mv: 'input-file.zip' and './input-file.zip' are the same file Creating study carrel named pabloPicasso-from-scholar Initializing database Unzipping Archive: input-file.zip creating: ./tmp/input/pabloPicasso-from-scholar/ inflating: ./tmp/input/pabloPicasso-from-scholar/work_putqykgvy5betdmg7jwak52hj4.pdf inflating: ./tmp/input/pabloPicasso-from-scholar/work_vdigdiq3bfh7ngrcjlwcluk7wm.pdf inflating: ./tmp/input/pabloPicasso-from-scholar/work_7hwd3gqirzbu5n2pvk7maimsve.pdf inflating: ./tmp/input/pabloPicasso-from-scholar/work_s7d4uiswozdezpjj73ghuwdogm.pdf inflating: ./tmp/input/pabloPicasso-from-scholar/work_6usyt4f6c5cmfa6tctfemo6bwy.pdf inflating: ./tmp/input/pabloPicasso-from-scholar/work_eas6axtsbjhfljsqjnpedinjg4.pdf inflating: ./tmp/input/pabloPicasso-from-scholar/work_bq4wh2vkuza6jlxtghx5b45sry.pdf inflating: ./tmp/input/pabloPicasso-from-scholar/work_pgbyrtel4fbubhglbnokwwoxbm.pdf inflating: ./tmp/input/pabloPicasso-from-scholar/work_ndpuahayjffehcbvy6ozv37wvy.pdf inflating: 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JPEG2000 files will not be processed. See https://pdfbox.apache.org/2.0/dependencies.html#jai-image-io for optional dependencies. Apr 05, 2021 9:42:39 PM org.apache.tika.config.InitializableProblemHandler$3 handleInitializableProblem WARNING: Tesseract OCR is installed and will be automatically applied to image files unless you've excluded the TesseractOCRParser from the default parser. Tesseract may dramatically slow down content extraction (TIKA-2359). As of Tika 1.15 (and prior versions), Tesseract is automatically called. In future versions of Tika, users may need to turn the TesseractOCRParser on via TikaConfig. Apr 05, 2021 9:42:39 PM org.apache.tika.config.InitializableProblemHandler$3 handleInitializableProblem WARNING: org.xerial's sqlite-jdbc is not loaded. Please provide the jar on your classpath to parse sqlite files. See tika-parsers/pom.xml for the correct version. 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font F18 WARN No Unicode mapping for a54 (54) in font F18 WARN No Unicode mapping for a80 (80) in font F23 WARN No Unicode mapping for a117 (117) in font F23 WARN No Unicode mapping for a98 (98) in font F23 WARN No Unicode mapping for a108 (108) in font F23 WARN No Unicode mapping for a105 (105) in font F23 WARN No Unicode mapping for a115 (115) in font F23 WARN No Unicode mapping for a104 (104) in font F23 WARN No Unicode mapping for a101 (101) in font F23 WARN No Unicode mapping for a114 (114) in font F23 WARN No Unicode mapping for a39 (39) in font F23 WARN No Unicode mapping for a99 (99) in font F23 WARN No Unicode mapping for a111 (111) in font F23 WARN No Unicode mapping for a112 (112) in font F23 WARN No Unicode mapping for a121 (121) in font F23 WARN No Unicode mapping for a103 (103) in font F23 WARN No Unicode mapping for a116 (116) in font F23 WARN No Unicode mapping for a97 (97) in font F23 WARN No Unicode mapping for a109 (109) in font F23 WARN No Unicode mapping for a110 (110) in font F23 WARN No Unicode mapping for a58 (58) in font F23 WARN No Unicode mapping for a75 (75) in font F24 WARN No Unicode mapping for a101 (101) in font F24 WARN No Unicode mapping for a109 (109) in font F24 WARN No Unicode mapping for a112 (112) in font F24 WARN No Unicode mapping for a115 (115) in font F24 WARN No Unicode mapping for a116 (116) in font F24 WARN No Unicode mapping for a114 (114) in font F24 WARN No Unicode mapping for a44 (44) in font F24 WARN No Unicode mapping for a83 (83) in font F24 WARN No Unicode mapping for a46 (46) in font F24 WARN No Unicode mapping for a97 (97) in font F24 WARN No Unicode mapping for a110 (110) in font F24 WARN No Unicode mapping for a100 (100) in font F24 WARN No Unicode mapping for a84 (84) in font F24 WARN No Unicode mapping for a117 (117) in font F24 WARN No Unicode mapping for a65 (65) in font F24 WARN No Unicode mapping for a72 (72) in font F24 WARN No Unicode mapping for a98 (98) in font F24 WARN No Unicode mapping for a121 (121) in font F24 WARN No Unicode mapping for a80 (80) in font F24 WARN No Unicode mapping for a86 (86) in font F24 WARN No Unicode mapping for a69 (69) in font F24 WARN No Unicode mapping for a108 (108) in font F24 WARN No Unicode mapping for a105 (105) in font F24 WARN No Unicode mapping for a111 (111) in font F24 WARN No Unicode mapping for a67 (67) in font F24 WARN No Unicode mapping for a40 (40) in font F24 WARN No Unicode mapping for a50 (50) in font F24 WARN No Unicode mapping for a48 (48) in font F24 WARN No Unicode mapping for a49 (49) in font F24 WARN No Unicode mapping for a53 (53) in font F24 WARN No Unicode mapping for a41 (41) in font F24 WARN No Unicode mapping for a39 (39) in font F24 WARN No Unicode mapping for a104 (104) in font F24 WARN No Unicode mapping for a34 (34) in font F24 WARN No Unicode mapping for a28 (28) in font F24 WARN No Unicode mapping for a103 (103) in font F24 WARN No Unicode mapping for a58 (58) in font F24 WARN No Unicode mapping for a120 (120) in font F24 WARN No Unicode mapping for a102 (102) in font F24 WARN No Unicode mapping for a99 (99) in font F24 WARN No Unicode mapping for a74 (74) in font F24 WARN No Unicode mapping for a51 (51) in font F24 WARN No Unicode mapping for a57 (57) in font F24 WARN No Unicode mapping for a52 (52) in font F24 WARN No Unicode mapping for a45 (45) in font F24 WARN No Unicode mapping for a56 (56) in font F24 WARN cmap format 4 subtable is empty WARN cmap format 4 subtable is empty WARN FeatureRecord array not alphabetically sorted by FeatureTag: init < isol WARN Using fallback font 'LiberationSans-Bold' for 'Arial-BoldMT,Bold' WARN Using fallback font 'LiberationSerif-Bold' for 'TimesNewRomanPS-BoldMT' WARN No Unicode mapping for CID+250 (250) in font TimesNewRomanPSMT-Identity-H WARN Using fallback font 'LiberationSerif' for 'TimesNewRomanPSMT' WARN Using fallback font 'LiberationSerif-BoldItalic' for 'TimesNewRomanPS-BoldItalicMT' WARN Using fallback font 'LiberationSans' for 'TimesNewRomanPS-ItalicMT' WARN Using fallback font 'LiberationSerif-Italic' for 'TimesNewRomanPS-ItalicMT' WARN Using fallback font 'LiberationSerif-Bold' for 'TimesNewRomanPS-BoldMT' WARN Using fallback font 'LiberationMono' for 'Verdana' WARN Using fallback font 'LiberationSans-Bold' for 'TimesNewRomanPS-BoldMT' WARN Using fallback font 'LiberationSerif-Bold' for 'TimesNewRomanPS-BoldMT' WARN Using fallback font 'LiberationSerif-Bold' for 'TimesNewRomanPS-BoldMT' WARN Using fallback font LiberationSans for base font Symbol WARN Using fallback font LiberationSans for base font ZapfDingbats WARN No Unicode mapping for CID+213 (213) in font DGFIDE+TimesNewRomanPSMT WARN Using fallback font 'LiberationSerif' for 'TimesNewRomanPSMT' WARN Using fallback font LiberationSerif for Nueva-Roman WARN Using fallback font LiberationSans for Optima WARN No Unicode mapping for CID+248 (248) in font TimesNewRomanPSMT-Identity-H WARN Using fallback font 'LiberationSerif' for 'TimesNewRomanPSMT' WARN Using fallback font LiberationSans-Bold for Optima-Bold WARN Using fallback font 'LiberationSans' for 'TimesNewRomanPSMT' WARN No Unicode mapping for circlecopyrt (13) in font XFSLEV+CMSY9 WARN Using fallback font LiberationSerif for AGaramond-Regular WARN No Unicode mapping for a82 (82) in font F24 WARN Using fallback font 'LiberationSerif' for 'TimesNewRomanPSMT' WARN No Unicode mapping for a71 (71) in font F24 WARN No Unicode mapping for a65 (65) in font F23 WARN No Unicode mapping for a100 (100) in font F23 WARN No Unicode mapping for a102 (102) in font F23 WARN No Unicode mapping for a85 (85) in font F26 WARN No Unicode mapping for a115 (115) in font F26 WARN No Unicode mapping for a101 (101) in font F26 WARN No Unicode mapping for a112 (112) in font F26 WARN No Unicode mapping for a111 (111) in font F26 WARN No Unicode mapping for a108 (108) in font F26 WARN No Unicode mapping for a105 (105) in font F26 WARN No Unicode mapping for a99 (99) in font F26 WARN No Unicode mapping for a121 (121) in font F26 WARN No Unicode mapping for a84 (84) in font F27 WARN No Unicode mapping for a104 (104) in font F27 WARN No Unicode mapping for a101 (101) in font F27 WARN No Unicode mapping for a102 (102) in font F27 WARN No Unicode mapping for a117 (117) in font F27 WARN No Unicode mapping for a108 (108) in font F27 WARN No Unicode mapping for a45 (45) in font F27 WARN No Unicode mapping for a116 (116) in font F27 WARN No Unicode mapping for a120 (120) in font F27 WARN No Unicode mapping for a109 (109) in font F27 WARN No Unicode mapping for a97 (97) in font F27 WARN FeatureRecord array not alphabetically sorted by FeatureTag: init < isol WARN No Unicode mapping for a121 (121) in font F27 WARN Using fallback font 'LiberationSerif-Italic' for 'TimesNewRomanPS-ItalicMT' WARN No Unicode mapping for a98 (98) in font F27 WARN No Unicode mapping for a115 (115) in font F27 WARN Using fallback font 'LiberationMono-Bold' for 'TrebuchetMS-Bold' WARN No Unicode mapping for a100 (100) in font F27 WARN Using fallback font LiberationSerif-Italic for Garamond-LightItalic WARN No Unicode mapping for a110 (110) in font F27 WARN No Unicode mapping for a47 (47) in font F27 WARN No Unicode mapping for a111 (111) in font F27 WARN No Unicode mapping for a114 (114) in font F27 WARN No Unicode mapping for a112 (112) in font F27 WARN No Unicode mapping for a99 (99) in font F27 WARN No Unicode mapping for a44 (44) in font F27 WARN No Unicode mapping for a103 (103) in font F27 WARN No Unicode mapping for a105 (105) in font F27 WARN No Unicode mapping for a118 (118) in font F27 WARN cmap format 4 subtable is empty WARN cmap format 4 subtable is empty WARN No Unicode mapping for a119 (119) in font F27 WARN cmap format 4 subtable is empty WARN cmap format 4 subtable is empty WARN Using fallback font LiberationSans for Symbol WARN No Unicode mapping for a28 (28) in font F27 WARN No Unicode mapping for a58 (58) in font F27 WARN Using fallback font 'LiberationSans' for 'TimesNewRomanPSMT' WARN Using fallback font 'LiberationMono' for 'TrebuchetMS' WARN Using fallback font LiberationSerif-Italic for Minion-Italic WARN Invalid ToUnicode CMap in font BVGCLB+icons WARN Using fallback font 'LiberationSans' for 'TimesNewRomanPSMT' INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) WARN Using fallback font 'LiberationSans-Bold' for 'TimesNewRomanPS-BoldMT' WARN Invalid ToUnicode CMap in font ZDSKUI+MTSY WARN No Unicode mapping for a107 (107) in font F27 WARN No Unicode mapping for a68 (68) in font F27 WARN No Unicode mapping for ornament21 (1) in font EGLHEK+Minion-Ornaments WARN No Unicode mapping for a82 (82) in font F27 WARN No Unicode mapping for CID+29678 (29678) in font XHBFPI+*HY-Junggothic WARN Using fallback font LiberationSerif-BoldItalic for Garamond-BoldItalic WARN No Unicode mapping for a79 (79) in font F27 WARN Using fallback font LiberationSerif for Garamond-Light WARN Using fallback font 'LiberationSerif-Italic' for 'TimesNewRomanPS-ItalicMT' WARN No Unicode mapping for CID+24813 (24813) in font XHBFPI+*HY-Junggothic WARN No Unicode mapping for a46 (46) in font F27 WARN No Unicode mapping for a80 (80) in font F27 WARN Using fallback font 'LiberationSans' for 'TimesNewRomanPSMT' WARN No Unicode mapping for .notdef (9) in font Helvetica WARN FeatureRecord array not alphabetically sorted by FeatureTag: init < isol WARN No Unicode mapping for a85 (85) in font F27 WARN No Unicode mapping for a76 (76) in font F27 WARN No Unicode mapping for a83 (83) in font F27 WARN No Unicode mapping for a72 (72) in font F27 WARN No Unicode mapping for a49 (49) in font F27 WARN Using fallback font 'LiberationSans-Bold' for 'TimesNewRomanPS-BoldMT' WARN No Unicode mapping for a51 (51) in font F27 WARN No Unicode mapping for a89 (89) in font F27 WARN No Unicode mapping for a75 (75) in font F27 WARN No Unicode mapping for a43 (43) in font F27 WARN No Unicode mapping for a52 (52) in font F27 WARN No Unicode mapping for a40 (40) in font F27 WARN No Unicode mapping for a48 (48) in font F27 WARN No Unicode mapping for a41 (41) in font F27 WARN No Unicode mapping for a57 (57) in font F27 WARN No Unicode mapping for a50 (50) in font F27 WARN No Unicode mapping for a124 (124) in font F27 WARN No Unicode mapping for a70 (70) in font F27 WARN No Unicode mapping for a55 (55) in font F27 WARN No Unicode mapping for C211 (2) in font FCFMHF+AdvPSSym WARN Using fallback font 'LiberationSans-Bold' for 'TimesNewRomanPS-BoldItalicMT' WARN Using fallback font 'LiberationSans-Bold' for 'TimesNewRomanPS-BoldMT' WARN No Unicode mapping for C211 (2) in font AdvPSSym WARN No Unicode mapping for C19 (1) in font CCMGMN+AdvP4C4E59 WARN FeatureRecord array not alphabetically sorted by FeatureTag: init < isol WARN Using fallback font 'LiberationSerif-BoldItalic' for 'TimesNewRomanPS-BoldItalicMT' WARN Using fallback font 'LiberationSerif-Bold' for 'TimesNewRomanPS-BoldMT' WARN FeatureRecord array not alphabetically sorted by FeatureTag: init < isol WARN Using fallback font 'LiberationSerif' for 'TimesNewRomanPSMT' WARN Using fallback font 'LiberationSerif-Bold' for 'TimesNewRomanPS-BoldMT' WARN No Unicode mapping for circlecopyrt (2) in font FBLIFL+CMSY10 WARN No Unicode mapping for C176 (1) in font PIDBIF+AdvPSSym WARN Using fallback font 'LiberationSerif-BoldItalic' for 'TimesNewRomanPS-BoldItalicMT' WARN Using fallback font 'LiberationSerif-Italic' for 'TimesNewRomanPS-ItalicMT' WARN Using fallback font 'LiberationSerif' for 'TimesNewRomanPSMT' WARN Using fallback font 'LiberationSerif-Italic' for 'TimesNewRomanPS-ItalicMT' WARN Using fallback font 'LiberationSans-Bold' for 'TimesNewRomanPS-BoldItalicMT' WARN Using fallback font 'LiberationSans' for 'Tahoma' WARN cmap format 4 subtable is empty WARN cmap format 4 subtable is empty WARN No Unicode mapping for C211 (1) in font CCMGMO+AdvSymb WARN No Unicode mapping for C15 (2) in font HJMENB+AdvMacMthSyN WARN No Unicode mapping for CID+24813 (24813) in font *ÇѾç½Å¸íÁ¶-Identity-H WARN No Unicode mapping for C1 (1) in font AdvBMa1 WARN No Unicode mapping for CID+33777 (33777) in font *ÇѾç½Å¸íÁ¶-Identity-H WARN No Unicode mapping for CID+23277 (23277) in font *ÇѾç½Å¸íÁ¶-Identity-H WARN No Unicode mapping for CID+30190 (30190) in font *ÇѾç½Å¸íÁ¶-Identity-H WARN No Unicode mapping for CID+29937 (29937) in font *ÇѾç½Å¸íÁ¶-Identity-H WARN No Unicode mapping for CID+31477 (31477) in font *ÇѾç½Å¸íÁ¶-Identity-H WARN No Unicode mapping for CID+29685 (29685) in font *ÇѾç½Å¸íÁ¶-Identity-H WARN No Unicode mapping for gid00030 (1) in font MCBCCI+SourceSansRoman-Regular WARN No Unicode mapping for CID+30193 (30193) in font *ÇѾç½Å¸íÁ¶-Identity-H WARN No Unicode mapping for gid00035 (2) in font MCBCCI+SourceSansRoman-Regular WARN No Unicode mapping for gid00032 (3) in font MCBCCI+SourceSansRoman-Regular WARN No Unicode mapping for gid00038 (4) in font MCBCCI+SourceSansRoman-Regular WARN No Unicode mapping for gid00001 (5) in font MCBCCI+SourceSansRoman-Regular WARN No Unicode mapping for gid00033 (6) in font MCBCCI+SourceSansRoman-Regular WARN No Unicode mapping for gid00042 (7) in font MCBCCI+SourceSansRoman-Regular WARN No Unicode mapping for gid00045 (8) in font MCBCCI+SourceSansRoman-Regular WARN No Unicode mapping for CID+29678 (29678) in font *ÇѾç½Å¸íÁ¶-Identity-H WARN No Unicode mapping for gid00030 (1) in font MCBCCI+SourceSansRoman-Regular WARN Using fallback font 'LiberationSans' for 'TimesNewRomanPS-ItalicMT' WARN No Unicode mapping for gid00001 (1) in font MCBCCM+SourceSansRoman.613wght WARN No Unicode mapping for gid00035 (2) in font MCBCCI+SourceSansRoman-Regular WARN No Unicode mapping for gid00032 (3) in font MCBCCI+SourceSansRoman-Regular WARN No Unicode mapping for gid00038 (4) in font MCBCCI+SourceSansRoman-Regular WARN No Unicode mapping for gid00001 (5) in font MCBCCI+SourceSansRoman-Regular WARN No Unicode mapping for gid00033 (6) in font MCBCCI+SourceSansRoman-Regular WARN No Unicode mapping for gid00042 (7) in font MCBCCI+SourceSansRoman-Regular WARN No Unicode mapping for gid00045 (8) in font MCBCCI+SourceSansRoman-Regular WARN No Unicode mapping for gid00001 (1) in font MCBCCM+SourceSansRoman.613wght WARN No Unicode mapping for gid00048 (1) in font MCBCCO+SourceSansRoman-Bold WARN No Unicode mapping for gid00043 (2) in font MCBCCO+SourceSansRoman-Bold WARN No Unicode mapping for gid00031 (3) in font MCBCCO+SourceSansRoman-Bold WARN No Unicode mapping for gid00028 (4) in font MCBCCO+SourceSansRoman-Bold WARN No Unicode mapping for gid00047 (5) in font MCBCCO+SourceSansRoman-Bold WARN No Unicode mapping for gid00032 (6) in font MCBCCO+SourceSansRoman-Bold WARN No Unicode mapping for gid00046 (7) in font MCBCCO+SourceSansRoman-Bold WARN No Unicode mapping for gid00048 (1) in font MCBCCO+SourceSansRoman-Bold WARN No Unicode mapping for CID+30190 (30190) in font XHBFPI+*HY-Junggothic WARN No Unicode mapping for CID+33774 (33774) in font GZTOKD+*HY-Sinmyeongjo WARN No Unicode mapping for CID+30190 (30190) in font GZTOKD+*HY-Sinmyeongjo WARN No Unicode mapping for CID+30193 (30193) in font GZTOKD+*HY-Sinmyeongjo WARN No Unicode mapping for CID+33777 (33777) in font GZTOKD+*HY-Sinmyeongjo WARN No Unicode mapping for CID+29677 (29677) in font GZTOKD+*HY-Sinmyeongjo WARN No Unicode mapping for CID+24813 (24813) in font GZTOKD+*HY-Sinmyeongjo WARN No Unicode mapping for gid00043 (2) in font MCBCCO+SourceSansRoman-Bold WARN No Unicode mapping for gid00031 (3) in font MCBCCO+SourceSansRoman-Bold WARN No Unicode mapping for gid00028 (4) in font MCBCCO+SourceSansRoman-Bold WARN No Unicode mapping for gid00047 (5) in font MCBCCO+SourceSansRoman-Bold WARN No Unicode mapping for gid00032 (6) in font MCBCCO+SourceSansRoman-Bold WARN No Unicode mapping for gid00046 (7) in font MCBCCO+SourceSansRoman-Bold WARN No Unicode mapping for CID+29937 (29937) in font GZTOKD+*HY-Sinmyeongjo WARN No Unicode mapping for CID+29678 (29678) in font GZTOKD+*HY-Sinmyeongjo WARN No Unicode mapping for H11002 (2) in font BKFHJI+MathematicalPi-One WARN Using fallback font 'LiberationSans' for 'TimesNewRomanPS-ItalicMT' WARN Using fallback font 'LiberationSans' for 'TimesNewRomanPS-ItalicMT' WARN No Unicode mapping for CID+33521 (33521) in font GZTOKD+*HY-Sinmyeongjo WARN No Unicode mapping for CID+30462 (30462) in font GZTOKD+*HY-Sinmyeongjo WARN cmap format 4 subtable is empty WARN cmap format 4 subtable is empty WARN No Unicode mapping for CID+24317 (24317) in font GZTOKD+*HY-Sinmyeongjo WARN No Unicode mapping for CID+33790 (33790) in font GZTOKD+*HY-Sinmyeongjo WARN No Unicode mapping for CID+27641 (27641) in font GZTOKD+*HY-Sinmyeongjo WARN No Unicode mapping for CID+31981 (31981) in font GZTOKD+*HY-Sinmyeongjo WARN No Unicode mapping for CID+30205 (30205) in font GZTOKD+*HY-Sinmyeongjo WARN No Unicode mapping for CID+25597 (25597) in font GZTOKD+*HY-Sinmyeongjo WARN No Unicode mapping for CID+24561 (24561) in font GZTOKD+*HY-Sinmyeongjo WARN No Unicode mapping for CID+27117 (27117) in font GZTOKD+*HY-Sinmyeongjo WARN cmap format 4 subtable is empty WARN cmap format 4 subtable is empty WARN No Unicode mapping for CID+30206 (30206) in font *ÇѾçÁß°íµñ-Identity-H WARN No Unicode mapping for CID+30189 (30189) in font *ÇѾçÁß°íµñ-Identity-H WARN No Unicode mapping for CID+33777 (33777) in font *ÇѾçÁß°íµñ-Identity-H FILE: cache/work_xhobwczzlfgq3eark3cmszdjja.pdf OUTPUT: txt/work_xhobwczzlfgq3eark3cmszdjja.txt WARN No Unicode mapping for C211 (2) in font PIDBIF+AdvPSSym WARN No Unicode mapping for CID+23277 (23277) in font GZTOKD+*HY-Sinmyeongjo WARN No Unicode mapping for CID+29685 (29685) in font GZTOKD+*HY-Sinmyeongjo FILE: cache/work_prixtkgelrflrkkrwooubqxpzy.pdf OUTPUT: txt/work_prixtkgelrflrkkrwooubqxpzy.txt WARN FeatureRecord array not alphabetically sorted by FeatureTag: init < isol WARN No Unicode mapping for CID+30206 (30206) in font GZTOKD+*HY-Sinmyeongjo WARN No Unicode mapping for CID+27132 (27132) in font GZTOKD+*HY-Sinmyeongjo WARN No Unicode mapping for CID+31477 (31477) in font GZTOKD+*HY-Sinmyeongjo WARN Using fallback font 'LiberationSerif-Italic' for 'TimesNewRomanPS-ItalicMT' WARN cmap format 4 subtable is empty WARN cmap format 4 subtable is empty WARN Using fallback font 'LiberationSans-Bold' for 'TimesNewRomanPS-BoldMT' WARN No Unicode mapping for CID+27132 (27132) in font XHBFPI+*HY-Junggothic WARN No Unicode mapping for CID+29937 (29937) in font XHBFPI+*HY-Junggothic WARN No Unicode mapping for CID+23294 (23294) in font GZTOKD+*HY-Sinmyeongjo WARN No Unicode mapping for CID+27132 (27132) in font *ÇѾç½Å¸íÁ¶-Identity-H WARN No Unicode mapping for CID+33521 (33521) in font *ÇѾç½Å¸íÁ¶-Identity-H WARN No Unicode mapping for CID+33017 (33017) in font GZTOKD+*HY-Sinmyeongjo WARN No Unicode mapping for CID+30462 (30462) in font *ÇѾç½Å¸íÁ¶-Identity-H WARN Using fallback font 'LiberationSerif-BoldItalic' for 'TimesNewRomanPS-BoldItalicMT' WARN No Unicode mapping for CID+29677 (29677) in font *ÇѾç½Å¸íÁ¶-Identity-H WARN No Unicode mapping for CID+33021 (33021) in font *ÇѾç½Å¸íÁ¶-Identity-H WARN No Unicode mapping for CID+23281 (23281) in font GZTOKD+*HY-Sinmyeongjo WARN Using fallback font 'LiberationSerif' for 'TimesNewRomanPSMT' WARN FeatureRecord array not alphabetically sorted by FeatureTag: init < isol WARN No Unicode mapping for CID+24317 (24317) in font *ÇѾç½Å¸íÁ¶-Identity-H WARN No Unicode mapping for CID+26353 (26353) in font *ÇѾç½Å¸íÁ¶-Identity-H WARN Using fallback font 'LiberationSerif-Italic' for 'TimesNewRomanPS-ItalicMT' WARN No Unicode mapping for CID+1028 (1028) in font GAAAAA+TimesNewRoman WARN No Unicode mapping for CID+33529 (33529) in font GZTOKD+*HY-Sinmyeongjo WARN No Unicode mapping for CID+26101 (26101) in font GZTOKD+*HY-Sinmyeongjo WARN No Unicode mapping for CID+33021 (33021) in font GZTOKD+*HY-Sinmyeongjo WARN No Unicode mapping for CID+26101 (26101) in font *ÇѾç½Å¸íÁ¶-Identity-H WARN No Unicode mapping for CID+29945 (29945) in font *ÇѾç½Å¸íÁ¶-Identity-H WARN No Unicode mapping for CID+30457 (30457) in font *ÇѾç½Å¸íÁ¶-Identity-H WARN No Unicode mapping for CID+23542 (23542) in font *ÇѾç½Å¸íÁ¶-Identity-H WARN No Unicode mapping for CID+33773 (33773) in font *ÇѾç½Å¸íÁ¶-Identity-H WARN cmap format 4 subtable is empty WARN cmap format 4 subtable is empty WARN No Unicode mapping for CID+33010 (33010) in font GZTOKD+*HY-Sinmyeongjo FILE: cache/work_putqykgvy5betdmg7jwak52hj4.pdf OUTPUT: txt/work_putqykgvy5betdmg7jwak52hj4.txt WARN No Unicode mapping for CID+23541 (23541) in font GZTOKD+*HY-Sinmyeongjo WARN Using fallback font 'LiberationSerif-BoldItalic' for 'TimesNewRomanPS-BoldItalicMT' WARN Using fallback font 'LiberationSerif-Bold' for 'TimesNewRomanPS-BoldMT' FILE: cache/work_idzolz5mkneuzdpmtw2ebkqdcm.pdf OUTPUT: txt/work_idzolz5mkneuzdpmtw2ebkqdcm.txt FILE: cache/work_yk37cduk4fexpneedscyp5bh2i.pdf OUTPUT: txt/work_yk37cduk4fexpneedscyp5bh2i.txt FILE: cache/work_mydjujgllng67g2brahacanary.pdf OUTPUT: txt/work_mydjujgllng67g2brahacanary.txt WARN Using fallback font 'LiberationMono-Bold' for 'CourierNewPS-BoldMT' WARN No Unicode mapping for CID+23541 (23541) in font XHBFPI+*HY-Junggothic WARN No Unicode mapping for CID+23294 (23294) in font XHBFPI+*HY-Junggothic WARN No Unicode mapping for CID+30197 (30197) in font GZTOKD+*HY-Sinmyeongjo WARN No Unicode mapping for CID+26100 (26100) in font GZTOKD+*HY-Sinmyeongjo WARN No Unicode mapping for CID+23294 (23294) in font *ÇѾç½Å¸íÁ¶-Identity-H WARN No Unicode mapping for H11003 (3) in font BKFHJI+MathematicalPi-One WARN No Unicode mapping for CID+30189 (30189) in font *ÇѾç½Å¸íÁ¶-Identity-H WARN No Unicode mapping for H11033 (2) in font BKGBIP+Universal-NewswithCommPi WARN No Unicode mapping for CID+30445 (30445) in font *ÇѾç½Å¸íÁ¶-Identity-H WARN No Unicode mapping for CID+33017 (33017) in font *ÇѾç½Å¸íÁ¶-Identity-H WARN No Unicode mapping for CID+31226 (31226) in font *ÇѾç½Å¸íÁ¶-Identity-H WARN No Unicode mapping for CID+25597 (25597) in font *ÇѾç½Å¸íÁ¶-Identity-H FILE: cache/work_o5yeboc24bak7cdl35o54b6eju.pdf OUTPUT: txt/work_o5yeboc24bak7cdl35o54b6eju.txt WARN No Unicode mapping for C176 (1) in font PIDBIF+AdvPSSym WARN No Unicode mapping for C211 (2) in font PIDBIF+AdvPSSym FILE: cache/work_ei2yosg36jalpgn2ovojz2rg6y.pdf OUTPUT: txt/work_ei2yosg36jalpgn2ovojz2rg6y.txt WARN No Unicode mapping for CID+30193 (30193) in font XHBFPI+*HY-Junggothic WARN No Unicode mapping for CID+29945 (29945) in font GZTOKD+*HY-Sinmyeongjo WARN No Unicode mapping for CID+33521 (33521) in font XHBFPI+*HY-Junggothic WARN No Unicode mapping for CID+30462 (30462) in font XHBFPI+*HY-Junggothic WARN No Unicode mapping for CID+24821 (24821) in font XHBFPI+*HY-Junggothic WARN No Unicode mapping for CID+26101 (26101) in font XHBFPI+*HY-Junggothic WARN No Unicode mapping for CID+31981 (31981) in font XHBFPI+*HY-Junggothic WARN No Unicode mapping for CID+29685 (29685) in font XHBFPI+*HY-Junggothic WARN No Unicode mapping for CID+23277 (23277) in font XHBFPI+*HY-Junggothic WARN No Unicode mapping for CID+26105 (26105) in font GZTOKD+*HY-Sinmyeongjo FILE: cache/work_soqwedagm5hrtmlfcuhonaxdqe.pdf OUTPUT: txt/work_soqwedagm5hrtmlfcuhonaxdqe.txt WARN No Unicode mapping for H23040 (3) in font BKGBIP+Universal-NewswithCommPi FILE: cache/work_xqbf4ec6gzgxjperxfth4zz7gi.pdf OUTPUT: txt/work_xqbf4ec6gzgxjperxfth4zz7gi.txt FILE: cache/work_fvzvaitw5fenretevawbm2vv2q.pdf OUTPUT: txt/work_fvzvaitw5fenretevawbm2vv2q.txt FILE: cache/work_zazrv4zhefcq3g772konheryvi.pdf OUTPUT: txt/work_zazrv4zhefcq3g772konheryvi.txt WARN Using fallback font 'LiberationSerif-Italic' for 'TimesNewRomanPS-ItalicMT' WARN Using fallback font 'LiberationSerif' for 'TimesNewRomanPSMT' WARN Using fallback font 'LiberationSerif-Bold' for 'TimesNewRomanPS-BoldMT' WARN Using fallback font 'LiberationSerif-BoldItalic' for 'TimesNewRomanPS-BoldItalicMT' WARN No Unicode mapping for CID+27134 (27134) in font *ÇѾç½Å¸íÁ¶-Identity-H WARN No Unicode mapping for CID+24561 (24561) in font *ÇѾç½Å¸íÁ¶-Identity-H INFO rmeta/text (autodetecting type) WARN No Unicode mapping for CID+24309 (24309) in font *ÇѾç½Å¸íÁ¶-Identity-H WARN No Unicode mapping for CID+26105 (26105) in font *ÇѾç½Å¸íÁ¶-Identity-H WARN No Unicode mapping for CID+30205 (30205) in font *ÇѾç½Å¸íÁ¶-Identity-H FILE: cache/work_pgtewhhqxbdrfjm6zvibbvoy2e.pdf OUTPUT: txt/work_pgtewhhqxbdrfjm6zvibbvoy2e.txt FILE: cache/work_tblc4nnchbhi7agg5qyj3klm6a.pdf OUTPUT: txt/work_tblc4nnchbhi7agg5qyj3klm6a.txt FILE: cache/work_eyurqkl6ozecxa6npxelcricxy.pdf OUTPUT: txt/work_eyurqkl6ozecxa6npxelcricxy.txt FILE: cache/work_kkez6le2mzdzfdu7fjhtd6cnzi.pdf OUTPUT: txt/work_kkez6le2mzdzfdu7fjhtd6cnzi.txt FILE: cache/work_4cvlwyhtojemxkf2vpg4yhg5rm.pdf OUTPUT: txt/work_4cvlwyhtojemxkf2vpg4yhg5rm.txt FILE: cache/work_7pad5lddgndwzevwoxmpx4ys74.pdf OUTPUT: txt/work_7pad5lddgndwzevwoxmpx4ys74.txt FILE: cache/work_whhvxrkap5hjfccw7lrjrwvmha.pdf OUTPUT: txt/work_whhvxrkap5hjfccw7lrjrwvmha.txt FILE: cache/work_wctnc7ot2bdu7hl3fux2wp7jw4.pdf OUTPUT: txt/work_wctnc7ot2bdu7hl3fux2wp7jw4.txt WARN No Unicode mapping for braceleftbigg (189) in font MFWJWS+CMEX10 FILE: cache/work_lnr722a3cfea7kj5vb4ui3kjiq.pdf OUTPUT: txt/work_lnr722a3cfea7kj5vb4ui3kjiq.txt WARN No Unicode mapping for CID+30197 (30197) in font XHBFPI+*HY-Junggothic WARN No Unicode mapping for CID+33777 (33777) in font XHBFPI+*HY-Junggothic WARN No Unicode mapping for CID+30206 (30206) in font *ÇѾç½Å¸íÁ¶-Identity-H FILE: cache/work_s366qv3rr5fyvptkbwuqob5fsq.pdf OUTPUT: txt/work_s366qv3rr5fyvptkbwuqob5fsq.txt WARN No Unicode mapping for CID+27641 (27641) in font XHBFPI+*HY-Junggothic WARN No Unicode mapping for CID+30199 (30199) in font *ÇѾç½Å¸íÁ¶-Identity-H WARN No Unicode mapping for CID+30197 (30197) in font *ÇѾç½Å¸íÁ¶-Identity-H INFO rmeta/text (autodetecting type) WARN No Unicode mapping for CID+29685 (29685) in font *ÇѾçÁß°íµñ-Identity-H WARN No Unicode mapping for CID+24813 (24813) in font *ÇѾçÁß°íµñ-Identity-H WARN No Unicode mapping for CID+27641 (27641) in font *ÇѾç½Å¸íÁ¶-Identity-H WARN No Unicode mapping for CID+24057 (24057) in font GZTOKD+*HY-Sinmyeongjo WARN No Unicode mapping for CID+30189 (30189) in font GZTOKD+*HY-Sinmyeongjo WARN No Unicode mapping for summationdisplay (88) in font HHVATS+Pxex WARN No Unicode mapping for parenleftbigg (18) in font HHVATS+Pxex WARN No Unicode mapping for parenrightbigg (19) in font HHVATS+Pxex WARN No Unicode mapping for summationtext (80) in font HHVATS+Pxex FILE: cache/work_lbbspmqeqjapdcd6mzk76hgymm.pdf OUTPUT: txt/work_lbbspmqeqjapdcd6mzk76hgymm.txt WARN cmap format 4 subtable is empty WARN cmap format 4 subtable is empty WARN cmap format 4 subtable is empty WARN cmap format 4 subtable is empty WARN No Unicode mapping for CID+33774 (33774) in font *ÇѾç½Å¸íÁ¶-Identity-H FILE: cache/work_7zuvrdfg7vbbtkyhu3lttiqjjq.pdf OUTPUT: txt/work_7zuvrdfg7vbbtkyhu3lttiqjjq.txt WARN No Unicode mapping for C2 (2) in font FCGGCO+AdvP4C4E74 WARN No Unicode mapping for C176 (3) in font FCFMHF+AdvPSSym WARN Using fallback font 'LiberationSans-Bold' for 'TimesNewRomanPS-BoldItalicMT' WARN No Unicode mapping for CID+31477 (31477) in font XHBFPI+*HY-Junggothic WARN No Unicode mapping for CID+23542 (23542) in font GZTOKD+*HY-Sinmyeongjo FILE: cache/work_vel3hk57vbc5xcaw76v6vw6ty4.pdf OUTPUT: txt/work_vel3hk57vbc5xcaw76v6vw6ty4.txt WARN Using fallback font 'LiberationSerif' for 'TimesNewRomanPSMT' WARN Using fallback font 'LiberationSerif-Italic' for 'TimesNewRomanPS-ItalicMT' WARN Using fallback font 'LiberationSerif-BoldItalic' for 'TimesNewRomanPS-BoldItalicMT' WARN Using fallback font 'LiberationSerif-Bold' for 'TimesNewRomanPS-BoldMT' WARN No Unicode mapping for CID+30193 (30193) in font *ÇѾçÁß°íµñ-Identity-H WARN No Unicode mapping for CID+33790 (33790) in font *ÇѾç½Å¸íÁ¶-Identity-H FILE: cache/work_wpeiqwd7yfdsrlmube7ice6ub4.pdf OUTPUT: txt/work_wpeiqwd7yfdsrlmube7ice6ub4.txt FILE: cache/work_2jdetzhswrah5gn7t7k6s65vuq.pdf OUTPUT: txt/work_2jdetzhswrah5gn7t7k6s65vuq.txt WARN No Unicode mapping for C210 (2) in font NMNNAM+AdvPSSym WARN No Unicode mapping for C24 (1) in font NMNNEO+AdvP4C4E74 WARN No Unicode mapping for C2 (3) in font NMNNEO+AdvP4C4E74 WARN No Unicode mapping for C14 (4) in font NMNNEO+AdvP4C4E74 WARN No Unicode mapping for C0 (5) in font NMNNEO+AdvP4C4E74 FILE: cache/work_b47i4e7syfbkxmt4tmw7enfmfq.pdf OUTPUT: txt/work_b47i4e7syfbkxmt4tmw7enfmfq.txt WARN No Unicode mapping for parenleftbig (31) in font FMROWJ+CMEX10 WARN No Unicode mapping for parenrightbig (30) in font FMROWJ+CMEX10 WARN No Unicode mapping for summationdisplay (31) in font FMROWJ+CMEX102 WARN No Unicode mapping for CID+120 (120) in font GCHOIJ+Symbol FILE: cache/work_2f3mobevijdorp5vk6lreipuie.pdf OUTPUT: txt/work_2f3mobevijdorp5vk6lreipuie.txt FILE: cache/work_6xj45dxwavcbjj3xxyyi2vkmny.pdf OUTPUT: txt/work_6xj45dxwavcbjj3xxyyi2vkmny.txt WARN No Unicode mapping for CID+120 (120) in font IOJOAC+Symbol FILE: cache/work_rqcn5dxc4jdmbj2wgqc7hrc2t4.pdf OUTPUT: txt/work_rqcn5dxc4jdmbj2wgqc7hrc2t4.txt WARN No Unicode mapping for summationdisplay (88) in font HHVATS+Pxex FILE: cache/work_p7f4lsofgvcu3jt6zqpnn3pf2y.pdf OUTPUT: txt/work_p7f4lsofgvcu3jt6zqpnn3pf2y.txt WARN No Unicode mapping for parenleftbigg (18) in font HHVATS+Pxex WARN No Unicode mapping for parenrightbigg (19) in font HHVATS+Pxex WARN No Unicode mapping for summationtext (80) in font HHVATS+Pxex WARN No Unicode mapping for CID+33021 (33021) in font XHBFPI+*HY-Junggothic WARN No Unicode mapping for threeemdash (14) in font EGLGLK+7322f01 WARN No Unicode mapping for CID+27382 (27382) in font XHBFPI+*HY-Junggothic WARN No Unicode mapping for CID+24565 (24565) in font XHBFPI+*HY-Junggothic WARN No Unicode mapping for CID+33017 (33017) in font XHBFPI+*HY-Junggothic WARN No Unicode mapping for CID+30206 (30206) in font XHBFPI+*HY-Junggothic WARN No Unicode mapping for CID+33529 (33529) in font XHBFPI+*HY-Junggothic WARN No Unicode mapping for CID+23533 (23533) in font *ÇѾç½Å¸íÁ¶-Identity-H FILE: cache/work_ro6wj5wx6rh2znf32yz74xyoqi.pdf OUTPUT: txt/work_ro6wj5wx6rh2znf32yz74xyoqi.txt FILE: cache/work_kirjr3gvlvctddfxgljqnuabaa.pdf OUTPUT: txt/work_kirjr3gvlvctddfxgljqnuabaa.txt WARN No Unicode mapping for CID+31981 (31981) in font *ÇѾç½Å¸íÁ¶-Identity-H WARN Using fallback font 'LiberationSans' for 'Arial-ItalicMT,Italic' FILE: cache/work_pkug7h2nyjdk5mlfhzrbmt4qyy.pdf OUTPUT: txt/work_pkug7h2nyjdk5mlfhzrbmt4qyy.txt WARN Format 14 cmap table is not supported and will be ignored WARN No Unicode mapping for CID+24309 (24309) in font GZTOKD+*HY-Sinmyeongjo WARN No Unicode mapping for C2 (1) in font AdvDM5 WARN Using fallback font 'LiberationMono-BoldItalic' for 'CourierNewPS-BoldItalicMT' FILE: cache/work_mevee444jbcu5j3f4ubuafejsm.pdf OUTPUT: txt/work_mevee444jbcu5j3f4ubuafejsm.txt FILE: cache/work_ycz7lhy3jrd5bjb7y4sb6suuem.pdf OUTPUT: txt/work_ycz7lhy3jrd5bjb7y4sb6suuem.txt FILE: cache/work_gfjqb3y3mjcana5tam6yntxtpi.pdf OUTPUT: txt/work_gfjqb3y3mjcana5tam6yntxtpi.txt FILE: cache/work_4wm36y6rcnhuzaczthak4gmcmu.pdf OUTPUT: txt/work_4wm36y6rcnhuzaczthak4gmcmu.txt FILE: cache/work_mx3ruyzhjbfjdlmnht3u3gdurm.pdf OUTPUT: txt/work_mx3ruyzhjbfjdlmnht3u3gdurm.txt FILE: cache/work_ex4ptkv24na4jcda55c37horue.pdf OUTPUT: txt/work_ex4ptkv24na4jcda55c37horue.txt FILE: cache/work_cr4klrboxbdnfbqwjjdqhgztpa.pdf OUTPUT: txt/work_cr4klrboxbdnfbqwjjdqhgztpa.txt FILE: cache/work_4zhhjnhvgzc7hil6njyeq6ma7y.pdf OUTPUT: txt/work_4zhhjnhvgzc7hil6njyeq6ma7y.txt FILE: cache/work_lse663omxjdw7h6woe6hmbdz3e.pdf OUTPUT: txt/work_lse663omxjdw7h6woe6hmbdz3e.txt FILE: cache/work_ilaebg6jyzg6nkbnfyyb4aaspa.pdf OUTPUT: txt/work_ilaebg6jyzg6nkbnfyyb4aaspa.txt INFO rmeta/text (autodetecting type) FILE: cache/work_a4abbpbgbffh7fq4yrnamnf2hm.pdf OUTPUT: txt/work_a4abbpbgbffh7fq4yrnamnf2hm.txt FILE: cache/work_nzmfhpmfrra37htfobo2omtznm.pdf OUTPUT: txt/work_nzmfhpmfrra37htfobo2omtznm.txt FILE: cache/work_m55vwg7z4zhsnkp4e3socuiut4.pdf OUTPUT: txt/work_m55vwg7z4zhsnkp4e3socuiut4.txt FILE: cache/work_i6wyhdtt2rfztm27clqz7t7uc4.pdf OUTPUT: txt/work_i6wyhdtt2rfztm27clqz7t7uc4.txt FILE: cache/work_vb45xvux2fdd3haco5h2nwwxci.pdf OUTPUT: txt/work_vb45xvux2fdd3haco5h2nwwxci.txt FILE: cache/work_z4gvkva5pvf2tkm5ssuhe4k7g4.pdf OUTPUT: txt/work_z4gvkva5pvf2tkm5ssuhe4k7g4.txt FILE: cache/work_c4m7dj54afentm3f2i2segh5ny.pdf OUTPUT: txt/work_c4m7dj54afentm3f2i2segh5ny.txt FILE: cache/work_4djqugl6ojga7ajykijkegfwca.pdf OUTPUT: txt/work_4djqugl6ojga7ajykijkegfwca.txt FILE: cache/work_xjfmzh5jnreatf5x53lnzl6s2m.pdf OUTPUT: txt/work_xjfmzh5jnreatf5x53lnzl6s2m.txt WARN No Unicode mapping for CID+3 (3) in font HABADJ+Calibri FILE: cache/work_dbwq3dz3anfjflwo5s36pxljky.pdf OUTPUT: txt/work_dbwq3dz3anfjflwo5s36pxljky.txt FILE: cache/work_npijvzrmsfg5th53aywfxjr6ti.pdf OUTPUT: txt/work_npijvzrmsfg5th53aywfxjr6ti.txt FILE: cache/work_dcrzpqbnajhntbziepkctbmvhi.pdf OUTPUT: txt/work_dcrzpqbnajhntbziepkctbmvhi.txt FILE: cache/work_me5bvbyqkve6dpmffyoj5hq3gy.pdf OUTPUT: txt/work_me5bvbyqkve6dpmffyoj5hq3gy.txt FILE: cache/work_6az73qbhh5bo7bkurfgeispjrm.pdf OUTPUT: txt/work_6az73qbhh5bo7bkurfgeispjrm.txt FILE: cache/work_5afqy7hflbg7bodhnnw3zbccem.pdf OUTPUT: txt/work_5afqy7hflbg7bodhnnw3zbccem.txt FILE: cache/work_pow3yod6ebhmnnrg3nvmf6k2xe.pdf OUTPUT: txt/work_pow3yod6ebhmnnrg3nvmf6k2xe.txt FILE: cache/work_7hwd3gqirzbu5n2pvk7maimsve.pdf OUTPUT: txt/work_7hwd3gqirzbu5n2pvk7maimsve.txt FILE: cache/work_xzjcutuotnerdklf4h3cmbhrau.pdf OUTPUT: txt/work_xzjcutuotnerdklf4h3cmbhrau.txt FILE: cache/work_4ezsixik4rekrmu7jpeosgixu4.pdf OUTPUT: txt/work_4ezsixik4rekrmu7jpeosgixu4.txt FILE: cache/work_vmwzwwe3pnhetddg7hlp7325ra.pdf OUTPUT: txt/work_vmwzwwe3pnhetddg7hlp7325ra.txt FILE: cache/work_cebqso4esbfixbar6ogmmkv6a4.pdf OUTPUT: txt/work_cebqso4esbfixbar6ogmmkv6a4.txt FILE: cache/work_6usyt4f6c5cmfa6tctfemo6bwy.pdf OUTPUT: txt/work_6usyt4f6c5cmfa6tctfemo6bwy.txt FILE: cache/work_v5ohivjvkrfnzhbocbkpbb7ixy.pdf OUTPUT: txt/work_v5ohivjvkrfnzhbocbkpbb7ixy.txt FILE: cache/work_y3rblzqbj5cpxnolqt3tklrtsa.pdf OUTPUT: txt/work_y3rblzqbj5cpxnolqt3tklrtsa.txt WARN Using fallback font 'LiberationSerif-Italic' for 'TimesNewRomanPS-ItalicMT' WARN Using fallback font 'LiberationSerif' for 'TimesNewRomanPSMT' WARN Using fallback font 'LiberationSerif-Bold' for 'TimesNewRomanPS-BoldMT' WARN No Unicode mapping for C24 (1) in font HOMAPI+AdvP4C4E74 WARN Using fallback font 'LiberationSerif-BoldItalic' for 'TimesNewRomanPS-BoldItalicMT' WARN FeatureRecord array not alphabetically sorted by FeatureTag: fina < medi WARN Using fallback font 'LiberationSerif' for 'TimesNewRomanPSMT' WARN Using fallback font 'LiberationSerif-Bold' for 'TimesNewRomanPS-BoldMT' WARN Using fallback font 'LiberationSerif-BoldItalic' for 'TimesNewRomanPS-BoldItalicMT' WARN Using fallback font 'LiberationSerif-Italic' for 'TimesNewRomanPS-ItalicMT' WARN Format 14 cmap table is not 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txt/work_k7cxusnoyza5bi77o6ilko4zz4.txt FILE: cache/work_x3ok32zpifb37gmefeafg53xai.pdf OUTPUT: txt/work_x3ok32zpifb37gmefeafg53xai.txt FILE: cache/work_bqtjrjgjyrhfpe4y2deciwefwe.pdf OUTPUT: txt/work_bqtjrjgjyrhfpe4y2deciwefwe.txt WARN Using fallback font 'LiberationSerif-Bold' for 'TimesNewRomanPS-BoldMT' WARN Using fallback font 'LiberationSerif-BoldItalic' for 'TimesNewRomanPS-BoldItalicMT' WARN Using fallback font 'LiberationSerif-Italic' for 'TimesNewRomanPS-ItalicMT' WARN Using fallback font 'LiberationSerif' for 'TimesNewRomanPSMT' FILE: cache/work_2rqzebt6erhspbnlqq2qb7g62e.pdf OUTPUT: txt/work_2rqzebt6erhspbnlqq2qb7g62e.txt FILE: cache/work_wyiy3rj7jjcv3jf2ttvyjkn7gm.pdf OUTPUT: txt/work_wyiy3rj7jjcv3jf2ttvyjkn7gm.txt WARN Using fallback font 'LiberationSerif-Bold' for 'TimesNewRomanPS-BoldMT' WARN Using fallback font 'LiberationSerif-BoldItalic' for 'TimesNewRomanPS-BoldItalicMT' WARN Using fallback font 'LiberationSerif' for 'TimesNewRomanPSMT' WARN Using fallback font 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FILE: cache/work_52eulyy5wnburp7hgvaibu5sfy.pdf OUTPUT: txt/work_52eulyy5wnburp7hgvaibu5sfy.txt INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) FILE: cache/work_atq7e2le75evrg5gshtpk5k2ay.pdf OUTPUT: txt/work_atq7e2le75evrg5gshtpk5k2ay.txt WARN No Unicode mapping for H11003 (1) in font MNMDCI+MathematicalPi-One FILE: cache/work_vc4xr63hcrbzdmtaua4ein2g2q.pdf OUTPUT: txt/work_vc4xr63hcrbzdmtaua4ein2g2q.txt FILE: cache/work_67ccld5oc5fplkqnncgdr72b4a.pdf OUTPUT: txt/work_67ccld5oc5fplkqnncgdr72b4a.txt INFO rmeta/text (autodetecting type) FILE: cache/work_5t3fcd4q7rbdbalywgezqd3bqm.pdf OUTPUT: txt/work_5t3fcd4q7rbdbalywgezqd3bqm.txt INFO rmeta/text (autodetecting type) WARN Using fallback font 'LiberationSans' for 'TimesNewRomanPSMT' FILE: cache/work_3a6yujs4djeibplbkwlxln3b7y.pdf OUTPUT: txt/work_3a6yujs4djeibplbkwlxln3b7y.txt INFO rmeta/text (autodetecting type) FILE: cache/work_zot3xkc5xbdl5nz2tctrzagh2u.pdf OUTPUT: txt/work_zot3xkc5xbdl5nz2tctrzagh2u.txt FILE: cache/work_txnapspsjne5ffda4xohgvfeqi.pdf OUTPUT: txt/work_txnapspsjne5ffda4xohgvfeqi.txt INFO rmeta/text (autodetecting type) WARN Using fallback font LiberationSerif for Nueva-Roman WARN Using fallback font LiberationSerif for AGaramond-Regular WARN Using fallback font LiberationSerif-Italic for Minion-Italic WARN No Unicode mapping for orn4 (1) in font DBDNOL+WoodtypeOrnaments-One WARN No Unicode mapping for orn4flip (2) in font DBDNOL+WoodtypeOrnaments-One FILE: cache/work_oeovey4y7zbtfhtvvmpdl2nice.pdf OUTPUT: txt/work_oeovey4y7zbtfhtvvmpdl2nice.txt INFO rmeta/text (autodetecting type) FILE: cache/work_onmcr3t7nba7hcsprrje7rc3n4.pdf OUTPUT: txt/work_onmcr3t7nba7hcsprrje7rc3n4.txt INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) WARN Using fallback font 'LiberationSerif-Italic' for 'TimesNewRomanPS-ItalicMT' WARN Using fallback font 'LiberationSerif' for 'TimesNewRomanPSMT' WARN Using fallback font 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Using fallback font LiberationSans for ZCRSDX+ArialMT WARN Using fallback font LiberationSans for ZCRSDX+ArialMT WARN Using fallback font LiberationSans for ZCRSDX+ArialMT WARN Using fallback font LiberationSans for ZCRSDX+ArialMT WARN Using fallback font LiberationSans for ZCRSDX+ArialMT WARN Using fallback font LiberationSans for ZCRSDX+ArialMT WARN Using fallback font LiberationSans for ZCRSDX+ArialMT WARN Using fallback font LiberationSans for ZCRSDX+ArialMT WARN Using fallback font LiberationSans for ZCRSDX+ArialMT FILE: cache/work_fwpygjl5sjgubcwonytnssqlka.pdf OUTPUT: txt/work_fwpygjl5sjgubcwonytnssqlka.txt WARN Using fallback font LiberationSans for ZCRSDX+ArialMT FILE: cache/work_fleg652s6jgwzcv6guvc4zznym.pdf OUTPUT: txt/work_fleg652s6jgwzcv6guvc4zznym.txt WARN Using fallback font LiberationSans for ZCRSDX+ArialMT WARN Using fallback font LiberationSans for ZCRSDX+ArialMT WARN Using fallback font LiberationSans for ZCRSDX+ArialMT WARN Using fallback font LiberationSans for ZCRSDX+ArialMT WARN Using fallback font LiberationSans for ZCRSDX+ArialMT WARN Using fallback font LiberationSans for ZCRSDX+ArialMT WARN Using fallback font LiberationSans for ZCRSDX+ArialMT WARN Using fallback font LiberationSans for ZCRSDX+ArialMT WARN Using fallback font LiberationSans for ZCRSDX+ArialMT WARN Using fallback font LiberationSans for ZCRSDX+ArialMT WARN Using fallback font LiberationSans for ZCRSDX+ArialMT WARN Using fallback font LiberationSans for ZCRSDX+ArialMT WARN Using fallback font LiberationSans for ZCRSDX+ArialMT WARN Using fallback font LiberationSans for ZCRSDX+ArialMT WARN Using fallback font LiberationSans for ZCRSDX+ArialMT WARN Using fallback font LiberationSans for ZCRSDX+ArialMT WARN Using fallback font LiberationSans for ZCRSDX+ArialMT WARN Using fallback font LiberationSans for ZCRSDX+ArialMT WARN Using fallback font LiberationSans for ZCRSDX+ArialMT WARN Using fallback font LiberationSans for ZCRSDX+ArialMT WARN Using fallback font LiberationSans for ZCRSDX+ArialMT WARN Using fallback font LiberationSans for ZCRSDX+ArialMT WARN Using fallback font LiberationSans for ZCRSDX+ArialMT WARN Using fallback font LiberationSans for ZCRSDX+ArialMT WARN Using fallback font LiberationSans for ZCRSDX+ArialMT WARN Using fallback font LiberationSans for ZCRSDX+ArialMT WARN Using fallback font LiberationSans for ZCRSDX+ArialMT WARN Using fallback font LiberationSans for ZCRSDX+ArialMT WARN Using fallback font LiberationSans for ZCRSDX+ArialMT WARN Using fallback font LiberationSans for ZCRSDX+ArialMT WARN Using fallback font LiberationSans for ZCRSDX+ArialMT WARN Using fallback font LiberationSans for ZCRSDX+ArialMT WARN Using fallback font LiberationSans for ZCRSDX+ArialMT WARN Using fallback font LiberationSans for ZCRSDX+ArialMT WARN Using fallback font LiberationSans for ZCRSDX+ArialMT WARN Using fallback font LiberationSans for ZCRSDX+ArialMT WARN Using fallback font LiberationSans for ZCRSDX+ArialMT WARN Using fallback font LiberationSans for ZCRSDX+ArialMT WARN Using fallback font LiberationSans for ZCRSDX+ArialMT INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) FILE: cache/work_zjihesfr2bfh3l3bkvsnqiciuq.pdf OUTPUT: txt/work_zjihesfr2bfh3l3bkvsnqiciuq.txt FILE: cache/work_rc6lhlcx45gzfmy267uc5kngsq.pdf OUTPUT: txt/work_rc6lhlcx45gzfmy267uc5kngsq.txt FILE: cache/work_z2a7yo6a4nbyrgkk4h7j4aq5w4.pdf OUTPUT: txt/work_z2a7yo6a4nbyrgkk4h7j4aq5w4.txt INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) FILE: cache/work_5qksph56ezgxlgkcyck3dpa4ue.pdf OUTPUT: txt/work_5qksph56ezgxlgkcyck3dpa4ue.txt FILE: cache/work_lmvwnf4ysvdznaywqou6yhu47m.pdf OUTPUT: txt/work_lmvwnf4ysvdznaywqou6yhu47m.txt INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) FILE: cache/work_6oof4fi6bfdgtpotybxcm6pbhu.pdf OUTPUT: txt/work_6oof4fi6bfdgtpotybxcm6pbhu.txt WARN Using fallback font 'LiberationSans' for 'TimesNewRomanPSMT' WARN 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OUTPUT: txt/work_jiiwel4tgbgt3ehagzr3wdxhvu.txt INFO rmeta/text (autodetecting type) FILE: cache/work_x6ggkoqzjjftblnouzsmsfx6ki.pdf OUTPUT: txt/work_x6ggkoqzjjftblnouzsmsfx6ki.txt FILE: cache/work_ceaip4jx5ngfrblooel4zn46xu.pdf OUTPUT: txt/work_ceaip4jx5ngfrblooel4zn46xu.txt INFO rmeta/text (autodetecting type) WARN No Unicode mapping for gid00030 (1) in font MCBCCI+SourceSansRoman-Regular WARN No Unicode mapping for gid00035 (2) in font MCBCCI+SourceSansRoman-Regular WARN No Unicode mapping for gid00032 (3) in font MCBCCI+SourceSansRoman-Regular WARN No Unicode mapping for gid00038 (4) in font MCBCCI+SourceSansRoman-Regular WARN No Unicode mapping for gid00001 (5) in font MCBCCI+SourceSansRoman-Regular WARN No Unicode mapping for gid00033 (6) in font MCBCCI+SourceSansRoman-Regular WARN No Unicode mapping for gid00042 (7) in font MCBCCI+SourceSansRoman-Regular WARN No Unicode mapping for gid00045 (8) in font MCBCCI+SourceSansRoman-Regular WARN No Unicode mapping for gid00001 (1) in font MCBCCM+SourceSansRoman.613wght WARN No Unicode mapping for gid00048 (1) in font MCBCCO+SourceSansRoman-Bold WARN No Unicode mapping for gid00043 (2) in font MCBCCO+SourceSansRoman-Bold WARN No Unicode mapping for gid00031 (3) in font MCBCCO+SourceSansRoman-Bold WARN No Unicode mapping for gid00028 (4) in font MCBCCO+SourceSansRoman-Bold WARN No Unicode mapping for gid00047 (5) in font MCBCCO+SourceSansRoman-Bold WARN No Unicode mapping for gid00032 (6) in font MCBCCO+SourceSansRoman-Bold WARN No Unicode mapping for gid00046 (7) in font MCBCCO+SourceSansRoman-Bold INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) FILE: cache/work_e6bg65k22zgo5apvhvssjow42a.pdf OUTPUT: txt/work_e6bg65k22zgo5apvhvssjow42a.txt INFO rmeta/text (autodetecting type) WARN No Unicode mapping for prime (48) in font GYREAE+CMSY10 WARN No Unicode mapping for circlecopyrt (13) in font WEIJUK+CMSY9 FILE: cache/work_64mefivdsnd2fdcupis3z7bt3a.pdf OUTPUT: txt/work_64mefivdsnd2fdcupis3z7bt3a.txt FILE: cache/work_zokasallzza2dogjika3fj4f3u.pdf OUTPUT: txt/work_zokasallzza2dogjika3fj4f3u.txt FILE: cache/work_ws6tnlupwfdfxlxpjpypsgpc5i.pdf OUTPUT: txt/work_ws6tnlupwfdfxlxpjpypsgpc5i.txt INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) WARN No Unicode mapping for triangleleftsld (74) in font KRLQHW+MSAM7 FILE: cache/work_jqkxghsxcvfrvniurk27t4wp4e.pdf OUTPUT: txt/work_jqkxghsxcvfrvniurk27t4wp4e.txt INFO rmeta/text (autodetecting type) FILE: cache/work_fadihbuombhxtjvbld72dh6szm.pdf OUTPUT: txt/work_fadihbuombhxtjvbld72dh6szm.txt FILE: cache/work_zgp3uxbaungevjyucwh7pbduoy.pdf OUTPUT: txt/work_zgp3uxbaungevjyucwh7pbduoy.txt INFO rmeta/text (autodetecting type) FILE: cache/work_z7cd2swfefcphjsbu62fnexlyu.pdf OUTPUT: txt/work_z7cd2swfefcphjsbu62fnexlyu.txt INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) FILE: cache/work_fhlgvcotqng6vo3fho2tdxzeoi.pdf OUTPUT: txt/work_fhlgvcotqng6vo3fho2tdxzeoi.txt INFO rmeta/text (autodetecting type) FILE: cache/work_b4nytp5k35gqrjthqmywcrrctm.pdf OUTPUT: txt/work_b4nytp5k35gqrjthqmywcrrctm.txt INFO rmeta/text (autodetecting type) FILE: cache/work_pg3id7st2baafambphu7s3ainy.pdf OUTPUT: txt/work_pg3id7st2baafambphu7s3ainy.txt INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) FILE: cache/work_nqlksuqcwjfedlttcvqw7cagve.pdf OUTPUT: txt/work_nqlksuqcwjfedlttcvqw7cagve.txt FILE: cache/work_kwrb6ccnd5b2blxdixh3w72ffq.pdf OUTPUT: txt/work_kwrb6ccnd5b2blxdixh3w72ffq.txt INFO rmeta/text (autodetecting type) FILE: cache/work_w7hcambwjrhhfoj7rphjtajpu4.pdf OUTPUT: txt/work_w7hcambwjrhhfoj7rphjtajpu4.txt INFO rmeta/text (autodetecting type) FILE: cache/work_3i2x5r65rfbb5amel53owj7zxq.pdf OUTPUT: txt/work_3i2x5r65rfbb5amel53owj7zxq.txt FILE: cache/work_2uaef3obkzen3lul7dq2vcoumq.pdf OUTPUT: txt/work_2uaef3obkzen3lul7dq2vcoumq.txt FILE: cache/work_ehgnuefj2vax5alozv2g62fsbi.pdf OUTPUT: txt/work_ehgnuefj2vax5alozv2g62fsbi.txt INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) FILE: cache/work_sonjg3qvqrbxrb7gvt6d4b5c34.pdf OUTPUT: txt/work_sonjg3qvqrbxrb7gvt6d4b5c34.txt FILE: cache/work_iakafyecwje6lludod7d4pmfz4.pdf OUTPUT: txt/work_iakafyecwje6lludod7d4pmfz4.txt FILE: cache/work_t6x5u35c4zdtbeh3qba54nm57m.pdf OUTPUT: txt/work_t6x5u35c4zdtbeh3qba54nm57m.txt INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) WARN Using fallback font 'LiberationSerif' for 'TimesNewRomanPSMT' WARN Using fallback font 'LiberationSerif-Bold' for 'TimesNewRomanPS-BoldMT' FILE: cache/work_4xbni7w5cjdppgb4ahdjj25klm.pdf OUTPUT: txt/work_4xbni7w5cjdppgb4ahdjj25klm.txt FILE: cache/work_jl3ufvuuwzacbac4s4k4slx7mi.pdf OUTPUT: txt/work_jl3ufvuuwzacbac4s4k4slx7mi.txt INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) WARN Using fallback font 'LiberationSerif-Italic' for 'TimesNewRomanPS-ItalicMT' WARN Invalid ToUnicode CMap in font ZDSKUI+MTSY WARN No Unicode mapping for CID+3450 (3450) in font DCEMIP+TimesNewRomanPSMT WARN No Unicode mapping for CID+3475 (3475) in font DCEMIP+TimesNewRomanPSMT WARN No Unicode mapping for CID+3491 (3491) in font DCEMIP+TimesNewRomanPSMT WARN No Unicode mapping for CID+3467 (3467) in font DCEMIP+TimesNewRomanPSMT WARN No Unicode mapping for CID+3471 (3471) in font DCEMIP+TimesNewRomanPSMT WARN No Unicode mapping for CID+3454 (3454) in font DCEMIP+TimesNewRomanPSMT WARN No Unicode mapping for CID+3461 (3461) in font DCEMIP+TimesNewRomanPSMT WARN No Unicode mapping for CID+3468 (3468) in font DCEMIP+TimesNewRomanPSMT WARN No Unicode mapping for CID+3457 (3457) in font DCEMIP+TimesNewRomanPSMT WARN No Unicode mapping for CID+3484 (3484) in font DCEMIP+TimesNewRomanPSMT WARN No Unicode mapping for CID+3451 (3451) in font DCEMIP+TimesNewRomanPSMT WARN No Unicode mapping for CID+3464 (3464) in font DCEMIP+TimesNewRomanPSMT WARN No Unicode mapping for CID+3505 (3505) in font DCEMIP+TimesNewRomanPSMT WARN No Unicode mapping for CID+3462 (3462) in font DCEMIP+TimesNewRomanPSMT WARN No Unicode mapping for CID+3469 (3469) in font DCEMIP+TimesNewRomanPSMT WARN No Unicode mapping for CID+3460 (3460) in font DCEMIP+TimesNewRomanPSMT WARN No Unicode mapping for CID+3465 (3465) in font DCEMIP+TimesNewRomanPSMT WARN No Unicode mapping for CID+3507 (3507) in font DCEMIP+TimesNewRomanPSMT WARN No Unicode mapping for CID+3463 (3463) in font DCEMIP+TimesNewRomanPSMT WARN No Unicode mapping for CID+3452 (3452) in font DCEMIP+TimesNewRomanPSMT INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) FILE: cache/work_6ztm3ktxi5aazbuuov4mo2k2ty.pdf OUTPUT: txt/work_6ztm3ktxi5aazbuuov4mo2k2ty.txt INFO rmeta/text (autodetecting type) FILE: cache/work_ayimb26c6rc33jzuioo3i4fmim.pdf OUTPUT: txt/work_ayimb26c6rc33jzuioo3i4fmim.txt FILE: cache/work_levhsenu5fh35hcdkevy55tdgq.pdf OUTPUT: txt/work_levhsenu5fh35hcdkevy55tdgq.txt INFO rmeta/text (autodetecting type) WARN Using fallback font 'LiberationSans' for 'URMFQH+Helvetica' WARN Using fallback font 'LiberationSans' for 'URMFQH+Helvetica' INFO rmeta/text (autodetecting type) WARN Using fallback font 'LiberationSans' for 'URMFQH+Helvetica' WARN No Unicode mapping for C176 (1) in font LBLMGC+AdvPSSym FILE: cache/work_yysmmqftrfcl5irddrjvdhcqxy.pdf OUTPUT: txt/work_yysmmqftrfcl5irddrjvdhcqxy.txt WARN No Unicode mapping for C211 (2) in font LBLMGC+AdvPSSym INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) FILE: cache/work_mfod347e5bbr5kx5qvnxg6j47i.pdf OUTPUT: txt/work_mfod347e5bbr5kx5qvnxg6j47i.txt INFO rmeta/text (autodetecting type) FILE: cache/work_uz6luitbwjg53hwcmp537lv4cy.pdf OUTPUT: txt/work_uz6luitbwjg53hwcmp537lv4cy.txt INFO rmeta/text (autodetecting type) WARN Using fallback font 'LiberationSerif-Bold' for 'Cambria-Bold' WARN Using fallback font 'LiberationSerif-Italic' for 'Cambria-Italic' INFO rmeta/text (autodetecting type) FILE: cache/work_77b2fbbsl5abdno4o2bg2jzyiq.pdf OUTPUT: txt/work_77b2fbbsl5abdno4o2bg2jzyiq.txt FILE: cache/work_cejwynuejrck7ewoii7hr5u3fq.pdf OUTPUT: txt/work_cejwynuejrck7ewoii7hr5u3fq.txt FILE: cache/work_uu3fx7eayze5zbqhmkflnbzpee.pdf OUTPUT: txt/work_uu3fx7eayze5zbqhmkflnbzpee.txt INFO rmeta/text (autodetecting type) WARN Using fallback font LiberationSerif-Italic for TimesNewRomanPS-ItalicMT FILE: cache/work_7nyvjiogy5a6xp2jp2zc7snwdm.pdf OUTPUT: txt/work_7nyvjiogy5a6xp2jp2zc7snwdm.txt FILE: cache/work_ofns3rivfjfi3d3drcmemqisga.pdf OUTPUT: txt/work_ofns3rivfjfi3d3drcmemqisga.txt FILE: cache/work_w6wgq25c2vdqvecc5ltnd2oy6y.pdf OUTPUT: txt/work_w6wgq25c2vdqvecc5ltnd2oy6y.txt WARN Using fallback font 'LiberationSans' for 'TimesNewRomanPSMT' WARN Using fallback font 'LiberationSans-Bold' for 'TimesNewRomanPS-BoldMT' WARN Using fallback font 'LiberationSans' for 'TimesNewRomanPS-ItalicMT' FILE: cache/work_x2i2r63z65gl5i2oqz5c2n2lc4.pdf OUTPUT: txt/work_x2i2r63z65gl5i2oqz5c2n2lc4.txt FILE: cache/work_bmexjj4vujemdjpthmsprsijoy.pdf OUTPUT: txt/work_bmexjj4vujemdjpthmsprsijoy.txt WARN Format 14 cmap table is not supported and will be ignored INFO rmeta/text (autodetecting type) FILE: cache/work_q5i3igzm25hcbkfpunthck2xyy.pdf OUTPUT: txt/work_q5i3igzm25hcbkfpunthck2xyy.txt INFO rmeta/text (autodetecting type) WARN No Unicode mapping for C211 (2) in font AdvPSSym WARN No Unicode mapping for C1 (2) in font AdvP4C4E74 INFO rmeta/text (autodetecting type) FILE: cache/work_mpl4z7trijbkrc7o63pvaq5edy.pdf OUTPUT: txt/work_mpl4z7trijbkrc7o63pvaq5edy.txt FILE: cache/work_oqs444cepja5leqqoxhf5zhmoa.pdf OUTPUT: txt/work_oqs444cepja5leqqoxhf5zhmoa.txt INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) FILE: cache/work_twiu7rmrnbh75e7vgqg4fmfdua.pdf OUTPUT: txt/work_twiu7rmrnbh75e7vgqg4fmfdua.txt INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) WARN No Unicode mapping for letter (2) in font Marvosym INFO rmeta/text (autodetecting type) FILE: cache/work_hcuom5ensrah3hmytloncvd6ua.pdf OUTPUT: txt/work_hcuom5ensrah3hmytloncvd6ua.txt INFO rmeta/text (autodetecting type) WARN cmap format 4 subtable is empty WARN cmap format 4 subtable is empty FILE: cache/work_4vghkspkyjg73ei2l35dzsylqm.pdf OUTPUT: txt/work_4vghkspkyjg73ei2l35dzsylqm.txt WARN cmap format 4 subtable is empty WARN cmap format 4 subtable is empty WARN cmap format 4 subtable is empty WARN cmap format 4 subtable is empty WARN cmap format 4 subtable is empty WARN cmap format 4 subtable is empty WARN cmap format 4 subtable is empty WARN cmap format 4 subtable is empty INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) WARN No Unicode mapping for CID+415 (415) in font HDPMMN+Calibri-Bold FILE: cache/work_46wmz2hmybd3bp23vpzkxqofpi.pdf OUTPUT: txt/work_46wmz2hmybd3bp23vpzkxqofpi.txt WARN No Unicode mapping for CID+425 (425) in font HDPMLJ+Calibri INFO rmeta/text (autodetecting type) WARN No Unicode mapping for CID+415 (415) in font HDPMLJ+Calibri INFO rmeta/text (autodetecting type) FILE: cache/work_zvufxd3ygne6raqcqlv77dzgsu.pdf OUTPUT: txt/work_zvufxd3ygne6raqcqlv77dzgsu.txt INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) WARN No Unicode mapping for CID+427 (427) in font HDPMLJ+Calibri INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) FILE: cache/work_n5xdku3i3zhkdlw23cm5n7nu4y.pdf OUTPUT: txt/work_n5xdku3i3zhkdlw23cm5n7nu4y.txt FILE: cache/work_asbekyygujcsbflm6xjclgg5qi.pdf OUTPUT: txt/work_asbekyygujcsbflm6xjclgg5qi.txt WARN Using fallback font 'LiberationMono' for 'Verdana' FILE: cache/work_4oo2jpu4dncpxn7wbspnukonge.pdf OUTPUT: txt/work_4oo2jpu4dncpxn7wbspnukonge.txt INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) FILE: cache/work_gr5i3thbdrc2fflsmoj37iiwem.pdf OUTPUT: txt/work_gr5i3thbdrc2fflsmoj37iiwem.txt FILE: cache/work_eh7e33pcbzcfbljxotmv25qb4q.pdf OUTPUT: txt/work_eh7e33pcbzcfbljxotmv25qb4q.txt INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) WARN Using fallback font 'LiberationMono-Bold' for 'TrebuchetMS-Bold' INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) WARN Using fallback font 'LiberationMono' for 'TrebuchetMS' INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) WARN No Unicode mapping for gid00030 (1) in font MCBCCI+SourceSansRoman-Regular WARN No Unicode mapping for gid00035 (2) in font MCBCCI+SourceSansRoman-Regular WARN No Unicode mapping for gid00032 (3) in font MCBCCI+SourceSansRoman-Regular WARN No Unicode mapping for gid00038 (4) in font MCBCCI+SourceSansRoman-Regular WARN No Unicode mapping for gid00001 (5) in font MCBCCI+SourceSansRoman-Regular WARN No Unicode mapping for gid00033 (6) in font MCBCCI+SourceSansRoman-Regular WARN No Unicode mapping for gid00042 (7) in font MCBCCI+SourceSansRoman-Regular WARN No Unicode mapping for gid00045 (8) in font MCBCCI+SourceSansRoman-Regular WARN No Unicode mapping for gid00001 (1) in font MCBCCM+SourceSansRoman.613wght WARN No Unicode mapping for gid00048 (1) in font MCBCCO+SourceSansRoman-Bold WARN No Unicode mapping for gid00043 (2) in font MCBCCO+SourceSansRoman-Bold WARN No Unicode mapping for gid00031 (3) in font MCBCCO+SourceSansRoman-Bold WARN No Unicode mapping for gid00028 (4) in font MCBCCO+SourceSansRoman-Bold WARN No Unicode mapping for gid00047 (5) in font MCBCCO+SourceSansRoman-Bold WARN No Unicode mapping for gid00032 (6) in font MCBCCO+SourceSansRoman-Bold WARN No Unicode mapping for gid00046 (7) in font MCBCCO+SourceSansRoman-Bold INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) FILE: cache/work_f2anakxsardipbr2jtwoblgcfa.pdf OUTPUT: txt/work_f2anakxsardipbr2jtwoblgcfa.txt INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) FILE: cache/work_7oy6qtwe5bgpxhwjtomienlixy.pdf OUTPUT: txt/work_7oy6qtwe5bgpxhwjtomienlixy.txt INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) WARN FeatureRecord array not alphabetically sorted by FeatureTag: init < isol INFO rmeta/text (autodetecting type) FILE: cache/work_pifu2x7fhjanlfb6oc2bmxikpu.pdf OUTPUT: txt/work_pifu2x7fhjanlfb6oc2bmxikpu.txt INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) WARN FeatureRecord array not alphabetically sorted by FeatureTag: init < isol WARN No Unicode mapping for CID+415 (415) in font HDPMOA+Calibri-Italic INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) WARN Using fallback font 'LiberationSerif' for 'TimesNewRomanPSMT' FILE: cache/work_tukiz4v4jva35j3rdly37alpnm.pdf OUTPUT: txt/work_tukiz4v4jva35j3rdly37alpnm.txt FILE: cache/work_c5danpwdkvb2zlb4kpflghwg7a.pdf OUTPUT: txt/work_c5danpwdkvb2zlb4kpflghwg7a.txt INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) WARN No Unicode mapping for CID+415 (415) in font HDPMPC+Calibri-BoldItalic INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) WARN Using fallback font 'LiberationSerif' for 'TimesNewRomanPSMT' INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) WARN Using fallback font 'LiberationSerif-Italic' for 'TimesNewRomanPS-ItalicMT' INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) WARN No Unicode mapping for CID+3327 (3327) in font MalgunGothicRegular-Identity-H WARN No Unicode mapping for CID+2718 (2718) in font MalgunGothicRegular-Identity-H WARN No Unicode mapping for CID+2326 (2326) in font MalgunGothicRegular-Identity-H WARN No Unicode mapping for CID+3328 (3328) in font MalgunGothicRegular-Identity-H FILE: cache/work_atyd6nwgdjf6ja4fsan6pzkt2u.pdf OUTPUT: txt/work_atyd6nwgdjf6ja4fsan6pzkt2u.txt WARN No Unicode mapping for CID+41 (41) in font TT84D913D6tCID-Identity-H WARN No Unicode mapping for CID+66 (66) in font TT84D913D6tCID-Identity-H WARN No Unicode mapping for CID+110 (110) in font TT84D913D6tCID-Identity-H WARN No Unicode mapping for CID+102 (102) in font TT84D913D6tCID-Identity-H WARN No Unicode mapping for CID+115 (115) in font TT84D913D6tCID-Identity-H WARN No Unicode mapping for CID+106 (106) in font TT84D913D6tCID-Identity-H WARN No Unicode mapping for CID+100 (100) in font TT84D913D6tCID-Identity-H WARN No Unicode mapping for CID+98 (98) in font TT84D913D6tCID-Identity-H WARN No Unicode mapping for CID+111 (111) in font TT84D913D6tCID-Identity-H WARN No Unicode mapping for CID+33 (33) in font TT84D913D6tCID-Identity-H WARN No Unicode mapping for CID+86 (86) in font TT84D913D6tCID-Identity-H WARN No Unicode mapping for CID+119 (119) in font TT84D913D6tCID-Identity-H WARN No Unicode mapping for CID+116 (116) in font TT84D913D6tCID-Identity-H WARN No Unicode mapping for CID+117 (117) in font TT84D913D6tCID-Identity-H WARN No Unicode mapping for CID+122 (122) in font TT84D913D6tCID-Identity-H WARN No Unicode mapping for CID+112 (112) in font TT84D913D6tCID-Identity-H WARN No Unicode mapping for CID+103 (103) in font TT84D913D6tCID-Identity-H WARN No Unicode mapping for CID+67 (67) in font TT84D913D6tCID-Identity-H WARN No Unicode mapping for CID+118 (118) in font TT84D913D6tCID-Identity-H WARN No Unicode mapping for CID+42 (42) in font TT84D913D6tCID-Identity-H WARN Using fallback font 'LiberationSerif-Bold' for 'TimesNewRomanPS-BoldMT' WARN No Unicode mapping for CID+821 (821) in font Cambria-Identity-H WARN No Unicode mapping for CID+10 (10) in font Cambria-Identity-H WARN No Unicode mapping for CID+131 (131) in font Cambria-Identity-H WARN No Unicode mapping for CID+148 (148) in font Cambria-Identity-H WARN No Unicode mapping for CID+139 (139) in font Cambria-Identity-H WARN No Unicode mapping for CID+149 (149) in font Cambria-Identity-H WARN No Unicode mapping for CID+144 (144) in font Cambria-Identity-H WARN No Unicode mapping for CID+3 (3) in font Cambria-Identity-H WARN No Unicode mapping for CID+150 (150) in font Cambria-Identity-H WARN No Unicode mapping for CID+145 (145) in font Cambria-Identity-H WARN No Unicode mapping for CID+141 (141) in font Cambria-Identity-H WARN No Unicode mapping for CID+135 (135) in font Cambria-Identity-H WARN No Unicode mapping for CID+142 (142) in font Cambria-Identity-H WARN No Unicode mapping for CID+495 (495) in font Cambria-Identity-H WARN No Unicode mapping for CID+523 (523) in font Cambria-Identity-H WARN No Unicode mapping for CID+137 (137) in font Cambria-Identity-H WARN No Unicode mapping for CID+22 (22) in font Cambria-Identity-H WARN No Unicode mapping for CID+15 (15) in font Cambria-Identity-H WARN No Unicode mapping for CID+524 (524) in font Cambria-Identity-H INFO rmeta/text (autodetecting type) WARN No Unicode mapping for C19 (1) in font NCLBBA+AdvP4C4E59 INFO rmeta/text (autodetecting type) WARN No Unicode mapping for CID+3 (3) in font Calibri-Identity-H WARN No Unicode mapping for NAK (21) in font Cath-Aaeightyone WARN Using fallback font 'LiberationSans' for 'TimesNewRomanPSMT' INFO rmeta/text (autodetecting type) WARN Using fallback font 'LiberationSans' for 'TimesNewRomanPS-ItalicMT' WARN Using fallback font 'LiberationSans-Bold' for 'TimesNewRomanPS-BoldItalicMT' WARN Using fallback font 'LiberationSans-Bold' for 'TimesNewRomanPS-BoldMT' WARN Using fallback font 'LiberationSans' for 'TimesNewRomanPSMT' WARN Using fallback font 'LiberationSans-Bold' for 'TimesNewRomanPS-BoldMT' WARN Using fallback font 'LiberationSans' for 'TimesNewRomanPS-ItalicMT' WARN Using fallback font 'LiberationSans' for 'TimesNewRomanPSMT' INFO rmeta/text (autodetecting type) WARN Using fallback font 'LiberationSans-Bold' for 'TimesNewRomanPS-BoldMT' WARN Using fallback font 'LiberationSans-Bold' for 'TimesNewRomanPS-BoldItalicMT' INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) WARN Using fallback font 'LiberationSans' for 'TimesNewRomanPSMT' WARN Using fallback font 'LiberationSans-Bold' for 'TimesNewRomanPS-BoldMT' WARN No Unicode mapping for ETB (23) in font DNOGAJ+Cath-Fconethirtythree WARN No Unicode mapping for DC2 (18) in font Cath-Baninetyone WARN No Unicode mapping for DC2 (18) in font DNOMCN+Cath-Gaonefourtyone WARN No Unicode mapping for RS (30) in font DNONCJ+Cath-Fgonethirtyseven INFO rmeta/text (autodetecting type) WARN No Unicode mapping for DC4 (20) in font DNOEKH+Cath-Aceightythree INFO rmeta/text (autodetecting type) WARN No Unicode mapping for gid00030 (1) in font MCBCCI+SourceSansRoman-Regular WARN No Unicode mapping for gid00035 (2) in font MCBCCI+SourceSansRoman-Regular WARN No Unicode mapping for gid00032 (3) in font MCBCCI+SourceSansRoman-Regular WARN No Unicode mapping for gid00038 (4) in font MCBCCI+SourceSansRoman-Regular WARN No Unicode mapping for gid00001 (5) in font MCBCCI+SourceSansRoman-Regular WARN No Unicode mapping for gid00033 (6) in font MCBCCI+SourceSansRoman-Regular WARN No Unicode mapping for gid00042 (7) in font MCBCCI+SourceSansRoman-Regular WARN No Unicode mapping for gid00045 (8) in font MCBCCI+SourceSansRoman-Regular WARN No Unicode mapping for gid00001 (1) in font MCBCCM+SourceSansRoman.613wght WARN No Unicode mapping for gid00048 (1) in font MCBCCO+SourceSansRoman-Bold WARN No Unicode mapping for gid00043 (2) in font MCBCCO+SourceSansRoman-Bold WARN No Unicode mapping for gid00031 (3) in font MCBCCO+SourceSansRoman-Bold WARN No Unicode mapping for gid00028 (4) in font MCBCCO+SourceSansRoman-Bold WARN No Unicode mapping for gid00047 (5) in font MCBCCO+SourceSansRoman-Bold WARN No Unicode mapping for gid00032 (6) in font MCBCCO+SourceSansRoman-Bold WARN No Unicode mapping for gid00046 (7) in font MCBCCO+SourceSansRoman-Bold INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) WARN Using fallback font 'LiberationSerif-BoldItalic' for 'TimesNewRomanPS-BoldItalicMT' WARN Using fallback font 'LiberationSerif-Italic' for 'TimesNewRomanPS-ItalicMT' INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) FILE: cache/work_3p2ettibkvcq3mm5kvl25a6a34.pdf OUTPUT: txt/work_3p2ettibkvcq3mm5kvl25a6a34.txt WARN No Unicode mapping for CID+18 (18) in font YDIYMjO130-KSCpc-EUC-H-Identity-H WARN No Unicode mapping for CID+17 (17) in font YDIYMjO130-KSCpc-EUC-H-Identity-H WARN No Unicode mapping for CID+19 (19) in font YDIYMjO130-KSCpc-EUC-H-Identity-H WARN Using fallback font 'LiberationSerif-BoldItalic' for 'TimesNewRomanPS-BoldItalicMT' WARN No Unicode mapping for CID+1 (1) in font YDIYGO120-KSCPC-EUC-H-Identity-H WARN No Unicode mapping for CID+51 (51) in font YDIYGO120-KSCPC-EUC-H-Identity-H WARN No Unicode mapping for CID+80 (80) in font YDIYGO120-KSCPC-EUC-H-Identity-H WARN No Unicode mapping for CID+67 (67) in font YDIYGO120-KSCPC-EUC-H-Identity-H WARN No Unicode mapping for CID+70 (70) in font YDIYGO120-KSCPC-EUC-H-Identity-H WARN No Unicode mapping for CID+83 (83) in font YDIYGO120-KSCPC-EUC-H-Identity-H WARN No Unicode mapping for CID+85 (85) in font YDIYGO120-KSCPC-EUC-H-Identity-H WARN No Unicode mapping for CID+46 (46) in font YDIYGO120-KSCPC-EUC-H-Identity-H WARN No Unicode mapping for CID+90 (90) in font YDIYGO120-KSCPC-EUC-H-Identity-H WARN No Unicode mapping for CID+84 (84) in font YDIYGO120-KSCPC-EUC-H-Identity-H WARN No Unicode mapping for CID+59036 (59036) in font HaansoftBatang-Identity-H WARN No Unicode mapping for CID+71 (71) in font HaansoftBatang-Identity-H INFO rmeta/text (autodetecting type) FILE: cache/work_mahyskvdknbsxlvidiy2djjdeu.pdf OUTPUT: txt/work_mahyskvdknbsxlvidiy2djjdeu.txt WARN No Unicode mapping for CID+33777 (33777) in font *ÇѾç½Å¸íÁ¶-Identity-H WARN No Unicode mapping for CID+24813 (24813) in font *ÇѾç½Å¸íÁ¶-Identity-H WARN No Unicode mapping for CID+30190 (30190) in font *ÇѾç½Å¸íÁ¶-Identity-H WARN No Unicode mapping for CID+31477 (31477) in font *ÇѾç½Å¸íÁ¶-Identity-H WARN No Unicode mapping for CID+120 (120) in font ENPGIH+Wingdings WARN No Unicode mapping for CID+30193 (30193) in font *ÇѾç½Å¸íÁ¶-Identity-H WARN No Unicode mapping for CID+30206 (30206) in font *ÇѾç½Å¸íÁ¶-Identity-H WARN No Unicode mapping for CID+30462 (30462) in font *ÇѾç½Å¸íÁ¶-Identity-H WARN No Unicode mapping for CID+29678 (29678) in font *ÇѾç½Å¸íÁ¶-Identity-H WARN No Unicode mapping for CID+30205 (30205) in font *ÇѾç½Å¸íÁ¶-Identity-H WARN No Unicode mapping for CID+24561 (24561) in font *ÇѾç½Å¸íÁ¶-Identity-H WARN No Unicode mapping for CID+27641 (27641) in font *ÇѾç½Å¸íÁ¶-Identity-H INFO rmeta/text (autodetecting type) FILE: cache/work_hphnzm6u2bbjfasv2tvzayqhkm.pdf OUTPUT: txt/work_hphnzm6u2bbjfasv2tvzayqhkm.txt INFO rmeta/text (autodetecting type) INFO rmeta/text (autodetecting type) WARN Using fallback font 'LiberationSans' for 'TimesNewRomanPS-ItalicMT' INFO rmeta/text (autodetecting type) WARN No Unicode mapping for CID+34 (34) in font YDIYGO120-KSCPC-EUC-H-Identity-H WARN No Unicode mapping for CID+79 (79) in font YDIYGO120-KSCPC-EUC-H-Identity-H WARN No Unicode mapping for CID+38 (38) in font YDIYGO120-KSCPC-EUC-H-Identity-H WARN No Unicode mapping for CID+66 (66) in font YDIYGO120-KSCPC-EUC-H-Identity-H WARN No Unicode mapping for CID+16 (16) in font YDIYGO120-KSCPC-EUC-H-Identity-H WARN No Unicode mapping for CID+56 (56) in font YDIYGO120-KSCPC-EUC-H-Identity-H WARN No Unicode mapping for CID+49 (49) in font YDIYGO120-KSCPC-EUC-H-Identity-H WARN No Unicode mapping for CID+37 (37) in font YDIYGO120-KSCPC-EUC-H-Identity-H WARN No Unicode mapping for CID+86 (86) in font YDIYGO120-KSCPC-EUC-H-Identity-H WARN No Unicode mapping for CID+89 (89) in font YDIYGO120-KSCPC-EUC-H-Identity-H WARN No Unicode mapping for CID+20 (20) in font YDIYMjO130-KSCpc-EUC-H-Identity-H WARN No Unicode mapping for CID+57269 (57269) in font HaansoftBatang-Identity-H WARN No Unicode mapping for prime (48) in font QNLKCB+CMSY8 WARN No Unicode mapping for ETB (23) in font DNOEKH+Cath-Aceightythree WARN No Unicode mapping for DC2 (18) in font IBJKFG+Cath-Baninetyone WARN No Unicode mapping for CAN (24) in font Cath-Baninetyone WARN No Unicode mapping for FS (28) in font DNPKLK+Cath-Adeightyfour WARN No Unicode mapping for CID+23 (23) in font Cambria-Identity-H WARN No Unicode mapping for CID+138 (138) in font Cambria-Identity-H WARN No Unicode mapping for CID+151 (151) in font Cambria-Identity-H WARN No Unicode mapping for CID+153 (153) in font Cambria-Identity-H WARN No Unicode mapping for CID+152 (152) in font Cambria-Identity-H WARN No Unicode mapping for CID+481 (481) in font Cambria-Identity-H WARN No Unicode mapping for CID+133 (133) in font Cambria-Identity-H WARN No Unicode mapping for CID+134 (134) in font Cambria-Identity-H WARN No Unicode mapping for CID+143 (143) in font Cambria-Identity-H WARN No Unicode mapping for CID+25 (25) in font Cambria-Identity-H WARN No Unicode mapping for CID+8 (8) in font Cambria-Identity-H WARN No Unicode mapping for CID+494 (494) in font Cambria-Identity-H WARN No Unicode mapping for CID+146 (146) in font Cambria-Identity-H WARN No Unicode mapping for CID+155 (155) in font Cambria-Identity-H WARN No Unicode mapping for CID+16 (16) in font Cambria-Identity-H WARN No Unicode mapping for CID+484 (484) in font Cambria-Identity-H WARN No Unicode mapping for CID+154 (154) in font Cambria-Identity-H WARN No Unicode mapping for CID+136 (136) in font Cambria-Identity-H WARN No Unicode mapping for CID+132 (132) in font Cambria-Identity-H WARN No Unicode mapping for CID+3 (3) in font Cambria-Italic-Identity-H WARN No Unicode mapping for epsilon1 (15) in font EMRDQF+rtxmi WARN No Unicode mapping for prime (48) in font ZIWPOL+txsy FILE: cache/work_buvggge5uffi7o7mdbpk6oxbgu.pdf OUTPUT: txt/work_buvggge5uffi7o7mdbpk6oxbgu.txt WARN No Unicode mapping for CID+156 (156) in font Cambria-Identity-H WARN No Unicode mapping for CID+3031 (3031) in font TimesNewRomanPSMT-Identity-H WARN No Unicode mapping for precedesequal (22) in font UKAICM+CMSY10 FILE: cache/work_xi3fiq7w6rbnnhr7znkzuslw7u.pdf OUTPUT: txt/work_xi3fiq7w6rbnnhr7znkzuslw7u.txt FILE: cache/work_ztbmh3tmarfpbmyhgxb56dczmy.pdf OUTPUT: txt/work_ztbmh3tmarfpbmyhgxb56dczmy.txt WARN No Unicode mapping for angbracketleft (104) in font UKAICM+CMSY10 WARN No Unicode mapping for angbracketright (105) in font UKAICM+CMSY10 FILE: cache/work_qfc4fhuqe5crvpzjzrmkngq4na.pdf OUTPUT: txt/work_qfc4fhuqe5crvpzjzrmkngq4na.txt FILE: cache/work_cichnl6usrfy3hohcv75qvk3ty.pdf OUTPUT: txt/work_cichnl6usrfy3hohcv75qvk3ty.txt WARN No Unicode mapping for prime (48) in font ZJXCJI+CMSY6 WARN No Unicode mapping for uniontext (83) in font TLIXIB+CMEX10 FILE: cache/work_i7i4jsienzdctn4kuemqhvmccu.pdf OUTPUT: txt/work_i7i4jsienzdctn4kuemqhvmccu.txt FILE: cache/work_4g7zetwrizfqtahkklqmkewdhe.pdf OUTPUT: txt/work_4g7zetwrizfqtahkklqmkewdhe.txt FILE: cache/work_diomb2b5bbd2pdxmgmq53tz5zq.pdf OUTPUT: txt/work_diomb2b5bbd2pdxmgmq53tz5zq.txt FILE: cache/work_raqr2dgvyfeb7hnp6pn6tkek7u.pdf OUTPUT: txt/work_raqr2dgvyfeb7hnp6pn6tkek7u.txt FILE: cache/work_icywckx4abdipdz4f5t67x7ipu.pdf OUTPUT: txt/work_icywckx4abdipdz4f5t67x7ipu.txt WARN No Unicode mapping for notexistential (64) in font JLTZDC+MSBM10 FILE: cache/work_dqud2adhprei3jnj4zdro365pa.pdf OUTPUT: txt/work_dqud2adhprei3jnj4zdro365pa.txt WARN No Unicode mapping for CID+23541 (23541) in font *ÇѾç½Å¸íÁ¶-Identity-H WARN No Unicode mapping for CID+23542 (23542) in font *ÇѾç½Å¸íÁ¶-Identity-H WARN No Unicode mapping for CID+33774 (33774) in font *ÇѾç½Å¸íÁ¶-Identity-H WARN No Unicode mapping for CID+25597 (25597) in font *ÇѾç½Å¸íÁ¶-Identity-H WARN No Unicode mapping for CID+29685 (29685) in font *ÇѾç½Å¸íÁ¶-Identity-H WARN No Unicode mapping for CID+23294 (23294) in font *ÇѾç½Å¸íÁ¶-Identity-H WARN No Unicode mapping for CID+29937 (29937) in font *ÇѾç½Å¸íÁ¶-Identity-H WARN No Unicode mapping for CID+27132 (27132) in font *ÇѾç½Å¸íÁ¶-Identity-H FILE: cache/work_vf2d3tobpza27pvprrqa6cvzwy.pdf OUTPUT: txt/work_vf2d3tobpza27pvprrqa6cvzwy.txt WARN No Unicode mapping for CID+23277 (23277) in font *ÇѾç½Å¸íÁ¶-Identity-H WARN No Unicode mapping for CID+29677 (29677) in font *ÇѾç½Å¸íÁ¶-Identity-H FILE: cache/work_mkpr3g5edbalhh3vgk63lcrkc4.pdf OUTPUT: txt/work_mkpr3g5edbalhh3vgk63lcrkc4.txt FILE: cache/work_ifos2pkg2ngqdk7jnymk2xuvra.pdf OUTPUT: txt/work_ifos2pkg2ngqdk7jnymk2xuvra.txt FILE: cache/work_j52g66khljas5apbqzejujmomm.pdf OUTPUT: txt/work_j52g66khljas5apbqzejujmomm.txt FILE: cache/work_esn2t2exvzcyjjc3wwil4pmmqq.pdf OUTPUT: txt/work_esn2t2exvzcyjjc3wwil4pmmqq.txt FILE: cache/work_sklmn5i3qvh3re3dgagmjmedfy.pdf OUTPUT: txt/work_sklmn5i3qvh3re3dgagmjmedfy.txt WARN No Unicode mapping for CID+33017 (33017) in font *ÇѾç½Å¸íÁ¶-Identity-H WARN No Unicode mapping for CID+26101 (26101) in font *ÇѾç½Å¸íÁ¶-Identity-H WARN No Unicode mapping for CID+33521 (33521) in font *ÇѾç½Å¸íÁ¶-Identity-H WARN No Unicode mapping for CID+33773 (33773) in font *ÇѾç½Å¸íÁ¶-Identity-H WARN No Unicode mapping for CID+27382 (27382) in font *ÇѾç½Å¸íÁ¶-Identity-H WARN No Unicode mapping for CID+29683 (29683) in font *ÇѾç½Å¸íÁ¶-Identity-H WARN No Unicode mapping for CID+30445 (30445) in font *ÇѾç½Å¸íÁ¶-Identity-H WARN No Unicode mapping for CID+30449 (30449) in font *ÇѾç½Å¸íÁ¶-Identity-H WARN No Unicode mapping for CID+21 (21) in font YDIYMjO130-KSCpc-EUC-H-Identity-H WARN No Unicode mapping for CID+33010 (33010) in font *ÇѾç½Å¸íÁ¶-Identity-H WARN No Unicode mapping for CID+22 (22) in font YDIYMjO130-KSCpc-EUC-H-Identity-H WARN No Unicode mapping for CID+28397 (28397) in font *ÇѾç½Å¸íÁ¶-Identity-H WARN No Unicode mapping for CID+23 (23) in font YDIYMjO130-KSCpc-EUC-H-Identity-H WARN No Unicode mapping for C2 (1) in font NCLDJC+AdvP4C4E74 WARN No Unicode mapping for CID+27117 (27117) in font *ÇѾç½Å¸íÁ¶-Identity-H WARN No Unicode mapping for CID+24 (24) in font YDIYMjO130-KSCpc-EUC-H-Identity-H WARN No Unicode mapping for CID+85 (85) in font YDIYMjO110-KSCpc-EUC-H-Identity-H WARN No Unicode mapping for CID+73 (73) in font YDIYMjO110-KSCpc-EUC-H-Identity-H WARN No Unicode mapping for CID+25 (25) in font YDIYMjO130-KSCpc-EUC-H-Identity-H WARN No Unicode mapping for CID+26 (26) in font YDIYMjO130-KSCpc-EUC-H-Identity-H WARN No Unicode mapping for whwytriright (1) in font STWIYN+Carta FILE: cache/work_33dhrzsubndb5eojbmpio7ad4u.pdf OUTPUT: txt/work_33dhrzsubndb5eojbmpio7ad4u.txt FILE: cache/work_i6322ydparc2bn4u637yhun6qi.pdf OUTPUT: txt/work_i6322ydparc2bn4u637yhun6qi.txt FILE: cache/work_efxvmz7njvhulken3xhwaaz3uy.pdf OUTPUT: txt/work_efxvmz7njvhulken3xhwaaz3uy.txt WARN No Unicode mapping for CID+56 (56) in font TTD484DCD5tCID-Identity-H WARN No Unicode mapping for CID+80 (80) in font TTD484DCD5tCID-Identity-H WARN No Unicode mapping for CID+83 (83) in font TTD484DCD5tCID-Identity-H WARN No Unicode mapping for CID+76 (76) in font TTD484DCD5tCID-Identity-H WARN No Unicode mapping for CID+84 (84) in font TTD484DCD5tCID-Identity-H WARN No Unicode mapping for CID+1 (1) in font TTD484DCD5tCID-Identity-H WARN No Unicode mapping for CID+36 (36) in font TTD484DCD5tCID-Identity-H WARN No Unicode mapping for CID+74 (74) in font TTD484DCD5tCID-Identity-H WARN No Unicode mapping for CID+85 (85) in font TTD484DCD5tCID-Identity-H WARN No Unicode mapping for CID+70 (70) in font TTD484DCD5tCID-Identity-H WARN No Unicode mapping for CID+69 (69) in font TTD484DCD5tCID-Identity-H WARN No Unicode mapping for CID+60158 (60158) in font HaansoftBatang-Identity-H WARN No Unicode mapping for CID+550 (550) in font YDIYMjO110-KSCpc-EUC-H-Identity-H WARN No Unicode mapping for CID+1051 (1051) in font YDIYMjO110-KSCpc-EUC-H-Identity-H WARN No Unicode mapping for CID+1 (1) in font YDIYMjO110-KSCpc-EUC-H-Identity-H WARN No Unicode mapping for CID+2250 (2250) in font YDIYMjO110-KSCpc-EUC-H-Identity-H WARN No Unicode mapping for CID+268 (268) in font YDIYMjO110-KSCpc-EUC-H-Identity-H WARN No Unicode mapping for CID+1742 (1742) in font YDIYMjO110-KSCpc-EUC-H-Identity-H WARN No Unicode mapping for CID+1753 (1753) in font YDIYMjO110-KSCpc-EUC-H-Identity-H WARN No Unicode mapping for CID+27 (27) in font YDIYGO120-KSCPC-EUC-H-Identity-H WARN No Unicode mapping for CID+19 (19) in font YDIYGO120-KSCPC-EUC-H-Identity-H WARN No Unicode mapping for CID+17 (17) in font YDIYGO120-KSCPC-EUC-H-Identity-H WARN No Unicode mapping for CID+18 (18) in font YDIYGO120-KSCPC-EUC-H-Identity-H WARN No Unicode mapping for CID+15 (15) in font YDIYGO120-KSCPC-EUC-H-Identity-H WARN No Unicode mapping for CID+21 (21) in font YDIYGO120-KSCPC-EUC-H-Identity-H WARN No Unicode mapping for CID+1454 (1454) in font YDIYMjO110-KSCpc-EUC-H-Identity-H WARN No Unicode mapping for CID+1296 (1296) in font YDIYMjO110-KSCpc-EUC-H-Identity-H WARN No Unicode mapping for CID+9 (9) in font YDIYGO120-KSCPC-EUC-H-Identity-H WARN No Unicode mapping for CID+1405 (1405) in font YDIYMjO110-KSCpc-EUC-H-Identity-H WARN No Unicode mapping for CID+1793 (1793) in font YDIYMjO110-KSCpc-EUC-H-Identity-H WARN No Unicode mapping for CID+10 (10) in font YDIYGO120-KSCPC-EUC-H-Identity-H WARN No Unicode mapping for CID+243 (243) in font YDIYMjO110-KSCpc-EUC-H-Identity-H WARN No Unicode mapping for CID+1766 (1766) in font YDIYMjO110-KSCpc-EUC-H-Identity-H WARN No Unicode mapping for CID+2461 (2461) in font YDIYMjO110-KSCpc-EUC-H-Identity-H WARN No Unicode mapping for CID+22 (22) in font YDIYGO120-KSCPC-EUC-H-Identity-H WARN No Unicode mapping for CID+20 (20) in font YDIYGO120-KSCPC-EUC-H-Identity-H WARN No Unicode mapping for CID+34 (34) in font YDIYMjO110-KSCpc-EUC-H-Identity-H WARN No Unicode mapping for CID+67 (67) in font YDIYMjO110-KSCpc-EUC-H-Identity-H WARN No Unicode mapping for CID+84 (84) in font YDIYMjO110-KSCpc-EUC-H-Identity-H WARN No Unicode mapping for CID+83 (83) in font YDIYMjO110-KSCpc-EUC-H-Identity-H WARN No Unicode mapping for CID+66 (66) in font YDIYMjO110-KSCpc-EUC-H-Identity-H WARN No Unicode mapping for CID+68 (68) in font YDIYMjO110-KSCpc-EUC-H-Identity-H FILE: cache/work_6srpggk7v5ctjhtlystxgu6xey.pdf OUTPUT: txt/work_6srpggk7v5ctjhtlystxgu6xey.txt FILE: cache/work_enjndnzo7fbc7a3yebetl66bvy.pdf OUTPUT: txt/work_enjndnzo7fbc7a3yebetl66bvy.txt FILE: cache/work_2ffhhcdw4nfovfpyso4tssfrwm.pdf OUTPUT: txt/work_2ffhhcdw4nfovfpyso4tssfrwm.txt FILE: cache/work_3qaqer4itbdtdl3ffs4mm3ixxe.pdf OUTPUT: txt/work_3qaqer4itbdtdl3ffs4mm3ixxe.txt FILE: cache/work_ticexmmmjfff5pxtsxdgogthsi.pdf OUTPUT: txt/work_ticexmmmjfff5pxtsxdgogthsi.txt FILE: cache/work_fob6cvfp5jfddciyatjracx5pa.pdf OUTPUT: txt/work_fob6cvfp5jfddciyatjracx5pa.txt WARN No Unicode mapping for circlecopyrt (13) in font WEIJUK+CMSY9 FILE: cache/work_qstpugqrvzgaxdmw6pvyaqym6m.pdf OUTPUT: txt/work_qstpugqrvzgaxdmw6pvyaqym6m.txt FILE: cache/work_qomcok57tna2zgwxrkorfku7ru.pdf OUTPUT: txt/work_qomcok57tna2zgwxrkorfku7ru.txt WARN No Unicode mapping for CID+83 (83) in font TT84D913D6tCID-Identity-H WARN No Unicode mapping for CID+99 (99) in font TT84D913D6tCID-Identity-H WARN No Unicode mapping for CID+78 (78) in font TT84D913D6tCID-Identity-H FILE: cache/work_npxvevzt5rdwdkxyqgrzaxxsym.pdf OUTPUT: txt/work_npxvevzt5rdwdkxyqgrzaxxsym.txt WARN No Unicode mapping for H11569 (2) in font GNEAII+MathematicalPi-Six FILE: cache/work_7c2ri3cecverld743zahbx5obe.pdf OUTPUT: txt/work_7c2ri3cecverld743zahbx5obe.txt WARN No Unicode mapping for CID+44 (44) in font YDIYMjO110-KSCpc-EUC-H-Identity-H WARN No Unicode mapping for CID+70 (70) in font YDIYMjO110-KSCpc-EUC-H-Identity-H WARN No Unicode mapping for CID+90 (90) in font YDIYMjO110-KSCpc-EUC-H-Identity-H WARN No Unicode mapping for CID+56 (56) in font YDIYMjO110-KSCpc-EUC-H-Identity-H WARN No Unicode mapping for CID+80 (80) in font YDIYMjO110-KSCpc-EUC-H-Identity-H WARN No Unicode mapping for CID+69 (69) in font YDIYMjO110-KSCpc-EUC-H-Identity-H WARN No Unicode mapping for C18 (1) in font KKEKCN+AdvP4C4E46 WARN No Unicode mapping for C19 (3) in font KKEKCN+AdvP4C4E46 WARN No Unicode mapping for C25 (1) in font KKEKCO+AdvP4C4E74 FILE: cache/work_plm7kkgxvrbb3c4bdl3r5yobvm.pdf OUTPUT: txt/work_plm7kkgxvrbb3c4bdl3r5yobvm.txt FILE: cache/work_ro7sjoel4bcqzglrjqoud66jnu.pdf OUTPUT: txt/work_ro7sjoel4bcqzglrjqoud66jnu.txt WARN No Unicode mapping for afii9846 (2) in font KKEKHN+MathPackTen WARN No Unicode mapping for H11005 (2) in font GNENKH+Universal-GreekwithMathPi WARN No Unicode mapping for H11002 (3) in font GNENKH+Universal-GreekwithMathPi WARN No Unicode mapping for H11021 (4) in font GNENKH+Universal-GreekwithMathPi FILE: cache/work_dqxbod6vcjfupilxcqnvzdeamu.pdf OUTPUT: txt/work_dqxbod6vcjfupilxcqnvzdeamu.txt FILE: cache/work_swygyom6zzgazoovwyxhv5r7ri.pdf OUTPUT: txt/work_swygyom6zzgazoovwyxhv5r7ri.txt FILE: cache/work_pzk4qcmwfjfq7muzhddjjgwqay.pdf OUTPUT: txt/work_pzk4qcmwfjfq7muzhddjjgwqay.txt WARN No Unicode mapping for H9251 (5) in font GNENKH+Universal-GreekwithMathPi WARN No Unicode mapping for H9257 (6) in font GNENKH+Universal-GreekwithMathPi FILE: cache/work_cdmwfeoywbentpsugpvzujatxe.pdf OUTPUT: txt/work_cdmwfeoywbentpsugpvzujatxe.txt WARN Using fallback font 'LiberationSans' for 'TimesNewRomanPS-ItalicMT' WARN No Unicode mapping for CID+332 (332) in font HDPMLJ+Calibri FILE: cache/work_3z72acm7rfejdhsqoszi5krx5i.pdf OUTPUT: txt/work_3z72acm7rfejdhsqoszi5krx5i.txt WARN No Unicode mapping for H11003 (7) in font GNENKH+Universal-GreekwithMathPi FILE: cache/work_pbpm5kpnune7rd3itf42ouibwe.pdf OUTPUT: txt/work_pbpm5kpnune7rd3itf42ouibwe.txt FILE: cache/work_qva4px3zbvfelc4ojp7euslttm.pdf OUTPUT: txt/work_qva4px3zbvfelc4ojp7euslttm.txt FILE: cache/work_4r4bfhb4dngefilqgf2rxvbkym.pdf OUTPUT: txt/work_4r4bfhb4dngefilqgf2rxvbkym.txt FILE: cache/work_5ouska6aqjhjrjynq5zfw5jr6q.pdf OUTPUT: txt/work_5ouska6aqjhjrjynq5zfw5jr6q.txt FILE: cache/work_7qkrrpxgdfevncbo2wkxsowiau.pdf OUTPUT: txt/work_7qkrrpxgdfevncbo2wkxsowiau.txt FILE: cache/work_cmopimwcyracvctyn5t5huws34.pdf OUTPUT: txt/work_cmopimwcyracvctyn5t5huws34.txt FILE: cache/work_obwgvhwgkvfynlhskbyucbcacq.pdf OUTPUT: txt/work_obwgvhwgkvfynlhskbyucbcacq.txt FILE: cache/work_sst6jdwyorg5dao6x6q35sfnt4.pdf OUTPUT: txt/work_sst6jdwyorg5dao6x6q35sfnt4.txt FILE: cache/work_uq5nrtxyl5cp7a6waxicqn22tm.pdf OUTPUT: txt/work_uq5nrtxyl5cp7a6waxicqn22tm.txt FILE: cache/work_ynav7roqqnglbizhvc5ihhjlx4.pdf OUTPUT: txt/work_ynav7roqqnglbizhvc5ihhjlx4.txt WARN Format 14 cmap table is not supported and will be ignored FILE: cache/work_wzdtbyuk75cnvaacbixfx5tb2y.pdf OUTPUT: txt/work_wzdtbyuk75cnvaacbixfx5tb2y.txt FILE: cache/work_7b6553qcubbwrotiug55rlunuq.pdf OUTPUT: txt/work_7b6553qcubbwrotiug55rlunuq.txt FILE: cache/work_yrpwjvnrknfwvcjx7malbhbxc4.pdf OUTPUT: txt/work_yrpwjvnrknfwvcjx7malbhbxc4.txt FILE: cache/work_lvffpmrkxre5boitqso26z5fda.pdf OUTPUT: txt/work_lvffpmrkxre5boitqso26z5fda.txt FILE: cache/work_webh63j5gjeadjof62pcfg6syi.pdf OUTPUT: txt/work_webh63j5gjeadjof62pcfg6syi.txt FILE: cache/work_qcqqdk6ctnge5mukldipq4ujpy.pdf OUTPUT: txt/work_qcqqdk6ctnge5mukldipq4ujpy.txt FILE: cache/work_o6pvmd3rfveitkpkmngtbtprqm.pdf OUTPUT: txt/work_o6pvmd3rfveitkpkmngtbtprqm.txt FILE: cache/work_xlgfcpsefbewzmqdu7wazxennq.pdf OUTPUT: txt/work_xlgfcpsefbewzmqdu7wazxennq.txt FILE: cache/work_qv4pqnjnpzgcfgcytsrwllu46y.pdf OUTPUT: txt/work_qv4pqnjnpzgcfgcytsrwllu46y.txt WARN No Unicode mapping for H11006 (8) in font GNENKH+Universal-GreekwithMathPi FILE: cache/work_frs2bdylpfhg5mpm2xkpmwapjy.pdf OUTPUT: txt/work_frs2bdylpfhg5mpm2xkpmwapjy.txt WARN No Unicode mapping for H9252 (9) in font GNENKH+Universal-GreekwithMathPi FILE: cache/work_7l3qfqdo5ze2zlbrkyy723wyo4.pdf OUTPUT: txt/work_7l3qfqdo5ze2zlbrkyy723wyo4.txt FILE: cache/work_qqlqdxgsgbhepi3z6uhq33ra5y.pdf OUTPUT: txt/work_qqlqdxgsgbhepi3z6uhq33ra5y.txt FILE: cache/work_alm4rbnm3nbl5btsezm7k36qmi.pdf OUTPUT: txt/work_alm4rbnm3nbl5btsezm7k36qmi.txt FILE: cache/work_ybexhetugnf7rixjgb6z3dqmpq.pdf OUTPUT: txt/work_ybexhetugnf7rixjgb6z3dqmpq.txt FILE: cache/work_2xy4tpegbbc6xmxvx42ixfpqja.pdf OUTPUT: txt/work_2xy4tpegbbc6xmxvx42ixfpqja.txt FILE: cache/work_6deeimjrfve7bpjcc77u45bode.pdf OUTPUT: txt/work_6deeimjrfve7bpjcc77u45bode.txt WARN No Unicode mapping for H11022 (10) in font GNENKH+Universal-GreekwithMathPi FILE: cache/work_ktpw4hxc2bgeblqj5a6q5iihsi.pdf OUTPUT: txt/work_ktpw4hxc2bgeblqj5a6q5iihsi.txt WARN No Unicode mapping for H18546 (2) in font GNOKJC+Universal-NewswithCommPi FILE: cache/work_jum53bzee5e4hg6h6rxwidrbvy.pdf OUTPUT: txt/work_jum53bzee5e4hg6h6rxwidrbvy.txt FILE: cache/work_mbrastzd4raatneejkkyh7oini.pdf OUTPUT: txt/work_mbrastzd4raatneejkkyh7oini.txt FILE: cache/work_yhxp7da7bfho7jij23vg5bwfdq.pdf OUTPUT: txt/work_yhxp7da7bfho7jij23vg5bwfdq.txt WARN Format 14 cmap table is not supported and will be ignored WARN No Unicode mapping for afii9839 (3) in font KKEKHN+MathPackTen WARN No Unicode mapping for C21 (3) in font KKEKCO+AdvP4C4E74 WARN No Unicode mapping for C0 (4) in font KKEKCO+AdvP4C4E74 WARN No Unicode mapping for C24 (5) in font KKEKCO+AdvP4C4E74 WARN No Unicode mapping for C2 (4) in font KKEKCN+AdvP4C4E46 WARN No Unicode mapping for C3 (5) in font KKEKCN+AdvP4C4E46 FILE: cache/work_mthflpex4rfyzbeheb45z6pl3m.pdf OUTPUT: txt/work_mthflpex4rfyzbeheb45z6pl3m.txt FILE: cache/work_ajmbjncxtjef3nro377lbzpggy.pdf OUTPUT: txt/work_ajmbjncxtjef3nro377lbzpggy.txt WARN Using fallback DroidSansFallback for CID-keyed font FJPRIK+HiraKakuProN-W3-90pv-RKSJ-H WARN rmeta/text: Text extraction failed (b'work_f2vnr4iplva3zihzjrrgavei4a.pdf') org.apache.tika.exception.TikaException: Unable to extract PDF content at org.apache.tika.parser.pdf.PDF2XHTML.process(PDF2XHTML.java:118) at org.apache.tika.parser.pdf.PDFParser.parse(PDFParser.java:174) at org.apache.tika.parser.CompositeParser.parse(CompositeParser.java:280) at org.apache.tika.parser.CompositeParser.parse(CompositeParser.java:280) at org.apache.tika.parser.AutoDetectParser.parse(AutoDetectParser.java:143) at org.apache.tika.parser.RecursiveParserWrapper.parse(RecursiveParserWrapper.java:233) at org.apache.tika.server.resource.TikaResource.parse(TikaResource.java:409) at org.apache.tika.server.resource.RecursiveMetadataResource.parseMetadata(RecursiveMetadataResource.java:147) at org.apache.tika.server.resource.RecursiveMetadataResource.getMetadata(RecursiveMetadataResource.java:123) at sun.reflect.GeneratedMethodAccessor3.invoke(Unknown Source) at sun.reflect.DelegatingMethodAccessorImpl.invoke(DelegatingMethodAccessorImpl.java:43) at java.lang.reflect.Method.invoke(Method.java:498) at org.apache.cxf.service.invoker.AbstractInvoker.performInvocation(AbstractInvoker.java:179) at org.apache.cxf.service.invoker.AbstractInvoker.invoke(AbstractInvoker.java:96) at org.apache.cxf.jaxrs.JAXRSInvoker.invoke(JAXRSInvoker.java:201) at org.apache.cxf.jaxrs.JAXRSInvoker.invoke(JAXRSInvoker.java:104) at org.apache.cxf.interceptor.ServiceInvokerInterceptor$1.run(ServiceInvokerInterceptor.java:59) at org.apache.cxf.interceptor.ServiceInvokerInterceptor.handleMessage(ServiceInvokerInterceptor.java:96) at org.apache.cxf.phase.PhaseInterceptorChain.doIntercept(PhaseInterceptorChain.java:308) at org.apache.cxf.transport.ChainInitiationObserver.onMessage(ChainInitiationObserver.java:121) at org.apache.cxf.transport.http.AbstractHTTPDestination.invoke(AbstractHTTPDestination.java:267) at org.apache.cxf.transport.http_jetty.JettyHTTPDestination.doService(JettyHTTPDestination.java:247) at org.apache.cxf.transport.http_jetty.JettyHTTPHandler.handle(JettyHTTPHandler.java:79) at org.eclipse.jetty.server.handler.HandlerWrapper.handle(HandlerWrapper.java:127) at org.eclipse.jetty.server.handler.ScopedHandler.nextHandle(ScopedHandler.java:235) at org.eclipse.jetty.server.handler.ContextHandler.doHandle(ContextHandler.java:1300) at org.eclipse.jetty.server.handler.ScopedHandler.nextScope(ScopedHandler.java:190) at org.eclipse.jetty.server.handler.ContextHandler.doScope(ContextHandler.java:1215) at org.eclipse.jetty.server.handler.ScopedHandler.handle(ScopedHandler.java:141) at org.eclipse.jetty.server.handler.ContextHandlerCollection.handle(ContextHandlerCollection.java:221) at org.eclipse.jetty.server.handler.HandlerWrapper.handle(HandlerWrapper.java:127) at org.eclipse.jetty.server.Server.handle(Server.java:500) at org.eclipse.jetty.server.HttpChannel.lambda$handle$1(HttpChannel.java:383) at org.eclipse.jetty.server.HttpChannel.dispatch(HttpChannel.java:547) at org.eclipse.jetty.server.HttpChannel.handle(HttpChannel.java:375) at org.eclipse.jetty.server.HttpConnection.onFillable(HttpConnection.java:273) at org.eclipse.jetty.io.AbstractConnection$ReadCallback.succeeded(AbstractConnection.java:311) at org.eclipse.jetty.io.FillInterest.fillable(FillInterest.java:103) at org.eclipse.jetty.io.ChannelEndPoint$2.run(ChannelEndPoint.java:117) at org.eclipse.jetty.util.thread.strategy.EatWhatYouKill.runTask(EatWhatYouKill.java:336) at org.eclipse.jetty.util.thread.strategy.EatWhatYouKill.doProduce(EatWhatYouKill.java:313) at org.eclipse.jetty.util.thread.strategy.EatWhatYouKill.tryProduce(EatWhatYouKill.java:171) at org.eclipse.jetty.util.thread.strategy.EatWhatYouKill.run(EatWhatYouKill.java:129) at org.eclipse.jetty.util.thread.ReservedThreadExecutor$ReservedThread.run(ReservedThreadExecutor.java:375) at org.eclipse.jetty.util.thread.QueuedThreadPool.runJob(QueuedThreadPool.java:806) at org.eclipse.jetty.util.thread.QueuedThreadPool$Runner.run(QueuedThreadPool.java:938) at java.lang.Thread.run(Thread.java:748) Caused by: java.io.IOException: Error: Could not find referenced cmap stream Adobe-Korea1-3 at org.apache.fontbox.cmap.CMapParser.getExternalCMap(CMapParser.java:455) at org.apache.fontbox.cmap.CMapParser.parsePredefined(CMapParser.java:86) at org.apache.pdfbox.pdmodel.font.CMapManager.getPredefinedCMap(CMapManager.java:56) at org.apache.pdfbox.pdmodel.font.PDType0Font.fetchCMapUCS2(PDType0Font.java:349) at org.apache.pdfbox.pdmodel.font.PDType0Font.(PDType0Font.java:198) at org.apache.pdfbox.pdmodel.font.PDFontFactory.createFont(PDFontFactory.java:97) at org.apache.pdfbox.pdmodel.PDResources.getFont(PDResources.java:146) at org.apache.pdfbox.contentstream.operator.text.SetFontAndSize.process(SetFontAndSize.java:66) at org.apache.pdfbox.contentstream.PDFStreamEngine.processOperator(PDFStreamEngine.java:875) at org.apache.pdfbox.contentstream.PDFStreamEngine.processStreamOperators(PDFStreamEngine.java:509) at org.apache.pdfbox.contentstream.PDFStreamEngine.processStream(PDFStreamEngine.java:483) at org.apache.pdfbox.contentstream.PDFStreamEngine.processPage(PDFStreamEngine.java:156) at org.apache.pdfbox.text.LegacyPDFStreamEngine.processPage(LegacyPDFStreamEngine.java:139) at org.apache.pdfbox.text.PDFTextStripper.processPage(PDFTextStripper.java:391) at org.apache.tika.parser.pdf.PDF2XHTML.processPage(PDF2XHTML.java:125) at org.apache.tika.parser.pdf.AbstractPDF2XHTML.processPages(AbstractPDF2XHTML.java:963) at org.apache.pdfbox.text.PDFTextStripper.writeText(PDFTextStripper.java:266) at org.apache.tika.parser.pdf.PDF2XHTML.process(PDF2XHTML.java:96) ... 46 more FILE: cache/work_f2vnr4iplva3zihzjrrgavei4a.pdf OUTPUT: txt/work_f2vnr4iplva3zihzjrrgavei4a.txt FILE: cache/work_kuaoa5c4sfctlhk7bmh43nbq6i.pdf OUTPUT: txt/work_kuaoa5c4sfctlhk7bmh43nbq6i.txt FILE: cache/work_zksgqxtqoffpjoe736e7lerjd4.pdf OUTPUT: txt/work_zksgqxtqoffpjoe736e7lerjd4.txt FILE: cache/work_dahsj7f3qreqpf4wxbhqcgjpbe.pdf OUTPUT: txt/work_dahsj7f3qreqpf4wxbhqcgjpbe.txt INFO Detecting media type for Filename: b'work_ycz7lhy3jrd5bjb7y4sb6suuem.pdf' INFO Detecting media type for Filename: b'work_vdigdiq3bfh7ngrcjlwcluk7wm.pdf' INFO Detecting media type for Filename: b'work_putqykgvy5betdmg7jwak52hj4.pdf' INFO Detecting media type for Filename: b'work_7hwd3gqirzbu5n2pvk7maimsve.pdf' INFO Detecting media type for Filename: b'work_s7d4uiswozdezpjj73ghuwdogm.pdf' INFO Detecting media type for Filename: b'work_bq4wh2vkuza6jlxtghx5b45sry.pdf' INFO Detecting media type for Filename: b'work_z4gvkva5pvf2tkm5ssuhe4k7g4.pdf' INFO Detecting media type for Filename: b'work_ndpuahayjffehcbvy6ozv37wvy.pdf' INFO Detecting media type for Filename: b'work_eas6axtsbjhfljsqjnpedinjg4.pdf' INFO Detecting media type for Filename: b'work_k6v4p7jllfg7bkvix366euunza.pdf' INFO Detecting media 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in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_soqwedagm5hrtmlfcuhonaxdqe' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_soqwedagm5hrtmlfcuhonaxdqe' INFO Detecting media type for Filename: b'work_me5bvbyqkve6dpmffyoj5hq3gy.pdf' INFO rmeta/text (autodetecting 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date: 2012 pages: 4 extension: .pdf txt: ./txt/work_c4m7dj54afentm3f2i2segh5ny.txt cache: ./cache/work_c4m7dj54afentm3f2i2segh5ny.pdf Author ['Asier Marzo', 'Oscar Ardaiz'] Content-Type application/pdf Creation-Date 2013-01-03T04:36:54Z CrossMarkDomains[1] sciencedirect.com CrossMarkDomains[2] elsevier.com CrossmarkDomainExclusive true CrossmarkMajorVersionDate 2010-04-23 ElsevierWebPDFSpecifications 6.4 Keywords Collage; Photography; Smart phone; Creativity Last-Modified 2014-11-06T06:39:42Z Last-Save-Date 2014-11-06T06:39:42Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 52 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true cp:subject , 15 (2012) 159-162. doi:10.1016/j.procs.2012.10.067 created 2013-01-03T04:36:54Z creator ['Asier Marzo', 'Oscar Ardaiz'] date 2014-11-06T06:39:42Z dc:creator ['Asier Marzo', 'Oscar Ardaiz'] dc:description , 15 (2012) 159-162. doi:10.1016/j.procs.2012.10.067 dc:format application/pdf; version=1.4 dc:subject Collage; Photography; Smart phone; Creativity dc:title A Smart Phone Tool to Create Photo Collages dcterms:created 2013-01-03T04:36:54Z dcterms:modified 2014-11-06T06:39:42Z description , 15 (2012) 159-162. doi:10.1016/j.procs.2012.10.067 doi 10.1016/j.procs.2012.10.067 meta:author ['Asier Marzo', 'Oscar Ardaiz'] meta:creation-date 2013-01-03T04:36:54Z meta:keyword Collage; Photography; Smart phone; Creativity meta:save-date 2014-11-06T06:39:42Z modified 2014-11-06T06:39:42Z pdf:PDFVersion 1.4 pdf:charsPerPage ['2977', '3228', '3782', '1560'] pdf:docinfo:created 2013-01-03T04:36:54Z pdf:docinfo:creator Asier Marzo 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self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_k7cxusnoyza5bi77o6ilko4zz4' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_k7cxusnoyza5bi77o6ilko4zz4' === file2bib.sh === id: work_bdgouxk4a5fqve3cmyifkucwra author: Luciano Floridi title: Artificial Intelligence, Deepfakes and a Future of Ectypes date: 2018 pages: 5 extension: .pdf txt: ./txt/work_bdgouxk4a5fqve3cmyifkucwra.txt cache: ./cache/work_bdgouxk4a5fqve3cmyifkucwra.pdf Author Luciano Floridi Content-Type application/pdf Creation-Date 2018-08-16T04:09:07Z Keywords Last-Modified 2018-08-16T10:34:17Z Last-Save-Date 2018-08-16T10:34:17Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 51 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true cp:subject Philos. 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Antón Castro Fernández Content-Type application/pdf Creation-Date 2017-03-15T10:10:35Z Keywords early Picasso; A Coruña; newspapers; Azul y Blanco; La Coruña; Blanco y Negro; caricature; critical consciousness Last-Modified 2017-03-15T10:10:35Z Last-Save-Date 2017-03-15T10:10:35Z PTEX.Fullbanner This is pdfTeX, Version 3.14159265-2.6-1.40.15 (TeX Live 2014/W32TeX) kpathsea version 6.2.0 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 121 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true cp:subject In Pablo Picasso’s formative period in A Coruña (1891–1895), where he was born as an artist, the child and pre-adolescent who at that time signed himself as Pablo Ruiz, already knowing he was a genius, pursued an intense programme of creative activity while devoting himself to drawing and painting. 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Making use of his facility for reproducing the world around him in images, he also proved to be an incipient devotee of journalism as an instrument of communication and social awareness, a satirical draughtsman and caricaturist, seeking to give his version of events, in line with the magazines and newspapers of the period, and displaying a critical ability unusual in a child, a committed gaze, not devoid of humour and sarcasm, which prefigures the later Picasso with his progressive views, acute intelligence, meta-ironic approach and support for great causes. pdf:docinfo:title Journalism, Caricature and Satirical Drawings in Early Picasso (1891–1895): The Awakening of Pablo Ruiz’s Critical Consciousness pdf:docinfo:trapped False pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP false pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0'] producer pdfTeX-1.40.15 resourceName b'work_skej3jc4uzbyhc4wvptg4rayju.pdf' subject In Pablo Picasso’s formative period in A Coruña (1891–1895), where he was born as an artist, the child and pre-adolescent who at that time signed himself as Pablo Ruiz, already knowing he was a genius, pursued an intense programme of creative activity while devoting himself to drawing and painting. 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pdf:docinfo:created 2020-04-26T10:36:28Z pdf:docinfo:modified 2020-04-26T10:36:28Z pdf:docinfo:producer iText® 7.1.1 ©2000-2018 iText Group NV (AGPL-version) pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP false pdf:unmappedUnicodeCharsPerPage ['17', '0', '4', '3', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0'] producer iText® 7.1.1 ©2000-2018 iText Group NV (AGPL-version) resourceName b'work_xpybsq6fgfg7vp2cnypcan2zw4.pdf' xmpTPg:NPages 23 === file2bib.sh === id: work_nzmfhpmfrra37htfobo2omtznm author: Violeta Bakalchev title: Lines and Frames: Architecture in a Period of Migration date: 2017 pages: 21 extension: .pdf txt: ./txt/work_nzmfhpmfrra37htfobo2omtznm.txt cache: ./cache/work_nzmfhpmfrra37htfobo2omtznm.pdf Content-Type application/pdf Creation-Date 2021-01-29T19:46:52Z Last-Modified 2021-01-29T19:46:52Z Last-Save-Date 2021-01-29T19:46:52Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 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2021-01-29T19:46:52Z pdf:docinfo:producer iLovePDF pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0'] producer iLovePDF resourceName b'work_nzmfhpmfrra37htfobo2omtznm.pdf' xmpMM:DocumentID uuid:08901491-27be-4bba-b2a5-60a79c6a1353 xmpTPg:NPages 21 === file2bib.sh === id: work_4jhqdkodsjckxizg53wwrgacfe author: Kurt G. Siehr title: CHRONICLES: (January 1, 2004––December 31, 2004) date: 2005 pages: 56 extension: .pdf txt: ./txt/work_4jhqdkodsjckxizg53wwrgacfe.txt cache: ./cache/work_4jhqdkodsjckxizg53wwrgacfe.pdf Content-Type application/pdf Creation-Date 2012-02-08T13:08:27Z Last-Modified 2017-07-11T14:32:16Z Last-Save-Date 2017-07-11T14:32:16Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 135 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2012-02-08T13:08:27Z date 2017-07-11T14:32:16Z dc:description Downloaded from https:/www.cambridge.org/core. 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University of Basel Library, on 11 Jul 2017 at 14:32:16, subject to the Cambridge Core terms of use, available at https:/www.cambridge.org/core/terms. meta:creation-date 2012-02-08T13:08:27Z meta:save-date 2017-07-11T14:32:16Z modified 2017-07-11T14:32:16Z pdf:PDFVersion 1.3 pdf:charsPerPage ['1369', '1718', '1827', '1945', '1971', '2108', '1693', '1867', '1790', '1717', '1759', '1687', '1777', '1970', '1872', '1926', '1667', '1774', '1806', '1770', '1674', '1674', '2015', '1786', '1728', '1730', '1806', '1730', '1922', '1734', '2058', '1907', '1759', '1704', '1807', '1669', '1698', '2041', '2001', '2096', '1991', '1725', '1876', '1852', '1803', '1890', '1428', '1757', '1846', '1850', '1665', '1927', '1944', '1793', '2478', '1277'] pdf:docinfo:created 2012-02-08T13:08:27Z pdf:docinfo:creator_tool XyEnterprise XPP 7.3C.1 Patch #2 pdf:docinfo:modified 2017-07-11T14:32:16Z pdf:docinfo:producer University of Basel Library pdf:docinfo:title No Job Name pdf:encrypted false 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(autodetecting type) INFO Detecting media type for Filename: b'work_fvzvaitw5fenretevawbm2vv2q.pdf' INFO rmeta/text (autodetecting type) work_mfod347e5bbr5kx5qvnxg6j47i txt/../pos/work_mfod347e5bbr5kx5qvnxg6j47i.pos work_6srpggk7v5ctjhtlystxgu6xey txt/../ent/work_6srpggk7v5ctjhtlystxgu6xey.ent === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_fvzvaitw5fenretevawbm2vv2q' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_fvzvaitw5fenretevawbm2vv2q' INFO Detecting media type for Filename: b'work_572ibxtd35ftrdrco2v6bkbgpy.pdf' INFO rmeta/text (autodetecting type) work_mfod347e5bbr5kx5qvnxg6j47i txt/../wrd/work_mfod347e5bbr5kx5qvnxg6j47i.wrd work_ervfgxspazcm5gzpqcaqhlj7vm txt/../pos/work_ervfgxspazcm5gzpqcaqhlj7vm.pos work_ervfgxspazcm5gzpqcaqhlj7vm txt/../wrd/work_ervfgxspazcm5gzpqcaqhlj7vm.wrd INFO Detecting media type for Filename: b'work_mhks7theu5ejbjtf7ybjmrdwmy.pdf' INFO rmeta/text (autodetecting type) WARN Using fallback font 'LiberationSans-Bold' for 'TimesNewRomanPS-BoldMT' === file2bib.sh === id: work_mk2gagjjbrb3vpvkpjwglc6rve author: Pedro Emilio Zamorano title: Artes visuales en Chile durante la primera mitad del siglo xx: Una mirada al campo teórico date: 2011 pages: 20 extension: .pdf txt: ./txt/work_mk2gagjjbrb3vpvkpjwglc6rve.txt cache: ./cache/work_mk2gagjjbrb3vpvkpjwglc6rve.pdf Content-Type application/pdf Creation-Date 2011-12-09T21:56:22Z Last-Modified 2011-12-09T21:56:35Z Last-Save-Date 2011-12-09T21:56:35Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 53 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2011-12-09T21:56:22Z date 2011-12-09T21:56:35Z dc:format application/pdf; version=1.6 dcterms:created 2011-12-09T21:56:22Z dcterms:modified 2011-12-09T21:56:35Z meta:creation-date 2011-12-09T21:56:22Z meta:save-date 2011-12-09T21:56:35Z modified 2011-12-09T21:56:35Z pdf:PDFVersion 1.6 pdf:charsPerPage ['1939', '2278', '3374', '2872', '2661', '2567', '2941', '2752', '2784', '87', '3273', '2848', '3335', '2829', '2790', '2742', '2543', '2406', '2490', '688'] pdf:docinfo:created 2011-12-09T21:56:22Z pdf:docinfo:creator_tool Adobe InDesign CS5 (7.0.4) pdf:docinfo:modified 2011-12-09T21:56:35Z pdf:docinfo:producer Adobe PDF Library 9.9 pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0'] producer Adobe PDF Library 9.9 resourceName b'work_mk2gagjjbrb3vpvkpjwglc6rve.pdf' xmp:CreatorTool 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Putting the ""Minor"" Picasso-Arias Collection and Its ""Major"" Context onto the Web" date: 2015 pages: 3 extension: .pdf txt: ./txt/work_s366qv3rr5fyvptkbwuqob5fsq.txt cache: ./cache/work_s366qv3rr5fyvptkbwuqob5fsq.pdf Author maximilian goriany Content-Encoding ISO-8859-1 Content-Length -1 Content-Type ['application/pdf', 'text/plain; charset=ISO-8859-1'] Creation-Date 2004-03-09T21:37:01Z Last-Modified 2013-03-14T14:32:05Z Last-Save-Date 2013-03-14T14:32:05Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser', ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser']] X-TIKA:content_handler ['ToTextContentHandler', 'ToTextContentHandler'] X-TIKA:embedded_depth ['0', '1'] X-TIKA:embedded_resource_path /High Quality(1).joboptions X-TIKA:origResourceName High Quality(1).joboptions X-TIKA:parse_time_millis ['39', '5'] access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2004-03-09T21:37:01Z creator maximilian goriany date 2013-03-14T14:32:05Z dc:creator maximilian goriany dc:format application/pdf; 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doi:10.1016/j.cag.2012.06.003 doi 10.1016/j.cag.2012.06.003 meta:author ['Sami Arpa', 'Abdullah Bulbul', 'Tolga Capin', 'Bulent Ozguc'] meta:creation-date 2012-11-16T12:12:57Z meta:keyword Cubism; Non-photorealistic rendering; Art; Computer graphics meta:save-date 2014-12-23T13:19:36Z modified 2014-12-23T13:19:36Z pdf:PDFVersion 1.7 pdf:charsPerPage ['4513', '5222', '4993', '3327', '4458', '4546', '3635', '2720', '4434', '6516', '5454', '814', '4151', '3852'] pdf:docinfo:created 2012-11-16T12:12:57Z pdf:docinfo:creator Sami Arpa pdf:docinfo:creator_tool Elsevier pdf:docinfo:custom:ElsevierWebPDFSpecifications 6.3 pdf:docinfo:custom:doi 10.1016/j.cag.2012.06.003 pdf:docinfo:custom:robots noindex pdf:docinfo:keywords Cubism; Non-photorealistic rendering; Art; Computer graphics pdf:docinfo:modified 2014-12-23T13:19:36Z pdf:docinfo:subject Computers and Graphics, 36 + (2012) 991-1004. doi:10.1016/j.cag.2012.06.003 pdf:docinfo:title Perceptual 3D rendering based on principles of analytical cubism pdf:encrypted false pdf:hasMarkedContent true pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['3', '1', '6', '34', '2', '0', '44', '0', '0', '5', '0', '0', '0', '0'] resourceName b'work_k2mgugqiorgfdjzpg4ipsnmi3m.pdf' robots noindex subject Computers and Graphics, 36 + (2012) 991-1004. doi:10.1016/j.cag.2012.06.003 title Perceptual 3D rendering based on principles of analytical cubism xmp:CreatorTool Elsevier xmpMM:DocumentID uuid:44801fec-76d7-471b-beeb-810e54fb433e xmpTPg:NPages 14 work_fw5hn5vfkjbwfjszhpzvrlh7ry txt/../pos/work_fw5hn5vfkjbwfjszhpzvrlh7ry.pos === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_xhobwczzlfgq3eark3cmszdjja' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_xhobwczzlfgq3eark3cmszdjja' === file2bib.sh === id: work_ajo2gm5whvdxbjdsbxcq4nwhdy author: B. 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Atenea Valencia López, Harold núm. 513, enero-junio, 2016, pp. 125-135 Universidad de Concepción Concepción, Chile created 2016-08-29T18:22:01Z creator Valencia López, Harold date 2016-08-29T18:22:01Z dc:creator Valencia López, Harold dc:format application/pdf; version=1.4 dc:subject dc:title Redalyc.La política y la democracia como creaciones imaginarias: de los griegos a nosotros dcterms:created 2016-08-29T18:22:01Z dcterms:modified 2016-08-29T18:22:01Z meta:author Valencia López, Harold meta:creation-date 2016-08-29T18:22:01Z meta:keyword meta:save-date 2016-08-29T18:22:01Z modified 2016-08-29T18:22:01Z pdf:PDFVersion 1.4 pdf:charsPerPage ['636', '2040', '2962', '3422', '2860', '2811', '2369', '2500', '2430', '2761', '2591', '2494'] pdf:docinfo:created 2016-08-29T18:22:01Z pdf:docinfo:creator Valencia López, Harold pdf:docinfo:creator_tool Redalyc pdf:docinfo:keywords pdf:docinfo:modified 2016-08-29T18:22:01Z pdf:docinfo:producer iText 1.4.6 (by lowagie.com) pdf:docinfo:subject La política y la democracia como creaciones imaginarias: de los griegos a nosotros. Atenea Valencia López, Harold núm. 513, enero-junio, 2016, pp. 125-135 Universidad de Concepción Concepción, Chile pdf:docinfo:title Redalyc.La política y la democracia como creaciones imaginarias: de los griegos a nosotros pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0'] producer iText 1.4.6 (by lowagie.com) resourceName b'work_xzjcutuotnerdklf4h3cmbhrau.pdf' subject La política y la democracia como creaciones imaginarias: de los griegos a nosotros. Atenea Valencia López, Harold núm. 513, enero-junio, 2016, pp. 125-135 Universidad de Concepción Concepción, Chile title Redalyc.La política y la democracia como creaciones imaginarias: de los griegos a nosotros xmp:CreatorTool Redalyc xmpTPg:NPages 12 work_xtjrvfjxvrbwdhzfn2d7r5txgm txt/../pos/work_xtjrvfjxvrbwdhzfn2d7r5txgm.pos work_bgonyn4hdveepn7cogumhhxfjq txt/../wrd/work_bgonyn4hdveepn7cogumhhxfjq.wrd work_kbynbakkqvc5lpt7tck42wkh7y txt/../wrd/work_kbynbakkqvc5lpt7tck42wkh7y.wrd work_7oy6qtwe5bgpxhwjtomienlixy txt/../wrd/work_7oy6qtwe5bgpxhwjtomienlixy.wrd work_uq5nrtxyl5cp7a6waxicqn22tm txt/../wrd/work_uq5nrtxyl5cp7a6waxicqn22tm.wrd work_atyd6nwgdjf6ja4fsan6pzkt2u txt/../pos/work_atyd6nwgdjf6ja4fsan6pzkt2u.pos === file2bib.sh === id: work_wzyo5vynnjerjd3zfnsiovtyw4 author: J S Jenkins title: Prodigies of nature date: 2005 pages: extension: .pdf txt: ./txt/work_wzyo5vynnjerjd3zfnsiovtyw4.txt cache: ./cache/work_wzyo5vynnjerjd3zfnsiovtyw4.pdf Content-Type application/xml X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.xml.DcXMLParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 4 resourceName b'work_wzyo5vynnjerjd3zfnsiovtyw4.pdf' work_7qkrrpxgdfevncbo2wkxsowiau txt/../pos/work_7qkrrpxgdfevncbo2wkxsowiau.pos INFO Detecting media type for Filename: b'work_f4jqsxjau5gsniiwzvp24vv5ue.pdf' INFO rmeta/text (autodetecting type) work_whhvxrkap5hjfccw7lrjrwvmha txt/../pos/work_whhvxrkap5hjfccw7lrjrwvmha.pos work_xtjrvfjxvrbwdhzfn2d7r5txgm txt/../wrd/work_xtjrvfjxvrbwdhzfn2d7r5txgm.wrd work_atyd6nwgdjf6ja4fsan6pzkt2u txt/../wrd/work_atyd6nwgdjf6ja4fsan6pzkt2u.wrd work_whhvxrkap5hjfccw7lrjrwvmha txt/../wrd/work_whhvxrkap5hjfccw7lrjrwvmha.wrd === file2bib.sh === id: work_cr4klrboxbdnfbqwjjdqhgztpa author: Jae Taek Hong title: Human Craniovertebral Alignment as a "Tertiary Curvature" date: 2019 pages: 4 extension: .pdf txt: ./txt/work_cr4klrboxbdnfbqwjjdqhgztpa.txt cache: ./cache/work_cr4klrboxbdnfbqwjjdqhgztpa.pdf Content-Type application/pdf Creation-Date 2019-06-25T08:14:41Z Last-Modified 2019-06-27T05:26:40Z Last-Save-Date 2019-06-27T05:26:40Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 63 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2019-06-25T08:14:41Z date 2019-06-27T05:26:40Z dc:format application/pdf; 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xmpMM:History:SoftwareAgent ['pdfToolbox', 'pdfToolbox'] xmpMM:History:When ['2012-05-11T18:41:11Z', '2012-05-11T18:41:50Z'] xmpTPg:NPages 52 work_52eulyy5wnburp7hgvaibu5sfy txt/../wrd/work_52eulyy5wnburp7hgvaibu5sfy.wrd === file2bib.sh === id: work_xtjrvfjxvrbwdhzfn2d7r5txgm author: P Ravi Shankar title: Student feedback on the use of paintings in Sparshanam, the Medical Humanities module at KIST Medical College, Nepal date: 2011 pages: extension: .pdf txt: ./txt/work_xtjrvfjxvrbwdhzfn2d7r5txgm.txt cache: ./cache/work_xtjrvfjxvrbwdhzfn2d7r5txgm.pdf Content-Encoding UTF-8 Content-Language en Content-Type text/html; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.html.HtmlParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 10 application-name   citation_author ['P. Shankar', 'R. Piryani', 'K. Upadhyay-Dhungel'] citation_journal_title undefined citation_pdf_url https://doi.org/10.1186/1472-6920-11-9 citation_publication_date 2011 citation_title Student feedback on the use of paintings in Sparshanam, the Medical Humanities module at KIST Medical College, Nepal dc:title Student feedback on the use of paintings in Sparshanam, the Medical Humanities module at KIST Medical College, Nepal | Semantic Scholar description BackgroundPaintings have been used in Medical Humanities modules in Nepal at Manipal College of Medical Sciences and KIST Medical College. Detailed participant feedback about the paintings used, the activities carried out, problems with using paintings and the role of paintings in future modules has not been previously done. Hence the present study was carried out.MethodsThe present module for first year medical students was conducted from February to August 2010 at KIST Medical College, Nepal. Paintings used were by Western artists and obtained from the Literature, Arts and Medicine database. The activities undertaken by the students include answering the questions 'What do you see' and 'What do you feel' about the painting, creating a story of 100 words about the scene depicted, and interpreting the painting using role plays and poems/songs. Feedback was not obtained about the last two activities. In August 2010 we obtained detailed feedback about the paintings used.ResultsSeventy-eight of the 100 students (78%) participated. Thirty-four students (43.6%) were male. The most common overall comments about the use of paintings were "they helped me feel what I saw" (12 respondents), "enjoyed the sessions" (12 respondents), "some paintings were hard to interpret" (10 respondents) and "were in tune with module objectives" (10 respondents). Forty-eight (61.5%) felt the use of western paintings was appropriate. Suggestions to make annotations about paintings more useful were to make them shorter and more precise, simplify the language and properly introduce the artist. Forty-one students (52.6%) had difficulty with the exercise 'what do you feel'. Seventy-four students (94.9%) wanted paintings from Nepal to be included.ConclusionsParticipant response was positive and they were satisfied with use of paintings in the module. Use of more paintings from Nepal and South Asia can be considered. Further studies may be required to understand whether use of paintings succeeded in fulfilling module objectives. msapplication-TileColor #FFFFFF msapplication-TileImage https://dab4rbh62k56j.cloudfront.net/151517c6e734fd0b/img/mstile-144x144.png msapplication-square150x150logo https://dab4rbh62k56j.cloudfront.net/151517c6e734fd0b/img/mstile-150x150.png msapplication-square310x310logo https://dab4rbh62k56j.cloudfront.net/151517c6e734fd0b/img/mstile-310x310.png msapplication-square70x70logo https://dab4rbh62k56j.cloudfront.net/151517c6e734fd0b/img/mstile-70x70.png msapplication-wide310x150logo https://dab4rbh62k56j.cloudfront.net/151517c6e734fd0b/img/mstile-310x150.png og:description BackgroundPaintings have been used in Medical Humanities modules in Nepal at Manipal College of Medical Sciences and KIST Medical College. Detailed participant feedback about the paintings used, the activities carried out, problems with using paintings and the role of paintings in future modules has not been previously done. Hence the present study was carried out.MethodsThe present module for first year medical students was conducted from February to August 2010 at KIST Medical College, Nepal. Paintings used were by Western artists and obtained from the Literature, Arts and Medicine database. The activities undertaken by the students include answering the questions 'What do you see' and 'What do you feel' about the painting, creating a story of 100 words about the scene depicted, and interpreting the painting using role plays and poems/songs. Feedback was not obtained about the last two activities. In August 2010 we obtained detailed feedback about the paintings used.ResultsSeventy-eight of the 100 students (78%) participated. Thirty-four students (43.6%) were male. The most common overall comments about the use of paintings were "they helped me feel what I saw" (12 respondents), "enjoyed the sessions" (12 respondents), "some paintings were hard to interpret" (10 respondents) and "were in tune with module objectives" (10 respondents). Forty-eight (61.5%) felt the use of western paintings was appropriate. Suggestions to make annotations about paintings more useful were to make them shorter and more precise, simplify the language and properly introduce the artist. Forty-one students (52.6%) had difficulty with the exercise 'what do you feel'. Seventy-four students (94.9%) wanted paintings from Nepal to be included.ConclusionsParticipant response was positive and they were satisfied with use of paintings in the module. Use of more paintings from Nepal and South Asia can be considered. Further studies may be required to understand whether use of paintings succeeded in fulfilling module objectives. og:image https://www.semanticscholar.org/img/semantic_scholar_og.png og:image:height 582 og:image:secure_url ['https://www.semanticscholar.org/img/semantic_scholar_og.png', 'https://www.semanticscholar.org/img/semantic_scholar_og.png'] og:image:width 1110 og:locale ['en_US', 'en_US'] og:title Student feedback on the use of paintings in Sparshanam, the Medical Humanities module at KIST Medical College, Nepal | Semantic Scholar og:type website resourceName b'work_xtjrvfjxvrbwdhzfn2d7r5txgm.pdf' robots noarchive,noindex s2-ui-version 0a1ee7b640e58bf005fa3cbd97e8cba83bff3dc9 title Student feedback on the use of paintings in Sparshanam, the Medical Humanities module at KIST Medical College, Nepal | Semantic Scholar twitter:card summary_large_image twitter:description BackgroundPaintings have been used in Medical Humanities modules in Nepal at Manipal College of Medical Sciences and KIST Medical College. Detailed participant feedback about the paintings used, the activities carried out, problems with using paintings and the role of paintings in future modules has not been previously done. Hence the present study was carried out.MethodsThe present module for first year medical students was conducted from February to August 2010 at KIST Medical College, Nepal. Paintings used were by Western artists and obtained from the Literature, Arts and Medicine database. The activities undertaken by the students include answering the questions 'What do you see' and 'What do you feel' about the painting, creating a story of 100 words about the scene depicted, and interpreting the painting using role plays and poems/songs. Feedback was not obtained about the last two activities. In August 2010 we obtained detailed feedback about the paintings used.ResultsSeventy-eight of the 100 students (78%) participated. Thirty-four students (43.6%) were male. The most common overall comments about the use of paintings were "they helped me feel what I saw" (12 respondents), "enjoyed the sessions" (12 respondents), "some paintings were hard to interpret" (10 respondents) and "were in tune with module objectives" (10 respondents). Forty-eight (61.5%) felt the use of western paintings was appropriate. Suggestions to make annotations about paintings more useful were to make them shorter and more precise, simplify the language and properly introduce the artist. Forty-one students (52.6%) had difficulty with the exercise 'what do you feel'. Seventy-four students (94.9%) wanted paintings from Nepal to be included.ConclusionsParticipant response was positive and they were satisfied with use of paintings in the module. Use of more paintings from Nepal and South Asia can be considered. 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Pal title: Life on the ground floor: letters from the edge of emergency medicine date: 2017 pages: extension: .pdf txt: ./txt/work_hhmgq7d6erdfxp6yp57yemznby.txt cache: ./cache/work_hhmgq7d6erdfxp6yp57yemznby.pdf Content-Encoding UTF-8 Content-Language en Content-Type text/html; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.html.HtmlParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 5 application-name   citation_author Nicole E. Pal citation_journal_title undefined citation_pdf_url https://doi.org/10.1080/10796126.2017.1384531 citation_publication_date 2017 citation_title Life on the ground floor: letters from the edge of emergency medicine dc:title Life on the ground floor: letters from the edge of emergency medicine | Semantic Scholar description Nobel Peace Prize in 1985, ‘demonstrates the influence that health professionals can have in global politics’ (P30). The tone throughout is calm, factual and doesn’t hector, but it’s not without passion. Each chapter has helpful summaries at the end which make the booklet a very effective teaching aid. It is also well referenced for further reading. Overall, its summary of the case against nuclear weapons is of great value at this time when the threat of nuclear war is very much back in the headlines. msapplication-TileColor #FFFFFF msapplication-TileImage https://dab4rbh62k56j.cloudfront.net/151517c6e734fd0b/img/mstile-144x144.png msapplication-square150x150logo https://dab4rbh62k56j.cloudfront.net/151517c6e734fd0b/img/mstile-150x150.png msapplication-square310x310logo https://dab4rbh62k56j.cloudfront.net/151517c6e734fd0b/img/mstile-310x310.png msapplication-square70x70logo https://dab4rbh62k56j.cloudfront.net/151517c6e734fd0b/img/mstile-70x70.png msapplication-wide310x150logo https://dab4rbh62k56j.cloudfront.net/151517c6e734fd0b/img/mstile-310x150.png og:description Nobel Peace Prize in 1985, ‘demonstrates the influence that health professionals can have in global politics’ (P30). The tone throughout is calm, factual and doesn’t hector, but it’s not without passion. Each chapter has helpful summaries at the end which make the booklet a very effective teaching aid. It is also well referenced for further reading. Overall, its summary of the case against nuclear weapons is of great value at this time when the threat of nuclear war is very much back in the headlines. og:image https://www.semanticscholar.org/img/semantic_scholar_og.png og:image:height 582 og:image:secure_url ['https://www.semanticscholar.org/img/semantic_scholar_og.png', 'https://www.semanticscholar.org/img/semantic_scholar_og.png'] og:image:width 1110 og:locale ['en_US', 'en_US'] og:title Life on the ground floor: letters from the edge of emergency medicine | Semantic Scholar og:type website resourceName b'work_hhmgq7d6erdfxp6yp57yemznby.pdf' robots noarchive,noindex s2-ui-version 0a1ee7b640e58bf005fa3cbd97e8cba83bff3dc9 title Life on the ground floor: letters from the edge of emergency medicine | Semantic Scholar twitter:card summary_large_image twitter:description Nobel Peace Prize in 1985, ‘demonstrates the influence that health professionals can have in global politics’ (P30). The tone throughout is calm, factual and doesn’t hector, but it’s not without passion. Each chapter has helpful summaries at the end which make the booklet a very effective teaching aid. It is also well referenced for further reading. Overall, its summary of the case against nuclear weapons is of great value at this time when the threat of nuclear war is very much back in the headlines. twitter:image ['https://www.semanticscholar.org/img/semantic_scholar_og.png', 'https://www.semanticscholar.org/img/semantic_scholar_og.png'] twitter:site @allenai_org twitter:title Life on the ground floor: letters from the edge of emergency medicine | Semantic Scholar viewport width=device-width,initial-scale=1 === file2bib.sh === id: work_2rqzebt6erhspbnlqq2qb7g62e author: B. L. 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This paper reviews the various definitions of authenticity that have been proposed in the literature and identifies areas of convergence. We then outline a novel framework that organizes the existing definitions of authenticity along two key dimensions: (i) describing the type of entity that is evaluated and (ii) describing the source of information that is consulted. We argue that this convergence across a number of papers, and more importantly, across a number of domains, reflects significant progress in articulating the meaning(s) of authenticity. 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X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 15 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2020-07-31T06:21:27Z date 2020-07-31T06:21:31Z dc:format application/pdf; version=1.4 dcterms:created 2020-07-31T06:21:27Z dcterms:modified 2020-07-31T06:21:31Z meta:creation-date 2020-07-31T06:21:27Z meta:save-date 2020-07-31T06:21:31Z modified 2020-07-31T06:21:31Z pdf:PDFVersion 1.4 pdf:charsPerPage ['4199', '3503'] pdf:docinfo:created 2020-07-31T06:21:27Z pdf:docinfo:creator_tool Adobe InDesign CS6 (Windows) pdf:docinfo:modified 2020-07-31T06:21:31Z pdf:docinfo:producer Adobe PDF Library 10.0.1 pdf:docinfo:trapped False pdf:encrypted false pdf:hasMarkedContent true pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0'] producer Adobe PDF Library 10.0.1 resourceName b'work_eyurqkl6ozecxa6npxelcricxy.pdf' trapped False xmp:CreatorTool Adobe InDesign CS6 (Windows) xmpMM:DerivedFrom:DocumentID xmp.did:91222D15D63BE811B541BAFDA34B5825 xmpMM:DerivedFrom:InstanceID xmp.iid:E36CF2BFF5D2EA11877988E975DC5C3D xmpMM:DocumentID xmp.id:E46CF2BFF5D2EA11877988E975DC5C3D xmpTPg:NPages 2 INFO Detecting media type for Filename: b'work_prixtkgelrflrkkrwooubqxpzy.pdf' INFO rmeta/text (autodetecting type) work_ktpw4hxc2bgeblqj5a6q5iihsi txt/../wrd/work_ktpw4hxc2bgeblqj5a6q5iihsi.wrd === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_prixtkgelrflrkkrwooubqxpzy' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_prixtkgelrflrkkrwooubqxpzy' work_z4gvkva5pvf2tkm5ssuhe4k7g4 txt/../ent/work_z4gvkva5pvf2tkm5ssuhe4k7g4.ent work_7o5vcdq4frblpbcmzvgvtuh5nq txt/../wrd/work_7o5vcdq4frblpbcmzvgvtuh5nq.wrd work_i6322ydparc2bn4u637yhun6qi txt/../wrd/work_i6322ydparc2bn4u637yhun6qi.wrd work_x6ggkoqzjjftblnouzsmsfx6ki txt/../pos/work_x6ggkoqzjjftblnouzsmsfx6ki.pos work_ihzbus5cebgbjhglsduyqy3t6q txt/../ent/work_ihzbus5cebgbjhglsduyqy3t6q.ent INFO Detecting media type for Filename: b'work_pow3yod6ebhmnnrg3nvmf6k2xe.pdf' INFO rmeta/text (autodetecting type) work_i6322ydparc2bn4u637yhun6qi txt/../pos/work_i6322ydparc2bn4u637yhun6qi.pos work_x6ggkoqzjjftblnouzsmsfx6ki txt/../wrd/work_x6ggkoqzjjftblnouzsmsfx6ki.wrd work_5ryeoeznbnbppecnak4yvlxntq txt/../pos/work_5ryeoeznbnbppecnak4yvlxntq.pos INFO Detecting media type for Filename: b'work_iwopkjv2ubgnrlu3l3ndreqefm.pdf' INFO rmeta/text (autodetecting type) work_cebqso4esbfixbar6ogmmkv6a4 txt/../ent/work_cebqso4esbfixbar6ogmmkv6a4.ent === file2bib.sh === id: work_dt5lpkr3zrgsvhuvb4ouu72zji author: Koreen Ramessar title: Trace and traceability—a call for regulatory harmony date: 2008 pages: 4 extension: .pdf txt: ./txt/work_dt5lpkr3zrgsvhuvb4ouu72zji.txt cache: ./cache/work_dt5lpkr3zrgsvhuvb4ouu72zji.pdf Content-Type application/pdf Creation-Date 2008-08-28T15:47:29Z Last-Modified 2008-08-28T16:11:45Z Last-Save-Date 2008-08-28T16:11:45Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 36 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2008-08-28T15:47:29Z date 2008-08-28T16:11:45Z dc:format application/pdf; version=1.3 dcterms:created 2008-08-28T15:47:29Z dcterms:modified 2008-08-28T16:11:45Z meta:creation-date 2008-08-28T15:47:29Z meta:save-date 2008-08-28T16:11:45Z modified 2008-08-28T16:11:45Z pdf:PDFVersion 1.3 pdf:charsPerPage ['7060', '4382', '5438', '6744'] pdf:docinfo:created 2008-08-28T15:47:29Z pdf:docinfo:creator_tool Adobe InDesign CS3 (5.0) pdf:docinfo:modified 2008-08-28T16:11:45Z pdf:docinfo:producer Adobe PDF Library 8.0 pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP false pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0'] producer Adobe PDF Library 8.0 resourceName b'work_dt5lpkr3zrgsvhuvb4ouu72zji.pdf' xmp:CreatorTool Adobe InDesign CS3 (5.0) xmpTPg:NPages 4 INFO Detecting media type for Filename: b'work_xjfmzh5jnreatf5x53lnzl6s2m.pdf' INFO rmeta/text (autodetecting type) WARN Using fallback font 'LiberationSans-Bold' for 'Arial-BoldMT,Bold' WARN No Unicode mapping for CID+1028 (1028) in font GAAAAA+TimesNewRoman work_5ryeoeznbnbppecnak4yvlxntq txt/../wrd/work_5ryeoeznbnbppecnak4yvlxntq.wrd WARN Using fallback font 'LiberationSans' for 'Arial-ItalicMT,Italic' INFO Detecting media type for Filename: b'work_vip5yxo4zvhyvlyif4ujxkmnpm.pdf' INFO rmeta/text (autodetecting type) work_mydjujgllng67g2brahacanary txt/../ent/work_mydjujgllng67g2brahacanary.ent work_npijvzrmsfg5th53aywfxjr6ti txt/../ent/work_npijvzrmsfg5th53aywfxjr6ti.ent work_cejwynuejrck7ewoii7hr5u3fq txt/../wrd/work_cejwynuejrck7ewoii7hr5u3fq.wrd === file2bib.sh === id: work_wpeiqwd7yfdsrlmube7ice6ub4 author: José Javier Moreno Arnedillo title: IF LIFE GIVES YOU LEMONS, MAKE LEMONADE. GIVING MEANING TO LIFE WHEN STRESS AND ANXIETY COMPLICATE IT López, E. y Costa, M date: 2017 pages: 2 extension: .pdf txt: ./txt/work_wpeiqwd7yfdsrlmube7ice6ub4.txt cache: ./cache/work_wpeiqwd7yfdsrlmube7ice6ub4.pdf Author José Javier Moreno Arnedillo Content-Type application/pdf Creation-Date 2017-03-15T07:34:10Z Last-Modified 2017-03-15T07:34:10Z Last-Save-Date 2017-03-15T07:34:10Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 47 XPressPrivate %%DocumentProcessColors: Cyan Black %%EndComments access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2017-03-15T07:34:10Z creator José Javier Moreno Arnedillo date 2017-03-15T07:34:10Z dc:creator José Javier Moreno Arnedillo dc:format application/pdf; version=1.4 dc:title IF LIFE GIVES YOU LEMONS, MAKE LEMONADE. GIVING MEANING TO LIF dcterms:created 2017-03-15T07:34:10Z dcterms:modified 2017-03-15T07:34:10Z meta:author José Javier Moreno Arnedillo meta:creation-date 2017-03-15T07:34:10Z meta:save-date 2017-03-15T07:34:10Z modified 2017-03-15T07:34:10Z pdf:PDFVersion 1.4 pdf:charsPerPage ['5228', '6409'] pdf:docinfo:created 2017-03-15T07:34:10Z pdf:docinfo:creator José Javier Moreno Arnedillo pdf:docinfo:creator_tool QuarkXPress(R) 11.2r5 pdf:docinfo:custom:XPressPrivate %%DocumentProcessColors: Cyan Black %%EndComments pdf:docinfo:modified 2017-03-15T07:34:10Z pdf:docinfo:producer QuarkXPress(R) 11.2r5 pdf:docinfo:title IF LIFE GIVES YOU LEMONS, MAKE LEMONADE. GIVING MEANING TO LIF pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP false pdf:unmappedUnicodeCharsPerPage ['0', '0'] producer QuarkXPress(R) 11.2r5 resourceName b'work_wpeiqwd7yfdsrlmube7ice6ub4.pdf' title IF LIFE GIVES YOU LEMONS, MAKE LEMONADE. GIVING MEANING TO LIF xmp:CreatorTool QuarkXPress(R) 11.2r5 xmpTPg:NPages 2 work_cejwynuejrck7ewoii7hr5u3fq txt/../pos/work_cejwynuejrck7ewoii7hr5u3fq.pos === file2bib.sh === id: work_7pad5lddgndwzevwoxmpx4ys74 author: Monica Guerra title: Finished and Unfinished Objects: Supporting Children's Creativity Through Materials date: 2012 pages: 7 extension: .pdf txt: ./txt/work_7pad5lddgndwzevwoxmpx4ys74.txt cache: ./cache/work_7pad5lddgndwzevwoxmpx4ys74.pdf Author ['Monica Guerra', 'Franca Zuccoli'] Content-Type application/pdf Creation-Date 2014-04-15T07:49:21Z CrossMarkDomains[1] sciencedirect.com CrossMarkDomains[2] elsevier.com CrossmarkDomainExclusive true CrossmarkMajorVersionDate 2010-04-23 ElsevierWebPDFSpecifications 6.4 Keywords Objects; Materials; Creativity; Children; Education Last-Modified 2014-10-31T08:52:04Z Last-Save-Date 2014-10-31T08:52:04Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 53 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true cp:subject Procedia - Social and Behavioral Sciences, 51 (2012) 721-727. doi:10.1016/j.sbspro.2012.08.231 created 2014-04-15T07:49:21Z creator ['Monica Guerra', 'Franca Zuccoli'] date 2014-10-31T08:52:04Z dc:creator ['Monica Guerra', 'Franca Zuccoli'] dc:description Procedia - Social and Behavioral Sciences, 51 (2012) 721-727. doi:10.1016/j.sbspro.2012.08.231 dc:format application/pdf; version=1.7 dc:subject Objects; Materials; Creativity; Children; Education dc:title Finished and Unfinished Objects: Supporting Children's Creativity Through Materials dcterms:created 2014-04-15T07:49:21Z dcterms:modified 2014-10-31T08:52:04Z description Procedia - Social and Behavioral Sciences, 51 (2012) 721-727. doi:10.1016/j.sbspro.2012.08.231 doi 10.1016/j.sbspro.2012.08.231 meta:author ['Monica Guerra', 'Franca Zuccoli'] meta:creation-date 2014-04-15T07:49:21Z meta:keyword Objects; Materials; Creativity; Children; Education meta:save-date 2014-10-31T08:52:04Z modified 2014-10-31T08:52:04Z pdf:PDFVersion 1.7 pdf:charsPerPage ['3507', '5218', '5450', '5112', '4951', '5174', '3023'] pdf:docinfo:created 2014-04-15T07:49:21Z pdf:docinfo:creator Monica Guerra pdf:docinfo:creator_tool Elsevier pdf:docinfo:custom:CrossMarkDomains[1] sciencedirect.com pdf:docinfo:custom:CrossMarkDomains[2] elsevier.com pdf:docinfo:custom:CrossmarkDomainExclusive true pdf:docinfo:custom:CrossmarkMajorVersionDate 2010-04-23 pdf:docinfo:custom:ElsevierWebPDFSpecifications 6.4 pdf:docinfo:custom:doi 10.1016/j.sbspro.2012.08.231 pdf:docinfo:custom:robots noindex pdf:docinfo:keywords Objects; Materials; Creativity; Children; Education pdf:docinfo:modified 2014-10-31T08:52:04Z pdf:docinfo:producer Acrobat Distiller 10.0.0 (Windows) pdf:docinfo:subject Procedia - Social and Behavioral Sciences, 51 (2012) 721-727. doi:10.1016/j.sbspro.2012.08.231 pdf:docinfo:title Finished and Unfinished Objects: Supporting Children's Creativity Through Materials pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['6', '0', '0', '0', '0', '0', '0'] producer Acrobat Distiller 10.0.0 (Windows) resourceName b'work_7pad5lddgndwzevwoxmpx4ys74.pdf' robots noindex subject Procedia - Social and Behavioral Sciences, 51 (2012) 721-727. doi:10.1016/j.sbspro.2012.08.231 title Finished and Unfinished Objects: Supporting Children's Creativity Through Materials xmp:CreatorTool Elsevier xmpMM:DocumentID uuid:28174961-7599-4b94-9c28-ddf6dc69bea1 xmpTPg:NPages 7 work_azsquoo4ybddhh7wob4bwhhqhy txt/../wrd/work_azsquoo4ybddhh7wob4bwhhqhy.wrd === file2bib.sh === id: work_yf7rhvygurgdnl7dqj64375qze author: Viktor F. 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Carnegie Mellon University, on 06 Apr 2021 at 01:40:57, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. meta:creation-date 2015-03-17T08:55:27Z meta:save-date 2021-04-06T01:40:57Z modified 2021-04-06T01:40:57Z pdf:PDFVersion 1.3 pdf:charsPerPage ['3224', '3730', '2553', '4553', '4157', '3795', '3978', '4423', '2555', '4193', '3751', '2422', '4279', '2070', '877', '3908', '3588'] pdf:docinfo:created 2015-03-17T08:55:27Z pdf:docinfo:creator_tool Arbortext Advanced Print Publisher 10.0.1465/W Unicode pdf:docinfo:modified 2021-04-06T01:40:57Z pdf:docinfo:producer Carnegie Mellon University pdf:docinfo:title untitled pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0'] producer Carnegie Mellon University resourceName b'work_6zmwsbf2ofgqzj4o3nh3gp6vce.pdf' title untitled xmp:CreatorTool Arbortext Advanced Print Publisher 10.0.1465/W Unicode xmpMM:DocumentID uuid:b81ef780-5628-4a0f-adb7-89e4484fe7f9 xmpTPg:NPages 17 INFO Detecting media type for Filename: b'work_rbdpha2rzvfbvdecyrhqfnlcle.pdf' INFO rmeta/text (autodetecting type) work_7o5vcdq4frblpbcmzvgvtuh5nq txt/../ent/work_7o5vcdq4frblpbcmzvgvtuh5nq.ent work_6zmwsbf2ofgqzj4o3nh3gp6vce txt/../ent/work_6zmwsbf2ofgqzj4o3nh3gp6vce.ent work_ztbmh3tmarfpbmyhgxb56dczmy txt/../pos/work_ztbmh3tmarfpbmyhgxb56dczmy.pos work_cichnl6usrfy3hohcv75qvk3ty txt/../ent/work_cichnl6usrfy3hohcv75qvk3ty.ent INFO Detecting media type for Filename: b'work_m55vwg7z4zhsnkp4e3socuiut4.pdf' INFO rmeta/text (autodetecting type) === file2bib.sh === id: work_ft5wuzvif5brrpx6vltficy2qm author: Christiane Hellmanzik title: Location matters: Estimating cluster premiums for prominent modern artists date: 2010 pages: extension: .pdf txt: ./txt/work_ft5wuzvif5brrpx6vltficy2qm.txt cache: ./cache/work_ft5wuzvif5brrpx6vltficy2qm.pdf Content-Encoding UTF-8 Content-Language en Content-Type text/html; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.html.HtmlParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 6 X-UA-Compatible IE=Edge article:author https://www.facebook.com/WebMD article:publisher https://www.facebook.com/WebMD dc:title WebMD - Better information. Better health. description The leading source for trustworthy and timely health and medical news and information. Providing credible health information, supportive community, and educational services by blending award-winning expertise in content, community services, expert commentary, and medical review. fb:app_id 385978254785998 fb:pages ['11736558481', '1802823663331514'] keywords WebMD,www.webmd.com,web md,health,pregnancy,medical research,medical information/webm,prevention,disease,health care,healthcare,health information,health news,healthcare information,drug information,cancer,diabetes,depression,asthma,medical library,cholesterol,herpes,bipolar,diet,weight loss og:description The leading source for trustworthy and timely health and medical news and information. 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Better health. viewport width=device-width, initial-scale=1 work_6az73qbhh5bo7bkurfgeispjrm txt/../pos/work_6az73qbhh5bo7bkurfgeispjrm.pos work_ktpw4hxc2bgeblqj5a6q5iihsi txt/../ent/work_ktpw4hxc2bgeblqj5a6q5iihsi.ent INFO Detecting media type for Filename: b'work_ilaebg6jyzg6nkbnfyyb4aaspa.pdf' INFO rmeta/text (autodetecting type) work_i6322ydparc2bn4u637yhun6qi txt/../ent/work_i6322ydparc2bn4u637yhun6qi.ent INFO Detecting media type for Filename: b'work_i6wyhdtt2rfztm27clqz7t7uc4.pdf' INFO rmeta/text (autodetecting type) === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_ilaebg6jyzg6nkbnfyyb4aaspa' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_ilaebg6jyzg6nkbnfyyb4aaspa' === file2bib.sh === id: work_yk37cduk4fexpneedscyp5bh2i author: Gregorio Vicente Nicolás title: Comunicar en Danza date: 2020 pages: 4 extension: .pdf txt: ./txt/work_yk37cduk4fexpneedscyp5bh2i.txt cache: ./cache/work_yk37cduk4fexpneedscyp5bh2i.pdf Content-Type application/pdf Last-Modified 2020-10-30T11:32:40Z Last-Save-Date 2020-10-30T11:32:40Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 34 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true date 2020-10-30T11:32:40Z dc:format application/pdf; version=1.4 dc:language es-ES dcterms:modified 2020-10-30T11:32:40Z language es-ES meta:save-date 2020-10-30T11:32:40Z modified 2020-10-30T11:32:40Z pdf:PDFVersion 1.4 pdf:charsPerPage ['1220', '2691', '2581', '356'] pdf:docinfo:modified 2020-10-30T11:32:40Z pdf:docinfo:producer www.ilovepdf.com pdf:encrypted false pdf:hasMarkedContent true pdf:hasXFA false pdf:hasXMP false pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0'] producer www.ilovepdf.com resourceName b'work_yk37cduk4fexpneedscyp5bh2i.pdf' xmpTPg:NPages 4 INFO Detecting media type for Filename: b'work_4zhhjnhvgzc7hil6njyeq6ma7y.pdf' INFO rmeta/text (autodetecting type) WARN No Unicode mapping for H11002 (2) in font BKFHJI+MathematicalPi-One WARN No Unicode mapping for H11003 (3) in font BKFHJI+MathematicalPi-One WARN No Unicode mapping for H11033 (2) in font BKGBIP+Universal-NewswithCommPi work_2ffhhcdw4nfovfpyso4tssfrwm txt/../pos/work_2ffhhcdw4nfovfpyso4tssfrwm.pos WARN No Unicode mapping for H23040 (3) in font BKGBIP+Universal-NewswithCommPi work_x6ggkoqzjjftblnouzsmsfx6ki txt/../ent/work_x6ggkoqzjjftblnouzsmsfx6ki.ent work_pstcw23cdjbcddzev4qk3x7jnu txt/../pos/work_pstcw23cdjbcddzev4qk3x7jnu.pos work_5ryeoeznbnbppecnak4yvlxntq txt/../ent/work_5ryeoeznbnbppecnak4yvlxntq.ent work_pstcw23cdjbcddzev4qk3x7jnu txt/../wrd/work_pstcw23cdjbcddzev4qk3x7jnu.wrd INFO Detecting media type for Filename: b'work_o5yeboc24bak7cdl35o54b6eju.pdf' INFO rmeta/text (autodetecting type) work_2ffhhcdw4nfovfpyso4tssfrwm txt/../wrd/work_2ffhhcdw4nfovfpyso4tssfrwm.wrd work_efxvmz7njvhulken3xhwaaz3uy txt/../pos/work_efxvmz7njvhulken3xhwaaz3uy.pos INFO Detecting media type for Filename: b'work_vmwzwwe3pnhetddg7hlp7325ra.pdf' INFO rmeta/text (autodetecting type) work_4vghkspkyjg73ei2l35dzsylqm txt/../pos/work_4vghkspkyjg73ei2l35dzsylqm.pos INFO Detecting media type for Filename: b'work_5afqy7hflbg7bodhnnw3zbccem.pdf' INFO rmeta/text (autodetecting type) work_o6pvmd3rfveitkpkmngtbtprqm txt/../pos/work_o6pvmd3rfveitkpkmngtbtprqm.pos work_efxvmz7njvhulken3xhwaaz3uy txt/../wrd/work_efxvmz7njvhulken3xhwaaz3uy.wrd === file2bib.sh === id: work_iwopkjv2ubgnrlu3l3ndreqefm author: Channing J Paller title: Youth has no age: cancer treatment for older Americans date: 2010 pages: extension: .pdf txt: ./txt/work_iwopkjv2ubgnrlu3l3ndreqefm.txt cache: ./cache/work_iwopkjv2ubgnrlu3l3ndreqefm.pdf Content-Type application/xml X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.xml.DcXMLParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 2 resourceName b'work_iwopkjv2ubgnrlu3l3ndreqefm.pdf' work_npxvevzt5rdwdkxyqgrzaxxsym txt/../pos/work_npxvevzt5rdwdkxyqgrzaxxsym.pos work_4vghkspkyjg73ei2l35dzsylqm txt/../wrd/work_4vghkspkyjg73ei2l35dzsylqm.wrd work_o6pvmd3rfveitkpkmngtbtprqm txt/../wrd/work_o6pvmd3rfveitkpkmngtbtprqm.wrd work_allww2nryncrbi5vriu4kn7upm txt/../pos/work_allww2nryncrbi5vriu4kn7upm.pos work_npxvevzt5rdwdkxyqgrzaxxsym txt/../wrd/work_npxvevzt5rdwdkxyqgrzaxxsym.wrd === file2bib.sh === id: work_pow3yod6ebhmnnrg3nvmf6k2xe author: Vesna Mikic title: Different shapes of modernism/neoclassicism: Case study of Dušan Radić's creative output date: 2006 pages: 14 extension: .pdf txt: ./txt/work_pow3yod6ebhmnnrg3nvmf6k2xe.txt cache: ./cache/work_pow3yod6ebhmnnrg3nvmf6k2xe.pdf Author Janja Content-Type application/pdf Creation-Date 2008-02-29T10:12:44Z Last-Modified 2008-02-29T10:12:53Z Last-Save-Date 2008-02-29T10:12:53Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 64 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2008-02-29T10:12:44Z creator Janja date 2008-02-29T10:12:53Z dc:creator Janja dc:format application/pdf; 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Part 4 date: 1990 pages: extension: .pdf txt: ./txt/work_rbdpha2rzvfbvdecyrhqfnlcle.txt cache: ./cache/work_rbdpha2rzvfbvdecyrhqfnlcle.pdf Content-Type application/xml X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.xml.DcXMLParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 1 resourceName b'work_rbdpha2rzvfbvdecyrhqfnlcle.pdf' INFO Detecting media type for Filename: b'work_vgggzbjynzeppb5ziuxpcjgwwq.pdf' INFO rmeta/text (autodetecting type) WARN Format 14 cmap table is not supported and will be ignored work_mhks7theu5ejbjtf7ybjmrdwmy txt/../wrd/work_mhks7theu5ejbjtf7ybjmrdwmy.wrd INFO Detecting media type for Filename: b'work_pjkdlpouvbbthisfmlqx7emv6i.pdf' INFO rmeta/text (autodetecting type) work_yysmmqftrfcl5irddrjvdhcqxy txt/../wrd/work_yysmmqftrfcl5irddrjvdhcqxy.wrd work_2ffhhcdw4nfovfpyso4tssfrwm txt/../ent/work_2ffhhcdw4nfovfpyso4tssfrwm.ent work_mhks7theu5ejbjtf7ybjmrdwmy txt/../pos/work_mhks7theu5ejbjtf7ybjmrdwmy.pos work_3i2x5r65rfbb5amel53owj7zxq txt/../wrd/work_3i2x5r65rfbb5amel53owj7zxq.wrd INFO Detecting media type for Filename: b'work_cebqso4esbfixbar6ogmmkv6a4.pdf' INFO rmeta/text (autodetecting type) === file2bib.sh === id: work_m55vwg7z4zhsnkp4e3socuiut4 author: David Gamella González title: El acierto de las equivocaciones. 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Kang title: Commentary on "Gene Therapy Approach for Intervertebral Disc Degeneration: An Update" date: 2020 pages: 2 extension: .pdf txt: ./txt/work_o5yeboc24bak7cdl35o54b6eju.txt cache: ./cache/work_o5yeboc24bak7cdl35o54b6eju.pdf Content-Type application/pdf Creation-Date 2020-03-27T07:10:10Z Last-Modified 2020-03-31T00:45:49Z Last-Save-Date 2020-03-31T00:45:49Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 15 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2020-03-27T07:10:10Z date 2020-03-31T00:45:49Z dc:format application/pdf; version=1.4 dcterms:created 2020-03-27T07:10:10Z dcterms:modified 2020-03-31T00:45:49Z meta:creation-date 2020-03-27T07:10:10Z meta:save-date 2020-03-31T00:45:49Z modified 2020-03-31T00:45:49Z pdf:PDFVersion 1.4 pdf:charsPerPage ['4053', '2376'] pdf:docinfo:created 2020-03-27T07:10:10Z pdf:docinfo:creator_tool Adobe InDesign CS6 (Windows) pdf:docinfo:modified 2020-03-31T00:45:49Z pdf:docinfo:producer Adobe PDF Library 10.0.1; modified using iText 5.0.3 (c) 1T3XT BVBA pdf:docinfo:trapped False pdf:encrypted false pdf:hasMarkedContent true pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0'] producer Adobe PDF Library 10.0.1; modified using iText 5.0.3 (c) 1T3XT BVBA resourceName b'work_o5yeboc24bak7cdl35o54b6eju.pdf' trapped False xmp:CreatorTool Adobe InDesign CS6 (Windows) xmpMM:DerivedFrom:DocumentID xmp.did:EC1B234F986DEA1196438A5B761AA16D xmpMM:DerivedFrom:InstanceID xmp.iid:C822AF62166FEA11A7C28E45C347BAE5 xmpMM:DocumentID xmp.id:00F21765F96FEA1199D8C500B243612A xmpTPg:NPages 2 work_vdigdiq3bfh7ngrcjlwcluk7wm txt/../pos/work_vdigdiq3bfh7ngrcjlwcluk7wm.pos === file2bib.sh === id: work_4zhhjnhvgzc7hil6njyeq6ma7y author: Michael L.J. Apuzzo title: THE ALCHEMY OF IDEAS date: 2008 pages: 10 extension: .pdf txt: ./txt/work_4zhhjnhvgzc7hil6njyeq6ma7y.txt cache: ./cache/work_4zhhjnhvgzc7hil6njyeq6ma7y.pdf Author Laura Carter Content-Encoding ISO-8859-1 Content-Length -1 Content-Type ['application/pdf', 'text/plain; charset=ISO-8859-1'] Creation-Date 2008-11-26T18:00:30Z Last-Modified 2008-12-03T03:04:38Z Last-Save-Date 2008-12-03T03:04:38Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser', ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser']] X-TIKA:content_handler ['ToTextContentHandler', 'ToTextContentHandler'] X-TIKA:embedded_depth ['0', '1'] X-TIKA:embedded_resource_path /folder.joboptions X-TIKA:origResourceName folder.joboptions X-TIKA:parse_time_millis ['65', '2'] access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2008-11-26T18:00:30Z creator Laura Carter date 2008-12-03T03:04:38Z dc:creator Laura Carter dc:format application/pdf; 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work_azsquoo4ybddhh7wob4bwhhqhy author: Kader AYDIN title: MODERN SANAT SÜRECİNDE KADIN İMGESİNİN RESİMSEL VE TOPLUMSAL AÇIDAN İNCELENMESİ date: 2019 pages: 13 extension: .pdf txt: ./txt/work_azsquoo4ybddhh7wob4bwhhqhy.txt cache: ./cache/work_azsquoo4ybddhh7wob4bwhhqhy.pdf Author MK Content-Type application/pdf Last-Modified 2019-10-18T14:49:09Z Last-Save-Date 2019-10-18T14:49:09Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 90 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true creator MK date 2019-10-18T14:49:09Z dc:creator MK dc:format application/pdf; version=2.0 dc:title 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version=1.6 dc:title 00_RAIntro.pmd dcterms:created 2007-12-12T11:45:36Z dcterms:modified 2007-12-12T11:45:40Z meta:author Tales meta:creation-date 2007-12-12T11:45:36Z meta:save-date 2007-12-12T11:45:40Z modified 2007-12-12T11:45:40Z pdf:PDFVersion 1.6 pdf:charsPerPage ['1573', '1747', '1876', '1851', '2130', '2091', '2087', '2082', '1999', '2134', '2050', '1898', '2015', '2115', '1863', '1423', '1361', '1460', '1741'] pdf:docinfo:created 2007-12-12T11:45:36Z pdf:docinfo:creator Tales pdf:docinfo:creator_tool PageMaker 7.0 pdf:docinfo:modified 2007-12-12T11:45:40Z pdf:docinfo:producer Acrobat Distiller 5.0.5 (Windows) pdf:docinfo:title 00_RAIntro.pmd pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0'] producer Acrobat Distiller 5.0.5 (Windows) resourceName b'work_wk6ezdjaefg47fgxly5556km4q.pdf' title 00_RAIntro.pmd xmp:CreatorTool PageMaker 7.0 xmpMM:DocumentID uuid:156a8470-41e4-40cb-b852-2c2b5028067a xmpTPg:NPages 19 work_fgc4rlimwbgkjfpgclz4mfhl5m txt/../pos/work_fgc4rlimwbgkjfpgclz4mfhl5m.pos work_lbbspmqeqjapdcd6mzk76hgymm txt/../ent/work_lbbspmqeqjapdcd6mzk76hgymm.ent INFO Detecting media type for Filename: b'work_2ombz7n2c5d4dffqvm3w57opwy.pdf' INFO rmeta/text (autodetecting type) WARN Using fallback font 'LiberationSans' for 'TimesNewRomanPSMT' WARN Using fallback font 'LiberationSans' for 'TimesNewRomanPS-ItalicMT' WARN Using fallback font 'LiberationSans-Bold' for 'TimesNewRomanPS-BoldMT' WARN Using fallback font 'LiberationSans-Bold' for 'TimesNewRomanPS-BoldItalicMT' INFO Detecting media type for Filename: b'work_srrxgknqoja6xf62kidcnkgmlq.pdf' INFO rmeta/text (autodetecting type) === file2bib.sh === id: work_allww2nryncrbi5vriu4kn7upm author: Richard B. Gunderman title: How Art Can Educate the Radiologist's Eye date: 2018 pages: 7 extension: .pdf txt: ./txt/work_allww2nryncrbi5vriu4kn7upm.txt cache: ./cache/work_allww2nryncrbi5vriu4kn7upm.pdf Comments Company Indiana University Content-Type application/pdf Creation-Date 2018-04-11T20:25:39Z Keywords Last-Modified 2018-04-11T20:26:12Z Last-Save-Date 2018-04-11T20:26:12Z SourceModified D:20180411202531 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 19 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true cp:subject created 2018-04-11T20:25:39Z date 2018-04-11T20:26:12Z dc:format application/pdf; version=1.5 dc:language EN-US dc:subject dc:title dcterms:created 2018-04-11T20:25:39Z dcterms:modified 2018-04-11T20:26:12Z language EN-US meta:creation-date 2018-04-11T20:25:39Z meta:keyword meta:save-date 2018-04-11T20:26:12Z modified 2018-04-11T20:26:12Z pdf:PDFVersion 1.5 pdf:charsPerPage ['2280', '1958', '2235', '2369', '1471', '608', '116'] pdf:docinfo:created 2018-04-11T20:25:39Z pdf:docinfo:creator_tool Acrobat PDFMaker 18 for Word pdf:docinfo:custom:Comments pdf:docinfo:custom:Company Indiana University pdf:docinfo:custom:SourceModified D:20180411202531 pdf:docinfo:keywords pdf:docinfo:modified 2018-04-11T20:26:12Z pdf:docinfo:producer Adobe PDF Library 15.0 pdf:docinfo:subject pdf:docinfo:title pdf:encrypted false pdf:hasMarkedContent true pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0'] producer Adobe PDF Library 15.0 resourceName b'work_allww2nryncrbi5vriu4kn7upm.pdf' subject title xmp:CreatorTool Acrobat PDFMaker 18 for Word xmpMM:DocumentID uuid:71fa98d0-291e-479f-8547-99c3567da3de xmpTPg:NPages 7 === file2bib.sh === id: work_fwpygjl5sjgubcwonytnssqlka author: Stuart G. Baker title: Development Tracks for Cancer Prevention Markers date: 2004 pages: 7 extension: .pdf txt: ./txt/work_fwpygjl5sjgubcwonytnssqlka.txt cache: ./cache/work_fwpygjl5sjgubcwonytnssqlka.pdf Content-Type application/pdf Creation-Date 2014-03-26T15:12:04Z Last-Modified 2014-03-26T15:12:04Z Last-Save-Date 2014-03-26T15:12:04Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 199 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2014-03-26T15:12:04Z date 2014-03-26T15:12:04Z dc:format application/pdf; version=1.4 dcterms:created 2014-03-26T15:12:04Z dcterms:modified 2014-03-26T15:12:04Z meta:creation-date 2014-03-26T15:12:04Z meta:save-date 2014-03-26T15:12:04Z modified 2014-03-26T15:12:04Z pdf:PDFVersion 1.4 pdf:charsPerPage ['2996', '4393', '4103', '4051', '4301', '5051', '1777'] pdf:docinfo:created 2014-03-26T15:12:04Z pdf:docinfo:modified 2014-03-26T15:12:04Z pdf:docinfo:producer iTextSharp™ 5.4.0 ©2000-2012 1T3XT BVBA (AGPL-version) pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0'] producer iTextSharp™ 5.4.0 ©2000-2012 1T3XT BVBA (AGPL-version) resourceName b'work_fwpygjl5sjgubcwonytnssqlka.pdf' xmpTPg:NPages 7 === file2bib.sh === id: work_fleg652s6jgwzcv6guvc4zznym author: K. Daniel Riew title: The Role of Atlantoaxial Instability on Chiari, Ossification of the Posterior Longitudinal Ligament, Spondylosis and Stenosis date: 2019 pages: 2 extension: .pdf txt: ./txt/work_fleg652s6jgwzcv6guvc4zznym.txt cache: ./cache/work_fleg652s6jgwzcv6guvc4zznym.pdf Content-Type application/pdf Creation-Date 2019-06-25T08:36:21Z Last-Modified 2019-06-27T05:26:17Z Last-Save-Date 2019-06-27T05:26:17Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 38 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2019-06-25T08:36:21Z date 2019-06-27T05:26:17Z dc:format application/pdf; version=1.4 dcterms:created 2019-06-25T08:36:21Z dcterms:modified 2019-06-27T05:26:17Z meta:creation-date 2019-06-25T08:36:21Z meta:save-date 2019-06-27T05:26:17Z modified 2019-06-27T05:26:17Z pdf:PDFVersion 1.4 pdf:charsPerPage ['3984', '3981'] pdf:docinfo:created 2019-06-25T08:36:21Z pdf:docinfo:creator_tool Adobe InDesign CS6 (Windows) pdf:docinfo:modified 2019-06-27T05:26:17Z pdf:docinfo:producer Adobe PDF Library 10.0.1; modified using iText 5.0.3 (c) 1T3XT BVBA pdf:docinfo:trapped False pdf:encrypted false pdf:hasMarkedContent true pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0'] producer Adobe PDF Library 10.0.1; modified using iText 5.0.3 (c) 1T3XT BVBA resourceName b'work_fleg652s6jgwzcv6guvc4zznym.pdf' trapped False xmp:CreatorTool Adobe InDesign CS6 (Windows) xmpMM:DerivedFrom:DocumentID xmp.did:91222D15D63BE811B541BAFDA34B5825 xmpMM:DerivedFrom:InstanceID xmp.iid:3A131CEC2397E911B0A4B68D157C92A2 xmpMM:DocumentID xmp.id:01446C4F2497E911B0A4B68D157C92A2 xmpTPg:NPages 2 INFO Detecting media type for Filename: b'work_6rn6kpxr7rexpjaebjvzy3srjq.pdf' INFO rmeta/text (autodetecting type) WARN No Unicode mapping for CID+86 (86) in font SymbolMT-Identity-H WARN No Unicode mapping for CID+88 (88) in font SymbolMT-Identity-H WARN No Unicode mapping for CID+80 (80) in font SymbolMT-Identity-H WARN No Unicode mapping for CID+72 (72) in font SymbolMT-Identity-H WARN No Unicode mapping for CID+87 (87) in font SymbolMT-Identity-H WARN No Unicode mapping for CID+85 (85) in font SymbolMT-Identity-H WARN No Unicode mapping for CID+76 (76) in font SymbolMT-Identity-H WARN No Unicode mapping for CID+68 (68) in font SymbolMT-Identity-H WARN No Unicode mapping for CID+82 (82) in font SymbolMT-Identity-H work_txnapspsjne5ffda4xohgvfeqi txt/../wrd/work_txnapspsjne5ffda4xohgvfeqi.wrd WARN No Unicode mapping for CID+120 (120) in font SymbolMT-Identity-H work_mevee444jbcu5j3f4ubuafejsm txt/../wrd/work_mevee444jbcu5j3f4ubuafejsm.wrd work_fgc4rlimwbgkjfpgclz4mfhl5m txt/../wrd/work_fgc4rlimwbgkjfpgclz4mfhl5m.wrd work_mevee444jbcu5j3f4ubuafejsm txt/../pos/work_mevee444jbcu5j3f4ubuafejsm.pos INFO Detecting media type for Filename: b'work_4hwlwlat5vbnvbhtvt5vniqzwa.pdf' INFO rmeta/text (autodetecting type) === file2bib.sh === id: work_5qksph56ezgxlgkcyck3dpa4ue author: Denise Hansen title: European creativity and American experience date: 2012 pages: extension: .pdf txt: ./txt/work_5qksph56ezgxlgkcyck3dpa4ue.txt cache: ./cache/work_5qksph56ezgxlgkcyck3dpa4ue.pdf Content-Type application/xml X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.xml.DcXMLParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 2 resourceName b'work_5qksph56ezgxlgkcyck3dpa4ue.pdf' === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_4hwlwlat5vbnvbhtvt5vniqzwa' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_4hwlwlat5vbnvbhtvt5vniqzwa' work_4jhqdkodsjckxizg53wwrgacfe txt/../pos/work_4jhqdkodsjckxizg53wwrgacfe.pos work_xi3fiq7w6rbnnhr7znkzuslw7u txt/../wrd/work_xi3fiq7w6rbnnhr7znkzuslw7u.wrd work_dqud2adhprei3jnj4zdro365pa txt/../ent/work_dqud2adhprei3jnj4zdro365pa.ent work_4jhqdkodsjckxizg53wwrgacfe txt/../wrd/work_4jhqdkodsjckxizg53wwrgacfe.wrd work_afvq3evub5di5amme7aycjh3je txt/../wrd/work_afvq3evub5di5amme7aycjh3je.wrd INFO Detecting media type for Filename: b'work_efwj4bfogvfmpmkvb46xfmczpa.pdf' INFO rmeta/text (autodetecting type) INFO Detecting media type for Filename: b'work_wwsszpocyfgjbhggml6i67pt4y.pdf' INFO rmeta/text (autodetecting type) INFO Detecting media type for Filename: b'work_e3gpzlqr7fhmpav3kao675k2qa.pdf' INFO rmeta/text (autodetecting type) work_zevsqc3i5vfptlkhhpzztyrxhm txt/../ent/work_zevsqc3i5vfptlkhhpzztyrxhm.ent work_eyurqkl6ozecxa6npxelcricxy txt/../ent/work_eyurqkl6ozecxa6npxelcricxy.ent work_ajmbjncxtjef3nro377lbzpggy txt/../ent/work_ajmbjncxtjef3nro377lbzpggy.ent === file2bib.sh === id: work_rc6lhlcx45gzfmy267uc5kngsq author: Svitlana Smolenska title: Avant-garde architecture and art of the 1920s–1930s in Ukraine and European modernism: interpenetration methods date: 2019 pages: 8 extension: .pdf txt: ./txt/work_rc6lhlcx45gzfmy267uc5kngsq.txt cache: ./cache/work_rc6lhlcx45gzfmy267uc5kngsq.pdf Content-Type application/pdf Creation-Date 2019-12-01T19:31:38Z Last-Modified 2020-04-24T09:49:40Z Last-Save-Date 2020-04-24T09:49:40Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 41 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2019-12-01T19:31:38Z date 2020-04-24T09:49:40Z dc:format application/pdf; version=1.4 dcterms:created 2019-12-01T19:31:38Z dcterms:modified 2020-04-24T09:49:40Z meta:creation-date 2019-12-01T19:31:38Z meta:save-date 2020-04-24T09:49:40Z modified 2020-04-24T09:49:40Z pdf:PDFVersion 1.4 pdf:charsPerPage ['3071', '4348', '3530', '3526', '4080', '1121', '5934', '985'] pdf:docinfo:created 2019-12-01T19:31:38Z pdf:docinfo:creator_tool Adobe InDesign CS6 (Windows) pdf:docinfo:modified 2020-04-24T09:49:40Z pdf:docinfo:producer Adobe PDF Library 10.0.1 pdf:docinfo:trapped False pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0'] producer Adobe PDF Library 10.0.1 resourceName b'work_rc6lhlcx45gzfmy267uc5kngsq.pdf' trapped False xmp:CreatorTool Adobe InDesign CS6 (Windows) xmpMM:DerivedFrom:DocumentID xmp.did:3BD59CD83C06EA11A55EAC26271BA0B8 xmpMM:DerivedFrom:InstanceID xmp.iid:A7E2178A5F14EA11B6F6FCBF998BA701 xmpMM:DocumentID xmp.id:9AEDC2497014EA11B6F6FCBF998BA701 xmpTPg:NPages 8 work_tblc4nnchbhi7agg5qyj3klm6a txt/../ent/work_tblc4nnchbhi7agg5qyj3klm6a.ent INFO Detecting media type for Filename: b'work_x6ggkoqzjjftblnouzsmsfx6ki.pdf' INFO rmeta/text (autodetecting type) work_xi3fiq7w6rbnnhr7znkzuslw7u txt/../pos/work_xi3fiq7w6rbnnhr7znkzuslw7u.pos INFO Detecting media type for Filename: b'work_3pw5b7cyzrg3tmmr4cxandl7oe.pdf' INFO rmeta/text (autodetecting type) work_y3rblzqbj5cpxnolqt3tklrtsa txt/../wrd/work_y3rblzqbj5cpxnolqt3tklrtsa.wrd work_ndpuahayjffehcbvy6ozv37wvy txt/../ent/work_ndpuahayjffehcbvy6ozv37wvy.ent === file2bib.sh === id: work_z2a7yo6a4nbyrgkk4h7j4aq5w4 author: Miguel-Héctor Fernández-Carrión title: No-violencia, conflicto, guerra y paz date: 2014 pages: 20 extension: .pdf txt: ./txt/work_z2a7yo6a4nbyrgkk4h7j4aq5w4.txt cache: 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2016-04-02T01:18:11Z meta:save-date 2016-04-02T01:18:11Z modified 2016-04-02T01:18:11Z pdf:PDFVersion 1.5 pdf:charsPerPage ['269', '160', '1727', '2615', '2463', '2690', '2670', '2487', '2679', '2471', '2594', '2667', '2654', '2609', '2323', '2725', '2275', '2251', '2219', '2180'] pdf:docinfo:created 2016-04-02T01:18:11Z pdf:docinfo:creator Investiga pdf:docinfo:creator_tool Microsoft® Office Word 2007 pdf:docinfo:modified 2016-04-02T01:18:11Z pdf:docinfo:producer Microsoft® Office Word 2007 pdf:encrypted false pdf:hasMarkedContent true pdf:hasXFA false pdf:hasXMP false pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0'] producer Microsoft® Office Word 2007 resourceName b'work_z2a7yo6a4nbyrgkk4h7j4aq5w4.pdf' xmp:CreatorTool Microsoft® Office Word 2007 xmpTPg:NPages 20 work_buvggge5uffi7o7mdbpk6oxbgu txt/../pos/work_buvggge5uffi7o7mdbpk6oxbgu.pos work_afvq3evub5di5amme7aycjh3je txt/../pos/work_afvq3evub5di5amme7aycjh3je.pos work_y3rblzqbj5cpxnolqt3tklrtsa txt/../pos/work_y3rblzqbj5cpxnolqt3tklrtsa.pos === file2bib.sh === id: work_lmvwnf4ysvdznaywqou6yhu47m author: Daniel Leary title: Poetic Guard date: 2011 pages: 3 extension: .pdf txt: ./txt/work_lmvwnf4ysvdznaywqou6yhu47m.txt cache: ./cache/work_lmvwnf4ysvdznaywqou6yhu47m.pdf Author Daniel Leary Content-Type application/pdf Creation-Date 2011-07-19T12:56:22Z Last-Modified 2011-07-19T12:56:44Z Last-Save-Date 2011-07-19T12:56:44Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 44 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2011-07-19T12:56:22Z creator Daniel Leary date 2011-07-19T12:56:44Z dc:creator Daniel Leary dc:format application/pdf; version=1.4 dc:title Poetic Guard dcterms:created 2011-07-19T12:56:22Z dcterms:modified 2011-07-19T12:56:44Z meta:author Daniel Leary meta:creation-date 2011-07-19T12:56:22Z meta:save-date 2011-07-19T12:56:44Z modified 2011-07-19T12:56:44Z pdf:PDFVersion 1.4 pdf:charsPerPage ['347', '8414', '8208'] pdf:docinfo:created 2011-07-19T12:56:22Z pdf:docinfo:creator Daniel Leary pdf:docinfo:creator_tool Adobe InDesign CS5 (7.0) pdf:docinfo:modified 2011-07-19T12:56:44Z pdf:docinfo:producer Project MUSE pdf:docinfo:title Poetic Guard pdf:encrypted false pdf:hasMarkedContent true pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0'] producer Project MUSE resourceName b'work_lmvwnf4ysvdznaywqou6yhu47m.pdf' title Poetic Guard xmp:CreatorTool Adobe InDesign CS5 (7.0) xmpMM:DocumentID uuid:f37011ac-a908-7649-8898-6e9f3391d51c xmpTPg:NPages 3 === file2bib.sh === id: work_zjihesfr2bfh3l3bkvsnqiciuq author: Patrick H. Alexander title: Publisher's Note date: 2012 pages: 84 extension: .pdf txt: ./txt/work_zjihesfr2bfh3l3bkvsnqiciuq.txt cache: ./cache/work_zjihesfr2bfh3l3bkvsnqiciuq.pdf Content-Type application/pdf Creation-Date 2014-10-02T20:48:19Z Last-Modified 2014-10-27T18:15:34Z Last-Save-Date 2014-10-27T18:15:34Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 461 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2014-10-02T20:48:19Z date 2014-10-27T18:15:34Z dc:format application/pdf; version=1.5 dcterms:created 2014-10-02T20:48:19Z dcterms:modified 2014-10-27T18:15:34Z meta:creation-date 2014-10-02T20:48:19Z meta:save-date 2014-10-27T18:15:34Z modified 2014-10-27T18:15:34Z pdf:PDFVersion 1.5 pdf:charsPerPage ['0', '3667', '722', '725', '704', '808', '723', '776', '683', '2113', '75', '1964', '429', '1957', '76', '1982', '58', '1649', '65', '2234', '76', '1982', '76', '1839', '76', '2015', '619', '2011', '70', '2125', '76', '1883', '66', '2140', '66', '1779', '61', '2025', '64', '1856', '64', '1649', '69', '1867', '58', '2299', '64', '1638', '2070', '1544', '1813', '1981', '1600', '1354', '1741', '0', '11', '928', '158', '955', '834', '1615', '4928', '1119', '366', '971', '568', '1382', '895', '357', '542', '1004', '512', '665', '731', '661', '654', '646', '501', '3248', '3750', '2842', '536', '179'] pdf:docinfo:created 2014-10-02T20:48:19Z pdf:docinfo:creator_tool Adobe InDesign CS6 (Macintosh) pdf:docinfo:modified 2014-10-27T18:15:34Z pdf:docinfo:producer Adobe PDF Library 10.0.1 pdf:docinfo:trapped False pdf:encrypted false pdf:hasMarkedContent true pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0'] producer Adobe PDF Library 10.0.1 resourceName b'work_zjihesfr2bfh3l3bkvsnqiciuq.pdf' trapped False xmp:CreatorTool Adobe InDesign CS6 (Macintosh) xmpMM:DerivedFrom:DocumentID xmp.did:7DE31EA4F7206811822AB1D8835E1222 xmpMM:DerivedFrom:InstanceID xmp.iid:D3B607A6F9206811822AB1D8835E1222 xmpMM:DocumentID xmp.id:D4B607A6F9206811822AB1D8835E1222 xmpTPg:NPages 84 work_buvggge5uffi7o7mdbpk6oxbgu txt/../wrd/work_buvggge5uffi7o7mdbpk6oxbgu.wrd work_2f3mobevijdorp5vk6lreipuie txt/../wrd/work_2f3mobevijdorp5vk6lreipuie.wrd INFO Detecting media type for Filename: b'work_ceaip4jx5ngfrblooel4zn46xu.pdf' INFO rmeta/text (autodetecting type) work_2f3mobevijdorp5vk6lreipuie txt/../pos/work_2f3mobevijdorp5vk6lreipuie.pos === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_ceaip4jx5ngfrblooel4zn46xu' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_ceaip4jx5ngfrblooel4zn46xu' INFO Detecting media type for Filename: b'work_jqkxghsxcvfrvniurk27t4wp4e.pdf' INFO rmeta/text (autodetecting type) work_4djqugl6ojga7ajykijkegfwca txt/../ent/work_4djqugl6ojga7ajykijkegfwca.ent work_2np4qtdcozbe7dfwcl5ifmderi txt/../wrd/work_2np4qtdcozbe7dfwcl5ifmderi.wrd work_2np4qtdcozbe7dfwcl5ifmderi txt/../pos/work_2np4qtdcozbe7dfwcl5ifmderi.pos INFO Detecting media type for Filename: b'work_jiiwel4tgbgt3ehagzr3wdxhvu.pdf' INFO rmeta/text (autodetecting type) work_2jdetzhswrah5gn7t7k6s65vuq txt/../ent/work_2jdetzhswrah5gn7t7k6s65vuq.ent work_txnapspsjne5ffda4xohgvfeqi txt/../ent/work_txnapspsjne5ffda4xohgvfeqi.ent INFO Detecting media type for Filename: b'work_ws6tnlupwfdfxlxpjpypsgpc5i.pdf' INFO rmeta/text (autodetecting type) work_pg3id7st2baafambphu7s3ainy txt/../wrd/work_pg3id7st2baafambphu7s3ainy.wrd INFO Detecting media type for Filename: b'work_zokasallzza2dogjika3fj4f3u.pdf' INFO rmeta/text (autodetecting type) work_46wmz2hmybd3bp23vpzkxqofpi txt/../wrd/work_46wmz2hmybd3bp23vpzkxqofpi.wrd WARN No Unicode mapping for gid00030 (1) in font MCBCCI+SourceSansRoman-Regular WARN No Unicode mapping for gid00035 (2) in font MCBCCI+SourceSansRoman-Regular WARN No Unicode mapping for gid00032 (3) in font MCBCCI+SourceSansRoman-Regular WARN No Unicode mapping for gid00038 (4) in font MCBCCI+SourceSansRoman-Regular WARN No Unicode mapping for gid00001 (5) in font MCBCCI+SourceSansRoman-Regular WARN No Unicode mapping for gid00033 (6) in font MCBCCI+SourceSansRoman-Regular WARN No Unicode mapping for gid00042 (7) in font MCBCCI+SourceSansRoman-Regular WARN No Unicode mapping for gid00045 (8) in font MCBCCI+SourceSansRoman-Regular WARN No Unicode mapping for gid00001 (1) in font MCBCCM+SourceSansRoman.613wght WARN No Unicode mapping for gid00048 (1) in font MCBCCO+SourceSansRoman-Bold WARN No Unicode mapping for gid00043 (2) in font MCBCCO+SourceSansRoman-Bold WARN No Unicode mapping for gid00031 (3) in font MCBCCO+SourceSansRoman-Bold WARN No Unicode mapping for gid00028 (4) in font MCBCCO+SourceSansRoman-Bold WARN No Unicode mapping for gid00047 (5) in font MCBCCO+SourceSansRoman-Bold WARN No Unicode mapping for gid00032 (6) in font MCBCCO+SourceSansRoman-Bold WARN No Unicode mapping for gid00046 (7) in font MCBCCO+SourceSansRoman-Bold WARN No Unicode mapping for prime (48) in font GYREAE+CMSY10 WARN No Unicode mapping for circlecopyrt (13) in font WEIJUK+CMSY9 work_pg3id7st2baafambphu7s3ainy txt/../pos/work_pg3id7st2baafambphu7s3ainy.pos work_nzmfhpmfrra37htfobo2omtznm txt/../pos/work_nzmfhpmfrra37htfobo2omtznm.pos === file2bib.sh === id: work_2ombz7n2c5d4dffqvm3w57opwy author: Başak BOĞDAY SAYĞILI title: MODADA KÜBİZM ETKİLERİ date: 2018 pages: 10 extension: .pdf txt: ./txt/work_2ombz7n2c5d4dffqvm3w57opwy.txt cache: ./cache/work_2ombz7n2c5d4dffqvm3w57opwy.pdf Author halide Content-Type application/pdf Creation-Date 2018-11-27T06:42:01Z Last-Modified 2018-11-27T06:42:01Z Last-Save-Date 2018-11-27T06:42:01Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:EXCEPTION:warn org.xml.sax.SAXParseException; lineNumber: 6; columnNumber: 57; The entity name must immediately follow the '&' in the entity reference. at org.apache.xerces.parsers.DOMParser.parse(Unknown Source) at org.apache.xerces.jaxp.DocumentBuilderImpl.parse(Unknown Source) at javax.xml.parsers.DocumentBuilder.parse(DocumentBuilder.java:121) at org.apache.tika.utils.XMLReaderUtils.buildDOM(XMLReaderUtils.java:407) at org.apache.tika.parser.pdf.PDMetadataExtractor.loadDOM(PDMetadataExtractor.java:241) at org.apache.tika.parser.pdf.PDMetadataExtractor.extract(PDMetadataExtractor.java:62) at org.apache.tika.parser.pdf.PDFParser.extractMetadata(PDFParser.java:273) at org.apache.tika.parser.pdf.PDFParser.parse(PDFParser.java:155) at org.apache.tika.parser.CompositeParser.parse(CompositeParser.java:280) at org.apache.tika.parser.CompositeParser.parse(CompositeParser.java:280) at org.apache.tika.parser.AutoDetectParser.parse(AutoDetectParser.java:143) at org.apache.tika.parser.RecursiveParserWrapper.parse(RecursiveParserWrapper.java:233) at org.apache.tika.server.resource.TikaResource.parse(TikaResource.java:409) at org.apache.tika.server.resource.RecursiveMetadataResource.parseMetadata(RecursiveMetadataResource.java:147) at org.apache.tika.server.resource.RecursiveMetadataResource.getMetadata(RecursiveMetadataResource.java:123) at sun.reflect.GeneratedMethodAccessor3.invoke(Unknown Source) at sun.reflect.DelegatingMethodAccessorImpl.invoke(DelegatingMethodAccessorImpl.java:43) at java.lang.reflect.Method.invoke(Method.java:498) at org.apache.cxf.service.invoker.AbstractInvoker.performInvocation(AbstractInvoker.java:179) at org.apache.cxf.service.invoker.AbstractInvoker.invoke(AbstractInvoker.java:96) at org.apache.cxf.jaxrs.JAXRSInvoker.invoke(JAXRSInvoker.java:201) at org.apache.cxf.jaxrs.JAXRSInvoker.invoke(JAXRSInvoker.java:104) at org.apache.cxf.interceptor.ServiceInvokerInterceptor$1.run(ServiceInvokerInterceptor.java:59) at org.apache.cxf.interceptor.ServiceInvokerInterceptor.handleMessage(ServiceInvokerInterceptor.java:96) at org.apache.cxf.phase.PhaseInterceptorChain.doIntercept(PhaseInterceptorChain.java:308) at org.apache.cxf.transport.ChainInitiationObserver.onMessage(ChainInitiationObserver.java:121) at org.apache.cxf.transport.http.AbstractHTTPDestination.invoke(AbstractHTTPDestination.java:267) at org.apache.cxf.transport.http_jetty.JettyHTTPDestination.doService(JettyHTTPDestination.java:247) at org.apache.cxf.transport.http_jetty.JettyHTTPHandler.handle(JettyHTTPHandler.java:79) at org.eclipse.jetty.server.handler.HandlerWrapper.handle(HandlerWrapper.java:127) at org.eclipse.jetty.server.handler.ScopedHandler.nextHandle(ScopedHandler.java:235) at org.eclipse.jetty.server.handler.ContextHandler.doHandle(ContextHandler.java:1300) at org.eclipse.jetty.server.handler.ScopedHandler.nextScope(ScopedHandler.java:190) at org.eclipse.jetty.server.handler.ContextHandler.doScope(ContextHandler.java:1215) at org.eclipse.jetty.server.handler.ScopedHandler.handle(ScopedHandler.java:141) at org.eclipse.jetty.server.handler.ContextHandlerCollection.handle(ContextHandlerCollection.java:221) at org.eclipse.jetty.server.handler.HandlerWrapper.handle(HandlerWrapper.java:127) at org.eclipse.jetty.server.Server.handle(Server.java:500) at org.eclipse.jetty.server.HttpChannel.lambda$handle$1(HttpChannel.java:383) at org.eclipse.jetty.server.HttpChannel.dispatch(HttpChannel.java:547) at org.eclipse.jetty.server.HttpChannel.handle(HttpChannel.java:375) at org.eclipse.jetty.server.HttpConnection.onFillable(HttpConnection.java:273) at org.eclipse.jetty.io.AbstractConnection$ReadCallback.succeeded(AbstractConnection.java:311) at org.eclipse.jetty.io.FillInterest.fillable(FillInterest.java:103) at org.eclipse.jetty.io.ChannelEndPoint$2.run(ChannelEndPoint.java:117) at org.eclipse.jetty.util.thread.strategy.EatWhatYouKill.runTask(EatWhatYouKill.java:336) at org.eclipse.jetty.util.thread.strategy.EatWhatYouKill.doProduce(EatWhatYouKill.java:313) at org.eclipse.jetty.util.thread.strategy.EatWhatYouKill.tryProduce(EatWhatYouKill.java:171) at org.eclipse.jetty.util.thread.strategy.EatWhatYouKill.run(EatWhatYouKill.java:129) at org.eclipse.jetty.util.thread.ReservedThreadExecutor$ReservedThread.run(ReservedThreadExecutor.java:375) at org.eclipse.jetty.util.thread.QueuedThreadPool.runJob(QueuedThreadPool.java:806) at org.eclipse.jetty.util.thread.QueuedThreadPool$Runner.run(QueuedThreadPool.java:938) at java.lang.Thread.run(Thread.java:748) X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 51 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2018-11-27T06:42:01Z creator halide date 2018-11-27T06:42:01Z dc:creator halide dc:format application/pdf; version=1.7 dc:language tr-TR dc:title Okumuş & Yavan / Geçmişte ve Günümüzde Seramiğin Kullanım Alanları dcterms:created 2018-11-27T06:42:01Z dcterms:modified 2018-11-27T06:42:01Z language tr-TR meta:author halide meta:creation-date 2018-11-27T06:42:01Z meta:save-date 2018-11-27T06:42:01Z modified 2018-11-27T06:42:01Z pdf:PDFVersion 1.7 pdf:charsPerPage ['2823', '4088', '2043', '1458', '1074', '1509', '1385', '2250', '2574', '860'] pdf:docinfo:created 2018-11-27T06:42:01Z pdf:docinfo:creator halide pdf:docinfo:creator_tool Office 365 için Microsoft® Word pdf:docinfo:modified 2018-11-27T06:42:01Z pdf:docinfo:producer Office 365 için Microsoft® Word pdf:docinfo:title Okumuş & Yavan / Geçmişte ve Günümüzde Seramiğin Kullanım Alanları pdf:encrypted false pdf:hasMarkedContent true pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0', '0', '0'] producer Office 365 için Microsoft® Word resourceName b'work_2ombz7n2c5d4dffqvm3w57opwy.pdf' title Okumuş & Yavan / Geçmişte ve Günümüzde Seramiğin Kullanım Alanları xmp:CreatorTool Office 365 için Microsoft® Word xmpTPg:NPages 10 work_7pad5lddgndwzevwoxmpx4ys74 txt/../pos/work_7pad5lddgndwzevwoxmpx4ys74.pos === file2bib.sh === id: work_srrxgknqoja6xf62kidcnkgmlq author: Rasim SOYLU title: CHIRICO AND METAPHISICAL ART date: 2018 pages: 16 extension: .pdf txt: ./txt/work_srrxgknqoja6xf62kidcnkgmlq.txt cache: ./cache/work_srrxgknqoja6xf62kidcnkgmlq.pdf Author sinem Content-Type application/pdf Creation-Date 2018-04-18T12:40:02Z Last-Modified 2018-04-18T12:40:02Z Last-Save-Date 2018-04-18T12:40:02Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 60 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2018-04-18T12:40:02Z creator sinem date 2018-04-18T12:40:02Z dc:creator sinem dc:format application/pdf; version=1.5 dc:language tr-TR dcterms:created 2018-04-18T12:40:02Z dcterms:modified 2018-04-18T12:40:02Z language tr-TR meta:author sinem meta:creation-date 2018-04-18T12:40:02Z meta:save-date 2018-04-18T12:40:02Z modified 2018-04-18T12:40:02Z pdf:PDFVersion 1.5 pdf:charsPerPage ['1591', '1444', '928', '973', '1451', '2760', '1721', '1523', '1697', '1367', '1540', '1540', '1672', '1602', '1549', '601'] pdf:docinfo:created 2018-04-18T12:40:02Z pdf:docinfo:creator sinem pdf:docinfo:creator_tool Microsoft® Word 2016 pdf:docinfo:modified 2018-04-18T12:40:02Z pdf:docinfo:producer Microsoft® Word 2016 pdf:encrypted false pdf:hasMarkedContent true pdf:hasXFA false pdf:hasXMP false pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0'] producer Microsoft® Word 2016 resourceName b'work_srrxgknqoja6xf62kidcnkgmlq.pdf' xmp:CreatorTool Microsoft® Word 2016 xmpTPg:NPages 16 work_46wmz2hmybd3bp23vpzkxqofpi txt/../pos/work_46wmz2hmybd3bp23vpzkxqofpi.pos work_fgc4rlimwbgkjfpgclz4mfhl5m txt/../ent/work_fgc4rlimwbgkjfpgclz4mfhl5m.ent work_7pad5lddgndwzevwoxmpx4ys74 txt/../wrd/work_7pad5lddgndwzevwoxmpx4ys74.wrd === file2bib.sh === id: work_6rn6kpxr7rexpjaebjvzy3srjq author: György Darvas title: Perspective as a Symmetry Transformation date: 2003 pages: 13 extension: .pdf txt: ./txt/work_6rn6kpxr7rexpjaebjvzy3srjq.txt cache: ./cache/work_6rn6kpxr7rexpjaebjvzy3srjq.pdf Author Kim Williams Content-Encoding ISO-8859-1 Content-Length -1 Content-Type ['application/pdf', 'text/plain; charset=ISO-8859-1'] Creation-Date 2006-02-04T08:09:10Z Last-Modified 2006-02-04T08:09:10Z Last-Save-Date 2006-02-04T08:09:10Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser', ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser']] X-TIKA:content_handler ['ToTextContentHandler', 'ToTextContentHandler'] X-TIKA:embedded_depth ['0', '1'] X-TIKA:embedded_resource_path /High Quality.joboptions X-TIKA:origResourceName High Quality.joboptions X-TIKA:parse_time_millis ['37', 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art market; art asset return; hedonic art price index Last-Modified 2020-05-04T09:06:41Z Last-Save-Date 2020-05-04T09:06:41Z PTEX.Fullbanner This is pdfTeX, Version 3.14159265-2.6-1.40.18 (TeX Live 2017/W32TeX) kpathsea version 6.2.3 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 131 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true cp:subject In conditions of the stock market instability the art assets could be considered as an attractive investment. 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The fine art market is very heterogeneous which is featured by uniqueness of the goods, specific costs and risks, various peculiarities of functioning, different effects and, hence, needs special treatment. However, due to the diversity of the fine art market's goods and the absence of the systematic information about the sales, researchers do not come to the same opinion about the merits of the art assets conducting studies on single segments of the market. We make an attempt to investigate attractiveness of the fine art market for investors. Extensive data was collected to obtain a complete pattern of the market analyzing it within different segments. We use the Heckman model in order to estimate the art asset return and find out the most influential factors of art price dynamics. Based on the estimates obtained we construct monthly art price index and compare it with S&P500 benchmark. pdf:docinfo:title Hedonic Pricing on the Fine Art Market pdf:docinfo:trapped False pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP false pdf:unmappedUnicodeCharsPerPage ['17', '0', '0', '0', '0', '0', '4', '0', '0', '0', '0', '1'] producer pdfTeX-1.40.18 resourceName b'work_zokasallzza2dogjika3fj4f3u.pdf' subject In conditions of the stock market instability the art assets could be considered as an attractive investment. The fine art market is very heterogeneous which is featured by uniqueness of the goods, specific costs and risks, various peculiarities of functioning, different effects and, hence, needs special treatment. However, due to the diversity of the fine art market's goods and the absence of the systematic information about the sales, researchers do not come to the same opinion about the merits of the art assets conducting studies on single segments of the market. We make an attempt to investigate attractiveness of the fine art market for investors. Extensive data was collected to obtain a complete pattern of the market analyzing it within different segments. We use the Heckman model in order to estimate the art asset return and find out the most influential factors of art price dynamics. 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Zaidel Content-Type application/pdf Creation-Date 2017-08-20T02:29:25Z Keywords brain and art; neuropsychology and art; brain damage; artists Last-Modified 2017-08-20T02:29:25Z Last-Save-Date 2017-08-20T02:29:25Z PTEX.Fullbanner This is pdfTeX, Version 3.14159265-2.6-1.40.17 (TeX Live 2016/W32TeX) kpathsea version 6.2.2 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 32 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true cp:subject The neural underpinning of art creation can be gleaned following brain injury in professional artists. Any alteration to their artistic productivity, creativity, skills, talent, and genre can help understand the neural underpinning of art expression. Here, two world-renown and influential artists who sustained brain injury in World War I are the focus, namely the French artist Georges Braque and the Austrian artist Oskar Kokoschka. Braque is particularly associated with Cubism, and Kokoschka with Expressionism. Before enlisting, they were already well-known and highly regarded. Both were wounded in the battlefield where they lost consciousness and treated in European hospitals. Braque’s injury was in the left hemisphere while Kokoschka’s was in the right hemisphere. After the injury, Braque did not paint again for nearly a whole year while Kokoschka commenced his artistic works when still undergoing hospital treatment. Their post-injury art retained the same genre as their pre-injury period, and their artistic skills, talent, creativity, and productivity remained unchanged. The quality of their post-injury artworks remained highly regarded and influential. These neurological cases suggest widely distributed and diffuse neural control by the brain in the creation of art. created 2017-08-20T02:29:25Z creator D. W. Zaidel date 2017-08-20T02:29:25Z dc:creator D. W. Zaidel dc:format application/pdf; version=1.5 dc:subject brain and art; neuropsychology and art; brain damage; artists dc:title Braque and Kokoschka: Brain Tissue Injury and Preservation of Artistic Skill dcterms:created 2017-08-20T02:29:25Z dcterms:modified 2017-08-20T02:29:25Z meta:author D. W. Zaidel meta:creation-date 2017-08-20T02:29:25Z meta:keyword brain and art; neuropsychology and art; brain damage; artists meta:save-date 2017-08-20T02:29:25Z modified 2017-08-20T02:29:25Z pdf:PDFVersion 1.5 pdf:charsPerPage ['3096', '3913', '3716', '3710', '3924', '3773', '1630'] pdf:docinfo:created 2017-08-20T02:29:25Z pdf:docinfo:creator D. W. Zaidel pdf:docinfo:creator_tool LaTeX with hyperref package pdf:docinfo:custom:PTEX.Fullbanner This is pdfTeX, Version 3.14159265-2.6-1.40.17 (TeX Live 2016/W32TeX) kpathsea version 6.2.2 pdf:docinfo:keywords brain and art; neuropsychology and art; brain damage; artists pdf:docinfo:modified 2017-08-20T02:29:25Z pdf:docinfo:producer pdfTeX-1.40.17 pdf:docinfo:subject The neural underpinning of art creation can be gleaned following brain injury in professional artists. Any alteration to their artistic productivity, creativity, skills, talent, and genre can help understand the neural underpinning of art expression. Here, two world-renown and influential artists who sustained brain injury in World War I are the focus, namely the French artist Georges Braque and the Austrian artist Oskar Kokoschka. Braque is particularly associated with Cubism, and Kokoschka with Expressionism. Before enlisting, they were already well-known and highly regarded. Both were wounded in the battlefield where they lost consciousness and treated in European hospitals. Braque’s injury was in the left hemisphere while Kokoschka’s was in the right hemisphere. After the injury, Braque did not paint again for nearly a whole year while Kokoschka commenced his artistic works when still undergoing hospital treatment. Their post-injury art retained the same genre as their pre-injury period, and their artistic skills, talent, creativity, and productivity remained unchanged. The quality of their post-injury artworks remained highly regarded and influential. These neurological cases suggest widely distributed and diffuse neural control by the brain in the creation of art. pdf:docinfo:title Braque and Kokoschka: Brain Tissue Injury and Preservation of Artistic Skill pdf:docinfo:trapped False pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP false pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0'] producer pdfTeX-1.40.17 resourceName b'work_b4nytp5k35gqrjthqmywcrrctm.pdf' subject The neural underpinning of art creation can be gleaned following brain injury in professional artists. Any alteration to their artistic productivity, creativity, skills, talent, and genre can help understand the neural underpinning of art expression. Here, two world-renown and influential artists who sustained brain injury in World War I are the focus, namely the French artist Georges Braque and the Austrian artist Oskar Kokoschka. Braque is particularly associated with Cubism, and Kokoschka with Expressionism. Before enlisting, they were already well-known and highly regarded. Both were wounded in the battlefield where they lost consciousness and treated in European hospitals. Braque’s injury was in the left hemisphere while Kokoschka’s was in the right hemisphere. After the injury, Braque did not paint again for nearly a whole year while Kokoschka commenced his artistic works when still undergoing hospital treatment. Their post-injury art retained the same genre as their pre-injury period, and their artistic skills, talent, creativity, and productivity remained unchanged. The quality of their post-injury artworks remained highly regarded and influential. 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pdf:docinfo:custom:Comments pdf:docinfo:custom:Company pdf:docinfo:custom:SourceModified D:20150916071228 pdf:docinfo:keywords pdf:docinfo:modified 2015-09-16T07:15:30Z pdf:docinfo:producer Adobe PDF Library 11.0 pdf:docinfo:subject pdf:docinfo:title pdf:encrypted false pdf:hasMarkedContent true pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0'] producer Adobe PDF Library 11.0 resourceName b'work_nqlksuqcwjfedlttcvqw7cagve.pdf' subject title xmp:CreatorTool Acrobat PDFMaker 11 for Word xmpMM:DocumentID uuid:bfd1b570-50d0-436d-a86e-fc47aaeb3503 xmpTPg:NPages 23 work_7b6553qcubbwrotiug55rlunuq txt/../pos/work_7b6553qcubbwrotiug55rlunuq.pos work_sonjg3qvqrbxrb7gvt6d4b5c34 txt/../pos/work_sonjg3qvqrbxrb7gvt6d4b5c34.pos work_7b6553qcubbwrotiug55rlunuq txt/../wrd/work_7b6553qcubbwrotiug55rlunuq.wrd work_alm4rbnm3nbl5btsezm7k36qmi txt/../ent/work_alm4rbnm3nbl5btsezm7k36qmi.ent work_5t3fcd4q7rbdbalywgezqd3bqm txt/../ent/work_5t3fcd4q7rbdbalywgezqd3bqm.ent work_bqtjrjgjyrhfpe4y2deciwefwe txt/../pos/work_bqtjrjgjyrhfpe4y2deciwefwe.pos === file2bib.sh === id: work_yysmmqftrfcl5irddrjvdhcqxy author: Tolga AKALIN title: THE EFFECT OF THE PLASTIC ART WORKS TO THE MODERN CITY CONCEPTS date: 2014 pages: 12 extension: .pdf txt: ./txt/work_yysmmqftrfcl5irddrjvdhcqxy.txt cache: ./cache/work_yysmmqftrfcl5irddrjvdhcqxy.pdf Content-Type application/pdf Creation-Date 2014-06-17T13:57:40Z Last-Modified 2014-06-17T12:57:49Z Last-Save-Date 2014-06-17T12:57:49Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 47 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2014-06-17T13:57:40Z date 2014-06-17T12:57:49Z dc:format application/pdf; version=1.5 dcterms:created 2014-06-17T13:57:40Z dcterms:modified 2014-06-17T12:57:49Z meta:creation-date 2014-06-17T13:57:40Z meta:save-date 2014-06-17T12:57:49Z modified 2014-06-17T12:57:49Z pdf:PDFVersion 1.5 pdf:charsPerPage ['2384', '2663', '3051', '1726', '1626', '1744', '1550', '1559', '1762', '2932', '1719', '1923'] pdf:docinfo:created 2014-06-17T13:57:40Z pdf:docinfo:modified 2014-06-17T12:57:49Z pdf:docinfo:producer doPDF Ver 7.2 Build 370 (Windows 7 Home Premium Edition (SP 1) - Version: 6.1.7601 (x86)) pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0'] producer doPDF Ver 7.2 Build 370 (Windows 7 Home Premium Edition (SP 1) - Version: 6.1.7601 (x86)) resourceName b'work_yysmmqftrfcl5irddrjvdhcqxy.pdf' xmpMM:DocumentID uuid:98b4f448-f8b4-4ec0-907d-961be6f252b7 xmpTPg:NPages 12 work_bqtjrjgjyrhfpe4y2deciwefwe txt/../wrd/work_bqtjrjgjyrhfpe4y2deciwefwe.wrd work_jum53bzee5e4hg6h6rxwidrbvy txt/../ent/work_jum53bzee5e4hg6h6rxwidrbvy.ent === file2bib.sh === id: work_sonjg3qvqrbxrb7gvt6d4b5c34 author: Lucia Salvato title: An Interdisciplinary Approach to Texts as a Model for a Truthful Approach to Reality date: 2015 pages: 7 extension: .pdf txt: ./txt/work_sonjg3qvqrbxrb7gvt6d4b5c34.txt cache: ./cache/work_sonjg3qvqrbxrb7gvt6d4b5c34.pdf Author Lucia Salvato Content-Type application/pdf Creation-Date 2015-03-26T08:35:09Z CrossMarkDomains[1] sciencedirect.com CrossMarkDomains[2] elsevier.com CrossmarkDomainExclusive true CrossmarkMajorVersionDate 2010-04-23 ElsevierWebPDFSpecifications 6.4 Last-Modified 2016-02-11T22:12:39Z Last-Save-Date 2016-02-11T22:12:39Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 46 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true cp:subject Procedia - Social and Behavioral Sciences, 174 (2015) 2875-2881. doi:10.1016/j.sbspro.2015.01.982 created 2015-03-26T08:35:09Z creator Lucia Salvato date 2016-02-11T22:12:39Z dc:creator Lucia Salvato dc:description Procedia - Social and Behavioral Sciences, 174 (2015) 2875-2881. doi:10.1016/j.sbspro.2015.01.982 dc:format application/pdf; version=1.7 dc:title An Interdisciplinary Approach to Texts as a Model for a Truthful Approach to Reality dcterms:created 2015-03-26T08:35:09Z dcterms:modified 2016-02-11T22:12:39Z description Procedia - Social and Behavioral Sciences, 174 (2015) 2875-2881. doi:10.1016/j.sbspro.2015.01.982 doi 10.1016/j.sbspro.2015.01.982 meta:author Lucia Salvato meta:creation-date 2015-03-26T08:35:09Z meta:save-date 2016-02-11T22:12:39Z modified 2016-02-11T22:12:39Z pdf:PDFVersion 1.7 pdf:charsPerPage ['2689', '4648', '4853', '5002', '5464', '4737', '2946'] pdf:docinfo:created 2015-03-26T08:35:09Z pdf:docinfo:creator Lucia Salvato pdf:docinfo:creator_tool Elsevier pdf:docinfo:custom:CrossMarkDomains[1] sciencedirect.com pdf:docinfo:custom:CrossMarkDomains[2] elsevier.com pdf:docinfo:custom:CrossmarkDomainExclusive true pdf:docinfo:custom:CrossmarkMajorVersionDate 2010-04-23 pdf:docinfo:custom:ElsevierWebPDFSpecifications 6.4 pdf:docinfo:custom:doi 10.1016/j.sbspro.2015.01.982 pdf:docinfo:custom:robots noindex pdf:docinfo:modified 2016-02-11T22:12:39Z pdf:docinfo:producer Acrobat Distiller 10.0.0 (Windows) pdf:docinfo:subject Procedia - Social and Behavioral Sciences, 174 (2015) 2875-2881. doi:10.1016/j.sbspro.2015.01.982 pdf:docinfo:title An Interdisciplinary Approach to Texts as a Model for a Truthful Approach to Reality pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0'] producer Acrobat Distiller 10.0.0 (Windows) resourceName b'work_sonjg3qvqrbxrb7gvt6d4b5c34.pdf' robots noindex subject Procedia - Social and Behavioral Sciences, 174 (2015) 2875-2881. doi:10.1016/j.sbspro.2015.01.982 title An Interdisciplinary Approach to Texts as a Model for a Truthful Approach to Reality xmp:CreatorTool Elsevier xmpMM:DocumentID uuid:23934510-e16d-40af-9386-55f392514e7a xmpTPg:NPages 7 work_bq4wh2vkuza6jlxtghx5b45sry txt/../ent/work_bq4wh2vkuza6jlxtghx5b45sry.ent INFO Detecting media type for Filename: b'work_mpl4z7trijbkrc7o63pvaq5edy.pdf' INFO rmeta/text (autodetecting type) work_s366qv3rr5fyvptkbwuqob5fsq txt/../pos/work_s366qv3rr5fyvptkbwuqob5fsq.pos INFO Detecting media type for Filename: b'work_uu3fx7eayze5zbqhmkflnbzpee.pdf' INFO rmeta/text (autodetecting type) WARN No Unicode mapping for C176 (1) in font LBLMGC+AdvPSSym WARN No Unicode mapping for C211 (2) in font LBLMGC+AdvPSSym === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_uu3fx7eayze5zbqhmkflnbzpee' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_uu3fx7eayze5zbqhmkflnbzpee' work_fwpygjl5sjgubcwonytnssqlka txt/../pos/work_fwpygjl5sjgubcwonytnssqlka.pos work_i7i4jsienzdctn4kuemqhvmccu txt/../pos/work_i7i4jsienzdctn4kuemqhvmccu.pos work_fhlgvcotqng6vo3fho2tdxzeoi txt/../pos/work_fhlgvcotqng6vo3fho2tdxzeoi.pos work_i7i4jsienzdctn4kuemqhvmccu txt/../wrd/work_i7i4jsienzdctn4kuemqhvmccu.wrd INFO Detecting media type for Filename: b'work_levhsenu5fh35hcdkevy55tdgq.pdf' INFO rmeta/text (autodetecting type) === file2bib.sh === id: work_4xbni7w5cjdppgb4ahdjj25klm author: B. Sibbald title: CMAJ's Salon: lateral thinking about health date: 2007 pages: 1 extension: .pdf txt: ./txt/work_4xbni7w5cjdppgb4ahdjj25klm.txt cache: ./cache/work_4xbni7w5cjdppgb4ahdjj25klm.pdf Content-Type application/pdf Creation-Date 2007-06-20T11:50:09Z Last-Modified 2007-06-20T12:27:32Z Last-Save-Date 2007-06-20T12:27:32Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 8 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2007-06-20T11:50:09Z date 2007-06-20T12:27:32Z dc:format application/pdf; version=1.2 dc:title untitled dcterms:created 2007-06-20T11:50:09Z dcterms:modified 2007-06-20T12:27:32Z meta:creation-date 2007-06-20T11:50:09Z meta:save-date 2007-06-20T12:27:32Z modified 2007-06-20T12:27:32Z pdf:PDFVersion 1.2 pdf:charsPerPage 3841 pdf:docinfo:created 2007-06-20T11:50:09Z pdf:docinfo:modified 2007-06-20T12:27:32Z pdf:docinfo:producer Acrobat Distiller 7.0.5 for Macintosh pdf:docinfo:title untitled pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage 0 producer Acrobat Distiller 7.0.5 for Macintosh resourceName b'work_4xbni7w5cjdppgb4ahdjj25klm.pdf' title untitled xmpMM:DocumentID uuid:6a41f96f-1f24-11dc-8ccd-003065d70912 xmpTPg:NPages 1 INFO Detecting media type for Filename: b'work_ofns3rivfjfi3d3drcmemqisga.pdf' INFO rmeta/text (autodetecting type) === file2bib.sh === id: work_oqs444cepja5leqqoxhf5zhmoa author: Sylvain Bureau title: Entrepreneurship as an art of subversion date: 2014 pages: 26 extension: .pdf txt: ./txt/work_oqs444cepja5leqqoxhf5zhmoa.txt cache: ./cache/work_oqs444cepja5leqqoxhf5zhmoa.pdf Author Sylvain Company ESCP EUROPE Content-Type application/pdf Creation-Date 2015-01-13T13:50:29Z Last-Modified 2014-12-19T12:49:46Z Last-Save-Date 2014-12-19T12:49:46Z SourceModified D:20141219123135 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 123 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2015-01-13T13:50:29Z creator Sylvain date 2014-12-19T12:49:46Z dc:creator Sylvain dc:format application/pdf; version=1.7 dc:language x-unknown dcterms:created 2015-01-13T13:50:29Z dcterms:modified 2014-12-19T12:49:46Z language x-unknown meta:author Sylvain meta:creation-date 2015-01-13T13:50:29Z meta:save-date 2014-12-19T12:49:46Z modified 2014-12-19T12:49:46Z pdf:PDFVersion 1.7 pdf:charsPerPage ['669', '945', '3704', '3909', '3460', '3594', '3547', '3469', '4393', '3711', '3950', '4103', '3070', '4219', '3020', '3094', '3940', '3922', '4344', '3358', '3679', '3695', '3950', '3910', '3804', '2973'] pdf:docinfo:created 2015-01-13T13:50:29Z pdf:docinfo:creator Sylvain pdf:docinfo:creator_tool Apache FOP Version 1.1 pdf:docinfo:custom:Company ESCP EUROPE pdf:docinfo:custom:SourceModified D:20141219123135 pdf:docinfo:modified 2014-12-19T12:49:46Z pdf:docinfo:producer Apache FOP Version 1.1 pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0'] producer Apache FOP Version 1.1 resourceName b'work_oqs444cepja5leqqoxhf5zhmoa.pdf' xmp:CreatorTool Apache FOP Version 1.1 xmpTPg:NPages 26 work_s366qv3rr5fyvptkbwuqob5fsq txt/../wrd/work_s366qv3rr5fyvptkbwuqob5fsq.wrd work_k7cxusnoyza5bi77o6ilko4zz4 txt/../ent/work_k7cxusnoyza5bi77o6ilko4zz4.ent work_fwpygjl5sjgubcwonytnssqlka txt/../wrd/work_fwpygjl5sjgubcwonytnssqlka.wrd INFO Detecting media type for Filename: b'work_w6wgq25c2vdqvecc5ltnd2oy6y.pdf' INFO rmeta/text (autodetecting type) work_xlgfcpsefbewzmqdu7wazxennq txt/../pos/work_xlgfcpsefbewzmqdu7wazxennq.pos work_fhlgvcotqng6vo3fho2tdxzeoi txt/../wrd/work_fhlgvcotqng6vo3fho2tdxzeoi.wrd === file2bib.sh === id: work_46wmz2hmybd3bp23vpzkxqofpi author: Luc Renneboog title: Buying Beauty: On Prices and Returns in the Art Market date: 2013 pages: 32 extension: .pdf txt: ./txt/work_46wmz2hmybd3bp23vpzkxqofpi.txt cache: ./cache/work_46wmz2hmybd3bp23vpzkxqofpi.pdf Author WinXP user Comments Company Content-Type application/pdf Creation-Date 2011-12-06T11:41:12Z Keywords Last-Modified 2011-12-06T11:41:23Z Last-Save-Date 2011-12-06T11:41:23Z SourceModified D:20111206114107 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 173 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true cp:subject created 2011-12-06T11:41:12Z creator WinXP user date 2011-12-06T11:41:23Z dc:creator WinXP user dc:format application/pdf; version=1.5 dc:subject dc:title BUYING BEAUTY: dcterms:created 2011-12-06T11:41:12Z dcterms:modified 2011-12-06T11:41:23Z meta:author WinXP user meta:creation-date 2011-12-06T11:41:12Z meta:keyword meta:save-date 2011-12-06T11:41:23Z modified 2011-12-06T11:41:23Z pdf:PDFVersion 1.5 pdf:charsPerPage ['2936', '3280', '3298', '3809', '2669', '2767', '2984', '2842', '3151', '3026', '3395', '3652', '3609', '3339', '3392', '3270', '3321', '3219', '4197', '3527', '3167', '3479', '1586', '1967', '581', '3238', '2615', '2236', '1503', '825', '805', '414'] pdf:docinfo:created 2011-12-06T11:41:12Z pdf:docinfo:creator WinXP user pdf:docinfo:creator_tool Acrobat PDFMaker 10.1 for Word pdf:docinfo:custom:Comments pdf:docinfo:custom:Company pdf:docinfo:custom:SourceModified D:20111206114107 pdf:docinfo:keywords pdf:docinfo:modified 2011-12-06T11:41:23Z pdf:docinfo:producer Adobe PDF Library 10.0 pdf:docinfo:subject pdf:docinfo:title BUYING BEAUTY: pdf:encrypted false pdf:hasMarkedContent true pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0'] producer Adobe PDF Library 10.0 resourceName b'work_46wmz2hmybd3bp23vpzkxqofpi.pdf' subject title BUYING BEAUTY: xmp:CreatorTool Acrobat PDFMaker 10.1 for Word xmpMM:DocumentID uuid:69c940cb-9f32-439f-9d09-4faf2fb73597 xmpTPg:NPages 32 INFO Detecting media type for Filename: b'work_n5xdku3i3zhkdlw23cm5n7nu4y.pdf' INFO rmeta/text (autodetecting type) WARN No Unicode mapping for C211 (2) in font AdvPSSym WARN No Unicode mapping for C1 (2) in font AdvP4C4E74 work_4wm36y6rcnhuzaczthak4gmcmu txt/../wrd/work_4wm36y6rcnhuzaczthak4gmcmu.wrd INFO Detecting media type for Filename: b'work_uz6luitbwjg53hwcmp537lv4cy.pdf' INFO rmeta/text (autodetecting type) === file2bib.sh === id: work_jl3ufvuuwzacbac4s4k4slx7mi author: Barbara A. Tenenbaum title: At the Crossroads: Diego Rivera and His Patrons at MoMA, Rockefeller Center, and the Palace of Fine Arts. By Catha Paquette. Austin: University of Texas Press, 2017. 130 photos. Pp. 342. $95.00 cloth; $29.95 paper date: 2018 pages: 3 extension: .pdf txt: ./txt/work_jl3ufvuuwzacbac4s4k4slx7mi.txt cache: ./cache/work_jl3ufvuuwzacbac4s4k4slx7mi.pdf Author Content-Type application/pdf Creation-Date 2018-04-12T09:16:49Z Keywords Last-Modified 2018-04-18T10:49:34Z Last-Save-Date 2018-04-18T10:49:34Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:EXCEPTION:warn org.xml.sax.SAXParseException; Premature end of file. at org.apache.xerces.parsers.DOMParser.parse(Unknown Source) at org.apache.xerces.jaxp.DocumentBuilderImpl.parse(Unknown Source) at javax.xml.parsers.DocumentBuilder.parse(DocumentBuilder.java:121) at org.apache.tika.utils.XMLReaderUtils.buildDOM(XMLReaderUtils.java:407) at org.apache.tika.parser.pdf.PDMetadataExtractor.loadDOM(PDMetadataExtractor.java:241) at org.apache.tika.parser.pdf.PDMetadataExtractor.extract(PDMetadataExtractor.java:62) at org.apache.tika.parser.pdf.PDFParser.extractMetadata(PDFParser.java:273) at org.apache.tika.parser.pdf.PDFParser.parse(PDFParser.java:155) at org.apache.tika.parser.CompositeParser.parse(CompositeParser.java:280) at org.apache.tika.parser.CompositeParser.parse(CompositeParser.java:280) at org.apache.tika.parser.AutoDetectParser.parse(AutoDetectParser.java:143) at org.apache.tika.parser.RecursiveParserWrapper.parse(RecursiveParserWrapper.java:233) at org.apache.tika.server.resource.TikaResource.parse(TikaResource.java:409) at org.apache.tika.server.resource.RecursiveMetadataResource.parseMetadata(RecursiveMetadataResource.java:147) at org.apache.tika.server.resource.RecursiveMetadataResource.getMetadata(RecursiveMetadataResource.java:123) at sun.reflect.GeneratedMethodAccessor3.invoke(Unknown Source) at sun.reflect.DelegatingMethodAccessorImpl.invoke(DelegatingMethodAccessorImpl.java:43) at java.lang.reflect.Method.invoke(Method.java:498) at org.apache.cxf.service.invoker.AbstractInvoker.performInvocation(AbstractInvoker.java:179) at org.apache.cxf.service.invoker.AbstractInvoker.invoke(AbstractInvoker.java:96) at org.apache.cxf.jaxrs.JAXRSInvoker.invoke(JAXRSInvoker.java:201) at org.apache.cxf.jaxrs.JAXRSInvoker.invoke(JAXRSInvoker.java:104) at org.apache.cxf.interceptor.ServiceInvokerInterceptor$1.run(ServiceInvokerInterceptor.java:59) at org.apache.cxf.interceptor.ServiceInvokerInterceptor.handleMessage(ServiceInvokerInterceptor.java:96) at org.apache.cxf.phase.PhaseInterceptorChain.doIntercept(PhaseInterceptorChain.java:308) at org.apache.cxf.transport.ChainInitiationObserver.onMessage(ChainInitiationObserver.java:121) at org.apache.cxf.transport.http.AbstractHTTPDestination.invoke(AbstractHTTPDestination.java:267) at org.apache.cxf.transport.http_jetty.JettyHTTPDestination.doService(JettyHTTPDestination.java:247) at org.apache.cxf.transport.http_jetty.JettyHTTPHandler.handle(JettyHTTPHandler.java:79) at org.eclipse.jetty.server.handler.HandlerWrapper.handle(HandlerWrapper.java:127) at org.eclipse.jetty.server.handler.ScopedHandler.nextHandle(ScopedHandler.java:235) at org.eclipse.jetty.server.handler.ContextHandler.doHandle(ContextHandler.java:1300) at org.eclipse.jetty.server.handler.ScopedHandler.nextScope(ScopedHandler.java:190) at org.eclipse.jetty.server.handler.ContextHandler.doScope(ContextHandler.java:1215) at org.eclipse.jetty.server.handler.ScopedHandler.handle(ScopedHandler.java:141) at org.eclipse.jetty.server.handler.ContextHandlerCollection.handle(ContextHandlerCollection.java:221) at org.eclipse.jetty.server.handler.HandlerWrapper.handle(HandlerWrapper.java:127) at org.eclipse.jetty.server.Server.handle(Server.java:500) at org.eclipse.jetty.server.HttpChannel.lambda$handle$1(HttpChannel.java:383) at org.eclipse.jetty.server.HttpChannel.dispatch(HttpChannel.java:547) at org.eclipse.jetty.server.HttpChannel.handle(HttpChannel.java:375) at org.eclipse.jetty.server.HttpConnection.onFillable(HttpConnection.java:273) at org.eclipse.jetty.io.AbstractConnection$ReadCallback.succeeded(AbstractConnection.java:311) at org.eclipse.jetty.io.FillInterest.fillable(FillInterest.java:103) at org.eclipse.jetty.io.ChannelEndPoint$2.run(ChannelEndPoint.java:117) at org.eclipse.jetty.util.thread.strategy.EatWhatYouKill.runTask(EatWhatYouKill.java:336) at org.eclipse.jetty.util.thread.strategy.EatWhatYouKill.doProduce(EatWhatYouKill.java:313) at org.eclipse.jetty.util.thread.strategy.EatWhatYouKill.tryProduce(EatWhatYouKill.java:171) at org.eclipse.jetty.util.thread.strategy.EatWhatYouKill.run(EatWhatYouKill.java:129) at org.eclipse.jetty.util.thread.ReservedThreadExecutor$ReservedThread.run(ReservedThreadExecutor.java:375) at org.eclipse.jetty.util.thread.QueuedThreadPool.runJob(QueuedThreadPool.java:806) at org.eclipse.jetty.util.thread.QueuedThreadPool$Runner.run(QueuedThreadPool.java:938) at java.lang.Thread.run(Thread.java:748) 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Places and Memories, War and Love date: 2019 pages: 5 extension: .pdf txt: ./txt/work_gr5i3thbdrc2fflsmoj37iiwem.txt cache: ./cache/work_gr5i3thbdrc2fflsmoj37iiwem.pdf Content-Type application/pdf Creation-Date 2019-10-08T10:05:59Z Last-Modified 2019-10-08T10:05:59Z Last-Save-Date 2019-10-08T10:05:59Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 31 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2019-10-08T10:05:59Z date 2019-10-08T10:05:59Z dc:format application/pdf; version=1.7 dcterms:created 2019-10-08T10:05:59Z dcterms:modified 2019-10-08T10:05:59Z meta:creation-date 2019-10-08T10:05:59Z meta:save-date 2019-10-08T10:05:59Z modified 2019-10-08T10:05:59Z pdf:PDFVersion 1.7 pdf:charsPerPage ['969', '2405', '2330', '1705', '1465'] pdf:docinfo:created 2019-10-08T10:05:59Z pdf:docinfo:creator_tool cairo 1.9.5 (http://cairographics.org) pdf:docinfo:modified 2019-10-08T10:05:59Z pdf:docinfo:producer cairo 1.9.5 (http://cairographics.org) pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0'] producer cairo 1.9.5 (http://cairographics.org) resourceName b'work_gr5i3thbdrc2fflsmoj37iiwem.pdf' xmp:CreatorTool cairo 1.9.5 (http://cairographics.org) xmpMM:DocumentID uuid:21aa2701-d1e1-4cd7-8e2a-28f2a24fdb84 xmpTPg:NPages 5 work_xlgfcpsefbewzmqdu7wazxennq txt/../ent/work_xlgfcpsefbewzmqdu7wazxennq.ent work_7l3qfqdo5ze2zlbrkyy723wyo4 txt/../ent/work_7l3qfqdo5ze2zlbrkyy723wyo4.ent === file2bib.sh === id: work_twiu7rmrnbh75e7vgqg4fmfdua author: Jan van Veen title: The Cultural Heritage of Europe date: 1991 pages: 8 extension: .pdf txt: ./txt/work_twiu7rmrnbh75e7vgqg4fmfdua.txt cache: ./cache/work_twiu7rmrnbh75e7vgqg4fmfdua.pdf Author Uwe Koch Company ivan Content-Type application/pdf Creation-Date 2019-07-28T09:57:31Z Last-Modified 2019-07-28T16:09:02Z Last-Save-Date 2019-07-28T16:09:02Z SourceModified D:20190728095720 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 43 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2019-07-28T09:57:31Z creator Uwe Koch date 2019-07-28T16:09:02Z dc:creator Uwe Koch dc:format application/pdf; version=1.5 dc:title SCIRES-IT, 9(1), paper5_Koch_Sharing Heritage dcterms:created 2019-07-28T09:57:31Z dcterms:modified 2019-07-28T16:09:02Z meta:author Uwe Koch meta:creation-date 2019-07-28T09:57:31Z meta:save-date 2019-07-28T16:09:02Z modified 2019-07-28T16:09:02Z pdf:PDFVersion 1.5 pdf:charsPerPage ['3551', '4390', '4506', '4695', '4622', '3878', '36', '204'] pdf:docinfo:created 2019-07-28T09:57:31Z pdf:docinfo:creator Uwe Koch pdf:docinfo:creator_tool Acrobat PDFMaker 10.0 per Word pdf:docinfo:custom:Company ivan pdf:docinfo:custom:SourceModified D:20190728095720 pdf:docinfo:modified 2019-07-28T16:09:02Z pdf:docinfo:producer Adobe PDF Library 10.0 pdf:docinfo:title SCIRES-IT, 9(1), paper5_Koch_Sharing Heritage pdf:encrypted false pdf:hasMarkedContent true pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0'] producer Adobe PDF Library 10.0 resourceName b'work_twiu7rmrnbh75e7vgqg4fmfdua.pdf' title SCIRES-IT, 9(1), paper5_Koch_Sharing Heritage xmp:CreatorTool Acrobat PDFMaker 10.0 per Word xmpMM:DocumentID uuid:42fa159c-7bd0-40a6-a661-ab63954fd303 xmpTPg:NPages 8 work_z6m6ionjdfev3d5xnaezqnhkee txt/../pos/work_z6m6ionjdfev3d5xnaezqnhkee.pos INFO Detecting media type for Filename: b'work_qcqqdk6ctnge5mukldipq4ujpy.pdf' INFO rmeta/text (autodetecting type) WARN Using fallback font 'LiberationMono' for 'Verdana' WARN Using fallback font 'LiberationMono-Bold' for 'TrebuchetMS-Bold' WARN Using fallback font 'LiberationMono' for 'TrebuchetMS' work_onmcr3t7nba7hcsprrje7rc3n4 txt/../pos/work_onmcr3t7nba7hcsprrje7rc3n4.pos INFO Detecting media type for Filename: b'work_4oo2jpu4dncpxn7wbspnukonge.pdf' INFO rmeta/text (autodetecting type) WARN Using fallback font 'LiberationSans' for 'TimesNewRomanPSMT' WARN Using fallback font 'LiberationSans-Bold' for 'TimesNewRomanPS-BoldMT' WARN Using fallback font 'LiberationSans' for 'TimesNewRomanPS-ItalicMT' WARN Format 14 cmap table is not supported and will be ignored work_onmcr3t7nba7hcsprrje7rc3n4 txt/../wrd/work_onmcr3t7nba7hcsprrje7rc3n4.wrd work_4wm36y6rcnhuzaczthak4gmcmu txt/../ent/work_4wm36y6rcnhuzaczthak4gmcmu.ent INFO Detecting media type for Filename: b'work_eh7e33pcbzcfbljxotmv25qb4q.pdf' INFO rmeta/text (autodetecting type) WARN No Unicode mapping for letter (2) in font Marvosym work_psbukd5xjbbmhje4pnb3tbsbwi txt/../pos/work_psbukd5xjbbmhje4pnb3tbsbwi.pos work_psbukd5xjbbmhje4pnb3tbsbwi txt/../wrd/work_psbukd5xjbbmhje4pnb3tbsbwi.wrd INFO Detecting media type for Filename: b'work_dqxbod6vcjfupilxcqnvzdeamu.pdf' INFO rmeta/text (autodetecting type) WARN No Unicode mapping for prime (48) in font QNLKCB+CMSY8 WARN No Unicode mapping for precedesequal (22) in font UKAICM+CMSY10 WARN No Unicode mapping for angbracketleft (104) in font UKAICM+CMSY10 WARN No Unicode mapping for angbracketright (105) in font UKAICM+CMSY10 WARN No Unicode mapping for prime (48) in font ZJXCJI+CMSY6 WARN No Unicode mapping for uniontext (83) in font TLIXIB+CMEX10 WARN No Unicode mapping for notexistential (64) in font JLTZDC+MSBM10 work_gfkqjgisvzavfhm46wm4an4feq txt/../ent/work_gfkqjgisvzavfhm46wm4an4feq.ent work_t6x5u35c4zdtbeh3qba54nm57m txt/../ent/work_t6x5u35c4zdtbeh3qba54nm57m.ent INFO Detecting media type for Filename: b'work_hcuom5ensrah3hmytloncvd6ua.pdf' INFO rmeta/text (autodetecting type) work_dcrzpqbnajhntbziepkctbmvhi txt/../pos/work_dcrzpqbnajhntbziepkctbmvhi.pos === file2bib.sh === id: work_q5i3igzm25hcbkfpunthck2xyy author: Ana María Leyra-Soriano title: Making images talk: Picasso's Minotauromachy date: 2019 pages: 12 extension: .pdf txt: ./txt/work_q5i3igzm25hcbkfpunthck2xyy.txt cache: ./cache/work_q5i3igzm25hcbkfpunthck2xyy.pdf Content-Type application/pdf Creation-Date 2019-03-04T22:44:48Z Last-Modified 2019-04-23T11:29:31Z Last-Save-Date 2019-04-23T11:29:31Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 58 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2019-03-04T22:44:48Z date 2019-04-23T11:29:31Z dc:format application/pdf; version=1.4 dc:language en-GB dcterms:created 2019-03-04T22:44:48Z dcterms:modified 2019-04-23T11:29:31Z language en-GB meta:creation-date 2019-03-04T22:44:48Z meta:save-date 2019-04-23T11:29:31Z modified 2019-04-23T11:29:31Z pdf:PDFVersion 1.4 pdf:charsPerPage ['3058', '3775', '3713', '3690', '3730', '3545', '3672', '3496', '3892', '2778', '1548', '0'] pdf:docinfo:created 2019-03-04T22:44:48Z pdf:docinfo:creator_tool Adobe InDesign CC 13.0 (Windows) pdf:docinfo:modified 2019-04-23T11:29:31Z pdf:docinfo:producer Adobe PDF Library 15.0 pdf:docinfo:trapped False pdf:encrypted false pdf:hasMarkedContent true pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0'] producer Adobe PDF Library 15.0 resourceName b'work_q5i3igzm25hcbkfpunthck2xyy.pdf' trapped False xmp:CreatorTool Adobe InDesign CC 13.0 (Windows) xmpMM:DerivedFrom:DocumentID xmp.did:21fa1c8b-aa09-204f-94a0-a997d97e3602 xmpMM:DerivedFrom:InstanceID xmp.iid:3a445bc3-a4f7-2a46-8333-7971e4671da6 xmpMM:DocumentID xmp.id:eec05293-44e8-0145-92ec-ff7dc9c5f4c5 xmpTPg:NPages 12 === file2bib.sh === Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 'work_hcuom5ensrah3hmytloncvd6ua' The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/file2bib.py", line 66, in if ( bibliographics.loc[ escape ,'author'] ) : author = bibliographics.loc[ escape,'author'] File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 873, in __getitem__ return self._getitem_tuple(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1044, in _getitem_tuple return self._getitem_lowerdim(tup) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 786, in _getitem_lowerdim section = self._getitem_axis(key, axis=i) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1110, in _getitem_axis return self._get_label(key, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 1059, in _get_label return self.obj.xs(label, axis=axis) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/generic.py", line 3491, in xs loc = self.index.get_loc(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 'work_hcuom5ensrah3hmytloncvd6ua' work_gfjqb3y3mjcana5tam6yntxtpi txt/../pos/work_gfjqb3y3mjcana5tam6yntxtpi.pos work_gfjqb3y3mjcana5tam6yntxtpi txt/../wrd/work_gfjqb3y3mjcana5tam6yntxtpi.wrd work_mpl4z7trijbkrc7o63pvaq5edy txt/../pos/work_mpl4z7trijbkrc7o63pvaq5edy.pos work_qva4px3zbvfelc4ojp7euslttm txt/../ent/work_qva4px3zbvfelc4ojp7euslttm.ent === file2bib.sh === id: work_4vghkspkyjg73ei2l35dzsylqm author: Emil Vlajic title: Physicians in the eyes of artists date: 2015 pages: 9 extension: .pdf txt: ./txt/work_4vghkspkyjg73ei2l35dzsylqm.txt cache: ./cache/work_4vghkspkyjg73ei2l35dzsylqm.pdf Author ILOVEPDF.COM Content-Type application/pdf Creation-Date 2016-01-12T11:43:16Z Last-Modified 2016-01-12T11:43:16Z Last-Save-Date 2016-01-12T11:43:16Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 50 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2016-01-12T11:43:16Z creator ILOVEPDF.COM date 2016-01-12T11:43:16Z dc:creator ILOVEPDF.COM dc:format application/pdf; 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Dural', 'Hakan Çetinkaya', 'O. Güntürkün'] citation_journal_title undefined citation_pdf_url https://doi.org/10.1080/1357650X.2016.1200594 citation_publication_date 2017 citation_title Imagine a mouse and an elephant: Hemispheric asymmetries of imagination dc:title [PDF] Imagine a mouse and an elephant: Hemispheric asymmetries of imagination | Semantic Scholar description ABSTRACT The present study aimed to explore the existence of an asymmetrical bias in the imagination of pairs of objects of unequal size. We assumed that such pairs are conceptualized with the smaller object being placed on the left, creating an ascending size order from left to right. Such a bias could derive from a cognitive strategy known from the mental number line. Sixty-four participants were instructed to imagine stimulus-pairs that were staggered from those showing very prominent intra-pair size differences (e.g., elephant vs. mouse) to very low size differences (e.g., orange vs. apple). The results showed that the tendency to imagine the bigger object on the right side increases with the size difference of the two stimuli. Such a visual field bias was also present in stimulus-pairs including numbers so that the participants imagined smaller and larger numbers on the left and the right side of the visual fields, respectively. Taken together, our findings could imply that the left-to-right orientation observed in our object imagining task may share the same cognitive mechanism as the mental number line. msapplication-TileColor #FFFFFF msapplication-TileImage https://dab4rbh62k56j.cloudfront.net/151517c6e734fd0b/img/mstile-144x144.png msapplication-square150x150logo https://dab4rbh62k56j.cloudfront.net/151517c6e734fd0b/img/mstile-150x150.png msapplication-square310x310logo https://dab4rbh62k56j.cloudfront.net/151517c6e734fd0b/img/mstile-310x310.png msapplication-square70x70logo https://dab4rbh62k56j.cloudfront.net/151517c6e734fd0b/img/mstile-70x70.png msapplication-wide310x150logo https://dab4rbh62k56j.cloudfront.net/151517c6e734fd0b/img/mstile-310x150.png og:description ABSTRACT The present study aimed to explore the existence of an asymmetrical bias in the imagination of pairs of objects of unequal size. We assumed that such pairs are conceptualized with the smaller object being placed on the left, creating an ascending size order from left to right. Such a bias could derive from a cognitive strategy known from the mental number line. Sixty-four participants were instructed to imagine stimulus-pairs that were staggered from those showing very prominent intra-pair size differences (e.g., elephant vs. mouse) to very low size differences (e.g., orange vs. apple). The results showed that the tendency to imagine the bigger object on the right side increases with the size difference of the two stimuli. Such a visual field bias was also present in stimulus-pairs including numbers so that the participants imagined smaller and larger numbers on the left and the right side of the visual fields, respectively. Taken together, our findings could imply that the left-to-right orientation observed in our object imagining task may share the same cognitive mechanism as the mental number line. og:image https://www.semanticscholar.org/img/semantic_scholar_og.png og:image:height 582 og:image:secure_url ['https://www.semanticscholar.org/img/semantic_scholar_og.png', 'https://www.semanticscholar.org/img/semantic_scholar_og.png'] og:image:width 1110 og:locale ['en_US', 'en_US'] og:title [PDF] Imagine a mouse and an elephant: Hemispheric asymmetries of imagination | Semantic Scholar og:type website resourceName b'work_zvufxd3ygne6raqcqlv77dzgsu.pdf' robots noarchive,noindex s2-ui-version 0a1ee7b640e58bf005fa3cbd97e8cba83bff3dc9 title [PDF] Imagine a mouse and an elephant: Hemispheric asymmetries of imagination | Semantic Scholar twitter:card summary_large_image twitter:description ABSTRACT The present study aimed to explore the existence of an asymmetrical bias in the imagination of pairs of objects of unequal size. We assumed that such pairs are conceptualized with the smaller object being placed on the left, creating an ascending size order from left to right. Such a bias could derive from a cognitive strategy known from the mental number line. Sixty-four participants were instructed to imagine stimulus-pairs that were staggered from those showing very prominent intra-pair size differences (e.g., elephant vs. mouse) to very low size differences (e.g., orange vs. apple). The results showed that the tendency to imagine the bigger object on the right side increases with the size difference of the two stimuli. Such a visual field bias was also present in stimulus-pairs including numbers so that the participants imagined smaller and larger numbers on the left and the right side of the visual fields, respectively. 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M. Pattison title: Factors Influencing Physical Therapists' Use of Standardized Measures of Walking Capacity Poststroke Across the Care Continuum date: 2015 pages: extension: .pdf txt: ./txt/work_c5danpwdkvb2zlb4kpflghwg7a.txt cache: ./cache/work_c5danpwdkvb2zlb4kpflghwg7a.pdf Content-Encoding UTF-8 Content-Language en Content-Type text/html; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.html.HtmlParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 11 application-name   citation_author ['Kira M. Pattison', 'D. Brooks', 'J. Cameron', 'N. Salbach'] citation_journal_title undefined citation_pdf_url https://doi.org/10.2522/ptj.20140267 citation_publication_date 2015 citation_title Factors Influencing Physical Therapists' Use of Standardized Measures of Walking Capacity Poststroke Across the Care Continuum dc:title [PDF] Factors Influencing Physical Therapists' Use of Standardized Measures of Walking Capacity Poststroke Across the Care Continuum | Semantic Scholar description Background The use of standardized assessment tools is an element of evidence-informed rehabilitation, but physical therapists report administering these tools inconsistently poststroke. An in-depth understanding of physical therapists' approaches to walking assessment is needed to develop strategies to advance assessment practice. Objectives The objective of this study was to explore the methods physical therapists use to evaluate walking poststroke, reasons for selecting these methods, and the use of assessment results in clinical practice. Design A qualitative descriptive study involving semistructured telephone interviews was conducted. Methods Registered physical therapists assessing a minimum of 10 people with stroke per year in Ontario, Canada, were purposively recruited from acute care, rehabilitation, and outpatient settings. Interviews were audiotaped and transcribed verbatim. Transcripts were coded line by line by the interviewer. Credibility was optimized through triangulation of analysts, audit trail, and collection of field notes. Results Study participants worked in acute care (n=8), rehabilitation (n=11), or outpatient (n=9) settings and reported using movement observation and standardized assessment tools to evaluate walking. When selecting methods to evaluate walking, physical therapists described being influenced by a hierarchy of factors. Factors included characteristics of the assessment tool, the therapist, the workplace, and patients, as well as influential individuals or organizations. Familiarity exerted the primary influence on adoption of a tool into a therapist's assessment repertoire, whereas patient factors commonly determined daily use. Participants reported using the results from walking assessments to communicate progress to the patient and health care professionals. Conclusions Multilevel factors influence physical therapists' adoption and daily administration of standardized tools to assess walking. Findings will inform knowledge translation efforts aimed at increasing the standardized assessment of walking poststroke. msapplication-TileColor #FFFFFF msapplication-TileImage https://dab4rbh62k56j.cloudfront.net/151517c6e734fd0b/img/mstile-144x144.png msapplication-square150x150logo https://dab4rbh62k56j.cloudfront.net/151517c6e734fd0b/img/mstile-150x150.png msapplication-square310x310logo https://dab4rbh62k56j.cloudfront.net/151517c6e734fd0b/img/mstile-310x310.png msapplication-square70x70logo https://dab4rbh62k56j.cloudfront.net/151517c6e734fd0b/img/mstile-70x70.png msapplication-wide310x150logo https://dab4rbh62k56j.cloudfront.net/151517c6e734fd0b/img/mstile-310x150.png og:description Background The use of standardized assessment tools is an element of evidence-informed rehabilitation, but physical therapists report administering these tools inconsistently poststroke. An in-depth understanding of physical therapists' approaches to walking assessment is needed to develop strategies to advance assessment practice. Objectives The objective of this study was to explore the methods physical therapists use to evaluate walking poststroke, reasons for selecting these methods, and the use of assessment results in clinical practice. Design A qualitative descriptive study involving semistructured telephone interviews was conducted. Methods Registered physical therapists assessing a minimum of 10 people with stroke per year in Ontario, Canada, were purposively recruited from acute care, rehabilitation, and outpatient settings. Interviews were audiotaped and transcribed verbatim. Transcripts were coded line by line by the interviewer. Credibility was optimized through triangulation of analysts, audit trail, and collection of field notes. Results Study participants worked in acute care (n=8), rehabilitation (n=11), or outpatient (n=9) settings and reported using movement observation and standardized assessment tools to evaluate walking. When selecting methods to evaluate walking, physical therapists described being influenced by a hierarchy of factors. Factors included characteristics of the assessment tool, the therapist, the workplace, and patients, as well as influential individuals or organizations. Familiarity exerted the primary influence on adoption of a tool into a therapist's assessment repertoire, whereas patient factors commonly determined daily use. Participants reported using the results from walking assessments to communicate progress to the patient and health care professionals. Conclusions Multilevel factors influence physical therapists' adoption and daily administration of standardized tools to assess walking. Findings will inform knowledge translation efforts aimed at increasing the standardized assessment of walking poststroke. og:image https://www.semanticscholar.org/img/semantic_scholar_og.png og:image:height 582 og:image:secure_url ['https://www.semanticscholar.org/img/semantic_scholar_og.png', 'https://www.semanticscholar.org/img/semantic_scholar_og.png'] og:image:width 1110 og:locale ['en_US', 'en_US'] og:title [PDF] Factors Influencing Physical Therapists' Use of Standardized Measures of Walking Capacity Poststroke Across the Care Continuum | Semantic Scholar og:type website resourceName b'work_c5danpwdkvb2zlb4kpflghwg7a.pdf' robots noarchive,noindex s2-ui-version 0a1ee7b640e58bf005fa3cbd97e8cba83bff3dc9 title [PDF] Factors Influencing Physical Therapists' Use of Standardized Measures of Walking Capacity Poststroke Across the Care Continuum | Semantic Scholar twitter:card summary_large_image twitter:description Background The use of standardized assessment tools is an element of evidence-informed rehabilitation, but physical therapists report administering these tools inconsistently poststroke. An in-depth understanding of physical therapists' approaches to walking assessment is needed to develop strategies to advance assessment practice. Objectives The objective of this study was to explore the methods physical therapists use to evaluate walking poststroke, reasons for selecting these methods, and the use of assessment results in clinical practice. Design A qualitative descriptive study involving semistructured telephone interviews was conducted. Methods Registered physical therapists assessing a minimum of 10 people with stroke per year in Ontario, Canada, were purposively recruited from acute care, rehabilitation, and outpatient settings. Interviews were audiotaped and transcribed verbatim. Transcripts were coded line by line by the interviewer. Credibility was optimized through triangulation of analysts, audit trail, and collection of field notes. Results Study participants worked in acute care (n=8), rehabilitation (n=11), or outpatient (n=9) settings and reported using movement observation and standardized assessment tools to evaluate walking. When selecting methods to evaluate walking, physical therapists described being influenced by a hierarchy of factors. Factors included characteristics of the assessment tool, the therapist, the workplace, and patients, as well as influential individuals or organizations. Familiarity exerted the primary influence on adoption of a tool into a therapist's assessment repertoire, whereas patient factors commonly determined daily use. Participants reported using the results from walking assessments to communicate progress to the patient and health care professionals. Conclusions Multilevel factors influence physical therapists' adoption and daily administration of standardized tools to assess walking. 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version=1.7 dc:language tr-TR dc:title Okumuş & Yavan / Geçmişte ve Günümüzde Seramiğin Kullanım Alanları dcterms:created 2019-01-08T15:56:50Z dcterms:modified 2019-01-08T15:56:50Z language tr-TR meta:author halide meta:creation-date 2019-01-08T15:56:50Z meta:save-date 2019-01-08T15:56:50Z modified 2019-01-08T15:56:50Z pdf:PDFVersion 1.7 pdf:charsPerPage ['2693', '3880', '3613', '2607', '3742', '2606', '3922', '2792', '2530', '4128', '2301', '3802', '3532', '2396', '3737', '2701', '3914', '2495', '2741', '1851', '2832', '1004'] pdf:docinfo:created 2019-01-08T15:56:50Z pdf:docinfo:creator halide pdf:docinfo:creator_tool Office 365 için Microsoft® Word pdf:docinfo:modified 2019-01-08T15:56:50Z pdf:docinfo:producer Office 365 için Microsoft® Word pdf:docinfo:title Okumuş & Yavan / Geçmişte ve Günümüzde Seramiğin Kullanım Alanları pdf:encrypted false pdf:hasMarkedContent true pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0'] producer Office 365 için Microsoft® Word resourceName b'work_jum53bzee5e4hg6h6rxwidrbvy.pdf' title Okumuş & Yavan / Geçmişte ve Günümüzde Seramiğin Kullanım Alanları xmp:CreatorTool Office 365 için Microsoft® Word xmpTPg:NPages 22 work_2xy4tpegbbc6xmxvx42ixfpqja txt/../ent/work_2xy4tpegbbc6xmxvx42ixfpqja.ent === file2bib.sh === id: work_icywckx4abdipdz4f5t67x7ipu author: Mark A. 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charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.html.HtmlParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 7 application-name   citation_author Jana Rozehnalová citation_journal_title undefined citation_pdf_url https://doi.org/10.1080/09638237.2016.1276544 citation_publication_date 2017 citation_title Hedonic Eating: How the Pleasure of Food Affects our Brains and Behaviour dc:title Hedonic Eating: How the Pleasure of Food Affects our Brains and Behaviour | Semantic Scholar description Obesity represents a world-wide health problem with a number of serious health risks. Despite public health warnings, the availability of diet books and the stigma associated with excess weight, many people still find it difficult to achieve and maintain healthy body weight. While many books focus on need-based eating, the psychobiological factors of pleasure-driven excessive food intake are rarely considered. Yet, the changing landscape of our food environment suggests that obesity and overeating can also result from eating that is not driven by hunger. In the past, food consumption may have been driven in large part by the need for restoring energy reserves. While energy restoration probably remains an important factor in food consumption, it may not be as central in the current environment as it was previously. Recent research shows that excess food intake is, in part, driven by the pleasure derived from the palatability, or pleasurable taste of food. Our brains are developed to perceive certain tastes as more pleasurable than other. For example, our gustatory sense for sweet taste is innately hedonically positive, and it seems that combinations of sweet and fat have an optimal level (Drewnowski & Greenwood, 1983). Given the market of consumers with an appetite for palatable foods, and the modern-day tools for generating those foods, palatable foods have become widely available and relatively inexpensive. Being heavily processed combinations of ingredients with added flavourings and chemicals, these foods are frequently highly caloric, with high sugar and/or fat contents. These characteristics have raised questions regarding whether the foods themselves may have properties to elicit subjective and physiological responses akin to those elicited by abused substances. The brain mechanisms underlying the drive to consume particular types of food seem to produce similar reaction as alcohol consumption (Lichenstein et al., 2014), and use of addictive drugs (Kenny, 2011). From this perspective, ‘‘food addiction’’ may be contributing importantly to the increases in the prevalence of obesity (Gearhardt et al., 2011a), particularly amongst certain subgroups of individuals like those with binge eating disorders (Gearhardt et al., 2011b). To date, there seems to be inconsistent evidence for longlasting effects or health improvements of currently applied obesity treatments. However, a better understanding of the rewarding effects of ‘‘hyper-palatable food’’ may inform and improve current treatment approaches. In Hedonic Eating, Nicole Avena and an expert team of contributors explore the behavioural, biological and social rewards of eating in our current world saturated with ‘‘hyper-palatable’’ food. The content of this book will appeal to scientists, medical doctors, nutritionists, psychologists, counsellors and those in general public who are interested in learning about the brain rewardrelated mechanisms of food intake that may contribute to the development and maintenance of pathological eating patterns. Overall, the book is an excellent read, which offers another perspective on the current understanding of the issues of overeating and obesity epidemics. It brings together a systematic and thoughtful collection of chapters that focus on viewing food and eating from a new and clinically relevant perspective. msapplication-TileColor #FFFFFF msapplication-TileImage https://dab4rbh62k56j.cloudfront.net/151517c6e734fd0b/img/mstile-144x144.png msapplication-square150x150logo https://dab4rbh62k56j.cloudfront.net/151517c6e734fd0b/img/mstile-150x150.png msapplication-square310x310logo https://dab4rbh62k56j.cloudfront.net/151517c6e734fd0b/img/mstile-310x310.png msapplication-square70x70logo https://dab4rbh62k56j.cloudfront.net/151517c6e734fd0b/img/mstile-70x70.png msapplication-wide310x150logo https://dab4rbh62k56j.cloudfront.net/151517c6e734fd0b/img/mstile-310x150.png og:description Obesity represents a world-wide health problem with a number of serious health risks. Despite public health warnings, the availability of diet books and the stigma associated with excess weight, many people still find it difficult to achieve and maintain healthy body weight. While many books focus on need-based eating, the psychobiological factors of pleasure-driven excessive food intake are rarely considered. Yet, the changing landscape of our food environment suggests that obesity and overeating can also result from eating that is not driven by hunger. In the past, food consumption may have been driven in large part by the need for restoring energy reserves. While energy restoration probably remains an important factor in food consumption, it may not be as central in the current environment as it was previously. Recent research shows that excess food intake is, in part, driven by the pleasure derived from the palatability, or pleasurable taste of food. Our brains are developed to perceive certain tastes as more pleasurable than other. For example, our gustatory sense for sweet taste is innately hedonically positive, and it seems that combinations of sweet and fat have an optimal level (Drewnowski & Greenwood, 1983). Given the market of consumers with an appetite for palatable foods, and the modern-day tools for generating those foods, palatable foods have become widely available and relatively inexpensive. Being heavily processed combinations of ingredients with added flavourings and chemicals, these foods are frequently highly caloric, with high sugar and/or fat contents. These characteristics have raised questions regarding whether the foods themselves may have properties to elicit subjective and physiological responses akin to those elicited by abused substances. The brain mechanisms underlying the drive to consume particular types of food seem to produce similar reaction as alcohol consumption (Lichenstein et al., 2014), and use of addictive drugs (Kenny, 2011). From this perspective, ‘‘food addiction’’ may be contributing importantly to the increases in the prevalence of obesity (Gearhardt et al., 2011a), particularly amongst certain subgroups of individuals like those with binge eating disorders (Gearhardt et al., 2011b). To date, there seems to be inconsistent evidence for longlasting effects or health improvements of currently applied obesity treatments. However, a better understanding of the rewarding effects of ‘‘hyper-palatable food’’ may inform and improve current treatment approaches. In Hedonic Eating, Nicole Avena and an expert team of contributors explore the behavioural, biological and social rewards of eating in our current world saturated with ‘‘hyper-palatable’’ food. The content of this book will appeal to scientists, medical doctors, nutritionists, psychologists, counsellors and those in general public who are interested in learning about the brain rewardrelated mechanisms of food intake that may contribute to the development and maintenance of pathological eating patterns. Overall, the book is an excellent read, which offers another perspective on the current understanding of the issues of overeating and obesity epidemics. 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Despite public health warnings, the availability of diet books and the stigma associated with excess weight, many people still find it difficult to achieve and maintain healthy body weight. While many books focus on need-based eating, the psychobiological factors of pleasure-driven excessive food intake are rarely considered. Yet, the changing landscape of our food environment suggests that obesity and overeating can also result from eating that is not driven by hunger. In the past, food consumption may have been driven in large part by the need for restoring energy reserves. While energy restoration probably remains an important factor in food consumption, it may not be as central in the current environment as it was previously. Recent research shows that excess food intake is, in part, driven by the pleasure derived from the palatability, or pleasurable taste of food. Our brains are developed to perceive certain tastes as more pleasurable than other. For example, our gustatory sense for sweet taste is innately hedonically positive, and it seems that combinations of sweet and fat have an optimal level (Drewnowski & Greenwood, 1983). Given the market of consumers with an appetite for palatable foods, and the modern-day tools for generating those foods, palatable foods have become widely available and relatively inexpensive. Being heavily processed combinations of ingredients with added flavourings and chemicals, these foods are frequently highly caloric, with high sugar and/or fat contents. These characteristics have raised questions regarding whether the foods themselves may have properties to elicit subjective and physiological responses akin to those elicited by abused substances. The brain mechanisms underlying the drive to consume particular types of food seem to produce similar reaction as alcohol consumption (Lichenstein et al., 2014), and use of addictive drugs (Kenny, 2011). From this perspective, ‘‘food addiction’’ may be contributing importantly to the increases in the prevalence of obesity (Gearhardt et al., 2011a), particularly amongst certain subgroups of individuals like those with binge eating disorders (Gearhardt et al., 2011b). To date, there seems to be inconsistent evidence for longlasting effects or health improvements of currently applied obesity treatments. However, a better understanding of the rewarding effects of ‘‘hyper-palatable food’’ may inform and improve current treatment approaches. In Hedonic Eating, Nicole Avena and an expert team of contributors explore the behavioural, biological and social rewards of eating in our current world saturated with ‘‘hyper-palatable’’ food. The content of this book will appeal to scientists, medical doctors, nutritionists, psychologists, counsellors and those in general public who are interested in learning about the brain rewardrelated mechanisms of food intake that may contribute to the development and maintenance of pathological eating patterns. Overall, the book is an excellent read, which offers another perspective on the current understanding of the issues of overeating and obesity epidemics. 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'2020-07-06T23:37:54Z', '2020-07-06T23:51:38Z', '2020-07-07T00:07:56Z', '2020-07-07T10:48:28Z', '2020-07-07T12:33:09Z'] xmpTPg:NPages 12 === file2bib.sh === id: work_xlgfcpsefbewzmqdu7wazxennq author: Pelin AVŞAR KARABAŞ title: THE RISE AND THE LEADING ARTISTS OF ABSTRACT EXPRESSIONISM date: 2016 pages: 16 extension: .pdf txt: ./txt/work_xlgfcpsefbewzmqdu7wazxennq.txt cache: ./cache/work_xlgfcpsefbewzmqdu7wazxennq.pdf Author Kullanıcı Content-Type application/pdf Creation-Date 2016-04-30T14:21:15Z Last-Modified 2016-04-30T14:21:15Z Last-Save-Date 2016-04-30T14:21:15Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 51 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true 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'0'] producer Microsoft® Word 2013 resourceName b'work_xlgfcpsefbewzmqdu7wazxennq.pdf' xmp:CreatorTool Microsoft® Word 2013 xmpTPg:NPages 16 === file2bib.sh === id: work_3p2ettibkvcq3mm5kvl25a6a34 author: Alex Forsythe title: What paint can tell us: A fractal analysis of neurological changes in seven artists date: 2017 pages: extension: .pdf txt: ./txt/work_3p2ettibkvcq3mm5kvl25a6a34.txt cache: ./cache/work_3p2ettibkvcq3mm5kvl25a6a34.pdf Content-Encoding UTF-8 Content-Language en Content-Type text/html; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.html.HtmlParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 11 application-name   citation_author ['A. Forsythe', 'T. Williams', 'R. Reilly'] citation_journal_title undefined citation_pdf_url https://doi.org/10.1037/neu0000303 citation_publication_date 2017 citation_title What Paint Can Tell Us: A Fractal Analysis of Neurological Changes in Seven Artists dc:title [PDF] What Paint Can Tell Us: A Fractal Analysis of Neurological Changes in Seven Artists | Semantic Scholar description Objective: The notion that artistic capability increases with dementia is both novel and largely unsupported by available literature. Recent research has suggested an emergence of artistic capabilities to be a by-product of involuntary behaviour seen with dementia, as opposed to a progression in original thinking (de Souza, et al., 2010). A far more complementary explanation comes from Hannemann (2006), who suggests that art offers an outlet for dementia patients to refine and sharpen their cognitive abilities. As dementia severely impedes linguistic skills, non-verbal therapeutic methods such as painting can permit dementia patients to express themselves in a way not possible verbally. Fractal analysis has been used to determine the authenticity of major works of art. Taylor et al., (1999) found that through a fractal analysis of Jackson Pollock’s paintings it was possible to distinguish authentic works from a large collection of fakes, demonstrating that when artists paint they instill within their work their own pattern of unique fractal behaviour. Can age-indexed variations in the fractal dimension of the works of artists anticipate specific cognitive deteriorations? Method: To answer this question we analysed age-related variations in the fractal dimension of a large corpus of digital images (n = 2092) of work created by seven notable artists who experienced both normal ageing and neurodegenerative disorders. Results: The results of our analysis showed that patterns of change in the fractal dimension of the paintings differentiated artists who suffered neurological deterioration from those of normal aging controls. Conclusions: These findings are of importance for two reasons. Our work adds to studies that demonstrate that fractal analysis has the potential to determine the provenance of paintings. Secondly, our work suggests that may be possible to identify a-typical changes in the structure of an artist’s work; changes that may be early indicators of the onset of neurological deterioration. msapplication-TileColor #FFFFFF msapplication-TileImage https://dab4rbh62k56j.cloudfront.net/151517c6e734fd0b/img/mstile-144x144.png msapplication-square150x150logo https://dab4rbh62k56j.cloudfront.net/151517c6e734fd0b/img/mstile-150x150.png msapplication-square310x310logo https://dab4rbh62k56j.cloudfront.net/151517c6e734fd0b/img/mstile-310x310.png msapplication-square70x70logo https://dab4rbh62k56j.cloudfront.net/151517c6e734fd0b/img/mstile-70x70.png msapplication-wide310x150logo https://dab4rbh62k56j.cloudfront.net/151517c6e734fd0b/img/mstile-310x150.png og:description Objective: The notion that artistic capability increases with dementia is both novel and largely unsupported by available literature. Recent research has suggested an emergence of artistic capabilities to be a by-product of involuntary behaviour seen with dementia, as opposed to a progression in original thinking (de Souza, et al., 2010). A far more complementary explanation comes from Hannemann (2006), who suggests that art offers an outlet for dementia patients to refine and sharpen their cognitive abilities. As dementia severely impedes linguistic skills, non-verbal therapeutic methods such as painting can permit dementia patients to express themselves in a way not possible verbally. Fractal analysis has been used to determine the authenticity of major works of art. Taylor et al., (1999) found that through a fractal analysis of Jackson Pollock’s paintings it was possible to distinguish authentic works from a large collection of fakes, demonstrating that when artists paint they instill within their work their own pattern of unique fractal behaviour. Can age-indexed variations in the fractal dimension of the works of artists anticipate specific cognitive deteriorations? Method: To answer this question we analysed age-related variations in the fractal dimension of a large corpus of digital images (n = 2092) of work created by seven notable artists who experienced both normal ageing and neurodegenerative disorders. Results: The results of our analysis showed that patterns of change in the fractal dimension of the paintings differentiated artists who suffered neurological deterioration from those of normal aging controls. Conclusions: These findings are of importance for two reasons. Our work adds to studies that demonstrate that fractal analysis has the potential to determine the provenance of paintings. Secondly, our work suggests that may be possible to identify a-typical changes in the structure of an artist’s work; changes that may be early indicators of the onset of neurological deterioration. og:image https://www.semanticscholar.org/img/semantic_scholar_og.png og:image:height 582 og:image:secure_url ['https://www.semanticscholar.org/img/semantic_scholar_og.png', 'https://www.semanticscholar.org/img/semantic_scholar_og.png'] og:image:width 1110 og:locale ['en_US', 'en_US'] og:title [PDF] What Paint Can Tell Us: A Fractal Analysis of Neurological Changes in Seven Artists | Semantic Scholar og:type website resourceName b'work_3p2ettibkvcq3mm5kvl25a6a34.pdf' robots noarchive,noindex s2-ui-version 0a1ee7b640e58bf005fa3cbd97e8cba83bff3dc9 title [PDF] What Paint Can Tell Us: A Fractal Analysis of Neurological Changes in Seven Artists | Semantic Scholar twitter:card summary_large_image twitter:description Objective: The notion that artistic capability increases with dementia is both novel and largely unsupported by available literature. Recent research has suggested an emergence of artistic capabilities to be a by-product of involuntary behaviour seen with dementia, as opposed to a progression in original thinking (de Souza, et al., 2010). A far more complementary explanation comes from Hannemann (2006), who suggests that art offers an outlet for dementia patients to refine and sharpen their cognitive abilities. As dementia severely impedes linguistic skills, non-verbal therapeutic methods such as painting can permit dementia patients to express themselves in a way not possible verbally. Fractal analysis has been used to determine the authenticity of major works of art. Taylor et al., (1999) found that through a fractal analysis of Jackson Pollock’s paintings it was possible to distinguish authentic works from a large collection of fakes, demonstrating that when artists paint they instill within their work their own pattern of unique fractal behaviour. Can age-indexed variations in the fractal dimension of the works of artists anticipate specific cognitive deteriorations? Method: To answer this question we analysed age-related variations in the fractal dimension of a large corpus of digital images (n = 2092) of work created by seven notable artists who experienced both normal ageing and neurodegenerative disorders. Results: The results of our analysis showed that patterns of change in the fractal dimension of the paintings differentiated artists who suffered neurological deterioration from those of normal aging controls. Conclusions: These findings are of importance for two reasons. Our work adds to studies that demonstrate that fractal analysis has the potential to determine the provenance of paintings. Secondly, our work suggests that may be possible to identify a-typical changes in the structure of an artist’s work; changes that may be early indicators of the onset of neurological deterioration. twitter:image ['https://www.semanticscholar.org/img/semantic_scholar_og.png', 'https://www.semanticscholar.org/img/semantic_scholar_og.png'] twitter:site @allenai_org twitter:title [PDF] What Paint Can Tell Us: A Fractal Analysis of Neurological Changes in Seven Artists | Semantic Scholar viewport width=device-width,initial-scale=1 INFO Detecting media type for Filename: b'work_7l3qfqdo5ze2zlbrkyy723wyo4.pdf' INFO rmeta/text (autodetecting type) WARN Using fallback font 'LiberationSerif-BoldItalic' for 'TimesNewRomanPS-BoldItalicMT' INFO Detecting media type for Filename: b'work_f2vnr4iplva3zihzjrrgavei4a.pdf' INFO rmeta/text (autodetecting type) WARN rmeta/text: Text extraction failed (b'work_f2vnr4iplva3zihzjrrgavei4a.pdf') org.apache.tika.exception.TikaException: Unable to extract PDF content at org.apache.tika.parser.pdf.PDF2XHTML.process(PDF2XHTML.java:118) at org.apache.tika.parser.pdf.PDFParser.parse(PDFParser.java:174) at org.apache.tika.parser.CompositeParser.parse(CompositeParser.java:280) at org.apache.tika.parser.CompositeParser.parse(CompositeParser.java:280) at org.apache.tika.parser.AutoDetectParser.parse(AutoDetectParser.java:143) at org.apache.tika.parser.RecursiveParserWrapper.parse(RecursiveParserWrapper.java:233) at org.apache.tika.server.resource.TikaResource.parse(TikaResource.java:409) at org.apache.tika.server.resource.RecursiveMetadataResource.parseMetadata(RecursiveMetadataResource.java:147) at org.apache.tika.server.resource.RecursiveMetadataResource.getMetadata(RecursiveMetadataResource.java:123) at sun.reflect.GeneratedMethodAccessor3.invoke(Unknown Source) at sun.reflect.DelegatingMethodAccessorImpl.invoke(DelegatingMethodAccessorImpl.java:43) at java.lang.reflect.Method.invoke(Method.java:498) at org.apache.cxf.service.invoker.AbstractInvoker.performInvocation(AbstractInvoker.java:179) at org.apache.cxf.service.invoker.AbstractInvoker.invoke(AbstractInvoker.java:96) at org.apache.cxf.jaxrs.JAXRSInvoker.invoke(JAXRSInvoker.java:201) at org.apache.cxf.jaxrs.JAXRSInvoker.invoke(JAXRSInvoker.java:104) at org.apache.cxf.interceptor.ServiceInvokerInterceptor$1.run(ServiceInvokerInterceptor.java:59) at org.apache.cxf.interceptor.ServiceInvokerInterceptor.handleMessage(ServiceInvokerInterceptor.java:96) at org.apache.cxf.phase.PhaseInterceptorChain.doIntercept(PhaseInterceptorChain.java:308) at org.apache.cxf.transport.ChainInitiationObserver.onMessage(ChainInitiationObserver.java:121) at org.apache.cxf.transport.http.AbstractHTTPDestination.invoke(AbstractHTTPDestination.java:267) at org.apache.cxf.transport.http_jetty.JettyHTTPDestination.doService(JettyHTTPDestination.java:247) at org.apache.cxf.transport.http_jetty.JettyHTTPHandler.handle(JettyHTTPHandler.java:79) at org.eclipse.jetty.server.handler.HandlerWrapper.handle(HandlerWrapper.java:127) at org.eclipse.jetty.server.handler.ScopedHandler.nextHandle(ScopedHandler.java:235) at org.eclipse.jetty.server.handler.ContextHandler.doHandle(ContextHandler.java:1300) at org.eclipse.jetty.server.handler.ScopedHandler.nextScope(ScopedHandler.java:190) at org.eclipse.jetty.server.handler.ContextHandler.doScope(ContextHandler.java:1215) at org.eclipse.jetty.server.handler.ScopedHandler.handle(ScopedHandler.java:141) at org.eclipse.jetty.server.handler.ContextHandlerCollection.handle(ContextHandlerCollection.java:221) at org.eclipse.jetty.server.handler.HandlerWrapper.handle(HandlerWrapper.java:127) at org.eclipse.jetty.server.Server.handle(Server.java:500) at org.eclipse.jetty.server.HttpChannel.lambda$handle$1(HttpChannel.java:383) at org.eclipse.jetty.server.HttpChannel.dispatch(HttpChannel.java:547) at org.eclipse.jetty.server.HttpChannel.handle(HttpChannel.java:375) at org.eclipse.jetty.server.HttpConnection.onFillable(HttpConnection.java:273) at org.eclipse.jetty.io.AbstractConnection$ReadCallback.succeeded(AbstractConnection.java:311) at org.eclipse.jetty.io.FillInterest.fillable(FillInterest.java:103) at org.eclipse.jetty.io.ChannelEndPoint$2.run(ChannelEndPoint.java:117) at org.eclipse.jetty.util.thread.strategy.EatWhatYouKill.runTask(EatWhatYouKill.java:336) at org.eclipse.jetty.util.thread.strategy.EatWhatYouKill.doProduce(EatWhatYouKill.java:313) at org.eclipse.jetty.util.thread.strategy.EatWhatYouKill.tryProduce(EatWhatYouKill.java:171) at org.eclipse.jetty.util.thread.strategy.EatWhatYouKill.run(EatWhatYouKill.java:129) at org.eclipse.jetty.util.thread.ReservedThreadExecutor$ReservedThread.run(ReservedThreadExecutor.java:375) at org.eclipse.jetty.util.thread.QueuedThreadPool.runJob(QueuedThreadPool.java:806) at org.eclipse.jetty.util.thread.QueuedThreadPool$Runner.run(QueuedThreadPool.java:938) at java.lang.Thread.run(Thread.java:748) Caused by: java.io.IOException: Error: Could not find referenced cmap stream Adobe-Korea1-3 at org.apache.fontbox.cmap.CMapParser.getExternalCMap(CMapParser.java:455) at org.apache.fontbox.cmap.CMapParser.parsePredefined(CMapParser.java:86) at org.apache.pdfbox.pdmodel.font.CMapManager.getPredefinedCMap(CMapManager.java:56) at org.apache.pdfbox.pdmodel.font.PDType0Font.fetchCMapUCS2(PDType0Font.java:349) at org.apache.pdfbox.pdmodel.font.PDType0Font.(PDType0Font.java:198) at org.apache.pdfbox.pdmodel.font.PDFontFactory.createFont(PDFontFactory.java:97) at org.apache.pdfbox.pdmodel.PDResources.getFont(PDResources.java:146) at org.apache.pdfbox.contentstream.operator.text.SetFontAndSize.process(SetFontAndSize.java:66) at org.apache.pdfbox.contentstream.PDFStreamEngine.processOperator(PDFStreamEngine.java:875) at org.apache.pdfbox.contentstream.PDFStreamEngine.processStreamOperators(PDFStreamEngine.java:509) at org.apache.pdfbox.contentstream.PDFStreamEngine.processStream(PDFStreamEngine.java:483) at org.apache.pdfbox.contentstream.PDFStreamEngine.processPage(PDFStreamEngine.java:156) at org.apache.pdfbox.text.LegacyPDFStreamEngine.processPage(LegacyPDFStreamEngine.java:139) at org.apache.pdfbox.text.PDFTextStripper.processPage(PDFTextStripper.java:391) at org.apache.tika.parser.pdf.PDF2XHTML.processPage(PDF2XHTML.java:125) at org.apache.tika.parser.pdf.AbstractPDF2XHTML.processPages(AbstractPDF2XHTML.java:963) at org.apache.pdfbox.text.PDFTextStripper.writeText(PDFTextStripper.java:266) at org.apache.tika.parser.pdf.PDF2XHTML.process(PDF2XHTML.java:96) ... 46 more INFO Detecting media type for Filename: b'work_hphnzm6u2bbjfasv2tvzayqhkm.pdf' INFO rmeta/text (autodetecting type) === file2bib.sh === id: work_3z72acm7rfejdhsqoszi5krx5i author: A. 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In the 21st century, the disciplinary boundaries of past centuries that we often create through mainstream art historical classification, techniques and sources may have been eroded by visual culture, which seems to provide a more inclusive umbrella for the new ways artists go about the creative process and its resultant commodities. Over the past four decades, artists in Africa have resorted to new materials, techniques and themes which have affected our ways of research on these artists and their art. Frontline artists such as El Anatsui, Yinka Shonibare, Erasmus Onyishi are demonstrating that any material is just suitable for artistic expression. Most of times, these materials come with their own techniques/effects and visual syntax: a combination of materials compounds techniques, formal aesthetic indexes, halo effects, and iconography. This tends to challenge the categories and we lean on to view, think and talk about them. This renders our main stream art historical research methods inadequate, thus suggesting new discursive concepts, terms and theories. This paper proposed the Africanist eclectic methods derived from the dual framework of Masquerade Theory and What Comes Behind Six is More Than Seven. This paper shares thoughts/research on art historical methods, terminological re-alignments on classification/source data, presentational format and interpretation arising from the emergent trends in our subject. The outcome provides useful tools to mediate new thoughts and experiences in recent African art and visual culture.

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In the 21st century, the disciplinary boundaries of past centuries that we often create through mainstream art historical classification, techniques and sources may have been eroded by visual culture, which seems to provide a more inclusive umbrella for the new ways artists go about the creative process and its resultant commodities. Over the past four decades, artists in Africa have resorted to new materials, techniques and themes which have affected our ways of research on these artists and their art. Frontline artists such as El Anatsui, Yinka Shonibare, Erasmus Onyishi are demonstrating that any material is just suitable for artistic expression. Most of times, these materials come with their own techniques/effects and visual syntax: a combination of materials compounds techniques, formal aesthetic indexes, halo effects, and iconography. This tends to challenge the categories and we lean on to view, think and talk about them. This renders our main stream art historical research methods inadequate, thus suggesting new discursive concepts, terms and theories. This paper proposed the Africanist eclectic methods derived from the dual framework of Masquerade Theory and What Comes Behind Six is More Than Seven. This paper shares thoughts/research on art historical methods, terminological re-alignments on classification/source data, presentational format and interpretation arising from the emergent trends in our subject. The outcome provides useful tools to mediate new thoughts and experiences in recent African art and visual culture.

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In the 21st century, the disciplinary boundaries of past centuries that we often create through mainstream art historical classification, techniques and sources may have been eroded by visual culture, which seems to provide a more inclusive umbrella for the new ways artists go about the creative process and its resultant commodities. Over the past four decades, artists in Africa have resorted to new materials, techniques and themes which have affected our ways of research on these artists and their art. Frontline artists such as El Anatsui, Yinka Shonibare, Erasmus Onyishi are demonstrating that any material is just suitable for artistic expression. Most of times, these materials come with their own techniques/effects and visual syntax: a combination of materials compounds techniques, formal aesthetic indexes, halo effects, and iconography. This tends to challenge the categories and we lean on to view, think and talk about them. This renders our main stream art historical research methods inadequate, thus suggesting new discursive concepts, terms and theories. This paper proposed the Africanist eclectic methods derived from the dual framework of Masquerade Theory and What Comes Behind Six is More Than Seven. This paper shares thoughts/research on art historical methods, terminological re-alignments on classification/source data, presentational format and interpretation arising from the emergent trends in our subject. The outcome provides useful tools to mediate new thoughts and experiences in recent African art and visual culture.

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version=1.6 dc:title 현대패션의 로맨틱 이미지에 관한 연구 dcterms:created 2013-10-11T04:11:06Z dcterms:modified 2013-10-11T04:11:08Z meta:creation-date 2013-10-11T04:11:06Z meta:save-date 2013-10-11T04:11:08Z modified 2013-10-11T04:11:08Z pdf:PDFVersion 1.6 pdf:charsPerPage ['2149', '1684', '1740', '1832', '1252', '1649', '1862', '1371', '1687', '1665', '1670', '3315', '1508'] pdf:docinfo:created 2013-10-11T04:11:06Z pdf:docinfo:creator_tool Hancom PDF 1.3.0.441 pdf:docinfo:custom:PDFVersion 1.4 pdf:docinfo:modified 2013-10-11T04:11:08Z pdf:docinfo:producer Hancom PDF 1.3.0.441 pdf:docinfo:title 현대패션의 로맨틱 이미지에 관한 연구 pdf:encrypted false pdf:hasMarkedContent true pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0'] producer Hancom PDF 1.3.0.441 resourceName b'work_qomcok57tna2zgwxrkorfku7ru.pdf' title 현대패션의 로맨틱 이미지에 관한 연구 xmp:CreatorTool Hancom PDF 1.3.0.441 xmpMM:DocumentID uuid:44d7d2dc-27b9-4703-ab81-3789f67b5e20 xmpTPg:NPages 13 === file2bib.sh === id: work_7l3qfqdo5ze2zlbrkyy723wyo4 author: Vida Demarin title: Arts, Brain and Cognition date: 2016 pages: 6 extension: .pdf txt: ./txt/work_7l3qfqdo5ze2zlbrkyy723wyo4.txt cache: ./cache/work_7l3qfqdo5ze2zlbrkyy723wyo4.pdf Author Rajko Content-Type application/pdf Creation-Date 2016-12-16T18:27:58Z Last-Modified 2016-12-16T18:27:58Z Last-Save-Date 2016-12-16T18:27:58Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 38 access_permission:assemble_document true access_permission:can_modify true access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true created 2016-12-16T18:27:58Z creator Rajko date 2016-12-16T18:27:58Z dc:creator Rajko dc:format application/pdf; version=1.4 dc:title Microsoft Word - Dnb-28_4_92.doc dcterms:created 2016-12-16T18:27:58Z dcterms:modified 2016-12-16T18:27:58Z meta:author Rajko meta:creation-date 2016-12-16T18:27:58Z meta:save-date 2016-12-16T18:27:58Z modified 2016-12-16T18:27:58Z pdf:PDFVersion 1.4 pdf:charsPerPage ['5369', '6083', '6257', '5932', '6235', '2131'] pdf:docinfo:created 2016-12-16T18:27:58Z pdf:docinfo:creator Rajko pdf:docinfo:creator_tool PScript5.dll Version 5.2.2 pdf:docinfo:modified 2016-12-16T18:27:58Z pdf:docinfo:producer Acrobat Distiller 6.0 (Windows) pdf:docinfo:title Microsoft Word - Dnb-28_4_92.doc pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP true pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0'] producer Acrobat Distiller 6.0 (Windows) resourceName b'work_7l3qfqdo5ze2zlbrkyy723wyo4.pdf' title Microsoft Word - Dnb-28_4_92.doc xmp:CreatorTool PScript5.dll Version 5.2.2 xmpMM:DocumentID uuid:a022de70-842b-4527-bdda-b850530ddd33 xmpTPg:NPages 6 === file2bib.sh === id: work_hphnzm6u2bbjfasv2tvzayqhkm author: Olivia C. Adkins title: The Visual Aesthetics of Snowflakes date: 2016 pages: extension: .pdf txt: ./txt/work_hphnzm6u2bbjfasv2tvzayqhkm.txt cache: ./cache/work_hphnzm6u2bbjfasv2tvzayqhkm.pdf Content-Encoding UTF-8 Content-Language en Content-Type text/html; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.html.HtmlParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 9 application-name   citation_author ['Olivia C. Adkins', 'J. Norman'] citation_journal_title undefined citation_pdf_url https://doi.org/10.1177/2041669516661122 citation_publication_date 2016 citation_title The Visual Aesthetics of Snowflakes dc:title [PDF] The Visual Aesthetics of Snowflakes | Semantic Scholar description In two experiments, participants evaluated the perceived beauty of snowflakes and solid objects. The snowflake silhouettes used as experimental stimuli were created from photographs of natural snowflakes. Both the snowflake silhouettes and computer-generated solid objects varied in complexity. In Experiment 1, 204 participants selected the single snowflake and single solid object that was the most beautiful. In Experiment 2, 33 participants rated the perceived complexity and beauty of the entire set of 100 snowflakes and solid objects. When considered as a group, the participants’ results for the solid objects replicated previous findings: The most and least complex objects were perceived as being the most beautiful. This pattern did not necessarily occur, however, for individual participants. Some participants in Experiment 2, for example, found only complex solid objects to be most beautiful (N = 10); other participants found only the simple solid objects to be most beautiful (N = 11). Additional participants perceived both the most and least complex solid objects to be beautiful (N = 10), while one participant only found moderately complex solid objects to be most beautiful. The results for the snowflakes were more uniform: 91% of participants perceived only the complex snowflakes as being most beautiful. msapplication-TileColor #FFFFFF msapplication-TileImage https://dab4rbh62k56j.cloudfront.net/151517c6e734fd0b/img/mstile-144x144.png msapplication-square150x150logo https://dab4rbh62k56j.cloudfront.net/151517c6e734fd0b/img/mstile-150x150.png msapplication-square310x310logo https://dab4rbh62k56j.cloudfront.net/151517c6e734fd0b/img/mstile-310x310.png msapplication-square70x70logo https://dab4rbh62k56j.cloudfront.net/151517c6e734fd0b/img/mstile-70x70.png msapplication-wide310x150logo https://dab4rbh62k56j.cloudfront.net/151517c6e734fd0b/img/mstile-310x150.png og:description In two experiments, participants evaluated the perceived beauty of snowflakes and solid objects. The snowflake silhouettes used as experimental stimuli were created from photographs of natural snowflakes. Both the snowflake silhouettes and computer-generated solid objects varied in complexity. In Experiment 1, 204 participants selected the single snowflake and single solid object that was the most beautiful. In Experiment 2, 33 participants rated the perceived complexity and beauty of the entire set of 100 snowflakes and solid objects. When considered as a group, the participants’ results for the solid objects replicated previous findings: The most and least complex objects were perceived as being the most beautiful. This pattern did not necessarily occur, however, for individual participants. Some participants in Experiment 2, for example, found only complex solid objects to be most beautiful (N = 10); other participants found only the simple solid objects to be most beautiful (N = 11). Additional participants perceived both the most and least complex solid objects to be beautiful (N = 10), while one participant only found moderately complex solid objects to be most beautiful. The results for the snowflakes were more uniform: 91% of participants perceived only the complex snowflakes as being most beautiful. og:image https://www.semanticscholar.org/img/semantic_scholar_og.png og:image:height 582 og:image:secure_url ['https://www.semanticscholar.org/img/semantic_scholar_og.png', 'https://www.semanticscholar.org/img/semantic_scholar_og.png'] og:image:width 1110 og:locale ['en_US', 'en_US'] og:title [PDF] The Visual Aesthetics of Snowflakes | Semantic Scholar og:type website resourceName b'work_hphnzm6u2bbjfasv2tvzayqhkm.pdf' robots noarchive,noindex s2-ui-version 0a1ee7b640e58bf005fa3cbd97e8cba83bff3dc9 title [PDF] The Visual Aesthetics of Snowflakes | Semantic Scholar twitter:card summary_large_image twitter:description In two experiments, participants evaluated the perceived beauty of snowflakes and solid objects. The snowflake silhouettes used as experimental stimuli were created from photographs of natural snowflakes. Both the snowflake silhouettes and computer-generated solid objects varied in complexity. In Experiment 1, 204 participants selected the single snowflake and single solid object that was the most beautiful. In Experiment 2, 33 participants rated the perceived complexity and beauty of the entire set of 100 snowflakes and solid objects. When considered as a group, the participants’ results for the solid objects replicated previous findings: The most and least complex objects were perceived as being the most beautiful. This pattern did not necessarily occur, however, for individual participants. Some participants in Experiment 2, for example, found only complex solid objects to be most beautiful (N = 10); other participants found only the simple solid objects to be most beautiful (N = 11). Additional participants perceived both the most and least complex solid objects to be beautiful (N = 10), while one participant only found moderately complex solid objects to be most beautiful. The results for the snowflakes were more uniform: 91% of participants perceived only the complex snowflakes as being most beautiful. twitter:image ['https://www.semanticscholar.org/img/semantic_scholar_og.png', 'https://www.semanticscholar.org/img/semantic_scholar_og.png'] twitter:site @allenai_org twitter:title [PDF] The Visual Aesthetics of Snowflakes | Semantic Scholar viewport width=device-width,initial-scale=1 === file2bib.sh === id: work_f2vnr4iplva3zihzjrrgavei4a author: Geon-Ho Bahn title: ADHD, New Developed or Newly Found : Historical Review date: 2011 pages: 10 extension: .pdf txt: ./txt/work_f2vnr4iplva3zihzjrrgavei4a.txt cache: ./cache/work_f2vnr4iplva3zihzjrrgavei4a.pdf Content-Type application/pdf Creation-Date 2011-07-07T04:52:41Z Last-Modified 2011-07-25T02:00:35Z Last-Save-Date 2011-07-25T02:00:35Z X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.pdf.PDFParser'] X-TIKA:EXCEPTION:runtime java.io.IOException: Error: Could not find referenced cmap stream Adobe-Korea1-3 at org.apache.fontbox.cmap.CMapParser.getExternalCMap(CMapParser.java:455) at org.apache.fontbox.cmap.CMapParser.parsePredefined(CMapParser.java:86) at org.apache.pdfbox.pdmodel.font.CMapManager.getPredefinedCMap(CMapManager.java:56) at org.apache.pdfbox.pdmodel.font.PDType0Font.fetchCMapUCS2(PDType0Font.java:349) at org.apache.pdfbox.pdmodel.font.PDType0Font.(PDType0Font.java:198) at org.apache.pdfbox.pdmodel.font.PDFontFactory.createFont(PDFontFactory.java:97) at org.apache.pdfbox.pdmodel.PDResources.getFont(PDResources.java:146) at org.apache.pdfbox.contentstream.operator.text.SetFontAndSize.process(SetFontAndSize.java:66) at org.apache.pdfbox.contentstream.PDFStreamEngine.processOperator(PDFStreamEngine.java:875) at org.apache.pdfbox.contentstream.PDFStreamEngine.processStreamOperators(PDFStreamEngine.java:509) at org.apache.pdfbox.contentstream.PDFStreamEngine.processStream(PDFStreamEngine.java:483) at org.apache.pdfbox.contentstream.PDFStreamEngine.processPage(PDFStreamEngine.java:156) at org.apache.pdfbox.text.LegacyPDFStreamEngine.processPage(LegacyPDFStreamEngine.java:139) at org.apache.pdfbox.text.PDFTextStripper.processPage(PDFTextStripper.java:391) at org.apache.tika.parser.pdf.PDF2XHTML.processPage(PDF2XHTML.java:125) at org.apache.tika.parser.pdf.AbstractPDF2XHTML.processPages(AbstractPDF2XHTML.java:963) at org.apache.pdfbox.text.PDFTextStripper.writeText(PDFTextStripper.java:266) at org.apache.tika.parser.pdf.PDF2XHTML.process(PDF2XHTML.java:96) at org.apache.tika.parser.pdf.PDFParser.parse(PDFParser.java:174) at org.apache.tika.parser.CompositeParser.parse(CompositeParser.java:280) at org.apache.tika.parser.CompositeParser.parse(CompositeParser.java:280) at org.apache.tika.parser.AutoDetectParser.parse(AutoDetectParser.java:143) at org.apache.tika.parser.RecursiveParserWrapper.parse(RecursiveParserWrapper.java:233) at org.apache.tika.server.resource.TikaResource.parse(TikaResource.java:409) at org.apache.tika.server.resource.RecursiveMetadataResource.parseMetadata(RecursiveMetadataResource.java:147) at org.apache.tika.server.resource.RecursiveMetadataResource.getMetadata(RecursiveMetadataResource.java:123) at sun.reflect.GeneratedMethodAccessor3.invoke(Unknown Source) at sun.reflect.DelegatingMethodAccessorImpl.invoke(DelegatingMethodAccessorImpl.java:43) at java.lang.reflect.Method.invoke(Method.java:498) at org.apache.cxf.service.invoker.AbstractInvoker.performInvocation(AbstractInvoker.java:179) at org.apache.cxf.service.invoker.AbstractInvoker.invoke(AbstractInvoker.java:96) at org.apache.cxf.jaxrs.JAXRSInvoker.invoke(JAXRSInvoker.java:201) at org.apache.cxf.jaxrs.JAXRSInvoker.invoke(JAXRSInvoker.java:104) at org.apache.cxf.interceptor.ServiceInvokerInterceptor$1.run(ServiceInvokerInterceptor.java:59) at org.apache.cxf.interceptor.ServiceInvokerInterceptor.handleMessage(ServiceInvokerInterceptor.java:96) at org.apache.cxf.phase.PhaseInterceptorChain.doIntercept(PhaseInterceptorChain.java:308) at org.apache.cxf.transport.ChainInitiationObserver.onMessage(ChainInitiationObserver.java:121) at org.apache.cxf.transport.http.AbstractHTTPDestination.invoke(AbstractHTTPDestination.java:267) at org.apache.cxf.transport.http_jetty.JettyHTTPDestination.doService(JettyHTTPDestination.java:247) at org.apache.cxf.transport.http_jetty.JettyHTTPHandler.handle(JettyHTTPHandler.java:79) at org.eclipse.jetty.server.handler.HandlerWrapper.handle(HandlerWrapper.java:127) at org.eclipse.jetty.server.handler.ScopedHandler.nextHandle(ScopedHandler.java:235) at org.eclipse.jetty.server.handler.ContextHandler.doHandle(ContextHandler.java:1300) at org.eclipse.jetty.server.handler.ScopedHandler.nextScope(ScopedHandler.java:190) at org.eclipse.jetty.server.handler.ContextHandler.doScope(ContextHandler.java:1215) at org.eclipse.jetty.server.handler.ScopedHandler.handle(ScopedHandler.java:141) at org.eclipse.jetty.server.handler.ContextHandlerCollection.handle(ContextHandlerCollection.java:221) at org.eclipse.jetty.server.handler.HandlerWrapper.handle(HandlerWrapper.java:127) at org.eclipse.jetty.server.Server.handle(Server.java:500) at org.eclipse.jetty.server.HttpChannel.lambda$handle$1(HttpChannel.java:383) at org.eclipse.jetty.server.HttpChannel.dispatch(HttpChannel.java:547) at org.eclipse.jetty.server.HttpChannel.handle(HttpChannel.java:375) at org.eclipse.jetty.server.HttpConnection.onFillable(HttpConnection.java:273) at org.eclipse.jetty.io.AbstractConnection$ReadCallback.succeeded(AbstractConnection.java:311) at org.eclipse.jetty.io.FillInterest.fillable(FillInterest.java:103) at org.eclipse.jetty.io.ChannelEndPoint$2.run(ChannelEndPoint.java:117) at org.eclipse.jetty.util.thread.strategy.EatWhatYouKill.runTask(EatWhatYouKill.java:336) at 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access_permission:can_print true access_permission:can_print_degraded true access_permission:extract_content true access_permission:extract_for_accessibility true access_permission:fill_in_form true access_permission:modify_annotations true cp:subject This article explores the exhibitions of Picasso’s works in the first two decades of his artistic career, as well as the dealers and collectors who came into contact with them. It describes the relationship between Picasso and his first dealers, Pere Manyach, Berthe Weill, Clovis Sagot, Père Soulier, Ambroise Vollard, Daniel-Henry Kahnweiler, Georg Caspari, L. W. Guthier, Hans Goltz, Heinrich Thannhauser, Otto Feldmann, Alfred Flechtheim, Emil Richter, Gottfried Tanner, Michael Brenner, R. J. Coady, Léonce Rosenberg, Paul Rosenberg, etc.; as well as his first collectors, Leo and Gertrude Stein, Olivier Sainsère, Joachim Gasquet, Wilhelm Uhde, Herman Rupf, Vincenc Kramář, Frank Stoop, Hugo Perls, Edwin Suermondt, Dr. Paul Ferdinand Schmidt, Princess Mechtilde Lichnowsky, Henry Simms, Ludwig and Rosy Fischer, Professor Wilhelm Kreis, Adolf Erblösch, Justin K. Thannhauser, Sergei Ivanovich Shchukin, Ivan A. Morosov, etc. It also identifies all important Picasso expositions in this time period and how those dealers and collectors were involved in their arrangement. The information provided here has been excerpted from an exhaustive study of the critical literature on Pablo Picasso, as well as from published exhibition catalogues. created 2017-04-10T06:37:24Z creator Enrique Mallen date 2017-04-10T06:37:24Z dc:creator Enrique Mallen dc:format application/pdf; version=1.5 dc:subject Picasso; dealers; collectors; exhibitions; market dc:title Reaching for Success: Picasso’s Rise in the Market (The First Two Decades) dcterms:created 2017-04-10T06:37:24Z dcterms:modified 2017-04-10T06:37:24Z meta:author Enrique Mallen meta:creation-date 2017-04-10T06:37:24Z meta:keyword Picasso; dealers; collectors; exhibitions; market meta:save-date 2017-04-10T06:37:24Z modified 2017-04-10T06:37:24Z pdf:PDFVersion 1.5 pdf:charsPerPage ['2820', '4032', '3355', '3539', '3510', '3719', '3569', '3657', '3623', '3962', '3725', '3774', '3820', '3834', '3801', '4136', '3333', '3119', '2801', '3691', '2257'] pdf:docinfo:created 2017-04-10T06:37:24Z pdf:docinfo:creator Enrique Mallen pdf:docinfo:creator_tool LaTeX with hyperref package pdf:docinfo:custom:PTEX.Fullbanner This is pdfTeX, Version 3.14159265-2.6-1.40.17 (TeX Live 2016/W32TeX) kpathsea version 6.2.2 pdf:docinfo:keywords Picasso; dealers; collectors; exhibitions; market pdf:docinfo:modified 2017-04-10T06:37:24Z pdf:docinfo:producer pdfTeX-1.40.17 pdf:docinfo:subject This article explores the exhibitions of Picasso’s works in the first two decades of his artistic career, as well as the dealers and collectors who came into contact with them. It describes the relationship between Picasso and his first dealers, Pere Manyach, Berthe Weill, Clovis Sagot, Père Soulier, Ambroise Vollard, Daniel-Henry Kahnweiler, Georg Caspari, L. W. Guthier, Hans Goltz, Heinrich Thannhauser, Otto Feldmann, Alfred Flechtheim, Emil Richter, Gottfried Tanner, Michael Brenner, R. J. Coady, Léonce Rosenberg, Paul Rosenberg, etc.; as well as his first collectors, Leo and Gertrude Stein, Olivier Sainsère, Joachim Gasquet, Wilhelm Uhde, Herman Rupf, Vincenc Kramář, Frank Stoop, Hugo Perls, Edwin Suermondt, Dr. Paul Ferdinand Schmidt, Princess Mechtilde Lichnowsky, Henry Simms, Ludwig and Rosy Fischer, Professor Wilhelm Kreis, Adolf Erblösch, Justin K. Thannhauser, Sergei Ivanovich Shchukin, Ivan A. Morosov, etc. It also identifies all important Picasso expositions in this time period and how those dealers and collectors were involved in their arrangement. The information provided here has been excerpted from an exhaustive study of the critical literature on Pablo Picasso, as well as from published exhibition catalogues. pdf:docinfo:title Reaching for Success: Picasso’s Rise in the Market (The First Two Decades) pdf:docinfo:trapped False pdf:encrypted false pdf:hasMarkedContent false pdf:hasXFA false pdf:hasXMP false pdf:unmappedUnicodeCharsPerPage ['0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0', '0'] producer pdfTeX-1.40.17 resourceName b'work_o6pvmd3rfveitkpkmngtbtprqm.pdf' subject This article explores the exhibitions of Picasso’s works in the first two decades of his artistic career, as well as the dealers and collectors who came into contact with them. It describes the relationship between Picasso and his first dealers, Pere Manyach, Berthe Weill, Clovis Sagot, Père Soulier, Ambroise Vollard, Daniel-Henry Kahnweiler, Georg Caspari, L. W. Guthier, Hans Goltz, Heinrich Thannhauser, Otto Feldmann, Alfred Flechtheim, Emil Richter, Gottfried Tanner, Michael Brenner, R. J. Coady, Léonce Rosenberg, Paul Rosenberg, etc.; as well as his first collectors, Leo and Gertrude Stein, Olivier Sainsère, Joachim Gasquet, Wilhelm Uhde, Herman Rupf, Vincenc Kramář, Frank Stoop, Hugo Perls, Edwin Suermondt, Dr. Paul Ferdinand Schmidt, Princess Mechtilde Lichnowsky, Henry Simms, Ludwig and Rosy Fischer, Professor Wilhelm Kreis, Adolf Erblösch, Justin K. Thannhauser, Sergei Ivanovich Shchukin, Ivan A. Morosov, etc. It also identifies all important Picasso expositions in this time period and how those dealers and collectors were involved in their arrangement. The information provided here has been excerpted from an exhaustive study of the critical literature on Pablo Picasso, as well as from published exhibition catalogues. title Reaching for Success: Picasso’s Rise in the Market (The First Two Decades) trapped False xmp:CreatorTool LaTeX with hyperref package xmpTPg:NPages 21 Done mapping. Reducing pabloPicasso-from-scholar === reduce.pl bib === id = work_bmexjj4vujemdjpthmsprsijoy author = M. Eekhout title = Transparent Cubical Glass Building in Madrid date = 2018 pages = 10 extension = .pdf mime = application/pdf words = 3270 sentences = 237 flesch = 70 summary = Keywords: Quattro nodes, insulated glass, Tensile structural systems co-designed and engineered, produced and built a number of cubical glass volumes. We have designed these glass cubes as architects, structural engineers tempered glass panels, where the vertical corners are held together by glued stainless In 1988 cubical glass pavilions were designed by architect Wiek Röling and structural This structure was conceived in single glass panels, fully tempered. In 1989 Mick Eekhout designed the structural scheme for an all-glass envelope for Opened in 1990, it was the first structural glass building in the Dutch architect, Walter Lockefeer came to Octatube to co-design a glass roof in a So he stimulated the development of the first glass panel roof, stabilised as a Figure 16 and 17: Design of the Glass Cube by architect Millanes and engineers Typsa and Octatube. Figure 18: Installation of the Glass Cube [3] Eekhout, M., 'Product Development in Glass Structures', 010 Publisher, Rotterdam, 1989. cache = ./cache/work_bmexjj4vujemdjpthmsprsijoy.pdf txt = ./txt/work_bmexjj4vujemdjpthmsprsijoy.txt === reduce.pl bib === id = work_ofns3rivfjfi3d3drcmemqisga author = Andrew S. Chung title = The Rationale for Endoscopic Spinal Surgery date = 2020 pages = 4 extension = .pdf mime = application/pdf words = 1761 sentences = 186 flesch = 48 summary = technique and equipment combined with a steep learning curve hindered its initial popularity amongst surgeons.1-4 However, recent technological advancements have facilitated more Surgeon and patient demand for less invasive procedures have further driven a global surge in interest in spinal endoscopy. Similar to other minimally invasive spinal surgical (MISS) techniques, the main benefits Furthermore, outpatient spinal surgeries may be associated with superior short-term outcomes may indeed become the ideal outpatient spinal surgical technique.13,18-20 surgical evolution towards spinal endoscopy. Learning curve for percutaneous endoscopic lumbar discectomy depending on the surgeon's training level of minimally invasive spine surgery. Learning curve of full-endoscopic lumbar discectomy. Learning curve for percutaneous endoscopThe Rationale for Endoscopic Spinal SurgeryChung AS and Wang JC Cost-effectiveness of microdiscectomy versus endoscopic discectomy for lumbar Bilateral spinal decompression of lumbar central stenosis with the full-endoscopic microendoscopic decompression surgery for lumbar spinal and bony spinal stenosis by a visualized endoscopic transforaminal technique under local anesthesia. cache = ./cache/work_ofns3rivfjfi3d3drcmemqisga.pdf txt = ./txt/work_ofns3rivfjfi3d3drcmemqisga.txt === reduce.pl bib === id = work_nzmfhpmfrra37htfobo2omtznm author = Violeta Bakalchev title = Lines and Frames: Architecture in a Period of Migration date = 2017 pages = 21 extension = .pdf mime = application/pdf words = 5277 sentences = 445 flesch = 58 summary = spatial forms as strategies of transformation in different contexts in the world. Keywords: line, frame, square, transformation, non-figurative architecture, Europe, the changes in the social and spatial conditions of the world are expressed in We will adopt the line and the square (the frame) as basic spatial images, Square, Forms of Inhabitation, 72-hour City LINES AND FRAMES: ARCHITECTURE IN A PERIOD OF MIGRATION LINES AND FRAMES: ARCHITECTURE IN A PERIOD OF MIGRATION LINES AND FRAMES: ARCHITECTURE IN A PERIOD OF MIGRATION LINES AND FRAMES: ARCHITECTURE IN A PERIOD OF MIGRATION LINES AND FRAMES: ARCHITECTURE IN A PERIOD OF MIGRATION LINES AND FRAMES: ARCHITECTURE IN A PERIOD OF MIGRATION LINES AND FRAMES: ARCHITECTURE IN A PERIOD OF MIGRATION LINES AND FRAMES: ARCHITECTURE IN A PERIOD OF MIGRATION LINES AND FRAMES: ARCHITECTURE IN A PERIOD OF MIGRATION LINES AND FRAMES: ARCHITECTURE IN A PERIOD OF MIGRATION LINES AND FRAMES: ARCHITECTURE IN A PERIOD OF MIGRATION cache = ./cache/work_nzmfhpmfrra37htfobo2omtznm.pdf txt = ./txt/work_nzmfhpmfrra37htfobo2omtznm.txt === reduce.pl bib === id = work_efxvmz7njvhulken3xhwaaz3uy author = Keiko Imai title = Pablo Picasso's Mother and Child by the Sea (1902): report on the hyperspectral near-infrared reflectance imaging survey of Picasso's newspaper use date = 2020 pages = 9 extension = .pdf mime = application/pdf words = 4653 sentences = 397 flesch = 67 summary = reflectance imaging survey of the painting revealed newsprint text from Le Journal of January 1902. Picasso transported these two portraits from Paris to Barcelona along with Mother and Child by the Sea. Keywords Pablo Picasso · Blue period · Painting · Hyperspectral near-infrared reflectance imaging · Reused canvas · Picasso's Blue Period painting Mother and Child by the Sea radiograph image of Mother and Child by the Sea in cooperation with Tokyo National Research Institute for Cultural Properties. color imaging of the two paintings revealed as well newsprint letters on the surface of the two portraits. Pablo Picasso's Mother and Child by the Sea (1902): report on the hyperspectral near-infrared reflectance imaging survey of Picasso's newspaper use Pablo Picasso's Mother and Child by the Sea (1902): report on the hyperspectral near-infrared reflectance imaging survey of Picasso's newspaper use cache = ./cache/work_efxvmz7njvhulken3xhwaaz3uy.pdf txt = ./txt/work_efxvmz7njvhulken3xhwaaz3uy.txt === reduce.pl bib === id = work_pstcw23cdjbcddzev4qk3x7jnu author = Banu Yucel title = REFLECTIONS OF WASTE MATERIALS IN CONTEMPORARY ART date = 2020 pages = 10 extension = .pdf mime = application/pdf words = 2957 sentences = 454 flesch = 70 summary = mekanının kamusal alana kaymasıyla beraber, sanatçı kendisini birebir doğanın içinde bularak, doğayı sanata yüzyıl sanatçısı, bir çevre sorununa dönüşen atık maddelerin tehlikelerine karşı hem farkındalık yaratmak hem de geri dönüşüm durumuna dikkat çekmek adına yapıtlarında atık malzemeleri kullanmaktan önce, Kübistler ilk atık malzemelerin sanat nesnesine dönüşmesine, otobüs biletleri, gazete parçaları ve muşamba bir parçası olduğunu hatırlayan insan, sanat yoluyla bunu yeniden gündeme getirmeye çalışm ıştır. Doğa ve insanın bir bütün olduğunu savunan akımlardan biri Arte Povera'dır. 1960'larda doğa ve yaşamın temellerini önemseyen bir grup İtalya'da ortaya çıktı (…) Celant, Arte Povera (Yoksul Sanat) adıyla Pistoletto'nun Paçavralar İçinde Venüs'ü, bir sanat yapıtının değersiz olanın içinde sergilenmesidir. Sanatın içine atık malzemeyi, sanat nesnesi olarak sunan Arte Povera üyeleri, 20. Sanatçı her türlü malzemeyi, özellikle atık malzemeyi sanat Bu yüzden, sanat, yaratmaya, kendisini malzemedeki (bitki, hayvan, mineral ve zihinsel) bir imkan olarak Arte Povera'nın önemli sanatçılarından olan Mario Merz'de atık Atık malzemeyle çalışan bir diğer çağdaş sanatçı olan Subodh cache = ./cache/work_pstcw23cdjbcddzev4qk3x7jnu.pdf txt = ./txt/work_pstcw23cdjbcddzev4qk3x7jnu.txt === reduce.pl bib === id = work_j52g66khljas5apbqzejujmomm author = Marcelo Miranda title = Paul Cézanne, el solitario padre de la pintura moderna date = 2017 pages = 6 extension = .pdf mime = application/pdf words = 3744 sentences = 541 flesch = 70 summary = uno de los más grandes, originales e influyentes pintores de la historia del arte. Zola influyó positivamente a Cézanne para que desarrollara sus ante los convencionalismos, al que Cézanne trataba de contraponer una genialidad todavía muy Cézanne el arte no pasaba por copiar la naturaleza sino expresar las emociones que la naturaleza que fue la motivación de los impresionistas, sino A través de variaciones del color objetiva los planos geométricos que él esperaba le en vida más por sus naturalezas muertas que por Las obras de Cézanne, más que Cézanne de 1874, a los 34 años, camino los bodegones de Cézanne Naturaleza muerta con manzana sustitución de la vida misma, a la que Cézanne no Las frutas que pinta Cézanne parecen tener el Los cuadros de árboles que pintó al final de su artística de maestros, no sólo como Cézanne, sino Cézanne desarrolló como complicación una retinopatía diabética con ceguera parcial para colores cache = ./cache/work_j52g66khljas5apbqzejujmomm.pdf txt = ./txt/work_j52g66khljas5apbqzejujmomm.txt === reduce.pl bib === id = work_raqr2dgvyfeb7hnp6pn6tkek7u author = Emeline Pouyet title = New insights into Pablo Picasso's La Miséreuse accroupie (Barcelona, 1902) using X-ray fluorescence imaging and reflectance spectroscopies combined with micro-analyses of samples date = 2020 pages = 6 extension = .pdf mime = application/pdf words = 3769 sentences = 293 flesch = 65 summary = The existence of underlying structures in an x-radiograph of La Miséreuse accroupie (1902), a Blue Period painting in the Keywords Picasso · Pigment identification · Hidden composition · Macro X-ray fluorescence · Fiber optics reflectance Picasso's early works, offering conservators and art historians insights into the artist's process [1, 3–8]. paint losses (Fig. 1c, area (3)) were respectively imaged. observed in high content in the blue areas of the painting. confirm that the shawl is painted with a mixture of Prussian blue with a yellow pigment (Fig. 3b) and lead white. paint this underlying area was key to allow the imaging New insights into Pablo Picasso's La Miséreuse accroupie (Barcelona, 1902) using X-ray fluorescence imaging and reflectance spectroscopies combined with micro-analyses of samples New insights into Pablo Picasso's La Miséreuse accroupie (Barcelona, 1902) using X-ray fluorescence imaging and reflectance spectroscopies combined with micro-analyses of samples cache = ./cache/work_raqr2dgvyfeb7hnp6pn6tkek7u.pdf txt = ./txt/work_raqr2dgvyfeb7hnp6pn6tkek7u.txt === reduce.pl bib === id = work_a4abbpbgbffh7fq4yrnamnf2hm author = John E. Bowlt title = Natalia Goncharova and Futurist Theater date = 1990 pages = 9 extension = .pdf mime = application/pdf words = 5977 sentences = 492 flesch = 67 summary = The paintings, designs, and constructions of artists such as the Burliuk brothers, Pavel appearances bare-breasted, with abstract designs painted on her body ( Fig. David Burliuk, Goncharova, Vasilii Kamensky, Larionov, Mikhail Le-Dantiu, The painted faces of Goncharova, Larionov, and their friends sport abstract, who collected modern Russian art, including works by Goncharova. a couple dancing the tango17 accompanied the manifesto of face-painting Rayonist designs, 1913, photograph (from Teatr v karrikaturakh [The Theater in painted their faces and danced the tango Contemplated as a Futurist theater by Goncharova, Larionov, a result the artist Goncharova other's faces, while the artist Goncharova is even decolletee. Fig. 10 Natalia Goncharova, Costume Fig. 11 Natalia Goncharova, Portrait of Sergei Diaghilev, ca. costumes, Goncharova and Larionov Fig. 14 Natalia Goncharova, mask for as Goncharova's last tango in Paris. Natalia Goncharova and Futurist Theater [pp.44-51] Natalia Goncharova and Futurist Theater [pp.44-51] Natalia Goncharova and Futurist Theater [pp.44-51] cache = ./cache/work_a4abbpbgbffh7fq4yrnamnf2hm.pdf txt = ./txt/work_a4abbpbgbffh7fq4yrnamnf2hm.txt === reduce.pl bib === id = work_4cvlwyhtojemxkf2vpg4yhg5rm author = James Archer Abbott title = Russian Art & Design in the Evergreen Museum & Library date = 2010 pages = 20 extension = .pdf mime = application/pdf words = 4155 sentences = 659 flesch = 73 summary = To cite this article: James Archer Abbott (2010) Russian Art & Design in the Evergreen Bakst and Mrs. Garrett became friends in early-twentiethcentury Paris, where she acquired a number of his works of art. Inscribed Lower Right: Bakst for scenery Evergreen Theatre (Alice Garrett's Russian Art & Design in the Evergreen Museum & Library 263 Russian Art & Design in the Evergreen Museum & Library 263 Russian Art & Design in the Evergreen Museum & Library 263 Russian Art & Design in the Evergreen Museum & Library 263 Russian Art & Design in the Evergreen Museum & Library 263 Russian Art & Design in the Evergreen Museum & Library 263 Russian Art & Design in the Evergreen Museum & Library 263 Russian Art & Design in the Evergreen Museum & Library 263 Russian Art & Design in the Evergreen Museum & Library 263 Rooms at Evergreen House Designed or Remodeled by Léon Bakst cache = ./cache/work_4cvlwyhtojemxkf2vpg4yhg5rm.pdf txt = ./txt/work_4cvlwyhtojemxkf2vpg4yhg5rm.txt === reduce.pl bib === id = work_ajmbjncxtjef3nro377lbzpggy author = Rania Fawzy title = Weak #Preemies are #MIRACLES #FIGHTERS: Hashtaged Coupling-Metaphors as Instantiations of Bonding Affiliation date = 2021 pages = 19 extension = .pdf mime = application/pdf words = 5088 sentences = 475 flesch = 53 summary = Coupling-Metaphors as Instantiations of Bonding Affiliation affiliation and social bonding in preemie tweets. hashtags for their interpersonal and ideational functions in expressing attitudinal a. How do hashtaged couplings of Interpersonal attitudes and Ideations the coupled resources of Interpersonal attitudes and Ideations are identified. [ATTITUDE + IDEATION], constructing a community of shared values and affiliation identifies how values are positioned, through hashtags, as socially Hashtaging the word preemie convokes a potential ambient community that coupling formulation of [negative Ideation: health problem/Attitude: positive metaphorical coupling instantiates an ambient community which believes in distressing parental experience, preemie babies are metaphorized positively as This metaphorical coupling of [positive Attitudinal religious values (angels and miracles) + Ideation experience of preemies] construes an ambient community metaphorical coupling of a community of hope. Coupling (Knight 2010a,b) and Communing Affiliation (Zappavigna and Coupling (Knight 2010a,b) and Communing Affiliation (Zappavigna and This metaphorical coupling instantiates an ambient community cache = ./cache/work_ajmbjncxtjef3nro377lbzpggy.pdf txt = ./txt/work_ajmbjncxtjef3nro377lbzpggy.txt === reduce.pl bib === id = work_5t3fcd4q7rbdbalywgezqd3bqm author = Özlem Uzundemir title = REFRAMING PABLO PICASSO AND DORA MAAR IN GRACE NICHOLS S "WEEPING WOMAN" date = 2018 pages = 7 extension = .pdf mime = application/pdf words = 3488 sentences = 233 flesch = 68 summary = The Guyanese poet Grace Nichols's ekphrastic poem "Weeping Woman" in her Picasso, I the form of a dramatic monologue, the poem gives voice to Picasso's model, muse and lover, Dora through a male persona who is also a gazer of that image in poetry, Nichols transforms Maar's Keywords: Grace Nichols; Dora Maar; Pablo Picasso; ekphrasis aksine, Nichols şiirinde Dora Maar'ı Picasso'nun resmindeki nesne konumundan çıkartarak ona Anahtar Sözcükler: Grace Nichols; Dora Maar; Pablo Picasso; resimbetim "Weeping Woman," featured in the Guyanese poet Grace Nichols's Picasso, I Want personality, in Nichols's poem the female object/image in the painting is transformed interaction between the verbal and visual arts in Nichols' "Weeping Woman" is used for Since in "Weeping Woman" Grace Nichols mainly focuses on Picasso's wellrenowned eponymous painting, the poem asks for a transreferential act of reading: in other The woman in the painting is Picasso's lover Dora Maar, cache = ./cache/work_5t3fcd4q7rbdbalywgezqd3bqm.pdf txt = ./txt/work_5t3fcd4q7rbdbalywgezqd3bqm.txt === reduce.pl bib === id = work_gr5i3thbdrc2fflsmoj37iiwem author = Zeina Elcheikh title = Nizar Sabour. Places and Memories, War and Love date = 2019 pages = 5 extension = .pdf mime = application/pdf words = 1614 sentences = 181 flesch = 80 summary = https://www.visual-history.de/2019/10/05/nizar-sabour/ Bitte kontaktieren Sie: Für die Neuveröffentlichung von Bild-, Tonund NIZAR SABOUR: PLACES AND Since 2011, the protracted Syrian conf lict has changed places and people and created Nizar Sabour: Ma'aloula: a historic document, 2014, Nizar Sabour: The Guardians of the City, 2018, Mixed media on canvas (224×120 cm) © with courtesy of Nizar Sabour Nizar Sabour: Ma'aloula: a historic document, 2014, Mixed media on canvas (150×110 cm) © with courtesy of Nizar Sabour In the past, the houses of Ma'aloula w ere mostly painted blue. Nizar Sabour: Diaries of Love and War, 2013, Mixed courtesy of Nizar Sabour Nizar Sabour: Diaries of Love and War, 2013, Mixed media printing on MDF-board (40×30 cm) © with courtesy of Nizar In "Diaries of Love and War" Nizar Sabour Zeina Elcheikh, Nizar Sabour. Places and Memories, War and Love, in: V isual History, 05.10.2019, https://w w w .visual-history.de/2019/10/05/nizar-sabour/ cache = ./cache/work_gr5i3thbdrc2fflsmoj37iiwem.pdf txt = ./txt/work_gr5i3thbdrc2fflsmoj37iiwem.txt === reduce.pl bib === id = work_q5i3igzm25hcbkfpunthck2xyy author = Ana María Leyra-Soriano title = Making images talk: Picasso's Minotauromachy date = 2019 pages = 12 extension = .pdf mime = application/pdf words = 6234 sentences = 330 flesch = 67 summary = As though Picasso's preoccupation at the time lay in the relationship between rationality and irrationality, instinct and sexuality, or the hybrid nature of the human being as beast and man at once. on the fact that the images Picasso devotes to the figure of the Minotaur, the way labyrinths in the images of Picasso? For Picasso, the Blind Minotaur series and the Minotauromachy itself also express a painful reality: they show the limitations of the human being as well as an impossible aspiration: to reach the light, despite blindness, and here the little girl carries MAKING IMAGES TALK: PICASSO'S MINOTAUROMACHY28 │ ANA MARíA LEYRA SORIANO MAKING IMAGES TALK: PICASSO'S MINOTAUROMACHY28 │ ANA MARíA LEYRA SORIANO MAKING IMAGES TALK: PICASSO'S MINOTAUROMACHY28 │ ANA MARíA LEYRA SORIANO MAKING IMAGES TALK: PICASSO'S MINOTAUROMACHY28 │ ANA MARíA LEYRA SORIANO MAKING IMAGES TALK: PICASSO'S MINOTAUROMACHY28 │ ANA MARíA LEYRA SORIANO cache = ./cache/work_q5i3igzm25hcbkfpunthck2xyy.pdf txt = ./txt/work_q5i3igzm25hcbkfpunthck2xyy.txt === reduce.pl bib === id = work_mahyskvdknbsxlvidiy2djjdeu author = Cristina Elgue-Martini title = Presentación date = 2019 pages = 3 extension = .pdf mime = application/pdf words = 1624 sentences = 190 flesch = 67 summary = historia que tiene un significado especial para una sociedad, ya que le cuenta acerca de que el sujeto y la cultura han necesitado de los mitos para hablar de su origen, de su estudio del mito en una perspectiva que contrastaba sensiblemente con la de, las que el mito designa, por el contrario, una «historia verdadera», y, lo que es Desde el psicoanálisis, Jacques Lacan también sostiene que todo mito tiene su definiendo los mitos como "historias universales y atemporales que exploran nuestros En el primer volumen de la serie, dedicado a Una breve historia del mito, del noroeste de la Argentina, expresando que las concepciones sobre sus bosques (1617), pinturas que representan una escena del Antiguo Testamento (Daniel 13), para sobre "Las Ménades" de Julio Cortázar en el que estudia la subversión del mito de Como expresa el autor, resulta casi una obviedad afirmar que la historia de la cache = ./cache/work_mahyskvdknbsxlvidiy2djjdeu.pdf txt = ./txt/work_mahyskvdknbsxlvidiy2djjdeu.txt === reduce.pl bib === id = work_swygyom6zzgazoovwyxhv5r7ri author = Paolo Giandebiaggi title = Livio Sacchi. Metropoli il disegno delle città 2. Roma: Gangemi Editore International 2018 date = 2019 pages = 12 extension = .pdf mime = application/pdf words = 6066 sentences = 622 flesch = 64 summary = This essay investigates wall-sized graphics and, in particular, images present from the birth of architecture itself, which stores them based on a On the other hand, exterior façades are characterized as communicational devices immersed in the city: from mosaics to typography, 'wall-size' graphics are transformed and While extensive literature has analysed the histories of art and the technique of façades and interior walls separately, the objective Avant-garde murals therefore oscillate between painting and sculpture, between surface and model, making the catalogue of possible techniques and materials design, examples of this include many museum installations of memorials, while in the world of ar t, photomontage characterizes the work of some "dedicated" the basis for the publication Learning from Las Vegas [Venturi, Scott Brown, Izenour 1972], ver y careful research on urban planning that highlighted how Graphic Design for Art, Fashion, Film, Architecture, Photography, cache = ./cache/work_swygyom6zzgazoovwyxhv5r7ri.pdf txt = ./txt/work_swygyom6zzgazoovwyxhv5r7ri.txt === reduce.pl bib === id = work_k6v4p7jllfg7bkvix366euunza author = Mathias Rithel title = Be Tasteful! Be Kitsch! A Critical Analysis of Social Standards of Beauty date = 2019 pages = 13 extension = .pdf mime = application/pdf words = 5062 sentences = 294 flesch = 60 summary = discussions, mainly due to the subjective aesthetic criteria of judging an artwork, A Critical Analysis of Social Standards of Beauty," Art Style, Art & Culture International Magazine, no. kitsch is tasteless, and being tasteful is suitable for cultured and refined people. The aesthetic concepts used by professionals in the analysis of any cultural product criteria for the aesthetic taste of any work related to their métier. of what is considered beautiful, of good taste, and good aesthetic quality. aesthetic assessment of who is kitsch or tasteful, based merely on the subjectivity differentiates aesthetic taste between different social classes. does not mean that a social class has a more refined aesthetic taste, more beauty in aesthetics, or in the Kantian sense for the universal taste, but there is no considered that the art's meaning is related to time and culture as well as social Exceptions aside, when critics make their aesthetic assessments of taste and the cache = ./cache/work_k6v4p7jllfg7bkvix366euunza.pdf txt = ./txt/work_k6v4p7jllfg7bkvix366euunza.txt === reduce.pl bib === id = work_xlgfcpsefbewzmqdu7wazxennq author = Pelin AVŞAR KARABAŞ title = THE RISE AND THE LEADING ARTISTS OF ABSTRACT EXPRESSIONISM date = 2016 pages = 16 extension = .pdf mime = application/pdf words = 3313 sentences = 525 flesch = 58 summary = şekillenen akım; uluslararası sanat ortamına getirdiği çarpıcı ve etkili yeni ifade Amerika'da "New York Okulu" olarak da bilinen bu yaklaşımın başlıca sanatçıları arasında Jackson Pollock, Willem de Kooning, Franz Kline, Robert Motherwell, Mark Dışavurumcular" olarak adlandırılan "New York Okulu" sanatçıları kadar, erken Soyut Dışavurumcu anlayışın nihayetinde, tuval üzerindeki bir resim olmaktan çok, Soyut ekspresyonizme hem katkıda bulunan hem de öncülerinden olan bir Jackson Pollock, Willem de Kooning, Franz Kline ve Robert Motherwell Soyut Hollandalı sanatçı Willem De Kooning de Pollock gibi soyut ekspresyonizmin Oldukça özgün bir ifade biçimi özelliği gösteren Renk Alanı Temel olarak bir New York sanat camiasının içinde yer alan ve Renk Alanı Resmi'nin getirecek bir sanat olarak adlandırılan olgunun üstesinden gelmek için çabalayan 1950 yılları arasında New York'ta şekillenen Soyut Dışavurumculuk; uluslararası sanat ortamına oldukça çarpıcı ve etkili yeni bir ifade biçimi Jackson Pollock, Willem de Kooning Franz Kline, Robert Motherwell, Mark New York modern sanat düşüncesini nasıl çaldı, İstanbul: cache = ./cache/work_xlgfcpsefbewzmqdu7wazxennq.pdf txt = ./txt/work_xlgfcpsefbewzmqdu7wazxennq.txt === reduce.pl bib === id = work_gfkqjgisvzavfhm46wm4an4feq author = George John title = Volatility and fluctuations in preferences for Red, Yellow and Blue colours are indicators of personality traits and biological status date = 2019 pages = 5 extension = .pdf mime = application/pdf words = 4437 sentences = 515 flesch = 52 summary = Volatility and fluctuations in preferences for Red, Yellow and Blue colours preferences for the three primary colours Red, Yellow and Blue could provide cues to the personality of an individual. Currently there seem to be no studies on colour preference of primary colours Red, Yellow and Blue, and the underlying volatility of The hypothesis proposed is that the sequence of colour preferences hopefully reveal colour preference patterns that can be linked to personality types of subjects. colour preference of Red (R), Yellow (Y) and Blue Personality traits and colour preferences. Infant colour vision: Prediction of infants' spontaneous color preferences. 2010.Gender differences in colour preference: personality Volatility and fluctuations in preferences for Red, Yellow and Blue colours are indicators of personality traits and biological status Volatility and fluctuations in preferences for Red, Yellow and Blue colours are indicators of personality traits and biological status cache = ./cache/work_gfkqjgisvzavfhm46wm4an4feq.pdf txt = ./txt/work_gfkqjgisvzavfhm46wm4an4feq.txt === reduce.pl bib === id = work_vmwzwwe3pnhetddg7hlp7325ra author = Carlos M González Fischer title = Regional and local determinants of rodent assemblages in agroecosystems of the Argentine Pampas date = 2017 pages = 8 extension = .pdf mime = application/pdf words = 6666 sentences = 607 flesch = 63 summary = Here, we characterize and compare rodent assemblages from crop fields and rangelands of the 4 Pampa districts included in Buenos Aires province, Argentina, to analyze the role of regional context, land use, and vegetation (Calomys laucha and Mus musculus) tended to be more abundant in crop fields, whereas habitat specialists Key words: Argentina, farmland biodiversity, land use, Pampas, seasonality, small mammals In this paper, we characterize and compare rodent assemblages from crop fields and rangelands in the 4 Pampa districts analyze the effects of district, land use, and vegetation structure on the structure of rodent assemblages at the plot level. grassland cover, and that specialist species will be more abundant in rangelands, where habitat structure is more similar to both axes) and explained 38.5% of the variation in rodent composition according to land use, Pampa district, and season. use, Pampa district, season, and vegetation height on abundance of A. cache = ./cache/work_vmwzwwe3pnhetddg7hlp7325ra.pdf txt = ./txt/work_vmwzwwe3pnhetddg7hlp7325ra.txt === reduce.pl bib === id = work_vb45xvux2fdd3haco5h2nwwxci author = Steve Kempster title = The "Finger Puppets" date = 2014 pages = 7 extension = .pdf mime = application/pdf words = 2488 sentences = 210 flesch = 61 summary = examining the use of artifacts to create liminal moments in management education.', Journal of management the use of artifacts to create liminal moments in management education.', Journal of management education., 39 (3). Philosophers Guild (http://www.philosophersguild.com/Finger-Puppets/). ." In particular, we consider the use of the "finger puppets" to generate a The use of artifacts in management education is well understood (Page, http://www.philosophersguild.com/Finger-Puppets/ The use of artifacts can enable management education to move toward an leadership narratives of the finger puppets can stimulate managers to connect The finger puppets allow for the creation of a liminal moment in approaches in which the puppets might assist management education. be selected by delegates in a group from an open table of 30 to 40 puppets. the puppet character; perhaps even liminal power drawn from the finger resource to generate liminal moments in management education, thereby management education can often be complex to learn how to use, and limited cache = ./cache/work_vb45xvux2fdd3haco5h2nwwxci.pdf txt = ./txt/work_vb45xvux2fdd3haco5h2nwwxci.txt === reduce.pl bib === id = work_5ryeoeznbnbppecnak4yvlxntq author = Rossana Damiano title = Exploring cultural heritage repositories with creative intelligence. The Labyrinth 3D system date = 2016 pages = 27 extension = .pdf mime = application/pdf words = 10614 sentences = 672 flesch = 57 summary = In cultural heritage, the use of ontologies makes the description of artworks current shift towards semantic encoding opens the way to the creation of interfaces that allow the users to build personal paths in heritage collections by the semantic relations over cultural objects, with the goal of engaging the user the user can explore the semantic relations over the items in a visual environment. of domain ontologies provide the background against which cultural objects (including artworks, artists, traditional practices, etc.), encoded in di↵erent media example, paintings often display story episodes while statues immortalize characters; even non representational artworks often refer to narrative elements, The Labyrinth project extends the approaches described above by integrating the use of a narrative model to connect the items in a collection with the use relations over the artworks in a cultural heritage collection, and for its immediacy of use, since it provides an intuitive mapping for artworks (nodes of the cache = ./cache/work_5ryeoeznbnbppecnak4yvlxntq.pdf txt = ./txt/work_5ryeoeznbnbppecnak4yvlxntq.txt === reduce.pl bib === id = work_ws6tnlupwfdfxlxpjpypsgpc5i author = Hanns Stein title = Immer auch ein politischer Impuls date = 2019 pages = 6 extension = .pdf mime = application/pdf words = 4812 sentences = 652 flesch = 75 summary = sobre todo a personas, la mayoría también músicos que llegaron a Chile huyendo del nazismo alemán. Durante este tiempo creció el deseo de Juan de conocer Alemania, el país que ya le era Dice Juan: "Seguí los consejos y llegué a una Alemania de la que claramente de aquel tiempo había un timbre que decía 'Este pasaporte no es válido para los países del este'. Christian Esch escribe: Cuando Juan Allende-Blin habla de su música, eso sucede de manera Entre Juan y Gerd hubo una gran coincidencia de ideas, tanto en lo musical como Frank Schneider dice que lo de Barsbüttel fue una experiencia que era necesaria para ajustar la Juan cita a Hans Klaus Jungheinrich, quien escribe para una serie de CD Música en Alemania 1950Pero Juan dice que también su música de cámara Yo compuse para él varias obras que fueron estrenadas por él. cache = ./cache/work_ws6tnlupwfdfxlxpjpypsgpc5i.pdf txt = ./txt/work_ws6tnlupwfdfxlxpjpypsgpc5i.txt === reduce.pl bib === id = work_x2i2r63z65gl5i2oqz5c2n2lc4 author = Marta Oriola title = Collections care scenario appraisal for painting canvases at Museu Nacional d'Art de Catalunya, Barcelona, Spain date = 2015 pages = 11 extension = .pdf mime = application/pdf words = 5374 sentences = 439 flesch = 55 summary = Collections care scenario appraisal for painting canvases at Museu Nacional d'Art de Catalunya, Barcelona, Spain We surveyed the canvas of 31 paintings from the collection of the Museu Nacional d'Art de Catalunya, of 35 degraded canvas samples carried out by 17 internationally renowned paintings conservators, it was be possible to predict the distribution of rates of degradation of canvases in a collection, as long as we know NIR spectroscopy was first used to survey a collection of painting canvases non-destructively in the materials to provide evidence-based advice for conservation management of painting canvases. need to predict how different environmental conditions or conservation treatments will affect canvas using the Collections Demography dose-response function for cellulosic materials (Strlič et al., 2015), represents a plot of lines connecting points of equal Figure 3 Isochrone plots for the average MNAC painting canvas (starting pH 5.1 and DP 710) at various environmental cache = ./cache/work_x2i2r63z65gl5i2oqz5c2n2lc4.pdf txt = ./txt/work_x2i2r63z65gl5i2oqz5c2n2lc4.txt === reduce.pl bib === id = work_mx3ruyzhjbfjdlmnht3u3gdurm author = Gülser AKTAN title = DADA VE POP SANAT ARASINDAKİ TEKNİK VE FELSEFİ İLİŞKİ date = 2018 pages = 10 extension = .pdf mime = application/pdf words = 3541 sentences = 544 flesch = 68 summary = karşı, Dada'nın Pop Sanat'tan farkını ortaya koymaktır. Pop Sanat'ın, reklam sektöründen olduğu gibi aldığı imajlar ile Dada'nın Hazır Nesne'si Dada, 1916-1923 yılları arasında Avrupa ve Amerika'da etkili olmuş bir sanat hareketidir. Dada sanatçıları bu bakımdan sanatsal tavırlarını ortaya koyarken bir değil ama birçok sanat tekniğini kullanmaktan alanına sokulan bu nesneler, Dada'nın şok etme, absürt, ironi, mizah gibi amaçları için etkili bir Allow'un söyleminden yorumla Pop Sanatçılarının, Dada sanatçıları gibi içinde bulundukları ortama, ekonomik, politik, toplumsal ve felsefik herhangi bir Bugün Yeni Gerçekçilik, Pop Sanat, Asamblaj gibi terimlerle anılan Neo-Dada'nın kökeni Dada'dır Pop Sanat teknikleri arasında Dada'nın tekniklerinden yeni olanı çoğalma Pop Sanat sanatçıları arasında özellikle Andy Warhol İpek baskı tekniğini kullanmıştır. Dada'nın kolaj, hazır nesne ya da performans gibi tekniklerle ortaya koydukları; İroni, Sonuç olarak Dada ve Pop Sanat hem felsefi hem de teknik malzeme temsili bakımından farklıdır. Pop Sanat'ı hazır nesne kullanımı yüzünden Dada ile ilişkilendirmek sırf tuval ve cache = ./cache/work_mx3ruyzhjbfjdlmnht3u3gdurm.pdf txt = ./txt/work_mx3ruyzhjbfjdlmnht3u3gdurm.txt === reduce.pl bib === id = work_ihzbus5cebgbjhglsduyqy3t6q author = Rossana Damiano title = Labyrinth 3D. Cultural archetypes for exploring media archives date = 2016 pages = 42 extension = .pdf mime = application/pdf words = 11625 sentences = 2819 flesch = 77 summary = media archives, 3D environments, exploratory search, cultural heritage, Cultural archetypes for exploring media archives Cultural archetypes for exploring media archives application, called here Labyrinth 3D, relies on the use of cultural archetypes to environment, with the goal of engaging the user in the exploration of the archive Keywords: media archives, 3D environments, exploratory search, cultural of archive-based creativity by proposing "cultural archetypes" as conceptual tools that collected after the study of the archive -, for the design of the user interaction. the archetype-based exploration of media archives: the user is immersed in a 3D maze, potential of the convergent culture, however, the access to digital media archives is still relies on a story ontology to support the creation of "museum narratives" (i.e., storybased collections of artworks) by curators (Mulholland et al. users explore to access the contents of the archive through the archetypal visual user navigation is driven by an archetype that associates artefacts of different type, cache = ./cache/work_ihzbus5cebgbjhglsduyqy3t6q.pdf txt = ./txt/work_ihzbus5cebgbjhglsduyqy3t6q.txt === reduce.pl bib === id = work_ei2yosg36jalpgn2ovojz2rg6y author = P. V. Minorsky title = On the Inside date = 2006 pages = 3 extension = .pdf mime = application/pdf words = 2200 sentences = 193 flesch = 61 summary = plant growth and a 2-fold increase of responses of tobacco plants to toxic Zn exposure resulted in toxicity signs in plants, and chilling-sensitive plant species resulted in increased survival of plants at low The fab1 mutant contains 69% high-melting-point fatty acids of the damage and death of fab1 plants at maintained in the roots of pho2 mutants, the shoots accumulate excessive homeostasis by regulating the expression of a ubiquitin-conjugating E2 enzyme (UBC24) in Arabidopsis. mutation could be rescued by introduction of a wild-type copy of UBC24. higher plants and the demonstration reversed at high planting densities, the same grain yield as that of wild type wild type, exhibited the desirable phenotype of erect leaves. transgenic rice plants. The authors regret that this article contains a description of immunofluorescence/confocal 1708, www.plantphysiol.org � 2006 American Society of Plant Biologists 1708, www.plantphysiol.org � 2006 American Society of Plant Biologists cache = ./cache/work_ei2yosg36jalpgn2ovojz2rg6y.pdf txt = ./txt/work_ei2yosg36jalpgn2ovojz2rg6y.txt === reduce.pl bib === id = work_t4al4kwsgnfthgjbtvrr7a3guq author = Adrian Furnham title = Personality and art preferences date = 1988 pages = 5 extension = .pdf mime = application/pdf words = 4167 sentences = 366 flesch = 58 summary = A Study on Individuals' Art Preferences according to Abstract Aim of this study is to examine the relationship between individuals' art preferences and personality Renaissance, Cubism, Abstract Art, Traditional Art, Impressionism and Surrealism and personal information form extroversion and openness to experience mostly prefer surrealist works and those with personality traits of tendermindedness usually prefer Impressionist work of art. Keywords: personality, art preferences, openness to experience, big five model Art Preferences according to Their Personality Traits via Computer-Aided Web Site." American Journal of determiners of personal differences in art preferences. personality structure, their art preference and artistic personality types and art preferences, research group Do individuals' personality types differentiate according to their art preferences? Type Scales and individual art preferences. differ according to individual art preferences -the second Findings concerning the differences of art preferences according to individual personality types relationship between personality types and art preferences. cache = ./cache/work_t4al4kwsgnfthgjbtvrr7a3guq.pdf txt = ./txt/work_t4al4kwsgnfthgjbtvrr7a3guq.txt === reduce.pl bib === id = work_r4snsamedncdre4fldvz5bbb6i author = Jennifer Mass title = SR-FTIR imaging of the altered cadmium sulfide yellow paints in Henri Matisse's Le Bonheur de vivre (1905–6) – examination of visually distinct degradation regions date = 2013 pages = 12 extension = .pdf mime = application/pdf words = 10924 sentences = 1581 flesch = 75 summary = SR-FTIR imaging has been used to map the mid-IR active photo-degradation phases in two thin sections of cadmium yellow paint removed from Henri Matisse's Le Bonheur de vivre (1905–1906, The Barnes cadmium yellow paints from both regions were found to contain cadmium carbonate (CdCO3), Photo-degraded cadmium yellow paint samples were removed IRENI sample, only the altered CdS paint layer. Fig. 3 Visible, ultraviolet light, and SEM images of sample S117 collected from the lightened yellow field (now ivory-hued) below the central reclining figures are This sample was split, and panel A shows the portion of the sample mounted as a cross-section with the painting's white ground layer visible. Note the presence of chlorine and zinc in this paint sample, and also the low level of sulphur compared to cadmium. cadmium sulphate can be observed throughout the paint layer, to the top surface of the sample, suggesting cadmium carbonate's role as a photo-degradation product. cache = ./cache/work_r4snsamedncdre4fldvz5bbb6i.pdf txt = ./txt/work_r4snsamedncdre4fldvz5bbb6i.txt === reduce.pl bib === id = work_xtjrvfjxvrbwdhzfn2d7r5txgm author = P Ravi Shankar title = Student feedback on the use of paintings in Sparshanam, the Medical Humanities module at KIST Medical College, Nepal date = 2011 pages = extension = .pdf mime = text/html words = 1045 sentences = 201 flesch = 63 summary = Student feedback on the use of paintings in Sparshanam, the Medical Humanities module at KIST Medical College, Nepal | Semantic Scholar Corpus ID: 11654854Student feedback on the use of paintings in Sparshanam, the Medical Humanities module at KIST Medical College, Nepal title={Student feedback on the use of paintings in Sparshanam, the Medical Humanities module at KIST Medical College, Nepal}, Sort by Most Influenced Papers Student feedback about the use of role plays in Sparshanam, a medical humanities module Student feedback about the use of literature excerpts in Sparshanam, a Medical Humanities module View 1 excerpt, cites background Student feedback on an inaugural medical humanities module at XUSOM, Aruba View 1 excerpt, cites results Student feedback about the inaugural American International Medical University health humanities module View 3 excerpts, cites methods View 2 excerpts, references methods View 2 excerpts, references methods View 2 excerpts, references methods View 1 excerpt, references background cache = ./cache/work_xtjrvfjxvrbwdhzfn2d7r5txgm.pdf txt = ./txt/work_xtjrvfjxvrbwdhzfn2d7r5txgm.txt === reduce.pl bib === id = work_bewbmanmg5exlod3rtc3ecmohq author = G.-Fivos Sargentis title = Stochastic Evaluation of Landscapes Transformed by Renewable Energy Installations and Civil Works date = 2019 pages = 13 extension = .pdf mime = application/pdf words = 8664 sentences = 924 flesch = 55 summary = Climacogram (2D-C) that allows the analysis and comparison of images of landscapes, both original Keywords: renewable energy; stochastic analysis of images; landscapes transformation; landscape intrusion of wind and solar energy into landscapes and justify why strong opposition on visual-impact The proposed method of image analysis, aims to analyze the landscape transformation caused by the installation of RE infrastructures and other civil works in the natural landscape, through stochastic landscape or RE installations the variability of the original image is decreased at scale κ = 1 as city landscape or RE installations the variability of the original image is decreased at scale κ = 1 as contrary, standardized climacograms of wind turbines in the landscape show weaker dependence and landscapes transformed by renewable energy installations and civil works. of images (a1)–(a3); (d) climacogram of images (a1)–(a3), Figure S26: (a1)–(a3) Transformation of landscape of Application in Analysis of the Transformation of Landscape by RE Installations and Civil Works cache = ./cache/work_bewbmanmg5exlod3rtc3ecmohq.pdf txt = ./txt/work_bewbmanmg5exlod3rtc3ecmohq.txt === reduce.pl bib === id = work_zgp3uxbaungevjyucwh7pbduoy author = Nancy Ross title = Digital Art History for Beginners: The Spreadsheet date = 2020 pages = 7 extension = .pdf mime = application/pdf words = 1560 sentences = 128 flesch = 68 summary = The original post can be found on Nancy Ross's site Experiments in Art History. interested in teaching some of the basics of digital art history in my upper-division classes http://jitp.commons.gc.cuny.edu/teaching-twentieth-century-art-history-with-gender-and-data-visualizations/ http://broadstrokes.org/2013/03/27/women-and-the-1913-armory-show-part-2-women-artists/ different kinds of art history questions, and I want to demonstrate that there are a variety I can find out which work of art sold for the most money if I sort the "Sale Price" column Any other notes need to be in a different column, or the prices will not sort in a I'm interested in the sale prices for works of art by women. women and then delete the extra columns so that only Artist and Sale Price remain. delete multiple works by the same artist leaving only their highest priced work of art. I delete the extra columns, leaving Artist, Gender, and Price. same artist leaving only their highest priced work of art. http://arthistoryteachingresources.org/2015/03/caa-wrap-up-what-have-you-done-for-art-history-lately/ cache = ./cache/work_zgp3uxbaungevjyucwh7pbduoy.pdf txt = ./txt/work_zgp3uxbaungevjyucwh7pbduoy.txt === reduce.pl bib === id = work_z4gvkva5pvf2tkm5ssuhe4k7g4 author = Özgür CENGİZ title = An Evaluation of the Effects of Fractal Geometry on Contemporary Artworks date = 2020 pages = 14 extension = .pdf mime = application/pdf words = 3205 sentences = 516 flesch = 59 summary = Çağdaş Sanat Yapıtlarında Fraktal Geometri Etkileri Üzerine Bir Değerlendirme Doğanın bu geometrisi, fraktal geometri olarak Fraktallar, simetri, kaos ve altın oran içeren; sonsuz bir döngüde kendini Doğanın bu gizemi ve fraktallar, doğayı bir malzeme olarak ele alan sanatçılar için esin Anahtar Kelimeler: Fraktal Geometri, Çağdaş Sanat, Doğayı taklit. Fraktal geometri ile sanat Sanat eserinde kullanılan geometri ile amaç, yapıtı doğru bir yargılarımız zamanla, matematik ile de ifade edilebilen, doğadaki canlı veya biçimi içermesi gereken matematik alanının da sanat ile iç içe olduğu Matematik ve doğadaki geometri diye ifade edebileceğimiz fraktal uzanan geniş bir ölçekte, fraktal biçimler ile karşılaşmak olasıdır. gibi altın oran, matematik ve fraktal örüntülerin görsel biçimlerini kullanarak Sanat icra eden insan olarak sanatçı ile Doğayı anlamak ve taklit etmek ile birlikte gelişen görsel sanat Güney, 1994; Kuzu, Dağtekin ve Bozan, 2017). benzerlik ve altın oran yakalamış olan sanatçı, eserlerinde ağırlıklı olarak sanatında da geometrik formlardan esinlenen bir sanatçı olarak bilinen cache = ./cache/work_z4gvkva5pvf2tkm5ssuhe4k7g4.pdf txt = ./txt/work_z4gvkva5pvf2tkm5ssuhe4k7g4.txt === reduce.pl bib === id = work_3pw5b7cyzrg3tmmr4cxandl7oe author = P. Baglioni title = Nanorestart: Nanomaterials for the restoration of works of art date = 2021 pages = 5 extension = .pdf mime = application/pdf words = 2617 sentences = 193 flesch = 48 summary = In particular, the conservation of modern and contemporary works of art requires advanced solutions at the works that are not varnished; the canvasses of the paintings can also become fragile by oxidative and acid-catalyzed degradation reactions; besides, tapes and adhesives NANORESTART project (NANOmaterials for the REStoration of works of ART) developed nanoand advanced Such centers assessed the new materials on modern/contemporary papers are mainly related (but not limited) to the conservation of easel paintings, as the latter represent one of the developments in solventand water-based cleaning formulations are also outlined. newly developed cleaning systems, based on retentive hydrogels, were used to remove soiling or detrimental varnishes from the surface of masterpieces by Pablo The first paper reports on the development and evaluation of sustainable treatments for the allow the removal of different classes of tapes from sensitive paper artworks. a comparative evaluation of cleaning systems for the conservation treatment of Roy Lichtenstein's iconic painting. cache = ./cache/work_3pw5b7cyzrg3tmmr4cxandl7oe.pdf txt = ./txt/work_3pw5b7cyzrg3tmmr4cxandl7oe.txt === reduce.pl bib === id = work_5ouska6aqjhjrjynq5zfw5jr6q author = Robert Myers title = An East/West Pas De Deux: The Ballets Russes and the Orient in the Modern Western Imagination date = 2011 pages = 21 extension = .pdf mime = application/pdf words = 5387 sentences = 322 flesch = 64 summary = group's producer Serge Diaghilev, designer Leon Bakst, choreographer forms of the pieces produced by the Ballets Russes transcended the a single day in modern Dublin Diaghilev and the Ballets Russes Pritchard, ed., Diaghilev and the Golden Age of the Ballets Russes 1909-1929 Museum in London, "Diaghilev and the Golden Age of the Ballets 17) Howard Goodall, "Music and the Ballets Russes," in Jane Pritchard, ed., Diaghilev and the Golden Age of the Ballets Russes 1909-1929 Diaghilev and the Golden Age of the Ballets Russes 1909-1929 "Music and the Ballets Russes." In Diaghilev and the Golden Age of the Ballets Russes 1909-1929, edited by Jane Pritchard, Jane ed., Diaghilev and the Golden Age of the Ballets Russes Studlar, Gaylyn, "Douglas Fairbanks: Thief of the Ballets Russes." In Bodies Nijinsky; and of the work produced in collaboration with the Ballets Russes Orientalism, Ballets Russes, Diaghilev, Leon Bakst, Vaslav Nijinsky, Ida cache = ./cache/work_5ouska6aqjhjrjynq5zfw5jr6q.pdf txt = ./txt/work_5ouska6aqjhjrjynq5zfw5jr6q.txt === reduce.pl bib === id = work_4djqugl6ojga7ajykijkegfwca author = K Siehr title = Chronicles date = 1998 pages = 9 extension = .pdf mime = application/pdf words = 3362 sentences = 295 flesch = 70 summary = The Paris Court of Appeals found that certain art objects of the royal 3 July 1996 of 1970 on the return of illegally exported cultural objects and ordered the return of the statue: The Art Newspaper, January 1997, agreed to return cultural objects displaced during or after World War e. five times more than expected: Frankfurter Allgemeine Zeitung, 1 November 1996, p. The Institute of Art and Law (Leicester) held a conference in London site as World Cultural Heritage by UNESCO: Neue Zurcher Zeitung, will get a new building in some years: Frankfurter Allgemeine Zeitung, 18 November 1996, p. Germany under the title "Masterpieces of Western European Drawings from Private German Collections": Frankfurter Allgemeine Zeitung, 3 December 1996, p. Conference on "International Protection of Cultural Property New several court proceedings (supra 3 July 1996): // giornale dell'arte, German cultural objects must be solved in 1997: Frankfurter Allgemeine Zeitung 6 January 1997, p. cache = ./cache/work_4djqugl6ojga7ajykijkegfwca.pdf txt = ./txt/work_4djqugl6ojga7ajykijkegfwca.txt === reduce.pl bib === id = work_alm4rbnm3nbl5btsezm7k36qmi author = Ha-Yub Song title = New Museum for New Forms of Art - Focused on "Museum without Walls", and the relationship between art and architecture - date = 2011 pages = 7 extension = .pdf mime = application/pdf words = 5702 sentences = 454 flesch = 63 summary = Focused on "Museum without Walls", and the relationship between art and architecture Abstract To design and construct a museum of art involves the interest of artists, architects, curatorship, management, and local However, most of Modern and contemporary architecture has not delivered genuine public experience of integrated art Conceptual message of art and perceptual architectural exhibition space has not been integrated easily. installation art and media art necessitates a new museum format which needs not only exhibition, but laboratory and interface space with young artists, and more than this, will introduce successfully established museums for new forms of art, which are equipped with versatile envision a creative method of art and architecture production that can achieve genuine public experience. since a work of art can travel museums while a building cannot In a typical neutral white wall exhibition space, works of art In doing so, art works and museum has its cache = ./cache/work_alm4rbnm3nbl5btsezm7k36qmi.pdf txt = ./txt/work_alm4rbnm3nbl5btsezm7k36qmi.txt === reduce.pl bib === id = work_7oy6qtwe5bgpxhwjtomienlixy author = Neil Versel title = Making an impression on biotech development date = 2007 pages = extension = .pdf mime = application/xml words = 144 sentences = 26 flesch = 71 summary = sys_1000 wp-p1m-38.ebi.ac.uk wp-p1m-38.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write('[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]'.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 219770963 (wp-p1m-38.ebi.ac.uk) Time: 2021/04/06 02:41:02 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ cache = ./cache/work_7oy6qtwe5bgpxhwjtomienlixy.pdf txt = ./txt/work_7oy6qtwe5bgpxhwjtomienlixy.txt === reduce.pl bib === id = work_ehgnuefj2vax5alozv2g62fsbi author = Elena GUARDIOLA title = «Of the Doctor Who does not Know More than Medicine...» Or the Publication of Nonmedical Articles in Medical Journals date = 2016 pages = 3 extension = .pdf mime = application/pdf words = 1975 sentences = 341 flesch = 72 summary = «Del médico que no sabe más que Medicina…» o la publicación de artículos no médicos en revistas médicas = «Of the Doctor Who does not Know More than Medicine...» Or the Publication of Nonmedical Articles in Medical Journals "Del médico que no sabe más que Medicina, ten la publicación semanal de una obra de arte en todas las "Del médico que no sabe más que Medicina…" o la publicación de artículos no médicos en revistas médicas. The Art of JAMA, sección incluida en las páginas interiores sección The Arts and Medicine quiere ir más allá de las Es JAMA, sin duda, una de las revistas médicas más E Guardiola, JE Baños "Del médico que no sabe más que Medicina…" o la publicación de artículos no médicos en revistas médicas E Guardiola, JE Baños "Del médico que no sabe más que Medicina…" o la publicación de artículos no médicos en revistas médicas cache = ./cache/work_ehgnuefj2vax5alozv2g62fsbi.pdf txt = ./txt/work_ehgnuefj2vax5alozv2g62fsbi.txt === reduce.pl bib === === reduce.pl bib === id = work_frs2bdylpfhg5mpm2xkpmwapjy author = D.D. Seligmann title = Interactive and informative art date = 2003 pages = 7 extension = .pdf mime = application/pdf words = 3824 sentences = 424 flesch = 65 summary = Artful media interactive and informative art Multimedia, IEEE build the digital dome system for the Rose Center for Earth and Space at the American Museum interactive media, I studied traditional art, using Interactive and Informative Art photorealistic graphics would soon make possible a world much cleaner than the real one, remain grounded in the real world with something called physical computing—using computers to augment real environments and facilitate of my ideas and experience with art to science. Leonardo's experiments, using new digital simulations from the planetarium, as well as real water two galaxies interacting, in another projected visualization in the Hall of the Universe (Figure 6). Size scales at the Rose Center for Earth and Space, American Museum of Natural real-time data, using astronomical information used to seeing science and information visualized paper, art can move raw scientific data to a new cache = ./cache/work_frs2bdylpfhg5mpm2xkpmwapjy.pdf txt = ./txt/work_frs2bdylpfhg5mpm2xkpmwapjy.txt === reduce.pl bib === id = work_yysmmqftrfcl5irddrjvdhcqxy author = Tolga AKALIN title = THE EFFECT OF THE PLASTIC ART WORKS TO THE MODERN CITY CONCEPTS date = 2014 pages = 12 extension = .pdf mime = application/pdf words = 3066 sentences = 594 flesch = 63 summary = yüzyılın başlarına gelindiğinde pek çok sanatçı modernleşmeyi kentsel veren sanatçıların yansıra, bu kentsel gelişmeye ve endüstrileşmeye karşı duran dünyasında modern kentlerin daha çok geliştiği, insanların rahat etmesi adına dejenerasyona uğratıp uğratmadığı, onları toplumsal bir varlık olmaktan çıkarıp destekler nitelikte çalışmalar ürettiği, hangisinin ise tam tersi bir tavır sergilediği Anahtar Kelimeler: Modernizm, Post-Modern Sanat, Şehir ve Sanat, Otto Dix, bir biçimde düzenlenmesi ve buna göre karşılamak için ortaya çıkan bir kalmayıp, ortak bir kültür ve yaşam tarzı modern kentlerin daha da geliştiği onları toplumsal bir varlık olmaktan çok sanatçı, modernleşmeyi kentsel Resim 1: Pablo Picasso "Avignon'lu Kızlar" 1907 Museum of Modern Art, resimlerinde acı bir şekilde görmekteyiz. Bu duyguyu diğer bir alman sanatçı olan Sanatçının, Salon (Resim 3) adlı ifade etmesi gereken bir olgu olarak kolektif bir yaşam alanına doğru çalışması; düzenli bir kent görüntüsün Ayrıca Post-Modern Resim 7: Tolga Akalın, "Modern Mekân İçlerinden" 160 x 120, 2014 uzamış olması Post-Modern yaşam cache = ./cache/work_yysmmqftrfcl5irddrjvdhcqxy.pdf txt = ./txt/work_yysmmqftrfcl5irddrjvdhcqxy.txt === reduce.pl bib === id = work_zqz5e5cbdbb6zcwd6zptc7aaum author = Maria Kokkori title = Synergistic use of Py–THM–GCMS, DTMS, and ESI–MS for the characterization of the organic fraction of modern enamel paints date = 2015 pages = 14 extension = .pdf mime = application/pdf words = 9502 sentences = 717 flesch = 64 summary = characterize the organic fraction of early twentieth century oil-based enamel paints. Results: Analysis demonstrated that the organic fraction of Ripolin paints is typically composed of heat-bodied and processing technology influence the physical and drying properties of oil-based enamel paints, in comparison early 20th century and its correlation with data from contemporary Lefranc artists' tube paint samples represent of 20th century oil-based enamel paints, several mass Fig. 1 Ripolin and other oil-based enamel paints in the Art Institute of Chicago's reference collection. Analysis of Lefranc tube paint samples showed the characteristic components for drying oil, as discussed above; Ripolin paint media and stand oil reference sample show Synergistic use of Py–THM–GCMS, DTMS, and ESI–MS for the characterization of the organic fraction of modern enamel paints Synergistic use of Py–THM–GCMS, DTMS, and ESI–MS for the characterization of the organic fraction of modern enamel paints cache = ./cache/work_zqz5e5cbdbb6zcwd6zptc7aaum.pdf txt = ./txt/work_zqz5e5cbdbb6zcwd6zptc7aaum.txt === reduce.pl bib === id = work_yf7rhvygurgdnl7dqj64375qze author = Viktor F. Petrenko title = Metaphor as a Basic Mechanism of Art (Painting) date = 2012 pages = 37 extension = .pdf mime = application/pdf words = 9937 sentences = 838 flesch = 64 summary = This article describes research on visual semantics, diff erent forms of metaphor Keywords: visual semantics, sense, tropes, metaphor, metonymy, hyperbole, litotes, oxymoron, image, mental energy. Each work of art or visual symbol used in the genre of landscape has its own interpretation and is associated with its own meaning (see Petrenko & Korotchenko, 2008). From the perspective of psychology, the words that constitute a metaphorical pair are connotative (semantic) synonyms – for example, in Metaphor and metonymy are used by a number of well-known researchers in semiotics and cultural studies of visual arts like fi lm (Arutyunova, 1979, 1990; Ivanov, 1973, 1981, 1998; Lotman, 1973; Shklovsky, of their diff erent representations – that is, both visual and verbal metaphors are two ways of expressing the same meaning. Pictures 2, 3, and 4 are examples of visual metaphors. Another example of visual metaphor is the painting Th e Last Leaf by cache = ./cache/work_yf7rhvygurgdnl7dqj64375qze.pdf txt = ./txt/work_yf7rhvygurgdnl7dqj64375qze.txt === reduce.pl bib === id = work_2unzkseei5efxg3szt3h6asvl4 author = Enrique Robertson title = Picasso y Neruda: Hechos y conjeturas en torno a una amistad date = 2004 pages = 25 extension = .pdf mime = application/pdf words = 7166 sentences = 1020 flesch = 77 summary = En el año del centenario del nacimiento de Pablo Neruda, el autor expone hechos y plantea conjeturas en torno a la relación de amistad que existió entre el pintor Pablo Picasso y el poeta chileno, que Neruda contactase personalmente con Picasso por primera vez en París, en un homenaje póstumo a García Lorca organizado por Robert Desnos Por ello pocas dudas pueden caber de que Pablo Picasso, y muchos amigos suyos –que también lo eran de que agrio; de más sabía Picasso lo que era ser denigrado por sus connacionales; lo que le sucedía a Neruda en Chile, le sucedía o había sucedido también a él en España; y quedado enciclopédicamente documentado en el Pablo Neruda, mi amigo, es no sólo un gran poeta, sino también un hombre que, como todos aquí, se ha dedicado a presentar el bien bajo la forma de cache = ./cache/work_2unzkseei5efxg3szt3h6asvl4.pdf txt = ./txt/work_2unzkseei5efxg3szt3h6asvl4.txt === reduce.pl bib === id = work_pbpm5kpnune7rd3itf42ouibwe author = José Enrique Rodríguez Ibañez title = Variaciones sobre el concepto de cultura date = 2019 pages = 7 extension = .pdf mime = application/pdf words = 3404 sentences = 397 flesch = 61 summary = la cultura que los diferentes públicos reciben y avalan como tal. Malinowski era un antrópogo de rígida observancia funcionalista, entendiéndose por ello que hacía derivar cualquier rasgo cultural, de las necesidades bien más matizado, Radcliffe-Brown, para que la noción antropológica de cultura cobrara mayor autonomía y dejara de depender tan rígidamente de unas primitivas condiciones que motivaran su aparición. internacional, una suma de valores comunes que vayan más allá de las diferencias culturales o, por el contrario, estas políticas deben ser deudoras del mosaico unas disciplinas, como las históricas y estéticas, que sin duda se enriquecen con El empuje arrollador de los «estudios culturales» hace que la misma desdramatización de Eco aparezca como algo obsoleto, dando pábulo a un clima de mezcolanza entre cantidad y calidad, vanguardia y marketing, creación y entretenimiento, que a unos parece simple confusión y a otros sano fin de las jerarquías del gusto. cache = ./cache/work_pbpm5kpnune7rd3itf42ouibwe.pdf txt = ./txt/work_pbpm5kpnune7rd3itf42ouibwe.txt === reduce.pl bib === id = work_6srpggk7v5ctjhtlystxgu6xey author = Phillip Deery∗ title = "A blot upon liberty": McCarthyism, Dr. Barsky and the Joint Anti-Fascist Refugee Committee date = 2009 pages = 24 extension = .pdf mime = application/pdf words = 16202 sentences = 1003 flesch = 64 summary = (JAFRC), he would not cooperate with the House Un-American Activities Committee (HUAC). Abraham Lincoln Brigade) that supported the Spanish Republic during the civil war, the JAFRC [14] Barsky, "The Surgeon Goes to War", 214-5, Barsky Papers, Box 5, Folder 4; New York Journal, 19 July 1937; Brigade: Americans in the Spanish Civil War (Stanford, Stanford University Press, 1994), 316; New York Times, 13 [45] "Statement with regards to the present investigation of the [JAFRC] by [HUAC]", nd [1946], Barsky Papers, [99] New York Times, 8 June 1950; JAFRC, Campaign Bulletin, 3, 16 June 1950, 1, Barsky Papers, Box 1, Folder 16. Abraham Fishbein to Committee on Licences of the Board of Regents of the University of the State of New York, 18 [112] Circular, "New Officers of the Joint Anti-Fascist Refugee Committee" [nd], Barsky Papers, Box 1, Folder 32. [115] Maxwell Frank to Board of Regents, State of New York, 27 November 1950, Barsky Papers, Box 5, Folder 1. cache = ./cache/work_6srpggk7v5ctjhtlystxgu6xey.pdf txt = ./txt/work_6srpggk7v5ctjhtlystxgu6xey.txt === reduce.pl bib === id = work_cebqso4esbfixbar6ogmmkv6a4 author = Sheila Naghshineh title = Formal Art Observation Training Improves Medical Students' Visual Diagnostic Skills date = 2008 pages = extension = .pdf mime = application/xml words = 144 sentences = 25 flesch = 71 summary = sys_1000 wp-p1m-38.ebi.ac.uk wp-p1m-38.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write('[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]'.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 219767216 (wp-p1m-38.ebi.ac.uk) Time: 2021/04/06 02:40:57 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ cache = ./cache/work_cebqso4esbfixbar6ogmmkv6a4.pdf txt = ./txt/work_cebqso4esbfixbar6ogmmkv6a4.txt === reduce.pl bib === id = work_buvggge5uffi7o7mdbpk6oxbgu author = Lawrence G. Lenke title = Commentary: Artificial Intelligence for Adult Spinal Deformity date = 2019 pages = 2 extension = .pdf mime = application/pdf words = 1193 sentences = 69 flesch = 47 summary = It also has tremendous heterogeneity in its clinical presentations, extensive variability in current nonoperative and operative treatments prescribed with uncertain clinical outcomes, high complication rates and would be quite helpful for the personalized treatment of the unique ASD patient that suffers from this often heavy disease burden. So far, all of the work using predictive analytics and early AI for ASD has been done by a Will this group data suffice or will more personalized data from individual centers and surgeons be required for the type of individualized health care that these unique patients require? patient truly unique, but so is every ASD spinal surgeon and spine center providing the care. So will optimal care pathways for the evaluation and treatment of ASD patients require input for both the patient and surgeon/center provider? with the surgical invasiveness, and not from the surgeon or center where the surgery was performed. with ASD, but also the surgeon and center providing the care cache = ./cache/work_buvggge5uffi7o7mdbpk6oxbgu.pdf txt = ./txt/work_buvggge5uffi7o7mdbpk6oxbgu.txt === reduce.pl bib === id = work_vx2jxvfm5reghib3pydctzoqfq author = George E. Newman title = Kinds of Authenticity date = 2016 pages = extension = .pdf mime = text/html words = 820 sentences = 185 flesch = 59 summary = [PDF] Kinds of Authenticity | Semantic Scholar Corpus ID: 51829146Kinds of Authenticity author={George E. This paper reviews the various definitions of authenticity that have been proposed in the literature and identifies areas of convergence. Citation Type Citation Type Sort by Most Influenced Papers Sort by Citation Count The Psychology of Authenticity Lehman, Kieran O'Connor, G. Carroll, David W. View 1 excerpt, cites background View 1 excerpt, cites background View 1 excerpt, cites background View 1 excerpt, cites background Reconceptualizing object authenticity. View 1 excerpt, references background View 1 excerpt, references background View 1 excerpt, references background View 1 excerpt, references background View 1 excerpt, references background Semantic Scholar is a free, AI-powered research tool for scientific literature, based at the Allen Institute for AI. By clicking accept or continuing to use the site, you agree to the terms outlined in our Privacy Policy, Terms of Service, and Dataset License cache = ./cache/work_vx2jxvfm5reghib3pydctzoqfq.pdf txt = ./txt/work_vx2jxvfm5reghib3pydctzoqfq.txt === reduce.pl bib === id = work_e3gpzlqr7fhmpav3kao675k2qa author = Deborah Rothschild title = Picasso's El Bobo date = 2001 pages = extension = .pdf mime = text/html words = 531 sentences = 128 flesch = 60 summary = Picasso's El Bobo | Gastronomica | University of California Press Skip to Main Content Close mobile search navigation Article Navigation Article Navigation Article Navigation Search for other works by this author on: Views Icon Article contents Share Icon Tools Icon Cite Icon Search Site Deborah Rothschild; Picasso's El Bobo. This content is only available via PDF. Article PDF first page preview Recipient(s) will receive an email with a link to 'Picasso's El Bobo' and will not need an account to access the content. Subject: Picasso's El Bobo Citing articles via "Muita Galinha, Pouco Ovo": Food, COVID-19, and the Screen That Separates Us Email alerts Article Activity Alert Latest Issue Alert Browse Issues Browse Issues Info for Authors Info for Librarians Info for Advertisers Print ISSN 1529-3262 Browse All Disciplines Browse All Courses Book Authors Journal Authors Rights & Permissions © Copyright 2021 by the Regents of the University of California. cache = ./cache/work_e3gpzlqr7fhmpav3kao675k2qa.pdf txt = ./txt/work_e3gpzlqr7fhmpav3kao675k2qa.txt === reduce.pl bib === id = work_c5danpwdkvb2zlb4kpflghwg7a author = K. M. Pattison title = Factors Influencing Physical Therapists' Use of Standardized Measures of Walking Capacity Poststroke Across the Care Continuum date = 2015 pages = extension = .pdf mime = text/html words = 1141 sentences = 201 flesch = 55 summary = [PDF] Factors Influencing Physical Therapists' Use of Standardized Measures of Walking Capacity Poststroke Across the Care Continuum | Semantic Scholar Corpus ID: 207402092Factors Influencing Physical Therapists' Use of Standardized Measures of Walking Capacity Poststroke Across the Care Continuum title={Factors Influencing Physical Therapists' Use of Standardized Measures of Walking Capacity Poststroke Across the Care Continuum}, Background The use of standardized assessment tools is an element of evidence-informed rehabilitation, but physical therapists report administering these tools inconsistently poststroke. Assessing the Use of Standardized Outcome Measures for Stroke Rehabilitation among Physiotherapists in Ghana Every person is an individual: physical therapist clinical reasoning used in inpatient rehabilitation for walking assistive device prescription in patients with stroke and brain injury Physical therapists' perceptions and use of standardized assessments of walking ability post-stroke. Factors Influencing the Use of Outcome Measures for Patients With Low Back Pain: A Survey of New Zealand Physical Therapists cache = ./cache/work_c5danpwdkvb2zlb4kpflghwg7a.pdf txt = ./txt/work_c5danpwdkvb2zlb4kpflghwg7a.txt === reduce.pl bib === id = work_fhlgvcotqng6vo3fho2tdxzeoi author = Kazuya Yokota title = Acidic Fibroblast Growth Factor in Spinal Cord Injury: A Potential Therapy Which Merits Further Investigation date = 2019 pages = extension = .pdf mime = application/xml words = 144 sentences = 28 flesch = 72 summary = sys_1000 wp-p1m-39.ebi.ac.uk wp-p1m-39.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write('[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]'.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 219771590 (wp-p1m-39.ebi.ac.uk) Time: 2021/04/06 02:41:03 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ cache = ./cache/work_fhlgvcotqng6vo3fho2tdxzeoi.pdf txt = ./txt/work_fhlgvcotqng6vo3fho2tdxzeoi.txt === reduce.pl bib === id = work_ticexmmmjfff5pxtsxdgogthsi author = C.B Viner title = The Formal Deviant: The Innovative Features of E. E. Cummings's 'next to of course god america i' date = 2019 pages = 5 extension = .pdf mime = application/pdf words = 2734 sentences = 278 flesch = 61 summary = experimentations with the traditional sonnet form in poetry. an influenced by cubism and used the principles of this form to stylize his poetry. He changed the nature of the sonnet form, as seen in his political poem and satire, Cummings's poems is a result of his ingenious or 'self', were principles Cummings opposed. Cummings's disturbance of syntax comprises a Cummings's fusion of individualism, Friedman (1972) states that Cummings to Cummings's principles of 'feeling first' and example, not articulated aloud, means Cummings Cummings's satirical target, not the speaker, but Cummings with, in his words, "[the rudiments] of favourite form (Cummings, 2015, p. Cummings's sonnet is also into traditional (sonnet) structure, Cummings's comprise Cummings's "literary cubism" (Kennedy, Cummings: Modernist painter and poet. (Re)valuing Cummings: Further essays on the poet, 1962 – 1993. Cummings: The art of his poetry. Cummings: An introduction to the poetry. New York: Columbia University Press. cache = ./cache/work_ticexmmmjfff5pxtsxdgogthsi.pdf txt = ./txt/work_ticexmmmjfff5pxtsxdgogthsi.txt === reduce.pl bib === id = work_dqud2adhprei3jnj4zdro365pa author = Laura Giacopetti title = First principles study of the optical emission of cadmium yellow: Role of cadmium vacancies date = 2018 pages = 8 extension = .pdf mime = application/pdf words = 4058 sentences = 373 flesch = 59 summary = We study the role of structural defects in the CdS-based cadmium yellow paint to vacancies in the pigment surface alters the electronic structure of cadmium sulfide Such levels are consistent with the optical emission from trap state levels detected in the CdS pigment. the vacancy DOS (red curve) follows different spin up and down profiles and still, the acceptor state To estimate the optical transitions we adopted an affordable method based on the formalism of formation energies, successfully applied in a variety of wide gap semiconductors and agreement with the few research studies carried out on the near-infrared optical emission of cadmiumbased pigments associated with trap states.18–20 Rosi et al.,20 following analysis of the commercial pigment based on hexagonal CdS, has reported two distinct trap state peaks at 1.24 eV and 1.64 eV. Formation energies, Ef (eV), for surface top and hollow Cd vacancies both in neutral and negatively charged states, cache = ./cache/work_dqud2adhprei3jnj4zdro365pa.pdf txt = ./txt/work_dqud2adhprei3jnj4zdro365pa.txt === reduce.pl bib === id = work_azsquoo4ybddhh7wob4bwhhqhy author = Kader AYDIN title = MODERN SANAT SÜRECİNDE KADIN İMGESİNİN RESİMSEL VE TOPLUMSAL AÇIDAN İNCELENMESİ date = 2019 pages = 13 extension = .pdf mime = application/pdf words = 7349 sentences = 1100 flesch = 71 summary = oluşumlar içerisinde sanatçılarda biricik imge olma özelliği taşıyan kadın imgesi de yadsınamaz bir yere gelmiştir. gelişmişlik seviyesinin ispatı olan kültürel gelişmeler ışığında modern sanat içerisinde önemli bir yere sahip olan kadın img esinin modern sanat sürecinde kadın imgesi konusunda yoğun çalışmalar sergileyen sanatçıların başlıca eserleri ışığında dönemin sana t Bu araştırmanın amacı modern sanat akımları içerisinde kadın imgesinin resimsel ve toplumsal Modern sanatta ön plana çıkan kadın imgesinin, nasıl güçlü ve etkili bir kültürel imaj haline Pek çok sanatçı için önemli bir kaygı ve arayış sebebi olan imge kavramının en etkili imajı bağlamında mevcut kaynaklar taranarak, modern sanatta imge, kadın imgesi gibi başlıklar, sanatçılar ve Modern sanat ve kadın imgesi konusuna değinmeden önce imge kavramının terimsel olarak Çoğunlukla imgesi kadın olan sanatçı, eserlerinde kadının masalsı iç dünyasını bir ışıltı içerisinde Sanat dilini özgün bir biçimde kullanan sanatçı bu resim üzerinde de aylarca Feminist hareket içerisinde de önemli bir yere sahip olan sanatçı cache = ./cache/work_azsquoo4ybddhh7wob4bwhhqhy.pdf txt = ./txt/work_azsquoo4ybddhh7wob4bwhhqhy.txt === reduce.pl bib === id = work_6oof4fi6bfdgtpotybxcm6pbhu author = Kátia Rodrigues Paranhos title = Folha de Rosto date = 2016 pages = 2 extension = .pdf mime = application/pdf words = 664 sentences = 167 flesch = 75 summary = Elaborada pelo Sistema de Bibliotecas da UFU | Setor de Catalogação e Classificação ArtCultura : Revista de História, Cultura e Arte, v. — Uberlândia: Universidade Federal de Uberlândia, Insti tuto de História. Edufu — Editora da Universidade Federal de Uberlândia Universidade Federal de Uberlândia Universidade Federal de Uberlândia Charles Monteiro (PUC-RS/RS) Maria Bernardete Ramos Flores (UFSC/SC) Jean Luiz Neves Abreu (UFU/MG) Maria Izilda Santos de Matos (PUC-SP/SP) Sieni Maria Campos Eduardo Warpechowski sobre Duas mulheres Ana Maria Mauad (UFF/RJ) . Joana Maria Pedro Lucia Maria Paschoal Maria de Fátima Morethy Couto – Unicamp/ Maria de Lourdes Rabetti – UniRio/RJ . Maria Elisa Cevasco – USP/SP . Hautes Études en Sciences Sociales – Paris/França . Serge Gruzinski – École de Hautes Études en Sciences Sociales/França . Revista de História, Cultura e Arte Revista de História, Cultura e Arte Revista de História, Cultura e Arte Revista de História, Cultura e Arte cache = ./cache/work_6oof4fi6bfdgtpotybxcm6pbhu.pdf txt = ./txt/work_6oof4fi6bfdgtpotybxcm6pbhu.txt === reduce.pl bib === id = work_fkvz7epx5ja2ldt7i3izxt7bh4 author = Guus Schreiber title = Semantic Annotation and Search of Cultural-Heritage Collections: The Multimedian E-Culture Demonstrator date = 2008 pages = 7 extension = .pdf mime = application/pdf words = 5634 sentences = 516 flesch = 61 summary = Semantic annotation and search of cultural-heritage collections: demonstrate how novel Semantic Web and presentation technologies can be deployed to provide better indexing and search support (ii) Providing facilities for semantic search through the resulting graph, including various presentation mechanisms for the Schreiber, et al., Semantic annotation and search of cultural-heritage collections: The MultimediaN E-Culture Schreiber, et al., Semantic annotation and search of cultural-heritage collections: The MultimediaN E-Culture Schreiber, et al., Semantic annotation and search of cultural-heritage collections: The MultimediaN E-Culture Schreiber, et al., Semantic annotation and search of cultural-heritage collections: The MultimediaN E-Culture Schreiber, et al., Semantic annotation and search of cultural-heritage collections: The MultimediaN E-Culture Schreiber, et al., Semantic annotation and search of cultural-heritage collections: The MultimediaN E-Culture Schreiber, et al., Semantic annotation and search of cultural-heritage collections: The MultimediaN E-Culture Semantic annotation and search of cultural-heritage collections: The MultimediaN E-Culture demonstrator cache = ./cache/work_fkvz7epx5ja2ldt7i3izxt7bh4.pdf txt = ./txt/work_fkvz7epx5ja2ldt7i3izxt7bh4.txt === reduce.pl bib === id = work_b4nytp5k35gqrjthqmywcrrctm author = D. W. Zaidel title = Braque and Kokoschka: Brain Tissue Injury and Preservation of Artistic Skill date = 2017 pages = 7 extension = .pdf mime = application/pdf words = 4527 sentences = 444 flesch = 67 summary = Braque and Kokoschka: Brain Tissue Injury and Preservation of Artistic Skill Abstract: The neural underpinning of art creation can be gleaned following brain injury in Braque's injury was in the left hemisphere while Kokoschka's was in the right the same genre as their pre-injury period, and their artistic skills, talent, creativity, and productivity For the creation of the art itself, observations of established artists with acquired brain injury aspect of art through a discussion of world-renown artists, Braque and Kokoschka, both of whom localization of the damage in the left hemisphere, Braque did not paint for nearly a year afterwards. As with Braque and Kokoschka, numerous other professional prolific artists with damage to brain Ultimately, subjecting paintings and other visual artworks of artists with brain injury to In the great majority of cases, artists go on producing their works despite their brain injury [10]. cache = ./cache/work_b4nytp5k35gqrjthqmywcrrctm.pdf txt = ./txt/work_b4nytp5k35gqrjthqmywcrrctm.txt === reduce.pl bib === id = work_3z72acm7rfejdhsqoszi5krx5i author = A. Daniel Yarmey title = I recognize your face but I can't remember your name: Further evidence on the tip-of-the-tongue phenomenon date = 1973 pages = 4 extension = .pdf mime = application/pdf words = 3184 sentences = 231 flesch = 72 summary = Fifty faces of "famous" persons were used as stimuli to precipitate the tip-of-the-tongue (TOT) experience. showed that Ss in TOT states searched for target's name by locating first his profession, where he was most often seen, Ss also had accurate knowledge of the initial letters of target names, initial letters of similar sounding It was concluded that TOT states for to-be-remembered names are retrieved from semantic and episodic memory systems on.the basis of verbal and imaginal encodings. sound); person's profession(s) or field(s) of importance; place(s) TOT state for a particular stimulus face completed a initial letter of the names, followed closely by guesses of Frequency Scores of Specificity of Information on Target's have more accurate information (recall) about the target able to guess correctly initial letters of target names, initial letters of similar sounding names, and numbers of syllables in target names. Although verbal representations are the targets in TOT cache = ./cache/work_3z72acm7rfejdhsqoszi5krx5i.pdf txt = ./txt/work_3z72acm7rfejdhsqoszi5krx5i.txt === reduce.pl bib === id = work_iakafyecwje6lludod7d4pmfz4 author = Joanna Rządkowska title = Non-stimulating tradition: The Effect of Temperament on Painting Art Preferences date = 2010 pages = 16 extension = .pdf mime = application/pdf words = 4250 sentences = 358 flesch = 55 summary = This study examined the effect of temperament on preferences for painted induce fear in people, there is a change in art preferences, because of the whether temperament affects paintings preferences and whether fear could between temperament (as a regulator of stimulation) and art preferences. the temperament traits between briskness, activity and art preference ratings negative relation between preference ratings of modern art and level of (Temperament Traits) and Art Preferences in the fear condition would rate Abstract and Modern art as worse, and of art preference for a harmonized temperament was significant, Participants with a harmonized temperament in the no fear condition rated studies of art preference psychology, but this history is not thorough. harmonized temperament structure affect paintings preferences. The assumed link between temperament and preferences for art In the fear condition melancholics preferred modern art less whereas preferences of modern art for all temperaments in the fear condition, and cache = ./cache/work_iakafyecwje6lludod7d4pmfz4.pdf txt = ./txt/work_iakafyecwje6lludod7d4pmfz4.txt === reduce.pl bib === id = work_f2anakxsardipbr2jtwoblgcfa author = Jonny Anomaly title = Personal Identity and Practical Reason: The Failure of Kantian Replies to Parfit date = 2008 pages = extension = .pdf mime = text/html words = 300 sentences = 48 flesch = 54 summary = Current Students Search Tulane Visiting Tulane Undergraduate Education Graduate Education Community Engagement Pre-College Programs Academic Resources Admission & Aid Undergraduate Admission Graduate Admission Part-Time Studies Current Research Health and Bioinnovation Research in Real Time Centers and Institutes Vice President for Research Life at Tulane Campus Life Entrepreneurship in NOLA Destinations in NOLA Committed to Community News & Events COVID-19 In the News Tulane Today Stronger TUgether: COVID-19 RESOURCES Research workshop focuses scholars on costs of racial inequity COVID-19 RESOURCES COVID-19 Dashboard Health Strategies Tulane News Tulane teams up with New Orleans Airlift for in-person dance performance Tulane University receives award to demonstrate electric shuttle buses for New Orleans region Link to Tulane Home Page New Orleans, LA 70118 Give to Tulane Give to Tulane Give to Tulane Give to Tulane Give to Tulane Medical Center Jobs at Tulane © 2021 Tulane University © 2021 Tulane University © 2021 Tulane University cache = ./cache/work_f2anakxsardipbr2jtwoblgcfa.pdf txt = ./txt/work_f2anakxsardipbr2jtwoblgcfa.txt === reduce.pl bib === id = work_2ffhhcdw4nfovfpyso4tssfrwm author = Maimouna Sankhé title = The importance of Spanish for emigration to Spain: Spanish as a language of opportunity date = 2014 pages = 6 extension = .pdf mime = application/pdf words = 2291 sentences = 374 flesch = 71 summary = Como segundo idioma de comunicación internacional, el español ofrece importantes oportunidades en todas partes del mundo. El objetivo del presente estudio es abordar las ventajas del aprendizaje del español y, para ello, se han seleccionado unos trabajos específicos que sirven de apoyo África y girará en torno a dos ejes fundamentales: por un lado, el por qué la presencia del español en África es una base fundamental para afianzar las relaciones económicas y culturales entre España y África y, por otro lado, las oportunidades que el español ofrece a nivel social, económico y cultural a los que lo Para la elaboración de este artículo, serán imprescindibles los valiosos estudios sobre el valor del español, coordinados por los investigadores José Luis el mundo y las oportunidades que ofrece tanto dentro como fuera de los países mundo, el español es sin duda una de las lenguas que más oportunidades ofrecen a quienes la hablan. cache = ./cache/work_2ffhhcdw4nfovfpyso4tssfrwm.pdf txt = ./txt/work_2ffhhcdw4nfovfpyso4tssfrwm.txt === reduce.pl bib === id = work_2f3mobevijdorp5vk6lreipuie author = Charlotte Heath-Kelly title = Picasso at the Bombsite: Whither Resilient Place? date = 2015 pages = 7 extension = .pdf mime = application/pdf words = 2553 sentences = 171 flesch = 46 summary = Picasso at the Bombsite: Whither Resilient Place? Picasso at the Bombsite: Whither Resilient Place? decision (now revoked) to tear down the Høyblokka building in the Oslo Government government quarter to expose the ambiguity and temporality of resilience discourse which reference to Jon Coaffee's discussion of 'place-making' in anticipatory UK resilience policy signifier to bombsite recovery practices, the ambiguity of 'resilient places' becomes surrounding the architectural and cultural worth of the government quarter have provoked report on reconstructing the Government Quarter was published, Oslo museum directors Caption below: Figure 2: Picasso mural at the Oslo Government Quarter (Author's radically incorporated the Government Quarter buildings into public discussion of The Government Quarter buildings, while once denigrated of the damaged Government Quarter has been made representative of Norwegian identity, Bulley, Dan (2013) 'Producing and Governing Community (through) Resilience', Politics 33 Heath-Kelly, Charlotte (forthcoming 2015) 'Building a New Utøya; Re-placing the Oslo cache = ./cache/work_2f3mobevijdorp5vk6lreipuie.pdf txt = ./txt/work_2f3mobevijdorp5vk6lreipuie.txt === reduce.pl bib === id = work_cr4klrboxbdnfbqwjjdqhgztpa author = Jae Taek Hong title = Human Craniovertebral Alignment as a "Tertiary Curvature" date = 2019 pages = 4 extension = .pdf mime = application/pdf words = 2021 sentences = 204 flesch = 58 summary = Understanding the normal craniovertebral junction (CVJ) alignment and segmental motion in human is paramount to better understand CVJ deformity and to decide on a more Positional difference of the foramen magnum causes a difference of CVJ alignment between humans and other quadrupeds with respect to the C0–1 segment. human cervical spine is located inferior to the foramen magnum, and these characteristics segment allows some degree of freedom for neck extension as the space between the occiput and C1 posterior arch allows for upper cervical extension (Fig. 2). C0–1 segment is kyphotic and C1 slope is always posteriorly slanted not only in lordotic cervical spine (A), but also in straight When patients have kyphotic deformity in the cervical spine between the cervical spine curvature of humans and that of possible not only to preserve C0–1 segmental motion to prevent postoperative dysphagia but also to avoid abnormal kyphotic alignment of the subaxial cervical spine after surgery. cache = ./cache/work_cr4klrboxbdnfbqwjjdqhgztpa.pdf txt = ./txt/work_cr4klrboxbdnfbqwjjdqhgztpa.txt === reduce.pl bib === id = work_572ibxtd35ftrdrco2v6bkbgpy author = Kevin A. Roth title = A Beautiful Science date = 2006 pages = extension = .pdf mime = application/xml words = 144 sentences = 24 flesch = 71 summary = sys_1000 wp-p1m-38.ebi.ac.uk wp-p1m-38.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write('[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]'.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 219765601 (wp-p1m-38.ebi.ac.uk) Time: 2021/04/06 02:40:55 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ cache = ./cache/work_572ibxtd35ftrdrco2v6bkbgpy.pdf txt = ./txt/work_572ibxtd35ftrdrco2v6bkbgpy.txt === reduce.pl bib === id = work_zvufxd3ygne6raqcqlv77dzgsu author = Seda Dural title = Imagine a mouse and an elephant: Hemispheric asymmetries of imagination date = 2016 pages = extension = .pdf mime = text/html words = 648 sentences = 130 flesch = 63 summary = [PDF] Imagine a mouse and an elephant: Hemispheric asymmetries of imagination | Semantic Scholar S. Dural, Hakan Çetinkaya, O. S. Dural, Hakan Çetinkaya, O. ABSTRACT The present study aimed to explore the existence of an asymmetrical bias in the imagination of pairs of objects of unequal size. We assumed that such pairs are conceptualized with the smaller object being placed on the left, creating an ascending size order from left to right. Such a bias could derive from a cognitive strategy known from the mental number line. Citation Type Citation Type Sort by Most Influenced Papers Sort by Citation Count View 2 excerpts, cites background View 1 excerpt, references background View 1 excerpt, references background View 1 excerpt, references background View 1 excerpt, references background By clicking accept or continuing to use the site, you agree to the terms outlined in our Privacy Policy, Terms of Service, and Dataset License cache = ./cache/work_zvufxd3ygne6raqcqlv77dzgsu.pdf txt = ./txt/work_zvufxd3ygne6raqcqlv77dzgsu.txt === reduce.pl bib === === reduce.pl bib === id = work_eyurqkl6ozecxa6npxelcricxy author = Sang Gu Lee title = Why Should We Perform Endoscopic Spine Surgery? date = 2020 pages = 2 extension = .pdf mime = application/pdf words = 1094 sentences = 92 flesch = 46 summary = The field of minimally invasive spine surgery (MISS) has seen remarkable growth over the last 30 years and is a main field of spinal surgery that will continue to advance. Endoscopic spine surgery was introduced by Parviz Kambin and brought to much development by Anthony Yeung. Kambin and Sampson1 reported the effective removal of herniated disc material with suction and devices through a novel extraforaminal endoscopic visualization technique. With the introduction of the interlaminar approach, endoscopic surgery has been able to provide many spinal perioperative visual analogue scale scores and lower incidences of postoperative complications after endoscopic transforaminal lumbar interbody fusion, while achieving similar rates Why Should We Perform Endoscopic Spine Surgery?Lee SG But endoscopic spine surgery is not a common procedure Minimally Invasive Spine Surgery Society (KOMISS) holds cadaver and dummy workshops to learn procedures and techniques with complications in biportal endoscopic spinal surgery: cache = ./cache/work_eyurqkl6ozecxa6npxelcricxy.pdf txt = ./txt/work_eyurqkl6ozecxa6npxelcricxy.txt === reduce.pl bib === id = work_4g7zetwrizfqtahkklqmkewdhe author = Marko Pavlovski title = Culture in the Media: the Representation of Culture in "Jutarnji List" date = 2015 pages = 8 extension = .pdf mime = application/pdf words = 3681 sentences = 202 flesch = 61 summary = Keywords: Jutarnji list, culture, representation, media, categories (literature, film, theater, music, exhibitions) categories of cultural reviews in Jutarnji list in the section of Jutarnji list in 2013, is the category of Film. of music in the cultural section of the newspaper, but detail in the articles of the culture section of Jutarnji list. We divided those articles on culture in Jutarnji list, In total, articles in Jutarnji list covering cultural On average, the culture section of Jutarnji list in Jutarnji list does not have a culture section. Jutarnji list does not have a culture section. Summarizing, pages dedicated to culture in Jutarnji list articles in the culture section can be divided in six presence of articles on culture in Jutarnji list in 2013, cultural themes throughout the newspaper's pages cultural themes throughout the newspaper's pages cultural topics on the front pages of Jutarnji list, in the cache = ./cache/work_4g7zetwrizfqtahkklqmkewdhe.pdf txt = ./txt/work_4g7zetwrizfqtahkklqmkewdhe.txt === reduce.pl bib === id = work_efwj4bfogvfmpmkvb46xfmczpa author = Hyeun Sung Kim title = Development of Endoscopic Spine Surgery for Healthy Life: To Provide Spine Care for Better, for Worse, for Richer, for Poorer, in Sickness and in Health date = 2020 pages = 6 extension = .pdf mime = application/pdf words = 2957 sentences = 286 flesch = 51 summary = associated spinal conditions, there is a demand for surgical techniques to provide effective decompression and fusion.16 In headto-head comparisons with open and minimally invasive microscopic decompression and fusion, full endoscopic uniportal and endoscope-assisted biportal decompression and interbody fusion achieved equivalent patient-reported outcomes, with better facet preservation, shorter hospital stays, improved perioperative pain management, and a lower infection rate.17-19 With the wide application of open and endoscopic spine decompression and fusion surgery in patients with degenerative spine disease, there has been a corresponding increase in patients who It is important for industry, health care policymakers, and endoscopic spine surgeons to be aware of the social responsibility of reasonable costs in the provision of endoscopic spine surgical care, in order to fulfil the objective of providing similarly effective minimally invasive spinal surgery regardless of the social background of the presenting patient.28 Efficacy of Biportal endoscopic spine surgery for lumbar spinal stenosis. cache = ./cache/work_efwj4bfogvfmpmkvb46xfmczpa.pdf txt = ./txt/work_efwj4bfogvfmpmkvb46xfmczpa.txt === reduce.pl bib === id = work_lvffpmrkxre5boitqso26z5fda author = Joel T. Katz title = Picasso'sScience and Charity: Paternalism Versus Humanism in Medical Practice date = 2016 pages = 3 extension = .pdf mime = application/pdf words = 1315 sentences = 133 flesch = 46 summary = Picasso's Science and Charity: Paternalism Charity: Paternalism Versus Humanism in Medical Practice." Open http://dx.doi.org/10.1093/ofid/ofw056. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:29408271 http://osc.hul.harvard.edu/dash/open-access-feedback?handle=&title=Picasso's%20Science%20and%20Charity:%20Paternalism%20Versus%20Humanism%20in%20Medical%20Practice&community=1/4454685&collection=1/4454686&owningCollection1/4454686&harvardAuthors=e0d18170789bb114de6d84862c6552d3&department http://nrs.harvard.edu/urn-3:HUL.InstRepos:29408271 http://nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of-use#LAA http://nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of-use#LAA http://nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of-use#LAA Picasso's Science and Charity: Paternalism Versus 1Division of Infectious Diseases and 2Department of Neurology, Brigham and Women's Hospital, Harvard Medical School, Boston, Massachusetts art and medicine; history of doctor patient relationship; infectious diseases; Picasso. Two of Picasso's most important early Picasso's art training. At age 10, Picasso entered art school at the Instituto da Guarda, Picasso's Science and Charity (cover, were at the center of public and Picasso's attention. Drawing on Picasso's artistic predecessors, Science and Charity extends a motif of this common physician-patient motif The painting was exhibited at the Exposición Provincial de Málaga (receiving the coveted gold modern version of Science and Charity Pablo Picasso, "Science and Charity", 1897. Available at: http://www.wikiart.org/en/pablo-picasso/science-and-charity-1897. Available at: https://profiles.nlm.nih.gov/ps/retrieve/ http://www.wikiart.org/en/pablo-picasso/science-and-charity-1897 http://www.wikiart.org/en/pablo-picasso/science-and-charity-1897 https://profiles.nlm.nih.gov/ps/retrieve/ResourceMetadata/GFBBCJ https://profiles.nlm.nih.gov/ps/retrieve/ResourceMetadata/GFBBCJ https://profiles.nlm.nih.gov/ps/retrieve/ResourceMetadata/GFBBCJ http://www.harvardartmuseums.org/art/297585 http://www.harvardartmuseums.org/art/297585 http://www.harvardartmuseums.org/art/297585 http://www.harvardartmuseums.org/art/297585 http://www.harvardartmuseums.org/art/297585 http://www.harvardartmuseums.org/art/297585 cache = ./cache/work_lvffpmrkxre5boitqso26z5fda.pdf txt = ./txt/work_lvffpmrkxre5boitqso26z5fda.txt === reduce.pl bib === id = work_wzdtbyuk75cnvaacbixfx5tb2y author = Chiara Ambrosio title = Cubism and the Fourth Dimension date = 2016 pages = 19 extension = .pdf mime = application/pdf words = 10409 sentences = 610 flesch = 54 summary = Keywords: Cubism, Fourth Dimension, Art and Science, Interdisciplinarity This line of inquiry was first explored by the art historian Linda Dalrymple Henderson, whose work I discuss Henderson, "A New Facet of Cubism: 'The Fourth Dimension' and 'Non Euclidean Geometry' concept of the fourth dimension in painting features in central reference texts in art history, such as What Henderson crucially points out is that the fourth dimension invoked by Cubist artists at fourth dimension artists adopted in the early twentieth century is a move of historiographical In her account of the role of the fourth dimension in twentieth-century painting, Henderson Henderson's aim is to redirect the historiography of art and science in the twentieth century from a "Picasso, Photography and Cubism", Art Bulletin, vol. Henderson, Linda D., 2013 Non-Euclidean Geometry and the Fourth Dimension in Modern Art. "Cubism and Science", in The Journal of Aesthetics and Art Criticism, vol. cache = ./cache/work_wzdtbyuk75cnvaacbixfx5tb2y.pdf txt = ./txt/work_wzdtbyuk75cnvaacbixfx5tb2y.txt === reduce.pl bib === id = work_fwpygjl5sjgubcwonytnssqlka author = Stuart G. Baker title = Development Tracks for Cancer Prevention Markers date = 2004 pages = 7 extension = .pdf mime = application/pdf words = 4781 sentences = 360 flesch = 52 summary = We provide a general framework for describing various roles for biomarkers in cancer prevention research (early detection, surrogate endpoint, and cohort identification for primary prevention) and the phases in their evaluation. purposes are early detection (with the goal of early intervention), surrogate endpoints (with the goal of having shorter studies) and cohort identification (of individuals with the greatest benefit to harm ratio associated with primary prevention). In the past, most markers for cancer screening involved changes in cell types (such as degrees of dysplasia) or single proteins in serum such as PSA or CA125. difficulties we discuss, the main use of surrogate endpoints may be in a preliminary study of an intervention on evaluating multiple trials with surrogate and true An alternative design, which we have not seen applied or discussed, is a single trial involving randomization to multiple interventions with surrogate and true randomized trials of cancer screening, BMC Medical Research cache = ./cache/work_fwpygjl5sjgubcwonytnssqlka.pdf txt = ./txt/work_fwpygjl5sjgubcwonytnssqlka.txt === reduce.pl bib === id = work_kbynbakkqvc5lpt7tck42wkh7y author = Piera Capranzano title = Tailoring P2Y 12 Inhibiting Therapy in Elderly Patients With Myocardial Infarction Undergoing Primary Percutaneous Coronary Intervention date = 2019 pages = extension = .pdf mime = application/xml words = 144 sentences = 26 flesch = 71 summary = sys_1000 wp-p1m-39.ebi.ac.uk wp-p1m-39.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write('[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]'.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 219769120 (wp-p1m-39.ebi.ac.uk) Time: 2021/04/06 02:41:00 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ cache = ./cache/work_kbynbakkqvc5lpt7tck42wkh7y.pdf txt = ./txt/work_kbynbakkqvc5lpt7tck42wkh7y.txt === reduce.pl bib === id = work_blqd4m5ncjb23gij5h6gabx66y author = A. R. Marks title = Repaving the Road to Biomedical Innovation Through Academia date = 2011 pages = extension = .pdf mime = application/xml words = 144 sentences = 28 flesch = 72 summary = sys_1000 wp-p1m-39.ebi.ac.uk wp-p1m-39.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write('[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]'.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 219773807 (wp-p1m-39.ebi.ac.uk) Time: 2021/04/06 02:41:05 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ cache = ./cache/work_blqd4m5ncjb23gij5h6gabx66y.pdf txt = ./txt/work_blqd4m5ncjb23gij5h6gabx66y.txt === reduce.pl bib === id = work_allww2nryncrbi5vriu4kn7upm author = Richard B. Gunderman title = How Art Can Educate the Radiologist's Eye date = 2018 pages = 7 extension = .pdf mime = application/pdf words = 1812 sentences = 114 flesch = 61 summary = How Art Can Educate the Radiologist's Eye: Duchamp's "Nude How Art Can Educate the Radiologist's Eye: Duchamp's "Nude Descending a Staircase" Key Words: Art, perception, Duchamp, education, radiology, radiologists Duchamp intended to exhibit "Nude Descending" at an art show in Paris, but it was rejected by Duchamp's "Nude Descending" extends this effect even further in space and time. "Nude Descending" invites a radiologist to reflect on some essential features of our daily work Duchamp's figure is fragmented, a feature of essentially every radiologic image. radiologic image sets a photograph of the patient (5. Another radiologically notable aspect of "Nude Descending" is its depiction of the figure from Another feature of "Nude Descending" of special note to radiologists is the interplay it depicts Another feature of Duchamp's painting is the fact that, when represented geometrically, a human Marcel Duchamp, Nude Descending a Staircase, No. 2, 1912. cache = ./cache/work_allww2nryncrbi5vriu4kn7upm.pdf txt = ./txt/work_allww2nryncrbi5vriu4kn7upm.txt === reduce.pl bib === id = work_j5cjhr6jqvfyhpyr5ozh76wq4a author = Elio Amilcar Farfan Torrelles title = Criteria for Investing in the Market of Visual Arts date = 2019 pages = 10 extension = .pdf mime = application/pdf words = 7321 sentences = 585 flesch = 63 summary = Criteria for Investing in the Market of Visual Arts. Criteria for Investing in the Market of Visual Arts. Abstract: The market for the visual arts carries out a complex activity, which requires identifying key variables to establish investigated and compared to identify the criteria that the buyer should consider when acquiring a piece of visual art. characteristics of the artwork, the artist and the market must be assessed as well as the need for the art piece or the added value Keywords: Art Market, Artwork (Piece), Artist, Collector, Investor, Profits 148 Elio Amilcar Farfan Torrelles: Criteria for Investing in the Market of Visual Arts 148 Elio Amilcar Farfan Torrelles: Criteria for Investing in the Market of Visual Arts 148 Elio Amilcar Farfan Torrelles: Criteria for Investing in the Market of Visual Arts 148 Elio Amilcar Farfan Torrelles: Criteria for Investing in the Market of Visual Arts cache = ./cache/work_j5cjhr6jqvfyhpyr5ozh76wq4a.pdf txt = ./txt/work_j5cjhr6jqvfyhpyr5ozh76wq4a.txt === reduce.pl bib === id = work_46wmz2hmybd3bp23vpzkxqofpi author = Luc Renneboog title = Buying Beauty: On Prices and Returns in the Art Market date = 2013 pages = 32 extension = .pdf mime = application/pdf words = 13846 sentences = 1380 flesch = 72 summary = Based on the resulting price index, we conclude that art has appreciated in value by a Key words: art; auctions; hedonic regressions; investments; repeat-sales regressions; sentiment. new data set of nearly 1.1 million auction sales to re-examine the price formation and returns in the art We perform a hedonic regression analysis which relates transaction prices to a wide range of valuedetermining characteristics and year effects. The estimated returns on art vary with data, methodology, and the time period under consideration In this paper, we construct a price index for art using the hedonic regression methodology. the art market follow recent sales prices, this implies a return measurement bias when the market reverses (Goetzmann real returns on art are based on our corrected price index Π*, and are shown in Table 3. The real returns on art are based on our corrected price index Π*, and are shown in cache = ./cache/work_46wmz2hmybd3bp23vpzkxqofpi.pdf txt = ./txt/work_46wmz2hmybd3bp23vpzkxqofpi.txt === reduce.pl bib === id = work_w6wgq25c2vdqvecc5ltnd2oy6y author = Katja Kozjek Varl title = KNOWLEDGE AND IDENTIFICATION OF DIFFERENT ARTISTIC PRACTICES date = 2018 pages = 17 extension = .pdf mime = application/pdf words = 7479 sentences = 846 flesch = 78 summary = present a broader view of basic school pupils of fine art both historically and We were interested in what view eighth grade pupils of basic school have of contemporary art three groups answered the most frequently that art means expression of artist's thoughts, Thinking why one chooses to engage in art (Table 1) the pupils stated the most frequently this category of responses is underlined with the following statements of pupils: "The artist works Table 2: Ranking order of the categories of answers connected with the question about fine art at The most frequent answer of pupils to the question why we meet fine art in school (Table 2) At the concept of contemporary art the responses of the pupils are highlighted who stated The answers of the group of pupils follow who think contemporary art is unusual The pupils of groups A and C the most frequently recognised the content of the work of art cache = ./cache/work_w6wgq25c2vdqvecc5ltnd2oy6y.pdf txt = ./txt/work_w6wgq25c2vdqvecc5ltnd2oy6y.txt === reduce.pl bib === id = work_fleg652s6jgwzcv6guvc4zznym author = K. Daniel Riew title = The Role of Atlantoaxial Instability on Chiari, Ossification of the Posterior Longitudinal Ligament, Spondylosis and Stenosis date = 2019 pages = 2 extension = .pdf mime = application/pdf words = 1244 sentences = 85 flesch = 57 summary = Dr. Atul Goel and Dr. Sanjay Behari, that take somewhat different positions on the treatment of Chiari malformation. However, as Dr. Behari points out, > 70% of patients with a pure Chiari I malformation have excellent improvement of their neurologic function with a simple decompression. He treated the patient with a posterior atlantoaxial and C3–6 fusion. that the patient needed an atlantoaxial fusion. The Role of Atlantoaxial Instability on Chiari, OPLL, Spondylosis and Stenosis Riew KD patients with OPLL can be treated exactly as Dr. Goel recommends, with the fusion and no decompression. in moderate to severe myelopathy, or for those with quadriparesis, I do not believe that a solidly fused OPLL patient with inadequate decompression will improve in any significant way. fail to see how adding a posterior fusion without decompression can help such patients. If this were not the case, no patient would be eligible for a cervical disc arthroplasty, since it is contraindicated cache = ./cache/work_fleg652s6jgwzcv6guvc4zznym.pdf txt = ./txt/work_fleg652s6jgwzcv6guvc4zznym.txt === reduce.pl bib === id = work_mfod347e5bbr5kx5qvnxg6j47i author = Chris Turney title = Radiocarbon revolution: the story of an isotope date = 2019 pages = 2 extension = .pdf mime = application/pdf words = 1654 sentences = 130 flesch = 65 summary = It is nearly 80 years since the discovery of carbon-14, a radioactive isotope of the sixth element. In the wonderfully engaging Hot Carbon, oceanographer John Marra takes this story much further, Radiocarbon is scarce in nature, formed in left in a carbon-based sample, it is possible to calculate its age. facts, Marra offers compelling stories about Hot Carbon starts new isotope of carbon just minutes or hours, this heavy form of carbon was considered a low research priority. Chris Turney applauds a book on carbon-14 and its key applications. A human femur, thought to be from medieval times, being sampled for carbon dating. Hot Carbon: Carbon-14 and the deep ocean, revealing connections around Marra also reveals, in vivid detail, the difficulties faced by early researchers in acquiring up a new perspective on ocean productivity carbon into organic compounds — still the Hot Carbon offers a timely perspective cache = ./cache/work_mfod347e5bbr5kx5qvnxg6j47i.pdf txt = ./txt/work_mfod347e5bbr5kx5qvnxg6j47i.txt === reduce.pl bib === id = work_uq5nrtxyl5cp7a6waxicqn22tm author = Arturo Colorado Castellary title = Ojo móvil, dinamismo y montaje. El influjo cinematográfico en las primeras vanguardias artísticas date = 2016 pages = 25 extension = .pdf mime = application/pdf words = 8645 sentences = 1224 flesch = 68 summary = películas en la pintura de todos los tiempos (De Santi, 1987), como por grandes historiadores del arte, como Aby Warburg (Michaud, 1998), Erwin Panofsky, que Y constatamos que varios de los grandes del arte contemporáneo en la que el autor, tras analizar los influjos cinematográficos en algunas de las vanguardias Más recientemente, en 2010, Carlos Salas González ha defendido la tesis Del cine a las artes para las artes plásticas que suponía la nueva imagen en movimiento: 6 Se considera que el primer travelling panorámico de la historia del cine fue realizado por destaca, entre las motivaciones picassianas para la creación del Cubismo, que Lumière, del mismo modo que Picasso socavó las bases de una concepción La búsqueda del movimiento en las artes plásticas había sido una vieja durante las primeras décadas del siglo XX" y añade que "el cine tomó el que partiendo del Cubismo preconizaba una arte adaptado a la nueva cache = ./cache/work_uq5nrtxyl5cp7a6waxicqn22tm.pdf txt = ./txt/work_uq5nrtxyl5cp7a6waxicqn22tm.txt === reduce.pl bib === id = work_yhxp7da7bfho7jij23vg5bwfdq author = Frederic Fol Leymarie title = Medialness and the Perception of Visual Art date = 2017 pages = 64 extension = .pdf mime = application/pdf words = 19975 sentences = 1512 flesch = 62 summary = In this article we explore the practical use of medialness informed by perception studies as a representation and processing layer for describing a class of works of visual art. first published in 1954, Arnheim proposed to model the creation and perception of visual pieces via a tension field (Note 7) whose main force lines constitute what he calls the 'structural skeleton' of a painting, drawing, or sketch This leads them to hypothesize a medial-based shape processing method for human vision, which is in part inspired by the original proposal made by Harry Blum (Blum, 1973). We have designed in recent years a computational scheme which brings together the two main representations of 2D objects known to play an important role in visual perception, in the understanding of human vision neural computational scheme to systematically map visual contour traces to a medialness map which is then further processed to identify feature points of three cache = ./cache/work_yhxp7da7bfho7jij23vg5bwfdq.pdf txt = ./txt/work_yhxp7da7bfho7jij23vg5bwfdq.txt === reduce.pl bib === id = work_esn2t2exvzcyjjc3wwil4pmmqq author = David M. Coppola title = Introduction to the special issue of the journal of bioenergetics and biomembranes: neural plasticity in developing and adult olfactory pathways date = 2019 pages = 2 extension = .pdf mime = application/pdf words = 881 sentences = 49 flesch = 45 summary = Introduction to the special issue of the journal of bioenergetics and biomembranes: neural plasticity in developing and adult olfactory pathways olfactory bulb, incorporate newborn neurons throughout life. and growing interest in olfactory plasticity, during development and throughout life, offers the promise of insights into transactivator system, which allows time-window specific expression of immature and mature reporter genes, with pulselabelling of terminally-dividing cells to analyze olfactory sensory neuron (OSNs) maturation and survival in the mouse. diet and olfactory neural function. aversive learning-induced plasticity across olfactory pathways olfactory neural circuit function than previously appreciated. Trophic and activity-dependent interactions between afferent and target neurons are paramount in the formation, maintenance and plasticity of neural pathways, not least in the colleagues the issue of plasticity in the human olfactory bulb is and biomembranes: neural plasticity in developing and adult the same influx of new-born neurons into the olfactory bulbs cache = ./cache/work_esn2t2exvzcyjjc3wwil4pmmqq.pdf txt = ./txt/work_esn2t2exvzcyjjc3wwil4pmmqq.txt === reduce.pl bib === === reduce.pl bib === id = work_d7r5hqxejbfzxgrzluzmapzqve author = Gökçen Şahmaran CAN title = GÖRSEL SANATLARDA AVANGARD VE KİÇ OLGUSU date = 2017 pages = 12 extension = .pdf mime = application/pdf words = 4100 sentences = 595 flesch = 64 summary = Kültür, sanat gerçeklik tanımları içinde kabul gören kural olarak benimsenmiş ilkeleri sarsıp sınırlarını değiştirmeyi amaç edinir. İlk ortaya çıkışı Romantizm ve Sanayi Devrimi ile başlayan, ticarileştirme, bayağılaştırma, ucuzlatma ve estetik uygunsuzluk gibi kavramlarla tanımlanan kiç formlar Modernist sanat yaratıcılığa, biricikliğe, eşsizliğe dayanan yaşamdan ayrı, kurmaca ve özerk bir evrensel estetik kurma amacındaydı. Başlarda Modernizmin kötü, tehlikeli, zararlı saydığı tüm formlar, özellikle popüler kültür geniş bir kabul görüyordu. İlk kırılma noktası, Pop-art'ın kiç olarak kabul gören ticari kültürü sanata dahil etme girişimiydi. Picasso ile İlya Repin'i karşılaştıran Greenberg, Picasso'nun eserlerini sanat, Repin'inkileri ise kiçe örnek olarak gösteriyordu. Kısacası kiç, güzel ya da çirkin gibi bir estetik Kiç, modernist karşıtı bir form olarak, sanata dahil edilmişti Kiçin ilk olarak müdafaası ya da tercih edilmesi, estetik bir sınıflandırma onaylamasını dağıtma, beğeninin ya da zevkin hiyerarşi fikrine tecavüz etme ve modernizmin ayrıştırdıkları bir yüksek sanat anlayışı için farklı bir estetik kategori olarak tanımlar. cache = ./cache/work_d7r5hqxejbfzxgrzluzmapzqve.pdf txt = ./txt/work_d7r5hqxejbfzxgrzluzmapzqve.txt === reduce.pl bib === id = work_kwrb6ccnd5b2blxdixh3w72ffq author = Artur Freitas title = A literalidade e os modos do moderno do início do século XX date = 2016 pages = 17 extension = .pdf mime = application/pdf words = 7603 sentences = 1034 flesch = 68 summary = ocaso de uma forma específica de modernidade artística, baseada justamente numa concepção de arte autônoma e por isso mesmo afastada das Seja como for, se levarmos em conta o testemunho dos próprios artistas, é inegável o impacto, ao mesmo tempo perverso e sedutor, que as padrão sobre o modernismo, ao menos em sua forma mais difundida, afirma que a arte moderna é um mergulho na liberdade de se ser exatamente De Cimabue a Kandinsky, a especificidade de uma obra de arte deriva da subjetividade do artista expressa por meio da elaboração física de a experiência da arte não é aqui uma forma de conciliação, mas de estranhamento, pois se encontra aberta à sondagem das associações inconscientes. não apenas como uma denúncia das qualidades imanentes dos objetos A literalidade como um dos modos de existência da arte moderna estético das artes – que não passa de outro nome para a arte moderna – é cache = ./cache/work_kwrb6ccnd5b2blxdixh3w72ffq.pdf txt = ./txt/work_kwrb6ccnd5b2blxdixh3w72ffq.txt === reduce.pl bib === id = work_e6bg65k22zgo5apvhvssjow42a author = Barrie Damarell title = 'Skin' and Pigment: a glance back at the nature and use of the oil pastel date = 2020 pages = 4 extension = .pdf mime = application/pdf words = 879 sentences = 62 flesch = 66 summary = 'Skin' and Pigment: a glance back at the nature and use of the oil pastel 'Skin' and Pigment: a glance back at the nature and use of piece I had written for an exhibition on art therapy curated by Dave Edwards and held in It describes my recollections of people's use of the oil pastel in a Keywords: Learning disability, Loss, Damage, Creative Process In one form or other, the pastel has been in human use for at least 10,000 years and The oil pastel, often in a cardboard box containing others just like it in various hues and the behaviour of the oil pastel under creative use. These observations are drawn from my work with people with learning disabilities and I The 'old box' with its broken fragments of once whole oil pastels was often rejected (not ATOL: Art Therapy OnLine, 11 (1) ATOL: Art Therapy OnLine, 11 (1) cache = ./cache/work_e6bg65k22zgo5apvhvssjow42a.pdf txt = ./txt/work_e6bg65k22zgo5apvhvssjow42a.txt === reduce.pl bib === id = work_xpybsq6fgfg7vp2cnypcan2zw4 author = G.-Fivos Sargentis title = Aesthetical Issues of Leonardo Da Vinci's and Pablo Picasso's Paintings with Stochastic Evaluation date = 2020 pages = 23 extension = .pdf mime = application/pdf words = 10475 sentences = 1380 flesch = 61 summary = we analyze stochastic patterns in terms of the dependence structure of art paintings of Da Vinci and Keywords: aesthetic of art paintings; stochastic analysis of images; Leonardo Da Vinci; Pablo Picasso image evaluation and classification of art paintings with mathematical algorithms is the subject of a image evaluation and classification of art paintings with mathematical algorithms is the subject of a This analysis for image processing is based on a stochastic tool called a climacogram. Stochastic Analysis of the Art Paintings of Leonardo da Vinci (1452–1519) and Pablo Picasso (1881–1973) Stochastic Analysis of the Art Paintings of Leonardo da Vinci (1452–1519) and Pablo Picasso (1881–1973) Stochastic Analysis of the Art Paintings of Leonardo da Vinci (1452–1519) and Pablo Picasso (1881–1973) Stochastic Evaluation of Da Vinci's and Picasso's Art Paintings Stochastic Evaluation of Da Vinci's and Picasso's Art Paintings Stochastic Evaluation of Da Vinci's and Picasso's Art Paintings cache = ./cache/work_xpybsq6fgfg7vp2cnypcan2zw4.pdf txt = ./txt/work_xpybsq6fgfg7vp2cnypcan2zw4.txt === reduce.pl bib === id = work_xjfmzh5jnreatf5x53lnzl6s2m author = Beregovska Kh. title = ICONOGRAPHY AND STYLISTICS IN THE SERIES OF ARTWORKS OF "PASSIONS OF THE CHRIST" BY VASYL KURELEK date = 2018 pages = 5 extension = .pdf mime = application/pdf words = 4577 sentences = 388 flesch = 72 summary = "PASSIONS OF THE CHRIST" BY VASYL KURELEK artworks of "Passions of the Christ" by Vasyl Kurelek. of the famous Ukrainian Canadian artist William Kurelek – "The William Kurelek fi rst had the idea of creating a series of paintings Kurelek created 160 paintings, illustrating verse for verse, of the fi nal three days of Christ, Kurelek travelled to the Holy Land Kurelek believed that he was given his artistic ability in order to illustrated "The Passion of Christ" from the Gospel according of Christ, Canadian, William Kurelek. Christ" has often been depicted by artists throughout a series of paintings about "The Passion of Christ" Kurelek created 160 paintings, to illustrate the entire Gospel according to St. Matthew – a series of 800 paintings. Kurelek was interested in the use of light, colour, and techniques of depiction of the static form, cache = ./cache/work_xjfmzh5jnreatf5x53lnzl6s2m.pdf txt = ./txt/work_xjfmzh5jnreatf5x53lnzl6s2m.txt === reduce.pl bib === id = work_putqykgvy5betdmg7jwak52hj4 author = Dominique de Font-Réaulx title = Carlo Ginzburg, Peur, révérence, terreur. Quatre essais d'iconographie politique date = 2015 pages = 3 extension = .pdf mime = application/pdf words = 693 sentences = 95 flesch = 68 summary = Dominique de Font-Réaulx, « Carlo Ginzburg, Peur, révérence, terreur. politique », Études photographiques [En ligne], Notes de lecture, Avril 2015, mis en ligne le 07 mai 2015, QUATRE ESSAIS D'ICONOGRAPHIE POLITIQUE, Dijon, Les 1 Les quatre essais réunis ici ont été publiés, séparément, entre 2000 et 2009, par Carlo amateurs d'images que nous sommes, au cœur de sa réflexion, offrant au lecteur une racines antiques des images modernes, de percevoir comment ces racines avaient été 2 Ginzburg, fidèle à la notion de la trace laissée par les images antérieures qu'il a mise en d'images antérieures, fondée sur des ressorts émotionnels, à même de susciter terreur et subjuguer par des figurations, fondées moins sur des réalités avérées que sur les Carlo Ginzburg, Peur, révérence, terreur. Carlo Ginzburg, Peur, révérence, terreur. Carlo Ginzburg, Peur, révérence, terreur. Carlo Ginzburg, Peur, révérence, terreur. Carlo Ginzburg, Peur, révérence, terreur. cache = ./cache/work_putqykgvy5betdmg7jwak52hj4.pdf txt = ./txt/work_putqykgvy5betdmg7jwak52hj4.txt === reduce.pl bib === id = work_52eulyy5wnburp7hgvaibu5sfy author = Björn Sundmark title = Editorial date = 2018 pages = 3 extension = .pdf mime = application/pdf words = 909 sentences = 69 flesch = 64 summary = Bookbird: A Journal of International Children's Literature, Volume 56, Number Hazard that children's literature can portray both what makes every culture unique and what is universal: our "humanity." In consequence, by reading books in other languages and from culture rather mission "to promote international understanding through children's books" (mission statement, IBBY children's literature. understanding of and through children's literature. sometimes a topic or theme comes up that particularly well "promotes international understanding through children's books." The special feature of this issue, "translation and transmedia," is ideal for Without books in translation, we are locked of translated books is often very low. is from Svjetlan Junakovic's Great Book of Animal anthropomorphism is heavily featured in children's portraits) thus invites a children's literature reading. repackaging serious art as children's literature. numerous articles on children's International Children's Literature. the study of translation and transmedia. IBBY that an award for the translation of children's children's books. cache = ./cache/work_52eulyy5wnburp7hgvaibu5sfy.pdf txt = ./txt/work_52eulyy5wnburp7hgvaibu5sfy.txt === reduce.pl bib === id = work_wctnc7ot2bdu7hl3fux2wp7jw4 author = Nicolai Maldaner title = Improving the Patient-Physician Relationship in The Digital Era - Transformation From Subjective Questionnaires Into Objective Real-Time and Patient-Specific Data Reporting Tools date = 2019 pages = 4 extension = .pdf mime = application/pdf words = 1384 sentences = 119 flesch = 49 summary = Improving the patient-physician relationship in the digital era Maldaner, Nicolai ; Desai, Atman ; Gautschi, Oliver P ; Regli, Luca ; Ratliff, John K ; Park, Jon ; Maldaner, Nicolai; Desai, Atman; Gautschi, Oliver P; Regli, Luca; Ratliff, John K; Park, Jon; Stienen, Improving the patient-physician relationship in the digital era transformation from subjective questionnaires Into objective real-time and patient-specific data reporting tools. Over the last century, we have seen continuous advances in neurosurgery, while the physician-patient interaction has remained conservatively "untouched." With upcoming digital as progressive if standardized electronic health records (EHR) using patient-reported outcome measures (PROMs) are employed outside clinical studies.1 There are important limitations inherent to this practice. By collecting relevant self-measured outcome data, patients are empowered to take a greater degree of Improving the patient-physician relationship in the digital eraMaldaner N, et al. Improving the patient-physician relationship in the digital eraMaldaner N, et al. cache = ./cache/work_wctnc7ot2bdu7hl3fux2wp7jw4.pdf txt = ./txt/work_wctnc7ot2bdu7hl3fux2wp7jw4.txt === reduce.pl bib === id = work_whhvxrkap5hjfccw7lrjrwvmha author = Zeina Elcheikh title = Remembering 10 June. Curating Memory in Lidice und Oradour date = 2020 pages = 8 extension = .pdf mime = application/pdf words = 1881 sentences = 192 flesch = 77 summary = Archiv-Version des ursprünglich auf dem Portal Visual-History am 09.06.2020 mit der URL: https://visualhistory.de/2020/06/09/remembering-10-june/ Bitte kontaktieren Sie: Für die Neuveröffentlichung von Bild-, Tonund Every year on 10 of June, the French village of Oradour-sur-Glane commemorates the massacre that transf ormed the village into a scenery of ruins. The massacre and destruction of Lidice w as one of the f irst Nazi atrocities the w hole af ter the end of the w ar a new Lidice w as built overlooking the site of the old village. June 10 is a day of commemoration in memory of the massacres of Lidice and In Lidice and Oradour, new villages w ere built to Photo: PeterBraun74, Lidice Memorial, 23 June 2018. Preserving the ruins of Oradour led to the freezing of time in the remains of the village. Curating Memory in Lidice und Oradour, in: Curating Memory in Lidice und Oradour, in: cache = ./cache/work_whhvxrkap5hjfccw7lrjrwvmha.pdf txt = ./txt/work_whhvxrkap5hjfccw7lrjrwvmha.txt === reduce.pl bib === id = work_webh63j5gjeadjof62pcfg6syi author = Ahmet F SEYMEN title = CUMHURİYET DÖNEMİ ŞEHİRCİLİK ÇALIŞMALARI, ALTYAPI VE KENTSEL YAPILAŞMA SORUNLARI date = 2018 pages = 12 extension = .pdf mime = application/pdf words = 5411 sentences = 998 flesch = 60 summary = Araştırma, Cumhuriyet dönemi ile yeni bir başlangıç yapan Türkiye'nin Osmanlı döneminden şehircilik ve imar konusunda nasıl Yeni kurulan ülkenin, toplumunu oluşturan sınıfların savaş sonrası sosyal gelişimine uygun bir düzen A. Osmanlı ve Cumhuriyet döneminin sanayii devrimini gerçekleştiren İngiltere ile kısa mukayesesi Ülke tam bir monarşi ile idare ediliyor. B. Osmanlı Devleti'nde modern anlamda bir yerel yönetim geleneği ve sisteminin olmadığını söylemek Osmanlı Devleti genelde askeri bir merkezilşeme ile idare edilen imparatorluk olarak yapılanmış ve bu Bu sınıf Osmanlı toplumunun büyük bir kısmını kapsamaktadır. Osmanlı devletinin en sarsıcı ve sıkıntılı dönemi olan 1700'lü yıllarda Avrupa da başlayan ve uzunca bir süre olduğu, ticaret ve sanayi işleri ile uğraşan kesimin, toplumun çok küçük bir kısmını oluşturduğu sebebiyle Cumhuriyete kadar başarılı bir şekilde devam etti.(Çiçek, Nisan 2014) . Osmanlı belediyeciliği genel anlamda bir yerel yönetim 1973 yerel seçimleri ile birlikte ilk kez İstanbul, Ankara ve İzmir gibi büyük dışında bir süreç olarak gözükmektedir. cache = ./cache/work_webh63j5gjeadjof62pcfg6syi.pdf txt = ./txt/work_webh63j5gjeadjof62pcfg6syi.txt === reduce.pl bib === id = work_cdmwfeoywbentpsugpvzujatxe author = Eugenio Barba title = The Deep Order Called Turbulence The Three Faces of Dramaturgy date = 2000 pages = 11 extension = .pdf mime = application/pdf words = 4516 sentences = 253 flesch = 62 summary = is a way to live a freedom that is only free if the results of our own work succeed in influencing other people and winning them over to our side. Another difference is that while the complexity of the natural processes determining life often appear as an admirable order, the paths which lead to the Why then do I insist so strongly on the work of the actor at a pre-expressive level; on the importance of precision in fixing and knowing how to repeat the precise pattern of the actions; on the value of one's independence In theatre this paradox is mainly present on two different levels of organization: that of the actor and that of the narrative dramaturgy. If we have been able to work at different levels of organization of the performance, then each of these has a life and function of its own. cache = ./cache/work_cdmwfeoywbentpsugpvzujatxe.pdf txt = ./txt/work_cdmwfeoywbentpsugpvzujatxe.txt === reduce.pl bib === id = work_i6322ydparc2bn4u637yhun6qi author = Amir Muzur title = Bioethics of handedness: from evolution to resolution? date = 2009 pages = 6 extension = .pdf mime = application/pdf words = 1869 sentences = 208 flesch = 65 summary = Departing from historical facts and speculations on the evolution of human right-hand dominance (including theories on the development of right-handedness and cultural and linguistic Key words: left-right; handedness; bioethics; eugenics reveal a clear domination of right-handedness (Coren, 1992), we still have no (Hunt, Corballis, and Gray, 2001), but the hypertrophy in crabs or the dominant arm use in chimpanzees is randomly right or left (Napier, 1993). some other left-side brain structures, as well as of many functional asymmetries (Bryden, 1982; Corballis, 1983; Beaton, 1985; Kosslyn et al., 1999) do also have a left-hemisphere dominance for hand motor function, but there We also know that left-handedness is either genetic3 or pathological. The other cause of left-handedness seems to be a shift after pathological changes in the right hemisphere (Galaburda and Habib, 1989)4. Pathological left-handedness may be considered a marker of decreased York/London, USA/UK: Academic Press. New York, USA: Academic Press. cache = ./cache/work_i6322ydparc2bn4u637yhun6qi.pdf txt = ./txt/work_i6322ydparc2bn4u637yhun6qi.txt === reduce.pl bib === id = work_rc6lhlcx45gzfmy267uc5kngsq author = Svitlana Smolenska title = Avant-garde architecture and art of the 1920s–1930s in Ukraine and European modernism: interpenetration methods date = 2019 pages = 8 extension = .pdf mime = application/pdf words = 3971 sentences = 360 flesch = 61 summary = Avant-garde architecture and art of the 1920s–1930s in Ukraine 2. Free access of Ukrainian architects and artists to foreign professional periodicals. European contests and international exhibitions of different levels as well as the participation of foreigners in exhibitions and competitions in Ukraine. foreign art and architectural exhibitions, articles prepared reviews of foreign professional literature, as well as articles on the state of modern architecture in different countries in each issue. of interests that are close to us in terms of new directions in architecture and their interrelation with the construction of cities and villages, in which the work of Soviet Avant-garde architecture and art of the 1920s–1930s in Ukraine /Architektura i sztuka w latach 1920–1930 na Ukrainie 17 Avant-garde architecture and art of the 1920s–1930s in Ukraine /Architektura i sztuka w latach 1920–1930 na Ukrainie 17 Avant-garde architecture and art of the 1920s–1930s in Ukraine /Architektura i sztuka w latach 1920–1930 na Ukrainie 17 cache = ./cache/work_rc6lhlcx45gzfmy267uc5kngsq.pdf txt = ./txt/work_rc6lhlcx45gzfmy267uc5kngsq.txt === reduce.pl bib === id = work_rbdpha2rzvfbvdecyrhqfnlcle author = R S Morton title = Syphilis in art: an entertainment in four parts. Part 4 date = 1990 pages = extension = .pdf mime = application/xml words = 144 sentences = 26 flesch = 71 summary = sys_1000 wp-p1m-38.ebi.ac.uk wp-p1m-38.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write('[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]'.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 219768571 (wp-p1m-38.ebi.ac.uk) Time: 2021/04/06 02:40:59 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ cache = ./cache/work_rbdpha2rzvfbvdecyrhqfnlcle.pdf txt = ./txt/work_rbdpha2rzvfbvdecyrhqfnlcle.txt === reduce.pl bib === id = work_bdgouxk4a5fqve3cmyifkucwra author = Luciano Floridi title = Artificial Intelligence, Deepfakes and a Future of Ectypes date = 2018 pages = 5 extension = .pdf mime = application/pdf words = 2225 sentences = 162 flesch = 69 summary = Others are fakes or forgeries, like the BVermeers^ painted by Han van Figure 1 A fake, the original is BLodge on Lake Como^ by Carl Frederik Peder Aagaard (1833–1895) the information needed to produce a new painting by Rembrandt. would be as close as possible to Rembrandt's style and way of painting. Bauthentic^ in style and content, but not Boriginal^, in terms of archetypal source, like artefacts, like Microsoft's Rembrandt, or inauthentic but original artefacts. example of an inauthentic original ectype was provided in March by an audio recording We saw that the production of ectypes does not stop at the work of art, but involves easy to imagine that, like Magritte faking his own painting, they will start producing Table 1 Archetype, fake and ectypes Original source Authentic production Next, as regards new artefacts, because originality and authenticity are like the Microsoft's Rembrandt, or Kennedy's speech. cache = ./cache/work_bdgouxk4a5fqve3cmyifkucwra.pdf txt = ./txt/work_bdgouxk4a5fqve3cmyifkucwra.txt === reduce.pl bib === === reduce.pl bib === id = work_5afqy7hflbg7bodhnnw3zbccem author = A Koziczak title = THE FORM OF PAINTER'S SIGNATURE AND ITS SUITABILITY FOR THE ASSESSMENT OF THE AUTHENTICITY OF PAINTINGS date = 2017 pages = 8 extension = .pdf mime = application/pdf words = 3061 sentences = 230 flesch = 55 summary = identification, and which are not, and therefore, that in some cases, despite the correspondence of signature with the exemplars, conclusion about its authenticity is invalid. Keywords: painters' signature, authenticity of paintings, art forgery, fake painting, handwriting identification, authenticity of the signature, art market into consideration that the authenticity of a signature does not mean that the painting conclusions regarding the authenticity of signatures are greater if the examined result only in a non-categorical conclusion, such as there are no grounds to question the authenticity of the signature. odds of drawing a categorical conclusion denying the authenticity of a signature A long signature, with a large number of graphic features – possible categorical conclusions about its authenticity (photo: A. Examining the authenticity of a signature also depends on the dynamics (freedom High dynamics of signature provides solid ground for conclusions as to the authenticity of A conclusive confirmation of authenticity of a signature is only possible for cache = ./cache/work_5afqy7hflbg7bodhnnw3zbccem.pdf txt = ./txt/work_5afqy7hflbg7bodhnnw3zbccem.txt === reduce.pl bib === id = work_s366qv3rr5fyvptkbwuqob5fsq author = (:Unkn) Unknown title = "When the People are the Context. Putting the ""Minor"" Picasso-Arias Collection and Its ""Major"" Context onto the Web" date = 2015 pages = 3 extension = .pdf mime = application/pdf words = 2436 sentences = 511 flesch = 48 summary = Museum1 on the World Wide Web. Both the collection and its web site are merely minor anecdotes considering their respective contexts. The making of the Museum Web site offered the The Web site's "digital exhibit design" is just a few the collection's origins become a true point of interest when Collection on exhibit in Buitrago del Lozoya's Picasso Collection on exhibit in Buitrago del Lozoya's Picasso on the Web site where we aim to document the context. PUTTING THE "MINOR" PICASSOARIAS COLLECTION AND ITS "MAJOR" CONTEXT ONTO THE WEB The museum's web site came about with the intention of offering itself as a place where a host of different itineraries can museums or for Picasso's work. context lies in the evocation of the closely knit personal relationships and friendships that Picasso and Arias had In order to present the collection's context on the site, "low 1 Museo Picasso Colección Arias: http://www. /Swiss721BT-Bold /Swiss721BT-Italic cache = ./cache/work_s366qv3rr5fyvptkbwuqob5fsq.pdf txt = ./txt/work_s366qv3rr5fyvptkbwuqob5fsq.txt === reduce.pl bib === id = work_zjihesfr2bfh3l3bkvsnqiciuq author = Patrick H. Alexander title = Publisher's Note date = 2012 pages = 84 extension = .pdf mime = application/pdf words = 18946 sentences = 3732 flesch = 88 summary = This season, these include a book on a little-known World War II unit devoted to enemy deceptions (think inflatable tanks and faux-painted village rooftops) comprising many wellknown artists and designers; a book celebrating the work of designers and architects still creating in developed by both the United States and Canada; catalogs of under-published design geniuses artists and designers working with old-school printing Graphic Design: The New Basics Graphic Design: The New Basics Design: The New Basics, bestselling author Ellen Lupton of visual language that inform any work of design, from design magazines and books about New Orleans eleven case studies by artists and designers working contemporary felt designers and artists There has never been anyone in the design world like best known for his book designs, which combine his illustration and design, Inside the Rainbow also includes the popular design collective Friends of Type (authors Graphic Design: The New cache = ./cache/work_zjihesfr2bfh3l3bkvsnqiciuq.pdf txt = ./txt/work_zjihesfr2bfh3l3bkvsnqiciuq.txt === reduce.pl bib === id = work_dcrzpqbnajhntbziepkctbmvhi author = Lynn D. Dierking title = A Comprehensive Approach to Fostering the Next Generation of Science, Technology, Engineering, and Mathematics (STEM) Education Leaders date = 2010 pages = 13 extension = .pdf mime = application/pdf words = 6136 sentences = 252 flesch = 48 summary = Science & Mathematics Education Department, Oregon State University, 235 Weniger Hall, Corvallis, research and education practice to better support lifelong STEM learning. The program offers 3 degree options: (1) a M.S. in Science Education or support the development of an online Master's of Science degree program with two learning settings (science centers, museums, zoos and aquariums, national and state graduate and research/development program in free-choice learning with high science and mathematics learning and teaching and is a flexible-enough course to Science Materials and Labs: Nature of Science, and the Designing of ProblemBased Curricula courses will also be good options for FCL students depending the core courses to have special sections for free-choice learning students. two students have chosen to pursue doctoral programs in science education research Science in Professional Teacher Education Licensure program, which prepares learning science in and out of the classroom, and teacher professional development. cache = ./cache/work_dcrzpqbnajhntbziepkctbmvhi.pdf txt = ./txt/work_dcrzpqbnajhntbziepkctbmvhi.txt === reduce.pl bib === id = work_7c2ri3cecverld743zahbx5obe author = Reva Wolf title = Homer Simpson as Outsider Artist, or How I Learned to Accept Ambivalence (Maybe) date = 2006 pages = 13 extension = .pdf mime = application/pdf words = 6885 sentences = 683 flesch = 79 summary = Homer creates art in the "Mom and Pop Simpsons, entitled "Mom and Pop Art," written by Al Jean and directed by Steven Homer's aversion to any cultural activities that might be deemed "high art." We sion "Comic Art," New York, February 20, 2003, Art" episode of The Simpsons on Fox. Art" episode of The Simpsons on Fox. 1. "Mom and Pop Art," The Simpsons, originally and Astrid Weller includes Homer's barbecue pit in an exhibition of outsider art Homer (as we know from several previous Simpsons' episodes).'3 We catch Johns Homer Simpson and Johns, In the "Mom and Pop Art" episode, Homer eventually manages to slip Homer Simpson as Outsider Artist, or How I Learned to Accept Ambivalence (Maybe) [pp. Homer Simpson as Outsider Artist, or How I Learned to Accept Ambivalence (Maybe) [pp. Homer Simpson as Outsider Artist, or How I Learned to Accept Ambivalence (Maybe) [pp. cache = ./cache/work_7c2ri3cecverld743zahbx5obe.pdf txt = ./txt/work_7c2ri3cecverld743zahbx5obe.txt === reduce.pl bib === id = work_oeovey4y7zbtfhtvvmpdl2nice author = Enrique Solanich Sotomayor title = Escultura pública y la cúpula de la Basílica de Lourdes de Santiago date = 2006 pages = 12 extension = .pdf mime = application/pdf words = 2504 sentences = 335 flesch = 68 summary = Profesor de Historia del Arte en Facultad de Ciencias Físicas y Matemáticas de la Universidad de Chile. Y, por último, el año 1947 se funda el Museo de Arte Contemporáneo, corolario de los afanes de modernidad y transferencias culturales reseñadas2. maestros que exiliados o refugiados en provincias, reciben los reconocimientos y homenajes debidos, sus trabajos son difundidos en libros y muestras itinerantes, consolidando definitivamente el arte moderno. testero, es adaptada por los cristianos para sus primeros templos desde el En los años treinta del siglo pasado se decide la Las figuras de los dieciséis profetas que circundan la cúpula de la Basílica Yendo más allá, Lily Garafulic propicia, sin sospecharlo, una fresca poética del espacio urbano y colectivo como soporte de arte, retomada luego Vista de los profetas en la Cúpula de la Basílica de Lourdes, hormigón armado, comuna de Quinta Normal, cache = ./cache/work_oeovey4y7zbtfhtvvmpdl2nice.pdf txt = ./txt/work_oeovey4y7zbtfhtvvmpdl2nice.txt === reduce.pl bib === id = work_mk2gagjjbrb3vpvkpjwglc6rve author = Pedro Emilio Zamorano title = Artes visuales en Chile durante la primera mitad del siglo xx: Una mirada al campo teórico date = 2011 pages = 20 extension = .pdf mime = application/pdf words = 7914 sentences = 1010 flesch = 68 summary = algunos autores tales como Ricardo Richon-Brunet, Antonio Romera y Jean Emar, vinculando sus discursos teóricos con aquellos momentos y contenidos más importantes siglo XX: el primero, que calificaremos como de orientación e información inicial, a través de crónicas escritas, entre otros, por Ricardo Richon Brunet, nathanael yáñez Silva, más algunas figuras provenientes del En los años iniciales del siglo XX la contribución teórica más importante fue el Diccionario biográfico de pintores4, de Pedro Lira (1902). ámbito literario, entre ellos Manuel Magallanes Moure7, Pedro Prado8, álvaro yáñez Bianchi (Jean Emar)9, Augusto D'Halmar10, Vicente Huidobro y, introductor y fundador del arte de la pintura en Chile, en tanto que a Pedro El modelo europeo clasicista fue el paradigma que impregnó el escenario de las artes visuales en el país en los inicios de la pasada centuria. primera muestra que destaca, en los inicios del siglo XX, fue la Exposición cache = ./cache/work_mk2gagjjbrb3vpvkpjwglc6rve.pdf txt = ./txt/work_mk2gagjjbrb3vpvkpjwglc6rve.txt === reduce.pl bib === id = work_77b2fbbsl5abdno4o2bg2jzyiq author = MARTIN M. WINBURY title = Muscarinic Action of Murexine and Some Related Choline Esters date = 1957 pages = 9 extension = .pdf mime = application/pdf words = 3264 sentences = 399 flesch = 63 summary = célból bemutatom, hogy egyfelől a metaforikus alkotás vagy átváltoztatás, másfelől a befogadás, valamely dolognak egy másik, különböző dologként történő értelmezése vizuális képesség. azzal a metaforadefinícióval, amely szerint a metafora eredendően fogalmi vagy nyelvi jelenség, és annak szemantikai folyamatára, tágabb értelmére és kognitív értékére épül. vizuális metaforát tekintem paradigmatikusnak, mint a fogalmi vagy a nyelvi Közismert, hogy Lakoff és Johnson fogalmi-kognitivista metaforaelméletet fogalmaznak meg, amelyben a metafora nem pusztán a fogalomalkotó elme szüleménye, hanem maga is teljes egészében konceptuális. kötöttek, akkor a metafora megértése vagy konceptualizálása másodlagossá válik, az első helyre a metaforikus külső-vizuális struktúra, vagyis maga a metafora társított dolog egy részét megfeleltetjük egy másiknak, vagyis „a vizuális metaforák olyan képi vagy másként vizuális eszközöket használnak, amelyek azonosságukra utalva segítik a szemlélőt, hogy a metaforikus összefüggést felismerje" A vizuális metafora egy kép vagy tárgy materiális konstrukciója. Nem az a kérdés, hogy a metafora fogalmakból vagy képekből ered-e. konfiguráció, szintaktikai elrendezés vagy tárgyi kompozíció, mint az, hogy egy cache = ./cache/work_77b2fbbsl5abdno4o2bg2jzyiq.pdf txt = ./txt/work_77b2fbbsl5abdno4o2bg2jzyiq.txt === reduce.pl bib === === reduce.pl bib === id = work_nxdulugj7vdk3jnsbwlapf7p54 author = Kimberly A. Francis title = Review of Maureen Carr, Multiple Masks: Neoclassicism in Stravinsky's Works on Greek Subjects (University of Nebraska Press, 2002) date = 2007 pages = 6 extension = .pdf mime = application/pdf words = 2817 sentences = 192 flesch = 60 summary = Neoclassicism in Stravinsky's Works on Greek Subjects, Maureen Carr addresses the compositional processes involved in the KEYWORDS: Igor Stravinsky, sketch studies, neo-classicism, Greek, Apollo Musagète, Oedipus Rex, Perséphone, Orpheus ABSTRACT: Igor Stravinsky composed four neo-classical dramatic works based on Greek subjects between 1926 and 1948. Carr's work helps piece together the desire of some early twentieth-century artists to avoid overt emotionalism in music, and [5] Moving beyond these general criteria for the neo-classic aesthetic, Carr reveals other forms of borrowing that Stravinsky [6] The next four chapters of Carr's book deal chronologically with the four neo-classical works on Greek topics, and they all This methodology allows Carr to trace the evolution of Stravinsky's neo-classical style while identifying [10] Outside of purely musical considerations, Carr's book also retraces the many collaborative relationships Stravinsky For both of the texted works, Oedipus Rex and Perséphone, Carr cache = ./cache/work_nxdulugj7vdk3jnsbwlapf7p54.pdf txt = ./txt/work_nxdulugj7vdk3jnsbwlapf7p54.txt === reduce.pl bib === id = work_nytbtr3rtjbnxlzwcrzj7mzcse author = G.I. title = A la Recherche du Temps Perdu date = 1976 pages = 10 extension = .pdf mime = application/pdf words = 5609 sentences = 1375 flesch = 86 summary = Civil War the paths of Spain and of the western world drifted outbursts of social and political revolt which sounded to the absentminded western world rather like a family quarrel next door, until Francoist regime, and especially the Falangist Party, presented Spain, potentially one of the richest countries in Europe, well industrialized countries of western Europe at bay when faced with inevitably used by political scientists in Spain was at variance with partisan western students of politics left Spanish political scientists scientists from Spain were at times received in the west ('is he a which Spanish social scientists received their western colleagues examine the options facing Spain at the end of the Franco regime. Spanish politics after the death of Franco is that, given the Communist Party of Spain (in Paul Preston's study) at the other title 'The Spanish Economy: Politics First', and then by showing the possibilities of Spain joining the European Community. cache = ./cache/work_nytbtr3rtjbnxlzwcrzj7mzcse.pdf txt = ./txt/work_nytbtr3rtjbnxlzwcrzj7mzcse.txt === reduce.pl bib === id = work_ayimb26c6rc33jzuioo3i4fmim author = Rachel Hajar title = Despair and Hope date = 2017 pages = extension = .pdf mime = text/html words = 194 sentences = 36 flesch = 67 summary = Despair and Hope | Semantic Scholar Skip to search formSkip to main content> Semantic Scholar's Logo Search Sign InCreate Free Account Some features of the site may not work correctly. DOI:10.4103/HEARTVIEWS.HEARTVIEWS_58_17 Corpus ID: 5062276Despair and Hope title={Despair and Hope}, journal={Heart Views : The Official Journal of the Gulf Heart Association}, Heart Views : The Official Journal of the Gulf Heart Association View on Wolters Kluwer doi.org Launch Research Feed Share This Paper Topics from this paper Feeling despair Topics Related Papers Related Papers Stay Connected With Semantic Scholar Sign Up About Semantic Scholar Semantic Scholar is a free, AI-powered research tool for scientific literature, based at the Allen Institute for AI. DatasetsSupp.aiAPIOpen Corpus Terms of Service•Privacy Policy The Allen Institute for AI By clicking accept or continuing to use the site, you agree to the terms outlined in our Privacy Policy, Terms of Service, and Dataset License ACCEPT & CONTINUE cache = ./cache/work_ayimb26c6rc33jzuioo3i4fmim.pdf txt = ./txt/work_ayimb26c6rc33jzuioo3i4fmim.txt === reduce.pl bib === id = work_7qkrrpxgdfevncbo2wkxsowiau author = Hasan SUNGUR title = ORTAÖĞRETİM ÖĞRENCİLERİNİN MİLLİYETÇİLİK VE KAHRAMANLIK ALGILARININ CİNSİYETE VE OKUL TÜRÜNE BAĞLI DEĞİŞİMİNİN SOSYOLOJİK ANALİZİ date = 2013 pages = 27 extension = .pdf mime = application/pdf words = 6234 sentences = 1150 flesch = 73 summary = boyutunda ise özel okul öğrencileri lehine anlamlı bir fark bulunmuştur. Martin Luther, Josef Stalin alt boyutlarında ise özel okul öğrencileri lehine anlamlı bir boyutlarında ise özel okul öğrencileri lehine anlamlı bir fark bulunmuştur. boyutlarında ise özel okul öğrencileri lehine anlamlı bir fark bulunmuştur. boyutlarında ise özel okul öğrencileri lehine anlamlı bir fark bulunmuştur. kız öğrenciler için olduğundan daha önemli bir kahramanlık özelliği olduğu tespit okulu öğrencileri için özel okul öğrencileri için olduğundan daha önemli bir kahramanlık öğrencileri için devlet okulu öğrencileri için olduğundan daha önemli bir kahramanlık olduğundan daha önemli bir toplumsal değer olduğu tespit edilmiştir. kız öğrenciler için erkek öğrenciler için olduğundan daha önemli bir toplumsal değer öğrencileri için olduğundan daha önemli toplumsal değerler olduğu tespit edilmiştir. özel okul öğrencileri için devlet okulu öğrencileri için olduğundan daha etkileyici olduğu Josef Stalin kimlikleri ise daha çok özel okul öğrencilerince kahraman olarak "Ideology and United States History Textbooks." Harvard Educational cache = ./cache/work_7qkrrpxgdfevncbo2wkxsowiau.pdf txt = ./txt/work_7qkrrpxgdfevncbo2wkxsowiau.txt === reduce.pl bib === id = work_7zuvrdfg7vbbtkyhu3lttiqjjq author = Chun-Kun Park title = Inside-Out and Outside-In Techniques in Endoscopic Spine Surgery: Are These Techniques Efficient Even for Pathology Irrelevant to the Intervertebral Foramen? date = 2020 pages = 3 extension = .pdf mime = application/pdf words = 1308 sentences = 111 flesch = 57 summary = "Inside-out (I-O)"—this simple phrase, which Yeung introduced in the 1990s, has become one of the standard terms used by endoscopic spine surgeons.1 Furthermore, the I-O A comparative study2 in foraminal stenosis demonstrated that I-O had better long-term results at a 5-year follow-up than the outside-in (O-I) technique. in free nerve roots by decompression in the last endoscopic view.3 According to these descriptions, I-O and O-I are surgical techniques for pathologies that are only accessible through nology, this technique can be referred to as unilateral laminotomy with bilateral spinal canal decompression (ULBD), and another synonym in endoscopic surgery is "cross-over." The original application of this technique was in open surgery.6 This However, not a few endoscopic spine surgeons, including Yeung, still place a high value on I-O taking the foraminal route and insist that the ETD Inside-out approach of lumbar endoscopic unilateral laminotomy for bilateral decompression: a detailed technical description, rationale and outcomes. Full endoscopic, bilateral overthe-top decompression for lumbar spinal stenosis. cache = ./cache/work_7zuvrdfg7vbbtkyhu3lttiqjjq.pdf txt = ./txt/work_7zuvrdfg7vbbtkyhu3lttiqjjq.txt === reduce.pl bib === id = work_dzmsk45m5jceng2tmjddueulkm author = Ricardo López P title = Crear o copiar... ¿Cuál es la diferencia? date = 2009 pages = 6 extension = .pdf mime = application/pdf words = 3677 sentences = 560 flesch = 74 summary = Plagio es el acto de apropiación de una obraajena con el propósito de presentarla como diferencia entre crear y copiar, como dos procesos Es preciso asumir, por tanto, que toda creación como algo que surge de la nada (creatio ex nihilo), a la creación como un fenómeno que que sólo podía cumplir Dios, los seres humanos una manera de utilizar provechosamente lo que "Los hombres son en las cosas más importantes oportunidad: "La originalidad no es más que una una nube y tu color y forma son como yo los deseable que la diferencia entre crear y copiar situaciones nuevas, una crisis o un problema que para presentar los antiguos mitos desde una partir de una historia tradicional danesa que ya creación intelectual, que de paso abre otra vertiente para el debate sobre las diferencias y los Esta ley reconoce que todos los libros, sin considerado autor del Quijote, sin que alguien cache = ./cache/work_dzmsk45m5jceng2tmjddueulkm.pdf txt = ./txt/work_dzmsk45m5jceng2tmjddueulkm.txt === reduce.pl bib === id = work_4r4bfhb4dngefilqgf2rxvbkym author = Chua Yan Piaw title = Hindrances to Internal Creative Thinking and Thinking Styles of Malaysian Teacher Trainees in the Specialist Teachers' Training Institute date = 2011 pages = 6 extension = .pdf mime = application/pdf words = 3721 sentences = 299 flesch = 66 summary = Hindrances to Internal Creative Thinking and Thinking Styles of Malaysian Teacher Trainees in the Specialist Teachers' Training Institute The aim of this study is to identify hindrances to internal creative thinking and thinking styles of a group of Malaysian teacher of the hindrances to internal creative thinking, that is, stimulus fixity. Keywords: Internal creative thinking, thinking style, teacher trainees, stimulus fixity, functional fixity his research subjects (secondary school students) are less creative because of functional fixity. The objectives of this study are to identify: 1) hindrances to internal creative thinking in teacher trainees from the functional fixity, another hindrance to internal creative thinking. Since this is a descriptive research, data for hindrances to internal creative thinking (stimulus fixity and The frequency and percentage for hindrances to internal creative thinking of the subjects are shown in Table 1. Frequency and percentage of the hindrances to internal creative thinking ability of the subjects (N = 232) cache = ./cache/work_4r4bfhb4dngefilqgf2rxvbkym.pdf txt = ./txt/work_4r4bfhb4dngefilqgf2rxvbkym.txt === reduce.pl bib === id = work_jl3ufvuuwzacbac4s4k4slx7mi author = Barbara A. Tenenbaum title = At the Crossroads: Diego Rivera and His Patrons at MoMA, Rockefeller Center, and the Palace of Fine Arts. By Catha Paquette. Austin: University of Texas Press, 2017. 130 photos. Pp. 342. $95.00 cloth; $29.95 paper date = 2018 pages = 3 extension = .pdf mime = application/pdf words = 1523 sentences = 91 flesch = 61 summary = converging histories of Manuel Lozada's life, peasant rebellion, political boundaries, And although Brittsan has mined archives in Guadalajara and Mexico City, along with a few other sources, to recreate the political culture of Lozada and his peasant At the Crossroads: Diego Rivera and His Patrons at MoMA, Rockefeller Center, and the yet another discussion of Diego Rivera and the mural proposed for Rockefeller Center. (MoMA) in New York City, largely a Rockefeller project. the conflictive situation in New York affected Rivera's art and how it came to be that Street Democracy: Vendors, Violence, and Public Space in Late Twentieth-Century Mexico. García explores the historical experience of the street vendors as they resisted corrupt formed independent unions, like the Popular Union of Street Vendors (UPVA), they Mendiola García's interviews with street vendors and student organizers offer rare groups, the politics of the union, repression by the government, the neoliberal turn of cache = ./cache/work_jl3ufvuuwzacbac4s4k4slx7mi.pdf txt = ./txt/work_jl3ufvuuwzacbac4s4k4slx7mi.txt === reduce.pl bib === id = work_4vghkspkyjg73ei2l35dzsylqm author = Emil Vlajic title = Physicians in the eyes of artists date = 2015 pages = 9 extension = .pdf mime = application/pdf words = 3762 sentences = 760 flesch = 81 summary = i njegovo viđenje od strane ljudi koji nisu doktori. Posebno viđenje imaju oni koji od lekara očekuju pomoć veštinu prikažu svu kompleksnost odnosa lekara i pacijenta. analizirano sedam slika, sedam umetnika, gde se prikazuje upravo odnos lekara i pacijenta. neki način odnos pacijenta i doktora ostavlja u Svaka slika ima svoju priču, koja je duboka, Van Gog je načinio dva poretreta doktora Gašea. Frida Kalo, Autoportret sa portretom doktora Farila, 1951. koji je bio u tom stepenu da može da slika (mada kolicima, doktor je na platnu, u svetu koji nije u Frida drži u ruci pred portretom svog doktora, je lekar koji zaista brine o svom pacijentu. pacijent, koji je bio na samrti, naslikao sve to. vraćanja iz mrtvih uz pomoć doktora koji iz te Doktor sedi pored bolesnog deteta u odnosa doktora prema malom pacijentu čiji je Slika Dva doktora i smrt ima jasnu cache = ./cache/work_4vghkspkyjg73ei2l35dzsylqm.pdf txt = ./txt/work_4vghkspkyjg73ei2l35dzsylqm.txt === reduce.pl bib === id = work_kkez6le2mzdzfdu7fjhtd6cnzi author = Yoon Ha title = War, Peace, and Neurospine date = 2018 pages = 2 extension = .pdf mime = application/pdf words = 1119 sentences = 78 flesch = 58 summary = War, Peace, and Neurospine People in Asian countries suffered from long periods of pain and desperation; however, with the development of medical and scientific knowledge, especially the discovery of antibiotics and blood replacement, many soldiers on the battlefield could survive their initial spinal injuries by more aggressive and invasive spine surgical procedures. Also, both World War provided opportunity for building formal and strong neurosurgery In the Korean War, neurosurgeons recommended that all soldiers with penetrating injuries of the cervical spine undergo development of spine doctors throughout the world. In the future, Neurospine will actively continue to publish papers on spine medicine from the DPRK, and Korean War. As important opinion leaders in each of our countries, Neurospine's authors and editors would contribute to harmony among Asian nations and strive towards building peace History of spine surgery in the ancient and A history of military spine surgery. cache = ./cache/work_kkez6le2mzdzfdu7fjhtd6cnzi.pdf txt = ./txt/work_kkez6le2mzdzfdu7fjhtd6cnzi.txt === reduce.pl bib === id = work_qqlqdxgsgbhepi3z6uhq33ra5y author = Michele Valentino title = Shaping identities through Street Art. Iconography of social claims in Orgosolo's Murales date = 2020 pages = 10 extension = .pdf mime = application/pdf words = 7373 sentences = 896 flesch = 78 summary = Shaping identities through Street Art. Iconography of social claims in Orgosolo's Murales. street art; murales; visual communication; Orgosolo; Sardinia sual languages in public space, connecting political events with artistic manifestations. In the same way, in Orgosolo, similarly to the Mexican experience, the realisation of murals becomes an opportunity to visually manifest dissent Indeed, the experience of Murals in Orgosolo is closely linked to of Mexican Muralism, represent an explicit reference in figurative languages and the practice of public art capable of self-representing communities, allowing them to express identities and opinions. The subjects portrayed in the murals of San Sperate mainly rely on daily life or social and environmental reasons differing from those Orgosolo, For many years in Orgosolo, the act of portraying local and world affairs through the practice of murals Therefore, this research shows that the case study of Orgosolo's murals is a classic example of invented tradition. cache = ./cache/work_qqlqdxgsgbhepi3z6uhq33ra5y.pdf txt = ./txt/work_qqlqdxgsgbhepi3z6uhq33ra5y.txt === reduce.pl bib === id = work_yrpwjvnrknfwvcjx7malbhbxc4 author = Mutlu SEVEN title = KAVRAMSAL YAPITLARIN OLUŞTURDUĞU SANAT PAZARI VE DAMIEN HIRST date = 2018 pages = 12 extension = .pdf mime = application/pdf words = 3970 sentences = 550 flesch = 67 summary = getirdiği liberal sistemin oluşmasıyla birlikte ekonomik açıdan yeni alanlar oluşturma noktasında sanat etkin bir rol oynamıştır. İngiliz sanatçı Damien Hirst yaptığı sıra dışı çalışmalarla Saatchi'nin dikkatini Anahtar kelimeler: Güncel Sanat, Damien Hirst, İngiliz Sanatı, Marka, yüzyılın başlarında yenilikçi ve öncü bir sanat akımı olarak Avrupa'da ortaya çıktı. Pazara sürülen yeni üretimlerle birlikte hem sanatçı açısından ve hem de destekleyicisi açısından sanat, ekonomik bir güç kaynağına evrilmiştir. Bu nedenle sanat eleştirmeni Hal Foster postmodern sanatçıyı bir tür "gösterge manipülatörü" olarak adlandırır (Antmen, 2016: 277). 1980'den sonra Britanya'da "Genç İngiliz Sanatçılar" (YBA Grubu) olarak nitelendirilen bir sanatçı grubu ortaya çıkmıştır. 2008 yılında Sotheby'de (Londra'da) düzenlenen müzayede ile doğrudan sanat alımlayıcısı ile buluşan Damien Hirst, yaptığı satışlarla 111.464 milyon sterlinlik bir rakam elde etmiştir. Marka sanatçı olma noktasında sanatçıları finanse eden ticari güç; güncel, çarpıcı (sansasyonel) ve revaç kavramları ile kültürel bir sektörü de var etmiştir. Hirst de sanat pazarında önemli bir marka değeri haline gelmiştir. cache = ./cache/work_yrpwjvnrknfwvcjx7malbhbxc4.pdf txt = ./txt/work_yrpwjvnrknfwvcjx7malbhbxc4.txt === reduce.pl bib === id = work_t6x5u35c4zdtbeh3qba54nm57m author = Pavel Stepanek title = PEDRO FLORES EN PRAGA, EN 1946 date = 1986 pages = 20 extension = .pdf mime = application/pdf words = 5058 sentences = 1001 flesch = 90 summary = del gi-upo d e los españoles d e París. 2 Entre los pintores, e s ante todo el parisienae Josef Síma quien en 10s años 30 se inspira en organizadores d e la exposición d e 1946, y que una fotografía colectiva d e la acogida de los En este marco se inserta, entonces, la gran exposición d e artistas espanoles residentes en París que, bajo auspicios gubernamentales, comenzó otras Habrá que recordar antes, que esta admiración artística hacia los españoles data en Praga desde los primeros años del cubismo. Pedro Flores nacen del anhelo de parafrasear todo 10 que en su país de.jó la que .Flores y Bores dan una idea de la pintura española expresándose con a la derecha (abajo), . d e los dibujos más depurados del entre los artistas españoles del grupo parisiense,, y de la apreciación que tuvo cache = ./cache/work_t6x5u35c4zdtbeh3qba54nm57m.pdf txt = ./txt/work_t6x5u35c4zdtbeh3qba54nm57m.txt === reduce.pl bib === === reduce.pl bib === id = work_3a6yujs4djeibplbkwlxln3b7y author = Fabio Galimberti title = La vergogna della creazione date = 2017 pages = 6 extension = .pdf mime = application/pdf words = 3456 sentences = 500 flesch = 70 summary = sublimazione come messa in opera della verità e del godimento. gioco, sia nel suo versante pulsionale, per come è un trattamento della soddisfazione che sottrazione del corpo al lavorio della pulsione, tempo festivo, vacante, nel quale non tutto come può essere riformulata l'idea di sublimazione: è una messa inopera della verità e del Che l'animale uomo ad un certo punto della sua evoluzione abbia d'improvviso La questione che Hauser, come altri, apre è quella della stranezza del loro collocamento. È probabile che l'arte parietale primitiva non sia stata praticata soltanto all'interno delle al primo e riprende quella sottrazione alla volontà di potenza della pulsione, che Freud dell'organismo da parte del trauma della lingua, la sua penetrazione e fissazione in forma quella folla di animali e di simboli deposta sulle pareti delle grotte, come quello che l'uomo dell'andarsene, la scelta del distacco da sé che si realizza nell'esperienza estetica? cache = ./cache/work_3a6yujs4djeibplbkwlxln3b7y.pdf txt = ./txt/work_3a6yujs4djeibplbkwlxln3b7y.txt === reduce.pl bib === id = work_vf2d3tobpza27pvprrqa6cvzwy author = Ferhat KORKMAZ title = The Eye Imagınary in the Poems of Edip Cansever date = 2012 pages = 13 extension = .pdf mime = application/pdf words = 4475 sentences = 773 flesch = 73 summary = çalıĢmaya yönlendiren neden ise Edip Cansever‟in Ġkinci Yeni dönemi Ģiirlerinde göz sözcüğüne Edip Cansever, Ġlk dönem Ģiirlerinde göz sözcüğünü çoğunlukla deyim içerisinde Edip Cansever‟in ilk Ģiirlerinde göz sözcüğü, gündelik dilin bir parçası olarak yansıtılır. Edip Cansever‟in Ġkinci Yeni döneminde yazdığı Ģiirlerinde göz sözcüğü, ilk dönem Yukarıda da belirttiğimiz gibi, göz imgesi bilinçaltının bir sözcüsü haline getirir. Edip Cansever (2011), "Kesin" adlı Ģiirinde göz ve balık sözcüklerini aynı anda kullanır. Cansever‟in Ģiirlerinde göz sözcüğünün acı çekmenin bir aracı haline getirildiğini Edip Cansever, dördüncü Ģiir kitabı olan Umutsuzlar Parkı (1958)‟nda göz ve görme yine Cansever‟in Ġkinci Yeni döneminde yazdığı Ģiirlerde göz organı, halüsinatik yapısının bir yansıması Edip Cansever‟in Ģiirlerde göz ve boĢluk veya gözün bir noktaya sabitlenmesi sıklıkla Edip Cansever‟in Ģiirlerinde hayvan gözleri de kullanılan bir imge haline gelmiĢtir. Cansever‟in neredeyse bütün Ģiirlerinde "göz"e ya da "bakma"ya iliĢkin bir vurgu vardır. DĠRLĠKYAPAN (2003), Murat Devrim, "Ġkinci Yeni DıĢında Bir ġair: Edip Cansever", cache = ./cache/work_vf2d3tobpza27pvprrqa6cvzwy.pdf txt = ./txt/work_vf2d3tobpza27pvprrqa6cvzwy.txt === reduce.pl bib === id = work_c4m7dj54afentm3f2i2segh5ny author = Asier Marzo title = A Smart Phone Tool to Create Photo Collages date = 2012 pages = 4 extension = .pdf mime = application/pdf words = 1835 sentences = 156 flesch = 62 summary = This paper presents the application PhotoPieces, a software tool which allows people to create photo collages on the fly in a Users can also create their own templates on-thefly taking a photo and transforming it into a multi-region image template. Lately different photo collages creation tools have been implemented using We designed and developed a mobile application to create collages whereby a template segmented into templates at any time taking photos and applying to them image processing functions to create an image with students and art workshop participants, to determine the creativity support of the tool using the CSI survey [7]. Unlike other photo composition applications, PhotoPieces allows taking pictures and creating collages while This simple creative process is depicted in Fig 1.a The user can take photos in different locations and the Photo collages in Fig 2 left and center were taken by computer science participants and art workshop cache = ./cache/work_c4m7dj54afentm3f2i2segh5ny.pdf txt = ./txt/work_c4m7dj54afentm3f2i2segh5ny.txt === reduce.pl bib === id = work_jiiwel4tgbgt3ehagzr3wdxhvu author = Kezban SÖNMEZ title = ART DECO STYLE REFLECTIONS ON TEXTILE DESIGNS date = 2019 pages = 17 extension = .pdf mime = application/pdf words = 5875 sentences = 929 flesch = 66 summary = 1920'li yıllarda ortaya çıkan ve 1940'lı yılların ortalarına kadar Avrupa ve Amerika'da etkili olan Art Deco stili iç mimari, mobilya, güzel sanatlar, tekstil ve moda alanlarında etkili olmuştur.Konusu "Art Deco Stilinin Tekstil 1920'li yıllarda ortaya çıkan ve 1940'lı yılların ortalarına kadar Avrupa ve Amerika'da etkili olan Art Deco Art Deco dönemi kalıp baskı tekniği ile üretilen yeniden yorumlanmış geometrik çiçek desenleri ya da yoğun 2 no'lu tasarımda ABD'nin Miami şehrinde yer alan Art Deco mimari yapılarından "Crescent Hotel" geometrik ve dairesel motifler bu yapıda da kullanılmıştır (https://virginia-duran.com/2014/03/20/miami-the-bestof-art-deco-architecture/) (Erişim Tarihi: 21.07.2019). 3 no'lu tasarımda ABD'nin Miami şehrinde yer alan Art Deco mimari yapılarından "Carlton Hotel" 4 no'lu tasarımda ABD'nin Miami şehrinde yer alan Art Deco mimari yapılarından "Colony Hotel" seçilmiştir. 5 no'lu tasarımda ABD'nin Miami şehrinde yer alan Art Deco mimari yapılarından "Greystone Hotel" 6 no'lu tasarımda ABD'nin Miami şehrinde yer alan Art Deco mimari yapılarından "Delano Hotel" seçilmiştir. cache = ./cache/work_jiiwel4tgbgt3ehagzr3wdxhvu.pdf txt = ./txt/work_jiiwel4tgbgt3ehagzr3wdxhvu.txt === reduce.pl bib === id = work_m55vwg7z4zhsnkp4e3socuiut4 author = David Gamella González title = El acierto de las equivocaciones. Aportaciones de la neurociencia cognitiva al proceso de aprendizaje date = 2019 pages = 14 extension = .pdf mime = application/pdf words = 5821 sentences = 871 flesch = 58 summary = Jobs entre otros, a los que se les calificó como deficientes, académicamente hablando. El fallo se contempla así como un puente que prolonga el camino hacia otras posibilidades del ser, del hacer, en línea con las corrientes constructivistas de la educación. aeróbico entre los tiempos de clase, para que el cuerpo esté en un estado óptimo de funcionamiento (Mora, 2013). Estas metodologías innovadoras hacen posible nuevas herramientas de valoración del aprendizaje, tales como las rúbricas o la autoevaluación, que nos permiten buenos metodologías de aprendizaje realmente eficaces para las aulas del siglo XXI: Robinson (2006, 2010 y 2013); Musallan (2013); Aamodt (2014); Khan (2015); Karboul (2017); La neurología nos dice que nuestro cerebro emplea el fallo como una vía para llegar al nos permite contemplar el error como parte natural del proceso de aprendizaje, nuestro Recuperado de: https://www.ted.com/talks/diy_neuroscience_better_memory_while_you_sleep Recuperado de: https://www.ted.com/talks/dan_gartenberg_the_brain_benefits_of_ Recuperado de: https://www.ted.com/talks/michael_merzenich_on_the_elastic_brain/ cache = ./cache/work_m55vwg7z4zhsnkp4e3socuiut4.pdf txt = ./txt/work_m55vwg7z4zhsnkp4e3socuiut4.txt === reduce.pl bib === id = work_skej3jc4uzbyhc4wvptg4rayju author = X. Antón Castro title = Journalism, Caricature and Satirical Drawings in Early Picasso (1891–1895): The Awakening of Pablo Ruiz's Critical Consciousness date = 2017 pages = 19 extension = .pdf mime = application/pdf words = 14253 sentences = 896 flesch = 67 summary = Journalism, Caricature and Satirical Drawings in Early Picasso (1891–1895): The Awakening of Pablo Ruiz's Critical Consciousness Abstract: In Pablo Picasso's formative period in A Coruña (1891–1895), where he was born as an Keywords: early Picasso; A Coruña; newspapers; Azul y Blanco; La Coruña; Blanco y Negro; caricature; Coruña (Spain) from 1891 to 1895, between childhood and early adolescence, Pablo Picasso conceived by the time Picasso left A Coruña he had become sentimentally and artistically mature and that his It is notable that on most of the pages in these little newspapers the young Ruiz Picasso, who La Coruña concludes with the longest text that the young Picasso had written in his little do with the goals of Picasso's vignettes or drawings as a child in his newspapers from A Coruña in In the little newspapers, in the satirical and caricatured drawings of those years of youthful cache = ./cache/work_skej3jc4uzbyhc4wvptg4rayju.pdf txt = ./txt/work_skej3jc4uzbyhc4wvptg4rayju.txt === reduce.pl bib === id = work_ztbmh3tmarfpbmyhgxb56dczmy author = Sergey Lebedev title = Drawing Movements as an Outcome of the Principle of Least Action date = 2001 pages = 10 extension = .pdf mime = application/pdf words = 3360 sentences = 450 flesch = 77 summary = equations for all drawing movements are solutions of a certain differential cases of drawing movements corresponding to simplest forms of this coefficient. Viviani 6 Cenzato, 1985) that within each segment of execution a power-law two-thirds power law from the principle of least action and show the constraints which is the two-thirds power law in a differential form (see also Viviani 6 Cenzato By the two-thirds power law, the mechanical power of a drawing movement remains the study of drawing movements in children, Viviani 6 Schneider (1991) considered movements along an elliptic path with tangential velocity of the form equal angular frequencies, Lissajous motions do not obey the two-thirds power law. two-thirds power law, and that the constant velocity strategy requires the greatest amount of mechanical segment is executed by the two-thirds power law (Massey, Lurito, Pellitzer, 6 APPENDIX B: DRAWING LISSAJOUS FIGURES WITH RESPECT TO THE TWO-THIRDS POWER LAW cache = ./cache/work_ztbmh3tmarfpbmyhgxb56dczmy.pdf txt = ./txt/work_ztbmh3tmarfpbmyhgxb56dczmy.txt === reduce.pl bib === id = work_qfc4fhuqe5crvpzjzrmkngq4na author = 이종애 title = A Study on the Make-up Works Applying Feature of Cubism date = 2016 pages = 2 extension = .pdf mime = application/pdf words = 1164 sentences = 273 flesch = 101 summary = 빈번하게 일어나고 있으며, 그중 큐비즘 (cubism)은 현대의 미술 관하여 연구한 바 있으며, 패션 분야의 Lee & Park (2001)은 큐 큐비즘의 특징을 활용한 메이크업 작품 연구 A Study on the Make-up Works Applying Feature of Cubism Jong-Ae Lee1 and Yun-Kyeong Mun2,* 1Graduate School of Convergence Design & Arts, Sungshin Women's University, Seoul 01133, Korea This study aims to improve make-up artistry by combining elements of Cubism to suggest creative make-up designs. We investigated specialized books, thesis, and online materials about Cubism, and classified its painting features and Picasso and Braque founders of Cubism were selected, and four works from each artist were studied. This study was based on Cubism's Keywords : Art make-up, Braque, Cubism, Make-up, Picasso 다. 이처럼 메이크업 분야에서 큐비즘에 대한 연구 중 피카소에 용하여 분석적 큐비즘과 종합적 큐비즘의 특징에 따른 작품 8 큐비즘은 원근법적 시각으로 보이는 대상의 모습이 아니라, 여 며, 아직 흑인 미술의 영향을 받았던 때이다. cache = ./cache/work_qfc4fhuqe5crvpzjzrmkngq4na.pdf txt = ./txt/work_qfc4fhuqe5crvpzjzrmkngq4na.txt === reduce.pl bib === id = work_tyj4mpmb4zbntikhl5eeffesii author = Kurt Siehr title = CHRONICLES 2010 date = 2011 pages = 57 extension = .pdf mime = application/pdf words = 18814 sentences = 1625 flesch = 73 summary = The Metropolitan Museum of Art in New York opened the exhibition The Drawing of Bronzino. The Ethnological Museum Zürich opened an exhibition, Fakes, about fake art massproduced in China to be sold as copies and fakes. The Dresden State Art Collection and the von Lehndorff family settled their dispute concerning the return of art objects (i.e., seven paintings, library) that had The first exhibition, the famous Turkish Chamber (Türkische Cammer), was opened and showed the important pieces of oriental art collected by the Ten paintings, lost during World War II and recovered in recent times, were exhibited in Picture Gallery of Castle Sanssouci in Potsdam, Germany. Opening of the exhibition Man, Myth and Sensual Pleasures, Jan Gossart's Renaissance in the Metropolitan Museum of Art in New York. The Metropolitan Museum of Art in New York devoted an exhibition to the The New York auctions in autumn 2010 sold art objects for more than $ 500 Million. cache = ./cache/work_tyj4mpmb4zbntikhl5eeffesii.pdf txt = ./txt/work_tyj4mpmb4zbntikhl5eeffesii.txt === reduce.pl bib === id = work_tunrihlei5fexe5hczy6dyr7ki author = Claudia Muth title = Give Me Gestalt! Preference for Cubist Artworks Revealing High Detectability of Objects date = 2013 pages = 2 extension = .pdf mime = application/pdf words = 2052 sentences = 194 flesch = 59 summary = In cubist paintings by Picasso, Braque and Gris it is appreciated cubist artworks more if they were able Keywords: Art perception, Gestalt, Ambiguity, paper we show that viewers' appreciation of cubist paintings is closely linked between appreciation and emerging order from disorder, ambiguity, or indeterminacy. Cruys and Wagemans suggest that artworks often violate viewers' perceptual offer a high degree of visual indeterminacy and ambiguity yet at the same time objects within cubist artworks and liking This finding is in line with previous proposals about the link between detecting Data points represent detectability of objects and liking per stimulus revealing that the better the participants could detect objects within an artwork, the more they liked it. art historian Dario Gamboni demonstrates, cubist paintings of this period revealing high detectability of objects [17] during Gestalt recognition on aesthetic appreciation and how does this Preference for cubist artworks revealing high detectability of objects cache = ./cache/work_tunrihlei5fexe5hczy6dyr7ki.pdf txt = ./txt/work_tunrihlei5fexe5hczy6dyr7ki.txt === reduce.pl bib === id = work_ktpw4hxc2bgeblqj5a6q5iihsi author = Francisco Carlos Nather title = Subjective time perception is affected by different durations of exposure to abstract paintings that represent human movement date = 2014 pages = 12 extension = .pdf mime = application/pdf words = 10458 sentences = 765 flesch = 58 summary = Time perception can be affected by real emotional pictures of people that evoke different levels of arousal. The present study investigated whether abstract paintings that represent motion in different ways affect the perception of time when subjects are exposed to the paintings for different durations. painting and estimated the time of exposure (reproduction method). semantic Movement, Arousal, Complexity, and Recognition scales to obtain information about how the painting compositions Time distortions were observed for only two cubist paintings that represented human forms, which were related The data analysis revealed overestimation of time for the cubist painting that characteristics of artwork on time perception, emphasizing aspects of the visual perception of human forms in cubist paintings and Keywords: time perception, static images, implied movement, cubism, arousal. Painting Time (s) Latency (s) Movement Arousal Recognition Complexity Mean ± standard deviation of time estimation, latency, movement, arousal, recognition, and complexity for the four cache = ./cache/work_ktpw4hxc2bgeblqj5a6q5iihsi.pdf txt = ./txt/work_ktpw4hxc2bgeblqj5a6q5iihsi.txt === reduce.pl bib === id = work_npxvevzt5rdwdkxyqgrzaxxsym author = Nicholas Katsanis title = The continuum of causality in human genetic disorders date = 2016 pages = 5 extension = .pdf mime = application/pdf words = 4573 sentences = 431 flesch = 60 summary = Human genetics typically separates rare and complex disorders into separate their frequencies in populations; and has argued, passionately, over the contributions of rare versus common alleles in the study of the genetics of human disease, not The contribution of mutational effects to other so-called "monogenic" diseases is of two autosomal-dominant disorders caused by mutations in TCF4 (which encodes transcription factor 4); in Following on from the concept of necessity and sufficiency, a third concept that needs to be revised is the traditional paradigm that alleles associated with a rare disease diseases are either exclusively common [30] or a collection of rare alleles [31] is an empirical oversimplification For example, age-related macular degeneration is a paragon of complex trait analysis and disease genetics when genome-wide association studies recessive mutations in BBS10 (which encodes BardetBiedl syndrome 10)—mutations in which cause the rare a more accurate understanding of human genetic diseases cache = ./cache/work_npxvevzt5rdwdkxyqgrzaxxsym.pdf txt = ./txt/work_npxvevzt5rdwdkxyqgrzaxxsym.txt === reduce.pl bib === id = work_vel3hk57vbc5xcaw76v6vw6ty4 author = Atul Goel title = Basilar Invagination: Instability Is the Cause and Stabilization Is the Treatment date = 2020 pages = 3 extension = .pdf mime = application/pdf words = 1260 sentences = 113 flesch = 40 summary = dedicated to the subject in 1998, basilar invagination was associated with 'fixed' or 'irreducible' atlantoaxial joint and decompression was considered to be the treatment.1 Depending spinal instability and the atlantoaxial facetal listhesis that eventually results in basilar invagination mimics lumbosacral listhesis.3 It was observed that in the entity of 'fixed' or 'irreducible' atlantoaxial dislocation, atlantoaxial joint is actually not stable or fused but is an unstable spinal segment and the joint in such cases is not only mobile but is pathologically hypermobile and can be reduced by manual distraction of the facets. spacers to facilitate and sustain facetal distraction in cases with basilar invagination, rotatory dislocation, and irreducible and even reducible atlantoaxial dislocation.2,6-8 As the experience has increased, it is now realized that distraction of the facets of atlas and axis and packing of bone graft in the articular cavity can lay a ground for solid bone arthrodesis and the cache = ./cache/work_vel3hk57vbc5xcaw76v6vw6ty4.pdf txt = ./txt/work_vel3hk57vbc5xcaw76v6vw6ty4.txt === reduce.pl bib === id = work_mhks7theu5ejbjtf7ybjmrdwmy author = Hanneri Borstlap title = From crayons to canvas: the enlightenment of children at an arts festival date = 2019 pages = 12 extension = .pdf mime = application/pdf words = 6691 sentences = 590 flesch = 67 summary = arts to young children between the ages of 6 and 13 years. art safari, catering to young children between the ages of six and 13 years old to promote of children at an arts festival, what the learning aspect of this experience is and how in their research, the focus was not on the learning of children at arts festivals, the importance Only 16% (7 out of 45) of the children indicated something with regard to learning about history, art The second finding is that children can learn about art during a short period of time. children to gain appreciation of art and self-expression. The purpose of this research was to determine the experience of children at an arts festival, By exposing children to art, history and different mediums at a young age, it is not just a way picture: visual literacy education through art for young children. cache = ./cache/work_mhks7theu5ejbjtf7ybjmrdwmy.pdf txt = ./txt/work_mhks7theu5ejbjtf7ybjmrdwmy.txt === reduce.pl bib === id = work_5witzl4u4reflgbcgze3py2ika author = Florencia María Martini title = "Susana y los viejos" en la pintura barroca y su resignificación desde una perspectiva de género en las expresiones artísticas de los siglos XX y XXI date = 2019 pages = 8 extension = .pdf mime = application/pdf words = 4534 sentences = 561 flesch = 71 summary = "Susana y los viejos" en la pintura barroca y su resignificación desde una perspectiva de XVI-XVII), a través del análisis de la obra "Susana y los viejos" de Tintoretto (1560/65), Artemisia Gentileschi (1610) y Guercino (1617), pinturas que representan una escena del Antiguo XXI, que invierten las representaciones sociales de los siglos XVI-XVII, en la obra de Pablo específicamente en la pintura barroca (siglos XVI-XVII), analizando para ello la obra "Susana y los Es por lo que Susana aparece más como una espectadora que protagonista del proceso penal En este cuadro Susana aparece como una pertenencia más del jardín privado de Joaquín y, su del mundo artístico de su época por el hecho de ser mujer y la humillación de que muchos de sus perfume y cierren las puertas del jardín que quiero bañarme (13, 17), los dos ancianos se levantaron que hablar con las mujeres" (citado por Chaneton 65). cache = ./cache/work_5witzl4u4reflgbcgze3py2ika.pdf txt = ./txt/work_5witzl4u4reflgbcgze3py2ika.txt === reduce.pl bib === id = work_kmp266tpejeczk3s7mu3zxqsue author = Kee B. Park title = Global Neurosurgery in the Time of COVID-19 date = 2020 pages = extension = .pdf mime = application/xml words = 144 sentences = 27 flesch = 72 summary = sys_1000 wp-p1m-39.ebi.ac.uk wp-p1m-39.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write('[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]'.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 219765794 (wp-p1m-39.ebi.ac.uk) Time: 2021/04/06 02:40:56 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ cache = ./cache/work_kmp266tpejeczk3s7mu3zxqsue.pdf txt = ./txt/work_kmp266tpejeczk3s7mu3zxqsue.txt === reduce.pl bib === id = work_tukiz4v4jva35j3rdly37alpnm author = Kristýna Kysilková title = Homenaje a Pavel Štěpánek en su septuagésimo quinto aniversario (2016) date = 2018 pages = extension = .pdf mime = text/html words = 755 sentences = 211 flesch = 75 summary = Česky / English Informace a služby Pro autory Informace pro autory English Obě témata se prolínají v závěrečné části věnované kronice Chronicon Aulae Regiae. Katalog jaro 2021 Novinky Nakladatelství Karolinum na období jaro/léto 2021 naleznete v našem novém katalogu. Světla a stíny husitství (Události – osobnosti – texty – tradice) Čornej, Petr Fašismus Gecko, Tomáš Křížková, Věra Koptík, Tomáš Témata Témata Témata CENTRAL EUROPEAN JOURNAL FOR CONTEMPORARY RELIGION AUC INTERPRETATIONES AUC INTERPRETATIONES AUC KINANTHROPOLOGICA AUC KINANTHROPOLOGICA EUROPEAN JOURNAL OF ENVIRONMENTAL SCIENCES EUROPEAN JOURNAL OF ENVIRONMENTAL SCIENCES AUC THEOLOGICA AUC THEOLOGICA AUC THEOLOGICA AUC GEOGRAPHICA AUC GEOGRAPHICA AUC PHILOLOGICA AUC PHILOLOGICA AUC PHILOLOGICA AUC PHILOLOGICA Informace o akcích a nových titulech nakladatelství. Fašismus podle Rogera Griffina V edici Politeia vychází již druhá kniha jednoho z největších odborníků na fašismus, britského profesora moderních dějin a politického teoretika na Oxford Brookes University Rog... Nakladatelství Karolinum Nakladatelství Karolinum Nakladatelství Kontakt a služby © Karolinum 2021 cache = ./cache/work_tukiz4v4jva35j3rdly37alpnm.pdf txt = ./txt/work_tukiz4v4jva35j3rdly37alpnm.txt === reduce.pl bib === === reduce.pl bib === id = work_6usyt4f6c5cmfa6tctfemo6bwy author = Dominique Berthet title = Montage and Assemblage: an Aesthetic Shock date = 2019 pages = 12 extension = .pdf mime = application/pdf words = 4263 sentences = 388 flesch = 62 summary = The notions of montage and assemblage applied to the field of art can Dominique Berthet, "Montage and Assemblage: an Aesthetic Shock," Art Style, Art & Culture International Magazine, no. on montage and assemblage of fragments, there is a political approach, a that, "according to its microstructure, all new art should be called montage"33 Through montage and assemblage, art breaks assemblage use various fragments, pieces of the world, of reality, that the artist through the work of montage and assemblage allow for constitution of a new assemblage are at the origin of an art form which reveals other realities, ferments 3. Dominique Chateau, Contribution à l'histoire du concept de montage. Kuleshov in Chateau, Contribution à l'histoire du concept de montage, 42. Dziga Vertov in Chateau, Contribution à l'histoire du concept de montage, 83. Vertov in Chateau, Contribution à l'histoire du concept de montage, 95. Vertov in Chateau, Contribution à l'histoire du concept de montage, 95. cache = ./cache/work_6usyt4f6c5cmfa6tctfemo6bwy.pdf txt = ./txt/work_6usyt4f6c5cmfa6tctfemo6bwy.txt === reduce.pl bib === id = work_67ccld5oc5fplkqnncgdr72b4a author = James G. Ravin title = Representations of Blindness in Picasso's Blue Period date = 2004 pages = 4 extension = .pdf mime = application/pdf words = 2651 sentences = 259 flesch = 73 summary = Representations of Blindness in Picasso's Blue Period Representations of Blindness in Picasso's Blue Period he Spanish painter Pablo Picasso (1881-1973) was the most important artist of the 20th artist and never considered abstract thinking important to the way he worked. works based on the theme of blindness several times during his Blue Period. invented by Picasso, for there is a long history of working this way. If Picasso ever told anyone precisely why blindness was important to him, we have not been able saw "incipient psychic dissociation" and even schizophrenia in Picasso's paintings.7 Blindness is a most of the blind figures from his Blue Period, and that by depicting "the prospect of what he most feared in life, Picasso's depictions of the blind vision" in the blind figures Picasso opaque cornea next to an apparently normal eye, Picasso juxtaposed vision and blindness. Pablo Picasso, The Blind Man's Meal, 1903, Spanish. cache = ./cache/work_67ccld5oc5fplkqnncgdr72b4a.pdf txt = ./txt/work_67ccld5oc5fplkqnncgdr72b4a.txt === reduce.pl bib === id = work_7b6553qcubbwrotiug55rlunuq author = Nina Getashvili title = Alexander Burganov. In the depths above reality. (Antique motifs in the context of creative work) date = 2020 pages = 10 extension = .pdf mime = application/pdf words = 3836 sentences = 531 flesch = 84 summary = Summary: For decades, images of antiquity have appeared in the creative work of academician Alexander Sculpture" in the Burganov House Museum at which he Burganov's works of art in an "intermediate" state, in the Noble restraint (with clearly readable spectacularity), bearing in itself, within itself, dreams and passions, reality and mysticism, gives Burganov's "antique" Keywords: Alexander Burganov, antiquity, sculpture, of antiquity; often, they persistently included images of ancient sculptural monuments, fragments of only the exhibition-events of the last decade: "Ancient Motifs in Modern Sculpture" (the Burganov exhibition spaces in the Burganov House is called The composition was created specifically for Alexander Burganov's personal exhibition at the Burganov's "antique" images-metaphors a special Burganov: a New Code of Time and Space", Nauchnoanaliticheskiy zhurnal "Dom Burganova. ["Sculptor Alexander Burganov"], Nauchno-analiticheskiy zhurnal "Dom Burganova. Prostranstvo kul'tury" [Art Literature Scientific and Analytic Journal Burganov House. Prostranstvo kul'tury" [Art Literature Scientific and Analytic Journal Burganov House. cache = ./cache/work_7b6553qcubbwrotiug55rlunuq.pdf txt = ./txt/work_7b6553qcubbwrotiug55rlunuq.txt === reduce.pl bib === id = work_ervfgxspazcm5gzpqcaqhlj7vm author = David Chelazzi title = Microemulsions, Micelles, and Functional Gels: How Colloids and Soft Matter Preserve Works of Art date = 2018 pages = extension = .pdf mime = application/xhtml+xml words = 10 sentences = 3 flesch = 101 summary = U-Gov Single Sign On Autenticazione Nome Utente Password Invia cache = ./cache/work_ervfgxspazcm5gzpqcaqhlj7vm.pdf txt = ./txt/work_ervfgxspazcm5gzpqcaqhlj7vm.txt === reduce.pl bib === id = work_wzyo5vynnjerjd3zfnsiovtyw4 author = J S Jenkins title = Prodigies of nature date = 2005 pages = extension = .pdf mime = application/xml words = 144 sentences = 25 flesch = 71 summary = sys_1000 wp-p1m-39.ebi.ac.uk wp-p1m-39.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write('[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]'.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 219765573 (wp-p1m-39.ebi.ac.uk) Time: 2021/04/06 02:40:55 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ cache = ./cache/work_wzyo5vynnjerjd3zfnsiovtyw4.pdf txt = ./txt/work_wzyo5vynnjerjd3zfnsiovtyw4.txt === reduce.pl bib === id = work_zksgqxtqoffpjoe736e7lerjd4 author = Esranur Kılınç title = İNÖNÜ ÜNİVERSİTESİ SOSYAL BİLİMLERİ ENSTİTÜSÜ ÖZNE-NESNE İLİŞKİSİ BAĞLAMINDA PSİKODİNAMİK YAKLAŞIMLARIN İMGELEM YOLUYLA GERÇEKÜSTÜ RESİMSEL ANLAMLANDIRMALARI date = 2019 pages = 169 extension = .pdf mime = application/pdf words = 35316 sentences = 5639 flesch = 66 summary = düşüncesi ile "düşünen özne" olarak yeni bir ifade kazanmıştır. 1Sanatçı öznenin, dış dünya nesneleri ile olan etkileşiminin yaratım sürecine felsefe alanları disiplinlerarası bir yaklaşımla sanatçı öznenin, dış dünya nesneleri ile deyimi ile öz, "Varoluşu için başka bir şeye gereksinme duymayan şey"51 olarak ifade şeyin (bir insan, yer, düşünce, fantezi65 veya anı) nesne olduğunu söyleyen Güney, dış eşsiz bir görüntüye dönüştürür ve dış dünyaya imge olarak yansıtır (Resim 3.11). Sanat tarihinde önemli bir yere sahip olan "Belleğin Sürekliliği" (Resim 3.44) Nesneyi vurgulama yöntemi ile izleyici, ilk olarak nesne odaklı bir Dış dünya nesnesi olan kürenin figürün baş kısmı ile aynılık ilişkisi; özne-nesne Dikey dikdörtgen bir yapı ile dizayn edilerek kapalı kompozisyon olarak Dikey dikdörtgen bir yapı ile dizayn edilerek kapalı kompozisyon olarak Dikey dikdörtgen bir yapı ile dizayn edilerek kapalı kompozisyon olarak Dış dünya nesnesi olan mavi kürenin figürün baş kısmı ile form olarak aynılık cache = ./cache/work_zksgqxtqoffpjoe736e7lerjd4.pdf txt = ./txt/work_zksgqxtqoffpjoe736e7lerjd4.txt === reduce.pl bib === id = work_qstpugqrvzgaxdmw6pvyaqym6m author = Cristina Elgue-Martini title = American Space and European Theory. Dialogd in Literature and Painting date = 2016 pages = 8 extension = .pdf mime = application/pdf words = 4052 sentences = 517 flesch = 65 summary = momento del análisis, se consideran las pinturas de Wilfredo Lam de los 1940's transculturación que consideran los contactos transoceánicos del escritor con las mentalidad de sus pueblos; pero ¿qué entiende Carpentier por una realidad maravillosa? en las vidas de los hombres que inscribieron fechas en la historia del Continente" (12); mágica, pero mágica no en el sentido con que el término había sido utilizado por los escritor cubano por los temas antropológicos y que su estadía en París transcurre entre 1928 y 1939, no ("Retrospectiva de Lam en tres de los museos más importantes del mundo"). Carpentier y Lam, América es un componente fundamental del arte de Pollock. duda, por la teoría y práctica de los surrealistas; pero en Lam y Pollock, este concepto tanto de Lam como de Pollock no fue Freud, sino Jung y su teoría de los arquetipos. "Retrospectiva de Lam en tres de los museos más importantes del mundo" en Martí. cache = ./cache/work_qstpugqrvzgaxdmw6pvyaqym6m.pdf txt = ./txt/work_qstpugqrvzgaxdmw6pvyaqym6m.txt === reduce.pl bib === id = work_atyd6nwgdjf6ja4fsan6pzkt2u author = Jana Rozehnalova title = Hedonic Eating: How the Pleasure of Food Affects our Brains and Behaviour date = 2017 pages = extension = .pdf mime = text/html words = 618 sentences = 114 flesch = 64 summary = Hedonic Eating: How the Pleasure of Food Affects our Brains and Behaviour | Semantic Scholar Corpus ID: 47558364Hedonic Eating: How the Pleasure of Food Affects our Brains and Behaviour title={Hedonic Eating: How the Pleasure of Food Affects our Brains and Behaviour}, author={Jana Rozehnalov{\'a}}, Despite public health warnings, the availability of diet books and the stigma associated with excess weight, many people still find it difficult to achieve and maintain healthy body weight. Review [Publication Type] Citation Type Citation Type Sort by Most Influenced Papers View 2 excerpts, cites background Public health and policy implications. View 2 excerpts, references background View 2 excerpts, references background View 2 excerpts, references background View 2 excerpts, references background View 2 excerpts, references background Semantic Scholar is a free, AI-powered research tool for scientific literature, based at the Allen Institute for AI. By clicking accept or continuing to use the site, you agree to the terms outlined in our Privacy Policy, Terms of Service, and Dataset License cache = ./cache/work_atyd6nwgdjf6ja4fsan6pzkt2u.pdf txt = ./txt/work_atyd6nwgdjf6ja4fsan6pzkt2u.txt === reduce.pl bib === id = work_ft5wuzvif5brrpx6vltficy2qm author = Christiane Hellmanzik title = Location matters: Estimating cluster premiums for prominent modern artists date = 2010 pages = extension = .pdf mime = text/html words = 1030 sentences = 224 flesch = 69 summary = WebMD Better information. Better health. Coronavirus (COVID-19) COVID-19: Check Your Symptoms Now Get Help for Migraine Relief Drug Comparison Tool Diet, Food & Fitness Children's Health Health News WebMD News Get the Latest COVID-19 News Here Health News and Information, Delivered to Your Inbox COVID-19: 60 Seconds That Could Save Your Life Life After Your COVID Vaccination: What to Do COVID-19 Vaccines: Get the Latest Updates Here COVID-19 Vaccines: Get the Latest Updates Here WebMD 2021 Health Heroes: Pandemic Responders Find a reputable provider in your area with WebMD Care. COVID-19 Symptoms COVID-19 Symptoms COVID-19 Vaccines WebMD Blogs | Expert Perspectives, Personal Stories Featured Health Topics Foods That Help You Focus Living Healthy Living Healthy Living Healthy DIGESTIVE HEALTH Facts to Help You Get Pregnant See All Health Conditions Live Better With Psoriatic Disease Living Better With T2 Diabetes WebMD Health Services WebMD Health Record WebMD App cache = ./cache/work_ft5wuzvif5brrpx6vltficy2qm.pdf txt = ./txt/work_ft5wuzvif5brrpx6vltficy2qm.txt === reduce.pl bib === id = work_ifos2pkg2ngqdk7jnymk2xuvra author = Soleni Biscouto Fressato title = Tênues limites entre o cinema documentário e ficcional. O exemplo de O Mistério de Picasso date = 2011 pages = 12 extension = .pdf mime = application/pdf words = 3546 sentences = 478 flesch = 68 summary = fazer um filme de arte e sobre arte de apenas 10 minutos, que não mostrasse, Picasso, revelar aos espectadores como suas telas são feitas, como é o seu destacar que foi produzida por Georges Auric especialmente para o filme. Picasso sobre a tela e é significativo que o som de uma guitarra espanhola contrário, para ele é um desafio fazer com que a sua criatividade artística que identifica uma obra de arte: a sua vitória sobre o tempo e o espaço em entre documentário e ficcional, presente no filme de Clouzot, que será vida como ela realmente é, não estática, mas com todo o seu movimento e revelava suas potencialidades, tanto para os filmes documentários, como Carvalho defende a prerrogativa de que os filmes documentários são os mais seriam os filmes documentários também frutos de uma seleção, como são os O Mistério de Picasso, com seus elementos de cinema documentário cache = ./cache/work_ifos2pkg2ngqdk7jnymk2xuvra.pdf txt = ./txt/work_ifos2pkg2ngqdk7jnymk2xuvra.txt === reduce.pl bib === id = work_dbwq3dz3anfjflwo5s36pxljky author = J. Dequeker title = Arthritis in the paintings of Sandro Botticelli date = 1984 pages = 6 extension = .pdf mime = application/pdf words = 3530 sentences = 244 flesch = 60 summary = detected in Botticelli's paintings as a process of individualization of the Botticelli, Portrait of a Young Man, Italian Renaissance, facial deformity in deformity in the Botticelli's 'Portrait of a Young portrait painted in 1483, Sandro Botticelli reveals In Botticelli's paintings the connection between good reasons, Velardi considers Botticelli's style possible to perceive, in Botticelli's paintings, a "pathetic" characters in Botticelli's paintings. artists of Italian Renaissance derived their images point of view, according to Warburg, Botticelli the "Placid Beauty" of Botticelli paintings brings describes the Botticelli' Venus – actually the Logos and pathos in the paintings of Sandro Botticelli Logos and pathos in the paintings of Sandro Botticelli Logos and pathos in the paintings of Sandro Botticelli Logos and pathos in the paintings of Sandro Botticelli Proust and Botticelli, declared by the Author The paintings by Botticelli are Botticelli's paintings, in Proust the "Wakening" the Botticelli's paintings, remarkably to the cache = ./cache/work_dbwq3dz3anfjflwo5s36pxljky.pdf txt = ./txt/work_dbwq3dz3anfjflwo5s36pxljky.txt === reduce.pl bib === id = work_enjndnzo7fbc7a3yebetl66bvy author = Phyllis Rosenzweig title = Drawings and Prints by Slavic and Slavic-Born Artists in the Collection of the Smithsonian Institution, Hirshhorn Museum and Sculpture Garden date = 2010 pages = 12 extension = .pdf mime = application/pdf words = 4769 sentences = 255 flesch = 64 summary = To cite this article: Phyllis Rosenzweig (2010) Drawings and Prints by Slavic and SlavicBorn Artists in the Collection of the Smithsonian Institution, Hirshhorn Museum and and Slavic-born artists in the collection of the Hirshhorn Museum Artists (ACA) Gallery, Hirshhorn Museum and Sculpture Garden, Slavic coincided with Hirshhorn's desire to become a collector of work by contemporary living artists, and that the cousins socialized and continued to look at art ACA Gallery, September 11, 1943, which also includes his thoughtful observations on the work of several artists, Hirshhorn wrote: Works on paper by many other Slavic and Slavic-born artists collected by Some of the works on paper by Slavic and Slavic-born artists in the museum's Hirshhorn acquired works on paper that are now in the museum's collection more Slavic-born artists represented by works on paper can be found than are Further information about artists and their works in the museum's collection cache = ./cache/work_enjndnzo7fbc7a3yebetl66bvy.pdf txt = ./txt/work_enjndnzo7fbc7a3yebetl66bvy.txt === reduce.pl bib === id = work_bgonyn4hdveepn7cogumhhxfjq author = Clifton O. Dummett title = Consumer-Provider Conflict in Health Service Recommendations date = 1973 pages = extension = .pdf mime = application/xml words = 144 sentences = 26 flesch = 71 summary = sys_1000 wp-p1m-38.ebi.ac.uk wp-p1m-38.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write('[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]'.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 219772758 (wp-p1m-38.ebi.ac.uk) Time: 2021/04/06 02:41:04 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ cache = ./cache/work_bgonyn4hdveepn7cogumhhxfjq.pdf txt = ./txt/work_bgonyn4hdveepn7cogumhhxfjq.txt === reduce.pl bib === id = work_i6wyhdtt2rfztm27clqz7t7uc4 author = Jae-Cheol Moon title = Modernist painting style in Disney animation date = 2013 pages = 23 extension = .pdf mime = application/pdf words = 4784 sentences = 1299 flesch = 108 summary = 디즈니 애니메이션에 나타난 모더니즘 회화스타일 Ⅲ. 초기 디즈니 애니메이션의 모더니즘 성격 디즈니 애니메이션 역시 상업적인 작품을 제작하면서 초기작품의 실험적 형태, 움직임의 먼저 간단한 도형의 형태로 단순화된 모더니즘 회화의 특성은 캐릭터 디자인에 차용되고, 색 는 배경의 다중시점은 다양한 각도에서 대상의 본질을 표현하려한 모더니즘 회화를 연상시키기에 충 주제어 : 애니메이션, 디즈니, 모더니즘, 리얼리티, 회화 1) Steven Watts, Walt Disney: Art and Politics in the American Century, The 메이션은 모더니즘 예술의 실험적 장르로 출발한 이래, 여전히 초기 디즈니 애니메이션의 특성을 살펴보고 그러한 애니메이션이 초기 디즈니 애니메이션의 모더니즘적 성격 디즈니 애니메이션에서 모더니즘적 회화성향은 다양한 형태에 색으로 음악과 같은 리듬을 만들어내는 것이 디즈니 애니메이션 dwarfs)(1937)의 성공과 함께 디즈니 애니메이션의 비주얼 스타 만, 이미 1930년대에 완성된 디즈니 애니메이션의 비주얼 스타일 트 분석을 통해 여전히 디즈니 애니메이션에 존재하는 모더니즘 특히, 디즈니 애니메이션의 디즈니 애니메이션의 이와 같은 공간재현은 역시 모더니즘 회 초기 디즈니 애니메이션은 많은 평론가들에게 모더니즘 예술의 Modernist painting style in Disney animation cache = ./cache/work_i6wyhdtt2rfztm27clqz7t7uc4.pdf txt = ./txt/work_i6wyhdtt2rfztm27clqz7t7uc4.txt === reduce.pl bib === id = work_vc4xr63hcrbzdmtaua4ein2g2q author = Sarah Zylinski title = Fun and play in invertebrates date = 2015 pages = 3 extension = .pdf mime = application/pdf words = 2854 sentences = 247 flesch = 65 summary = behavior seems to fit the play criteria the function of play in these animals, Play, playfulness, Animal Play: Evolutionary, Comparative, and perspectives on the biological study of play: in spiders: a form of play associated with play in two species of Octopus from of play-like behaviours. octopuses, but different types of play future studies will uncover play-like What about fun and play in other What about fun and play in other of play-like behaviour in arthropods examples of play in invertebrates. For example, sex play may be more Learning from play in octopus. Playful play is undoubtedly fun. he would play with physics again So do cephalopods play So do cephalopods play So do cephalopods play What about fun and play in other invertebrates? What about fun and play in other invertebrates? What about fun and play in other invertebrates? Why don't we see more invertebrates playing? Why don't we see more invertebrates playing? cache = ./cache/work_vc4xr63hcrbzdmtaua4ein2g2q.pdf txt = ./txt/work_vc4xr63hcrbzdmtaua4ein2g2q.txt === reduce.pl bib === id = work_7hwd3gqirzbu5n2pvk7maimsve author = Gerald Keaney title = A New Avant-Garde? date = 2011 pages = 10 extension = .pdf mime = application/pdf words = 5072 sentences = 729 flesch = 70 summary = To cite this article: Gerald Keaney (2011): A New Avant-Garde?, Rethinking Marxism: A Situationist argument that revolutionary art is impossible. I believe that, by concentrating on the truthtelling possibilities of art, we can meet the Situationist argument. Key Words: Avant-Garde, Everyday Life, Truth, Situationist International, Surrealism Situationist International (1957� 71) argued that revolutionary art is a contradictio in Though the Situationists themselves gave us systematic formal innovation (especially détournement), they think of themselves as the last avant-garde and then only I will begin by arguing that the avant-garde requires art to be truthful about the The first section examines the Situationists' argument for why revolutionary art is a would be neither revolutionary art nor avant-garde, but ''group innovators in the area of form.'' for instance, believed that art could utter truths about preconscious potential in the analysis of truth in art or to rule out the surface effects for the avant-garde approach. Truth in art. cache = ./cache/work_7hwd3gqirzbu5n2pvk7maimsve.pdf txt = ./txt/work_7hwd3gqirzbu5n2pvk7maimsve.txt === reduce.pl bib === id = work_4ezsixik4rekrmu7jpeosgixu4 author = Mary O'Neill title = Ephemeral Art: Telling Stories to the Dead date = 2011 pages = 15 extension = .pdf mime = application/pdf words = 5338 sentences = 382 flesch = 71 summary = Ephemeral Art: Telling Stories to the Dead attempt to repair our relationship with the world through the repeated telling of our stories. considered: Domain of Formlessness (2006) by British artist Alec Shepley and Time and Mrs The ephemeral art object tells a story in britannique Alec Shepley et Time and Mrs Tiber (1977) de l'artiste canadienne Liz Magor. In this essay I explore the stories told by two ephemeral art works, Time and Mrs These works tell a story of existence overshadowed by the knowledge of ephemeral art object can tell a story in circumstances where the traditional myth of art, as The objects refer to art history and other works by Shepley – bits of drawings, In telling stories then it is possible that we combine experience Time and Mrs. Tiber is an early work by Liz Magor consisting of 53 jars of preserves, Both of these works tell a powerful story of love and loss. cache = ./cache/work_4ezsixik4rekrmu7jpeosgixu4.pdf txt = ./txt/work_4ezsixik4rekrmu7jpeosgixu4.txt === reduce.pl bib === id = work_zokasallzza2dogjika3fj4f3u author = Anna Zhukova title = Hedonic Pricing on the Fine Art Market date = 2020 pages = 12 extension = .pdf mime = application/pdf words = 5122 sentences = 734 flesch = 73 summary = Hedonic Pricing on the Fine Art Market Hedonic Pricing on the Fine Art Market capital, macroeconomic region, author 's nationality, art sector and artist's rating according to Artprice, Further we estimate the hedonic art price index taking into account the problem of self-selection via that median prices are more informative in the case of the fine art market: from time to time paintings by price records on the fine art market. As we have already mentioned, the art market is very heterogeneous at the price level as well as We estimate the Heckman model for each sector on the fine art market. The results for oil paintings hedonic art price index model, (1a). The results for oil paintings hedonic art price index Russian nationality of artists contributes to the higher sale price except for the Contemporary art. Sale rates and price movements in art auctions. Dynamics of the global fine art market prices. cache = ./cache/work_zokasallzza2dogjika3fj4f3u.pdf txt = ./txt/work_zokasallzza2dogjika3fj4f3u.txt === reduce.pl bib === id = work_ro7sjoel4bcqzglrjqoud66jnu author = Osa D Egonwa title = Masquerade and "What Comes Behind Six Is More Than Seven": Thoughts on Art History and Visual Culture Research Methods date = 2019 pages = 4 extension = .pdf mime = application/pdf words = 2318 sentences = 342 flesch = 69 summary = the new ways artists go about the creative process and its resultant our ways of research on these artists and their art. demonstrating that any material is just suitable for artistic expression. on art historical methods, terminological re-alignments on recent African art and visual culture. strategies to provide insight on African modern visual artist works that any material is just suitable for artistic expression, Than Seven": Thoughts on Art History and Visual umbrella for the new ways artists go about the creative process aspects of African culture expressed as or in art (visual SOURCE MATERIALS FOR AFRICAN ART materials, such as orature and artistic techniques and practices At the Delta State University Abraka, Art of Africa's art and visual culture and the emergent constructs must be adopted in art history and visual culture boundaries between visual arts sub-disciplines derives effective analysis of contemporary African visual arts D. Egonwa, Research Methods in Visual Arts, Ibadan, Abraka. cache = ./cache/work_ro7sjoel4bcqzglrjqoud66jnu.pdf txt = ./txt/work_ro7sjoel4bcqzglrjqoud66jnu.txt === reduce.pl bib === id = work_7nyvjiogy5a6xp2jp2zc7snwdm author = Derya Can title = İlköğretim Ders Kitaplarında Engellilik date = 2017 pages = 15 extension = .pdf mime = application/pdf words = 5688 sentences = 1203 flesch = 69 summary = Araştırmanın amacı, görsel sanatlar öğretmen adaylarının modern resmi algılamalarında, kolaj tekniğinin öğrencilerin modern resmin düşünsel ve biçimsel temelleri ile kolaj tekniği hakkında farkındalıklarının artış gözlemlenmiş ve öğrenciler modern resmin ve kolaj tekniğinin biçimsel, düşünsel yapısına yönelik Anahtar Sözcükler: Kolaj tekniği, modern resim, asamblaj The purpose of the research is to demonstrate the contribution of the collage technique to modern art Yöntemi Olarak Kolaj Tekniğinin Modern Resim Uygulamalarına Etkisi" başlıklı doktora tezinden alınmıştır. 2. Etkinliğin, modern resim ile ilgili öğrencilerin Picasso'nun kolaj tekniği ile modern resmin ne gibi bir etkisi olmuştur?" ve yine aynı tarihte "İşlenen ders, modern sanat ile klasik Kolaj tekniği ve modern resim konusunda Kolaj tekniği ve modern resim arasındaki modern resim ya da yalnızca kolaj tekniği Modern resim ile kolaj tekniği arasındaki Modern resim ile kolaj tekniği arasındaki Görsel Sanatlar Öğretmen Adaylarının Modern Resmi Algılamalarında Kolaj Tekniğinden Yararlanılması: Eylem Görsel Sanatlar Öğretmen Adaylarının Modern Resmi Algılamalarında Kolaj Tekniğinden Yararlanılması: Eylem cache = ./cache/work_7nyvjiogy5a6xp2jp2zc7snwdm.pdf txt = ./txt/work_7nyvjiogy5a6xp2jp2zc7snwdm.txt === reduce.pl bib === id = work_psbukd5xjbbmhje4pnb3tbsbwi author = Andreia Guerra title = Teoria da relatividade restrita e geral no programa de mecânica do ensino médio: uma possível abordagem date = 2007 pages = 9 extension = .pdf mime = application/pdf words = 5927 sentences = 937 flesch = 68 summary = Esse artigo pretende contribuir para o debate em torno ao ensino de f́ısica, trazendo uma proposta curricular a ela inerente por parte desses exames reforça a resistência de muitos educadores em ampliar a abordagem da f́ısica para além do século XIX. relação ao ensino da f́ısica moderna, estudos foram realizados no intuito de criar bases para uma mudança curMotivados pela comemoração, muitos professores brasileiros realizaram atividades de divulgação em suas escolas da obra de Einstein, mas poucos inclúıram essa temática como parte do curŕıculo regular. trabalho pontual de alguns professores, a pequena mudança nos livros didáticos e a validade dos PCNs mostram que a introdução de temas de f́ısica moderna deve Mas em que a f́ısica moderna, e, mais particularmente, o estudo da relatividade restrita e da geral podem contribuir à reflexão dos limites e possibilidades Por isso propôs-se que cada grupo escolhesse uma forma diferente para expor seus resultados. cache = ./cache/work_psbukd5xjbbmhje4pnb3tbsbwi.pdf txt = ./txt/work_psbukd5xjbbmhje4pnb3tbsbwi.txt === reduce.pl bib === id = work_o6pvmd3rfveitkpkmngtbtprqm author = Enrique Mallen title = Reaching for Success: Picasso's Rise in the Market (The First Two Decades) date = 2017 pages = 21 extension = .pdf mime = application/pdf words = 14431 sentences = 1198 flesch = 74 summary = Abstract: This article explores the exhibitions of Picasso's works in the first two decades of his Félicien Fagus discussed the work of Picasso and other Spanish artists in Paris (most of whom were On 19 October, Picasso finally left Barcelona for Paris with his friends Josep Rocarol Liberal (20 October): 'The celebrated artist, Pablo Ruiz Picasso, left for Paris on yesterday's of their budget for that year was spent on the work of a single artist, Pablo Picasso. Kahnweiler lent three works by Picasso, Tête de femme (Fernande) ([7], OPP.09:048), There were two other important exhibitions of Picasso's works around this time; 'II. Among the Picassos on display was Trois femmes: nu debout (Étude) ([7], OPP.08:049).50 The exhibition On 4 April, Kahnweiler arranged for the exhibition 'Picasso und Negerplastiken' to move to Picasso (Galerie Kahnweiler, Paris, 1909). • Exposition Picasso (Galerie Vollard, Paris, 20 December 1910–11 February 1911). cache = ./cache/work_o6pvmd3rfveitkpkmngtbtprqm.pdf txt = ./txt/work_o6pvmd3rfveitkpkmngtbtprqm.txt === reduce.pl bib === id = work_nqlksuqcwjfedlttcvqw7cagve author = THADDEUS METZ title = Fundamental conditions of human existence as the ground of life's meaning: reply to Landau date = 2014 pages = 23 extension = .pdf mime = application/pdf words = 6308 sentences = 313 flesch = 58 summary = new and promising unified account of what confers great meaning on life (Metz Specifically, I advanced the view that great meaning in life, at least insofar as it objections to the fundamentality theory of great meaning in life. existence is neither necessary nor sufficient for great meaning in life. could confer great meaning on a life, whereas his hard to question intuition is that it comes to great meaning in life, I submit that we seek out fundamentality in fundamental conditions, but are not intuitively obtaining great meaning thereby. (FT3) The good, the true, and the beautiful confer great meaning on life insofar (FT3) The good, the true, and the beautiful confer great meaning on life insofar (FT3) The good, the true, and the beautiful confer great meaning on life insofar existence can confer great meaning on a person's life. LANDAU, IDDO (2013) 'Conceptualizing great meaning in life: Metz on the good, the cache = ./cache/work_nqlksuqcwjfedlttcvqw7cagve.pdf txt = ./txt/work_nqlksuqcwjfedlttcvqw7cagve.txt === reduce.pl bib === id = work_jum53bzee5e4hg6h6rxwidrbvy author = Deniz GÖKDUMAN title = RESİM SANATINDA 1940-1960 YILLARI ARASINDA SOYUT DIŞAVURUMCU AKIMLAR date = 2018 pages = 22 extension = .pdf mime = application/pdf words = 8318 sentences = 1410 flesch = 67 summary = Soyutlama, Serbest Biçimli Sanat, Kobra, Sert Kenar, Taşizm gibi farklı isimlerle almamış bir soyut dışavurumcu olarak mı kabul etmek gerektiği konusunda kararsızdır. arasında Hunter College'de resim öğretmenliği yapan Baziotes, 1963 yılında vefat etmiştir. Barnett Newman, 1905 yılında Rus Polonyalı bir göçmen olarak New York'ta çiftliğe taşınan sanatçı, 23 Haziran 1980 yılında vefat edene kadar bu çiftlikte sanat yapmaya Doğu ve İslam kaligrafisinden etkilenmiş olan Lirik Soyut'un bir diğer adı 16 Mayıs 1898 yılında Fransa'da doğan sanatçı daha sonra 1909'da annesiyle Yahudi bir aileye mensup olan sanatçı 1930 – 1934 yılları arasında Paris Sorbonne Paris Okulu'nun en özgün sanatçılarından biri olarak kabul edilen Pierre Soulages, kısa bir süre Kelly'nin Soyut Sanat'a yönelişi Paris'te gezdiği bir sergi sırasında gözüne çarpan pencere ve New York Paris arasında gidip gelen sanatçı 1959 yılında kalıcı olarak Fransa'ya taşınmıştır. Renk Alanı Resmi, Lirik Soyutlama, Serbest Biçimli Sanat, Kobra, Sert Kenar ve Soyut cache = ./cache/work_jum53bzee5e4hg6h6rxwidrbvy.pdf txt = ./txt/work_jum53bzee5e4hg6h6rxwidrbvy.txt === reduce.pl bib === id = work_fadihbuombhxtjvbld72dh6szm author = Baingio Pinna title = Perceptual Organization of Shape, Color, Shade, and Lighting in Visual and Pictorial Objects date = 2012 pages = 25 extension = .pdf mime = application/pdf words = 11849 sentences = 705 flesch = 56 summary = Keywords: Shape perception, color perception, perceptual organization, shading and lighting perception, watercolor illusion, vision and art. attributes, ie, shape, color, and depth (Rubin 1915, 1921), emerging when a figure-ground the boundary of an object, and because it tends to impart surface color/brightness attributes Examples of the primary role of the boundary contours in defining a visual object. Boundary, color, depth, and lighting attributes obtained with six adjacent contours (for 4.2 How are objects organized in shapes, shades, colors, and lighting during visual and roles of boundary and color contours are clearly visible by watching children drawing a figure. How are boundary, color, shade, and lighting attributes of the two conditions represented at creating a visual object: boundary contours, color, shading, and lighting. 3 Boundary, color, shading, and lighting contours 3 Boundary, color, shading, and lighting contours 4.2 How are objects organized in shapes, shades, colors, and lighting during visual and pictorial reproduction development? cache = ./cache/work_fadihbuombhxtjvbld72dh6szm.pdf txt = ./txt/work_fadihbuombhxtjvbld72dh6szm.txt === reduce.pl bib === id = work_6ztm3ktxi5aazbuuov4mo2k2ty author = Mihai OLARIU title = COPYRIGHT PROTECTED PLASTIC ARTWORK IN THE LIGHT OF THE EUROPEAN AND ROMANIAN LAWS AND THE ARTWORK VALUE RELEVANCE date = 2018 pages = extension = .pdf mime = application/xhtml+xml words = 98 sentences = 14 flesch = 40 summary = Creative Commons Attribution-ShareAlike 3.0 Unported License. | 4 intellectual property law .. Jan 01 1970 02:00:00 AM CKS_2018_intellectual_ property_law_009.pdf 1248KB May 17 2018 08:54:07 AM CKS_2018_intellectual_ property_law_009.pdf 1248KB May 17 2018 08:54:07 AM CKS_2018_intellectual_ property_law_009.pdf 1248KB May 17 2018 08:54:07 AM CKS_2018_intellectual_ property_law_009.pdf 1248KB May 17 2018 08:54:07 AM CKS_2018_intellectual_ property_law_009.pdf 1248KB May 17 2018 08:54:07 AM CKS_2018_intellectual_ property_law_009.pdf 1248KB May 17 2018 08:54:07 AM CKS_2018_intellectual_ property_law_009.pdf 1248KB May 17 2018 08:54:07 AM CKS_2018_intellectual_ property_law_009.pdf 1248KB May 17 2018 08:54:07 AM CKS_2018_intellectual_ property_law_009.pdf 1248KB May 17 2018 08:54:07 AM cache = ./cache/work_6ztm3ktxi5aazbuuov4mo2k2ty.pdf txt = ./txt/work_6ztm3ktxi5aazbuuov4mo2k2ty.txt === reduce.pl bib === id = work_mkpr3g5edbalhh3vgk63lcrkc4 author = Michael Mayer title = Neurospine Endoscopic Spinal Surgery, 2nd Issue date = 2020 pages = 2 extension = .pdf mime = application/pdf words = 722 sentences = 59 flesch = 43 summary = The technical advancement of endoscopic spine surgery is inexorable and fascinating. endoscopic spine surgery with a focus on the benefits for patients life quality. Two articles focus a on new indications of endoscopic surgery in the cervical spine. For the treatment of central spinal stenosis, the inside-out full-endoscopic cross-over approach is presented including the 1 year clinical follow-up of 127 patients. Four papers/videos in this issue focus on biportal endoscopic approaches for lumbar decompression, discectomy, minimally invasive transformational lumbar inter body fusion technically demanding approach but I believe that when it is performed with full-endoscopic technique it can be even less invasive as compared to microsurgery. In summary, the papers I could read are excellent examples of the ongoing technical evolution (revolution?) of endoscopic spine surgery and I congratulate the authors for their pioneering work. Neurospine Endoscopic Spinal Surgery, 2nd IssueMayer M cache = ./cache/work_mkpr3g5edbalhh3vgk63lcrkc4.pdf txt = ./txt/work_mkpr3g5edbalhh3vgk63lcrkc4.txt === reduce.pl bib === id = work_65fzfakr5bdbxg6g7pi5zpvnfu author = MIKE SAVAGE title = Cosmopolitan nationalism and the cultural reach of the white British date = 2010 pages = 33 extension = .pdf mime = application/pdf words = 8632 sentences = 668 flesch = 59 summary = Cosmopolitan nationalism and the cultural reach of the White British Cosmopolitan nationalism and the cultural reach of the White British analysing the geographical spread of the cultural referents of the tastes of the white Key Words: Cosmopolitanism, culture, national identity, taste. Introduction: Cultural contact, cosmopolitanism and the 'national' imagination. allows the reformation of white British identities in an environment which is both multicultural and shaped by global cultural flows. remaking Britain's national cultural referents. imagination of the white British population as it is revealed by their cultural tastes to American cultural forms to the white British and in particular the power of either white British population to distance themselves from cultural forms which might more regions: British, European, American, and 'Other World'. older group where British, American and European references compete, but where one population, that we can see a re-making of British national cultural preferences. cache = ./cache/work_65fzfakr5bdbxg6g7pi5zpvnfu.pdf txt = ./txt/work_65fzfakr5bdbxg6g7pi5zpvnfu.txt === reduce.pl bib === id = work_zot3xkc5xbdl5nz2tctrzagh2u author = Faye McCleery title = Review of e-GP date = 2009 pages = 1 extension = .pdf mime = application/pdf words = 606 sentences = 53 flesch = 70 summary = online learning to be impersonal and module is a very helpful and easy to with the online new personal evaluation only online learning resource that helps the well as how to learn it. As with many online resources there is capacity to create a 'learning path'. Equally, a record of learning is available, print these for completed modules. facility to stop the module mid-way of palliative care, and how to learn with eformat, but I can honestly say I learned Common to each module is an learning remains a solitary process and not modules were a close second. The modules vary in depth, with one of the modules I completed being quite concerning further learning resources, as the starting point for learning, I feel these modules have considerable useful tool for learning that is at least equal Learning for General Practice. Scotland Online Assessment Application for GPs. http://www.npep.org.uk//# (accessed 9 Jul 2009). cache = ./cache/work_zot3xkc5xbdl5nz2tctrzagh2u.pdf txt = ./txt/work_zot3xkc5xbdl5nz2tctrzagh2u.txt === reduce.pl bib === id = work_4oo2jpu4dncpxn7wbspnukonge author = Andrej Vanko title = Preparation and Application of Mind Maps in Mathematics Teaching and Analysis of their Advantages in Relation to Classical Teaching Methods date = 2018 pages = 13 extension = .pdf mime = application/pdf words = 3573 sentences = 421 flesch = 71 summary = Keywords: mind maps, experiment, mathematics, application, pretest, post-test, comparing Picture 3: Selected sample of students in pre-test, experimental group, Task 3 Picture 3: Selected sample of students in pre-test, experimental group, Task 3 Picture 3: Selected sample of students in pre-test, experimental group, Task 3 Picture 6: Selected sample of students in pre-test, control group, Task 3 Picture 6: Selected sample of students in pre-test, control group, Task 3 Picture 6: Selected sample of students in pre-test, control group, Task 3 Table 1: Comparison of pre-test results in experimental and control groups (%) Picture 14: Selected sample of students in post-test, experimental group, Task 3 Picture 14: Selected sample of students in post-test, experimental group, Task 3 Picture 14: Selected sample of students in post-test, experimental group, Task 3 Picture 17: Selected sample of students in post-test, control group, Task 3 Picture 17: Selected sample of students in post-test, control group, Task 3 cache = ./cache/work_4oo2jpu4dncpxn7wbspnukonge.pdf txt = ./txt/work_4oo2jpu4dncpxn7wbspnukonge.txt === reduce.pl bib === id = work_ynav7roqqnglbizhvc5ihhjlx4 author = Patricia A. Favero title = Reflectance imaging spectroscopy and synchrotron radiation X-ray fluorescence mapping used in a technical study of The Blue Room by Pablo Picasso date = 2017 pages = 18 extension = .pdf mime = application/pdf words = 9694 sentences = 835 flesch = 67 summary = The existence of a portrait hidden beneath The Blue Room (1901) by Pablo Picasso prompted a comprehensive technical study of this early Blue period painting. The Blue Room (Fig. 1) was painted by Pablo Picasso in Fig. 3 Details of The Blue Room showing colors from an underlying composition revealed by voids and cracks in surface paint layers. and c light blue paint layers of sample X7 identify these red particles as the red pigment vermilion Fig. 8 Reflectance imaging spectroscopy (RIS) maps for Prussian blue, ultramarine blue, lead white, zinc white, viridian green, and vermilion red. Reflectance imaging spectroscopy and synchrotron radiation X-ray fluorescence mapping used in a technical study of The Blue Room by Pablo Picasso Reflectance imaging spectroscopy and synchrotron radiation X-ray fluorescence mapping used in a technical study of The Blue Room by Pablo Picasso cache = ./cache/work_ynav7roqqnglbizhvc5ihhjlx4.pdf txt = ./txt/work_ynav7roqqnglbizhvc5ihhjlx4.txt === reduce.pl bib === id = work_rqcn5dxc4jdmbj2wgqc7hrc2t4 author = Buenaventura DELGADO title = Los libros de texto como fuente para la Historia de la Educación date = 2010 pages = 6 extension = .pdf mime = application/pdf words = 2791 sentences = 337 flesch = 68 summary = libro escolar p u e d e ser localizado con relativa facilidad, gracias a las numerosas tiradas que sucesivamente han ido haciéndose del mismo. Los libros de texto indican también la cantidad de ciencia que fue capaz de envasar su autor para el consumo escolar, el nivel de los conocimientos científicos del propio profesor y la cantidad de pedagogía y habilidad didáctica que su autor es capaz de poner en juego para uso de Al margen del valor pedagógico del libro de texto, existen otros factores nada desdeñables para la Historia de la Educación, como son los elegir el libro de texto por el que seguir sus enseñanzas, se ha visto obligado a elegir entre los oficialmente aprobados por la Iglesia, por el Estado o por sus representantes (obispo, cura-ecónomo, municipio, Junta Local de Instrucción Pública, asociación de padres, dirección del centro, listas de los libros de texto autorizados para las escuelas. cache = ./cache/work_rqcn5dxc4jdmbj2wgqc7hrc2t4.pdf txt = ./txt/work_rqcn5dxc4jdmbj2wgqc7hrc2t4.txt === reduce.pl bib === id = work_plm7kkgxvrbb3c4bdl3r5yobvm author = Fahrettin GEÇEN title = PABLO PICASSO'NUN SERAMİK ÇALIŞMALARINDA FİGÜR İMGELERİNİ ELE ALIŞ ŞEKLİ ve RESİ date = 2019 pages = 12 extension = .pdf mime = application/pdf words = 3572 sentences = 495 flesch = 63 summary = Anahtar kelimeler: Picasso, Seramik, Resim, Kübizm, Figür PICASSO'S PAINTINGS ON CERAMIC WORKS 2002:145) so Picasso reflected his the artistic identity to ceramics and Pablo Picasso reflected his private life in the works. Keywords: Picasso, ceramics, painting, cubism, figure örneği olan "Ağlayan Kadın" isimli sanatsal yapıtında sanatçı iki boyutlu düzlem üzerinde üç Pablo Picasso'nun resim çalışmalarında kullandığı Kübizm akımının babalarından olan "Picasso'nun en etkili vurgusu "bir resim, yıkmalardan Sanatçının seramik çalışmasının, resim çalışmalarında yer alan basit formsal yapılara benzediği Picasso seramik çalışmaları dışında resimsel ifadelerini boyutlandırabildiği diğer bir Pablo Picasso, Müzisyen Faun, Sırlı Seramik Tabak. https://www.masterworksfineart.com/artists/pablo-picasso/ceramic/vase-deux-anses-hautes-vase-with-two-high-handles-the-queen-1953-2/id/w-6371 Araştırmada Picasso'nun yaptığı iki boyutlu ve üç boyutlu seramikler evreni seramiklerde https://www.masterworksfineart.com/artists/pablo-picasso/ceramic/grand-vase-pekine-big-candy-striped-vase-1956/id/W-5538 Pablo Picasso yaptığı seramik çalışmalarında resimlerinde kullandığı çizgisel konturleri Sanatçı seramik tabak çalışmalarında kullandığı çizgisel konturlar ile oluşturduğu Picasso yaptığı üç boyutlu seramik çalışmalarında kendine has Sanatçı yaptığı seramik figür imgelerinin üzerine Sanatçı yaptığı seramik https://www.masterworksfineart.com/artists/pablo-picasso/ceramics https://www.masterworksfineart.com/artists/pablo-picasso/ceramics https://www.pablo-ruiz-picasso.net/work-3875.php https://www.pablo-ruiz-picasso.net/work-3875.php cache = ./cache/work_plm7kkgxvrbb3c4bdl3r5yobvm.pdf txt = ./txt/work_plm7kkgxvrbb3c4bdl3r5yobvm.txt === reduce.pl bib === === reduce.pl bib === id = work_v5ohivjvkrfnzhbocbkpbb7ixy author = Camille Paglia title = The North American Intellectual Tradition date = 2002 pages = 14 extension = .pdf mime = application/pdf words = 5399 sentences = 352 flesch = 60 summary = artigo propõe a existência de uma tradição intelectual norte-americana específica, focandose em três autores-chave para os estudos culturais: Marshall McLuhan, Norman Brown e Palavras-chave: Marshall McLuhan; Norman Brown; Leslie Fiedler three important authors from cultural studies: Marshall McLuhan, Leslie Fiedler and Norman Brown. Keywords: Marshall McLuhan; Leslie Fiedler; Norman Brown nord-américaine spécifique et privilégie trois auteurs représentatifs des études culturelles: Marshall McLuhan, Norman Brown et Leslie Fiedler. Mots-clés: Marshall McLuhan; Leslie Fiedler; Norman Brown my view is specific to postwar European culture and whose ideas do not, I maintain, transfer successfully into the Anglo-American tradition. McLuhan, Fiedler, and Brown were steeped in literature, classical to modern. This was a time when "theory" meant Anatomy of Criticism, the magisterial work published in 1957 by McLuhan's rival at the University of Toronto, Americans who had absorbed McLuhan, Fiedler, and Brown had no need of poststructuralism, which is monotonously based on Saussurean linguistics, with its Marshall McLuhan, Leslie Fiedler, and Norman O. cache = ./cache/work_v5ohivjvkrfnzhbocbkpbb7ixy.pdf txt = ./txt/work_v5ohivjvkrfnzhbocbkpbb7ixy.txt === reduce.pl bib === id = work_bq4wh2vkuza6jlxtghx5b45sry author = Alaattin KARACA title = The Second New and Painting date = 2010 pages = 32 extension = .pdf mime = application/pdf words = 7881 sentences = 1503 flesch = 39 summary = Berk, Ece Ayhan, Cemal Süreya, Edip Cansever, Paul İlhan Berk, Ece Ayhan, Cemal Süreya, edip Cansever, Şimdi İkinci Yeni'den; Ece Ayhan'dan bir şiir alalım: İkinci Yeni'nin oluşumunda önemli bir işleve sahip Pazar Postası, çünkü Paul Klee, İkinci Yeni'yi de etkilemiş bir sanatçı. 1950'li yıllarda şiir ve resmin ortak bir poetik alanda buluştuğunu Bu ince hastalık, Berk'te daha sonra da yıllarca sürüp gidecektir< Ancak bu bir yana, şairin resmin olanaklarını şiire Dolayısıyla resim, onun için şiir yazmada bir esin kaynağı Klee, Berk için önemli bir ressam. şey, ama Klee'nin böyle bir yönü var işte. Berk'i Klee'yle aynı düzlemde buluşturan bir başka yön; Kuşkusuz söz konusu yazılar da İlhan Berk'in resim ilgisinin bir başka kanıtı. Dolayısıyla bu örnek bize, bir resmin Berk'in şiirine nasıl Berk'in İvi Stangali'den söz ettiği bir başka şiir ‚İvi Bu örnekler Berk'in bir esin kaynağı olarak ya da yazacağı şiir üzerinde yoğunlaşmak için, resimden yararlandığını 1950'li yıllarda İkinci Yeni'nin şiir cache = ./cache/work_bq4wh2vkuza6jlxtghx5b45sry.pdf txt = ./txt/work_bq4wh2vkuza6jlxtghx5b45sry.txt === reduce.pl bib === id = work_levhsenu5fh35hcdkevy55tdgq author = The Lancet title = Alcohol and cancer date = 2017 pages = 1 extension = .pdf mime = application/pdf words = 772 sentences = 57 flesch = 50 summary = Alcohol and cancer Alcohol and cancer The Nov 7 publication of Alcohol and Cancer: a Statement Agency for Research on Cancer determined that alcoholic echoed by other cancer societies since then but seemingly of benefit from alcohol are likely misinterpreted or increase in the recommended alcohol limit raises the risk of oesophageal cancer eight times, leading to estimates that three­quarters of oesophageal cancers are due to high forms of alcohol and likely involves ethanol's genotoxic Nearly 2 billion people consume alcoholic beverages All families and societies that consume alcohol 12 L of pure alcohol for individuals aged 15 years or older. cancer, alcohol has widespread and insidious effects The ASCO statement takes the health consequences cancer prevention provide contexts for doing so within The challenge of alcohol and cancer will increase. alcohol consumption grows. alcohol consumption. alcohol consumption. for alcohol will need to be. oesophageal cancer or a cirrhotic liver. cache = ./cache/work_levhsenu5fh35hcdkevy55tdgq.pdf txt = ./txt/work_levhsenu5fh35hcdkevy55tdgq.txt === reduce.pl bib === id = work_jqkxghsxcvfrvniurk27t4wp4e author = Savine Faupin title = Auguste Forestier's unbroken wanderlust date = 2016 pages = 3 extension = .pdf mime = application/pdf words = 1317 sentences = 107 flesch = 68 summary = Through short descriptions of the Outsider art work of prominent artists and LaM Lille Métropole Musée d'art moderne, d'art contemporain et d'art brut, Villeneuve-d'Ascq Key words: History of psychiatry, mental health, outsider art, psychiatric hospital. Auguste Forestier (Naussac, 1887-Saint-Alban-surLimagnole, 1958) began running away as an adolescent taking the train without a ticket for long journeys. Auguste Forestier, La bête du Gévaudan, c. by the patients and assembled two volumes of drawings, many of which had been done by Forestier. Saint-Alban from 1947 to 1949 and treated Forestier, He carved arms, legs, heads, wings, decorative mouldings and more out of the pieces of wood walls, Forestier, the stationary traveller, invented made by Forestier over the roofs of Saint-Alban as if it La fabrique d'Auguste, L'Art Brut 8. Contemporain et d'Art Brut, Villeneuve d'Ascq, L'Aracine et l'art brut (2009). chemins de l'art brut à Saint-Alban-sur-Limagnole (2007); Dubuffet et l'Art Brut (2005). cache = ./cache/work_jqkxghsxcvfrvniurk27t4wp4e.pdf txt = ./txt/work_jqkxghsxcvfrvniurk27t4wp4e.txt === reduce.pl bib === id = work_f2vnr4iplva3zihzjrrgavei4a author = Geon-Ho Bahn title = ADHD, New Developed or Newly Found : Historical Review date = 2011 pages = 10 extension = .pdf mime = application/pdf words = 4391 sentences = 1072 flesch = 87 summary = ADHD 치료와 연구에 가장 획기적인 내용은 1937년 Charles Bradley라는 정신과의사가 쓴 'The behavior of children receiving benzedrine'이라는 논문에서 찾을 수 있 ADHD의 기질적 원인 분석 시도, Minimal brain 으로 가는 방안과 기존의 주의력 결핍형 대신 attention deficit disorder(ADD) 진단을 채택하는 것을 고려하고 있다. Emerson, Robert Frost, George Bernard Shaw, Henry David Thoreau, Leo Tolstoy, Tennessee Williams, The conceptual history of attention deficit hyperactivity disorder: idiocy, imbecility, encephalitis and the child deviant, 1877-1929. IV ADHD and ICD 10 Hyperkinetic disorder in Croatian sample. The history of attention deficit hyperactivity disorder. The history of attention deficit hyperactivity disorder. Refining the diagnoses of inattention and overactivity syndromes: A reanalysis of the Multimodal Treatment study of attention deficit hyperactivity disorder (ADHD) based on ICD-10 criteria for hyperkinetic disorder. attention-deficit/hyperactivity disorder. attention-deficit/hyperactivity disorder. attention-deficit/hyperactivity disorder. attention-deficit/hyperactivity disorder. Attention deficit hyperactivity disorder and the behavior of "Che" and treatment of attention deficit-hyperactivity disorder. cache = ./cache/work_f2vnr4iplva3zihzjrrgavei4a.pdf txt = ./txt/work_f2vnr4iplva3zihzjrrgavei4a.txt === reduce.pl bib === id = work_srrxgknqoja6xf62kidcnkgmlq author = Rasim SOYLU title = CHIRICO AND METAPHISICAL ART date = 2018 pages = 16 extension = .pdf mime = application/pdf words = 3037 sentences = 566 flesch = 70 summary = yapımında mühendis olarak çalışan Giorgio de Chirico, sanat tarihinde gizemli rüya Chirico'nun Ateist olduğu iddia edilir ancak onun resimlerinde mistik eğilimler gerçeklik ve metafizik keşifler Chirico'nun en büyük ilgi alanıdır. Chirico'nun Sürrealistleri ciddi bir şekilde Yöntem olarak Chirico'nun düşünce ve sanat anlayışını konu Chirico'nun 1925'te "Hebdomeros" adlı bir romanı Chirico eserleri ve metafizik resim için, "benim tuvallerimde, yıkımları haber bir araya gelen Giorgio de Chirico ve Carlo Carra (1881-1966) gibi İtalyan ressamlarca Chirico, Bir Güz Öğleden Sonrasının Muamması, (Orijinal adı, L'Énigme d'un Chirico, 1915 yılında İtalya'ya dönmeden önce yazdığı bir metinde iç Chirico'nun Metafizik resminin kökenleri atalar çağı ile insanlığın başlangıcına fiziksel ve manevi olarak bitkin olduğu bir döneminde ilk Metafizik deneyimlerini, bir düş gücü" olarak anlatır (Chirico, Aktaran Ögel, 2016: 51). Nietzsche'den esinlenerek öğleden sonrasına özgü bir Stimmung (Chirico'nun Kehanet Muamması, Chirico'nun Metafizik olarak yaptığı bir başka eseridir. Chirico, "Bir Güz Öğleden Sonrasının Muamması"(Resim 4.) resmini yaptıktan cache = ./cache/work_srrxgknqoja6xf62kidcnkgmlq.pdf txt = ./txt/work_srrxgknqoja6xf62kidcnkgmlq.txt === reduce.pl bib === id = work_y3rblzqbj5cpxnolqt3tklrtsa author = Viktor de Boer title = Extracting historical time periods from the Web date = 2010 pages = 12 extension = .pdf mime = application/pdf words = 4974 sentences = 520 flesch = 75 summary = Extracting Art Style Periods from the Web We show the working of the method in the cultural heritage domain, extracting periods for art styles. The Semantic Web needs automatic methods that extract ontology constructs. The core taxonomy we use as an ontology is the Art and Architecture Thesaurus[1] (AAT), an taxonomy containing over 133.000 concepts from the Cultural Heritage domain. describe a method to extract periods for the individual art styles. we extract art style periods from the World Wide Web. In Section 4, we describe – For each period it is possible to extract moments within this interval (e.g. years, days or minutes) from the Web. We assume that C is characterized relation are used to denote the historical periods of the different art styles. art styles, we retrieved a corpus, extracted the year occurrences and fitted the τ is, we tested the method on extracting periods on a different domain (wars) cache = ./cache/work_y3rblzqbj5cpxnolqt3tklrtsa.pdf txt = ./txt/work_y3rblzqbj5cpxnolqt3tklrtsa.txt === reduce.pl bib === id = work_wyiy3rj7jjcv3jf2ttvyjkn7gm author = Leonardo Baglioni title = La teoria dei punti di concorso nella scenografia di Guidobaldo del Monte date = 2018 pages = 12 extension = .pdf mime = application/pdf words = 4470 sentences = 362 flesch = 58 summary = There is a need to construct a graphic and visual discourse on the History of Architecture. Architecture History in the last half of the XX century, when different graphic production strategies were used. The first one is related to the capability to put documentary in order, its analysis and read, attending to visual culture and current graphic discourse. information, place and locate it, attending to cer tain categories that allows us to create an essential map of its Our approach to the research is to create an Athlas of Modern Architecture of the 20th Century consisting of several par tial maps that follow the proposed categories: architects, ar t movements, their relationships and chronology. Unlike in the past, Modern Movement architects developed, as a working tool, the need to create communication examples of maps related to architecture and ar ts through time. cache = ./cache/work_wyiy3rj7jjcv3jf2ttvyjkn7gm.pdf txt = ./txt/work_wyiy3rj7jjcv3jf2ttvyjkn7gm.txt === reduce.pl bib === id = work_z6m6ionjdfev3d5xnaezqnhkee author = David Buti title = Picasso's Acrobat Family in focus: an investigation of materials and techniques of an iconic work in the collection of the Gothenburg Museum of Art date = 2020 pages = 9 extension = .pdf mime = application/pdf words = 4985 sentences = 465 flesch = 64 summary = The Acrobat Family is one of Pablo Picasso's highly rated works from his Rose Period. the materials distribution and together with fibre analyses showed also a plausible relation between the degradation of the cardboard and the pigment discolouration Fig. 3 Reflection FTIR spectrum of the cardboard support compared to reference spectra of kaolinite (blue line) and cellulose (red Two blue pigments were used by Picasso to paint the curtain, which is the area mostly affected by discolouration FTIR (b) and FORS (c) spectra of blue areas painted with different mixtures of Blue I and II. A Study of Picasso's Painting Materials and Techniques in Six of Picasso's Acrobat Family in focus: an investigation of materials and techniques of an iconic work in the collection of the Gothenburg Museum of Art Picasso's Acrobat Family in focus: an investigation of materials and techniques of an iconic work in the collection of the Gothenburg Museum of Art cache = ./cache/work_z6m6ionjdfev3d5xnaezqnhkee.pdf txt = ./txt/work_z6m6ionjdfev3d5xnaezqnhkee.txt === reduce.pl bib === id = work_6rn6kpxr7rexpjaebjvzy3srjq author = György Darvas title = Perspective as a Symmetry Transformation date = 2003 pages = 13 extension = .pdf mime = application/pdf words = 4852 sentences = 462 flesch = 60 summary = because perspective is a symmetry transformation preserving reflections in respect of the same straight line, we return to the original object. is a symmetry transformation whereby the distances between the corresponding points of two or more symmetry transformations on the same object and one or Other geometric symmetry transformations can also be combined. In the perspective of artists2 we find a combination of the symmetry transformations Were perspective not a symmetry transformation How far are the images of art produced using symmetry transformations true and 20 GYÖRGY DARVAS – Perspective as a Symmetry Transformation 20 GYÖRGY DARVAS – Perspective as a Symmetry Transformation 20 GYÖRGY DARVAS – Perspective as a Symmetry Transformation 20 GYÖRGY DARVAS – Perspective as a Symmetry Transformation 20 GYÖRGY DARVAS – Perspective as a Symmetry Transformation 20 GYÖRGY DARVAS – Perspective as a Symmetry Transformation 20 GYÖRGY DARVAS – Perspective as a Symmetry Transformation cache = ./cache/work_6rn6kpxr7rexpjaebjvzy3srjq.pdf txt = ./txt/work_6rn6kpxr7rexpjaebjvzy3srjq.txt === reduce.pl bib === id = work_sst6jdwyorg5dao6x6q35sfnt4 author = M. Ashraful Kabir title = Most Beautiful Pigeons of Bangladesh date = 2015 pages = 4 extension = .pdf mime = application/pdf words = 2451 sentences = 267 flesch = 74 summary = Abstract: Pigeons are not aristocratic bird but its body shape, colorful feathers, ornamentation, care, mode of breeding; Observed seven very nice pigeons arewestern crowned pigeon, fantail, jacobin, frillback, pouter, trumpeter and Their breeding is not normal as local pigeon except fantail. Mentioned pigeons are chosen by peoples only on ornamental feathers except the enlarge crop of Darwin established a pigeon farm in his yard for explain his book 'variation of plants and animals under domestication'. Out of seven breeds only crown pigeon and frillback evolved by natural selection and crowned pigeon, jacobin, fantail, pouter, swallow, bokhara 500 selected pigeons with fantail, jacobin and pouter but in these pigeons for ornamental feathers which are the barriers ornamentation of feathers those pigeons can't fly properly. huge research on fancy pigeons and produced lot of varieties mainly in breeding season of that beautiful pigeons. feathers from tail, head, neck and leg regions for proper cache = ./cache/work_sst6jdwyorg5dao6x6q35sfnt4.pdf txt = ./txt/work_sst6jdwyorg5dao6x6q35sfnt4.txt === reduce.pl bib === id = work_qomcok57tna2zgwxrkorfku7ru author = Seung-Hee Suh title = Inherent Properties of Fashion Accepted as Art through Expansion of Contemporary Art date = 2013 pages = 13 extension = .pdf mime = application/pdf words = 5938 sentences = 1689 flesch = 110 summary = 그러나 예술의 순수성을 지향하는 관점에 로써 패션의 예술적 지위에 제기된 예술의 순수성의 된 예술의 속성을 중심으로 하였다. 함으로써 패션의 본질적인 속성이 예술의 영역으로 이러한 예술의 순수성은 낭만주의시대의 '예술을 예술의 순수성 개념은 예술과 일상의 분리를 비판 예술 작품을 중심으로, 전통적인 예술의 개념에서 벗 그러나 오늘날 변화된 예술의 개념과 표현매체의 져온 예술의 감각적 영역의 확대는 촉각적 감각이 예술의 영역에서 배제된 패션의 요소로 작용할 근거 확장된 새로운 예술의 개념을 정립하는데 기여하였 전통적인 예술의 개념에서 예술 작품이 가지는 영 존재방식에 관계하여 새로운 아방가르드 예술의 형 리고 아방가르드 예술이 보여준 또 다른 예술의 형 식을 통해 이제 예술의 상업성 또한 전통적인 예술 관점의 지속 속에 패션은 예술의 영역에서 계속 배 예술의 불확정적 경계 속에 일상성이 패션을 어떤 따라서 패션의 상업성은 배제 패션의 상업성은 예술에서 패션을 배제하는 주요 요 그러나 현대예술에서 상업성은 더 이상 예술의 영 새로운 예술의 속성으로 나타나고 있음을 보았다. 따라서 패션의 예술로 수용된 패션의 속성은 첫째, 예술의 형이 된 예술의 영역으로 인해 패션이 예술로 수용됨을 cache = ./cache/work_qomcok57tna2zgwxrkorfku7ru.pdf txt = ./txt/work_qomcok57tna2zgwxrkorfku7ru.txt === reduce.pl bib === id = work_cejwynuejrck7ewoii7hr5u3fq author = Guus Schreiber title = Semantic annotation and search of cultural-heritage collections: The MultimediaN E-Culture demonstrator date = 2008 pages = 7 extension = .pdf mime = application/pdf words = 5634 sentences = 516 flesch = 61 summary = Semantic annotation and search of cultural-heritage collections: demonstrate how novel Semantic Web and presentation technologies can be deployed to provide better indexing and search support (ii) Providing facilities for semantic search through the resulting graph, including various presentation mechanisms for the Schreiber, et al., Semantic annotation and search of cultural-heritage collections: The MultimediaN E-Culture Schreiber, et al., Semantic annotation and search of cultural-heritage collections: The MultimediaN E-Culture Schreiber, et al., Semantic annotation and search of cultural-heritage collections: The MultimediaN E-Culture Schreiber, et al., Semantic annotation and search of cultural-heritage collections: The MultimediaN E-Culture Schreiber, et al., Semantic annotation and search of cultural-heritage collections: The MultimediaN E-Culture Schreiber, et al., Semantic annotation and search of cultural-heritage collections: The MultimediaN E-Culture Schreiber, et al., Semantic annotation and search of cultural-heritage collections: The MultimediaN E-Culture Semantic annotation and search of cultural-heritage collections: The MultimediaN E-Culture demonstrator cache = ./cache/work_cejwynuejrck7ewoii7hr5u3fq.pdf txt = ./txt/work_cejwynuejrck7ewoii7hr5u3fq.txt === reduce.pl bib === id = work_lse663omxjdw7h6woe6hmbdz3e author = Sumardianshah Silah title = Practice Based Research in Craft Education: Approaches to Research Work Book date = 2013 pages = 10 extension = .pdf mime = application/pdf words = 4009 sentences = 360 flesch = 59 summary = Practice Based Research in Craft Education: Approaches to Research Work Book Keywords: Art and Design Education, Faculty of Education UiTM, Research Work Book, Studio Based Research; happen, artwork producers, artists, painters, sculptors, and art educators should prepare their own Research Work 4. Research Work Book (RWB) approach in Craft Education in the Faculty of Education UiTM refers to the Research Work Book to prepare students with idea exploration aspects which are considered in producing the Research Work Book (RWB) are aesthetic values, national culture, In short, RWB is a form of documentation on the processes of visual arts research that will contain This paperwork discusses the implementation of practice based research in the Art and Design Education in The implementation of Visual Research, which forms as part of the curriculum of the Art and Design Education (2010) Practice Based Research in Art & Design, Why Not? cache = ./cache/work_lse663omxjdw7h6woe6hmbdz3e.pdf txt = ./txt/work_lse663omxjdw7h6woe6hmbdz3e.txt === reduce.pl bib === id = work_zazrv4zhefcq3g772konheryvi author = J.C. Le Huec title = Epidemics over the centuries date = 2020 pages = 3 extension = .pdf mime = application/pdf words = 1687 sentences = 156 flesch = 68 summary = epidemic was the Justinian plague which started in 540 AD, lasted for 2 centuries, and undoubtedly precipitated the fall of the Roman Empire.3 This was followed by the Black Death in the Middle Ages.4-6 which also originated in Asia, and lastly the bubonic plague pandemic, the third largest recorded, which originated in Yunnan during the 19th century, and the Middle Ages in Dubrovnik and then in Venice to isolate ships suspected of being carriers of the plague. on Marseilles5 in an effort to curb the Black Death which decimated more than 50,000 people in that city alone (Fig. 1). In France, Dr. Hyacinthe Vincent, despite popular reluctance, recommended wearing masks as protection against the Spanish flu, although its viral origin was not confirmed until 1933. First mask used during the plague of Paris in 1619. In 1920, after the Spanish flu epidemic, France established cache = ./cache/work_zazrv4zhefcq3g772konheryvi.pdf txt = ./txt/work_zazrv4zhefcq3g772konheryvi.txt === reduce.pl bib === id = work_dahsj7f3qreqpf4wxbhqcgjpbe author = Ernesto Payá title = La pintura histórica date = 2013 pages = 1 extension = .pdf mime = application/pdf words = 451 sentences = 69 flesch = 80 summary = Un género muy particular de la pintura es aquel que relata o representa una historia. Por la riqueza de sus detalles, tienen un gran valor educativo, La muerte de Sócrates, obra del pintor francés Jacques-Louis David, es un ejemplo del neoclasicismo; en ella, el filósofo domina la escena, La obra El tres de mayo de 1808 en Madrid de Francisco de Goya, es en el centro, con camisa blanca y los brazos hacia el cielo, contrasta con Otra obra importante del género es La libertad guiando al pueblo, de Eugène Delacroix, pintor francés del romanticismo. obra alegórica, en que se representa un valor, en esta caso la libertad, Luego de la declinación del academicismo, parecía que la pintura pinta Guernica, una de sus obras maestras, y quizás la última gran obra del género. apreciar a la derecha, al mismo héroe trágico del cuadro de Goya, con los brazos hacia el cielo. Museo del Prado, Madrid. cache = ./cache/work_dahsj7f3qreqpf4wxbhqcgjpbe.pdf txt = ./txt/work_dahsj7f3qreqpf4wxbhqcgjpbe.txt === reduce.pl bib === id = work_7o5vcdq4frblpbcmzvgvtuh5nq author = Gul ERBAY ASLITURK title = 20. YÜZYIL RESİM VE HEYKELLERİNİN YUNAN MİTOLOJİSİ VE İKİCİLİK KAVRAMI AÇISINDAN DEĞERLENDİRİLMESİNE YÖNELİK BİR ARAŞTIRMA date = 2016 pages = 36 extension = .pdf mime = application/pdf words = 7787 sentences = 1362 flesch = 69 summary = varlığı analiz edilerek, çalışma; resim ve heykele konu olan ikiciliğin, insan yaşamının bir Yüzyıl Resim Ve Heykellerinin Yunan Mitolojisi Ve İkicilik Kavramı Açısından Değerlendirilmesine Yönelik Bir Araştırma. Yüzyıl Resim Ve Heykellerinin Yunan Mitolojisi Ve İkicilik Kavramı Açısından Değerlendirilmesine Yönelik Bir Araştırma. Yüzyıl Resim Ve Heykellerinin Yunan Mitolojisi Ve İkicilik Kavramı Açısından Değerlendirilmesine Yönelik Bir Araştırma. Yüzyıl Resim Ve Heykellerinin Yunan Mitolojisi Ve İkicilik Kavramı Açısından Değerlendirilmesine Yönelik Bir Araştırma. Yüzyıl Resim Ve Heykellerinin Yunan Mitolojisi Ve İkicilik Kavramı Açısından Değerlendirilmesine Yönelik Bir Araştırma. Yüzyıl Resim Ve Heykellerinin Yunan Mitolojisi Ve İkicilik Kavramı Açısından Değerlendirilmesine Yönelik Bir Araştırma. Yüzyıl Resim Ve Heykellerinin Yunan Mitolojisi Ve İkicilik Kavramı Açısından Değerlendirilmesine Yönelik Bir Araştırma. Yüzyıl Resim Ve Heykellerinin Yunan Mitolojisi Ve İkicilik Kavramı Açısından Değerlendirilmesine Yönelik Bir Araştırma. Yüzyıl Resim Ve Heykellerinin Yunan Mitolojisi Ve İkicilik Kavramı Açısından Değerlendirilmesine Yönelik Bir Araştırma. Yüzyıl Resim Ve Heykellerinin Yunan Mitolojisi Ve İkicilik Kavramı Açısından Değerlendirilmesine Yönelik Bir Araştırma. cache = ./cache/work_7o5vcdq4frblpbcmzvgvtuh5nq.pdf txt = ./txt/work_7o5vcdq4frblpbcmzvgvtuh5nq.txt === reduce.pl bib === id = work_vodcbm7gn5brlbi53xrlu6awja author = Keith Clifton title = Mots cachés: Autobiography in Cocteau's and Poulenc's La Voix humaine date = 2001 pages = 19 extension = .pdf mime = application/pdf words = 8917 sentences = 633 flesch = 67 summary = Mots cachés: Autobiography in Cocteau's and Poulenc's La Voix humaine Mots cachés: Autobiography in Cocteau's and Poulenc's La Voix œuvres of Francis Poulenc and Jean Cocteau. I will argue below, La Voix humaine represents a challenging, but not altogether foreign, example of the typical Poulenc / Cocteau approach to the 7 For a complete discussion of the Vilmorin works, see my "Vilmorin Songs of Francis Poulenc," For Cocteau and Poulenc, the camp sensibility presents itself in more than "My Music is My Portrait," Poulenc declared that his works present more than 27 Francis Poulenc, "My Music is My Portrait," Opera News (5 February 1977): 30. implications of Voix for Cocteau and especially Poulenc condition the structure Musically, Poulenc's score is a perfect complement to Cocteau's discursive Rather than advancing the interpretation that Poulenc composed Voix out of loyalty to Cocteau, I propose that the opera represents his final cache = ./cache/work_vodcbm7gn5brlbi53xrlu6awja.pdf txt = ./txt/work_vodcbm7gn5brlbi53xrlu6awja.txt === reduce.pl bib === id = work_wwsszpocyfgjbhggml6i67pt4y author = Frédéric Jimeno title = Exhibition reviews date = 2020 pages = 6 extension = .pdf mime = application/pdf words = 4589 sentences = 512 flesch = 71 summary = El pretexto viene dado por la celebrada adquisición en 2010 de unas tablas del siglo XVI identificadas como obra de Pere Mates y pertenecientes a un perdido retablo de San Juan Bautista, de las que se Otra amistad pareja y entrañable, en la que queremos centrarnos ahora, fue la que el malagueño mantuvo con el también joven Eugenio Arias, más conocido como "el barbero de Picasso", que desde su peluquería de Vallauris, el pueblo de los alfareros, le sirvió de enlace y filtro para todo el que quería visitarlo. La exposición que el Museo, con este material, ha dedicado a tal amistad en el marco del exilio, cuidadosamente comisariada por Carlos Ferrer Barrera (también encargado de la edición del catálogo y de la fundación la organización de una gran exposición de los dibujos de Francisco de Goya debido a dos factores: la contemporaneidad de la obra del artista y la presencia de su pintura en el museo desde su inauguración en 1819. cache = ./cache/work_wwsszpocyfgjbhggml6i67pt4y.pdf txt = ./txt/work_wwsszpocyfgjbhggml6i67pt4y.txt === reduce.pl bib === id = work_tblc4nnchbhi7agg5qyj3klm6a author = Stephen P. Dunn title = A Bulgakov Anthology. By Sergius Bulgakov. Edited by James Pain and Nicolas Zernov. Introduction by James Pain. Memoir by Lev Zander. Philadelphia: The Westminster Press, 1976. xxvi, 191 pp. $12.50 date = 1978 pages = 2 extension = .pdf mime = application/pdf words = 1328 sentences = 74 flesch = 59 summary = the results of the meticulous research in the life and social situation of the Russian from Father Sergius Bulgakov's work. quite moving and interesting autobiographical fragments, dealing with Bulgakov's of the Russian Orthodox church, and, finally, his experience during surgery for cancer like this reviewer, has no particular respect for the Russian Orthodox church as an Bulgakov is a figure of some human interest; his career represents the triumph of an the Russian Orthodox church by the October Revolution which finally removed all book, but I think that it would have been better to include some of Bulgakov's detailed Bulgakov's theological writings, as represented here, do not come to grips at all with the major social and political problems facing the Russian Orthodox church book is devoted to the nature and content of socialist opinion polling in particular, In Connor's words, "while the regimes are more interested cache = ./cache/work_tblc4nnchbhi7agg5qyj3klm6a.pdf txt = ./txt/work_tblc4nnchbhi7agg5qyj3klm6a.txt === reduce.pl bib === id = work_4bzjdcs6d5hltlptglymzcadby author = R Illingworth title = Under-achieving children destined for fame date = 1973 pages = extension = .pdf mime = application/xml words = 144 sentences = 26 flesch = 71 summary = sys_1000 wp-p1m-39.ebi.ac.uk wp-p1m-39.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write('[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]'.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 219767621 (wp-p1m-39.ebi.ac.uk) Time: 2021/04/06 02:40:58 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ cache = ./cache/work_4bzjdcs6d5hltlptglymzcadby.pdf txt = ./txt/work_4bzjdcs6d5hltlptglymzcadby.txt === reduce.pl bib === id = work_mthflpex4rfyzbeheb45z6pl3m author = Christopher E. Arcadia title = Multicomponent molecular memory date = 2020 pages = 8 extension = .pdf mime = application/pdf words = 7558 sentences = 1002 flesch = 64 summary = multicomponent reactions can provide a basis for large-scale molecular data storage. libraries of Ugi products, and the files are read back using mass spectrometry. sparse mixture mapping with supervised learning to achieve bit error rates as low as 0.11% represent the largest amount of digital data stored in a nonpolymeric molecular form (Supplementary Fig. 9). Here, however, our goal is to encode millions of bits of information in mixtures of small molecules, requiring that we find can be stored by mapping its digital information onto a set of vectors which determine the presence ("1") or absence ("0") of multiple Ugi products at each Fig. 4 Encoding data into small-molecule mixtures. d The mass spectrum of a data mixture containing six molecules from the 32-compound subset of the Ugi library. Fig. 5 Using sparse mixture mapping and multi-peak readout to improve data recovery. Improving accuracy with sparse data-mixture maps cache = ./cache/work_mthflpex4rfyzbeheb45z6pl3m.pdf txt = ./txt/work_mthflpex4rfyzbeheb45z6pl3m.txt === reduce.pl bib === id = work_fw5hn5vfkjbwfjszhpzvrlh7ry author = Djordje Alfirevic title = Visual expression in architecture date = 2011 pages = 13 extension = .pdf mime = application/pdf words = 8450 sentences = 1159 flesch = 83 summary = који можемо препознати као уметнички правац или већ то што представља кад понавља или опонаша није објект, and the main architectural tendencies, with the aim of also indicating the possible existence of elementary creative orientations Други вид миметичности јавља се код објеката који су визуелно камуфлирани и привидно нестају у окружењу (сл. Compared to art in general, the notion of mimesis in architecture Примери који на адекватан начин презентују ово креативно опредељење у архитектури нису толико чести, јер су у првобитног узорка, али на који у већој или мањој мери приликом чега настају дела која у обликовном смислу могу Сензибилитет за овакав начин опажања и одлучивања своди се на количину, број детаља у стимулацији, или Психолошки тип, по Јунгу (Carl Gustav Jung), представља пример или образац, према коме се на карактеристичан начин, of expressiveness with the art movement of expressionism, Prominent examples of expressiveness in architecture are works cache = ./cache/work_fw5hn5vfkjbwfjszhpzvrlh7ry.pdf txt = ./txt/work_fw5hn5vfkjbwfjszhpzvrlh7ry.txt === reduce.pl bib === id = work_n5xdku3i3zhkdlw23cm5n7nu4y author = Craig Wright title = Live Theater and the Limits of Human Freedom date = 2011 pages = 5 extension = .pdf mime = application/pdf words = 4062 sentences = 196 flesch = 68 summary = regarding free will are both constructive human experiences coalesced around roughly the same set of sensations. play, and on through the end, the audience enjoyed what freedom to constraint within a given work of art is either a Live theater, in which human beings, speaking words And what vision of human freedom, in general, is live answer is it's both: but to what degree freedom is celebrated in live theater and to what degree constraint is about human freedom and cosmic constraint, and they use of having what feels like a free choice set before you; the ''the constraint of Being.'' The characters in most plays moments where what looks and feels like pure freedom In live theater, we see our highly constrained predicament Live theater makes that very little freedom feel like Live Theater and the Limits of Human Freedom Live Theater and the Limits of Human Freedom cache = ./cache/work_n5xdku3i3zhkdlw23cm5n7nu4y.pdf txt = ./txt/work_n5xdku3i3zhkdlw23cm5n7nu4y.txt === reduce.pl bib === id = work_x6ggkoqzjjftblnouzsmsfx6ki author = Judith Lee title = Scientific investigation into the water sensitivity of twentieth century oil paints date = 2018 pages = 15 extension = .pdf mime = application/pdf words = 11962 sentences = 1277 flesch = 63 summary = https://dare.uva.nl/personal/pure/en/publications/scientific-investigation-into-the-water-sensitivity-of-twentieth-century-oil-paints(e12f3fb8-e988-41db-8858-1ef70707c079).html and ultramarine paints are associated with both a relatively high degree of oxidation and a high proportion of extractable diacids, as well as a relatively high content of unsaturated and hydroxylated glycerides. at the molecular level of the characteristics and causes of water sensitivity in twentieth century oil paintings in order to inform the development of suitable materials and methodologies for surface cleaning [6] high dicarboxylic acid content has been observed in some water sensitive oil paint samples [9] suggesting that the composition of the binding The metal soaps present in the non-water sensitive white paints are sensitive samples present lower signal-to-noise ratios (Fig. 1), indicating that water sensitive paints produce more highly concentrated ethanol extracts of the species listed in Table 4. As previously stated the non-water sensitivity, and low extractability of diacids in the case of zinc and lead containing white paints can cache = ./cache/work_x6ggkoqzjjftblnouzsmsfx6ki.pdf txt = ./txt/work_x6ggkoqzjjftblnouzsmsfx6ki.txt === reduce.pl bib === === reduce.pl bib === id = work_lnr722a3cfea7kj5vb4ui3kjiq author = Richard Stevens title = Exhibition review date = 2011 pages = 1 extension = .pdf mime = application/pdf words = 915 sentences = 99 flesch = 71 summary = Tate Modern 14 April–11 September 2011 So said Joan Miró, the Catalan painter exhibition links his work skillfully with events Miró's painting. Abstract representations his paintings (Catalan Landscape [The Hunter], Head of a Catalan Peasant). cap, the barretina, becomes a symbol that, translating Miró's work. which the basic symbols or representations these 'innate universal psychic dispositions'. into 'representations of the unconscious The exhibition at the Tate Modern displayed about 150 paintings, with home in Catalonia. Around this time Miró moved to started to affect the mood of his work; as By the time General Franco comes Miró and his family lived in 'internal exile' in powerful works illustrated by Painting on Miró lived long enough to see the fall of definition, but Miró's paintings give a little insight into this world. East Oxford Health Centre, Manzil Way, Cowley Joan Miró. Head of a Catalan Peasant , 1925. cache = ./cache/work_lnr722a3cfea7kj5vb4ui3kjiq.pdf txt = ./txt/work_lnr722a3cfea7kj5vb4ui3kjiq.txt === reduce.pl bib === id = work_jpml57ohnbc2ldl5x5v5voxtre author = Hyangja Kim title = Costume Code Analysis Placed Mise-en-abyme in the Movie - Focused on the Lucien Dällenbach's theory and the film - date = 2017 pages = 17 extension = .pdf mime = application/pdf words = 6496 sentences = 1901 flesch = 109 summary = This study focuses on the Mise-en-abyme theories of Lucien Dällenbach, and presents research this film plays the role of costume codes, and highlights the subject by presenting specifically targeted realistic icons to maximize the realism of the movie. Mise-en-abyme is deployed to the explicit text through costumes code is placed as Displaced code Midnight in Paris(미드나잇 인 파리), Mise-en-abyme(미장아빔), overlapped virtual(중첩된 가상), paradoxical reflects(역설적 반영), 이 배치된 영화에 내재된 의상기호의 미적 가치를 1. 미장아빔(Mise-en-abyme)의 개념 영화에서 착용한 인물들의 의상은 시각적 효과 뿐 한 배경은 꿈속의 꿈으로 이동하기 위한 영화적 The film 'Midnight in Paris' analysis placed Mise-en-abyme 영화에 등장하는 '꿈'과 '꿈속의 꿈' 장면은 패 3. 가상과 현실의 중첩된 확장에 의한 역설적 영화에서 '꿈속의 꿈'은 중첩된 사건에 해 '꿈속의 꿈'인 벨 에포크 시대에서 그녀가 착용한
The aesthetic meaning of Costume code placed Mise-en-abyme in the film Journal of the Korea Fashion & Costume cache = ./cache/work_jpml57ohnbc2ldl5x5v5voxtre.pdf txt = ./txt/work_jpml57ohnbc2ldl5x5v5voxtre.txt === reduce.pl bib === id = work_twiu7rmrnbh75e7vgqg4fmfdua author = Jan van Veen title = The Cultural Heritage of Europe date = 1991 pages = 8 extension = .pdf mime = application/pdf words = 4214 sentences = 248 flesch = 59 summary = REFLECTIONS AFTER EYCH 2018 ABOUT THE PLACE OF CULTURAL HERITAGE *German Cultural Heritage Committee (Head of the Board) – Berlin, Germany. During the European Year of Cultural Heritage 2018 we offered new ways for participation of the broader society. Especially we invited to discover the European dimension of our local and regional located cultural heritage. new European experiences in known or unknown and divers cultural heritage that was one of our central aims. heritage communication, education and European cooperation. cultural heritage, how we intend to use SHARING European cultural heritage Cultural Heritage, museums and exhibitions had piece of cultural heritage, a memorial, a historic Aim of the European Year of Cultural Heritage experience and share cultural heritage in its The European Year of Cultural Heritage The European Year of Cultural Heritage The European Year of Cultural Heritage The European Year of Cultural Heritage The European Year of Cultural Heritage cache = ./cache/work_twiu7rmrnbh75e7vgqg4fmfdua.pdf txt = ./txt/work_twiu7rmrnbh75e7vgqg4fmfdua.txt === reduce.pl bib === id = work_onmcr3t7nba7hcsprrje7rc3n4 author = Franz J. Monks title = CREATIVITY: IDIOGRAPHIC VERSUS NOMOTHETIC APPROACH date = 1995 pages = 12 extension = .pdf mime = application/pdf words = 3531 sentences = 498 flesch = 63 summary = experiencias y logros creativos de Sigmund Freud a lo largo de su vida, como ejemplo de un individuo creativa es única y los logros creativos son siempre significativos en términos del desarrollo. una aproximación más idiográfica y el desarrollo adornado por los logros de la coreografía, y fue una de las personas más influyentes en el siglo Gardner escogió estos siete individuos creativos-productivos dado que como un escritor creativo, dado que él crea un mundo para sí mismo, o recompone las cosas de su mundo en una nueva forma que le "El individuo creativo es una persona que regularmente resuelve Dentro de los siete creadores, Freud fue el que tuvo las mayores en el laboratorio no era para él, sino que los desórdenes nerviosos deberían Freud se convenció cada vez más que los desórdenes nerviosos eran "causados" por experiencias sexuales y fantasías. que ser atravesado por todos los siete individuos. cache = ./cache/work_onmcr3t7nba7hcsprrje7rc3n4.pdf txt = ./txt/work_onmcr3t7nba7hcsprrje7rc3n4.txt === reduce.pl bib === id = work_4zhhjnhvgzc7hil6njyeq6ma7y author = Michael L.J. Apuzzo title = THE ALCHEMY OF IDEAS date = 2008 pages = 10 extension = .pdf mime = application/pdf words = 6267 sentences = 687 flesch = 56 summary = him as one of the iconic figures who established the operating microscope as a neurosurgical tool, opening a new era in the THIS ARTICLE PRESENTS an assessment of the power of ideas and their role in initiating change and progress. The enormous potential cascade effect is illustrated by examining the movement of Modernism in the arts. Next, the immense scope and capabilities of the modern scientific endeavor—with robotic space exploration at the scale of KEY WORDS: Creativity, Ideas, Modernism, Nanoneurosurgery, Nanotechnology, Neurological surgery, any place beyond the moon—a fantastic achievement of modern science at an extreme scale (Figs. control of atoms and molecular structures to create materials and devices with molecular precision. Another tool for manipulation is termed optical tweezers (4), which use a stream of photons to effect movement and progress, the capabilities of "modern" scientific endeavors, and the Modernist movement in arts and architecture with true practitioners of cache = ./cache/work_4zhhjnhvgzc7hil6njyeq6ma7y.pdf txt = ./txt/work_4zhhjnhvgzc7hil6njyeq6ma7y.txt === reduce.pl bib === === reduce.pl bib === id = work_npijvzrmsfg5th53aywfxjr6ti author = Adrian-Silvan Ionescu title = Vie scientifique date = 2011 pages = 8 extension = .pdf mime = application/pdf words = 4709 sentences = 739 flesch = 76 summary = Penrose, a visité notre pays dans une tournée de conférences qui allait le porter sur les pas une ample exposition avec les sans s'inscrire dans une institution Il va l'initier dans les mystères de l'art dans sa qualité de citoyen américain, elle est des photos, mais elle écrit également les elle assiste à leur rencontre avec les troupes marquée par les horreurs des camps de et banale qu'elle avait dans la même ville. surprises et les rencontres avec des angles d'où Lee a pris les images avec la dans des futilités, le roi avait l'habitude tenir une conférence sur son activité dans le trouvent dans les collections roumaines. l'album dans lequel il a présenté les dans lequel se retrouvent les images des comme dans les autres albums, chaque image avec les autres invités, modéré par Anna vie, en l'abordant dans des techniques ayant comme résultat des images d'une cache = ./cache/work_npijvzrmsfg5th53aywfxjr6ti.pdf txt = ./txt/work_npijvzrmsfg5th53aywfxjr6ti.txt === reduce.pl bib === id = work_zevsqc3i5vfptlkhhpzztyrxhm author = Young-Beam Yoon title = A Study on Dadaism and Photomontage date = 2013 pages = 10 extension = .pdf mime = application/pdf words = 4710 sentences = 1587 flesch = 102 summary = 서 포토몽타주는 의도 으로 선택한 다양한 이미지를 조합하고 합성하는 방식으로 메시지를 강조하여 시 이미지와 텍스트의 변증법 시각 술로서 기존의 술 개념을 벗어나 새로운 형식 새로운 가능성을 모색하고 일상의 경험을 창의 으로 표 하는 작업을 한 기법의 구 에 있다. The photomontage as a visual art, dialectic of text and image that is to pursue a new 사진은 새로운 표 재료가 되었다. 다다이스트들의 포토몽타주 작업은 기존의 콜라주와 이미지를 촬 하고 사진을 보존 가능한 상태로 제작하 Peach Robinson) 등의 작가들은 여러 장의 사진을 히 이미지를 기록하는 매체로서 사진을 폄하하는 비 픽토리얼리즘 작가들은 사진을 통해 상징 인 모티 면서 새로운 의미를 창조하 다. 특히 사진과 포토몽타주는 새로 식으로 조합하여 새로운 이미지2를 창조했다. 새로운 시각 실험을 시도한 것이다. 의 작업은 기존의 사진이미지를 해체하고 새로운 결합 다다 이 에 사진을 이용해서 만든 포토몽타주는 사 하 지만 다다이스트들의 포토몽타주는 새로운 시각 포토몽타주는 베를린 다다이스트 1923년부터 1930년 에 포토몽타주는 새로운 인쇄기 다양한 이질 요소를 조합하여 기존의 사진과 이미지 cache = ./cache/work_zevsqc3i5vfptlkhhpzztyrxhm.pdf txt = ./txt/work_zevsqc3i5vfptlkhhpzztyrxhm.txt === reduce.pl bib === id = work_mevee444jbcu5j3f4ubuafejsm author = Corinne Andersen title = I Am Not Who "I" Pretend to Be: The Autobiography of Alice B. Toklas and its Photographic Frontispiece date = 2005 pages = 13 extension = .pdf mime = application/pdf words = 5808 sentences = 1038 flesch = 71 summary = With the frontispiece, Stein establishes a comparison between two purportedly direct modes of referentiality: autobiography and portrait photography. TheAutobiographyofAliceB.Toklas, Stein asserts that autobiographies reveal much While his phrasing is more delicate, Charles Caramello also views Stein's intent in The Autobiography as self-serving. Stein's innovative ruse of authorship explicitly uncovers the premises of autobiography's construction and thereby challenges the genre's status as a direct mode of In The Autobiography, Stein purposefully distorts Toklas's reflection in order to Neither the frontispiece nor TheAutobiography captures ''reality.'' Man Ray depicts Toklas and Stein as they pose for the camera, not as they truly are. Instead, the last paragraph suggests that The Autobiography provides a fictionalized account of Toklas's perceptions of Stein. of Picasso's Portrait from The Autobiography, Stein has the last word. The double self-portrait that serves as The Autobiography's frontispiece, as well as Stein's innovative ruse of authorship, exposes the ego's cache = ./cache/work_mevee444jbcu5j3f4ubuafejsm.pdf txt = ./txt/work_mevee444jbcu5j3f4ubuafejsm.txt === reduce.pl bib === id = work_dpukmp5hp5fgzcjtodasq7fjxm author = Camilla Smith title = Was Nicht im "Baedeker" Steht date = 2018 pages = 36 extension = .pdf mime = application/pdf words = 13420 sentences = 1086 flesch = 64 summary = Smith, C 2018, 'Was nicht im "Baedeker" steht: exploring art, mass culture and anti-tourism in Weimar Was nicht im "Baedeker" steht: Exploring Art, Mass Culture and Anti-tourism in Eugen Szatmari's guidebook to Berlin in detail, this article proposes that the Nicht cultural journals, this article places Der Querschnitt in a new frame of reference and Baedeker, the Piper series was likely to have attracted Der Querschnitt readers. Nicht "Baedeker": Berlin was published, Eugen Szatmari's head appears alongside 47 See, "Wenn der Vorhang sich hebt", in Szatmari, Nicht "Baedeker": Berlin, 84-95. 58 Szatmari on Heller and on authenticity, Nicht "Baedeker": Berlin, 135 and 152 respectively. Berlin functioned as an anti-tourist guidebook, Szatmari's lengthy description of these 70 Szatmari, Nicht "Baedeker": Berlin, 74 and 190 respectively. Nonetheless, with its guidebook to Berlin, the Nicht "Baedeker" series "The 'cultured city': the art press in Berlin and Paris in the early cache = ./cache/work_dpukmp5hp5fgzcjtodasq7fjxm.pdf txt = ./txt/work_dpukmp5hp5fgzcjtodasq7fjxm.txt === reduce.pl bib === id = work_64mefivdsnd2fdcupis3z7bt3a author = Patricio Lizama A title = SARA MALVAR!: UNA PROPUESTA DE POEMA EN PROSA date = 2016 pages = 12 extension = .pdf mime = application/pdf words = 3765 sentences = 547 flesch = 70 summary = acerca del aporte de Sara Malvar será desarrollada en un libro que preparo. equilibrio" porque los contrarios no se anulan sino que viven en una su plano original que es el del equilibrio de los contrarios" pues "expresa en la confrontación, rasgos que están en la base del poema en prosa. lo que revela una concepción rítmica y ocultista del universo. como una analogía del universo y sus leyes, capacidad que surge de una Sara Malvar: una propuesta de poema en prosa / Patricio Lizama A. Sara Malvar: una propuesta de poema en prosa / Patricio Lizama A. Sara Malvar: una propuesta de poema en prosa / Patricio Lizama A. Sara Malvar: una propuesta de poema en prosa / Patricio Lizama A. Sara Malvar: una propuesta de poema en prosa / Patricio Lizama A. Sara Malvar: una propuesta de poema en prosa / Patricio Lizama A. cache = ./cache/work_64mefivdsnd2fdcupis3z7bt3a.pdf txt = ./txt/work_64mefivdsnd2fdcupis3z7bt3a.txt === reduce.pl bib === id = work_pzk4qcmwfjfq7muzhddjjgwqay author = ROBERT HIRSCH title = World In a Jar: War & Trauma date = 2009 pages = 21 extension = .pdf mime = application/pdf words = 6260 sentences = 429 flesch = 65 summary = images to explore the workings of our collective societal memory of visual sources of history, which allow me to rework and reinterpret images to explore life's Big issues and to ponder what history images freely float in an ambiguous and enigmatic space, encouraging viewers to interact and expand meanings based on their own The Burchfield Penney Art Center to view the World In a Jar installation by Our society's cultural heritage is founded on a practice of transformative art – one of borrowing, sharing, re-borrowing, and Most of the project's images were made from other photographs, as questioning the nature of the photographic image. Such a multiplicity of images, as in World In a Jar, makes People do not seem intimidated by images Engaging images acknowledge the complexity of life through their most people acknowledge evil in terms of human cruelty with acts without critically thinking about the results of their action or cache = ./cache/work_pzk4qcmwfjfq7muzhddjjgwqay.pdf txt = ./txt/work_pzk4qcmwfjfq7muzhddjjgwqay.txt === reduce.pl bib === id = work_cichnl6usrfy3hohcv75qvk3ty author = J. Allan Tucker title = Diagnostic Art: A Tribute to Professor Gérard Simon date = 2014 pages = 2 extension = .pdf mime = application/pdf words = 823 sentences = 68 flesch = 56 summary = In diagnostic pathology, ultrastructural findings are utilized to gain an impression of a disease state. biopsy was performed, and the light microscopy revealed a small blue cell tumor. Impressions also exist as works of art  prints produced by pressing paper against an inked matrix. One of the best-known artists to utilize impressions  As another example of an ultrastructural impression, a 79 year-old man presented with a 4 cm testis represent some sort of germ cell tumor, but the light microscopy and immunohistochemistry were electron microscopy on formalin-retrieved tissue revealed that the tumor cells exhibited long, sometimes artists painted more of an impression of the subject rather than an attempt to replicate it. B. Electron microscopy revealed cell processes with microtubules; the impression gained from electron microscopy was diagnostic of neuroblastoma. An impression (etching) by Rembrandt of the physician Jan Antonides van der Linden. https://www.cambridge.org/core/terms https://www.cambridge.org/core/terms https://www.cambridge.org/core/terms https://www.cambridge.org/core/terms cache = ./cache/work_cichnl6usrfy3hohcv75qvk3ty.pdf txt = ./txt/work_cichnl6usrfy3hohcv75qvk3ty.txt === reduce.pl bib === id = work_vgggzbjynzeppb5ziuxpcjgwwq author = Zhanli Sun title = Simple or complicated agent-based models? A complicated issue date = 2016 pages = 32 extension = .pdf mime = application/pdf words = 12403 sentences = 992 flesch = 51 summary = Agent-based models (ABMs) are increasingly recognized as valuable tools in modelling humanenvironmental systems, but challenges and critics remain. level of complicatedness in model structure for representing and investigating complex real-world Agent-based models (ABMs) have become a well-established approach for studying complex humanenvironmental systems, such as land-use systems, by explicitly modelling decision-making and early ABMs were stylized models to represent general dynamics in, for example, economic systems level of complicatedness in model structure, focussing on ABMs of human-environmental systems. Simple agent-based land-use models (Millington et al., 2008; Müller et al., 2011; Some complicated agent-based land-use change models, for example, may be able to needs to represent the detailed geographical settings and the processes therein, and are often dataintensive and driven by the site-specific research questions (e.g., agent-based land use models in agents' decision-making and consequences for land use change, the simple model was built Pattern-oriented modeling of agent-based complex systems: cache = ./cache/work_vgggzbjynzeppb5ziuxpcjgwwq.pdf txt = ./txt/work_vgggzbjynzeppb5ziuxpcjgwwq.txt === reduce.pl bib === id = work_2np4qtdcozbe7dfwcl5ifmderi author = Hugo Keith Weihe title = Licit International Traffic in Cultural Objects for Art's Sake date = 1995 pages = 10 extension = .pdf mime = application/pdf words = 5104 sentences = 316 flesch = 61 summary = Licit International Traffic in Cultural Objects for Art's Sake The movement of works of art and cultural properties has at all times the director of the British Museum considers his museum a masterpiece in its own right.2 In this new context the seized cultural goods works of art created within a nation, but not necessarily by an artist works of art, but generally imply cultural goods in a broader sense. Why is it possible that works of art like the paintings by This would cast considerable doubt, for example, on the justification of considering a painting by Matisse as cultural property, particulary as the time factor becomes overly important. market value is an indication of the importance of a given cultural vast majority of the cultural goods handled in the art market will at Just as their works, the creators of cultural goods may potentially the workings of the art market. cache = ./cache/work_2np4qtdcozbe7dfwcl5ifmderi.pdf txt = ./txt/work_2np4qtdcozbe7dfwcl5ifmderi.txt === reduce.pl bib === id = work_sklmn5i3qvh3re3dgagmjmedfy author = Russell Kennedy title = Looking Back to Move Forward: The Dymaxion Revisited date = 2015 pages = 9 extension = .pdf mime = application/pdf words = 4321 sentences = 342 flesch = 57 summary = Kennedy, Russell 2015, Looking back to move forward: the Dymaxion revisited, Procedia technology, vol. passenger capacity of a modern people carrier and represented Buckminster Fuller's social responsibility mantra to create more The brand narrative of the Dymaxion tells a story of sustainability and practicality that resonates with today's vehicle explore brand narrative (product and creator as brand) and diffusion of innovation theory to determine the value of A Dymaxion: a term used by Buckminster Fuller to brand several of his inventions, a portmanteau of the words dynamic, Buckminster Fuller's Dymaxion cars (source: Estate of R. The Dymaxion car project is often referred to as an iconic example of innovative, experimental industrial design history and future focus of a business and/or product then the Dymaxion car can certainly be referred to as a brand. narrative also extends to the Dymaxion car, a story that may resonate with sections of today's vehicle consumers as Buckminster Fuller: Dymaxion Car. Ivorypress; 2011. cache = ./cache/work_sklmn5i3qvh3re3dgagmjmedfy.pdf txt = ./txt/work_sklmn5i3qvh3re3dgagmjmedfy.txt === reduce.pl bib === id = work_wk6ezdjaefg47fgxly5556km4q author = Helen Gonçalves title = Aproveitar a vida, juventude e gravidez date = 2006 pages = 19 extension = .pdf mime = application/pdf words = 5680 sentences = 645 flesch = 65 summary = refere especificamente aos jovens, parte da bibliografia socioantropológica tem demonstrado que a juventude atual possui um valor simbólico, um estilo de vida identificado ao consumo do bem viver no Ocidente moderno – logo, pode ser consumida por outras idades e fases de com as jovens e suas mães era "ser jovem é aproveitar a vida!". 15 anos que o reconhecimento familiar do aprendizado social, amadurecimento emocional e desenvolvimento corporal se manifesta, mais fortemente para as meninas, como a concordância dos pais com a ampliação Um pano de fundo mais abrangente e que faz diferença nas concepções e nos modos de articular idéias sobre os jovens, a gravidez e a passagem para a vida adulta é o contexto sociocultural e valorativo onde vivem. Estudos socioantropológicos demonstram que nas camadas populares há uma maior valorização da fase adulta, justamente por ela conformar um indivíduo menos dependente financeiramente dos pais cache = ./cache/work_wk6ezdjaefg47fgxly5556km4q.pdf txt = ./txt/work_wk6ezdjaefg47fgxly5556km4q.txt === reduce.pl bib === id = work_xi3fiq7w6rbnnhr7znkzuslw7u author = Rong-Ding He title = To perceive a perfect Dora Maar in peripheral vision date = 2016 pages = 3 extension = .pdf mime = application/pdf words = 2077 sentences = 170 flesch = 67 summary = To perceive a perfect Dora Maar in peripheral vision. To perceive a perfect Dora Maar in peripheral vision. Figure 1 From tortured to normal appearance with peripheral vision. move their foveal sight onto the fixation point to perceive Dora in their peripheral vision. Participants (n=30) were divided into three groups and asked to look a perfect circle at the fixation point for 5 s (Figure S5B). results point to the 3D-like illusion that results from perception in peripheral vision of the disjointed Dora. when perceived in the peripheral visual field using the fixation point (Figure S4b in Supporting Information), 28 participants selected the dished portrait of Dora as the image of Dora Maar in a tortured structure compensates the eccentricity (asymmetry) of human peripheral vision (Levi and choose which one was most similar to what they had perceived in peripheral vision (Figure S5b in Supporting Information). Figure S1 A perfect Dora imaging in the peripheral vision. cache = ./cache/work_xi3fiq7w6rbnnhr7znkzuslw7u.pdf txt = ./txt/work_xi3fiq7w6rbnnhr7znkzuslw7u.txt === reduce.pl bib === id = work_mbrastzd4raatneejkkyh7oini author = Eftychia Stamkou title = The art of influence: When and why deviant artists gain impact date = 2018 pages = 29 extension = .pdf mime = application/pdf words = 25857 sentences = 4062 flesch = 67 summary = In keeping with these theoretical accounts and empirical findings, we propose that artists who deviate from their contemporaries' styles (i.e., interpersonal artistic deviance) are perceived as artists who follow their contemporaries' style (interpersonal deviance effect). they deviate from a predominant nonrealistic style by using realistic means of expression (moderation of the interpersonal deviance effect by progressiveness). We tested the effect of artist's intrapersonal deviance on perceived influence and price estimation by means of ANOVAs. We There was a main effect of artist's intrapersonal deviance, indicating that the later artwork's style was perceived to deviate from the First, we investigated whether the effect of interpersonal deviance on artistic impact operates through perceived willpower, which was the main mediator suggested in previous studies Finally, we performed moderated mediation analyses to test whether the interactive effect of artist's interpersonal deviance and contemporaries' style on each dependent variable (i.e., perceived influence, purchase intention, and visual cache = ./cache/work_mbrastzd4raatneejkkyh7oini.pdf txt = ./txt/work_mbrastzd4raatneejkkyh7oini.txt === reduce.pl bib === id = work_ndpuahayjffehcbvy6ozv37wvy author = Sedat BALKIR title = SANAT-SANATÇI VE BİR META NESNESİ OLARAK SANAT ESERİ date = 2020 pages = 14 extension = .pdf mime = application/pdf words = 4543 sentences = 616 flesch = 67 summary = Yapılan çalışmanın bir sanat eseri olarak kabul edilme süreci ve bunun kıstaslarının ne Bir çalışmanın sanat eseri olduğunu üreten kişi olarak, bizzat sanatçının kendisi mi Gerçekte bunun böyle olması yanlış da değildir çünkü sanat eseri olarak kabul Sanat eseri, görmüş olduğumuz gibi bir insanın bilincinde aracısız olarak doğar, anlam fakat yarattığı o şeyi kabul etmesi için toplumu ikna edebilirse bir sanat eserinin ortaya Sanatçılar içinde yaşadıkları toplumu malzeme olarak kullanırken, toplum için bir geri BALKIR / Sanat-Sanatçı Ve Bir Meta Nesnesi Olarak Sanat Eseri BALKIR / Sanat-Sanatçı Ve Bir Meta Nesnesi Olarak Sanat Eseri BALKIR / Sanat-Sanatçı Ve Bir Meta Nesnesi Olarak Sanat Eseri BALKIR / Sanat-Sanatçı Ve Bir Meta Nesnesi Olarak Sanat Eseri BALKIR / Sanat-Sanatçı Ve Bir Meta Nesnesi Olarak Sanat Eseri BALKIR / Sanat-Sanatçı Ve Bir Meta Nesnesi Olarak Sanat Eseri BALKIR / Sanat-Sanatçı Ve Bir Meta Nesnesi Olarak Sanat Eseri BALKIR / Sanat-Sanatçı Ve Bir Meta Nesnesi Olarak Sanat Eseri cache = ./cache/work_ndpuahayjffehcbvy6ozv37wvy.pdf txt = ./txt/work_ndpuahayjffehcbvy6ozv37wvy.txt === reduce.pl bib === id = work_cmopimwcyracvctyn5t5huws34 author = Marija Đekić title = Corporate universities as a contemporary paradigm of the employees professional development date = 2018 pages = 17 extension = .pdf mime = application/pdf words = 5588 sentences = 1001 flesch = 55 summary = Kompanije koje razumeju moć znanja u modernoj ekonomiji I koje imaju proaktivan pristup učenju i obrazovanju formiraju korporativne univerzitete ne posmatrajući Zaključak istraživanja je da korporativni univerziteti zaista imaju strateški značaj i da mogu doneti brojne pa obrazovanje zaposlenih sve više postaje strateški cilj kompanija koje uviđaju Korporativni univerziteti su strateški orjentisani, pomažu u razvoju korporativne kulture, a najuspešnije svetske kompanije uveliko primenjuju ovaj koncept. obrazovanja zaposlenih i da se na adekvatan način prikažu benefiti koje kompanije imaju od ulaganja u zaposlene i korporativne univerzitete. 5. Kompanije koje su primenile koncept korporativnih univerziteta Iako su neke kompanije koje imaju svoje korporativne univerzitete već pomenute, neke od najistaknutijih korporativnih univerziteta su svakako Charles Schwab University, • Lytovchenko Iryna (2016.) Corporate university as a form of employee training and development in American companies. • Lytovchenko Iryna (2016.) Corporate university as a form of employee training and development in American companies. cache = ./cache/work_cmopimwcyracvctyn5t5huws34.pdf txt = ./txt/work_cmopimwcyracvctyn5t5huws34.txt === reduce.pl bib === id = work_obwgvhwgkvfynlhskbyucbcacq author = Michalis Mountantonakis title = LODsyndesis: Global Scale Knowledge Services date = 2018 pages = 14 extension = .pdf mime = application/pdf words = 8291 sentences = 716 flesch = 62 summary = Linked Open Data Cloud, which offers fast, content-based dataset discovery and object co-reference. CIDOC CRM (Conceptual Reference Model), and connectivity measurements of British Museum data. Keywords: Semantic web; connectivity analytics; british museum; cultural RDF datasets; CIDOC CRM for hundreds of LOD (Linken Open Data) Cloud datasets, especially from publications domain and Data, the linking of datasets can be achieved by the existence of common URIs or Literals, or by defining different sets of elements (e.g., triples, entities), and we store the dataset IDs (i.e., a posting list) where LODsyndesis/rest-api/allFacts?uri=http://dbpedia.org/resource/Pablo_Picasso. LODsyndesis/rest-api/datasetDiscovery?dataset=http://collection.britishmuseum.org/&connections_ which triads of datasets of publications domain contain the most common entities. contain common entities with 188 datasets (43 of them belong to publications domain), while DNB, BNF, In Table 4, we can see the number of connected datasets for British Museum concerning entities, contains only datasets from publications domain, i.e., British Museum, Library of Congress and VIAF, Available online: http://www.w3.org/TR/n-triples/ (accessed on 12 November 2018). cache = ./cache/work_obwgvhwgkvfynlhskbyucbcacq.pdf txt = ./txt/work_obwgvhwgkvfynlhskbyucbcacq.txt === reduce.pl bib === id = work_6az73qbhh5bo7bkurfgeispjrm author = Sun-Young Kim title = A Study on the Environmental Color of New Genre Public Art in Luzinterruptus' Work date = 2016 pages = 9 extension = .pdf mime = application/pdf words = 4968 sentences = 1789 flesch = 108 summary = 러진테럽터스의 뉴 장르 공공미술에 나타난 환경색채 연구 A Study on the Environmental Color of New Genre Public Art in Luzinterruptus' Work Luzinterruptus's work looking for a new perspective on the relationship between environmental color and society. The street artist Luzinterruptus was born in Spain, is a leader in the field of New Genre Public Art brush on a Genre Public Art. It also analyzes the environmental color of Luzinterruptus to take advantage of the harmonious urban landscape was seeking Public Art. The citizens of the area and the installation work Luzinterruptus, New Genre Public Art, Environmental Color 표피색채 (EC: epidermic color): 면색, 표면색, 속색, 경 색 표층색채 (LC: layered color): 투과색, 간섭색 도시의 환경색채 개념 다. 그러나 휴먼스 일보다 큰 도시의 환경색채는 매스 즉 도시의 환경색채는 표색계로 New Genre Public Art 이러한 환경색채는 '피겨-그라운드(Figur-Grund)' 이러한 환경색채는 거 크 13) http://www.tate.org.uk/learn/online-resources/glossary/n/new-genre-public-art 히 도시의 수직 경 뿐 아니라 인간의 삶을 담은 수 cache = ./cache/work_6az73qbhh5bo7bkurfgeispjrm.pdf txt = ./txt/work_6az73qbhh5bo7bkurfgeispjrm.txt === reduce.pl bib === id = work_z2a7yo6a4nbyrgkk4h7j4aq5w4 author = Miguel-Héctor Fernández-Carrión title = No-violencia, conflicto, guerra y paz date = 2014 pages = 20 extension = .pdf mime = application/pdf words = 6666 sentences = 903 flesch = 63 summary = en los distintos países, han coexistido naciones más violentas que otras, así como con una "declaración de intenciones" humanitarias y con la defensa de una agresión internacional (véanse los conflictos bélicos iniciados en el siglo XX por Estados Unidos en el mundo árabe, empezada con primera invasión de Irak, del 20 de marzo al 1 de mayo de (China, por ejemplo), como en los que se encuentran en persistente guerra civil (algunos países de África, véanse los casos de Sierra De la misma manera que se ha expuesto de forma somera los diferentes tipos de expansión nacional y desarrollo de la tortura habida a lo largo de los tiempos, se puede señalar la acción seguida por Por ello, las muestras históricas de la no-violencia se extienden a muchos más ejemplos que logran el pacifismo, como es la huelga de los plebeyos cache = ./cache/work_z2a7yo6a4nbyrgkk4h7j4aq5w4.pdf txt = ./txt/work_z2a7yo6a4nbyrgkk4h7j4aq5w4.txt === reduce.pl bib === id = work_idzolz5mkneuzdpmtw2ebkqdcm author = Chih-Chang Chang title = The Nuances of Occipitocervical Instability and Stenosis in Patients With Basilar Invagination and Atlantoaxial Dislocation date = 2019 pages = 2 extension = .pdf mime = application/pdf words = 908 sentences = 91 flesch = 49 summary = AAD is transoral odontoidectomy plus posterior occipital-cervical fusion.2-4 Although the fixation done in a single stage prone position while avoiding the complications from odontoidectomy.5 Chandra et al.6 demonstrate a single stage posterior surgery for reduction and re-alignment using the DCER (distraction, compression, extension, and reduction) technique which combines usage of C1–2 spacers and occipitocervical fusion with custom instrumentation. a reported higher incidence of vertebral artery (VA) anomalies than the normal population.7 Preoperative CT-angiogram is helpful to identify the course and dominant side of the In patients who have significant untreated osteoporosis, odontoidectomy plus in situ occipital-cervical fusion with multiple anchor points The key points of doing a successful single stage posterior reduction and fixation include appropriate patient selection, identification of osseous and vascular anomalies, and use of gentle 1. Wu JC, Mummaneni PV, El-Sayed IH. J Craniovertebr Junction Spine 2010;1:44-8. 4. Mummaneni PV, Haid RW. cache = ./cache/work_idzolz5mkneuzdpmtw2ebkqdcm.pdf txt = ./txt/work_idzolz5mkneuzdpmtw2ebkqdcm.txt === reduce.pl bib === id = work_kirjr3gvlvctddfxgljqnuabaa author = Gurkan Topaloglu title = Teaching/Learning Strategies Through Art: Theatre and Basic Design Education date = 2015 pages = 7 extension = .pdf mime = application/pdf words = 2874 sentences = 243 flesch = 61 summary = The purpose of this study is to investigate the theatre as an architecture learning strategy in Basic Design Education. study examines the art as a tool in Basic Design Education through the concept of the "body", which is the common point of Architectural design activities are founded on "body and space" which In the context of body and space relationship; a different training method was tested together with performance art that is "theater" and building art that is "architecture" over Basic Design Education. Keywords: Basic Design; Education; Theatre; Architecture; Body; Space Human body fills a gap in the space given its physical existence and designates space in an unconditional way. The conscious formulation, design and production of the space is possible through the discipline of architecture. The design of space in architecture is shaped within the framework of basic design elements and principles. cache = ./cache/work_kirjr3gvlvctddfxgljqnuabaa.pdf txt = ./txt/work_kirjr3gvlvctddfxgljqnuabaa.txt === reduce.pl bib === id = work_iwopkjv2ubgnrlu3l3ndreqefm author = Channing J Paller title = Youth has no age: cancer treatment for older Americans date = 2010 pages = extension = .pdf mime = application/xml words = 144 sentences = 25 flesch = 71 summary = sys_1000 wp-p1m-38.ebi.ac.uk wp-p1m-38.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write('[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]'.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. 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Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ cache = ./cache/work_iwopkjv2ubgnrlu3l3ndreqefm.pdf txt = ./txt/work_iwopkjv2ubgnrlu3l3ndreqefm.txt === reduce.pl bib === id = work_dt5lpkr3zrgsvhuvb4ouu72zji author = Koreen Ramessar title = Trace and traceability—a call for regulatory harmony date = 2008 pages = 4 extension = .pdf mime = application/pdf words = 3712 sentences = 484 flesch = 59 summary = apply scientific and risk-based regulatory the trade and use of food and feed if the Table 1 Current GM biosafety regulations for selected countries product Yes Voluntary n.d. Australia office of the Gene Technology regulator, Food Standards Australia New Zealand Draft Biosafety Guidelines product n.d. No labeling process No n.d. n.d. canada canadian Food Inspection Agency consumer packaging & Labeling Act, plant protection Act product Yes Voluntarya 5% Health canada Food & Drugs Act, canadian environmental Agricultural research Institute, National Table 1 Current GM biosafety regulations for selected countries (continued) Country Governing bodies/agencies Regulations/laws Country Governing bodies/agencies Regulations/laws process Yes Mandatory n.d. New Zealand environmental risk Management Authority, USA US Department of Agriculture Federal plant protection Act National Biotechnology & Biosafety Bill process Yes n.d. n.d. aLabeling required if safety concerns (allergenic, change in nutritional composition) exist. and use of pathology in research. future for GM food and feed regulation cache = ./cache/work_dt5lpkr3zrgsvhuvb4ouu72zji.pdf txt = ./txt/work_dt5lpkr3zrgsvhuvb4ouu72zji.txt === reduce.pl bib === id = work_pgbyrtel4fbubhglbnokwwoxbm author = GÜLDEREN GÖRENEK title = MODERN SANAT date = 2020 pages = 13 extension = .pdf mime = application/pdf words = 4998 sentences = 845 flesch = 62 summary = Modern sanatta tuval yüzeyi ve boya, geleneksel sanatın tersine bir anlayışla sahiplenilen ve Çalışmada, Modern Döneme ait resim sanatı akımları, analitik bir bakış açısı ve sürece etki ederek, akışı kökten yermiş ve modern yeni sanatçı tipini, dünya insanı olarak nitelendirdiği Bay G üzerinden tarif etmiştir. Modernizm, resim sanatında 1860-1960 yıllarını kapsayan bir dönem olarak ortaya çıkmıştır. Modern Sanatta tuval yüzeyi ve boya geleneksel sanattın tersine bir anlayışla sahiplenilen ve Sanatçı, "Grande Jatte Adası‟nda Bir Pazar Öğleden Sonra" (Şekil 4) resmini 1884-86 yılları arasında sanatçı hem renk üzerine bilimsel bulguları sanata taşırken hem de modern bir kentlinin hafta sonlarını Modern sanatta, Kandinsky ile başlayan soyut sanat, Kazamir Maleviç‟in de başvurduğu bir modern sanat dili olmuştur (Şekil 17). Rusya‟da 1917 Ekim Devrimi ile gelen değişimler, yeni bir dünya için sanatı da kendi 1960 yılında Minimalizm ile modern sanatta, başka bir sürece girilmiştir. Modern sanatta tuval yüzeyi ve boya, geleneksel sanatın tersine bir cache = ./cache/work_pgbyrtel4fbubhglbnokwwoxbm.pdf txt = ./txt/work_pgbyrtel4fbubhglbnokwwoxbm.txt === reduce.pl bib === id = work_6deeimjrfve7bpjcc77u45bode author = Chua Yan Piaw title = Establishing a Brain Styles Test: The YBRAINS Test date = 2011 pages = 9 extension = .pdf mime = application/pdf words = 5791 sentences = 513 flesch = 65 summary = Keywords: Brain style, thinking and learning, YBRAINS, validity and reliability has been initiated, and teaching and learning strategies that focus on enhancing the "human mind", emphasis on allround skills in enhancing critical thinking left brain the and creative thinking right brain across school subjects have human brain, i.e. the left and the right brain think and learn, or process information differently. Style of Learning and Thinking Test) listed the functions of the left and right brain. The indicators of right brain thinking and learning style include: Creative, imaginative in thinking, like to respondent responds to the test items, his learning and thinking styles (left, right or whole brain style, and open, TORRANCE TEST OF CREATIVE THINKING (TTCT) Right Brain Style WGCTA and the left brain style score of the YBRAINS (r= .27, p> .05) suggests that the two tests measuring and music major subjects will score higher on the right brain style of the YBRAINS test. cache = ./cache/work_6deeimjrfve7bpjcc77u45bode.pdf txt = ./txt/work_6deeimjrfve7bpjcc77u45bode.txt === reduce.pl bib === id = work_2ombz7n2c5d4dffqvm3w57opwy author = Başak BOĞDAY SAYĞILI title = MODADA KÜBİZM ETKİLERİ date = 2018 pages = 10 extension = .pdf mime = application/pdf words = 2319 sentences = 443 flesch = 37 summary = Sanat, Kübizm, Moda Tarih Bu akımlardan biri olan "Kübizm" akımını, modern sanatın sanatın başlangıcını işaret eden Kübizm, iki boyutlu resim yüzeyi üzerinde, birden çok bakış Kübizm, moda için yaratıcı bir araştırma alanı olmasının yanı Moda tasarımcılarının kübizm sanat akımından etkilenerek tasarlamış oldukları 1907'de ilk kübizm resimleri ortaya çıkmaya başladığından günümüze pek çok moda malzemeyi üç boyutlu göstermeyi hedefleyen kübizm sanat akımı, moda tasarımcıları için çok https://books.google.com.tr/books?id=Fq3RbM4d4CkC&pg=PA35&lpg=PA35&dq=Leneif+fashion&source=bl&ots=LePCGDwT00&sig=Bw4xrhACmcgADsUFv6DrHMTlHmg&hl=tr&sa=X&ved=2ahUKEwjkjIvB_9_cAhVFJ5oKHXd6BbkQ6AEwCXoECAkQAQ#v=onepage&q=Leneif%20fashion&f=false https://books.google.com.tr/books?id=Fq3RbM4d4CkC&pg=PA35&lpg=PA35&dq=Leneif+fashion&source=bl&ots=LePCGDwT00&sig=Bw4xrhACmcgADsUFv6DrHMTlHmg&hl=tr&sa=X&ved=2ahUKEwjkjIvB_9_cAhVFJ5oKHXd6BbkQ6AEwCXoECAkQAQ#v=onepage&q=Leneif%20fashion&f=false https://books.google.com.tr/books?id=Fq3RbM4d4CkC&pg=PA35&lpg=PA35&dq=Leneif+fashion&source=bl&ots=LePCGDwT00&sig=Bw4xrhACmcgADsUFv6DrHMTlHmg&hl=tr&sa=X&ved=2ahUKEwjkjIvB_9_cAhVFJ5oKHXd6BbkQ6AEwCXoECAkQAQ#v=onepage&q=Leneif%20fashion&f=false https://books.google.com.tr/books?id=Fq3RbM4d4CkC&pg=PA35&lpg=PA35&dq=Leneif+fashion&source=bl&ots=LePCGDwT00&sig=Bw4xrhACmcgADsUFv6DrHMTlHmg&hl=tr&sa=X&ved=2ahUKEwjkjIvB_9_cAhVFJ5oKHXd6BbkQ6AEwCXoECAkQAQ#v=onepage&q=Leneif%20fashion&f=false 1920'lerde Pariste önemli bir moda evi olan Leneif'te kübizmden etkilenenlerdendi. Kaynak.https://meganinsaintemaxime.com/2015/03/19/new-fashion-exhibition-jeanne-lanvin-in-paris/ olduğu özellikle eteklerde kübizmin etkileri belirgin bir şekilde görülmektedir (Resim 8). Bu dönemde kalıpsal olarak daha keskin hatlı giysiler kullanılmıştır (Resim 10). http://uk.fashionnetwork.com/news/Paco-Rabanne-styles-sexy-aliens-for-spring,514306.html#.W21K_tIzYdU http://uk.fashionnetwork.com/news/Paco-Rabanne-styles-sexy-aliens-for-spring,514306.html#.W21K_tIzYdU kullanılarak yeni bir sanat akımı oluşturulmuştur (Resim 16). 1960'lardan sonra kübizmin etkileri daha çok Op-art sanatı ile görülse de 2000'lere modada yeniden doğan kübizm, daha sonra Op-Art sanatı olarak modada devam etmiştir. Resim1.2.3.https://books.google.com.tr/books?id=Fq3RbM4d4CkC&pg=PA35&lpg=PA35& https://meganinsaintemaxime.com/2015/03/19/new-fashion-exhibition-jeannelanvin-in-paris/ https://meganinsaintemaxime.com/2015/03/19/new-fashion-exhibition-jeanne-lanvin-in-paris/ https://meganinsaintemaxime.com/2015/03/19/new-fashion-exhibition-jeanne-lanvin-in-paris/ https://meganinsaintemaxime.com/2015/03/19/new-fashion-exhibition-jeanne-lanvin-in-paris/ Resim15.http://uk.fashionnetwork.com/news/Paco-Rabanne-styles-sexy-aliens-forspring,514306.html#.W21K_tIzYdU https://theredlist.com/wiki-2-23-1249-1258-view-1970s-profile-paco-rabanne-3.html https://theredlist.com/wiki-2-23-1249-1258-view-1970s-profile-paco-rabanne-3.html https://theredlist.com/wiki-2-23-1249-1258-view-1970s-profile-paco-rabanne-3.html https://theredlist.com/wiki-2-23-1249-1258-view-1970s-profile-paco-rabanne-3.html https://www.arthipo.com/artblog/sanat-tarihi/op-art-sanat-akimi.html https://www.arthipo.com/artblog/sanat-tarihi/op-art-sanat-akimi.html https://www.arthipo.com/artblog/sanat-tarihi/op-art-sanat-akimi.html https://www.arthipo.com/artblog/sanat-tarihi/op-art-sanat-akimi.html cache = ./cache/work_2ombz7n2c5d4dffqvm3w57opwy.pdf txt = ./txt/work_2ombz7n2c5d4dffqvm3w57opwy.txt === reduce.pl bib === id = work_icywckx4abdipdz4f5t67x7ipu author = Mark A. Runco title = Simplifying Theories of Creativity and Revisiting the Criterion Problem: A Comment on Simonton's (2009) Hierarchical Model of Domain-Specific Disposition, Development, and Achievement date = 2009 pages = 11 extension = .pdf mime = application/pdf words = 2939 sentences = 185 flesch = 52 summary = Simplifying Theories of Creativity and Revisiting the Criterion Problem theory of creativity that focuses on a universally shared capacity. complements Simonton's hierarchical view, though his applies best to actual performance and That being said, Simonton's article, "Varieties of (Scientific) Creativity: A Hierarchical questions, including, "Is the creative thought of an Albert Einstein comparable with that of a a reminder that creativity and achievement depend on both universals and individual differences. relegates universals) might be built if we use fame and high-level creative performance as our Yet research on creativity suggests that there are benefits to questioning assumptions, and theory of creativity (Rubenson & Runco, 1992, 1995), and with Simonton's article, I now see Psychoeconomic theory describes the costs and benefits of creative efforts alliterative framework with creative persons, places, processes, and products (and Simonton's use originality of creative thought as the primary criterion...." (p. Studies of creativity do indeed use originality as the primary criterion. cache = ./cache/work_icywckx4abdipdz4f5t67x7ipu.pdf txt = ./txt/work_icywckx4abdipdz4f5t67x7ipu.txt === reduce.pl bib === id = work_ycz7lhy3jrd5bjb7y4sb6suuem author = Inmaculada Serramito-Gómez title = Unconventional autophagy mediated by the WD40 domain of ATG16L1 is derailed by the T300A Crohn disease risk polymorphism date = 2016 pages = 5 extension = .pdf mime = application/pdf words = 1931 sentences = 221 flesch = 63 summary = símbolos del nacionalismo vasco, obra colectiva en la que repiten el propio de Pablo así rituales y en general en todas las representaciones culturales del nacionalismo vasco y acreditado una gran capacidad para crear símbolos exitosos, entre los que cabe destacar, como ello, así como la amplia atención a los aspectos musicales que acertadamente ofrece esta obra: El debate identitario ocupa, pues, el aspecto central de 100 símbolos vascos, obra en en falta, entre el elenco elegido por los autores, algunos de los símbolos no nacionalistas que ilustrado de símbolos del nacionalismo vasco, donde quedaron reflejadas las referencias 100 símbolos vascos, así como sobre toda la historiografía al respecto, circunstancia de extrema que el himno más popular entre los vascos, el Gernikako arbola, no haya tenido en la obra condiciona la historiografía vasca desde hace más de dos siglos y que una obra cultural como cache = ./cache/work_ycz7lhy3jrd5bjb7y4sb6suuem.pdf txt = ./txt/work_ycz7lhy3jrd5bjb7y4sb6suuem.txt === reduce.pl bib === id = work_atq7e2le75evrg5gshtpk5k2ay author = Anna-Leena Toivanen title = Cartographies of Paris: Everyday mobilities in Michèle Rakotoson's Elle, au printemps and Alain Mabanckou's Tais-toi et meurs date = 2019 pages = 39 extension = .pdf mime = application/pdf words = 11065 sentences = 679 flesch = 54 summary = Cartographies of Paris: Everyday Mobilities in Michèle Rakotoson's mobilities; Alain Mabanckou; Michèle Rakotoson; urban spaces Mabanckou's Tais-toi et meurs (2012), use everyday urban mobilities in their protagonists' use of mobility systems and the narratives' production of urban Paris their city, and underlining its role in their newly established mobile subjectivities. In what follows, I analyze the novels' ways of producing mobile cartographies of Paris By locating the protagonist on the mobile map of Paris, the narrative The 'urban uncanny' in Rakotoson's novel is related to the protagonist's Sahondra's becoming a modern, metropolitan postcolonial mobile subject is and the urban uncanny in Rakotoson's text translate this mobility-related anxiety into protagonists' attempts to 'manage' Paris through everyday urban mobility gives The narrative not only conveys Sahondra's frustration with urban mobile through a mobility-related urban uncanny which is generated through the protagonist's protagonist's urban (im)mobilities, generating a sense of suspense. cache = ./cache/work_atq7e2le75evrg5gshtpk5k2ay.pdf txt = ./txt/work_atq7e2le75evrg5gshtpk5k2ay.txt === reduce.pl bib === id = work_2rqzebt6erhspbnlqq2qb7g62e author = B. L. Hay title = Les Demoiselles d'Evanston: on the aesthetics of the Wigmore chart date = 2008 pages = 30 extension = .pdf mime = application/pdf words = 6412 sentences = 628 flesch = 71 summary = http://osc.hul.harvard.edu/dash/open-access-feedback?handle=&title=The%20Demoiselles%20d'Evanston:%20On%20the%20Aesthetics%20of%20the%20Wigmore%20Chart&community=1/7&collection=1/8&owningCollection1/8&harvardAuthors=139b8f66412e0c72ea96855d6fce27e2&department 5 The Wigmore quotations in this paragraph are from The Problem of Proof, supra note 1, pp. these works, like Wigmore's method, is a self-conscious effort to develop a new language for its Charting New Territory in Judicial Proof: Beyond Wigmore. Analysis of Evidence: How to Do Things with Facts, Based on Wigmore's Science of Proof. I would liken the Wigmore method to the aesthetic of Picasso's Standing Female Nude, the Museum of Modern Art in New York.11 A charcoal drawing done in 1910, this work is Picasso I have reproduced the two complete charts Wigmore included in his Judicial Proof 14 In comparing the critics' theories of cubism to the Wigmore's rationale for the chart system, I confine myself to Again and again in Wigmore's his voluminous work on evidence, women emerge as a Wigmore, Sample diagrams of evidence discrediting a witness. cache = ./cache/work_2rqzebt6erhspbnlqq2qb7g62e.pdf txt = ./txt/work_2rqzebt6erhspbnlqq2qb7g62e.txt === reduce.pl bib === id = work_oqs444cepja5leqqoxhf5zhmoa author = Sylvain Bureau title = Entrepreneurship as an art of subversion date = 2014 pages = 26 extension = .pdf mime = application/pdf words = 13759 sentences = 1064 flesch = 55 summary = concept of artful entrepreneurship, we suggest the analysis of subversion and resistance as a If subversive attitudes and activities are needed to launch and develop new ideas and projects, introduces the notion of artful entrepreneurship, which by capturing the elements of subversion and and very different artistic areas: researchers have studied the subversive dimension of art in Three main necessary conditions are required for art to have subversive power: first, it has to be connected to the rest of society; second, art has to involve practices which will create new cognitive Necessary condition #2: to be subversive, art should produce new representations and emotional Art is defined as being subversive because it can contribute to producing new changes in the Necessary condition #2: to be subversive, entrepreneurship should produce new representations and Subversion in Art and Entrepreneurship Contrasted It is clear from the above that both art and entrepreneurship are potentially subversive, and that the cache = ./cache/work_oqs444cepja5leqqoxhf5zhmoa.pdf txt = ./txt/work_oqs444cepja5leqqoxhf5zhmoa.txt === reduce.pl bib === id = work_6a5zhocbxzfk7nv7e6iop27vb4 author = Jeroen van Dongen title = Mistaken Identity and Mirror Images: Albert and Carl Einstein, Leiden and Berlin, Relativity and Revolution date = 2012 pages = 52 extension = .pdf mime = application/pdf words = 22014 sentences = 1684 flesch = 65 summary = and Carl Einstein, Leiden and Berlin, Relativity Albert Einstein accepted a ''special'' visiting professorship at the University of Leiden in the story of Einstein's Leiden chair throws new light on the reception of relativity and its creator This article described the general hostility toward the immediate postwar German Revolution of November 1918 that prevailed among Berlin university students. He again urged Minister de Visser to expedite the confirmation of Einstein's appointment, so that he could deliver his inaugural lecture difficulties did not have much to do with the Dutch delays: Berlin had seen a fullblown anti-Einstein campaign kicked off by a certain Paul Weyland (1888–1972, not Albert but Carl Einstein, author, avant-garde art critic, and radical revolutionary councils and their leaders, such as Carl Einstein: Reports that Did only Dutch officials confuse Albert and Carl Einstein? Mistaken Identity and Mirror Images: Albert and Carl Einstein, Leiden and Berlin, Relativity and Revolution cache = ./cache/work_6a5zhocbxzfk7nv7e6iop27vb4.pdf txt = ./txt/work_6a5zhocbxzfk7nv7e6iop27vb4.txt === reduce.pl bib === id = work_qv4pqnjnpzgcfgcytsrwllu46y author = Michela Cigola title = Robotic systems for architectural survey and conservation of Cultural Heritage date = 2015 pages = 6 extension = .pdf mime = application/pdf words = 4746 sentences = 938 flesch = 77 summary = degli Studi di Cassino e del Lazio Meridionale UniCLAM: il LARM (Laboratorio di Robo ca e Meccatronica) nel se ore più stre amente ingegneris co, il DART (Laboratorio di Documentazione, Analisi, Rilievo dell'Archite ura e del Territorio) proge o è volta principalmente al perfezioneranno dei sistemi HeritageBot, per ada arli alle specifi che esigenze del se ore culturale e industriale uno dei pun di forza dell'HeritageBot ripos nella modularità e fl essibilità d'uso, fa ori che rendono possibile diversifi cate soluzioni, ada abili ai Lo stato dell'arte del connubio tra Robo ca e Nell'ambito dell'Università di Cassino e del Lazio della robo ca con quelle del rilevamento archite onico, a raverso un proge o fi nalizzato all'attuazione di soluzioni tecniche rivolte all'analisi e delle operazioni del rilevamento archite onicoda affi dare ai movimen automa zza di un robot, costruito nel laboratorio LARM (Fig. 2). cache = ./cache/work_qv4pqnjnpzgcfgcytsrwllu46y.pdf txt = ./txt/work_qv4pqnjnpzgcfgcytsrwllu46y.txt === reduce.pl bib === id = work_eas6axtsbjhfljsqjnpedinjg4 author = Zülfikar Sayın title = Sanatçı Göstergesi Olarak Ekslibris date = 2017 pages = 14 extension = .pdf mime = application/pdf words = 4453 sentences = 708 flesch = 61 summary = tarafından Hasip Pektaş için tasarlanmış olan ekslibris; adına tasarlanmış © 2017 EX-LIBRIST Bölüm 7 Haziran 2017, Sayın, "Sanatçı Göstergesi Olarak Ekslibris" © 2017 EX-LIBRIST Bölüm 7 Haziran 2017, Sayın, "Sanatçı Göstergesi Olarak Ekslibris" © 2017 EX-LIBRIST Bölüm 7 Haziran 2017, Sayın, "Sanatçı Göstergesi Olarak Ekslibris" © 2017 EX-LIBRIST Bölüm 7 Haziran 2017, Sayın, "Sanatçı Göstergesi Olarak Ekslibris" © 2017 EX-LIBRIST Bölüm 7 Haziran 2017, Sayın, "Sanatçı Göstergesi Olarak Ekslibris" © 2017 EX-LIBRIST Bölüm 7 Haziran 2017, Sayın, "Sanatçı Göstergesi Olarak Ekslibris" © 2017 EX-LIBRIST Bölüm 7 Haziran 2017, Sayın, "Sanatçı Göstergesi Olarak Ekslibris" © 2017 EX-LIBRIST Bölüm 7 Haziran 2017, Sayın, "Sanatçı Göstergesi Olarak Ekslibris" © 2017 EX-LIBRIST Bölüm 7 Haziran 2017, Sayın, "Sanatçı Göstergesi Olarak Ekslibris" © 2017 EX-LIBRIST Bölüm 7 Haziran 2017, Sayın, "Sanatçı Göstergesi Olarak Ekslibris" © 2017 EX-LIBRIST Bölüm 7 Haziran 2017, Sayın, "Sanatçı Göstergesi Olarak Ekslibris" cache = ./cache/work_eas6axtsbjhfljsqjnpedinjg4.pdf txt = ./txt/work_eas6axtsbjhfljsqjnpedinjg4.txt === reduce.pl bib === id = work_ex4ptkv24na4jcda55c37horue author = B F Scharschmidt title = Nurturing creativity: young Turks and young minds date = 1993 pages = 5 extension = .pdf mime = application/pdf words = 3813 sentences = 310 flesch = 63 summary = foster excellence and creativity in science in its early stages. a weekly literature review in which authors ofhighly cited publications (so-called Citation Classics) write essays on the human side of their research. individual effort and initiative, the industrial equivalent of investigator-initiated research, which we know as the ROI; and In 1991, the ASCI initiated a High School Science Teacher Summer Scholarship Program. In brief, high school science teachers, on a competitive the teacher's high school and the institution of the ASCI sponsor. recipients of an ASCI High School Science Award are listed in ASCI for National Science Foundation support, which is ASCI Summer Scholarship Program during its first 3 years. The ASCI high school science program can, of course, High School Science Awards ASCI High School Science Teacher ASCI President when the high school science program was initiated in 1991. initiate the high school science education program, and it may cache = ./cache/work_ex4ptkv24na4jcda55c37horue.pdf txt = ./txt/work_ex4ptkv24na4jcda55c37horue.txt === reduce.pl bib === id = work_qva4px3zbvfelc4ojp7euslttm author = Cristina Portalés title = When Augmented Reality Met Art: Lessons Learned from Researcher–Artist Interdisciplinary Work date = 2018 pages = 11 extension = .pdf mime = application/pdf words = 8490 sentences = 638 flesch = 59 summary = artistic pieces embedding AR technology, leading to the emergence of interesting collaborations Keywords: augmented reality; art; interdisciplinary; collaboration pieces (e.g., interactive videos, virtual worlds, and robots), and the Augmented Reality (AR) technology Since the technology was invented, at the research level a lot of collaborations between artists Since the technology was invented, at the research level a lot of collaborations between artists computer scientists and other IT experts to work in collaboration with artists, while also influencing computer scientists and other IT experts to work in collaboration with artists, while also influencing Other AR Art works emerging from interdisciplinary collaborations reported in the following In [18], a work is presented that allows people to digitally curate their own augmented reality art Other artistic pieces built following the concept of the Augmented User (but with some Other artistic pieces built following the concept of the Augmented User (but with some cache = ./cache/work_qva4px3zbvfelc4ojp7euslttm.pdf txt = ./txt/work_qva4px3zbvfelc4ojp7euslttm.txt === reduce.pl bib === id = work_3qaqer4itbdtdl3ffs4mm3ixxe author = Patricio Lizama A title = Wanda Morla en París de los años veinte: una experiencia de la modernidad date = 2016 pages = 11 extension = .pdf mime = application/pdf words = 6491 sentences = 844 flesch = 78 summary = ballet y el teatro que Wanda ve en París, pero el arte que ella comenta con mayor amplitud es la música, la clásica y la moderna. La música es lo que une a los jóvenes y Domingo subraya cómo esta primera experiencia en el conservatorio resulta el fundamento que acerca para siempre a la pareja: La joven Morla, por último, hace una lectura religiosa del episodio que los une. por Dios porque para Wanda la música es también el arte "más cerca de Dios" y el que le Wanda Morla en París de los años veinte: una experiencia… / Revista Musical Chilena Wanda Morla en París de los años veinte: una experiencia… / Revista Musical Chilena Wanda Morla en París de los años veinte: una experiencia… / Revista Musical Chilena Wanda Morla en París de los años veinte: una experiencia… / Revista Musical Chilena Wanda Morla en París de los años veinte: una experiencia… / Revista Musical Chilena cache = ./cache/work_3qaqer4itbdtdl3ffs4mm3ixxe.pdf txt = ./txt/work_3qaqer4itbdtdl3ffs4mm3ixxe.txt === reduce.pl bib === id = work_hhmgq7d6erdfxp6yp57yemznby author = Nicole E. Pal title = Life on the ground floor: letters from the edge of emergency medicine date = 2017 pages = extension = .pdf mime = text/html words = 306 sentences = 35 flesch = 70 summary = Life on the ground floor: letters from the edge of emergency medicine | Semantic Scholar Skip to search formSkip to main content> Semantic Scholar's Logo Search Corpus ID: 45108448Life on the ground floor: letters from the edge of emergency medicine title={Life on the ground floor: letters from the edge of emergency medicine}, author={Nicole E. Nicole E. Each chapter has helpful summaries at the end which make the booklet a very effective teaching aid. Share This Paper Topics from this paper emergency medicine (field) Related Papers Related Papers Stay Connected With Semantic Scholar About Semantic Scholar Semantic Scholar is a free, AI-powered research tool for scientific literature, based at the Allen Institute for AI. Proudly built by AI2 with the help of our Collaborators By clicking accept or continuing to use the site, you agree to the terms outlined in our Privacy Policy, Terms of Service, and Dataset License ACCEPT & CONTINUE cache = ./cache/work_hhmgq7d6erdfxp6yp57yemznby.pdf txt = ./txt/work_hhmgq7d6erdfxp6yp57yemznby.txt === reduce.pl bib === id = work_pg3id7st2baafambphu7s3ainy author = Leila Tahmasebi title = Stylistic approach to teaching poetry in ESL classrooms date = 2019 pages = 10 extension = .pdf mime = application/pdf words = 5027 sentences = 353 flesch = 58 summary = STYLISTIC APPROACH TO TEACHING POETRY IN ESL CLASSROOMS importance of stylistic approach in teaching Deviation and foregrounding the important elements stylistics approach in teaching literature in ESL Keywords: poetical analysis, stylistics, deviation, Style in literature is the way an author uses element of stylistic approach to teaching presses a poem into the students' minds it is English literature classes is stylistic In analyzing a poem by using stylistic teaching method in a poetry class by students are thought a new poem. analyzing any poem the students need to systematic stylistic analysis of the poem is deviation from standard use of language. general meaning, and the effect of the poem Considering deviation, there is no poem deviation from the normal use of language. deviation of the poem by pointing to "the Analysis of a poem in a stylistic foregrounding effect behind the deviation. Stylistic approach is an effective method of Language in Literature: Style cache = ./cache/work_pg3id7st2baafambphu7s3ainy.pdf txt = ./txt/work_pg3id7st2baafambphu7s3ainy.txt === reduce.pl bib === id = work_5qksph56ezgxlgkcyck3dpa4ue author = Denise Hansen title = European creativity and American experience date = 2012 pages = extension = .pdf mime = application/xml words = 144 sentences = 25 flesch = 71 summary = sys_1000 wp-p1m-38.ebi.ac.uk wp-p1m-38.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write('[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]'.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. 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Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ cache = ./cache/work_5qksph56ezgxlgkcyck3dpa4ue.pdf txt = ./txt/work_5qksph56ezgxlgkcyck3dpa4ue.txt === reduce.pl bib === id = work_lf4f5p6uijdwpkz2rhdosgb4ce author = Mehmet Ali GÖKDEMİR title = MUSTAFA TUNÇALP VE TUFAN DAĞISTANLI SERAMİKLERİNDEKİ KUŞ HEYKELLERİNİN FORM, REN date = 2018 pages = 16 extension = .pdf mime = application/pdf words = 5896 sentences = 930 flesch = 64 summary = sembol ettiğinden dolayı, gerek takı gibi günMustafa Tunçalp ve Tufan Dağıstanlı Seramiklerindeki Kuş Heykellerinin Form, Renk ve Ek Malzeme Açısın… 307 .Bu çalışma modern Türk seramik sanatının önemli sanatçılarından, Mustafa Tunçalp ve Tufan Dağıstanlı'nın beşer eserleri ile Eserin Analizi: Sanatçının bu eserinde uyuyan bir kuş formu görülmektedir. Eserin Analizi: Sanatçının bu eserinde, artık kuş formundan ziyade tümüyle soyut bir form görülmektedir. Eserin Yorumu: Sanatçının bu çalışMustafa Tunçalp ve Tufan Dağıstanlı Seramiklerindeki Kuş Heykellerinin Form, Renk ve Ek Malzeme Açısın… 313 Mustafa Tunçalp ve Tufan Dağıstanlı Seramiklerindeki Kuş Heykellerinin Form, Renk ve Ek Malzeme Açısın… 317 Mustafa Tunçalp ve Tufan Dağıstanlı Seramiklerindeki Kuş Heykellerinin Form, Renk ve Ek Malzeme Açısın… 317 Mustafa Tunçalp ve Tufan Dağıstanlı Seramiklerindeki Kuş Heykellerinin Form, Renk ve Ek Malzeme Açısın… 317 Mustafa Tunçalp ve Tufan Dağıstanlı Seramiklerindeki Kuş Heykellerinin Form, Renk ve Ek Malzeme Açısın… 317 Mustafa Tunçalp ve Tufan Dağıstanlı Seramiklerindeki Kuş Heykellerinin Form, Renk ve Ek Malzeme Açısın… 317 cache = ./cache/work_lf4f5p6uijdwpkz2rhdosgb4ce.pdf txt = ./txt/work_lf4f5p6uijdwpkz2rhdosgb4ce.txt === reduce.pl bib === id = work_ro6wj5wx6rh2znf32yz74xyoqi author = Ayhan ÇETIN title = MODERNIST SÜREÇTE TUVAL RESMINE MALZEMEYLE MÜDAHALE date = 2017 pages = 6 extension = .pdf mime = application/pdf words = 2327 sentences = 320 flesch = 66 summary = Yüzyıl başında resim sanatının geleneksel yöntemleri terk ederek yeni bir yol haritası çizdiği görülür. Modern çağın yeni arayışları tuvali bir nesne olarak algılar ve tuvali malzeme ile birleştirir. Ardından üç boyutlu malzemenin tuvale olan müdahalesiyle resim taşıması sonucu, tuvalin başlıbaşına bir nesne olma durumu irdelenecek, ardından üç boyutlu nesnenin müdahalesiyle tuval resminin Nesnenin paröalanması sonucu doğanın taklidi olarak bilinen geleneksel resim yöntemleri de yavaş yavaş sonucu bu döneme kadar olan tuvalin iki boyutlu formunun karşısında durma fikri kırılmış, tuval nesnesine kübizm, tuval yüzeyine getirdiği yenilikçi ve öncü tavrıyla günümüz resim sanatının önünü açacak olan ilk Her şeyin bir sanat malzemesi olabileceği fikrini öne süren Schwitters, sanatın malzeme kullanımı ile Böylece gündelik hayatta kullanılan bir nesnenin tuval gibi bir resim yüzeyi yada boyutlu tuval olarak adlandırdığı resim ile yüksek rölyef arasında bir yerlerde duran bu eserlerinde daha Tuval resminin boyut ve mekan kaygıları taşıması sonucu, tuvalin bir nesne olarak galeri mekanına cache = ./cache/work_ro6wj5wx6rh2znf32yz74xyoqi.pdf txt = ./txt/work_ro6wj5wx6rh2znf32yz74xyoqi.txt === reduce.pl bib === id = work_3p2ettibkvcq3mm5kvl25a6a34 author = Alex Forsythe title = What paint can tell us: A fractal analysis of neurological changes in seven artists date = 2017 pages = extension = .pdf mime = text/html words = 1167 sentences = 249 flesch = 67 summary = [PDF] What Paint Can Tell Us: A Fractal Analysis of Neurological Changes in Seven Artists | Semantic Scholar Corpus ID: 36622486What Paint Can Tell Us: A Fractal Analysis of Neurological Changes in Seven Artists title={What Paint Can Tell Us: A Fractal Analysis of Neurological Changes in Seven Artists}, Figures, Tables, and Topics from this paper Paintings Reveal Signs of Alzheimer's and Parkinson's In Famous Artists Paintings Reveal Signs of Alzheimer's and Parkinson's In Famous Artists Parkinson's disease and changes in the appreciation of art: A comparison of aesthetic and formal evaluations of paintings between PD patients and healthy controls Why would Parkinson's disease lead to sudden changes in creativity, motivation, or style with visual art?: A review of case evidence and new neurobiological, contextual, and genetic hypotheses Analysis on Artist Neuropsychology and Art Creation Changes in painting styles of two artists with Alzheimer's disease. cache = ./cache/work_3p2ettibkvcq3mm5kvl25a6a34.pdf txt = ./txt/work_3p2ettibkvcq3mm5kvl25a6a34.txt === reduce.pl bib === id = work_xzjcutuotnerdklf4h3cmbhrau author = HAROLD VALENCIA LÓPEZ title = LA POLÍTICA Y LA DEMOCRACIA COMO CREACIONES IMAGINARIAS: DE LOS GRIEGOS A NOSOTROS date = 2016 pages = 12 extension = .pdf mime = application/pdf words = 4638 sentences = 613 flesch = 65 summary = Redalyc.La política y la democracia como creaciones imaginarias: de los griegos a nosotros La política y la democracia como creaciones imaginarias: de los griegos a nosotros sentido la política y la democracia son creaciones imaginarias, cómo entender la imaginación y el elemento imaginario que hay en la creación humana, qué son las significaciones imaginarias sociales y qué función cumplen para la cohesión social. que no son abstraídas de la experiencia, ni sacadas de la naturaleza, ni mucho menos deducidas de un sistema lógico, ni tampoco se pueden simplificar a unas causas últimas sociales, históricas, económicas o funcionales. una nueva forma de pensar el ser de lo psíquico, de lo histórico-social, que rebase las categorías de sociedad y no reposa fundamentalmente en la coerción, sino en la interiorización que hacen los individuos de las significaciones imaginarias sociales Pero, ¿cuáles son los rasgos más relevantes del imaginario político griego Para que las voces de los distintos grupos de la sociedad cache = ./cache/work_xzjcutuotnerdklf4h3cmbhrau.pdf txt = ./txt/work_xzjcutuotnerdklf4h3cmbhrau.txt === reduce.pl bib === id = work_3evkrwvmenazrkl6fa2zlhoecm author = Gökçen Şahmaran CAN title = ŞİDDET VE SANATSAL YARATI date = 2018 pages = 12 extension = .pdf mime = application/pdf words = 4061 sentences = 637 flesch = 66 summary = Şiddet kavramı sözlüklerde geçen anlamı ile; karşıt görüşte olanlara kaba kuvvet kullanmak, sert davranmak, sertlik, "şiddet olayları" ise, insanları sindirmek, korkutmak için yaratılan olay ya da girişimler olarak tanımlanmaktadır. Bu çerçevede, bir ekonomik hakimiyet sistemi olarak kapitalizmin insanları tüketime zorladığı ve hiçe indirgediği böyle bir ortamdan doğal olarak sanatçılar da etkilenmişler, modern dünyanın birey üzerinde kurduğu baskı ve şiddet gibi unsurlar sanatçıların sanatsal ifade biçimlerine yansımıştır. özellikle şiddeti ön plana alan "Happening", "Fluxus", "Body-art" gibi sanatsal hareketler alınması ile baskı altında olan bireyin bir iktidarsızlık durumu yaşaması yıkıcılığı kaçınılmaz kılmıştır. Bu baskı ve engellenmeler sonucunda bir iktidarsızlık durumu yaşayan kişi ise iktidarı elde etmek için şiddete ortamdan doğal olarak sanatçılar da etkilenmişler, modern dünyanın birey üzerinde kurduğu baskı ve şiddet gibi unsurlar sanatçıların sanatsal ifade biçimlerinde varlık bulmuştur. Hans Holbein, insan bedeninin iskelete dönüşmesi üzerine yoğunlaşmış, bedenin çürümesini sanatsal bir dil ile ifade etmiştir. cache = ./cache/work_3evkrwvmenazrkl6fa2zlhoecm.pdf txt = ./txt/work_3evkrwvmenazrkl6fa2zlhoecm.txt === reduce.pl bib === id = work_txnapspsjne5ffda4xohgvfeqi author = Enrique Mallen title = Adjoined Conceptual Domains in the Bilingual Poetry of Pablo Picasso date = 2019 pages = 24 extension = .pdf mime = application/pdf words = 7234 sentences = 657 flesch = 61 summary = Conceptual Domains in the Bilingual Poetry of Pablo Picasso." Digital semantic categories for concepts associated with co-occurring words. Keywords: Picasso; bilingual; poetry; conceptual domains; semantic the semantic concepts behind each word irrespective of the language used, linking semantic interconnections between words Picasso explored in his poetry, we classified semantic categories in one of the two languages Picasso used. the concept KILL, Picasso used four words (and their morphological derivatives) in how Picasso used concepts depending on the language of the poem. Figure 4: Concepts in Picasso's poetry grouped by language with a threshold of 15 Figure 5: Concepts and lexical categories in Picasso's poetry. comparison of the semantic categories by language in Picasso's poetry. Figure 6: Verb morphologies by language in Picasso's poetry. Figure 7: Semantic categories by language in Picasso's poetry. words in Picasso's poetry. semantic categories in Picasso's poetry. "Semantic Domains in Picasso's Poetry." cache = ./cache/work_txnapspsjne5ffda4xohgvfeqi.pdf txt = ./txt/work_txnapspsjne5ffda4xohgvfeqi.txt === reduce.pl bib === id = work_p7f4lsofgvcu3jt6zqpnn3pf2y author = Juan Luis Gallardo Pirovano title = La belleza: anotaciones para apuntar a una visión más unitaria de Gabriel Dondo date = 2013 pages = 8 extension = .pdf mime = application/pdf words = 2684 sentences = 357 flesch = 79 summary = que el primer paso para llegar a la belleza es conocer y acercarse a Dios" (Dondo: Respecto a la labor del artista, trae a colación una sentencia de Dante, expresiva y original, que dice: "Vuestro arte es de Dios nieto" (Dondo: 16). ese material regalado algo que resulta 'nieto' de Dios" (Dondo: 17) y agrega enseguida: "Cuando en la 'generación' del 'nieto' se rechaza el vínculo real, se puede también referido a las Guerras de Flandes, donde menciona a un capitán de "torcida espada", cierta "espiga tronchada" y "los extraños reflejos del fosco cielo alemán". lado del rostro como ciertos bichos que yacen en las profundidades marinas y Pero ya es hora de manifestar que Gabriel Dondo no aparece en este campo de las artes por generación espontánea. transcribiré lo que dijo mi amigo Juan Manuel Medrano sobre los Cursos, en una las cosas en que Dios se hace belleza. cache = ./cache/work_p7f4lsofgvcu3jt6zqpnn3pf2y.pdf txt = ./txt/work_p7f4lsofgvcu3jt6zqpnn3pf2y.txt === reduce.pl bib === id = work_6xj45dxwavcbjj3xxyyi2vkmny author = Camila Loureiro title = Extensão rural e desenvolvimento com sustentabilidade cultural: o Ponto de Cultura no Sertão Pernambucano (Brasil) date = 2007 pages = 9 extension = .pdf mime = application/pdf words = 5986 sentences = 764 flesch = 57 summary = Pernambucano, selecionado pelo Programa Cultura Viva, do Governo Federal para o desenvolvimento local de Arcoverde, sustentabilidade cultural como premissa para o desenvolvimento local, vislumbrando nas pessoas dessas comunidades também para revelar e reconhecer as apropriações e ressignificações que as culturas populares, na sua singularidade e criatividade, fazem das propostas de desenvolvimento de organizações governamentais e nãogovernamentais (TAUK SANTOS, 2000). projeto da Estação da Cultura, vislumbrando nesses agentes culturais como propulsores/extensionistas do desenvolvimento local com a cultura local (os valores, os conhecimentos, os saberes), e ressaltam que esta dimensão deve ser analisada como ponto de 2 O Ponto de Cultura no Sertão Pernambucano: desenvolvimento com sustentabilidade cultural 221Extensão rural e desenvolvimento com sustentabilidade cultural: o Ponto de Cultura 221Extensão rural e desenvolvimento com sustentabilidade cultural: o Ponto de Cultura 221Extensão rural e desenvolvimento com sustentabilidade cultural: o Ponto de Cultura 221Extensão rural e desenvolvimento com sustentabilidade cultural: o Ponto de Cultura cache = ./cache/work_6xj45dxwavcbjj3xxyyi2vkmny.pdf txt = ./txt/work_6xj45dxwavcbjj3xxyyi2vkmny.txt === reduce.pl bib === id = work_tr5t72prb5bppfe2js55hbip6m author = Pelin AVŞAR KARABAŞ title = THE CONTEMPRORIES AND THE UNIQUE STYLE OF AMEDEO MODIGLIANI date = 2016 pages = 28 extension = .pdf mime = application/pdf words = 22312 sentences = 3777 flesch = 65 summary = Öz: Bu araştırma; 1884-1920 yılları arasında yaşamış Yahudi sanatçı Amedeo Modigliani'nin; özgün artists as Pablo Picasso, Wilhelm Lehmbruck, Alexander Archipenko, Maurice Utrillo, Max Jacob, Jules olduğu gibi sanat alanında da düşünsel bir hareketin doğmasına neden olmuştur. Modigliani'nin ilk olarak heykellerine bakıldığında, sanatçının Afrika İlkel Sanatı örneklerinden etkilendiği görülür (Hollingsworth,2009:445). ile aynı yıllarda Paris ortamında yaşayan bir sermekle birlikte Modigliani'nin eserleri ile kıyaslandığında, sanatçıda belirgin bir Cezanne Picasso gibi aralarında Maurice Utrillo, Guillaume Apollinaire, Max Jacob, Jules Pascin, Moise Kisling ve Chaim Soutine'in de bulunduğu Juan Gris, Diego Rivera gibi sanatçılarda Modigliani'nin doğal olarak yansıtan duygusal bir tavır ile de Modigliani ile aynı sokakta oturmuş bir başka Modigliani'nin çağdaşlarından bir başkası olan Juan Gris (1887-1927), Kübizm akımını benimsemiş ve konu bakımından ağırlıklı olarak natürtmortları tercih etmesinin yanı sıra figüratif çalışmaları da bulunan bir sanatçıdır. Bernard'a (2001:7) göre resim; Cezanne'ın ifadesi ile bir meslek değil, yazgıdır. Amedeo Modigliani için vazgeçilmez bir anlayıştır. Amedeo Modigliani, 36 yaş gibi çok kısa bir theartstory.org/ artist-modigliani-amedeo-artworks.htm#pnt_1 cache = ./cache/work_tr5t72prb5bppfe2js55hbip6m.pdf txt = ./txt/work_tr5t72prb5bppfe2js55hbip6m.txt === reduce.pl bib === id = work_k2mgugqiorgfdjzpg4ipsnmi3m author = Sami Arpa title = Perceptual 3D rendering based on principles of analytical cubism date = 2012 pages = 14 extension = .pdf mime = application/pdf words = 11288 sentences = 1096 flesch = 62 summary = face counts in the images rendered by the cubist camera model and the traditional perspective camera. viewpoints adjust their view angle (i.e. each facet adjusts its vieworientation) automatically to render important parts of the scene. Left: perspective view; Middle-left: cylindrical cubist camera view without perceptual spatial imprecision; Middle-right: line map of applied spatial imprecision; Right: final output of our result with applied perceptual spatial imprecision and artistic effects. View-independent projection: In cubist paintings, radical discontinuities are emphasized through the manipulation of Ambiguity: Cubist paintings present as much essential information as possible, simultaneously visible, about the objects on a: Cubist camera view without spatial imprecision; b: Saliency map; c: Segmentation result for Level 1, N¼5, selection threshold¼0.0; d: Segmentation result for camera surface and the discontinuity parameter limits the saliency based orientation of each facet. saliency based spatial imprecision method enables creating discontinuity of adjacent facets. faceting for real cubist paintings are given in Section 3. cache = ./cache/work_k2mgugqiorgfdjzpg4ipsnmi3m.pdf txt = ./txt/work_k2mgugqiorgfdjzpg4ipsnmi3m.txt === reduce.pl bib === id = work_wpeiqwd7yfdsrlmube7ice6ub4 author = José Javier Moreno Arnedillo title = IF LIFE GIVES YOU LEMONS, MAKE LEMONADE. GIVING MEANING TO LIFE WHEN STRESS AND ANXIETY COMPLICATE IT López, E. y Costa, M date = 2017 pages = 2 extension = .pdf mime = application/pdf words = 1917 sentences = 115 flesch = 58 summary = suggest that we contemplate stressful life situations, and the us to take practical action, despite the stress, towards the Stress, far from being defined here by activation, anxiety or the book's subtitle says, to give meaning to life when stress and who experience stress with a question of great importance: what the book, in Chapter 1 (Como la vida misma [Like life itself]) a transactional concept of stress is developed, defined as the result of the imbalance between the sources of stress and the coping With the transactional concept of stress established, Chapter 2 TO LIFE WHEN STRESS AND ANXIETY COMPLICATE IT stress involves particularly learning to handle social situations. [Communicate to cope with stress]) is dedicated to developing one's life]) is a practical guide on how to intervene in contexts in order to live better with stress: by reducing or eliminating the generation behavior therapy (systematic desensitization, cache = ./cache/work_wpeiqwd7yfdsrlmube7ice6ub4.pdf txt = ./txt/work_wpeiqwd7yfdsrlmube7ice6ub4.txt === reduce.pl bib === id = work_fob6cvfp5jfddciyatjracx5pa author = Li-La Park title = Art Mask Converged Design Based on an Expression Method of Cubism date = 2017 pages = 6 extension = .pdf mime = application/pdf words = 2726 sentences = 747 flesch = 105 summary = Art Mask Converged Design Based on an Expression Method 화 차별화의 추세에 따라 폭넓게 개되어지고 있으며 고객의 니즈(needs)에 맞게 다양하게 융합 목되어지고 있 이에 본 연구는 입체주의 표 기법을 아트메이크업에 융합시켜 아트마스크에 제시함으로써 새로운 디자 아트메이크업에 한 고찰 후, 입체주의 표 기법을 크게 복수시 , 형태의 분할, 콜라주로 나 어 피카소의 작품을 • 주제어 : 융합, 입체주의, 피카소, 아트메이크업, 아트마스크 shape and collage and motivated the works of Picasso for the purpose of art mask-converged design. a result of the study, it was found out that the expression method of cubism was applicable to the art 콜라주 특성을 응용하여 아트메이크업 작품 제작하 으 입체주의(cubism)의 큐 (cube)란 정육면체라는 뜻으 다양한 측면들을 동시에 보여주는 기법이다. 있으며 등, 가슴, 머리를 동시에 묘사하고 있는 다양한 시 다. 다양한 작품 형태로 활용되고 있으며, 메이크업에서 입체주의 표 기법을 입체주의를 복수시 , 형태의 분할, 콜라주 표 기법으로 셋째, 입체주의의 표 기법을 활용한 아트메이크업 융 cache = ./cache/work_fob6cvfp5jfddciyatjracx5pa.pdf txt = ./txt/work_fob6cvfp5jfddciyatjracx5pa.txt === reduce.pl bib === id = work_x3ok32zpifb37gmefeafg53xai author = Joshua T. Vogelstein title = To the Cloud! A Grassroots Proposal to Accelerate Brain Science Discovery date = 2016 pages = 9 extension = .pdf mime = application/pdf words = 6039 sentences = 520 flesch = 47 summary = cloud-computing technologies to enable large-scale neurodata storing, exploring, analyzing, and modeling. to develop new computational technologies that complement advances in data can include requesting the data, identifying the formats and organization, requesting the code, deciding which functions to run and how, getting all brain scientists, but most tools are designed for data scientists, so the learning science resources, including vast quantities of data, algorithms, and models. elements can be divided into five categories: data, infrastructure, apps, algorithms, and education. existing brain science data repositories role, best practices of software development for science, including proper scientific documentation, are crucial. d Data Scientist: A person in this role is writing and running algorithms. Data scientists have a wide variety of computational backgrounds, including engineering, physics, mathematics, Institute for Brain Science's data portal, Types of Brain Science Data data-science skills, including many current brain scientists, without knowledge 35Institute for Data Intensive Engineering and Science cache = ./cache/work_x3ok32zpifb37gmefeafg53xai.pdf txt = ./txt/work_x3ok32zpifb37gmefeafg53xai.txt === reduce.pl bib === id = work_z7cd2swfefcphjsbu62fnexlyu author = Zhenqi Ding title = Cervical ossification of the posterior longitudinal ligament: Anterior versus posterior approach date = 2012 pages = 4 extension = .pdf mime = application/pdf words = 2381 sentences = 230 flesch = 47 summary = from the ossified mass is one cause of cervical spondylotic myelopathy (CSM) and predisposes patients to spinal cord injury (SCI).1,2 This special issue of Neurospine focuses on the Ossification of the posterior longitudinal ligament of the cervical spine: etiology and natural complications of anterior versus posterior surgery for multilevel cervical ossification of the posterior longitudinal ligament; an updated systematic review and meta-analysis. Anterior versus posterior approach for the treatment of cervical compressive myelopathy due to ossification of the posterior longitudinal ligament: the treatment of multilevel cervical ossification of the posterior longitudinal ligament: results of a decision analysis. Perioperative complications of anterior decompression with fusion versus laminoplasty for the treatment of cervical ossification of the posterior longitudinal ligament: propensity score matching analysis using a nation-wide inpatient database. versus laminectomy and fusion in the treatment of multilevel cervical ossification of the posterior longitudinal ligament: a systematic review and meta-analysis. cache = ./cache/work_z7cd2swfefcphjsbu62fnexlyu.pdf txt = ./txt/work_z7cd2swfefcphjsbu62fnexlyu.txt === reduce.pl bib === id = work_b47i4e7syfbkxmt4tmw7enfmfq author = Nickul S Jain title = COVID-19 and the Role of Spine Surgeons date = 2020 pages = 3 extension = .pdf mime = application/pdf words = 1270 sentences = 94 flesch = 49 summary = 2University of Southern California Spine Center, Los Angeles, CA, USA In the modern era, the scale and severity of the COVID-19 pandemic is unprecedented for both society and health care delivery systems. During this crisis, spine surgeons have a duty and obligation as physicians to focus care During a time where health care resources are limited and being depleted surgeons have a crucial role to play whereby they still treat patients with urgent and emergent spinal pathology while maximizing patient and provider safety and minimizing healthcare resource utilization. Furthermore, delaying elective surgery avoids potential prolonged postoperative inpatient stays, decreases the risk of nosocomial transmission of COVID-19 and avoids having When surgery is required, spine surgeons should take an active role taking the viral threat seriously and encourage appropriate perioperative and intraoperative precautions. As spine surgeons, being available and trained for redeployment into medical or COVID wards can help offset the burden of hospitalists, cache = ./cache/work_b47i4e7syfbkxmt4tmw7enfmfq.pdf txt = ./txt/work_b47i4e7syfbkxmt4tmw7enfmfq.txt === reduce.pl bib === id = work_qcqqdk6ctnge5mukldipq4ujpy author = Robert A. Ketch title = Art appreciation for veterans with severe mental illness in a VA Psychosocial Rehabilitation and Recovery Center date = 2015 pages = 13 extension = .pdf mime = application/pdf words = 5493 sentences = 684 flesch = 64 summary = Donna Ames (2015): Art appreciation for veterans with severe mental illness in a VA Psychosocial Rehabilitation and Recovery Center, Arts & Health: An International Journal for Research, Policy Art appreciation for veterans with severe mental illness in a VA Art appreciation for veterans with severe mental illness in a VA Rehabilitation and Recovery Center (PRRC) for veterans with severe mental illness. VA WLA PRRC Art Appreciation class includes classroom sessions and community Keywords: veterans; mental health; art appreciation appreciation as a vehicle for mental health recovery, how the art appreciation class fits positive effects of art on the mental health of veterans and advocates for advancing the distress, appreciating art and learning about artists thus could have positive effects on Diary: The eight Ways to Practice TLCs. For some veterans, the Art Appreciation class is The class learned that artists express their feelings and emotions through their art. For the Art Appreciation class, five veterans cache = ./cache/work_qcqqdk6ctnge5mukldipq4ujpy.pdf txt = ./txt/work_qcqqdk6ctnge5mukldipq4ujpy.txt === reduce.pl bib === id = work_i7i4jsienzdctn4kuemqhvmccu author = Francesco Cervellini title = Art Is Thinking in Images date = 2017 pages = 7 extension = .pdf mime = application/pdf words = 2999 sentences = 216 flesch = 61 summary = Abstract: The theme of the conference regards images. Keywords: ars; master of ars; painting; image; imagination; disegno; sketching Wikipedia page states, the image in a literally rigorous sense is a "visual, non-solid representation". techniques used to produce actual images, that is, an inventive search for meaningful ways and On the other hand, throughout history, the image was inseparably fixed in works with a physical structure of the systems of formed visual images, beginning with an attempt to indicate their possible Today's technoscience has only increased the capacity of scientists to work with images and Words, like an image, a reflection, a representation, 4. Notes on the Techniques of Inventing the disegno and Some Expressive Methods  The modern painter no longer considers the image as a simple substitute for a sensible reality. image (in this sense what is visible also has an abstract conception).  Many contemporary digital images show a tendency for a figurative change. cache = ./cache/work_i7i4jsienzdctn4kuemqhvmccu.pdf txt = ./txt/work_i7i4jsienzdctn4kuemqhvmccu.txt === reduce.pl bib === id = work_4wm36y6rcnhuzaczthak4gmcmu author = Jack Carlson title = A symbol — but of what? Iron Age daggers, Alessi corkscrews and anthropoid embellishment reconsidered date = 2011 pages = 13 extension = .pdf mime = application/pdf words = 5638 sentences = 476 flesch = 71 summary = Keywords: Europe, Iron Age, La Tène, dagger, anthropoid ornament a dagger with an anthropomorphic hilt (Figures 1 & 2), now in the British Museum's Morel But why was this dagger's hilt shaped like a man and decorated with human features? But the role of decoration on the Salon dagger and on La Tène objects in general do the development and contexts of anthropoid-hilted weapons suggest about the Salon The Salon weapon was associated with a Middle La Tène non-anthropoid long sword which Tène pseudo-anthropoid daggers, the hilts of which were functionally and technologically Iron Age daggers, Alessi corkscrews and anthropoid embellishment reconsidered Iron Age daggers, Alessi corkscrews and anthropoid embellishment reconsidered Iron Age daggers, Alessi corkscrews and anthropoid embellishment reconsidered Iron Age daggers, Alessi corkscrews and anthropoid embellishment reconsidered Iron Age daggers, Alessi corkscrews and anthropoid embellishment reconsidered Iron Age daggers, Alessi corkscrews and anthropoid embellishment reconsidered cache = ./cache/work_4wm36y6rcnhuzaczthak4gmcmu.pdf txt = ./txt/work_4wm36y6rcnhuzaczthak4gmcmu.txt === reduce.pl bib === id = work_ybexhetugnf7rixjgb6z3dqmpq author = Fahrettin GEÇEN title = G%c3%9cZEL%20SANATLAR%20L%c4%b0SES%c4%b0%20%c3%96%c4%9eRENC%c4%b0LER%c4%b0%20%c4%b0LE%20ANADOLU%20L%c4%b0SES%c4%b0%20SON%20SINIF%20%c3%96%c4%9eRENC%c4%b0LER%c4%b0N%c4%b0N%20%c3%87A%c4%9eDA%c5%9e%20SANAT'A%20VE%20K%c4%b0TSCH%20%c3%87ALI%c5%9eMALARA%20BAKI%c5%9e%20A%c3%87ILARINDAK%c4%b0%20FARK date = 2018 pages = 17 extension = .pdf mime = application/pdf words = 5834 sentences = 910 flesch = 66 summary = Anadolu Lisesi öğrencilerinin sanat ve estetik tanımlamasında bireysel ifade yolunu seçmiş, Güzel Sanatlar Lisesi öğrencileri ise İki okulun sanat tanımına verdikleri yanıtlar karşılaştırıldığında Güzel Sanatlar Lisesi öğrencilerinin Anadolu Lisesi öğrencilerine göre terimsel tanımı biraz daha iyi yaptıkları fakat iki okul Abdülkadir Eriş Güzel Sanatlar Lisesi öğrencileri ise; "estetik sizde ne algı oluşturmaktadır?" Güzel Sanatlar Lisesi Öğrencileri İle Anadolu Lisesi Son Sınıf Öğrencilerinin Çağdaş Sanat'a Güzel Sanatlar Lisesi Öğrencileri İle Anadolu Lisesi Son Sınıf Öğrencilerinin Çağdaş Sanat'a Güzel Sanatlar Lisesi Öğrencileri İle Anadolu Lisesi Son Sınıf Öğrencilerinin Çağdaş Sanat'a Güzel Sanatlar Lisesi Öğrencileri İle Anadolu Lisesi Son Sınıf Öğrencilerinin Çağdaş Sanat'a Güzel Sanatlar Lisesi Öğrencileri İle Anadolu Lisesi Son Sınıf Öğrencilerinin Çağdaş Sanat'a Güzel Sanatlar Lisesi Öğrencileri İle Anadolu Lisesi Son Sınıf Öğrencilerinin Çağdaş Sanat'a Güzel Sanatlar Lisesi Öğrencileri İle Anadolu Lisesi Son Sınıf Öğrencilerinin Çağdaş Sanat'a Güzel Sanatlar Lisesi Öğrencileri İle Anadolu Lisesi Son Sınıf Öğrencilerinin Çağdaş Sanat'a cache = ./cache/work_ybexhetugnf7rixjgb6z3dqmpq.pdf txt = ./txt/work_ybexhetugnf7rixjgb6z3dqmpq.txt === reduce.pl bib === id = work_fmly3h4b5zf7xh2ik6p6tcyzcq author = Fidan TONZA HELVACIKARA title = AN INTERDISCIPLINARY APPROACH IN ART: CERAMICS AND ANIMATION date = 2019 pages = 15 extension = .pdf mime = application/pdf words = 5194 sentences = 671 flesch = 57 summary = Plastik ve görsel sanatlara dair oluşturulması düşünülen yeni bir perspektif, seramik sanatı ile Aynı zamanda dönme eylemi ve animasyon tekniği arasındaki ilişki, seramik şekillendirme yöntemlerinden biri olan eylemi ve animasyon tekniği arasındaki ilişki, seramik şekillendirme yöntemlerinden biri olan çömlekçi çarkı keşfedilen, animasyon tarihinin önemli bir envanteri haline gelen seramik kap örneği, dekor tekniği açısından "Sanatta Disiplinlerarası Bir Yaklaşım: Seramik ve Animasyon" idil, 63 (2019 Kasım): s. "Sanatta Disiplinlerarası Bir Yaklaşım: Seramik ve Animasyon" idil, 63 (2019 Kasım): s. "Sanatta Disiplinlerarası Bir Yaklaşım: Seramik ve Animasyon" idil, 63 (2019 Kasım): s. "Sanatta Disiplinlerarası Bir Yaklaşım: Seramik ve Animasyon" idil, 63 (2019 Kasım): s. "Sanatta Disiplinlerarası Bir Yaklaşım: Seramik ve Animasyon" idil, 63 (2019 Kasım): s. "Sanatta Disiplinlerarası Bir Yaklaşım: Seramik ve Animasyon" idil, 63 (2019 Kasım): s. "Sanatta Disiplinlerarası Bir Yaklaşım: Seramik ve Animasyon" idil, 63 (2019 Kasım): s. "Sanatta Disiplinlerarası Bir Yaklaşım: Seramik ve Animasyon" idil, 63 (2019 Kasım): s. cache = ./cache/work_fmly3h4b5zf7xh2ik6p6tcyzcq.pdf txt = ./txt/work_fmly3h4b5zf7xh2ik6p6tcyzcq.txt === reduce.pl bib === id = work_me5bvbyqkve6dpmffyoj5hq3gy author = Samyel Lee title = The Power Of Cinema On The Korean Peninsula date = 2015 pages = 12 extension = .pdf mime = application/pdf words = 5135 sentences = 340 flesch = 67 summary = the surface of two seemingly completely different genres of Korean War movies. Keywords: Cinema; Film; North Korea; Welcome to Dongmakgol; Post-modernism; movies produced about the Korean War but its content was unsophisticated.7 According to the Korea Creative Content Agency: "the Korean War movies during the 1960s to the Shiri in 1999, a story about North Korean spies in South Korea broke the record turning point in Korean cinema as well as public discourse because it proved that people In a gladiatorial scene, Jintae is abusing North Korean prisoners of war, forcing them This story takes place in a hidden village in the mountain during the Korean War. Two 12 Kim, "A Study on Historical Changes and Genre Reconstructions of Representing Korean War in The changing ways in which North Korea, the Korean War, and war in general are Especially movies that deal with North Korea are even more political today cache = ./cache/work_me5bvbyqkve6dpmffyoj5hq3gy.pdf txt = ./txt/work_me5bvbyqkve6dpmffyoj5hq3gy.txt === reduce.pl bib === id = work_s7d4uiswozdezpjj73ghuwdogm author = Adriana Petra title = CULTURA COMUNISTA Y GUERRA FRÍA: LOS INTELECTUALES Y EL MOVIMIENTO POR LA PAZ EN LA ARGENTINA date = 2013 pages = 32 extension = .pdf mime = application/pdf words = 14045 sentences = 1667 flesch = 65 summary = 1955, durante este puñado de años el lugar que los intelectuales comunistas 3 Sobre las caracterizaciones del peronismo realizadas por el Partido Comunista Argentino local del Movimiento por la Paz, la iniciativa frentista más importante que 1984) fueron las figuras más representativas del Movimiento por la Paz en la exasperada del discurso comunista de Guerra Fría, fueron muchos los que El Movimiento por la Paz organizó las estructuras del compromiso de los fuera del mundo comunista, el Movimiento por la Paz fue una organización En la Argentina el éxito del movimiento pacifista impulsado por los comunistas Los avatares del Movimiento por la Paz fueron, en la Argentina como en el resto las dificultades que el Movimiento por la Paz encontró en la Argentina para Como una muestra del paradójico lugar que los intelectuales comunistas la que habían movilizado todos los resortes del Movimiento por la Paz, la cache = ./cache/work_s7d4uiswozdezpjj73ghuwdogm.pdf txt = ./txt/work_s7d4uiswozdezpjj73ghuwdogm.txt === reduce.pl bib === id = work_pifu2x7fhjanlfb6oc2bmxikpu author = J M Cotton title = Problems of older people: forced idleness, impoverishment, ill health, isolation. Opening statement date = 1973 pages = extension = .pdf mime = application/xml words = 144 sentences = 26 flesch = 71 summary = sys_1000 wp-p1m-39.ebi.ac.uk wp-p1m-39.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write('[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]'.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 219770946 (wp-p1m-39.ebi.ac.uk) Time: 2021/04/06 02:41:02 If you need further help, please send an email to PMC. Include the information from the box above in your message. 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Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ cache = ./cache/work_pifu2x7fhjanlfb6oc2bmxikpu.pdf txt = ./txt/work_pifu2x7fhjanlfb6oc2bmxikpu.txt === reduce.pl bib === id = work_yk37cduk4fexpneedscyp5bh2i author = Gregorio Vicente Nicolás title = Comunicar en Danza date = 2020 pages = 4 extension = .pdf mime = application/pdf words = 1090 sentences = 161 flesch = 62 summary = analizan la desmaterialización del cine y la danza para emerger como un incursión en múltiples ámbitos de conocimiento como son: la antropología y la etnodanza, para acercar al lector a danzas prohibidas en el danza integrada como elemento transformador desde una perspectiva También se abordan aspectos más técnicos de la danza como son el análisis de los códigos de comunicación Atendiendo al título Comunicar en Danza, no es extraño que la tecnología sea una temática recurrente a lo largo de la obra. entre ambas, o los recursos didácticos que las nuevas tecnologías y esta sección del libro, entre las que destacan las siguientes: un programa de intervención fundamentado en la danza integrada; propuestas aplicables en los centros educativos para mejorar la formación en expresión corporal del profesorado de Educación Primaria; estudios que ponen de manifiesto la validez del cuento como recurso para la sensibilización y difusión de la Danza Española en el ámbito educativo; o cache = ./cache/work_yk37cduk4fexpneedscyp5bh2i.pdf txt = ./txt/work_yk37cduk4fexpneedscyp5bh2i.txt === reduce.pl bib === id = work_vip5yxo4zvhyvlyif4ujxkmnpm author = Nicola Ashmore title = Guernica Remakings: Action, Collaboration and Thread date = 2017 pages = extension = .pdf mime = text/html words = 242 sentences = 29 flesch = 64 summary = Skip to main navigation Skip to search Skip to main content Welcome to The University of Brighton Explore profiles, expertise and research at The University of Brighton Search as: Advanced search The University of Brighton research portal Welcome to the University of Brighton's database of research and enterprise including researcher profiles, activities, outputs, projects and our groups and centres. 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Log in to Pure The University of Brighton contact form cache = ./cache/work_vip5yxo4zvhyvlyif4ujxkmnpm.pdf txt = ./txt/work_vip5yxo4zvhyvlyif4ujxkmnpm.txt === reduce.pl bib === === reduce.pl bib === === reduce.pl bib === id = work_mydjujgllng67g2brahacanary author = Jean Marie Carey title = Modigliani date = 2018 pages = 4 extension = .pdf mime = application/pdf words = 937 sentences = 52 flesch = 50 summary = Art historian Jean Marie Carey reviews the Tate's Modigliani catalogue and is impressed by Edited by Nancy Ireson and Simonetta Fraquelli with essays by Cathy Corbett, Sophie Krebs, https://www.museumbookstore.com/account/login https://www.museumbookstore.com/account/register https://www.museumbookstore.com/cart https://www.museumbookstore.com/cart https://www.museumbookstore.com/cart https://www.museumbookstore.com/pages/about-us https://www.museumbookstore.com/blogs/blog https://www.museumbookstore.com/blogs/book-review "Could Modigliani have been the same without Paris?" asks Sophie Krebs in the chapter "Modigliani and Paris," one of the opening essays in the catalogue accompanying the retrospective In addition to presenting a mind-opening trove of works far less wellknown but surpassingly more fascinating than Modigliani's nudes, the catalog contains carefully By creating work that appeared both out of time and unmistakably of his era, Amedeo Modigliani https://www.theguardian.com/artanddesign/2017/nov/21/modigliani-review-%20tate-modern-%20a-gorgeous-show-about-%20a-slightly-%20silly-artist The catalogue is arranged thematically, with an introduction ("Modigliani and Modernity") by Anna who both supported and guided the artist's career, even looking after him during Modigliani's bouts and the catalogue is Modigliani's prowess as a sculptor. Looking at Modigliani's work today, and connecting it https://www.museumbookstore.com/blogs/book-review/www.germanmodernism.org cache = ./cache/work_mydjujgllng67g2brahacanary.pdf txt = ./txt/work_mydjujgllng67g2brahacanary.txt === reduce.pl bib === id = work_aexde55a3vc75pp7mznajqeg7a author = John Launer title = Frida Kahlo and her doctors date = 2018 pages = 2 extension = .pdf mime = application/pdf words = 2128 sentences = 355 flesch = 75 summary = Frida once painted his portrait, showing year 1940 for Dr. Eloesser, my doctor and With all love, Frida Kahlo.' Figure 1 Self-portrait dedicated to Dr Leo Rivera Frida Kahlo Museums Trust, Mexico, D.F. At the time she did the portrait, Frida had com/ 2013/ 01/ emotionallymoving_ short_ film_ of_ frida_ kahlo_ and_ diego_ Leo and Frida: the doctor and the artist. Dr Leo Eloesser, 1931 by Frida Kahlo. 7 Frida Kahlo: Paintings, Biography, Quotes. 7 Frida Kahlo: Paintings, Biography, Quotes. Frida Kahlo. Figure 2 Frida Kahlo in her studio with Dr Juan Farill, photographed by Gisèle Freund, 1951. © Banco de México Diego Rivera Frida Kahlo Museums Trust, Mexico, D.F. http://www.openculture.com/2013/01/emotionally-moving_short_film_of_frida_kahlo_and_diego_rivera_at_the_blue_house.html http://www.openculture.com/2013/01/emotionally-moving_short_film_of_frida_kahlo_and_diego_rivera_at_the_blue_house.html http://www.openculture.com/2013/01/emotionally-moving_short_film_of_frida_kahlo_and_diego_rivera_at_the_blue_house.html http://www.missmoss.co.za/2015/03/31/frida-kahlo-the-gisele-freund-photographs/ http://www.missmoss.co.za/2015/03/31/frida-kahlo-the-gisele-freund-photographs/ http://www.missmoss.co.za/2015/03/31/frida-kahlo-the-gisele-freund-photographs/ http://www.albavolunteer.org/2016/12/leo-eloesser-the-remarkable-story-of-a-medical-volunteer-in-spain/ http://www.albavolunteer.org/2016/12/leo-eloesser-the-remarkable-story-of-a-medical-volunteer-in-spain/ http://www.albavolunteer.org/2016/12/leo-eloesser-the-remarkable-story-of-a-medical-volunteer-in-spain/ https://www.fridakahlo.org/portrait-of-dr-leo-eloesser.jsp https://www.fridakahlo.org/portrait-of-dr-leo-eloesser.jsp https://www.fridakahlo.org/self-portrait-with-the-portrait-of-doctor-farill.jsp https://www.fridakahlo.org/self-portrait-with-the-portrait-of-doctor-farill.jsp Frida Kahlo and her doctors Frida Kahlo and her doctors Frida Kahlo and her doctors Leo Eloesser 'my best friend' Juan Farill 'the most serious' doctor cache = ./cache/work_aexde55a3vc75pp7mznajqeg7a.pdf txt = ./txt/work_aexde55a3vc75pp7mznajqeg7a.txt === reduce.pl bib === id = work_bqtjrjgjyrhfpe4y2deciwefwe author = Lindsay Oakley title = Improved spectral imaging microscopy for cultural heritage through oblique illumination date = 2020 pages = 11 extension = .pdf mime = application/pdf words = 7427 sentences = 668 flesch = 55 summary = utilizes wavelength-tunable oblique illumination from a point source to obtain per-pixel reflectance spectra in the Keywords: Spectral imaging microscopy, Oblique illumination, Optical sectioning, Surface shape, Dictionary learning, We build on previous work in cultural heritage [11] towards highly sensitive spectral reflectance imaging at the microscale by the analysis of paint cross sections of both known reference materials and a sample from an early twentieth century painting by Pablo Picasso. Fig. 2 RGB images of a cross section from Picasso's La Miséreuse accroupie acquired at a β = 0° and b β = 180°. Fig. 3 Spectral image processing workflow of a reference cross-section. Fig. 4 Cross-section of the multi-layered mockup sample including the reconstructed RGB image and the corresponding pigment maps created Identification of pigments in paint cross sections by reflection visible light imaging microspectroscopy. Improved spectral imaging microscopy for cultural heritage through oblique illumination Improved spectral imaging microscopy for cultural heritage through oblique illumination cache = ./cache/work_bqtjrjgjyrhfpe4y2deciwefwe.pdf txt = ./txt/work_bqtjrjgjyrhfpe4y2deciwefwe.txt === reduce.pl bib === id = work_hphnzm6u2bbjfasv2tvzayqhkm author = Olivia C. Adkins title = The Visual Aesthetics of Snowflakes date = 2016 pages = extension = .pdf mime = text/html words = 810 sentences = 173 flesch = 65 summary = [PDF] The Visual Aesthetics of Snowflakes | Semantic Scholar Corpus ID: 23807498The Visual Aesthetics of Snowflakes title={The Visual Aesthetics of Snowflakes}, author={Olivia C. In two experiments, participants evaluated the perceived beauty of snowflakes and solid objects. In Experiment 1, 204 participants selected the single snowflake and single solid object that was the most beautiful. Figures and Topics from this paper The Visual Aesthetics of Snowflakes (new study) Citation Type Citation Type Sort by Most Influenced Papers Sort by Citation Count View 1 excerpt, cites background Order, complexity, and aesthetic appreciation. View 6 excerpts, references methods, background and results View 2 excerpts, references methods Symmetrical decorations enhance the attractiveness of faces and abstract designs View 2 excerpts, references background View 2 excerpts, references background The Sense of Beauty; Being the Outline of Aesthetic Theory Semantic Scholar is a free, AI-powered research tool for scientific literature, based at the Allen Institute for AI. cache = ./cache/work_hphnzm6u2bbjfasv2tvzayqhkm.pdf txt = ./txt/work_hphnzm6u2bbjfasv2tvzayqhkm.txt === reduce.pl bib === id = work_3i2x5r65rfbb5amel53owj7zxq author = Şemsettin DAĞLI title = İslam Plastik Sanatlarında Soyutlayıcı Yaklaşımlar ve Batı Sanatı Üzerindeki Yan date = 2018 pages = 20 extension = .pdf mime = application/pdf words = 6017 sentences = 860 flesch = 65 summary = Anahtar Kelimeler: İslam, soyut, sanat, resim, modern. Çalışmada materyal olarak ele aldığımız örnekler İslam sanatçıları tarafından ortaya konulan örneklerinden ve batı resim sanatının modern soyut anlayışta eserler üreten sanatçılarından Escher, İslam sanatları içinde müstesna bir yeri bulunan geleneksel Türk süsleme sanatlarının tarihsel gelişim süreci içerisinde tanımlamasını yaparken İslam sanat anlayışının doğası içinde var olan soyut problem olarak baktığımız olay plastik anlamda sanat dediğimiz eylemi gerçekleştiren sanatçı bir sanat ve ahlâk gibi fenomenler insanın şuuraltında bir bütün olarak yaşanmaktadır (Coşkun, 2014, İslam sanatçısı eserlerini oluştururken, yaratıcı ile bir yarış halindeymiş gibi algılanmaktan Mevleviler resim sanatı için iyi bir ilham kaynağıdır. Önceleri bir tür soyut resim olan İslam yazı sanatı hat, arabesk ve minyatür sanatlarının gelişmesini sadece "resim Devam eden bir sanat evriminin 20 yy'da ki görünüşüdür (Kınay 1993: 266.) (Resim 15). bağlamda sanata baktığımızda modern resim sanatında haklı bir şekilde yer bırakanların halı ve yüzyıl Modern Batı Resim sanatının öncülerinden Paul Klee, Doğu kültürü etkisini cache = ./cache/work_3i2x5r65rfbb5amel53owj7zxq.pdf txt = ./txt/work_3i2x5r65rfbb5amel53owj7zxq.txt === reduce.pl bib === id = work_xqbf4ec6gzgxjperxfth4zz7gi author = Dilek Acer title = A Study on the Effect of Aesthetic Education on the Development of Aesthetic Judgment of Six-year-old Children date = 2007 pages = 6 extension = .pdf mime = application/pdf words = 4137 sentences = 421 flesch = 60 summary = The validity and reliability of THPC Aesthetic Judgment Scale for five years olds children were supporting the development of aesthetics in children, only art-related activities such as painting or music in the The aim of this study is to reveal the effects of Aesthetic Education Program applied on five-year-old children Aesthetic Education Program developed by authors and other tables have statistical data The results of the pre-test scores of THPC Aesthetic Judgment Scale for experimental and control group The results of the pre-test and post-test scores of THPC Aesthetic Judgment Scale for experimental group The results of the post-test scores of THPC Aesthetic Judgment Scale for experimental and control group group participating in the Aesthetic Education Program are higher than that of the children in the control group participating in the Aesthetic Education Program were higher than the children in the control group who did not cache = ./cache/work_xqbf4ec6gzgxjperxfth4zz7gi.pdf txt = ./txt/work_xqbf4ec6gzgxjperxfth4zz7gi.txt === reduce.pl bib === id = work_pgtewhhqxbdrfjm6zvibbvoy2e author = Barbara Kiser title = Life's innovations, the enigma of gravity, and how to feed 8 billion: Books in brief date = 2019 pages = 1 extension = .pdf mime = application/pdf words = 968 sentences = 66 flesch = 59 summary = body's metabolism to test the drugs' safety the deep ocean, revealing connections around Marra also reveals, in vivid detail, the difficulties faced by early researchers in acquiring up a new perspective on ocean productivity researchers' pioneering spirit in the face of work would help them to understand the Mysteries remain in the Earth sciences, such as the effectiveness of the carbon cycle planet's ocean circulation, and how abrupt Hot Carbon offers a timely perspective and Earth science, and director of the Chronos 14Carbon-Cycle Facility, at the the beast's proboscis to the species' wartime work, Shell also charts As Earth's human population tips towards 8 billion, is our food In this tour of the brave new world of adaptive Science writer Richard Panek follows the evolution of gravitational eloquent study finds the "augmented" view of Darwinian evolution Wagner meshes research into areas such as genetic drift with theories on aspects of the creative process cache = ./cache/work_pgtewhhqxbdrfjm6zvibbvoy2e.pdf txt = ./txt/work_pgtewhhqxbdrfjm6zvibbvoy2e.txt === reduce.pl bib === id = work_afvq3evub5di5amme7aycjh3je author = Federico Fallavollita title = La prospettiva. Una questione di punti di vista date = 2018 pages = 12 extension = .pdf mime = application/pdf words = 5265 sentences = 333 flesch = 65 summary = through the design of the room, what the drawing of architecture is and how it differs from the commonly understood drawing; the second, equally important, consists power of perspective and, therefore, the deceptions to which the human perception of space is subjected. Keywords: Ames Room; Descriptive Geometry; Mirror; Perception; Stereotomy As is known, these methods are used to accurately describe and transmit forms in space and also allow us to study The graphic methods are: representation in double orthogonal projections, axonometry and perspective. In fact, the architect uses the plan, the section and the elevation to design and measure space. Rendering of the constrained view of the Ames room digital model. Projective construction of the Ames room model. Images of the constrained view of the polystyrene model of the Ames room. Each ashlar has been designed and modelled considering the projection centre: observing the space from the cache = ./cache/work_afvq3evub5di5amme7aycjh3je.pdf txt = ./txt/work_afvq3evub5di5amme7aycjh3je.txt === reduce.pl bib === id = work_o5yeboc24bak7cdl35o54b6eju author = James D. Kang title = Commentary on "Gene Therapy Approach for Intervertebral Disc Degeneration: An Update" date = 2020 pages = 2 extension = .pdf mime = application/pdf words = 969 sentences = 61 flesch = 51 summary = concepts of gene therapy over the past decade as it applies to the field of intervertebral disc gene therapy, whereby certain therapeutic genes are delivered to native cells using viral or Because the intervertebral disc degeneration is a chronic condition which is associated with effect enough to alter the natural history of disc degeneration (in animal models). However, this great optimism in gene therapy was tempered when the powers of manipulating the genome were viewed through the lens of patient safety. out,3 gene therapy seemed to have a potential dark side where over production of certain Takeoka et al.1 discuss the recent advances made in gene therapy in the past decade. the spirit of a safer therapeutic application of gene therapy, the authors review the concept Commentary on Gene Therapy for Disc DegenerationKang JD 1. Takeoka Y, Yurube T, Nishida K, Gene therapy approach for intervertebral disc degeneration: an update. treatment of intervertebral disc degeneration. cache = ./cache/work_o5yeboc24bak7cdl35o54b6eju.pdf txt = ./txt/work_o5yeboc24bak7cdl35o54b6eju.txt === reduce.pl bib === id = work_33dhrzsubndb5eojbmpio7ad4u author = Joanna Rządkowska title = Niestymulująca tradycja: wpływ temperamentu na preferencje w sztuce date = 2010 pages = 12 extension = .pdf mime = application/pdf words = 2610 sentences = 480 flesch = 65 summary = doznań (thrill and adventure seeking) a preferencją odnoszącą się do sztuki and adventure seeking) może być powiązane z percepcją sztuki czy że złożone lub nieoczekiwane dzieło sztuki nie wystarczy, aby wzbudzić Z drugiej strony brak wzbudzania lęku może zwiększać uznanie dla sztuki stworzone przez autorów badania: kontrolny (nie wzbudzający lęku) oraz oglądali pokaz slajdów, który składał się z 15 zdjęć dzieł sztuki, a następnie natomiast korelacji między zmiennymi: oceną sztuki nowoczesnej oraz oceną Ryc 1: Preferencje typów zharmonizowanych wobec rodzajów sztuki. sztuki okazał się niejednoznaczny i zależny od sytuacji. różniły się w warunkach eksperymentalnych i kontrolnych, co może być lęku warunkach kontrolnych nie było różnic między preferencjami rodzajów sztuki, natomiast w warunkach eksperymentalnych (po wywołaniu lęku) zmian w percepcji sztuki, dowodząc, że to tylko lęk jako taki ( anxiety) – a nie może nie pokrywa się z wachlarzem emocji estetycznych, które są ona dodatkową dawkę lęku, natomiast uznanie dla sztuki tradycyjnej rosło ze cache = ./cache/work_33dhrzsubndb5eojbmpio7ad4u.pdf txt = ./txt/work_33dhrzsubndb5eojbmpio7ad4u.txt === reduce.pl bib === id = work_f4jqsxjau5gsniiwzvp24vv5ue author = Jenny Anger title = Meeting On A Bridge. An Approach To Klee An Japan date = 2018 pages = 10 extension = .pdf mime = application/pdf words = 6001 sentences = 550 flesch = 75 summary = the extraordinary passion that many Japanese feel for Klee and his art.2 As Osamu Japan recognized its traditional aesthetic values again in the Klee's art, to which it book of Klee's watercolors after the colloquium, Heidegger purportedly shared his belief that »Klee is a more important painter Klee's painting as Japanese calligraphy, from any actual works by Klee, which the responsible art-historical text should address. that we need not leave this traditional Japanese practice in order to see a real Klee. A work by Paul Klee, Before the Long Klee into traditional Japanese aesthetics. Japanese culture is nevertheless Paul Klee. Klee in terms of Japanese aesthetic tradition. not so unusual to think of Klee alongside traditional Japanese art, either in real life or in Klee, of those fish in the torrent, were reminiscent of any Japanese aesthetic practice.33 Paul Klee, New York: Museum of Modern Art, 1987, cache = ./cache/work_f4jqsxjau5gsniiwzvp24vv5ue.pdf txt = ./txt/work_f4jqsxjau5gsniiwzvp24vv5ue.txt === reduce.pl bib === id = work_kuaoa5c4sfctlhk7bmh43nbq6i author = J.-B. Michel title = Quantitative Analysis of Culture Using Millions of Digitized Books date = 2010 pages = 8 extension = .pdf mime = application/pdf words = 6393 sentences = 1064 flesch = 77 summary = Quantitative Analysis of Culture Using Millions of Digitized Books focusing on linguistic and cultural phenomena that were reflected in the English language between as changes in the lexicon and grammar, and cultural phenomena, such as how we remember people and events. the frequency of the words listed in leading dictionaries (7) (fig. Not all common 1-grams are English words. Using this technique, we estimated the number of words in the English lexicon as 544,000 in (10); the American Heritage Dictionary of the English Language, Fourth Edition (AHD4) lists Quantitative Social Sciences, Harvard University, Cambridge, (C) Usage frequency over time for "the Great War" (blue), "World War I" (green), and "World War II" (red). Inset: Median frequency of new words added to AHD4 in 2000. time of the subsequent rise to fame (4 years, blue line); (iii) age of peak celebrity English and in German books (Fig. 4A). S. Algeo, Fifty Years among the New Words: cache = ./cache/work_kuaoa5c4sfctlhk7bmh43nbq6i.pdf txt = ./txt/work_kuaoa5c4sfctlhk7bmh43nbq6i.txt === reduce.pl bib === id = work_asbekyygujcsbflm6xjclgg5qi author = Ernesto Paya G title = La consagración de la primavera y el nacimiento de la música contemporánea europea date = 2009 pages = 1 extension = .pdf mime = application/pdf words = 608 sentences = 90 flesch = 65 summary = En 1909, un joven compositor ruso, llamado Igor Stravinsky, recibió de Diagilev el Paulatinamente Stravinsky va derivando de los temas rusos a lo que sería la podio del Teatro de los Campos Elíseos de el estreno del ballet La consagración de la primavera, por los bailarines rusos con música de Stravinsky y coreografía de Nizhinski. Esta obra puede considerarse como una pieza inicial de la música clásica del siglo XX. desarrollaba, la música constituía una tremenda sacudida para los oyentes. los acostumbrados en las salas de París. Teatro de los Campos Elíseos, París. En el París de comienzos del siglo XX destacaban los ballets rusos del empresario Sergei Diagilev, quien había encargado piezas para la escena a los más importantes del compositor, gritaba que era una obra genial; Claude Debussy pedía silencio para que pudiera oírse aquella música maravillosa, y Florent Schmidt Igor Stravinsky en Forjadores del mundo moderno: Editorial cache = ./cache/work_asbekyygujcsbflm6xjclgg5qi.pdf txt = ./txt/work_asbekyygujcsbflm6xjclgg5qi.txt === reduce.pl bib === id = work_lbbspmqeqjapdcd6mzk76hgymm author = Allison Langley title = Scenes from the life of Picasso's Still Life (1922): history, materials, and conservation date = 2020 pages = 7 extension = .pdf mime = application/pdf words = 3607 sentences = 281 flesch = 64 summary = Pablo Picasso manipulated his paints to achieve a range of visual effects in his painting Still Life (Art Institute of Chicago, The addition of excess medium and the superposition of multiple paint layers with different drying rates contributed to localized areas of wrinkling, tenting, and lifting paint. that Picasso had originally painted a neo-classical still life on the canvas. over the first composition before painting the linear abstract Still Life dated February 4, 1922. chromatography-mass spectrometry analysis of paint samples and restoration coatings from past treatments helped to Keywords Pablo Picasso · Painting technique · Conservation · Technical imaging · THM-Py-GCMS · Copal Fig. 2 Infrared image of the reverse of Picasso's Still Life showing oil-based house paints such as Ripolin, which Picasso is red, green, and black paint indicated that Picasso did not glossy black paint sample (top) with mass spectra for trace pyrolysis markers, labeled C1 and C2, for copal resin. cache = ./cache/work_lbbspmqeqjapdcd6mzk76hgymm.pdf txt = ./txt/work_lbbspmqeqjapdcd6mzk76hgymm.txt === reduce.pl bib === id = work_ajo2gm5whvdxbjdsbxcq4nwhdy author = B. Belke title = When a Picasso is a "Picasso": The entry point in the identification of visual art date = 2010 pages = 12 extension = .pdf mime = application/pdf words = 12325 sentences = 992 flesch = 59 summary = which have proved sensitive to addressing the question of initial object recognition, suggest that identification of visual art is at the subordinate level of the producing artist. preferences and category membership verification times as indicating that people first identify objects at the basic level and then naming frequencies it was assumed that art-objects might be identified based on their corresponding artistic styles that are either at non-art-object) and level of categorization (i.e., superordinate, basic, or subordinate). In contrast, participants categorized art-objects more specifically with subordinate categories Participants were presented with a superordinate, basic, or subordinate level category term and were subsequently shown a picture, and were asked to indicate whether the of variance with object domain (portrait and car) and level of categorization (superordinate, basic, and subordinate) as within-participant factors. Verification times for artists' names were even faster compared to verification times of categories at the subordinate level for non-art-objects. cache = ./cache/work_ajo2gm5whvdxbjdsbxcq4nwhdy.pdf txt = ./txt/work_ajo2gm5whvdxbjdsbxcq4nwhdy.txt === reduce.pl bib === id = work_diomb2b5bbd2pdxmgmq53tz5zq author = Maria Mohammad title = Art via Architecture 'Lukisan Kajian' Style in Hybrid Model 'A+AGPD': Observation 'Garisan stroke line' (gSLine) date = 2015 pages = 7 extension = .pdf mime = application/pdf words = 3574 sentences = 370 flesch = 62 summary = Art via Architecture 'Lukisan Kajian' Style in Hybrid Model 'A+AGPD': Observation 'Garisan stroke line' (gSLine) Art via Architecture 'Lukisan Kajian' Style in Hybrid Model This research explores production styles stroke line and pen hatching effects of free hand drawing in 3 dimensional 3(D) shape, form, texture and color in creating 3 (D) illustrations lukisan kajian in free hand drawing style. findings of the study were collected in order to produce a hybrid model of researchers 'Art + Architecture Graphic Presentation Art illustration involves drawing, painting, photography, printmaking, graphic design and more. This study aims to combine style 3(D) drawings manually with two disciplines in 'Art' and 'Architecture with drawing painting 'lukisan kajian' with visualization, aesthetic and emotional style (dVEE). (Md.Nasir 2013) in his writings, considers the production and creation of a work of art in the drawing painting This model is intended for graduates in arts, especially architecture to help produce (gSLine) drawing painting cache = ./cache/work_diomb2b5bbd2pdxmgmq53tz5zq.pdf txt = ./txt/work_diomb2b5bbd2pdxmgmq53tz5zq.txt === reduce.pl bib === id = work_6zmwsbf2ofgqzj4o3nh3gp6vce author = Frances Buchanan title = Distributed aggregation of heterogeneous Web-based Fine Art Information: enabling multi-source accessibility and curation date = 2015 pages = 17 extension = .pdf mime = application/pdf words = 11171 sentences = 749 flesch = 58 summary = The sources of information on the Web relating to Fine Art and in particular to Fine Artists are A Museum API (Application Programming Interface), however, is a tool that can facilitate a similar information service for the domain of Fine Art, by allowing the retrieval and aggregation of Web-based Fine Art Information, whilst at the same time increasing holistic analysis of the application of large-scale Web-based systems to Fine Art. Section 3 discusses the method by which a solution can be provided, examining the issues limiting a information via a review of a number of different Web applications that have been created using open data aggregation of Fine Art Information and therefore the need for the provision of more Museum APIs. Finally, Section 7 adduces the findings for our research to validate our data-centric hypothesis for the not artist centric, this site's data is more event related but it does provide a number of Web feeds that allow cache = ./cache/work_6zmwsbf2ofgqzj4o3nh3gp6vce.pdf txt = ./txt/work_6zmwsbf2ofgqzj4o3nh3gp6vce.txt === reduce.pl bib === id = work_pkug7h2nyjdk5mlfhzrbmt4qyy author = Emöke Simon title = Colloque « Gertrude Stein et les Arts » date = 2012 pages = 6 extension = .pdf mime = application/pdf words = 2270 sentences = 378 flesch = 69 summary = Emöke Simon, « Colloque « Gertrude Stein et les Arts » », Transatlantica [En ligne], 2 | 2011, mis en ligne 2 L'œuvre énigmatique de Gertrude Stein s'impose comme une œuvre qui s'est nourrie superpositions qui se déplient dans les domaines des arts plastiques, du cinéma ou dans Art as Experience (1934) pour un art qui est en mesure de rétablir le contact avec la proximité entre Marcel Duchamp et Gertrude Stein, localisable, selon elle, dans leur conclut que les deux artistes érotisent la langue par le même geste artistique qui 8 C'est donc d'abord par le biais du portrait que Gertrude Stein marque une présence dans le monde des arts plastiques et s'impose pour beaucoup comme « The Mother of Dans une communication intitulée « Théâtre et théâtralité de Gertrude Stein », MarieClaire Pasquier (Université Paris-Ouest) a retracé la manière dont le théâtre également localisable dans la façon dont le cinéma exprime ce que Stein désignait par cache = ./cache/work_pkug7h2nyjdk5mlfhzrbmt4qyy.pdf txt = ./txt/work_pkug7h2nyjdk5mlfhzrbmt4qyy.txt === reduce.pl bib === id = work_sonjg3qvqrbxrb7gvt6d4b5c34 author = Lucia Salvato title = An Interdisciplinary Approach to Texts as a Model for a Truthful Approach to Reality date = 2015 pages = 7 extension = .pdf mime = application/pdf words = 4841 sentences = 323 flesch = 61 summary = This paper proposes how academic teaching based on the use of texts can be fertile soil for educational processes in younger 'texts' in terms of communicative semiotic events and the interpretation of their meaning as a process of inference. the proposed approach, university courses may become opportunities to educate students to faithfully approach reality as it is, Keywords: Education; Teaching; Interdisciplinary Approach; Texts as Communicative Semiotic Events. courses on German as a foreign language based on the analysis of "intersemiotic translations" (Jakobson, 1987, 429the Catholic University of Milan, a very useful method of educating them in their approach to reality is the analysis students a learning method with which they can approach a single text can be useful in showing them how to This analysis has offered a way of teaching a foreign language at school or at university through which students cache = ./cache/work_sonjg3qvqrbxrb7gvt6d4b5c34.pdf txt = ./txt/work_sonjg3qvqrbxrb7gvt6d4b5c34.txt === reduce.pl bib === id = work_4xbni7w5cjdppgb4ahdjj25klm author = B. Sibbald title = CMAJ's Salon: lateral thinking about health date = 2007 pages = 1 extension = .pdf mime = application/pdf words = 721 sentences = 76 flesch = 76 summary = SSaalloonn: a gathering of stimulating people under the roof of an inspiring hostess, partly to amuse one another and elcome to CMAJ Salon, an exchange of lateral thinking about health that aspires to feed the culture of curiosity stimulating lively intellectual conversation in 17th-century France. Now, CMAJ's Salon introduces health as the overarching topic of CMAJ's Salon will be an exploration other health-related experts will frequently grace these pages, but Salon will part of the world of health and medicine, ideas into health and medicine. and stimulate thought and discussion. Our hope is that the conversational narratives in CMAJ Salon will become fodder for engaging stories that one offers page, the heart of the salon experience — the interchange of ideas — will begin in earnest at cmaj.ca, where readers evening salons in Paris beginning in e-participants, CMAJ Salon is your Salon CMAJ's Salon: lateral thinking about health cache = ./cache/work_4xbni7w5cjdppgb4ahdjj25klm.pdf txt = ./txt/work_4xbni7w5cjdppgb4ahdjj25klm.txt === reduce.pl bib === id = work_gfjqb3y3mjcana5tam6yntxtpi author = Swathi Eluri title = IMportance of an Irregular Z Line: Is Barrett's in the Eye of the Beholder? date = 2018 pages = 3 extension = .pdf mime = application/pdf words = 2074 sentences = 160 flesch = 60 summary = progression to neoplasia in patients with an irregular Z line obtaining biopsies from an irregular Z line, a recommendation made due to the poor endoscopic standardization of The authors note in their conclusion that patients with an irregular Z line "do not develop patients who developed LGD, "longer follow-up studies may a repeat examination; also, given that an irregular Z line is irregular Z line [7], it is likely that different endoscopists of 86 patients with an irregular Z line and IM, 2% those with an irregular Z line with IM on index biopsy did show that the irregular Z line is a low-risk lesion. with barrett's esophagus less than 1 cm (irregular Z line) within among patients with an irregular Z line on long-term follow-up. IMportance of an Irregular Z Line: Is Barrett's in the Eye of the Beholder? IMportance of an Irregular Z Line: Is Barrett's in the Eye of the Beholder? cache = ./cache/work_gfjqb3y3mjcana5tam6yntxtpi.pdf txt = ./txt/work_gfjqb3y3mjcana5tam6yntxtpi.txt === reduce.pl bib === id = work_vdigdiq3bfh7ngrcjlwcluk7wm author = Muhammet Tatar title = Resim Sanatında Parodi, Pastiş ve İntihal date = 2017 pages = extension = .pdf mime = text/html words = 72 sentences = 9 flesch = 51 summary = dergipark.gov.tr Lütfen https://dergipark.org.tr kullanınız DergiPark bundan 3 yıl önce yeni adresi olan dergipark.org.tr 'ye taşındı. Bu yıl içinde dergipark.gov.tr adresini desteklemeyi bırakmayı planlıyoruz, bu nedenle bağlantılarınızı dergipark.org.tr içerecek şekilde güncellemenizi rica ediyoruz. Devam Et » Please use https://dergipark.org.tr DergiPark moved to its new home at dergipark.org.tr three years ago. We plan to drop support for URL's having dergipark.gov.tr this year, therefore please update your bookmarks with dergipark.org.tr as soon as possible. Proceed » cache = ./cache/work_vdigdiq3bfh7ngrcjlwcluk7wm.pdf txt = ./txt/work_vdigdiq3bfh7ngrcjlwcluk7wm.txt === reduce.pl bib === id = work_uz6luitbwjg53hwcmp537lv4cy author = Carl Snyderman title = North American Skull Base Society 26th Annual Meeting: Innovation and Creativity in Skull Base Surgery date = 2016 pages = extension = .pdf mime = application/xml words = 144 sentences = 25 flesch = 71 summary = sys_1000 wp-p1m-38.ebi.ac.uk wp-p1m-38.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write('[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]'.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 219772668 (wp-p1m-38.ebi.ac.uk) Time: 2021/04/06 02:41:04 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ cache = ./cache/work_uz6luitbwjg53hwcmp537lv4cy.pdf txt = ./txt/work_uz6luitbwjg53hwcmp537lv4cy.txt === reduce.pl bib === id = work_7pad5lddgndwzevwoxmpx4ys74 author = Monica Guerra title = Finished and Unfinished Objects: Supporting Children's Creativity Through Materials date = 2012 pages = 7 extension = .pdf mime = application/pdf words = 4829 sentences = 256 flesch = 46 summary = Finished and Unfinished Objects: Supporting Children's Creativity Through Materials working with materials at schools, based on two parallel and complementary processes: finished and unfinished objects. survey confirmed that working with different types of materials makes it possible for children to develop their creativity t hrough Keywords: Objects, Materials, Creativity, Children, Education. the activity proposed, so that the objects are easy to use and transportable by children and offer the possibility to be Reflecting on action made possible through objects and materials with older children, David Hawkins' If we consider the aspects linked to art, it is interesting to notice how in these cases materials and objects have on a few educational-didactic projects which included workshops on objects and materials, carried out in a few preschool and elementary school classes. If, in fact, children do not know materials and their possibilities for use, creative cache = ./cache/work_7pad5lddgndwzevwoxmpx4ys74.pdf txt = ./txt/work_7pad5lddgndwzevwoxmpx4ys74.txt === reduce.pl bib === id = work_2xy4tpegbbc6xmxvx42ixfpqja author = Ellen K. Levy title = Repetition and the Scientific Model in Art date = 1996 pages = 9 extension = .pdf mime = application/pdf words = 3195 sentences = 229 flesch = 52 summary = This essay explores repetition in the work of artists who use scientific models as a point of The biological and physical sciences provide these artists with examples of processes regularly occurring in nature, and the artists use science as a means of exploring relationships between art and the world. Such artists as Alfred Jensen and Robert Smithson capitalize on their ability to evoke nature's processes through repetitive patterns. Repetitive protein folding subsequently generates structures with specific functional properties. genetic process provides a linear order in which sequences determine function. Because repetition can evoke biological processes, the scientific context of the artists I discuss is reinforced. There is great advantage for artists to contextualize their work in this manner: the ability to couple abstract processes available in selfreflexive art with an external referent provided by the scientific model. the grid as a source of repetitive units; Smithson, the duplication formed by mirrors; and cache = ./cache/work_2xy4tpegbbc6xmxvx42ixfpqja.pdf txt = ./txt/work_2xy4tpegbbc6xmxvx42ixfpqja.txt === reduce.pl bib === id = work_w7hcambwjrhhfoj7rphjtajpu4 author = Carlo Lisotto title = O002. Did Picasso and De Chirico really suffer from migraine auras? date = 2015 pages = 1 extension = .pdf mime = application/pdf words = 666 sentences = 62 flesch = 48 summary = Some authors have suggested that migraine aura may have represented an inspiration for unusual and recurrent features of paintings by Pablo Picasso and Giorgio De Chirico. A migraine hypothesis was formulated for Picasso's art, based on aura-like patterns, such as illusory vertical splitting and shifts of the eyes, even if the authors explicitly stated that they did not find any supportive information in We read Picasso's biographies and De Chirico's autobiography, evaluating their extremely numerous pictorial migraine, if such diagnosis is not supported by additional artist's autobiography suggests a diagnosis of epilepsy. Chirico did not describe typical migraine headaches and migraine aura as artistic inspiration. 1. Ferrari MD, Haan J: Migraine aura, illusory vertical splitting, and Picasso. 2. Fuller GN, Gale MV: Migraine aura as artistic inspiration. Did Picasso and De Chirico really suffer from migraine auras? This is an Open Access article distributed under the terms of the Creative Commons Attribution License (http:// cache = ./cache/work_w7hcambwjrhhfoj7rphjtajpu4.pdf txt = ./txt/work_w7hcambwjrhhfoj7rphjtajpu4.txt === reduce.pl bib === id = work_4jhqdkodsjckxizg53wwrgacfe author = Kurt G. Siehr title = CHRONICLES: (January 1, 2004––December 31, 2004) date = 2005 pages = 56 extension = .pdf mime = application/pdf words = 19072 sentences = 1729 flesch = 72 summary = The Metropolitan Museum of Art in New York opened the exhibition The Drawing of Bronzino. The Ethnological Museum Zürich opened an exhibition, Fakes, about fake art massproduced in China to be sold as copies and fakes. The Dresden State Art Collection and the von Lehndorff family settled their dispute concerning the return of art objects (i.e., seven paintings, library) that had The first exhibition, the famous Turkish Chamber (Türkische Cammer), was opened and showed the important pieces of oriental art collected by the Ten paintings, lost during World War II and recovered in recent times, were exhibited in Picture Gallery of Castle Sanssouci in Potsdam, Germany. Opening of the exhibition Man, Myth and Sensual Pleasures, Jan Gossart's Renaissance in the Metropolitan Museum of Art in New York. The Metropolitan Museum of Art in New York devoted an exhibition to the The New York auctions in autumn 2010 sold art objects for more than $ 500 Million. cache = ./cache/work_4jhqdkodsjckxizg53wwrgacfe.pdf txt = ./txt/work_4jhqdkodsjckxizg53wwrgacfe.txt === reduce.pl bib === id = work_2jdetzhswrah5gn7t7k6s65vuq author = Mi-Kyung Lee title = Study on Relationship between the Aesthetics of Disappearance and Contemporary Architectural Space date = 2014 pages = 9 extension = .pdf mime = application/pdf words = 4443 sentences = 1196 flesch = 111 summary = examples of the Cartier foundation of Jean Nouvel and Seattle central library of Rem Koolhaas to the aesthetics 적 성질의 잠재적 차원을 동시에 사라짐의 미학으로 성 본 연구는 오늘날 건축의 가벼움이 사라짐의 미학 사라짐, 주체의 사라짐으로 분류 가능한 사라짐의 미학 기술의 발달은 건축의 이러한 욕구를 더욱 다양하게 실험 사라짐의 미학에서 물질의 사라짐은 탈 질료, 탈 형 이러한 과정에서 건축은 함의 특징을 통해 사라짐의 미학과 건축의 관계 요소에 점을 가지며 우연한 공간이 지속적으로 생성되는 잠재적 사라짐의 미학과 건축의 관계 요소 안에 들어온다. 사라짐의 미학과 건축의 관계 요소 안에 들어온다. 사라짐의 미학과 건축의 관계 요소 안에 들어온다. 사라짐의 미학과 건축의 관계 요소 안에 들어온다. 사라짐의 미학에서 의미의 사라짐은 무의미와 공간의 탈 중심성의 특징은 사라짐의 미학과 건축의 관계 요소 한 주체가 되는 특징으로서 사라짐의 미학과 건축의 관 사라짐의 미학에서 주체의 사라짐은 탈 중심성, 주체 공간적 특징은 끊임없이 떠돌면서 지속적으로 생성되는 계하는 의미의 사라짐, 탈 주체와 유동성을 가진 주체의 사라짐의 미학과 현대건축공간의 관계성 cache = ./cache/work_2jdetzhswrah5gn7t7k6s65vuq.pdf txt = ./txt/work_2jdetzhswrah5gn7t7k6s65vuq.txt === reduce.pl bib === id = work_dqxbod6vcjfupilxcqnvzdeamu author = Valentina Beretta title = Truth selection for truth discovery models exploiting ordering relationship among values date = 2018 pages = 36 extension = .pdf mime = application/pdf words = 13663 sentences = 2467 flesch = 75 summary = Truth Selection for Truth Discovery Models Exploiting Ordering Relationship Among Values, Truth Selection for Truth Discovery Models Exploiting Ordering Relationship Among Values, True values selected by most models have the highest confidence estimation. when a priori knowledge in the form of a partial order of values (e.g. subsumption relationship in an ontology) is considered to improve value confidence and source trustworthiness estimations. prior knowledge in the form of a partial order among values into account [10] – and comparing the proposed approach with existing ones Therefore, considering all values associated with a data item, the estimated confidence scores procedure able to select the true value for each data item given the estimated a set of true claims, for each predicate), a partial order among the values Third, each source claims a true or false value for a specific data item w.r.t. 18 cache = ./cache/work_dqxbod6vcjfupilxcqnvzdeamu.pdf txt = ./txt/work_dqxbod6vcjfupilxcqnvzdeamu.txt === reduce.pl bib === id = work_lmvwnf4ysvdznaywqou6yhu47m author = Daniel Leary title = Poetic Guard date = 2011 pages = 3 extension = .pdf mime = application/pdf words = 2902 sentences = 199 flesch = 71 summary = American Book Review, Volume 32, Number 4, May/June 2011, pp. Published by American Book Review Page 26 American Book Review Hammond's book is about. that contemporary American poetry has become as American literary instruction has become the standardized, academically sponsored product of-by-for The American Poetic Muse Hammond is at verses that lack the Muse, lack myself: yes, the book is about what poetry is, but Hammond, this editor-of-a-student, realized Hammond calls the whole MFA boondoggle "the American poets in order to win contests, same contemporary American poets. American poetry has become as This academic po' biz overflow took me by surprise as I read about it in Hammond's little but very poetry-writing teacher a rave evaluation. Now, the good stuff, the oxymoronic Hammond's three-way championing of the Muse. Hammond weaves the traditionalist T.S. Eliot with the path-blazing critic Harold Hammond does not dream the American dream. cache = ./cache/work_lmvwnf4ysvdznaywqou6yhu47m.pdf txt = ./txt/work_lmvwnf4ysvdznaywqou6yhu47m.txt === reduce.pl bib === id = work_pow3yod6ebhmnnrg3nvmf6k2xe author = Vesna Mikic title = Different shapes of modernism/neoclassicism: Case study of Dušan Radić's creative output date = 2006 pages = 14 extension = .pdf mime = application/pdf words = 4615 sentences = 890 flesch = 111 summary = У случају послератне домаће музичке продукције ова врста проблематизације чини се неопходном, јер се неокласицизам појављује као вид реакције на соцреализам Наиме, наша је „борба" овде намењена указивању на могућа тумачења и контекстуализације музичког неокласицизма као специфичне модернистичке појаве у историји (српске) музике, а „извођење међуратног стваралаштава појединих аутора, да бисмо данас неокласицизам разумевали и као особен вид модернизма, који поседује У основи, ради се о типу модернизма који инсистира на својим везама са прошлошћу у најширем смислу, те као уметнички резултат генерално продукује остварења На које се начине Радић стваралаштвом одређивао према традицији (српске) уметничке музике и према захтевима културне политике времена, и како се конкретни резултати тих његових стваралачких реакција могу тумачити у контексту о којем је било говора? На овај начин Радић остварује дело које само на први поглед кореспондира са захтевима времена и школе, односно с канонским поставкама традиције српског појаве у српској уметности које смо означили као модернистичке cache = ./cache/work_pow3yod6ebhmnnrg3nvmf6k2xe.pdf txt = ./txt/work_pow3yod6ebhmnnrg3nvmf6k2xe.txt === reduce.pl bib === id = work_hk57jvs5mjcx3e6ht26gqlpxlq author = Eero Hyvönen title = Publishing and Using Cultural Heritage Linked Data on the Semantic Web date = 2012 pages = 48 extension = .pdf mime = application/pdf words = 13676 sentences = 1771 flesch = 56 summary = ontology-building and logics remain vital, new areas such as the use of semantics in Web search, • Semantic Web Principles from linked-data to ontology design Publishing and Using Cultural Heritage Linked Data on the Semantic Web Publishing and Using Cultural Heritage Linked Data on the Semantic Web Application of the principles and technologies of Linked Data and the Semantic Web Semantic Web, linked data, cultural heritage, portal, metadata, ontologies, logic rules, of technical research and prototype development, boosted by the W3C Semantic Web Activity kickoff in 2001 and the Linked (Open) Data movement later on, major national and international CH This book aims at fostering the application of Linked Data and Semantic Web technologies organization with better tools for collaborative, open content publishing on the Semantic Web. Eero Hyvönen This book is an introduction to publishing CH contents on the Semantic Web as Linked Data. cache = ./cache/work_hk57jvs5mjcx3e6ht26gqlpxlq.pdf txt = ./txt/work_hk57jvs5mjcx3e6ht26gqlpxlq.txt === reduce.pl bib === id = work_7l3qfqdo5ze2zlbrkyy723wyo4 author = Vida Demarin title = Arts, Brain and Cognition date = 2016 pages = 6 extension = .pdf mime = application/pdf words = 4839 sentences = 475 flesch = 62 summary = Art is a product of human creativity; it is a superior skill that can be learned by study, practice and observation. A specific functional organization of brain areas was found during visual art activities. enhancement of performance or changing of neuropsychological activity was shown by studies involving Mozart's music from which Key words: arts – brain – creativity music therapy neuroplasticity privilege to investigate the processes of artistic performance in a healthy brain by means of modern technology techniques such as functional neuroimaging. visual art activities have shown a very specific functional organization of brain areas. Music has a superior effect on brain plasticity, active Vida Demarin, Marina Roje Bedeković, Marijana Bosnar Puretić & Marija Bošnjak Pašić: ARTS, BRAIN AND COGNITION Vida Demarin, Marina Roje Bedeković, Marijana Bosnar Puretić & Marija Bošnjak Pašić: ARTS, BRAIN AND COGNITION Vida Demarin, Marina Roje Bedeković, Marijana Bosnar Puretić & Marija Bošnjak Pašić: ARTS, BRAIN AND COGNITION cache = ./cache/work_7l3qfqdo5ze2zlbrkyy723wyo4.pdf txt = ./txt/work_7l3qfqdo5ze2zlbrkyy723wyo4.txt === reduce.pl bib === id = work_pjkdlpouvbbthisfmlqx7emv6i author = J W Douglas title = The under-achieving intelligent child. Other social factors date = 1973 pages = extension = .pdf mime = application/xml words = 144 sentences = 28 flesch = 72 summary = sys_1000 wp-p1m-39.ebi.ac.uk wp-p1m-39.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write('[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]'.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 219772157 (wp-p1m-39.ebi.ac.uk) Time: 2021/04/06 02:41:03 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ cache = ./cache/work_pjkdlpouvbbthisfmlqx7emv6i.pdf txt = ./txt/work_pjkdlpouvbbthisfmlqx7emv6i.txt === reduce.pl bib === id = work_eh7e33pcbzcfbljxotmv25qb4q author = Sebastian de Haro title = J.R. Leibowitz: Hidden Harmony. The Connected Worlds of Physics and Art date = 2009 pages = 4 extension = .pdf mime = application/pdf words = 2142 sentences = 282 flesch = 60 summary = The Connected Worlds of Physics and Art. The Johns Hopkins University Press, 2008. Abstract The book Hidden Harmony—The Connected Worlds of Physics and Art by J.R. Leibowitz, in Hidden Harmony—The Connected Worlds of Physics and Art, studies the role of form in physics and in the visual arts. In the first and last chapters, Leibowitz poses the problem of how physics and art will not give the working physicist any new information; they rather provide the author's own vision on a number of developments in the history of physics; as such they The first two chapters on physics explain the concepts of conserved quantity, symmetry, and symmetry breaking, illustrating them with examples from nature and cosmology. The next two physics chapters attempt at explaining parts of Maxwell's theory and Leibowitz offers an original perspective on the relation between physics and art a work of art and of a physical theory. The Connected Worlds of Physics and Art. cache = ./cache/work_eh7e33pcbzcfbljxotmv25qb4q.pdf txt = ./txt/work_eh7e33pcbzcfbljxotmv25qb4q.txt === reduce.pl bib === id = work_mpl4z7trijbkrc7o63pvaq5edy author = Juliana Soares de Jesus title = Development of attention: acting in special classes date = 2018 pages = 9 extension = .pdf mime = application/pdf words = 5913 sentences = 819 flesch = 63 summary = atenção em crianças que frequentavam classes de recuperação em uma escola pública de uma cidade do interior a Psicologia Histórico-Cultural, com ênfase à interpretação de Vigotski sobre desenvolvimento e aprendizagem. orientação e o planejamento de ações em conjunto com as crianças possibilitam a significação das atividades um novo modo de pensar e compreender a realidade, o que ressalta a importância do meio e das mediações (Eidt & Tuleski, 2010; Moyses & Collares, 2013; Cor, em que, pela apreensão dos saberes escolares, transformam o sujeito ao promover novas possibilidades de Assumindo o meio como fonte de desenvolvimento, compreende-se que é na internalização dos encontros e das produções dos alunos, foram reunidos e organizados por atividade e objetivos. Observou-se que uma nova relação com a desenvolver uma ação que colabore para o desenvolvimento do sujeito. de um dos participantes de uma das turmas que não cache = ./cache/work_mpl4z7trijbkrc7o63pvaq5edy.pdf txt = ./txt/work_mpl4z7trijbkrc7o63pvaq5edy.txt === reduce.pl bib === id = work_le2gtb6gwffelgdy4qgdcik3em author = Carlos Salas González title = Sombras amenazantes y personajes-sombra. Del cine a la pintura date = 2010 pages = 9 extension = .pdf mime = application/pdf words = 4344 sentences = 505 flesch = 73 summary = Sin embargo, el camino de investigación inverso, aquél que estudiaría las posibles infuencias del cine en la pintura del siglo XX, ha sido emprendido por muy pocos estudiosos 4 Mi tesis doctoral, en la que actualmente trabajo, versa, precisamente, sobre la infuencia del cine en las artes plásticas durante efecto, dicha sombra aparece ante nuestros ojos como una seria amenaza que acecha al despreocupado doctor. interior, lo cual encaja a la perfección con la realidad de ambos personajes, pues, según palabras de Sergiusz Michalski, "su relación era tempestuosa, y se cree que ella ejercía una infuencia maligna sobre este hombre urbano, una obra cinematográfca, Victor Stoichita: "La sombra, imagen exterior, trasluce lo que ocurre en el personaje. En La sombra, Picasso presenta ya a los dos personajes que también protagonizarán su segunda pintura: la mujer desnuda y la sombra de un hombre. cache = ./cache/work_le2gtb6gwffelgdy4qgdcik3em.pdf txt = ./txt/work_le2gtb6gwffelgdy4qgdcik3em.txt === reduce.pl bib === id = work_wkrmox26ezflvcuurc7zx37l5q author = Dariush Rahiminia title = Nisbet R., Sociology as an art form date = 2017 pages = 3 extension = .pdf mime = application/pdf words = 1756 sentences = 264 flesch = 67 summary = L'arte arriva a toccare corde emozionali che riscontriamo nella nostra vita Nisbet ci mostra come la sociologia sia effettivamente una forma d'arte con stretti Nisbet ci illumina su come l'immaginazione sia il motore che fa partire tanto il lavoro dell'arte quanto il lavoro della scienza. caso lo scienziato sociale) hanno come scopo ultimo la ricerca della verità e, dunque, della "realtà" poiché non è vero che solo il pensiero scientifico consente di scoprire ed nel medesimo modo fa lo scienziato sociale nelle sue ricerche che portano alla Ciò che Nisbet analizza nel secondo capitolo della sua Nel terzo capitolo, riguardante i panorami già citati, ci mostra come il tema del This research analyses the imaginaries of Italian Apple fans in social networks communities. This research analyses the imaginaries of Italian Apple fans in social networks communities. This research analyses the imaginaries of Italian Apple fans in social networks communities. strade che attraversano il mondo dell'immaginario. cache = ./cache/work_wkrmox26ezflvcuurc7zx37l5q.pdf txt = ./txt/work_wkrmox26ezflvcuurc7zx37l5q.txt Building ./etc/reader.txt work_zksgqxtqoffpjoe736e7lerjd4 work_tr5t72prb5bppfe2js55hbip6m work_mbrastzd4raatneejkkyh7oini work_s7d4uiswozdezpjj73ghuwdogm work_uq5nrtxyl5cp7a6waxicqn22tm work_ceaip4jx5ngfrblooel4zn46xu Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2895, in get_loc return self._engine.get_loc(casted_key) File "pandas/_libs/index.pyx", line 70, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/index.pyx", line 101, in pandas._libs.index.IndexEngine.get_loc File "pandas/_libs/hashtable_class_helper.pxi", line 1675, in pandas._libs.hashtable.PyObjectHashTable.get_item File "pandas/_libs/hashtable_class_helper.pxi", line 1683, in pandas._libs.hashtable.PyObjectHashTable.get_item KeyError: 0 The above exception was the direct cause of the following exception: Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/carrel2about.py", line 361, in bibliographics = id2bibliographics( id, engine ) File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/carrel2about.py", line 63, in id2bibliographics bibliographics.update( { "author" : result.at[ 0, 'author' ] } ) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 2080, in __getitem__ return super().__getitem__(key) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexing.py", line 2027, in __getitem__ return self.obj._get_value(*key, takeable=self._takeable) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/frame.py", line 3021, in _get_value index = self.index.get_loc(index) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/core/indexes/base.py", line 2897, in get_loc raise KeyError(key) from err KeyError: 0 ==== make-pages.sh htm files ==== make-pages.sh complex files ==== make-pages.sh named enities ==== making bibliographics Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/tsv2htm.py", line 33, in df = pd.read_csv( tsv, sep='\t' ) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/io/parsers.py", line 686, in read_csv return _read(filepath_or_buffer, kwds) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/io/parsers.py", line 452, in _read parser = TextFileReader(fp_or_buf, **kwds) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/io/parsers.py", line 946, in __init__ self._make_engine(self.engine) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/io/parsers.py", line 1178, in _make_engine self._engine = CParserWrapper(self.f, **self.options) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/io/parsers.py", line 2008, in __init__ self._reader = parsers.TextReader(src, **kwds) File "pandas/_libs/parsers.pyx", line 382, in pandas._libs.parsers.TextReader.__cinit__ File "pandas/_libs/parsers.pyx", line 674, in pandas._libs.parsers.TextReader._setup_parser_source FileNotFoundError: [Errno 2] No such file or directory: './tsv/trigrams.tsv' Traceback (most recent call last): File "/ocean/projects/cis210016p/shared/reader-compute/reader-classic/bin/tsv2htm.py", line 33, in df = pd.read_csv( tsv, sep='\t' ) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/io/parsers.py", line 686, in read_csv return _read(filepath_or_buffer, kwds) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/io/parsers.py", line 452, in _read parser = TextFileReader(fp_or_buf, **kwds) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/io/parsers.py", line 946, in __init__ self._make_engine(self.engine) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/io/parsers.py", line 1178, in _make_engine self._engine = CParserWrapper(self.f, **self.options) File "/ocean/projects/cis210016p/shared/anaconda/lib/python3.8/site-packages/pandas/io/parsers.py", line 2008, in __init__ self._reader = parsers.TextReader(src, **kwds) File "pandas/_libs/parsers.pyx", line 382, in pandas._libs.parsers.TextReader.__cinit__ File "pandas/_libs/parsers.pyx", line 674, in pandas._libs.parsers.TextReader._setup_parser_source FileNotFoundError: [Errno 2] No such file or directory: './tsv/quadgrams.tsv' id: work_s366qv3rr5fyvptkbwuqob5fsq author: (:Unkn) Unknown title: "When the People are the Context. Putting the ""Minor"" Picasso-Arias Collection and Its ""Major"" Context onto the Web" date: 2015 words: 2436 sentences: 511 pages: 3 flesch: 48 cache: ./cache/work_s366qv3rr5fyvptkbwuqob5fsq.pdf txt: ./txt/work_s366qv3rr5fyvptkbwuqob5fsq.txt summary: Museum1 on the World Wide Web. Both the collection and its web site are merely minor anecdotes considering their respective contexts. The making of the Museum Web site offered the The Web site''s "digital exhibit design" is just a few the collection''s origins become a true point of interest when Collection on exhibit in Buitrago del Lozoya''s Picasso Collection on exhibit in Buitrago del Lozoya''s Picasso on the Web site where we aim to document the context. PUTTING THE "MINOR" PICASSOARIAS COLLECTION AND ITS "MAJOR" CONTEXT ONTO THE WEB The museum''s web site came about with the intention of offering itself as a place where a host of different itineraries can museums or for Picasso''s work. context lies in the evocation of the closely knit personal relationships and friendships that Picasso and Arias had In order to present the collection''s context on the site, "low 1 Museo Picasso Colección Arias: http://www. /Swiss721BT-Bold /Swiss721BT-Italic id: work_5afqy7hflbg7bodhnnw3zbccem author: A Koziczak title: THE FORM OF PAINTER''S SIGNATURE AND ITS SUITABILITY FOR THE ASSESSMENT OF THE AUTHENTICITY OF PAINTINGS date: 2017 words: 3061 sentences: 230 pages: 8 flesch: 55 cache: ./cache/work_5afqy7hflbg7bodhnnw3zbccem.pdf txt: ./txt/work_5afqy7hflbg7bodhnnw3zbccem.txt summary: identification, and which are not, and therefore, that in some cases, despite the correspondence of signature with the exemplars, conclusion about its authenticity is invalid. Keywords: painters'' signature, authenticity of paintings, art forgery, fake painting, handwriting identification, authenticity of the signature, art market into consideration that the authenticity of a signature does not mean that the painting conclusions regarding the authenticity of signatures are greater if the examined result only in a non-categorical conclusion, such as there are no grounds to question the authenticity of the signature. odds of drawing a categorical conclusion denying the authenticity of a signature A long signature, with a large number of graphic features – possible categorical conclusions about its authenticity (photo: A. Examining the authenticity of a signature also depends on the dynamics (freedom High dynamics of signature provides solid ground for conclusions as to the authenticity of A conclusive confirmation of authenticity of a signature is only possible for id: work_3z72acm7rfejdhsqoszi5krx5i author: A. Daniel Yarmey title: I recognize your face but I can''t remember your name: Further evidence on the tip-of-the-tongue phenomenon date: 1973 words: 3184 sentences: 231 pages: 4 flesch: 72 cache: ./cache/work_3z72acm7rfejdhsqoszi5krx5i.pdf txt: ./txt/work_3z72acm7rfejdhsqoszi5krx5i.txt summary: Fifty faces of "famous" persons were used as stimuli to precipitate the tip-of-the-tongue (TOT) experience. showed that Ss in TOT states searched for target''s name by locating first his profession, where he was most often seen, Ss also had accurate knowledge of the initial letters of target names, initial letters of similar sounding It was concluded that TOT states for to-be-remembered names are retrieved from semantic and episodic memory systems on.the basis of verbal and imaginal encodings. sound); person''s profession(s) or field(s) of importance; place(s) TOT state for a particular stimulus face completed a initial letter of the names, followed closely by guesses of Frequency Scores of Specificity of Information on Target''s have more accurate information (recall) about the target able to guess correctly initial letters of target names, initial letters of similar sounding names, and numbers of syllables in target names. Although verbal representations are the targets in TOT id: work_blqd4m5ncjb23gij5h6gabx66y author: A. R. Marks title: Repaving the Road to Biomedical Innovation Through Academia date: 2011 words: 144 sentences: 28 pages: flesch: 72 cache: ./cache/work_blqd4m5ncjb23gij5h6gabx66y.pdf txt: ./txt/work_blqd4m5ncjb23gij5h6gabx66y.txt summary: sys_1000 wp-p1m-39.ebi.ac.uk wp-p1m-39.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write(''[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]''.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. 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Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ id: work_t4al4kwsgnfthgjbtvrr7a3guq author: Adrian Furnham title: Personality and art preferences date: 1988 words: 4167 sentences: 366 pages: 5 flesch: 58 cache: ./cache/work_t4al4kwsgnfthgjbtvrr7a3guq.pdf txt: ./txt/work_t4al4kwsgnfthgjbtvrr7a3guq.txt summary: A Study on Individuals'' Art Preferences according to Abstract Aim of this study is to examine the relationship between individuals'' art preferences and personality Renaissance, Cubism, Abstract Art, Traditional Art, Impressionism and Surrealism and personal information form extroversion and openness to experience mostly prefer surrealist works and those with personality traits of tendermindedness usually prefer Impressionist work of art. Keywords: personality, art preferences, openness to experience, big five model Art Preferences according to Their Personality Traits via Computer-Aided Web Site." American Journal of determiners of personal differences in art preferences. personality structure, their art preference and artistic personality types and art preferences, research group Do individuals'' personality types differentiate according to their art preferences? Type Scales and individual art preferences. differ according to individual art preferences -the second Findings concerning the differences of art preferences according to individual personality types relationship between personality types and art preferences. id: work_npijvzrmsfg5th53aywfxjr6ti author: Adrian-Silvan Ionescu title: Vie scientifique date: 2011 words: 4709 sentences: 739 pages: 8 flesch: 76 cache: ./cache/work_npijvzrmsfg5th53aywfxjr6ti.pdf txt: ./txt/work_npijvzrmsfg5th53aywfxjr6ti.txt summary: Penrose, a visité notre pays dans une tournée de conférences qui allait le porter sur les pas une ample exposition avec les sans s''inscrire dans une institution Il va l''initier dans les mystères de l''art dans sa qualité de citoyen américain, elle est des photos, mais elle écrit également les elle assiste à leur rencontre avec les troupes marquée par les horreurs des camps de et banale qu''elle avait dans la même ville. surprises et les rencontres avec des angles d''où Lee a pris les images avec la dans des futilités, le roi avait l''habitude tenir une conférence sur son activité dans le trouvent dans les collections roumaines. l''album dans lequel il a présenté les dans lequel se retrouvent les images des comme dans les autres albums, chaque image avec les autres invités, modéré par Anna vie, en l''abordant dans des techniques ayant comme résultat des images d''une id: work_s7d4uiswozdezpjj73ghuwdogm author: Adriana Petra title: CULTURA COMUNISTA Y GUERRA FRÍA: LOS INTELECTUALES Y EL MOVIMIENTO POR LA PAZ EN LA ARGENTINA date: 2013 words: 14045 sentences: 1667 pages: 32 flesch: 65 cache: ./cache/work_s7d4uiswozdezpjj73ghuwdogm.pdf txt: ./txt/work_s7d4uiswozdezpjj73ghuwdogm.txt summary: 1955, durante este puñado de años el lugar que los intelectuales comunistas 3 Sobre las caracterizaciones del peronismo realizadas por el Partido Comunista Argentino local del Movimiento por la Paz, la iniciativa frentista más importante que 1984) fueron las figuras más representativas del Movimiento por la Paz en la exasperada del discurso comunista de Guerra Fría, fueron muchos los que El Movimiento por la Paz organizó las estructuras del compromiso de los fuera del mundo comunista, el Movimiento por la Paz fue una organización En la Argentina el éxito del movimiento pacifista impulsado por los comunistas Los avatares del Movimiento por la Paz fueron, en la Argentina como en el resto las dificultades que el Movimiento por la Paz encontró en la Argentina para Como una muestra del paradójico lugar que los intelectuales comunistas la que habían movilizado todos los resortes del Movimiento por la Paz, la id: work_webh63j5gjeadjof62pcfg6syi author: Ahmet F SEYMEN title: CUMHURİYET DÖNEMİ ŞEHİRCİLİK ÇALIŞMALARI, ALTYAPI VE KENTSEL YAPILAŞMA SORUNLARI date: 2018 words: 5411 sentences: 998 pages: 12 flesch: 60 cache: ./cache/work_webh63j5gjeadjof62pcfg6syi.pdf txt: ./txt/work_webh63j5gjeadjof62pcfg6syi.txt summary: Araştırma, Cumhuriyet dönemi ile yeni bir başlangıç yapan Türkiye''nin Osmanlı döneminden şehircilik ve imar konusunda nasıl Yeni kurulan ülkenin, toplumunu oluşturan sınıfların savaş sonrası sosyal gelişimine uygun bir düzen A. Osmanlı ve Cumhuriyet döneminin sanayii devrimini gerçekleştiren İngiltere ile kısa mukayesesi Ülke tam bir monarşi ile idare ediliyor. B. Osmanlı Devleti''nde modern anlamda bir yerel yönetim geleneği ve sisteminin olmadığını söylemek Osmanlı Devleti genelde askeri bir merkezilşeme ile idare edilen imparatorluk olarak yapılanmış ve bu Bu sınıf Osmanlı toplumunun büyük bir kısmını kapsamaktadır. Osmanlı devletinin en sarsıcı ve sıkıntılı dönemi olan 1700''lü yıllarda Avrupa da başlayan ve uzunca bir süre olduğu, ticaret ve sanayi işleri ile uğraşan kesimin, toplumun çok küçük bir kısmını oluşturduğu sebebiyle Cumhuriyete kadar başarılı bir şekilde devam etti.(Çiçek, Nisan 2014) . Osmanlı belediyeciliği genel anlamda bir yerel yönetim 1973 yerel seçimleri ile birlikte ilk kez İstanbul, Ankara ve İzmir gibi büyük dışında bir süreç olarak gözükmektedir. id: work_bq4wh2vkuza6jlxtghx5b45sry author: Alaattin KARACA title: The Second New and Painting date: 2010 words: 7881 sentences: 1503 pages: 32 flesch: 39 cache: ./cache/work_bq4wh2vkuza6jlxtghx5b45sry.pdf txt: ./txt/work_bq4wh2vkuza6jlxtghx5b45sry.txt summary: Berk, Ece Ayhan, Cemal Süreya, Edip Cansever, Paul İlhan Berk, Ece Ayhan, Cemal Süreya, edip Cansever, Şimdi İkinci Yeni''den; Ece Ayhan''dan bir şiir alalım: İkinci Yeni''nin oluşumunda önemli bir işleve sahip Pazar Postası, çünkü Paul Klee, İkinci Yeni''yi de etkilemiş bir sanatçı. 1950''li yıllarda şiir ve resmin ortak bir poetik alanda buluştuğunu Bu ince hastalık, Berk''te daha sonra da yıllarca sürüp gidecektir< Ancak bu bir yana, şairin resmin olanaklarını şiire Dolayısıyla resim, onun için şiir yazmada bir esin kaynağı Klee, Berk için önemli bir ressam. şey, ama Klee''nin böyle bir yönü var işte. Berk''i Klee''yle aynı düzlemde buluşturan bir başka yön; Kuşkusuz söz konusu yazılar da İlhan Berk''in resim ilgisinin bir başka kanıtı. Dolayısıyla bu örnek bize, bir resmin Berk''in şiirine nasıl Berk''in İvi Stangali''den söz ettiği bir başka şiir ‚İvi Bu örnekler Berk''in bir esin kaynağı olarak ya da yazacağı şiir üzerinde yoğunlaşmak için, resimden yararlandığını 1950''li yıllarda İkinci Yeni''nin şiir id: work_3p2ettibkvcq3mm5kvl25a6a34 author: Alex Forsythe title: What paint can tell us: A fractal analysis of neurological changes in seven artists date: 2017 words: 1167 sentences: 249 pages: flesch: 67 cache: ./cache/work_3p2ettibkvcq3mm5kvl25a6a34.pdf txt: ./txt/work_3p2ettibkvcq3mm5kvl25a6a34.txt summary: [PDF] What Paint Can Tell Us: A Fractal Analysis of Neurological Changes in Seven Artists | Semantic Scholar Corpus ID: 36622486What Paint Can Tell Us: A Fractal Analysis of Neurological Changes in Seven Artists title={What Paint Can Tell Us: A Fractal Analysis of Neurological Changes in Seven Artists}, Figures, Tables, and Topics from this paper Paintings Reveal Signs of Alzheimer''s and Parkinson''s In Famous Artists Paintings Reveal Signs of Alzheimer''s and Parkinson''s In Famous Artists Parkinson''s disease and changes in the appreciation of art: A comparison of aesthetic and formal evaluations of paintings between PD patients and healthy controls Why would Parkinson''s disease lead to sudden changes in creativity, motivation, or style with visual art?: A review of case evidence and new neurobiological, contextual, and genetic hypotheses Analysis on Artist Neuropsychology and Art Creation Changes in painting styles of two artists with Alzheimer''s disease. id: work_lbbspmqeqjapdcd6mzk76hgymm author: Allison Langley title: Scenes from the life of Picasso''s Still Life (1922): history, materials, and conservation date: 2020 words: 3607 sentences: 281 pages: 7 flesch: 64 cache: ./cache/work_lbbspmqeqjapdcd6mzk76hgymm.pdf txt: ./txt/work_lbbspmqeqjapdcd6mzk76hgymm.txt summary: Pablo Picasso manipulated his paints to achieve a range of visual effects in his painting Still Life (Art Institute of Chicago, The addition of excess medium and the superposition of multiple paint layers with different drying rates contributed to localized areas of wrinkling, tenting, and lifting paint. that Picasso had originally painted a neo-classical still life on the canvas. over the first composition before painting the linear abstract Still Life dated February 4, 1922. chromatography-mass spectrometry analysis of paint samples and restoration coatings from past treatments helped to Keywords Pablo Picasso · Painting technique · Conservation · Technical imaging · THM-Py-GCMS · Copal Fig. 2 Infrared image of the reverse of Picasso''s Still Life showing oil-based house paints such as Ripolin, which Picasso is red, green, and black paint indicated that Picasso did not glossy black paint sample (top) with mass spectra for trace pyrolysis markers, labeled C1 and C2, for copal resin. id: work_i6322ydparc2bn4u637yhun6qi author: Amir Muzur title: Bioethics of handedness: from evolution to resolution? date: 2009 words: 1869 sentences: 208 pages: 6 flesch: 65 cache: ./cache/work_i6322ydparc2bn4u637yhun6qi.pdf txt: ./txt/work_i6322ydparc2bn4u637yhun6qi.txt summary: Departing from historical facts and speculations on the evolution of human right-hand dominance (including theories on the development of right-handedness and cultural and linguistic Key words: left-right; handedness; bioethics; eugenics reveal a clear domination of right-handedness (Coren, 1992), we still have no (Hunt, Corballis, and Gray, 2001), but the hypertrophy in crabs or the dominant arm use in chimpanzees is randomly right or left (Napier, 1993). some other left-side brain structures, as well as of many functional asymmetries (Bryden, 1982; Corballis, 1983; Beaton, 1985; Kosslyn et al., 1999) do also have a left-hemisphere dominance for hand motor function, but there We also know that left-handedness is either genetic3 or pathological. The other cause of left-handedness seems to be a shift after pathological changes in the right hemisphere (Galaburda and Habib, 1989)4. Pathological left-handedness may be considered a marker of decreased York/London, USA/UK: Academic Press. New York, USA: Academic Press. id: work_q5i3igzm25hcbkfpunthck2xyy author: Ana María Leyra-Soriano title: Making images talk: Picasso''s Minotauromachy date: 2019 words: 6234 sentences: 330 pages: 12 flesch: 67 cache: ./cache/work_q5i3igzm25hcbkfpunthck2xyy.pdf txt: ./txt/work_q5i3igzm25hcbkfpunthck2xyy.txt summary: As though Picasso''s preoccupation at the time lay in the relationship between rationality and irrationality, instinct and sexuality, or the hybrid nature of the human being as beast and man at once. on the fact that the images Picasso devotes to the figure of the Minotaur, the way labyrinths in the images of Picasso? For Picasso, the Blind Minotaur series and the Minotauromachy itself also express a painful reality: they show the limitations of the human being as well as an impossible aspiration: to reach the light, despite blindness, and here the little girl carries MAKING IMAGES TALK: PICASSO''S MINOTAUROMACHY28 │ ANA MARíA LEYRA SORIANO MAKING IMAGES TALK: PICASSO''S MINOTAUROMACHY28 │ ANA MARíA LEYRA SORIANO MAKING IMAGES TALK: PICASSO''S MINOTAUROMACHY28 │ ANA MARíA LEYRA SORIANO MAKING IMAGES TALK: PICASSO''S MINOTAUROMACHY28 │ ANA MARíA LEYRA SORIANO MAKING IMAGES TALK: PICASSO''S MINOTAUROMACHY28 │ ANA MARíA LEYRA SORIANO id: work_psbukd5xjbbmhje4pnb3tbsbwi author: Andreia Guerra title: Teoria da relatividade restrita e geral no programa de mecânica do ensino médio: uma possível abordagem date: 2007 words: 5927 sentences: 937 pages: 9 flesch: 68 cache: ./cache/work_psbukd5xjbbmhje4pnb3tbsbwi.pdf txt: ./txt/work_psbukd5xjbbmhje4pnb3tbsbwi.txt summary: Esse artigo pretende contribuir para o debate em torno ao ensino de f́ısica, trazendo uma proposta curricular a ela inerente por parte desses exames reforça a resistência de muitos educadores em ampliar a abordagem da f́ısica para além do século XIX. relação ao ensino da f́ısica moderna, estudos foram realizados no intuito de criar bases para uma mudança curMotivados pela comemoração, muitos professores brasileiros realizaram atividades de divulgação em suas escolas da obra de Einstein, mas poucos inclúıram essa temática como parte do curŕıculo regular. trabalho pontual de alguns professores, a pequena mudança nos livros didáticos e a validade dos PCNs mostram que a introdução de temas de f́ısica moderna deve Mas em que a f́ısica moderna, e, mais particularmente, o estudo da relatividade restrita e da geral podem contribuir à reflexão dos limites e possibilidades Por isso propôs-se que cada grupo escolhesse uma forma diferente para expor seus resultados. id: work_4oo2jpu4dncpxn7wbspnukonge author: Andrej Vanko title: Preparation and Application of Mind Maps in Mathematics Teaching and Analysis of their Advantages in Relation to Classical Teaching Methods date: 2018 words: 3573 sentences: 421 pages: 13 flesch: 71 cache: ./cache/work_4oo2jpu4dncpxn7wbspnukonge.pdf txt: ./txt/work_4oo2jpu4dncpxn7wbspnukonge.txt summary: Keywords: mind maps, experiment, mathematics, application, pretest, post-test, comparing Picture 3: Selected sample of students in pre-test, experimental group, Task 3 Picture 3: Selected sample of students in pre-test, experimental group, Task 3 Picture 3: Selected sample of students in pre-test, experimental group, Task 3 Picture 6: Selected sample of students in pre-test, control group, Task 3 Picture 6: Selected sample of students in pre-test, control group, Task 3 Picture 6: Selected sample of students in pre-test, control group, Task 3 Table 1: Comparison of pre-test results in experimental and control groups (%) Picture 14: Selected sample of students in post-test, experimental group, Task 3 Picture 14: Selected sample of students in post-test, experimental group, Task 3 Picture 14: Selected sample of students in post-test, experimental group, Task 3 Picture 17: Selected sample of students in post-test, control group, Task 3 Picture 17: Selected sample of students in post-test, control group, Task 3 id: work_ofns3rivfjfi3d3drcmemqisga author: Andrew S. Chung title: The Rationale for Endoscopic Spinal Surgery date: 2020 words: 1761 sentences: 186 pages: 4 flesch: 48 cache: ./cache/work_ofns3rivfjfi3d3drcmemqisga.pdf txt: ./txt/work_ofns3rivfjfi3d3drcmemqisga.txt summary: technique and equipment combined with a steep learning curve hindered its initial popularity amongst surgeons.1-4 However, recent technological advancements have facilitated more Surgeon and patient demand for less invasive procedures have further driven a global surge in interest in spinal endoscopy. Similar to other minimally invasive spinal surgical (MISS) techniques, the main benefits Furthermore, outpatient spinal surgeries may be associated with superior short-term outcomes may indeed become the ideal outpatient spinal surgical technique.13,18-20 surgical evolution towards spinal endoscopy. Learning curve for percutaneous endoscopic lumbar discectomy depending on the surgeon''s training level of minimally invasive spine surgery. Learning curve of full-endoscopic lumbar discectomy. Learning curve for percutaneous endoscopThe Rationale for Endoscopic Spinal SurgeryChung AS and Wang JC Cost-effectiveness of microdiscectomy versus endoscopic discectomy for lumbar Bilateral spinal decompression of lumbar central stenosis with the full-endoscopic microendoscopic decompression surgery for lumbar spinal and bony spinal stenosis by a visualized endoscopic transforaminal technique under local anesthesia. id: work_zokasallzza2dogjika3fj4f3u author: Anna Zhukova title: Hedonic Pricing on the Fine Art Market date: 2020 words: 5122 sentences: 734 pages: 12 flesch: 73 cache: ./cache/work_zokasallzza2dogjika3fj4f3u.pdf txt: ./txt/work_zokasallzza2dogjika3fj4f3u.txt summary: Hedonic Pricing on the Fine Art Market Hedonic Pricing on the Fine Art Market capital, macroeconomic region, author ''s nationality, art sector and artist''s rating according to Artprice, Further we estimate the hedonic art price index taking into account the problem of self-selection via that median prices are more informative in the case of the fine art market: from time to time paintings by price records on the fine art market. As we have already mentioned, the art market is very heterogeneous at the price level as well as We estimate the Heckman model for each sector on the fine art market. The results for oil paintings hedonic art price index model, (1a). The results for oil paintings hedonic art price index Russian nationality of artists contributes to the higher sale price except for the Contemporary art. Sale rates and price movements in art auctions. Dynamics of the global fine art market prices. id: work_atq7e2le75evrg5gshtpk5k2ay author: Anna-Leena Toivanen title: Cartographies of Paris: Everyday mobilities in Michèle Rakotoson''s Elle, au printemps and Alain Mabanckou''s Tais-toi et meurs date: 2019 words: 11065 sentences: 679 pages: 39 flesch: 54 cache: ./cache/work_atq7e2le75evrg5gshtpk5k2ay.pdf txt: ./txt/work_atq7e2le75evrg5gshtpk5k2ay.txt summary: Cartographies of Paris: Everyday Mobilities in Michèle Rakotoson''s mobilities; Alain Mabanckou; Michèle Rakotoson; urban spaces Mabanckou''s Tais-toi et meurs (2012), use everyday urban mobilities in their protagonists'' use of mobility systems and the narratives'' production of urban Paris their city, and underlining its role in their newly established mobile subjectivities. In what follows, I analyze the novels'' ways of producing mobile cartographies of Paris By locating the protagonist on the mobile map of Paris, the narrative The ''urban uncanny'' in Rakotoson''s novel is related to the protagonist''s Sahondra''s becoming a modern, metropolitan postcolonial mobile subject is and the urban uncanny in Rakotoson''s text translate this mobility-related anxiety into protagonists'' attempts to ''manage'' Paris through everyday urban mobility gives The narrative not only conveys Sahondra''s frustration with urban mobile through a mobility-related urban uncanny which is generated through the protagonist''s protagonist''s urban (im)mobilities, generating a sense of suspense. id: work_kwrb6ccnd5b2blxdixh3w72ffq author: Artur Freitas title: A literalidade e os modos do moderno do início do século XX date: 2016 words: 7603 sentences: 1034 pages: 17 flesch: 68 cache: ./cache/work_kwrb6ccnd5b2blxdixh3w72ffq.pdf txt: ./txt/work_kwrb6ccnd5b2blxdixh3w72ffq.txt summary: ocaso de uma forma específica de modernidade artística, baseada justamente numa concepção de arte autônoma e por isso mesmo afastada das Seja como for, se levarmos em conta o testemunho dos próprios artistas, é inegável o impacto, ao mesmo tempo perverso e sedutor, que as padrão sobre o modernismo, ao menos em sua forma mais difundida, afirma que a arte moderna é um mergulho na liberdade de se ser exatamente De Cimabue a Kandinsky, a especificidade de uma obra de arte deriva da subjetividade do artista expressa por meio da elaboração física de a experiência da arte não é aqui uma forma de conciliação, mas de estranhamento, pois se encontra aberta à sondagem das associações inconscientes. não apenas como uma denúncia das qualidades imanentes dos objetos A literalidade como um dos modos de existência da arte moderna estético das artes – que não passa de outro nome para a arte moderna – é id: work_uq5nrtxyl5cp7a6waxicqn22tm author: Arturo Colorado Castellary title: Ojo móvil, dinamismo y montaje. El influjo cinematográfico en las primeras vanguardias artísticas date: 2016 words: 8645 sentences: 1224 pages: 25 flesch: 68 cache: ./cache/work_uq5nrtxyl5cp7a6waxicqn22tm.pdf txt: ./txt/work_uq5nrtxyl5cp7a6waxicqn22tm.txt summary: películas en la pintura de todos los tiempos (De Santi, 1987), como por grandes historiadores del arte, como Aby Warburg (Michaud, 1998), Erwin Panofsky, que Y constatamos que varios de los grandes del arte contemporáneo en la que el autor, tras analizar los influjos cinematográficos en algunas de las vanguardias Más recientemente, en 2010, Carlos Salas González ha defendido la tesis Del cine a las artes para las artes plásticas que suponía la nueva imagen en movimiento: 6 Se considera que el primer travelling panorámico de la historia del cine fue realizado por destaca, entre las motivaciones picassianas para la creación del Cubismo, que Lumière, del mismo modo que Picasso socavó las bases de una concepción La búsqueda del movimiento en las artes plásticas había sido una vieja durante las primeras décadas del siglo XX" y añade que "el cine tomó el que partiendo del Cubismo preconizaba una arte adaptado a la nueva id: work_c4m7dj54afentm3f2i2segh5ny author: Asier Marzo title: A Smart Phone Tool to Create Photo Collages date: 2012 words: 1835 sentences: 156 pages: 4 flesch: 62 cache: ./cache/work_c4m7dj54afentm3f2i2segh5ny.pdf txt: ./txt/work_c4m7dj54afentm3f2i2segh5ny.txt summary: This paper presents the application PhotoPieces, a software tool which allows people to create photo collages on the fly in a Users can also create their own templates on-thefly taking a photo and transforming it into a multi-region image template. Lately different photo collages creation tools have been implemented using We designed and developed a mobile application to create collages whereby a template segmented into templates at any time taking photos and applying to them image processing functions to create an image with students and art workshop participants, to determine the creativity support of the tool using the CSI survey [7]. Unlike other photo composition applications, PhotoPieces allows taking pictures and creating collages while This simple creative process is depicted in Fig 1.a The user can take photos in different locations and the Photo collages in Fig 2 left and center were taken by computer science participants and art workshop id: work_vel3hk57vbc5xcaw76v6vw6ty4 author: Atul Goel title: Basilar Invagination: Instability Is the Cause and Stabilization Is the Treatment date: 2020 words: 1260 sentences: 113 pages: 3 flesch: 40 cache: ./cache/work_vel3hk57vbc5xcaw76v6vw6ty4.pdf txt: ./txt/work_vel3hk57vbc5xcaw76v6vw6ty4.txt summary: dedicated to the subject in 1998, basilar invagination was associated with ''fixed'' or ''irreducible'' atlantoaxial joint and decompression was considered to be the treatment.1 Depending spinal instability and the atlantoaxial facetal listhesis that eventually results in basilar invagination mimics lumbosacral listhesis.3 It was observed that in the entity of ''fixed'' or ''irreducible'' atlantoaxial dislocation, atlantoaxial joint is actually not stable or fused but is an unstable spinal segment and the joint in such cases is not only mobile but is pathologically hypermobile and can be reduced by manual distraction of the facets. spacers to facilitate and sustain facetal distraction in cases with basilar invagination, rotatory dislocation, and irreducible and even reducible atlantoaxial dislocation.2,6-8 As the experience has increased, it is now realized that distraction of the facets of atlas and axis and packing of bone graft in the articular cavity can lay a ground for solid bone arthrodesis and the id: work_ro6wj5wx6rh2znf32yz74xyoqi author: Ayhan ÇETIN title: MODERNIST SÜREÇTE TUVAL RESMINE MALZEMEYLE MÜDAHALE date: 2017 words: 2327 sentences: 320 pages: 6 flesch: 66 cache: ./cache/work_ro6wj5wx6rh2znf32yz74xyoqi.pdf txt: ./txt/work_ro6wj5wx6rh2znf32yz74xyoqi.txt summary: Yüzyıl başında resim sanatının geleneksel yöntemleri terk ederek yeni bir yol haritası çizdiği görülür. Modern çağın yeni arayışları tuvali bir nesne olarak algılar ve tuvali malzeme ile birleştirir. Ardından üç boyutlu malzemenin tuvale olan müdahalesiyle resim taşıması sonucu, tuvalin başlıbaşına bir nesne olma durumu irdelenecek, ardından üç boyutlu nesnenin müdahalesiyle tuval resminin Nesnenin paröalanması sonucu doğanın taklidi olarak bilinen geleneksel resim yöntemleri de yavaş yavaş sonucu bu döneme kadar olan tuvalin iki boyutlu formunun karşısında durma fikri kırılmış, tuval nesnesine kübizm, tuval yüzeyine getirdiği yenilikçi ve öncü tavrıyla günümüz resim sanatının önünü açacak olan ilk Her şeyin bir sanat malzemesi olabileceği fikrini öne süren Schwitters, sanatın malzeme kullanımı ile Böylece gündelik hayatta kullanılan bir nesnenin tuval gibi bir resim yüzeyi yada boyutlu tuval olarak adlandırdığı resim ile yüksek rölyef arasında bir yerlerde duran bu eserlerinde daha Tuval resminin boyut ve mekan kaygıları taşıması sonucu, tuvalin bir nesne olarak galeri mekanına id: work_ex4ptkv24na4jcda55c37horue author: B F Scharschmidt title: Nurturing creativity: young Turks and young minds date: 1993 words: 3813 sentences: 310 pages: 5 flesch: 63 cache: ./cache/work_ex4ptkv24na4jcda55c37horue.pdf txt: ./txt/work_ex4ptkv24na4jcda55c37horue.txt summary: foster excellence and creativity in science in its early stages. a weekly literature review in which authors ofhighly cited publications (so-called Citation Classics) write essays on the human side of their research. individual effort and initiative, the industrial equivalent of investigator-initiated research, which we know as the ROI; and In 1991, the ASCI initiated a High School Science Teacher Summer Scholarship Program. In brief, high school science teachers, on a competitive the teacher''s high school and the institution of the ASCI sponsor. recipients of an ASCI High School Science Award are listed in ASCI for National Science Foundation support, which is ASCI Summer Scholarship Program during its first 3 years. The ASCI high school science program can, of course, High School Science Awards ASCI High School Science Teacher ASCI President when the high school science program was initiated in 1991. initiate the high school science education program, and it may id: work_ajo2gm5whvdxbjdsbxcq4nwhdy author: B. Belke title: When a Picasso is a "Picasso": The entry point in the identification of visual art date: 2010 words: 12325 sentences: 992 pages: 12 flesch: 59 cache: ./cache/work_ajo2gm5whvdxbjdsbxcq4nwhdy.pdf txt: ./txt/work_ajo2gm5whvdxbjdsbxcq4nwhdy.txt summary: which have proved sensitive to addressing the question of initial object recognition, suggest that identification of visual art is at the subordinate level of the producing artist. preferences and category membership verification times as indicating that people first identify objects at the basic level and then naming frequencies it was assumed that art-objects might be identified based on their corresponding artistic styles that are either at non-art-object) and level of categorization (i.e., superordinate, basic, or subordinate). In contrast, participants categorized art-objects more specifically with subordinate categories Participants were presented with a superordinate, basic, or subordinate level category term and were subsequently shown a picture, and were asked to indicate whether the of variance with object domain (portrait and car) and level of categorization (superordinate, basic, and subordinate) as within-participant factors. Verification times for artists'' names were even faster compared to verification times of categories at the subordinate level for non-art-objects. id: work_2rqzebt6erhspbnlqq2qb7g62e author: B. L. Hay title: Les Demoiselles d''Evanston: on the aesthetics of the Wigmore chart date: 2008 words: 6412 sentences: 628 pages: 30 flesch: 71 cache: ./cache/work_2rqzebt6erhspbnlqq2qb7g62e.pdf txt: ./txt/work_2rqzebt6erhspbnlqq2qb7g62e.txt summary: http://osc.hul.harvard.edu/dash/open-access-feedback?handle=&title=The%20Demoiselles%20d''Evanston:%20On%20the%20Aesthetics%20of%20the%20Wigmore%20Chart&community=1/7&collection=1/8&owningCollection1/8&harvardAuthors=139b8f66412e0c72ea96855d6fce27e2&department 5 The Wigmore quotations in this paragraph are from The Problem of Proof, supra note 1, pp. these works, like Wigmore''s method, is a self-conscious effort to develop a new language for its Charting New Territory in Judicial Proof: Beyond Wigmore. Analysis of Evidence: How to Do Things with Facts, Based on Wigmore''s Science of Proof. I would liken the Wigmore method to the aesthetic of Picasso''s Standing Female Nude, the Museum of Modern Art in New York.11 A charcoal drawing done in 1910, this work is Picasso I have reproduced the two complete charts Wigmore included in his Judicial Proof 14 In comparing the critics'' theories of cubism to the Wigmore''s rationale for the chart system, I confine myself to Again and again in Wigmore''s his voluminous work on evidence, women emerge as a Wigmore, Sample diagrams of evidence discrediting a witness. id: work_4xbni7w5cjdppgb4ahdjj25klm author: B. Sibbald title: CMAJ''s Salon: lateral thinking about health date: 2007 words: 721 sentences: 76 pages: 1 flesch: 76 cache: ./cache/work_4xbni7w5cjdppgb4ahdjj25klm.pdf txt: ./txt/work_4xbni7w5cjdppgb4ahdjj25klm.txt summary: SSaalloonn: a gathering of stimulating people under the roof of an inspiring hostess, partly to amuse one another and elcome to CMAJ Salon, an exchange of lateral thinking about health that aspires to feed the culture of curiosity stimulating lively intellectual conversation in 17th-century France. Now, CMAJ''s Salon introduces health as the overarching topic of CMAJ''s Salon will be an exploration other health-related experts will frequently grace these pages, but Salon will part of the world of health and medicine, ideas into health and medicine. and stimulate thought and discussion. Our hope is that the conversational narratives in CMAJ Salon will become fodder for engaging stories that one offers page, the heart of the salon experience — the interchange of ideas — will begin in earnest at cmaj.ca, where readers evening salons in Paris beginning in e-participants, CMAJ Salon is your Salon CMAJ''s Salon: lateral thinking about health id: work_fadihbuombhxtjvbld72dh6szm author: Baingio Pinna title: Perceptual Organization of Shape, Color, Shade, and Lighting in Visual and Pictorial Objects date: 2012 words: 11849 sentences: 705 pages: 25 flesch: 56 cache: ./cache/work_fadihbuombhxtjvbld72dh6szm.pdf txt: ./txt/work_fadihbuombhxtjvbld72dh6szm.txt summary: Keywords: Shape perception, color perception, perceptual organization, shading and lighting perception, watercolor illusion, vision and art. attributes, ie, shape, color, and depth (Rubin 1915, 1921), emerging when a figure-ground the boundary of an object, and because it tends to impart surface color/brightness attributes Examples of the primary role of the boundary contours in defining a visual object. Boundary, color, depth, and lighting attributes obtained with six adjacent contours (for 4.2 How are objects organized in shapes, shades, colors, and lighting during visual and roles of boundary and color contours are clearly visible by watching children drawing a figure. How are boundary, color, shade, and lighting attributes of the two conditions represented at creating a visual object: boundary contours, color, shading, and lighting. 3 Boundary, color, shading, and lighting contours 3 Boundary, color, shading, and lighting contours 4.2 How are objects organized in shapes, shades, colors, and lighting during visual and pictorial reproduction development? id: work_pstcw23cdjbcddzev4qk3x7jnu author: Banu Yucel title: REFLECTIONS OF WASTE MATERIALS IN CONTEMPORARY ART date: 2020 words: 2957 sentences: 454 pages: 10 flesch: 70 cache: ./cache/work_pstcw23cdjbcddzev4qk3x7jnu.pdf txt: ./txt/work_pstcw23cdjbcddzev4qk3x7jnu.txt summary: mekanının kamusal alana kaymasıyla beraber, sanatçı kendisini birebir doğanın içinde bularak, doğayı sanata yüzyıl sanatçısı, bir çevre sorununa dönüşen atık maddelerin tehlikelerine karşı hem farkındalık yaratmak hem de geri dönüşüm durumuna dikkat çekmek adına yapıtlarında atık malzemeleri kullanmaktan önce, Kübistler ilk atık malzemelerin sanat nesnesine dönüşmesine, otobüs biletleri, gazete parçaları ve muşamba bir parçası olduğunu hatırlayan insan, sanat yoluyla bunu yeniden gündeme getirmeye çalışm ıştır. Doğa ve insanın bir bütün olduğunu savunan akımlardan biri Arte Povera''dır. 1960''larda doğa ve yaşamın temellerini önemseyen bir grup İtalya''da ortaya çıktı (…) Celant, Arte Povera (Yoksul Sanat) adıyla Pistoletto''nun Paçavralar İçinde Venüs''ü, bir sanat yapıtının değersiz olanın içinde sergilenmesidir. Sanatın içine atık malzemeyi, sanat nesnesi olarak sunan Arte Povera üyeleri, 20. Sanatçı her türlü malzemeyi, özellikle atık malzemeyi sanat Bu yüzden, sanat, yaratmaya, kendisini malzemedeki (bitki, hayvan, mineral ve zihinsel) bir imkan olarak Arte Povera''nın önemli sanatçılarından olan Mario Merz''de atık Atık malzemeyle çalışan bir diğer çağdaş sanatçı olan Subodh id: work_jl3ufvuuwzacbac4s4k4slx7mi author: Barbara A. Tenenbaum title: At the Crossroads: Diego Rivera and His Patrons at MoMA, Rockefeller Center, and the Palace of Fine Arts. By Catha Paquette. Austin: University of Texas Press, 2017. 130 photos. Pp. 342. $95.00 cloth; $29.95 paper date: 2018 words: 1523 sentences: 91 pages: 3 flesch: 61 cache: ./cache/work_jl3ufvuuwzacbac4s4k4slx7mi.pdf txt: ./txt/work_jl3ufvuuwzacbac4s4k4slx7mi.txt summary: converging histories of Manuel Lozada''s life, peasant rebellion, political boundaries, And although Brittsan has mined archives in Guadalajara and Mexico City, along with a few other sources, to recreate the political culture of Lozada and his peasant At the Crossroads: Diego Rivera and His Patrons at MoMA, Rockefeller Center, and the yet another discussion of Diego Rivera and the mural proposed for Rockefeller Center. (MoMA) in New York City, largely a Rockefeller project. the conflictive situation in New York affected Rivera''s art and how it came to be that Street Democracy: Vendors, Violence, and Public Space in Late Twentieth-Century Mexico. García explores the historical experience of the street vendors as they resisted corrupt formed independent unions, like the Popular Union of Street Vendors (UPVA), they Mendiola García''s interviews with street vendors and student organizers offer rare groups, the politics of the union, repression by the government, the neoliberal turn of id: work_pgtewhhqxbdrfjm6zvibbvoy2e author: Barbara Kiser title: Life''s innovations, the enigma of gravity, and how to feed 8 billion: Books in brief date: 2019 words: 968 sentences: 66 pages: 1 flesch: 59 cache: ./cache/work_pgtewhhqxbdrfjm6zvibbvoy2e.pdf txt: ./txt/work_pgtewhhqxbdrfjm6zvibbvoy2e.txt summary: body''s metabolism to test the drugs'' safety the deep ocean, revealing connections around Marra also reveals, in vivid detail, the difficulties faced by early researchers in acquiring up a new perspective on ocean productivity researchers'' pioneering spirit in the face of work would help them to understand the Mysteries remain in the Earth sciences, such as the effectiveness of the carbon cycle planet''s ocean circulation, and how abrupt Hot Carbon offers a timely perspective and Earth science, and director of the Chronos 14Carbon-Cycle Facility, at the the beast''s proboscis to the species'' wartime work, Shell also charts As Earth''s human population tips towards 8 billion, is our food In this tour of the brave new world of adaptive Science writer Richard Panek follows the evolution of gravitational eloquent study finds the "augmented" view of Darwinian evolution Wagner meshes research into areas such as genetic drift with theories on aspects of the creative process id: work_e6bg65k22zgo5apvhvssjow42a author: Barrie Damarell title: ''Skin'' and Pigment: a glance back at the nature and use of the oil pastel date: 2020 words: 879 sentences: 62 pages: 4 flesch: 66 cache: ./cache/work_e6bg65k22zgo5apvhvssjow42a.pdf txt: ./txt/work_e6bg65k22zgo5apvhvssjow42a.txt summary: ''Skin'' and Pigment: a glance back at the nature and use of the oil pastel ''Skin'' and Pigment: a glance back at the nature and use of piece I had written for an exhibition on art therapy curated by Dave Edwards and held in It describes my recollections of people''s use of the oil pastel in a Keywords: Learning disability, Loss, Damage, Creative Process In one form or other, the pastel has been in human use for at least 10,000 years and The oil pastel, often in a cardboard box containing others just like it in various hues and the behaviour of the oil pastel under creative use. These observations are drawn from my work with people with learning disabilities and I The ''old box'' with its broken fragments of once whole oil pastels was often rejected (not ATOL: Art Therapy OnLine, 11 (1) ATOL: Art Therapy OnLine, 11 (1) id: work_2ombz7n2c5d4dffqvm3w57opwy author: Başak BOĞDAY SAYĞILI title: MODADA KÜBİZM ETKİLERİ date: 2018 words: 2319 sentences: 443 pages: 10 flesch: 37 cache: ./cache/work_2ombz7n2c5d4dffqvm3w57opwy.pdf txt: ./txt/work_2ombz7n2c5d4dffqvm3w57opwy.txt summary: Sanat, Kübizm, Moda Tarih Bu akımlardan biri olan "Kübizm" akımını, modern sanatın sanatın başlangıcını işaret eden Kübizm, iki boyutlu resim yüzeyi üzerinde, birden çok bakış Kübizm, moda için yaratıcı bir araştırma alanı olmasının yanı Moda tasarımcılarının kübizm sanat akımından etkilenerek tasarlamış oldukları 1907''de ilk kübizm resimleri ortaya çıkmaya başladığından günümüze pek çok moda malzemeyi üç boyutlu göstermeyi hedefleyen kübizm sanat akımı, moda tasarımcıları için çok https://books.google.com.tr/books?id=Fq3RbM4d4CkC&pg=PA35&lpg=PA35&dq=Leneif+fashion&source=bl&ots=LePCGDwT00&sig=Bw4xrhACmcgADsUFv6DrHMTlHmg&hl=tr&sa=X&ved=2ahUKEwjkjIvB_9_cAhVFJ5oKHXd6BbkQ6AEwCXoECAkQAQ#v=onepage&q=Leneif%20fashion&f=false https://books.google.com.tr/books?id=Fq3RbM4d4CkC&pg=PA35&lpg=PA35&dq=Leneif+fashion&source=bl&ots=LePCGDwT00&sig=Bw4xrhACmcgADsUFv6DrHMTlHmg&hl=tr&sa=X&ved=2ahUKEwjkjIvB_9_cAhVFJ5oKHXd6BbkQ6AEwCXoECAkQAQ#v=onepage&q=Leneif%20fashion&f=false https://books.google.com.tr/books?id=Fq3RbM4d4CkC&pg=PA35&lpg=PA35&dq=Leneif+fashion&source=bl&ots=LePCGDwT00&sig=Bw4xrhACmcgADsUFv6DrHMTlHmg&hl=tr&sa=X&ved=2ahUKEwjkjIvB_9_cAhVFJ5oKHXd6BbkQ6AEwCXoECAkQAQ#v=onepage&q=Leneif%20fashion&f=false https://books.google.com.tr/books?id=Fq3RbM4d4CkC&pg=PA35&lpg=PA35&dq=Leneif+fashion&source=bl&ots=LePCGDwT00&sig=Bw4xrhACmcgADsUFv6DrHMTlHmg&hl=tr&sa=X&ved=2ahUKEwjkjIvB_9_cAhVFJ5oKHXd6BbkQ6AEwCXoECAkQAQ#v=onepage&q=Leneif%20fashion&f=false 1920''lerde Pariste önemli bir moda evi olan Leneif''te kübizmden etkilenenlerdendi. Kaynak.https://meganinsaintemaxime.com/2015/03/19/new-fashion-exhibition-jeanne-lanvin-in-paris/ olduğu özellikle eteklerde kübizmin etkileri belirgin bir şekilde görülmektedir (Resim 8). Bu dönemde kalıpsal olarak daha keskin hatlı giysiler kullanılmıştır (Resim 10). http://uk.fashionnetwork.com/news/Paco-Rabanne-styles-sexy-aliens-for-spring,514306.html#.W21K_tIzYdU http://uk.fashionnetwork.com/news/Paco-Rabanne-styles-sexy-aliens-for-spring,514306.html#.W21K_tIzYdU kullanılarak yeni bir sanat akımı oluşturulmuştur (Resim 16). 1960''lardan sonra kübizmin etkileri daha çok Op-art sanatı ile görülse de 2000''lere modada yeniden doğan kübizm, daha sonra Op-Art sanatı olarak modada devam etmiştir. Resim1.2.3.https://books.google.com.tr/books?id=Fq3RbM4d4CkC&pg=PA35&lpg=PA35& https://meganinsaintemaxime.com/2015/03/19/new-fashion-exhibition-jeannelanvin-in-paris/ https://meganinsaintemaxime.com/2015/03/19/new-fashion-exhibition-jeanne-lanvin-in-paris/ https://meganinsaintemaxime.com/2015/03/19/new-fashion-exhibition-jeanne-lanvin-in-paris/ https://meganinsaintemaxime.com/2015/03/19/new-fashion-exhibition-jeanne-lanvin-in-paris/ Resim15.http://uk.fashionnetwork.com/news/Paco-Rabanne-styles-sexy-aliens-forspring,514306.html#.W21K_tIzYdU https://theredlist.com/wiki-2-23-1249-1258-view-1970s-profile-paco-rabanne-3.html https://theredlist.com/wiki-2-23-1249-1258-view-1970s-profile-paco-rabanne-3.html https://theredlist.com/wiki-2-23-1249-1258-view-1970s-profile-paco-rabanne-3.html https://theredlist.com/wiki-2-23-1249-1258-view-1970s-profile-paco-rabanne-3.html https://www.arthipo.com/artblog/sanat-tarihi/op-art-sanat-akimi.html https://www.arthipo.com/artblog/sanat-tarihi/op-art-sanat-akimi.html https://www.arthipo.com/artblog/sanat-tarihi/op-art-sanat-akimi.html https://www.arthipo.com/artblog/sanat-tarihi/op-art-sanat-akimi.html id: work_xjfmzh5jnreatf5x53lnzl6s2m author: Beregovska Kh. title: ICONOGRAPHY AND STYLISTICS IN THE SERIES OF ARTWORKS OF "PASSIONS OF THE CHRIST" BY VASYL KURELEK date: 2018 words: 4577 sentences: 388 pages: 5 flesch: 72 cache: ./cache/work_xjfmzh5jnreatf5x53lnzl6s2m.pdf txt: ./txt/work_xjfmzh5jnreatf5x53lnzl6s2m.txt summary: "PASSIONS OF THE CHRIST" BY VASYL KURELEK artworks of "Passions of the Christ" by Vasyl Kurelek. of the famous Ukrainian Canadian artist William Kurelek – "The William Kurelek fi rst had the idea of creating a series of paintings Kurelek created 160 paintings, illustrating verse for verse, of the fi nal three days of Christ, Kurelek travelled to the Holy Land Kurelek believed that he was given his artistic ability in order to illustrated "The Passion of Christ" from the Gospel according of Christ, Canadian, William Kurelek. Christ" has often been depicted by artists throughout a series of paintings about "The Passion of Christ" Kurelek created 160 paintings, to illustrate the entire Gospel according to St. Matthew – a series of 800 paintings. Kurelek was interested in the use of light, colour, and techniques of depiction of the static form, id: work_52eulyy5wnburp7hgvaibu5sfy author: Björn Sundmark title: Editorial date: 2018 words: 909 sentences: 69 pages: 3 flesch: 64 cache: ./cache/work_52eulyy5wnburp7hgvaibu5sfy.pdf txt: ./txt/work_52eulyy5wnburp7hgvaibu5sfy.txt summary: Bookbird: A Journal of International Children''s Literature, Volume 56, Number Hazard that children''s literature can portray both what makes every culture unique and what is universal: our "humanity." In consequence, by reading books in other languages and from culture rather mission "to promote international understanding through children''s books" (mission statement, IBBY children''s literature. understanding of and through children''s literature. sometimes a topic or theme comes up that particularly well "promotes international understanding through children''s books." The special feature of this issue, "translation and transmedia," is ideal for Without books in translation, we are locked of translated books is often very low. is from Svjetlan Junakovic''s Great Book of Animal anthropomorphism is heavily featured in children''s portraits) thus invites a children''s literature reading. repackaging serious art as children''s literature. numerous articles on children''s International Children''s Literature. the study of translation and transmedia. IBBY that an award for the translation of children''s children''s books. id: work_rqcn5dxc4jdmbj2wgqc7hrc2t4 author: Buenaventura DELGADO title: Los libros de texto como fuente para la Historia de la Educación date: 2010 words: 2791 sentences: 337 pages: 6 flesch: 68 cache: ./cache/work_rqcn5dxc4jdmbj2wgqc7hrc2t4.pdf txt: ./txt/work_rqcn5dxc4jdmbj2wgqc7hrc2t4.txt summary: libro escolar p u e d e ser localizado con relativa facilidad, gracias a las numerosas tiradas que sucesivamente han ido haciéndose del mismo. Los libros de texto indican también la cantidad de ciencia que fue capaz de envasar su autor para el consumo escolar, el nivel de los conocimientos científicos del propio profesor y la cantidad de pedagogía y habilidad didáctica que su autor es capaz de poner en juego para uso de Al margen del valor pedagógico del libro de texto, existen otros factores nada desdeñables para la Historia de la Educación, como son los elegir el libro de texto por el que seguir sus enseñanzas, se ha visto obligado a elegir entre los oficialmente aprobados por la Iglesia, por el Estado o por sus representantes (obispo, cura-ecónomo, municipio, Junta Local de Instrucción Pública, asociación de padres, dirección del centro, listas de los libros de texto autorizados para las escuelas. id: work_ticexmmmjfff5pxtsxdgogthsi author: C.B Viner title: The Formal Deviant: The Innovative Features of E. E. Cummings''s ''next to of course god america i'' date: 2019 words: 2734 sentences: 278 pages: 5 flesch: 61 cache: ./cache/work_ticexmmmjfff5pxtsxdgogthsi.pdf txt: ./txt/work_ticexmmmjfff5pxtsxdgogthsi.txt summary: experimentations with the traditional sonnet form in poetry. an influenced by cubism and used the principles of this form to stylize his poetry. He changed the nature of the sonnet form, as seen in his political poem and satire, Cummings''s poems is a result of his ingenious or ''self'', were principles Cummings opposed. Cummings''s disturbance of syntax comprises a Cummings''s fusion of individualism, Friedman (1972) states that Cummings to Cummings''s principles of ''feeling first'' and example, not articulated aloud, means Cummings Cummings''s satirical target, not the speaker, but Cummings with, in his words, "[the rudiments] of favourite form (Cummings, 2015, p. Cummings''s sonnet is also into traditional (sonnet) structure, Cummings''s comprise Cummings''s "literary cubism" (Kennedy, Cummings: Modernist painter and poet. (Re)valuing Cummings: Further essays on the poet, 1962 – 1993. Cummings: The art of his poetry. Cummings: An introduction to the poetry. New York: Columbia University Press. id: work_6xj45dxwavcbjj3xxyyi2vkmny author: Camila Loureiro title: Extensão rural e desenvolvimento com sustentabilidade cultural: o Ponto de Cultura no Sertão Pernambucano (Brasil) date: 2007 words: 5986 sentences: 764 pages: 9 flesch: 57 cache: ./cache/work_6xj45dxwavcbjj3xxyyi2vkmny.pdf txt: ./txt/work_6xj45dxwavcbjj3xxyyi2vkmny.txt summary: Pernambucano, selecionado pelo Programa Cultura Viva, do Governo Federal para o desenvolvimento local de Arcoverde, sustentabilidade cultural como premissa para o desenvolvimento local, vislumbrando nas pessoas dessas comunidades também para revelar e reconhecer as apropriações e ressignificações que as culturas populares, na sua singularidade e criatividade, fazem das propostas de desenvolvimento de organizações governamentais e nãogovernamentais (TAUK SANTOS, 2000). projeto da Estação da Cultura, vislumbrando nesses agentes culturais como propulsores/extensionistas do desenvolvimento local com a cultura local (os valores, os conhecimentos, os saberes), e ressaltam que esta dimensão deve ser analisada como ponto de 2 O Ponto de Cultura no Sertão Pernambucano: desenvolvimento com sustentabilidade cultural 221Extensão rural e desenvolvimento com sustentabilidade cultural: o Ponto de Cultura 221Extensão rural e desenvolvimento com sustentabilidade cultural: o Ponto de Cultura 221Extensão rural e desenvolvimento com sustentabilidade cultural: o Ponto de Cultura 221Extensão rural e desenvolvimento com sustentabilidade cultural: o Ponto de Cultura id: work_dpukmp5hp5fgzcjtodasq7fjxm author: Camilla Smith title: Was Nicht im "Baedeker" Steht date: 2018 words: 13420 sentences: 1086 pages: 36 flesch: 64 cache: ./cache/work_dpukmp5hp5fgzcjtodasq7fjxm.pdf txt: ./txt/work_dpukmp5hp5fgzcjtodasq7fjxm.txt summary: Smith, C 2018, ''Was nicht im "Baedeker" steht: exploring art, mass culture and anti-tourism in Weimar Was nicht im "Baedeker" steht: Exploring Art, Mass Culture and Anti-tourism in Eugen Szatmari''s guidebook to Berlin in detail, this article proposes that the Nicht cultural journals, this article places Der Querschnitt in a new frame of reference and Baedeker, the Piper series was likely to have attracted Der Querschnitt readers. Nicht "Baedeker": Berlin was published, Eugen Szatmari''s head appears alongside 47 See, "Wenn der Vorhang sich hebt", in Szatmari, Nicht "Baedeker": Berlin, 84-95. 58 Szatmari on Heller and on authenticity, Nicht "Baedeker": Berlin, 135 and 152 respectively. Berlin functioned as an anti-tourist guidebook, Szatmari''s lengthy description of these 70 Szatmari, Nicht "Baedeker": Berlin, 74 and 190 respectively. Nonetheless, with its guidebook to Berlin, the Nicht "Baedeker" series "The ''cultured city'': the art press in Berlin and Paris in the early id: work_v5ohivjvkrfnzhbocbkpbb7ixy author: Camille Paglia title: The North American Intellectual Tradition date: 2002 words: 5399 sentences: 352 pages: 14 flesch: 60 cache: ./cache/work_v5ohivjvkrfnzhbocbkpbb7ixy.pdf txt: ./txt/work_v5ohivjvkrfnzhbocbkpbb7ixy.txt summary: artigo propõe a existência de uma tradição intelectual norte-americana específica, focandose em três autores-chave para os estudos culturais: Marshall McLuhan, Norman Brown e Palavras-chave: Marshall McLuhan; Norman Brown; Leslie Fiedler three important authors from cultural studies: Marshall McLuhan, Leslie Fiedler and Norman Brown. Keywords: Marshall McLuhan; Leslie Fiedler; Norman Brown nord-américaine spécifique et privilégie trois auteurs représentatifs des études culturelles: Marshall McLuhan, Norman Brown et Leslie Fiedler. Mots-clés: Marshall McLuhan; Leslie Fiedler; Norman Brown my view is specific to postwar European culture and whose ideas do not, I maintain, transfer successfully into the Anglo-American tradition. McLuhan, Fiedler, and Brown were steeped in literature, classical to modern. This was a time when "theory" meant Anatomy of Criticism, the magisterial work published in 1957 by McLuhan''s rival at the University of Toronto, Americans who had absorbed McLuhan, Fiedler, and Brown had no need of poststructuralism, which is monotonously based on Saussurean linguistics, with its Marshall McLuhan, Leslie Fiedler, and Norman O. id: work_uz6luitbwjg53hwcmp537lv4cy author: Carl Snyderman title: North American Skull Base Society 26th Annual Meeting: Innovation and Creativity in Skull Base Surgery date: 2016 words: 144 sentences: 25 pages: flesch: 71 cache: ./cache/work_uz6luitbwjg53hwcmp537lv4cy.pdf txt: ./txt/work_uz6luitbwjg53hwcmp537lv4cy.txt summary: sys_1000 wp-p1m-38.ebi.ac.uk wp-p1m-38.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write(''[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]''.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 219772668 (wp-p1m-38.ebi.ac.uk) Time: 2021/04/06 02:41:04 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ id: work_w7hcambwjrhhfoj7rphjtajpu4 author: Carlo Lisotto title: O002. Did Picasso and De Chirico really suffer from migraine auras? date: 2015 words: 666 sentences: 62 pages: 1 flesch: 48 cache: ./cache/work_w7hcambwjrhhfoj7rphjtajpu4.pdf txt: ./txt/work_w7hcambwjrhhfoj7rphjtajpu4.txt summary: Some authors have suggested that migraine aura may have represented an inspiration for unusual and recurrent features of paintings by Pablo Picasso and Giorgio De Chirico. A migraine hypothesis was formulated for Picasso''s art, based on aura-like patterns, such as illusory vertical splitting and shifts of the eyes, even if the authors explicitly stated that they did not find any supportive information in We read Picasso''s biographies and De Chirico''s autobiography, evaluating their extremely numerous pictorial migraine, if such diagnosis is not supported by additional artist''s autobiography suggests a diagnosis of epilepsy. Chirico did not describe typical migraine headaches and migraine aura as artistic inspiration. 1. Ferrari MD, Haan J: Migraine aura, illusory vertical splitting, and Picasso. 2. Fuller GN, Gale MV: Migraine aura as artistic inspiration. Did Picasso and De Chirico really suffer from migraine auras? This is an Open Access article distributed under the terms of the Creative Commons Attribution License (http:// id: work_vmwzwwe3pnhetddg7hlp7325ra author: Carlos M González Fischer title: Regional and local determinants of rodent assemblages in agroecosystems of the Argentine Pampas date: 2017 words: 6666 sentences: 607 pages: 8 flesch: 63 cache: ./cache/work_vmwzwwe3pnhetddg7hlp7325ra.pdf txt: ./txt/work_vmwzwwe3pnhetddg7hlp7325ra.txt summary: Here, we characterize and compare rodent assemblages from crop fields and rangelands of the 4 Pampa districts included in Buenos Aires province, Argentina, to analyze the role of regional context, land use, and vegetation (Calomys laucha and Mus musculus) tended to be more abundant in crop fields, whereas habitat specialists Key words: Argentina, farmland biodiversity, land use, Pampas, seasonality, small mammals In this paper, we characterize and compare rodent assemblages from crop fields and rangelands in the 4 Pampa districts analyze the effects of district, land use, and vegetation structure on the structure of rodent assemblages at the plot level. grassland cover, and that specialist species will be more abundant in rangelands, where habitat structure is more similar to both axes) and explained 38.5% of the variation in rodent composition according to land use, Pampa district, and season. use, Pampa district, season, and vegetation height on abundance of A. id: work_le2gtb6gwffelgdy4qgdcik3em author: Carlos Salas González title: Sombras amenazantes y personajes-sombra. Del cine a la pintura date: 2010 words: 4344 sentences: 505 pages: 9 flesch: 73 cache: ./cache/work_le2gtb6gwffelgdy4qgdcik3em.pdf txt: ./txt/work_le2gtb6gwffelgdy4qgdcik3em.txt summary: Sin embargo, el camino de investigación inverso, aquél que estudiaría las posibles infuencias del cine en la pintura del siglo XX, ha sido emprendido por muy pocos estudiosos 4 Mi tesis doctoral, en la que actualmente trabajo, versa, precisamente, sobre la infuencia del cine en las artes plásticas durante efecto, dicha sombra aparece ante nuestros ojos como una seria amenaza que acecha al despreocupado doctor. interior, lo cual encaja a la perfección con la realidad de ambos personajes, pues, según palabras de Sergiusz Michalski, "su relación era tempestuosa, y se cree que ella ejercía una infuencia maligna sobre este hombre urbano, una obra cinematográfca, Victor Stoichita: "La sombra, imagen exterior, trasluce lo que ocurre en el personaje. En La sombra, Picasso presenta ya a los dos personajes que también protagonizarán su segunda pintura: la mujer desnuda y la sombra de un hombre. id: work_iwopkjv2ubgnrlu3l3ndreqefm author: Channing J Paller title: Youth has no age: cancer treatment for older Americans date: 2010 words: 144 sentences: 25 pages: flesch: 71 cache: ./cache/work_iwopkjv2ubgnrlu3l3ndreqefm.pdf txt: ./txt/work_iwopkjv2ubgnrlu3l3ndreqefm.txt summary: sys_1000 wp-p1m-38.ebi.ac.uk wp-p1m-38.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write(''[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]''.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 219771010 (wp-p1m-38.ebi.ac.uk) Time: 2021/04/06 02:41:02 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ id: work_2f3mobevijdorp5vk6lreipuie author: Charlotte Heath-Kelly title: Picasso at the Bombsite: Whither Resilient Place? date: 2015 words: 2553 sentences: 171 pages: 7 flesch: 46 cache: ./cache/work_2f3mobevijdorp5vk6lreipuie.pdf txt: ./txt/work_2f3mobevijdorp5vk6lreipuie.txt summary: Picasso at the Bombsite: Whither Resilient Place? Picasso at the Bombsite: Whither Resilient Place? decision (now revoked) to tear down the Høyblokka building in the Oslo Government government quarter to expose the ambiguity and temporality of resilience discourse which reference to Jon Coaffee''s discussion of ''place-making'' in anticipatory UK resilience policy signifier to bombsite recovery practices, the ambiguity of ''resilient places'' becomes surrounding the architectural and cultural worth of the government quarter have provoked report on reconstructing the Government Quarter was published, Oslo museum directors Caption below: Figure 2: Picasso mural at the Oslo Government Quarter (Author''s radically incorporated the Government Quarter buildings into public discussion of The Government Quarter buildings, while once denigrated of the damaged Government Quarter has been made representative of Norwegian identity, Bulley, Dan (2013) ''Producing and Governing Community (through) Resilience'', Politics 33 Heath-Kelly, Charlotte (forthcoming 2015) ''Building a New Utøya; Re-placing the Oslo id: work_wzdtbyuk75cnvaacbixfx5tb2y author: Chiara Ambrosio title: Cubism and the Fourth Dimension date: 2016 words: 10409 sentences: 610 pages: 19 flesch: 54 cache: ./cache/work_wzdtbyuk75cnvaacbixfx5tb2y.pdf txt: ./txt/work_wzdtbyuk75cnvaacbixfx5tb2y.txt summary: Keywords: Cubism, Fourth Dimension, Art and Science, Interdisciplinarity This line of inquiry was first explored by the art historian Linda Dalrymple Henderson, whose work I discuss Henderson, "A New Facet of Cubism: ''The Fourth Dimension'' and ''Non Euclidean Geometry'' concept of the fourth dimension in painting features in central reference texts in art history, such as What Henderson crucially points out is that the fourth dimension invoked by Cubist artists at fourth dimension artists adopted in the early twentieth century is a move of historiographical In her account of the role of the fourth dimension in twentieth-century painting, Henderson Henderson''s aim is to redirect the historiography of art and science in the twentieth century from a "Picasso, Photography and Cubism", Art Bulletin, vol. Henderson, Linda D., 2013 Non-Euclidean Geometry and the Fourth Dimension in Modern Art. "Cubism and Science", in The Journal of Aesthetics and Art Criticism, vol. id: work_idzolz5mkneuzdpmtw2ebkqdcm author: Chih-Chang Chang title: The Nuances of Occipitocervical Instability and Stenosis in Patients With Basilar Invagination and Atlantoaxial Dislocation date: 2019 words: 908 sentences: 91 pages: 2 flesch: 49 cache: ./cache/work_idzolz5mkneuzdpmtw2ebkqdcm.pdf txt: ./txt/work_idzolz5mkneuzdpmtw2ebkqdcm.txt summary: AAD is transoral odontoidectomy plus posterior occipital-cervical fusion.2-4 Although the fixation done in a single stage prone position while avoiding the complications from odontoidectomy.5 Chandra et al.6 demonstrate a single stage posterior surgery for reduction and re-alignment using the DCER (distraction, compression, extension, and reduction) technique which combines usage of C1–2 spacers and occipitocervical fusion with custom instrumentation. a reported higher incidence of vertebral artery (VA) anomalies than the normal population.7 Preoperative CT-angiogram is helpful to identify the course and dominant side of the In patients who have significant untreated osteoporosis, odontoidectomy plus in situ occipital-cervical fusion with multiple anchor points The key points of doing a successful single stage posterior reduction and fixation include appropriate patient selection, identification of osseous and vascular anomalies, and use of gentle 1. Wu JC, Mummaneni PV, El-Sayed IH. J Craniovertebr Junction Spine 2010;1:44-8. 4. Mummaneni PV, Haid RW. id: work_mfod347e5bbr5kx5qvnxg6j47i author: Chris Turney title: Radiocarbon revolution: the story of an isotope date: 2019 words: 1654 sentences: 130 pages: 2 flesch: 65 cache: ./cache/work_mfod347e5bbr5kx5qvnxg6j47i.pdf txt: ./txt/work_mfod347e5bbr5kx5qvnxg6j47i.txt summary: It is nearly 80 years since the discovery of carbon-14, a radioactive isotope of the sixth element. In the wonderfully engaging Hot Carbon, oceanographer John Marra takes this story much further, Radiocarbon is scarce in nature, formed in left in a carbon-based sample, it is possible to calculate its age. facts, Marra offers compelling stories about Hot Carbon starts new isotope of carbon just minutes or hours, this heavy form of carbon was considered a low research priority. Chris Turney applauds a book on carbon-14 and its key applications. A human femur, thought to be from medieval times, being sampled for carbon dating. Hot Carbon: Carbon-14 and the deep ocean, revealing connections around Marra also reveals, in vivid detail, the difficulties faced by early researchers in acquiring up a new perspective on ocean productivity carbon into organic compounds — still the Hot Carbon offers a timely perspective id: work_ft5wuzvif5brrpx6vltficy2qm author: Christiane Hellmanzik title: Location matters: Estimating cluster premiums for prominent modern artists date: 2010 words: 1030 sentences: 224 pages: flesch: 69 cache: ./cache/work_ft5wuzvif5brrpx6vltficy2qm.pdf txt: ./txt/work_ft5wuzvif5brrpx6vltficy2qm.txt summary: WebMD Better information. Better health. Coronavirus (COVID-19) COVID-19: Check Your Symptoms Now Get Help for Migraine Relief Drug Comparison Tool Diet, Food & Fitness Children''s Health Health News WebMD News Get the Latest COVID-19 News Here Health News and Information, Delivered to Your Inbox COVID-19: 60 Seconds That Could Save Your Life Life After Your COVID Vaccination: What to Do COVID-19 Vaccines: Get the Latest Updates Here COVID-19 Vaccines: Get the Latest Updates Here WebMD 2021 Health Heroes: Pandemic Responders Find a reputable provider in your area with WebMD Care. COVID-19 Symptoms COVID-19 Symptoms COVID-19 Vaccines WebMD Blogs | Expert Perspectives, Personal Stories Featured Health Topics Foods That Help You Focus Living Healthy Living Healthy Living Healthy DIGESTIVE HEALTH Facts to Help You Get Pregnant See All Health Conditions Live Better With Psoriatic Disease Living Better With T2 Diabetes WebMD Health Services WebMD Health Record WebMD App id: work_mthflpex4rfyzbeheb45z6pl3m author: Christopher E. Arcadia title: Multicomponent molecular memory date: 2020 words: 7558 sentences: 1002 pages: 8 flesch: 64 cache: ./cache/work_mthflpex4rfyzbeheb45z6pl3m.pdf txt: ./txt/work_mthflpex4rfyzbeheb45z6pl3m.txt summary: multicomponent reactions can provide a basis for large-scale molecular data storage. libraries of Ugi products, and the files are read back using mass spectrometry. sparse mixture mapping with supervised learning to achieve bit error rates as low as 0.11% represent the largest amount of digital data stored in a nonpolymeric molecular form (Supplementary Fig. 9). Here, however, our goal is to encode millions of bits of information in mixtures of small molecules, requiring that we find can be stored by mapping its digital information onto a set of vectors which determine the presence ("1") or absence ("0") of multiple Ugi products at each Fig. 4 Encoding data into small-molecule mixtures. d The mass spectrum of a data mixture containing six molecules from the 32-compound subset of the Ugi library. Fig. 5 Using sparse mixture mapping and multi-peak readout to improve data recovery. Improving accuracy with sparse data-mixture maps id: work_6deeimjrfve7bpjcc77u45bode author: Chua Yan Piaw title: Establishing a Brain Styles Test: The YBRAINS Test date: 2011 words: 5791 sentences: 513 pages: 9 flesch: 65 cache: ./cache/work_6deeimjrfve7bpjcc77u45bode.pdf txt: ./txt/work_6deeimjrfve7bpjcc77u45bode.txt summary: Keywords: Brain style, thinking and learning, YBRAINS, validity and reliability has been initiated, and teaching and learning strategies that focus on enhancing the "human mind", emphasis on allround skills in enhancing critical thinking left brain the and creative thinking right brain across school subjects have human brain, i.e. the left and the right brain think and learn, or process information differently. Style of Learning and Thinking Test) listed the functions of the left and right brain. The indicators of right brain thinking and learning style include: Creative, imaginative in thinking, like to respondent responds to the test items, his learning and thinking styles (left, right or whole brain style, and open, TORRANCE TEST OF CREATIVE THINKING (TTCT) Right Brain Style WGCTA and the left brain style score of the YBRAINS (r= .27, p> .05) suggests that the two tests measuring and music major subjects will score higher on the right brain style of the YBRAINS test. id: work_4r4bfhb4dngefilqgf2rxvbkym author: Chua Yan Piaw title: Hindrances to Internal Creative Thinking and Thinking Styles of Malaysian Teacher Trainees in the Specialist Teachers'' Training Institute date: 2011 words: 3721 sentences: 299 pages: 6 flesch: 66 cache: ./cache/work_4r4bfhb4dngefilqgf2rxvbkym.pdf txt: ./txt/work_4r4bfhb4dngefilqgf2rxvbkym.txt summary: Hindrances to Internal Creative Thinking and Thinking Styles of Malaysian Teacher Trainees in the Specialist Teachers'' Training Institute The aim of this study is to identify hindrances to internal creative thinking and thinking styles of a group of Malaysian teacher of the hindrances to internal creative thinking, that is, stimulus fixity. Keywords: Internal creative thinking, thinking style, teacher trainees, stimulus fixity, functional fixity his research subjects (secondary school students) are less creative because of functional fixity. The objectives of this study are to identify: 1) hindrances to internal creative thinking in teacher trainees from the functional fixity, another hindrance to internal creative thinking. Since this is a descriptive research, data for hindrances to internal creative thinking (stimulus fixity and The frequency and percentage for hindrances to internal creative thinking of the subjects are shown in Table 1. Frequency and percentage of the hindrances to internal creative thinking ability of the subjects (N = 232) id: work_7zuvrdfg7vbbtkyhu3lttiqjjq author: Chun-Kun Park title: Inside-Out and Outside-In Techniques in Endoscopic Spine Surgery: Are These Techniques Efficient Even for Pathology Irrelevant to the Intervertebral Foramen? date: 2020 words: 1308 sentences: 111 pages: 3 flesch: 57 cache: ./cache/work_7zuvrdfg7vbbtkyhu3lttiqjjq.pdf txt: ./txt/work_7zuvrdfg7vbbtkyhu3lttiqjjq.txt summary: "Inside-out (I-O)"—this simple phrase, which Yeung introduced in the 1990s, has become one of the standard terms used by endoscopic spine surgeons.1 Furthermore, the I-O A comparative study2 in foraminal stenosis demonstrated that I-O had better long-term results at a 5-year follow-up than the outside-in (O-I) technique. in free nerve roots by decompression in the last endoscopic view.3 According to these descriptions, I-O and O-I are surgical techniques for pathologies that are only accessible through nology, this technique can be referred to as unilateral laminotomy with bilateral spinal canal decompression (ULBD), and another synonym in endoscopic surgery is "cross-over." The original application of this technique was in open surgery.6 This However, not a few endoscopic spine surgeons, including Yeung, still place a high value on I-O taking the foraminal route and insist that the ETD Inside-out approach of lumbar endoscopic unilateral laminotomy for bilateral decompression: a detailed technical description, rationale and outcomes. Full endoscopic, bilateral overthe-top decompression for lumbar spinal stenosis. id: work_tunrihlei5fexe5hczy6dyr7ki author: Claudia Muth title: Give Me Gestalt! Preference for Cubist Artworks Revealing High Detectability of Objects date: 2013 words: 2052 sentences: 194 pages: 2 flesch: 59 cache: ./cache/work_tunrihlei5fexe5hczy6dyr7ki.pdf txt: ./txt/work_tunrihlei5fexe5hczy6dyr7ki.txt summary: In cubist paintings by Picasso, Braque and Gris it is appreciated cubist artworks more if they were able Keywords: Art perception, Gestalt, Ambiguity, paper we show that viewers'' appreciation of cubist paintings is closely linked between appreciation and emerging order from disorder, ambiguity, or indeterminacy. Cruys and Wagemans suggest that artworks often violate viewers'' perceptual offer a high degree of visual indeterminacy and ambiguity yet at the same time objects within cubist artworks and liking This finding is in line with previous proposals about the link between detecting Data points represent detectability of objects and liking per stimulus revealing that the better the participants could detect objects within an artwork, the more they liked it. art historian Dario Gamboni demonstrates, cubist paintings of this period revealing high detectability of objects [17] during Gestalt recognition on aesthetic appreciation and how does this Preference for cubist artworks revealing high detectability of objects id: work_bgonyn4hdveepn7cogumhhxfjq author: Clifton O. Dummett title: Consumer-Provider Conflict in Health Service Recommendations date: 1973 words: 144 sentences: 26 pages: flesch: 71 cache: ./cache/work_bgonyn4hdveepn7cogumhhxfjq.pdf txt: ./txt/work_bgonyn4hdveepn7cogumhhxfjq.txt summary: sys_1000 wp-p1m-38.ebi.ac.uk wp-p1m-38.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write(''[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]''.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 219772758 (wp-p1m-38.ebi.ac.uk) Time: 2021/04/06 02:41:04 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ id: work_mevee444jbcu5j3f4ubuafejsm author: Corinne Andersen title: I Am Not Who "I" Pretend to Be: The Autobiography of Alice B. Toklas and its Photographic Frontispiece date: 2005 words: 5808 sentences: 1038 pages: 13 flesch: 71 cache: ./cache/work_mevee444jbcu5j3f4ubuafejsm.pdf txt: ./txt/work_mevee444jbcu5j3f4ubuafejsm.txt summary: With the frontispiece, Stein establishes a comparison between two purportedly direct modes of referentiality: autobiography and portrait photography. TheAutobiographyofAliceB.Toklas, Stein asserts that autobiographies reveal much While his phrasing is more delicate, Charles Caramello also views Stein''s intent in The Autobiography as self-serving. Stein''s innovative ruse of authorship explicitly uncovers the premises of autobiography''s construction and thereby challenges the genre''s status as a direct mode of In The Autobiography, Stein purposefully distorts Toklas''s reflection in order to Neither the frontispiece nor TheAutobiography captures ''''reality.'''' Man Ray depicts Toklas and Stein as they pose for the camera, not as they truly are. Instead, the last paragraph suggests that The Autobiography provides a fictionalized account of Toklas''s perceptions of Stein. of Picasso''s Portrait from The Autobiography, Stein has the last word. The double self-portrait that serves as The Autobiography''s frontispiece, as well as Stein''s innovative ruse of authorship, exposes the ego''s id: work_n5xdku3i3zhkdlw23cm5n7nu4y author: Craig Wright title: Live Theater and the Limits of Human Freedom date: 2011 words: 4062 sentences: 196 pages: 5 flesch: 68 cache: ./cache/work_n5xdku3i3zhkdlw23cm5n7nu4y.pdf txt: ./txt/work_n5xdku3i3zhkdlw23cm5n7nu4y.txt summary: regarding free will are both constructive human experiences coalesced around roughly the same set of sensations. play, and on through the end, the audience enjoyed what freedom to constraint within a given work of art is either a Live theater, in which human beings, speaking words And what vision of human freedom, in general, is live answer is it''s both: but to what degree freedom is celebrated in live theater and to what degree constraint is about human freedom and cosmic constraint, and they use of having what feels like a free choice set before you; the ''''the constraint of Being.'''' The characters in most plays moments where what looks and feels like pure freedom In live theater, we see our highly constrained predicament Live theater makes that very little freedom feel like Live Theater and the Limits of Human Freedom Live Theater and the Limits of Human Freedom id: work_qstpugqrvzgaxdmw6pvyaqym6m author: Cristina Elgue-Martini title: American Space and European Theory. Dialogd in Literature and Painting date: 2016 words: 4052 sentences: 517 pages: 8 flesch: 65 cache: ./cache/work_qstpugqrvzgaxdmw6pvyaqym6m.pdf txt: ./txt/work_qstpugqrvzgaxdmw6pvyaqym6m.txt summary: momento del análisis, se consideran las pinturas de Wilfredo Lam de los 1940''s transculturación que consideran los contactos transoceánicos del escritor con las mentalidad de sus pueblos; pero ¿qué entiende Carpentier por una realidad maravillosa? en las vidas de los hombres que inscribieron fechas en la historia del Continente" (12); mágica, pero mágica no en el sentido con que el término había sido utilizado por los escritor cubano por los temas antropológicos y que su estadía en París transcurre entre 1928 y 1939, no ("Retrospectiva de Lam en tres de los museos más importantes del mundo"). Carpentier y Lam, América es un componente fundamental del arte de Pollock. duda, por la teoría y práctica de los surrealistas; pero en Lam y Pollock, este concepto tanto de Lam como de Pollock no fue Freud, sino Jung y su teoría de los arquetipos. "Retrospectiva de Lam en tres de los museos más importantes del mundo" en Martí. id: work_mahyskvdknbsxlvidiy2djjdeu author: Cristina Elgue-Martini title: Presentación date: 2019 words: 1624 sentences: 190 pages: 3 flesch: 67 cache: ./cache/work_mahyskvdknbsxlvidiy2djjdeu.pdf txt: ./txt/work_mahyskvdknbsxlvidiy2djjdeu.txt summary: historia que tiene un significado especial para una sociedad, ya que le cuenta acerca de que el sujeto y la cultura han necesitado de los mitos para hablar de su origen, de su estudio del mito en una perspectiva que contrastaba sensiblemente con la de, las que el mito designa, por el contrario, una «historia verdadera», y, lo que es Desde el psicoanálisis, Jacques Lacan también sostiene que todo mito tiene su definiendo los mitos como "historias universales y atemporales que exploran nuestros En el primer volumen de la serie, dedicado a Una breve historia del mito, del noroeste de la Argentina, expresando que las concepciones sobre sus bosques (1617), pinturas que representan una escena del Antiguo Testamento (Daniel 13), para sobre "Las Ménades" de Julio Cortázar en el que estudia la subversión del mito de Como expresa el autor, resulta casi una obviedad afirmar que la historia de la id: work_qva4px3zbvfelc4ojp7euslttm author: Cristina Portalés title: When Augmented Reality Met Art: Lessons Learned from Researcher–Artist Interdisciplinary Work date: 2018 words: 8490 sentences: 638 pages: 11 flesch: 59 cache: ./cache/work_qva4px3zbvfelc4ojp7euslttm.pdf txt: ./txt/work_qva4px3zbvfelc4ojp7euslttm.txt summary: artistic pieces embedding AR technology, leading to the emergence of interesting collaborations Keywords: augmented reality; art; interdisciplinary; collaboration pieces (e.g., interactive videos, virtual worlds, and robots), and the Augmented Reality (AR) technology Since the technology was invented, at the research level a lot of collaborations between artists Since the technology was invented, at the research level a lot of collaborations between artists computer scientists and other IT experts to work in collaboration with artists, while also influencing computer scientists and other IT experts to work in collaboration with artists, while also influencing Other AR Art works emerging from interdisciplinary collaborations reported in the following In [18], a work is presented that allows people to digitally curate their own augmented reality art Other artistic pieces built following the concept of the Augmented User (but with some Other artistic pieces built following the concept of the Augmented User (but with some id: work_b4nytp5k35gqrjthqmywcrrctm author: D. W. Zaidel title: Braque and Kokoschka: Brain Tissue Injury and Preservation of Artistic Skill date: 2017 words: 4527 sentences: 444 pages: 7 flesch: 67 cache: ./cache/work_b4nytp5k35gqrjthqmywcrrctm.pdf txt: ./txt/work_b4nytp5k35gqrjthqmywcrrctm.txt summary: Braque and Kokoschka: Brain Tissue Injury and Preservation of Artistic Skill Abstract: The neural underpinning of art creation can be gleaned following brain injury in Braque''s injury was in the left hemisphere while Kokoschka''s was in the right the same genre as their pre-injury period, and their artistic skills, talent, creativity, and productivity For the creation of the art itself, observations of established artists with acquired brain injury aspect of art through a discussion of world-renown artists, Braque and Kokoschka, both of whom localization of the damage in the left hemisphere, Braque did not paint for nearly a year afterwards. As with Braque and Kokoschka, numerous other professional prolific artists with damage to brain Ultimately, subjecting paintings and other visual artworks of artists with brain injury to In the great majority of cases, artists go on producing their works despite their brain injury [10]. id: work_frs2bdylpfhg5mpm2xkpmwapjy author: D.D. Seligmann title: Interactive and informative art date: 2003 words: 3824 sentences: 424 pages: 7 flesch: 65 cache: ./cache/work_frs2bdylpfhg5mpm2xkpmwapjy.pdf txt: ./txt/work_frs2bdylpfhg5mpm2xkpmwapjy.txt summary: Artful media interactive and informative art Multimedia, IEEE build the digital dome system for the Rose Center for Earth and Space at the American Museum interactive media, I studied traditional art, using Interactive and Informative Art photorealistic graphics would soon make possible a world much cleaner than the real one, remain grounded in the real world with something called physical computing—using computers to augment real environments and facilitate of my ideas and experience with art to science. Leonardo''s experiments, using new digital simulations from the planetarium, as well as real water two galaxies interacting, in another projected visualization in the Hall of the Universe (Figure 6). Size scales at the Rose Center for Earth and Space, American Museum of Natural real-time data, using astronomical information used to seeing science and information visualized paper, art can move raw scientific data to a new id: work_lmvwnf4ysvdznaywqou6yhu47m author: Daniel Leary title: Poetic Guard date: 2011 words: 2902 sentences: 199 pages: 3 flesch: 71 cache: ./cache/work_lmvwnf4ysvdznaywqou6yhu47m.pdf txt: ./txt/work_lmvwnf4ysvdznaywqou6yhu47m.txt summary: American Book Review, Volume 32, Number 4, May/June 2011, pp. Published by American Book Review Page 26 American Book Review Hammond''s book is about. that contemporary American poetry has become as American literary instruction has become the standardized, academically sponsored product of-by-for The American Poetic Muse Hammond is at verses that lack the Muse, lack myself: yes, the book is about what poetry is, but Hammond, this editor-of-a-student, realized Hammond calls the whole MFA boondoggle "the American poets in order to win contests, same contemporary American poets. American poetry has become as This academic po'' biz overflow took me by surprise as I read about it in Hammond''s little but very poetry-writing teacher a rave evaluation. Now, the good stuff, the oxymoronic Hammond''s three-way championing of the Muse. Hammond weaves the traditionalist T.S. Eliot with the path-blazing critic Harold Hammond does not dream the American dream. id: work_wkrmox26ezflvcuurc7zx37l5q author: Dariush Rahiminia title: Nisbet R., Sociology as an art form date: 2017 words: 1756 sentences: 264 pages: 3 flesch: 67 cache: ./cache/work_wkrmox26ezflvcuurc7zx37l5q.pdf txt: ./txt/work_wkrmox26ezflvcuurc7zx37l5q.txt summary: L''arte arriva a toccare corde emozionali che riscontriamo nella nostra vita Nisbet ci mostra come la sociologia sia effettivamente una forma d''arte con stretti Nisbet ci illumina su come l''immaginazione sia il motore che fa partire tanto il lavoro dell''arte quanto il lavoro della scienza. caso lo scienziato sociale) hanno come scopo ultimo la ricerca della verità e, dunque, della "realtà" poiché non è vero che solo il pensiero scientifico consente di scoprire ed nel medesimo modo fa lo scienziato sociale nelle sue ricerche che portano alla Ciò che Nisbet analizza nel secondo capitolo della sua Nel terzo capitolo, riguardante i panorami già citati, ci mostra come il tema del This research analyses the imaginaries of Italian Apple fans in social networks communities. This research analyses the imaginaries of Italian Apple fans in social networks communities. This research analyses the imaginaries of Italian Apple fans in social networks communities. strade che attraversano il mondo dell''immaginario. id: work_z6m6ionjdfev3d5xnaezqnhkee author: David Buti title: Picasso''s Acrobat Family in focus: an investigation of materials and techniques of an iconic work in the collection of the Gothenburg Museum of Art date: 2020 words: 4985 sentences: 465 pages: 9 flesch: 64 cache: ./cache/work_z6m6ionjdfev3d5xnaezqnhkee.pdf txt: ./txt/work_z6m6ionjdfev3d5xnaezqnhkee.txt summary: The Acrobat Family is one of Pablo Picasso''s highly rated works from his Rose Period. the materials distribution and together with fibre analyses showed also a plausible relation between the degradation of the cardboard and the pigment discolouration Fig. 3 Reflection FTIR spectrum of the cardboard support compared to reference spectra of kaolinite (blue line) and cellulose (red Two blue pigments were used by Picasso to paint the curtain, which is the area mostly affected by discolouration FTIR (b) and FORS (c) spectra of blue areas painted with different mixtures of Blue I and II. A Study of Picasso''s Painting Materials and Techniques in Six of Picasso''s Acrobat Family in focus: an investigation of materials and techniques of an iconic work in the collection of the Gothenburg Museum of Art Picasso''s Acrobat Family in focus: an investigation of materials and techniques of an iconic work in the collection of the Gothenburg Museum of Art id: work_ervfgxspazcm5gzpqcaqhlj7vm author: David Chelazzi title: Microemulsions, Micelles, and Functional Gels: How Colloids and Soft Matter Preserve Works of Art date: 2018 words: 10 sentences: 3 pages: flesch: 101 cache: ./cache/work_ervfgxspazcm5gzpqcaqhlj7vm.pdf txt: ./txt/work_ervfgxspazcm5gzpqcaqhlj7vm.txt summary: U-Gov Single Sign On Autenticazione Nome Utente Password Invia id: work_m55vwg7z4zhsnkp4e3socuiut4 author: David Gamella González title: El acierto de las equivocaciones. Aportaciones de la neurociencia cognitiva al proceso de aprendizaje date: 2019 words: 5821 sentences: 871 pages: 14 flesch: 58 cache: ./cache/work_m55vwg7z4zhsnkp4e3socuiut4.pdf txt: ./txt/work_m55vwg7z4zhsnkp4e3socuiut4.txt summary: Jobs entre otros, a los que se les calificó como deficientes, académicamente hablando. El fallo se contempla así como un puente que prolonga el camino hacia otras posibilidades del ser, del hacer, en línea con las corrientes constructivistas de la educación. aeróbico entre los tiempos de clase, para que el cuerpo esté en un estado óptimo de funcionamiento (Mora, 2013). Estas metodologías innovadoras hacen posible nuevas herramientas de valoración del aprendizaje, tales como las rúbricas o la autoevaluación, que nos permiten buenos metodologías de aprendizaje realmente eficaces para las aulas del siglo XXI: Robinson (2006, 2010 y 2013); Musallan (2013); Aamodt (2014); Khan (2015); Karboul (2017); La neurología nos dice que nuestro cerebro emplea el fallo como una vía para llegar al nos permite contemplar el error como parte natural del proceso de aprendizaje, nuestro Recuperado de: https://www.ted.com/talks/diy_neuroscience_better_memory_while_you_sleep Recuperado de: https://www.ted.com/talks/dan_gartenberg_the_brain_benefits_of_ Recuperado de: https://www.ted.com/talks/michael_merzenich_on_the_elastic_brain/ id: work_esn2t2exvzcyjjc3wwil4pmmqq author: David M. Coppola title: Introduction to the special issue of the journal of bioenergetics and biomembranes: neural plasticity in developing and adult olfactory pathways date: 2019 words: 881 sentences: 49 pages: 2 flesch: 45 cache: ./cache/work_esn2t2exvzcyjjc3wwil4pmmqq.pdf txt: ./txt/work_esn2t2exvzcyjjc3wwil4pmmqq.txt summary: Introduction to the special issue of the journal of bioenergetics and biomembranes: neural plasticity in developing and adult olfactory pathways olfactory bulb, incorporate newborn neurons throughout life. and growing interest in olfactory plasticity, during development and throughout life, offers the promise of insights into transactivator system, which allows time-window specific expression of immature and mature reporter genes, with pulselabelling of terminally-dividing cells to analyze olfactory sensory neuron (OSNs) maturation and survival in the mouse. diet and olfactory neural function. aversive learning-induced plasticity across olfactory pathways olfactory neural circuit function than previously appreciated. Trophic and activity-dependent interactions between afferent and target neurons are paramount in the formation, maintenance and plasticity of neural pathways, not least in the colleagues the issue of plasticity in the human olfactory bulb is and biomembranes: neural plasticity in developing and adult the same influx of new-born neurons into the olfactory bulbs id: work_e3gpzlqr7fhmpav3kao675k2qa author: Deborah Rothschild title: Picasso''s El Bobo date: 2001 words: 531 sentences: 128 pages: flesch: 60 cache: ./cache/work_e3gpzlqr7fhmpav3kao675k2qa.pdf txt: ./txt/work_e3gpzlqr7fhmpav3kao675k2qa.txt summary: Picasso''s El Bobo | Gastronomica | University of California Press Skip to Main Content Close mobile search navigation Article Navigation Article Navigation Article Navigation Search for other works by this author on: Views Icon Article contents Share Icon Tools Icon Cite Icon Search Site Deborah Rothschild; Picasso''s El Bobo. This content is only available via PDF. Article PDF first page preview Recipient(s) will receive an email with a link to ''Picasso''s El Bobo'' and will not need an account to access the content. Subject: Picasso''s El Bobo Citing articles via "Muita Galinha, Pouco Ovo": Food, COVID-19, and the Screen That Separates Us Email alerts Article Activity Alert Latest Issue Alert Browse Issues Browse Issues Info for Authors Info for Librarians Info for Advertisers Print ISSN 1529-3262 Browse All Disciplines Browse All Courses Book Authors Journal Authors Rights & Permissions © Copyright 2021 by the Regents of the University of California. id: work_5qksph56ezgxlgkcyck3dpa4ue author: Denise Hansen title: European creativity and American experience date: 2012 words: 144 sentences: 25 pages: flesch: 71 cache: ./cache/work_5qksph56ezgxlgkcyck3dpa4ue.pdf txt: ./txt/work_5qksph56ezgxlgkcyck3dpa4ue.txt summary: sys_1000 wp-p1m-38.ebi.ac.uk wp-p1m-38.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write(''[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]''.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. 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Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ id: work_jum53bzee5e4hg6h6rxwidrbvy author: Deniz GÖKDUMAN title: RESİM SANATINDA 1940-1960 YILLARI ARASINDA SOYUT DIŞAVURUMCU AKIMLAR date: 2018 words: 8318 sentences: 1410 pages: 22 flesch: 67 cache: ./cache/work_jum53bzee5e4hg6h6rxwidrbvy.pdf txt: ./txt/work_jum53bzee5e4hg6h6rxwidrbvy.txt summary: Soyutlama, Serbest Biçimli Sanat, Kobra, Sert Kenar, Taşizm gibi farklı isimlerle almamış bir soyut dışavurumcu olarak mı kabul etmek gerektiği konusunda kararsızdır. arasında Hunter College''de resim öğretmenliği yapan Baziotes, 1963 yılında vefat etmiştir. Barnett Newman, 1905 yılında Rus Polonyalı bir göçmen olarak New York''ta çiftliğe taşınan sanatçı, 23 Haziran 1980 yılında vefat edene kadar bu çiftlikte sanat yapmaya Doğu ve İslam kaligrafisinden etkilenmiş olan Lirik Soyut''un bir diğer adı 16 Mayıs 1898 yılında Fransa''da doğan sanatçı daha sonra 1909''da annesiyle Yahudi bir aileye mensup olan sanatçı 1930 – 1934 yılları arasında Paris Sorbonne Paris Okulu''nun en özgün sanatçılarından biri olarak kabul edilen Pierre Soulages, kısa bir süre Kelly''nin Soyut Sanat''a yönelişi Paris''te gezdiği bir sergi sırasında gözüne çarpan pencere ve New York Paris arasında gidip gelen sanatçı 1959 yılında kalıcı olarak Fransa''ya taşınmıştır. Renk Alanı Resmi, Lirik Soyutlama, Serbest Biçimli Sanat, Kobra, Sert Kenar ve Soyut id: work_7nyvjiogy5a6xp2jp2zc7snwdm author: Derya Can title: İlköğretim Ders Kitaplarında Engellilik date: 2017 words: 5688 sentences: 1203 pages: 15 flesch: 69 cache: ./cache/work_7nyvjiogy5a6xp2jp2zc7snwdm.pdf txt: ./txt/work_7nyvjiogy5a6xp2jp2zc7snwdm.txt summary: Araştırmanın amacı, görsel sanatlar öğretmen adaylarının modern resmi algılamalarında, kolaj tekniğinin öğrencilerin modern resmin düşünsel ve biçimsel temelleri ile kolaj tekniği hakkında farkındalıklarının artış gözlemlenmiş ve öğrenciler modern resmin ve kolaj tekniğinin biçimsel, düşünsel yapısına yönelik Anahtar Sözcükler: Kolaj tekniği, modern resim, asamblaj The purpose of the research is to demonstrate the contribution of the collage technique to modern art Yöntemi Olarak Kolaj Tekniğinin Modern Resim Uygulamalarına Etkisi" başlıklı doktora tezinden alınmıştır. 2. Etkinliğin, modern resim ile ilgili öğrencilerin Picasso''nun kolaj tekniği ile modern resmin ne gibi bir etkisi olmuştur?" ve yine aynı tarihte "İşlenen ders, modern sanat ile klasik Kolaj tekniği ve modern resim konusunda Kolaj tekniği ve modern resim arasındaki modern resim ya da yalnızca kolaj tekniği Modern resim ile kolaj tekniği arasındaki Modern resim ile kolaj tekniği arasındaki Görsel Sanatlar Öğretmen Adaylarının Modern Resmi Algılamalarında Kolaj Tekniğinden Yararlanılması: Eylem Görsel Sanatlar Öğretmen Adaylarının Modern Resmi Algılamalarında Kolaj Tekniğinden Yararlanılması: Eylem id: work_xqbf4ec6gzgxjperxfth4zz7gi author: Dilek Acer title: A Study on the Effect of Aesthetic Education on the Development of Aesthetic Judgment of Six-year-old Children date: 2007 words: 4137 sentences: 421 pages: 6 flesch: 60 cache: ./cache/work_xqbf4ec6gzgxjperxfth4zz7gi.pdf txt: ./txt/work_xqbf4ec6gzgxjperxfth4zz7gi.txt summary: The validity and reliability of THPC Aesthetic Judgment Scale for five years olds children were supporting the development of aesthetics in children, only art-related activities such as painting or music in the The aim of this study is to reveal the effects of Aesthetic Education Program applied on five-year-old children Aesthetic Education Program developed by authors and other tables have statistical data The results of the pre-test scores of THPC Aesthetic Judgment Scale for experimental and control group The results of the pre-test and post-test scores of THPC Aesthetic Judgment Scale for experimental group The results of the post-test scores of THPC Aesthetic Judgment Scale for experimental and control group group participating in the Aesthetic Education Program are higher than that of the children in the control group participating in the Aesthetic Education Program were higher than the children in the control group who did not id: work_fw5hn5vfkjbwfjszhpzvrlh7ry author: Djordje Alfirevic title: Visual expression in architecture date: 2011 words: 8450 sentences: 1159 pages: 13 flesch: 83 cache: ./cache/work_fw5hn5vfkjbwfjszhpzvrlh7ry.pdf txt: ./txt/work_fw5hn5vfkjbwfjszhpzvrlh7ry.txt summary: који можемо препознати као уметнички правац или већ то што представља кад понавља или опонаша није објект, and the main architectural tendencies, with the aim of also indicating the possible existence of elementary creative orientations Други вид миметичности јавља се код објеката који су визуелно камуфлирани и привидно нестају у окружењу (сл. Compared to art in general, the notion of mimesis in architecture Примери који на адекватан начин презентују ово креативно опредељење у архитектури нису толико чести, јер су у првобитног узорка, али на који у већој или мањој мери приликом чега настају дела која у обликовном смислу могу Сензибилитет за овакав начин опажања и одлучивања своди се на количину, број детаља у стимулацији, или Психолошки тип, по Јунгу (Carl Gustav Jung), представља пример или образац, према коме се на карактеристичан начин, of expressiveness with the art movement of expressionism, Prominent examples of expressiveness in architecture are works id: work_6usyt4f6c5cmfa6tctfemo6bwy author: Dominique Berthet title: Montage and Assemblage: an Aesthetic Shock date: 2019 words: 4263 sentences: 388 pages: 12 flesch: 62 cache: ./cache/work_6usyt4f6c5cmfa6tctfemo6bwy.pdf txt: ./txt/work_6usyt4f6c5cmfa6tctfemo6bwy.txt summary: The notions of montage and assemblage applied to the field of art can Dominique Berthet, "Montage and Assemblage: an Aesthetic Shock," Art Style, Art & Culture International Magazine, no. on montage and assemblage of fragments, there is a political approach, a that, "according to its microstructure, all new art should be called montage"33 Through montage and assemblage, art breaks assemblage use various fragments, pieces of the world, of reality, that the artist through the work of montage and assemblage allow for constitution of a new assemblage are at the origin of an art form which reveals other realities, ferments 3. Dominique Chateau, Contribution à l''histoire du concept de montage. Kuleshov in Chateau, Contribution à l''histoire du concept de montage, 42. Dziga Vertov in Chateau, Contribution à l''histoire du concept de montage, 83. Vertov in Chateau, Contribution à l''histoire du concept de montage, 95. Vertov in Chateau, Contribution à l''histoire du concept de montage, 95. id: work_putqykgvy5betdmg7jwak52hj4 author: Dominique de Font-Réaulx title: Carlo Ginzburg, Peur, révérence, terreur. Quatre essais d''iconographie politique date: 2015 words: 693 sentences: 95 pages: 3 flesch: 68 cache: ./cache/work_putqykgvy5betdmg7jwak52hj4.pdf txt: ./txt/work_putqykgvy5betdmg7jwak52hj4.txt summary: Dominique de Font-Réaulx, « Carlo Ginzburg, Peur, révérence, terreur. politique », Études photographiques [En ligne], Notes de lecture, Avril 2015, mis en ligne le 07 mai 2015, QUATRE ESSAIS D''ICONOGRAPHIE POLITIQUE, Dijon, Les 1 Les quatre essais réunis ici ont été publiés, séparément, entre 2000 et 2009, par Carlo amateurs d''images que nous sommes, au cœur de sa réflexion, offrant au lecteur une racines antiques des images modernes, de percevoir comment ces racines avaient été 2 Ginzburg, fidèle à la notion de la trace laissée par les images antérieures qu''il a mise en d''images antérieures, fondée sur des ressorts émotionnels, à même de susciter terreur et subjuguer par des figurations, fondées moins sur des réalités avérées que sur les Carlo Ginzburg, Peur, révérence, terreur. Carlo Ginzburg, Peur, révérence, terreur. Carlo Ginzburg, Peur, révérence, terreur. Carlo Ginzburg, Peur, révérence, terreur. Carlo Ginzburg, Peur, révérence, terreur. id: work_hk57jvs5mjcx3e6ht26gqlpxlq author: Eero Hyvönen title: Publishing and Using Cultural Heritage Linked Data on the Semantic Web date: 2012 words: 13676 sentences: 1771 pages: 48 flesch: 56 cache: ./cache/work_hk57jvs5mjcx3e6ht26gqlpxlq.pdf txt: ./txt/work_hk57jvs5mjcx3e6ht26gqlpxlq.txt summary: ontology-building and logics remain vital, new areas such as the use of semantics in Web search, • Semantic Web Principles from linked-data to ontology design Publishing and Using Cultural Heritage Linked Data on the Semantic Web Publishing and Using Cultural Heritage Linked Data on the Semantic Web Application of the principles and technologies of Linked Data and the Semantic Web Semantic Web, linked data, cultural heritage, portal, metadata, ontologies, logic rules, of technical research and prototype development, boosted by the W3C Semantic Web Activity kickoff in 2001 and the Linked (Open) Data movement later on, major national and international CH This book aims at fostering the application of Linked Data and Semantic Web technologies organization with better tools for collaborative, open content publishing on the Semantic Web. Eero Hyvönen This book is an introduction to publishing CH contents on the Semantic Web as Linked Data. id: work_mbrastzd4raatneejkkyh7oini author: Eftychia Stamkou title: The art of influence: When and why deviant artists gain impact date: 2018 words: 25857 sentences: 4062 pages: 29 flesch: 67 cache: ./cache/work_mbrastzd4raatneejkkyh7oini.pdf txt: ./txt/work_mbrastzd4raatneejkkyh7oini.txt summary: In keeping with these theoretical accounts and empirical findings, we propose that artists who deviate from their contemporaries'' styles (i.e., interpersonal artistic deviance) are perceived as artists who follow their contemporaries'' style (interpersonal deviance effect). they deviate from a predominant nonrealistic style by using realistic means of expression (moderation of the interpersonal deviance effect by progressiveness). We tested the effect of artist''s intrapersonal deviance on perceived influence and price estimation by means of ANOVAs. We There was a main effect of artist''s intrapersonal deviance, indicating that the later artwork''s style was perceived to deviate from the First, we investigated whether the effect of interpersonal deviance on artistic impact operates through perceived willpower, which was the main mediator suggested in previous studies Finally, we performed moderated mediation analyses to test whether the interactive effect of artist''s interpersonal deviance and contemporaries'' style on each dependent variable (i.e., perceived influence, purchase intention, and visual id: work_ehgnuefj2vax5alozv2g62fsbi author: Elena GUARDIOLA title: «Of the Doctor Who does not Know More than Medicine...» Or the Publication of Nonmedical Articles in Medical Journals date: 2016 words: 1975 sentences: 341 pages: 3 flesch: 72 cache: ./cache/work_ehgnuefj2vax5alozv2g62fsbi.pdf txt: ./txt/work_ehgnuefj2vax5alozv2g62fsbi.txt summary: «Del médico que no sabe más que Medicina…» o la publicación de artículos no médicos en revistas médicas = «Of the Doctor Who does not Know More than Medicine...» Or the Publication of Nonmedical Articles in Medical Journals "Del médico que no sabe más que Medicina, ten la publicación semanal de una obra de arte en todas las "Del médico que no sabe más que Medicina…" o la publicación de artículos no médicos en revistas médicas. The Art of JAMA, sección incluida en las páginas interiores sección The Arts and Medicine quiere ir más allá de las Es JAMA, sin duda, una de las revistas médicas más E Guardiola, JE Baños "Del médico que no sabe más que Medicina…" o la publicación de artículos no médicos en revistas médicas E Guardiola, JE Baños "Del médico que no sabe más que Medicina…" o la publicación de artículos no médicos en revistas médicas id: work_j5cjhr6jqvfyhpyr5ozh76wq4a author: Elio Amilcar Farfan Torrelles title: Criteria for Investing in the Market of Visual Arts date: 2019 words: 7321 sentences: 585 pages: 10 flesch: 63 cache: ./cache/work_j5cjhr6jqvfyhpyr5ozh76wq4a.pdf txt: ./txt/work_j5cjhr6jqvfyhpyr5ozh76wq4a.txt summary: Criteria for Investing in the Market of Visual Arts. Criteria for Investing in the Market of Visual Arts. Abstract: The market for the visual arts carries out a complex activity, which requires identifying key variables to establish investigated and compared to identify the criteria that the buyer should consider when acquiring a piece of visual art. characteristics of the artwork, the artist and the market must be assessed as well as the need for the art piece or the added value Keywords: Art Market, Artwork (Piece), Artist, Collector, Investor, Profits 148 Elio Amilcar Farfan Torrelles: Criteria for Investing in the Market of Visual Arts 148 Elio Amilcar Farfan Torrelles: Criteria for Investing in the Market of Visual Arts 148 Elio Amilcar Farfan Torrelles: Criteria for Investing in the Market of Visual Arts 148 Elio Amilcar Farfan Torrelles: Criteria for Investing in the Market of Visual Arts id: work_2xy4tpegbbc6xmxvx42ixfpqja author: Ellen K. Levy title: Repetition and the Scientific Model in Art date: 1996 words: 3195 sentences: 229 pages: 9 flesch: 52 cache: ./cache/work_2xy4tpegbbc6xmxvx42ixfpqja.pdf txt: ./txt/work_2xy4tpegbbc6xmxvx42ixfpqja.txt summary: This essay explores repetition in the work of artists who use scientific models as a point of The biological and physical sciences provide these artists with examples of processes regularly occurring in nature, and the artists use science as a means of exploring relationships between art and the world. Such artists as Alfred Jensen and Robert Smithson capitalize on their ability to evoke nature''s processes through repetitive patterns. Repetitive protein folding subsequently generates structures with specific functional properties. genetic process provides a linear order in which sequences determine function. Because repetition can evoke biological processes, the scientific context of the artists I discuss is reinforced. There is great advantage for artists to contextualize their work in this manner: the ability to couple abstract processes available in selfreflexive art with an external referent provided by the scientific model. the grid as a source of repetitive units; Smithson, the duplication formed by mirrors; and id: work_raqr2dgvyfeb7hnp6pn6tkek7u author: Emeline Pouyet title: New insights into Pablo Picasso''s La Miséreuse accroupie (Barcelona, 1902) using X-ray fluorescence imaging and reflectance spectroscopies combined with micro-analyses of samples date: 2020 words: 3769 sentences: 293 pages: 6 flesch: 65 cache: ./cache/work_raqr2dgvyfeb7hnp6pn6tkek7u.pdf txt: ./txt/work_raqr2dgvyfeb7hnp6pn6tkek7u.txt summary: The existence of underlying structures in an x-radiograph of La Miséreuse accroupie (1902), a Blue Period painting in the Keywords Picasso · Pigment identification · Hidden composition · Macro X-ray fluorescence · Fiber optics reflectance Picasso''s early works, offering conservators and art historians insights into the artist''s process [1, 3–8]. paint losses (Fig. 1c, area (3)) were respectively imaged. observed in high content in the blue areas of the painting. confirm that the shawl is painted with a mixture of Prussian blue with a yellow pigment (Fig. 3b) and lead white. paint this underlying area was key to allow the imaging New insights into Pablo Picasso''s La Miséreuse accroupie (Barcelona, 1902) using X-ray fluorescence imaging and reflectance spectroscopies combined with micro-analyses of samples New insights into Pablo Picasso''s La Miséreuse accroupie (Barcelona, 1902) using X-ray fluorescence imaging and reflectance spectroscopies combined with micro-analyses of samples id: work_4vghkspkyjg73ei2l35dzsylqm author: Emil Vlajic title: Physicians in the eyes of artists date: 2015 words: 3762 sentences: 760 pages: 9 flesch: 81 cache: ./cache/work_4vghkspkyjg73ei2l35dzsylqm.pdf txt: ./txt/work_4vghkspkyjg73ei2l35dzsylqm.txt summary: i njegovo viđenje od strane ljudi koji nisu doktori. Posebno viđenje imaju oni koji od lekara očekuju pomoć veštinu prikažu svu kompleksnost odnosa lekara i pacijenta. analizirano sedam slika, sedam umetnika, gde se prikazuje upravo odnos lekara i pacijenta. neki način odnos pacijenta i doktora ostavlja u Svaka slika ima svoju priču, koja je duboka, Van Gog je načinio dva poretreta doktora Gašea. Frida Kalo, Autoportret sa portretom doktora Farila, 1951. koji je bio u tom stepenu da može da slika (mada kolicima, doktor je na platnu, u svetu koji nije u Frida drži u ruci pred portretom svog doktora, je lekar koji zaista brine o svom pacijentu. pacijent, koji je bio na samrti, naslikao sve to. vraćanja iz mrtvih uz pomoć doktora koji iz te Doktor sedi pored bolesnog deteta u odnosa doktora prema malom pacijentu čiji je Slika Dva doktora i smrt ima jasnu id: work_pkug7h2nyjdk5mlfhzrbmt4qyy author: Emöke Simon title: Colloque « Gertrude Stein et les Arts » date: 2012 words: 2270 sentences: 378 pages: 6 flesch: 69 cache: ./cache/work_pkug7h2nyjdk5mlfhzrbmt4qyy.pdf txt: ./txt/work_pkug7h2nyjdk5mlfhzrbmt4qyy.txt summary: Emöke Simon, « Colloque « Gertrude Stein et les Arts » », Transatlantica [En ligne], 2 | 2011, mis en ligne 2 L''œuvre énigmatique de Gertrude Stein s''impose comme une œuvre qui s''est nourrie superpositions qui se déplient dans les domaines des arts plastiques, du cinéma ou dans Art as Experience (1934) pour un art qui est en mesure de rétablir le contact avec la proximité entre Marcel Duchamp et Gertrude Stein, localisable, selon elle, dans leur conclut que les deux artistes érotisent la langue par le même geste artistique qui 8 C''est donc d''abord par le biais du portrait que Gertrude Stein marque une présence dans le monde des arts plastiques et s''impose pour beaucoup comme « The Mother of Dans une communication intitulée « Théâtre et théâtralité de Gertrude Stein », MarieClaire Pasquier (Université Paris-Ouest) a retracé la manière dont le théâtre également localisable dans la façon dont le cinéma exprime ce que Stein désignait par id: work_txnapspsjne5ffda4xohgvfeqi author: Enrique Mallen title: Adjoined Conceptual Domains in the Bilingual Poetry of Pablo Picasso date: 2019 words: 7234 sentences: 657 pages: 24 flesch: 61 cache: ./cache/work_txnapspsjne5ffda4xohgvfeqi.pdf txt: ./txt/work_txnapspsjne5ffda4xohgvfeqi.txt summary: Conceptual Domains in the Bilingual Poetry of Pablo Picasso." Digital semantic categories for concepts associated with co-occurring words. Keywords: Picasso; bilingual; poetry; conceptual domains; semantic the semantic concepts behind each word irrespective of the language used, linking semantic interconnections between words Picasso explored in his poetry, we classified semantic categories in one of the two languages Picasso used. the concept KILL, Picasso used four words (and their morphological derivatives) in how Picasso used concepts depending on the language of the poem. Figure 4: Concepts in Picasso''s poetry grouped by language with a threshold of 15 Figure 5: Concepts and lexical categories in Picasso''s poetry. comparison of the semantic categories by language in Picasso''s poetry. Figure 6: Verb morphologies by language in Picasso''s poetry. Figure 7: Semantic categories by language in Picasso''s poetry. words in Picasso''s poetry. semantic categories in Picasso''s poetry. "Semantic Domains in Picasso''s Poetry." id: work_o6pvmd3rfveitkpkmngtbtprqm author: Enrique Mallen title: Reaching for Success: Picasso''s Rise in the Market (The First Two Decades) date: 2017 words: 14431 sentences: 1198 pages: 21 flesch: 74 cache: ./cache/work_o6pvmd3rfveitkpkmngtbtprqm.pdf txt: ./txt/work_o6pvmd3rfveitkpkmngtbtprqm.txt summary: Abstract: This article explores the exhibitions of Picasso''s works in the first two decades of his Félicien Fagus discussed the work of Picasso and other Spanish artists in Paris (most of whom were On 19 October, Picasso finally left Barcelona for Paris with his friends Josep Rocarol Liberal (20 October): ''The celebrated artist, Pablo Ruiz Picasso, left for Paris on yesterday''s of their budget for that year was spent on the work of a single artist, Pablo Picasso. Kahnweiler lent three works by Picasso, Tête de femme (Fernande) ([7], OPP.09:048), There were two other important exhibitions of Picasso''s works around this time; ''II. Among the Picassos on display was Trois femmes: nu debout (Étude) ([7], OPP.08:049).50 The exhibition On 4 April, Kahnweiler arranged for the exhibition ''Picasso und Negerplastiken'' to move to Picasso (Galerie Kahnweiler, Paris, 1909). • Exposition Picasso (Galerie Vollard, Paris, 20 December 1910–11 February 1911). id: work_2unzkseei5efxg3szt3h6asvl4 author: Enrique Robertson title: Picasso y Neruda: Hechos y conjeturas en torno a una amistad date: 2004 words: 7166 sentences: 1020 pages: 25 flesch: 77 cache: ./cache/work_2unzkseei5efxg3szt3h6asvl4.pdf txt: ./txt/work_2unzkseei5efxg3szt3h6asvl4.txt summary: En el año del centenario del nacimiento de Pablo Neruda, el autor expone hechos y plantea conjeturas en torno a la relación de amistad que existió entre el pintor Pablo Picasso y el poeta chileno, que Neruda contactase personalmente con Picasso por primera vez en París, en un homenaje póstumo a García Lorca organizado por Robert Desnos Por ello pocas dudas pueden caber de que Pablo Picasso, y muchos amigos suyos –que también lo eran de que agrio; de más sabía Picasso lo que era ser denigrado por sus connacionales; lo que le sucedía a Neruda en Chile, le sucedía o había sucedido también a él en España; y quedado enciclopédicamente documentado en el Pablo Neruda, mi amigo, es no sólo un gran poeta, sino también un hombre que, como todos aquí, se ha dedicado a presentar el bien bajo la forma de id: work_oeovey4y7zbtfhtvvmpdl2nice author: Enrique Solanich Sotomayor title: Escultura pública y la cúpula de la Basílica de Lourdes de Santiago date: 2006 words: 2504 sentences: 335 pages: 12 flesch: 68 cache: ./cache/work_oeovey4y7zbtfhtvvmpdl2nice.pdf txt: ./txt/work_oeovey4y7zbtfhtvvmpdl2nice.txt summary: Profesor de Historia del Arte en Facultad de Ciencias Físicas y Matemáticas de la Universidad de Chile. Y, por último, el año 1947 se funda el Museo de Arte Contemporáneo, corolario de los afanes de modernidad y transferencias culturales reseñadas2. maestros que exiliados o refugiados en provincias, reciben los reconocimientos y homenajes debidos, sus trabajos son difundidos en libros y muestras itinerantes, consolidando definitivamente el arte moderno. testero, es adaptada por los cristianos para sus primeros templos desde el En los años treinta del siglo pasado se decide la Las figuras de los dieciséis profetas que circundan la cúpula de la Basílica Yendo más allá, Lily Garafulic propicia, sin sospecharlo, una fresca poética del espacio urbano y colectivo como soporte de arte, retomada luego Vista de los profetas en la Cúpula de la Basílica de Lourdes, hormigón armado, comuna de Quinta Normal, id: work_asbekyygujcsbflm6xjclgg5qi author: Ernesto Paya G title: La consagración de la primavera y el nacimiento de la música contemporánea europea date: 2009 words: 608 sentences: 90 pages: 1 flesch: 65 cache: ./cache/work_asbekyygujcsbflm6xjclgg5qi.pdf txt: ./txt/work_asbekyygujcsbflm6xjclgg5qi.txt summary: En 1909, un joven compositor ruso, llamado Igor Stravinsky, recibió de Diagilev el Paulatinamente Stravinsky va derivando de los temas rusos a lo que sería la podio del Teatro de los Campos Elíseos de el estreno del ballet La consagración de la primavera, por los bailarines rusos con música de Stravinsky y coreografía de Nizhinski. Esta obra puede considerarse como una pieza inicial de la música clásica del siglo XX. desarrollaba, la música constituía una tremenda sacudida para los oyentes. los acostumbrados en las salas de París. Teatro de los Campos Elíseos, París. En el París de comienzos del siglo XX destacaban los ballets rusos del empresario Sergei Diagilev, quien había encargado piezas para la escena a los más importantes del compositor, gritaba que era una obra genial; Claude Debussy pedía silencio para que pudiera oírse aquella música maravillosa, y Florent Schmidt Igor Stravinsky en Forjadores del mundo moderno: Editorial id: work_dahsj7f3qreqpf4wxbhqcgjpbe author: Ernesto Payá title: La pintura histórica date: 2013 words: 451 sentences: 69 pages: 1 flesch: 80 cache: ./cache/work_dahsj7f3qreqpf4wxbhqcgjpbe.pdf txt: ./txt/work_dahsj7f3qreqpf4wxbhqcgjpbe.txt summary: Un género muy particular de la pintura es aquel que relata o representa una historia. Por la riqueza de sus detalles, tienen un gran valor educativo, La muerte de Sócrates, obra del pintor francés Jacques-Louis David, es un ejemplo del neoclasicismo; en ella, el filósofo domina la escena, La obra El tres de mayo de 1808 en Madrid de Francisco de Goya, es en el centro, con camisa blanca y los brazos hacia el cielo, contrasta con Otra obra importante del género es La libertad guiando al pueblo, de Eugène Delacroix, pintor francés del romanticismo. obra alegórica, en que se representa un valor, en esta caso la libertad, Luego de la declinación del academicismo, parecía que la pintura pinta Guernica, una de sus obras maestras, y quizás la última gran obra del género. apreciar a la derecha, al mismo héroe trágico del cuadro de Goya, con los brazos hacia el cielo. Museo del Prado, Madrid. id: work_zksgqxtqoffpjoe736e7lerjd4 author: Esranur Kılınç title: İNÖNÜ ÜNİVERSİTESİ SOSYAL BİLİMLERİ ENSTİTÜSÜ ÖZNE-NESNE İLİŞKİSİ BAĞLAMINDA PSİKODİNAMİK YAKLAŞIMLARIN İMGELEM YOLUYLA GERÇEKÜSTÜ RESİMSEL ANLAMLANDIRMALARI date: 2019 words: 35316 sentences: 5639 pages: 169 flesch: 66 cache: ./cache/work_zksgqxtqoffpjoe736e7lerjd4.pdf txt: ./txt/work_zksgqxtqoffpjoe736e7lerjd4.txt summary: düşüncesi ile "düşünen özne" olarak yeni bir ifade kazanmıştır. 1Sanatçı öznenin, dış dünya nesneleri ile olan etkileşiminin yaratım sürecine felsefe alanları disiplinlerarası bir yaklaşımla sanatçı öznenin, dış dünya nesneleri ile deyimi ile öz, "Varoluşu için başka bir şeye gereksinme duymayan şey"51 olarak ifade şeyin (bir insan, yer, düşünce, fantezi65 veya anı) nesne olduğunu söyleyen Güney, dış eşsiz bir görüntüye dönüştürür ve dış dünyaya imge olarak yansıtır (Resim 3.11). Sanat tarihinde önemli bir yere sahip olan "Belleğin Sürekliliği" (Resim 3.44) Nesneyi vurgulama yöntemi ile izleyici, ilk olarak nesne odaklı bir Dış dünya nesnesi olan kürenin figürün baş kısmı ile aynılık ilişkisi; özne-nesne Dikey dikdörtgen bir yapı ile dizayn edilerek kapalı kompozisyon olarak Dikey dikdörtgen bir yapı ile dizayn edilerek kapalı kompozisyon olarak Dikey dikdörtgen bir yapı ile dizayn edilerek kapalı kompozisyon olarak Dış dünya nesnesi olan mavi kürenin figürün baş kısmı ile form olarak aynılık id: work_cdmwfeoywbentpsugpvzujatxe author: Eugenio Barba title: The Deep Order Called Turbulence The Three Faces of Dramaturgy date: 2000 words: 4516 sentences: 253 pages: 11 flesch: 62 cache: ./cache/work_cdmwfeoywbentpsugpvzujatxe.pdf txt: ./txt/work_cdmwfeoywbentpsugpvzujatxe.txt summary: is a way to live a freedom that is only free if the results of our own work succeed in influencing other people and winning them over to our side. Another difference is that while the complexity of the natural processes determining life often appear as an admirable order, the paths which lead to the Why then do I insist so strongly on the work of the actor at a pre-expressive level; on the importance of precision in fixing and knowing how to repeat the precise pattern of the actions; on the value of one''s independence In theatre this paradox is mainly present on two different levels of organization: that of the actor and that of the narrative dramaturgy. If we have been able to work at different levels of organization of the performance, then each of these has a life and function of its own. id: work_3a6yujs4djeibplbkwlxln3b7y author: Fabio Galimberti title: La vergogna della creazione date: 2017 words: 3456 sentences: 500 pages: 6 flesch: 70 cache: ./cache/work_3a6yujs4djeibplbkwlxln3b7y.pdf txt: ./txt/work_3a6yujs4djeibplbkwlxln3b7y.txt summary: sublimazione come messa in opera della verità e del godimento. gioco, sia nel suo versante pulsionale, per come è un trattamento della soddisfazione che sottrazione del corpo al lavorio della pulsione, tempo festivo, vacante, nel quale non tutto come può essere riformulata l''idea di sublimazione: è una messa inopera della verità e del Che l''animale uomo ad un certo punto della sua evoluzione abbia d''improvviso La questione che Hauser, come altri, apre è quella della stranezza del loro collocamento. È probabile che l''arte parietale primitiva non sia stata praticata soltanto all''interno delle al primo e riprende quella sottrazione alla volontà di potenza della pulsione, che Freud dell''organismo da parte del trauma della lingua, la sua penetrazione e fissazione in forma quella folla di animali e di simboli deposta sulle pareti delle grotte, come quello che l''uomo dell''andarsene, la scelta del distacco da sé che si realizza nell''esperienza estetica? id: work_ybexhetugnf7rixjgb6z3dqmpq author: Fahrettin GEÇEN title: G%c3%9cZEL%20SANATLAR%20L%c4%b0SES%c4%b0%20%c3%96%c4%9eRENC%c4%b0LER%c4%b0%20%c4%b0LE%20ANADOLU%20L%c4%b0SES%c4%b0%20SON%20SINIF%20%c3%96%c4%9eRENC%c4%b0LER%c4%b0N%c4%b0N%20%c3%87A%c4%9eDA%c5%9e%20SANAT''A%20VE%20K%c4%b0TSCH%20%c3%87ALI%c5%9eMALARA%20BAKI%c5%9e%20A%c3%87ILARINDAK%c4%b0%20FARK date: 2018 words: 5834 sentences: 910 pages: 17 flesch: 66 cache: ./cache/work_ybexhetugnf7rixjgb6z3dqmpq.pdf txt: ./txt/work_ybexhetugnf7rixjgb6z3dqmpq.txt summary: Anadolu Lisesi öğrencilerinin sanat ve estetik tanımlamasında bireysel ifade yolunu seçmiş, Güzel Sanatlar Lisesi öğrencileri ise İki okulun sanat tanımına verdikleri yanıtlar karşılaştırıldığında Güzel Sanatlar Lisesi öğrencilerinin Anadolu Lisesi öğrencilerine göre terimsel tanımı biraz daha iyi yaptıkları fakat iki okul Abdülkadir Eriş Güzel Sanatlar Lisesi öğrencileri ise; "estetik sizde ne algı oluşturmaktadır?" Güzel Sanatlar Lisesi Öğrencileri İle Anadolu Lisesi Son Sınıf Öğrencilerinin Çağdaş Sanat''a Güzel Sanatlar Lisesi Öğrencileri İle Anadolu Lisesi Son Sınıf Öğrencilerinin Çağdaş Sanat''a Güzel Sanatlar Lisesi Öğrencileri İle Anadolu Lisesi Son Sınıf Öğrencilerinin Çağdaş Sanat''a Güzel Sanatlar Lisesi Öğrencileri İle Anadolu Lisesi Son Sınıf Öğrencilerinin Çağdaş Sanat''a Güzel Sanatlar Lisesi Öğrencileri İle Anadolu Lisesi Son Sınıf Öğrencilerinin Çağdaş Sanat''a Güzel Sanatlar Lisesi Öğrencileri İle Anadolu Lisesi Son Sınıf Öğrencilerinin Çağdaş Sanat''a Güzel Sanatlar Lisesi Öğrencileri İle Anadolu Lisesi Son Sınıf Öğrencilerinin Çağdaş Sanat''a Güzel Sanatlar Lisesi Öğrencileri İle Anadolu Lisesi Son Sınıf Öğrencilerinin Çağdaş Sanat''a id: work_plm7kkgxvrbb3c4bdl3r5yobvm author: Fahrettin GEÇEN title: PABLO PICASSO''NUN SERAMİK ÇALIŞMALARINDA FİGÜR İMGELERİNİ ELE ALIŞ ŞEKLİ ve RESİ date: 2019 words: 3572 sentences: 495 pages: 12 flesch: 63 cache: ./cache/work_plm7kkgxvrbb3c4bdl3r5yobvm.pdf txt: ./txt/work_plm7kkgxvrbb3c4bdl3r5yobvm.txt summary: Anahtar kelimeler: Picasso, Seramik, Resim, Kübizm, Figür PICASSO''S PAINTINGS ON CERAMIC WORKS 2002:145) so Picasso reflected his the artistic identity to ceramics and Pablo Picasso reflected his private life in the works. Keywords: Picasso, ceramics, painting, cubism, figure örneği olan "Ağlayan Kadın" isimli sanatsal yapıtında sanatçı iki boyutlu düzlem üzerinde üç Pablo Picasso''nun resim çalışmalarında kullandığı Kübizm akımının babalarından olan "Picasso''nun en etkili vurgusu "bir resim, yıkmalardan Sanatçının seramik çalışmasının, resim çalışmalarında yer alan basit formsal yapılara benzediği Picasso seramik çalışmaları dışında resimsel ifadelerini boyutlandırabildiği diğer bir Pablo Picasso, Müzisyen Faun, Sırlı Seramik Tabak. https://www.masterworksfineart.com/artists/pablo-picasso/ceramic/vase-deux-anses-hautes-vase-with-two-high-handles-the-queen-1953-2/id/w-6371 Araştırmada Picasso''nun yaptığı iki boyutlu ve üç boyutlu seramikler evreni seramiklerde https://www.masterworksfineart.com/artists/pablo-picasso/ceramic/grand-vase-pekine-big-candy-striped-vase-1956/id/W-5538 Pablo Picasso yaptığı seramik çalışmalarında resimlerinde kullandığı çizgisel konturleri Sanatçı seramik tabak çalışmalarında kullandığı çizgisel konturlar ile oluşturduğu Picasso yaptığı üç boyutlu seramik çalışmalarında kendine has Sanatçı yaptığı seramik figür imgelerinin üzerine Sanatçı yaptığı seramik https://www.masterworksfineart.com/artists/pablo-picasso/ceramics https://www.masterworksfineart.com/artists/pablo-picasso/ceramics https://www.pablo-ruiz-picasso.net/work-3875.php https://www.pablo-ruiz-picasso.net/work-3875.php id: work_zot3xkc5xbdl5nz2tctrzagh2u author: Faye McCleery title: Review of e-GP date: 2009 words: 606 sentences: 53 pages: 1 flesch: 70 cache: ./cache/work_zot3xkc5xbdl5nz2tctrzagh2u.pdf txt: ./txt/work_zot3xkc5xbdl5nz2tctrzagh2u.txt summary: online learning to be impersonal and module is a very helpful and easy to with the online new personal evaluation only online learning resource that helps the well as how to learn it. As with many online resources there is capacity to create a ''learning path''. Equally, a record of learning is available, print these for completed modules. facility to stop the module mid-way of palliative care, and how to learn with eformat, but I can honestly say I learned Common to each module is an learning remains a solitary process and not modules were a close second. The modules vary in depth, with one of the modules I completed being quite concerning further learning resources, as the starting point for learning, I feel these modules have considerable useful tool for learning that is at least equal Learning for General Practice. Scotland Online Assessment Application for GPs. http://www.npep.org.uk//# (accessed 9 Jul 2009). id: work_afvq3evub5di5amme7aycjh3je author: Federico Fallavollita title: La prospettiva. Una questione di punti di vista date: 2018 words: 5265 sentences: 333 pages: 12 flesch: 65 cache: ./cache/work_afvq3evub5di5amme7aycjh3je.pdf txt: ./txt/work_afvq3evub5di5amme7aycjh3je.txt summary: through the design of the room, what the drawing of architecture is and how it differs from the commonly understood drawing; the second, equally important, consists power of perspective and, therefore, the deceptions to which the human perception of space is subjected. Keywords: Ames Room; Descriptive Geometry; Mirror; Perception; Stereotomy As is known, these methods are used to accurately describe and transmit forms in space and also allow us to study The graphic methods are: representation in double orthogonal projections, axonometry and perspective. In fact, the architect uses the plan, the section and the elevation to design and measure space. Rendering of the constrained view of the Ames room digital model. Projective construction of the Ames room model. Images of the constrained view of the polystyrene model of the Ames room. Each ashlar has been designed and modelled considering the projection centre: observing the space from the id: work_vf2d3tobpza27pvprrqa6cvzwy author: Ferhat KORKMAZ title: The Eye Imagınary in the Poems of Edip Cansever date: 2012 words: 4475 sentences: 773 pages: 13 flesch: 73 cache: ./cache/work_vf2d3tobpza27pvprrqa6cvzwy.pdf txt: ./txt/work_vf2d3tobpza27pvprrqa6cvzwy.txt summary: çalıĢmaya yönlendiren neden ise Edip Cansever‟in Ġkinci Yeni dönemi Ģiirlerinde göz sözcüğüne Edip Cansever, Ġlk dönem Ģiirlerinde göz sözcüğünü çoğunlukla deyim içerisinde Edip Cansever‟in ilk Ģiirlerinde göz sözcüğü, gündelik dilin bir parçası olarak yansıtılır. Edip Cansever‟in Ġkinci Yeni döneminde yazdığı Ģiirlerinde göz sözcüğü, ilk dönem Yukarıda da belirttiğimiz gibi, göz imgesi bilinçaltının bir sözcüsü haline getirir. Edip Cansever (2011), "Kesin" adlı Ģiirinde göz ve balık sözcüklerini aynı anda kullanır. Cansever‟in Ģiirlerinde göz sözcüğünün acı çekmenin bir aracı haline getirildiğini Edip Cansever, dördüncü Ģiir kitabı olan Umutsuzlar Parkı (1958)‟nda göz ve görme yine Cansever‟in Ġkinci Yeni döneminde yazdığı Ģiirlerde göz organı, halüsinatik yapısının bir yansıması Edip Cansever‟in Ģiirlerde göz ve boĢluk veya gözün bir noktaya sabitlenmesi sıklıkla Edip Cansever‟in Ģiirlerinde hayvan gözleri de kullanılan bir imge haline gelmiĢtir. Cansever‟in neredeyse bütün Ģiirlerinde "göz"e ya da "bakma"ya iliĢkin bir vurgu vardır. DĠRLĠKYAPAN (2003), Murat Devrim, "Ġkinci Yeni DıĢında Bir ġair: Edip Cansever", id: work_fmly3h4b5zf7xh2ik6p6tcyzcq author: Fidan TONZA HELVACIKARA title: AN INTERDISCIPLINARY APPROACH IN ART: CERAMICS AND ANIMATION date: 2019 words: 5194 sentences: 671 pages: 15 flesch: 57 cache: ./cache/work_fmly3h4b5zf7xh2ik6p6tcyzcq.pdf txt: ./txt/work_fmly3h4b5zf7xh2ik6p6tcyzcq.txt summary: Plastik ve görsel sanatlara dair oluşturulması düşünülen yeni bir perspektif, seramik sanatı ile Aynı zamanda dönme eylemi ve animasyon tekniği arasındaki ilişki, seramik şekillendirme yöntemlerinden biri olan eylemi ve animasyon tekniği arasındaki ilişki, seramik şekillendirme yöntemlerinden biri olan çömlekçi çarkı keşfedilen, animasyon tarihinin önemli bir envanteri haline gelen seramik kap örneği, dekor tekniği açısından "Sanatta Disiplinlerarası Bir Yaklaşım: Seramik ve Animasyon" idil, 63 (2019 Kasım): s. "Sanatta Disiplinlerarası Bir Yaklaşım: Seramik ve Animasyon" idil, 63 (2019 Kasım): s. "Sanatta Disiplinlerarası Bir Yaklaşım: Seramik ve Animasyon" idil, 63 (2019 Kasım): s. "Sanatta Disiplinlerarası Bir Yaklaşım: Seramik ve Animasyon" idil, 63 (2019 Kasım): s. "Sanatta Disiplinlerarası Bir Yaklaşım: Seramik ve Animasyon" idil, 63 (2019 Kasım): s. "Sanatta Disiplinlerarası Bir Yaklaşım: Seramik ve Animasyon" idil, 63 (2019 Kasım): s. "Sanatta Disiplinlerarası Bir Yaklaşım: Seramik ve Animasyon" idil, 63 (2019 Kasım): s. "Sanatta Disiplinlerarası Bir Yaklaşım: Seramik ve Animasyon" idil, 63 (2019 Kasım): s. id: work_5witzl4u4reflgbcgze3py2ika author: Florencia María Martini title: "Susana y los viejos" en la pintura barroca y su resignificación desde una perspectiva de género en las expresiones artísticas de los siglos XX y XXI date: 2019 words: 4534 sentences: 561 pages: 8 flesch: 71 cache: ./cache/work_5witzl4u4reflgbcgze3py2ika.pdf txt: ./txt/work_5witzl4u4reflgbcgze3py2ika.txt summary: "Susana y los viejos" en la pintura barroca y su resignificación desde una perspectiva de XVI-XVII), a través del análisis de la obra "Susana y los viejos" de Tintoretto (1560/65), Artemisia Gentileschi (1610) y Guercino (1617), pinturas que representan una escena del Antiguo XXI, que invierten las representaciones sociales de los siglos XVI-XVII, en la obra de Pablo específicamente en la pintura barroca (siglos XVI-XVII), analizando para ello la obra "Susana y los Es por lo que Susana aparece más como una espectadora que protagonista del proceso penal En este cuadro Susana aparece como una pertenencia más del jardín privado de Joaquín y, su del mundo artístico de su época por el hecho de ser mujer y la humillación de que muchos de sus perfume y cierren las puertas del jardín que quiero bañarme (13, 17), los dos ancianos se levantaron que hablar con las mujeres" (citado por Chaneton 65). id: work_6zmwsbf2ofgqzj4o3nh3gp6vce author: Frances Buchanan title: Distributed aggregation of heterogeneous Web-based Fine Art Information: enabling multi-source accessibility and curation date: 2015 words: 11171 sentences: 749 pages: 17 flesch: 58 cache: ./cache/work_6zmwsbf2ofgqzj4o3nh3gp6vce.pdf txt: ./txt/work_6zmwsbf2ofgqzj4o3nh3gp6vce.txt summary: The sources of information on the Web relating to Fine Art and in particular to Fine Artists are A Museum API (Application Programming Interface), however, is a tool that can facilitate a similar information service for the domain of Fine Art, by allowing the retrieval and aggregation of Web-based Fine Art Information, whilst at the same time increasing holistic analysis of the application of large-scale Web-based systems to Fine Art. Section 3 discusses the method by which a solution can be provided, examining the issues limiting a information via a review of a number of different Web applications that have been created using open data aggregation of Fine Art Information and therefore the need for the provision of more Museum APIs. Finally, Section 7 adduces the findings for our research to validate our data-centric hypothesis for the not artist centric, this site''s data is more event related but it does provide a number of Web feeds that allow id: work_i7i4jsienzdctn4kuemqhvmccu author: Francesco Cervellini title: Art Is Thinking in Images date: 2017 words: 2999 sentences: 216 pages: 7 flesch: 61 cache: ./cache/work_i7i4jsienzdctn4kuemqhvmccu.pdf txt: ./txt/work_i7i4jsienzdctn4kuemqhvmccu.txt summary: Abstract: The theme of the conference regards images. Keywords: ars; master of ars; painting; image; imagination; disegno; sketching Wikipedia page states, the image in a literally rigorous sense is a "visual, non-solid representation". techniques used to produce actual images, that is, an inventive search for meaningful ways and On the other hand, throughout history, the image was inseparably fixed in works with a physical structure of the systems of formed visual images, beginning with an attempt to indicate their possible Today''s technoscience has only increased the capacity of scientists to work with images and Words, like an image, a reflection, a representation, 4. Notes on the Techniques of Inventing the disegno and Some Expressive Methods  The modern painter no longer considers the image as a simple substitute for a sensible reality. image (in this sense what is visible also has an abstract conception).  Many contemporary digital images show a tendency for a figurative change. id: work_ktpw4hxc2bgeblqj5a6q5iihsi author: Francisco Carlos Nather title: Subjective time perception is affected by different durations of exposure to abstract paintings that represent human movement date: 2014 words: 10458 sentences: 765 pages: 12 flesch: 58 cache: ./cache/work_ktpw4hxc2bgeblqj5a6q5iihsi.pdf txt: ./txt/work_ktpw4hxc2bgeblqj5a6q5iihsi.txt summary: Time perception can be affected by real emotional pictures of people that evoke different levels of arousal. The present study investigated whether abstract paintings that represent motion in different ways affect the perception of time when subjects are exposed to the paintings for different durations. painting and estimated the time of exposure (reproduction method). semantic Movement, Arousal, Complexity, and Recognition scales to obtain information about how the painting compositions Time distortions were observed for only two cubist paintings that represented human forms, which were related The data analysis revealed overestimation of time for the cubist painting that characteristics of artwork on time perception, emphasizing aspects of the visual perception of human forms in cubist paintings and Keywords: time perception, static images, implied movement, cubism, arousal. Painting Time (s) Latency (s) Movement Arousal Recognition Complexity Mean ± standard deviation of time estimation, latency, movement, arousal, recognition, and complexity for the four id: work_onmcr3t7nba7hcsprrje7rc3n4 author: Franz J. Monks title: CREATIVITY: IDIOGRAPHIC VERSUS NOMOTHETIC APPROACH date: 1995 words: 3531 sentences: 498 pages: 12 flesch: 63 cache: ./cache/work_onmcr3t7nba7hcsprrje7rc3n4.pdf txt: ./txt/work_onmcr3t7nba7hcsprrje7rc3n4.txt summary: experiencias y logros creativos de Sigmund Freud a lo largo de su vida, como ejemplo de un individuo creativa es única y los logros creativos son siempre significativos en términos del desarrollo. una aproximación más idiográfica y el desarrollo adornado por los logros de la coreografía, y fue una de las personas más influyentes en el siglo Gardner escogió estos siete individuos creativos-productivos dado que como un escritor creativo, dado que él crea un mundo para sí mismo, o recompone las cosas de su mundo en una nueva forma que le "El individuo creativo es una persona que regularmente resuelve Dentro de los siete creadores, Freud fue el que tuvo las mayores en el laboratorio no era para él, sino que los desórdenes nerviosos deberían Freud se convenció cada vez más que los desórdenes nerviosos eran "causados" por experiencias sexuales y fantasías. que ser atravesado por todos los siete individuos. id: work_yhxp7da7bfho7jij23vg5bwfdq author: Frederic Fol Leymarie title: Medialness and the Perception of Visual Art date: 2017 words: 19975 sentences: 1512 pages: 64 flesch: 62 cache: ./cache/work_yhxp7da7bfho7jij23vg5bwfdq.pdf txt: ./txt/work_yhxp7da7bfho7jij23vg5bwfdq.txt summary: In this article we explore the practical use of medialness informed by perception studies as a representation and processing layer for describing a class of works of visual art. first published in 1954, Arnheim proposed to model the creation and perception of visual pieces via a tension field (Note 7) whose main force lines constitute what he calls the ''structural skeleton'' of a painting, drawing, or sketch This leads them to hypothesize a medial-based shape processing method for human vision, which is in part inspired by the original proposal made by Harry Blum (Blum, 1973). We have designed in recent years a computational scheme which brings together the two main representations of 2D objects known to play an important role in visual perception, in the understanding of human vision neural computational scheme to systematically map visual contour traces to a medialness map which is then further processed to identify feature points of three id: work_wwsszpocyfgjbhggml6i67pt4y author: Frédéric Jimeno title: Exhibition reviews date: 2020 words: 4589 sentences: 512 pages: 6 flesch: 71 cache: ./cache/work_wwsszpocyfgjbhggml6i67pt4y.pdf txt: ./txt/work_wwsszpocyfgjbhggml6i67pt4y.txt summary: El pretexto viene dado por la celebrada adquisición en 2010 de unas tablas del siglo XVI identificadas como obra de Pere Mates y pertenecientes a un perdido retablo de San Juan Bautista, de las que se Otra amistad pareja y entrañable, en la que queremos centrarnos ahora, fue la que el malagueño mantuvo con el también joven Eugenio Arias, más conocido como "el barbero de Picasso", que desde su peluquería de Vallauris, el pueblo de los alfareros, le sirvió de enlace y filtro para todo el que quería visitarlo. La exposición que el Museo, con este material, ha dedicado a tal amistad en el marco del exilio, cuidadosamente comisariada por Carlos Ferrer Barrera (también encargado de la edición del catálogo y de la fundación la organización de una gran exposición de los dibujos de Francisco de Goya debido a dos factores: la contemporaneidad de la obra del artista y la presencia de su pintura en el museo desde su inauguración en 1819. id: work_xpybsq6fgfg7vp2cnypcan2zw4 author: G.-Fivos Sargentis title: Aesthetical Issues of Leonardo Da Vinci''s and Pablo Picasso''s Paintings with Stochastic Evaluation date: 2020 words: 10475 sentences: 1380 pages: 23 flesch: 61 cache: ./cache/work_xpybsq6fgfg7vp2cnypcan2zw4.pdf txt: ./txt/work_xpybsq6fgfg7vp2cnypcan2zw4.txt summary: we analyze stochastic patterns in terms of the dependence structure of art paintings of Da Vinci and Keywords: aesthetic of art paintings; stochastic analysis of images; Leonardo Da Vinci; Pablo Picasso image evaluation and classification of art paintings with mathematical algorithms is the subject of a image evaluation and classification of art paintings with mathematical algorithms is the subject of a This analysis for image processing is based on a stochastic tool called a climacogram. Stochastic Analysis of the Art Paintings of Leonardo da Vinci (1452–1519) and Pablo Picasso (1881–1973) Stochastic Analysis of the Art Paintings of Leonardo da Vinci (1452–1519) and Pablo Picasso (1881–1973) Stochastic Analysis of the Art Paintings of Leonardo da Vinci (1452–1519) and Pablo Picasso (1881–1973) Stochastic Evaluation of Da Vinci''s and Picasso''s Art Paintings Stochastic Evaluation of Da Vinci''s and Picasso''s Art Paintings Stochastic Evaluation of Da Vinci''s and Picasso''s Art Paintings id: work_bewbmanmg5exlod3rtc3ecmohq author: G.-Fivos Sargentis title: Stochastic Evaluation of Landscapes Transformed by Renewable Energy Installations and Civil Works date: 2019 words: 8664 sentences: 924 pages: 13 flesch: 55 cache: ./cache/work_bewbmanmg5exlod3rtc3ecmohq.pdf txt: ./txt/work_bewbmanmg5exlod3rtc3ecmohq.txt summary: Climacogram (2D-C) that allows the analysis and comparison of images of landscapes, both original Keywords: renewable energy; stochastic analysis of images; landscapes transformation; landscape intrusion of wind and solar energy into landscapes and justify why strong opposition on visual-impact The proposed method of image analysis, aims to analyze the landscape transformation caused by the installation of RE infrastructures and other civil works in the natural landscape, through stochastic landscape or RE installations the variability of the original image is decreased at scale κ = 1 as city landscape or RE installations the variability of the original image is decreased at scale κ = 1 as contrary, standardized climacograms of wind turbines in the landscape show weaker dependence and landscapes transformed by renewable energy installations and civil works. of images (a1)–(a3); (d) climacogram of images (a1)–(a3), Figure S26: (a1)–(a3) Transformation of landscape of Application in Analysis of the Transformation of Landscape by RE Installations and Civil Works id: work_nytbtr3rtjbnxlzwcrzj7mzcse author: G.I. title: A la Recherche du Temps Perdu date: 1976 words: 5609 sentences: 1375 pages: 10 flesch: 86 cache: ./cache/work_nytbtr3rtjbnxlzwcrzj7mzcse.pdf txt: ./txt/work_nytbtr3rtjbnxlzwcrzj7mzcse.txt summary: Civil War the paths of Spain and of the western world drifted outbursts of social and political revolt which sounded to the absentminded western world rather like a family quarrel next door, until Francoist regime, and especially the Falangist Party, presented Spain, potentially one of the richest countries in Europe, well industrialized countries of western Europe at bay when faced with inevitably used by political scientists in Spain was at variance with partisan western students of politics left Spanish political scientists scientists from Spain were at times received in the west (''is he a which Spanish social scientists received their western colleagues examine the options facing Spain at the end of the Franco regime. Spanish politics after the death of Franco is that, given the Communist Party of Spain (in Paul Preston''s study) at the other title ''The Spanish Economy: Politics First'', and then by showing the possibilities of Spain joining the European Community. id: work_f2vnr4iplva3zihzjrrgavei4a author: Geon-Ho Bahn title: ADHD, New Developed or Newly Found : Historical Review date: 2011 words: 4391 sentences: 1072 pages: 10 flesch: 87 cache: ./cache/work_f2vnr4iplva3zihzjrrgavei4a.pdf txt: ./txt/work_f2vnr4iplva3zihzjrrgavei4a.txt summary: ADHD 치료와 연구에 가장 획기적인 내용은 1937년 Charles Bradley라는 정신과의사가 쓴 ''The behavior of children receiving benzedrine''이라는 논문에서 찾을 수 있 ADHD의 기질적 원인 분석 시도, Minimal brain 으로 가는 방안과 기존의 주의력 결핍형 대신 attention deficit disorder(ADD) 진단을 채택하는 것을 고려하고 있다. Emerson, Robert Frost, George Bernard Shaw, Henry David Thoreau, Leo Tolstoy, Tennessee Williams, The conceptual history of attention deficit hyperactivity disorder: idiocy, imbecility, encephalitis and the child deviant, 1877-1929. IV ADHD and ICD 10 Hyperkinetic disorder in Croatian sample. The history of attention deficit hyperactivity disorder. The history of attention deficit hyperactivity disorder. Refining the diagnoses of inattention and overactivity syndromes: A reanalysis of the Multimodal Treatment study of attention deficit hyperactivity disorder (ADHD) based on ICD-10 criteria for hyperkinetic disorder. attention-deficit/hyperactivity disorder. attention-deficit/hyperactivity disorder. attention-deficit/hyperactivity disorder. attention-deficit/hyperactivity disorder. Attention deficit hyperactivity disorder and the behavior of "Che" and treatment of attention deficit-hyperactivity disorder. id: work_vx2jxvfm5reghib3pydctzoqfq author: George E. Newman title: Kinds of Authenticity date: 2016 words: 820 sentences: 185 pages: flesch: 59 cache: ./cache/work_vx2jxvfm5reghib3pydctzoqfq.pdf txt: ./txt/work_vx2jxvfm5reghib3pydctzoqfq.txt summary: [PDF] Kinds of Authenticity | Semantic Scholar Corpus ID: 51829146Kinds of Authenticity author={George E. This paper reviews the various definitions of authenticity that have been proposed in the literature and identifies areas of convergence. Citation Type Citation Type Sort by Most Influenced Papers Sort by Citation Count The Psychology of Authenticity Lehman, Kieran O''Connor, G. Carroll, David W. View 1 excerpt, cites background View 1 excerpt, cites background View 1 excerpt, cites background View 1 excerpt, cites background Reconceptualizing object authenticity. 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By clicking accept or continuing to use the site, you agree to the terms outlined in our Privacy Policy, Terms of Service, and Dataset License id: work_gfkqjgisvzavfhm46wm4an4feq author: George John title: Volatility and fluctuations in preferences for Red, Yellow and Blue colours are indicators of personality traits and biological status date: 2019 words: 4437 sentences: 515 pages: 5 flesch: 52 cache: ./cache/work_gfkqjgisvzavfhm46wm4an4feq.pdf txt: ./txt/work_gfkqjgisvzavfhm46wm4an4feq.txt summary: Volatility and fluctuations in preferences for Red, Yellow and Blue colours preferences for the three primary colours Red, Yellow and Blue could provide cues to the personality of an individual. Currently there seem to be no studies on colour preference of primary colours Red, Yellow and Blue, and the underlying volatility of The hypothesis proposed is that the sequence of colour preferences hopefully reveal colour preference patterns that can be linked to personality types of subjects. colour preference of Red (R), Yellow (Y) and Blue Personality traits and colour preferences. Infant colour vision: Prediction of infants'' spontaneous color preferences. 2010.Gender differences in colour preference: personality Volatility and fluctuations in preferences for Red, Yellow and Blue colours are indicators of personality traits and biological status Volatility and fluctuations in preferences for Red, Yellow and Blue colours are indicators of personality traits and biological status id: work_7hwd3gqirzbu5n2pvk7maimsve author: Gerald Keaney title: A New Avant-Garde? date: 2011 words: 5072 sentences: 729 pages: 10 flesch: 70 cache: ./cache/work_7hwd3gqirzbu5n2pvk7maimsve.pdf txt: ./txt/work_7hwd3gqirzbu5n2pvk7maimsve.txt summary: To cite this article: Gerald Keaney (2011): A New Avant-Garde?, Rethinking Marxism: A Situationist argument that revolutionary art is impossible. I believe that, by concentrating on the truthtelling possibilities of art, we can meet the Situationist argument. Key Words: Avant-Garde, Everyday Life, Truth, Situationist International, Surrealism Situationist International (1957� 71) argued that revolutionary art is a contradictio in Though the Situationists themselves gave us systematic formal innovation (especially détournement), they think of themselves as the last avant-garde and then only I will begin by arguing that the avant-garde requires art to be truthful about the The first section examines the Situationists'' argument for why revolutionary art is a would be neither revolutionary art nor avant-garde, but ''''group innovators in the area of form.'''' for instance, believed that art could utter truths about preconscious potential in the analysis of truth in art or to rule out the surface effects for the avant-garde approach. Truth in art. id: work_yk37cduk4fexpneedscyp5bh2i author: Gregorio Vicente Nicolás title: Comunicar en Danza date: 2020 words: 1090 sentences: 161 pages: 4 flesch: 62 cache: ./cache/work_yk37cduk4fexpneedscyp5bh2i.pdf txt: ./txt/work_yk37cduk4fexpneedscyp5bh2i.txt summary: analizan la desmaterialización del cine y la danza para emerger como un incursión en múltiples ámbitos de conocimiento como son: la antropología y la etnodanza, para acercar al lector a danzas prohibidas en el danza integrada como elemento transformador desde una perspectiva También se abordan aspectos más técnicos de la danza como son el análisis de los códigos de comunicación Atendiendo al título Comunicar en Danza, no es extraño que la tecnología sea una temática recurrente a lo largo de la obra. entre ambas, o los recursos didácticos que las nuevas tecnologías y esta sección del libro, entre las que destacan las siguientes: un programa de intervención fundamentado en la danza integrada; propuestas aplicables en los centros educativos para mejorar la formación en expresión corporal del profesorado de Educación Primaria; estudios que ponen de manifiesto la validez del cuento como recurso para la sensibilización y difusión de la Danza Española en el ámbito educativo; o id: work_7o5vcdq4frblpbcmzvgvtuh5nq author: Gul ERBAY ASLITURK title: 20. YÜZYIL RESİM VE HEYKELLERİNİN YUNAN MİTOLOJİSİ VE İKİCİLİK KAVRAMI AÇISINDAN DEĞERLENDİRİLMESİNE YÖNELİK BİR ARAŞTIRMA date: 2016 words: 7787 sentences: 1362 pages: 36 flesch: 69 cache: ./cache/work_7o5vcdq4frblpbcmzvgvtuh5nq.pdf txt: ./txt/work_7o5vcdq4frblpbcmzvgvtuh5nq.txt summary: varlığı analiz edilerek, çalışma; resim ve heykele konu olan ikiciliğin, insan yaşamının bir Yüzyıl Resim Ve Heykellerinin Yunan Mitolojisi Ve İkicilik Kavramı Açısından Değerlendirilmesine Yönelik Bir Araştırma. Yüzyıl Resim Ve Heykellerinin Yunan Mitolojisi Ve İkicilik Kavramı Açısından Değerlendirilmesine Yönelik Bir Araştırma. Yüzyıl Resim Ve Heykellerinin Yunan Mitolojisi Ve İkicilik Kavramı Açısından Değerlendirilmesine Yönelik Bir Araştırma. Yüzyıl Resim Ve Heykellerinin Yunan Mitolojisi Ve İkicilik Kavramı Açısından Değerlendirilmesine Yönelik Bir Araştırma. Yüzyıl Resim Ve Heykellerinin Yunan Mitolojisi Ve İkicilik Kavramı Açısından Değerlendirilmesine Yönelik Bir Araştırma. Yüzyıl Resim Ve Heykellerinin Yunan Mitolojisi Ve İkicilik Kavramı Açısından Değerlendirilmesine Yönelik Bir Araştırma. Yüzyıl Resim Ve Heykellerinin Yunan Mitolojisi Ve İkicilik Kavramı Açısından Değerlendirilmesine Yönelik Bir Araştırma. Yüzyıl Resim Ve Heykellerinin Yunan Mitolojisi Ve İkicilik Kavramı Açısından Değerlendirilmesine Yönelik Bir Araştırma. Yüzyıl Resim Ve Heykellerinin Yunan Mitolojisi Ve İkicilik Kavramı Açısından Değerlendirilmesine Yönelik Bir Araştırma. Yüzyıl Resim Ve Heykellerinin Yunan Mitolojisi Ve İkicilik Kavramı Açısından Değerlendirilmesine Yönelik Bir Araştırma. id: work_kirjr3gvlvctddfxgljqnuabaa author: Gurkan Topaloglu title: Teaching/Learning Strategies Through Art: Theatre and Basic Design Education date: 2015 words: 2874 sentences: 243 pages: 7 flesch: 61 cache: ./cache/work_kirjr3gvlvctddfxgljqnuabaa.pdf txt: ./txt/work_kirjr3gvlvctddfxgljqnuabaa.txt summary: The purpose of this study is to investigate the theatre as an architecture learning strategy in Basic Design Education. study examines the art as a tool in Basic Design Education through the concept of the "body", which is the common point of Architectural design activities are founded on "body and space" which In the context of body and space relationship; a different training method was tested together with performance art that is "theater" and building art that is "architecture" over Basic Design Education. Keywords: Basic Design; Education; Theatre; Architecture; Body; Space Human body fills a gap in the space given its physical existence and designates space in an unconditional way. The conscious formulation, design and production of the space is possible through the discipline of architecture. The design of space in architecture is shaped within the framework of basic design elements and principles. id: work_fkvz7epx5ja2ldt7i3izxt7bh4 author: Guus Schreiber title: Semantic Annotation and Search of Cultural-Heritage Collections: The Multimedian E-Culture Demonstrator date: 2008 words: 5634 sentences: 516 pages: 7 flesch: 61 cache: ./cache/work_fkvz7epx5ja2ldt7i3izxt7bh4.pdf txt: ./txt/work_fkvz7epx5ja2ldt7i3izxt7bh4.txt summary: Semantic annotation and search of cultural-heritage collections: demonstrate how novel Semantic Web and presentation technologies can be deployed to provide better indexing and search support (ii) Providing facilities for semantic search through the resulting graph, including various presentation mechanisms for the Schreiber, et al., Semantic annotation and search of cultural-heritage collections: The MultimediaN E-Culture Schreiber, et al., Semantic annotation and search of cultural-heritage collections: The MultimediaN E-Culture Schreiber, et al., Semantic annotation and search of cultural-heritage collections: The MultimediaN E-Culture Schreiber, et al., Semantic annotation and search of cultural-heritage collections: The MultimediaN E-Culture Schreiber, et al., Semantic annotation and search of cultural-heritage collections: The MultimediaN E-Culture Schreiber, et al., Semantic annotation and search of cultural-heritage collections: The MultimediaN E-Culture Schreiber, et al., Semantic annotation and search of cultural-heritage collections: The MultimediaN E-Culture Semantic annotation and search of cultural-heritage collections: The MultimediaN E-Culture demonstrator id: work_cejwynuejrck7ewoii7hr5u3fq author: Guus Schreiber title: Semantic annotation and search of cultural-heritage collections: The MultimediaN E-Culture demonstrator date: 2008 words: 5634 sentences: 516 pages: 7 flesch: 61 cache: ./cache/work_cejwynuejrck7ewoii7hr5u3fq.pdf txt: ./txt/work_cejwynuejrck7ewoii7hr5u3fq.txt summary: Semantic annotation and search of cultural-heritage collections: demonstrate how novel Semantic Web and presentation technologies can be deployed to provide better indexing and search support (ii) Providing facilities for semantic search through the resulting graph, including various presentation mechanisms for the Schreiber, et al., Semantic annotation and search of cultural-heritage collections: The MultimediaN E-Culture Schreiber, et al., Semantic annotation and search of cultural-heritage collections: The MultimediaN E-Culture Schreiber, et al., Semantic annotation and search of cultural-heritage collections: The MultimediaN E-Culture Schreiber, et al., Semantic annotation and search of cultural-heritage collections: The MultimediaN E-Culture Schreiber, et al., Semantic annotation and search of cultural-heritage collections: The MultimediaN E-Culture Schreiber, et al., Semantic annotation and search of cultural-heritage collections: The MultimediaN E-Culture Schreiber, et al., Semantic annotation and search of cultural-heritage collections: The MultimediaN E-Culture Semantic annotation and search of cultural-heritage collections: The MultimediaN E-Culture demonstrator id: work_6rn6kpxr7rexpjaebjvzy3srjq author: György Darvas title: Perspective as a Symmetry Transformation date: 2003 words: 4852 sentences: 462 pages: 13 flesch: 60 cache: ./cache/work_6rn6kpxr7rexpjaebjvzy3srjq.pdf txt: ./txt/work_6rn6kpxr7rexpjaebjvzy3srjq.txt summary: because perspective is a symmetry transformation preserving reflections in respect of the same straight line, we return to the original object. is a symmetry transformation whereby the distances between the corresponding points of two or more symmetry transformations on the same object and one or Other geometric symmetry transformations can also be combined. In the perspective of artists2 we find a combination of the symmetry transformations Were perspective not a symmetry transformation How far are the images of art produced using symmetry transformations true and 20 GYÖRGY DARVAS – Perspective as a Symmetry Transformation 20 GYÖRGY DARVAS – Perspective as a Symmetry Transformation 20 GYÖRGY DARVAS – Perspective as a Symmetry Transformation 20 GYÖRGY DARVAS – Perspective as a Symmetry Transformation 20 GYÖRGY DARVAS – Perspective as a Symmetry Transformation 20 GYÖRGY DARVAS – Perspective as a Symmetry Transformation 20 GYÖRGY DARVAS – Perspective as a Symmetry Transformation id: work_pgbyrtel4fbubhglbnokwwoxbm author: GÜLDEREN GÖRENEK title: MODERN SANAT date: 2020 words: 4998 sentences: 845 pages: 13 flesch: 62 cache: ./cache/work_pgbyrtel4fbubhglbnokwwoxbm.pdf txt: ./txt/work_pgbyrtel4fbubhglbnokwwoxbm.txt summary: Modern sanatta tuval yüzeyi ve boya, geleneksel sanatın tersine bir anlayışla sahiplenilen ve Çalışmada, Modern Döneme ait resim sanatı akımları, analitik bir bakış açısı ve sürece etki ederek, akışı kökten yermiş ve modern yeni sanatçı tipini, dünya insanı olarak nitelendirdiği Bay G üzerinden tarif etmiştir. Modernizm, resim sanatında 1860-1960 yıllarını kapsayan bir dönem olarak ortaya çıkmıştır. Modern Sanatta tuval yüzeyi ve boya geleneksel sanattın tersine bir anlayışla sahiplenilen ve Sanatçı, "Grande Jatte Adası‟nda Bir Pazar Öğleden Sonra" (Şekil 4) resmini 1884-86 yılları arasında sanatçı hem renk üzerine bilimsel bulguları sanata taşırken hem de modern bir kentlinin hafta sonlarını Modern sanatta, Kandinsky ile başlayan soyut sanat, Kazamir Maleviç‟in de başvurduğu bir modern sanat dili olmuştur (Şekil 17). Rusya‟da 1917 Ekim Devrimi ile gelen değişimler, yeni bir dünya için sanatı da kendi 1960 yılında Minimalizm ile modern sanatta, başka bir sürece girilmiştir. Modern sanatta tuval yüzeyi ve boya, geleneksel sanatın tersine bir id: work_d7r5hqxejbfzxgrzluzmapzqve author: Gökçen Şahmaran CAN title: GÖRSEL SANATLARDA AVANGARD VE KİÇ OLGUSU date: 2017 words: 4100 sentences: 595 pages: 12 flesch: 64 cache: ./cache/work_d7r5hqxejbfzxgrzluzmapzqve.pdf txt: ./txt/work_d7r5hqxejbfzxgrzluzmapzqve.txt summary: Kültür, sanat gerçeklik tanımları içinde kabul gören kural olarak benimsenmiş ilkeleri sarsıp sınırlarını değiştirmeyi amaç edinir. İlk ortaya çıkışı Romantizm ve Sanayi Devrimi ile başlayan, ticarileştirme, bayağılaştırma, ucuzlatma ve estetik uygunsuzluk gibi kavramlarla tanımlanan kiç formlar Modernist sanat yaratıcılığa, biricikliğe, eşsizliğe dayanan yaşamdan ayrı, kurmaca ve özerk bir evrensel estetik kurma amacındaydı. Başlarda Modernizmin kötü, tehlikeli, zararlı saydığı tüm formlar, özellikle popüler kültür geniş bir kabul görüyordu. İlk kırılma noktası, Pop-art''ın kiç olarak kabul gören ticari kültürü sanata dahil etme girişimiydi. Picasso ile İlya Repin''i karşılaştıran Greenberg, Picasso''nun eserlerini sanat, Repin''inkileri ise kiçe örnek olarak gösteriyordu. Kısacası kiç, güzel ya da çirkin gibi bir estetik Kiç, modernist karşıtı bir form olarak, sanata dahil edilmişti Kiçin ilk olarak müdafaası ya da tercih edilmesi, estetik bir sınıflandırma onaylamasını dağıtma, beğeninin ya da zevkin hiyerarşi fikrine tecavüz etme ve modernizmin ayrıştırdıkları bir yüksek sanat anlayışı için farklı bir estetik kategori olarak tanımlar. id: work_3evkrwvmenazrkl6fa2zlhoecm author: Gökçen Şahmaran CAN title: ŞİDDET VE SANATSAL YARATI date: 2018 words: 4061 sentences: 637 pages: 12 flesch: 66 cache: ./cache/work_3evkrwvmenazrkl6fa2zlhoecm.pdf txt: ./txt/work_3evkrwvmenazrkl6fa2zlhoecm.txt summary: Şiddet kavramı sözlüklerde geçen anlamı ile; karşıt görüşte olanlara kaba kuvvet kullanmak, sert davranmak, sertlik, "şiddet olayları" ise, insanları sindirmek, korkutmak için yaratılan olay ya da girişimler olarak tanımlanmaktadır. Bu çerçevede, bir ekonomik hakimiyet sistemi olarak kapitalizmin insanları tüketime zorladığı ve hiçe indirgediği böyle bir ortamdan doğal olarak sanatçılar da etkilenmişler, modern dünyanın birey üzerinde kurduğu baskı ve şiddet gibi unsurlar sanatçıların sanatsal ifade biçimlerine yansımıştır. özellikle şiddeti ön plana alan "Happening", "Fluxus", "Body-art" gibi sanatsal hareketler alınması ile baskı altında olan bireyin bir iktidarsızlık durumu yaşaması yıkıcılığı kaçınılmaz kılmıştır. Bu baskı ve engellenmeler sonucunda bir iktidarsızlık durumu yaşayan kişi ise iktidarı elde etmek için şiddete ortamdan doğal olarak sanatçılar da etkilenmişler, modern dünyanın birey üzerinde kurduğu baskı ve şiddet gibi unsurlar sanatçıların sanatsal ifade biçimlerinde varlık bulmuştur. Hans Holbein, insan bedeninin iskelete dönüşmesi üzerine yoğunlaşmış, bedenin çürümesini sanatsal bir dil ile ifade etmiştir. id: work_mx3ruyzhjbfjdlmnht3u3gdurm author: Gülser AKTAN title: DADA VE POP SANAT ARASINDAKİ TEKNİK VE FELSEFİ İLİŞKİ date: 2018 words: 3541 sentences: 544 pages: 10 flesch: 68 cache: ./cache/work_mx3ruyzhjbfjdlmnht3u3gdurm.pdf txt: ./txt/work_mx3ruyzhjbfjdlmnht3u3gdurm.txt summary: karşı, Dada''nın Pop Sanat''tan farkını ortaya koymaktır. Pop Sanat''ın, reklam sektöründen olduğu gibi aldığı imajlar ile Dada''nın Hazır Nesne''si Dada, 1916-1923 yılları arasında Avrupa ve Amerika''da etkili olmuş bir sanat hareketidir. Dada sanatçıları bu bakımdan sanatsal tavırlarını ortaya koyarken bir değil ama birçok sanat tekniğini kullanmaktan alanına sokulan bu nesneler, Dada''nın şok etme, absürt, ironi, mizah gibi amaçları için etkili bir Allow''un söyleminden yorumla Pop Sanatçılarının, Dada sanatçıları gibi içinde bulundukları ortama, ekonomik, politik, toplumsal ve felsefik herhangi bir Bugün Yeni Gerçekçilik, Pop Sanat, Asamblaj gibi terimlerle anılan Neo-Dada''nın kökeni Dada''dır Pop Sanat teknikleri arasında Dada''nın tekniklerinden yeni olanı çoğalma Pop Sanat sanatçıları arasında özellikle Andy Warhol İpek baskı tekniğini kullanmıştır. Dada''nın kolaj, hazır nesne ya da performans gibi tekniklerle ortaya koydukları; İroni, Sonuç olarak Dada ve Pop Sanat hem felsefi hem de teknik malzeme temsili bakımından farklıdır. Pop Sanat''ı hazır nesne kullanımı yüzünden Dada ile ilişkilendirmek sırf tuval ve id: work_xzjcutuotnerdklf4h3cmbhrau author: HAROLD VALENCIA LÓPEZ title: LA POLÍTICA Y LA DEMOCRACIA COMO CREACIONES IMAGINARIAS: DE LOS GRIEGOS A NOSOTROS date: 2016 words: 4638 sentences: 613 pages: 12 flesch: 65 cache: ./cache/work_xzjcutuotnerdklf4h3cmbhrau.pdf txt: ./txt/work_xzjcutuotnerdklf4h3cmbhrau.txt summary: Redalyc.La política y la democracia como creaciones imaginarias: de los griegos a nosotros La política y la democracia como creaciones imaginarias: de los griegos a nosotros sentido la política y la democracia son creaciones imaginarias, cómo entender la imaginación y el elemento imaginario que hay en la creación humana, qué son las significaciones imaginarias sociales y qué función cumplen para la cohesión social. que no son abstraídas de la experiencia, ni sacadas de la naturaleza, ni mucho menos deducidas de un sistema lógico, ni tampoco se pueden simplificar a unas causas últimas sociales, históricas, económicas o funcionales. una nueva forma de pensar el ser de lo psíquico, de lo histórico-social, que rebase las categorías de sociedad y no reposa fundamentalmente en la coerción, sino en la interiorización que hacen los individuos de las significaciones imaginarias sociales Pero, ¿cuáles son los rasgos más relevantes del imaginario político griego Para que las voces de los distintos grupos de la sociedad id: work_alm4rbnm3nbl5btsezm7k36qmi author: Ha-Yub Song title: New Museum for New Forms of Art - Focused on "Museum without Walls", and the relationship between art and architecture - date: 2011 words: 5702 sentences: 454 pages: 7 flesch: 63 cache: ./cache/work_alm4rbnm3nbl5btsezm7k36qmi.pdf txt: ./txt/work_alm4rbnm3nbl5btsezm7k36qmi.txt summary: Focused on "Museum without Walls", and the relationship between art and architecture Abstract To design and construct a museum of art involves the interest of artists, architects, curatorship, management, and local However, most of Modern and contemporary architecture has not delivered genuine public experience of integrated art Conceptual message of art and perceptual architectural exhibition space has not been integrated easily. installation art and media art necessitates a new museum format which needs not only exhibition, but laboratory and interface space with young artists, and more than this, will introduce successfully established museums for new forms of art, which are equipped with versatile envision a creative method of art and architecture production that can achieve genuine public experience. since a work of art can travel museums while a building cannot In a typical neutral white wall exhibition space, works of art In doing so, art works and museum has its id: work_mhks7theu5ejbjtf7ybjmrdwmy author: Hanneri Borstlap title: From crayons to canvas: the enlightenment of children at an arts festival date: 2019 words: 6691 sentences: 590 pages: 12 flesch: 67 cache: ./cache/work_mhks7theu5ejbjtf7ybjmrdwmy.pdf txt: ./txt/work_mhks7theu5ejbjtf7ybjmrdwmy.txt summary: arts to young children between the ages of 6 and 13 years. art safari, catering to young children between the ages of six and 13 years old to promote of children at an arts festival, what the learning aspect of this experience is and how in their research, the focus was not on the learning of children at arts festivals, the importance Only 16% (7 out of 45) of the children indicated something with regard to learning about history, art The second finding is that children can learn about art during a short period of time. children to gain appreciation of art and self-expression. The purpose of this research was to determine the experience of children at an arts festival, By exposing children to art, history and different mediums at a young age, it is not just a way picture: visual literacy education through art for young children. id: work_ws6tnlupwfdfxlxpjpypsgpc5i author: Hanns Stein title: Immer auch ein politischer Impuls date: 2019 words: 4812 sentences: 652 pages: 6 flesch: 75 cache: ./cache/work_ws6tnlupwfdfxlxpjpypsgpc5i.pdf txt: ./txt/work_ws6tnlupwfdfxlxpjpypsgpc5i.txt summary: sobre todo a personas, la mayoría también músicos que llegaron a Chile huyendo del nazismo alemán. Durante este tiempo creció el deseo de Juan de conocer Alemania, el país que ya le era Dice Juan: "Seguí los consejos y llegué a una Alemania de la que claramente de aquel tiempo había un timbre que decía ''Este pasaporte no es válido para los países del este''. Christian Esch escribe: Cuando Juan Allende-Blin habla de su música, eso sucede de manera Entre Juan y Gerd hubo una gran coincidencia de ideas, tanto en lo musical como Frank Schneider dice que lo de Barsbüttel fue una experiencia que era necesaria para ajustar la Juan cita a Hans Klaus Jungheinrich, quien escribe para una serie de CD Música en Alemania 1950Pero Juan dice que también su música de cámara Yo compuse para él varias obras que fueron estrenadas por él. id: work_7qkrrpxgdfevncbo2wkxsowiau author: Hasan SUNGUR title: ORTAÖĞRETİM ÖĞRENCİLERİNİN MİLLİYETÇİLİK VE KAHRAMANLIK ALGILARININ CİNSİYETE VE OKUL TÜRÜNE BAĞLI DEĞİŞİMİNİN SOSYOLOJİK ANALİZİ date: 2013 words: 6234 sentences: 1150 pages: 27 flesch: 73 cache: ./cache/work_7qkrrpxgdfevncbo2wkxsowiau.pdf txt: ./txt/work_7qkrrpxgdfevncbo2wkxsowiau.txt summary: boyutunda ise özel okul öğrencileri lehine anlamlı bir fark bulunmuştur. Martin Luther, Josef Stalin alt boyutlarında ise özel okul öğrencileri lehine anlamlı bir boyutlarında ise özel okul öğrencileri lehine anlamlı bir fark bulunmuştur. boyutlarında ise özel okul öğrencileri lehine anlamlı bir fark bulunmuştur. boyutlarında ise özel okul öğrencileri lehine anlamlı bir fark bulunmuştur. kız öğrenciler için olduğundan daha önemli bir kahramanlık özelliği olduğu tespit okulu öğrencileri için özel okul öğrencileri için olduğundan daha önemli bir kahramanlık öğrencileri için devlet okulu öğrencileri için olduğundan daha önemli bir kahramanlık olduğundan daha önemli bir toplumsal değer olduğu tespit edilmiştir. kız öğrenciler için erkek öğrenciler için olduğundan daha önemli bir toplumsal değer öğrencileri için olduğundan daha önemli toplumsal değerler olduğu tespit edilmiştir. özel okul öğrencileri için devlet okulu öğrencileri için olduğundan daha etkileyici olduğu Josef Stalin kimlikleri ise daha çok özel okul öğrencilerince kahraman olarak "Ideology and United States History Textbooks." Harvard Educational id: work_wk6ezdjaefg47fgxly5556km4q author: Helen Gonçalves title: Aproveitar a vida, juventude e gravidez date: 2006 words: 5680 sentences: 645 pages: 19 flesch: 65 cache: ./cache/work_wk6ezdjaefg47fgxly5556km4q.pdf txt: ./txt/work_wk6ezdjaefg47fgxly5556km4q.txt summary: refere especificamente aos jovens, parte da bibliografia socioantropológica tem demonstrado que a juventude atual possui um valor simbólico, um estilo de vida identificado ao consumo do bem viver no Ocidente moderno – logo, pode ser consumida por outras idades e fases de com as jovens e suas mães era "ser jovem é aproveitar a vida!". 15 anos que o reconhecimento familiar do aprendizado social, amadurecimento emocional e desenvolvimento corporal se manifesta, mais fortemente para as meninas, como a concordância dos pais com a ampliação Um pano de fundo mais abrangente e que faz diferença nas concepções e nos modos de articular idéias sobre os jovens, a gravidez e a passagem para a vida adulta é o contexto sociocultural e valorativo onde vivem. Estudos socioantropológicos demonstram que nas camadas populares há uma maior valorização da fase adulta, justamente por ela conformar um indivíduo menos dependente financeiramente dos pais id: work_2np4qtdcozbe7dfwcl5ifmderi author: Hugo Keith Weihe title: Licit International Traffic in Cultural Objects for Art''s Sake date: 1995 words: 5104 sentences: 316 pages: 10 flesch: 61 cache: ./cache/work_2np4qtdcozbe7dfwcl5ifmderi.pdf txt: ./txt/work_2np4qtdcozbe7dfwcl5ifmderi.txt summary: Licit International Traffic in Cultural Objects for Art''s Sake The movement of works of art and cultural properties has at all times the director of the British Museum considers his museum a masterpiece in its own right.2 In this new context the seized cultural goods works of art created within a nation, but not necessarily by an artist works of art, but generally imply cultural goods in a broader sense. Why is it possible that works of art like the paintings by This would cast considerable doubt, for example, on the justification of considering a painting by Matisse as cultural property, particulary as the time factor becomes overly important. market value is an indication of the importance of a given cultural vast majority of the cultural goods handled in the art market will at Just as their works, the creators of cultural goods may potentially the workings of the art market. id: work_jpml57ohnbc2ldl5x5v5voxtre author: Hyangja Kim title: Costume Code Analysis Placed Mise-en-abyme in the Movie - Focused on the Lucien Dällenbach''s theory and the film - date: 2017 words: 6496 sentences: 1901 pages: 17 flesch: 109 cache: ./cache/work_jpml57ohnbc2ldl5x5v5voxtre.pdf txt: ./txt/work_jpml57ohnbc2ldl5x5v5voxtre.txt summary: This study focuses on the Mise-en-abyme theories of Lucien Dällenbach, and presents research this film plays the role of costume codes, and highlights the subject by presenting specifically targeted realistic icons to maximize the realism of the movie. Mise-en-abyme is deployed to the explicit text through costumes code is placed as Displaced code Midnight in Paris(미드나잇 인 파리), Mise-en-abyme(미장아빔), overlapped virtual(중첩된 가상), paradoxical reflects(역설적 반영), 이 배치된 영화에 내재된 의상기호의 미적 가치를 1. 미장아빔(Mise-en-abyme)의 개념 영화에서 착용한 인물들의 의상은 시각적 효과 뿐 한 배경은 꿈속의 꿈으로 이동하기 위한 영화적
The film ''Midnight in Paris'' analysis placed Mise-en-abyme 영화에 등장하는 ''꿈''과 ''꿈속의 꿈'' 장면은 패 3. 가상과 현실의 중첩된 확장에 의한 역설적 영화에서 ''꿈속의 꿈''은 중첩된 사건에 해 ''꿈속의 꿈''인 벨 에포크 시대에서 그녀가 착용한
The aesthetic meaning of Costume code placed Mise-en-abyme in the film Journal of the Korea Fashion & Costume id: work_efwj4bfogvfmpmkvb46xfmczpa author: Hyeun Sung Kim title: Development of Endoscopic Spine Surgery for Healthy Life: To Provide Spine Care for Better, for Worse, for Richer, for Poorer, in Sickness and in Health date: 2020 words: 2957 sentences: 286 pages: 6 flesch: 51 cache: ./cache/work_efwj4bfogvfmpmkvb46xfmczpa.pdf txt: ./txt/work_efwj4bfogvfmpmkvb46xfmczpa.txt summary: associated spinal conditions, there is a demand for surgical techniques to provide effective decompression and fusion.16 In headto-head comparisons with open and minimally invasive microscopic decompression and fusion, full endoscopic uniportal and endoscope-assisted biportal decompression and interbody fusion achieved equivalent patient-reported outcomes, with better facet preservation, shorter hospital stays, improved perioperative pain management, and a lower infection rate.17-19 With the wide application of open and endoscopic spine decompression and fusion surgery in patients with degenerative spine disease, there has been a corresponding increase in patients who It is important for industry, health care policymakers, and endoscopic spine surgeons to be aware of the social responsibility of reasonable costs in the provision of endoscopic spine surgical care, in order to fulfil the objective of providing similarly effective minimally invasive spinal surgery regardless of the social background of the presenting patient.28 Efficacy of Biportal endoscopic spine surgery for lumbar spinal stenosis. id: work_ycz7lhy3jrd5bjb7y4sb6suuem author: Inmaculada Serramito-Gómez title: Unconventional autophagy mediated by the WD40 domain of ATG16L1 is derailed by the T300A Crohn disease risk polymorphism date: 2016 words: 1931 sentences: 221 pages: 5 flesch: 63 cache: ./cache/work_ycz7lhy3jrd5bjb7y4sb6suuem.pdf txt: ./txt/work_ycz7lhy3jrd5bjb7y4sb6suuem.txt summary: símbolos del nacionalismo vasco, obra colectiva en la que repiten el propio de Pablo así rituales y en general en todas las representaciones culturales del nacionalismo vasco y acreditado una gran capacidad para crear símbolos exitosos, entre los que cabe destacar, como ello, así como la amplia atención a los aspectos musicales que acertadamente ofrece esta obra: El debate identitario ocupa, pues, el aspecto central de 100 símbolos vascos, obra en en falta, entre el elenco elegido por los autores, algunos de los símbolos no nacionalistas que ilustrado de símbolos del nacionalismo vasco, donde quedaron reflejadas las referencias 100 símbolos vascos, así como sobre toda la historiografía al respecto, circunstancia de extrema que el himno más popular entre los vascos, el Gernikako arbola, no haya tenido en la obra condiciona la historiografía vasca desde hace más de dos siglos y que una obra cultural como id: work_pifu2x7fhjanlfb6oc2bmxikpu author: J M Cotton title: Problems of older people: forced idleness, impoverishment, ill health, isolation. Opening statement date: 1973 words: 144 sentences: 26 pages: flesch: 71 cache: ./cache/work_pifu2x7fhjanlfb6oc2bmxikpu.pdf txt: ./txt/work_pifu2x7fhjanlfb6oc2bmxikpu.txt summary: sys_1000 wp-p1m-39.ebi.ac.uk wp-p1m-39.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write(''[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]''.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 219770946 (wp-p1m-39.ebi.ac.uk) Time: 2021/04/06 02:41:02 If you need further help, please send an email to PMC. Include the information from the box above in your message. 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Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ id: work_wzyo5vynnjerjd3zfnsiovtyw4 author: J S Jenkins title: Prodigies of nature date: 2005 words: 144 sentences: 25 pages: flesch: 71 cache: ./cache/work_wzyo5vynnjerjd3zfnsiovtyw4.pdf txt: ./txt/work_wzyo5vynnjerjd3zfnsiovtyw4.txt summary: sys_1000 wp-p1m-39.ebi.ac.uk wp-p1m-39.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write(''[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]''.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 219765573 (wp-p1m-39.ebi.ac.uk) Time: 2021/04/06 02:40:55 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ id: work_pjkdlpouvbbthisfmlqx7emv6i author: J W Douglas title: The under-achieving intelligent child. Other social factors date: 1973 words: 144 sentences: 28 pages: flesch: 72 cache: ./cache/work_pjkdlpouvbbthisfmlqx7emv6i.pdf txt: ./txt/work_pjkdlpouvbbthisfmlqx7emv6i.txt summary: sys_1000 wp-p1m-39.ebi.ac.uk wp-p1m-39.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write(''[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]''.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 219772157 (wp-p1m-39.ebi.ac.uk) Time: 2021/04/06 02:41:03 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ id: work_cichnl6usrfy3hohcv75qvk3ty author: J. Allan Tucker title: Diagnostic Art: A Tribute to Professor Gérard Simon date: 2014 words: 823 sentences: 68 pages: 2 flesch: 56 cache: ./cache/work_cichnl6usrfy3hohcv75qvk3ty.pdf txt: ./txt/work_cichnl6usrfy3hohcv75qvk3ty.txt summary: In diagnostic pathology, ultrastructural findings are utilized to gain an impression of a disease state. biopsy was performed, and the light microscopy revealed a small blue cell tumor. Impressions also exist as works of art  prints produced by pressing paper against an inked matrix. One of the best-known artists to utilize impressions  As another example of an ultrastructural impression, a 79 year-old man presented with a 4 cm testis represent some sort of germ cell tumor, but the light microscopy and immunohistochemistry were electron microscopy on formalin-retrieved tissue revealed that the tumor cells exhibited long, sometimes artists painted more of an impression of the subject rather than an attempt to replicate it. B. Electron microscopy revealed cell processes with microtubules; the impression gained from electron microscopy was diagnostic of neuroblastoma. An impression (etching) by Rembrandt of the physician Jan Antonides van der Linden. https://www.cambridge.org/core/terms https://www.cambridge.org/core/terms https://www.cambridge.org/core/terms https://www.cambridge.org/core/terms id: work_dbwq3dz3anfjflwo5s36pxljky author: J. Dequeker title: Arthritis in the paintings of Sandro Botticelli date: 1984 words: 3530 sentences: 244 pages: 6 flesch: 60 cache: ./cache/work_dbwq3dz3anfjflwo5s36pxljky.pdf txt: ./txt/work_dbwq3dz3anfjflwo5s36pxljky.txt summary: detected in Botticelli''s paintings as a process of individualization of the Botticelli, Portrait of a Young Man, Italian Renaissance, facial deformity in deformity in the Botticelli''s ''Portrait of a Young portrait painted in 1483, Sandro Botticelli reveals In Botticelli''s paintings the connection between good reasons, Velardi considers Botticelli''s style possible to perceive, in Botticelli''s paintings, a "pathetic" characters in Botticelli''s paintings. artists of Italian Renaissance derived their images point of view, according to Warburg, Botticelli the "Placid Beauty" of Botticelli paintings brings describes the Botticelli'' Venus – actually the Logos and pathos in the paintings of Sandro Botticelli Logos and pathos in the paintings of Sandro Botticelli Logos and pathos in the paintings of Sandro Botticelli Logos and pathos in the paintings of Sandro Botticelli Proust and Botticelli, declared by the Author The paintings by Botticelli are Botticelli''s paintings, in Proust the "Wakening" the Botticelli''s paintings, remarkably to the id: work_kuaoa5c4sfctlhk7bmh43nbq6i author: J.-B. Michel title: Quantitative Analysis of Culture Using Millions of Digitized Books date: 2010 words: 6393 sentences: 1064 pages: 8 flesch: 77 cache: ./cache/work_kuaoa5c4sfctlhk7bmh43nbq6i.pdf txt: ./txt/work_kuaoa5c4sfctlhk7bmh43nbq6i.txt summary: Quantitative Analysis of Culture Using Millions of Digitized Books focusing on linguistic and cultural phenomena that were reflected in the English language between as changes in the lexicon and grammar, and cultural phenomena, such as how we remember people and events. the frequency of the words listed in leading dictionaries (7) (fig. Not all common 1-grams are English words. Using this technique, we estimated the number of words in the English lexicon as 544,000 in (10); the American Heritage Dictionary of the English Language, Fourth Edition (AHD4) lists Quantitative Social Sciences, Harvard University, Cambridge, (C) Usage frequency over time for "the Great War" (blue), "World War I" (green), and "World War II" (red). Inset: Median frequency of new words added to AHD4 in 2000. time of the subsequent rise to fame (4 years, blue line); (iii) age of peak celebrity English and in German books (Fig. 4A). S. Algeo, Fifty Years among the New Words: id: work_zazrv4zhefcq3g772konheryvi author: J.C. Le Huec title: Epidemics over the centuries date: 2020 words: 1687 sentences: 156 pages: 3 flesch: 68 cache: ./cache/work_zazrv4zhefcq3g772konheryvi.pdf txt: ./txt/work_zazrv4zhefcq3g772konheryvi.txt summary: epidemic was the Justinian plague which started in 540 AD, lasted for 2 centuries, and undoubtedly precipitated the fall of the Roman Empire.3 This was followed by the Black Death in the Middle Ages.4-6 which also originated in Asia, and lastly the bubonic plague pandemic, the third largest recorded, which originated in Yunnan during the 19th century, and the Middle Ages in Dubrovnik and then in Venice to isolate ships suspected of being carriers of the plague. on Marseilles5 in an effort to curb the Black Death which decimated more than 50,000 people in that city alone (Fig. 1). In France, Dr. Hyacinthe Vincent, despite popular reluctance, recommended wearing masks as protection against the Spanish flu, although its viral origin was not confirmed until 1933. First mask used during the plague of Paris in 1619. In 1920, after the Spanish flu epidemic, France established id: work_4wm36y6rcnhuzaczthak4gmcmu author: Jack Carlson title: A symbol — but of what? Iron Age daggers, Alessi corkscrews and anthropoid embellishment reconsidered date: 2011 words: 5638 sentences: 476 pages: 13 flesch: 71 cache: ./cache/work_4wm36y6rcnhuzaczthak4gmcmu.pdf txt: ./txt/work_4wm36y6rcnhuzaczthak4gmcmu.txt summary: Keywords: Europe, Iron Age, La Tène, dagger, anthropoid ornament a dagger with an anthropomorphic hilt (Figures 1 & 2), now in the British Museum''s Morel But why was this dagger''s hilt shaped like a man and decorated with human features? But the role of decoration on the Salon dagger and on La Tène objects in general do the development and contexts of anthropoid-hilted weapons suggest about the Salon The Salon weapon was associated with a Middle La Tène non-anthropoid long sword which Tène pseudo-anthropoid daggers, the hilts of which were functionally and technologically Iron Age daggers, Alessi corkscrews and anthropoid embellishment reconsidered Iron Age daggers, Alessi corkscrews and anthropoid embellishment reconsidered Iron Age daggers, Alessi corkscrews and anthropoid embellishment reconsidered Iron Age daggers, Alessi corkscrews and anthropoid embellishment reconsidered Iron Age daggers, Alessi corkscrews and anthropoid embellishment reconsidered Iron Age daggers, Alessi corkscrews and anthropoid embellishment reconsidered id: work_cr4klrboxbdnfbqwjjdqhgztpa author: Jae Taek Hong title: Human Craniovertebral Alignment as a "Tertiary Curvature" date: 2019 words: 2021 sentences: 204 pages: 4 flesch: 58 cache: ./cache/work_cr4klrboxbdnfbqwjjdqhgztpa.pdf txt: ./txt/work_cr4klrboxbdnfbqwjjdqhgztpa.txt summary: Understanding the normal craniovertebral junction (CVJ) alignment and segmental motion in human is paramount to better understand CVJ deformity and to decide on a more Positional difference of the foramen magnum causes a difference of CVJ alignment between humans and other quadrupeds with respect to the C0–1 segment. human cervical spine is located inferior to the foramen magnum, and these characteristics segment allows some degree of freedom for neck extension as the space between the occiput and C1 posterior arch allows for upper cervical extension (Fig. 2). C0–1 segment is kyphotic and C1 slope is always posteriorly slanted not only in lordotic cervical spine (A), but also in straight When patients have kyphotic deformity in the cervical spine between the cervical spine curvature of humans and that of possible not only to preserve C0–1 segmental motion to prevent postoperative dysphagia but also to avoid abnormal kyphotic alignment of the subaxial cervical spine after surgery. id: work_i6wyhdtt2rfztm27clqz7t7uc4 author: Jae-Cheol Moon title: Modernist painting style in Disney animation date: 2013 words: 4784 sentences: 1299 pages: 23 flesch: 108 cache: ./cache/work_i6wyhdtt2rfztm27clqz7t7uc4.pdf txt: ./txt/work_i6wyhdtt2rfztm27clqz7t7uc4.txt summary: 디즈니 애니메이션에 나타난 모더니즘 회화스타일 Ⅲ. 초기 디즈니 애니메이션의 모더니즘 성격 디즈니 애니메이션 역시 상업적인 작품을 제작하면서 초기작품의 실험적 형태, 움직임의 먼저 간단한 도형의 형태로 단순화된 모더니즘 회화의 특성은 캐릭터 디자인에 차용되고, 색 는 배경의 다중시점은 다양한 각도에서 대상의 본질을 표현하려한 모더니즘 회화를 연상시키기에 충 주제어 : 애니메이션, 디즈니, 모더니즘, 리얼리티, 회화 1) Steven Watts, Walt Disney: Art and Politics in the American Century, The 메이션은 모더니즘 예술의 실험적 장르로 출발한 이래, 여전히 초기 디즈니 애니메이션의 특성을 살펴보고 그러한 애니메이션이 초기 디즈니 애니메이션의 모더니즘적 성격 디즈니 애니메이션에서 모더니즘적 회화성향은 다양한 형태에 색으로 음악과 같은 리듬을 만들어내는 것이 디즈니 애니메이션 dwarfs)(1937)의 성공과 함께 디즈니 애니메이션의 비주얼 스타 만, 이미 1930년대에 완성된 디즈니 애니메이션의 비주얼 스타일 트 분석을 통해 여전히 디즈니 애니메이션에 존재하는 모더니즘 특히, 디즈니 애니메이션의 디즈니 애니메이션의 이와 같은 공간재현은 역시 모더니즘 회 초기 디즈니 애니메이션은 많은 평론가들에게 모더니즘 예술의 Modernist painting style in Disney animation id: work_4cvlwyhtojemxkf2vpg4yhg5rm author: James Archer Abbott title: Russian Art & Design in the Evergreen Museum & Library date: 2010 words: 4155 sentences: 659 pages: 20 flesch: 73 cache: ./cache/work_4cvlwyhtojemxkf2vpg4yhg5rm.pdf txt: ./txt/work_4cvlwyhtojemxkf2vpg4yhg5rm.txt summary: To cite this article: James Archer Abbott (2010) Russian Art & Design in the Evergreen Bakst and Mrs. Garrett became friends in early-twentiethcentury Paris, where she acquired a number of his works of art. Inscribed Lower Right: Bakst for scenery Evergreen Theatre (Alice Garrett''s Russian Art & Design in the Evergreen Museum & Library 263 Russian Art & Design in the Evergreen Museum & Library 263 Russian Art & Design in the Evergreen Museum & Library 263 Russian Art & Design in the Evergreen Museum & Library 263 Russian Art & Design in the Evergreen Museum & Library 263 Russian Art & Design in the Evergreen Museum & Library 263 Russian Art & Design in the Evergreen Museum & Library 263 Russian Art & Design in the Evergreen Museum & Library 263 Russian Art & Design in the Evergreen Museum & Library 263 Rooms at Evergreen House Designed or Remodeled by Léon Bakst id: work_o5yeboc24bak7cdl35o54b6eju author: James D. Kang title: Commentary on "Gene Therapy Approach for Intervertebral Disc Degeneration: An Update" date: 2020 words: 969 sentences: 61 pages: 2 flesch: 51 cache: ./cache/work_o5yeboc24bak7cdl35o54b6eju.pdf txt: ./txt/work_o5yeboc24bak7cdl35o54b6eju.txt summary: concepts of gene therapy over the past decade as it applies to the field of intervertebral disc gene therapy, whereby certain therapeutic genes are delivered to native cells using viral or Because the intervertebral disc degeneration is a chronic condition which is associated with effect enough to alter the natural history of disc degeneration (in animal models). However, this great optimism in gene therapy was tempered when the powers of manipulating the genome were viewed through the lens of patient safety. out,3 gene therapy seemed to have a potential dark side where over production of certain Takeoka et al.1 discuss the recent advances made in gene therapy in the past decade. the spirit of a safer therapeutic application of gene therapy, the authors review the concept Commentary on Gene Therapy for Disc DegenerationKang JD 1. Takeoka Y, Yurube T, Nishida K, Gene therapy approach for intervertebral disc degeneration: an update. treatment of intervertebral disc degeneration. id: work_67ccld5oc5fplkqnncgdr72b4a author: James G. Ravin title: Representations of Blindness in Picasso''s Blue Period date: 2004 words: 2651 sentences: 259 pages: 4 flesch: 73 cache: ./cache/work_67ccld5oc5fplkqnncgdr72b4a.pdf txt: ./txt/work_67ccld5oc5fplkqnncgdr72b4a.txt summary: Representations of Blindness in Picasso''s Blue Period Representations of Blindness in Picasso''s Blue Period he Spanish painter Pablo Picasso (1881-1973) was the most important artist of the 20th artist and never considered abstract thinking important to the way he worked. works based on the theme of blindness several times during his Blue Period. invented by Picasso, for there is a long history of working this way. If Picasso ever told anyone precisely why blindness was important to him, we have not been able saw "incipient psychic dissociation" and even schizophrenia in Picasso''s paintings.7 Blindness is a most of the blind figures from his Blue Period, and that by depicting "the prospect of what he most feared in life, Picasso''s depictions of the blind vision" in the blind figures Picasso opaque cornea next to an apparently normal eye, Picasso juxtaposed vision and blindness. Pablo Picasso, The Blind Man''s Meal, 1903, Spanish. id: work_twiu7rmrnbh75e7vgqg4fmfdua author: Jan van Veen title: The Cultural Heritage of Europe date: 1991 words: 4214 sentences: 248 pages: 8 flesch: 59 cache: ./cache/work_twiu7rmrnbh75e7vgqg4fmfdua.pdf txt: ./txt/work_twiu7rmrnbh75e7vgqg4fmfdua.txt summary: REFLECTIONS AFTER EYCH 2018 ABOUT THE PLACE OF CULTURAL HERITAGE *German Cultural Heritage Committee (Head of the Board) – Berlin, Germany. During the European Year of Cultural Heritage 2018 we offered new ways for participation of the broader society. Especially we invited to discover the European dimension of our local and regional located cultural heritage. new European experiences in known or unknown and divers cultural heritage that was one of our central aims. heritage communication, education and European cooperation. cultural heritage, how we intend to use SHARING European cultural heritage Cultural Heritage, museums and exhibitions had piece of cultural heritage, a memorial, a historic Aim of the European Year of Cultural Heritage experience and share cultural heritage in its The European Year of Cultural Heritage The European Year of Cultural Heritage The European Year of Cultural Heritage The European Year of Cultural Heritage The European Year of Cultural Heritage id: work_atyd6nwgdjf6ja4fsan6pzkt2u author: Jana Rozehnalova title: Hedonic Eating: How the Pleasure of Food Affects our Brains and Behaviour date: 2017 words: 618 sentences: 114 pages: flesch: 64 cache: ./cache/work_atyd6nwgdjf6ja4fsan6pzkt2u.pdf txt: ./txt/work_atyd6nwgdjf6ja4fsan6pzkt2u.txt summary: Hedonic Eating: How the Pleasure of Food Affects our Brains and Behaviour | Semantic Scholar Corpus ID: 47558364Hedonic Eating: How the Pleasure of Food Affects our Brains and Behaviour title={Hedonic Eating: How the Pleasure of Food Affects our Brains and Behaviour}, author={Jana Rozehnalov{\''a}}, Despite public health warnings, the availability of diet books and the stigma associated with excess weight, many people still find it difficult to achieve and maintain healthy body weight. Review [Publication Type] Citation Type Citation Type Sort by Most Influenced Papers View 2 excerpts, cites background Public health and policy implications. View 2 excerpts, references background View 2 excerpts, references background View 2 excerpts, references background View 2 excerpts, references background View 2 excerpts, references background Semantic Scholar is a free, AI-powered research tool for scientific literature, based at the Allen Institute for AI. By clicking accept or continuing to use the site, you agree to the terms outlined in our Privacy Policy, Terms of Service, and Dataset License id: work_mydjujgllng67g2brahacanary author: Jean Marie Carey title: Modigliani date: 2018 words: 937 sentences: 52 pages: 4 flesch: 50 cache: ./cache/work_mydjujgllng67g2brahacanary.pdf txt: ./txt/work_mydjujgllng67g2brahacanary.txt summary: Art historian Jean Marie Carey reviews the Tate''s Modigliani catalogue and is impressed by Edited by Nancy Ireson and Simonetta Fraquelli with essays by Cathy Corbett, Sophie Krebs, https://www.museumbookstore.com/account/login https://www.museumbookstore.com/account/register https://www.museumbookstore.com/cart https://www.museumbookstore.com/cart https://www.museumbookstore.com/cart https://www.museumbookstore.com/pages/about-us https://www.museumbookstore.com/blogs/blog https://www.museumbookstore.com/blogs/book-review "Could Modigliani have been the same without Paris?" asks Sophie Krebs in the chapter "Modigliani and Paris," one of the opening essays in the catalogue accompanying the retrospective In addition to presenting a mind-opening trove of works far less wellknown but surpassingly more fascinating than Modigliani''s nudes, the catalog contains carefully By creating work that appeared both out of time and unmistakably of his era, Amedeo Modigliani https://www.theguardian.com/artanddesign/2017/nov/21/modigliani-review-%20tate-modern-%20a-gorgeous-show-about-%20a-slightly-%20silly-artist The catalogue is arranged thematically, with an introduction ("Modigliani and Modernity") by Anna who both supported and guided the artist''s career, even looking after him during Modigliani''s bouts and the catalogue is Modigliani''s prowess as a sculptor. Looking at Modigliani''s work today, and connecting it https://www.museumbookstore.com/blogs/book-review/www.germanmodernism.org id: work_r4snsamedncdre4fldvz5bbb6i author: Jennifer Mass title: SR-FTIR imaging of the altered cadmium sulfide yellow paints in Henri Matisse''s Le Bonheur de vivre (1905–6) – examination of visually distinct degradation regions date: 2013 words: 10924 sentences: 1581 pages: 12 flesch: 75 cache: ./cache/work_r4snsamedncdre4fldvz5bbb6i.pdf txt: ./txt/work_r4snsamedncdre4fldvz5bbb6i.txt summary: SR-FTIR imaging has been used to map the mid-IR active photo-degradation phases in two thin sections of cadmium yellow paint removed from Henri Matisse''s Le Bonheur de vivre (1905–1906, The Barnes cadmium yellow paints from both regions were found to contain cadmium carbonate (CdCO3), Photo-degraded cadmium yellow paint samples were removed IRENI sample, only the altered CdS paint layer. Fig. 3 Visible, ultraviolet light, and SEM images of sample S117 collected from the lightened yellow field (now ivory-hued) below the central reclining figures are This sample was split, and panel A shows the portion of the sample mounted as a cross-section with the painting''s white ground layer visible. Note the presence of chlorine and zinc in this paint sample, and also the low level of sulphur compared to cadmium. cadmium sulphate can be observed throughout the paint layer, to the top surface of the sample, suggesting cadmium carbonate''s role as a photo-degradation product. id: work_f4jqsxjau5gsniiwzvp24vv5ue author: Jenny Anger title: Meeting On A Bridge. An Approach To Klee An Japan date: 2018 words: 6001 sentences: 550 pages: 10 flesch: 75 cache: ./cache/work_f4jqsxjau5gsniiwzvp24vv5ue.pdf txt: ./txt/work_f4jqsxjau5gsniiwzvp24vv5ue.txt summary: the extraordinary passion that many Japanese feel for Klee and his art.2 As Osamu Japan recognized its traditional aesthetic values again in the Klee''s art, to which it book of Klee''s watercolors after the colloquium, Heidegger purportedly shared his belief that »Klee is a more important painter Klee''s painting as Japanese calligraphy, from any actual works by Klee, which the responsible art-historical text should address. that we need not leave this traditional Japanese practice in order to see a real Klee. A work by Paul Klee, Before the Long Klee into traditional Japanese aesthetics. Japanese culture is nevertheless Paul Klee. Klee in terms of Japanese aesthetic tradition. not so unusual to think of Klee alongside traditional Japanese art, either in real life or in Klee, of those fish in the torrent, were reminiscent of any Japanese aesthetic practice.33 Paul Klee, New York: Museum of Modern Art, 1987, id: work_6a5zhocbxzfk7nv7e6iop27vb4 author: Jeroen van Dongen title: Mistaken Identity and Mirror Images: Albert and Carl Einstein, Leiden and Berlin, Relativity and Revolution date: 2012 words: 22014 sentences: 1684 pages: 52 flesch: 65 cache: ./cache/work_6a5zhocbxzfk7nv7e6iop27vb4.pdf txt: ./txt/work_6a5zhocbxzfk7nv7e6iop27vb4.txt summary: and Carl Einstein, Leiden and Berlin, Relativity Albert Einstein accepted a ''''special'''' visiting professorship at the University of Leiden in the story of Einstein''s Leiden chair throws new light on the reception of relativity and its creator This article described the general hostility toward the immediate postwar German Revolution of November 1918 that prevailed among Berlin university students. He again urged Minister de Visser to expedite the confirmation of Einstein''s appointment, so that he could deliver his inaugural lecture difficulties did not have much to do with the Dutch delays: Berlin had seen a fullblown anti-Einstein campaign kicked off by a certain Paul Weyland (1888–1972, not Albert but Carl Einstein, author, avant-garde art critic, and radical revolutionary councils and their leaders, such as Carl Einstein: Reports that Did only Dutch officials confuse Albert and Carl Einstein? Mistaken Identity and Mirror Images: Albert and Carl Einstein, Leiden and Berlin, Relativity and Revolution id: work_33dhrzsubndb5eojbmpio7ad4u author: Joanna Rządkowska title: Niestymulująca tradycja: wpływ temperamentu na preferencje w sztuce date: 2010 words: 2610 sentences: 480 pages: 12 flesch: 65 cache: ./cache/work_33dhrzsubndb5eojbmpio7ad4u.pdf txt: ./txt/work_33dhrzsubndb5eojbmpio7ad4u.txt summary: doznań (thrill and adventure seeking) a preferencją odnoszącą się do sztuki and adventure seeking) może być powiązane z percepcją sztuki czy że złożone lub nieoczekiwane dzieło sztuki nie wystarczy, aby wzbudzić Z drugiej strony brak wzbudzania lęku może zwiększać uznanie dla sztuki stworzone przez autorów badania: kontrolny (nie wzbudzający lęku) oraz oglądali pokaz slajdów, który składał się z 15 zdjęć dzieł sztuki, a następnie natomiast korelacji między zmiennymi: oceną sztuki nowoczesnej oraz oceną Ryc 1: Preferencje typów zharmonizowanych wobec rodzajów sztuki. sztuki okazał się niejednoznaczny i zależny od sytuacji. różniły się w warunkach eksperymentalnych i kontrolnych, co może być lęku warunkach kontrolnych nie było różnic między preferencjami rodzajów sztuki, natomiast w warunkach eksperymentalnych (po wywołaniu lęku) zmian w percepcji sztuki, dowodząc, że to tylko lęk jako taki ( anxiety) – a nie może nie pokrywa się z wachlarzem emocji estetycznych, które są ona dodatkową dawkę lęku, natomiast uznanie dla sztuki tradycyjnej rosło ze id: work_iakafyecwje6lludod7d4pmfz4 author: Joanna Rządkowska title: Non-stimulating tradition: The Effect of Temperament on Painting Art Preferences date: 2010 words: 4250 sentences: 358 pages: 16 flesch: 55 cache: ./cache/work_iakafyecwje6lludod7d4pmfz4.pdf txt: ./txt/work_iakafyecwje6lludod7d4pmfz4.txt summary: This study examined the effect of temperament on preferences for painted induce fear in people, there is a change in art preferences, because of the whether temperament affects paintings preferences and whether fear could between temperament (as a regulator of stimulation) and art preferences. the temperament traits between briskness, activity and art preference ratings negative relation between preference ratings of modern art and level of (Temperament Traits) and Art Preferences in the fear condition would rate Abstract and Modern art as worse, and of art preference for a harmonized temperament was significant, Participants with a harmonized temperament in the no fear condition rated studies of art preference psychology, but this history is not thorough. harmonized temperament structure affect paintings preferences. The assumed link between temperament and preferences for art In the fear condition melancholics preferred modern art less whereas preferences of modern art for all temperaments in the fear condition, and id: work_lvffpmrkxre5boitqso26z5fda author: Joel T. Katz title: Picasso''sScience and Charity: Paternalism Versus Humanism in Medical Practice date: 2016 words: 1315 sentences: 133 pages: 3 flesch: 46 cache: ./cache/work_lvffpmrkxre5boitqso26z5fda.pdf txt: ./txt/work_lvffpmrkxre5boitqso26z5fda.txt summary: Picasso''s Science and Charity: Paternalism Charity: Paternalism Versus Humanism in Medical Practice." Open http://dx.doi.org/10.1093/ofid/ofw056. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:29408271 http://osc.hul.harvard.edu/dash/open-access-feedback?handle=&title=Picasso''s%20Science%20and%20Charity:%20Paternalism%20Versus%20Humanism%20in%20Medical%20Practice&community=1/4454685&collection=1/4454686&owningCollection1/4454686&harvardAuthors=e0d18170789bb114de6d84862c6552d3&department http://nrs.harvard.edu/urn-3:HUL.InstRepos:29408271 http://nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of-use#LAA http://nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of-use#LAA http://nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of-use#LAA Picasso''s Science and Charity: Paternalism Versus 1Division of Infectious Diseases and 2Department of Neurology, Brigham and Women''s Hospital, Harvard Medical School, Boston, Massachusetts art and medicine; history of doctor patient relationship; infectious diseases; Picasso. Two of Picasso''s most important early Picasso''s art training. At age 10, Picasso entered art school at the Instituto da Guarda, Picasso''s Science and Charity (cover, were at the center of public and Picasso''s attention. Drawing on Picasso''s artistic predecessors, Science and Charity extends a motif of this common physician-patient motif The painting was exhibited at the Exposición Provincial de Málaga (receiving the coveted gold modern version of Science and Charity Pablo Picasso, "Science and Charity", 1897. Available at: http://www.wikiart.org/en/pablo-picasso/science-and-charity-1897. Available at: https://profiles.nlm.nih.gov/ps/retrieve/ http://www.wikiart.org/en/pablo-picasso/science-and-charity-1897 http://www.wikiart.org/en/pablo-picasso/science-and-charity-1897 https://profiles.nlm.nih.gov/ps/retrieve/ResourceMetadata/GFBBCJ https://profiles.nlm.nih.gov/ps/retrieve/ResourceMetadata/GFBBCJ https://profiles.nlm.nih.gov/ps/retrieve/ResourceMetadata/GFBBCJ http://www.harvardartmuseums.org/art/297585 http://www.harvardartmuseums.org/art/297585 http://www.harvardartmuseums.org/art/297585 http://www.harvardartmuseums.org/art/297585 http://www.harvardartmuseums.org/art/297585 http://www.harvardartmuseums.org/art/297585 id: work_a4abbpbgbffh7fq4yrnamnf2hm author: John E. Bowlt title: Natalia Goncharova and Futurist Theater date: 1990 words: 5977 sentences: 492 pages: 9 flesch: 67 cache: ./cache/work_a4abbpbgbffh7fq4yrnamnf2hm.pdf txt: ./txt/work_a4abbpbgbffh7fq4yrnamnf2hm.txt summary: The paintings, designs, and constructions of artists such as the Burliuk brothers, Pavel appearances bare-breasted, with abstract designs painted on her body ( Fig. David Burliuk, Goncharova, Vasilii Kamensky, Larionov, Mikhail Le-Dantiu, The painted faces of Goncharova, Larionov, and their friends sport abstract, who collected modern Russian art, including works by Goncharova. a couple dancing the tango17 accompanied the manifesto of face-painting Rayonist designs, 1913, photograph (from Teatr v karrikaturakh [The Theater in painted their faces and danced the tango Contemplated as a Futurist theater by Goncharova, Larionov, a result the artist Goncharova other''s faces, while the artist Goncharova is even decolletee. Fig. 10 Natalia Goncharova, Costume Fig. 11 Natalia Goncharova, Portrait of Sergei Diaghilev, ca. costumes, Goncharova and Larionov Fig. 14 Natalia Goncharova, mask for as Goncharova''s last tango in Paris. Natalia Goncharova and Futurist Theater [pp.44-51] Natalia Goncharova and Futurist Theater [pp.44-51] Natalia Goncharova and Futurist Theater [pp.44-51] id: work_aexde55a3vc75pp7mznajqeg7a author: John Launer title: Frida Kahlo and her doctors date: 2018 words: 2128 sentences: 355 pages: 2 flesch: 75 cache: ./cache/work_aexde55a3vc75pp7mznajqeg7a.pdf txt: ./txt/work_aexde55a3vc75pp7mznajqeg7a.txt summary: Frida once painted his portrait, showing year 1940 for Dr. Eloesser, my doctor and With all love, Frida Kahlo.'' Figure 1 Self-portrait dedicated to Dr Leo Rivera Frida Kahlo Museums Trust, Mexico, D.F. At the time she did the portrait, Frida had com/ 2013/ 01/ emotionallymoving_ short_ film_ of_ frida_ kahlo_ and_ diego_ Leo and Frida: the doctor and the artist. Dr Leo Eloesser, 1931 by Frida Kahlo. 7 Frida Kahlo: Paintings, Biography, Quotes. 7 Frida Kahlo: Paintings, Biography, Quotes. Frida Kahlo. Figure 2 Frida Kahlo in her studio with Dr Juan Farill, photographed by Gisèle Freund, 1951. © Banco de México Diego Rivera Frida Kahlo Museums Trust, Mexico, D.F. http://www.openculture.com/2013/01/emotionally-moving_short_film_of_frida_kahlo_and_diego_rivera_at_the_blue_house.html http://www.openculture.com/2013/01/emotionally-moving_short_film_of_frida_kahlo_and_diego_rivera_at_the_blue_house.html http://www.openculture.com/2013/01/emotionally-moving_short_film_of_frida_kahlo_and_diego_rivera_at_the_blue_house.html http://www.missmoss.co.za/2015/03/31/frida-kahlo-the-gisele-freund-photographs/ http://www.missmoss.co.za/2015/03/31/frida-kahlo-the-gisele-freund-photographs/ http://www.missmoss.co.za/2015/03/31/frida-kahlo-the-gisele-freund-photographs/ http://www.albavolunteer.org/2016/12/leo-eloesser-the-remarkable-story-of-a-medical-volunteer-in-spain/ http://www.albavolunteer.org/2016/12/leo-eloesser-the-remarkable-story-of-a-medical-volunteer-in-spain/ http://www.albavolunteer.org/2016/12/leo-eloesser-the-remarkable-story-of-a-medical-volunteer-in-spain/ https://www.fridakahlo.org/portrait-of-dr-leo-eloesser.jsp https://www.fridakahlo.org/portrait-of-dr-leo-eloesser.jsp https://www.fridakahlo.org/self-portrait-with-the-portrait-of-doctor-farill.jsp https://www.fridakahlo.org/self-portrait-with-the-portrait-of-doctor-farill.jsp Frida Kahlo and her doctors Frida Kahlo and her doctors Frida Kahlo and her doctors Leo Eloesser ''my best friend'' Juan Farill ''the most serious'' doctor id: work_f2anakxsardipbr2jtwoblgcfa author: Jonny Anomaly title: Personal Identity and Practical Reason: The Failure of Kantian Replies to Parfit date: 2008 words: 300 sentences: 48 pages: flesch: 54 cache: ./cache/work_f2anakxsardipbr2jtwoblgcfa.pdf txt: ./txt/work_f2anakxsardipbr2jtwoblgcfa.txt summary: Current Students Search Tulane Visiting Tulane Undergraduate Education Graduate Education Community Engagement Pre-College Programs Academic Resources Admission & Aid Undergraduate Admission Graduate Admission Part-Time Studies Current Research Health and Bioinnovation Research in Real Time Centers and Institutes Vice President for Research Life at Tulane Campus Life Entrepreneurship in NOLA Destinations in NOLA Committed to Community News & Events COVID-19 In the News Tulane Today Stronger TUgether: COVID-19 RESOURCES Research workshop focuses scholars on costs of racial inequity COVID-19 RESOURCES COVID-19 Dashboard Health Strategies Tulane News Tulane teams up with New Orleans Airlift for in-person dance performance Tulane University receives award to demonstrate electric shuttle buses for New Orleans region Link to Tulane Home Page New Orleans, LA 70118 Give to Tulane Give to Tulane Give to Tulane Give to Tulane Give to Tulane Medical Center Jobs at Tulane © 2021 Tulane University © 2021 Tulane University © 2021 Tulane University id: work_x3ok32zpifb37gmefeafg53xai author: Joshua T. Vogelstein title: To the Cloud! A Grassroots Proposal to Accelerate Brain Science Discovery date: 2016 words: 6039 sentences: 520 pages: 9 flesch: 47 cache: ./cache/work_x3ok32zpifb37gmefeafg53xai.pdf txt: ./txt/work_x3ok32zpifb37gmefeafg53xai.txt summary: cloud-computing technologies to enable large-scale neurodata storing, exploring, analyzing, and modeling. to develop new computational technologies that complement advances in data can include requesting the data, identifying the formats and organization, requesting the code, deciding which functions to run and how, getting all brain scientists, but most tools are designed for data scientists, so the learning science resources, including vast quantities of data, algorithms, and models. elements can be divided into five categories: data, infrastructure, apps, algorithms, and education. existing brain science data repositories role, best practices of software development for science, including proper scientific documentation, are crucial. d Data Scientist: A person in this role is writing and running algorithms. Data scientists have a wide variety of computational backgrounds, including engineering, physics, mathematics, Institute for Brain Science''s data portal, Types of Brain Science Data data-science skills, including many current brain scientists, without knowledge 35Institute for Data Intensive Engineering and Science id: work_pbpm5kpnune7rd3itf42ouibwe author: José Enrique Rodríguez Ibañez title: Variaciones sobre el concepto de cultura date: 2019 words: 3404 sentences: 397 pages: 7 flesch: 61 cache: ./cache/work_pbpm5kpnune7rd3itf42ouibwe.pdf txt: ./txt/work_pbpm5kpnune7rd3itf42ouibwe.txt summary: la cultura que los diferentes públicos reciben y avalan como tal. Malinowski era un antrópogo de rígida observancia funcionalista, entendiéndose por ello que hacía derivar cualquier rasgo cultural, de las necesidades bien más matizado, Radcliffe-Brown, para que la noción antropológica de cultura cobrara mayor autonomía y dejara de depender tan rígidamente de unas primitivas condiciones que motivaran su aparición. internacional, una suma de valores comunes que vayan más allá de las diferencias culturales o, por el contrario, estas políticas deben ser deudoras del mosaico unas disciplinas, como las históricas y estéticas, que sin duda se enriquecen con El empuje arrollador de los «estudios culturales» hace que la misma desdramatización de Eco aparezca como algo obsoleto, dando pábulo a un clima de mezcolanza entre cantidad y calidad, vanguardia y marketing, creación y entretenimiento, que a unos parece simple confusión y a otros sano fin de las jerarquías del gusto. id: work_wpeiqwd7yfdsrlmube7ice6ub4 author: José Javier Moreno Arnedillo title: IF LIFE GIVES YOU LEMONS, MAKE LEMONADE. GIVING MEANING TO LIFE WHEN STRESS AND ANXIETY COMPLICATE IT López, E. y Costa, M date: 2017 words: 1917 sentences: 115 pages: 2 flesch: 58 cache: ./cache/work_wpeiqwd7yfdsrlmube7ice6ub4.pdf txt: ./txt/work_wpeiqwd7yfdsrlmube7ice6ub4.txt summary: suggest that we contemplate stressful life situations, and the us to take practical action, despite the stress, towards the Stress, far from being defined here by activation, anxiety or the book''s subtitle says, to give meaning to life when stress and who experience stress with a question of great importance: what the book, in Chapter 1 (Como la vida misma [Like life itself]) a transactional concept of stress is developed, defined as the result of the imbalance between the sources of stress and the coping With the transactional concept of stress established, Chapter 2 TO LIFE WHEN STRESS AND ANXIETY COMPLICATE IT stress involves particularly learning to handle social situations. [Communicate to cope with stress]) is dedicated to developing one''s life]) is a practical guide on how to intervene in contexts in order to live better with stress: by reducing or eliminating the generation behavior therapy (systematic desensitization, id: work_p7f4lsofgvcu3jt6zqpnn3pf2y author: Juan Luis Gallardo Pirovano title: La belleza: anotaciones para apuntar a una visión más unitaria de Gabriel Dondo date: 2013 words: 2684 sentences: 357 pages: 8 flesch: 79 cache: ./cache/work_p7f4lsofgvcu3jt6zqpnn3pf2y.pdf txt: ./txt/work_p7f4lsofgvcu3jt6zqpnn3pf2y.txt summary: que el primer paso para llegar a la belleza es conocer y acercarse a Dios" (Dondo: Respecto a la labor del artista, trae a colación una sentencia de Dante, expresiva y original, que dice: "Vuestro arte es de Dios nieto" (Dondo: 16). ese material regalado algo que resulta ''nieto'' de Dios" (Dondo: 17) y agrega enseguida: "Cuando en la ''generación'' del ''nieto'' se rechaza el vínculo real, se puede también referido a las Guerras de Flandes, donde menciona a un capitán de "torcida espada", cierta "espiga tronchada" y "los extraños reflejos del fosco cielo alemán". lado del rostro como ciertos bichos que yacen en las profundidades marinas y Pero ya es hora de manifestar que Gabriel Dondo no aparece en este campo de las artes por generación espontánea. transcribiré lo que dijo mi amigo Juan Manuel Medrano sobre los Cursos, en una las cosas en que Dios se hace belleza. id: work_x6ggkoqzjjftblnouzsmsfx6ki author: Judith Lee title: Scientific investigation into the water sensitivity of twentieth century oil paints date: 2018 words: 11962 sentences: 1277 pages: 15 flesch: 63 cache: ./cache/work_x6ggkoqzjjftblnouzsmsfx6ki.pdf txt: ./txt/work_x6ggkoqzjjftblnouzsmsfx6ki.txt summary: https://dare.uva.nl/personal/pure/en/publications/scientific-investigation-into-the-water-sensitivity-of-twentieth-century-oil-paints(e12f3fb8-e988-41db-8858-1ef70707c079).html and ultramarine paints are associated with both a relatively high degree of oxidation and a high proportion of extractable diacids, as well as a relatively high content of unsaturated and hydroxylated glycerides. at the molecular level of the characteristics and causes of water sensitivity in twentieth century oil paintings in order to inform the development of suitable materials and methodologies for surface cleaning [6] high dicarboxylic acid content has been observed in some water sensitive oil paint samples [9] suggesting that the composition of the binding The metal soaps present in the non-water sensitive white paints are sensitive samples present lower signal-to-noise ratios (Fig. 1), indicating that water sensitive paints produce more highly concentrated ethanol extracts of the species listed in Table 4. As previously stated the non-water sensitivity, and low extractability of diacids in the case of zinc and lead containing white paints can id: work_mpl4z7trijbkrc7o63pvaq5edy author: Juliana Soares de Jesus title: Development of attention: acting in special classes date: 2018 words: 5913 sentences: 819 pages: 9 flesch: 63 cache: ./cache/work_mpl4z7trijbkrc7o63pvaq5edy.pdf txt: ./txt/work_mpl4z7trijbkrc7o63pvaq5edy.txt summary: atenção em crianças que frequentavam classes de recuperação em uma escola pública de uma cidade do interior a Psicologia Histórico-Cultural, com ênfase à interpretação de Vigotski sobre desenvolvimento e aprendizagem. orientação e o planejamento de ações em conjunto com as crianças possibilitam a significação das atividades um novo modo de pensar e compreender a realidade, o que ressalta a importância do meio e das mediações (Eidt & Tuleski, 2010; Moyses & Collares, 2013; Cor, em que, pela apreensão dos saberes escolares, transformam o sujeito ao promover novas possibilidades de Assumindo o meio como fonte de desenvolvimento, compreende-se que é na internalização dos encontros e das produções dos alunos, foram reunidos e organizados por atividade e objetivos. Observou-se que uma nova relação com a desenvolver uma ação que colabore para o desenvolvimento do sujeito. de um dos participantes de uma das turmas que não id: work_4djqugl6ojga7ajykijkegfwca author: K Siehr title: Chronicles date: 1998 words: 3362 sentences: 295 pages: 9 flesch: 70 cache: ./cache/work_4djqugl6ojga7ajykijkegfwca.pdf txt: ./txt/work_4djqugl6ojga7ajykijkegfwca.txt summary: The Paris Court of Appeals found that certain art objects of the royal 3 July 1996 of 1970 on the return of illegally exported cultural objects and ordered the return of the statue: The Art Newspaper, January 1997, agreed to return cultural objects displaced during or after World War e. five times more than expected: Frankfurter Allgemeine Zeitung, 1 November 1996, p. The Institute of Art and Law (Leicester) held a conference in London site as World Cultural Heritage by UNESCO: Neue Zurcher Zeitung, will get a new building in some years: Frankfurter Allgemeine Zeitung, 18 November 1996, p. Germany under the title "Masterpieces of Western European Drawings from Private German Collections": Frankfurter Allgemeine Zeitung, 3 December 1996, p. Conference on "International Protection of Cultural Property New several court proceedings (supra 3 July 1996): // giornale dell''arte, German cultural objects must be solved in 1997: Frankfurter Allgemeine Zeitung 6 January 1997, p. id: work_fleg652s6jgwzcv6guvc4zznym author: K. Daniel Riew title: The Role of Atlantoaxial Instability on Chiari, Ossification of the Posterior Longitudinal Ligament, Spondylosis and Stenosis date: 2019 words: 1244 sentences: 85 pages: 2 flesch: 57 cache: ./cache/work_fleg652s6jgwzcv6guvc4zznym.pdf txt: ./txt/work_fleg652s6jgwzcv6guvc4zznym.txt summary: Dr. Atul Goel and Dr. Sanjay Behari, that take somewhat different positions on the treatment of Chiari malformation. However, as Dr. Behari points out, > 70% of patients with a pure Chiari I malformation have excellent improvement of their neurologic function with a simple decompression. He treated the patient with a posterior atlantoaxial and C3–6 fusion. that the patient needed an atlantoaxial fusion. The Role of Atlantoaxial Instability on Chiari, OPLL, Spondylosis and Stenosis Riew KD patients with OPLL can be treated exactly as Dr. Goel recommends, with the fusion and no decompression. in moderate to severe myelopathy, or for those with quadriparesis, I do not believe that a solidly fused OPLL patient with inadequate decompression will improve in any significant way. fail to see how adding a posterior fusion without decompression can help such patients. If this were not the case, no patient would be eligible for a cervical disc arthroplasty, since it is contraindicated id: work_c5danpwdkvb2zlb4kpflghwg7a author: K. M. Pattison title: Factors Influencing Physical Therapists'' Use of Standardized Measures of Walking Capacity Poststroke Across the Care Continuum date: 2015 words: 1141 sentences: 201 pages: flesch: 55 cache: ./cache/work_c5danpwdkvb2zlb4kpflghwg7a.pdf txt: ./txt/work_c5danpwdkvb2zlb4kpflghwg7a.txt summary: [PDF] Factors Influencing Physical Therapists'' Use of Standardized Measures of Walking Capacity Poststroke Across the Care Continuum | Semantic Scholar Corpus ID: 207402092Factors Influencing Physical Therapists'' Use of Standardized Measures of Walking Capacity Poststroke Across the Care Continuum title={Factors Influencing Physical Therapists'' Use of Standardized Measures of Walking Capacity Poststroke Across the Care Continuum}, Background The use of standardized assessment tools is an element of evidence-informed rehabilitation, but physical therapists report administering these tools inconsistently poststroke. Assessing the Use of Standardized Outcome Measures for Stroke Rehabilitation among Physiotherapists in Ghana Every person is an individual: physical therapist clinical reasoning used in inpatient rehabilitation for walking assistive device prescription in patients with stroke and brain injury Physical therapists'' perceptions and use of standardized assessments of walking ability post-stroke. Factors Influencing the Use of Outcome Measures for Patients With Low Back Pain: A Survey of New Zealand Physical Therapists id: work_azsquoo4ybddhh7wob4bwhhqhy author: Kader AYDIN title: MODERN SANAT SÜRECİNDE KADIN İMGESİNİN RESİMSEL VE TOPLUMSAL AÇIDAN İNCELENMESİ date: 2019 words: 7349 sentences: 1100 pages: 13 flesch: 71 cache: ./cache/work_azsquoo4ybddhh7wob4bwhhqhy.pdf txt: ./txt/work_azsquoo4ybddhh7wob4bwhhqhy.txt summary: oluşumlar içerisinde sanatçılarda biricik imge olma özelliği taşıyan kadın imgesi de yadsınamaz bir yere gelmiştir. gelişmişlik seviyesinin ispatı olan kültürel gelişmeler ışığında modern sanat içerisinde önemli bir yere sahip olan kadın img esinin modern sanat sürecinde kadın imgesi konusunda yoğun çalışmalar sergileyen sanatçıların başlıca eserleri ışığında dönemin sana t Bu araştırmanın amacı modern sanat akımları içerisinde kadın imgesinin resimsel ve toplumsal Modern sanatta ön plana çıkan kadın imgesinin, nasıl güçlü ve etkili bir kültürel imaj haline Pek çok sanatçı için önemli bir kaygı ve arayış sebebi olan imge kavramının en etkili imajı bağlamında mevcut kaynaklar taranarak, modern sanatta imge, kadın imgesi gibi başlıklar, sanatçılar ve Modern sanat ve kadın imgesi konusuna değinmeden önce imge kavramının terimsel olarak Çoğunlukla imgesi kadın olan sanatçı, eserlerinde kadının masalsı iç dünyasını bir ışıltı içerisinde Sanat dilini özgün bir biçimde kullanan sanatçı bu resim üzerinde de aylarca Feminist hareket içerisinde de önemli bir yere sahip olan sanatçı id: work_w6wgq25c2vdqvecc5ltnd2oy6y author: Katja Kozjek Varl title: KNOWLEDGE AND IDENTIFICATION OF DIFFERENT ARTISTIC PRACTICES date: 2018 words: 7479 sentences: 846 pages: 17 flesch: 78 cache: ./cache/work_w6wgq25c2vdqvecc5ltnd2oy6y.pdf txt: ./txt/work_w6wgq25c2vdqvecc5ltnd2oy6y.txt summary: present a broader view of basic school pupils of fine art both historically and We were interested in what view eighth grade pupils of basic school have of contemporary art three groups answered the most frequently that art means expression of artist''s thoughts, Thinking why one chooses to engage in art (Table 1) the pupils stated the most frequently this category of responses is underlined with the following statements of pupils: "The artist works Table 2: Ranking order of the categories of answers connected with the question about fine art at The most frequent answer of pupils to the question why we meet fine art in school (Table 2) At the concept of contemporary art the responses of the pupils are highlighted who stated The answers of the group of pupils follow who think contemporary art is unusual The pupils of groups A and C the most frequently recognised the content of the work of art id: work_fhlgvcotqng6vo3fho2tdxzeoi author: Kazuya Yokota title: Acidic Fibroblast Growth Factor in Spinal Cord Injury: A Potential Therapy Which Merits Further Investigation date: 2019 words: 144 sentences: 28 pages: flesch: 72 cache: ./cache/work_fhlgvcotqng6vo3fho2tdxzeoi.pdf txt: ./txt/work_fhlgvcotqng6vo3fho2tdxzeoi.txt summary: sys_1000 wp-p1m-39.ebi.ac.uk wp-p1m-39.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write(''[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]''.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 219771590 (wp-p1m-39.ebi.ac.uk) Time: 2021/04/06 02:41:03 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ id: work_kmp266tpejeczk3s7mu3zxqsue author: Kee B. Park title: Global Neurosurgery in the Time of COVID-19 date: 2020 words: 144 sentences: 27 pages: flesch: 72 cache: ./cache/work_kmp266tpejeczk3s7mu3zxqsue.pdf txt: ./txt/work_kmp266tpejeczk3s7mu3zxqsue.txt summary: sys_1000 wp-p1m-39.ebi.ac.uk wp-p1m-39.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write(''[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]''.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 219765794 (wp-p1m-39.ebi.ac.uk) Time: 2021/04/06 02:40:56 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ id: work_efxvmz7njvhulken3xhwaaz3uy author: Keiko Imai title: Pablo Picasso''s Mother and Child by the Sea (1902): report on the hyperspectral near-infrared reflectance imaging survey of Picasso''s newspaper use date: 2020 words: 4653 sentences: 397 pages: 9 flesch: 67 cache: ./cache/work_efxvmz7njvhulken3xhwaaz3uy.pdf txt: ./txt/work_efxvmz7njvhulken3xhwaaz3uy.txt summary: reflectance imaging survey of the painting revealed newsprint text from Le Journal of January 1902. Picasso transported these two portraits from Paris to Barcelona along with Mother and Child by the Sea. Keywords Pablo Picasso · Blue period · Painting · Hyperspectral near-infrared reflectance imaging · Reused canvas · Picasso''s Blue Period painting Mother and Child by the Sea radiograph image of Mother and Child by the Sea in cooperation with Tokyo National Research Institute for Cultural Properties. color imaging of the two paintings revealed as well newsprint letters on the surface of the two portraits. Pablo Picasso''s Mother and Child by the Sea (1902): report on the hyperspectral near-infrared reflectance imaging survey of Picasso''s newspaper use Pablo Picasso''s Mother and Child by the Sea (1902): report on the hyperspectral near-infrared reflectance imaging survey of Picasso''s newspaper use id: work_vodcbm7gn5brlbi53xrlu6awja author: Keith Clifton title: Mots cachés: Autobiography in Cocteau''s and Poulenc''s La Voix humaine date: 2001 words: 8917 sentences: 633 pages: 19 flesch: 67 cache: ./cache/work_vodcbm7gn5brlbi53xrlu6awja.pdf txt: ./txt/work_vodcbm7gn5brlbi53xrlu6awja.txt summary: Mots cachés: Autobiography in Cocteau''s and Poulenc''s La Voix humaine Mots cachés: Autobiography in Cocteau''s and Poulenc''s La Voix œuvres of Francis Poulenc and Jean Cocteau. I will argue below, La Voix humaine represents a challenging, but not altogether foreign, example of the typical Poulenc / Cocteau approach to the 7 For a complete discussion of the Vilmorin works, see my "Vilmorin Songs of Francis Poulenc," For Cocteau and Poulenc, the camp sensibility presents itself in more than "My Music is My Portrait," Poulenc declared that his works present more than 27 Francis Poulenc, "My Music is My Portrait," Opera News (5 February 1977): 30. implications of Voix for Cocteau and especially Poulenc condition the structure Musically, Poulenc''s score is a perfect complement to Cocteau''s discursive Rather than advancing the interpretation that Poulenc composed Voix out of loyalty to Cocteau, I propose that the opera represents his final id: work_572ibxtd35ftrdrco2v6bkbgpy author: Kevin A. Roth title: A Beautiful Science date: 2006 words: 144 sentences: 24 pages: flesch: 71 cache: ./cache/work_572ibxtd35ftrdrco2v6bkbgpy.pdf txt: ./txt/work_572ibxtd35ftrdrco2v6bkbgpy.txt summary: sys_1000 wp-p1m-38.ebi.ac.uk wp-p1m-38.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write(''[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]''.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 219765601 (wp-p1m-38.ebi.ac.uk) Time: 2021/04/06 02:40:55 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ id: work_jiiwel4tgbgt3ehagzr3wdxhvu author: Kezban SÖNMEZ title: ART DECO STYLE REFLECTIONS ON TEXTILE DESIGNS date: 2019 words: 5875 sentences: 929 pages: 17 flesch: 66 cache: ./cache/work_jiiwel4tgbgt3ehagzr3wdxhvu.pdf txt: ./txt/work_jiiwel4tgbgt3ehagzr3wdxhvu.txt summary: 1920''li yıllarda ortaya çıkan ve 1940''lı yılların ortalarına kadar Avrupa ve Amerika''da etkili olan Art Deco stili iç mimari, mobilya, güzel sanatlar, tekstil ve moda alanlarında etkili olmuştur.Konusu "Art Deco Stilinin Tekstil 1920''li yıllarda ortaya çıkan ve 1940''lı yılların ortalarına kadar Avrupa ve Amerika''da etkili olan Art Deco Art Deco dönemi kalıp baskı tekniği ile üretilen yeniden yorumlanmış geometrik çiçek desenleri ya da yoğun 2 no''lu tasarımda ABD''nin Miami şehrinde yer alan Art Deco mimari yapılarından "Crescent Hotel" geometrik ve dairesel motifler bu yapıda da kullanılmıştır (https://virginia-duran.com/2014/03/20/miami-the-bestof-art-deco-architecture/) (Erişim Tarihi: 21.07.2019). 3 no''lu tasarımda ABD''nin Miami şehrinde yer alan Art Deco mimari yapılarından "Carlton Hotel" 4 no''lu tasarımda ABD''nin Miami şehrinde yer alan Art Deco mimari yapılarından "Colony Hotel" seçilmiştir. 5 no''lu tasarımda ABD''nin Miami şehrinde yer alan Art Deco mimari yapılarından "Greystone Hotel" 6 no''lu tasarımda ABD''nin Miami şehrinde yer alan Art Deco mimari yapılarından "Delano Hotel" seçilmiştir. id: work_nxdulugj7vdk3jnsbwlapf7p54 author: Kimberly A. Francis title: Review of Maureen Carr, Multiple Masks: Neoclassicism in Stravinsky''s Works on Greek Subjects (University of Nebraska Press, 2002) date: 2007 words: 2817 sentences: 192 pages: 6 flesch: 60 cache: ./cache/work_nxdulugj7vdk3jnsbwlapf7p54.pdf txt: ./txt/work_nxdulugj7vdk3jnsbwlapf7p54.txt summary: Neoclassicism in Stravinsky''s Works on Greek Subjects, Maureen Carr addresses the compositional processes involved in the KEYWORDS: Igor Stravinsky, sketch studies, neo-classicism, Greek, Apollo Musagète, Oedipus Rex, Perséphone, Orpheus ABSTRACT: Igor Stravinsky composed four neo-classical dramatic works based on Greek subjects between 1926 and 1948. Carr''s work helps piece together the desire of some early twentieth-century artists to avoid overt emotionalism in music, and [5] Moving beyond these general criteria for the neo-classic aesthetic, Carr reveals other forms of borrowing that Stravinsky [6] The next four chapters of Carr''s book deal chronologically with the four neo-classical works on Greek topics, and they all This methodology allows Carr to trace the evolution of Stravinsky''s neo-classical style while identifying [10] Outside of purely musical considerations, Carr''s book also retraces the many collaborative relationships Stravinsky For both of the texted works, Oedipus Rex and Perséphone, Carr id: work_dt5lpkr3zrgsvhuvb4ouu72zji author: Koreen Ramessar title: Trace and traceability—a call for regulatory harmony date: 2008 words: 3712 sentences: 484 pages: 4 flesch: 59 cache: ./cache/work_dt5lpkr3zrgsvhuvb4ouu72zji.pdf txt: ./txt/work_dt5lpkr3zrgsvhuvb4ouu72zji.txt summary: apply scientific and risk-based regulatory the trade and use of food and feed if the Table 1 Current GM biosafety regulations for selected countries product Yes Voluntary n.d. Australia office of the Gene Technology regulator, Food Standards Australia New Zealand Draft Biosafety Guidelines product n.d. No labeling process No n.d. n.d. canada canadian Food Inspection Agency consumer packaging & Labeling Act, plant protection Act product Yes Voluntarya 5% Health canada Food & Drugs Act, canadian environmental Agricultural research Institute, National Table 1 Current GM biosafety regulations for selected countries (continued) Country Governing bodies/agencies Regulations/laws Country Governing bodies/agencies Regulations/laws process Yes Mandatory n.d. New Zealand environmental risk Management Authority, USA US Department of Agriculture Federal plant protection Act National Biotechnology & Biosafety Bill process Yes n.d. n.d. aLabeling required if safety concerns (allergenic, change in nutritional composition) exist. and use of pathology in research. future for GM food and feed regulation id: work_tukiz4v4jva35j3rdly37alpnm author: Kristýna Kysilková title: Homenaje a Pavel Štěpánek en su septuagésimo quinto aniversario (2016) date: 2018 words: 755 sentences: 211 pages: flesch: 75 cache: ./cache/work_tukiz4v4jva35j3rdly37alpnm.pdf txt: ./txt/work_tukiz4v4jva35j3rdly37alpnm.txt summary: Česky / English Informace a služby Pro autory Informace pro autory English Obě témata se prolínají v závěrečné části věnované kronice Chronicon Aulae Regiae. Katalog jaro 2021 Novinky Nakladatelství Karolinum na období jaro/léto 2021 naleznete v našem novém katalogu. Světla a stíny husitství (Události – osobnosti – texty – tradice) Čornej, Petr Fašismus Gecko, Tomáš Křížková, Věra Koptík, Tomáš Témata Témata Témata CENTRAL EUROPEAN JOURNAL FOR CONTEMPORARY RELIGION AUC INTERPRETATIONES AUC INTERPRETATIONES AUC KINANTHROPOLOGICA AUC KINANTHROPOLOGICA EUROPEAN JOURNAL OF ENVIRONMENTAL SCIENCES EUROPEAN JOURNAL OF ENVIRONMENTAL SCIENCES AUC THEOLOGICA AUC THEOLOGICA AUC THEOLOGICA AUC GEOGRAPHICA AUC GEOGRAPHICA AUC PHILOLOGICA AUC PHILOLOGICA AUC PHILOLOGICA AUC PHILOLOGICA Informace o akcích a nových titulech nakladatelství. Fašismus podle Rogera Griffina V edici Politeia vychází již druhá kniha jednoho z největších odborníků na fašismus, britského profesora moderních dějin a politického teoretika na Oxford Brookes University Rog... Nakladatelství Karolinum Nakladatelství Karolinum Nakladatelství Kontakt a služby © Karolinum 2021 id: work_4jhqdkodsjckxizg53wwrgacfe author: Kurt G. Siehr title: CHRONICLES: (January 1, 2004––December 31, 2004) date: 2005 words: 19072 sentences: 1729 pages: 56 flesch: 72 cache: ./cache/work_4jhqdkodsjckxizg53wwrgacfe.pdf txt: ./txt/work_4jhqdkodsjckxizg53wwrgacfe.txt summary: The Metropolitan Museum of Art in New York opened the exhibition The Drawing of Bronzino. The Ethnological Museum Zürich opened an exhibition, Fakes, about fake art massproduced in China to be sold as copies and fakes. The Dresden State Art Collection and the von Lehndorff family settled their dispute concerning the return of art objects (i.e., seven paintings, library) that had The first exhibition, the famous Turkish Chamber (Türkische Cammer), was opened and showed the important pieces of oriental art collected by the Ten paintings, lost during World War II and recovered in recent times, were exhibited in Picture Gallery of Castle Sanssouci in Potsdam, Germany. Opening of the exhibition Man, Myth and Sensual Pleasures, Jan Gossart''s Renaissance in the Metropolitan Museum of Art in New York. The Metropolitan Museum of Art in New York devoted an exhibition to the The New York auctions in autumn 2010 sold art objects for more than $ 500 Million. id: work_tyj4mpmb4zbntikhl5eeffesii author: Kurt Siehr title: CHRONICLES 2010 date: 2011 words: 18814 sentences: 1625 pages: 57 flesch: 73 cache: ./cache/work_tyj4mpmb4zbntikhl5eeffesii.pdf txt: ./txt/work_tyj4mpmb4zbntikhl5eeffesii.txt summary: The Metropolitan Museum of Art in New York opened the exhibition The Drawing of Bronzino. The Ethnological Museum Zürich opened an exhibition, Fakes, about fake art massproduced in China to be sold as copies and fakes. The Dresden State Art Collection and the von Lehndorff family settled their dispute concerning the return of art objects (i.e., seven paintings, library) that had The first exhibition, the famous Turkish Chamber (Türkische Cammer), was opened and showed the important pieces of oriental art collected by the Ten paintings, lost during World War II and recovered in recent times, were exhibited in Picture Gallery of Castle Sanssouci in Potsdam, Germany. Opening of the exhibition Man, Myth and Sensual Pleasures, Jan Gossart''s Renaissance in the Metropolitan Museum of Art in New York. The Metropolitan Museum of Art in New York devoted an exhibition to the The New York auctions in autumn 2010 sold art objects for more than $ 500 Million. id: work_6oof4fi6bfdgtpotybxcm6pbhu author: Kátia Rodrigues Paranhos title: Folha de Rosto date: 2016 words: 664 sentences: 167 pages: 2 flesch: 75 cache: ./cache/work_6oof4fi6bfdgtpotybxcm6pbhu.pdf txt: ./txt/work_6oof4fi6bfdgtpotybxcm6pbhu.txt summary: Elaborada pelo Sistema de Bibliotecas da UFU | Setor de Catalogação e Classificação ArtCultura : Revista de História, Cultura e Arte, v. — Uberlândia: Universidade Federal de Uberlândia, Insti tuto de História. Edufu — Editora da Universidade Federal de Uberlândia Universidade Federal de Uberlândia Universidade Federal de Uberlândia Charles Monteiro (PUC-RS/RS) Maria Bernardete Ramos Flores (UFSC/SC) Jean Luiz Neves Abreu (UFU/MG) Maria Izilda Santos de Matos (PUC-SP/SP) Sieni Maria Campos Eduardo Warpechowski sobre Duas mulheres Ana Maria Mauad (UFF/RJ) . Joana Maria Pedro Lucia Maria Paschoal Maria de Fátima Morethy Couto – Unicamp/ Maria de Lourdes Rabetti – UniRio/RJ . Maria Elisa Cevasco – USP/SP . Hautes Études en Sciences Sociales – Paris/França . Serge Gruzinski – École de Hautes Études en Sciences Sociales/França . Revista de História, Cultura e Arte Revista de História, Cultura e Arte Revista de História, Cultura e Arte Revista de História, Cultura e Arte id: work_dqud2adhprei3jnj4zdro365pa author: Laura Giacopetti title: First principles study of the optical emission of cadmium yellow: Role of cadmium vacancies date: 2018 words: 4058 sentences: 373 pages: 8 flesch: 59 cache: ./cache/work_dqud2adhprei3jnj4zdro365pa.pdf txt: ./txt/work_dqud2adhprei3jnj4zdro365pa.txt summary: We study the role of structural defects in the CdS-based cadmium yellow paint to vacancies in the pigment surface alters the electronic structure of cadmium sulfide Such levels are consistent with the optical emission from trap state levels detected in the CdS pigment. the vacancy DOS (red curve) follows different spin up and down profiles and still, the acceptor state To estimate the optical transitions we adopted an affordable method based on the formalism of formation energies, successfully applied in a variety of wide gap semiconductors and agreement with the few research studies carried out on the near-infrared optical emission of cadmiumbased pigments associated with trap states.18–20 Rosi et al.,20 following analysis of the commercial pigment based on hexagonal CdS, has reported two distinct trap state peaks at 1.24 eV and 1.64 eV. Formation energies, Ef (eV), for surface top and hollow Cd vacancies both in neutral and negatively charged states, id: work_buvggge5uffi7o7mdbpk6oxbgu author: Lawrence G. Lenke title: Commentary: Artificial Intelligence for Adult Spinal Deformity date: 2019 words: 1193 sentences: 69 pages: 2 flesch: 47 cache: ./cache/work_buvggge5uffi7o7mdbpk6oxbgu.pdf txt: ./txt/work_buvggge5uffi7o7mdbpk6oxbgu.txt summary: It also has tremendous heterogeneity in its clinical presentations, extensive variability in current nonoperative and operative treatments prescribed with uncertain clinical outcomes, high complication rates and would be quite helpful for the personalized treatment of the unique ASD patient that suffers from this often heavy disease burden. So far, all of the work using predictive analytics and early AI for ASD has been done by a Will this group data suffice or will more personalized data from individual centers and surgeons be required for the type of individualized health care that these unique patients require? patient truly unique, but so is every ASD spinal surgeon and spine center providing the care. So will optimal care pathways for the evaluation and treatment of ASD patients require input for both the patient and surgeon/center provider? with the surgical invasiveness, and not from the surgeon or center where the surgery was performed. with ASD, but also the surgeon and center providing the care id: work_pg3id7st2baafambphu7s3ainy author: Leila Tahmasebi title: Stylistic approach to teaching poetry in ESL classrooms date: 2019 words: 5027 sentences: 353 pages: 10 flesch: 58 cache: ./cache/work_pg3id7st2baafambphu7s3ainy.pdf txt: ./txt/work_pg3id7st2baafambphu7s3ainy.txt summary: STYLISTIC APPROACH TO TEACHING POETRY IN ESL CLASSROOMS importance of stylistic approach in teaching Deviation and foregrounding the important elements stylistics approach in teaching literature in ESL Keywords: poetical analysis, stylistics, deviation, Style in literature is the way an author uses element of stylistic approach to teaching presses a poem into the students'' minds it is English literature classes is stylistic In analyzing a poem by using stylistic teaching method in a poetry class by students are thought a new poem. analyzing any poem the students need to systematic stylistic analysis of the poem is deviation from standard use of language. general meaning, and the effect of the poem Considering deviation, there is no poem deviation from the normal use of language. deviation of the poem by pointing to "the Analysis of a poem in a stylistic foregrounding effect behind the deviation. Stylistic approach is an effective method of Language in Literature: Style id: work_wyiy3rj7jjcv3jf2ttvyjkn7gm author: Leonardo Baglioni title: La teoria dei punti di concorso nella scenografia di Guidobaldo del Monte date: 2018 words: 4470 sentences: 362 pages: 12 flesch: 58 cache: ./cache/work_wyiy3rj7jjcv3jf2ttvyjkn7gm.pdf txt: ./txt/work_wyiy3rj7jjcv3jf2ttvyjkn7gm.txt summary: There is a need to construct a graphic and visual discourse on the History of Architecture. Architecture History in the last half of the XX century, when different graphic production strategies were used. The first one is related to the capability to put documentary in order, its analysis and read, attending to visual culture and current graphic discourse. information, place and locate it, attending to cer tain categories that allows us to create an essential map of its Our approach to the research is to create an Athlas of Modern Architecture of the 20th Century consisting of several par tial maps that follow the proposed categories: architects, ar t movements, their relationships and chronology. Unlike in the past, Modern Movement architects developed, as a working tool, the need to create communication examples of maps related to architecture and ar ts through time. id: work_fob6cvfp5jfddciyatjracx5pa author: Li-La Park title: Art Mask Converged Design Based on an Expression Method of Cubism date: 2017 words: 2726 sentences: 747 pages: 6 flesch: 105 cache: ./cache/work_fob6cvfp5jfddciyatjracx5pa.pdf txt: ./txt/work_fob6cvfp5jfddciyatjracx5pa.txt summary: Art Mask Converged Design Based on an Expression Method 화 차별화의 추세에 따라 폭넓게 개되어지고 있으며 고객의 니즈(needs)에 맞게 다양하게 융합 목되어지고 있 이에 본 연구는 입체주의 표 기법을 아트메이크업에 융합시켜 아트마스크에 제시함으로써 새로운 디자 아트메이크업에 한 고찰 후, 입체주의 표 기법을 크게 복수시 , 형태의 분할, 콜라주로 나 어 피카소의 작품을 • 주제어 : 융합, 입체주의, 피카소, 아트메이크업, 아트마스크 shape and collage and motivated the works of Picasso for the purpose of art mask-converged design. a result of the study, it was found out that the expression method of cubism was applicable to the art 콜라주 특성을 응용하여 아트메이크업 작품 제작하 으 입체주의(cubism)의 큐 (cube)란 정육면체라는 뜻으 다양한 측면들을 동시에 보여주는 기법이다. 있으며 등, 가슴, 머리를 동시에 묘사하고 있는 다양한 시 다. 다양한 작품 형태로 활용되고 있으며, 메이크업에서 입체주의 표 기법을 입체주의를 복수시 , 형태의 분할, 콜라주 표 기법으로 셋째, 입체주의의 표 기법을 활용한 아트메이크업 융 id: work_bqtjrjgjyrhfpe4y2deciwefwe author: Lindsay Oakley title: Improved spectral imaging microscopy for cultural heritage through oblique illumination date: 2020 words: 7427 sentences: 668 pages: 11 flesch: 55 cache: ./cache/work_bqtjrjgjyrhfpe4y2deciwefwe.pdf txt: ./txt/work_bqtjrjgjyrhfpe4y2deciwefwe.txt summary: utilizes wavelength-tunable oblique illumination from a point source to obtain per-pixel reflectance spectra in the Keywords: Spectral imaging microscopy, Oblique illumination, Optical sectioning, Surface shape, Dictionary learning, We build on previous work in cultural heritage [11] towards highly sensitive spectral reflectance imaging at the microscale by the analysis of paint cross sections of both known reference materials and a sample from an early twentieth century painting by Pablo Picasso. Fig. 2 RGB images of a cross section from Picasso''s La Miséreuse accroupie acquired at a β = 0° and b β = 180°. Fig. 3 Spectral image processing workflow of a reference cross-section. Fig. 4 Cross-section of the multi-layered mockup sample including the reconstructed RGB image and the corresponding pigment maps created Identification of pigments in paint cross sections by reflection visible light imaging microspectroscopy. Improved spectral imaging microscopy for cultural heritage through oblique illumination Improved spectral imaging microscopy for cultural heritage through oblique illumination id: work_46wmz2hmybd3bp23vpzkxqofpi author: Luc Renneboog title: Buying Beauty: On Prices and Returns in the Art Market date: 2013 words: 13846 sentences: 1380 pages: 32 flesch: 72 cache: ./cache/work_46wmz2hmybd3bp23vpzkxqofpi.pdf txt: ./txt/work_46wmz2hmybd3bp23vpzkxqofpi.txt summary: Based on the resulting price index, we conclude that art has appreciated in value by a Key words: art; auctions; hedonic regressions; investments; repeat-sales regressions; sentiment. new data set of nearly 1.1 million auction sales to re-examine the price formation and returns in the art We perform a hedonic regression analysis which relates transaction prices to a wide range of valuedetermining characteristics and year effects. The estimated returns on art vary with data, methodology, and the time period under consideration In this paper, we construct a price index for art using the hedonic regression methodology. the art market follow recent sales prices, this implies a return measurement bias when the market reverses (Goetzmann real returns on art are based on our corrected price index Π*, and are shown in Table 3. The real returns on art are based on our corrected price index Π*, and are shown in id: work_sonjg3qvqrbxrb7gvt6d4b5c34 author: Lucia Salvato title: An Interdisciplinary Approach to Texts as a Model for a Truthful Approach to Reality date: 2015 words: 4841 sentences: 323 pages: 7 flesch: 61 cache: ./cache/work_sonjg3qvqrbxrb7gvt6d4b5c34.pdf txt: ./txt/work_sonjg3qvqrbxrb7gvt6d4b5c34.txt summary: This paper proposes how academic teaching based on the use of texts can be fertile soil for educational processes in younger ''texts'' in terms of communicative semiotic events and the interpretation of their meaning as a process of inference. the proposed approach, university courses may become opportunities to educate students to faithfully approach reality as it is, Keywords: Education; Teaching; Interdisciplinary Approach; Texts as Communicative Semiotic Events. courses on German as a foreign language based on the analysis of "intersemiotic translations" (Jakobson, 1987, 429the Catholic University of Milan, a very useful method of educating them in their approach to reality is the analysis students a learning method with which they can approach a single text can be useful in showing them how to This analysis has offered a way of teaching a foreign language at school or at university through which students id: work_bdgouxk4a5fqve3cmyifkucwra author: Luciano Floridi title: Artificial Intelligence, Deepfakes and a Future of Ectypes date: 2018 words: 2225 sentences: 162 pages: 5 flesch: 69 cache: ./cache/work_bdgouxk4a5fqve3cmyifkucwra.pdf txt: ./txt/work_bdgouxk4a5fqve3cmyifkucwra.txt summary: Others are fakes or forgeries, like the BVermeers^ painted by Han van Figure 1 A fake, the original is BLodge on Lake Como^ by Carl Frederik Peder Aagaard (1833–1895) the information needed to produce a new painting by Rembrandt. would be as close as possible to Rembrandt''s style and way of painting. Bauthentic^ in style and content, but not Boriginal^, in terms of archetypal source, like artefacts, like Microsoft''s Rembrandt, or inauthentic but original artefacts. example of an inauthentic original ectype was provided in March by an audio recording We saw that the production of ectypes does not stop at the work of art, but involves easy to imagine that, like Magritte faking his own painting, they will start producing Table 1 Archetype, fake and ectypes Original source Authentic production Next, as regards new artefacts, because originality and authenticity are like the Microsoft''s Rembrandt, or Kennedy''s speech. id: work_dcrzpqbnajhntbziepkctbmvhi author: Lynn D. Dierking title: A Comprehensive Approach to Fostering the Next Generation of Science, Technology, Engineering, and Mathematics (STEM) Education Leaders date: 2010 words: 6136 sentences: 252 pages: 13 flesch: 48 cache: ./cache/work_dcrzpqbnajhntbziepkctbmvhi.pdf txt: ./txt/work_dcrzpqbnajhntbziepkctbmvhi.txt summary: Science & Mathematics Education Department, Oregon State University, 235 Weniger Hall, Corvallis, research and education practice to better support lifelong STEM learning. The program offers 3 degree options: (1) a M.S. in Science Education or support the development of an online Master''s of Science degree program with two learning settings (science centers, museums, zoos and aquariums, national and state graduate and research/development program in free-choice learning with high science and mathematics learning and teaching and is a flexible-enough course to Science Materials and Labs: Nature of Science, and the Designing of ProblemBased Curricula courses will also be good options for FCL students depending the core courses to have special sections for free-choice learning students. two students have chosen to pursue doctoral programs in science education research Science in Professional Teacher Education Licensure program, which prepares learning science in and out of the classroom, and teacher professional development. id: work_sst6jdwyorg5dao6x6q35sfnt4 author: M. Ashraful Kabir title: Most Beautiful Pigeons of Bangladesh date: 2015 words: 2451 sentences: 267 pages: 4 flesch: 74 cache: ./cache/work_sst6jdwyorg5dao6x6q35sfnt4.pdf txt: ./txt/work_sst6jdwyorg5dao6x6q35sfnt4.txt summary: Abstract: Pigeons are not aristocratic bird but its body shape, colorful feathers, ornamentation, care, mode of breeding; Observed seven very nice pigeons arewestern crowned pigeon, fantail, jacobin, frillback, pouter, trumpeter and Their breeding is not normal as local pigeon except fantail. Mentioned pigeons are chosen by peoples only on ornamental feathers except the enlarge crop of Darwin established a pigeon farm in his yard for explain his book ''variation of plants and animals under domestication''. Out of seven breeds only crown pigeon and frillback evolved by natural selection and crowned pigeon, jacobin, fantail, pouter, swallow, bokhara 500 selected pigeons with fantail, jacobin and pouter but in these pigeons for ornamental feathers which are the barriers ornamentation of feathers those pigeons can''t fly properly. huge research on fancy pigeons and produced lot of varieties mainly in breeding season of that beautiful pigeons. feathers from tail, head, neck and leg regions for proper id: work_bmexjj4vujemdjpthmsprsijoy author: M. Eekhout title: Transparent Cubical Glass Building in Madrid date: 2018 words: 3270 sentences: 237 pages: 10 flesch: 70 cache: ./cache/work_bmexjj4vujemdjpthmsprsijoy.pdf txt: ./txt/work_bmexjj4vujemdjpthmsprsijoy.txt summary: Keywords: Quattro nodes, insulated glass, Tensile structural systems co-designed and engineered, produced and built a number of cubical glass volumes. We have designed these glass cubes as architects, structural engineers tempered glass panels, where the vertical corners are held together by glued stainless In 1988 cubical glass pavilions were designed by architect Wiek Röling and structural This structure was conceived in single glass panels, fully tempered. In 1989 Mick Eekhout designed the structural scheme for an all-glass envelope for Opened in 1990, it was the first structural glass building in the Dutch architect, Walter Lockefeer came to Octatube to co-design a glass roof in a So he stimulated the development of the first glass panel roof, stabilised as a Figure 16 and 17: Design of the Glass Cube by architect Millanes and engineers Typsa and Octatube. Figure 18: Installation of the Glass Cube [3] Eekhout, M., ''Product Development in Glass Structures'', 010 Publisher, Rotterdam, 1989. id: work_77b2fbbsl5abdno4o2bg2jzyiq author: MARTIN M. WINBURY title: Muscarinic Action of Murexine and Some Related Choline Esters date: 1957 words: 3264 sentences: 399 pages: 9 flesch: 63 cache: ./cache/work_77b2fbbsl5abdno4o2bg2jzyiq.pdf txt: ./txt/work_77b2fbbsl5abdno4o2bg2jzyiq.txt summary: célból bemutatom, hogy egyfelől a metaforikus alkotás vagy átváltoztatás, másfelől a befogadás, valamely dolognak egy másik, különböző dologként történő értelmezése vizuális képesség. azzal a metaforadefinícióval, amely szerint a metafora eredendően fogalmi vagy nyelvi jelenség, és annak szemantikai folyamatára, tágabb értelmére és kognitív értékére épül. vizuális metaforát tekintem paradigmatikusnak, mint a fogalmi vagy a nyelvi Közismert, hogy Lakoff és Johnson fogalmi-kognitivista metaforaelméletet fogalmaznak meg, amelyben a metafora nem pusztán a fogalomalkotó elme szüleménye, hanem maga is teljes egészében konceptuális. kötöttek, akkor a metafora megértése vagy konceptualizálása másodlagossá válik, az első helyre a metaforikus külső-vizuális struktúra, vagyis maga a metafora társított dolog egy részét megfeleltetjük egy másiknak, vagyis „a vizuális metaforák olyan képi vagy másként vizuális eszközöket használnak, amelyek azonosságukra utalva segítik a szemlélőt, hogy a metaforikus összefüggést felismerje" A vizuális metafora egy kép vagy tárgy materiális konstrukciója. Nem az a kérdés, hogy a metafora fogalmakból vagy képekből ered-e. konfiguráció, szintaktikai elrendezés vagy tárgyi kompozíció, mint az, hogy egy id: work_65fzfakr5bdbxg6g7pi5zpvnfu author: MIKE SAVAGE title: Cosmopolitan nationalism and the cultural reach of the white British date: 2010 words: 8632 sentences: 668 pages: 33 flesch: 59 cache: ./cache/work_65fzfakr5bdbxg6g7pi5zpvnfu.pdf txt: ./txt/work_65fzfakr5bdbxg6g7pi5zpvnfu.txt summary: Cosmopolitan nationalism and the cultural reach of the White British Cosmopolitan nationalism and the cultural reach of the White British analysing the geographical spread of the cultural referents of the tastes of the white Key Words: Cosmopolitanism, culture, national identity, taste. Introduction: Cultural contact, cosmopolitanism and the ''national'' imagination. allows the reformation of white British identities in an environment which is both multicultural and shaped by global cultural flows. remaking Britain''s national cultural referents. imagination of the white British population as it is revealed by their cultural tastes to American cultural forms to the white British and in particular the power of either white British population to distance themselves from cultural forms which might more regions: British, European, American, and ''Other World''. older group where British, American and European references compete, but where one population, that we can see a re-making of British national cultural preferences. id: work_2ffhhcdw4nfovfpyso4tssfrwm author: Maimouna Sankhé title: The importance of Spanish for emigration to Spain: Spanish as a language of opportunity date: 2014 words: 2291 sentences: 374 pages: 6 flesch: 71 cache: ./cache/work_2ffhhcdw4nfovfpyso4tssfrwm.pdf txt: ./txt/work_2ffhhcdw4nfovfpyso4tssfrwm.txt summary: Como segundo idioma de comunicación internacional, el español ofrece importantes oportunidades en todas partes del mundo. El objetivo del presente estudio es abordar las ventajas del aprendizaje del español y, para ello, se han seleccionado unos trabajos específicos que sirven de apoyo África y girará en torno a dos ejes fundamentales: por un lado, el por qué la presencia del español en África es una base fundamental para afianzar las relaciones económicas y culturales entre España y África y, por otro lado, las oportunidades que el español ofrece a nivel social, económico y cultural a los que lo Para la elaboración de este artículo, serán imprescindibles los valiosos estudios sobre el valor del español, coordinados por los investigadores José Luis el mundo y las oportunidades que ofrece tanto dentro como fuera de los países mundo, el español es sin duda una de las lenguas que más oportunidades ofrecen a quienes la hablan. id: work_j52g66khljas5apbqzejujmomm author: Marcelo Miranda title: Paul Cézanne, el solitario padre de la pintura moderna date: 2017 words: 3744 sentences: 541 pages: 6 flesch: 70 cache: ./cache/work_j52g66khljas5apbqzejujmomm.pdf txt: ./txt/work_j52g66khljas5apbqzejujmomm.txt summary: uno de los más grandes, originales e influyentes pintores de la historia del arte. Zola influyó positivamente a Cézanne para que desarrollara sus ante los convencionalismos, al que Cézanne trataba de contraponer una genialidad todavía muy Cézanne el arte no pasaba por copiar la naturaleza sino expresar las emociones que la naturaleza que fue la motivación de los impresionistas, sino A través de variaciones del color objetiva los planos geométricos que él esperaba le en vida más por sus naturalezas muertas que por Las obras de Cézanne, más que Cézanne de 1874, a los 34 años, camino los bodegones de Cézanne Naturaleza muerta con manzana sustitución de la vida misma, a la que Cézanne no Las frutas que pinta Cézanne parecen tener el Los cuadros de árboles que pintó al final de su artística de maestros, no sólo como Cézanne, sino Cézanne desarrolló como complicación una retinopatía diabética con ceguera parcial para colores id: work_zqz5e5cbdbb6zcwd6zptc7aaum author: Maria Kokkori title: Synergistic use of Py–THM–GCMS, DTMS, and ESI–MS for the characterization of the organic fraction of modern enamel paints date: 2015 words: 9502 sentences: 717 pages: 14 flesch: 64 cache: ./cache/work_zqz5e5cbdbb6zcwd6zptc7aaum.pdf txt: ./txt/work_zqz5e5cbdbb6zcwd6zptc7aaum.txt summary: characterize the organic fraction of early twentieth century oil-based enamel paints. Results: Analysis demonstrated that the organic fraction of Ripolin paints is typically composed of heat-bodied and processing technology influence the physical and drying properties of oil-based enamel paints, in comparison early 20th century and its correlation with data from contemporary Lefranc artists'' tube paint samples represent of 20th century oil-based enamel paints, several mass Fig. 1 Ripolin and other oil-based enamel paints in the Art Institute of Chicago''s reference collection. Analysis of Lefranc tube paint samples showed the characteristic components for drying oil, as discussed above; Ripolin paint media and stand oil reference sample show Synergistic use of Py–THM–GCMS, DTMS, and ESI–MS for the characterization of the organic fraction of modern enamel paints Synergistic use of Py–THM–GCMS, DTMS, and ESI–MS for the characterization of the organic fraction of modern enamel paints id: work_diomb2b5bbd2pdxmgmq53tz5zq author: Maria Mohammad title: Art via Architecture ''Lukisan Kajian'' Style in Hybrid Model ''A+AGPD'': Observation ''Garisan stroke line'' (gSLine) date: 2015 words: 3574 sentences: 370 pages: 7 flesch: 62 cache: ./cache/work_diomb2b5bbd2pdxmgmq53tz5zq.pdf txt: ./txt/work_diomb2b5bbd2pdxmgmq53tz5zq.txt summary: Art via Architecture ''Lukisan Kajian'' Style in Hybrid Model ''A+AGPD'': Observation ''Garisan stroke line'' (gSLine) Art via Architecture ''Lukisan Kajian'' Style in Hybrid Model This research explores production styles stroke line and pen hatching effects of free hand drawing in 3 dimensional 3(D) shape, form, texture and color in creating 3 (D) illustrations lukisan kajian in free hand drawing style. findings of the study were collected in order to produce a hybrid model of researchers ''Art + Architecture Graphic Presentation Art illustration involves drawing, painting, photography, printmaking, graphic design and more. This study aims to combine style 3(D) drawings manually with two disciplines in ''Art'' and ''Architecture with drawing painting ''lukisan kajian'' with visualization, aesthetic and emotional style (dVEE). (Md.Nasir 2013) in his writings, considers the production and creation of a work of art in the drawing painting This model is intended for graduates in arts, especially architecture to help produce (gSLine) drawing painting id: work_cmopimwcyracvctyn5t5huws34 author: Marija Đekić title: Corporate universities as a contemporary paradigm of the employees professional development date: 2018 words: 5588 sentences: 1001 pages: 17 flesch: 55 cache: ./cache/work_cmopimwcyracvctyn5t5huws34.pdf txt: ./txt/work_cmopimwcyracvctyn5t5huws34.txt summary: Kompanije koje razumeju moć znanja u modernoj ekonomiji I koje imaju proaktivan pristup učenju i obrazovanju formiraju korporativne univerzitete ne posmatrajući Zaključak istraživanja je da korporativni univerziteti zaista imaju strateški značaj i da mogu doneti brojne pa obrazovanje zaposlenih sve više postaje strateški cilj kompanija koje uviđaju Korporativni univerziteti su strateški orjentisani, pomažu u razvoju korporativne kulture, a najuspešnije svetske kompanije uveliko primenjuju ovaj koncept. obrazovanja zaposlenih i da se na adekvatan način prikažu benefiti koje kompanije imaju od ulaganja u zaposlene i korporativne univerzitete. 5. Kompanije koje su primenile koncept korporativnih univerziteta Iako su neke kompanije koje imaju svoje korporativne univerzitete već pomenute, neke od najistaknutijih korporativnih univerziteta su svakako Charles Schwab University, • Lytovchenko Iryna (2016.) Corporate university as a form of employee training and development in American companies. • Lytovchenko Iryna (2016.) Corporate university as a form of employee training and development in American companies. id: work_icywckx4abdipdz4f5t67x7ipu author: Mark A. Runco title: Simplifying Theories of Creativity and Revisiting the Criterion Problem: A Comment on Simonton''s (2009) Hierarchical Model of Domain-Specific Disposition, Development, and Achievement date: 2009 words: 2939 sentences: 185 pages: 11 flesch: 52 cache: ./cache/work_icywckx4abdipdz4f5t67x7ipu.pdf txt: ./txt/work_icywckx4abdipdz4f5t67x7ipu.txt summary: Simplifying Theories of Creativity and Revisiting the Criterion Problem theory of creativity that focuses on a universally shared capacity. complements Simonton''s hierarchical view, though his applies best to actual performance and That being said, Simonton''s article, "Varieties of (Scientific) Creativity: A Hierarchical questions, including, "Is the creative thought of an Albert Einstein comparable with that of a a reminder that creativity and achievement depend on both universals and individual differences. relegates universals) might be built if we use fame and high-level creative performance as our Yet research on creativity suggests that there are benefits to questioning assumptions, and theory of creativity (Rubenson & Runco, 1992, 1995), and with Simonton''s article, I now see Psychoeconomic theory describes the costs and benefits of creative efforts alliterative framework with creative persons, places, processes, and products (and Simonton''s use originality of creative thought as the primary criterion...." (p. Studies of creativity do indeed use originality as the primary criterion. id: work_4g7zetwrizfqtahkklqmkewdhe author: Marko Pavlovski title: Culture in the Media: the Representation of Culture in "Jutarnji List" date: 2015 words: 3681 sentences: 202 pages: 8 flesch: 61 cache: ./cache/work_4g7zetwrizfqtahkklqmkewdhe.pdf txt: ./txt/work_4g7zetwrizfqtahkklqmkewdhe.txt summary: Keywords: Jutarnji list, culture, representation, media, categories (literature, film, theater, music, exhibitions) categories of cultural reviews in Jutarnji list in the section of Jutarnji list in 2013, is the category of Film. of music in the cultural section of the newspaper, but detail in the articles of the culture section of Jutarnji list. We divided those articles on culture in Jutarnji list, In total, articles in Jutarnji list covering cultural On average, the culture section of Jutarnji list in Jutarnji list does not have a culture section. Jutarnji list does not have a culture section. Summarizing, pages dedicated to culture in Jutarnji list articles in the culture section can be divided in six presence of articles on culture in Jutarnji list in 2013, cultural themes throughout the newspaper''s pages cultural themes throughout the newspaper''s pages cultural topics on the front pages of Jutarnji list, in the id: work_x2i2r63z65gl5i2oqz5c2n2lc4 author: Marta Oriola title: Collections care scenario appraisal for painting canvases at Museu Nacional d''Art de Catalunya, Barcelona, Spain date: 2015 words: 5374 sentences: 439 pages: 11 flesch: 55 cache: ./cache/work_x2i2r63z65gl5i2oqz5c2n2lc4.pdf txt: ./txt/work_x2i2r63z65gl5i2oqz5c2n2lc4.txt summary: Collections care scenario appraisal for painting canvases at Museu Nacional d''Art de Catalunya, Barcelona, Spain We surveyed the canvas of 31 paintings from the collection of the Museu Nacional d''Art de Catalunya, of 35 degraded canvas samples carried out by 17 internationally renowned paintings conservators, it was be possible to predict the distribution of rates of degradation of canvases in a collection, as long as we know NIR spectroscopy was first used to survey a collection of painting canvases non-destructively in the materials to provide evidence-based advice for conservation management of painting canvases. need to predict how different environmental conditions or conservation treatments will affect canvas using the Collections Demography dose-response function for cellulosic materials (Strlič et al., 2015), represents a plot of lines connecting points of equal Figure 3 Isochrone plots for the average MNAC painting canvas (starting pH 5.1 and DP 710) at various environmental id: work_4ezsixik4rekrmu7jpeosgixu4 author: Mary O''Neill title: Ephemeral Art: Telling Stories to the Dead date: 2011 words: 5338 sentences: 382 pages: 15 flesch: 71 cache: ./cache/work_4ezsixik4rekrmu7jpeosgixu4.pdf txt: ./txt/work_4ezsixik4rekrmu7jpeosgixu4.txt summary: Ephemeral Art: Telling Stories to the Dead attempt to repair our relationship with the world through the repeated telling of our stories. considered: Domain of Formlessness (2006) by British artist Alec Shepley and Time and Mrs The ephemeral art object tells a story in britannique Alec Shepley et Time and Mrs Tiber (1977) de l''artiste canadienne Liz Magor. In this essay I explore the stories told by two ephemeral art works, Time and Mrs These works tell a story of existence overshadowed by the knowledge of ephemeral art object can tell a story in circumstances where the traditional myth of art, as The objects refer to art history and other works by Shepley – bits of drawings, In telling stories then it is possible that we combine experience Time and Mrs. Tiber is an early work by Liz Magor consisting of 53 jars of preserves, Both of these works tell a powerful story of love and loss. id: work_k6v4p7jllfg7bkvix366euunza author: Mathias Rithel title: Be Tasteful! Be Kitsch! A Critical Analysis of Social Standards of Beauty date: 2019 words: 5062 sentences: 294 pages: 13 flesch: 60 cache: ./cache/work_k6v4p7jllfg7bkvix366euunza.pdf txt: ./txt/work_k6v4p7jllfg7bkvix366euunza.txt summary: discussions, mainly due to the subjective aesthetic criteria of judging an artwork, A Critical Analysis of Social Standards of Beauty," Art Style, Art & Culture International Magazine, no. kitsch is tasteless, and being tasteful is suitable for cultured and refined people. The aesthetic concepts used by professionals in the analysis of any cultural product criteria for the aesthetic taste of any work related to their métier. of what is considered beautiful, of good taste, and good aesthetic quality. aesthetic assessment of who is kitsch or tasteful, based merely on the subjectivity differentiates aesthetic taste between different social classes. does not mean that a social class has a more refined aesthetic taste, more beauty in aesthetics, or in the Kantian sense for the universal taste, but there is no considered that the art''s meaning is related to time and culture as well as social Exceptions aside, when critics make their aesthetic assessments of taste and the id: work_lf4f5p6uijdwpkz2rhdosgb4ce author: Mehmet Ali GÖKDEMİR title: MUSTAFA TUNÇALP VE TUFAN DAĞISTANLI SERAMİKLERİNDEKİ KUŞ HEYKELLERİNİN FORM, REN date: 2018 words: 5896 sentences: 930 pages: 16 flesch: 64 cache: ./cache/work_lf4f5p6uijdwpkz2rhdosgb4ce.pdf txt: ./txt/work_lf4f5p6uijdwpkz2rhdosgb4ce.txt summary: sembol ettiğinden dolayı, gerek takı gibi günMustafa Tunçalp ve Tufan Dağıstanlı Seramiklerindeki Kuş Heykellerinin Form, Renk ve Ek Malzeme Açısın… 307 .Bu çalışma modern Türk seramik sanatının önemli sanatçılarından, Mustafa Tunçalp ve Tufan Dağıstanlı''nın beşer eserleri ile Eserin Analizi: Sanatçının bu eserinde uyuyan bir kuş formu görülmektedir. Eserin Analizi: Sanatçının bu eserinde, artık kuş formundan ziyade tümüyle soyut bir form görülmektedir. Eserin Yorumu: Sanatçının bu çalışMustafa Tunçalp ve Tufan Dağıstanlı Seramiklerindeki Kuş Heykellerinin Form, Renk ve Ek Malzeme Açısın… 313 Mustafa Tunçalp ve Tufan Dağıstanlı Seramiklerindeki Kuş Heykellerinin Form, Renk ve Ek Malzeme Açısın… 317 Mustafa Tunçalp ve Tufan Dağıstanlı Seramiklerindeki Kuş Heykellerinin Form, Renk ve Ek Malzeme Açısın… 317 Mustafa Tunçalp ve Tufan Dağıstanlı Seramiklerindeki Kuş Heykellerinin Form, Renk ve Ek Malzeme Açısın… 317 Mustafa Tunçalp ve Tufan Dağıstanlı Seramiklerindeki Kuş Heykellerinin Form, Renk ve Ek Malzeme Açısın… 317 Mustafa Tunçalp ve Tufan Dağıstanlı Seramiklerindeki Kuş Heykellerinin Form, Renk ve Ek Malzeme Açısın… 317 id: work_2jdetzhswrah5gn7t7k6s65vuq author: Mi-Kyung Lee title: Study on Relationship between the Aesthetics of Disappearance and Contemporary Architectural Space date: 2014 words: 4443 sentences: 1196 pages: 9 flesch: 111 cache: ./cache/work_2jdetzhswrah5gn7t7k6s65vuq.pdf txt: ./txt/work_2jdetzhswrah5gn7t7k6s65vuq.txt summary: examples of the Cartier foundation of Jean Nouvel and Seattle central library of Rem Koolhaas to the aesthetics 적 성질의 잠재적 차원을 동시에 사라짐의 미학으로 성 본 연구는 오늘날 건축의 가벼움이 사라짐의 미학 사라짐, 주체의 사라짐으로 분류 가능한 사라짐의 미학 기술의 발달은 건축의 이러한 욕구를 더욱 다양하게 실험 사라짐의 미학에서 물질의 사라짐은 탈 질료, 탈 형 이러한 과정에서 건축은 함의 특징을 통해 사라짐의 미학과 건축의 관계 요소에 점을 가지며 우연한 공간이 지속적으로 생성되는 잠재적 사라짐의 미학과 건축의 관계 요소 안에 들어온다. 사라짐의 미학과 건축의 관계 요소 안에 들어온다. 사라짐의 미학과 건축의 관계 요소 안에 들어온다. 사라짐의 미학과 건축의 관계 요소 안에 들어온다. 사라짐의 미학에서 의미의 사라짐은 무의미와 공간의 탈 중심성의 특징은 사라짐의 미학과 건축의 관계 요소 한 주체가 되는 특징으로서 사라짐의 미학과 건축의 관 사라짐의 미학에서 주체의 사라짐은 탈 중심성, 주체 공간적 특징은 끊임없이 떠돌면서 지속적으로 생성되는 계하는 의미의 사라짐, 탈 주체와 유동성을 가진 주체의 사라짐의 미학과 현대건축공간의 관계성 id: work_4zhhjnhvgzc7hil6njyeq6ma7y author: Michael L.J. Apuzzo title: THE ALCHEMY OF IDEAS date: 2008 words: 6267 sentences: 687 pages: 10 flesch: 56 cache: ./cache/work_4zhhjnhvgzc7hil6njyeq6ma7y.pdf txt: ./txt/work_4zhhjnhvgzc7hil6njyeq6ma7y.txt summary: him as one of the iconic figures who established the operating microscope as a neurosurgical tool, opening a new era in the THIS ARTICLE PRESENTS an assessment of the power of ideas and their role in initiating change and progress. The enormous potential cascade effect is illustrated by examining the movement of Modernism in the arts. Next, the immense scope and capabilities of the modern scientific endeavor—with robotic space exploration at the scale of KEY WORDS: Creativity, Ideas, Modernism, Nanoneurosurgery, Nanotechnology, Neurological surgery, any place beyond the moon—a fantastic achievement of modern science at an extreme scale (Figs. control of atoms and molecular structures to create materials and devices with molecular precision. Another tool for manipulation is termed optical tweezers (4), which use a stream of photons to effect movement and progress, the capabilities of "modern" scientific endeavors, and the Modernist movement in arts and architecture with true practitioners of id: work_mkpr3g5edbalhh3vgk63lcrkc4 author: Michael Mayer title: Neurospine Endoscopic Spinal Surgery, 2nd Issue date: 2020 words: 722 sentences: 59 pages: 2 flesch: 43 cache: ./cache/work_mkpr3g5edbalhh3vgk63lcrkc4.pdf txt: ./txt/work_mkpr3g5edbalhh3vgk63lcrkc4.txt summary: The technical advancement of endoscopic spine surgery is inexorable and fascinating. endoscopic spine surgery with a focus on the benefits for patients life quality. Two articles focus a on new indications of endoscopic surgery in the cervical spine. For the treatment of central spinal stenosis, the inside-out full-endoscopic cross-over approach is presented including the 1 year clinical follow-up of 127 patients. Four papers/videos in this issue focus on biportal endoscopic approaches for lumbar decompression, discectomy, minimally invasive transformational lumbar inter body fusion technically demanding approach but I believe that when it is performed with full-endoscopic technique it can be even less invasive as compared to microsurgery. In summary, the papers I could read are excellent examples of the ongoing technical evolution (revolution?) of endoscopic spine surgery and I congratulate the authors for their pioneering work. Neurospine Endoscopic Spinal Surgery, 2nd IssueMayer M id: work_obwgvhwgkvfynlhskbyucbcacq author: Michalis Mountantonakis title: LODsyndesis: Global Scale Knowledge Services date: 2018 words: 8291 sentences: 716 pages: 14 flesch: 62 cache: ./cache/work_obwgvhwgkvfynlhskbyucbcacq.pdf txt: ./txt/work_obwgvhwgkvfynlhskbyucbcacq.txt summary: Linked Open Data Cloud, which offers fast, content-based dataset discovery and object co-reference. CIDOC CRM (Conceptual Reference Model), and connectivity measurements of British Museum data. Keywords: Semantic web; connectivity analytics; british museum; cultural RDF datasets; CIDOC CRM for hundreds of LOD (Linken Open Data) Cloud datasets, especially from publications domain and Data, the linking of datasets can be achieved by the existence of common URIs or Literals, or by defining different sets of elements (e.g., triples, entities), and we store the dataset IDs (i.e., a posting list) where LODsyndesis/rest-api/allFacts?uri=http://dbpedia.org/resource/Pablo_Picasso. LODsyndesis/rest-api/datasetDiscovery?dataset=http://collection.britishmuseum.org/&connections_ which triads of datasets of publications domain contain the most common entities. contain common entities with 188 datasets (43 of them belong to publications domain), while DNB, BNF, In Table 4, we can see the number of connected datasets for British Museum concerning entities, contains only datasets from publications domain, i.e., British Museum, Library of Congress and VIAF, Available online: http://www.w3.org/TR/n-triples/ (accessed on 12 November 2018). id: work_qv4pqnjnpzgcfgcytsrwllu46y author: Michela Cigola title: Robotic systems for architectural survey and conservation of Cultural Heritage date: 2015 words: 4746 sentences: 938 pages: 6 flesch: 77 cache: ./cache/work_qv4pqnjnpzgcfgcytsrwllu46y.pdf txt: ./txt/work_qv4pqnjnpzgcfgcytsrwllu46y.txt summary: degli Studi di Cassino e del Lazio Meridionale UniCLAM: il LARM (Laboratorio di Robo ca e Meccatronica) nel se ore più stre amente ingegneris co, il DART (Laboratorio di Documentazione, Analisi, Rilievo dell''Archite ura e del Territorio) proge o è volta principalmente al perfezioneranno dei sistemi HeritageBot, per ada arli alle specifi che esigenze del se ore culturale e industriale uno dei pun di forza dell''HeritageBot ripos nella modularità e fl essibilità d''uso, fa ori che rendono possibile diversifi cate soluzioni, ada abili ai Lo stato dell''arte del connubio tra Robo ca e Nell''ambito dell''Università di Cassino e del Lazio della robo ca con quelle del rilevamento archite onico, a raverso un proge o fi nalizzato all''attuazione di soluzioni tecniche rivolte all''analisi e delle operazioni del rilevamento archite onicoda affi dare ai movimen automa zza di un robot, costruito nel laboratorio LARM (Fig. 2). id: work_qqlqdxgsgbhepi3z6uhq33ra5y author: Michele Valentino title: Shaping identities through Street Art. Iconography of social claims in Orgosolo''s Murales date: 2020 words: 7373 sentences: 896 pages: 10 flesch: 78 cache: ./cache/work_qqlqdxgsgbhepi3z6uhq33ra5y.pdf txt: ./txt/work_qqlqdxgsgbhepi3z6uhq33ra5y.txt summary: Shaping identities through Street Art. Iconography of social claims in Orgosolo''s Murales. street art; murales; visual communication; Orgosolo; Sardinia sual languages in public space, connecting political events with artistic manifestations. In the same way, in Orgosolo, similarly to the Mexican experience, the realisation of murals becomes an opportunity to visually manifest dissent Indeed, the experience of Murals in Orgosolo is closely linked to of Mexican Muralism, represent an explicit reference in figurative languages and the practice of public art capable of self-representing communities, allowing them to express identities and opinions. The subjects portrayed in the murals of San Sperate mainly rely on daily life or social and environmental reasons differing from those Orgosolo, For many years in Orgosolo, the act of portraying local and world affairs through the practice of murals Therefore, this research shows that the case study of Orgosolo''s murals is a classic example of invented tradition. id: work_z2a7yo6a4nbyrgkk4h7j4aq5w4 author: Miguel-Héctor Fernández-Carrión title: No-violencia, conflicto, guerra y paz date: 2014 words: 6666 sentences: 903 pages: 20 flesch: 63 cache: ./cache/work_z2a7yo6a4nbyrgkk4h7j4aq5w4.pdf txt: ./txt/work_z2a7yo6a4nbyrgkk4h7j4aq5w4.txt summary: en los distintos países, han coexistido naciones más violentas que otras, así como con una "declaración de intenciones" humanitarias y con la defensa de una agresión internacional (véanse los conflictos bélicos iniciados en el siglo XX por Estados Unidos en el mundo árabe, empezada con primera invasión de Irak, del 20 de marzo al 1 de mayo de (China, por ejemplo), como en los que se encuentran en persistente guerra civil (algunos países de África, véanse los casos de Sierra De la misma manera que se ha expuesto de forma somera los diferentes tipos de expansión nacional y desarrollo de la tortura habida a lo largo de los tiempos, se puede señalar la acción seguida por Por ello, las muestras históricas de la no-violencia se extienden a muchos más ejemplos que logran el pacifismo, como es la huelga de los plebeyos id: work_6ztm3ktxi5aazbuuov4mo2k2ty author: Mihai OLARIU title: COPYRIGHT PROTECTED PLASTIC ARTWORK IN THE LIGHT OF THE EUROPEAN AND ROMANIAN LAWS AND THE ARTWORK VALUE RELEVANCE date: 2018 words: 98 sentences: 14 pages: flesch: 40 cache: ./cache/work_6ztm3ktxi5aazbuuov4mo2k2ty.pdf txt: ./txt/work_6ztm3ktxi5aazbuuov4mo2k2ty.txt summary: Creative Commons Attribution-ShareAlike 3.0 Unported License. | 4 intellectual property law .. Jan 01 1970 02:00:00 AM CKS_2018_intellectual_ property_law_009.pdf 1248KB May 17 2018 08:54:07 AM CKS_2018_intellectual_ property_law_009.pdf 1248KB May 17 2018 08:54:07 AM CKS_2018_intellectual_ property_law_009.pdf 1248KB May 17 2018 08:54:07 AM CKS_2018_intellectual_ property_law_009.pdf 1248KB May 17 2018 08:54:07 AM CKS_2018_intellectual_ property_law_009.pdf 1248KB May 17 2018 08:54:07 AM CKS_2018_intellectual_ property_law_009.pdf 1248KB May 17 2018 08:54:07 AM CKS_2018_intellectual_ property_law_009.pdf 1248KB May 17 2018 08:54:07 AM CKS_2018_intellectual_ property_law_009.pdf 1248KB May 17 2018 08:54:07 AM CKS_2018_intellectual_ property_law_009.pdf 1248KB May 17 2018 08:54:07 AM id: work_7pad5lddgndwzevwoxmpx4ys74 author: Monica Guerra title: Finished and Unfinished Objects: Supporting Children''s Creativity Through Materials date: 2012 words: 4829 sentences: 256 pages: 7 flesch: 46 cache: ./cache/work_7pad5lddgndwzevwoxmpx4ys74.pdf txt: ./txt/work_7pad5lddgndwzevwoxmpx4ys74.txt summary: Finished and Unfinished Objects: Supporting Children''s Creativity Through Materials working with materials at schools, based on two parallel and complementary processes: finished and unfinished objects. survey confirmed that working with different types of materials makes it possible for children to develop their creativity t hrough Keywords: Objects, Materials, Creativity, Children, Education. the activity proposed, so that the objects are easy to use and transportable by children and offer the possibility to be Reflecting on action made possible through objects and materials with older children, David Hawkins'' If we consider the aspects linked to art, it is interesting to notice how in these cases materials and objects have on a few educational-didactic projects which included workshops on objects and materials, carried out in a few preschool and elementary school classes. If, in fact, children do not know materials and their possibilities for use, creative id: work_vdigdiq3bfh7ngrcjlwcluk7wm author: Muhammet Tatar title: Resim Sanatında Parodi, Pastiş ve İntihal date: 2017 words: 72 sentences: 9 pages: flesch: 51 cache: ./cache/work_vdigdiq3bfh7ngrcjlwcluk7wm.pdf txt: ./txt/work_vdigdiq3bfh7ngrcjlwcluk7wm.txt summary: dergipark.gov.tr Lütfen https://dergipark.org.tr kullanınız DergiPark bundan 3 yıl önce yeni adresi olan dergipark.org.tr ''ye taşındı. Bu yıl içinde dergipark.gov.tr adresini desteklemeyi bırakmayı planlıyoruz, bu nedenle bağlantılarınızı dergipark.org.tr içerecek şekilde güncellemenizi rica ediyoruz. Devam Et » Please use https://dergipark.org.tr DergiPark moved to its new home at dergipark.org.tr three years ago. We plan to drop support for URL''s having dergipark.gov.tr this year, therefore please update your bookmarks with dergipark.org.tr as soon as possible. Proceed » id: work_yrpwjvnrknfwvcjx7malbhbxc4 author: Mutlu SEVEN title: KAVRAMSAL YAPITLARIN OLUŞTURDUĞU SANAT PAZARI VE DAMIEN HIRST date: 2018 words: 3970 sentences: 550 pages: 12 flesch: 67 cache: ./cache/work_yrpwjvnrknfwvcjx7malbhbxc4.pdf txt: ./txt/work_yrpwjvnrknfwvcjx7malbhbxc4.txt summary: getirdiği liberal sistemin oluşmasıyla birlikte ekonomik açıdan yeni alanlar oluşturma noktasında sanat etkin bir rol oynamıştır. İngiliz sanatçı Damien Hirst yaptığı sıra dışı çalışmalarla Saatchi''nin dikkatini Anahtar kelimeler: Güncel Sanat, Damien Hirst, İngiliz Sanatı, Marka, yüzyılın başlarında yenilikçi ve öncü bir sanat akımı olarak Avrupa''da ortaya çıktı. Pazara sürülen yeni üretimlerle birlikte hem sanatçı açısından ve hem de destekleyicisi açısından sanat, ekonomik bir güç kaynağına evrilmiştir. Bu nedenle sanat eleştirmeni Hal Foster postmodern sanatçıyı bir tür "gösterge manipülatörü" olarak adlandırır (Antmen, 2016: 277). 1980''den sonra Britanya''da "Genç İngiliz Sanatçılar" (YBA Grubu) olarak nitelendirilen bir sanatçı grubu ortaya çıkmıştır. 2008 yılında Sotheby''de (Londra''da) düzenlenen müzayede ile doğrudan sanat alımlayıcısı ile buluşan Damien Hirst, yaptığı satışlarla 111.464 milyon sterlinlik bir rakam elde etmiştir. Marka sanatçı olma noktasında sanatçıları finanse eden ticari güç; güncel, çarpıcı (sansasyonel) ve revaç kavramları ile kültürel bir sektörü de var etmiştir. Hirst de sanat pazarında önemli bir marka değeri haline gelmiştir. id: work_zgp3uxbaungevjyucwh7pbduoy author: Nancy Ross title: Digital Art History for Beginners: The Spreadsheet date: 2020 words: 1560 sentences: 128 pages: 7 flesch: 68 cache: ./cache/work_zgp3uxbaungevjyucwh7pbduoy.pdf txt: ./txt/work_zgp3uxbaungevjyucwh7pbduoy.txt summary: The original post can be found on Nancy Ross''s site Experiments in Art History. interested in teaching some of the basics of digital art history in my upper-division classes http://jitp.commons.gc.cuny.edu/teaching-twentieth-century-art-history-with-gender-and-data-visualizations/ http://broadstrokes.org/2013/03/27/women-and-the-1913-armory-show-part-2-women-artists/ different kinds of art history questions, and I want to demonstrate that there are a variety I can find out which work of art sold for the most money if I sort the "Sale Price" column Any other notes need to be in a different column, or the prices will not sort in a I''m interested in the sale prices for works of art by women. women and then delete the extra columns so that only Artist and Sale Price remain. delete multiple works by the same artist leaving only their highest priced work of art. I delete the extra columns, leaving Artist, Gender, and Price. same artist leaving only their highest priced work of art. http://arthistoryteachingresources.org/2015/03/caa-wrap-up-what-have-you-done-for-art-history-lately/ id: work_7oy6qtwe5bgpxhwjtomienlixy author: Neil Versel title: Making an impression on biotech development date: 2007 words: 144 sentences: 26 pages: flesch: 71 cache: ./cache/work_7oy6qtwe5bgpxhwjtomienlixy.pdf txt: ./txt/work_7oy6qtwe5bgpxhwjtomienlixy.txt summary: sys_1000 wp-p1m-38.ebi.ac.uk wp-p1m-38.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write(''[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]''.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. 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Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ id: work_npxvevzt5rdwdkxyqgrzaxxsym author: Nicholas Katsanis title: The continuum of causality in human genetic disorders date: 2016 words: 4573 sentences: 431 pages: 5 flesch: 60 cache: ./cache/work_npxvevzt5rdwdkxyqgrzaxxsym.pdf txt: ./txt/work_npxvevzt5rdwdkxyqgrzaxxsym.txt summary: Human genetics typically separates rare and complex disorders into separate their frequencies in populations; and has argued, passionately, over the contributions of rare versus common alleles in the study of the genetics of human disease, not The contribution of mutational effects to other so-called "monogenic" diseases is of two autosomal-dominant disorders caused by mutations in TCF4 (which encodes transcription factor 4); in Following on from the concept of necessity and sufficiency, a third concept that needs to be revised is the traditional paradigm that alleles associated with a rare disease diseases are either exclusively common [30] or a collection of rare alleles [31] is an empirical oversimplification For example, age-related macular degeneration is a paragon of complex trait analysis and disease genetics when genome-wide association studies recessive mutations in BBS10 (which encodes BardetBiedl syndrome 10)—mutations in which cause the rare a more accurate understanding of human genetic diseases id: work_b47i4e7syfbkxmt4tmw7enfmfq author: Nickul S Jain title: COVID-19 and the Role of Spine Surgeons date: 2020 words: 1270 sentences: 94 pages: 3 flesch: 49 cache: ./cache/work_b47i4e7syfbkxmt4tmw7enfmfq.pdf txt: ./txt/work_b47i4e7syfbkxmt4tmw7enfmfq.txt summary: 2University of Southern California Spine Center, Los Angeles, CA, USA In the modern era, the scale and severity of the COVID-19 pandemic is unprecedented for both society and health care delivery systems. During this crisis, spine surgeons have a duty and obligation as physicians to focus care During a time where health care resources are limited and being depleted surgeons have a crucial role to play whereby they still treat patients with urgent and emergent spinal pathology while maximizing patient and provider safety and minimizing healthcare resource utilization. Furthermore, delaying elective surgery avoids potential prolonged postoperative inpatient stays, decreases the risk of nosocomial transmission of COVID-19 and avoids having When surgery is required, spine surgeons should take an active role taking the viral threat seriously and encourage appropriate perioperative and intraoperative precautions. As spine surgeons, being available and trained for redeployment into medical or COVID wards can help offset the burden of hospitalists, id: work_vip5yxo4zvhyvlyif4ujxkmnpm author: Nicola Ashmore title: Guernica Remakings: Action, Collaboration and Thread date: 2017 words: 242 sentences: 29 pages: flesch: 64 cache: ./cache/work_vip5yxo4zvhyvlyif4ujxkmnpm.pdf txt: ./txt/work_vip5yxo4zvhyvlyif4ujxkmnpm.txt summary: Skip to main navigation Skip to search Skip to main content Welcome to The University of Brighton Explore profiles, expertise and research at The University of Brighton Search as: Advanced search The University of Brighton research portal Welcome to the University of Brighton''s database of research and enterprise including researcher profiles, activities, outputs, projects and our groups and centres. Our research and enterprise activities tackle global challenges, solve practical problems and seek to improve people''s lives and environments. Click dots and donuts to bring up details or Select a country from the list Select a country to view shared publications and projects University Export search results Search results University of Brighton University of Brighton Organisational unit: University Powered by Pure, Scopus & Elsevier Fingerprint Engine™ © 2021 Elsevier B.V. We use cookies to help provide and enhance our service and tailor content. Log in to Pure The University of Brighton contact form id: work_wctnc7ot2bdu7hl3fux2wp7jw4 author: Nicolai Maldaner title: Improving the Patient-Physician Relationship in The Digital Era - Transformation From Subjective Questionnaires Into Objective Real-Time and Patient-Specific Data Reporting Tools date: 2019 words: 1384 sentences: 119 pages: 4 flesch: 49 cache: ./cache/work_wctnc7ot2bdu7hl3fux2wp7jw4.pdf txt: ./txt/work_wctnc7ot2bdu7hl3fux2wp7jw4.txt summary: Improving the patient-physician relationship in the digital era Maldaner, Nicolai ; Desai, Atman ; Gautschi, Oliver P ; Regli, Luca ; Ratliff, John K ; Park, Jon ; Maldaner, Nicolai; Desai, Atman; Gautschi, Oliver P; Regli, Luca; Ratliff, John K; Park, Jon; Stienen, Improving the patient-physician relationship in the digital era transformation from subjective questionnaires Into objective real-time and patient-specific data reporting tools. Over the last century, we have seen continuous advances in neurosurgery, while the physician-patient interaction has remained conservatively "untouched." With upcoming digital as progressive if standardized electronic health records (EHR) using patient-reported outcome measures (PROMs) are employed outside clinical studies.1 There are important limitations inherent to this practice. By collecting relevant self-measured outcome data, patients are empowered to take a greater degree of Improving the patient-physician relationship in the digital eraMaldaner N, et al. Improving the patient-physician relationship in the digital eraMaldaner N, et al. id: work_hhmgq7d6erdfxp6yp57yemznby author: Nicole E. Pal title: Life on the ground floor: letters from the edge of emergency medicine date: 2017 words: 306 sentences: 35 pages: flesch: 70 cache: ./cache/work_hhmgq7d6erdfxp6yp57yemznby.pdf txt: ./txt/work_hhmgq7d6erdfxp6yp57yemznby.txt summary: Life on the ground floor: letters from the edge of emergency medicine | Semantic Scholar Skip to search formSkip to main content> Semantic Scholar''s Logo Search Corpus ID: 45108448Life on the ground floor: letters from the edge of emergency medicine title={Life on the ground floor: letters from the edge of emergency medicine}, author={Nicole E. Nicole E. Each chapter has helpful summaries at the end which make the booklet a very effective teaching aid. Share This Paper Topics from this paper emergency medicine (field) Related Papers Related Papers Stay Connected With Semantic Scholar About Semantic Scholar Semantic Scholar is a free, AI-powered research tool for scientific literature, based at the Allen Institute for AI. Proudly built by AI2 with the help of our Collaborators By clicking accept or continuing to use the site, you agree to the terms outlined in our Privacy Policy, Terms of Service, and Dataset License ACCEPT & CONTINUE id: work_7b6553qcubbwrotiug55rlunuq author: Nina Getashvili title: Alexander Burganov. In the depths above reality. (Antique motifs in the context of creative work) date: 2020 words: 3836 sentences: 531 pages: 10 flesch: 84 cache: ./cache/work_7b6553qcubbwrotiug55rlunuq.pdf txt: ./txt/work_7b6553qcubbwrotiug55rlunuq.txt summary: Summary: For decades, images of antiquity have appeared in the creative work of academician Alexander Sculpture" in the Burganov House Museum at which he Burganov''s works of art in an "intermediate" state, in the Noble restraint (with clearly readable spectacularity), bearing in itself, within itself, dreams and passions, reality and mysticism, gives Burganov''s "antique" Keywords: Alexander Burganov, antiquity, sculpture, of antiquity; often, they persistently included images of ancient sculptural monuments, fragments of only the exhibition-events of the last decade: "Ancient Motifs in Modern Sculpture" (the Burganov exhibition spaces in the Burganov House is called The composition was created specifically for Alexander Burganov''s personal exhibition at the Burganov''s "antique" images-metaphors a special Burganov: a New Code of Time and Space", Nauchnoanaliticheskiy zhurnal "Dom Burganova. ["Sculptor Alexander Burganov"], Nauchno-analiticheskiy zhurnal "Dom Burganova. Prostranstvo kul''tury" [Art Literature Scientific and Analytic Journal Burganov House. Prostranstvo kul''tury" [Art Literature Scientific and Analytic Journal Burganov House. id: work_hphnzm6u2bbjfasv2tvzayqhkm author: Olivia C. Adkins title: The Visual Aesthetics of Snowflakes date: 2016 words: 810 sentences: 173 pages: flesch: 65 cache: ./cache/work_hphnzm6u2bbjfasv2tvzayqhkm.pdf txt: ./txt/work_hphnzm6u2bbjfasv2tvzayqhkm.txt summary: [PDF] The Visual Aesthetics of Snowflakes | Semantic Scholar Corpus ID: 23807498The Visual Aesthetics of Snowflakes title={The Visual Aesthetics of Snowflakes}, author={Olivia C. In two experiments, participants evaluated the perceived beauty of snowflakes and solid objects. In Experiment 1, 204 participants selected the single snowflake and single solid object that was the most beautiful. Figures and Topics from this paper The Visual Aesthetics of Snowflakes (new study) Citation Type Citation Type Sort by Most Influenced Papers Sort by Citation Count View 1 excerpt, cites background Order, complexity, and aesthetic appreciation. View 6 excerpts, references methods, background and results View 2 excerpts, references methods Symmetrical decorations enhance the attractiveness of faces and abstract designs View 2 excerpts, references background View 2 excerpts, references background The Sense of Beauty; Being the Outline of Aesthetic Theory Semantic Scholar is a free, AI-powered research tool for scientific literature, based at the Allen Institute for AI. id: work_ro7sjoel4bcqzglrjqoud66jnu author: Osa D Egonwa title: Masquerade and "What Comes Behind Six Is More Than Seven": Thoughts on Art History and Visual Culture Research Methods date: 2019 words: 2318 sentences: 342 pages: 4 flesch: 69 cache: ./cache/work_ro7sjoel4bcqzglrjqoud66jnu.pdf txt: ./txt/work_ro7sjoel4bcqzglrjqoud66jnu.txt summary: the new ways artists go about the creative process and its resultant our ways of research on these artists and their art. demonstrating that any material is just suitable for artistic expression. on art historical methods, terminological re-alignments on recent African art and visual culture. strategies to provide insight on African modern visual artist works that any material is just suitable for artistic expression, Than Seven": Thoughts on Art History and Visual umbrella for the new ways artists go about the creative process aspects of African culture expressed as or in art (visual SOURCE MATERIALS FOR AFRICAN ART materials, such as orature and artistic techniques and practices At the Delta State University Abraka, Art of Africa''s art and visual culture and the emergent constructs must be adopted in art history and visual culture boundaries between visual arts sub-disciplines derives effective analysis of contemporary African visual arts D. Egonwa, Research Methods in Visual Arts, Ibadan, Abraka. id: work_xtjrvfjxvrbwdhzfn2d7r5txgm author: P Ravi Shankar title: Student feedback on the use of paintings in Sparshanam, the Medical Humanities module at KIST Medical College, Nepal date: 2011 words: 1045 sentences: 201 pages: flesch: 63 cache: ./cache/work_xtjrvfjxvrbwdhzfn2d7r5txgm.pdf txt: ./txt/work_xtjrvfjxvrbwdhzfn2d7r5txgm.txt summary: Student feedback on the use of paintings in Sparshanam, the Medical Humanities module at KIST Medical College, Nepal | Semantic Scholar Corpus ID: 11654854Student feedback on the use of paintings in Sparshanam, the Medical Humanities module at KIST Medical College, Nepal title={Student feedback on the use of paintings in Sparshanam, the Medical Humanities module at KIST Medical College, Nepal}, Sort by Most Influenced Papers Student feedback about the use of role plays in Sparshanam, a medical humanities module Student feedback about the use of literature excerpts in Sparshanam, a Medical Humanities module View 1 excerpt, cites background Student feedback on an inaugural medical humanities module at XUSOM, Aruba View 1 excerpt, cites results Student feedback about the inaugural American International Medical University health humanities module View 3 excerpts, cites methods View 2 excerpts, references methods View 2 excerpts, references methods View 2 excerpts, references methods View 1 excerpt, references background id: work_3pw5b7cyzrg3tmmr4cxandl7oe author: P. Baglioni title: Nanorestart: Nanomaterials for the restoration of works of art date: 2021 words: 2617 sentences: 193 pages: 5 flesch: 48 cache: ./cache/work_3pw5b7cyzrg3tmmr4cxandl7oe.pdf txt: ./txt/work_3pw5b7cyzrg3tmmr4cxandl7oe.txt summary: In particular, the conservation of modern and contemporary works of art requires advanced solutions at the works that are not varnished; the canvasses of the paintings can also become fragile by oxidative and acid-catalyzed degradation reactions; besides, tapes and adhesives NANORESTART project (NANOmaterials for the REStoration of works of ART) developed nanoand advanced Such centers assessed the new materials on modern/contemporary papers are mainly related (but not limited) to the conservation of easel paintings, as the latter represent one of the developments in solventand water-based cleaning formulations are also outlined. newly developed cleaning systems, based on retentive hydrogels, were used to remove soiling or detrimental varnishes from the surface of masterpieces by Pablo The first paper reports on the development and evaluation of sustainable treatments for the allow the removal of different classes of tapes from sensitive paper artworks. a comparative evaluation of cleaning systems for the conservation treatment of Roy Lichtenstein''s iconic painting. id: work_ei2yosg36jalpgn2ovojz2rg6y author: P. V. Minorsky title: On the Inside date: 2006 words: 2200 sentences: 193 pages: 3 flesch: 61 cache: ./cache/work_ei2yosg36jalpgn2ovojz2rg6y.pdf txt: ./txt/work_ei2yosg36jalpgn2ovojz2rg6y.txt summary: plant growth and a 2-fold increase of responses of tobacco plants to toxic Zn exposure resulted in toxicity signs in plants, and chilling-sensitive plant species resulted in increased survival of plants at low The fab1 mutant contains 69% high-melting-point fatty acids of the damage and death of fab1 plants at maintained in the roots of pho2 mutants, the shoots accumulate excessive homeostasis by regulating the expression of a ubiquitin-conjugating E2 enzyme (UBC24) in Arabidopsis. mutation could be rescued by introduction of a wild-type copy of UBC24. higher plants and the demonstration reversed at high planting densities, the same grain yield as that of wild type wild type, exhibited the desirable phenotype of erect leaves. transgenic rice plants. The authors regret that this article contains a description of immunofluorescence/confocal 1708, www.plantphysiol.org � 2006 American Society of Plant Biologists 1708, www.plantphysiol.org � 2006 American Society of Plant Biologists id: work_swygyom6zzgazoovwyxhv5r7ri author: Paolo Giandebiaggi title: Livio Sacchi. Metropoli il disegno delle città 2. Roma: Gangemi Editore International 2018 date: 2019 words: 6066 sentences: 622 pages: 12 flesch: 64 cache: ./cache/work_swygyom6zzgazoovwyxhv5r7ri.pdf txt: ./txt/work_swygyom6zzgazoovwyxhv5r7ri.txt summary: This essay investigates wall-sized graphics and, in particular, images present from the birth of architecture itself, which stores them based on a On the other hand, exterior façades are characterized as communicational devices immersed in the city: from mosaics to typography, ''wall-size'' graphics are transformed and While extensive literature has analysed the histories of art and the technique of façades and interior walls separately, the objective Avant-garde murals therefore oscillate between painting and sculpture, between surface and model, making the catalogue of possible techniques and materials design, examples of this include many museum installations of memorials, while in the world of ar t, photomontage characterizes the work of some "dedicated" the basis for the publication Learning from Las Vegas [Venturi, Scott Brown, Izenour 1972], ver y careful research on urban planning that highlighted how Graphic Design for Art, Fashion, Film, Architecture, Photography, id: work_ynav7roqqnglbizhvc5ihhjlx4 author: Patricia A. Favero title: Reflectance imaging spectroscopy and synchrotron radiation X-ray fluorescence mapping used in a technical study of The Blue Room by Pablo Picasso date: 2017 words: 9694 sentences: 835 pages: 18 flesch: 67 cache: ./cache/work_ynav7roqqnglbizhvc5ihhjlx4.pdf txt: ./txt/work_ynav7roqqnglbizhvc5ihhjlx4.txt summary: The existence of a portrait hidden beneath The Blue Room (1901) by Pablo Picasso prompted a comprehensive technical study of this early Blue period painting. The Blue Room (Fig. 1) was painted by Pablo Picasso in Fig. 3 Details of The Blue Room showing colors from an underlying composition revealed by voids and cracks in surface paint layers. and c light blue paint layers of sample X7 identify these red particles as the red pigment vermilion Fig. 8 Reflectance imaging spectroscopy (RIS) maps for Prussian blue, ultramarine blue, lead white, zinc white, viridian green, and vermilion red. Reflectance imaging spectroscopy and synchrotron radiation X-ray fluorescence mapping used in a technical study of The Blue Room by Pablo Picasso Reflectance imaging spectroscopy and synchrotron radiation X-ray fluorescence mapping used in a technical study of The Blue Room by Pablo Picasso id: work_64mefivdsnd2fdcupis3z7bt3a author: Patricio Lizama A title: SARA MALVAR!: UNA PROPUESTA DE POEMA EN PROSA date: 2016 words: 3765 sentences: 547 pages: 12 flesch: 70 cache: ./cache/work_64mefivdsnd2fdcupis3z7bt3a.pdf txt: ./txt/work_64mefivdsnd2fdcupis3z7bt3a.txt summary: acerca del aporte de Sara Malvar será desarrollada en un libro que preparo. equilibrio" porque los contrarios no se anulan sino que viven en una su plano original que es el del equilibrio de los contrarios" pues "expresa en la confrontación, rasgos que están en la base del poema en prosa. lo que revela una concepción rítmica y ocultista del universo. como una analogía del universo y sus leyes, capacidad que surge de una Sara Malvar: una propuesta de poema en prosa / Patricio Lizama A. Sara Malvar: una propuesta de poema en prosa / Patricio Lizama A. Sara Malvar: una propuesta de poema en prosa / Patricio Lizama A. Sara Malvar: una propuesta de poema en prosa / Patricio Lizama A. Sara Malvar: una propuesta de poema en prosa / Patricio Lizama A. Sara Malvar: una propuesta de poema en prosa / Patricio Lizama A. id: work_3qaqer4itbdtdl3ffs4mm3ixxe author: Patricio Lizama A title: Wanda Morla en París de los años veinte: una experiencia de la modernidad date: 2016 words: 6491 sentences: 844 pages: 11 flesch: 78 cache: ./cache/work_3qaqer4itbdtdl3ffs4mm3ixxe.pdf txt: ./txt/work_3qaqer4itbdtdl3ffs4mm3ixxe.txt summary: ballet y el teatro que Wanda ve en París, pero el arte que ella comenta con mayor amplitud es la música, la clásica y la moderna. La música es lo que une a los jóvenes y Domingo subraya cómo esta primera experiencia en el conservatorio resulta el fundamento que acerca para siempre a la pareja: La joven Morla, por último, hace una lectura religiosa del episodio que los une. por Dios porque para Wanda la música es también el arte "más cerca de Dios" y el que le Wanda Morla en París de los años veinte: una experiencia… / Revista Musical Chilena Wanda Morla en París de los años veinte: una experiencia… / Revista Musical Chilena Wanda Morla en París de los años veinte: una experiencia… / Revista Musical Chilena Wanda Morla en París de los años veinte: una experiencia… / Revista Musical Chilena Wanda Morla en París de los años veinte: una experiencia… / Revista Musical Chilena id: work_zjihesfr2bfh3l3bkvsnqiciuq author: Patrick H. Alexander title: Publisher''s Note date: 2012 words: 18946 sentences: 3732 pages: 84 flesch: 88 cache: ./cache/work_zjihesfr2bfh3l3bkvsnqiciuq.pdf txt: ./txt/work_zjihesfr2bfh3l3bkvsnqiciuq.txt summary: This season, these include a book on a little-known World War II unit devoted to enemy deceptions (think inflatable tanks and faux-painted village rooftops) comprising many wellknown artists and designers; a book celebrating the work of designers and architects still creating in developed by both the United States and Canada; catalogs of under-published design geniuses artists and designers working with old-school printing Graphic Design: The New Basics Graphic Design: The New Basics Design: The New Basics, bestselling author Ellen Lupton of visual language that inform any work of design, from design magazines and books about New Orleans eleven case studies by artists and designers working contemporary felt designers and artists There has never been anyone in the design world like best known for his book designs, which combine his illustration and design, Inside the Rainbow also includes the popular design collective Friends of Type (authors Graphic Design: The New id: work_t6x5u35c4zdtbeh3qba54nm57m author: Pavel Stepanek title: PEDRO FLORES EN PRAGA, EN 1946 date: 1986 words: 5058 sentences: 1001 pages: 20 flesch: 90 cache: ./cache/work_t6x5u35c4zdtbeh3qba54nm57m.pdf txt: ./txt/work_t6x5u35c4zdtbeh3qba54nm57m.txt summary: del gi-upo d e los españoles d e París. 2 Entre los pintores, e s ante todo el parisienae Josef Síma quien en 10s años 30 se inspira en organizadores d e la exposición d e 1946, y que una fotografía colectiva d e la acogida de los En este marco se inserta, entonces, la gran exposición d e artistas espanoles residentes en París que, bajo auspicios gubernamentales, comenzó otras Habrá que recordar antes, que esta admiración artística hacia los españoles data en Praga desde los primeros años del cubismo. Pedro Flores nacen del anhelo de parafrasear todo 10 que en su país de.jó la que .Flores y Bores dan una idea de la pintura española expresándose con a la derecha (abajo), . d e los dibujos más depurados del entre los artistas españoles del grupo parisiense,, y de la apreciación que tuvo id: work_mk2gagjjbrb3vpvkpjwglc6rve author: Pedro Emilio Zamorano title: Artes visuales en Chile durante la primera mitad del siglo xx: Una mirada al campo teórico date: 2011 words: 7914 sentences: 1010 pages: 20 flesch: 68 cache: ./cache/work_mk2gagjjbrb3vpvkpjwglc6rve.pdf txt: ./txt/work_mk2gagjjbrb3vpvkpjwglc6rve.txt summary: algunos autores tales como Ricardo Richon-Brunet, Antonio Romera y Jean Emar, vinculando sus discursos teóricos con aquellos momentos y contenidos más importantes siglo XX: el primero, que calificaremos como de orientación e información inicial, a través de crónicas escritas, entre otros, por Ricardo Richon Brunet, nathanael yáñez Silva, más algunas figuras provenientes del En los años iniciales del siglo XX la contribución teórica más importante fue el Diccionario biográfico de pintores4, de Pedro Lira (1902). ámbito literario, entre ellos Manuel Magallanes Moure7, Pedro Prado8, álvaro yáñez Bianchi (Jean Emar)9, Augusto D''Halmar10, Vicente Huidobro y, introductor y fundador del arte de la pintura en Chile, en tanto que a Pedro El modelo europeo clasicista fue el paradigma que impregnó el escenario de las artes visuales en el país en los inicios de la pasada centuria. primera muestra que destaca, en los inicios del siglo XX, fue la Exposición id: work_tr5t72prb5bppfe2js55hbip6m author: Pelin AVŞAR KARABAŞ title: THE CONTEMPRORIES AND THE UNIQUE STYLE OF AMEDEO MODIGLIANI date: 2016 words: 22312 sentences: 3777 pages: 28 flesch: 65 cache: ./cache/work_tr5t72prb5bppfe2js55hbip6m.pdf txt: ./txt/work_tr5t72prb5bppfe2js55hbip6m.txt summary: Öz: Bu araştırma; 1884-1920 yılları arasında yaşamış Yahudi sanatçı Amedeo Modigliani''nin; özgün artists as Pablo Picasso, Wilhelm Lehmbruck, Alexander Archipenko, Maurice Utrillo, Max Jacob, Jules olduğu gibi sanat alanında da düşünsel bir hareketin doğmasına neden olmuştur. Modigliani''nin ilk olarak heykellerine bakıldığında, sanatçının Afrika İlkel Sanatı örneklerinden etkilendiği görülür (Hollingsworth,2009:445). ile aynı yıllarda Paris ortamında yaşayan bir sermekle birlikte Modigliani''nin eserleri ile kıyaslandığında, sanatçıda belirgin bir Cezanne Picasso gibi aralarında Maurice Utrillo, Guillaume Apollinaire, Max Jacob, Jules Pascin, Moise Kisling ve Chaim Soutine''in de bulunduğu Juan Gris, Diego Rivera gibi sanatçılarda Modigliani''nin doğal olarak yansıtan duygusal bir tavır ile de Modigliani ile aynı sokakta oturmuş bir başka Modigliani''nin çağdaşlarından bir başkası olan Juan Gris (1887-1927), Kübizm akımını benimsemiş ve konu bakımından ağırlıklı olarak natürtmortları tercih etmesinin yanı sıra figüratif çalışmaları da bulunan bir sanatçıdır. Bernard''a (2001:7) göre resim; Cezanne''ın ifadesi ile bir meslek değil, yazgıdır. Amedeo Modigliani için vazgeçilmez bir anlayıştır. Amedeo Modigliani, 36 yaş gibi çok kısa bir theartstory.org/ artist-modigliani-amedeo-artworks.htm#pnt_1 id: work_xlgfcpsefbewzmqdu7wazxennq author: Pelin AVŞAR KARABAŞ title: THE RISE AND THE LEADING ARTISTS OF ABSTRACT EXPRESSIONISM date: 2016 words: 3313 sentences: 525 pages: 16 flesch: 58 cache: ./cache/work_xlgfcpsefbewzmqdu7wazxennq.pdf txt: ./txt/work_xlgfcpsefbewzmqdu7wazxennq.txt summary: şekillenen akım; uluslararası sanat ortamına getirdiği çarpıcı ve etkili yeni ifade Amerika''da "New York Okulu" olarak da bilinen bu yaklaşımın başlıca sanatçıları arasında Jackson Pollock, Willem de Kooning, Franz Kline, Robert Motherwell, Mark Dışavurumcular" olarak adlandırılan "New York Okulu" sanatçıları kadar, erken Soyut Dışavurumcu anlayışın nihayetinde, tuval üzerindeki bir resim olmaktan çok, Soyut ekspresyonizme hem katkıda bulunan hem de öncülerinden olan bir Jackson Pollock, Willem de Kooning, Franz Kline ve Robert Motherwell Soyut Hollandalı sanatçı Willem De Kooning de Pollock gibi soyut ekspresyonizmin Oldukça özgün bir ifade biçimi özelliği gösteren Renk Alanı Temel olarak bir New York sanat camiasının içinde yer alan ve Renk Alanı Resmi''nin getirecek bir sanat olarak adlandırılan olgunun üstesinden gelmek için çabalayan 1950 yılları arasında New York''ta şekillenen Soyut Dışavurumculuk; uluslararası sanat ortamına oldukça çarpıcı ve etkili yeni bir ifade biçimi Jackson Pollock, Willem de Kooning Franz Kline, Robert Motherwell, Mark New York modern sanat düşüncesini nasıl çaldı, İstanbul: id: work_6srpggk7v5ctjhtlystxgu6xey author: Phillip Deery∗ title: "A blot upon liberty": McCarthyism, Dr. Barsky and the Joint Anti-Fascist Refugee Committee date: 2009 words: 16202 sentences: 1003 pages: 24 flesch: 64 cache: ./cache/work_6srpggk7v5ctjhtlystxgu6xey.pdf txt: ./txt/work_6srpggk7v5ctjhtlystxgu6xey.txt summary: (JAFRC), he would not cooperate with the House Un-American Activities Committee (HUAC). Abraham Lincoln Brigade) that supported the Spanish Republic during the civil war, the JAFRC [14] Barsky, "The Surgeon Goes to War", 214-5, Barsky Papers, Box 5, Folder 4; New York Journal, 19 July 1937; Brigade: Americans in the Spanish Civil War (Stanford, Stanford University Press, 1994), 316; New York Times, 13 [45] "Statement with regards to the present investigation of the [JAFRC] by [HUAC]", nd [1946], Barsky Papers, [99] New York Times, 8 June 1950; JAFRC, Campaign Bulletin, 3, 16 June 1950, 1, Barsky Papers, Box 1, Folder 16. Abraham Fishbein to Committee on Licences of the Board of Regents of the University of the State of New York, 18 [112] Circular, "New Officers of the Joint Anti-Fascist Refugee Committee" [nd], Barsky Papers, Box 1, Folder 32. [115] Maxwell Frank to Board of Regents, State of New York, 27 November 1950, Barsky Papers, Box 5, Folder 1. id: work_enjndnzo7fbc7a3yebetl66bvy author: Phyllis Rosenzweig title: Drawings and Prints by Slavic and Slavic-Born Artists in the Collection of the Smithsonian Institution, Hirshhorn Museum and Sculpture Garden date: 2010 words: 4769 sentences: 255 pages: 12 flesch: 64 cache: ./cache/work_enjndnzo7fbc7a3yebetl66bvy.pdf txt: ./txt/work_enjndnzo7fbc7a3yebetl66bvy.txt summary: To cite this article: Phyllis Rosenzweig (2010) Drawings and Prints by Slavic and SlavicBorn Artists in the Collection of the Smithsonian Institution, Hirshhorn Museum and and Slavic-born artists in the collection of the Hirshhorn Museum Artists (ACA) Gallery, Hirshhorn Museum and Sculpture Garden, Slavic coincided with Hirshhorn''s desire to become a collector of work by contemporary living artists, and that the cousins socialized and continued to look at art ACA Gallery, September 11, 1943, which also includes his thoughtful observations on the work of several artists, Hirshhorn wrote: Works on paper by many other Slavic and Slavic-born artists collected by Some of the works on paper by Slavic and Slavic-born artists in the museum''s Hirshhorn acquired works on paper that are now in the museum''s collection more Slavic-born artists represented by works on paper can be found than are Further information about artists and their works in the museum''s collection id: work_kbynbakkqvc5lpt7tck42wkh7y author: Piera Capranzano title: Tailoring P2Y 12 Inhibiting Therapy in Elderly Patients With Myocardial Infarction Undergoing Primary Percutaneous Coronary Intervention date: 2019 words: 144 sentences: 26 pages: flesch: 71 cache: ./cache/work_kbynbakkqvc5lpt7tck42wkh7y.pdf txt: ./txt/work_kbynbakkqvc5lpt7tck42wkh7y.txt summary: sys_1000 wp-p1m-39.ebi.ac.uk wp-p1m-39.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write(''[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]''.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. 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Part 4 date: 1990 words: 144 sentences: 26 pages: flesch: 71 cache: ./cache/work_rbdpha2rzvfbvdecyrhqfnlcle.pdf txt: ./txt/work_rbdpha2rzvfbvdecyrhqfnlcle.txt summary: sys_1000 wp-p1m-38.ebi.ac.uk wp-p1m-38.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write(''[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]''.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 219768571 (wp-p1m-38.ebi.ac.uk) Time: 2021/04/06 02:40:59 If you need further help, please send an email to PMC. Include the information from the box above in your message. 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Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ id: work_pzk4qcmwfjfq7muzhddjjgwqay author: ROBERT HIRSCH title: World In a Jar: War & Trauma date: 2009 words: 6260 sentences: 429 pages: 21 flesch: 65 cache: ./cache/work_pzk4qcmwfjfq7muzhddjjgwqay.pdf txt: ./txt/work_pzk4qcmwfjfq7muzhddjjgwqay.txt summary: images to explore the workings of our collective societal memory of visual sources of history, which allow me to rework and reinterpret images to explore life''s Big issues and to ponder what history images freely float in an ambiguous and enigmatic space, encouraging viewers to interact and expand meanings based on their own The Burchfield Penney Art Center to view the World In a Jar installation by Our society''s cultural heritage is founded on a practice of transformative art – one of borrowing, sharing, re-borrowing, and Most of the project''s images were made from other photographs, as questioning the nature of the photographic image. Such a multiplicity of images, as in World In a Jar, makes People do not seem intimidated by images Engaging images acknowledge the complexity of life through their most people acknowledge evil in terms of human cruelty with acts without critically thinking about the results of their action or id: work_ayimb26c6rc33jzuioo3i4fmim author: Rachel Hajar title: Despair and Hope date: 2017 words: 194 sentences: 36 pages: flesch: 67 cache: ./cache/work_ayimb26c6rc33jzuioo3i4fmim.pdf txt: ./txt/work_ayimb26c6rc33jzuioo3i4fmim.txt summary: Despair and Hope | Semantic Scholar Skip to search formSkip to main content> Semantic Scholar''s Logo Search Sign InCreate Free Account Some features of the site may not work correctly. DOI:10.4103/HEARTVIEWS.HEARTVIEWS_58_17 Corpus ID: 5062276Despair and Hope title={Despair and Hope}, journal={Heart Views : The Official Journal of the Gulf Heart Association}, Heart Views : The Official Journal of the Gulf Heart Association View on Wolters Kluwer doi.org Launch Research Feed Share This Paper Topics from this paper Feeling despair Topics Related Papers Related Papers Stay Connected With Semantic Scholar Sign Up About Semantic Scholar Semantic Scholar is a free, AI-powered research tool for scientific literature, based at the Allen Institute for AI. DatasetsSupp.aiAPIOpen Corpus Terms of Service•Privacy Policy The Allen Institute for AI By clicking accept or continuing to use the site, you agree to the terms outlined in our Privacy Policy, Terms of Service, and Dataset License ACCEPT & CONTINUE id: work_ajmbjncxtjef3nro377lbzpggy author: Rania Fawzy title: Weak #Preemies are #MIRACLES #FIGHTERS: Hashtaged Coupling-Metaphors as Instantiations of Bonding Affiliation date: 2021 words: 5088 sentences: 475 pages: 19 flesch: 53 cache: ./cache/work_ajmbjncxtjef3nro377lbzpggy.pdf txt: ./txt/work_ajmbjncxtjef3nro377lbzpggy.txt summary: Coupling-Metaphors as Instantiations of Bonding Affiliation affiliation and social bonding in preemie tweets. hashtags for their interpersonal and ideational functions in expressing attitudinal a. How do hashtaged couplings of Interpersonal attitudes and Ideations the coupled resources of Interpersonal attitudes and Ideations are identified. [ATTITUDE + IDEATION], constructing a community of shared values and affiliation identifies how values are positioned, through hashtags, as socially Hashtaging the word preemie convokes a potential ambient community that coupling formulation of [negative Ideation: health problem/Attitude: positive metaphorical coupling instantiates an ambient community which believes in distressing parental experience, preemie babies are metaphorized positively as This metaphorical coupling of [positive Attitudinal religious values (angels and miracles) + Ideation experience of preemies] construes an ambient community metaphorical coupling of a community of hope. Coupling (Knight 2010a,b) and Communing Affiliation (Zappavigna and Coupling (Knight 2010a,b) and Communing Affiliation (Zappavigna and This metaphorical coupling instantiates an ambient community id: work_srrxgknqoja6xf62kidcnkgmlq author: Rasim SOYLU title: CHIRICO AND METAPHISICAL ART date: 2018 words: 3037 sentences: 566 pages: 16 flesch: 70 cache: ./cache/work_srrxgknqoja6xf62kidcnkgmlq.pdf txt: ./txt/work_srrxgknqoja6xf62kidcnkgmlq.txt summary: yapımında mühendis olarak çalışan Giorgio de Chirico, sanat tarihinde gizemli rüya Chirico''nun Ateist olduğu iddia edilir ancak onun resimlerinde mistik eğilimler gerçeklik ve metafizik keşifler Chirico''nun en büyük ilgi alanıdır. Chirico''nun Sürrealistleri ciddi bir şekilde Yöntem olarak Chirico''nun düşünce ve sanat anlayışını konu Chirico''nun 1925''te "Hebdomeros" adlı bir romanı Chirico eserleri ve metafizik resim için, "benim tuvallerimde, yıkımları haber bir araya gelen Giorgio de Chirico ve Carlo Carra (1881-1966) gibi İtalyan ressamlarca Chirico, Bir Güz Öğleden Sonrasının Muamması, (Orijinal adı, L''Énigme d''un Chirico, 1915 yılında İtalya''ya dönmeden önce yazdığı bir metinde iç Chirico''nun Metafizik resminin kökenleri atalar çağı ile insanlığın başlangıcına fiziksel ve manevi olarak bitkin olduğu bir döneminde ilk Metafizik deneyimlerini, bir düş gücü" olarak anlatır (Chirico, Aktaran Ögel, 2016: 51). Nietzsche''den esinlenerek öğleden sonrasına özgü bir Stimmung (Chirico''nun Kehanet Muamması, Chirico''nun Metafizik olarak yaptığı bir başka eseridir. Chirico, "Bir Güz Öğleden Sonrasının Muamması"(Resim 4.) resmini yaptıktan id: work_7c2ri3cecverld743zahbx5obe author: Reva Wolf title: Homer Simpson as Outsider Artist, or How I Learned to Accept Ambivalence (Maybe) date: 2006 words: 6885 sentences: 683 pages: 13 flesch: 79 cache: ./cache/work_7c2ri3cecverld743zahbx5obe.pdf txt: ./txt/work_7c2ri3cecverld743zahbx5obe.txt summary: Homer creates art in the "Mom and Pop Simpsons, entitled "Mom and Pop Art," written by Al Jean and directed by Steven Homer''s aversion to any cultural activities that might be deemed "high art." We sion "Comic Art," New York, February 20, 2003, Art" episode of The Simpsons on Fox. Art" episode of The Simpsons on Fox. 1. "Mom and Pop Art," The Simpsons, originally and Astrid Weller includes Homer''s barbecue pit in an exhibition of outsider art Homer (as we know from several previous Simpsons'' episodes).''3 We catch Johns Homer Simpson and Johns, In the "Mom and Pop Art" episode, Homer eventually manages to slip Homer Simpson as Outsider Artist, or How I Learned to Accept Ambivalence (Maybe) [pp. Homer Simpson as Outsider Artist, or How I Learned to Accept Ambivalence (Maybe) [pp. Homer Simpson as Outsider Artist, or How I Learned to Accept Ambivalence (Maybe) [pp. id: work_dzmsk45m5jceng2tmjddueulkm author: Ricardo López P title: Crear o copiar... ¿Cuál es la diferencia? date: 2009 words: 3677 sentences: 560 pages: 6 flesch: 74 cache: ./cache/work_dzmsk45m5jceng2tmjddueulkm.pdf txt: ./txt/work_dzmsk45m5jceng2tmjddueulkm.txt summary: Plagio es el acto de apropiación de una obraajena con el propósito de presentarla como diferencia entre crear y copiar, como dos procesos Es preciso asumir, por tanto, que toda creación como algo que surge de la nada (creatio ex nihilo), a la creación como un fenómeno que que sólo podía cumplir Dios, los seres humanos una manera de utilizar provechosamente lo que "Los hombres son en las cosas más importantes oportunidad: "La originalidad no es más que una una nube y tu color y forma son como yo los deseable que la diferencia entre crear y copiar situaciones nuevas, una crisis o un problema que para presentar los antiguos mitos desde una partir de una historia tradicional danesa que ya creación intelectual, que de paso abre otra vertiente para el debate sobre las diferencias y los Esta ley reconoce que todos los libros, sin considerado autor del Quijote, sin que alguien id: work_allww2nryncrbi5vriu4kn7upm author: Richard B. Gunderman title: How Art Can Educate the Radiologist''s Eye date: 2018 words: 1812 sentences: 114 pages: 7 flesch: 61 cache: ./cache/work_allww2nryncrbi5vriu4kn7upm.pdf txt: ./txt/work_allww2nryncrbi5vriu4kn7upm.txt summary: How Art Can Educate the Radiologist''s Eye: Duchamp''s "Nude How Art Can Educate the Radiologist''s Eye: Duchamp''s "Nude Descending a Staircase" Key Words: Art, perception, Duchamp, education, radiology, radiologists Duchamp intended to exhibit "Nude Descending" at an art show in Paris, but it was rejected by Duchamp''s "Nude Descending" extends this effect even further in space and time. "Nude Descending" invites a radiologist to reflect on some essential features of our daily work Duchamp''s figure is fragmented, a feature of essentially every radiologic image. radiologic image sets a photograph of the patient (5. Another radiologically notable aspect of "Nude Descending" is its depiction of the figure from Another feature of "Nude Descending" of special note to radiologists is the interplay it depicts Another feature of Duchamp''s painting is the fact that, when represented geometrically, a human Marcel Duchamp, Nude Descending a Staircase, No. 2, 1912. id: work_lnr722a3cfea7kj5vb4ui3kjiq author: Richard Stevens title: Exhibition review date: 2011 words: 915 sentences: 99 pages: 1 flesch: 71 cache: ./cache/work_lnr722a3cfea7kj5vb4ui3kjiq.pdf txt: ./txt/work_lnr722a3cfea7kj5vb4ui3kjiq.txt summary: Tate Modern 14 April–11 September 2011 So said Joan Miró, the Catalan painter exhibition links his work skillfully with events Miró''s painting. Abstract representations his paintings (Catalan Landscape [The Hunter], Head of a Catalan Peasant). cap, the barretina, becomes a symbol that, translating Miró''s work. which the basic symbols or representations these ''innate universal psychic dispositions''. into ''representations of the unconscious The exhibition at the Tate Modern displayed about 150 paintings, with home in Catalonia. Around this time Miró moved to started to affect the mood of his work; as By the time General Franco comes Miró and his family lived in ''internal exile'' in powerful works illustrated by Painting on Miró lived long enough to see the fall of definition, but Miró''s paintings give a little insight into this world. East Oxford Health Centre, Manzil Way, Cowley Joan Miró. Head of a Catalan Peasant , 1925. id: work_qcqqdk6ctnge5mukldipq4ujpy author: Robert A. Ketch title: Art appreciation for veterans with severe mental illness in a VA Psychosocial Rehabilitation and Recovery Center date: 2015 words: 5493 sentences: 684 pages: 13 flesch: 64 cache: ./cache/work_qcqqdk6ctnge5mukldipq4ujpy.pdf txt: ./txt/work_qcqqdk6ctnge5mukldipq4ujpy.txt summary: Donna Ames (2015): Art appreciation for veterans with severe mental illness in a VA Psychosocial Rehabilitation and Recovery Center, Arts & Health: An International Journal for Research, Policy Art appreciation for veterans with severe mental illness in a VA Art appreciation for veterans with severe mental illness in a VA Rehabilitation and Recovery Center (PRRC) for veterans with severe mental illness. VA WLA PRRC Art Appreciation class includes classroom sessions and community Keywords: veterans; mental health; art appreciation appreciation as a vehicle for mental health recovery, how the art appreciation class fits positive effects of art on the mental health of veterans and advocates for advancing the distress, appreciating art and learning about artists thus could have positive effects on Diary: The eight Ways to Practice TLCs. For some veterans, the Art Appreciation class is The class learned that artists express their feelings and emotions through their art. For the Art Appreciation class, five veterans id: work_5ouska6aqjhjrjynq5zfw5jr6q author: Robert Myers title: An East/West Pas De Deux: The Ballets Russes and the Orient in the Modern Western Imagination date: 2011 words: 5387 sentences: 322 pages: 21 flesch: 64 cache: ./cache/work_5ouska6aqjhjrjynq5zfw5jr6q.pdf txt: ./txt/work_5ouska6aqjhjrjynq5zfw5jr6q.txt summary: group''s producer Serge Diaghilev, designer Leon Bakst, choreographer forms of the pieces produced by the Ballets Russes transcended the a single day in modern Dublin Diaghilev and the Ballets Russes Pritchard, ed., Diaghilev and the Golden Age of the Ballets Russes 1909-1929 Museum in London, "Diaghilev and the Golden Age of the Ballets 17) Howard Goodall, "Music and the Ballets Russes," in Jane Pritchard, ed., Diaghilev and the Golden Age of the Ballets Russes 1909-1929 Diaghilev and the Golden Age of the Ballets Russes 1909-1929 "Music and the Ballets Russes." In Diaghilev and the Golden Age of the Ballets Russes 1909-1929, edited by Jane Pritchard, Jane ed., Diaghilev and the Golden Age of the Ballets Russes Studlar, Gaylyn, "Douglas Fairbanks: Thief of the Ballets Russes." In Bodies Nijinsky; and of the work produced in collaboration with the Ballets Russes Orientalism, Ballets Russes, Diaghilev, Leon Bakst, Vaslav Nijinsky, Ida id: work_xi3fiq7w6rbnnhr7znkzuslw7u author: Rong-Ding He title: To perceive a perfect Dora Maar in peripheral vision date: 2016 words: 2077 sentences: 170 pages: 3 flesch: 67 cache: ./cache/work_xi3fiq7w6rbnnhr7znkzuslw7u.pdf txt: ./txt/work_xi3fiq7w6rbnnhr7znkzuslw7u.txt summary: To perceive a perfect Dora Maar in peripheral vision. To perceive a perfect Dora Maar in peripheral vision. Figure 1 From tortured to normal appearance with peripheral vision. move their foveal sight onto the fixation point to perceive Dora in their peripheral vision. Participants (n=30) were divided into three groups and asked to look a perfect circle at the fixation point for 5 s (Figure S5B). results point to the 3D-like illusion that results from perception in peripheral vision of the disjointed Dora. when perceived in the peripheral visual field using the fixation point (Figure S4b in Supporting Information), 28 participants selected the dished portrait of Dora as the image of Dora Maar in a tortured structure compensates the eccentricity (asymmetry) of human peripheral vision (Levi and choose which one was most similar to what they had perceived in peripheral vision (Figure S5b in Supporting Information). Figure S1 A perfect Dora imaging in the peripheral vision. id: work_5ryeoeznbnbppecnak4yvlxntq author: Rossana Damiano title: Exploring cultural heritage repositories with creative intelligence. The Labyrinth 3D system date: 2016 words: 10614 sentences: 672 pages: 27 flesch: 57 cache: ./cache/work_5ryeoeznbnbppecnak4yvlxntq.pdf txt: ./txt/work_5ryeoeznbnbppecnak4yvlxntq.txt summary: In cultural heritage, the use of ontologies makes the description of artworks current shift towards semantic encoding opens the way to the creation of interfaces that allow the users to build personal paths in heritage collections by the semantic relations over cultural objects, with the goal of engaging the user the user can explore the semantic relations over the items in a visual environment. of domain ontologies provide the background against which cultural objects (including artworks, artists, traditional practices, etc.), encoded in di↵erent media example, paintings often display story episodes while statues immortalize characters; even non representational artworks often refer to narrative elements, The Labyrinth project extends the approaches described above by integrating the use of a narrative model to connect the items in a collection with the use relations over the artworks in a cultural heritage collection, and for its immediacy of use, since it provides an intuitive mapping for artworks (nodes of the id: work_ihzbus5cebgbjhglsduyqy3t6q author: Rossana Damiano title: Labyrinth 3D. Cultural archetypes for exploring media archives date: 2016 words: 11625 sentences: 2819 pages: 42 flesch: 77 cache: ./cache/work_ihzbus5cebgbjhglsduyqy3t6q.pdf txt: ./txt/work_ihzbus5cebgbjhglsduyqy3t6q.txt summary: media archives, 3D environments, exploratory search, cultural heritage, Cultural archetypes for exploring media archives Cultural archetypes for exploring media archives application, called here Labyrinth 3D, relies on the use of cultural archetypes to environment, with the goal of engaging the user in the exploration of the archive Keywords: media archives, 3D environments, exploratory search, cultural of archive-based creativity by proposing "cultural archetypes" as conceptual tools that collected after the study of the archive -, for the design of the user interaction. the archetype-based exploration of media archives: the user is immersed in a 3D maze, potential of the convergent culture, however, the access to digital media archives is still relies on a story ontology to support the creation of "museum narratives" (i.e., storybased collections of artworks) by curators (Mulholland et al. users explore to access the contents of the archive through the archetypal visual user navigation is driven by an archetype that associates artefacts of different type, id: work_sklmn5i3qvh3re3dgagmjmedfy author: Russell Kennedy title: Looking Back to Move Forward: The Dymaxion Revisited date: 2015 words: 4321 sentences: 342 pages: 9 flesch: 57 cache: ./cache/work_sklmn5i3qvh3re3dgagmjmedfy.pdf txt: ./txt/work_sklmn5i3qvh3re3dgagmjmedfy.txt summary: Kennedy, Russell 2015, Looking back to move forward: the Dymaxion revisited, Procedia technology, vol. passenger capacity of a modern people carrier and represented Buckminster Fuller''s social responsibility mantra to create more The brand narrative of the Dymaxion tells a story of sustainability and practicality that resonates with today''s vehicle explore brand narrative (product and creator as brand) and diffusion of innovation theory to determine the value of A Dymaxion: a term used by Buckminster Fuller to brand several of his inventions, a portmanteau of the words dynamic, Buckminster Fuller''s Dymaxion cars (source: Estate of R. The Dymaxion car project is often referred to as an iconic example of innovative, experimental industrial design history and future focus of a business and/or product then the Dymaxion car can certainly be referred to as a brand. narrative also extends to the Dymaxion car, a story that may resonate with sections of today''s vehicle consumers as Buckminster Fuller: Dymaxion Car. Ivorypress; 2011. id: work_k2mgugqiorgfdjzpg4ipsnmi3m author: Sami Arpa title: Perceptual 3D rendering based on principles of analytical cubism date: 2012 words: 11288 sentences: 1096 pages: 14 flesch: 62 cache: ./cache/work_k2mgugqiorgfdjzpg4ipsnmi3m.pdf txt: ./txt/work_k2mgugqiorgfdjzpg4ipsnmi3m.txt summary: face counts in the images rendered by the cubist camera model and the traditional perspective camera. viewpoints adjust their view angle (i.e. each facet adjusts its vieworientation) automatically to render important parts of the scene. Left: perspective view; Middle-left: cylindrical cubist camera view without perceptual spatial imprecision; Middle-right: line map of applied spatial imprecision; Right: final output of our result with applied perceptual spatial imprecision and artistic effects. View-independent projection: In cubist paintings, radical discontinuities are emphasized through the manipulation of Ambiguity: Cubist paintings present as much essential information as possible, simultaneously visible, about the objects on a: Cubist camera view without spatial imprecision; b: Saliency map; c: Segmentation result for Level 1, N¼5, selection threshold¼0.0; d: Segmentation result for camera surface and the discontinuity parameter limits the saliency based orientation of each facet. saliency based spatial imprecision method enables creating discontinuity of adjacent facets. faceting for real cubist paintings are given in Section 3. id: work_me5bvbyqkve6dpmffyoj5hq3gy author: Samyel Lee title: The Power Of Cinema On The Korean Peninsula date: 2015 words: 5135 sentences: 340 pages: 12 flesch: 67 cache: ./cache/work_me5bvbyqkve6dpmffyoj5hq3gy.pdf txt: ./txt/work_me5bvbyqkve6dpmffyoj5hq3gy.txt summary: the surface of two seemingly completely different genres of Korean War movies. Keywords: Cinema; Film; North Korea; Welcome to Dongmakgol; Post-modernism; movies produced about the Korean War but its content was unsophisticated.7 According to the Korea Creative Content Agency: "the Korean War movies during the 1960s to the Shiri in 1999, a story about North Korean spies in South Korea broke the record turning point in Korean cinema as well as public discourse because it proved that people In a gladiatorial scene, Jintae is abusing North Korean prisoners of war, forcing them This story takes place in a hidden village in the mountain during the Korean War. Two 12 Kim, "A Study on Historical Changes and Genre Reconstructions of Representing Korean War in The changing ways in which North Korea, the Korean War, and war in general are Especially movies that deal with North Korea are even more political today id: work_eyurqkl6ozecxa6npxelcricxy author: Sang Gu Lee title: Why Should We Perform Endoscopic Spine Surgery? date: 2020 words: 1094 sentences: 92 pages: 2 flesch: 46 cache: ./cache/work_eyurqkl6ozecxa6npxelcricxy.pdf txt: ./txt/work_eyurqkl6ozecxa6npxelcricxy.txt summary: The field of minimally invasive spine surgery (MISS) has seen remarkable growth over the last 30 years and is a main field of spinal surgery that will continue to advance. Endoscopic spine surgery was introduced by Parviz Kambin and brought to much development by Anthony Yeung. Kambin and Sampson1 reported the effective removal of herniated disc material with suction and devices through a novel extraforaminal endoscopic visualization technique. With the introduction of the interlaminar approach, endoscopic surgery has been able to provide many spinal perioperative visual analogue scale scores and lower incidences of postoperative complications after endoscopic transforaminal lumbar interbody fusion, while achieving similar rates Why Should We Perform Endoscopic Spine Surgery?Lee SG But endoscopic spine surgery is not a common procedure Minimally Invasive Spine Surgery Society (KOMISS) holds cadaver and dummy workshops to learn procedures and techniques with complications in biportal endoscopic spinal surgery: id: work_vc4xr63hcrbzdmtaua4ein2g2q author: Sarah Zylinski title: Fun and play in invertebrates date: 2015 words: 2854 sentences: 247 pages: 3 flesch: 65 cache: ./cache/work_vc4xr63hcrbzdmtaua4ein2g2q.pdf txt: ./txt/work_vc4xr63hcrbzdmtaua4ein2g2q.txt summary: behavior seems to fit the play criteria the function of play in these animals, Play, playfulness, Animal Play: Evolutionary, Comparative, and perspectives on the biological study of play: in spiders: a form of play associated with play in two species of Octopus from of play-like behaviours. octopuses, but different types of play future studies will uncover play-like What about fun and play in other What about fun and play in other of play-like behaviour in arthropods examples of play in invertebrates. For example, sex play may be more Learning from play in octopus. Playful play is undoubtedly fun. he would play with physics again So do cephalopods play So do cephalopods play So do cephalopods play What about fun and play in other invertebrates? What about fun and play in other invertebrates? What about fun and play in other invertebrates? Why don''t we see more invertebrates playing? Why don''t we see more invertebrates playing? id: work_jqkxghsxcvfrvniurk27t4wp4e author: Savine Faupin title: Auguste Forestier''s unbroken wanderlust date: 2016 words: 1317 sentences: 107 pages: 3 flesch: 68 cache: ./cache/work_jqkxghsxcvfrvniurk27t4wp4e.pdf txt: ./txt/work_jqkxghsxcvfrvniurk27t4wp4e.txt summary: Through short descriptions of the Outsider art work of prominent artists and LaM Lille Métropole Musée d''art moderne, d''art contemporain et d''art brut, Villeneuve-d''Ascq Key words: History of psychiatry, mental health, outsider art, psychiatric hospital. Auguste Forestier (Naussac, 1887-Saint-Alban-surLimagnole, 1958) began running away as an adolescent taking the train without a ticket for long journeys. Auguste Forestier, La bête du Gévaudan, c. by the patients and assembled two volumes of drawings, many of which had been done by Forestier. Saint-Alban from 1947 to 1949 and treated Forestier, He carved arms, legs, heads, wings, decorative mouldings and more out of the pieces of wood walls, Forestier, the stationary traveller, invented made by Forestier over the roofs of Saint-Alban as if it La fabrique d''Auguste, L''Art Brut 8. Contemporain et d''Art Brut, Villeneuve d''Ascq, L''Aracine et l''art brut (2009). chemins de l''art brut à Saint-Alban-sur-Limagnole (2007); Dubuffet et l''Art Brut (2005). id: work_eh7e33pcbzcfbljxotmv25qb4q author: Sebastian de Haro title: J.R. Leibowitz: Hidden Harmony. The Connected Worlds of Physics and Art date: 2009 words: 2142 sentences: 282 pages: 4 flesch: 60 cache: ./cache/work_eh7e33pcbzcfbljxotmv25qb4q.pdf txt: ./txt/work_eh7e33pcbzcfbljxotmv25qb4q.txt summary: The Connected Worlds of Physics and Art. The Johns Hopkins University Press, 2008. Abstract The book Hidden Harmony—The Connected Worlds of Physics and Art by J.R. Leibowitz, in Hidden Harmony—The Connected Worlds of Physics and Art, studies the role of form in physics and in the visual arts. In the first and last chapters, Leibowitz poses the problem of how physics and art will not give the working physicist any new information; they rather provide the author''s own vision on a number of developments in the history of physics; as such they The first two chapters on physics explain the concepts of conserved quantity, symmetry, and symmetry breaking, illustrating them with examples from nature and cosmology. The next two physics chapters attempt at explaining parts of Maxwell''s theory and Leibowitz offers an original perspective on the relation between physics and art a work of art and of a physical theory. The Connected Worlds of Physics and Art. id: work_zvufxd3ygne6raqcqlv77dzgsu author: Seda Dural title: Imagine a mouse and an elephant: Hemispheric asymmetries of imagination date: 2016 words: 648 sentences: 130 pages: flesch: 63 cache: ./cache/work_zvufxd3ygne6raqcqlv77dzgsu.pdf txt: ./txt/work_zvufxd3ygne6raqcqlv77dzgsu.txt summary: [PDF] Imagine a mouse and an elephant: Hemispheric asymmetries of imagination | Semantic Scholar S. Dural, Hakan Çetinkaya, O. S. Dural, Hakan Çetinkaya, O. ABSTRACT The present study aimed to explore the existence of an asymmetrical bias in the imagination of pairs of objects of unequal size. We assumed that such pairs are conceptualized with the smaller object being placed on the left, creating an ascending size order from left to right. Such a bias could derive from a cognitive strategy known from the mental number line. Citation Type Citation Type Sort by Most Influenced Papers Sort by Citation Count View 2 excerpts, cites background View 1 excerpt, references background View 1 excerpt, references background View 1 excerpt, references background View 1 excerpt, references background By clicking accept or continuing to use the site, you agree to the terms outlined in our Privacy Policy, Terms of Service, and Dataset License id: work_ndpuahayjffehcbvy6ozv37wvy author: Sedat BALKIR title: SANAT-SANATÇI VE BİR META NESNESİ OLARAK SANAT ESERİ date: 2020 words: 4543 sentences: 616 pages: 14 flesch: 67 cache: ./cache/work_ndpuahayjffehcbvy6ozv37wvy.pdf txt: ./txt/work_ndpuahayjffehcbvy6ozv37wvy.txt summary: Yapılan çalışmanın bir sanat eseri olarak kabul edilme süreci ve bunun kıstaslarının ne Bir çalışmanın sanat eseri olduğunu üreten kişi olarak, bizzat sanatçının kendisi mi Gerçekte bunun böyle olması yanlış da değildir çünkü sanat eseri olarak kabul Sanat eseri, görmüş olduğumuz gibi bir insanın bilincinde aracısız olarak doğar, anlam fakat yarattığı o şeyi kabul etmesi için toplumu ikna edebilirse bir sanat eserinin ortaya Sanatçılar içinde yaşadıkları toplumu malzeme olarak kullanırken, toplum için bir geri BALKIR / Sanat-Sanatçı Ve Bir Meta Nesnesi Olarak Sanat Eseri BALKIR / Sanat-Sanatçı Ve Bir Meta Nesnesi Olarak Sanat Eseri BALKIR / Sanat-Sanatçı Ve Bir Meta Nesnesi Olarak Sanat Eseri BALKIR / Sanat-Sanatçı Ve Bir Meta Nesnesi Olarak Sanat Eseri BALKIR / Sanat-Sanatçı Ve Bir Meta Nesnesi Olarak Sanat Eseri BALKIR / Sanat-Sanatçı Ve Bir Meta Nesnesi Olarak Sanat Eseri BALKIR / Sanat-Sanatçı Ve Bir Meta Nesnesi Olarak Sanat Eseri BALKIR / Sanat-Sanatçı Ve Bir Meta Nesnesi Olarak Sanat Eseri id: work_ztbmh3tmarfpbmyhgxb56dczmy author: Sergey Lebedev title: Drawing Movements as an Outcome of the Principle of Least Action date: 2001 words: 3360 sentences: 450 pages: 10 flesch: 77 cache: ./cache/work_ztbmh3tmarfpbmyhgxb56dczmy.pdf txt: ./txt/work_ztbmh3tmarfpbmyhgxb56dczmy.txt summary: equations for all drawing movements are solutions of a certain differential cases of drawing movements corresponding to simplest forms of this coefficient. Viviani 6 Cenzato, 1985) that within each segment of execution a power-law two-thirds power law from the principle of least action and show the constraints which is the two-thirds power law in a differential form (see also Viviani 6 Cenzato By the two-thirds power law, the mechanical power of a drawing movement remains the study of drawing movements in children, Viviani 6 Schneider (1991) considered movements along an elliptic path with tangential velocity of the form equal angular frequencies, Lissajous motions do not obey the two-thirds power law. two-thirds power law, and that the constant velocity strategy requires the greatest amount of mechanical segment is executed by the two-thirds power law (Massey, Lurito, Pellitzer, 6 APPENDIX B: DRAWING LISSAJOUS FIGURES WITH RESPECT TO THE TWO-THIRDS POWER LAW id: work_qomcok57tna2zgwxrkorfku7ru author: Seung-Hee Suh title: Inherent Properties of Fashion Accepted as Art through Expansion of Contemporary Art date: 2013 words: 5938 sentences: 1689 pages: 13 flesch: 110 cache: ./cache/work_qomcok57tna2zgwxrkorfku7ru.pdf txt: ./txt/work_qomcok57tna2zgwxrkorfku7ru.txt summary: 그러나 예술의 순수성을 지향하는 관점에 로써 패션의 예술적 지위에 제기된 예술의 순수성의 된 예술의 속성을 중심으로 하였다. 함으로써 패션의 본질적인 속성이 예술의 영역으로 이러한 예술의 순수성은 낭만주의시대의 ''예술을 예술의 순수성 개념은 예술과 일상의 분리를 비판 예술 작품을 중심으로, 전통적인 예술의 개념에서 벗 그러나 오늘날 변화된 예술의 개념과 표현매체의 져온 예술의 감각적 영역의 확대는 촉각적 감각이 예술의 영역에서 배제된 패션의 요소로 작용할 근거 확장된 새로운 예술의 개념을 정립하는데 기여하였 전통적인 예술의 개념에서 예술 작품이 가지는 영 존재방식에 관계하여 새로운 아방가르드 예술의 형 리고 아방가르드 예술이 보여준 또 다른 예술의 형 식을 통해 이제 예술의 상업성 또한 전통적인 예술 관점의 지속 속에 패션은 예술의 영역에서 계속 배 예술의 불확정적 경계 속에 일상성이 패션을 어떤 따라서 패션의 상업성은 배제 패션의 상업성은 예술에서 패션을 배제하는 주요 요 그러나 현대예술에서 상업성은 더 이상 예술의 영 새로운 예술의 속성으로 나타나고 있음을 보았다. 따라서 패션의 예술로 수용된 패션의 속성은 첫째, 예술의 형이 된 예술의 영역으로 인해 패션이 예술로 수용됨을 id: work_cebqso4esbfixbar6ogmmkv6a4 author: Sheila Naghshineh title: Formal Art Observation Training Improves Medical Students'' Visual Diagnostic Skills date: 2008 words: 144 sentences: 25 pages: flesch: 71 cache: ./cache/work_cebqso4esbfixbar6ogmmkv6a4.pdf txt: ./txt/work_cebqso4esbfixbar6ogmmkv6a4.txt summary: sys_1000 wp-p1m-38.ebi.ac.uk wp-p1m-38.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write(''[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]''.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 219767216 (wp-p1m-38.ebi.ac.uk) Time: 2021/04/06 02:40:57 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ id: work_ifos2pkg2ngqdk7jnymk2xuvra author: Soleni Biscouto Fressato title: Tênues limites entre o cinema documentário e ficcional. O exemplo de O Mistério de Picasso date: 2011 words: 3546 sentences: 478 pages: 12 flesch: 68 cache: ./cache/work_ifos2pkg2ngqdk7jnymk2xuvra.pdf txt: ./txt/work_ifos2pkg2ngqdk7jnymk2xuvra.txt summary: fazer um filme de arte e sobre arte de apenas 10 minutos, que não mostrasse, Picasso, revelar aos espectadores como suas telas são feitas, como é o seu destacar que foi produzida por Georges Auric especialmente para o filme. Picasso sobre a tela e é significativo que o som de uma guitarra espanhola contrário, para ele é um desafio fazer com que a sua criatividade artística que identifica uma obra de arte: a sua vitória sobre o tempo e o espaço em entre documentário e ficcional, presente no filme de Clouzot, que será vida como ela realmente é, não estática, mas com todo o seu movimento e revelava suas potencialidades, tanto para os filmes documentários, como Carvalho defende a prerrogativa de que os filmes documentários são os mais seriam os filmes documentários também frutos de uma seleção, como são os O Mistério de Picasso, com seus elementos de cinema documentário id: work_tblc4nnchbhi7agg5qyj3klm6a author: Stephen P. Dunn title: A Bulgakov Anthology. By Sergius Bulgakov. Edited by James Pain and Nicolas Zernov. Introduction by James Pain. Memoir by Lev Zander. Philadelphia: The Westminster Press, 1976. xxvi, 191 pp. $12.50 date: 1978 words: 1328 sentences: 74 pages: 2 flesch: 59 cache: ./cache/work_tblc4nnchbhi7agg5qyj3klm6a.pdf txt: ./txt/work_tblc4nnchbhi7agg5qyj3klm6a.txt summary: the results of the meticulous research in the life and social situation of the Russian from Father Sergius Bulgakov''s work. quite moving and interesting autobiographical fragments, dealing with Bulgakov''s of the Russian Orthodox church, and, finally, his experience during surgery for cancer like this reviewer, has no particular respect for the Russian Orthodox church as an Bulgakov is a figure of some human interest; his career represents the triumph of an the Russian Orthodox church by the October Revolution which finally removed all book, but I think that it would have been better to include some of Bulgakov''s detailed Bulgakov''s theological writings, as represented here, do not come to grips at all with the major social and political problems facing the Russian Orthodox church book is devoted to the nature and content of socialist opinion polling in particular, In Connor''s words, "while the regimes are more interested id: work_vb45xvux2fdd3haco5h2nwwxci author: Steve Kempster title: The "Finger Puppets" date: 2014 words: 2488 sentences: 210 pages: 7 flesch: 61 cache: ./cache/work_vb45xvux2fdd3haco5h2nwwxci.pdf txt: ./txt/work_vb45xvux2fdd3haco5h2nwwxci.txt summary: examining the use of artifacts to create liminal moments in management education.'', Journal of management the use of artifacts to create liminal moments in management education.'', Journal of management education., 39 (3). Philosophers Guild (http://www.philosophersguild.com/Finger-Puppets/). ." In particular, we consider the use of the "finger puppets" to generate a The use of artifacts in management education is well understood (Page, http://www.philosophersguild.com/Finger-Puppets/ The use of artifacts can enable management education to move toward an leadership narratives of the finger puppets can stimulate managers to connect The finger puppets allow for the creation of a liminal moment in approaches in which the puppets might assist management education. be selected by delegates in a group from an open table of 30 to 40 puppets. the puppet character; perhaps even liminal power drawn from the finger resource to generate liminal moments in management education, thereby management education can often be complex to learn how to use, and limited id: work_fwpygjl5sjgubcwonytnssqlka author: Stuart G. Baker title: Development Tracks for Cancer Prevention Markers date: 2004 words: 4781 sentences: 360 pages: 7 flesch: 52 cache: ./cache/work_fwpygjl5sjgubcwonytnssqlka.pdf txt: ./txt/work_fwpygjl5sjgubcwonytnssqlka.txt summary: We provide a general framework for describing various roles for biomarkers in cancer prevention research (early detection, surrogate endpoint, and cohort identification for primary prevention) and the phases in their evaluation. purposes are early detection (with the goal of early intervention), surrogate endpoints (with the goal of having shorter studies) and cohort identification (of individuals with the greatest benefit to harm ratio associated with primary prevention). In the past, most markers for cancer screening involved changes in cell types (such as degrees of dysplasia) or single proteins in serum such as PSA or CA125. difficulties we discuss, the main use of surrogate endpoints may be in a preliminary study of an intervention on evaluating multiple trials with surrogate and true An alternative design, which we have not seen applied or discussed, is a single trial involving randomization to multiple interventions with surrogate and true randomized trials of cancer screening, BMC Medical Research id: work_lse663omxjdw7h6woe6hmbdz3e author: Sumardianshah Silah title: Practice Based Research in Craft Education: Approaches to Research Work Book date: 2013 words: 4009 sentences: 360 pages: 10 flesch: 59 cache: ./cache/work_lse663omxjdw7h6woe6hmbdz3e.pdf txt: ./txt/work_lse663omxjdw7h6woe6hmbdz3e.txt summary: Practice Based Research in Craft Education: Approaches to Research Work Book Keywords: Art and Design Education, Faculty of Education UiTM, Research Work Book, Studio Based Research; happen, artwork producers, artists, painters, sculptors, and art educators should prepare their own Research Work 4. Research Work Book (RWB) approach in Craft Education in the Faculty of Education UiTM refers to the Research Work Book to prepare students with idea exploration aspects which are considered in producing the Research Work Book (RWB) are aesthetic values, national culture, In short, RWB is a form of documentation on the processes of visual arts research that will contain This paperwork discusses the implementation of practice based research in the Art and Design Education in The implementation of Visual Research, which forms as part of the curriculum of the Art and Design Education (2010) Practice Based Research in Art & Design, Why Not? id: work_6az73qbhh5bo7bkurfgeispjrm author: Sun-Young Kim title: A Study on the Environmental Color of New Genre Public Art in Luzinterruptus'' Work date: 2016 words: 4968 sentences: 1789 pages: 9 flesch: 108 cache: ./cache/work_6az73qbhh5bo7bkurfgeispjrm.pdf txt: ./txt/work_6az73qbhh5bo7bkurfgeispjrm.txt summary: 러진테럽터스의 뉴 장르 공공미술에 나타난 환경색채 연구 A Study on the Environmental Color of New Genre Public Art in Luzinterruptus'' Work Luzinterruptus''s work looking for a new perspective on the relationship between environmental color and society. The street artist Luzinterruptus was born in Spain, is a leader in the field of New Genre Public Art brush on a Genre Public Art. It also analyzes the environmental color of Luzinterruptus to take advantage of the harmonious urban landscape was seeking Public Art. The citizens of the area and the installation work Luzinterruptus, New Genre Public Art, Environmental Color 표피색채 (EC: epidermic color): 면색, 표면색, 속색, 경 색 표층색채 (LC: layered color): 투과색, 간섭색 도시의 환경색채 개념 다. 그러나 휴먼스 일보다 큰 도시의 환경색채는 매스 즉 도시의 환경색채는 표색계로 New Genre Public Art 이러한 환경색채는 ''피겨-그라운드(Figur-Grund)'' 이러한 환경색채는 거 크 13) http://www.tate.org.uk/learn/online-resources/glossary/n/new-genre-public-art 히 도시의 수직 경 뿐 아니라 인간의 삶을 담은 수 id: work_rc6lhlcx45gzfmy267uc5kngsq author: Svitlana Smolenska title: Avant-garde architecture and art of the 1920s–1930s in Ukraine and European modernism: interpenetration methods date: 2019 words: 3971 sentences: 360 pages: 8 flesch: 61 cache: ./cache/work_rc6lhlcx45gzfmy267uc5kngsq.pdf txt: ./txt/work_rc6lhlcx45gzfmy267uc5kngsq.txt summary: Avant-garde architecture and art of the 1920s–1930s in Ukraine 2. Free access of Ukrainian architects and artists to foreign professional periodicals. European contests and international exhibitions of different levels as well as the participation of foreigners in exhibitions and competitions in Ukraine. foreign art and architectural exhibitions, articles prepared reviews of foreign professional literature, as well as articles on the state of modern architecture in different countries in each issue. of interests that are close to us in terms of new directions in architecture and their interrelation with the construction of cities and villages, in which the work of Soviet Avant-garde architecture and art of the 1920s–1930s in Ukraine /Architektura i sztuka w latach 1920–1930 na Ukrainie 17 Avant-garde architecture and art of the 1920s–1930s in Ukraine /Architektura i sztuka w latach 1920–1930 na Ukrainie 17 Avant-garde architecture and art of the 1920s–1930s in Ukraine /Architektura i sztuka w latach 1920–1930 na Ukrainie 17 id: work_gfjqb3y3mjcana5tam6yntxtpi author: Swathi Eluri title: IMportance of an Irregular Z Line: Is Barrett''s in the Eye of the Beholder? date: 2018 words: 2074 sentences: 160 pages: 3 flesch: 60 cache: ./cache/work_gfjqb3y3mjcana5tam6yntxtpi.pdf txt: ./txt/work_gfjqb3y3mjcana5tam6yntxtpi.txt summary: progression to neoplasia in patients with an irregular Z line obtaining biopsies from an irregular Z line, a recommendation made due to the poor endoscopic standardization of The authors note in their conclusion that patients with an irregular Z line "do not develop patients who developed LGD, "longer follow-up studies may a repeat examination; also, given that an irregular Z line is irregular Z line [7], it is likely that different endoscopists of 86 patients with an irregular Z line and IM, 2% those with an irregular Z line with IM on index biopsy did show that the irregular Z line is a low-risk lesion. with barrett''s esophagus less than 1 cm (irregular Z line) within among patients with an irregular Z line on long-term follow-up. IMportance of an Irregular Z Line: Is Barrett''s in the Eye of the Beholder? IMportance of an Irregular Z Line: Is Barrett''s in the Eye of the Beholder? id: work_oqs444cepja5leqqoxhf5zhmoa author: Sylvain Bureau title: Entrepreneurship as an art of subversion date: 2014 words: 13759 sentences: 1064 pages: 26 flesch: 55 cache: ./cache/work_oqs444cepja5leqqoxhf5zhmoa.pdf txt: ./txt/work_oqs444cepja5leqqoxhf5zhmoa.txt summary: concept of artful entrepreneurship, we suggest the analysis of subversion and resistance as a If subversive attitudes and activities are needed to launch and develop new ideas and projects, introduces the notion of artful entrepreneurship, which by capturing the elements of subversion and and very different artistic areas: researchers have studied the subversive dimension of art in Three main necessary conditions are required for art to have subversive power: first, it has to be connected to the rest of society; second, art has to involve practices which will create new cognitive Necessary condition #2: to be subversive, art should produce new representations and emotional Art is defined as being subversive because it can contribute to producing new changes in the Necessary condition #2: to be subversive, entrepreneurship should produce new representations and Subversion in Art and Entrepreneurship Contrasted It is clear from the above that both art and entrepreneurship are potentially subversive, and that the id: work_nqlksuqcwjfedlttcvqw7cagve author: THADDEUS METZ title: Fundamental conditions of human existence as the ground of life''s meaning: reply to Landau date: 2014 words: 6308 sentences: 313 pages: 23 flesch: 58 cache: ./cache/work_nqlksuqcwjfedlttcvqw7cagve.pdf txt: ./txt/work_nqlksuqcwjfedlttcvqw7cagve.txt summary: new and promising unified account of what confers great meaning on life (Metz Specifically, I advanced the view that great meaning in life, at least insofar as it objections to the fundamentality theory of great meaning in life. existence is neither necessary nor sufficient for great meaning in life. could confer great meaning on a life, whereas his hard to question intuition is that it comes to great meaning in life, I submit that we seek out fundamentality in fundamental conditions, but are not intuitively obtaining great meaning thereby. (FT3) The good, the true, and the beautiful confer great meaning on life insofar (FT3) The good, the true, and the beautiful confer great meaning on life insofar (FT3) The good, the true, and the beautiful confer great meaning on life insofar existence can confer great meaning on a person''s life. LANDAU, IDDO (2013) ''Conceptualizing great meaning in life: Metz on the good, the id: work_levhsenu5fh35hcdkevy55tdgq author: The Lancet title: Alcohol and cancer date: 2017 words: 772 sentences: 57 pages: 1 flesch: 50 cache: ./cache/work_levhsenu5fh35hcdkevy55tdgq.pdf txt: ./txt/work_levhsenu5fh35hcdkevy55tdgq.txt summary: Alcohol and cancer Alcohol and cancer The Nov 7 publication of Alcohol and Cancer: a Statement Agency for Research on Cancer determined that alcoholic echoed by other cancer societies since then but seemingly of benefit from alcohol are likely misinterpreted or increase in the recommended alcohol limit raises the risk of oesophageal cancer eight times, leading to estimates that three­quarters of oesophageal cancers are due to high forms of alcohol and likely involves ethanol''s genotoxic Nearly 2 billion people consume alcoholic beverages All families and societies that consume alcohol 12 L of pure alcohol for individuals aged 15 years or older. cancer, alcohol has widespread and insidious effects The ASCO statement takes the health consequences cancer prevention provide contexts for doing so within The challenge of alcohol and cancer will increase. alcohol consumption grows. alcohol consumption. alcohol consumption. for alcohol will need to be. oesophageal cancer or a cirrhotic liver. id: work_yysmmqftrfcl5irddrjvdhcqxy author: Tolga AKALIN title: THE EFFECT OF THE PLASTIC ART WORKS TO THE MODERN CITY CONCEPTS date: 2014 words: 3066 sentences: 594 pages: 12 flesch: 63 cache: ./cache/work_yysmmqftrfcl5irddrjvdhcqxy.pdf txt: ./txt/work_yysmmqftrfcl5irddrjvdhcqxy.txt summary: yüzyılın başlarına gelindiğinde pek çok sanatçı modernleşmeyi kentsel veren sanatçıların yansıra, bu kentsel gelişmeye ve endüstrileşmeye karşı duran dünyasında modern kentlerin daha çok geliştiği, insanların rahat etmesi adına dejenerasyona uğratıp uğratmadığı, onları toplumsal bir varlık olmaktan çıkarıp destekler nitelikte çalışmalar ürettiği, hangisinin ise tam tersi bir tavır sergilediği Anahtar Kelimeler: Modernizm, Post-Modern Sanat, Şehir ve Sanat, Otto Dix, bir biçimde düzenlenmesi ve buna göre karşılamak için ortaya çıkan bir kalmayıp, ortak bir kültür ve yaşam tarzı modern kentlerin daha da geliştiği onları toplumsal bir varlık olmaktan çok sanatçı, modernleşmeyi kentsel Resim 1: Pablo Picasso "Avignon''lu Kızlar" 1907 Museum of Modern Art, resimlerinde acı bir şekilde görmekteyiz. Bu duyguyu diğer bir alman sanatçı olan Sanatçının, Salon (Resim 3) adlı ifade etmesi gereken bir olgu olarak kolektif bir yaşam alanına doğru çalışması; düzenli bir kent görüntüsün Ayrıca Post-Modern Resim 7: Tolga Akalın, "Modern Mekân İçlerinden" 160 x 120, 2014 uzamış olması Post-Modern yaşam id: work_dqxbod6vcjfupilxcqnvzdeamu author: Valentina Beretta title: Truth selection for truth discovery models exploiting ordering relationship among values date: 2018 words: 13663 sentences: 2467 pages: 36 flesch: 75 cache: ./cache/work_dqxbod6vcjfupilxcqnvzdeamu.pdf txt: ./txt/work_dqxbod6vcjfupilxcqnvzdeamu.txt summary: Truth Selection for Truth Discovery Models Exploiting Ordering Relationship Among Values, Truth Selection for Truth Discovery Models Exploiting Ordering Relationship Among Values, True values selected by most models have the highest confidence estimation. when a priori knowledge in the form of a partial order of values (e.g. subsumption relationship in an ontology) is considered to improve value confidence and source trustworthiness estimations. prior knowledge in the form of a partial order among values into account [10] – and comparing the proposed approach with existing ones Therefore, considering all values associated with a data item, the estimated confidence scores procedure able to select the true value for each data item given the estimated a set of true claims, for each predicate), a partial order among the values Third, each source claims a true or false value for a specific data item w.r.t. 18 id: work_pow3yod6ebhmnnrg3nvmf6k2xe author: Vesna Mikic title: Different shapes of modernism/neoclassicism: Case study of Dušan Radić''s creative output date: 2006 words: 4615 sentences: 890 pages: 14 flesch: 111 cache: ./cache/work_pow3yod6ebhmnnrg3nvmf6k2xe.pdf txt: ./txt/work_pow3yod6ebhmnnrg3nvmf6k2xe.txt summary: У случају послератне домаће музичке продукције ова врста проблематизације чини се неопходном, јер се неокласицизам појављује као вид реакције на соцреализам Наиме, наша је „борба" овде намењена указивању на могућа тумачења и контекстуализације музичког неокласицизма као специфичне модернистичке појаве у историји (српске) музике, а „извођење међуратног стваралаштава појединих аутора, да бисмо данас неокласицизам разумевали и као особен вид модернизма, који поседује У основи, ради се о типу модернизма који инсистира на својим везама са прошлошћу у најширем смислу, те као уметнички резултат генерално продукује остварења На које се начине Радић стваралаштвом одређивао према традицији (српске) уметничке музике и према захтевима културне политике времена, и како се конкретни резултати тих његових стваралачких реакција могу тумачити у контексту о којем је било говора? На овај начин Радић остварује дело које само на први поглед кореспондира са захтевима времена и школе, односно с канонским поставкама традиције српског појаве у српској уметности које смо означили као модернистичке id: work_7l3qfqdo5ze2zlbrkyy723wyo4 author: Vida Demarin title: Arts, Brain and Cognition date: 2016 words: 4839 sentences: 475 pages: 6 flesch: 62 cache: ./cache/work_7l3qfqdo5ze2zlbrkyy723wyo4.pdf txt: ./txt/work_7l3qfqdo5ze2zlbrkyy723wyo4.txt summary: Art is a product of human creativity; it is a superior skill that can be learned by study, practice and observation. A specific functional organization of brain areas was found during visual art activities. enhancement of performance or changing of neuropsychological activity was shown by studies involving Mozart''s music from which Key words: arts – brain – creativity music therapy neuroplasticity privilege to investigate the processes of artistic performance in a healthy brain by means of modern technology techniques such as functional neuroimaging. visual art activities have shown a very specific functional organization of brain areas. Music has a superior effect on brain plasticity, active Vida Demarin, Marina Roje Bedeković, Marijana Bosnar Puretić & Marija Bošnjak Pašić: ARTS, BRAIN AND COGNITION Vida Demarin, Marina Roje Bedeković, Marijana Bosnar Puretić & Marija Bošnjak Pašić: ARTS, BRAIN AND COGNITION Vida Demarin, Marina Roje Bedeković, Marijana Bosnar Puretić & Marija Bošnjak Pašić: ARTS, BRAIN AND COGNITION id: work_yf7rhvygurgdnl7dqj64375qze author: Viktor F. Petrenko title: Metaphor as a Basic Mechanism of Art (Painting) date: 2012 words: 9937 sentences: 838 pages: 37 flesch: 64 cache: ./cache/work_yf7rhvygurgdnl7dqj64375qze.pdf txt: ./txt/work_yf7rhvygurgdnl7dqj64375qze.txt summary: This article describes research on visual semantics, diff erent forms of metaphor Keywords: visual semantics, sense, tropes, metaphor, metonymy, hyperbole, litotes, oxymoron, image, mental energy. Each work of art or visual symbol used in the genre of landscape has its own interpretation and is associated with its own meaning (see Petrenko & Korotchenko, 2008). From the perspective of psychology, the words that constitute a metaphorical pair are connotative (semantic) synonyms – for example, in Metaphor and metonymy are used by a number of well-known researchers in semiotics and cultural studies of visual arts like fi lm (Arutyunova, 1979, 1990; Ivanov, 1973, 1981, 1998; Lotman, 1973; Shklovsky, of their diff erent representations – that is, both visual and verbal metaphors are two ways of expressing the same meaning. Pictures 2, 3, and 4 are examples of visual metaphors. Another example of visual metaphor is the painting Th e Last Leaf by id: work_y3rblzqbj5cpxnolqt3tklrtsa author: Viktor de Boer title: Extracting historical time periods from the Web date: 2010 words: 4974 sentences: 520 pages: 12 flesch: 75 cache: ./cache/work_y3rblzqbj5cpxnolqt3tklrtsa.pdf txt: ./txt/work_y3rblzqbj5cpxnolqt3tklrtsa.txt summary: Extracting Art Style Periods from the Web We show the working of the method in the cultural heritage domain, extracting periods for art styles. The Semantic Web needs automatic methods that extract ontology constructs. The core taxonomy we use as an ontology is the Art and Architecture Thesaurus[1] (AAT), an taxonomy containing over 133.000 concepts from the Cultural Heritage domain. describe a method to extract periods for the individual art styles. we extract art style periods from the World Wide Web. In Section 4, we describe – For each period it is possible to extract moments within this interval (e.g. years, days or minutes) from the Web. We assume that C is characterized relation are used to denote the historical periods of the different art styles. art styles, we retrieved a corpus, extracted the year occurrences and fitted the τ is, we tested the method on extracting periods on a different domain (wars) id: work_nzmfhpmfrra37htfobo2omtznm author: Violeta Bakalchev title: Lines and Frames: Architecture in a Period of Migration date: 2017 words: 5277 sentences: 445 pages: 21 flesch: 58 cache: ./cache/work_nzmfhpmfrra37htfobo2omtznm.pdf txt: ./txt/work_nzmfhpmfrra37htfobo2omtznm.txt summary: spatial forms as strategies of transformation in different contexts in the world. Keywords: line, frame, square, transformation, non-figurative architecture, Europe, the changes in the social and spatial conditions of the world are expressed in We will adopt the line and the square (the frame) as basic spatial images, Square, Forms of Inhabitation, 72-hour City LINES AND FRAMES: ARCHITECTURE IN A PERIOD OF MIGRATION LINES AND FRAMES: ARCHITECTURE IN A PERIOD OF MIGRATION LINES AND FRAMES: ARCHITECTURE IN A PERIOD OF MIGRATION LINES AND FRAMES: ARCHITECTURE IN A PERIOD OF MIGRATION LINES AND FRAMES: ARCHITECTURE IN A PERIOD OF MIGRATION LINES AND FRAMES: ARCHITECTURE IN A PERIOD OF MIGRATION LINES AND FRAMES: ARCHITECTURE IN A PERIOD OF MIGRATION LINES AND FRAMES: ARCHITECTURE IN A PERIOD OF MIGRATION LINES AND FRAMES: ARCHITECTURE IN A PERIOD OF MIGRATION LINES AND FRAMES: ARCHITECTURE IN A PERIOD OF MIGRATION LINES AND FRAMES: ARCHITECTURE IN A PERIOD OF MIGRATION id: work_skej3jc4uzbyhc4wvptg4rayju author: X. Antón Castro title: Journalism, Caricature and Satirical Drawings in Early Picasso (1891–1895): The Awakening of Pablo Ruiz''s Critical Consciousness date: 2017 words: 14253 sentences: 896 pages: 19 flesch: 67 cache: ./cache/work_skej3jc4uzbyhc4wvptg4rayju.pdf txt: ./txt/work_skej3jc4uzbyhc4wvptg4rayju.txt summary: Journalism, Caricature and Satirical Drawings in Early Picasso (1891–1895): The Awakening of Pablo Ruiz''s Critical Consciousness Abstract: In Pablo Picasso''s formative period in A Coruña (1891–1895), where he was born as an Keywords: early Picasso; A Coruña; newspapers; Azul y Blanco; La Coruña; Blanco y Negro; caricature; Coruña (Spain) from 1891 to 1895, between childhood and early adolescence, Pablo Picasso conceived by the time Picasso left A Coruña he had become sentimentally and artistically mature and that his It is notable that on most of the pages in these little newspapers the young Ruiz Picasso, who La Coruña concludes with the longest text that the young Picasso had written in his little do with the goals of Picasso''s vignettes or drawings as a child in his newspapers from A Coruña in In the little newspapers, in the satirical and caricatured drawings of those years of youthful id: work_kkez6le2mzdzfdu7fjhtd6cnzi author: Yoon Ha title: War, Peace, and Neurospine date: 2018 words: 1119 sentences: 78 pages: 2 flesch: 58 cache: ./cache/work_kkez6le2mzdzfdu7fjhtd6cnzi.pdf txt: ./txt/work_kkez6le2mzdzfdu7fjhtd6cnzi.txt summary: War, Peace, and Neurospine People in Asian countries suffered from long periods of pain and desperation; however, with the development of medical and scientific knowledge, especially the discovery of antibiotics and blood replacement, many soldiers on the battlefield could survive their initial spinal injuries by more aggressive and invasive spine surgical procedures. Also, both World War provided opportunity for building formal and strong neurosurgery In the Korean War, neurosurgeons recommended that all soldiers with penetrating injuries of the cervical spine undergo development of spine doctors throughout the world. In the future, Neurospine will actively continue to publish papers on spine medicine from the DPRK, and Korean War. As important opinion leaders in each of our countries, Neurospine''s authors and editors would contribute to harmony among Asian nations and strive towards building peace History of spine surgery in the ancient and A history of military spine surgery. id: work_zevsqc3i5vfptlkhhpzztyrxhm author: Young-Beam Yoon title: A Study on Dadaism and Photomontage date: 2013 words: 4710 sentences: 1587 pages: 10 flesch: 102 cache: ./cache/work_zevsqc3i5vfptlkhhpzztyrxhm.pdf txt: ./txt/work_zevsqc3i5vfptlkhhpzztyrxhm.txt summary: 서 포토몽타주는 의도 으로 선택한 다양한 이미지를 조합하고 합성하는 방식으로 메시지를 강조하여 시 이미지와 텍스트의 변증법 시각 술로서 기존의 술 개념을 벗어나 새로운 형식 새로운 가능성을 모색하고 일상의 경험을 창의 으로 표 하는 작업을 한 기법의 구 에 있다. The photomontage as a visual art, dialectic of text and image that is to pursue a new 사진은 새로운 표 재료가 되었다. 다다이스트들의 포토몽타주 작업은 기존의 콜라주와 이미지를 촬 하고 사진을 보존 가능한 상태로 제작하 Peach Robinson) 등의 작가들은 여러 장의 사진을 히 이미지를 기록하는 매체로서 사진을 폄하하는 비 픽토리얼리즘 작가들은 사진을 통해 상징 인 모티 면서 새로운 의미를 창조하 다. 특히 사진과 포토몽타주는 새로 식으로 조합하여 새로운 이미지2를 창조했다. 새로운 시각 실험을 시도한 것이다. 의 작업은 기존의 사진이미지를 해체하고 새로운 결합 다다 이 에 사진을 이용해서 만든 포토몽타주는 사 하 지만 다다이스트들의 포토몽타주는 새로운 시각 포토몽타주는 베를린 다다이스트 1923년부터 1930년 에 포토몽타주는 새로운 인쇄기 다양한 이질 요소를 조합하여 기존의 사진과 이미지 id: work_gr5i3thbdrc2fflsmoj37iiwem author: Zeina Elcheikh title: Nizar Sabour. Places and Memories, War and Love date: 2019 words: 1614 sentences: 181 pages: 5 flesch: 80 cache: ./cache/work_gr5i3thbdrc2fflsmoj37iiwem.pdf txt: ./txt/work_gr5i3thbdrc2fflsmoj37iiwem.txt summary: https://www.visual-history.de/2019/10/05/nizar-sabour/ Bitte kontaktieren Sie: Für die Neuveröffentlichung von Bild-, Tonund NIZAR SABOUR: PLACES AND Since 2011, the protracted Syrian conf lict has changed places and people and created Nizar Sabour: Ma''aloula: a historic document, 2014, Nizar Sabour: The Guardians of the City, 2018, Mixed media on canvas (224×120 cm) © with courtesy of Nizar Sabour Nizar Sabour: Ma''aloula: a historic document, 2014, Mixed media on canvas (150×110 cm) © with courtesy of Nizar Sabour In the past, the houses of Ma''aloula w ere mostly painted blue. Nizar Sabour: Diaries of Love and War, 2013, Mixed courtesy of Nizar Sabour Nizar Sabour: Diaries of Love and War, 2013, Mixed media printing on MDF-board (40×30 cm) © with courtesy of Nizar In "Diaries of Love and War" Nizar Sabour Zeina Elcheikh, Nizar Sabour. Places and Memories, War and Love, in: V isual History, 05.10.2019, https://w w w .visual-history.de/2019/10/05/nizar-sabour/ id: work_whhvxrkap5hjfccw7lrjrwvmha author: Zeina Elcheikh title: Remembering 10 June. Curating Memory in Lidice und Oradour date: 2020 words: 1881 sentences: 192 pages: 8 flesch: 77 cache: ./cache/work_whhvxrkap5hjfccw7lrjrwvmha.pdf txt: ./txt/work_whhvxrkap5hjfccw7lrjrwvmha.txt summary: Archiv-Version des ursprünglich auf dem Portal Visual-History am 09.06.2020 mit der URL: https://visualhistory.de/2020/06/09/remembering-10-june/ Bitte kontaktieren Sie: Für die Neuveröffentlichung von Bild-, Tonund Every year on 10 of June, the French village of Oradour-sur-Glane commemorates the massacre that transf ormed the village into a scenery of ruins. The massacre and destruction of Lidice w as one of the f irst Nazi atrocities the w hole af ter the end of the w ar a new Lidice w as built overlooking the site of the old village. June 10 is a day of commemoration in memory of the massacres of Lidice and In Lidice and Oradour, new villages w ere built to Photo: PeterBraun74, Lidice Memorial, 23 June 2018. Preserving the ruins of Oradour led to the freezing of time in the remains of the village. Curating Memory in Lidice und Oradour, in: Curating Memory in Lidice und Oradour, in: id: work_vgggzbjynzeppb5ziuxpcjgwwq author: Zhanli Sun title: Simple or complicated agent-based models? A complicated issue date: 2016 words: 12403 sentences: 992 pages: 32 flesch: 51 cache: ./cache/work_vgggzbjynzeppb5ziuxpcjgwwq.pdf txt: ./txt/work_vgggzbjynzeppb5ziuxpcjgwwq.txt summary: Agent-based models (ABMs) are increasingly recognized as valuable tools in modelling humanenvironmental systems, but challenges and critics remain. level of complicatedness in model structure for representing and investigating complex real-world Agent-based models (ABMs) have become a well-established approach for studying complex humanenvironmental systems, such as land-use systems, by explicitly modelling decision-making and early ABMs were stylized models to represent general dynamics in, for example, economic systems level of complicatedness in model structure, focussing on ABMs of human-environmental systems. Simple agent-based land-use models (Millington et al., 2008; Müller et al., 2011; Some complicated agent-based land-use change models, for example, may be able to needs to represent the detailed geographical settings and the processes therein, and are often dataintensive and driven by the site-specific research questions (e.g., agent-based land use models in agents'' decision-making and consequences for land use change, the simple model was built Pattern-oriented modeling of agent-based complex systems: id: work_z7cd2swfefcphjsbu62fnexlyu author: Zhenqi Ding title: Cervical ossification of the posterior longitudinal ligament: Anterior versus posterior approach date: 2012 words: 2381 sentences: 230 pages: 4 flesch: 47 cache: ./cache/work_z7cd2swfefcphjsbu62fnexlyu.pdf txt: ./txt/work_z7cd2swfefcphjsbu62fnexlyu.txt summary: from the ossified mass is one cause of cervical spondylotic myelopathy (CSM) and predisposes patients to spinal cord injury (SCI).1,2 This special issue of Neurospine focuses on the Ossification of the posterior longitudinal ligament of the cervical spine: etiology and natural complications of anterior versus posterior surgery for multilevel cervical ossification of the posterior longitudinal ligament; an updated systematic review and meta-analysis. Anterior versus posterior approach for the treatment of cervical compressive myelopathy due to ossification of the posterior longitudinal ligament: the treatment of multilevel cervical ossification of the posterior longitudinal ligament: results of a decision analysis. Perioperative complications of anterior decompression with fusion versus laminoplasty for the treatment of cervical ossification of the posterior longitudinal ligament: propensity score matching analysis using a nation-wide inpatient database. versus laminectomy and fusion in the treatment of multilevel cervical ossification of the posterior longitudinal ligament: a systematic review and meta-analysis. id: work_eas6axtsbjhfljsqjnpedinjg4 author: Zülfikar Sayın title: Sanatçı Göstergesi Olarak Ekslibris date: 2017 words: 4453 sentences: 708 pages: 14 flesch: 61 cache: ./cache/work_eas6axtsbjhfljsqjnpedinjg4.pdf txt: ./txt/work_eas6axtsbjhfljsqjnpedinjg4.txt summary: tarafından Hasip Pektaş için tasarlanmış olan ekslibris; adına tasarlanmış © 2017 EX-LIBRIST Bölüm 7 Haziran 2017, Sayın, "Sanatçı Göstergesi Olarak Ekslibris" © 2017 EX-LIBRIST Bölüm 7 Haziran 2017, Sayın, "Sanatçı Göstergesi Olarak Ekslibris" © 2017 EX-LIBRIST Bölüm 7 Haziran 2017, Sayın, "Sanatçı Göstergesi Olarak Ekslibris" © 2017 EX-LIBRIST Bölüm 7 Haziran 2017, Sayın, "Sanatçı Göstergesi Olarak Ekslibris" © 2017 EX-LIBRIST Bölüm 7 Haziran 2017, Sayın, "Sanatçı Göstergesi Olarak Ekslibris" © 2017 EX-LIBRIST Bölüm 7 Haziran 2017, Sayın, "Sanatçı Göstergesi Olarak Ekslibris" © 2017 EX-LIBRIST Bölüm 7 Haziran 2017, Sayın, "Sanatçı Göstergesi Olarak Ekslibris" © 2017 EX-LIBRIST Bölüm 7 Haziran 2017, Sayın, "Sanatçı Göstergesi Olarak Ekslibris" © 2017 EX-LIBRIST Bölüm 7 Haziran 2017, Sayın, "Sanatçı Göstergesi Olarak Ekslibris" © 2017 EX-LIBRIST Bölüm 7 Haziran 2017, Sayın, "Sanatçı Göstergesi Olarak Ekslibris" © 2017 EX-LIBRIST Bölüm 7 Haziran 2017, Sayın, "Sanatçı Göstergesi Olarak Ekslibris" id: work_z4gvkva5pvf2tkm5ssuhe4k7g4 author: Özgür CENGİZ title: An Evaluation of the Effects of Fractal Geometry on Contemporary Artworks date: 2020 words: 3205 sentences: 516 pages: 14 flesch: 59 cache: ./cache/work_z4gvkva5pvf2tkm5ssuhe4k7g4.pdf txt: ./txt/work_z4gvkva5pvf2tkm5ssuhe4k7g4.txt summary: Çağdaş Sanat Yapıtlarında Fraktal Geometri Etkileri Üzerine Bir Değerlendirme Doğanın bu geometrisi, fraktal geometri olarak Fraktallar, simetri, kaos ve altın oran içeren; sonsuz bir döngüde kendini Doğanın bu gizemi ve fraktallar, doğayı bir malzeme olarak ele alan sanatçılar için esin Anahtar Kelimeler: Fraktal Geometri, Çağdaş Sanat, Doğayı taklit. Fraktal geometri ile sanat Sanat eserinde kullanılan geometri ile amaç, yapıtı doğru bir yargılarımız zamanla, matematik ile de ifade edilebilen, doğadaki canlı veya biçimi içermesi gereken matematik alanının da sanat ile iç içe olduğu Matematik ve doğadaki geometri diye ifade edebileceğimiz fraktal uzanan geniş bir ölçekte, fraktal biçimler ile karşılaşmak olasıdır. gibi altın oran, matematik ve fraktal örüntülerin görsel biçimlerini kullanarak Sanat icra eden insan olarak sanatçı ile Doğayı anlamak ve taklit etmek ile birlikte gelişen görsel sanat Güney, 1994; Kuzu, Dağtekin ve Bozan, 2017). benzerlik ve altın oran yakalamış olan sanatçı, eserlerinde ağırlıklı olarak sanatında da geometrik formlardan esinlenen bir sanatçı olarak bilinen id: work_5t3fcd4q7rbdbalywgezqd3bqm author: Özlem Uzundemir title: REFRAMING PABLO PICASSO AND DORA MAAR IN GRACE NICHOLS S "WEEPING WOMAN" date: 2018 words: 3488 sentences: 233 pages: 7 flesch: 68 cache: ./cache/work_5t3fcd4q7rbdbalywgezqd3bqm.pdf txt: ./txt/work_5t3fcd4q7rbdbalywgezqd3bqm.txt summary: The Guyanese poet Grace Nichols''s ekphrastic poem "Weeping Woman" in her Picasso, I the form of a dramatic monologue, the poem gives voice to Picasso''s model, muse and lover, Dora through a male persona who is also a gazer of that image in poetry, Nichols transforms Maar''s Keywords: Grace Nichols; Dora Maar; Pablo Picasso; ekphrasis aksine, Nichols şiirinde Dora Maar''ı Picasso''nun resmindeki nesne konumundan çıkartarak ona Anahtar Sözcükler: Grace Nichols; Dora Maar; Pablo Picasso; resimbetim "Weeping Woman," featured in the Guyanese poet Grace Nichols''s Picasso, I Want personality, in Nichols''s poem the female object/image in the painting is transformed interaction between the verbal and visual arts in Nichols'' "Weeping Woman" is used for Since in "Weeping Woman" Grace Nichols mainly focuses on Picasso''s wellrenowned eponymous painting, the poem asks for a transreferential act of reading: in other The woman in the painting is Picasso''s lover Dora Maar, id: work_3i2x5r65rfbb5amel53owj7zxq author: Şemsettin DAĞLI title: İslam Plastik Sanatlarında Soyutlayıcı Yaklaşımlar ve Batı Sanatı Üzerindeki Yan date: 2018 words: 6017 sentences: 860 pages: 20 flesch: 65 cache: ./cache/work_3i2x5r65rfbb5amel53owj7zxq.pdf txt: ./txt/work_3i2x5r65rfbb5amel53owj7zxq.txt summary: Anahtar Kelimeler: İslam, soyut, sanat, resim, modern. Çalışmada materyal olarak ele aldığımız örnekler İslam sanatçıları tarafından ortaya konulan örneklerinden ve batı resim sanatının modern soyut anlayışta eserler üreten sanatçılarından Escher, İslam sanatları içinde müstesna bir yeri bulunan geleneksel Türk süsleme sanatlarının tarihsel gelişim süreci içerisinde tanımlamasını yaparken İslam sanat anlayışının doğası içinde var olan soyut problem olarak baktığımız olay plastik anlamda sanat dediğimiz eylemi gerçekleştiren sanatçı bir sanat ve ahlâk gibi fenomenler insanın şuuraltında bir bütün olarak yaşanmaktadır (Coşkun, 2014, İslam sanatçısı eserlerini oluştururken, yaratıcı ile bir yarış halindeymiş gibi algılanmaktan Mevleviler resim sanatı için iyi bir ilham kaynağıdır. Önceleri bir tür soyut resim olan İslam yazı sanatı hat, arabesk ve minyatür sanatlarının gelişmesini sadece "resim Devam eden bir sanat evriminin 20 yy''da ki görünüşüdür (Kınay 1993: 266.) (Resim 15). bağlamda sanata baktığımızda modern resim sanatında haklı bir şekilde yer bırakanların halı ve yüzyıl Modern Batı Resim sanatının öncülerinden Paul Klee, Doğu kültürü etkisini id: work_qfc4fhuqe5crvpzjzrmkngq4na author: 이종애 title: A Study on the Make-up Works Applying Feature of Cubism date: 2016 words: 1164 sentences: 273 pages: 2 flesch: 101 cache: ./cache/work_qfc4fhuqe5crvpzjzrmkngq4na.pdf txt: ./txt/work_qfc4fhuqe5crvpzjzrmkngq4na.txt summary: 빈번하게 일어나고 있으며, 그중 큐비즘 (cubism)은 현대의 미술 관하여 연구한 바 있으며, 패션 분야의 Lee & Park (2001)은 큐 큐비즘의 특징을 활용한 메이크업 작품 연구 A Study on the Make-up Works Applying Feature of Cubism Jong-Ae Lee1 and Yun-Kyeong Mun2,* 1Graduate School of Convergence Design & Arts, Sungshin Women''s University, Seoul 01133, Korea This study aims to improve make-up artistry by combining elements of Cubism to suggest creative make-up designs. We investigated specialized books, thesis, and online materials about Cubism, and classified its painting features and Picasso and Braque founders of Cubism were selected, and four works from each artist were studied. This study was based on Cubism''s Keywords : Art make-up, Braque, Cubism, Make-up, Picasso 다. 이처럼 메이크업 분야에서 큐비즘에 대한 연구 중 피카소에 용하여 분석적 큐비즘과 종합적 큐비즘의 특징에 따른 작품 8 큐비즘은 원근법적 시각으로 보이는 대상의 모습이 아니라, 여 며, 아직 흑인 미술의 영향을 받았던 때이다. ==== make-pages.sh questions ==== make-pages.sh search ==== make-pages.sh topic modeling corpus Zipping study carrel