id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_mydjujgllng67g2brahacanary	Jean Marie Carey	Modigliani	2018	4	.pdf	application/pdf	937	52	50	Art historian Jean Marie Carey reviews the Tate's Modigliani catalogue and is impressed by Edited by Nancy Ireson and Simonetta Fraquelli with essays by Cathy Corbett, Sophie Krebs, https://www.museumbookstore.com/account/login https://www.museumbookstore.com/account/register https://www.museumbookstore.com/cart https://www.museumbookstore.com/cart https://www.museumbookstore.com/cart https://www.museumbookstore.com/pages/about-us https://www.museumbookstore.com/blogs/blog https://www.museumbookstore.com/blogs/book-review "Could Modigliani have been the same without Paris?" asks Sophie Krebs in the chapter "Modigliani and Paris," one of the opening essays in the catalogue accompanying the retrospective In addition to presenting a mind-opening trove of works far less wellknown but surpassingly more fascinating than Modigliani's nudes, the catalog contains carefully By creating work that appeared both out of time and unmistakably of his era, Amedeo Modigliani https://www.theguardian.com/artanddesign/2017/nov/21/modigliani-review-%20tate-modern-%20a-gorgeous-show-about-%20a-slightly-%20silly-artist The catalogue is arranged thematically, with an introduction ("Modigliani and Modernity") by Anna who both supported and guided the artist's career, even looking after him during Modigliani's bouts and the catalogue is Modigliani's prowess as a sculptor. Looking at Modigliani's work today, and connecting it https://www.museumbookstore.com/blogs/book-review/www.germanmodernism.org	./cache/work_mydjujgllng67g2brahacanary.pdf	./txt/work_mydjujgllng67g2brahacanary.txt