id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_jl3ufvuuwzacbac4s4k4slx7mi	Barbara A. Tenenbaum	At the Crossroads: Diego Rivera and His Patrons at MoMA, Rockefeller Center, and the Palace of Fine Arts. By Catha Paquette. Austin: University of Texas Press, 2017. 130 photos. Pp. 342. $95.00 cloth; $29.95 paper	2018	3	.pdf	application/pdf	1523	91	61	converging histories of Manuel Lozada's life, peasant rebellion, political boundaries, And although Brittsan has mined archives in Guadalajara and Mexico City, along with a few other sources, to recreate the political culture of Lozada and his peasant At the Crossroads: Diego Rivera and His Patrons at MoMA, Rockefeller Center, and the yet another discussion of Diego Rivera and the mural proposed for Rockefeller Center. (MoMA) in New York City, largely a Rockefeller project. the conflictive situation in New York affected Rivera's art and how it came to be that Street Democracy: Vendors, Violence, and Public Space in Late Twentieth-Century Mexico. García explores the historical experience of the street vendors as they resisted corrupt formed independent unions, like the Popular Union of Street Vendors (UPVA), they Mendiola García's interviews with street vendors and student organizers offer rare groups, the politics of the union, repression by the government, the neoliberal turn of	./cache/work_jl3ufvuuwzacbac4s4k4slx7mi.pdf	./txt/work_jl3ufvuuwzacbac4s4k4slx7mi.txt