id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_raqr2dgvyfeb7hnp6pn6tkek7u	Emeline Pouyet	New insights into Pablo Picasso's La Miséreuse accroupie (Barcelona, 1902) using X-ray fluorescence imaging and reflectance spectroscopies combined with micro-analyses of samples	2020	6	.pdf	application/pdf	3769	293	65	The existence of underlying structures in an x-radiograph of La Miséreuse accroupie (1902), a Blue Period painting in the Keywords Picasso · Pigment identification · Hidden composition · Macro X-ray fluorescence · Fiber optics reflectance Picasso's early works, offering conservators and art historians insights into the artist's process [1, 3–8]. paint losses (Fig. 1c, area (3)) were respectively imaged. observed in high content in the blue areas of the painting. confirm that the shawl is painted with a mixture of Prussian blue with a yellow pigment (Fig. 3b) and lead white. paint this underlying area was key to allow the imaging New insights into Pablo Picasso's La Miséreuse accroupie (Barcelona, 1902) using X-ray fluorescence imaging and reflectance spectroscopies combined with micro-analyses of samples New insights into Pablo Picasso's La Miséreuse accroupie (Barcelona, 1902) using X-ray fluorescence imaging and reflectance spectroscopies combined with micro-analyses of samples	./cache/work_raqr2dgvyfeb7hnp6pn6tkek7u.pdf	./txt/work_raqr2dgvyfeb7hnp6pn6tkek7u.txt