why?" "I have told you; and, besides that, it would not be fair to—to my father." The coroner leaned forward, suddenly kind: "Miss Torrance, this is a serious matter, and those of us who are able to give any evidence of any nature should not refuse to do so. Your father has been murdered in cold blood. We are here to find out who did it. We should at least be able to count upon your help. There may be some clue, hidden to you, which would 64 THE UNEXPLAINED QUARREL 65 mean a ray of light in the right direction to the minds working on this case. Think a moment on this, and also of the reflection that your re- fusal will cast upon you, and I am sure that no matter how blackening it may seem to your father, you will not hold it back." In the silence that followed Audrey's body swayed a little, her head still lowered as it had been while the coroner was speaking. Sam felt the tension of the moment, with a keenness that was almost crippling in its force. Finally her voice came low but distinct. There was no hesitancy in it: "I cannot." "Very well," answered the coroner, and he looked at the girl who was now facing him with all her courage in her eyes. "You may keep still for the present, but understand that eventually you will have to divulge this secret in court." He spoke in a tone of judicial information. "To continue: You followed your father into the library. Why?" "We had not finished the topic we were dis- cussing." "I understand from the previous testimony that Judge Torrance had finished," dryly. "I beg your pardon," faintly. "I should have said I had not finished." "And now, Miss Torrance, I must ask you to 66 WITHIN FOUR WALLS tell us why you ran out-of-doors in an evening dress on such a night." "I heard a strange cry and wanted to see what it was. It did not occur to me to go upstairs first and get a wrap." The words were in- distinct. "Was it natural, do you think, for a young woman to do such a thing? Were you not frightened?" "It was natural for me." "Did you hear this cry the night before?" "No. Mr. Lane did, and told me about it in the afternoon." "Oh, you saw Mr. Lane in the afternoon?" "Yes." "You met him last night outside, also?" "Yes," faintly. The coroner leaned forward with an abrupt change of manner, his eyes on her face. "Have you any reason to suppose that your father had enemies?" Her young face for a few seconds had the look of a mask. "I do not know of any." A pause followed. "While you were in the library with your father, did he call up his lawyer as he had planned?" At this question Mr. Jameson leaned forward, anxiously awaiting her answer. THE UNEXPLAINED QUARREL 67 "No." He sat back in his chair with a look of relief on his face. "What was he doing?" continued the coroner. "We were talking!" "Did your father hear this cry?" "I do not know. I don't think so," and for the first time she showed hesitation. "Did that not occur to you as strange?" "No," she said slowly. "I rushed out and never gave it a thought. Furthermore, had I thought of it, I knew he was troubled with deafness." "What was he doing at that time?" "Going—through—some papers," haltingly. "Do you happen to know what Judge Torrance wished to see his lawyer about?" "I do not. My father did not discuss his business with me." Another question hung upon the coroner's lips. He did not utter it. Instead, he nodded in dismissal and rapped out like a machine: "Mr. Forrest, please." The secretary stood up quickly and advanced toward the speaker. "Mr. Forrest, I will ask you to repeat the conversation at dinner last night," said the coroner. There was a breathless pause before the secre- 68 WITHIN FOUB WALLS tary spoke, and Sam fonnd himself leaning for- ward tensely, as he knew how Audrey must feel, although a brief glance showed him that she was sitting perfectly still, her eyes on the floor. "I do not remember anything of consequence," was the cool reply. "It was as usual, Judge Torrance discussed his health, his business, his political views." "Do you mean to say you heard no argument of any kind?" "Nothing in particular. The Judge was a very irritable man, who wished every one to coincide with his opinion." "What, for instance, was discussed last night?" "I do not remember." "You mean to tell me that you were sitting at the same table with two people, and do not recall what they were talking about?" aggressively. "Exactly," replied the secretary, with a slight- ly rising inflection. "Judge Torrance was in a bad humor when he came to the table. I knew what sort of an evening it would be—just like many others—" bitterly, "and I withdrew from the conversation." "You have ears, I take it," said the coroner, sharply. "I was engrossed in my own thoughts," the Other continued. "I had told Judge Torrance THE UNEXPLAINED QUARREL 69 that I was leaving in the morning and I had many plans to make." "May I ask why you were leaving?" "I had tired of the country," Forrest returned wearily. The coroner's chair creaked as he leaned back in it, to exchange significant glances with his jury, and the scratching of the reporter's pen was the only sound in the room. With an impa- tient gesture Dr. Birdsall turned back and brusquely resumed the cross-examination. "What did you do when you left the table?" "I went upstairs to finish the arrangement of some papers that Judge Torrance had asked me to have in readiness, as he was going to phone Mr. Jameson to be here at seven-thirty." "Did Miss Torrance or her father say anything as they left the room?" "I did not see them leave the room." "Repeat what you found when you came to the library at seven-thirty, please." "When I went in I saw a pool of blood on the floor and the Judge lying back in his chair. I crossed quickly to him and found that he was dead; then I hurried out, called the servants, and phoned you." "Why did you not call Miss Torrance?" point- edly. "I did." 70 WITHIN FOUR WALLS "You did not say so." "I forgot it." "How did Miss Torrance look when she came in and heard the news?" "As any girl would look if she heard that her father had been murdered,—horrified." The coroner was nettled, and for a second busied himself with some notes he held in his hand. Then, turning abruptly back to the room, he dismissed the secretary quickly. CHAPTER XI BEADING THE Willi DR. BIRDSALL resumed: "Mr. Lane, I should like to ask you a few questions. You met Miss Torrance outside at what time?" "As nearly as I can judge," Sam replied after a second, "it was between seven-fifteen and seven- twenty." "Can you tell me just why you have this five minutes, between a quarter past and twenty, fixed in your mind?" "I haven't it fixed. I was trying to answer your question. I remember the clock striking seven, and it seems to me that an interval of fifteen minutes or so might have elapsed before I chanced upon Miss Torrance." "How long did you remain out?" "I do not know how long it was. As we ap- proached this house we saw Mr. Jameson enter- ing." "I see. That would fix the time between seven- thirty and seven-thirty-five. Where did you meet Miss Torrance?" 71 72 WITHIN FOUR WALLS The question was unexpected, and Sam paused a moment before answering: "On the path to the woods." "That is where, exactly?" Another pause. He could feel that Audrey was watching him keenly. Without knowing ex- actly why he did so, he answered with an effort to conceal the fact that he had met her after chasing her through the woods. "Running between our grounds," he said quietly. "You were not surprised to see her without a coat on such a night?" continued Dr. Birdsall. "I gave Miss Torrance my coat. She told me why she had come out; therefore, I was not surprised." "You, however, had taken this precaution and dressed properly, so must have left the house after she did." "I am afraid you have misunderstood me. I snatched my cap as I ran through the hall. It was my sack-coat that Miss Torrance wore." "You met, then, between your houses?" "Yes." The voice was tense. "Did you know that it was Miss Torrance who was on this path when you came out; or, in other words, did you expect to see her?" "No." READING THE WILL 73 "Mr. Lane, how long have you known Miss Torrance?" Same spoke clearly: "Since yesterday after- noon. I arrived in this country from Europe only the day before." The coroner looked his surprise. "Miss Tor- rance was known to you by hearsay, perhaps?" "No. But she was a close friend of my uncle's, who was a lifelong chum of her father's." "Ah, I see. Thank you, Mr. Lane; that is all. —Mr. Jameson, please." The lawyer arose quickly. Sam, watching him, thought he had aged overnight. "Did you receive a phone call from Judge Tor- rance last night?" "I did." There was a rustle of excitement in the room. The jurors looked at one another. "At what time?" "I cannot say exactly. I should judge about seven-twenty." The coroner leaned forward earnestly. "Will you think carefully a moment and see if you can remember any incident that would fix the time in your mind?" "I have been thinking; I will tell you what I recall. Torrance phoned and said he had in- tended getting me earlier, but had been delayed, and would like me to come to his house as near 74 WITHIN FOUR WALLS seven-thirty as I could. As my carriage was ready for another call I intended to make, I told him I would be right over. I passed directly out through the hall, and happening to look at the clock there noticed that it was just seven-twenty- six." "Did Judge Torrance tell you the nature of the business he had with you?" "Partly. He wished me to bring over some mortgages he was going to foreclose, and his will." He spoke reluctantly. "Have you the will with you?" "Yes." "Read it, please." The coroner and the jury settled back atten- tively. The lawyer opened a legal document and, ad- justing his glasses, read: "I, Lloyd G. Torrance, being of a sound and disposing mind, declare this to be my last will and testament I bequeath one-half my estate at my death, including Tor- rance House, to my daughter Audrey, be she maid, wife, or widow, and to her heirs according to her dictation. "Three quarters of the remaining estate I bequeath to Harry Forrest, my secretary, who is distantly related to my house, for valuable services rendered over a number of years. This legacy I bequeath outright, to be disposed of as said party sees fit. "To Robert Jameson, my trusted friend, I bequeath $10,000 outright. "The remainder of the estate shall be constituted a trust fund for my three faithful servants, Kate Crehan, Sarah. READING THE WILL 75 Hardy, and Mary Eyan, now serving in my house, and I appoint Robert Jameson to conduct this according to his judgment with the assistance of any he may choose to secure. My intention being that an equal allowance be paid to the three monthly, while they live, and revert to the estate at their death. The same to be invested by him in revenue bonds and at their death the allowance to be paid monthly to my daughter, or in the event of her death to her issue. In the event of her death without issue, this money will still be constituted a trust fund, and under the guidance of Robert Jameson, or whomever he may appoint in the event of his death, be used for the furtherance of medical research toward the elimination of cancer. And I hereby appoint Harold Green, Notary Public, executor of this last will and testament. "I herein set my hand and seal this day of our Lord, Saturday, November the eleventh, One Thousand Nine Hundred and Sixteen in the presence of these witnesses. "Lloyd G. Torrance. "Witnesses: James Bowman. "Thomas Curry. "Charles Small." The lawyer quietly folded the paper and took off his glasses. The coroner broke the silence that followed the reading: "Mr. Jameson, did Judge Torrance intimate to you that he was considering chang- ing his will?" "He did not. He merely asked me to bring it." "Thank you.—Now, Mr. Forrest, I should like to ask you another question. You were familiar with Judge Torrance's affairs. I believe you were collecting some papers for his interview with Mr. Jameson. What was the nature of them?" 76 WITHIN FOUR WALLS "I have them with me," and the secretary handed them to the coroner. "You will see they are correspondence concerning the mortgages." "Did you know whether or not Judge Tor- rance contemplated changing his will?" "I did not," he answered quietly. "I was Judge Torrance's secretary, but by no means conversant with all his affairs." CHAPTER XII HENRY BLAKE, DETECTIVE I AM going to wire for Henry Blake, of Cruik- shank and Blake," said the lawyer. He was standing in the hall with the coroner. "I have been talking with Miss Torrance and she has asked me to do what I think best." "Of conrse,—just as you like. There is not sufficient evidence to make any arrests at pres- ent, and another mind at work on it would not be bad." "He is that young detective," the lawyer con- tinued, "who has made some very clever round- ups in the underworld, you know!" "Yes, I have read something about him. I can see how your mind is running. You think this is some gang-work,—an outside job," re- plied the coroner. "Of course/' and the lawyer's tone had a brusque edge to it. "I have known these people all my life. I went to college with Torrance, —held little Audrey in my arms when she was a baby." His eyes were moist. "I have always 77 78 WITHIN FOUR WALLS respected Harry Forrest. The servants are de- voted. Torrance once told me confidentially that none of the legatees knew the contents of his will." “Personally, I understand how you feel. I admit these things have had their weight with me, too, but one cannot allow sentiment to inter- fere with law. A murder is a murder. Would you mind telling me if you have any legal reason for thinking this outside work?” The lawyer spoke carefully: “Torrance was a man who laid himself open to attack, as you know. His years on the bench were not pleasant ones. His attitude, for a judge, I might say, was not always impartial.” “But specifically," the coroner said quickly, "do you know of any one?” "No. There might have been many who wished him ill. That is to be found out." “How do you account for the closed windows?” His smile was tolerant. “I should think,” replied the lawyer, quietly, “that a servant who had not heard Miss Tor- rance go out at the door, would not have heard any one come in." “Rather a daring entrance,—through the front door,—I should say,” retorted the coroner. “It was a daring murder," was the rejoinder. “What do you think of this hypothesis?—Sup- HENRY BLAKE, DETECTIVE 79 pose the murderer had seen through the window that the Judge was alone, and to go back farther—had noticed Forrest and Kate go up- stairs located Mary and Sarah in the pantry -had even seen Miss Torrance leave the house, and, believing the coast clear, entered ?” “Rather an overdrawn theory, I should say. How do you account for that cry?” "Don't think it had anything to do with it. That cry was heard on the night before, as well." The coroner laughed. “All right, follow it up your way. Get this fellow Blake on the job and tell him what you think. I'll run along a little track of my own for a while.” He was a stout, easy-going, well-meaning man, the village doctor,—used to a small practice in a small town, and now for the first time, in his capacity as coroner, handling a life-sized job. He turned away, giving a few directions to the constable, and bustled off. Sam found himself walking down the path to the woods. Depression weighed upon him. While he was speaking with the constable, at the end of the inquest, Audrey had slipped out. He had not seen her again. Upon inquiry he had learned that she had gone to her room and Kate had gone with her. His mind turned to but one thing. What could he do to be of help to her? 80 WITHIN FOUR WALLS He had watched the effect on the jury, at the inquest, of the account of the quarrel between Audrey and her father. He wondered in what way this quarrel could be of significance. Her silence regarding it puzzled him. What could it have been about? What possible reason could she have for this silence? Not having known the murdered man, he was at a loss to answer this question. He recalled the voice he had heard over the telephone, and that terrible ejacu- lation. He was glad that there had been no possibility of its disclosure at the inquest, and glad, too, that he alone had heard it; for, as he had been silent instinctively then, he would be always. He turned back and with rapid steps was hurrying in the direction he had come. He must see her and offer his services. Whatever she had hidden that would harm her, he felt sure she would confide in him and trust to his judgment, Kate opened the door for him. "The under- takers are here, sir, in the library, and a telegram has come from Mr. Blake that he will arrive this afternoon." Sam realized as she spoke that she regarded him as an ally. "Is Mr. Forrest in?" he asked. "No, sir; he went to the village to make the arrangements for the funeral." "Ask Miss Torrance if she will see me." HENRY BLAKE, DETECTIVE 81 He turned unconsciously toward the library, where he could hear the low voices and soft steps of the undertaker and his men. He drew him- self up with a shrug of repulsion. His mind flew back to Europe. He had prepared men for their graves and buried them with his own two hands at dead of night,—men he had loved. He remembered the night he had laid his "bunkie" down while he dug the grave,—how the body had suddenly disappeared before his very eyes. He carried a piece of the shell himself,—would al- ways carry it. Would life in its pathos or joy ever hold for him anything that would entirely blot out those years? Audrey was standing beside him. Her face seemed all eyes. Turning to her with one of his quick gestures, he held out both his hands. She gave him hers and for a space neither spoke. "You have come to help me," she said, reading the earnestness in his face. "Yes," he replied, deeply moved. "Tell me what I can do." "I do not know. I am all at sea. It is—so terrible—I cannot even think clearly." "You must try to think. Tell me of any word, gesture, anything you have noticed this past week—this past year, even—that has stayed in your memory, that might give me the smallest clue." 82 WITHIN FOUR WALLS "I cannot think of anything. I don't seem to remember what I was doing a week ago. Oh—" and she began to cry. He drew her masterfully into the parlor to a chair and bent over her for a moment, still hold- ing her hand. His voice shook as he spoke: "Do try! Others will have their minds working on this. I am working with my heart! Maybe some little thing that will escape them, I will discover. Trust me, can't you?" She raised her eyes as he spoke, with a look so searching, so expectant, that he braced himself to meet it, hoping that in the tenderness of his look she might find what she sought. However, when she did not answer him, he continued: "Can you at least answer some questions?" She nodded. "I heard a strange cry over my phone at seven o'clock on the night of the murder. These were the words:" He said them clearly, his eyes on her bowed head—" 'Donnie! Donniel Oh, my God!'" He saw her body stiffen. "Can you tell me what they mean? I learned later that that was a pet name of yours, and I connected the two, of course." She was silent. "Audrey," her name breaking from him in his excitement, "for God's sake, can't you tell me anything? How am I going to help you?" 84 WITHIN FOUR WALLS They heard the front door closing and Sam released her hand. Harry Forrest stood between the portieres, silently regarding them. CHAPTER XIII THE MISSING LETTER FROM ZANZIBAR AUDREY was the first to speak. "Mr. Lane has offered his assistance, Harry. He wants to help—" The sentence ended abruptly. "Yes?" His voice had a slight rising inflection as he stepped into the room, and when he con- tinued it was without any further notice of Sam. "I saw the detective Jameson wired for while I was downtown. I think he 's trying to pick up a few clues before presenting himself at the house." Although his tone was casual, Sam felt that he considered his information of importance to Audrey, and he noticed that she was listening in a breathless way. "Mr. Lane," he added, as an afterthought, "they are going through the Judge's papers this afternoon, and the coroner has asked me to be present to answer questions. Would you care to come along? You see, I am beginning to take advantage of your offer." "I should like to, very much," Sam replied. "Well, I '11 go up ahead and get things ship- shape there. Everything has been sealed since 85 86 WITHIN FOUR WALLS last night," And he left the room hurriedly. "I suppose it's right to have a man like this Blake; Mr. Jameson thought so. But oh, I hate it!—this prying into your life by strangers!" There was disgust in Audrey's tone. "I know how you feel, but this sort of thing has to be done, and you can't tell,—this chap may be a decent sort of fellow." Sam spoke con- solingly. The constable came into the room. "I guess that's the detective coming down the drive," he said, as he pulled aside the curtain. "Smart- looking chap." They watched him as he approached slowly on foot. He was studying the house and grounds carefully. A carriage was turning into the drive and they could see Mr. Jameson and the coroner in earnest conversation. "I '11 run up and let Forrest know they 're here," Sam said suddenly, and took the stairs two steps at a time. The secretary was coming out of a room on the second floor; a small parcel wrapped in brown paper was in his hands. He pushed it hurriedly into his pocket when he saw Sam. A bit of the blue string that tied it caught Sam's attention as it hung down on his coat. "They 're here. I thought I 'd let you know," Sam said, but involuntarily his tone had become THE LETTER FROM ZANZIBAR 87 cold. He wondered what was the matter with this man, that he did not like him. For he did not. There seemed to be an impenetrable secrecy about his every act,—a caution that evaded one, a fox-like furtiveness caught in an occasional tone or glance. They descended the stairs quiet- ly together. Audrey was in the hall, talking with Mr. Jame- son. Through the door to the library they could see the coroner and constable going over with the detective every detail connected with the crime. He held the notes of the inquest in his hand and was constantly referring to them as he listened. "When you 're through, Birdsall," said Mr. Jameson at the door, "we 're all ready." "We '11 be right along," said the coroner, and, after replying to some query of the detective's, he followed the others upstairs. Harry Forrest, leading the way, turned into the room that Sam had seen him leaving, when he ran upstairs to call him. The place was large and sparsely furnished. A mahogany secretary stood in one corner, and a long, low table with two drawers in it was in the center. With the exception of these and two or three straight-backed chairs, the room was empty. "This is the study," said the secretary. "Judge 88 WITHIN FOUR WALLS Torrance kept whatever papers he had in the house, here. The rest were with Mr. Jameson." "I have them all with me, as you know." The lawyer addressed the coroner. "All right. Will some one rustle a few more chairs here?" "I '11 do it!" Harry Forrest said eagerly,— almost too eagerly, it seemed to Sam, who watched him in perplexity as he left the room. Didn't he run upstairs before the coroner ar- rived to 'get things ship-shape,' to use his own words? Well, what had he done? Nothing, apparently. Sam glanced around. There was the coroner's seal on the desk and also on the drawers of the table. His gaze halted on an object. Under the desk was a small tin box. It was not sealed. Why was this an exception? The detective, who had come in after the others, was standing with his back to the win- dow, facing the room. He seemed to be study- ing its occupants. Attention came back to Forrest as he entered, hauling a few light chairs after him in a boyish way. It seemed to Sam a significant intentness had come to the young man's face, an energetic brightness to his eyes. He felt himself waiting anxiously for the first words Forrest should speak. And they came. THE LETTER FROM ZANZIBAR 89 "Dr. Birdsall," he said, the tone impulsive as if he had suddenly remembered something, "last night when you closed this room I thought every- thing was in it that belonged here. I recalled this afternoon that Judge Torrance had taken a small deposit-box out yesterday morning. I found it in his room and brought it here." As he spoke he lifted it from under the desk to the table. "The keys, I believe, are in one of the sealed drawers." While Sam listened to these words his fasci- nated eyes were glued on the blue string hanging from the pocket of the speaker's coat. "This box is as you found it?" asked the coroner. "Of course." "You should have notified me of its absence and not searched for it yourself," he snapped sternly. "I 'm sorry. I understand very little about these things and merely wished to be of assis- tance," was the reply. The coroner broke open the seals on the drawers of the table and looked through both thoroughly. There were no keys,—just an array of miscellaneous papers, nearly all blank. Harry Forrest looked surprised. "I am sure there were keys there yesterday morning." 90 WITHIN FOUR WALLS "Well, there are n't now. Come and show me where you found the box." They left the room and the secretary led him to Judge Torrance's bedroom. "It was stand- ing on this bureau. I simply picked it up and walked across the hall with it," he explained. After an inquiring glance about, the coroner pulled out one of the small drawers over the marble slab. Some keys lay there. "Are they the ones?" he asked and watched Forrest as he fingered them. "Yes, I think so." "Which one fits the box?" Dr. Birdsall asked quickly. "I don't know," was the answer. "But you 've known them well, have n't you?" "Not well enough for that." "Familiar keys have a familiar look; at least they have to me." "But these were not familiar keys. I saw them very seldom," and the secretary's tone was quietly hostile, for the other's voice and glance had a touch of veiled suspicion. "I hope I have made that point absolutely clear to you, Dr. Birdsall. I seldom saw these keys. I knew almost nothing about this box." "All right, all right." The reply was easy and dismissing. "Now, let's get on to the rest," and, carrying the keys, he returned to the study. THE LETTER FROM ZANZIBAR 91 Forrest followed him thoughtfully, darkness in his brooding face. The coroner went directly to the box. He had to try several keys with no result. Sam, sitting near Audrey, could hear her hurried breathing as she watched the thick, capable fingers at their work. Finally the lock was turned. The lid fell back. The box was empty. "Do you know what Judge Torrance was in the habit of keeping in this box?" "I do not," replied the secretary after a mo- ment's surprised silence. "It was generally in this room and always locked. I happened to re- member that the Judge took it away with him somewhere yesterday morning. Perhaps he meant to put something in it and had mislaid the keys. I brought it back to its usual place." There was a pause that somehow had a hollow- ness as dreary as the emptiness of this box, so carefully and, apparently, needlessly locked. The coroner roused himself. "Warren, go in and search the bedroom across the hall. See if there are any papers anywhere. I '11 finish here. He crossed to the desk and opened it. It was filled with old check-books, stationery, some cor- respondence. Silently he went to work. Harry Forrest drew his chair over and explained each article that the coroner was examining. Letters 92 WITHIN FOUR WALLS from tenants, bills, etc.; canceled checks of large and small denominations; an abusive letter from a man whose mortgage Judge Torrance had held. “Where did you get the papers you turned over to me this morning?" asked the coroner, suddenly. "I had them in my room. It was the corre- spondence the Judge desired to take up with Mr. Jameson last night. You had closed this place, so I held them for the inquest.” “Why did n't you give them to me last night?" he asked. “If you remember, I held them in my hand while we were in the library; in the excitement they slipped my mind.” “Miss Torrance.” It was the detective who spoke. "You received a letter yesterday after- noon late; had it any bearing on the discussion with your father at dinner, that I notice men- tioned in these papers?” She had the look of a frightened bird. "No," she answered in a low voice. “Have you the letter now?" Her expression did not change. "I—I do not know exactly where it is.” Sam saw Harry Forrest turn quickly and look at her. “Whom was it from? It came from a dis- tance?" THE LETTER FROM ZANZIBAR 93 "Just a friend who is traveling. There was nothing of consequence in it." “The postman tells me you were excited when you received it,—that you stared at the envelop and then rushed into the house." “Even a letter is an event here,” she replied. "You are sure you did not destroy it?” he asked quietly. “Quite sure.” He came quickly to her side and held some torn fragments of an envelop, pieced together in his hand, close to her eyes. "This I assume is the envelop," and read slowly: “ Zanzibar,' is it not?" “Yes." “And the handwriting is a man's,” he declared. “Yes," came in a dull way, and so faint it was scarcely heard. From the first words spoken of this letter com- ing out of the great distance, a dreary and con- clusive feeling had been spreading in Sam's heart. This letter from Zanzibar? “Why did you tear up the envelop? You can answer that, surely," the detective said persua- sively. Her frown was helpless and tired. "No. One does things absent-mindedly when there seems to be no reason for remembering them. I think that tearing up envelops is just a habit of mine." 94 WITHIN FOUR WALLS "But it surely is not a habit to let the enclos- ures fade so completely from your mind that you can't tell anything about them!—although, in this case, you did not tear it up, nor, as far as we see, place it anywhere in the house, nor give it to any one." The tone was the professionally mocking one of a detective. Sam saw Audrey's soft young face grow set, and it flashed through his mind that the most child-like woman can fight for herself in a crisis. Her tone was calmer when she spoke again and her eyes were like a clear pool as they gazed at her questioner. "I can only repeat what I have said. You see I did not recall destroying the envelop." "Yet I found it in the basket in your room." "Oh!" Her tone was filled with a dull pa- tience, and she added: "Then, of course, it was I who tore it up." Constable Warren returned. "There's noth- ing in that room anywhere." "And there's nothing here," replied the coro- ner, turning from the desk that was now littered with papers and canceled checks. "Have you any objection to my running through these things?" Sam asked, going to him. "Privately, I might be able to be of a little assistance." THE LETTER FROM ZANZIBAR 95 "None at all, my boy; go right ahead. This," waving his hand toward the papers, "is abso- lutely worthless. Just straight business. I have taken this letter," tapping the abusive one, "and I 'm going to run downtown and have a talk with Ben Crane, who wrote it. Can't leave a stone unturned, you know," and he went out of the room hurriedly. The group had broken up. Sam could hear Audrey's door close across the hall. Harry For- rest and Mr. Jameson left the room together, followed by the constable. He was alone with Blake. "Rather a mixed-up affair, isn't it?" the de- tective said genially. "That girl's a firebrand, I tell you! Close-mouthed is n't the word when it comes to getting anything out of her. She shuts up like a trap. You 'd think she had some- thing to hide. Some looker!" he went on. Sam's flesh crept with repulsion, but a hidden instinct in him warned that if he was to get any- where, even to having easy access to this house, he must placate this cock-sure, vulgar man. He observed him carefully. In appearance rather young and self-assured. His face was not a bad one. The word that stood out in Sam's mind as he watched him going through the drawers of the table was "cheap." Just the sort that would delight in the most obnoxious cases,—listen at 96 WITHIN FOUR WALLS keyholes and go through waste baskets with per- sonal enjoyment! "It's baffling, to say the least." He was care- ful to answer pleasantly, and turned to the desk. Blake followed him. "Have you formed any opinion on it yet?" asked the detective. "I am inclined to agree with Mr. Jameson," Sam said guardedly. "He thinks it's some gang- work on the outside." "Well, I don't," came the reply in a positive tone. "It's gang-work, all right. But the gang's right here." "You mean ?" Sam's breath halted as he turned and looked at him. "I 'm not telling what I mean, just now." And with a slow, knowing nod he let one eyelid fall, as if dead, while the gaze from the other was as keen as a ferret's. Sam said nothing to this dumb show and turned quietly toward the desk. His hands were clenched as he watched Blake swagger from the room. CHAPTER XIY THE HIDDEN PACKAGE SAM'S hands moved slowly through the mass of papers. "What in the devil did that fellow mean?" was his thought. The misery of the whole situation was clear to him. It was Blake's right as part of his work to pry into every corner of the house, piece together every tangible bit of evidence in the effort to find the taker of a life. Yet what pain it caused! what other secrets it might disclose! what old griefs, perhaps shadowed with shame, might show their gray faces! He recalled the words about the letter from Zanzibar and the white reluctance of Audrey's face at the questions, before she hardened. He felt how her sensitive soul had shrunk at the pry- ing into things that, though innocent, hidden in her heart, could under suspicion be made to take on the complexion of guilt. He loved her, he knew now,—and, he feared, vainly. Yet in this troubling secret, whatever it was, and that had 97 98 WITHIN FOUR WALLS to do with another man, his heart went out to her in a passion of protectiveness. He quieted the tumult in himself and went on with his work. Check after check fell from his hand, of no consequence. On the last his gaze paused and then became fixed. "That's queer," came from him in a hushed way as he studied it. "Dated thirty years ago and in here with all these recent ones." It was drawn to "Anne Wolfe." In turning it over he found that it had been cashed in a bank at some place in Pennsyl- vania. The name was almost obliterated. Hold- ing it close to his eyes, he followed the circle of blurred letters,—"Cotesville." He had never heard of the place. The endorsement was in a delicate, old-fashioned handwriting, written with a fine pen. Sam slipped it into his wallet, with the resolve that he, himself, would run down this particular clue. It was growing darker out, was nearly dinner- time. He suddenly felt fatigue. He could hear voices in the hall and then the shutting of a door. Kate was coming up the stairs as he descended. "Miss Torrance sent me to find you," she said, stopping at sight of him. "She wants to know if you will stay for dinner to-night, as she wants to talk with you." His heart was beating quickly as he answered THE HIDDEN PACKAGE in the affirmative. “Shall I have time to change?” “Dinner will be ready in fifteen minutes, sir, and she said you should wait in the parlor.” Sam had scarcely reached the room when Audrey joined him. “Has anything happened?” he asked quickly, noticing her drawn face. She looked around, making sure that they were alone. “I feel I can trust you with anything. I can, can't I?" hysterically. “I have no one else to turn to.” With an effort he controlled himself. “Abso- lutely.” “You will help me not ask any questions- just do as I tell you—will you?” “Yes." “My letter I cannot find it.” She was trembling. “You mean the letter-from Zanzibar—that Blake spoke to you about?” “Yes.” “Has it any significance?” He paused, abashed. Her face showed pain. "You were not to ask any questions." Her voice shook. "I will not,” resolutely, “but how can I help you, all in the dark, this way? Can't you say anything to assist me? I'll do anything for you, anything; only tell me what it is." 2679944 100 WITHIN FOUR WALLS “Find it, then; learn if Blake has it. Let me know that. If I knew he had it, I should know how to act.” For a moment he stood, quietly thinking. "Do you remember where you had it last?" “I carried it in my hand to the table.” “Then?” “I cannot remember it after that. Kate has looked everywhere, even in the library," with a shudder. “Kate," he said, surprised. “Yes, she can be trusted. She is absolutely loyal to me." “What do you want me to do?” As he said this the whole sum of his loyalty was in the tone. “Will you look on the path to the woods? Try to discover, if it is not there, if the detective has it.” “Yes. Have you asked Forrest about it?" A spasm of fear contorted her face. "He must know nothing,-nothing! Do you hear?” Sam was mystified, but he assented. Her little hands were like ice as he took them in his. They seemed so piteously small against her black dress. “How I long to drive all these fears and horrors out of your life!” he said tenderly. "If you would only let me! I have put myself blind- ly at your service, and I am always coming up against a stone wall. You do not trust me yet.” THE HIDDEN PACKAGE 101 Involuntarily he had drawn her to him. She was looking up into his eyes. Could it be pos- sible that there was something other than friend- ship there? Suddenly she drew away from him. "I do trust you," she said, “or I should not have told you as much as I have. But I cannot tell you what would harm some one else. It is not my secret; therefore, I have no right to hand it on to another. You see that, don't you?” Before he could speak, Mary was at the door. “Dinner is served, Miss.” They found Harry Forrest already in the din- ing-room. He seemed preoccupied, and at first the meal was a silent one. “That fellow Blake is an awful fool!” he ex- claimed suddenly, as if giving voice to his thoughts. "He's worse,” said Audrey, bitterly. "He's a boor. You can feel sorry for a fool.” “What's the matter?" Sam broke in, by an effort making the question pointless. "Have you been on the grill?” “I should say I have! 'How long have you been here?-You were related to the Judge, were n't you?—What kind of work did you do for him?— Did you like him? et cetera, et cetera, et cetera,” he mimicked, and so perfectly, that the others could hardly suppress a smile. “But asking questions and ferreting out the THE HIDDEN PACKAGE 103 sank it seemed to Sam that a look of weary fear showed faintly in her shrouded face. When the two men were left alone Sam turned quickly to Forrest: "What did this fellow Blake ask about Miss Torrance?" The secretary measured him with a glance. "He was not favorably impressed with her silence on some matters," he said evasively. Sam paused to light a cigarette, and then abruptly changed the subject. "Are you going to stay on?" he asked. "I doubt if I could leave now, if I wanted to!" Forrest's tone had as much defiance as anger. Then with a complete change of manner that had a touch of nervousness in it, "Do you know if Blake is returning here to-night?" he asked. "Yes, he is. He told me so." The secretary finished his dinner in preoccu- pied silence. There was concentration of thought in his eyes. This was so deep that he remained mute when Sam, to break the silence, asked him a trivial question. A moment later he rose hurriedly. "You '11 excuse me? I 've something to attend to," he said, and, avoiding Sam's eyes, he went out. His manner and actions left a feeling of uneasi- ness in Sam's mind, and involuntarily he stepped out into the hall. He could hear the secretary go 104 WITHIN FOUR WALLS into his room above and softly shut the door. Careful to throw away his cigarette, he walked upstairs to the study. But before he had a chance to touch the electric button the door op- posite opened slowly. Forrest was standing, listening, outlined by the light behind him, and in his hand was the brown parcel tied with blue string. Sam, almost breathless, watched him go cautiously up to the third floor. As cautiously he followed and, peering through the banisters, saw him enter a room and shut the door. He barely had time to step into a niche at the turn of the stairs, when the man returned, stopped in the opening, then at the head of the steps, listened, and crept down without a sound. Sam waited. When perfect quiet pervaded the house, he went into the room that the other had just left. It was empty except for a few trunks and they were locked. The open window caught his attention. “Could he have thrown it away? Was it the knife?" ran through his mind. He leaned out at the open casement. In that shadowy spot the stars gave little light. Nothing could be seen. His hand felt the eaves, and by some impulse he ran it along a good distance to left and right, then under, into the curve going beneath the sill. A sharp board jutting out scratched him. When THE HIDDEN PACKAGE 105 his fingers met an unexpected obstruction below this, they fastened upon it and he carefully drew it out. It was the brown parcel tied with blue string. His eyes, hushed in expression, had a curious look of triumph as he secreted it inside his coat. A moment later he had reached the study, turned on the light, and was bending over some papers. The door to the secretary's room opened. “Oh, it's you!” he said casually, yet with a certain uneasiness. “I thought our worthy sleuth had arrived." Sam forced a smile. The man was becoming almost repugnant to him. "I imagine there's nothing else to be found here," he said at last, indicating the papers. “No, I don't think they are very valuable," was the other's reply. “Do you know any one named Anne Wolfe?” Sam asked, following a sudden thought. The answer came with assured frankness : “No, I don't. Why?” Sam drew the old check from his wallet and held it to him. “I found this a little while ago. What do you make of it?” Forrest examined it as carefully as Sam form- erly had done. He looked up, his expression 106 WITHIN FOUR WALLS honestly blank: "Nothing," he said.