id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_pzk4qcmwfjfq7muzhddjjgwqay	ROBERT HIRSCH	World In a Jar: War & Trauma	2009	21	.pdf	application/pdf	6260	429	65	images to explore the workings of our collective societal memory of visual sources of history, which allow me to rework and reinterpret images to explore life's Big issues and to ponder what history images freely float in an ambiguous and enigmatic space, encouraging viewers to interact and expand meanings based on their own The Burchfield Penney Art Center to view the World In a Jar installation by Our society's cultural heritage is founded on a practice of transformative art – one of borrowing, sharing, re-borrowing, and Most of the project's images were made from other photographs, as questioning the nature of the photographic image. Such a multiplicity of images, as in World In a Jar, makes People do not seem intimidated by images Engaging images acknowledge the complexity of life through their most people acknowledge evil in terms of human cruelty with acts without critically thinking about the results of their action or	./cache/work_pzk4qcmwfjfq7muzhddjjgwqay.pdf	./txt/work_pzk4qcmwfjfq7muzhddjjgwqay.txt