quadgram

This is a table of type quadgram and their frequencies. Use it to search & browse the list to learn more about your study carrel.

quadgram frequency
the colour of the39
if i may so24
the surface of the23
by the help of21
for the most part20
the beams of light20
chart of pure spectrum19
of pure spectrum scales19
by the action of18
as well as the18
on the other hand17
in reference to the16
to be met with16
in the case of16
of whiteness and blackness16
i may so call16
in the form of16
on the other side15
of the nature of15
both in water and14
at the same time14
is one of the14
a sheet of white14
in water and oil14
chart of broken spectrum13
a few drops of13
in the use of13
sheet of white paper13
one of the most13
the rest of the13
the colours of the13
the flame of a13
that part of the12
white and black disks12
system of color instruction12
upon a piece of12
the nature of the12
the action of the12
the use of the11
flame of a candle11
by reason of the11
by the use of11
be found in the11
the disposition of the11
of broken spectrum scales11
from time to time11
the form of a11
the corpuscles of the10
i have met with10
to satisfie my self10
may so call it10
are wont to be10
by the combination of10
by the addition of10
to take notice of10
of blue and yellow10
in the spectrum circuit10
of oyl of vitriol10
by the affusion of10
the chart of pure9
to be of a9
the whole of the9
is said to be9
the addition of a9
it is of a9
the texture of the9
under the name of9
complementary to each other9
a small quantity of9
may be made to9
a piece of white9
the effect of the9
tincture of lignum nephriticum9
the nature of colours9
to be found in9
of the color wheel9
piece of white paper9
be said to be9
to the action of8
the incident beams of8
it will not be8
the light of the8
the change of colours8
the same relation to8
a mixture of the8
the affusion of a8
on the color wheel8
with the addition of8
may be said to8
that there is a8
as a means of8
i have been mentioning8
spirit of sal armoniack8
of black and white8
the direction of the8
more or less of8
of what i have8
from the mixture of8
incident beams of light8
the body of the8
of the colour of8
to be the case8
to the naked eye8
the mixture of the8
the action of light8
of spirit of salt8
be met with in8
the particles of the8
it is to be8
a multitude of little8
which seems to be8
the six standard colors8
the superficial parts of8
upon the account of8
of the same colour8
alter the colour of8
in a darkned room8
by reason of its8
the operation of the7
may be produced by7
to that of the7
of syrrup of violets7
of the present work7
it will be seen7
by means of the7
of white and black7
it is impossible to7
in the animal kingdom7
the result will be7
as far as i7
as well as in7
as we have said7
a means of art7
in the proportions of7
the greater part of7
nature of whiteness and7
that you may not7
the science of color7
is wont to be7
the struggle for existence7
as soon as the7
in the course of7
i have several times7
reference to the light7
of the superficial parts7
for the same reason7
it will be found7
disposition of the superficial7
for the sake of7
a great part of7
that it is a7
in the interior of7
with white and black7
the position of the7
the help of a7
have a tendency to7
in some of the7
the shape of the7
in the direction of7
in the works of7
and therefore i shall7
a convenient proportion of7
in a great measure7
to light and air7
in the manner of7
on which it is7
i may so speak7
the chart of broken7
the colour of a7
in the solar spectrum7
it is a very7
in the first place7
may so call them6
the greatest part of6
the purity of the6
quantity of fair water6
it is necessary to6
a little spirit of6
in comparison of the6
in which it is6
under the influence of6
the cause of the6
will be seen that6
or in other words6
the complementary of the6
and in this way6
it may not be6
of the oyl of6
of some of the6
the result of the6
is a mixture of6
the parts of the6
the beams of the6
and some of the6
the adventitious colours of6
the color wheel or6
the most part of6
and as it were6
of the tincture of6
of the corpuscles of6
always more or less6
and on this occasion6
change the colour of6
one part of the6
of prussian blue and6
is the case with6
by the light of6
be more or less6
have met with in6
held against the light6
on the part of6
of which may be6
upon a sheet of6
the top of the6
the colors in the6
the theory of color6
the white and black6
with oyl of vitriol6
one of the best6
may be seen by6
pure spectrum scales in6
a convenient quantity of6
are said to be6
the part of the6
to be regarded as6
of the parts of6
the oyl of tartar6
a strong solution of6
it is evident that6
is a species of6
the base of the6
the history of colours6
of oyl of tartar6
colour of a body6
the tincture of lignum6
taken notice of in6
has a tendency to6
of the surface of6
i know not how6
obverted to the eye6
the first of the6
of any other colour6
scales in five tones6
is insoluble in water6
the nature of light6
the result is a6
the attention of the6
the end of the6
parts of the same6
the nature of whiteness6
know not how many6
the light that falls6
beams of the sun6
by the operation of6
a good part of6
may be found in6
of spirit of urine5
that the colour of5
the bradley colored papers5
as shown in fig5
are wont to do5
be used in the5
that it is not5
of the adventitious colours5
action of strong light5
the tincture of red5
the nearest approach to5
of any of the5
an infinite variety of5
it must be remembered5
on exposure to light5
exposure to light and5
colors in the spectrum5
the light of a5
to acquaint you with5
those of the rain5
is produced by the5
have been able to5
i know not whether5
a great deal of5
at a convenient distance5
it is curious that5
it may be said5
is not to be5
to the production of5
this is not the5
with the color wheel5
occasion to take notice5
colour of the sky5
in a short time5
the light reflected from5
content my self to5
both white and black5
yellow prussiate of potash5
is the result of5
of the argus pheasant5
from the rest of5
introduced as a pigment5
greater part of the5
far removed from the5
wheel or color top5
be made up of5
the following are the5
at the points lettered5
my self to have5
it is admirably adapted5
the proportion of the5
of the same color5
the subject of color5
tints and shades of5
in the day time5
color wheel or color5
made up of a5
the variety of colours5
in the chart of5
the action of strong5
parts of the object5
by the intervention of5
of the old masters5
of the dutch school5
there must be a5
as well as by5
black and white disks5
i found that the5
light of the sun5
of a color is5
looking at a picture5
that is to say5
put you in mind5
of them may be5
can be found in5
it may be employed5
spectrum scales in five5
to the nature of5
upon the disposition of5
the lower part of5
the tone of the5
the red and orange5
in the hands of5
of color in the5
the study of color5
two or three drops5
we are wont to5
one or other of5
chart of spectrum scales5
it is apt to5
the combination of the5
are wont to call5
that is wont to5
it would seem that5
met with in the5
and on the other5
a pretty quantity of5
to the use of5
to a solution of5
which it may be5
may be seen in5
the colouring matter of5
the discovery of the5
we see in the5
light that falls on5
scales in three tones5
in the study of5
of the lucid body5
the effect of a5
of yellow and red5
colouring as a means5
as we see in5
the eyes of the5
that there is no5
position of the eye5
in water or oil5
the heat of the5
with that of the5
the inside of the5
in looking at a5
you shall find the5
the tints and shades5
in spirit of vinegar5
brings into my mind5
for the production of5
is a compound of5
the surface of a5
the general aspect of5
be made to appear5
to which i shall5
upon the score of5
not be amiss to5
changes at the points5
on the one hand5
to the study of5
the upper part of5
is found in the5
it is not necessary5
will be found to5
can be produced in5
of the same tone5
a liquor may alter4
of the texture of4
and to satisfie my4
the principles on which4
of three tones each4
in a dark room4
the minute parts of4
the colouration of insects4
all the spectrum colors4
is the object of4
it is probable that4
old theories tested by4
the cause of this4
in black and white4
in which case it4
what i formerly noted4
with a solution of4
the help of the4
of the colors in4
in tint with white4
prussiate of potash to4
of the infusion of4
take a piece of4
is added to a4
the entire range of4
especially if it be4
use of colored papers4
that the action of4
corpuscles that make up4
be observed that the4
disks of the color4
may be made of4
study of broken colors4
of an acid nature4
of the qualities of4
of colours may be4
of the cause of4
according to the mode4
of orange and green4
the truth of the4
the margin of the4
all the properties of4
one side of the4
the best possible pigmentary4
of the chart of4
the cause of blackness4
seems to be the4
adventitious colours of metals4
of the science of4
but it is a4
and change of colours4
image of the sun4
have a mind to4
of two or more4
in the preceding pages4
archeus or predominating colour4
that there may be4
lower part of the4
the organ of sight4
the back of the4
with black and white4
of the several colors4
the interior of the4
the whiteness of froth4
a small portion of4
and in front of4
titian and the venetian4
a due proportion of4
little spirit of salt4
light reflected from the4
of each of the4
another principle of turner4
the object of the4
in the same way4
pure color mixed with4
their tints and shades4
the solution of minium4
into the nature of4
the strength of the4
a system of color4
been introduced as a4
rays of the sun4
as in the case4
himself to have seen4
drops of oyl of4
in the struggle for4
as we have seen4
the colours of bodies4
to be made by4
change of texture in4
it will be necessary4
a broken color is4
by the opposition of4
end of the spectrum4
the system of colouration4
by wet and dry4
i thought it not4
it would be difficult4
greatest part of the4
but to return to4
pure and broken colors4
the leaves of senna4
works well both in4
call attention to the4
either alone or compounded4
in the body of4
that yellow and blue4
is not intended to4
into a multitude of4
in this way the4
it is a bad4
in place of the4
as a substitute for4
in the investigation of4
into a kind of4
the bottom of the4
within the compass of4
a nomenclature of colors4
in proportion to the4
we were able to4
in the preparation of4
and for the most4
with the exception of4
the carmine of cochineal4
be referred to the4
the color wheel and4
one of the first4
it has been said4
by reason of their4
the colouring matter is4
be found of service4
a small amount of4
of light and shadow4
with the spirit of4
is the complementary of4
of the solution of4
know it to be4
than that of the4
the use of colored4
it is said to4
and this is the4
i thought fit to4
different parts of the4
the order of the4
the chart of spectrum4
entire range of the4
the posture of the4
not now stay to4
the brightness of the4
the same kind of4
but if it be4
a chart of broken4
may alter the colour4
black and white are4
are to be made4
and this is what4
the case of the4
well both in water4
and as for the4
i have divers times4
mixture of the two4
that white bodies reflect4
to our present purpose4
for a long time4
at the end of4
by the mixture of4
to a great extent4
on the surface of4
disks on the color4
in the production of4
to reflect the light4
permanent pigment added to4
parts of a body4
have occasion to take4
the solution of sublimate4
of the present day4
the changes of colours4
the oyl of vitriol4
the spirit of urine4
according to the chymists4
upper part of the4
same relation to the4
pigment added to a4
may in some cases4
is the seat of4
given us by the4
if you take a4
in front of the4
by means of a4
tints and shades may4
paper cutting and pasting4
the minds of the4
the account of the4
by some other way4
on account of the4
the hue of the4
the side of the4
the colour may be4
not only by the4
as well as to4
to make use of4
it would be well4
for the benefit of4
of a golden colour4
may or may not4
of the body that4
be produced by the4
part of the same4
the green to the4
the coalition of the4
such a variety of4
the twenty fifth experiment4
shall have occasion to4
and the venetian school4
of light and colour4
as may be seen4
after a certain manner4
to mention to you4
the centre of the4
nearest in relation to4
we know it to4
a permanent pigment added4
as far as possible4
the change of colour4
in the mixture of4
of the superficial particles4
be out of place4
there is little doubt4
to the consideration of4
or three drops of4
addition of a little4
the yellow and blue4
be one of the4
to the tribe of4
scales of three tones4
variety of colours in4
of spirit of vinegar4
than any other colour4
seems to be a4
of the incident beams4
that the beams of4
up and down in4
of cutting and pasting4
experimental history of colours4
the rays of the4
of the same piece4
to be seen in4
the body that is4
is covered with a4
and it may be4
it to be a4
the small parts of4
turning now to the4
of salt of tartar4
in nature and art4
the red and the4
it is true that4
the yellow and the4
fall a few drops4
the third and last4
part of what i4
exposed to the action4
in relation to light4
and the use of4
and a black disk4
the origin of species4
the use of color4
part of the picture4
for a good while4
adjacent in the spectrum4
and i remember that4
as is the case4
it must not be4
reflected to the eye4
upon the affusion of4
to the colour of4
made in fair water4
and those that are4
be seen that the4
as well as i4
the same piece of4
with regard to the4
another principle of titian4
it is not so4
acid and sulphureous salts4
i remember that i4
take notice of the4
to the end of4
in front of them4
may be used in4
is not necessary that4
it seems to be4
in the consideration of4
lowest forms of life4
the score of the4
but this is not4
a substitute for the4
with spirit of wine4
is a sort of4
of the six standards4
that part of it4
have taken notice of4
react on each other4
you may not think4
to be able to4
by the whiteness of4
that there must be4
by this way of4
one of the chief4
i have not now4
the six standards and4
as we elsewhere declare4
there seems to be4
to shew that the4
a little oyl of4
like that of a4
the production of colours4
for the use of4
are not so much4
of the materials employed4
appear to the eye4
it is composed of4
as those of the4
the whiteness of the4
must not now stay4
is darker than the4
with spirit of urine4
it must be admitted4
other parts of the4
color wheel or top4
liquor may alter the4
so far as we4
of the theory of4
of the colours of4
the bradley system of4
in the midst of4
bradley system of color4
the study of broken4
on a piece of4
by the interposition of4
that make up the4
or by some other4
of the tertiary colours4
that if it were4
as a product of3
color in the kindergarten3
the theory of the3
about the nature of3
in that part of3
be of the same3
which it is employed3
in the brewster theory3
all of which are3
we might expect to3
the sense of need3
colours of the objects3
mixture of blue and3
this is what we3
not being able to3
thought fit to make3
innermost parts of the3
prussian blue and gamboge3
to the light and3
with the rest of3
in the minds of3
as in the pure3
not necessary that we3
of colour have been3
but as soon as3
it is well to3
in the representation of3
low degree of illumination3
by the fact that3
and that of the3
when the children have3
effect is produced by3
and though it be3
which case it is3
distribution of the colour3
the green and purple3
the order in which3
if they were of3
as they call it3
we have been mentioning3
the three primary colours3
of a multitude of3
by the beams of3
in which they are3
of good oyl of3
of a small quantity3
may elsewhere have occasion3
the superficial particles of3
in a work of3
it is better to3
it may be well3
would be out of3
i remember i have3
the reader must be3
been given to the3
of the effects of3
closely related to the3
the development of the3
no colour at all3
in a convenient posture3
as is requisite to3
much of kin to3
at the present day3
are complementary to the3
depend upon the disposition3
with each other and3
mixture of black and3
stems and branches of3
several parts of the3
though it be not3
the balance of colouring3
exposed to the light3
be devoted to the3
and to shew you3
of bodies to their3
out of the question3
the various classes of3
it ought to be3
by a fading of3
seen through it are3
being a compound of3
to such an extent3
soluble in water and3
will appear of a3
are reflected to the3
body that is said3
in spite of its3
that is said to3
upon the particular texture3
of a bluish green3
that not only the3
part of the stone3
taken notice of by3
the spadix of the3
colour of its own3
the saline particles of3
capable of being produced3
to stay at home3
on the color top3
may be used with3
or of any other3
the innermost parts of3
into a lovely green3
is capable of being3
according to the nature3
the investigation of the3
not quite so well3
but i will rather3
on a white wall3
it may be added3
a tint of a3
some solutions hereafter to3
is the same in3
with the colour of3
of the body is3
of tints and shades3
to a greater or3
of the liquor that3
cool and green grays3
a chart of pure3
pattern changes at the3
of the burnt sienna3
with oyl of tartar3
in mind that the3
to repeat what i3
the colour of another3
as i told you3
nearly the whole of3
may change the colour3
the corpuscles that make3
each of which is3
and the next day3
action of the fire3
in relation to black3
and some of them3
general aspect of the3
elsewhere have occasion to3
with a few drops3
the explication of whiteness3
several degrees of fire3
of being able to3
will be found useful3
that falls on them3
brightness of the sky3
damp and impure air3
of soda in excess3
in which are combined3
the motion of the3
light or impure air3
may seem somewhat strange3
according to the differing3
the appearance of the3
compounded with light red3
of the secondary colours3
the solutions of mercury3
of the six colors3
color disks are the3
heat of the sun3
a thin wash of3
that i have often3
principles on which the3
produced by the combination3
the theory of descent3
that a solution of3
is a kind of3
the other part of3
the result is not3
of blew and yellow3
shall not scruple to3
a fading of the3
like that of the3
are often the seat3
concerning the changes of3
is a question whether3
the proportions of the3
the truth of this3
not now to be3
bearing in mind the3
the reason why the3
best possible pigmentary imitation3
has spread over the3
a tendency to darken3
associating themselves with the3
the medium through which3
and it is to3
of this class of3
feather of argus pheasant3
is applied to the3
seems to proceed from3
the middle of the3
of the six standard3
in the process of3
this be the case3
chymists are wont to3
six standards and two3
in the solution of3
if this be the3
are more or less3
change of colours may3
of the head and3
that are wont to3
between each two standards3
it is not our3
often the seat of3
blueness of the sky3
it has a tendency3
the opacity of the3
the infusion of logg3
puts me in mind3
they must not be3
of a neutral colour3
white in shade or3
of the animal kingdom3
the power of discriminating3
and which may be3
is a pure color3
as to the colour3
to show that the3
or burnt roman ochre3
clear in its pale3
the particular texture of3
the eye of the3
that i know of3
on the one side3
in the twinkling of3
there are no good3
as it inclines to3
of the character of3
that are to be3
of the optick nerve3
for i say not3
and for the same3
may be employed in3
and that which is3
attempt is made to3
the colors of the3
well as in the3
appear of a deep3
either warm or cool3
the change of texture3
of the spectrum colors3
as it is a3
a spoonfull of the3
twelve scales of three3
solutions hereafter to be3
it is unnecessary to3
a variety of tints3
will be of a3
twinkling of an eye3
the red end of3
to the discovery of3
with a grey cast3
i must advertise you3
by the means of3
times its weight of3
by some of the3
liable to suffer from3
turn syrrup of violets3
dries well in oil3
to the family of3
a much darker colour3
the several parts of3
three drops of spirit3
in hue than the3
the amateur and the3
of surface or intensity3
few drops of the3
the production of the3
red end of the3
the situation of the3
a yellow tinged with3
more permanent than the3
adding yellow prussiate of3
which i shall only3
in most cases the3
which may be made3
of the standard red3
is reduced to a3
under the names of3
of the pigment cells3
and the degree of3
which the colours of3
of kin to the3
of cuyp and both3
of flowers and leaves3
the spectrum circuit are3
in connection with the3
and if it be3
has been said that3
is an oxide of3
abstract principles to which3
we find the first3
a picture may be3
convenient proportion of the3
pure or full color3
texture of the body3
chart of broken scales3
or harmonic arrangement of3
and branches of trees3
is the more considerable3
in a subdued degree3
chart of pure scales3
a peculiar kind of3
arrangements may be referred3
in the manufacture of3
in mother of pearl3
till i have opportunity3
a part of the3
than they did before3
it may seem somewhat3
orange hue of red3
is little doubt that3
that the beams that3
requisite to make the3
the production of a3
can be made to3
any of the other3
and if instead of3
the struggle for life3
of ruysdael and hobbima3
can be produced by3
notice of in the3
that may be made3
of sulphate of copper3
that the colours of3
the dependence of colour3
the same may be3
be said to have3
by the combinations of3
of the most vivid3
views here set forth3
higher walks of art3
is the first of3
in the open air3
of a deep red3
in proportion to its3
a great variety of3
a more or less3
bottome of the glass3
in the higher walks3
if i mistake not3
should be taken to3
nearly complementary to each3
i cannot but think3
of potash to a3
care should be taken3
at the head of3
and black disks of3
you take a piece3
of the objects seen3
by the color wheel3
of the atmosphere is3
we have been able3
it is the object3
any part of the3
appear to have been3
aspect of the picture3
small amount of white3
are always more or3
with which it may3
infinite variety of tints3
of which is the3
in shade or shadow3
and the order of3
hereafter have occasion to3
in an impure state3
collected on a filter3
of the properties of3
the bases of the3
part of the liquor3
use of the disks3
of a specular nature3
of a strong and3
operation of the fire3
as to form a3
a sufficient quantity of3
far as i have3
are of the same3
or a shade of3
have taken pleasure to3
i must not omit3
not only of the3
we may take notice3
without the intervention of3
of which it is3
to be referred to3
not only in the3
which is the complementary3
the same tone of3
the great law of3
we find the same3
that i have several3
the head of the3
would be difficult to3
as explained on page3
the grounds on which3
tint of a color3
the tincture of the3
that they have been3
the twinkling of an3
thought fit to try3
as if there were3
as i have been3
rebound to the eye3
of the same tint3
third and last of3
colour will not be3
a mixed solution of3
may be made the3
light and the eye3
most important of all3
greater or less extent3
to form white light3
in this class of3
pieces from chart of3
of this way of3
slightly soluble in water3
quantity of spirit of3
upon the juices of3
amateur and the student3
either of the ingredients3
of the juices of3
a white or whitish3
the oxidation of the3
in the tincture of3
in the pure scales3
as i formerly noted3
the lowest forms of3
few drops of oyl3
of the use of3
use of the color3
the pattern changes at3
almost like that of3
i see not why3
to be identical with3
parts of the objects3
the influence of light3
in its pale washes3
darker than the other3
as to make the3
it should be observed3
it is hard to3
distinguish colours by the3
the relative proportions of3
in the elementary grades3
surface of the earth3
by the degrees of3
from chart of pure3
blue and yellow light3
there can be no3
you will meet with3
the properties of the3
the size of the3
interposition of the atmosphere3
of the following experiments3
that upon the by3
disk of the same3
be made of the3
the fact that in3
differing forms of asperity3
on which to base3
bearing the same relation3
we have divers times3
may be of value3
all the colors in3
in the colour of3
seems to be but3
on account of its3
by the union of3
it is clear that3
the decoration of the3
this is not a3
and i know not3
the classification of colors3
have been found to3
effect of the atmosphere3
it is claimed that3
are the result of3
is to be regarded3
be seen in the3
color mixed with white3
for a few seconds3
to be a little3
without the assistance of3
clear and colourless as3
in different parts of3
seem to be of3
work of cutting and3
from the coalition of3
to the quantity and3
to which we have3
the influence of the3
is marked by a3
with which it is3
of the fortieth experiment3
in accordance with the3
with a black disk3
up the beams of3
instead of oyl of3
the great dorsal vessel3
and as i remember3
tint with white lead3
is not so easily3
in the flame of3
which is indispensable in3
it is a fact3
there may be a3
that the power of3
i could plainly see3
the interposition of the3
the account of their3
as much as possible3
great part of the3
the solar spectrum and3
by the name of3
wont to pass for3
far as we have3
in such a manner3
here i must not3
to insist on the3
out of spirit of3
to the fact that3
that there are so3
in a trice make3
said to have a3
it is not impossible3
the beginning of a3
the mode of manufacture3
to be one of3
a smaller quantity of3
a blew and yellow3
the blackness of negroes3
prussian blue and black3
is due to the3
a work of art3
the edges of the3
i say not all3
if a piece of3
by their wave lengths3
the colour is very3
spectrum scales in three3
to the class of3
and will be found3
the local colours of3
effect in the eye3
the three hypostatical principles3
have been speaking of3
it is owing to3
the work of cutting3
is a sign of3
parts of the body3
the margins of the3
each of the other3
in the theory of3
i shall only add3
as the nature of3
beams that fall on3
in a strong light3
orange chromate of lead3
is based on the3
so far removed from3
and shades may be3
as well as for3
as a local colour3
the study of tones3
the region of the3
is well shown in3
these experiments may be3
in the making of3
solution of salt of3
of those two colours3
a piece of black3
by sir joshua reynolds3
to the top of3
of the other colour3
result will be a3
history of whiteness and3
as applied to the3
in imitation of the3
from which it is3
i hope you will3
according to the quantity3
a shade of green3
made from time to3
a large quantity of3
as it is in3
had the curiosity to3
the former of these3
prussian blue saddened by3
we ought to find3
in the lowest forms3
made for the purpose3
without the help of3
the origin of the3
the beginning of the3
not to mention that3
and broken colors in3
action of light and3
blue and madder red3
instances of this kind3
at the expense of3
possible pigmentary imitation of3
principles to which these3
in water and alcohol3
a white in shadow3
or from the light3
it is insoluble in3
the black and white3
is very well worth3
of the physical superficies3
by a change of3
darker than the ventral3
the selection of the3
a little of the3
many of the experiments3
with a strong fire3
to one of the3
the same degree of3
is due to a3
they are said to3
and the fact that3
beneath the surface of3
near of kin to3
the bare affusion of3
hereafter to be mentioned3
as we shall see3
like those of the3
and last of the3
that i cannot but3
in the synthesis of3
location in the spectrum3
is to be found3
of the three primary3
the face of the3
colour of the liquor3
is made by the3
but differs from it3
has the objection of3
the tint of the3
of the three primaries3
spirit of salt or3
of light and shade3
and i have sometimes3
which it is the3
the pores of the3
must be admitted that3
the study of the3
the views here set3
a good quantity of3
has been made to3
each of the six3
the spirit of wine3
the beams that fall3
a piece of red3
it will be noticed3
may be shown with3
may seem to be3
differs from it in3
in the body that3
it is a question3
in one of the3
on which they are3
but here i must3
the yellowness of the3
be determined by the3
make up the beams3
parts of the spectrum3
a greater or less3
the forms of asperity3
to the inside of3
the affusion of the3
that this is not3
it is a species3
a solution of sublimate3
of standard red paper3
in many of the3
is a retiring colour3
to be composed of3
i doubt not but3
for there are some3
a few of the3
may be considered as3
for a chart of3
not far from the3
of chromate of lead3
we must not now3
of either of the3
objects seen through it3
i will not undertake3
to a certain extent3
is a neutral gray3
yellow and blue are3
those parts of the3
this has not been3
affusion of fair water3
high school color wheel3
not so much as3
very well worth our3
investigation of the nature3
the archeus or predominating3
of kin to that3
with the tincture of3
to the mode of3
by which they are3
not to repeat what3
that the superficial particles3
way of making it3
so deep a colour3
a reference to the3
of the picture is3
the colour of that3
of great depth and3
that can be produced3
sides of the glass3
alone or compounded with3
seem to be the3
they were of a3
part of the iris3
to the laws of3
and according to the3
of the two colors3
with more or less3
by which means the3
in which blue predominates3
with acid and sulphureous3
ought not to be3
to observe to you3
that if upon a3
of the light that3
that the productions of3
be able to distinguish3
upon the surface of3
those who desire to3
the most important of3
is said to have3
the solution of the3
the light and the3
or spirit of turpentine3
its tints with white3
of animals and plants3
applied directly to the3
what has been newly3
the history of whiteness3
the experimental history of3
great importance in the3
be brought to a3
golden sulphur of antimony3
must be remembered that3
as we have been3
make use of the3
good authors inform us3
of the difficulty of3
as an artistic pigment3
the stone it self3
when exposed to the3
but there is no3
they come to be3
the central vertical column3
from the lapis lazuli3
durable both in water3
for the purpose of3
colouring matter of the3
with the particles of3
as much as i3
the substance of the3
with some of the3
more or less transparent3
apt to vary in3
the nature of blackness3
infusion of our wood3
if it be good3
of titian and the3
oyl or spirit of3
than those of the3
a low degree of3
i have opportunity to3
both tints and shades3
there are so many3
a greater degree of3
some of the most3
at the bottom of3
shine in the dark3
in the same species3
well as some other3
the beauty of the3
of the following pages3
of color instruction is3
beams of light that3
by which it is3
the distribution of the3
the stems and branches3
well as the most3
colours by the touch3
too much of the3
system of color education3
agrees very well with3
to be capable of3
advanced study of harmonies3
the objects seen through3
whether or no the3
one and the other3
we may call the3
corpuscles of the pigment3
of the tint of3
found it so difficult3
either in water or3
this system of color3
white bodies reflect the3
let fall a few3
shade of the same3
of the same denomination3
reason of the difficulty3
not wont to be3
can be devoted to3
parts of the room3
it would not be3
the synthesis of black3
of the illuminating power3
one and the same3
to be made of3
be borne in mind3
the speculations of the3
take notice to you3
i shall not insist3
disks on the spindle3
as spirit of wine3
in front of it3
so as to form3
of a much darker3
colour of another body3
the lakes of cochineal3
of those that are3
of spirit of wine3
according to the doctrine3
a contrast of tone3
he will find that3
to what has been3
the secondaries in pairs3
a color wheel or3
of a body to3
differing parts of the3
it not amiss to3
the color wheel by3
i have been speaking3
the higher walks of3
the one and the3
the ground of the3
the union of the3
the color of the3
colours on the palette3
the hues of the2
that of the light2
a great degree of2
the present day is2
and more transparent than2
it is prepared from2
more perfect and permanent2
as well as on2
will be devoted to2
well illustrated in the2
the ray of light2
disk combinations a spectrum2
will appear on the2
as there is no2
and the whole matter2
to an enormous extent2
pigmentary imitation of the2
of the wheel and2
throughout the colouring of2
exposure to air and2
more or less closely2
now i speak of2
quantity of another color2
to the two former2
and some kind of2
neutral black and white2
that if you take2
sometimes had the curiosity2
change of colour in2
forms of asperity in2
tint of the color2
has been supposed to2
the properties of pigments2
the compound would be2
from one to another2
all color perceptions are2
i have at present2
concurr to the production2
of these two colours2
not think it strange2
by the rotation of2
nature and art may2
on exposure to the2
the same thing may2
of the medium is2
the juices of vegetables2
anemonies and corals are2
what is technically termed2
that the colour was2
in the style of2
of a convenient quantity2
that some of these2
the complementary of red2
of a white object2
one of those colours2
result from the mixture2
in the colouring of2
known to the palette2
to the royal society2
has been newly said2
it is a greenish2
which may be tried2
rest of what is2
range of the spectrum2
the presence or absence2
of asperity in the2
to give the appearance2
in the same scale2
very light tints and2
retina of the eye2
consulting the lists given2
it upon a white2
of bichromate of potash2
to the purely scientific2
the color indicated by2
more and more perfect2
real and emphatical colours2
is passed through a2
at sunset and sunrise2
the complementaries of the2
there are also some2
primary school color wheel2
betwixt the eye and2
the blueness of the2
levana being the winter2
we mean those in2
the colouring of the2
a local and auxiliary2
six standard scales in2
a place in the2
close to the spectator2
the sun upon a2
with bichromate of potash2
the relation of the2
state of the atmosphere2
in a system of2
colours are said to2
i have taken notice2
of those tints which2
is made by adding2
the coalition of metalline2
and hence if a2
and more broken than2
and pasting designs in2
more than a passing2
the regions of the2
think it may be2
and of a more2
and the presence of2
a good proportion of2
pertinent to our present2
believe to be the2
of soda and sulphide2
that surface upon which2
the three primaries red2
black substances reflect a2
one colour by another2
the use of which2
i have said of2
oyl of tartar per2
the appearance of ultramarine2
for the shadows of2
native and artificial ultramarines2
not in some cases2
the orange and green2
and we have also2
it is certain that2
is a very interesting2
color standards were chosen2
after what i have2
within the last few2
who have not had2
and other diaphanous bodies2
the use of a2
two or more colors2
is a smoke black2
will convince any one2
we believe to be2
an example of this2
form of a white2
which may be added2
the style of colouring2
and down in the2
the artists and the2
tendency to darken by2
may take notice of2
those harmonies in which2
made by mixing the2
white paper held near2
the shades of yellow2
i made use of2
laid on the desk2
would not at all2
have not had kindergarten2
balance of warm and2
of the struggle for2
explication of some colours2
for a writer to2
oyl of vitriol as2
to you about the2
as in the works2
to all other colours2
is clear that the2
be the seat of2
lay the spectrum in2
of these colours are2
the three sorts of2
strong and well filtrated2
in the glass of2
the grass to be2
a careful examination of2
have seen in the2
that even in a2
taken pleasure to make2
upon a white paper2
are cooler than the2
intense upon that surface2
fairly well illustrated in2
somewhat more asperous than2
i have done the2
being a sort of2
phase of the subject2
rules for producing pictures2
do as it were2
that has no colour2
proportion of the solution2
is apt to lose2
pith of the optick2
the disks of the2
of a black colour2
the spectrum in the2
end of the second2
of disks on the2
the preservation of favoured2
the colours on the2
a light tint may2
does as it were2
it matters little whether2
this latter colour would2
should be able to2
a very small quantity2
must take leave to2
one of those two2
may contribute to the2
tested by the color2
the necessity for a2
and it is a2
through the medium of2
the sulphureous principle in2
will add an experiment2
three sizes of disks2
with the yellow rays2
about the production of2
the class of russet2
diluted with a large2
of the most general2
colour contiguous to the2
style of cuyp and2
might with advantage be2
came in at the2
marked by a dark2
be made by the2
with the disks of2
the body of a2
to disclose the colour2
sides obverted to the2
have not found that2
to obtain a pure2
little doubt that the2
the red thrids were2
comparing it with a2
the cloistered tone of2
most and dissolved p2
pigment peculiar to oil2
in fixing in the2
and may be used2
the marginal tentacles of2
in the argus pheasant2
either of the sulphureous2
it does not follow2
be employed in the2
to our present scope2
immediate cause of colour2
a darker colour than2
residing in the body2
upon that surface upon2
be shown with the2
deprive it of its2
in skies and distances2
form as well as2
part of between the2
you shall see the2
such as the lakes2
the title of his2
brown stil de grain2
and the rest of2
i found the light2
or any other convenient2
of a spectrum color2
for the dark markings2
be liable to suffer2
has the effect of2
what use may be2
other blues of cobalt2
that of the chymists2
is owing to this2
whereby a liquor may2
a very small portion2
of the reflected light2
opaque oxide of chromium2
with the disks and2
cobalt and purple madder2
i elsewhere told you2
straight line from g2
small parcel of a2
to them in their2
promiscuous experiments about colours2
the blue and yellow2
one or both of2
the sympathy and antipathy2
brown is the most2
or even a color2
lightest tints and deepest2
purple made the purple2
the blew and red2
is better than the2
by mixture of three2
the object of that2
appears to be a2
water than in oil2
from those of the2
harmonies we mean those2
in opacous bodies by2
for my part i2
to supply the deficiencies2
in a due proportion2
the affusion of oyl2
as is usual in2
the words places and2
can be very nearly2
to be a mixture2
for instance in the2
the want of a2
which it is viewed2
is often marked by2
to begin the experiments2
in the bradley colored2
study of color in2
superficies of a body2
detractors of modern pigments2
it may be prepared2
a dozen years ago2
nature of the body2
a spark of colour2
in all cases the2
he finds to be2
light to pass through2
is in other respects2
by dislocating the parts2
with a piece of2
as may appear by2
will appear to be2
to take this occasion2
in which we are2
enable a man to2
a multitude of small2
to reduce them to2
have to do with2
at the hole were2
more or less deep2
compound has the objection2
both the infusion of2
the spectrum colors as2
insert part of between2
the work of the2
disposition of its parts2
or nearly the whole2
is the most important2
the confession of the2
of the things i2
spindle of the wheel2
a quality residing in2
of such bodies as2
the presence of a2
and therefore it may2
the changes of the2
hue of a color2
is a color in2
proportions of the component2
will be quite difficult2
the subject of harmonies2
the acetates of lead2
lists given of permanent2
the colours of opacous2
academy at burlington house2
which interferes with its2
composed of blue and2
of the component colours2
shall hereafter have occasion2
quantity of good oyl2
colours depend upon the2
will find in the2
central vertical column in2
is the most retiring2
due to the presence2
black and neutral grays2
that we have not2
as the glass is2
remark that it seems2
often formed by the2
the mixture of white2
might be made to2
further instances of this2
the intermediate hues may2
is applied directly to2
like that of rhamni2
the body it self2
effects which can be2
ten millionths of a2
the course of a2
more beautiful while moist2
it may be laid2
at least as well2
rather than with red2
for this reason the2
a way of producing2
and purple made the2
after washing and drying2
juice of this spice2
these and the like2
the asperity of the2
the most intense expression2
by a solution of2
is often spoken of2
have colour to be2
number of simple arrangements2
what i have been2
shade from light to2
be extracted from the2
of the iris that2
in this and other2
from the question of2
to the sun and2
are suited to the2
to which we shall2
the addition of any2
a third part of2
divers other things that2
are due to the2
here and there more2
of potash is added2
that the colour in2
orange spot in the2
lead and prussian blue2
this is no place2
it is made by2
seat of vivid colour2
cerulian blue or coeruleum2
one set of disks2
and blew made a2
of rays necessary to2
of the single corpuscles2
may be very beautiful2
that oyl of tartar2
five per cent of2
little agitation of the2
to invite you to2
the colours to be2
of warm and cold2
the tint of air2
produce a neutral gray2
a fact which is2
of the red and2
wet and dry processes2
two or more colours2
will be readily seen2
the truths regarding color2
i have been led2
that it reflected a2
beginning of this essay2
the degree of fire2
exercise in broken colors2
by the acid spirit2
which is the only2
but a heap of2
the same colour with2
it may likewise be2
of the same nature2
under a low degree2
by shewing that the2
must mention to you2
be admitted that the2
the children have become2
the conjecture i was2
part of secondary feather2
of the two liquors2
cutting and pasting may2
a compound analogous to2
affusion of a convenient2
permanent primary and secondary2
disk combined with a2
the honour to be2
predominance of blue in2
cannot in all cases2
to which these arrangements2
white disks on the2
with which they are2
to return to the2
and beauty of the2
of divers other mineral2
of colour to be2
even in those bodies2
experiments of this kind2
obverted to the sun2
these effects are imitated2
seem to be very2
the light to be2
even in the highest2
the pigment known as2
to reflect much light2
and in hue from2
in which the most2
to the body is2
of the greatest value2
in thinking over this2
the animal grows older2
us that it is2
and with the same2
the first may be2
and is supposed to2
to form a chart2
i am not sure2
i found that by2
more suited to the2
a quarter of a2
the mean or middle2
narrow part of the2
as seen by the2
hyposulphite of soda and2
chromate of lead and2
i confess to you2
pigment yields a semi2
drop a little of2
i have made use2
beams of light are2
should be of a2
the rays are absorbed2
to each other in2
laid over one another2
may be introduced for2
on the top of2
not from other colours2
less than any other2
he found it so2
for some of the2
our knowledge of the2
colours with which it2
the opinions of the2
in the mind of2
but that in this2
eligible either in water2
are to be had2
belong to a class2
well in oil and2
mixed solution of the2
a sign of distance2
so nearly complementary to2
would tarnish the green2
a trial of this2
as well as all2
you when you please2
coloured by the light2
the cleer solution of2
concerning the way of2
exposure to the air2
the notion i have2
it will suffice to2
to tints and shades2
and there are other2
there can be obtained2
the lightest tints and2
in virtue of which2
the liquor that affords2
i could here subjoyn2
drops of a strong2
the eyes are fixed2
some means by which2
by which the colour2
small parts of the2
quantity of oyl of2
a good tincture of2
and transparency of prussian2
change of colours in2
attention of the children2
of the experience of2
by which we may2
those of the other2
in the mean time2
of sulphur per campanam2
bodies reflect the most2
i know not what2
to bear in mind2
colors adjacent in the2
he was born fit2
seems to be no2
i shall need but2
colour of the syrrup2
the bianchi contend that2
less to be depended2
it should be objected2
drawn with spirit of2
obtain a pure green2
to the purposes of2
we thought fit to2
with red and orange2
red hue of orange2
at the nature of2
the differences of salts2
does not depend upon2
oyl of sulphur per2
and in this case2
by shaking the vial2
not whether it will2
a piece of cloath2
attention of the reader2
complement of rays necessary2
in which they predominate2
the basis of an2
be made with the2
object of that colour2
about half an inch2
ourselves to the animal2
be shown at the2
may be divided into2
in mixture and glazing2
and if i did2
may suffice to give2
in the substance of2
all the appearance of2
is prepared by precipitating2
standards and two grays2
which i can show2
as that of salt2
must be given to2
the colouring of a2
put it into a2
if instead of this2
the most part have2
convince any one that2
the colours with which2
we may look upon2
the joining of the2
the vegetable or animal2
need not tell you2
a white disk of2
in its deep washes2
there may be other2
must be employed with2
become familiar to the2
that the decoration of2
and that it is2
this class of colouring2
neutral gray paper no2
that it is equally2
of the tinctures of2
if we take the2
the mixture of these2
in making shades of2
the six colors from2
insert the participle it2
brought into contact with2
affusion of a little2
of colour observable in2
as will prevent their2
i formerly noted touching2
but if on the2
our author tells us2
the most permanent and2
the changes of colour2
as soon as it2
have done the same2
is seen in our2
the fact that the2
would perhaps have been2
it is quite impossible2
by the bare affusion2
proceed to tell you2
the colour of them2
use of color material2
doubt whether it be2
the marginal note l2
way of making lakes2
and the other yellow2
decolourised by sulphuretted hydrogen2
as well as other2
not necessary that the2
in the broken colors2
the seen parts of2
that there are but2
lessen the wonder of2
be precipitated out of2
in the superficial parts2
of red and yellow2
bichromate of potash and2
all of which is2
what may be termed2
to each other and2
that the number of2
of the natural color2
produce a new colour2
either of surface or2
pigments will show to2
blue is a colour2
we have sometimes found2
i shall have occasion2
as chymists call it2
of the details of2
words places and the2
at which it has2
more or less fully2
the change from spots2
not been taken notice2
the lights on objects2
these arrangements may be2
is composed of the2
since the writing of2
by the confession of2
where he treats of2
the physical superficies of2
would not be so2
belongs to the class2
a clear idea of2
may have the same2
that rebound from the2
color is contrasted with2
the appearance of a2
such as can be2
a very white object2
or with spirit of2
but owing to the2
of the drawing or2
to swell the list2
the leisure to discourse2
great depth and transparency2
small vial full of2
tells us that it2
to recall the color2
on this occasion it2
the distinguishing of the2
i doubt whether it2
case of the argus2
has never been a2
no small assistance to2
a blue could be2
colours from being so2
and as soon as2
is technically termed repose2
some of them red2
of the parts which2
in those parts of2
very many of the2
by many of the2
others told him by2
the bradley educational colored2
color which is the2
action of the other2
adding to a solution2
for so many years2
of spectrum colors than2
to declare my meaning2
from a concave looking2
in thin washes or2
are no good pigments2
and not to be2
to whom he was2
appear of a much2
to be the only2
is used as a2
that a very small2
the participle it between2
trajection of light through2
with the red of2
that of the rest2
of the colors of2
in hue by being2
on one side and2
of the leaves of2
the basis of all2
of it may be2
said to be coloured2
what they call the2
beginning at the lightest2
hues between each two2
and by the same2
the beginning of this2
borne in mind that2
the use of disks2
for the shade of2
as well as their2
if the wheel is2
are placed side by2
an attempt to match2
light and dark colors2
i did not find2
to one part of2
would not have been2
colours seem to be2
a little prussian blue2
are found in the2
of the body it2
will prevent their appearing2
colours in the various2
of the sky would2
although not to be2
of the spectrum scales2
and you have the2
in its pale tints2
if more than two2
in the last chapter2
best and most permanent2
to entertain you with2
may be said of2
a dark dorsal stripe2
rays which are partly2
its pale washes are2
wherefore i shall now2
durable by being compounded2
the variations of colour2
of the second eperiment2
be identical with the2
grounds on which they2
and for this reason2
is our object to2
in a piece of2
even in cold water2
the purest possible expressions2
of all the spectrum2
the full red disk2
a black disk in2
colour to be an2
a very broken color2
i shall at present2
a different hue from2
trajected through a triangular2
to the eyes of2
the reason seems to2
in the selection of2
all the powers of2
give the appearance of2
be made probable by2
the disks it is2
for producing pictures in2
from the kindergarten to2
of the thickness of2
the smooth surface of2
those that are otherwise2
and two shades of2
as may be beautifully2
belongs to the family2
in confirmation of what2
the tinctures of cochineel2
spark of colour against2
which seem to be2
clear idea of the2
know the grass to2
parts of the subject2
the other side of2
the explication of some2
have made use of2
done the same thing2
shown on the color2
of artificial ultramarine was2
by oyl of tartar2
science of color and2
maxwell color disks are2
by pouring in a2
the spirit of oak2
not for some scruple2
nature of light and2
which may be seen2
more or less irregular2
the other parts of2
expect to find the2
is chiefly employed in2
the substantial forms of2
saline particles of the2
with tints and shades2
of a reddish colour2
black and white from2
are cases in point2
to a dark and2
is met with in2
the publication of the2
the compounding of colours2
and the whole picture2
you in mind of2
yields a fugitive mixture2
appear of differing colours2
combinations a spectrum color2
very much depend upon2
of white paper held2
of the production of2
as might be expected2
the words most and2
a tint of the2
in the former case2
as it is likewise2
of the same hue2
colored papers in the2
coloured rays of the2
either of the other2
must be directed to2
for if you take2
or spirit of nitre2
as the beginning of2
you look upon a2
which the use of2
is made of the2
which they have been2
yet in this case2
in the habit of2
seems to be true2
is a lighter and2
of the vividness of2
but it is hoped2
it a convenient proportion2
the various parts of2
it may be used2
that came in at2
means of a convex2
the colouring matter consists2
of disks for above2
it can not be2
white nor black are2
most intense upon that2
we thus see that2
the same color as2
to which they give2
most part of the2
by those who have2
in the eighth chapter2
the harmony of the2
the external part of2
colouring and colours of2
pretty quantity of spirit2
if we take from2
and plants under domestication2
above a quarter of2
i did not well2