This is a table of type quadgram and their frequencies. Use it to search & browse the list to learn more about your study carrel.
quadgram | frequency |
---|---|
for the first time | 41 |
glimpses of unfamiliar japan | 34 |
by guy de maupassant | 32 |
on the subject of | 30 |
at the same time | 28 |
at the foot of | 27 |
one of the most | 27 |
out of the east | 27 |
the sound of the | 26 |
for the sake of | 25 |
the face of the | 24 |
i do not know | 23 |
on the other hand | 23 |
the french west indies | 23 |
the time of the | 22 |
two years in the | 22 |
the soul of the | 22 |
years in the french | 21 |
in spite of the | 21 |
the festival of the | 21 |
in the french west | 21 |
of the milky way | 20 |
the edge of the | 20 |
the life and letters | 20 |
and there is a | 19 |
seems to have been | 19 |
the name of the | 19 |
at the end of | 19 |
the foot of the | 19 |
life and letters of | 19 |
the romance of the | 18 |
in the west indies | 18 |
on either side of | 18 |
the shadow of the | 18 |
romance of the milky | 18 |
an attempt at interpretation | 18 |
the end of the | 18 |
letters of lafcadio hearn | 18 |
in front of the | 18 |
the life of the | 17 |
in the course of | 17 |
in the time of | 17 |
the top of the | 17 |
the verge of the | 17 |
it is said that | 17 |
the greater part of | 17 |
is one of the | 17 |
and letters of lafcadio | 17 |
the rest of the | 16 |
the voice of the | 16 |
the manner in which | 16 |
the head of the | 16 |
to be found in | 16 |
in the midst of | 15 |
of the far east | 15 |
in the middle of | 15 |
festival of the dead | 15 |
the form of a | 15 |
the names of the | 14 |
in the united states | 14 |
the goddess of the | 14 |
as a general rule | 14 |
in the land of | 14 |
in a letter to | 14 |
the heart of the | 14 |
a review of the | 14 |
it is more than | 14 |
at the time of | 13 |
in the imperial university | 13 |
in the matter of | 13 |
i do not think | 13 |
to be able to | 13 |
in the centre of | 13 |
goddess of the sun | 13 |
in the way of | 13 |
the other side of | 13 |
boston and new york | 13 |
the faces of the | 13 |
province of the gods | 13 |
would seem to have | 13 |
the middle of the | 13 |
either side of the | 13 |
other side of the | 13 |
for the most part | 12 |
the great deity of | 12 |
the shrine of the | 12 |
the jardin des plantes | 12 |
in one of his | 12 |
to do with the | 12 |
is said to be | 12 |
the province of the | 12 |
a review of japan | 12 |
during the course of | 12 |
as well as the | 12 |
it seems to me | 12 |
seem to have been | 12 |
it seemed to me | 11 |
it is true that | 11 |
from time to time | 11 |
that he could not | 11 |
the feet of the | 11 |
of the goddess of | 11 |
the beginning of the | 11 |
in the presence of | 11 |
it would have been | 11 |
on the part of | 11 |
there is also a | 11 |
the coming of the | 11 |
to right and left | 11 |
to left and right | 11 |
there can be no | 11 |
the place of the | 11 |
of the festival of | 11 |
for the purpose of | 11 |
the story of the | 11 |
the sake of the | 11 |
and it is not | 11 |
in the far east | 11 |
the face of a | 11 |
the shape of a | 11 |
in the shape of | 10 |
the rim of the | 10 |
which is in the | 10 |
of gleanings in buddha | 10 |
the memory of the | 10 |
the body of a | 10 |
but i do not | 10 |
the roofs of the | 10 |
to look at the | 10 |
the subject of the | 10 |
i am going to | 10 |
to the memory of | 10 |
the sight of the | 10 |
there is not a | 10 |
greater part of the | 10 |
but it is a | 10 |
the head of a | 10 |
the owner of the | 10 |
you do not know | 10 |
it is impossible to | 10 |
the origin of the | 10 |
the legend of the | 10 |
in one of the | 10 |
in the province of | 10 |
it is difficult to | 10 |
the form of the | 10 |
a part of the | 9 |
of the seventh month | 9 |
is said to have | 9 |
there are no more | 9 |
said to have been | 9 |
one hundred and fifty | 9 |
the use of the | 9 |
the eyes of the | 9 |
for the use of | 9 |
to the fact that | 9 |
of the life and | 9 |
the staff of the | 9 |
the farther end of | 9 |
the mouth of the | 9 |
a review of gleanings | 9 |
the size of the | 9 |
i would like to | 9 |
review of gleanings in | 9 |
and there are many | 9 |
the bottom of the | 9 |
under the title of | 9 |
the charm of the | 9 |
have been able to | 9 |
the work of the | 9 |
the morning of the | 9 |
years of his life | 9 |
the murmur of the | 9 |
day of the seventh | 9 |
of a myriad souls | 9 |
on the staff of | 9 |
the summit of the | 9 |
the house of the | 9 |
the history of the | 9 |
the street of the | 9 |
it is well to | 9 |
in the shadow of | 9 |
the imperial university of | 9 |
in the house of | 9 |
was one of the | 9 |
of the normal school | 9 |
farther end of the | 8 |
for the last time | 8 |
to the west indies | 8 |
it is in the | 8 |
the temple of the | 8 |
at the feet of | 8 |
in the direction of | 8 |
the voices of the | 8 |
morne de la croix | 8 |
towards the end of | 8 |
a certain number of | 8 |
the great temple of | 8 |
a great deal of | 8 |
on the morning of | 8 |
the folds of the | 8 |
the period of the | 8 |
letters from the raven | 8 |
the neighbourhood of the | 8 |
the secret of the | 8 |
under the shadow of | 8 |
the light of the | 8 |
in the village of | 8 |
the clapping of hands | 8 |
he was able to | 8 |
for a little while | 8 |
as that of a | 8 |
under the influence of | 8 |
in the heart of | 8 |
it may not be | 8 |
in spite of his | 8 |
for the rest of | 8 |
the side of the | 8 |
than that of the | 8 |
of a beautiful woman | 8 |
in spite of all | 8 |
of one of the | 8 |
in the case of | 8 |
in consequence of the | 8 |
revue des deux mondes | 8 |
on the summit of | 8 |
the beauty of the | 8 |
at the farther end | 8 |
a certain amount of | 8 |
as if they were | 8 |
of glimpses of unfamiliar | 8 |
the morne de la | 8 |
to me that i | 8 |
the course of his | 8 |
the left of the | 8 |
to go to the | 8 |
a review of kokoro | 8 |
lady of a myriad | 8 |
to return to the | 8 |
in the streets of | 8 |
the land of the | 8 |
on english literature in | 7 |
on the other side | 7 |
in the form of | 7 |
the leaves of the | 7 |
at the bottom of | 7 |
side of the island | 7 |
is that of a | 7 |
other parts of japan | 7 |
of the west indies | 7 |
the appearance of a | 7 |
by the fact that | 7 |
i cannot tell you | 7 |
to the left of | 7 |
in the habit of | 7 |
midsummer trip to the | 7 |
it is easy to | 7 |
the sound of a | 7 |
there is no sky | 7 |
as soon as the | 7 |
the spirit of the | 7 |
but it is not | 7 |
there was not a | 7 |
so far as the | 7 |
a quarter of a | 7 |
two hundred and fifty | 7 |
and there is no | 7 |
in the creole of | 7 |
the gate of the | 7 |
the door of the | 7 |
leaves from strange literature | 7 |
that is to say | 7 |
on the evening of | 7 |
over and over again | 7 |
member of the family | 7 |
for a long time | 7 |
literature in the imperial | 7 |
the end of his | 7 |
the knowledge of the | 7 |
lecturer on english literature | 7 |
and the sound of | 7 |
i was able to | 7 |
out of the question | 7 |
of the most beautiful | 7 |
and i do not | 7 |
quarter of the fort | 7 |
in the neighbourhood of | 7 |
the entrance of the | 7 |
through the medium of | 7 |
in the city of | 7 |
to the top of | 7 |
not be able to | 7 |
the centre of the | 7 |
as well as a | 7 |
of the province of | 7 |
a member of the | 7 |
the goddess of mercy | 7 |
manner in which he | 7 |
in the attitude of | 7 |
the lady of a | 7 |
it is believed that | 7 |
letter to his sister | 7 |
in other parts of | 7 |
like the sound of | 7 |
after his arrival in | 7 |
in the history of | 7 |
the students of the | 7 |
english literature in the | 7 |
the foot of a | 7 |
is well to remember | 7 |
as that of the | 7 |
is to be found | 7 |
there is nothing in | 7 |
review of the life | 7 |
great deity of kitzuki | 7 |
their way to the | 7 |
the lights of the | 7 |
of the great temple | 7 |
as if they had | 7 |
in consequence of his | 7 |
the water of the | 6 |
to the verge of | 6 |
is supposed to have | 6 |
the heart of a | 6 |
the art of the | 6 |
he was wont to | 6 |
trip to the tropics | 6 |
the power of the | 6 |
of the nineteenth century | 6 |
of the antique world | 6 |
the image of a | 6 |
his wife tells us | 6 |
in a country where | 6 |
by the light of | 6 |
of the romance of | 6 |
stray leaves from strange | 6 |
and there are no | 6 |
hundred and fifty years | 6 |
by the power of | 6 |
of the new orleans | 6 |
as if i were | 6 |
a review of shadowings | 6 |
will not be able | 6 |
at the head of | 6 |
in the light of | 6 |
the effect of the | 6 |
a midsummer trip to | 6 |
is the shrine of | 6 |
up and down the | 6 |
course of his life | 6 |
of the common people | 6 |
the twilight of the | 6 |
the rising of the | 6 |
and it is a | 6 |
at the top of | 6 |
to the temple of | 6 |
at the age of | 6 |
a letter to his | 6 |
it is supposed to | 6 |
review of the romance | 6 |
in the reign of | 6 |
may be able to | 6 |
of the people of | 6 |
the dream of a | 6 |
is a sort of | 6 |
at the beginning of | 6 |
like that of the | 6 |
be found in the | 6 |
in the name of | 6 |
different from that of | 6 |
more than two hundred | 6 |
of the new year | 6 |
tam ni pou tam | 6 |
know what to do | 6 |
to the place of | 6 |
seemed to me that | 6 |
to that of the | 6 |
the heat of the | 6 |
i should like to | 6 |
but this is not | 6 |
those who have never | 6 |
the worship of the | 6 |
she was of the | 6 |
and all at once | 6 |
a few of the | 6 |
the interior of the | 6 |
the souls of the | 6 |
to have been a | 6 |
of the inland sea | 6 |
one of his own | 6 |
for the souls of | 6 |
of the manner in | 6 |
the midst of the | 6 |
the majority of the | 6 |
the sign of the | 6 |
that it was a | 6 |
in the same way | 6 |
the shape of the | 6 |
in a little while | 6 |
the smile of the | 6 |
of the spirit of | 6 |
it is necessary to | 6 |
the bulk of the | 6 |
in the dead of | 6 |
the end of a | 6 |
the name of a | 6 |
is by no means | 6 |
the speech of the | 6 |
in front of him | 6 |
the hand of the | 6 |
the cave of the | 6 |
the eyes of a | 6 |
the green of the | 6 |
in regard to the | 6 |
the new orleans period | 6 |
the whole of the | 6 |
it is not a | 6 |
it was one of | 6 |
to the soul of | 6 |
into the body of | 6 |
the land of izumo | 6 |
the humming of the | 6 |
if he had been | 6 |
ni pou tam ni | 6 |
the tale of the | 6 |
the birth of his | 6 |
village of morne rouge | 6 |
bed of the river | 6 |
it seems as if | 6 |
in the interior of | 5 |
two hundred years ago | 5 |
thousands of miles away | 5 |
the people of oki | 5 |
this part of the | 5 |
i am not sure | 5 |
as i looked at | 5 |
there is only a | 5 |
that he did not | 5 |
during the period of | 5 |
there is always a | 5 |
that it is not | 5 |
to a great extent | 5 |
so far as i | 5 |
do not know what | 5 |
of the open ports | 5 |
up from the sea | 5 |
the long white bridge | 5 |
there is only one | 5 |
of the japanese woman | 5 |
he seems to have | 5 |
of the times democrat | 5 |
the river of the | 5 |
little more than a | 5 |
the city of st | 5 |
be able to get | 5 |
naked to the waist | 5 |
members of the family | 5 |
i have not yet | 5 |
on their way to | 5 |
not like me to | 5 |
the first sight of | 5 |
he seemed to be | 5 |
seems to me that | 5 |
the quarter of the | 5 |
in the temple of | 5 |
of his wife and | 5 |
the idea of a | 5 |
i have never seen | 5 |
the houses of the | 5 |
never been able to | 5 |
of the beauty of | 5 |
time for make merry | 5 |
not been able to | 5 |
it is alleged that | 5 |
the hands of the | 5 |
of the river of | 5 |
city of the province | 5 |
even unto this day | 5 |
a torii before it | 5 |
the population of the | 5 |
that he had been | 5 |
so as to form | 5 |
soul of the far | 5 |
gleanings in buddha fields | 5 |
is the story of | 5 |
with the exception of | 5 |
there is nothing to | 5 |
got time for make | 5 |
i do not believe | 5 |
the death of the | 5 |
fastened to the wall | 5 |
the touch of the | 5 |
the region of the | 5 |
by the name of | 5 |
the condition of the | 5 |
the charm of a | 5 |
that i have been | 5 |
in the houses of | 5 |
after the manner of | 5 |
on the side of | 5 |
of the good law | 5 |
there is a great | 5 |
from house to house | 5 |
in the opinion of | 5 |
more than a hundred | 5 |
to take care of | 5 |
the figure of a | 5 |
before he went to | 5 |
i am looking at | 5 |
is not difficult to | 5 |
for permission to quote | 5 |
in the open ports | 5 |
the temple of yaegaki | 5 |
over the edge of | 5 |
the fact that the | 5 |
the evening of the | 5 |
i want to see | 5 |
look in vain for | 5 |
at the expense of | 5 |
with a sort of | 5 |
it was impossible to | 5 |
of the temple of | 5 |
the ghost of a | 5 |
well to remember that | 5 |
it is the custom | 5 |
a little cup of | 5 |
the color of the | 5 |
fell in love with | 5 |
the very essence of | 5 |
after the lapse of | 5 |
a review of glimpses | 5 |
the body of the | 5 |
you will find that | 5 |
in the face of | 5 |
some of the most | 5 |
the editor of the | 5 |
to look at her | 5 |
a glimpse of the | 5 |
but it is more | 5 |
to see and to | 5 |
it is to be | 5 |
by way of the | 5 |
in the twilight of | 5 |
in the speech of | 5 |
the son of a | 5 |
the right of the | 5 |
of the three roads | 5 |
sense of beauty and | 5 |
into a sort of | 5 |
when the weather is | 5 |
out of the water | 5 |
the colour of the | 5 |
the last of the | 5 |
been given to the | 5 |
the thought of the | 5 |
the market of the | 5 |
dead of the night | 5 |
it was found that | 5 |
the children of the | 5 |
to prove that the | 5 |
it is the old | 5 |
because there is a | 5 |
it is only in | 5 |
in different parts of | 5 |
on the top of | 5 |
there is no moon | 5 |
in less than two | 5 |
so as to leave | 5 |
we can see the | 5 |
in a few minutes | 5 |
and one of the | 5 |
is not to be | 5 |
broken only by the | 5 |
is the face of | 5 |
at the base of | 5 |
on the edge of | 5 |
in the court of | 5 |
the new orleans exposition | 5 |
to the house of | 5 |
the soul of his | 5 |
to do with his | 5 |
as far as the | 5 |
am not able to | 5 |
i think it is | 5 |
the son of heaven | 5 |
i could not have | 5 |
the wisdom of the | 5 |
the wall of the | 5 |
flight of stone steps | 5 |
quarter of a mile | 5 |
it not been for | 5 |
i have not been | 5 |
the image of the | 5 |
permission to quote from | 5 |
at the cost of | 5 |
the presence of the | 5 |
of sky and sea | 5 |
i have been able | 5 |
the shadow of a | 5 |
had it not been | 5 |
as soon as they | 5 |
the booming of the | 5 |
the construction of the | 5 |
you are not a | 5 |
the dance of the | 5 |
of out of the | 5 |
for more than a | 5 |
review of glimpses of | 5 |
came to the house | 5 |
roofs of the town | 5 |
the study of the | 5 |
is supposed to be | 5 |
the first of the | 5 |
that it was not | 5 |
dry bed of the | 5 |
but there is no | 5 |
the nature of the | 5 |
the figure of the | 5 |
the dead of the | 5 |
does not seem to | 5 |
the upper part of | 5 |
is covered with a | 5 |
he would have been | 5 |
the most ancient shrine | 5 |
of the zen sect | 5 |
the memory of a | 5 |
it is also a | 5 |
of the kobe chronicle | 5 |
like that of a | 5 |
to be one of | 5 |
to get rid of | 5 |
the idea of the | 5 |
there is a little | 5 |
the chief city of | 5 |
is not likely to | 5 |
make the sign of | 5 |
in proportion to the | 5 |
a visit to the | 5 |
one of his letters | 5 |
to live in the | 5 |
from the fact that | 5 |
at the close of | 5 |
it was a very | 5 |
early in the morning | 5 |
the sight of a | 5 |
professor basil hall chamberlain | 5 |
the spirits of the | 5 |
it is said to | 5 |
the la guayra was | 5 |
the light of a | 5 |
chief city of the | 5 |
as if he had | 5 |
be able to do | 5 |
about the size of | 5 |
with a view to | 5 |
never to be forgotten | 4 |
his way to the | 4 |
the tints of the | 4 |
in a letter written | 4 |
to the other side | 4 |
the rear of the | 4 |
we take our way | 4 |
of the ancient gods | 4 |
he was obliged to | 4 |
would not like me | 4 |
as well as in | 4 |
be one of the | 4 |
with a pair of | 4 |
in honour of the | 4 |
the opening of the | 4 |
since the time of | 4 |
it would not be | 4 |
what is called the | 4 |
and her eyes were | 4 |
a portion of the | 4 |
hundred and sixty years | 4 |
the strength of the | 4 |
a work of art | 4 |
had been able to | 4 |
on his way to | 4 |
blue of the sky | 4 |
the women of the | 4 |
for the space of | 4 |
like me to know | 4 |
the very heart of | 4 |
within the memory of | 4 |
did not know what | 4 |
to the spirit of | 4 |
life of the people | 4 |
the god of poverty | 4 |
one of the greatest | 4 |
he could not even | 4 |
by harper and brothers | 4 |
court of the temple | 4 |
over its beach of | 4 |
to the period of | 4 |
do not think that | 4 |
was wont to say | 4 |
the first time since | 4 |
the eye of the | 4 |
sudden leap of the | 4 |
the dry bed of | 4 |
and their prayer is | 4 |
the daughter of a | 4 |
it seems to be | 4 |
is that of the | 4 |
at the market of | 4 |
the mountains and the | 4 |
though i am not | 4 |
i do not want | 4 |
in the place of | 4 |
it is not likely | 4 |
to the degree of | 4 |
crime of sylvestre bonnard | 4 |
of the issuing of | 4 |
the crime of sylvestre | 4 |
but in spite of | 4 |
and the dreams of | 4 |
each side of the | 4 |
by contrast with the | 4 |
is believed to be | 4 |
it is one of | 4 |
it is probable that | 4 |
the day of his | 4 |
to have the power | 4 |
is given to the | 4 |
the fashion of the | 4 |
end of his stay | 4 |
japanese in the imperial | 4 |
of the idea of | 4 |
seemed to me a | 4 |
to the extent of | 4 |
the course of a | 4 |
a considerable amount of | 4 |
the time of his | 4 |
of the name of | 4 |
the sea and the | 4 |
under the pressure of | 4 |
they will not be | 4 |
by maxime du camp | 4 |
which seemed to me | 4 |
the service of the | 4 |
all of a sudden | 4 |
not in the least | 4 |
the first time i | 4 |
i could not help | 4 |
the song of the | 4 |
for the soul of | 4 |
the greater number of | 4 |
the life of a | 4 |
the sale of the | 4 |
the people of the | 4 |
there is a something | 4 |
the gift of a | 4 |
not suffer me to | 4 |
of the great deity | 4 |
foot of the steps | 4 |
have the power of | 4 |
it is unnecessary to | 4 |
illustrations in the text | 4 |
in the days of | 4 |
there is a legend | 4 |
as if he were | 4 |
to the conclusion that | 4 |
the eye can reach | 4 |
it is thought that | 4 |
at the same hour | 4 |
to be very fond | 4 |
on the verge of | 4 |
in days gone by | 4 |
from glimpses of unfamiliar | 4 |
for the time being | 4 |
the rest of her | 4 |
the way of his | 4 |
either side of it | 4 |
in the sense of | 4 |
the sense of beauty | 4 |
seems to be a | 4 |
of the united states | 4 |
the names of gods | 4 |
that it is the | 4 |
the religion of the | 4 |
editor of the commercial | 4 |
to be a very | 4 |
far as the eye | 4 |
seems to me the | 4 |
the tablets of the | 4 |
a child of the | 4 |
it is scarcely possible | 4 |
the opposite side of | 4 |
of the value of | 4 |
it is full of | 4 |
it is the most | 4 |
by the spirit of | 4 |
there is a strange | 4 |
be able to find | 4 |
has to do with | 4 |
the words of the | 4 |
the tradition of the | 4 |
of the perpetual hills | 4 |
the struggle for life | 4 |
of the eighteenth century | 4 |
there used to be | 4 |
chinese and japanese characters | 4 |
land of the gods | 4 |
should be made of | 4 |
the hearts of all | 4 |
the back of the | 4 |
i had ever seen | 4 |
to visit the temple | 4 |
the first time he | 4 |
in the neighborhood of | 4 |
from those of the | 4 |
major charles bush hearn | 4 |
is it to be | 4 |
the sides of the | 4 |
lotus of the good | 4 |
at this time in | 4 |
of the women of | 4 |
different from those of | 4 |
and there was no | 4 |
part of the world | 4 |
to the right of | 4 |
i can tell you | 4 |
by the beauty of | 4 |
in any part of | 4 |
the story of o | 4 |
the riddle of the | 4 |
the first time the | 4 |
catch a glimpse of | 4 |
no sounds but the | 4 |
we can see him | 4 |
the truth of the | 4 |
ancient shrine in japan | 4 |
and the number of | 4 |
over the verge of | 4 |
brought up in the | 4 |
a good deal of | 4 |
translated by lafcadio hearn | 4 |
in love with a | 4 |
edge of the sea | 4 |
dance of the festival | 4 |
opposite side of the | 4 |
speech of the people | 4 |
the west indies and | 4 |
the pitons of carbet | 4 |
if there be no | 4 |
day in the orient | 4 |
and rinse their mouths | 4 |
the muttering of the | 4 |
the sea of japan | 4 |
i shall have to | 4 |
not seem to have | 4 |
of the fact that | 4 |
the period of his | 4 |
do not think i | 4 |
the ghosts of the | 4 |
the verge of a | 4 |
is believed that the | 4 |
out of the street | 4 |
steps leading to the | 4 |
the sixteenth day of | 4 |
the top of his | 4 |
as the eye can | 4 |
a few feet away | 4 |
revue politique et litteraire | 4 |
he was going to | 4 |
the great bell of | 4 |
only broken by the | 4 |
there comes to me | 4 |
and the night is | 4 |
he has not eyes | 4 |
his arrival in japan | 4 |
than two hundred years | 4 |
the memory of her | 4 |
the city of the | 4 |
that he would not | 4 |
the foundation of the | 4 |
the issuing of clouds | 4 |
market of the dead | 4 |
of the holy ghost | 4 |
but it is also | 4 |
has not yet been | 4 |
in the hearts of | 4 |
the hand of a | 4 |
and on either side | 4 |
that there is no | 4 |
will come back to | 4 |
the floor of the | 4 |
the skill of the | 4 |
like to look at | 4 |
about the same time | 4 |
he went to japan | 4 |
i will give you | 4 |
one of the best | 4 |
part of the island | 4 |
in the manner of | 4 |
the way to the | 4 |
to speak of the | 4 |
in a state of | 4 |
and at the same | 4 |
it was only a | 4 |
for a thousand years | 4 |
from neck to feet | 4 |
spirits of the dead | 4 |
the things of the | 4 |
of the clapping of | 4 |
there is scarcely any | 4 |
the new york no | 4 |
to the height of | 4 |
is the name of | 4 |
to take me to | 4 |
is kept in the | 4 |
of the history of | 4 |
revival of pure shinto | 4 |
the doors of the | 4 |
their prayer is heard | 4 |
you want me to | 4 |
in which he had | 4 |
in some of the | 4 |
the splendour of the | 4 |
to such an extent | 4 |
this is not the | 4 |
in the soul of | 4 |
i am not able | 4 |
from revue politique et | 4 |
was very fond of | 4 |
able to make a | 4 |
would have been impossible | 4 |
let me tell you | 4 |
at the imperial university | 4 |
upon the face of | 4 |
close to the paper | 4 |
it is possible to | 4 |
temple of the zen | 4 |
the ways of the | 4 |
so that when the | 4 |
to look at me | 4 |
ess ou ainmein moin | 4 |
i went to the | 4 |
it will not be | 4 |
i did not know | 4 |
to a buddhist temple | 4 |
seemed to me to | 4 |
it is a very | 4 |
to basil hall chamberlain | 4 |
was found that the | 4 |
are supposed to be | 4 |
a sound like the | 4 |
to the study of | 4 |
certainly one of the | 4 |
hours of the morning | 4 |
to say that the | 4 |
had written to him | 4 |
and the people of | 4 |
the age of the | 4 |
by the hand of | 4 |
so that i could | 4 |
as in the north | 4 |
the cry of the | 4 |
do not think it | 4 |
to die for his | 4 |
the village of morne | 4 |
to the sound of | 4 |
in a sort of | 4 |
and she talks to | 4 |
the blue of the | 4 |
comes to me the | 4 |
the world of the | 4 |
in the fashion of | 4 |
doomed to pass away | 4 |
upon the sixteenth day | 4 |
the small hours of | 4 |
of wind and sea | 4 |
there is even a | 4 |
a love that is | 4 |
did not seem to | 4 |
the breath of the | 4 |
needless to say that | 4 |
say there is no | 4 |
every now and then | 4 |
that he was a | 4 |
supposed to be very | 4 |
the best of all | 4 |
i have come to | 4 |
had been in the | 4 |
of the jinjo chugakko | 4 |
holding in one hand | 4 |
the bases of the | 4 |
to get to the | 4 |
shrine of the god | 4 |
are not to be | 4 |
under the name of | 4 |
the sound of her | 4 |
the character of the | 4 |
than those of the | 4 |
the faith of the | 4 |
different parts of the | 4 |
the size of a | 4 |
at one end of | 4 |
with regard to the | 4 |
american journal of sociology | 4 |
will be able to | 4 |
the course of the | 4 |
the roof of the | 4 |
the surface of the | 4 |
name of the dead | 4 |
to think of the | 4 |
i have ever seen | 4 |
most ancient shrine in | 4 |
it is noteworthy that | 4 |
the lovers of the | 4 |
never be able to | 4 |
not to be found | 4 |
the part of the | 4 |
in the beginning of | 4 |
drying in the sun | 4 |
the family of the | 4 |
i have seen you | 4 |
sixteenth day of the | 4 |
a trip to the | 4 |
the right side of | 4 |
by one of the | 4 |
of the struggle for | 4 |
the remainder of the | 4 |
of the god of | 4 |
of the ancient faith | 4 |
by the touch of | 4 |
the delight of the | 4 |
the lamps of the | 4 |
his father and mother | 4 |
all open to the | 4 |
the walls of a | 4 |
found that it was | 4 |
the imagination of the | 4 |
in the whole world | 4 |
i am glad to | 4 |
so far as his | 4 |
is easy to imagine | 4 |
of being able to | 4 |
twilight of the gods | 4 |
to the end of | 4 |
the close of the | 4 |
the sense of the | 4 |
la fille de couleur | 4 |
meeting of three ways | 4 |
one end of the | 4 |
beyond the reach of | 4 |
the mind of the | 4 |
at a distance of | 4 |
by order of the | 4 |
life at this time | 4 |
have been given to | 4 |
made up his mind | 4 |
the palace of the | 4 |
of the soul of | 4 |
at the normal school | 4 |
in the eyes of | 4 |
rising of the sun | 4 |
the foundation of all | 4 |
and a host of | 4 |
in the cave of | 4 |
at the sight of | 4 |
to go to a | 4 |
right side of the | 4 |
you would not like | 4 |
and this is the | 4 |
be sought in the | 4 |
at a time when | 4 |
for hundreds of years | 4 |
have not been able | 4 |
said to be a | 4 |
the streets of st | 4 |
is the tale of | 4 |
first day in the | 4 |
the lines of the | 4 |
to know something of | 4 |
in the jardin des | 4 |
the lotus of the | 4 |
he writes to mrs | 4 |
of his life in | 4 |
want to see the | 4 |
sometimes she was of | 4 |
the loveliness of the | 4 |
on the point of | 4 |
the edges of the | 4 |
that i could not | 4 |
if i had been | 4 |
that it was only | 4 |
a level with the | 4 |
to go back to | 4 |
and the more he | 4 |
with the idea of | 4 |
i have learned to | 4 |
a model of the | 4 |
something to do with | 4 |
of the island of | 4 |
he had been able | 4 |
the influence of the | 4 |
the exiled emperor go | 4 |
in any other country | 4 |
of the dead is | 4 |
in this land of | 4 |
at the verge of | 4 |
the american journal of | 4 |
the rest of his | 4 |
is the temple of | 4 |
of the great trees | 4 |
in a japanese house | 4 |
in a japanese garden | 4 |
month of the twenty | 4 |
it must have been | 4 |
the base of a | 4 |
was able to obtain | 4 |
the will of the | 4 |
of the most ancient | 4 |
the value of the | 4 |
there is a famous | 4 |
the bridge of the | 4 |
and that he was | 4 |
the meeting of three | 4 |
in the old days | 4 |
and the power of | 4 |
and there was a | 4 |
for the coming of | 4 |
was the daughter of | 4 |
the columns of the | 4 |
there is a long | 4 |
more than a generation | 3 |
there is no question | 3 |
to the sight of | 3 |
of the family is | 3 |
of the most famous | 3 |
be very fond of | 3 |
the governor of izumo | 3 |
is certainly one of | 3 |
rendered into english by | 3 |
from contes de la | 3 |
put an end to | 3 |
upper part of the | 3 |
the fathers of the | 3 |
shrine of the goddess | 3 |
as the walls of | 3 |
are made to the | 3 |
that the universe exists | 3 |
committed himself to the | 3 |
living and the dead | 3 |
of the third day | 3 |
hearn left new orleans | 3 |
it was in the | 3 |
first page of the | 3 |
more countless than the | 3 |
in consequence of this | 3 |
down together on the | 3 |
of ghosts and goblins | 3 |
the souls of little | 3 |
as a rule the | 3 |
on the right side | 3 |
at the door of | 3 |
what i am going | 3 |
to that most ancient | 3 |
looked upon as a | 3 |
there was no time | 3 |
in course of time | 3 |
is not easy to | 3 |
the appearance of the | 3 |
with the sense of | 3 |
there was a man | 3 |
is to be regretted | 3 |
the introduction of the | 3 |
the names of girls | 3 |
great temple of kitzuki | 3 |
the line of them | 3 |
of the most extraordinary | 3 |
what to do with | 3 |
it would be difficult | 3 |
in the guise of | 3 |
power of the gods | 3 |
there is a weird | 3 |
the azure of the | 3 |
his mode of thought | 3 |
over the roofs of | 3 |
as soon as he | 3 |
robed all in white | 3 |
the daughters of the | 3 |
it is not only | 3 |
composition by one of | 3 |
is so strong that | 3 |
mysterious soul in which | 3 |
in izumo and elsewhere | 3 |
the sense of awe | 3 |
do not believe in | 3 |
the knees of the | 3 |
the ranks of the | 3 |
two or three times | 3 |
is the sound of | 3 |
you are a protestant | 3 |
have lived in the | 3 |
of our own souls | 3 |
he has gone to | 3 |
the french impressionist school | 3 |
greater number of the | 3 |
i am afraid of | 3 |
one of his essays | 3 |
lafcadio hearn and his | 3 |
at a later day | 3 |
there are plenty of | 3 |
the pointe du rochet | 3 |
to bid me good | 3 |
almost as soon as | 3 |
could never have been | 3 |
from the time of | 3 |
sound of the clapping | 3 |
rising from the water | 3 |
body of a woman | 3 |
we think it is | 3 |
of faith have become | 3 |
but the old woman | 3 |
and i think that | 3 |
the new orleans time | 3 |
the kobe chronicle office | 3 |
i hope you will | 3 |
do not know anything | 3 |
be seen in the | 3 |
looking back to the | 3 |
will seem to you | 3 |
for an instant he | 3 |
half a century later | 3 |
the key to the | 3 |
like the faces of | 3 |
it is not in | 3 |
of loyalty and the | 3 |
but one of the | 3 |
the living centre of | 3 |
to the feet of | 3 |
as a matter of | 3 |
but it was not | 3 |
it is no longer | 3 |
a letter to me | 3 |
do not know how | 3 |
i suppose you know | 3 |
owing to the fact | 3 |
in the street of | 3 |
superstitions and artless myths | 3 |
think it is a | 3 |
there are no thieves | 3 |
artless myths and fantastic | 3 |
a review of a | 3 |
a superb pair of | 3 |
is a rule of | 3 |
for the life of | 3 |
according to ancient custom | 3 |
and the voice of | 3 |
offerings to the gods | 3 |
in a previous life | 3 |
of the returning ghosts | 3 |
and magnetism of loyalty | 3 |
of the sixteenth day | 3 |
of the world for | 3 |
the power of art | 3 |
to a considerable extent | 3 |
the command of the | 3 |
the guise of a | 3 |
the teachings of the | 3 |
not been for the | 3 |
me at the time | 3 |
and all the while | 3 |
through the streets of | 3 |
it is only a | 3 |
something indefinable in the | 3 |
if you have ever | 3 |
that he could have | 3 |
not being able to | 3 |
in a former paper | 3 |
it had not been | 3 |
faith have become inherent | 3 |
one hundred and sixty | 3 |
the souls of men | 3 |
the force of the | 3 |
have been the first | 3 |
review of out of | 3 |
looketh down above the | 3 |
it is only the | 3 |
the holy of holies | 3 |
it should not be | 3 |
he was in any | 3 |
found he could not | 3 |
the possibility of his | 3 |
is that dumpling of | 3 |
volumes in token of | 3 |
thanks are due to | 3 |
he was sent to | 3 |
he may have been | 3 |
charm of japan is | 3 |
so as to be | 3 |
the torii and the | 3 |
that he had no | 3 |
more than any other | 3 |
of which i have | 3 |
i must confess that | 3 |
the flowers of the | 3 |
the cries of the | 3 |
in order to keep | 3 |
i am told that | 3 |
of a race with | 3 |
to the foot of | 3 |
dream of a summer | 3 |
it is a great | 3 |
at the present time | 3 |
able to see the | 3 |
the routine of his | 3 |
it is as though | 3 |
with the thunder of | 3 |
had been given to | 3 |
and the silent flickering | 3 |
the incident of the | 3 |
were it not for | 3 |
and it is called | 3 |
where there is no | 3 |
mine own self love | 3 |
is not in the | 3 |
house at nishi okubo | 3 |
of the big wind | 3 |
the daughter of the | 3 |
professor of philology and | 3 |
one with hands upon | 3 |
on the sixteenth day | 3 |
of the dead within | 3 |
to the size of | 3 |
in so far as | 3 |
the tomb of the | 3 |
a little house in | 3 |
trip to the west | 3 |
the picture of a | 3 |
of the kojiki the | 3 |
impulses and powers and | 3 |
is no possibility of | 3 |
are called in the | 3 |
first translation from the | 3 |
buddha only in our | 3 |
to look at them | 3 |
is called by the | 3 |
it is not easy | 3 |
it is very seldom | 3 |
if i were a | 3 |
not at all sure | 3 |
very strange and beautiful | 3 |
and you will find | 3 |
was at this time | 3 |
between two and three | 3 |
last years of his | 3 |
is easy to see | 3 |
old chinese teaching that | 3 |
a pilgrimage to enoshima | 3 |
it is no use | 3 |
a couple of years | 3 |
small hours of the | 3 |
and all sorts of | 3 |
pointe du rochet and | 3 |
not likely to become | 3 |
see the face of | 3 |
sliding back screen after | 3 |
forty feet above the | 3 |
i feel as if | 3 |
for a medium of | 3 |
to the family of | 3 |
as well as to | 3 |
it is time to | 3 |
ideas on the subject | 3 |
to the shinto rite | 3 |
the shapes of the | 3 |
he could not understand | 3 |
a personal friend of | 3 |
du jour et de | 3 |
on the occasion of | 3 |
of the exiled emperor | 3 |
the colours of the | 3 |
feel you would not | 3 |
for the privilege of | 3 |
have been cut down | 3 |
to those who are | 3 |
that dumpling of mine | 3 |
papers composing this volume | 3 |
that the idea of | 3 |
much to learn about | 3 |
the semblance of a | 3 |
his first visit to | 3 |
the smile of a | 3 |
for the same reason | 3 |
toutt moune tini yon | 3 |
always seems to have | 3 |
image of the virgin | 3 |
souls of the dead | 3 |
in the day i | 3 |
the beautiful brown women | 3 |
of the young wife | 3 |
given to the world | 3 |
of the ionian islands | 3 |
must seek the buddha | 3 |
position on the staff | 3 |
it is related that | 3 |
must be acknowledged that | 3 |
is related in the | 3 |
letters to the cincinnati | 3 |
the surface crop of | 3 |
who is the god | 3 |
and strive to show | 3 |
in the garden of | 3 |
in the service of | 3 |
of the custom of | 3 |
above the sound of | 3 |
to show that the | 3 |
and the father of | 3 |
there is a tradition | 3 |
that of a beautiful | 3 |
it was only the | 3 |
and it is said | 3 |
up from the depths | 3 |
a hundred feet above | 3 |
she might have been | 3 |
of art and the | 3 |
would have to be | 3 |
breath of the ocean | 3 |
and his wife were | 3 |
and other sacred objects | 3 |
from the bottom of | 3 |
to rise and fall | 3 |
of the women who | 3 |
of a forgotten art | 3 |
as professor of english | 3 |
of the national road | 3 |
seek the buddha only | 3 |
as soon as i | 3 |
made to the gods | 3 |
she talks to it | 3 |
two or three days | 3 |
i go to the | 3 |
the eve of the | 3 |
jour et de la | 3 |
there was a great | 3 |
tout ce qui parle | 3 |
he had little to | 3 |
of geta over the | 3 |
there are as many | 3 |
the tide of the | 3 |
a certain kind of | 3 |
the last years of | 3 |
fifteenth day of the | 3 |
it is a rule | 3 |
to the roof of | 3 |
on the face of | 3 |
from the diary of | 3 |
to you that the | 3 |
to have been the | 3 |
to be confounded with | 3 |
he declared to be | 3 |
in one hand the | 3 |
the lions of buddha | 3 |
they were made of | 3 |
about a quarter of | 3 |
and as soon as | 3 |
in the atlantic monthly | 3 |
there are only two | 3 |
his widow and children | 3 |
the consciousness of the | 3 |
in which he was | 3 |
side of the hill | 3 |
the most agreeable face | 3 |
for there are no | 3 |
where there is a | 3 |
the recollection of a | 3 |
of the sight of | 3 |
series of letters to | 3 |
the perfume of the | 3 |
charm of japanese life | 3 |
found himself obliged to | 3 |
placed in the coffin | 3 |
one hundred and twenty | 3 |
for a hundred years | 3 |
they do not come | 3 |
all the population of | 3 |
and for the first | 3 |
he did not know | 3 |
upon a sheet of | 3 |
in lieu of the | 3 |
with a torii before | 3 |
have never been able | 3 |
who has seen the | 3 |
an inch in diameter | 3 |
and i think they | 3 |
morning of the th | 3 |
touch of the wind | 3 |
is only to be | 3 |
down to the sea | 3 |
solely as the reflection | 3 |
he had lost his | 3 |
she seemed to me | 3 |
soul of the dead | 3 |
one day there came | 3 |
power of art and | 3 |
do the same thing | 3 |
scarcely be able to | 3 |
of the french impressionist | 3 |
and it seems to | 3 |
the breaking of a | 3 |
of which the meaning | 3 |
for so many years | 3 |
if you have any | 3 |
and soul in the | 3 |
of the land of | 3 |
face to face with | 3 |
i do not like | 3 |
to believe that the | 3 |
have the honour to | 3 |
emeritus professor of philology | 3 |
learn to know that | 3 |
i never heard of | 3 |
journey to the meido | 3 |
as much as possible | 3 |
i have never had | 3 |
from that of the | 3 |
is held to be | 3 |
the walls of the | 3 |
and i could not | 3 |
the shape of an | 3 |
possible my sojourn in | 3 |
the funny old woman | 3 |
hundred and fifty pounds | 3 |
with its lamps and | 3 |
the province of izumo | 3 |
was startled by the | 3 |
magnetism of loyalty and | 3 |
the hair of the | 3 |
are not allowed to | 3 |
in the manipulation of | 3 |
the open ports of | 3 |
the sun of the | 3 |
absorbed in his work | 3 |
of quaint superstitions and | 3 |
the clothes of the | 3 |
of the new generation | 3 |
or at least to | 3 |
a faint sense of | 3 |
that produced by the | 3 |
and the god of | 3 |
so much as the | 3 |
in accordance with the | 3 |
all at the same | 3 |
the pressure of the | 3 |
would have liked to | 3 |
the genius of japanese | 3 |
occurred to me to | 3 |
the sacred name of | 3 |
the fact that hearn | 3 |
and the sea wind | 3 |
his glimpses of unfamiliar | 3 |
for three hundred years | 3 |
i can venture to | 3 |
as if seen through | 3 |
a few years ago | 3 |
the negroes of the | 3 |
he is able to | 3 |
of one of his | 3 |
my heart hates you | 3 |
of the cost of | 3 |
the description of the | 3 |
study of his personality | 3 |
have been used in | 3 |
and the head of | 3 |
a study of his | 3 |
one think of the | 3 |
the site of the | 3 |
he and his wife | 3 |
but it was a | 3 |
the tips of the | 3 |
the fifteenth day of | 3 |
out of sight of | 3 |
at that time the | 3 |
the round of the | 3 |
i am almost sure | 3 |
the view of the | 3 |
the names of all | 3 |
necessity of having to | 3 |
for us solely as | 3 |
himself to the statement | 3 |
the claws of the | 3 |
hands in shinto prayer | 3 |
in vain for the | 3 |
before the tablets of | 3 |
to the worship of | 3 |
a race with all | 3 |
the young wife of | 3 |
the age of eight | 3 |
an interview with the | 3 |
he was afraid to | 3 |
and a number of | 3 |
with all its impulses | 3 |
take off my shoes | 3 |
the places of the | 3 |
in the folds of | 3 |
my first day in | 3 |
side of the street | 3 |
about the origin of | 3 |
it will be possible | 3 |
the savane du fort | 3 |
to the world of | 3 |
for there was no | 3 |
thousand one hundred and | 3 |
with the name of | 3 |
back screen after screen | 3 |
of the nature of | 3 |
of the family may | 3 |
out of the city | 3 |
by the entire nation | 3 |
rim of the world | 3 |
a review of kwaidan | 3 |
is not at all | 3 |
in a few years | 3 |
et de la nuit | 3 |
the skin of the | 3 |
with the sound of | 3 |
hints and echoes of | 3 |
i look in vain | 3 |
was replaced with a | 3 |
was one of his | 3 |
is it that the | 3 |
offerings of food and | 3 |
by the sight of | 3 |
find ourselves in a | 3 |
from a travelling diary | 3 |
in the family of | 3 |
of three or four | 3 |
of wearing the hair | 3 |
of this volume is | 3 |
used to be a | 3 |
a day or two | 3 |
he had to offer | 3 |
it is very small | 3 |
the signs of the | 3 |
you will have to | 3 |
and the name of | 3 |
their feet in the | 3 |
called by the name | 3 |
the grounds of the | 3 |
scarcely more than a | 3 |
the reason of the | 3 |
rest of the world | 3 |
would be able to | 3 |
of the sea which | 3 |
of the fathers of | 3 |
that i do not | 3 |
with the power of | 3 |
of all that is | 3 |
thousands and thousands of | 3 |
he could not speak | 3 |
who cares for the | 3 |
telling him that he | 3 |
a tiny lacquered table | 3 |
light of the moon | 3 |
all the surface crop | 3 |
a mighty spiritual force | 3 |
token of affection and | 3 |
down on the ground | 3 |
to the music of | 3 |
of the poorer classes | 3 |
tide of the returning | 3 |
the souls of those | 3 |
the face of an | 3 |
it is a duty | 3 |
out of the window | 3 |
is the god of | 3 |
during the cincinnati period | 3 |
may be found in | 3 |
to have had a | 3 |
the history of a | 3 |
that i might not | 3 |
in his treatment of | 3 |
time of the first | 3 |
and some of the | 3 |
you would feel it | 3 |
of which it is | 3 |
certain points of view | 3 |
another and a larger | 3 |
only by those who | 3 |
by the presence of | 3 |
that have been given | 3 |
to the goddess of | 3 |
only the shadow of | 3 |
the night of the | 3 |
into the hands of | 3 |
who can afford it | 3 |
without a thought of | 3 |
and there is the | 3 |
at a late hour | 3 |
all at once he | 3 |
with her own hand | 3 |
labatt vini pouend ou | 3 |
to be seen upon | 3 |
a moment to look | 3 |
the literature of the | 3 |
there are a few | 3 |
may not have been | 3 |
did you see my | 3 |
the reign of the | 3 |
du rochet and the | 3 |
quarter of the city | 3 |
the impression of being | 3 |
of that which we | 3 |
of his life there | 3 |
staff of the enquirer | 3 |
it was not only | 3 |
to the little ones | 3 |
the presence of many | 3 |
feet above the sea | 3 |
to see the school | 3 |
in the corner of | 3 |
the horse of bronze | 3 |
was no time to | 3 |
he was enabled to | 3 |
you feel you would | 3 |
where there was a | 3 |
and day by day | 3 |
of the japanese character | 3 |
to the cincinnati commercial | 3 |
all its impulses and | 3 |
published in the times | 3 |
of the emperor sui | 3 |
two thousand feet above | 3 |
our way to the | 3 |
de tout le charme | 3 |
to whom he was | 3 |
we are in the | 3 |
manner in which the | 3 |
soul in the far | 3 |
one of the principal | 3 |
after he had left | 3 |
not far from the | 3 |
souvenir de nos promenades | 3 |
and the sky much | 3 |
i wish i could | 3 |
i shall be able | 3 |
on the heads of | 3 |
the direction of the | 3 |
that we must seek | 3 |
the time of its | 3 |
any part of the | 3 |
the sensation of the | 3 |
of the thompson dean | 3 |
left and right of | 3 |
in the homes of | 3 |
as far back as | 3 |
the banks of the | 3 |
i take off my | 3 |
by the discovery that | 3 |
the most interesting of | 3 |
the living and the | 3 |
the child is born | 3 |
and that i am | 3 |
is out of the | 3 |
art and the fire | 3 |
i found that the | 3 |
the english and the | 3 |
the footprints of the | 3 |
an hour or two | 3 |
like those of the | 3 |
and it is the | 3 |
into the life of | 3 |
from right to left | 3 |
and the shadow of | 3 |
one of the noblest | 3 |
there are at least | 3 |
reflection of our own | 3 |
of hand and soul | 3 |
the title of the | 3 |
a small shrine of | 3 |
the ridge of the | 3 |
on the opposite side | 3 |
arrival in new orleans | 3 |
time of the gods | 3 |
i have not seen | 3 |
the mystery of the | 3 |
only in our own | 3 |
the future of his | 3 |
i dedicate these volumes | 3 |
for the image of | 3 |
the blowing of the | 3 |
the attitude of the | 3 |
but here i am | 3 |
there was none to | 3 |
was a man who | 3 |
is the colour of | 3 |
a letter written to | 3 |
nationalising himself a japanese | 3 |
to reside in the | 3 |
to the care of | 3 |
that i may see | 3 |
the memory of his | 3 |
the parents of the | 3 |
the perfection of the | 3 |
that mysterious soul in | 3 |
of the old regime | 3 |
with whom he was | 3 |
a certain class of | 3 |
a place of safety | 3 |
in the very heart | 3 |
the best of the | 3 |
with a burst of | 3 |
is the secret of | 3 |
so that he could | 3 |
doors of the shrine | 3 |
as if it were | 3 |
from the works of | 3 |
in the language of | 3 |
that all waters flow | 3 |
is the knowledge of | 3 |
i always had some | 3 |
and right of the | 3 |
to be wondered at | 3 |
beach of black sand | 3 |
i am about to | 3 |
she talks to herself | 3 |
river of the three | 3 |
in the grounds of | 3 |
they clap their hands | 3 |
the cross of the | 3 |
in the lives of | 3 |
must be able to | 3 |
life of the japanese | 3 |
you find yourself in | 3 |
and the swaying of | 3 |
from the land of | 3 |
in the sight of | 3 |
of the last century | 3 |
the dreams of the | 3 |
is a song of | 3 |
it occurred to me | 3 |
as the face of | 3 |
he must have been | 3 |
and lay on the | 3 |
thousand feet above the | 3 |
in our own hearts | 3 |
various parts of the | 3 |
appear to have been | 3 |
yet been able to | 3 |
with the passing of | 3 |
and the spirit of | 3 |
foundation of all civilized | 3 |
the story of a | 3 |
fallen in love with | 3 |
of the religious sentiment | 3 |
the general tone of | 3 |
of which he was | 3 |
and on the other | 3 |
but in the national | 3 |
committed in a previous | 3 |
of the french west | 3 |
i was a child | 3 |
the name of an | 3 |
sign of the fox | 3 |
sutra of the lotus | 3 |
would have been a | 3 |
of broad stone steps | 3 |
reminiscences of lafcadio hearn | 3 |
and that of the | 3 |
that you are very | 3 |
during the hot season | 3 |
in the possession of | 3 |
he could not have | 3 |
mere reflection of the | 3 |
work of the dead | 3 |
visit to a buddhist | 3 |
but there is a | 3 |
more than a foot | 3 |
by one of my | 3 |
buy a picture of | 3 |
it belongs to the | 3 |
of philology and japanese | 3 |
the most delicate of | 3 |
priests of the temple | 3 |
as it is written | 3 |
forests of cedar and | 3 |
able to find out | 3 |
there are many other | 3 |
the universe exists for | 3 |
have the pleasure of | 3 |
by a sort of | 3 |
have learned to know | 3 |
bay on the right | 3 |
that it would be | 3 |
for it is not | 3 |
are a number of | 3 |
of the nichiren sect | 3 |
and a half the | 3 |
shaped almost like a | 3 |
the reading of the | 3 |
is must learn to | 3 |
the medium of a | 3 |
which i did not | 3 |
the front of the | 3 |
published by miss bisland | 3 |
i know not what | 3 |
would like to see | 3 |
where there are no | 3 |
the thirteenth day of | 3 |
but there are other | 3 |
down to the river | 3 |
it is the japanese | 3 |
the dead are not | 3 |
in one hand a | 3 |
the aid of the | 3 |
in this part of | 3 |
the fact that in | 3 |
there comes to you | 3 |
that it was found | 3 |
the village of the | 3 |
to the friends whose | 3 |
it looks like a | 3 |
more than an hour | 3 |
the weight of a | 3 |
was due to the | 3 |
of the shrine of | 3 |
not so much the | 3 |
upon the other side | 3 |
the etymology of the | 3 |
according to the buddhist | 3 |
this world is the | 3 |
the glow of the | 3 |
at the risk of | 3 |
the establishment of a | 3 |
the sun begins to | 3 |
i think there is | 3 |
a medium of utterance | 3 |
will be revealed to | 3 |
of the imperial university | 3 |
would have been absurd | 3 |
upon the summit of | 3 |
chinese teaching that we | 3 |
his account of the | 3 |
hour after hour he | 3 |
he who would know | 3 |
of the chapter of | 3 |
emotion of faith have | 3 |
be seen from the | 3 |
tenth of one cent | 3 |
are likely to be | 3 |
knew that he had | 3 |
again and again he | 3 |
is not a cloud | 3 |
upon the shoulders of | 3 |
is not the least | 3 |
the larger part of | 3 |
both sides of the | 3 |
each one of us | 3 |
in the hand of | 3 |
a description of the | 3 |
dedicate these volumes in | 3 |
the priests of the | 3 |
to see the bon | 3 |
all the period of | 3 |
been the foundation of | 3 |
of the hearn family | 3 |
very fond of it | 3 |
we are nearing the | 3 |
alone rendered possible my | 3 |
thrills a mighty spiritual | 3 |
of the city to | 3 |
down above the sound | 3 |
from that time forward | 3 |
for a person of | 3 |
everything you feel you | 3 |
the fact is that | 3 |
of her mother and | 3 |
is the work of | 3 |
this is only a | 3 |
was the result of | 3 |
the reflection of our | 3 |
head of the steps | 3 |
in the art of | 3 |
the shores of the | 3 |
at the rear of | 3 |
the fire of heroism | 3 |
far as i can | 3 |
these volumes in token | 3 |
of plain white wood | 3 |
know that mysterious soul | 3 |
eight hundred myriads of | 3 |
there was no sound | 3 |
she had lived alone | 3 |
are not the only | 3 |
things of the good | 3 |
little cup of tea | 3 |
you have told me | 3 |
it seems to have | 3 |
as the reflection of | 3 |
head of his class | 3 |
of his ignorance of | 3 |
papers after his death | 3 |
down on the road | 3 |
as soon as possible | 3 |
from head to tail | 3 |
at the temple of | 3 |
have been in japan | 3 |
the new orleans times | 3 |
general tone of this | 3 |
presence of many guests | 3 |
in this world of | 3 |
to me the most | 3 |
the same tint as | 3 |
fire of heroism and | 3 |
but there are many | 3 |
in the order of | 3 |
from the sea to | 3 |
winter journey to japan | 3 |
top of the head | 3 |
the streets of the | 3 |
and the fire of | 3 |
is occupied by a | 3 |
the old man answered | 3 |
there is an indescribable | 3 |
by those who have | 3 |
still seems to me | 3 |
who would know what | 3 |
my sojourn in the | 3 |
that he should have | 3 |
perfumed peace of enormous | 3 |
to me that the | 3 |
to paymaster mitchell mcdonald | 3 |
contes du jour et | 3 |
she went to the | 3 |
of his father and | 3 |
and the voices of | 3 |
the buddha only in | 3 |
is the custom to | 3 |
that there was no | 3 |
see us at all | 3 |
the costume of the | 3 |
no larger than a | 3 |
sojourn in the orient | 3 |
been able to learn | 3 |
any social system in | 3 |
it may have been | 3 |
at about the age | 3 |
is written upon the | 3 |
me that in the | 3 |
not know what to | 3 |
i was very young | 3 |
the emotion of faith | 3 |
levee of new orleans | 3 |
fourth year of meiji | 3 |
my attention to the | 3 |
at that time was | 3 |
a rule of life | 3 |
about the age of | 3 |
is nothing in the | 3 |
that the sound of | 3 |
day there came to | 3 |
to be the most | 3 |
in his letters to | 3 |
in the region of | 3 |
where the maskers are | 3 |
is the servant of | 3 |
inspires a love that | 3 |
it was cast in | 3 |
the shadows of the | 3 |
to her by her | 3 |
and sixty years ago | 3 |
to the edge of | 3 |
of the jardin des | 3 |
does not depend upon | 3 |
in the temple court | 3 |
part of the year | 3 |
to her in his | 3 |
seems as if he | 3 |
bathed in the light | 3 |
of the child of | 3 |
at the level of | 3 |
i have had to | 3 |
the face of jizo | 3 |
summit of the hill | 3 |
of the old days | 3 |
of the old yashiki | 3 |
far underlying all the | 3 |
and i never heard | 3 |
look for the image | 3 |
be able to make | 3 |
in the ways of | 3 |
the soul of him | 3 |
one of the little | 3 |
of a japanese garden | 3 |
the doors and windows | 3 |
soul of a race | 3 |
for the benefit of | 3 |
if you do not | 3 |
that there should be | 3 |
he refers to the | 3 |
after the passing of | 3 |
the surging of the | 3 |
i have never known | 3 |
were looked upon as | 3 |
of beauty and the | 3 |
for the love of | 3 |
so arranged as to | 3 |
there came to the | 3 |
whole soul of a | 3 |
its impulses and powers | 3 |
and basil hall chamberlain | 3 |
its way to the | 3 |
must have been a | 3 |
universe exists for us | 3 |
the hair is a | 3 |
there are also some | 3 |
rest of my life | 3 |
as the colour of | 3 |
the face of my | 3 |
at either side of | 3 |
the whole of his | 3 |
artistic value of myopia | 3 |
of the heart of | 3 |
if the night be | 3 |
be wondered at that | 3 |
parts of the city | 3 |
is a very small | 3 |
to find a publisher | 3 |
to be seen on | 3 |
friends whose kindness alone | 3 |
that i may be | 3 |
or that the universe | 3 |
with all his force | 3 |
loyalty and the emotion | 3 |
in the majority of | 3 |
great deity of mionoseki | 3 |
there has never been | 3 |
there is a certain | 3 |
as a sort of | 3 |
more than one of | 3 |
in the knowledge of | 3 |
i may be able | 3 |
the old chinese teaching | 3 |
you will find in | 3 |
of the city of | 3 |
of affection and gratitude | 3 |
kindness alone rendered possible | 3 |
and there are several | 3 |
for more than two | 3 |
about half an hour | 3 |
there is in the | 3 |
measured clapping of hands | 3 |
a few lines of | 3 |
that she should be | 3 |
you see my dumpling | 3 |
the subject of his | 3 |
but there are no | 3 |
interior of the country | 3 |
us out of the | 3 |
a thousand years ago | 3 |
a few years later | 3 |
there is but one | 3 |
which i was able | 3 |
there is a charm | 3 |
a winter journey to | 3 |
along the verge of | 3 |
the women of color | 3 |
a few days later | 3 |
time of the big | 3 |
of the book of | 3 |
it must be remembered | 3 |
it is dedicated to | 3 |
to pay for the | 3 |
the upper portion of | 3 |
so long as the | 3 |
the fact of his | 3 |
about three feet long | 3 |
of the lotus of | 3 |
to exist in the | 3 |
to the mystery of | 3 |
verge of the sea | 3 |
and the bones of | 3 |
what has become of | 3 |
flights of stone steps | 3 |
of gods and men | 3 |
more than forty years | 3 |
the dead body of | 3 |
the bones of the | 3 |
name of ozias midwinter | 3 |
tells us that the | 3 |
see the school again | 3 |
had ceased to be | 3 |
it is at least | 3 |
a letter from him | 3 |
and in spite of | 3 |
it is plain that | 3 |
of an english teacher | 3 |
on the th of | 3 |
young wife of the | 3 |
it would be hard | 3 |
of his stay at | 3 |
would be hard to | 3 |
into the region of | 3 |
is the spirit of | 3 |
the leader of the | 3 |
the fact that it | 3 |
the fact that this | 3 |
moment to look back | 3 |
before the images of | 3 |
a temple of the | 3 |
on a level with | 3 |
hearn and his wife | 3 |
the clouds of the | 3 |
and i wonder if | 3 |
of the artist and | 3 |
the rest of my | 3 |
much more than a | 3 |
of it in the | 3 |
strive to show their | 3 |
wrote down for me | 3 |
which the hair is | 3 |
it will come back | 3 |
above and beyond the | 3 |
at his right hand | 3 |
easy to imagine the | 3 |
of the city and | 3 |
soul in which the | 3 |
save the souls of | 3 |
that he had a | 3 |
the japanese are not | 3 |
are sold in the | 3 |
pattering of geta over | 3 |
by the japanese sea | 3 |
after a little while | 3 |
and artless myths and | 3 |
and it was then | 3 |
i have yet seen | 3 |
groups of convoluted candelabra | 3 |
his personality and art | 3 |
tablets of the ancestors | 3 |
written in the kojiki | 3 |
the name of ozias | 3 |
much more significant than | 3 |
in the belief that | 3 |
take the form of | 3 |
go back to the | 3 |
there were no more | 3 |
be able to believe | 3 |
seems to have a | 3 |
saw that she was | 3 |
with the lights of | 3 |
the images of jizo | 3 |
it was not a | 3 |
for a brief while | 3 |
of the human race | 3 |
us solely as the | 3 |
my sweet little sister | 3 |
all at once the | 3 |
for this is the | 3 |
whose kindness alone rendered | 3 |
the coast of the | 3 |
with their feet in | 3 |
verge of the city | 3 |
his work was done | 3 |
is more than doubtful | 3 |
hear the sound of | 3 |
can be no question | 3 |
heroism and magnetism of | 3 |
i think that the | 3 |
plain of high heaven | 3 |
at least a hundred | 3 |
under the same roof | 3 |
much to do with | 3 |
but there was no | 3 |
one of the first | 3 |
is a very pretty | 3 |
its beach of black | 3 |
place of the issuing | 3 |
dame de la garde | 3 |
for the term of | 3 |
from that of all | 3 |
in a tone of | 3 |
the big wind of | 3 |
it is also the | 3 |
the threshold of the | 3 |
as i now am | 3 |
suppose you know that | 3 |
makes one think of | 3 |
leading to ancient shrines | 3 |
his two years in | 3 |
among the common people | 3 |
beyond the range of | 3 |
he had been wont | 3 |
back to me the | 3 |
i think it was | 3 |
it not for the | 3 |
lights of the kami | 3 |
the friends whose kindness | 3 |
but it has a | 3 |
face is the face | 3 |
way of the gods | 3 |
the old woman of | 3 |
the silent flickering of | 3 |
to be a man | 3 |
the steps of the | 3 |
of the belle affranchie | 3 |
of a japanese miscellany | 3 |
of the dead and | 3 |
that they have no | 3 |
upon the subject of | 3 |
to those who have | 3 |
feet above the floor | 3 |
called by the people | 3 |
it is much more | 3 |
the touch of a | 3 |
and the body of | 3 |
the entrance of a | 3 |
the first time a | 3 |
appears to be quite | 3 |
which the sense of | 3 |
is laid upon the | 3 |
some member of the | 3 |
able to give me | 3 |
the price of the | 3 |
and the names of | 3 |
surface crop of quaint | 3 |
the place of her | 3 |
the sweetness of her | 3 |
have been so long | 3 |
it is not good | 3 |
as i saw it | 3 |
diary of an english | 3 |
do not know the | 3 |
to a place of | 3 |
on a mountain road | 3 |
to the door of | 3 |
have been obliged to | 3 |
i have a good | 3 |
in the autumn of | 3 |
the most pathetic of | 3 |
the masters of the | 3 |
the purity of the | 3 |
on the day of | 3 |
the shrilling of the | 3 |
head of a beautiful | 3 |
as those of the | 3 |
like the head of | 3 |
of the great bell | 3 |
that he was in | 3 |
of the art of | 3 |
it is written in | 3 |
according to the shinto | 3 |
he came to the | 3 |
the warmth of the | 3 |
had been wont to | 3 |
of liberty and equality | 3 |
side of the world | 3 |
the impression of a | 3 |
i know that i | 3 |
only to those who | 3 |
rendered possible my sojourn | 3 |
and the sight of | 3 |
a mere reflection of | 3 |
the series of letters | 3 |
from the heart of | 3 |
i will paint you | 3 |
teaching that we must | 3 |
have not yet seen | 3 |
to his old dad | 3 |
to know that mysterious | 3 |
why they do not | 3 |
back to the tropics | 3 |
first visit to a | 3 |
philology and japanese in | 3 |
one of them was | 3 |
quaint superstitions and artless | 3 |
the vastness of the | 3 |
it is better to | 3 |
make the acquaintance of | 3 |
such an extent that | 3 |
in which the sense | 3 |
yet there is a | 3 |
we must seek the | 3 |
have been in the | 3 |
translation of the kojiki | 3 |
do not bite me | 3 |
the bare feet of | 3 |
to leave the house | 3 |
rest on the floor | 3 |
as if moved by | 3 |
is a tradition that | 3 |
the house of a | 3 |
heart of the japanese | 3 |
the sound of prayer | 3 |
was astonished to find | 3 |
the idea of pre | 3 |
duty to smile bravely | 3 |
notre dame de la | 3 |
of his personality and | 3 |
from certain points of | 3 |
there is no possibility | 3 |
perhaps it will be | 3 |
the japanese do not | 3 |
the tombs of the | 3 |
with the names of | 3 |
tells a story of | 3 |
of which a thousand | 3 |
race with all its | 3 |
parents of gods and | 3 |
but it is much | 3 |
the most part of | 3 |
myths and fantastic magic | 3 |
to the temples of | 3 |
there is quite a | 3 |
superior to that of | 3 |
social system in which | 3 |
the tone of a | 3 |
but the old man | 3 |
my thanks are due | 3 |
playfellow of dead children | 3 |
had fallen in love | 3 |
the deepening of the | 3 |
in spite of a | 3 |
the feet of a | 3 |
and powers and intuitions | 3 |
i believe that i | 3 |
or the old chinese | 3 |
you do not see | 3 |
its head in the | 3 |
there thrills a mighty | 3 |
and in a few | 3 |
to fall in love | 3 |
but he could not | 3 |
the miya of the | 3 |
upon the knees of | 3 |
modes of thought and | 3 |
a vision of the | 3 |
hands and rinse their | 3 |
as we reach the | 3 |
an hour and a | 3 |
did not wish to | 3 |
the face of emma | 3 |
it is now the | 3 |
in most of the | 3 |
at the shadows of | 3 |
supposed to be the | 3 |
divinity who cares for | 3 |
i become aware of | 3 |
be regarded as a | 3 |
been one of the | 3 |
above the line of | 3 |
the corpse of a | 3 |
ghosts of little children | 3 |
all at once i | 3 |
and there is one | 3 |
is like the wind | 3 |
be understood only by | 3 |
a review of out | 3 |
with all sorts of | 3 |
the diary of an | 3 |
which is believed to | 3 |
a west indian forest | 3 |
is the emblem of | 3 |
there may be a | 3 |
that which belongs to | 3 |
and they could not | 3 |
wants to know what | 3 |
which seems to have | 3 |
trip around the world | 3 |
is far from being | 3 |
for a year or | 3 |
there is a small | 3 |
it is not because | 3 |
is almost impossible to | 3 |
on one side of | 3 |
to catch a glimpse | 3 |
you pass through the | 3 |
on account of the | 3 |
it might have been | 3 |
and japanese in the | 3 |
the colors of the | 3 |
out of the house | 3 |
end of the handle | 3 |
on the eve of | 3 |
made out of a | 3 |
and put on the | 3 |
and all the people | 3 |
life of the race | 3 |
at this time to | 3 |
to look at it | 3 |
but that of the | 3 |
of a sort of | 3 |
to and from the | 3 |
the whole soul of | 3 |
a letter of introduction | 3 |
the poet of myopia | 3 |
at the open ports | 3 |
of a summer day | 3 |
of english at the | 3 |
i am beginning to | 3 |
a word of english | 3 |
the apparition of the | 3 |
flight of broad stone | 3 |
to submit to the | 3 |
to the head of | 3 |