This is a table of type quadgram and their frequencies. Use it to search & browse the list to learn more about your study carrel.
quadgram | frequency |
---|---|
the colour of the | 39 |
if i may so | 24 |
the surface of the | 23 |
by the help of | 21 |
for the most part | 20 |
the beams of light | 20 |
chart of pure spectrum | 19 |
of pure spectrum scales | 19 |
by the action of | 18 |
as well as the | 18 |
on the other hand | 17 |
in reference to the | 16 |
to be met with | 16 |
in the case of | 16 |
of whiteness and blackness | 16 |
i may so call | 16 |
in the form of | 16 |
on the other side | 15 |
of the nature of | 15 |
both in water and | 14 |
at the same time | 14 |
is one of the | 14 |
a sheet of white | 14 |
in water and oil | 14 |
chart of broken spectrum | 13 |
a few drops of | 13 |
in the use of | 13 |
sheet of white paper | 13 |
one of the most | 13 |
the rest of the | 13 |
the colours of the | 13 |
the flame of a | 13 |
that part of the | 12 |
white and black disks | 12 |
system of color instruction | 12 |
upon a piece of | 12 |
the nature of the | 12 |
the action of the | 12 |
the use of the | 11 |
flame of a candle | 11 |
by reason of the | 11 |
by the use of | 11 |
be found in the | 11 |
the disposition of the | 11 |
of broken spectrum scales | 11 |
from time to time | 11 |
the form of a | 11 |
the corpuscles of the | 10 |
i have met with | 10 |
to satisfie my self | 10 |
may so call it | 10 |
are wont to be | 10 |
by the combination of | 10 |
by the addition of | 10 |
to take notice of | 10 |
of blue and yellow | 10 |
in the spectrum circuit | 10 |
of oyl of vitriol | 10 |
by the affusion of | 10 |
the chart of pure | 9 |
to be of a | 9 |
the whole of the | 9 |
is said to be | 9 |
the addition of a | 9 |
it is of a | 9 |
the texture of the | 9 |
under the name of | 9 |
complementary to each other | 9 |
a small quantity of | 9 |
may be made to | 9 |
a piece of white | 9 |
the effect of the | 9 |
tincture of lignum nephriticum | 9 |
the nature of colours | 9 |
to be found in | 9 |
of the color wheel | 9 |
piece of white paper | 9 |
be said to be | 9 |
to the action of | 8 |
the incident beams of | 8 |
it will not be | 8 |
the light of the | 8 |
the change of colours | 8 |
the same relation to | 8 |
a mixture of the | 8 |
the affusion of a | 8 |
on the color wheel | 8 |
with the addition of | 8 |
may be said to | 8 |
that there is a | 8 |
as a means of | 8 |
i have been mentioning | 8 |
spirit of sal armoniack | 8 |
of black and white | 8 |
the direction of the | 8 |
more or less of | 8 |
of what i have | 8 |
from the mixture of | 8 |
incident beams of light | 8 |
the body of the | 8 |
of the colour of | 8 |
to be the case | 8 |
to the naked eye | 8 |
the mixture of the | 8 |
the action of light | 8 |
of spirit of salt | 8 |
be met with in | 8 |
the particles of the | 8 |
it is to be | 8 |
a multitude of little | 8 |
which seems to be | 8 |
the six standard colors | 8 |
the superficial parts of | 8 |
upon the account of | 8 |
of the same colour | 8 |
alter the colour of | 8 |
in a darkned room | 8 |
by reason of its | 8 |
the operation of the | 7 |
may be produced by | 7 |
to that of the | 7 |
of syrrup of violets | 7 |
of the present work | 7 |
it will be seen | 7 |
by means of the | 7 |
of white and black | 7 |
it is impossible to | 7 |
in the animal kingdom | 7 |
the result will be | 7 |
as far as i | 7 |
as well as in | 7 |
as we have said | 7 |
a means of art | 7 |
in the proportions of | 7 |
the greater part of | 7 |
nature of whiteness and | 7 |
that you may not | 7 |
the science of color | 7 |
is wont to be | 7 |
the struggle for existence | 7 |
as soon as the | 7 |
in the course of | 7 |
i have several times | 7 |
reference to the light | 7 |
of the superficial parts | 7 |
for the same reason | 7 |
it will be found | 7 |
disposition of the superficial | 7 |
for the sake of | 7 |
a great part of | 7 |
that it is a | 7 |
in the interior of | 7 |
with white and black | 7 |
the position of the | 7 |
the help of a | 7 |
have a tendency to | 7 |
in some of the | 7 |
the shape of the | 7 |
in the direction of | 7 |
in the works of | 7 |
and therefore i shall | 7 |
a convenient proportion of | 7 |
in a great measure | 7 |
to light and air | 7 |
in the manner of | 7 |
on which it is | 7 |
i may so speak | 7 |
the chart of broken | 7 |
the colour of a | 7 |
in the solar spectrum | 7 |
it is a very | 7 |
in the first place | 7 |
may so call them | 6 |
the greatest part of | 6 |
the purity of the | 6 |
quantity of fair water | 6 |
it is necessary to | 6 |
a little spirit of | 6 |
in comparison of the | 6 |
in which it is | 6 |
under the influence of | 6 |
the cause of the | 6 |
will be seen that | 6 |
or in other words | 6 |
the complementary of the | 6 |
and in this way | 6 |
it may not be | 6 |
of the oyl of | 6 |
of some of the | 6 |
the result of the | 6 |
is a mixture of | 6 |
the parts of the | 6 |
the beams of the | 6 |
and some of the | 6 |
the adventitious colours of | 6 |
the color wheel or | 6 |
the most part of | 6 |
and as it were | 6 |
of the tincture of | 6 |
of the corpuscles of | 6 |
always more or less | 6 |
and on this occasion | 6 |
change the colour of | 6 |
one part of the | 6 |
of prussian blue and | 6 |
is the case with | 6 |
by the light of | 6 |
be more or less | 6 |
have met with in | 6 |
held against the light | 6 |
on the part of | 6 |
of which may be | 6 |
upon a sheet of | 6 |
the top of the | 6 |
the colors in the | 6 |
the theory of color | 6 |
the white and black | 6 |
with oyl of vitriol | 6 |
one of the best | 6 |
may be seen by | 6 |
pure spectrum scales in | 6 |
a convenient quantity of | 6 |
are said to be | 6 |
the part of the | 6 |
to be regarded as | 6 |
of the parts of | 6 |
the oyl of tartar | 6 |
a strong solution of | 6 |
it is evident that | 6 |
is a species of | 6 |
the base of the | 6 |
the history of colours | 6 |
of oyl of tartar | 6 |
colour of a body | 6 |
the tincture of lignum | 6 |
taken notice of in | 6 |
has a tendency to | 6 |
of the surface of | 6 |
i know not how | 6 |
obverted to the eye | 6 |
the first of the | 6 |
of any other colour | 6 |
scales in five tones | 6 |
is insoluble in water | 6 |
the nature of light | 6 |
the result is a | 6 |
the attention of the | 6 |
the end of the | 6 |
parts of the same | 6 |
the nature of whiteness | 6 |
know not how many | 6 |
the light that falls | 6 |
beams of the sun | 6 |
by the operation of | 6 |
a good part of | 6 |
may be found in | 6 |
of spirit of urine | 5 |
that the colour of | 5 |
the bradley colored papers | 5 |
as shown in fig | 5 |
are wont to do | 5 |
be used in the | 5 |
that it is not | 5 |
of the adventitious colours | 5 |
action of strong light | 5 |
the tincture of red | 5 |
the nearest approach to | 5 |
of any of the | 5 |
an infinite variety of | 5 |
it must be remembered | 5 |
on exposure to light | 5 |
exposure to light and | 5 |
colors in the spectrum | 5 |
the light of a | 5 |
to acquaint you with | 5 |
those of the rain | 5 |
is produced by the | 5 |
have been able to | 5 |
i know not whether | 5 |
a great deal of | 5 |
at a convenient distance | 5 |
it is curious that | 5 |
it may be said | 5 |
is not to be | 5 |
to the production of | 5 |
this is not the | 5 |
with the color wheel | 5 |
occasion to take notice | 5 |
colour of the sky | 5 |
in a short time | 5 |
the light reflected from | 5 |
content my self to | 5 |
both white and black | 5 |
yellow prussiate of potash | 5 |
is the result of | 5 |
of the argus pheasant | 5 |
from the rest of | 5 |
introduced as a pigment | 5 |
greater part of the | 5 |
far removed from the | 5 |
wheel or color top | 5 |
be made up of | 5 |
the following are the | 5 |
at the points lettered | 5 |
my self to have | 5 |
it is admirably adapted | 5 |
the proportion of the | 5 |
of the same color | 5 |
the subject of color | 5 |
tints and shades of | 5 |
in the day time | 5 |
color wheel or color | 5 |
made up of a | 5 |
the variety of colours | 5 |
in the chart of | 5 |
the action of strong | 5 |
parts of the object | 5 |
by the intervention of | 5 |
of the old masters | 5 |
of the dutch school | 5 |
there must be a | 5 |
as well as by | 5 |
black and white disks | 5 |
i found that the | 5 |
light of the sun | 5 |
of a color is | 5 |
looking at a picture | 5 |
that is to say | 5 |
put you in mind | 5 |
of them may be | 5 |
can be found in | 5 |
it may be employed | 5 |
spectrum scales in five | 5 |
to the nature of | 5 |
upon the disposition of | 5 |
the lower part of | 5 |
the tone of the | 5 |
the red and orange | 5 |
in the hands of | 5 |
of color in the | 5 |
the study of color | 5 |
two or three drops | 5 |
we are wont to | 5 |
one or other of | 5 |
chart of spectrum scales | 5 |
it is apt to | 5 |
the combination of the | 5 |
are wont to call | 5 |
that is wont to | 5 |
it would seem that | 5 |
met with in the | 5 |
and on the other | 5 |
a pretty quantity of | 5 |
to the use of | 5 |
to a solution of | 5 |
which it may be | 5 |
may be seen in | 5 |
the colouring matter of | 5 |
the discovery of the | 5 |
we see in the | 5 |
light that falls on | 5 |
scales in three tones | 5 |
in the study of | 5 |
of the lucid body | 5 |
the effect of a | 5 |
of yellow and red | 5 |
colouring as a means | 5 |
as we see in | 5 |
the eyes of the | 5 |
that there is no | 5 |
position of the eye | 5 |
in water or oil | 5 |
the heat of the | 5 |
with that of the | 5 |
the inside of the | 5 |
in looking at a | 5 |
you shall find the | 5 |
the tints and shades | 5 |
in spirit of vinegar | 5 |
brings into my mind | 5 |
for the production of | 5 |
is a compound of | 5 |
the surface of a | 5 |
the general aspect of | 5 |
be made to appear | 5 |
to which i shall | 5 |
upon the score of | 5 |
not be amiss to | 5 |
changes at the points | 5 |
on the one hand | 5 |
to the study of | 5 |
the upper part of | 5 |
is found in the | 5 |
it is not necessary | 5 |
will be found to | 5 |
can be produced in | 5 |
of the same tone | 5 |
a liquor may alter | 4 |
of the texture of | 4 |
and to satisfie my | 4 |
the principles on which | 4 |
of three tones each | 4 |
in a dark room | 4 |
the minute parts of | 4 |
the colouration of insects | 4 |
all the spectrum colors | 4 |
is the object of | 4 |
it is probable that | 4 |
old theories tested by | 4 |
the cause of this | 4 |
in black and white | 4 |
in which case it | 4 |
what i formerly noted | 4 |
with a solution of | 4 |
the help of the | 4 |
of the colors in | 4 |
in tint with white | 4 |
prussiate of potash to | 4 |
of the infusion of | 4 |
take a piece of | 4 |
is added to a | 4 |
the entire range of | 4 |
especially if it be | 4 |
use of colored papers | 4 |
that the action of | 4 |
corpuscles that make up | 4 |
be observed that the | 4 |
disks of the color | 4 |
may be made of | 4 |
study of broken colors | 4 |
of an acid nature | 4 |
of the qualities of | 4 |
of colours may be | 4 |
of the cause of | 4 |
according to the mode | 4 |
of orange and green | 4 |
the truth of the | 4 |
the margin of the | 4 |
all the properties of | 4 |
one side of the | 4 |
the best possible pigmentary | 4 |
of the chart of | 4 |
the cause of blackness | 4 |
seems to be the | 4 |
adventitious colours of metals | 4 |
of the science of | 4 |
but it is a | 4 |
and change of colours | 4 |
image of the sun | 4 |
have a mind to | 4 |
of two or more | 4 |
in the preceding pages | 4 |
archeus or predominating colour | 4 |
that there may be | 4 |
lower part of the | 4 |
the organ of sight | 4 |
the back of the | 4 |
with black and white | 4 |
of the several colors | 4 |
the interior of the | 4 |
the whiteness of froth | 4 |
a small portion of | 4 |
and in front of | 4 |
titian and the venetian | 4 |
a due proportion of | 4 |
little spirit of salt | 4 |
light reflected from the | 4 |
of each of the | 4 |
another principle of turner | 4 |
the object of the | 4 |
in the same way | 4 |
pure color mixed with | 4 |
their tints and shades | 4 |
the solution of minium | 4 |
into the nature of | 4 |
the strength of the | 4 |
a system of color | 4 |
been introduced as a | 4 |
rays of the sun | 4 |
as in the case | 4 |
himself to have seen | 4 |
drops of oyl of | 4 |
in the struggle for | 4 |
as we have seen | 4 |
the colours of bodies | 4 |
to be made by | 4 |
change of texture in | 4 |
it will be necessary | 4 |
a broken color is | 4 |
by the opposition of | 4 |
end of the spectrum | 4 |
the system of colouration | 4 |
by wet and dry | 4 |
i thought it not | 4 |
it would be difficult | 4 |
greatest part of the | 4 |
but to return to | 4 |
pure and broken colors | 4 |
the leaves of senna | 4 |
works well both in | 4 |
call attention to the | 4 |
either alone or compounded | 4 |
in the body of | 4 |
that yellow and blue | 4 |
is not intended to | 4 |
into a multitude of | 4 |
in this way the | 4 |
it is a bad | 4 |
in place of the | 4 |
as a substitute for | 4 |
in the investigation of | 4 |
into a kind of | 4 |
the bottom of the | 4 |
within the compass of | 4 |
a nomenclature of colors | 4 |
in proportion to the | 4 |
we were able to | 4 |
in the preparation of | 4 |
and for the most | 4 |
with the exception of | 4 |
the carmine of cochineal | 4 |
be referred to the | 4 |
the color wheel and | 4 |
one of the first | 4 |
it has been said | 4 |
by reason of their | 4 |
the colouring matter is | 4 |
be found of service | 4 |
a small amount of | 4 |
of light and shadow | 4 |
with the spirit of | 4 |
is the complementary of | 4 |
of the solution of | 4 |
know it to be | 4 |
than that of the | 4 |
the use of colored | 4 |
it is said to | 4 |
and this is the | 4 |
i thought fit to | 4 |
different parts of the | 4 |
the order of the | 4 |
the chart of spectrum | 4 |
entire range of the | 4 |
the posture of the | 4 |
not now stay to | 4 |
the brightness of the | 4 |
the same kind of | 4 |
but if it be | 4 |
a chart of broken | 4 |
may alter the colour | 4 |
black and white are | 4 |
are to be made | 4 |
and this is what | 4 |
the case of the | 4 |
well both in water | 4 |
and as for the | 4 |
i have divers times | 4 |
mixture of the two | 4 |
that white bodies reflect | 4 |
to our present purpose | 4 |
for a long time | 4 |
at the end of | 4 |
by the mixture of | 4 |
to a great extent | 4 |
on the surface of | 4 |
disks on the color | 4 |
in the production of | 4 |
to reflect the light | 4 |
permanent pigment added to | 4 |
parts of a body | 4 |
have occasion to take | 4 |
the solution of sublimate | 4 |
of the present day | 4 |
the changes of colours | 4 |
the oyl of vitriol | 4 |
the spirit of urine | 4 |
according to the chymists | 4 |
upper part of the | 4 |
same relation to the | 4 |
pigment added to a | 4 |
may in some cases | 4 |
is the seat of | 4 |
given us by the | 4 |
if you take a | 4 |
in front of the | 4 |
by means of a | 4 |
tints and shades may | 4 |
paper cutting and pasting | 4 |
the minds of the | 4 |
the account of the | 4 |
by some other way | 4 |
on account of the | 4 |
the hue of the | 4 |
the side of the | 4 |
the colour may be | 4 |
not only by the | 4 |
as well as to | 4 |
to make use of | 4 |
it would be well | 4 |
for the benefit of | 4 |
of a golden colour | 4 |
may or may not | 4 |
of the body that | 4 |
be produced by the | 4 |
part of the same | 4 |
the green to the | 4 |
the coalition of the | 4 |
such a variety of | 4 |
the twenty fifth experiment | 4 |
shall have occasion to | 4 |
and the venetian school | 4 |
of light and colour | 4 |
as may be seen | 4 |
after a certain manner | 4 |
to mention to you | 4 |
the centre of the | 4 |
nearest in relation to | 4 |
we know it to | 4 |
a permanent pigment added | 4 |
as far as possible | 4 |
the change of colour | 4 |
in the mixture of | 4 |
of the superficial particles | 4 |
be out of place | 4 |
there is little doubt | 4 |
to the consideration of | 4 |
or three drops of | 4 |
addition of a little | 4 |
the yellow and blue | 4 |
be one of the | 4 |
to the tribe of | 4 |
scales of three tones | 4 |
variety of colours in | 4 |
of spirit of vinegar | 4 |
than any other colour | 4 |
seems to be a | 4 |
of the incident beams | 4 |
that the beams of | 4 |
up and down in | 4 |
of cutting and pasting | 4 |
experimental history of colours | 4 |
the rays of the | 4 |
of the same piece | 4 |
to be seen in | 4 |
the body that is | 4 |
is covered with a | 4 |
and it may be | 4 |
it to be a | 4 |
the small parts of | 4 |
turning now to the | 4 |
of salt of tartar | 4 |
in nature and art | 4 |
the red and the | 4 |
it is true that | 4 |
the yellow and the | 4 |
fall a few drops | 4 |
the third and last | 4 |
part of what i | 4 |
exposed to the action | 4 |
in relation to light | 4 |
and the use of | 4 |
and a black disk | 4 |
the origin of species | 4 |
the use of color | 4 |
part of the picture | 4 |
for a good while | 4 |
adjacent in the spectrum | 4 |
and i remember that | 4 |
as is the case | 4 |
it must not be | 4 |
reflected to the eye | 4 |
upon the affusion of | 4 |
to the colour of | 4 |
made in fair water | 4 |
and those that are | 4 |
be seen that the | 4 |
as well as i | 4 |
the same piece of | 4 |
with regard to the | 4 |
another principle of titian | 4 |
it is not so | 4 |
acid and sulphureous salts | 4 |
i remember that i | 4 |
take notice of the | 4 |
to the end of | 4 |
in front of them | 4 |
may be used in | 4 |
is not necessary that | 4 |
it seems to be | 4 |
in the consideration of | 4 |
lowest forms of life | 4 |
the score of the | 4 |
but this is not | 4 |
a substitute for the | 4 |
with spirit of wine | 4 |
is a sort of | 4 |
of the six standards | 4 |
that part of it | 4 |
have taken notice of | 4 |
react on each other | 4 |
you may not think | 4 |
to be able to | 4 |
by the whiteness of | 4 |
that there must be | 4 |
by this way of | 4 |
one of the chief | 4 |
i have not now | 4 |
the six standards and | 4 |
as we elsewhere declare | 4 |
there seems to be | 4 |
to shew that the | 4 |
a little oyl of | 4 |
like that of a | 4 |
the production of colours | 4 |
for the use of | 4 |
are not so much | 4 |
of the materials employed | 4 |
appear to the eye | 4 |
it is composed of | 4 |
as those of the | 4 |
the whiteness of the | 4 |
must not now stay | 4 |
is darker than the | 4 |
with spirit of urine | 4 |
it must be admitted | 4 |
other parts of the | 4 |
color wheel or top | 4 |
liquor may alter the | 4 |
so far as we | 4 |
of the theory of | 4 |
of the colours of | 4 |
the bradley system of | 4 |
in the midst of | 4 |
bradley system of color | 4 |
the study of broken | 4 |
on a piece of | 4 |
by the interposition of | 4 |
that make up the | 4 |
or by some other | 4 |
of the tertiary colours | 4 |
that if it were | 4 |
as a product of | 3 |
color in the kindergarten | 3 |
the theory of the | 3 |
about the nature of | 3 |
in that part of | 3 |
be of the same | 3 |
which it is employed | 3 |
in the brewster theory | 3 |
all of which are | 3 |
we might expect to | 3 |
the sense of need | 3 |
colours of the objects | 3 |
mixture of blue and | 3 |
this is what we | 3 |
not being able to | 3 |
thought fit to make | 3 |
innermost parts of the | 3 |
prussian blue and gamboge | 3 |
to the light and | 3 |
with the rest of | 3 |
in the minds of | 3 |
as in the pure | 3 |
not necessary that we | 3 |
of colour have been | 3 |
but as soon as | 3 |
it is well to | 3 |
in the representation of | 3 |
low degree of illumination | 3 |
by the fact that | 3 |
and that of the | 3 |
when the children have | 3 |
effect is produced by | 3 |
and though it be | 3 |
which case it is | 3 |
distribution of the colour | 3 |
the green and purple | 3 |
the order in which | 3 |
if they were of | 3 |
as they call it | 3 |
we have been mentioning | 3 |
the three primary colours | 3 |
of a multitude of | 3 |
by the beams of | 3 |
in which they are | 3 |
of good oyl of | 3 |
of a small quantity | 3 |
may elsewhere have occasion | 3 |
the superficial particles of | 3 |
in a work of | 3 |
it is better to | 3 |
it may be well | 3 |
would be out of | 3 |
i remember i have | 3 |
the reader must be | 3 |
been given to the | 3 |
of the effects of | 3 |
closely related to the | 3 |
the development of the | 3 |
no colour at all | 3 |
in a convenient posture | 3 |
as is requisite to | 3 |
much of kin to | 3 |
at the present day | 3 |
are complementary to the | 3 |
depend upon the disposition | 3 |
with each other and | 3 |
mixture of black and | 3 |
stems and branches of | 3 |
several parts of the | 3 |
though it be not | 3 |
the balance of colouring | 3 |
exposed to the light | 3 |
be devoted to the | 3 |
and to shew you | 3 |
of bodies to their | 3 |
out of the question | 3 |
the various classes of | 3 |
it ought to be | 3 |
by a fading of | 3 |
seen through it are | 3 |
being a compound of | 3 |
to such an extent | 3 |
soluble in water and | 3 |
will appear of a | 3 |
are reflected to the | 3 |
body that is said | 3 |
in spite of its | 3 |
that is said to | 3 |
upon the particular texture | 3 |
of a bluish green | 3 |
that not only the | 3 |
part of the stone | 3 |
taken notice of by | 3 |
the spadix of the | 3 |
colour of its own | 3 |
the saline particles of | 3 |
capable of being produced | 3 |
to stay at home | 3 |
on the color top | 3 |
may be used with | 3 |
or of any other | 3 |
the innermost parts of | 3 |
into a lovely green | 3 |
is capable of being | 3 |
according to the nature | 3 |
the investigation of the | 3 |
not quite so well | 3 |
but i will rather | 3 |
on a white wall | 3 |
it may be added | 3 |
a tint of a | 3 |
some solutions hereafter to | 3 |
is the same in | 3 |
with the colour of | 3 |
of the body is | 3 |
of tints and shades | 3 |
to a greater or | 3 |
of the liquor that | 3 |
cool and green grays | 3 |
a chart of pure | 3 |
pattern changes at the | 3 |
of the burnt sienna | 3 |
with oyl of tartar | 3 |
in mind that the | 3 |
to repeat what i | 3 |
the colour of another | 3 |
as i told you | 3 |
nearly the whole of | 3 |
may change the colour | 3 |
the corpuscles that make | 3 |
each of which is | 3 |
and the next day | 3 |
action of the fire | 3 |
in relation to black | 3 |
and some of them | 3 |
general aspect of the | 3 |
elsewhere have occasion to | 3 |
with a few drops | 3 |
the explication of whiteness | 3 |
several degrees of fire | 3 |
of being able to | 3 |
will be found useful | 3 |
that falls on them | 3 |
brightness of the sky | 3 |
damp and impure air | 3 |
of soda in excess | 3 |
in which are combined | 3 |
the motion of the | 3 |
light or impure air | 3 |
may seem somewhat strange | 3 |
according to the differing | 3 |
the appearance of the | 3 |
compounded with light red | 3 |
of the secondary colours | 3 |
the solutions of mercury | 3 |
of the six colors | 3 |
color disks are the | 3 |
heat of the sun | 3 |
a thin wash of | 3 |
that i have often | 3 |
principles on which the | 3 |
produced by the combination | 3 |
the theory of descent | 3 |
that a solution of | 3 |
is a kind of | 3 |
the other part of | 3 |
the result is not | 3 |
of blew and yellow | 3 |
shall not scruple to | 3 |
a fading of the | 3 |
like that of the | 3 |
are often the seat | 3 |
concerning the changes of | 3 |
is a question whether | 3 |
the proportions of the | 3 |
the truth of this | 3 |
not now to be | 3 |
bearing in mind the | 3 |
the reason why the | 3 |
best possible pigmentary imitation | 3 |
has spread over the | 3 |
a tendency to darken | 3 |
associating themselves with the | 3 |
the medium through which | 3 |
and it is to | 3 |
of this class of | 3 |
feather of argus pheasant | 3 |
is applied to the | 3 |
seems to proceed from | 3 |
the middle of the | 3 |
of the six standard | 3 |
in the process of | 3 |
this be the case | 3 |
chymists are wont to | 3 |
six standards and two | 3 |
in the solution of | 3 |
if this be the | 3 |
are more or less | 3 |
change of colours may | 3 |
of the head and | 3 |
that are wont to | 3 |
between each two standards | 3 |
it is not our | 3 |
often the seat of | 3 |
blueness of the sky | 3 |
it has a tendency | 3 |
the opacity of the | 3 |
the infusion of logg | 3 |
puts me in mind | 3 |
they must not be | 3 |
of a neutral colour | 3 |
white in shade or | 3 |
of the animal kingdom | 3 |
the power of discriminating | 3 |
and which may be | 3 |
is a pure color | 3 |
as to the colour | 3 |
to show that the | 3 |
or burnt roman ochre | 3 |
clear in its pale | 3 |
the particular texture of | 3 |
the eye of the | 3 |
that i know of | 3 |
on the one side | 3 |
in the twinkling of | 3 |
there are no good | 3 |
as it inclines to | 3 |
of the character of | 3 |
that are to be | 3 |
of the optick nerve | 3 |
for i say not | 3 |
and for the same | 3 |
may be employed in | 3 |
and that which is | 3 |
attempt is made to | 3 |
the colors of the | 3 |
well as in the | 3 |
appear of a deep | 3 |
either warm or cool | 3 |
the change of texture | 3 |
of the spectrum colors | 3 |
as it is a | 3 |
a spoonfull of the | 3 |
twelve scales of three | 3 |
solutions hereafter to be | 3 |
it is unnecessary to | 3 |
a variety of tints | 3 |
will be of a | 3 |
twinkling of an eye | 3 |
the red end of | 3 |
to the discovery of | 3 |
with a grey cast | 3 |
i must advertise you | 3 |
by the means of | 3 |
times its weight of | 3 |
by some of the | 3 |
liable to suffer from | 3 |
turn syrrup of violets | 3 |
dries well in oil | 3 |
to the family of | 3 |
a much darker colour | 3 |
the several parts of | 3 |
three drops of spirit | 3 |
in hue than the | 3 |
the amateur and the | 3 |
of surface or intensity | 3 |
few drops of the | 3 |
the production of the | 3 |
red end of the | 3 |
the situation of the | 3 |
a yellow tinged with | 3 |
more permanent than the | 3 |
adding yellow prussiate of | 3 |
which i shall only | 3 |
in most cases the | 3 |
which may be made | 3 |
of the standard red | 3 |
is reduced to a | 3 |
under the names of | 3 |
of the pigment cells | 3 |
and the degree of | 3 |
which the colours of | 3 |
of kin to the | 3 |
of cuyp and both | 3 |
of flowers and leaves | 3 |
the spectrum circuit are | 3 |
in connection with the | 3 |
and if it be | 3 |
has been said that | 3 |
is an oxide of | 3 |
abstract principles to which | 3 |
we find the first | 3 |
a picture may be | 3 |
convenient proportion of the | 3 |
pure or full color | 3 |
texture of the body | 3 |
chart of broken scales | 3 |
or harmonic arrangement of | 3 |
and branches of trees | 3 |
is the more considerable | 3 |
in a subdued degree | 3 |
chart of pure scales | 3 |
a peculiar kind of | 3 |
arrangements may be referred | 3 |
in the manufacture of | 3 |
in mother of pearl | 3 |
till i have opportunity | 3 |
a part of the | 3 |
than they did before | 3 |
it may seem somewhat | 3 |
orange hue of red | 3 |
is little doubt that | 3 |
that the beams that | 3 |
requisite to make the | 3 |
the production of a | 3 |
can be made to | 3 |
any of the other | 3 |
and if instead of | 3 |
the struggle for life | 3 |
of ruysdael and hobbima | 3 |
can be produced by | 3 |
notice of in the | 3 |
that may be made | 3 |
of sulphate of copper | 3 |
that the colours of | 3 |
the dependence of colour | 3 |
the same may be | 3 |
be said to have | 3 |
by the combinations of | 3 |
of the most vivid | 3 |
views here set forth | 3 |
higher walks of art | 3 |
is the first of | 3 |
in the open air | 3 |
of a deep red | 3 |
in proportion to its | 3 |
a great variety of | 3 |
a more or less | 3 |
bottome of the glass | 3 |
in the higher walks | 3 |
if i mistake not | 3 |
should be taken to | 3 |
nearly complementary to each | 3 |
i cannot but think | 3 |
of potash to a | 3 |
care should be taken | 3 |
at the head of | 3 |
and black disks of | 3 |
you take a piece | 3 |
of the objects seen | 3 |
by the color wheel | 3 |
of the atmosphere is | 3 |
we have been able | 3 |
it is the object | 3 |
any part of the | 3 |
appear to have been | 3 |
aspect of the picture | 3 |
small amount of white | 3 |
are always more or | 3 |
with which it may | 3 |
infinite variety of tints | 3 |
of which is the | 3 |
in shade or shadow | 3 |
and the order of | 3 |
hereafter have occasion to | 3 |
in an impure state | 3 |
collected on a filter | 3 |
of the properties of | 3 |
the bases of the | 3 |
part of the liquor | 3 |
use of the disks | 3 |
of a specular nature | 3 |
of a strong and | 3 |
operation of the fire | 3 |
as to form a | 3 |
a sufficient quantity of | 3 |
far as i have | 3 |
are of the same | 3 |
or a shade of | 3 |
have taken pleasure to | 3 |
i must not omit | 3 |
not only of the | 3 |
we may take notice | 3 |
without the intervention of | 3 |
of which it is | 3 |
to be referred to | 3 |
not only in the | 3 |
which is the complementary | 3 |
the same tone of | 3 |
the great law of | 3 |
we find the same | 3 |
that i have several | 3 |
the head of the | 3 |
would be difficult to | 3 |
as explained on page | 3 |
the grounds on which | 3 |
tint of a color | 3 |
the tincture of the | 3 |
that they have been | 3 |
the twinkling of an | 3 |
thought fit to try | 3 |
as if there were | 3 |
as i have been | 3 |
rebound to the eye | 3 |
of the same tint | 3 |
third and last of | 3 |
colour will not be | 3 |
a mixed solution of | 3 |
may be made the | 3 |
light and the eye | 3 |
most important of all | 3 |
greater or less extent | 3 |
to form white light | 3 |
in this class of | 3 |
pieces from chart of | 3 |
of this way of | 3 |
slightly soluble in water | 3 |
quantity of spirit of | 3 |
upon the juices of | 3 |
amateur and the student | 3 |
either of the ingredients | 3 |
of the juices of | 3 |
a white or whitish | 3 |
the oxidation of the | 3 |
in the tincture of | 3 |
in the pure scales | 3 |
as i formerly noted | 3 |
the lowest forms of | 3 |
few drops of oyl | 3 |
of the use of | 3 |
use of the color | 3 |
the pattern changes at | 3 |
almost like that of | 3 |
i see not why | 3 |
to be identical with | 3 |
parts of the objects | 3 |
the influence of light | 3 |
in its pale washes | 3 |
darker than the other | 3 |
as to make the | 3 |
it should be observed | 3 |
it is hard to | 3 |
distinguish colours by the | 3 |
the relative proportions of | 3 |
in the elementary grades | 3 |
surface of the earth | 3 |
by the degrees of | 3 |
from chart of pure | 3 |
blue and yellow light | 3 |
there can be no | 3 |
you will meet with | 3 |
the properties of the | 3 |
the size of the | 3 |
interposition of the atmosphere | 3 |
of the following experiments | 3 |
that upon the by | 3 |
disk of the same | 3 |
be made of the | 3 |
the fact that in | 3 |
differing forms of asperity | 3 |
on which to base | 3 |
bearing the same relation | 3 |
we have divers times | 3 |
may be of value | 3 |
all the colors in | 3 |
in the colour of | 3 |
seems to be but | 3 |
on account of its | 3 |
by the union of | 3 |
it is clear that | 3 |
the decoration of the | 3 |
this is not a | 3 |
and i know not | 3 |
the classification of colors | 3 |
have been found to | 3 |
effect of the atmosphere | 3 |
it is claimed that | 3 |
are the result of | 3 |
is to be regarded | 3 |
be seen in the | 3 |
color mixed with white | 3 |
for a few seconds | 3 |
to be a little | 3 |
without the assistance of | 3 |
clear and colourless as | 3 |
in different parts of | 3 |
seem to be of | 3 |
work of cutting and | 3 |
from the coalition of | 3 |
to the quantity and | 3 |
to which we have | 3 |
the influence of the | 3 |
is marked by a | 3 |
with which it is | 3 |
of the fortieth experiment | 3 |
in accordance with the | 3 |
with a black disk | 3 |
up the beams of | 3 |
instead of oyl of | 3 |
the great dorsal vessel | 3 |
and as i remember | 3 |
tint with white lead | 3 |
is not so easily | 3 |
in the flame of | 3 |
which is indispensable in | 3 |
it is a fact | 3 |
there may be a | 3 |
that the power of | 3 |
i could plainly see | 3 |
the interposition of the | 3 |
the account of their | 3 |
as much as possible | 3 |
great part of the | 3 |
the solar spectrum and | 3 |
by the name of | 3 |
wont to pass for | 3 |
far as we have | 3 |
in such a manner | 3 |
here i must not | 3 |
to insist on the | 3 |
out of spirit of | 3 |
to the fact that | 3 |
that there are so | 3 |
in a trice make | 3 |
said to have a | 3 |
it is not impossible | 3 |
the beginning of a | 3 |
the mode of manufacture | 3 |
to be one of | 3 |
a smaller quantity of | 3 |
a blew and yellow | 3 |
the blackness of negroes | 3 |
prussian blue and black | 3 |
is due to the | 3 |
a work of art | 3 |
the edges of the | 3 |
i say not all | 3 |
if a piece of | 3 |
by their wave lengths | 3 |
the colour is very | 3 |
spectrum scales in three | 3 |
to the class of | 3 |
and will be found | 3 |
the local colours of | 3 |
effect in the eye | 3 |
the three hypostatical principles | 3 |
have been speaking of | 3 |
it is owing to | 3 |
the work of cutting | 3 |
is a sign of | 3 |
parts of the body | 3 |
the margins of the | 3 |
each of the other | 3 |
in the theory of | 3 |
i shall only add | 3 |
as the nature of | 3 |
beams that fall on | 3 |
in a strong light | 3 |
orange chromate of lead | 3 |
is based on the | 3 |
so far removed from | 3 |
and shades may be | 3 |
as well as for | 3 |
as a local colour | 3 |
the study of tones | 3 |
the region of the | 3 |
is well shown in | 3 |
these experiments may be | 3 |
in the making of | 3 |
solution of salt of | 3 |
of those two colours | 3 |
a piece of black | 3 |
by sir joshua reynolds | 3 |
to the top of | 3 |
of the other colour | 3 |
result will be a | 3 |
history of whiteness and | 3 |
as applied to the | 3 |
in imitation of the | 3 |
from which it is | 3 |
i hope you will | 3 |
according to the quantity | 3 |
a shade of green | 3 |
made from time to | 3 |
a large quantity of | 3 |
as it is in | 3 |
had the curiosity to | 3 |
the former of these | 3 |
prussian blue saddened by | 3 |
we ought to find | 3 |
in the lowest forms | 3 |
made for the purpose | 3 |
without the help of | 3 |
the origin of the | 3 |
the beginning of the | 3 |
not to mention that | 3 |
and broken colors in | 3 |
action of light and | 3 |
blue and madder red | 3 |
instances of this kind | 3 |
at the expense of | 3 |
possible pigmentary imitation of | 3 |
principles to which these | 3 |
in water and alcohol | 3 |
a white in shadow | 3 |
or from the light | 3 |
it is insoluble in | 3 |
the black and white | 3 |
is very well worth | 3 |
of the physical superficies | 3 |
by a change of | 3 |
darker than the ventral | 3 |
the selection of the | 3 |
a little of the | 3 |
many of the experiments | 3 |
with a strong fire | 3 |
to one of the | 3 |
the same degree of | 3 |
is due to a | 3 |
they are said to | 3 |
and the fact that | 3 |
beneath the surface of | 3 |
near of kin to | 3 |
the bare affusion of | 3 |
hereafter to be mentioned | 3 |
as we shall see | 3 |
like those of the | 3 |
and last of the | 3 |
that i cannot but | 3 |
in the synthesis of | 3 |
location in the spectrum | 3 |
is to be found | 3 |
of the three primary | 3 |
the face of the | 3 |
colour of the liquor | 3 |
is made by the | 3 |
but differs from it | 3 |
has the objection of | 3 |
the tint of the | 3 |
of the three primaries | 3 |
spirit of salt or | 3 |
of light and shade | 3 |
and i have sometimes | 3 |
which it is the | 3 |
the pores of the | 3 |
must be admitted that | 3 |
the study of the | 3 |
the views here set | 3 |
a good quantity of | 3 |
has been made to | 3 |
each of the six | 3 |
the spirit of wine | 3 |
the beams that fall | 3 |
a piece of red | 3 |
it will be noticed | 3 |
may be shown with | 3 |
may seem to be | 3 |
differs from it in | 3 |
in the body that | 3 |
it is a question | 3 |
in one of the | 3 |
on which they are | 3 |
but here i must | 3 |
the yellowness of the | 3 |
be determined by the | 3 |
make up the beams | 3 |
parts of the spectrum | 3 |
a greater or less | 3 |
the forms of asperity | 3 |
to the inside of | 3 |
the affusion of the | 3 |
that this is not | 3 |
it is a species | 3 |
a solution of sublimate | 3 |
of standard red paper | 3 |
in many of the | 3 |
is a retiring colour | 3 |
to be composed of | 3 |
i doubt not but | 3 |
for there are some | 3 |
a few of the | 3 |
may be considered as | 3 |
for a chart of | 3 |
not far from the | 3 |
of chromate of lead | 3 |
we must not now | 3 |
of either of the | 3 |
objects seen through it | 3 |
i will not undertake | 3 |
to a certain extent | 3 |
is a neutral gray | 3 |
yellow and blue are | 3 |
those parts of the | 3 |
this has not been | 3 |
affusion of fair water | 3 |
high school color wheel | 3 |
not so much as | 3 |
very well worth our | 3 |
investigation of the nature | 3 |
the archeus or predominating | 3 |
of kin to that | 3 |
with the tincture of | 3 |
to the mode of | 3 |
by which they are | 3 |
not to repeat what | 3 |
that the superficial particles | 3 |
way of making it | 3 |
so deep a colour | 3 |
a reference to the | 3 |
of the picture is | 3 |
the colour of that | 3 |
of great depth and | 3 |
that can be produced | 3 |
sides of the glass | 3 |
alone or compounded with | 3 |
seem to be the | 3 |
they were of a | 3 |
part of the iris | 3 |
to the laws of | 3 |
and according to the | 3 |
of the two colors | 3 |
with more or less | 3 |
by which means the | 3 |
in which blue predominates | 3 |
with acid and sulphureous | 3 |
ought not to be | 3 |
to observe to you | 3 |
that if upon a | 3 |
of the light that | 3 |
that the productions of | 3 |
be able to distinguish | 3 |
upon the surface of | 3 |
those who desire to | 3 |
the most important of | 3 |
is said to have | 3 |
the solution of the | 3 |
the light and the | 3 |
or spirit of turpentine | 3 |
its tints with white | 3 |
of animals and plants | 3 |
applied directly to the | 3 |
what has been newly | 3 |
the history of whiteness | 3 |
the experimental history of | 3 |
great importance in the | 3 |
be brought to a | 3 |
golden sulphur of antimony | 3 |
must be remembered that | 3 |
as we have been | 3 |
make use of the | 3 |
good authors inform us | 3 |
of the difficulty of | 3 |
as an artistic pigment | 3 |
the stone it self | 3 |
when exposed to the | 3 |
but there is no | 3 |
they come to be | 3 |
the central vertical column | 3 |
from the lapis lazuli | 3 |
durable both in water | 3 |
for the purpose of | 3 |
colouring matter of the | 3 |
with the particles of | 3 |
as much as i | 3 |
the substance of the | 3 |
with some of the | 3 |
more or less transparent | 3 |
apt to vary in | 3 |
the nature of blackness | 3 |
infusion of our wood | 3 |
if it be good | 3 |
of titian and the | 3 |
oyl or spirit of | 3 |
than those of the | 3 |
a low degree of | 3 |
i have opportunity to | 3 |
both tints and shades | 3 |
there are so many | 3 |
a greater degree of | 3 |
some of the most | 3 |
at the bottom of | 3 |
shine in the dark | 3 |
in the same species | 3 |
well as some other | 3 |
the beauty of the | 3 |
of the following pages | 3 |
of color instruction is | 3 |
beams of light that | 3 |
by which it is | 3 |
the distribution of the | 3 |
the stems and branches | 3 |
well as the most | 3 |
colours by the touch | 3 |
too much of the | 3 |
system of color education | 3 |
agrees very well with | 3 |
to be capable of | 3 |
advanced study of harmonies | 3 |
the objects seen through | 3 |
whether or no the | 3 |
one and the other | 3 |
we may call the | 3 |
corpuscles of the pigment | 3 |
of the tint of | 3 |
found it so difficult | 3 |
either in water or | 3 |
this system of color | 3 |
white bodies reflect the | 3 |
let fall a few | 3 |
shade of the same | 3 |
of the same denomination | 3 |
reason of the difficulty | 3 |
not wont to be | 3 |
can be devoted to | 3 |
parts of the room | 3 |
it would not be | 3 |
the synthesis of black | 3 |
of the illuminating power | 3 |
one and the same | 3 |
to be made of | 3 |
be borne in mind | 3 |
the speculations of the | 3 |
take notice to you | 3 |
i shall not insist | 3 |
disks on the spindle | 3 |
as spirit of wine | 3 |
in front of it | 3 |
so as to form | 3 |
of a much darker | 3 |
colour of another body | 3 |
the lakes of cochineal | 3 |
of those that are | 3 |
of spirit of wine | 3 |
according to the doctrine | 3 |
a contrast of tone | 3 |
he will find that | 3 |
to what has been | 3 |
the secondaries in pairs | 3 |
a color wheel or | 3 |
of a body to | 3 |
differing parts of the | 3 |
it not amiss to | 3 |
the color wheel by | 3 |
i have been speaking | 3 |
the higher walks of | 3 |
the one and the | 3 |
the ground of the | 3 |
the union of the | 3 |
the color of the | 3 |
colours on the palette | 3 |
the hues of the | 2 |
that of the light | 2 |
a great degree of | 2 |
the present day is | 2 |
and more transparent than | 2 |
it is prepared from | 2 |
more perfect and permanent | 2 |
as well as on | 2 |
will be devoted to | 2 |
well illustrated in the | 2 |
the ray of light | 2 |
disk combinations a spectrum | 2 |
will appear on the | 2 |
as there is no | 2 |
and the whole matter | 2 |
to an enormous extent | 2 |
pigmentary imitation of the | 2 |
of the wheel and | 2 |
throughout the colouring of | 2 |
exposure to air and | 2 |
more or less closely | 2 |
now i speak of | 2 |
quantity of another color | 2 |
to the two former | 2 |
and some kind of | 2 |
neutral black and white | 2 |
that if you take | 2 |
sometimes had the curiosity | 2 |
change of colour in | 2 |
forms of asperity in | 2 |
tint of the color | 2 |
has been supposed to | 2 |
the properties of pigments | 2 |
the compound would be | 2 |
from one to another | 2 |
all color perceptions are | 2 |
i have at present | 2 |
concurr to the production | 2 |
of these two colours | 2 |
not think it strange | 2 |
by the rotation of | 2 |
nature and art may | 2 |
on exposure to the | 2 |
the same thing may | 2 |
of the medium is | 2 |
the juices of vegetables | 2 |
anemonies and corals are | 2 |
what is technically termed | 2 |
that the colour was | 2 |
in the style of | 2 |
of a convenient quantity | 2 |
that some of these | 2 |
the complementary of red | 2 |
of a white object | 2 |
one of those colours | 2 |
result from the mixture | 2 |
in the colouring of | 2 |
known to the palette | 2 |
to the royal society | 2 |
has been newly said | 2 |
it is a greenish | 2 |
which may be tried | 2 |
rest of what is | 2 |
range of the spectrum | 2 |
the presence or absence | 2 |
of asperity in the | 2 |
to give the appearance | 2 |
in the same scale | 2 |
very light tints and | 2 |
retina of the eye | 2 |
consulting the lists given | 2 |
it upon a white | 2 |
of bichromate of potash | 2 |
to the purely scientific | 2 |
the color indicated by | 2 |
more and more perfect | 2 |
real and emphatical colours | 2 |
is passed through a | 2 |
at sunset and sunrise | 2 |
the complementaries of the | 2 |
there are also some | 2 |
primary school color wheel | 2 |
betwixt the eye and | 2 |
the blueness of the | 2 |
levana being the winter | 2 |
we mean those in | 2 |
the colouring of the | 2 |
a local and auxiliary | 2 |
six standard scales in | 2 |
a place in the | 2 |
close to the spectator | 2 |
the sun upon a | 2 |
with bichromate of potash | 2 |
the relation of the | 2 |
state of the atmosphere | 2 |
in a system of | 2 |
colours are said to | 2 |
i have taken notice | 2 |
of those tints which | 2 |
is made by adding | 2 |
the coalition of metalline | 2 |
and hence if a | 2 |
and more broken than | 2 |
and pasting designs in | 2 |
more than a passing | 2 |
the regions of the | 2 |
think it may be | 2 |
and of a more | 2 |
and the presence of | 2 |
a good proportion of | 2 |
pertinent to our present | 2 |
believe to be the | 2 |
of soda and sulphide | 2 |
that surface upon which | 2 |
the three primaries red | 2 |
black substances reflect a | 2 |
one colour by another | 2 |
the use of which | 2 |
i have said of | 2 |
oyl of tartar per | 2 |
the appearance of ultramarine | 2 |
for the shadows of | 2 |
native and artificial ultramarines | 2 |
not in some cases | 2 |
the orange and green | 2 |
and we have also | 2 |
it is certain that | 2 |
is a very interesting | 2 |
color standards were chosen | 2 |
after what i have | 2 |
within the last few | 2 |
who have not had | 2 |
and other diaphanous bodies | 2 |
the use of a | 2 |
two or more colors | 2 |
is a smoke black | 2 |
will convince any one | 2 |
we believe to be | 2 |
an example of this | 2 |
form of a white | 2 |
which may be added | 2 |
the style of colouring | 2 |
and down in the | 2 |
the artists and the | 2 |
tendency to darken by | 2 |
may take notice of | 2 |
those harmonies in which | 2 |
made by mixing the | 2 |
white paper held near | 2 |
the shades of yellow | 2 |
i made use of | 2 |
laid on the desk | 2 |
would not at all | 2 |
have not had kindergarten | 2 |
balance of warm and | 2 |
of the struggle for | 2 |
explication of some colours | 2 |
for a writer to | 2 |
oyl of vitriol as | 2 |
to you about the | 2 |
as in the works | 2 |
to all other colours | 2 |
is clear that the | 2 |
be the seat of | 2 |
lay the spectrum in | 2 |
of these colours are | 2 |
the three sorts of | 2 |
strong and well filtrated | 2 |
in the glass of | 2 |
the grass to be | 2 |
a careful examination of | 2 |
have seen in the | 2 |
that even in a | 2 |
taken pleasure to make | 2 |
upon a white paper | 2 |
are cooler than the | 2 |
intense upon that surface | 2 |
fairly well illustrated in | 2 |
somewhat more asperous than | 2 |
i have done the | 2 |
being a sort of | 2 |
phase of the subject | 2 |
rules for producing pictures | 2 |
do as it were | 2 |
that has no colour | 2 |
proportion of the solution | 2 |
is apt to lose | 2 |
pith of the optick | 2 |
the disks of the | 2 |
of a black colour | 2 |
the spectrum in the | 2 |
end of the second | 2 |
of disks on the | 2 |
the preservation of favoured | 2 |
the colours on the | 2 |
a light tint may | 2 |
does as it were | 2 |
it matters little whether | 2 |
this latter colour would | 2 |
should be able to | 2 |
a very small quantity | 2 |
must take leave to | 2 |
one of those two | 2 |
may contribute to the | 2 |
tested by the color | 2 |
the necessity for a | 2 |
and it is a | 2 |
through the medium of | 2 |
the sulphureous principle in | 2 |
will add an experiment | 2 |
three sizes of disks | 2 |
with the yellow rays | 2 |
about the production of | 2 |
the class of russet | 2 |
diluted with a large | 2 |
of the most general | 2 |
colour contiguous to the | 2 |
style of cuyp and | 2 |
might with advantage be | 2 |
came in at the | 2 |
marked by a dark | 2 |
be made by the | 2 |
with the disks of | 2 |
the body of a | 2 |
to disclose the colour | 2 |
sides obverted to the | 2 |
have not found that | 2 |
to obtain a pure | 2 |
little doubt that the | 2 |
the red thrids were | 2 |
comparing it with a | 2 |
the cloistered tone of | 2 |
most and dissolved p | 2 |
pigment peculiar to oil | 2 |
in fixing in the | 2 |
and may be used | 2 |
the marginal tentacles of | 2 |
in the argus pheasant | 2 |
either of the sulphureous | 2 |
it does not follow | 2 |
be employed in the | 2 |
to our present scope | 2 |
immediate cause of colour | 2 |
a darker colour than | 2 |
residing in the body | 2 |
upon that surface upon | 2 |
be shown with the | 2 |
deprive it of its | 2 |
in skies and distances | 2 |
form as well as | 2 |
part of between the | 2 |
you shall see the | 2 |
such as the lakes | 2 |
the title of his | 2 |
brown stil de grain | 2 |
and the rest of | 2 |
i found the light | 2 |
or any other convenient | 2 |
of a spectrum color | 2 |
for the dark markings | 2 |
be liable to suffer | 2 |
has the effect of | 2 |
what use may be | 2 |
other blues of cobalt | 2 |
that of the chymists | 2 |
is owing to this | 2 |
whereby a liquor may | 2 |
a very small portion | 2 |
of the reflected light | 2 |
opaque oxide of chromium | 2 |
with the disks and | 2 |
cobalt and purple madder | 2 |
i elsewhere told you | 2 |
straight line from g | 2 |
small parcel of a | 2 |
to them in their | 2 |
promiscuous experiments about colours | 2 |
the blue and yellow | 2 |
one or both of | 2 |
the sympathy and antipathy | 2 |
brown is the most | 2 |
or even a color | 2 |
lightest tints and deepest | 2 |
purple made the purple | 2 |
the blew and red | 2 |
is better than the | 2 |
by mixture of three | 2 |
the object of that | 2 |
appears to be a | 2 |
water than in oil | 2 |
from those of the | 2 |
harmonies we mean those | 2 |
in opacous bodies by | 2 |
for my part i | 2 |
to supply the deficiencies | 2 |
in a due proportion | 2 |
the affusion of oyl | 2 |
as is usual in | 2 |
the words places and | 2 |
can be very nearly | 2 |
to be a mixture | 2 |
for instance in the | 2 |
the want of a | 2 |
which it is viewed | 2 |
is often marked by | 2 |
to begin the experiments | 2 |
in the bradley colored | 2 |
study of color in | 2 |
superficies of a body | 2 |
detractors of modern pigments | 2 |
it may be prepared | 2 |
a dozen years ago | 2 |
nature of the body | 2 |
a spark of colour | 2 |
in all cases the | 2 |
he finds to be | 2 |
light to pass through | 2 |
is in other respects | 2 |
by dislocating the parts | 2 |
with a piece of | 2 |
as may appear by | 2 |
will appear to be | 2 |
to take this occasion | 2 |
in which we are | 2 |
enable a man to | 2 |
a multitude of small | 2 |
to reduce them to | 2 |
have to do with | 2 |
at the hole were | 2 |
more or less deep | 2 |
compound has the objection | 2 |
both the infusion of | 2 |
the spectrum colors as | 2 |
insert part of between | 2 |
the work of the | 2 |
disposition of its parts | 2 |
or nearly the whole | 2 |
is the most important | 2 |
the confession of the | 2 |
of the things i | 2 |
spindle of the wheel | 2 |
a quality residing in | 2 |
of such bodies as | 2 |
the presence of a | 2 |
and therefore it may | 2 |
the changes of the | 2 |
hue of a color | 2 |
is a color in | 2 |
proportions of the component | 2 |
will be quite difficult | 2 |
the subject of harmonies | 2 |
the acetates of lead | 2 |
lists given of permanent | 2 |
the colours of opacous | 2 |
academy at burlington house | 2 |
which interferes with its | 2 |
composed of blue and | 2 |
of the component colours | 2 |
shall hereafter have occasion | 2 |
quantity of good oyl | 2 |
colours depend upon the | 2 |
will find in the | 2 |
central vertical column in | 2 |
is the most retiring | 2 |
due to the presence | 2 |
black and neutral grays | 2 |
that we have not | 2 |
as the glass is | 2 |
remark that it seems | 2 |
often formed by the | 2 |
the mixture of white | 2 |
might be made to | 2 |
further instances of this | 2 |
the intermediate hues may | 2 |
is applied directly to | 2 |
like that of rhamni | 2 |
the body it self | 2 |
effects which can be | 2 |
ten millionths of a | 2 |
the course of a | 2 |
more beautiful while moist | 2 |
it may be laid | 2 |
at least as well | 2 |
rather than with red | 2 |
for this reason the | 2 |
a way of producing | 2 |
and purple made the | 2 |
after washing and drying | 2 |
juice of this spice | 2 |
these and the like | 2 |
the asperity of the | 2 |
the most intense expression | 2 |
by a solution of | 2 |
is often spoken of | 2 |
have colour to be | 2 |
number of simple arrangements | 2 |
what i have been | 2 |
shade from light to | 2 |
be extracted from the | 2 |
of the iris that | 2 |
in this and other | 2 |
from the question of | 2 |
to the sun and | 2 |
are suited to the | 2 |
to which we shall | 2 |
the addition of any | 2 |
a third part of | 2 |
divers other things that | 2 |
are due to the | 2 |
here and there more | 2 |
of potash is added | 2 |
that the colour in | 2 |
orange spot in the | 2 |
lead and prussian blue | 2 |
this is no place | 2 |
it is made by | 2 |
seat of vivid colour | 2 |
cerulian blue or coeruleum | 2 |
one set of disks | 2 |
and blew made a | 2 |
of rays necessary to | 2 |
of the single corpuscles | 2 |
may be very beautiful | 2 |
that oyl of tartar | 2 |
five per cent of | 2 |
little agitation of the | 2 |
to invite you to | 2 |
the colours to be | 2 |
of warm and cold | 2 |
the tint of air | 2 |
produce a neutral gray | 2 |
a fact which is | 2 |
of the red and | 2 |
wet and dry processes | 2 |
two or more colours | 2 |
will be readily seen | 2 |
the truths regarding color | 2 |
i have been led | 2 |
that it reflected a | 2 |
beginning of this essay | 2 |
the degree of fire | 2 |
exercise in broken colors | 2 |
by the acid spirit | 2 |
which is the only | 2 |
but a heap of | 2 |
the same colour with | 2 |
it may likewise be | 2 |
of the same nature | 2 |
under a low degree | 2 |
by shewing that the | 2 |
must mention to you | 2 |
be admitted that the | 2 |
the children have become | 2 |
the conjecture i was | 2 |
part of secondary feather | 2 |
of the two liquors | 2 |
cutting and pasting may | 2 |
a compound analogous to | 2 |
affusion of a convenient | 2 |
permanent primary and secondary | 2 |
disk combined with a | 2 |
the honour to be | 2 |
predominance of blue in | 2 |
cannot in all cases | 2 |
to which these arrangements | 2 |
white disks on the | 2 |
with which they are | 2 |
to return to the | 2 |
and beauty of the | 2 |
of divers other mineral | 2 |
of colour to be | 2 |
even in those bodies | 2 |
experiments of this kind | 2 |
obverted to the sun | 2 |
these effects are imitated | 2 |
seem to be very | 2 |
the light to be | 2 |
even in the highest | 2 |
the pigment known as | 2 |
to reflect much light | 2 |
and in hue from | 2 |
in which the most | 2 |
to the body is | 2 |
of the greatest value | 2 |
in thinking over this | 2 |
the animal grows older | 2 |
us that it is | 2 |
and with the same | 2 |
the first may be | 2 |
and is supposed to | 2 |
to form a chart | 2 |
i am not sure | 2 |
i found that by | 2 |
more suited to the | 2 |
a quarter of a | 2 |
the mean or middle | 2 |
narrow part of the | 2 |
as seen by the | 2 |
hyposulphite of soda and | 2 |
chromate of lead and | 2 |
i confess to you | 2 |
pigment yields a semi | 2 |
drop a little of | 2 |
i have made use | 2 |
beams of light are | 2 |
should be of a | 2 |
the rays are absorbed | 2 |
to each other in | 2 |
laid over one another | 2 |
may be introduced for | 2 |
on the top of | 2 |
not from other colours | 2 |
less than any other | 2 |
he found it so | 2 |
for some of the | 2 |
our knowledge of the | 2 |
colours with which it | 2 |
the opinions of the | 2 |
in the mind of | 2 |
but that in this | 2 |
eligible either in water | 2 |
are to be had | 2 |
belong to a class | 2 |
well in oil and | 2 |
mixed solution of the | 2 |
a sign of distance | 2 |
so nearly complementary to | 2 |
would tarnish the green | 2 |
a trial of this | 2 |
as well as all | 2 |
you when you please | 2 |
coloured by the light | 2 |
the cleer solution of | 2 |
concerning the way of | 2 |
exposure to the air | 2 |
the notion i have | 2 |
it will suffice to | 2 |
to tints and shades | 2 |
and there are other | 2 |
there can be obtained | 2 |
the lightest tints and | 2 |
in virtue of which | 2 |
the liquor that affords | 2 |
i could here subjoyn | 2 |
drops of a strong | 2 |
the eyes are fixed | 2 |
some means by which | 2 |
by which the colour | 2 |
small parts of the | 2 |
quantity of oyl of | 2 |
a good tincture of | 2 |
and transparency of prussian | 2 |
change of colours in | 2 |
attention of the children | 2 |
of the experience of | 2 |
by which we may | 2 |
those of the other | 2 |
in the mean time | 2 |
of sulphur per campanam | 2 |
bodies reflect the most | 2 |
i know not what | 2 |
to bear in mind | 2 |
colors adjacent in the | 2 |
he was born fit | 2 |
seems to be no | 2 |
i shall need but | 2 |
colour of the syrrup | 2 |
the bianchi contend that | 2 |
less to be depended | 2 |
it should be objected | 2 |
drawn with spirit of | 2 |
obtain a pure green | 2 |
to the purposes of | 2 |
we thought fit to | 2 |
with red and orange | 2 |
red hue of orange | 2 |
at the nature of | 2 |
the differences of salts | 2 |
does not depend upon | 2 |
oyl of sulphur per | 2 |
and in this case | 2 |
by shaking the vial | 2 |
not whether it will | 2 |
a piece of cloath | 2 |
attention of the reader | 2 |
complement of rays necessary | 2 |
in which they predominate | 2 |
the basis of an | 2 |
be made with the | 2 |
object of that colour | 2 |
about half an inch | 2 |
ourselves to the animal | 2 |
be shown at the | 2 |
may be divided into | 2 |
in mixture and glazing | 2 |
and if i did | 2 |
may suffice to give | 2 |
in the substance of | 2 |
all the appearance of | 2 |
is prepared by precipitating | 2 |
standards and two grays | 2 |
which i can show | 2 |
as that of salt | 2 |
must be given to | 2 |
the colouring of a | 2 |
put it into a | 2 |
if instead of this | 2 |
the most part have | 2 |
convince any one that | 2 |
the colours with which | 2 |
we may look upon | 2 |
the joining of the | 2 |
the vegetable or animal | 2 |
need not tell you | 2 |
a white disk of | 2 |
in its deep washes | 2 |
there may be other | 2 |
must be employed with | 2 |
become familiar to the | 2 |
that the decoration of | 2 |
and that it is | 2 |
this class of colouring | 2 |
neutral gray paper no | 2 |
that it is equally | 2 |
of the tinctures of | 2 |
if we take the | 2 |
the mixture of these | 2 |
in making shades of | 2 |
the six colors from | 2 |
insert the participle it | 2 |
brought into contact with | 2 |
affusion of a little | 2 |
of colour observable in | 2 |
as will prevent their | 2 |
i formerly noted touching | 2 |
but if on the | 2 |
our author tells us | 2 |
the most permanent and | 2 |
the changes of colour | 2 |
as soon as it | 2 |
have done the same | 2 |
is seen in our | 2 |
the fact that the | 2 |
would perhaps have been | 2 |
it is quite impossible | 2 |
by the bare affusion | 2 |
proceed to tell you | 2 |
the colour of them | 2 |
use of color material | 2 |
doubt whether it be | 2 |
the marginal note l | 2 |
way of making lakes | 2 |
and the other yellow | 2 |
decolourised by sulphuretted hydrogen | 2 |
as well as other | 2 |
not necessary that the | 2 |
in the broken colors | 2 |
the seen parts of | 2 |
that there are but | 2 |
lessen the wonder of | 2 |
be precipitated out of | 2 |
in the superficial parts | 2 |
of red and yellow | 2 |
bichromate of potash and | 2 |
all of which is | 2 |
what may be termed | 2 |
to each other and | 2 |
that the number of | 2 |
of the natural color | 2 |
produce a new colour | 2 |
either of surface or | 2 |
pigments will show to | 2 |
blue is a colour | 2 |
we have sometimes found | 2 |
i shall have occasion | 2 |
as chymists call it | 2 |
of the details of | 2 |
words places and the | 2 |
at which it has | 2 |
more or less fully | 2 |
the change from spots | 2 |
not been taken notice | 2 |
the lights on objects | 2 |
these arrangements may be | 2 |
is composed of the | 2 |
since the writing of | 2 |
by the confession of | 2 |
where he treats of | 2 |
the physical superficies of | 2 |
would not be so | 2 |
belongs to the class | 2 |
a clear idea of | 2 |
may have the same | 2 |
that rebound from the | 2 |
color is contrasted with | 2 |
the appearance of a | 2 |
such as can be | 2 |
a very white object | 2 |
or with spirit of | 2 |
but owing to the | 2 |
of the drawing or | 2 |
to swell the list | 2 |
the leisure to discourse | 2 |
great depth and transparency | 2 |
small vial full of | 2 |
tells us that it | 2 |
to recall the color | 2 |
on this occasion it | 2 |
the distinguishing of the | 2 |
i doubt whether it | 2 |
case of the argus | 2 |
has never been a | 2 |
no small assistance to | 2 |
a blue could be | 2 |
colours from being so | 2 |
and as soon as | 2 |
is technically termed repose | 2 |
some of them red | 2 |
of the parts which | 2 |
in those parts of | 2 |
very many of the | 2 |
by many of the | 2 |
others told him by | 2 |
the bradley educational colored | 2 |
color which is the | 2 |
action of the other | 2 |
adding to a solution | 2 |
for so many years | 2 |
of spectrum colors than | 2 |
to declare my meaning | 2 |
from a concave looking | 2 |
in thin washes or | 2 |
are no good pigments | 2 |
and not to be | 2 |
to whom he was | 2 |
appear of a much | 2 |
to be the only | 2 |
is used as a | 2 |
that a very small | 2 |
the participle it between | 2 |
trajection of light through | 2 |
with the red of | 2 |
that of the rest | 2 |
of the colors of | 2 |
in hue by being | 2 |
on one side and | 2 |
of the leaves of | 2 |
the basis of all | 2 |
of it may be | 2 |
said to be coloured | 2 |
what they call the | 2 |
beginning at the lightest | 2 |
hues between each two | 2 |
and by the same | 2 |
the beginning of this | 2 |
borne in mind that | 2 |
the use of disks | 2 |
for the shade of | 2 |
as well as their | 2 |
if the wheel is | 2 |
are placed side by | 2 |
an attempt to match | 2 |
light and dark colors | 2 |
i did not find | 2 |
to one part of | 2 |
would not have been | 2 |
colours seem to be | 2 |
a little prussian blue | 2 |
are found in the | 2 |
of the body it | 2 |
will prevent their appearing | 2 |
colours in the various | 2 |
of the sky would | 2 |
although not to be | 2 |
of the spectrum scales | 2 |
and you have the | 2 |
in its pale tints | 2 |
if more than two | 2 |
in the last chapter | 2 |
best and most permanent | 2 |
to entertain you with | 2 |
may be said of | 2 |
a dark dorsal stripe | 2 |
rays which are partly | 2 |
its pale washes are | 2 |
wherefore i shall now | 2 |
durable by being compounded | 2 |
the variations of colour | 2 |
of the second eperiment | 2 |
be identical with the | 2 |
grounds on which they | 2 |
and for this reason | 2 |
is our object to | 2 |
in a piece of | 2 |
even in cold water | 2 |
the purest possible expressions | 2 |
of all the spectrum | 2 |
the full red disk | 2 |
a black disk in | 2 |
colour to be an | 2 |
a very broken color | 2 |
i shall at present | 2 |
a different hue from | 2 |
trajected through a triangular | 2 |
to the eyes of | 2 |
the reason seems to | 2 |
in the selection of | 2 |
all the powers of | 2 |
give the appearance of | 2 |
be made probable by | 2 |
the disks it is | 2 |
for producing pictures in | 2 |
from the kindergarten to | 2 |
of the thickness of | 2 |
the smooth surface of | 2 |
those that are otherwise | 2 |
and two shades of | 2 |
as may be beautifully | 2 |
belongs to the family | 2 |
in confirmation of what | 2 |
the tinctures of cochineel | 2 |
spark of colour against | 2 |
which seem to be | 2 |
clear idea of the | 2 |
know the grass to | 2 |
parts of the subject | 2 |
the other side of | 2 |
the explication of some | 2 |
have made use of | 2 |
done the same thing | 2 |
shown on the color | 2 |
of artificial ultramarine was | 2 |
by oyl of tartar | 2 |
science of color and | 2 |
maxwell color disks are | 2 |
by pouring in a | 2 |
the spirit of oak | 2 |
not for some scruple | 2 |
nature of light and | 2 |
which may be seen | 2 |
more or less irregular | 2 |
the other parts of | 2 |
expect to find the | 2 |
is chiefly employed in | 2 |
the substantial forms of | 2 |
saline particles of the | 2 |
with tints and shades | 2 |
of a reddish colour | 2 |
black and white from | 2 |
are cases in point | 2 |
to a dark and | 2 |
is met with in | 2 |
the publication of the | 2 |
the compounding of colours | 2 |
and the whole picture | 2 |
you in mind of | 2 |
yields a fugitive mixture | 2 |
appear of differing colours | 2 |
combinations a spectrum color | 2 |
very much depend upon | 2 |
of white paper held | 2 |
of the production of | 2 |
as might be expected | 2 |
the words most and | 2 |
a tint of the | 2 |
in the former case | 2 |
as it is likewise | 2 |
of the same hue | 2 |
colored papers in the | 2 |
coloured rays of the | 2 |
either of the other | 2 |
must be directed to | 2 |
for if you take | 2 |
or spirit of nitre | 2 |
as the beginning of | 2 |
you look upon a | 2 |
which the use of | 2 |
is made of the | 2 |
which they have been | 2 |
yet in this case | 2 |
in the habit of | 2 |
seems to be true | 2 |
is a lighter and | 2 |
of the vividness of | 2 |
but it is hoped | 2 |
it a convenient proportion | 2 |
the various parts of | 2 |
it may be used | 2 |
that came in at | 2 |
means of a convex | 2 |
the colouring matter consists | 2 |
of disks for above | 2 |
it can not be | 2 |
white nor black are | 2 |
most intense upon that | 2 |
we thus see that | 2 |
the same color as | 2 |
to which they give | 2 |
most part of the | 2 |
by those who have | 2 |
in the eighth chapter | 2 |
the harmony of the | 2 |
the external part of | 2 |
colouring and colours of | 2 |
pretty quantity of spirit | 2 |
if we take from | 2 |
and plants under domestication | 2 |
above a quarter of | 2 |
i did not well | 2 |