id	sid	tid	token	lemma	pos
30412	1	1	Illustration	illustration	NN
30412	1	2	:	:	:
30412	1	3	M.	M.	NNP
30412	1	4	Camille	Camille	NNP
30412	1	5	Saint	Saint	NNP
30412	1	6	-	-	HYPH
30412	1	7	Saëns	Saëns	NNP
30412	1	8	]	]	-RRB-
30412	1	9	ON	on	IN
30412	1	10	THE	the	DT
30412	1	11	EXECUTION	execution	NN
30412	1	12	OF	of	IN
30412	1	13	MUSIC	music	NN
30412	1	14	,	,	,
30412	1	15	AND	and	CC
30412	1	16	PRINCIPALLY	principally	NN
30412	1	17	OF	of	IN
30412	1	18	ANCIENT	ANCIENT	NNP
30412	1	19	MUSIC	MUSIC	NNP
30412	1	20	BY	by	IN
30412	1	21	M.	M.	NNP
30412	1	22	CAMILLE	CAMILLE	NNP
30412	1	23	SAINT	SAINT	NNP
30412	1	24	-	-	HYPH
30412	1	25	SAËNS	SAËNS	NNP
30412	1	26	_	_	NNP
30412	1	27	Delivered	deliver	VBN
30412	1	28	at	at	IN
30412	1	29	the	the	DT
30412	1	30	_	_	NNP
30412	1	31	"	"	``
30412	1	32	_	_	NNP
30412	1	33	Salon	Salon	NNP
30412	1	34	de	de	NNP
30412	1	35	la	la	NNP
30412	1	36	Pensée	Pensée	NNP
30412	1	37	Française	Française	NNP
30412	1	38	_	_	NNP
30412	1	39	"	"	''
30412	1	40	_	_	NNP
30412	1	41	Panama	Panama	NNP
30412	1	42	-	-	HYPH
30412	1	43	Pacific	Pacific	NNP
30412	1	44	International	International	NNP
30412	1	45	Exposition	Exposition	NNP
30412	1	46	_	_	NNP
30412	1	47	_	_	NNP
30412	1	48	San	San	NNP
30412	1	49	Francisco	Francisco	NNP
30412	1	50	,	,	,
30412	1	51	June	June	NNP
30412	1	52	First	First	NNP
30412	1	53	_	_	NNP
30412	1	54	_	_	NNP
30412	1	55	Nineteen	Nineteen	NNP
30412	1	56	Hundred	Hundred	NNP
30412	1	57	_	_	NNP
30412	1	58	_	_	NNP
30412	1	59	&	&	CC
30412	1	60	Fifteen	Fifteen	NNP
30412	1	61	_	_	NNP
30412	1	62	DONE	DONE	NNPS
30412	1	63	INTO	into	NN
30412	1	64	ENGLISH	ENGLISH	NNS
30412	1	65	WITH	with	IN
30412	1	66	EXPLANATORY	EXPLANATORY	NNP
30412	1	67	NOTES	note	NNS
30412	1	68	BY	by	IN
30412	1	69	HENRY	HENRY	NNP
30412	1	70	P.	P.	NNP
30412	1	71	BOWIE	BOWIE	NNP
30412	1	72	SAN	SAN	NNP
30412	1	73	FRANCISCO	FRANCISCO	NNS
30412	1	74	:	:	:
30412	1	75	THE	the	DT
30412	1	76	BLAIR	BLAIR	NNP
30412	1	77	-	-	HYPH
30412	1	78	MURDOCK	MURDOCK	NNP
30412	1	79	COMPANY	COMPANY	NNP
30412	1	80	1915	1915	CD
30412	1	81	_	_	NNP
30412	1	82	Copyright	Copyright	NNP
30412	1	83	,	,	,
30412	1	84	1915	1915	CD
30412	1	85	_	_	NNP
30412	1	86	_	_	NNP
30412	1	87	by	by	IN
30412	1	88	M.	M.	NNP
30412	1	89	Camille	Camille	NNP
30412	1	90	Saint	Saint	NNP
30412	1	91	-	-	HYPH
30412	1	92	Saëns	Saëns	NNP
30412	1	93	_	_	NNP
30412	1	94	ON	on	IN
30412	1	95	THE	the	DT
30412	1	96	EXECUTION	execution	NN
30412	1	97	OF	of	IN
30412	1	98	MUSIC	music	NN
30412	1	99	,	,	,
30412	1	100	AND	and	CC
30412	1	101	PRINCIPALLY	principally	NN
30412	1	102	OF	of	IN
30412	1	103	ANCIENT	ancient	JJ
30412	1	104	MUSIC	MUSIC	NNP
30412	1	105	MUSIC	MUSIC	NNP
30412	1	106	was	be	VBD
30412	1	107	written	write	VBN
30412	1	108	in	in	IN
30412	1	109	a	a	DT
30412	1	110	scrawl	scrawl	NN
30412	1	111	impossible	impossible	JJ
30412	1	112	to	to	TO
30412	1	113	decipher	decipher	VB
30412	1	114	up	up	RP
30412	1	115	to	to	IN
30412	1	116	the	the	DT
30412	1	117	thirteenth	thirteenth	JJ
30412	1	118	century	century	NN
30412	1	119	,	,	,
30412	1	120	when	when	WRB
30412	1	121	Plain	Plain	NNP
30412	1	122	Song[1	Song[1	NNP
30412	1	123	]	]	-RRB-
30412	1	124	(	(	-LRB-
30412	1	125	_	_	NNP
30412	1	126	Plain	Plain	NNP
30412	1	127	Chant	Chant	NNP
30412	1	128	_	_	NNP
30412	1	129	)	)	-RRB-
30412	1	130	made	make	VBD
30412	1	131	its	-PRON-	PRP$
30412	1	132	appearance	appearance	NN
30412	1	133	in	in	IN
30412	1	134	square	square	JJ
30412	1	135	and	and	CC
30412	1	136	diamond	diamond	NN
30412	1	137	-	-	HYPH
30412	1	138	shaped	shape	VBN
30412	1	139	notes	note	NNS
30412	1	140	.	.	.
30412	2	1	The	the	DT
30412	2	2	graduals	gradual	NNS
30412	2	3	and	and	CC
30412	2	4	introits	introit	NNS
30412	2	5	had	have	VBD
30412	2	6	not	not	RB
30412	2	7	yet	yet	RB
30412	2	8	been	be	VBN
30412	2	9	reduced	reduce	VBN
30412	2	10	to	to	IN
30412	2	11	bars	bar	NNS
30412	2	12	,	,	,
30412	2	13	but	but	CC
30412	2	14	the	the	DT
30412	2	15	songs	song	NNS
30412	2	16	of	of	IN
30412	2	17	the	the	DT
30412	2	18	troubadours	troubadour	NNS
30412	2	19	appear	appear	VBP
30412	2	20	to	to	TO
30412	2	21	have	have	VB
30412	2	22	been	be	VBN
30412	2	23	in	in	IN
30412	2	24	bars	bar	NNS
30412	2	25	of	of	IN
30412	2	26	three	three	CD
30412	2	27	beats	beat	NNS
30412	2	28	with	with	IN
30412	2	29	the	the	DT
30412	2	30	accent	accent	NN
30412	2	31	on	on	IN
30412	2	32	the	the	DT
30412	2	33	feeble	feeble	JJ
30412	2	34	note	note	NN
30412	2	35	of	of	IN
30412	2	36	each	each	DT
30412	2	37	bar	bar	NN
30412	2	38	.	.	.
30412	3	1	However	however	RB
30412	3	2	,	,	,
30412	3	3	the	the	DT
30412	3	4	theory	theory	NN
30412	3	5	that	that	IN
30412	3	6	this	this	DT
30412	3	7	bar	bar	NN
30412	3	8	of	of	IN
30412	3	9	three	three	CD
30412	3	10	beats	beat	NNS
30412	3	11	or	or	CC
30412	3	12	triple	triple	JJ
30412	3	13	time	time	NN
30412	3	14	was	be	VBD
30412	3	15	used	use	VBN
30412	3	16	exclusively	exclusively	RB
30412	3	17	is	be	VBZ
30412	3	18	probably	probably	RB
30412	3	19	erroneous	erroneous	JJ
30412	3	20	.	.	.
30412	4	1	St.	St.	NNP
30412	4	2	Isidore	Isidore	NNP
30412	4	3	,	,	,
30412	4	4	in	in	IN
30412	4	5	his	-PRON-	PRP$
30412	4	6	treatise	treatise	NN
30412	4	7	on	on	IN
30412	4	8	music	music	NN
30412	4	9	,	,	,
30412	4	10	speaking	speak	VBG
30412	4	11	of	of	IN
30412	4	12	how	how	WRB
30412	4	13	Plain	Plain	NNP
30412	4	14	Song	Song	NNP
30412	4	15	should	should	MD
30412	4	16	be	be	VB
30412	4	17	interpreted	interpret	VBN
30412	4	18	,	,	,
30412	4	19	considers	consider	NNS
30412	4	20	in	in	IN
30412	4	21	turn	turn	NN
30412	4	22	all	all	PDT
30412	4	23	the	the	DT
30412	4	24	voices	voice	NNS
30412	4	25	and	and	CC
30412	4	26	recommends	recommend	VBZ
30412	4	27	those	those	DT
30412	4	28	which	which	WDT
30412	4	29	are	be	VBP
30412	4	30	high	high	JJ
30412	4	31	,	,	,
30412	4	32	sweet	sweet	JJ
30412	4	33	and	and	CC
30412	4	34	clear	clear	JJ
30412	4	35	,	,	,
30412	4	36	for	for	IN
30412	4	37	the	the	DT
30412	4	38	execution	execution	NN
30412	4	39	of	of	IN
30412	4	40	vocal	vocal	JJ
30412	4	41	sounds	sound	NNS
30412	4	42	,	,	,
30412	4	43	introits	introit	NNS
30412	4	44	,	,	,
30412	4	45	graduals	gradual	NNS
30412	4	46	,	,	,
30412	4	47	offertories	offertory	NNS
30412	4	48	,	,	,
30412	4	49	etc	etc	FW
30412	4	50	.	.	.
30412	5	1	This	this	DT
30412	5	2	is	be	VBZ
30412	5	3	exactly	exactly	RB
30412	5	4	contrary	contrary	JJ
30412	5	5	to	to	IN
30412	5	6	what	what	WP
30412	5	7	we	-PRON-	PRP
30412	5	8	now	now	RB
30412	5	9	do	do	VBP
30412	5	10	,	,	,
30412	5	11	since	since	IN
30412	5	12	in	in	IN
30412	5	13	place	place	NN
30412	5	14	of	of	IN
30412	5	15	utilizing	utilize	VBG
30412	5	16	these	these	DT
30412	5	17	light	light	JJ
30412	5	18	tenor	tenor	NN
30412	5	19	voices	voice	NNS
30412	5	20	for	for	IN
30412	5	21	Plain	Plain	NNP
30412	5	22	Song	Song	NNP
30412	5	23	,	,	,
30412	5	24	we	-PRON-	PRP
30412	5	25	have	have	VBP
30412	5	26	recourse	recourse	VBN
30412	5	27	to	to	IN
30412	5	28	voices	voice	NNS
30412	5	29	both	both	CC
30412	5	30	heavy	heavy	JJ
30412	5	31	and	and	CC
30412	5	32	low	low	JJ
30412	5	33	.	.	.
30412	6	1	In	in	IN
30412	6	2	the	the	DT
30412	6	3	last	last	JJ
30412	6	4	century	century	NN
30412	6	5	when	when	WRB
30412	6	6	it	-PRON-	PRP
30412	6	7	was	be	VBD
30412	6	8	desired	desire	VBN
30412	6	9	to	to	TO
30412	6	10	restore	restore	VB
30412	6	11	Plain	Plain	NNP
30412	6	12	Song	Song	NNP
30412	6	13	to	to	IN
30412	6	14	its	-PRON-	PRP$
30412	6	15	primitive	primitive	JJ
30412	6	16	purity	purity	NN
30412	6	17	,	,	,
30412	6	18	one	one	CD
30412	6	19	met	meet	VBD
30412	6	20	with	with	IN
30412	6	21	insurmountable	insurmountable	JJ
30412	6	22	obstacles	obstacle	NNS
30412	6	23	due	due	IN
30412	6	24	to	to	IN
30412	6	25	its	-PRON-	PRP$
30412	6	26	prodigious	prodigious	JJ
30412	6	27	prolixity	prolixity	NN
30412	6	28	of	of	IN
30412	6	29	long	long	JJ
30412	6	30	series	series	NN
30412	6	31	of	of	IN
30412	6	32	notes	note	NNS
30412	6	33	,	,	,
30412	6	34	repeating	repeat	VBG
30412	6	35	indefinitely	indefinitely	RB
30412	6	36	the	the	DT
30412	6	37	same	same	JJ
30412	6	38	musical	musical	JJ
30412	6	39	forms	form	NNS
30412	6	40	;	;	:
30412	6	41	but	but	CC
30412	6	42	in	in	IN
30412	6	43	considering	consider	VBG
30412	6	44	this	this	DT
30412	6	45	in	in	IN
30412	6	46	the	the	DT
30412	6	47	light	light	NN
30412	6	48	of	of	IN
30412	6	49	explanations	explanation	NNS
30412	6	50	given	give	VBN
30412	6	51	by	by	IN
30412	6	52	St.	St.	NNP
30412	6	53	Isidore	Isidore	NNP
30412	6	54	,	,	,
30412	6	55	and	and	CC
30412	6	56	in	in	IN
30412	6	57	view	view	NN
30412	6	58	of	of	IN
30412	6	59	the	the	DT
30412	6	60	Oriental	oriental	JJ
30412	6	61	origin	origin	NN
30412	6	62	of	of	IN
30412	6	63	the	the	DT
30412	6	64	Christian	christian	JJ
30412	6	65	religion	religion	NN
30412	6	66	,	,	,
30412	6	67	we	-PRON-	PRP
30412	6	68	are	be	VBP
30412	6	69	led	lead	VBN
30412	6	70	to	to	TO
30412	6	71	infer	infer	VB
30412	6	72	that	that	IN
30412	6	73	these	these	DT
30412	6	74	long	long	JJ
30412	6	75	series	series	NN
30412	6	76	of	of	IN
30412	6	77	notes	note	NNS
30412	6	78	were	be	VBD
30412	6	79	chants	chant	NNS
30412	6	80	or	or	CC
30412	6	81	vocalizations	vocalization	NNS
30412	6	82	analogous	analogous	JJ
30412	6	83	to	to	IN
30412	6	84	the	the	DT
30412	6	85	songs	song	NNS
30412	6	86	of	of	IN
30412	6	87	the	the	DT
30412	6	88	Muezzins	Muezzins	NNPS
30412	6	89	of	of	IN
30412	6	90	the	the	DT
30412	6	91	Orient	Orient	NNP
30412	6	92	.	.	.
30412	7	1	At	at	IN
30412	7	2	the	the	DT
30412	7	3	beginning	beginning	NN
30412	7	4	of	of	IN
30412	7	5	the	the	DT
30412	7	6	sixteenth	sixteenth	JJ
30412	7	7	century	century	NN
30412	7	8	musical	musical	JJ
30412	7	9	laws	law	NNS
30412	7	10	began	begin	VBD
30412	7	11	to	to	TO
30412	7	12	be	be	VB
30412	7	13	elaborated	elaborate	VBN
30412	7	14	without	without	IN
30412	7	15	,	,	,
30412	7	16	however	however	RB
30412	7	17	,	,	,
30412	7	18	in	in	IN
30412	7	19	this	this	DT
30412	7	20	evolution	evolution	NN
30412	7	21	towards	towards	IN
30412	7	22	modern	modern	JJ
30412	7	23	tonal	tonal	JJ
30412	7	24	art	art	NN
30412	7	25	,	,	,
30412	7	26	departing	depart	VBG
30412	7	27	entirely	entirely	RB
30412	7	28	from	from	IN
30412	7	29	all	all	DT
30412	7	30	influence	influence	NN
30412	7	31	of	of	IN
30412	7	32	the	the	DT
30412	7	33	antique	antique	JJ
30412	7	34	methods	method	NNS
30412	7	35	.	.	.
30412	8	1	The	the	DT
30412	8	2	school	school	NN
30412	8	3	named	name	VBN
30412	8	4	after	after	IN
30412	8	5	Palestrina	Palestrina	NNP
30412	8	6	employed	employ	VBD
30412	8	7	as	as	IN
30412	8	8	yet	yet	RB
30412	8	9	only	only	RB
30412	8	10	the	the	DT
30412	8	11	triads	triad	NNS
30412	8	12	or	or	CC
30412	8	13	perfect	perfect	JJ
30412	8	14	chords	chord	NNS
30412	8	15	;	;	:
30412	8	16	this	this	DT
30412	8	17	prevented	prevent	VBD
30412	8	18	absolutely	absolutely	RB
30412	8	19	all	all	DT
30412	8	20	expression	expression	NN
30412	8	21	,	,	,
30412	8	22	although	although	IN
30412	8	23	some	some	DT
30412	8	24	traces	trace	NNS
30412	8	25	of	of	IN
30412	8	26	it	-PRON-	PRP
30412	8	27	appear	appear	VBP
30412	8	28	in	in	IN
30412	8	29	the	the	DT
30412	8	30	"	"	``
30412	8	31	Stabat	Stabat	NNP
30412	8	32	Mater	Mater	NNP
30412	8	33	"	"	''
30412	8	34	of	of	IN
30412	8	35	that	that	DT
30412	8	36	composer	composer	NN
30412	8	37	.	.	.
30412	9	1	This	this	DT
30412	9	2	music	music	NN
30412	9	3	,	,	,
30412	9	4	ecclesiastical	ecclesiastical	JJ
30412	9	5	in	in	IN
30412	9	6	character	character	NN
30412	9	7	,	,	,
30412	9	8	in	in	IN
30412	9	9	which	which	WDT
30412	9	10	it	-PRON-	PRP
30412	9	11	would	would	MD
30412	9	12	have	have	VB
30412	9	13	been	be	VBN
30412	9	14	chimerical	chimerical	JJ
30412	9	15	to	to	TO
30412	9	16	try	try	VB
30412	9	17	to	to	TO
30412	9	18	introduce	introduce	VB
30412	9	19	modern	modern	JJ
30412	9	20	expression	expression	NN
30412	9	21	,	,	,
30412	9	22	flourished	flourish	VBD
30412	9	23	in	in	IN
30412	9	24	France	France	NNP
30412	9	25	,	,	,
30412	9	26	in	in	IN
30412	9	27	Flanders	Flanders	NNP
30412	9	28	,	,	,
30412	9	29	in	in	IN
30412	9	30	Spain	Spain	NNP
30412	9	31	at	at	IN
30412	9	32	the	the	DT
30412	9	33	same	same	JJ
30412	9	34	time	time	NN
30412	9	35	as	as	IN
30412	9	36	in	in	IN
30412	9	37	Italy	Italy	NNP
30412	9	38	,	,	,
30412	9	39	and	and	CC
30412	9	40	enjoyed	enjoy	VBD
30412	9	41	the	the	DT
30412	9	42	favor	favor	NN
30412	9	43	of	of	IN
30412	9	44	Pope	Pope	NNP
30412	9	45	Marcellus	Marcellus	NNP
30412	9	46	,	,	,
30412	9	47	who	who	WP
30412	9	48	recognized	recognize	VBD
30412	9	49	the	the	DT
30412	9	50	merit	merit	NN
30412	9	51	of	of	IN
30412	9	52	Palestrina	Palestrina	NNP
30412	9	53	in	in	IN
30412	9	54	breaking	break	VBG
30412	9	55	loose	loose	JJ
30412	9	56	from	from	IN
30412	9	57	the	the	DT
30412	9	58	grievous	grievous	JJ
30412	9	59	practice	practice	NN
30412	9	60	of	of	IN
30412	9	61	adapting	adapt	VBG
30412	9	62	popular	popular	JJ
30412	9	63	songs	song	NNS
30412	9	64	to	to	IN
30412	9	65	church	church	NN
30412	9	66	music	music	NN
30412	9	67	.	.	.
30412	10	1	In	in	IN
30412	10	2	the	the	DT
30412	10	3	middle	middle	JJ
30412	10	4	ages	age	NNS
30412	10	5	,	,	,
30412	10	6	as	as	IN
30412	10	7	in	in	IN
30412	10	8	antiquity	antiquity	NN
30412	10	9	,	,	,
30412	10	10	the	the	DT
30412	10	11	laws	law	NNS
30412	10	12	of	of	IN
30412	10	13	harmony	harmony	NN
30412	10	14	were	be	VBD
30412	10	15	unknown	unknown	JJ
30412	10	16	;	;	:
30412	10	17	when	when	WRB
30412	10	18	it	-PRON-	PRP
30412	10	19	was	be	VBD
30412	10	20	desired	desire	VBN
30412	10	21	to	to	TO
30412	10	22	sing	sing	VB
30412	10	23	in	in	IN
30412	10	24	two	two	CD
30412	10	25	parts	part	NNS
30412	10	26	,	,	,
30412	10	27	they	-PRON-	PRP
30412	10	28	sang	sing	VBD
30412	10	29	at	at	IN
30412	10	30	first	first	RB
30412	10	31	in	in	IN
30412	10	32	intervals	interval	NNS
30412	10	33	of	of	IN
30412	10	34	fifths	fifth	NNS
30412	10	35	and	and	CC
30412	10	36	fourths	fourth	NNS
30412	10	37	,	,	,
30412	10	38	where	where	WRB
30412	10	39	it	-PRON-	PRP
30412	10	40	would	would	MD
30412	10	41	have	have	VB
30412	10	42	seemed	seem	VBN
30412	10	43	much	much	RB
30412	10	44	more	more	RBR
30412	10	45	natural	natural	JJ
30412	10	46	to	to	TO
30412	10	47	sing	sing	VB
30412	10	48	in	in	IN
30412	10	49	thirds	third	NNS
30412	10	50	and	and	CC
30412	10	51	sixths	sixth	NNS
30412	10	52	.	.	.
30412	11	1	Such	such	JJ
30412	11	2	first	first	JJ
30412	11	3	attempts	attempt	NNS
30412	11	4	at	at	IN
30412	11	5	music	music	NN
30412	11	6	in	in	IN
30412	11	7	several	several	JJ
30412	11	8	parts	part	NNS
30412	11	9	were	be	VBD
30412	11	10	made	make	VBN
30412	11	11	in	in	IN
30412	11	12	the	the	DT
30412	11	13	thirteenth	thirteenth	JJ
30412	11	14	,	,	,
30412	11	15	fourteenth	fourteenth	JJ
30412	11	16	and	and	CC
30412	11	17	fifteenth	fifteenth	JJ
30412	11	18	centuries	century	NNS
30412	11	19	,	,	,
30412	11	20	when	when	WRB
30412	11	21	they	-PRON-	PRP
30412	11	22	were	be	VBD
30412	11	23	hunting	hunt	VBG
30412	11	24	for	for	IN
30412	11	25	laws	law	NNS
30412	11	26	,	,	,
30412	11	27	and	and	CC
30412	11	28	such	such	JJ
30412	11	29	music	music	NN
30412	11	30	was	be	VBD
30412	11	31	discordant	discordant	JJ
30412	11	32	.	.	.
30412	12	1	It	-PRON-	PRP
30412	12	2	bore	bear	VBD
30412	12	3	the	the	DT
30412	12	4	name	name	NN
30412	12	5	of	of	IN
30412	12	6	Diaphony	Diaphony	NNP
30412	12	7	.	.	.
30412	13	1	The	the	DT
30412	13	2	real	real	JJ
30412	13	3	Polyphony	Polyphony	NNP
30412	13	4	came	come	VBD
30412	13	5	in	in	IN
30412	13	6	the	the	DT
30412	13	7	sixteenth	sixteenth	JJ
30412	13	8	century	century	NN
30412	13	9	with	with	IN
30412	13	10	the	the	DT
30412	13	11	school	school	NN
30412	13	12	of	of	IN
30412	13	13	Palestrina	Palestrina	NNP
30412	13	14	.	.	.
30412	14	1	Later	later	RB
30412	14	2	on	on	RB
30412	14	3	,	,	,
30412	14	4	little	little	JJ
30412	14	5	by	by	IN
30412	14	6	little	little	JJ
30412	14	7	,	,	,
30412	14	8	laws	law	NNS
30412	14	9	were	be	VBD
30412	14	10	established	establish	VBN
30412	14	11	,	,	,
30412	14	12	not	not	RB
30412	14	13	arbitrarily	arbitrarily	RB
30412	14	14	,	,	,
30412	14	15	but	but	CC
30412	14	16	laws	law	NNS
30412	14	17	resulting	result	VBG
30412	14	18	from	from	IN
30412	14	19	a	a	DT
30412	14	20	long	long	JJ
30412	14	21	experience	experience	NN
30412	14	22	,	,	,
30412	14	23	and	and	CC
30412	14	24	during	during	IN
30412	14	25	all	all	PDT
30412	14	26	the	the	DT
30412	14	27	sixteenth	sixteenth	JJ
30412	14	28	century	century	NN
30412	14	29	admirable	admirable	JJ
30412	14	30	music	music	NN
30412	14	31	was	be	VBD
30412	14	32	written	write	VBN
30412	14	33	,	,	,
30412	14	34	though	though	IN
30412	14	35	deprived	deprive	VBN
30412	14	36	of	of	IN
30412	14	37	melody	melody	NN
30412	14	38	,	,	,
30412	14	39	properly	properly	RB
30412	14	40	speaking	speak	VBG
30412	14	41	.	.	.
30412	15	1	Melody	melody	NN
30412	15	2	was	be	VBD
30412	15	3	reserved	reserve	VBN
30412	15	4	for	for	IN
30412	15	5	dance	dance	NN
30412	15	6	music	music	NN
30412	15	7	which	which	WDT
30412	15	8	,	,	,
30412	15	9	in	in	IN
30412	15	10	fact	fact	NN
30412	15	11	,	,	,
30412	15	12	was	be	VBD
30412	15	13	perfectly	perfectly	RB
30412	15	14	written	write	VBN
30412	15	15	in	in	IN
30412	15	16	four	four	CD
30412	15	17	and	and	CC
30412	15	18	even	even	RB
30412	15	19	in	in	IN
30412	15	20	five	five	CD
30412	15	21	part	part	NN
30412	15	22	scores	score	NNS
30412	15	23	,	,	,
30412	15	24	as	as	IN
30412	15	25	I	-PRON-	PRP
30412	15	26	have	have	VBP
30412	15	27	been	be	VBN
30412	15	28	able	able	JJ
30412	15	29	to	to	TO
30412	15	30	convince	convince	VB
30412	15	31	myself	-PRON-	PRP
30412	15	32	in	in	IN
30412	15	33	hunting	hunt	VBG
30412	15	34	for	for	IN
30412	15	35	dance	dance	NN
30412	15	36	music	music	NN
30412	15	37	of	of	IN
30412	15	38	the	the	DT
30412	15	39	sixteenth	sixteenth	JJ
30412	15	40	century	century	NN
30412	15	41	for	for	IN
30412	15	42	my	-PRON-	PRP$
30412	15	43	opera	opera	NN
30412	15	44	"	"	``
30412	15	45	Ascanio	Ascanio	NNP
30412	15	46	.	.	.
30412	15	47	"	"	''
30412	16	1	But	but	CC
30412	16	2	no	no	DT
30412	16	3	indication	indication	NN
30412	16	4	of	of	IN
30412	16	5	movement	movement	NN
30412	16	6	,	,	,
30412	16	7	nuances	nuance	NNS
30412	16	8	or	or	CC
30412	16	9	shading	shade	VBG
30412	16	10	,	,	,
30412	16	11	enlightens	enlighten	VBZ
30412	16	12	us	-PRON-	PRP
30412	16	13	as	as	IN
30412	16	14	to	to	IN
30412	16	15	the	the	DT
30412	16	16	manner	manner	NN
30412	16	17	in	in	IN
30412	16	18	which	which	WDT
30412	16	19	this	this	DT
30412	16	20	music	music	NN
30412	16	21	should	should	MD
30412	16	22	be	be	VB
30412	16	23	interpreted	interpret	VBN
30412	16	24	.	.	.
30412	17	1	At	at	IN
30412	17	2	Paris	Paris	NNP
30412	17	3	the	the	DT
30412	17	4	first	first	JJ
30412	17	5	attempts	attempt	NNS
30412	17	6	to	to	TO
30412	17	7	execute	execute	VB
30412	17	8	the	the	DT
30412	17	9	music	music	NN
30412	17	10	of	of	IN
30412	17	11	Palestrina	Palestrina	NNP
30412	17	12	were	be	VBD
30412	17	13	made	make	VBN
30412	17	14	in	in	IN
30412	17	15	the	the	DT
30412	17	16	time	time	NN
30412	17	17	of	of	IN
30412	17	18	Louis	Louis	NNP
30412	17	19	Philippe	Philippe	NNP
30412	17	20	,	,	,
30412	17	21	by	by	IN
30412	17	22	the	the	DT
30412	17	23	Prince	Prince	NNP
30412	17	24	of	of	IN
30412	17	25	Moscow	Moscow	NNP
30412	17	26	.	.	.
30412	18	1	He	-PRON-	PRP
30412	18	2	had	have	VBD
30412	18	3	founded	found	VBN
30412	18	4	a	a	DT
30412	18	5	choral	choral	JJ
30412	18	6	society	society	NN
30412	18	7	of	of	IN
30412	18	8	amateurs	amateur	NNS
30412	18	9	,	,	,
30412	18	10	all	all	DT
30412	18	11	titled	title	VBN
30412	18	12	,	,	,
30412	18	13	but	but	CC
30412	18	14	gifted	gift	VBN
30412	18	15	with	with	IN
30412	18	16	good	good	JJ
30412	18	17	voices	voice	NNS
30412	18	18	and	and	CC
30412	18	19	a	a	DT
30412	18	20	certain	certain	JJ
30412	18	21	musical	musical	JJ
30412	18	22	talent	talent	NN
30412	18	23	.	.	.
30412	19	1	This	this	DT
30412	19	2	society	society	NN
30412	19	3	executed	execute	VBD
30412	19	4	many	many	JJ
30412	19	5	of	of	IN
30412	19	6	the	the	DT
30412	19	7	works	work	NNS
30412	19	8	of	of	IN
30412	19	9	Palestrina	Palestrina	NNP
30412	19	10	and	and	CC
30412	19	11	particularly	particularly	RB
30412	19	12	the	the	DT
30412	19	13	famous	famous	JJ
30412	19	14	"	"	``
30412	19	15	Mass	Mass	NNP
30412	19	16	of	of	IN
30412	19	17	Pope	Pope	NNP
30412	19	18	Marcellus	Marcellus	NNP
30412	19	19	.	.	.
30412	19	20	"	"	''
30412	20	1	They	-PRON-	PRP
30412	20	2	adopted	adopt	VBD
30412	20	3	at	at	IN
30412	20	4	that	that	DT
30412	20	5	time	time	NN
30412	20	6	the	the	DT
30412	20	7	method	method	NN
30412	20	8	of	of	IN
30412	20	9	singing	singe	VBG
30412	20	10	most	most	JJS
30412	20	11	of	of	IN
30412	20	12	these	these	DT
30412	20	13	pieces	piece	NNS
30412	20	14	very	very	RB
30412	20	15	softly	softly	RB
30412	20	16	and	and	CC
30412	20	17	with	with	IN
30412	20	18	an	an	DT
30412	20	19	extreme	extreme	JJ
30412	20	20	slowness	slowness	NN
30412	20	21	so	so	IN
30412	20	22	that	that	IN
30412	20	23	in	in	IN
30412	20	24	the	the	DT
30412	20	25	long	long	RB
30412	20	26	-	-	HYPH
30412	20	27	sustained	sustained	JJ
30412	20	28	notes	note	NNS
30412	20	29	the	the	DT
30412	20	30	singers	singer	NNS
30412	20	31	were	be	VBD
30412	20	32	forced	force	VBN
30412	20	33	to	to	TO
30412	20	34	divide	divide	VB
30412	20	35	their	-PRON-	PRP$
30412	20	36	task	task	NN
30412	20	37	by	by	IN
30412	20	38	some	some	DT
30412	20	39	taking	take	VBG
30412	20	40	up	up	RP
30412	20	41	the	the	DT
30412	20	42	sound	sound	NN
30412	20	43	when	when	WRB
30412	20	44	the	the	DT
30412	20	45	others	other	NNS
30412	20	46	were	be	VBD
30412	20	47	out	out	IN
30412	20	48	of	of	IN
30412	20	49	breath	breath	NN
30412	20	50	.	.	.
30412	21	1	Consonant	consonant	NN
30412	21	2	chords	chord	NNS
30412	21	3	thus	thus	RB
30412	21	4	presented	present	VBD
30412	21	5	evidently	evidently	RB
30412	21	6	produced	produce	VBN
30412	21	7	music	music	NN
30412	21	8	which	which	WDT
30412	21	9	was	be	VBD
30412	21	10	very	very	RB
30412	21	11	agreeable	agreeable	JJ
30412	21	12	to	to	IN
30412	21	13	the	the	DT
30412	21	14	ear	ear	NN
30412	21	15	,	,	,
30412	21	16	but	but	CC
30412	21	17	unquestionably	unquestionably	RB
30412	21	18	the	the	DT
30412	21	19	author	author	NN
30412	21	20	could	could	MD
30412	21	21	not	not	RB
30412	21	22	recognize	recognize	VB
30412	21	23	his	-PRON-	PRP$
30412	21	24	work	work	NN
30412	21	25	in	in	IN
30412	21	26	such	such	JJ
30412	21	27	rendering	rendering	NN
30412	21	28	.	.	.
30412	22	1	Quite	quite	JJ
30412	22	2	different	different	JJ
30412	22	3	was	be	VBD
30412	22	4	the	the	DT
30412	22	5	method	method	NN
30412	22	6	of	of	IN
30412	22	7	the	the	DT
30412	22	8	singers	singer	NNS
30412	22	9	in	in	IN
30412	22	10	the	the	DT
30412	22	11	Sistine	Sistine	NNP
30412	22	12	Chapel	Chapel	NNP
30412	22	13	when	when	WRB
30412	22	14	I	-PRON-	PRP
30412	22	15	heard	hear	VBD
30412	22	16	them	-PRON-	PRP
30412	22	17	for	for	IN
30412	22	18	the	the	DT
30412	22	19	first	first	JJ
30412	22	20	time	time	NN
30412	22	21	in	in	IN
30412	22	22	Rome	Rome	NNP
30412	22	23	in	in	IN
30412	22	24	1855	1855	CD
30412	22	25	when	when	WRB
30412	22	26	they	-PRON-	PRP
30412	22	27	sung	sing	VBD
30412	22	28	the	the	DT
30412	22	29	"	"	``
30412	22	30	Sicut	Sicut	NNP
30412	22	31	Cervus	Cervus	NNP
30412	22	32	"	"	''
30412	22	33	of	of	IN
30412	22	34	Palestrina	Palestrina	NNP
30412	22	35	.	.	.
30412	23	1	They	-PRON-	PRP
30412	23	2	roared	roar	VBD
30412	23	3	in	in	IN
30412	23	4	a	a	DT
30412	23	5	head	head	NN
30412	23	6	-	-	HYPH
30412	23	7	splitting	splitting	JJ
30412	23	8	way	way	NN
30412	23	9	without	without	IN
30412	23	10	the	the	DT
30412	23	11	least	least	JJS
30412	23	12	regard	regard	NN
30412	23	13	for	for	IN
30412	23	14	the	the	DT
30412	23	15	pleasure	pleasure	NN
30412	23	16	of	of	IN
30412	23	17	the	the	DT
30412	23	18	listener	listener	NN
30412	23	19	,	,	,
30412	23	20	or	or	CC
30412	23	21	for	for	IN
30412	23	22	the	the	DT
30412	23	23	meaning	meaning	NN
30412	23	24	of	of	IN
30412	23	25	the	the	DT
30412	23	26	words	word	NNS
30412	23	27	they	-PRON-	PRP
30412	23	28	sang	sing	VBD
30412	23	29	.	.	.
30412	24	1	It	-PRON-	PRP
30412	24	2	is	be	VBZ
30412	24	3	difficult	difficult	JJ
30412	24	4	to	to	TO
30412	24	5	believe	believe	VB
30412	24	6	that	that	IN
30412	24	7	this	this	DT
30412	24	8	music	music	NN
30412	24	9	was	be	VBD
30412	24	10	ever	ever	RB
30412	24	11	composed	compose	VBN
30412	24	12	to	to	TO
30412	24	13	be	be	VB
30412	24	14	executed	execute	VBN
30412	24	15	in	in	IN
30412	24	16	such	such	PDT
30412	24	17	a	a	DT
30412	24	18	barbarous	barbarous	JJ
30412	24	19	manner	manner	NN
30412	24	20	,	,	,
30412	24	21	which	which	WDT
30412	24	22	,	,	,
30412	24	23	it	-PRON-	PRP
30412	24	24	seems	seem	VBZ
30412	24	25	to	to	IN
30412	24	26	me	-PRON-	PRP
30412	24	27	,	,	,
30412	24	28	differs	differ	VBZ
30412	24	29	completely	completely	RB
30412	24	30	from	from	IN
30412	24	31	our	-PRON-	PRP$
30412	24	32	musical	musical	JJ
30412	24	33	conceptions	conception	NNS
30412	24	34	;	;	:
30412	24	35	and	and	CC
30412	24	36	it	-PRON-	PRP
30412	24	37	is	be	VBZ
30412	24	38	a	a	DT
30412	24	39	great	great	JJ
30412	24	40	mistake	mistake	NN
30412	24	41	also	also	RB
30412	24	42	in	in	IN
30412	24	43	modern	modern	JJ
30412	24	44	editions	edition	NNS
30412	24	45	of	of	IN
30412	24	46	such	such	JJ
30412	24	47	music	music	NN
30412	24	48	to	to	TO
30412	24	49	introduce	introduce	VB
30412	24	50	delicate	delicate	JJ
30412	24	51	shadings	shading	NNS
30412	24	52	or	or	CC
30412	24	53	nuances	nuance	NNS
30412	24	54	and	and	CC
30412	24	55	even	even	RB
30412	24	56	employ	employ	VBP
30412	24	57	the	the	DT
30412	24	58	words	word	NNS
30412	24	59	"	"	``
30412	24	60	very	very	RB
30412	24	61	expressive	expressive	JJ
30412	24	62	.	.	.
30412	24	63	"	"	''
30412	25	1	Palestrina	Palestrina	NNP
30412	25	2	has	have	VBZ
30412	25	3	had	have	VBN
30412	25	4	his	-PRON-	PRP$
30412	25	5	admirers	admirer	NNS
30412	25	6	among	among	IN
30412	25	7	French	french	JJ
30412	25	8	literary	literary	JJ
30412	25	9	writers	writer	NNS
30412	25	10	.	.	.
30412	26	1	We	-PRON-	PRP
30412	26	2	recall	recall	VBP
30412	26	3	the	the	DT
30412	26	4	scene	scene	NN
30412	26	5	created	create	VBN
30412	26	6	by	by	IN
30412	26	7	Octave	Octave	NNP
30412	26	8	Feuillet	Feuillet	NNP
30412	26	9	in	in	IN
30412	26	10	"	"	``
30412	26	11	M.	M.	NNP
30412	26	12	de	de	NNP
30412	26	13	Camors	Camors	NNP
30412	26	14	.	.	.
30412	26	15	"	"	''
30412	27	1	M.	M.	NNP
30412	27	2	de	de	NNP
30412	27	3	Camors	Camors	NNP
30412	27	4	is	be	VBZ
30412	27	5	at	at	IN
30412	27	6	his	-PRON-	PRP$
30412	27	7	window	window	NN
30412	27	8	;	;	:
30412	27	9	a	a	DT
30412	27	10	lady	lady	NN
30412	27	11	is	be	VBZ
30412	27	12	at	at	IN
30412	27	13	the	the	DT
30412	27	14	piano	piano	NN
30412	27	15	;	;	:
30412	27	16	a	a	DT
30412	27	17	gentleman	gentleman	NN
30412	27	18	at	at	IN
30412	27	19	the	the	DT
30412	27	20	cello	cello	NN
30412	27	21	,	,	,
30412	27	22	and	and	CC
30412	27	23	another	another	DT
30412	27	24	lady	lady	NN
30412	27	25	sings	sing	VBZ
30412	27	26	the	the	DT
30412	27	27	Mass	Mass	NNP
30412	27	28	of	of	IN
30412	27	29	Palestrina	Palestrina	NNP
30412	27	30	which	which	WDT
30412	27	31	I	-PRON-	PRP
30412	27	32	have	have	VBP
30412	27	33	referred	refer	VBN
30412	27	34	to	to	IN
30412	27	35	above	above	RB
30412	27	36	.	.	.
30412	28	1	Such	such	PDT
30412	28	2	a	a	DT
30412	28	3	way	way	NN
30412	28	4	of	of	IN
30412	28	5	playing	play	VBG
30412	28	6	this	this	DT
30412	28	7	music	music	NN
30412	28	8	is	be	VBZ
30412	28	9	simply	simply	RB
30412	28	10	out	out	IN
30412	28	11	of	of	IN
30412	28	12	the	the	DT
30412	28	13	question	question	NN
30412	28	14	.	.	.
30412	29	1	Feuillet	Feuillet	NNP
30412	29	2	had	have	VBD
30412	29	3	obtained	obtain	VBN
30412	29	4	his	-PRON-	PRP$
30412	29	5	inspiration	inspiration	NN
30412	29	6	for	for	IN
30412	29	7	this	this	DT
30412	29	8	from	from	IN
30412	29	9	a	a	DT
30412	29	10	fanciful	fanciful	JJ
30412	29	11	painting	painting	NN
30412	29	12	which	which	WDT
30412	29	13	he	-PRON-	PRP
30412	29	14	had	have	VBD
30412	29	15	seen	see	VBN
30412	29	16	somewhere	somewhere	RB
30412	29	17	.	.	.
30412	30	1	Expression	expression	NN
30412	30	2	was	be	VBD
30412	30	3	introduced	introduce	VBN
30412	30	4	into	into	IN
30412	30	5	music	music	NN
30412	30	6	by	by	IN
30412	30	7	the	the	DT
30412	30	8	chord	chord	NN
30412	30	9	of	of	IN
30412	30	10	the	the	DT
30412	30	11	dominant	dominant	JJ
30412	30	12	seventh	seventh	JJ
30412	30	13	,	,	,
30412	30	14	the	the	DT
30412	30	15	invention	invention	NN
30412	30	16	of	of	IN
30412	30	17	which	which	WDT
30412	30	18	is	be	VBZ
30412	30	19	attributed	attribute	VBN
30412	30	20	to	to	IN
30412	30	21	Monteverde	Monteverde	NNP
30412	30	22	.	.	.
30412	31	1	However	however	RB
30412	31	2	,	,	,
30412	31	3	Palestrina	Palestrina	NNP
30412	31	4	had	have	VBD
30412	31	5	already	already	RB
30412	31	6	employed	employ	VBN
30412	31	7	that	that	DT
30412	31	8	chord	chord	NN
30412	31	9	in	in	IN
30412	31	10	his	-PRON-	PRP$
30412	31	11	"	"	``
30412	31	12	Adoremus	Adoremus	NNP
30412	31	13	,	,	,
30412	31	14	"	"	''
30412	31	15	but	but	CC
30412	31	16	probably	probably	RB
30412	31	17	without	without	IN
30412	31	18	understanding	understand	VBG
30412	31	19	its	-PRON-	PRP$
30412	31	20	importance	importance	NN
30412	31	21	or	or	CC
30412	31	22	divining	divine	VBG
30412	31	23	its	-PRON-	PRP$
30412	31	24	future	future	NN
30412	31	25	.	.	.
30412	32	1	Before	before	IN
30412	32	2	this	this	DT
30412	32	3	invention	invention	NN
30412	32	4	the	the	DT
30412	32	5	interval	interval	NN
30412	32	6	of	of	IN
30412	32	7	three	three	CD
30412	32	8	whole	whole	JJ
30412	32	9	tones	tone	NNS
30412	32	10	(	(	-LRB-
30412	32	11	Triton	Triton	NNP
30412	32	12	)	)	-RRB-
30412	32	13	was	be	VBD
30412	32	14	considered	consider	VBN
30412	32	15	an	an	DT
30412	32	16	intolerable	intolerable	JJ
30412	32	17	dissonance	dissonance	NN
30412	32	18	and	and	CC
30412	32	19	was	be	VBD
30412	32	20	called	call	VBN
30412	32	21	"	"	``
30412	32	22	the	the	DT
30412	32	23	devil	devil	NNP
30412	32	24	in	in	IN
30412	32	25	music	music	NN
30412	32	26	.	.	.
30412	32	27	"	"	''
30412	33	1	The	the	DT
30412	33	2	dominant	dominant	JJ
30412	33	3	seventh	seventh	JJ
30412	33	4	has	have	VBZ
30412	33	5	been	be	VBN
30412	33	6	the	the	DT
30412	33	7	open	open	JJ
30412	33	8	door	door	NN
30412	33	9	to	to	IN
30412	33	10	all	all	DT
30412	33	11	dissonances	dissonance	NNS
30412	33	12	and	and	CC
30412	33	13	to	to	IN
30412	33	14	the	the	DT
30412	33	15	domain	domain	NN
30412	33	16	of	of	IN
30412	33	17	expression	expression	NN
30412	33	18	.	.	.
30412	34	1	It	-PRON-	PRP
30412	34	2	was	be	VBD
30412	34	3	a	a	DT
30412	34	4	death	death	NN
30412	34	5	blow	blow	NN
30412	34	6	to	to	IN
30412	34	7	that	that	DT
30412	34	8	learned	learn	VBN
30412	34	9	music	music	NN
30412	34	10	of	of	IN
30412	34	11	the	the	DT
30412	34	12	sixteenth	sixteenth	JJ
30412	34	13	century	century	NN
30412	34	14	;	;	:
30412	34	15	it	-PRON-	PRP
30412	34	16	was	be	VBD
30412	34	17	the	the	DT
30412	34	18	arrival	arrival	NN
30412	34	19	of	of	IN
30412	34	20	the	the	DT
30412	34	21	reign	reign	NN
30412	34	22	of	of	IN
30412	34	23	melody	melody	NN
30412	34	24	--	--	:
30412	34	25	of	of	IN
30412	34	26	the	the	DT
30412	34	27	development	development	NN
30412	34	28	of	of	IN
30412	34	29	the	the	DT
30412	34	30	art	art	NN
30412	34	31	of	of	IN
30412	34	32	singing	singing	NN
30412	34	33	.	.	.
30412	35	1	Very	very	RB
30412	35	2	often	often	RB
30412	35	3	the	the	DT
30412	35	4	song	song	NN
30412	35	5	or	or	CC
30412	35	6	the	the	DT
30412	35	7	solo	solo	JJ
30412	35	8	instrument	instrument	NN
30412	35	9	would	would	MD
30412	35	10	be	be	VB
30412	35	11	accompanied	accompany	VBN
30412	35	12	by	by	IN
30412	35	13	a	a	DT
30412	35	14	simple	simple	JJ
30412	35	15	,	,	,
30412	35	16	ciphered	ciphered	JJ
30412	35	17	bass	bass	NN
30412	35	18	,	,	,
30412	35	19	the	the	DT
30412	35	20	ciphers	cipher	NNS
30412	35	21	indicating	indicate	VBG
30412	35	22	the	the	DT
30412	35	23	chords	chord	NNS
30412	35	24	which	which	WDT
30412	35	25	he	-PRON-	PRP
30412	35	26	who	who	WP
30412	35	27	accompanied	accompany	VBD
30412	35	28	should	should	MD
30412	35	29	play	play	VB
30412	35	30	as	as	RB
30412	35	31	well	well	RB
30412	35	32	as	as	IN
30412	35	33	he	-PRON-	PRP
30412	35	34	could	could	MD
30412	35	35	,	,	,
30412	35	36	either	either	CC
30412	35	37	on	on	IN
30412	35	38	the	the	DT
30412	35	39	harpsichord	harpsichord	NN
30412	35	40	or	or	CC
30412	35	41	the	the	DT
30412	35	42	theorbe	theorbe	NNP
30412	35	43	.	.	.
30412	36	1	The	the	DT
30412	36	2	theorbe	theorbe	NN
30412	36	3	was	be	VBD
30412	36	4	an	an	DT
30412	36	5	admirable	admirable	JJ
30412	36	6	instrument	instrument	NN
30412	36	7	which	which	WDT
30412	36	8	is	be	VBZ
30412	36	9	now	now	RB
30412	36	10	to	to	TO
30412	36	11	be	be	VB
30412	36	12	found	find	VBN
30412	36	13	only	only	RB
30412	36	14	in	in	IN
30412	36	15	museums,--a	museums,--a	NNP
30412	36	16	sort	sort	RB
30412	36	17	of	of	IN
30412	36	18	enormous	enormous	JJ
30412	36	19	guitar	guitar	NN
30412	36	20	with	with	IN
30412	36	21	a	a	DT
30412	36	22	long	long	JJ
30412	36	23	neck	neck	NN
30412	36	24	and	and	CC
30412	36	25	multiple	multiple	JJ
30412	36	26	strings	string	NNS
30412	36	27	which	which	WDT
30412	36	28	offered	offer	VBD
30412	36	29	great	great	JJ
30412	36	30	opportunities	opportunity	NNS
30412	36	31	to	to	IN
30412	36	32	a	a	DT
30412	36	33	skilful	skilful	JJ
30412	36	34	artist	artist	NN
30412	36	35	.	.	.
30412	37	1	It	-PRON-	PRP
30412	37	2	is	be	VBZ
30412	37	3	curious	curious	JJ
30412	37	4	to	to	TO
30412	37	5	note	note	VB
30412	37	6	that	that	IN
30412	37	7	in	in	IN
30412	37	8	ancient	ancient	JJ
30412	37	9	times	time	NNS
30412	37	10	there	there	EX
30412	37	11	was	be	VBD
30412	37	12	not	not	RB
30412	37	13	attributed	attribute	VBN
30412	37	14	to	to	IN
30412	37	15	the	the	DT
30412	37	16	minor	minor	JJ
30412	37	17	and	and	CC
30412	37	18	major	major	JJ
30412	37	19	keys	key	NNS
30412	37	20	the	the	DT
30412	37	21	same	same	JJ
30412	37	22	character	character	NN
30412	37	23	as	as	IN
30412	37	24	is	be	VBZ
30412	37	25	assigned	assign	VBN
30412	37	26	them	-PRON-	PRP
30412	37	27	to	to	IN
30412	37	28	-	-	HYPH
30412	37	29	day	day	NN
30412	37	30	.	.	.
30412	38	1	[	[	-LRB-
30412	38	2	2	2	LS
30412	38	3	]	]	-RRB-
30412	38	4	The	the	DT
30412	38	5	joyous	joyous	JJ
30412	38	6	canticle	canticle	NN
30412	38	7	of	of	IN
30412	38	8	the	the	DT
30412	38	9	Catholic	catholic	JJ
30412	38	10	church	church	NN
30412	38	11	,	,	,
30412	38	12	"	"	``
30412	38	13	O	o	UH
30412	38	14	Filii	Filii	NNP
30412	38	15	et	et	NN
30412	38	16	Filiæ	Filiæ	NNP
30412	38	17	,	,	,
30412	38	18	"	"	''
30412	38	19	is	be	VBZ
30412	38	20	in	in	IN
30412	38	21	the	the	DT
30412	38	22	minor	minor	NN
30412	38	23	.	.	.
30412	39	1	"	"	``
30412	39	2	The	the	DT
30412	39	3	Romanesca	Romanesca	NNP
30412	39	4	,	,	,
30412	39	5	"	"	''
30412	39	6	a	a	DT
30412	39	7	dance	dance	NN
30412	39	8	air	air	NN
30412	39	9	of	of	IN
30412	39	10	the	the	DT
30412	39	11	sixteenth	sixteenth	JJ
30412	39	12	century	century	NN
30412	39	13	,	,	,
30412	39	14	is	be	VBZ
30412	39	15	equally	equally	RB
30412	39	16	in	in	IN
30412	39	17	the	the	DT
30412	39	18	minor	minor	JJ
30412	39	19	,	,	,
30412	39	20	just	just	RB
30412	39	21	like	like	IN
30412	39	22	all	all	PDT
30412	39	23	the	the	DT
30412	39	24	dance	dance	NN
30412	39	25	airs	air	NNS
30412	39	26	of	of	IN
30412	39	27	Lully	Lully	NNP
30412	39	28	,	,	,
30412	39	29	and	and	CC
30412	39	30	of	of	IN
30412	39	31	Rameau	Rameau	NNP
30412	39	32	,	,	,
30412	39	33	and	and	CC
30412	39	34	the	the	DT
30412	39	35	gavottes	gavotte	NNS
30412	39	36	of	of	IN
30412	39	37	Sebastian	Sebastian	NNP
30412	39	38	Bach	Bach	NNP
30412	39	39	.	.	.
30412	40	1	The	the	DT
30412	40	2	celebrated	celebrated	JJ
30412	40	3	"	"	``
30412	40	4	Funeral	Funeral	NNP
30412	40	5	March	March	NNP
30412	40	6	"	"	''
30412	40	7	of	of	IN
30412	40	8	Haendel	Haendel	NNP
30412	40	9	,	,	,
30412	40	10	reproduced	reproduce	VBN
30412	40	11	in	in	IN
30412	40	12	many	many	JJ
30412	40	13	of	of	IN
30412	40	14	his	-PRON-	PRP$
30412	40	15	works	work	NNS
30412	40	16	,	,	,
30412	40	17	is	be	VBZ
30412	40	18	in	in	IN
30412	40	19	C	C	NNP
30412	40	20	Major	Major	NNP
30412	40	21	.	.	.
30412	41	1	The	the	DT
30412	41	2	delicious	delicious	JJ
30412	41	3	love	love	NN
30412	41	4	duo	duo	NN
30412	41	5	of	of	IN
30412	41	6	Acis	Acis	NNP
30412	41	7	and	and	CC
30412	41	8	Galathee	Galathee	NNP
30412	41	9	,	,	,
30412	41	10	which	which	WDT
30412	41	11	changes	change	VBZ
30412	41	12	to	to	IN
30412	41	13	a	a	DT
30412	41	14	trio	trio	NN
30412	41	15	by	by	IN
30412	41	16	the	the	DT
30412	41	17	addition	addition	NN
30412	41	18	of	of	IN
30412	41	19	the	the	DT
30412	41	20	part	part	NN
30412	41	21	of	of	IN
30412	41	22	Polyphemus	Polyphemus	NNP
30412	41	23	,	,	,
30412	41	24	is	be	VBZ
30412	41	25	in	in	IN
30412	41	26	A	a	DT
30412	41	27	Minor	Minor	NNP
30412	41	28	.	.	.
30412	42	1	When	when	WRB
30412	42	2	Galathee	Galathee	NNP
30412	42	3	weeps	weep	VBZ
30412	42	4	afterward	afterward	RB
30412	42	5	over	over	IN
30412	42	6	the	the	DT
30412	42	7	death	death	NN
30412	42	8	of	of	IN
30412	42	9	Acis	Acis	NNP
30412	42	10	,	,	,
30412	42	11	the	the	DT
30412	42	12	air	air	NN
30412	42	13	is	be	VBZ
30412	42	14	in	in	IN
30412	42	15	F	F	NNP
30412	42	16	Major	Major	NNP
30412	42	17	.	.	.
30412	43	1	It	-PRON-	PRP
30412	43	2	is	be	VBZ
30412	43	3	only	only	RB
30412	43	4	recently	recently	RB
30412	43	5	that	that	IN
30412	43	6	we	-PRON-	PRP
30412	43	7	find	find	VBP
30412	43	8	dance	dance	NN
30412	43	9	airs	air	NNS
30412	43	10	in	in	IN
30412	43	11	the	the	DT
30412	43	12	major	major	JJ
30412	43	13	mood	mood	NN
30412	43	14	or	or	CC
30412	43	15	key	key	NN
30412	43	16	.	.	.
30412	44	1	From	from	IN
30412	44	2	the	the	DT
30412	44	3	seventeenth	seventeenth	JJ
30412	44	4	century	century	NN
30412	44	5	on	on	IN
30412	44	6	,	,	,
30412	44	7	music	music	NN
30412	44	8	entered	enter	VBN
30412	44	9	into	into	IN
30412	44	10	everyday	everyday	JJ
30412	44	11	life	life	NN
30412	44	12	,	,	,
30412	44	13	never	never	RB
30412	44	14	again	again	RB
30412	44	15	to	to	TO
30412	44	16	be	be	VB
30412	44	17	separated	separate	VBN
30412	44	18	from	from	IN
30412	44	19	it	-PRON-	PRP
30412	44	20	.	.	.
30412	45	1	Thus	thus	RB
30412	45	2	music	music	NN
30412	45	3	has	have	VBZ
30412	45	4	remained	remain	VBN
30412	45	5	in	in	IN
30412	45	6	favor	favor	NN
30412	45	7	,	,	,
30412	45	8	and	and	CC
30412	45	9	we	-PRON-	PRP
30412	45	10	are	be	VBP
30412	45	11	continually	continually	RB
30412	45	12	hearing	hear	VBG
30412	45	13	executed	execute	VBN
30412	45	14	the	the	DT
30412	45	15	works	work	NNS
30412	45	16	of	of	IN
30412	45	17	Bach	Bach	NNP
30412	45	18	,	,	,
30412	45	19	of	of	IN
30412	45	20	Haendel	Haendel	NNP
30412	45	21	,	,	,
30412	45	22	of	of	IN
30412	45	23	Hayden	Hayden	NNP
30412	45	24	,	,	,
30412	45	25	of	of	IN
30412	45	26	Mozart	Mozart	NNP
30412	45	27	and	and	CC
30412	45	28	of	of	IN
30412	45	29	Beethoven	Beethoven	NNP
30412	45	30	.	.	.
30412	46	1	How	how	WRB
30412	46	2	are	be	VBP
30412	46	3	such	such	JJ
30412	46	4	works	work	NNS
30412	46	5	executed	execute	VBN
30412	46	6	?	?	.
30412	47	1	Are	be	VBP
30412	47	2	they	-PRON-	PRP
30412	47	3	executed	execute	VBN
30412	47	4	as	as	IN
30412	47	5	they	-PRON-	PRP
30412	47	6	should	should	MD
30412	47	7	be	be	VB
30412	47	8	?	?	.
30412	48	1	That	that	DT
30412	48	2	is	be	VBZ
30412	48	3	another	another	DT
30412	48	4	question	question	NN
30412	48	5	.	.	.
30412	49	1	One	one	CD
30412	49	2	source	source	NN
30412	49	3	of	of	IN
30412	49	4	error	error	NN
30412	49	5	is	be	VBZ
30412	49	6	found	find	VBN
30412	49	7	in	in	IN
30412	49	8	the	the	DT
30412	49	9	evolution	evolution	NN
30412	49	10	which	which	WDT
30412	49	11	musical	musical	JJ
30412	49	12	instruments	instrument	NNS
30412	49	13	have	have	VBP
30412	49	14	undergone	undergo	VBN
30412	49	15	.	.	.
30412	50	1	In	in	IN
30412	50	2	the	the	DT
30412	50	3	time	time	NN
30412	50	4	of	of	IN
30412	50	5	Bach	Bach	NNP
30412	50	6	and	and	CC
30412	50	7	Haendel	Haendel	NNP
30412	50	8	the	the	DT
30412	50	9	bow	bow	NN
30412	50	10	truly	truly	RB
30412	50	11	merited	merit	VBD
30412	50	12	its	-PRON-	PRP$
30412	50	13	Italian	italian	JJ
30412	50	14	name	name	NN
30412	50	15	of	of	IN
30412	50	16	"	"	``
30412	50	17	arco	arco	NNP
30412	50	18	.	.	.
30412	50	19	"	"	''
30412	51	1	It	-PRON-	PRP
30412	51	2	was	be	VBD
30412	51	3	curved	curve	VBN
30412	51	4	like	like	IN
30412	51	5	an	an	DT
30412	51	6	arc	arc	NN
30412	51	7	--	--	:
30412	51	8	the	the	DT
30412	51	9	hairs	hair	NNS
30412	51	10	of	of	IN
30412	51	11	the	the	DT
30412	51	12	bow	bow	NN
30412	51	13	constituted	constitute	VBD
30412	51	14	the	the	DT
30412	51	15	chord	chord	NN
30412	51	16	of	of	IN
30412	51	17	the	the	DT
30412	51	18	arc	arc	NN
30412	51	19	,	,	,
30412	51	20	a	a	DT
30412	51	21	very	very	RB
30412	51	22	great	great	JJ
30412	51	23	flexibility	flexibility	NN
30412	51	24	resulting	resulting	NN
30412	51	25	which	which	WDT
30412	51	26	allowed	allow	VBD
30412	51	27	the	the	DT
30412	51	28	strings	string	NNS
30412	51	29	of	of	IN
30412	51	30	the	the	DT
30412	51	31	instrument	instrument	NN
30412	51	32	to	to	TO
30412	51	33	be	be	VB
30412	51	34	enveloped	envelop	VBN
30412	51	35	and	and	CC
30412	51	36	to	to	TO
30412	51	37	be	be	VB
30412	51	38	played	play	VBN
30412	51	39	simultaneously	simultaneously	RB
30412	51	40	.	.	.
30412	52	1	The	the	DT
30412	52	2	bow	bow	NN
30412	52	3	seldom	seldom	RB
30412	52	4	quitted	quit	VBD
30412	52	5	the	the	DT
30412	52	6	strings	string	NNS
30412	52	7	,	,	,
30412	52	8	doing	do	VBG
30412	52	9	so	so	RB
30412	52	10	only	only	RB
30412	52	11	in	in	IN
30412	52	12	rare	rare	JJ
30412	52	13	cases	case	NNS
30412	52	14	and	and	CC
30412	52	15	when	when	WRB
30412	52	16	especially	especially	RB
30412	52	17	indicated	indicate	VBN
30412	52	18	.	.	.
30412	53	1	On	on	IN
30412	53	2	this	this	DT
30412	53	3	account	account	NN
30412	53	4	it	-PRON-	PRP
30412	53	5	happens	happen	VBZ
30412	53	6	that	that	IN
30412	53	7	the	the	DT
30412	53	8	indication	indication	NN
30412	53	9	of	of	IN
30412	53	10	"	"	``
30412	53	11	legato	legato	NNP
30412	53	12	"	"	''
30412	53	13	is	be	VBZ
30412	53	14	very	very	RB
30412	53	15	rare	rare	JJ
30412	53	16	.	.	.
30412	54	1	Even	even	RB
30412	54	2	though	though	IN
30412	54	3	there	there	EX
30412	54	4	was	be	VBD
30412	54	5	a	a	DT
30412	54	6	separate	separate	JJ
30412	54	7	stroke	stroke	NN
30412	54	8	of	of	IN
30412	54	9	the	the	DT
30412	54	10	bow	bow	NN
30412	54	11	for	for	IN
30412	54	12	each	each	DT
30412	54	13	note	note	NN
30412	54	14	,	,	,
30412	54	15	the	the	DT
30412	54	16	notes	note	NNS
30412	54	17	were	be	VBD
30412	54	18	not	not	RB
30412	54	19	separated	separate	VBN
30412	54	20	one	one	CD
30412	54	21	from	from	IN
30412	54	22	the	the	DT
30412	54	23	other	other	JJ
30412	54	24	.	.	.
30412	55	1	Nowadays	nowadays	RB
30412	55	2	the	the	DT
30412	55	3	form	form	NN
30412	55	4	of	of	IN
30412	55	5	the	the	DT
30412	55	6	bow	bow	NN
30412	55	7	is	be	VBZ
30412	55	8	completely	completely	RB
30412	55	9	changed	change	VBN
30412	55	10	.	.	.
30412	56	1	The	the	DT
30412	56	2	execution	execution	NN
30412	56	3	of	of	IN
30412	56	4	the	the	DT
30412	56	5	music	music	NN
30412	56	6	is	be	VBZ
30412	56	7	based	base	VBN
30412	56	8	upon	upon	IN
30412	56	9	the	the	DT
30412	56	10	detached	detached	JJ
30412	56	11	bow	bow	NN
30412	56	12	,	,	,
30412	56	13	and	and	CC
30412	56	14	although	although	IN
30412	56	15	it	-PRON-	PRP
30412	56	16	is	be	VBZ
30412	56	17	easy	easy	JJ
30412	56	18	to	to	TO
30412	56	19	keep	keep	VB
30412	56	20	the	the	DT
30412	56	21	bow	bow	NN
30412	56	22	upon	upon	IN
30412	56	23	the	the	DT
30412	56	24	strings	string	NNS
30412	56	25	just	just	RB
30412	56	26	as	as	IN
30412	56	27	they	-PRON-	PRP
30412	56	28	did	do	VBD
30412	56	29	at	at	IN
30412	56	30	the	the	DT
30412	56	31	commencement	commencement	NN
30412	56	32	of	of	IN
30412	56	33	the	the	DT
30412	56	34	nineteenth	nineteenth	JJ
30412	56	35	century	century	NN
30412	56	36	,	,	,
30412	56	37	performers	performer	NNS
30412	56	38	have	have	VBP
30412	56	39	lost	lose	VBN
30412	56	40	the	the	DT
30412	56	41	habit	habit	NN
30412	56	42	of	of	IN
30412	56	43	it	-PRON-	PRP
30412	56	44	.	.	.
30412	57	1	The	the	DT
30412	57	2	result	result	NN
30412	57	3	is	be	VBZ
30412	57	4	that	that	IN
30412	57	5	they	-PRON-	PRP
30412	57	6	give	give	VBP
30412	57	7	to	to	IN
30412	57	8	ancient	ancient	JJ
30412	57	9	music	music	NN
30412	57	10	a	a	DT
30412	57	11	character	character	NN
30412	57	12	of	of	IN
30412	57	13	perpetually	perpetually	RB
30412	57	14	jumping	jump	VBG
30412	57	15	,	,	,
30412	57	16	which	which	WDT
30412	57	17	completely	completely	RB
30412	57	18	destroys	destroy	VBZ
30412	57	19	its	-PRON-	PRP$
30412	57	20	nature	nature	NN
30412	57	21	.	.	.
30412	58	1	The	the	DT
30412	58	2	very	very	RB
30412	58	3	opposite	opposite	JJ
30412	58	4	movement	movement	NN
30412	58	5	has	have	VBZ
30412	58	6	been	be	VBN
30412	58	7	produced	produce	VBN
30412	58	8	in	in	IN
30412	58	9	instruments	instrument	NNS
30412	58	10	of	of	IN
30412	58	11	the	the	DT
30412	58	12	key	key	NN
30412	58	13	or	or	CC
30412	58	14	piano	piano	NN
30412	58	15	type	type	NN
30412	58	16	.	.	.
30412	59	1	The	the	DT
30412	59	2	precise	precise	JJ
30412	59	3	indications	indication	NNS
30412	59	4	of	of	IN
30412	59	5	Mozart	Mozart	NNP
30412	59	6	show	show	VBP
30412	59	7	that	that	IN
30412	59	8	"	"	``
30412	59	9	non	non	JJ
30412	59	10	-	-	JJ
30412	59	11	legato	legato	JJ
30412	59	12	,	,	,
30412	59	13	"	"	''
30412	59	14	which	which	WDT
30412	59	15	does	do	VBZ
30412	59	16	n't	not	RB
30412	59	17	mean	mean	VB
30412	59	18	at	at	RB
30412	59	19	all	all	RB
30412	59	20	"	"	``
30412	59	21	staccato	staccato	NNP
30412	59	22	,	,	,
30412	59	23	"	"	''
30412	59	24	was	be	VBD
30412	59	25	the	the	DT
30412	59	26	ordinary	ordinary	JJ
30412	59	27	way	way	NN
30412	59	28	of	of	IN
30412	59	29	playing	play	VBG
30412	59	30	the	the	DT
30412	59	31	instrument	instrument	NN
30412	59	32	,	,	,
30412	59	33	and	and	CC
30412	59	34	that	that	IN
30412	59	35	the	the	DT
30412	59	36	veritable	veritable	JJ
30412	59	37	"	"	``
30412	59	38	legato	legato	NNP
30412	59	39	"	"	''
30412	59	40	was	be	VBD
30412	59	41	played	play	VBN
30412	59	42	only	only	RB
30412	59	43	where	where	WRB
30412	59	44	the	the	DT
30412	59	45	author	author	NN
30412	59	46	specially	specially	RB
30412	59	47	indicated	indicate	VBD
30412	59	48	it	-PRON-	PRP
30412	59	49	.	.	.
30412	60	1	The	the	DT
30412	60	2	clavecin	clavecin	NNS
30412	60	3	or	or	CC
30412	60	4	harpsichord	harpsichord	NN
30412	60	5	,	,	,
30412	60	6	which	which	WDT
30412	60	7	preceded	precede	VBD
30412	60	8	the	the	DT
30412	60	9	piano	piano	NN
30412	60	10	,	,	,
30412	60	11	when	when	WRB
30412	60	12	complete	complete	JJ
30412	60	13	with	with	IN
30412	60	14	two	two	CD
30412	60	15	banks	bank	NNS
30412	60	16	of	of	IN
30412	60	17	keys	key	NNS
30412	60	18	,	,	,
30412	60	19	many	many	JJ
30412	60	20	registers	register	NNS
30412	60	21	giving	give	VBG
30412	60	22	the	the	DT
30412	60	23	octaves	octave	NNS
30412	60	24	and	and	CC
30412	60	25	different	different	JJ
30412	60	26	tone	tone	NN
30412	60	27	qualities	quality	NNS
30412	60	28	,	,	,
30412	60	29	oftentimes	oftentimes	RB
30412	60	30	like	like	IN
30412	60	31	the	the	DT
30412	60	32	organ	organ	NN
30412	60	33	with	with	IN
30412	60	34	a	a	DT
30412	60	35	key	key	NN
30412	60	36	for	for	IN
30412	60	37	pedals	pedal	NNS
30412	60	38	,	,	,
30412	60	39	offered	offer	VBD
30412	60	40	resources	resource	NNS
30412	60	41	which	which	WDT
30412	60	42	the	the	DT
30412	60	43	piano	piano	NN
30412	60	44	does	do	VBZ
30412	60	45	not	not	RB
30412	60	46	possess	possess	VB
30412	60	47	.	.	.
30412	61	1	A	a	DT
30412	61	2	Polish	polish	JJ
30412	61	3	lady	lady	NN
30412	61	4	,	,	,
30412	61	5	Madame	Madame	NNP
30412	61	6	Landowska	Landowska	NNP
30412	61	7	,	,	,
30412	61	8	has	have	VBZ
30412	61	9	studied	study	VBN
30412	61	10	thoroughly	thoroughly	RB
30412	61	11	these	these	DT
30412	61	12	resources	resource	NNS
30412	61	13	,	,	,
30412	61	14	and	and	CC
30412	61	15	has	have	VBZ
30412	61	16	shown	show	VBN
30412	61	17	us	-PRON-	PRP
30412	61	18	how	how	WRB
30412	61	19	pieces	piece	NNS
30412	61	20	written	write	VBN
30412	61	21	for	for	IN
30412	61	22	this	this	DT
30412	61	23	instrument	instrument	NN
30412	61	24	thus	thus	RB
30412	61	25	disclosed	disclose	VBD
30412	61	26	elements	element	NNS
30412	61	27	of	of	IN
30412	61	28	variety	variety	NN
30412	61	29	which	which	WDT
30412	61	30	are	be	VBP
30412	61	31	totally	totally	RB
30412	61	32	missing	miss	VBG
30412	61	33	when	when	WRB
30412	61	34	the	the	DT
30412	61	35	same	same	JJ
30412	61	36	are	be	VBP
30412	61	37	played	play	VBN
30412	61	38	upon	upon	IN
30412	61	39	the	the	DT
30412	61	40	piano	piano	NN
30412	61	41	;	;	:
30412	61	42	but	but	CC
30412	61	43	the	the	DT
30412	61	44	clavecin	clavecin	NNP
30412	61	45	tone	tone	NN
30412	61	46	lacked	lack	VBD
30412	61	47	fulness	fulness	NN
30412	61	48	,	,	,
30412	61	49	and	and	CC
30412	61	50	shadings	shading	NNS
30412	61	51	or	or	CC
30412	61	52	nuances	nuance	NNS
30412	61	53	were	be	VBD
30412	61	54	out	out	IN
30412	61	55	of	of	IN
30412	61	56	the	the	DT
30412	61	57	question	question	NN
30412	61	58	.	.	.
30412	62	1	Sonority	Sonority	NNP
30412	62	2	or	or	CC
30412	62	3	tone	tone	NN
30412	62	4	was	be	VBD
30412	62	5	varied	vary	VBN
30412	62	6	by	by	IN
30412	62	7	changing	change	VBG
30412	62	8	the	the	DT
30412	62	9	keys	key	NNS
30412	62	10	or	or	CC
30412	62	11	register	register	VB
30412	62	12	just	just	RB
30412	62	13	as	as	IN
30412	62	14	on	on	IN
30412	62	15	the	the	DT
30412	62	16	organ	organ	NN
30412	62	17	.	.	.
30412	63	1	On	on	IN
30412	63	2	the	the	DT
30412	63	3	other	other	JJ
30412	63	4	hand	hand	NN
30412	63	5	,	,	,
30412	63	6	with	with	IN
30412	63	7	the	the	DT
30412	63	8	piano	piano	NN
30412	63	9	one	one	PRP
30412	63	10	can	can	MD
30412	63	11	vary	vary	VB
30412	63	12	the	the	DT
30412	63	13	sonority	sonority	NN
30412	63	14	by	by	IN
30412	63	15	augmenting	augment	VBG
30412	63	16	or	or	CC
30412	63	17	diminishing	diminish	VBG
30412	63	18	the	the	DT
30412	63	19	force	force	NN
30412	63	20	of	of	IN
30412	63	21	the	the	DT
30412	63	22	attack	attack	NN
30412	63	23	,	,	,
30412	63	24	hence	hence	RB
30412	63	25	its	-PRON-	PRP$
30412	63	26	original	original	JJ
30412	63	27	name	name	NN
30412	63	28	of	of	IN
30412	63	29	"	"	``
30412	63	30	forte	forte	NNP
30412	63	31	piano,"--a	piano,"--a	NNP
30412	63	32	name	name	NNP
30412	63	33	too	too	RB
30412	63	34	long	long	RB
30412	63	35	,	,	,
30412	63	36	which	which	WDT
30412	63	37	was	be	VBD
30412	63	38	shortened	shorten	VBN
30412	63	39	at	at	IN
30412	63	40	first	first	RB
30412	63	41	by	by	IN
30412	63	42	suppressing	suppress	VBG
30412	63	43	the	the	DT
30412	63	44	last	last	JJ
30412	63	45	syllables	syllable	NNS
30412	63	46	;	;	:
30412	63	47	so	so	IN
30412	63	48	that	that	IN
30412	63	49	one	one	NN
30412	63	50	reads	read	VBZ
30412	63	51	,	,	,
30412	63	52	not	not	RB
30412	63	53	without	without	IN
30412	63	54	astonishment	astonishment	NN
30412	63	55	,	,	,
30412	63	56	in	in	IN
30412	63	57	the	the	DT
30412	63	58	accounts	account	NNS
30412	63	59	given	give	VBN
30412	63	60	of	of	IN
30412	63	61	young	young	JJ
30412	63	62	Mozart	Mozart	NNP
30412	63	63	,	,	,
30412	63	64	of	of	IN
30412	63	65	the	the	DT
30412	63	66	skill	skill	NN
30412	63	67	he	-PRON-	PRP
30412	63	68	showed	show	VBD
30412	63	69	in	in	IN
30412	63	70	playing	play	VBG
30412	63	71	"	"	``
30412	63	72	forte	forte	NN
30412	63	73	"	"	''
30412	63	74	at	at	IN
30412	63	75	a	a	DT
30412	63	76	time	time	NN
30412	63	77	when	when	WRB
30412	63	78	he	-PRON-	PRP
30412	63	79	was	be	VBD
30412	63	80	playing	play	VBG
30412	63	81	on	on	IN
30412	63	82	instruments	instrument	NNS
30412	63	83	of	of	IN
30412	63	84	a	a	DT
30412	63	85	very	very	RB
30412	63	86	feeble	feeble	JJ
30412	63	87	tone	tone	NN
30412	63	88	.	.	.
30412	64	1	Nowadays	nowadays	RB
30412	64	2	when	when	WRB
30412	64	3	athletic	athletic	JJ
30412	64	4	artists	artist	NNS
30412	64	5	exert	exert	VBP
30412	64	6	all	all	DT
30412	64	7	their	-PRON-	PRP$
30412	64	8	force	force	NN
30412	64	9	upon	upon	IN
30412	64	10	the	the	DT
30412	64	11	modern	modern	JJ
30412	64	12	instruments	instrument	NNS
30412	64	13	of	of	IN
30412	64	14	terrific	terrific	JJ
30412	64	15	sonority	sonority	NN
30412	64	16	,	,	,
30412	64	17	they	-PRON-	PRP
30412	64	18	are	be	VBP
30412	64	19	said	say	VBN
30412	64	20	to	to	TO
30412	64	21	play	play	VB
30412	64	22	the	the	DT
30412	64	23	"	"	``
30412	64	24	piano	piano	NN
30412	64	25	"	"	''
30412	64	26	(	(	-LRB-
30412	64	27	_	_	NNP
30412	64	28	toucher	toucher	RB
30412	64	29	du	du	NN
30412	64	30	piano	piano	NN
30412	64	31	_	_	NNP
30412	64	32	)	)	-RRB-
30412	64	33	.	.	.
30412	65	1	We	-PRON-	PRP
30412	65	2	must	must	MD
30412	65	3	conclude	conclude	VB
30412	65	4	that	that	IN
30412	65	5	the	the	DT
30412	65	6	indication	indication	NN
30412	65	7	"	"	``
30412	65	8	non	non	JJ
30412	65	9	-	-	JJ
30412	65	10	legato	legato	JJ
30412	65	11	"	"	''
30412	65	12	finally	finally	RB
30412	65	13	degenerated	degenerate	VBN
30412	65	14	into	into	IN
30412	65	15	meaning	meaning	NN
30412	65	16	"	"	``
30412	65	17	staccato	staccato	NNP
30412	65	18	.	.	.
30412	65	19	"	"	''
30412	66	1	In	in	IN
30412	66	2	my	-PRON-	PRP$
30412	66	3	youth	youth	NN
30412	66	4	I	-PRON-	PRP
30412	66	5	heard	hear	VBD
30412	66	6	persons	person	NNS
30412	66	7	advanced	advance	VBN
30412	66	8	in	in	IN
30412	66	9	age	age	NN
30412	66	10	whose	whose	WP$
30412	66	11	performance	performance	NN
30412	66	12	on	on	IN
30412	66	13	the	the	DT
30412	66	14	piano	piano	NN
30412	66	15	was	be	VBD
30412	66	16	extremely	extremely	RB
30412	66	17	dry	dry	JJ
30412	66	18	and	and	CC
30412	66	19	jumpy	jumpy	JJ
30412	66	20	.	.	.
30412	67	1	Then	then	RB
30412	67	2	a	a	DT
30412	67	3	reaction	reaction	NN
30412	67	4	took	take	VBD
30412	67	5	place	place	NN
30412	67	6	.	.	.
30412	68	1	The	the	DT
30412	68	2	tyrannical	tyrannical	JJ
30412	68	3	reign	reign	NN
30412	68	4	of	of	IN
30412	68	5	the	the	DT
30412	68	6	perpetual	perpetual	JJ
30412	68	7	"	"	``
30412	68	8	legato	legato	NNP
30412	68	9	"	"	''
30412	68	10	succeeded	succeed	VBN
30412	68	11	.	.	.
30412	69	1	It	-PRON-	PRP
30412	69	2	was	be	VBD
30412	69	3	decided	decide	VBN
30412	69	4	that	that	IN
30412	69	5	in	in	IN
30412	69	6	piano	piano	NN
30412	69	7	playing	playing	NN
30412	69	8	unless	unless	IN
30412	69	9	indicated	indicate	VBN
30412	69	10	to	to	IN
30412	69	11	the	the	DT
30412	69	12	contrary	contrary	NN
30412	69	13	,	,	,
30412	69	14	and	and	CC
30412	69	15	even	even	RB
30412	69	16	at	at	IN
30412	69	17	times	time	NNS
30412	69	18	in	in	IN
30412	69	19	spite	spite	NN
30412	69	20	of	of	IN
30412	69	21	such	such	JJ
30412	69	22	indication	indication	NN
30412	69	23	,	,	,
30412	69	24	everything	everything	NN
30412	69	25	everywhere	everywhere	RB
30412	69	26	should	should	MD
30412	69	27	be	be	VB
30412	69	28	tied	tie	VBN
30412	69	29	together	together	RB
30412	69	30	.	.	.
30412	70	1	[	[	-LRB-
30412	70	2	3	3	LS
30412	70	3	]	]	-RRB-
30412	70	4	This	this	DT
30412	70	5	was	be	VBD
30412	70	6	a	a	DT
30412	70	7	great	great	JJ
30412	70	8	misfortune	misfortune	NN
30412	70	9	of	of	IN
30412	70	10	which	which	WDT
30412	70	11	Kalkbrenner	Kalkbrenner	NNP
30412	70	12	gives	give	VBZ
30412	70	13	a	a	DT
30412	70	14	manifest	manif	JJS
30412	70	15	proof	proof	NN
30412	70	16	in	in	IN
30412	70	17	the	the	DT
30412	70	18	arrangement	arrangement	NN
30412	70	19	he	-PRON-	PRP
30412	70	20	has	have	VBZ
30412	70	21	made	make	VBN
30412	70	22	of	of	IN
30412	70	23	Beethoven	Beethoven	NNP
30412	70	24	's	's	POS
30412	70	25	symphonies	symphony	NNS
30412	70	26	.	.	.
30412	71	1	Besides	besides	IN
30412	71	2	,	,	,
30412	71	3	this	this	DT
30412	71	4	"	"	``
30412	71	5	legato	legato	NNP
30412	71	6	"	"	''
30412	71	7	tyranny	tyranny	NN
30412	71	8	continues	continue	VBZ
30412	71	9	.	.	.
30412	72	1	Notwithstanding	notwithstanding	IN
30412	72	2	the	the	DT
30412	72	3	example	example	NN
30412	72	4	of	of	IN
30412	72	5	Liszt	Liszt	NNP
30412	72	6	,	,	,
30412	72	7	the	the	DT
30412	72	8	greatest	great	JJS
30412	72	9	pianist	pianist	NN
30412	72	10	of	of	IN
30412	72	11	the	the	DT
30412	72	12	nineteenth	nineteenth	JJ
30412	72	13	century	century	NN
30412	72	14	,	,	,
30412	72	15	and	and	CC
30412	72	16	notwithstanding	notwithstanding	IN
30412	72	17	his	-PRON-	PRP$
30412	72	18	numerous	numerous	JJ
30412	72	19	pupils	pupil	NNS
30412	72	20	,	,	,
30412	72	21	the	the	DT
30412	72	22	fatal	fatal	JJ
30412	72	23	school	school	NN
30412	72	24	of	of	IN
30412	72	25	the	the	DT
30412	72	26	"	"	``
30412	72	27	legato	legato	NNP
30412	72	28	"	"	''
30412	72	29	has	have	VBZ
30412	72	30	prevailed,--not	prevailed,--not	NNP
30412	72	31	that	that	IN
30412	72	32	it	-PRON-	PRP
30412	72	33	is	be	VBZ
30412	72	34	unfortunate	unfortunate	JJ
30412	72	35	in	in	IN
30412	72	36	itself	-PRON-	PRP
30412	72	37	,	,	,
30412	72	38	but	but	CC
30412	72	39	because	because	IN
30412	72	40	it	-PRON-	PRP
30412	72	41	has	have	VBZ
30412	72	42	perverted	pervert	VBN
30412	72	43	the	the	DT
30412	72	44	intentions	intention	NNS
30412	72	45	of	of	IN
30412	72	46	musical	musical	JJ
30412	72	47	authors	author	NNS
30412	72	48	.	.	.
30412	73	1	Our	-PRON-	PRP$
30412	73	2	French	french	JJ
30412	73	3	professors	professor	NNS
30412	73	4	have	have	VBP
30412	73	5	followed	follow	VBN
30412	73	6	the	the	DT
30412	73	7	example	example	NN
30412	73	8	of	of	IN
30412	73	9	Kalkbrenner	Kalkbrenner	NNP
30412	73	10	.	.	.
30412	74	1	The	the	DT
30412	74	2	house	house	NN
30412	74	3	of	of	IN
30412	74	4	Breitkopf	Breitkopf	NNP
30412	74	5	,	,	,
30412	74	6	which	which	WDT
30412	74	7	until	until	IN
30412	74	8	lately	lately	RB
30412	74	9	had	have	VBD
30412	74	10	the	the	DT
30412	74	11	best	good	JJS
30412	74	12	editions	edition	NNS
30412	74	13	of	of	IN
30412	74	14	the	the	DT
30412	74	15	German	german	JJ
30412	74	16	classics	classic	NNS
30412	74	17	,	,	,
30412	74	18	has	have	VBZ
30412	74	19	substituted	substitute	VBN
30412	74	20	in	in	IN
30412	74	21	their	-PRON-	PRP$
30412	74	22	places	place	NNS
30412	74	23	new	new	JJ
30412	74	24	editions	edition	NNS
30412	74	25	where	where	WRB
30412	74	26	professors	professor	NNS
30412	74	27	have	have	VBP
30412	74	28	eagerly	eagerly	RB
30412	74	29	striven	strive	VBN
30412	74	30	to	to	TO
30412	74	31	perfect	perfect	VB
30412	74	32	in	in	IN
30412	74	33	their	-PRON-	PRP$
30412	74	34	own	own	JJ
30412	74	35	manner	manner	NN
30412	74	36	the	the	DT
30412	74	37	music	music	NN
30412	74	38	of	of	IN
30412	74	39	the	the	DT
30412	74	40	masters	master	NNS
30412	74	41	.	.	.
30412	75	1	When	when	WRB
30412	75	2	this	this	DT
30412	75	3	great	great	JJ
30412	75	4	house	house	NN
30412	75	5	wished	wish	VBD
30412	75	6	to	to	TO
30412	75	7	make	make	VB
30412	75	8	a	a	DT
30412	75	9	complete	complete	JJ
30412	75	10	edition	edition	NN
30412	75	11	of	of	IN
30412	75	12	the	the	DT
30412	75	13	works	work	NNS
30412	75	14	of	of	IN
30412	75	15	Mozart	Mozart	NNP
30412	75	16	,	,	,
30412	75	17	which	which	WDT
30412	75	18	are	be	VBP
30412	75	19	prodigiously	prodigiously	RB
30412	75	20	numerous	numerous	JJ
30412	75	21	,	,	,
30412	75	22	it	-PRON-	PRP
30412	75	23	appealed	appeal	VBD
30412	75	24	to	to	IN
30412	75	25	all	all	DT
30412	75	26	who	who	WP
30412	75	27	possessed	possess	VBD
30412	75	28	manuscripts	manuscript	NNS
30412	75	29	of	of	IN
30412	75	30	Mozart	Mozart	NNP
30412	75	31	,	,	,
30412	75	32	and	and	CC
30412	75	33	then	then	RB
30412	75	34	having	have	VBG
30412	75	35	gathered	gather	VBN
30412	75	36	these	these	DT
30412	75	37	most	most	RBS
30412	75	38	precious	precious	JJ
30412	75	39	documents	document	NNS
30412	75	40	,	,	,
30412	75	41	instead	instead	RB
30412	75	42	of	of	IN
30412	75	43	reproducing	reproduce	VBG
30412	75	44	them	-PRON-	PRP
30412	75	45	faithfully	faithfully	RB
30412	75	46	,	,	,
30412	75	47	that	that	IN
30412	75	48	house	house	NN
30412	75	49	believed	believe	VBD
30412	75	50	it	-PRON-	PRP
30412	75	51	was	be	VBD
30412	75	52	doing	do	VBG
30412	75	53	well	well	RB
30412	75	54	to	to	TO
30412	75	55	leave	leave	VB
30412	75	56	to	to	IN
30412	75	57	the	the	DT
30412	75	58	professors	professor	NNS
30412	75	59	full	full	JJ
30412	75	60	liberty	liberty	NN
30412	75	61	of	of	IN
30412	75	62	treatment	treatment	NN
30412	75	63	and	and	CC
30412	75	64	change	change	NN
30412	75	65	.	.	.
30412	76	1	Thus	thus	RB
30412	76	2	that	that	DT
30412	76	3	admirable	admirable	JJ
30412	76	4	series	series	NN
30412	76	5	of	of	IN
30412	76	6	concertos	concerto	NNS
30412	76	7	for	for	IN
30412	76	8	piano	piano	NN
30412	76	9	has	have	VBZ
30412	76	10	been	be	VBN
30412	76	11	ornamented	ornament	VBN
30412	76	12	by	by	IN
30412	76	13	Karl	Karl	NNP
30412	76	14	Reinecke	Reinecke	NNP
30412	76	15	with	with	IN
30412	76	16	a	a	DT
30412	76	17	series	series	NN
30412	76	18	of	of	IN
30412	76	19	joined	join	VBN
30412	76	20	notes	note	NNS
30412	76	21	,	,	,
30412	76	22	tied	tie	VBD
30412	76	23	notes	note	NNS
30412	76	24	,	,	,
30412	76	25	legato	legato	NNP
30412	76	26	,	,	,
30412	76	27	molto	molto	NNP
30412	76	28	legato	legato	NNP
30412	76	29	,	,	,
30412	76	30	and	and	CC
30412	76	31	sempre	sempre	NNP
30412	76	32	legato	legato	NNP
30412	76	33	which	which	WDT
30412	76	34	are	be	VBP
30412	76	35	the	the	DT
30412	76	36	very	very	JJ
30412	76	37	opposite	opposite	NN
30412	76	38	of	of	IN
30412	76	39	what	what	WP
30412	76	40	the	the	DT
30412	76	41	composer	composer	NN
30412	76	42	intended	intend	VBD
30412	76	43	.	.	.
30412	77	1	Worse	bad	JJR
30412	77	2	still	still	RB
30412	77	3	,	,	,
30412	77	4	in	in	IN
30412	77	5	a	a	DT
30412	77	6	piece	piece	NN
30412	77	7	which	which	WDT
30412	77	8	Mozart	Mozart	NNP
30412	77	9	had	have	VBD
30412	77	10	the	the	DT
30412	77	11	genial	genial	JJ
30412	77	12	idea	idea	NN
30412	77	13	of	of	IN
30412	77	14	terminating	terminate	VBG
30412	77	15	suddenly	suddenly	RB
30412	77	16	with	with	IN
30412	77	17	a	a	DT
30412	77	18	delicately	delicately	RB
30412	77	19	shaded	shaded	JJ
30412	77	20	phrase	phrase	NN
30412	77	21	,	,	,
30412	77	22	they	-PRON-	PRP
30412	77	23	have	have	VBP
30412	77	24	taken	take	VBN
30412	77	25	out	out	RP
30412	77	26	such	such	JJ
30412	77	27	nuances	nuance	NNS
30412	77	28	and	and	CC
30412	77	29	terminated	terminate	VBD
30412	77	30	the	the	DT
30412	77	31	piece	piece	NN
30412	77	32	with	with	IN
30412	77	33	a	a	DT
30412	77	34	_	_	NNP
30412	77	35	forte	forte	NN
30412	77	36	_	_	NNP
30412	77	37	passage	passage	NN
30412	77	38	of	of	IN
30412	77	39	the	the	DT
30412	77	40	most	most	RBS
30412	77	41	commonplace	commonplace	JJ
30412	77	42	character	character	NN
30412	77	43	.	.	.
30412	78	1	One	one	CD
30412	78	2	other	other	JJ
30412	78	3	plague	plague	NN
30412	78	4	in	in	IN
30412	78	5	modern	modern	JJ
30412	78	6	editions	edition	NNS
30412	78	7	is	be	VBZ
30412	78	8	the	the	DT
30412	78	9	abuse	abuse	NN
30412	78	10	of	of	IN
30412	78	11	the	the	DT
30412	78	12	pedal	pedal	NN
30412	78	13	.	.	.
30412	79	1	Mozart	Mozart	NNP
30412	79	2	never	never	RB
30412	79	3	indicated	indicate	VBD
30412	79	4	the	the	DT
30412	79	5	pedal	pedal	NN
30412	79	6	.	.	.
30412	80	1	As	as	IN
30412	80	2	purity	purity	NN
30412	80	3	of	of	IN
30412	80	4	taste	taste	NN
30412	80	5	is	be	VBZ
30412	80	6	one	one	CD
30412	80	7	of	of	IN
30412	80	8	his	-PRON-	PRP$
30412	80	9	great	great	JJ
30412	80	10	qualities	quality	NNS
30412	80	11	,	,	,
30412	80	12	it	-PRON-	PRP
30412	80	13	is	be	VBZ
30412	80	14	probable	probable	JJ
30412	80	15	that	that	IN
30412	80	16	he	-PRON-	PRP
30412	80	17	made	make	VBD
30412	80	18	no	no	DT
30412	80	19	abuse	abuse	NN
30412	80	20	of	of	IN
30412	80	21	the	the	DT
30412	80	22	pedal	pedal	NN
30412	80	23	.	.	.
30412	81	1	Beethoven	Beethoven	NNP
30412	81	2	indicated	indicate	VBD
30412	81	3	it	-PRON-	PRP
30412	81	4	in	in	IN
30412	81	5	a	a	DT
30412	81	6	complicated	complicated	JJ
30412	81	7	and	and	CC
30412	81	8	cumbersome	cumbersome	JJ
30412	81	9	manner	manner	NN
30412	81	10	.	.	.
30412	82	1	When	when	WRB
30412	82	2	he	-PRON-	PRP
30412	82	3	wanted	want	VBD
30412	82	4	the	the	DT
30412	82	5	pedal	pedal	NN
30412	82	6	he	-PRON-	PRP
30412	82	7	wrote	write	VBD
30412	82	8	"	"	``
30412	82	9	senza	senza	JJ
30412	82	10	sordini	sordini	NN
30412	82	11	,	,	,
30412	82	12	"	"	''
30412	82	13	which	which	WDT
30412	82	14	means	mean	VBZ
30412	82	15	without	without	IN
30412	82	16	dampers	damper	NNS
30412	82	17	,	,	,
30412	82	18	and	and	CC
30412	82	19	to	to	TO
30412	82	20	take	take	VB
30412	82	21	them	-PRON-	PRP
30412	82	22	off	off	IN
30412	82	23	he	-PRON-	PRP
30412	82	24	wrote	write	VBD
30412	82	25	"	"	``
30412	82	26	con	con	NN
30412	82	27	sordini	sordini	NN
30412	82	28	,	,	,
30412	82	29	"	"	''
30412	82	30	meaning	mean	VBG
30412	82	31	with	with	IN
30412	82	32	dampers	damper	NNS
30412	82	33	.	.	.
30412	83	1	The	the	DT
30412	83	2	soft	soft	JJ
30412	83	3	pedal	pedal	NN
30412	83	4	is	be	VBZ
30412	83	5	indicated	indicate	VBN
30412	83	6	by	by	IN
30412	83	7	"	"	``
30412	83	8	una	una	NNP
30412	83	9	corda	corda	NNP
30412	83	10	.	.	.
30412	83	11	"	"	''
30412	84	1	The	the	DT
30412	84	2	indication	indication	NN
30412	84	3	to	to	TO
30412	84	4	take	take	VB
30412	84	5	it	-PRON-	PRP
30412	84	6	off	off	RP
30412	84	7	,	,	,
30412	84	8	an	an	DT
30412	84	9	indication	indication	NN
30412	84	10	which	which	WDT
30412	84	11	exists	exist	VBZ
30412	84	12	even	even	RB
30412	84	13	now	now	RB
30412	84	14	,	,	,
30412	84	15	was	be	VBD
30412	84	16	written	write	VBN
30412	84	17	"	"	``
30412	84	18	tre	tre	NNP
30412	84	19	corde	corde	NNP
30412	84	20	.	.	.
30412	84	21	"	"	''
30412	85	1	The	the	DT
30412	85	2	indication	indication	NN
30412	85	3	"	"	``
30412	85	4	ped	pe	VBD
30412	85	5	"	"	''
30412	85	6	for	for	IN
30412	85	7	the	the	DT
30412	85	8	grand	grand	JJ
30412	85	9	pedal	pedal	NN
30412	85	10	is	be	VBZ
30412	85	11	assuredly	assuredly	RB
30412	85	12	more	more	RBR
30412	85	13	convenient	convenient	JJ
30412	85	14	,	,	,
30412	85	15	but	but	CC
30412	85	16	that	that	DT
30412	85	17	is	be	VBZ
30412	85	18	no	no	DT
30412	85	19	reason	reason	NN
30412	85	20	for	for	IN
30412	85	21	making	make	VBG
30412	85	22	an	an	DT
30412	85	23	abuse	abuse	NN
30412	85	24	of	of	IN
30412	85	25	it	-PRON-	PRP
30412	85	26	and	and	CC
30412	85	27	inflicting	inflict	VBG
30412	85	28	it	-PRON-	PRP
30412	85	29	upon	upon	IN
30412	85	30	the	the	DT
30412	85	31	author	author	NN
30412	85	32	where	where	WRB
30412	85	33	his	-PRON-	PRP$
30412	85	34	writing	writing	NN
30412	85	35	indicates	indicate	VBZ
30412	85	36	the	the	DT
30412	85	37	contrary	contrary	NN
30412	85	38	.	.	.
30412	86	1	As	as	IN
30412	86	2	it	-PRON-	PRP
30412	86	3	seems	seem	VBZ
30412	86	4	to	to	IN
30412	86	5	me	-PRON-	PRP
30412	86	6	,	,	,
30412	86	7	it	-PRON-	PRP
30412	86	8	is	be	VBZ
30412	86	9	only	only	RB
30412	86	10	from	from	IN
30412	86	11	the	the	DT
30412	86	12	eighteenth	eighteenth	JJ
30412	86	13	century	century	NN
30412	86	14	that	that	WDT
30412	86	15	authors	author	NNS
30412	86	16	have	have	VBP
30412	86	17	indicated	indicate	VBN
30412	86	18	the	the	DT
30412	86	19	movements	movement	NNS
30412	86	20	of	of	IN
30412	86	21	their	-PRON-	PRP$
30412	86	22	compositions	composition	NNS
30412	86	23	,	,	,
30412	86	24	but	but	CC
30412	86	25	the	the	DT
30412	86	26	words	word	NNS
30412	86	27	which	which	WDT
30412	86	28	they	-PRON-	PRP
30412	86	29	have	have	VBP
30412	86	30	employed	employ	VBN
30412	86	31	have	have	VBP
30412	86	32	changed	change	VBN
30412	86	33	in	in	IN
30412	86	34	sense	sense	NN
30412	86	35	with	with	IN
30412	86	36	time	time	NN
30412	86	37	.	.	.
30412	87	1	Formerly	formerly	RB
30412	87	2	the	the	DT
30412	87	3	difference	difference	NN
30412	87	4	between	between	IN
30412	87	5	the	the	DT
30412	87	6	slowest	slow	JJS
30412	87	7	movement	movement	NN
30412	87	8	and	and	CC
30412	87	9	the	the	DT
30412	87	10	most	most	RBS
30412	87	11	rapid	rapid	JJ
30412	87	12	movement	movement	NN
30412	87	13	was	be	VBD
30412	87	14	much	much	RB
30412	87	15	less	less	JJR
30412	87	16	than	than	IN
30412	87	17	at	at	IN
30412	87	18	present	present	NN
30412	87	19	.	.	.
30412	88	1	The	the	DT
30412	88	2	"	"	``
30412	88	3	largo	largo	NN
30412	88	4	"	"	''
30412	88	5	was	be	VBD
30412	88	6	only	only	RB
30412	88	7	an	an	DT
30412	88	8	"	"	``
30412	88	9	adagio	adagio	NN
30412	88	10	"	"	''
30412	88	11	and	and	CC
30412	88	12	the	the	DT
30412	88	13	"	"	``
30412	88	14	presto	presto	JJ
30412	88	15	"	"	''
30412	88	16	would	would	MD
30412	88	17	be	be	VB
30412	88	18	scarcely	scarcely	RB
30412	88	19	an	an	DT
30412	88	20	"	"	``
30412	88	21	allegro	allegro	JJ
30412	88	22	"	"	''
30412	88	23	to	to	IN
30412	88	24	-	-	HYPH
30412	88	25	day	day	NN
30412	88	26	.	.	.
30412	89	1	The	the	DT
30412	89	2	"	"	``
30412	89	3	andante	andante	JJ
30412	89	4	"	"	''
30412	89	5	which	which	WDT
30412	89	6	now	now	RB
30412	89	7	indicates	indicate	VBZ
30412	89	8	a	a	DT
30412	89	9	slow	slow	JJ
30412	89	10	movement	movement	NN
30412	89	11	,	,	,
30412	89	12	had	have	VBD
30412	89	13	at	at	IN
30412	89	14	that	that	DT
30412	89	15	time	time	NN
30412	89	16	its	-PRON-	PRP$
30412	89	17	original	original	JJ
30412	89	18	signification	signification	NN
30412	89	19	,	,	,
30412	89	20	meaning	mean	VBG
30412	89	21	"	"	``
30412	89	22	going	go	VBG
30412	89	23	.	.	.
30412	89	24	"	"	''
30412	90	1	It	-PRON-	PRP
30412	90	2	was	be	VBD
30412	90	3	an	an	DT
30412	90	4	"	"	``
30412	90	5	allegro	allegro	JJ
30412	90	6	moderate	moderate	JJ
30412	90	7	.	.	.
30412	90	8	"	"	''
30412	91	1	Haendel	haendel	NN
30412	91	2	often	often	RB
30412	91	3	wrote	write	VBD
30412	91	4	"	"	``
30412	91	5	andante	andante	JJ
30412	91	6	allegro	allegro	NNP
30412	91	7	.	.	.
30412	91	8	"	"	''
30412	92	1	Through	through	IN
30412	92	2	ignorance	ignorance	NN
30412	92	3	of	of	IN
30412	92	4	that	that	DT
30412	92	5	fact	fact	NN
30412	92	6	the	the	DT
30412	92	7	beautiful	beautiful	JJ
30412	92	8	air	air	NN
30412	92	9	of	of	IN
30412	92	10	Gluck	Gluck	NNP
30412	92	11	,	,	,
30412	92	12	"	"	``
30412	92	13	Divinities	divinity	NNS
30412	92	14	of	of	IN
30412	92	15	the	the	DT
30412	92	16	Styx	Styx	NNPS
30412	92	17	,	,	,
30412	92	18	"	"	''
30412	92	19	is	be	VBZ
30412	92	20	sung	sing	VBN
30412	92	21	too	too	RB
30412	92	22	slowly	slowly	RB
30412	92	23	and	and	CC
30412	92	24	the	the	DT
30412	92	25	air	air	NN
30412	92	26	of	of	IN
30412	92	27	Thaos	Thaos	NNP
30412	92	28	in	in	IN
30412	92	29	the	the	DT
30412	92	30	"	"	``
30412	92	31	Iphigenia	Iphigenia	NNP
30412	92	32	in	in	IN
30412	92	33	Tauris	Tauris	NNP
30412	92	34	"	"	''
30412	92	35	equally	equally	RB
30412	92	36	so	so	RB
30412	92	37	.	.	.
30412	93	1	Berlioz	Berlioz	NNP
30412	93	2	recollected	recollect	VBD
30412	93	3	having	have	VBG
30412	93	4	heard	hear	VBN
30412	93	5	at	at	IN
30412	93	6	the	the	DT
30412	93	7	opera	opera	NN
30412	93	8	in	in	IN
30412	93	9	his	-PRON-	PRP$
30412	93	10	youth	youth	NN
30412	93	11	a	a	DT
30412	93	12	much	much	RB
30412	93	13	more	more	RBR
30412	93	14	animated	animated	JJ
30412	93	15	execution	execution	NN
30412	93	16	of	of	IN
30412	93	17	these	these	DT
30412	93	18	works	work	NNS
30412	93	19	.	.	.
30412	94	1	Finally	finally	RB
30412	94	2	,	,	,
30412	94	3	in	in	IN
30412	94	4	ancient	ancient	JJ
30412	94	5	times	time	NNS
30412	94	6	notes	note	NNS
30412	94	7	were	be	VBD
30412	94	8	not	not	RB
30412	94	9	defined	define	VBN
30412	94	10	as	as	IN
30412	94	11	they	-PRON-	PRP
30412	94	12	are	be	VBP
30412	94	13	to	to	IN
30412	94	14	-	-	HYPH
30412	94	15	day	day	NN
30412	94	16	and	and	CC
30412	94	17	their	-PRON-	PRP$
30412	94	18	value	value	NN
30412	94	19	was	be	VBD
30412	94	20	approximative	approximative	JJ
30412	94	21	only	only	RB
30412	94	22	.	.	.
30412	95	1	This	this	DT
30412	95	2	liberty	liberty	NN
30412	95	3	in	in	IN
30412	95	4	the	the	DT
30412	95	5	execution	execution	NN
30412	95	6	of	of	IN
30412	95	7	music	music	NN
30412	95	8	is	be	VBZ
30412	95	9	particularly	particularly	RB
30412	95	10	perceptible	perceptible	JJ
30412	95	11	in	in	IN
30412	95	12	the	the	DT
30412	95	13	works	work	NNS
30412	95	14	of	of	IN
30412	95	15	Rameau	Rameau	NNP
30412	95	16	.	.	.
30412	96	1	To	to	TO
30412	96	2	conform	conform	VB
30412	96	3	to	to	IN
30412	96	4	his	-PRON-	PRP$
30412	96	5	intentions	intention	NNS
30412	96	6	in	in	IN
30412	96	7	the	the	DT
30412	96	8	vocal	vocal	JJ
30412	96	9	part	part	NN
30412	96	10	such	such	JJ
30412	96	11	music	music	NN
30412	96	12	must	must	MD
30412	96	13	not	not	RB
30412	96	14	be	be	VB
30412	96	15	interpreted	interpret	VBN
30412	96	16	literally	literally	RB
30412	96	17	.	.	.
30412	97	1	One	one	PRP
30412	97	2	must	must	MD
30412	97	3	be	be	VB
30412	97	4	governed	govern	VBN
30412	97	5	by	by	IN
30412	97	6	the	the	DT
30412	97	7	declamation	declamation	NN
30412	97	8	,	,	,
30412	97	9	and	and	CC
30412	97	10	not	not	RB
30412	97	11	by	by	IN
30412	97	12	the	the	DT
30412	97	13	written	written	JJ
30412	97	14	note	note	NN
30412	97	15	indicating	indicate	VBG
30412	97	16	a	a	DT
30412	97	17	long	long	JJ
30412	97	18	or	or	CC
30412	97	19	short	short	JJ
30412	97	20	duration	duration	NN
30412	97	21	.	.	.
30412	98	1	The	the	DT
30412	98	2	proof	proof	NN
30412	98	3	of	of	IN
30412	98	4	this	this	DT
30412	98	5	is	be	VBZ
30412	98	6	to	to	TO
30412	98	7	be	be	VB
30412	98	8	seen	see	VBN
30412	98	9	when	when	WRB
30412	98	10	the	the	DT
30412	98	11	violins	violin	NNS
30412	98	12	and	and	CC
30412	98	13	the	the	DT
30412	98	14	voice	voice	NN
30412	98	15	are	be	VBP
30412	98	16	in	in	IN
30412	98	17	unison	unison	NNP
30412	98	18	--	--	:
30412	98	19	the	the	DT
30412	98	20	way	way	NN
30412	98	21	of	of	IN
30412	98	22	writing	write	VBG
30412	98	23	them	-PRON-	PRP
30412	98	24	is	be	VBZ
30412	98	25	different	different	JJ
30412	98	26	.	.	.
30412	99	1	A	a	DT
30412	99	2	great	great	JJ
30412	99	3	obstacle	obstacle	NN
30412	99	4	to	to	IN
30412	99	5	executing	execute	VBG
30412	99	6	ancient	ancient	JJ
30412	99	7	works	work	NNS
30412	99	8	from	from	IN
30412	99	9	the	the	DT
30412	99	10	eighteenth	eighteenth	JJ
30412	99	11	century	century	NN
30412	99	12	on	on	IN
30412	99	13	is	be	VBZ
30412	99	14	in	in	IN
30412	99	15	the	the	DT
30412	99	16	interpretation	interpretation	NN
30412	99	17	of	of	IN
30412	99	18	grace	grace	NN
30412	99	19	notes	note	NNS
30412	99	20	,	,	,
30412	99	21	"	"	``
30412	99	22	appoggiaturas	appoggiaturas	FW
30412	99	23	"	"	''
30412	99	24	and	and	CC
30412	99	25	others	other	NNS
30412	99	26	.	.	.
30412	100	1	In	in	IN
30412	100	2	these	these	DT
30412	100	3	cases	case	NNS
30412	100	4	there	there	EX
30412	100	5	is	be	VBZ
30412	100	6	an	an	DT
30412	100	7	unfortunate	unfortunate	JJ
30412	100	8	habit	habit	NN
30412	100	9	in	in	IN
30412	100	10	players	player	NNS
30412	100	11	of	of	IN
30412	100	12	conforming	conform	VBG
30412	100	13	to	to	IN
30412	100	14	their	-PRON-	PRP$
30412	100	15	own	own	JJ
30412	100	16	taste	taste	NN
30412	100	17	,	,	,
30412	100	18	which	which	WDT
30412	100	19	may	may	MD
30412	100	20	guide	guide	VB
30412	100	21	a	a	DT
30412	100	22	little	little	JJ
30412	100	23	,	,	,
30412	100	24	but	but	CC
30412	100	25	can	can	MD
30412	100	26	not	not	RB
30412	100	27	suffice	suffice	VB
30412	100	28	in	in	IN
30412	100	29	every	every	DT
30412	100	30	instance	instance	NN
30412	100	31	.	.	.
30412	101	1	One	one	PRP
30412	101	2	can	can	MD
30412	101	3	be	be	VB
30412	101	4	convinced	convince	VBN
30412	101	5	of	of	IN
30412	101	6	this	this	DT
30412	101	7	in	in	IN
30412	101	8	studying	study	VBG
30412	101	9	The	the	DT
30412	101	10	Method	Method	NNP
30412	101	11	of	of	IN
30412	101	12	Violin	Violin	NNP
30412	101	13	by	by	IN
30412	101	14	the	the	DT
30412	101	15	father	father	NN
30412	101	16	of	of	IN
30412	101	17	Mozart	Mozart	NNP
30412	101	18	.	.	.
30412	102	1	We	-PRON-	PRP
30412	102	2	find	find	VBP
30412	102	3	there	there	EX
30412	102	4	things	thing	NNS
30412	102	5	which	which	WDT
30412	102	6	one	one	PRP
30412	102	7	would	would	MD
30412	102	8	never	never	RB
30412	102	9	dream	dream	VB
30412	102	10	of	of	IN
30412	102	11	.	.	.
30412	103	1	The	the	DT
30412	103	2	"	"	``
30412	103	3	appoggiatura"[4	appoggiatura"[4	NN
30412	103	4	]	]	-RRB-
30412	103	5	(	(	-LRB-
30412	103	6	from	from	IN
30412	103	7	_	_	NNP
30412	103	8	appoggiare	appoggiare	NN
30412	103	9	_	_	NNP
30412	103	10	,	,	,
30412	103	11	which	which	WDT
30412	103	12	in	in	IN
30412	103	13	Italian	italian	JJ
30412	103	14	means	mean	VBZ
30412	103	15	"	"	``
30412	103	16	to	to	TO
30412	103	17	lean	lean	VB
30412	103	18	upon	upon	IN
30412	103	19	"	"	''
30412	103	20	)	)	-RRB-
30412	103	21	,	,	,
30412	103	22	should	should	MD
30412	103	23	always	always	RB
30412	103	24	be	be	VB
30412	103	25	long	long	JJ
30412	103	26	,	,	,
30412	103	27	the	the	DT
30412	103	28	different	different	JJ
30412	103	29	ways	way	NNS
30412	103	30	in	in	IN
30412	103	31	which	which	WDT
30412	103	32	it	-PRON-	PRP
30412	103	33	may	may	MD
30412	103	34	be	be	VB
30412	103	35	written	write	VBN
30412	103	36	having	have	VBG
30412	103	37	no	no	DT
30412	103	38	influence	influence	NN
30412	103	39	upon	upon	IN
30412	103	40	its	-PRON-	PRP$
30412	103	41	length	length	NN
30412	103	42	.	.	.
30412	104	1	There	there	EX
30412	104	2	is	be	VBZ
30412	104	3	an	an	DT
30412	104	4	exception	exception	NN
30412	104	5	to	to	IN
30412	104	6	this	this	DT
30412	104	7	when	when	WRB
30412	104	8	its	-PRON-	PRP$
30412	104	9	final	final	JJ
30412	104	10	little	little	JJ
30412	104	11	note	note	NN
30412	104	12	,	,	,
30412	104	13	ascending	ascend	VBG
30412	104	14	or	or	CC
30412	104	15	descending	descend	VBG
30412	104	16	,	,	,
30412	104	17	and	and	CC
30412	104	18	preceding	precede	VBG
30412	104	19	the	the	DT
30412	104	20	larger	large	JJR
30412	104	21	note	note	NN
30412	104	22	,	,	,
30412	104	23	is	be	VBZ
30412	104	24	distant	distant	JJ
30412	104	25	from	from	IN
30412	104	26	it	-PRON-	PRP
30412	104	27	a	a	DT
30412	104	28	disjointed	disjointed	JJ
30412	104	29	degree	degree	NN
30412	104	30	.	.	.
30412	105	1	In	in	IN
30412	105	2	this	this	DT
30412	105	3	case	case	NN
30412	105	4	it	-PRON-	PRP
30412	105	5	is	be	VBZ
30412	105	6	not	not	RB
30412	105	7	an	an	DT
30412	105	8	"	"	``
30412	105	9	appoggiatura	appoggiatura	NN
30412	105	10	,	,	,
30412	105	11	"	"	''
30412	105	12	and	and	CC
30412	105	13	should	should	MD
30412	105	14	be	be	VB
30412	105	15	played	play	VBN
30412	105	16	short	short	JJ
30412	105	17	.	.	.
30412	106	1	In	in	IN
30412	106	2	many	many	JJ
30412	106	3	cases	case	NNS
30412	106	4	it	-PRON-	PRP
30412	106	5	prolongs	prolong	VBZ
30412	106	6	the	the	DT
30412	106	7	duration	duration	NN
30412	106	8	of	of	IN
30412	106	9	the	the	DT
30412	106	10	note	note	NN
30412	106	11	which	which	WDT
30412	106	12	follows	follow	VBZ
30412	106	13	it	-PRON-	PRP
30412	106	14	.	.	.
30412	107	1	It	-PRON-	PRP
30412	107	2	may	may	MD
30412	107	3	even	even	RB
30412	107	4	alter	alter	VB
30412	107	5	the	the	DT
30412	107	6	value	value	NN
30412	107	7	of	of	IN
30412	107	8	the	the	DT
30412	107	9	notes	note	NNS
30412	107	10	following	follow	VBG
30412	107	11	.	.	.
30412	108	1	I	-PRON-	PRP
30412	108	2	will	will	MD
30412	108	3	cite	cite	VB
30412	108	4	in	in	IN
30412	108	5	connection	connection	NN
30412	108	6	with	with	IN
30412	108	7	the	the	DT
30412	108	8	subject	subject	NN
30412	108	9	of	of	IN
30412	108	10	the	the	DT
30412	108	11	"	"	``
30412	108	12	appoggiatura	appoggiatura	NN
30412	108	13	"	"	''
30412	108	14	the	the	DT
30412	108	15	beautiful	beautiful	JJ
30412	108	16	duo	duo	NN
30412	108	17	with	with	IN
30412	108	18	chorus	chorus	NN
30412	108	19	of	of	IN
30412	108	20	the	the	DT
30412	108	21	"	"	``
30412	108	22	Passion	Passion	NNP
30412	108	23	According	accord	VBG
30412	108	24	to	to	IN
30412	108	25	St.	St.	NNP
30412	108	26	Matthew	Matthew	NNP
30412	108	27	,	,	,
30412	108	28	"	"	''
30412	108	29	and	and	CC
30412	108	30	at	at	IN
30412	108	31	the	the	DT
30412	108	32	same	same	JJ
30412	108	33	time	time	NN
30412	108	34	,	,	,
30412	108	35	I	-PRON-	PRP
30412	108	36	would	would	MD
30412	108	37	point	point	VB
30412	108	38	out	out	RP
30412	108	39	the	the	DT
30412	108	40	error	error	NN
30412	108	41	committed	commit	VBD
30412	108	42	in	in	IN
30412	108	43	making	make	VBG
30412	108	44	of	of	IN
30412	108	45	this	this	DT
30412	108	46	passion	passion	NN
30412	108	47	a	a	DT
30412	108	48	most	most	JJS
30412	108	49	grandios	grandio	NNS
30412	108	50	performance	performance	NN
30412	108	51	with	with	IN
30412	108	52	grand	grand	JJ
30412	108	53	choral	choral	JJ
30412	108	54	and	and	CC
30412	108	55	instrumental	instrumental	JJ
30412	108	56	masses	masse	NNS
30412	108	57	.	.	.
30412	109	1	One	one	CD
30412	109	2	is	be	VBZ
30412	109	3	deceived	deceive	VBN
30412	109	4	by	by	IN
30412	109	5	its	-PRON-	PRP$
30412	109	6	noble	noble	JJ
30412	109	7	character	character	NN
30412	109	8	,	,	,
30412	109	9	by	by	IN
30412	109	10	its	-PRON-	PRP$
30412	109	11	two	two	CD
30412	109	12	choruses	chorus	NNS
30412	109	13	,	,	,
30412	109	14	by	by	IN
30412	109	15	its	-PRON-	PRP$
30412	109	16	two	two	CD
30412	109	17	orchestras	orchestra	NNS
30412	109	18	,	,	,
30412	109	19	and	and	CC
30412	109	20	one	one	NN
30412	109	21	forgets	forget	VBZ
30412	109	22	that	that	IN
30412	109	23	it	-PRON-	PRP
30412	109	24	was	be	VBD
30412	109	25	destined	destine	VBN
30412	109	26	for	for	IN
30412	109	27	the	the	DT
30412	109	28	little	little	JJ
30412	109	29	Church	Church	NNP
30412	109	30	of	of	IN
30412	109	31	St.	St.	NNP
30412	109	32	Thomas	Thomas	NNP
30412	109	33	in	in	IN
30412	109	34	Leipsig	Leipsig	NNP
30412	109	35	,	,	,
30412	109	36	where	where	WRB
30412	109	37	Sebastian	Sebastian	NNP
30412	109	38	Bach	Bach	NNP
30412	109	39	was	be	VBD
30412	109	40	organist	organist	JJ
30412	109	41	.	.	.
30412	110	1	While	while	IN
30412	110	2	in	in	IN
30412	110	3	certain	certain	JJ
30412	110	4	cantatas	cantata	NNS
30412	110	5	that	that	WDT
30412	110	6	composer	composer	NN
30412	110	7	employed	employ	VBD
30412	110	8	horns	horn	NNS
30412	110	9	,	,	,
30412	110	10	trumpets	trumpet	NNS
30412	110	11	,	,	,
30412	110	12	trombones	trombone	NNS
30412	110	13	and	and	CC
30412	110	14	cymbals	cymbal	NNS
30412	110	15	,	,	,
30412	110	16	for	for	IN
30412	110	17	the	the	DT
30412	110	18	"	"	``
30412	110	19	Passion	Passion	NNP
30412	110	20	According	accord	VBG
30412	110	21	to	to	IN
30412	110	22	St.	St.	NNP
30412	110	23	Matthew	Matthew	NNP
30412	110	24	,	,	,
30412	110	25	"	"	''
30412	110	26	he	-PRON-	PRP
30412	110	27	only	only	RB
30412	110	28	used	use	VBD
30412	110	29	in	in	IN
30412	110	30	each	each	DT
30412	110	31	of	of	IN
30412	110	32	the	the	DT
30412	110	33	orchestras	orchestra	NNS
30412	110	34	two	two	CD
30412	110	35	flutes	flute	NNS
30412	110	36	,	,	,
30412	110	37	two	two	CD
30412	110	38	hautbois	hautbois	NNP
30412	110	39	,	,	,
30412	110	40	changing	change	VBG
30412	110	41	from	from	IN
30412	110	42	the	the	DT
30412	110	43	ordinary	ordinary	JJ
30412	110	44	hautbois	hautbois	NNP
30412	110	45	to	to	IN
30412	110	46	the	the	DT
30412	110	47	hautbois	hautbois	NNP
30412	110	48	d'amour	d'amour	NNP
30412	110	49	and	and	CC
30412	110	50	the	the	DT
30412	110	51	hautbois	hautbois	NNP
30412	110	52	of	of	IN
30412	110	53	the	the	DT
30412	110	54	chase,--now	chase,--now	NNP
30412	110	55	the	the	DT
30412	110	56	English	English	NNP
30412	110	57	horn	horn	NN
30412	110	58	;	;	:
30412	110	59	that	that	DT
30412	110	60	is	be	VBZ
30412	110	61	to	to	TO
30412	110	62	say	say	VB
30412	110	63	,	,	,
30412	110	64	hautbois	hautbois	NNP
30412	110	65	pitched	pitch	VBD
30412	110	66	a	a	DT
30412	110	67	third	third	JJ
30412	110	68	and	and	CC
30412	110	69	a	a	DT
30412	110	70	fifth	fifth	JJ
30412	110	71	lower	low	JJR
30412	110	72	.	.	.
30412	111	1	These	these	DT
30412	111	2	two	two	CD
30412	111	3	orchestras	orchestra	NNS
30412	111	4	and	and	CC
30412	111	5	these	these	DT
30412	111	6	two	two	CD
30412	111	7	choruses	chorus	NNS
30412	111	8	then	then	RB
30412	111	9	certainly	certainly	RB
30412	111	10	were	be	VBD
30412	111	11	reduced	reduce	VBN
30412	111	12	to	to	IN
30412	111	13	a	a	DT
30412	111	14	very	very	RB
30412	111	15	small	small	JJ
30412	111	16	number	number	NN
30412	111	17	of	of	IN
30412	111	18	performers	performer	NNS
30412	111	19	.	.	.
30412	112	1	In	in	IN
30412	112	2	all	all	DT
30412	112	3	very	very	RB
30412	112	4	ancient	ancient	JJ
30412	112	5	music	music	NN
30412	112	6	,	,	,
30412	112	7	from	from	IN
30412	112	8	the	the	DT
30412	112	9	time	time	NN
30412	112	10	of	of	IN
30412	112	11	Lully	Lully	NNP
30412	112	12	,	,	,
30412	112	13	one	one	NN
30412	112	14	finds	find	VBZ
30412	112	15	constantly	constantly	RB
30412	112	16	a	a	DT
30412	112	17	little	little	JJ
30412	112	18	cross	cross	NN
30412	112	19	marked	mark	VBN
30412	112	20	over	over	IN
30412	112	21	the	the	DT
30412	112	22	notes	note	NNS
30412	112	23	.	.	.
30412	113	1	Often	often	RB
30412	113	2	this	this	DT
30412	113	3	certainly	certainly	RB
30412	113	4	indicates	indicate	VBZ
30412	113	5	a	a	DT
30412	113	6	trill	trill	NN
30412	113	7	,	,	,
30412	113	8	but	but	CC
30412	113	9	it	-PRON-	PRP
30412	113	10	seems	seem	VBZ
30412	113	11	difficult	difficult	JJ
30412	113	12	to	to	TO
30412	113	13	take	take	VB
30412	113	14	it	-PRON-	PRP
30412	113	15	always	always	RB
30412	113	16	to	to	TO
30412	113	17	mean	mean	VB
30412	113	18	such	such	JJ
30412	113	19	.	.	.
30412	114	1	However	however	RB
30412	114	2	,	,	,
30412	114	3	perhaps	perhaps	RB
30412	114	4	fashion	fashion	NN
30412	114	5	desired	desire	VBD
30412	114	6	that	that	IN
30412	114	7	trills	trill	NNS
30412	114	8	should	should	MD
30412	114	9	thus	thus	RB
30412	114	10	be	be	VB
30412	114	11	made	make	VBN
30412	114	12	out	out	IN
30412	114	13	of	of	IN
30412	114	14	place	place	NN
30412	114	15	.	.	.
30412	115	1	I	-PRON-	PRP
30412	115	2	have	have	VBP
30412	115	3	never	never	RB
30412	115	4	been	be	VBN
30412	115	5	able	able	JJ
30412	115	6	to	to	TO
30412	115	7	find	find	VB
30412	115	8	an	an	DT
30412	115	9	explanation	explanation	NN
30412	115	10	of	of	IN
30412	115	11	this	this	DT
30412	115	12	sign	sign	NN
30412	115	13	,	,	,
30412	115	14	not	not	RB
30412	115	15	even	even	RB
30412	115	16	in	in	IN
30412	115	17	the	the	DT
30412	115	18	musical	musical	JJ
30412	115	19	dictionary	dictionary	NN
30412	115	20	of	of	IN
30412	115	21	J.	J.	NNP
30412	115	22	J.	J.	NNP
30412	115	23	Rousseau	Rousseau	NNP
30412	115	24	.	.	.
30412	116	1	This	this	DT
30412	116	2	dictionary	dictionary	JJ
30412	116	3	none	none	NN
30412	116	4	the	the	DT
30412	116	5	less	less	RBR
30412	116	6	contains	contain	VBZ
30412	116	7	a	a	DT
30412	116	8	great	great	JJ
30412	116	9	deal	deal	NN
30412	116	10	of	of	IN
30412	116	11	precious	precious	JJ
30412	116	12	information	information	NN
30412	116	13	.	.	.
30412	117	1	Does	do	VBZ
30412	117	2	it	-PRON-	PRP
30412	117	3	not	not	RB
30412	117	4	inform	inform	VB
30412	117	5	us	-PRON-	PRP
30412	117	6	,	,	,
30412	117	7	among	among	IN
30412	117	8	other	other	JJ
30412	117	9	things	thing	NNS
30412	117	10	,	,	,
30412	117	11	that	that	IN
30412	117	12	the	the	DT
30412	117	13	copyists	copyist	NNS
30412	117	14	of	of	IN
30412	117	15	former	former	JJ
30412	117	16	times	time	NNS
30412	117	17	were	be	VBD
30412	117	18	veritable	veritable	JJ
30412	117	19	collaborators	collaborator	NNS
30412	117	20	?	?	.
30412	118	1	When	when	WRB
30412	118	2	the	the	DT
30412	118	3	author	author	NN
30412	118	4	indicated	indicate	VBD
30412	118	5	the	the	DT
30412	118	6	altos	alto	NNS
30412	118	7	with	with	IN
30412	118	8	the	the	DT
30412	118	9	basses	bass	NNS
30412	118	10	,	,	,
30412	118	11	the	the	DT
30412	118	12	hautbois	hautbois	NNP
30412	118	13	with	with	IN
30412	118	14	the	the	DT
30412	118	15	violins	violin	NNS
30412	118	16	,	,	,
30412	118	17	these	these	DT
30412	118	18	copyists	copyist	NNS
30412	118	19	undertook	undertake	VBD
30412	118	20	to	to	TO
30412	118	21	make	make	VB
30412	118	22	the	the	DT
30412	118	23	necessary	necessary	JJ
30412	118	24	modifications	modification	NNS
30412	118	25	.	.	.
30412	119	1	Times	time	NNS
30412	119	2	have	have	VBP
30412	119	3	unfortunately	unfortunately	RB
30412	119	4	changed	change	VBN
30412	119	5	since	since	RB
30412	119	6	.	.	.
30412	120	1	In	in	IN
30412	120	2	Rameau	Rameau	NNP
30412	120	3	's	's	POS
30412	120	4	music	music	NN
30412	120	5	,	,	,
30412	120	6	certain	certain	JJ
30412	120	7	signs	sign	NNS
30412	120	8	are	be	VBP
30412	120	9	unintelligible	unintelligible	JJ
30412	120	10	.	.	.
30412	121	1	Musical	musical	JJ
30412	121	2	treatises	treatise	NNS
30412	121	3	of	of	IN
30412	121	4	that	that	DT
30412	121	5	time	time	NN
30412	121	6	say	say	VBP
30412	121	7	that	that	IN
30412	121	8	it	-PRON-	PRP
30412	121	9	is	be	VBZ
30412	121	10	impossible	impossible	JJ
30412	121	11	to	to	TO
30412	121	12	describe	describe	VB
30412	121	13	them	-PRON-	PRP
30412	121	14	,	,	,
30412	121	15	and	and	CC
30412	121	16	that	that	DT
30412	121	17	to	to	TO
30412	121	18	understand	understand	VB
30412	121	19	them	-PRON-	PRP
30412	121	20	it	-PRON-	PRP
30412	121	21	was	be	VBD
30412	121	22	necessary	necessary	JJ
30412	121	23	to	to	TO
30412	121	24	have	have	VB
30412	121	25	heard	hear	VBN
30412	121	26	them	-PRON-	PRP
30412	121	27	interpreted	interpret	VBN
30412	121	28	by	by	IN
30412	121	29	a	a	DT
30412	121	30	professor	professor	NN
30412	121	31	of	of	IN
30412	121	32	singing	singing	NN
30412	121	33	.	.	.
30412	122	1	With	with	IN
30412	122	2	clavecinists	clavecinist	NNS
30412	122	3	the	the	DT
30412	122	4	multiplicity	multiplicity	NN
30412	122	5	of	of	IN
30412	122	6	grace	grace	NN
30412	122	7	notes	note	NNS
30412	122	8	is	be	VBZ
30412	122	9	extreme	extreme	JJ
30412	122	10	.	.	.
30412	123	1	As	as	IN
30412	123	2	a	a	DT
30412	123	3	rule	rule	NN
30412	123	4	they	-PRON-	PRP
30412	123	5	give	give	VBP
30412	123	6	the	the	DT
30412	123	7	explanation	explanation	NN
30412	123	8	of	of	IN
30412	123	9	these	these	DT
30412	123	10	at	at	IN
30412	123	11	the	the	DT
30412	123	12	head	head	NN
30412	123	13	of	of	IN
30412	123	14	their	-PRON-	PRP$
30412	123	15	works	work	NNS
30412	123	16	,	,	,
30412	123	17	just	just	RB
30412	123	18	as	as	IN
30412	123	19	Rameau	Rameau	NNP
30412	123	20	did	do	VBD
30412	123	21	.	.	.
30412	124	1	I	-PRON-	PRP
30412	124	2	note	note	VBP
30412	124	3	a	a	DT
30412	124	4	curious	curious	JJ
30412	124	5	sign	sign	NN
30412	124	6	which	which	WDT
30412	124	7	indicates	indicate	VBZ
30412	124	8	that	that	IN
30412	124	9	the	the	DT
30412	124	10	right	right	JJ
30412	124	11	hand	hand	NN
30412	124	12	should	should	MD
30412	124	13	arrive	arrive	VB
30412	124	14	upon	upon	IN
30412	124	15	the	the	DT
30412	124	16	keys	key	NNS
30412	124	17	a	a	DT
30412	124	18	little	little	JJ
30412	124	19	after	after	IN
30412	124	20	the	the	DT
30412	124	21	left	left	NN
30412	124	22	.	.	.
30412	125	1	This	this	DT
30412	125	2	shows	show	VBZ
30412	125	3	that	that	IN
30412	125	4	there	there	EX
30412	125	5	was	be	VBD
30412	125	6	not	not	RB
30412	125	7	then	then	RB
30412	125	8	that	that	IN
30412	125	9	frightful	frightful	JJ
30412	125	10	habit	habit	NN
30412	125	11	of	of	IN
30412	125	12	playing	play	VBG
30412	125	13	one	one	CD
30412	125	14	hand	hand	NN
30412	125	15	after	after	IN
30412	125	16	the	the	DT
30412	125	17	other	other	JJ
30412	125	18	as	as	IN
30412	125	19	is	be	VBZ
30412	125	20	often	often	RB
30412	125	21	done	do	VBN
30412	125	22	nowadays	nowadays	RB
30412	125	23	.	.	.
30412	126	1	This	this	DT
30412	126	2	prolixity	prolixity	NN
30412	126	3	of	of	IN
30412	126	4	grace	grace	NN
30412	126	5	notes	note	NNS
30412	126	6	indulged	indulge	VBN
30412	126	7	by	by	IN
30412	126	8	players	player	NNS
30412	126	9	upon	upon	IN
30412	126	10	the	the	DT
30412	126	11	clavecin	clavecin	NNS
30412	126	12	is	be	VBZ
30412	126	13	rather	rather	RB
30412	126	14	terrifying	terrify	VBG
30412	126	15	at	at	IN
30412	126	16	first	first	RB
30412	126	17	,	,	,
30412	126	18	but	but	CC
30412	126	19	one	one	CD
30412	126	20	need	nee	MD
30412	126	21	not	not	RB
30412	126	22	be	be	VB
30412	126	23	detained	detain	VBN
30412	126	24	by	by	IN
30412	126	25	them	-PRON-	PRP
30412	126	26	,	,	,
30412	126	27	for	for	IN
30412	126	28	they	-PRON-	PRP
30412	126	29	are	be	VBP
30412	126	30	not	not	RB
30412	126	31	indispensable	indispensable	JJ
30412	126	32	.	.	.
30412	127	1	The	the	DT
30412	127	2	published	publish	VBN
30412	127	3	methods	method	NNS
30412	127	4	of	of	IN
30412	127	5	those	those	DT
30412	127	6	times	time	NNS
30412	127	7	inform	inform	VBP
30412	127	8	us	-PRON-	PRP
30412	127	9	in	in	IN
30412	127	10	fact	fact	NN
30412	127	11	that	that	IN
30412	127	12	pupils	pupil	NNS
30412	127	13	were	be	VBD
30412	127	14	first	first	RB
30412	127	15	taught	teach	VBN
30412	127	16	to	to	TO
30412	127	17	play	play	VB
30412	127	18	the	the	DT
30412	127	19	pieces	piece	NNS
30412	127	20	without	without	IN
30412	127	21	these	these	DT
30412	127	22	grace	grace	NN
30412	127	23	notes	note	NNS
30412	127	24	,	,	,
30412	127	25	and	and	CC
30412	127	26	that	that	IN
30412	127	27	they	-PRON-	PRP
30412	127	28	were	be	VBD
30412	127	29	added	add	VBN
30412	127	30	by	by	IN
30412	127	31	degrees	degree	NNS
30412	127	32	.	.	.
30412	128	1	Besides	besides	RB
30412	128	2	,	,	,
30412	128	3	Rameau	Rameau	NNP
30412	128	4	in	in	IN
30412	128	5	transcribing	transcribe	VBG
30412	128	6	for	for	IN
30412	128	7	the	the	DT
30412	128	8	clavecin	clavecin	NNS
30412	128	9	fragments	fragment	NNS
30412	128	10	of	of	IN
30412	128	11	his	-PRON-	PRP$
30412	128	12	operas	opera	NNS
30412	128	13	,	,	,
30412	128	14	has	have	VBZ
30412	128	15	indicated	indicate	VBN
30412	128	16	those	those	DT
30412	128	17	grace	grace	NN
30412	128	18	notes	note	NNS
30412	128	19	which	which	WDT
30412	128	20	the	the	DT
30412	128	21	original	original	NN
30412	128	22	did	do	VBD
30412	128	23	not	not	RB
30412	128	24	contain	contain	VB
30412	128	25	.	.	.
30412	129	1	Ornaments	ornament	NNS
30412	129	2	are	be	VBP
30412	129	3	much	much	RB
30412	129	4	less	less	RBR
30412	129	5	numerous	numerous	JJ
30412	129	6	in	in	IN
30412	129	7	the	the	DT
30412	129	8	writings	writing	NNS
30412	129	9	of	of	IN
30412	129	10	Sebastian	Sebastian	NNP
30412	129	11	Bach	Bach	NNP
30412	129	12	.	.	.
30412	130	1	Numberless	numberless	JJ
30412	130	2	confusions	confusion	NNS
30412	130	3	have	have	VBP
30412	130	4	been	be	VBN
30412	130	5	produced	produce	VBN
30412	130	6	in	in	IN
30412	130	7	the	the	DT
30412	130	8	interpretation	interpretation	NN
30412	130	9	of	of	IN
30412	130	10	the	the	DT
30412	130	11	mordant,[5	mordant,[5	NNP
30412	130	12	]	]	-RRB-
30412	130	13	or	or	CC
30412	130	14	biting	biting	NN
30412	130	15	note	note	NN
30412	130	16	.	.	.
30412	131	1	It	-PRON-	PRP
30412	131	2	should	should	MD
30412	131	3	be	be	VB
30412	131	4	executed	execute	VBN
30412	131	5	above	above	IN
30412	131	6	or	or	CC
30412	131	7	below	below	IN
30412	131	8	the	the	DT
30412	131	9	principal	principal	JJ
30412	131	10	note	note	NN
30412	131	11	depending	depend	VBG
30412	131	12	on	on	IN
30412	131	13	whether	whether	IN
30412	131	14	the	the	DT
30412	131	15	notes	note	NNS
30412	131	16	which	which	WDT
30412	131	17	precede	precede	VBP
30412	131	18	the	the	DT
30412	131	19	mordant	mordant	NN
30412	131	20	are	be	VBP
30412	131	21	superior	superior	JJ
30412	131	22	or	or	CC
30412	131	23	inferior	inferior	JJ
30412	131	24	to	to	IN
30412	131	25	it	-PRON-	PRP
30412	131	26	.	.	.
30412	132	1	With	with	IN
30412	132	2	reference	reference	NN
30412	132	3	to	to	IN
30412	132	4	the	the	DT
30412	132	5	difficulties	difficulty	NNS
30412	132	6	in	in	IN
30412	132	7	interpreting	interpret	VBG
30412	132	8	the	the	DT
30412	132	9	works	work	NNS
30412	132	10	of	of	IN
30412	132	11	Rameau	Rameau	NNP
30412	132	12	and	and	CC
30412	132	13	of	of	IN
30412	132	14	Gluck	Gluck	NNP
30412	132	15	,	,	,
30412	132	16	I	-PRON-	PRP
30412	132	17	would	would	MD
30412	132	18	point	point	VB
30412	132	19	out	out	RP
30412	132	20	the	the	DT
30412	132	21	change	change	NN
30412	132	22	in	in	IN
30412	132	23	the	the	DT
30412	132	24	diapason	diapason	NNP
30412	132	25	or	or	CC
30412	132	26	pitch	pitch	NNP
30412	132	27	which	which	WDT
30412	132	28	at	at	IN
30412	132	29	that	that	DT
30412	132	30	time	time	NN
30412	132	31	was	be	VBD
30412	132	32	a	a	DT
30412	132	33	tone	tone	NN
30412	132	34	lower	low	JJR
30412	132	35	than	than	IN
30412	132	36	in	in	IN
30412	132	37	our	-PRON-	PRP$
30412	132	38	days	day	NNS
30412	132	39	.	.	.
30412	133	1	The	the	DT
30412	133	2	organ	organ	NN
30412	133	3	of	of	IN
30412	133	4	St.	St.	NNP
30412	133	5	Merry	Merry	NNP
30412	133	6	had	have	VBD
30412	133	7	a	a	DT
30412	133	8	pitch	pitch	NN
30412	133	9	in	in	IN
30412	133	10	B	B	NNP
30412	133	11	flat	flat	NN
30412	133	12	.	.	.
30412	134	1	In	in	IN
30412	134	2	addition	addition	NN
30412	134	3	to	to	IN
30412	134	4	the	the	DT
30412	134	5	tempi	tempi	NN
30412	134	6	and	and	CC
30412	134	7	the	the	DT
30412	134	8	different	different	JJ
30412	134	9	instruments	instrument	NNS
30412	134	10	which	which	WDT
30412	134	11	make	make	VBP
30412	134	12	the	the	DT
30412	134	13	execution	execution	NN
30412	134	14	difficult	difficult	JJ
30412	134	15	,	,	,
30412	134	16	one	one	PRP
30412	134	17	must	must	MD
30412	134	18	add	add	VB
30412	134	19	the	the	DT
30412	134	20	recitatives	recitative	NNS
30412	134	21	which	which	WDT
30412	134	22	were	be	VBD
30412	134	23	very	very	RB
30412	134	24	much	much	RB
30412	134	25	employed	employ	VBN
30412	134	26	and	and	CC
30412	134	27	of	of	IN
30412	134	28	which	which	WDT
30412	134	29	at	at	IN
30412	134	30	that	that	DT
30412	134	31	time	time	NN
30412	134	32	a	a	DT
30412	134	33	serious	serious	JJ
30412	134	34	study	study	NN
30412	134	35	was	be	VBD
30412	134	36	made	make	VBN
30412	134	37	.	.	.
30412	135	1	I	-PRON-	PRP
30412	135	2	recall	recall	VBP
30412	135	3	a	a	DT
30412	135	4	beautiful	beautiful	JJ
30412	135	5	example	example	NN
30412	135	6	of	of	IN
30412	135	7	recitative	recitative	NN
30412	135	8	in	in	IN
30412	135	9	the	the	DT
30412	135	10	"	"	``
30412	135	11	Iphigenia	Iphigenia	NNP
30412	135	12	in	in	IN
30412	135	13	Tauris	Tauris	NNP
30412	135	14	.	.	.
30412	135	15	"	"	''
30412	136	1	We	-PRON-	PRP
30412	136	2	come	come	VBP
30412	136	3	now	now	RB
30412	136	4	to	to	IN
30412	136	5	the	the	DT
30412	136	6	modern	modern	JJ
30412	136	7	epoch	epoch	NN
30412	136	8	.	.	.
30412	137	1	From	from	IN
30412	137	2	the	the	DT
30412	137	3	time	time	NN
30412	137	4	of	of	IN
30412	137	5	Liszt	Liszt	NNP
30412	137	6	,	,	,
30412	137	7	who	who	WP
30412	137	8	not	not	RB
30412	137	9	only	only	RB
30412	137	10	revolutionized	revolutionize	VBD
30412	137	11	the	the	DT
30412	137	12	performance	performance	NN
30412	137	13	of	of	IN
30412	137	14	music	music	NN
30412	137	15	on	on	IN
30412	137	16	the	the	DT
30412	137	17	piano	piano	NN
30412	137	18	,	,	,
30412	137	19	but	but	CC
30412	137	20	also	also	RB
30412	137	21	the	the	DT
30412	137	22	way	way	NN
30412	137	23	of	of	IN
30412	137	24	writing	write	VBG
30412	137	25	it	-PRON-	PRP
30412	137	26	,	,	,
30412	137	27	authors	author	NNS
30412	137	28	give	give	VBP
30412	137	29	to	to	IN
30412	137	30	performers	performer	NNS
30412	137	31	all	all	DT
30412	137	32	necessary	necessary	JJ
30412	137	33	indications	indication	NNS
30412	137	34	,	,	,
30412	137	35	and	and	CC
30412	137	36	they	-PRON-	PRP
30412	137	37	have	have	VBP
30412	137	38	only	only	RB
30412	137	39	to	to	TO
30412	137	40	carefully	carefully	RB
30412	137	41	observe	observe	VB
30412	137	42	them	-PRON-	PRP
30412	137	43	.	.	.
30412	138	1	There	there	EX
30412	138	2	are	be	VBP
30412	138	3	,	,	,
30412	138	4	however	however	RB
30412	138	5	,	,	,
30412	138	6	some	some	DT
30412	138	7	interesting	interesting	JJ
30412	138	8	remarks	remark	NNS
30412	138	9	applicable	applicable	JJ
30412	138	10	to	to	IN
30412	138	11	the	the	DT
30412	138	12	music	music	NN
30412	138	13	of	of	IN
30412	138	14	Chopin	Chopin	NNP
30412	138	15	which	which	WDT
30412	138	16	recent	recent	JJ
30412	138	17	editions	edition	NNS
30412	138	18	unfortunately	unfortunately	RB
30412	138	19	are	be	VBP
30412	138	20	commencing	commence	VBG
30412	138	21	to	to	TO
30412	138	22	falsify	falsify	VB
30412	138	23	.	.	.
30412	139	1	Chopin	Chopin	NNP
30412	139	2	detested	detest	VBD
30412	139	3	the	the	DT
30412	139	4	abuse	abuse	NN
30412	139	5	of	of	IN
30412	139	6	the	the	DT
30412	139	7	pedal	pedal	NN
30412	139	8	.	.	.
30412	140	1	He	-PRON-	PRP
30412	140	2	could	could	MD
30412	140	3	not	not	RB
30412	140	4	bear	bear	VB
30412	140	5	that	that	DT
30412	140	6	through	through	IN
30412	140	7	an	an	DT
30412	140	8	ignorant	ignorant	JJ
30412	140	9	employment	employment	NN
30412	140	10	of	of	IN
30412	140	11	the	the	DT
30412	140	12	pedal	pedal	JJ
30412	140	13	two	two	CD
30412	140	14	different	different	JJ
30412	140	15	chords	chord	NNS
30412	140	16	should	should	MD
30412	140	17	be	be	VB
30412	140	18	mixed	mix	VBN
30412	140	19	in	in	IN
30412	140	20	tone	tone	NN
30412	140	21	together	together	RB
30412	140	22	.	.	.
30412	141	1	Therefore	therefore	RB
30412	141	2	,	,	,
30412	141	3	he	-PRON-	PRP
30412	141	4	has	have	VBZ
30412	141	5	given	give	VBN
30412	141	6	indications	indication	NNS
30412	141	7	with	with	IN
30412	141	8	the	the	DT
30412	141	9	greatest	great	JJS
30412	141	10	pains	pain	NNS
30412	141	11	.	.	.
30412	142	1	Employing	employ	VBG
30412	142	2	it	-PRON-	PRP
30412	142	3	where	where	WRB
30412	142	4	he	-PRON-	PRP
30412	142	5	has	have	VBZ
30412	142	6	not	not	RB
30412	142	7	indicated	indicate	VBN
30412	142	8	it	-PRON-	PRP
30412	142	9	,	,	,
30412	142	10	must	must	MD
30412	142	11	be	be	VB
30412	142	12	avoided	avoid	VBN
30412	142	13	.	.	.
30412	143	1	But	but	CC
30412	143	2	great	great	JJ
30412	143	3	skill	skill	NN
30412	143	4	is	be	VBZ
30412	143	5	necessary	necessary	JJ
30412	143	6	to	to	TO
30412	143	7	thus	thus	RB
30412	143	8	do	do	VB
30412	143	9	without	without	IN
30412	143	10	the	the	DT
30412	143	11	pedal	pedal	NN
30412	143	12	.	.	.
30412	144	1	Therefore	therefore	RB
30412	144	2	,	,	,
30412	144	3	in	in	IN
30412	144	4	the	the	DT
30412	144	5	new	new	JJ
30412	144	6	editions	edition	NNS
30412	144	7	of	of	IN
30412	144	8	the	the	DT
30412	144	9	author	author	NN
30412	144	10	,	,	,
30412	144	11	no	no	DT
30412	144	12	account	account	NN
30412	144	13	of	of	IN
30412	144	14	the	the	DT
30412	144	15	author	author	NN
30412	144	16	's	's	POS
30412	144	17	indications	indication	NNS
30412	144	18	whatever	whatever	WDT
30412	144	19	is	be	VBZ
30412	144	20	observed	observe	VBN
30412	144	21	.	.	.
30412	145	1	Thus	thus	RB
30412	145	2	in	in	IN
30412	145	3	the	the	DT
30412	145	4	"	"	``
30412	145	5	Cradle	Cradle	NNP
30412	145	6	Song	Song	NNP
30412	145	7	,	,	,
30412	145	8	"	"	''
30412	145	9	where	where	WRB
30412	145	10	the	the	DT
30412	145	11	author	author	NN
30412	145	12	has	have	VBZ
30412	145	13	indicated	indicate	VBN
30412	145	14	that	that	IN
30412	145	15	the	the	DT
30412	145	16	pedal	pedal	NN
30412	145	17	be	be	VB
30412	145	18	put	put	VBN
30412	145	19	on	on	IN
30412	145	20	each	each	DT
30412	145	21	measure	measure	NN
30412	145	22	and	and	CC
30412	145	23	taken	take	VBN
30412	145	24	off	off	RP
30412	145	25	in	in	IN
30412	145	26	the	the	DT
30412	145	27	middle	middle	NN
30412	145	28	of	of	IN
30412	145	29	it	-PRON-	PRP
30412	145	30	,	,	,
30412	145	31	modern	modern	JJ
30412	145	32	editions	edition	NNS
30412	145	33	preserve	preserve	VBP
30412	145	34	the	the	DT
30412	145	35	pedal	pedal	NN
30412	145	36	throughout	throughout	IN
30412	145	37	the	the	DT
30412	145	38	entire	entire	JJ
30412	145	39	measure	measure	NN
30412	145	40	,	,	,
30412	145	41	thus	thus	RB
30412	145	42	mixing	mix	VBG
30412	145	43	up	up	RP
30412	145	44	hopelessly	hopelessly	RB
30412	145	45	the	the	DT
30412	145	46	tonic	tonic	NN
30412	145	47	with	with	IN
30412	145	48	the	the	DT
30412	145	49	dominant	dominant	NN
30412	145	50	,	,	,
30412	145	51	which	which	WDT
30412	145	52	the	the	DT
30412	145	53	composer	composer	NN
30412	145	54	was	be	VBD
30412	145	55	so	so	RB
30412	145	56	careful	careful	JJ
30412	145	57	to	to	TO
30412	145	58	avoid	avoid	VB
30412	145	59	.	.	.
30412	146	1	A	a	DT
30412	146	2	question	question	NN
30412	146	3	of	of	IN
30412	146	4	the	the	DT
30412	146	5	greatest	great	JJS
30412	146	6	importance	importance	NN
30412	146	7	in	in	IN
30412	146	8	playing	play	VBG
30412	146	9	the	the	DT
30412	146	10	music	music	NN
30412	146	11	of	of	IN
30412	146	12	Chopin	Chopin	NNP
30412	146	13	is	be	VBZ
30412	146	14	that	that	DT
30412	146	15	of	of	IN
30412	146	16	"	"	``
30412	146	17	tempo	tempo	NNP
30412	146	18	rubato	rubato	NNP
30412	146	19	.	.	.
30412	146	20	"	"	''
30412	147	1	That	that	DT
30412	147	2	does	do	VBZ
30412	147	3	not	not	RB
30412	147	4	mean	mean	VB
30412	147	5	,	,	,
30412	147	6	as	as	IN
30412	147	7	many	many	JJ
30412	147	8	think	think	VBP
30412	147	9	,	,	,
30412	147	10	that	that	IN
30412	147	11	the	the	DT
30412	147	12	time	time	NN
30412	147	13	is	be	VBZ
30412	147	14	to	to	TO
30412	147	15	be	be	VB
30412	147	16	dislocated	dislocate	VBN
30412	147	17	.	.	.
30412	148	1	It	-PRON-	PRP
30412	148	2	means	mean	VBZ
30412	148	3	permitting	permit	VBG
30412	148	4	great	great	JJ
30412	148	5	liberty	liberty	NN
30412	148	6	to	to	IN
30412	148	7	the	the	DT
30412	148	8	singing	singing	NN
30412	148	9	part	part	NN
30412	148	10	or	or	CC
30412	148	11	melody	melody	NN
30412	148	12	of	of	IN
30412	148	13	the	the	DT
30412	148	14	composition	composition	NN
30412	148	15	,	,	,
30412	148	16	while	while	IN
30412	148	17	the	the	DT
30412	148	18	accompaniment	accompaniment	NN
30412	148	19	keeps	keep	VBZ
30412	148	20	rigorous	rigorous	JJ
30412	148	21	time	time	NN
30412	148	22	.	.	.
30412	149	1	Mozart	Mozart	NNP
30412	149	2	played	play	VBD
30412	149	3	in	in	IN
30412	149	4	this	this	DT
30412	149	5	way	way	NN
30412	149	6	and	and	CC
30412	149	7	he	-PRON-	PRP
30412	149	8	speaks	speak	VBZ
30412	149	9	of	of	IN
30412	149	10	it	-PRON-	PRP
30412	149	11	in	in	IN
30412	149	12	one	one	CD
30412	149	13	of	of	IN
30412	149	14	his	-PRON-	PRP$
30412	149	15	letters	letter	NNS
30412	149	16	and	and	CC
30412	149	17	he	-PRON-	PRP
30412	149	18	describes	describe	VBZ
30412	149	19	it	-PRON-	PRP
30412	149	20	marvelously	marvelously	RB
30412	149	21	,	,	,
30412	149	22	only	only	RB
30412	149	23	the	the	DT
30412	149	24	term	term	NN
30412	149	25	"	"	``
30412	149	26	tempo	tempo	NNP
30412	149	27	rubato	rubato	NNP
30412	149	28	"	"	''
30412	149	29	had	have	VBD
30412	149	30	not	not	RB
30412	149	31	at	at	IN
30412	149	32	that	that	DT
30412	149	33	time	time	NN
30412	149	34	been	be	VBN
30412	149	35	invented	invent	VBN
30412	149	36	.	.	.
30412	150	1	This	this	DT
30412	150	2	kind	kind	NN
30412	150	3	of	of	IN
30412	150	4	playing	playing	NN
30412	150	5	,	,	,
30412	150	6	demanding	demand	VBG
30412	150	7	complete	complete	JJ
30412	150	8	independence	independence	NN
30412	150	9	of	of	IN
30412	150	10	the	the	DT
30412	150	11	two	two	CD
30412	150	12	hands	hand	NNS
30412	150	13	,	,	,
30412	150	14	is	be	VBZ
30412	150	15	not	not	RB
30412	150	16	within	within	IN
30412	150	17	the	the	DT
30412	150	18	ability	ability	NN
30412	150	19	of	of	IN
30412	150	20	everybody	everybody	NN
30412	150	21	.	.	.
30412	151	1	Therefore	therefore	RB
30412	151	2	,	,	,
30412	151	3	to	to	TO
30412	151	4	give	give	VB
30412	151	5	the	the	DT
30412	151	6	illusion	illusion	NN
30412	151	7	of	of	IN
30412	151	8	such	such	JJ
30412	151	9	effect	effect	NN
30412	151	10	,	,	,
30412	151	11	players	player	NNS
30412	151	12	dislocate	dislocate	VBP
30412	151	13	the	the	DT
30412	151	14	bass	bass	NN
30412	151	15	and	and	CC
30412	151	16	destroy	destroy	VB
30412	151	17	the	the	DT
30412	151	18	rhythm	rhythm	NN
30412	151	19	of	of	IN
30412	151	20	the	the	DT
30412	151	21	bar	bar	NN
30412	151	22	.	.	.
30412	152	1	When	when	WRB
30412	152	2	to	to	IN
30412	152	3	this	this	DT
30412	152	4	disorder	disorder	NN
30412	152	5	is	be	VBZ
30412	152	6	joined	join	VBN
30412	152	7	the	the	DT
30412	152	8	abuse	abuse	NN
30412	152	9	of	of	IN
30412	152	10	the	the	DT
30412	152	11	pedal	pedal	NN
30412	152	12	,	,	,
30412	152	13	there	there	EX
30412	152	14	results	result	VBZ
30412	152	15	that	that	IN
30412	152	16	vicious	vicious	JJ
30412	152	17	execution	execution	NN
30412	152	18	which	which	WDT
30412	152	19	,	,	,
30412	152	20	passing	pass	VBG
30412	152	21	muster	muster	NN
30412	152	22	,	,	,
30412	152	23	is	be	VBZ
30412	152	24	generally	generally	RB
30412	152	25	accepted	accept	VBN
30412	152	26	in	in	IN
30412	152	27	the	the	DT
30412	152	28	salons	salon	NNS
30412	152	29	and	and	CC
30412	152	30	often	often	RB
30412	152	31	elsewhere	elsewhere	RB
30412	152	32	.	.	.
30412	153	1	Another	another	DT
30412	153	2	plague	plague	NN
30412	153	3	in	in	IN
30412	153	4	the	the	DT
30412	153	5	modern	modern	JJ
30412	153	6	execution	execution	NN
30412	153	7	of	of	IN
30412	153	8	music	music	NN
30412	153	9	is	be	VBZ
30412	153	10	the	the	DT
30412	153	11	abuse	abuse	NN
30412	153	12	of	of	IN
30412	153	13	the	the	DT
30412	153	14	tremolo	tremolo	NN
30412	153	15	by	by	IN
30412	153	16	both	both	DT
30412	153	17	singers	singer	NNS
30412	153	18	and	and	CC
30412	153	19	instrumental	instrumental	JJ
30412	153	20	performers	performer	NNS
30412	153	21	.	.	.
30412	154	1	With	with	IN
30412	154	2	singers	singer	NNS
30412	154	3	,	,	,
30412	154	4	this	this	DT
30412	154	5	quivering	quivering	NN
30412	154	6	is	be	VBZ
30412	154	7	often	often	RB
30412	154	8	the	the	DT
30412	154	9	result	result	NN
30412	154	10	of	of	IN
30412	154	11	a	a	DT
30412	154	12	fatigued	fatigued	JJ
30412	154	13	voice	voice	NN
30412	154	14	,	,	,
30412	154	15	in	in	IN
30412	154	16	which	which	WDT
30412	154	17	case	case	NN
30412	154	18	it	-PRON-	PRP
30412	154	19	is	be	VBZ
30412	154	20	involuntary	involuntary	JJ
30412	154	21	and	and	CC
30412	154	22	is	be	VBZ
30412	154	23	only	only	RB
30412	154	24	to	to	TO
30412	154	25	be	be	VB
30412	154	26	deplored	deplore	VBN
30412	154	27	;	;	:
30412	154	28	but	but	CC
30412	154	29	that	that	DT
30412	154	30	is	be	VBZ
30412	154	31	not	not	RB
30412	154	32	the	the	DT
30412	154	33	case	case	NN
30412	154	34	with	with	IN
30412	154	35	violin	violin	NN
30412	154	36	and	and	CC
30412	154	37	violoncello	violoncello	NN
30412	154	38	players	player	NNS
30412	154	39	.	.	.
30412	155	1	It	-PRON-	PRP
30412	155	2	is	be	VBZ
30412	155	3	a	a	DT
30412	155	4	fashion	fashion	NN
30412	155	5	with	with	IN
30412	155	6	them	-PRON-	PRP
30412	155	7	born	bear	VBN
30412	155	8	of	of	IN
30412	155	9	a	a	DT
30412	155	10	desire	desire	NN
30412	155	11	to	to	TO
30412	155	12	make	make	VB
30412	155	13	an	an	DT
30412	155	14	effect	effect	NN
30412	155	15	at	at	IN
30412	155	16	any	any	DT
30412	155	17	cost	cost	NN
30412	155	18	,	,	,
30412	155	19	and	and	CC
30412	155	20	is	be	VBZ
30412	155	21	due	due	JJ
30412	155	22	to	to	IN
30412	155	23	the	the	DT
30412	155	24	depraved	depraved	JJ
30412	155	25	taste	taste	NN
30412	155	26	of	of	IN
30412	155	27	the	the	DT
30412	155	28	public	public	NN
30412	155	29	for	for	IN
30412	155	30	a	a	DT
30412	155	31	passionate	passionate	JJ
30412	155	32	execution	execution	NN
30412	155	33	of	of	IN
30412	155	34	music	music	NN
30412	155	35	;	;	:
30412	155	36	but	but	CC
30412	155	37	art	art	NN
30412	155	38	does	do	VBZ
30412	155	39	not	not	RB
30412	155	40	live	live	VB
30412	155	41	on	on	IN
30412	155	42	passion	passion	NN
30412	155	43	alone	alone	JJ
30412	155	44	.	.	.
30412	156	1	In	in	IN
30412	156	2	our	-PRON-	PRP$
30412	156	3	time	time	NN
30412	156	4	,	,	,
30412	156	5	when	when	WRB
30412	156	6	art	art	NN
30412	156	7	,	,	,
30412	156	8	through	through	IN
30412	156	9	an	an	DT
30412	156	10	admirable	admirable	JJ
30412	156	11	evolution	evolution	NN
30412	156	12	,	,	,
30412	156	13	has	have	VBZ
30412	156	14	conquered	conquer	VBN
30412	156	15	all	all	DT
30412	156	16	domains	domain	NNS
30412	156	17	,	,	,
30412	156	18	music	music	NN
30412	156	19	should	should	MD
30412	156	20	express	express	VB
30412	156	21	all	all	DT
30412	156	22	,	,	,
30412	156	23	from	from	IN
30412	156	24	the	the	DT
30412	156	25	most	most	RBS
30412	156	26	perfect	perfect	JJ
30412	156	27	calm	calm	NN
30412	156	28	to	to	IN
30412	156	29	the	the	DT
30412	156	30	most	most	RBS
30412	156	31	violent	violent	JJ
30412	156	32	emotions	emotion	NNS
30412	156	33	.	.	.
30412	157	1	When	when	WRB
30412	157	2	one	one	NN
30412	157	3	is	be	VBZ
30412	157	4	strongly	strongly	RB
30412	157	5	moved	move	VBN
30412	157	6	the	the	DT
30412	157	7	voice	voice	NN
30412	157	8	is	be	VBZ
30412	157	9	altered	alter	VBN
30412	157	10	,	,	,
30412	157	11	and	and	CC
30412	157	12	in	in	IN
30412	157	13	moving	move	VBG
30412	157	14	situations	situation	NNS
30412	157	15	the	the	DT
30412	157	16	singer	singer	NN
30412	157	17	should	should	MD
30412	157	18	make	make	VB
30412	157	19	his	-PRON-	PRP$
30412	157	20	voice	voice	NN
30412	157	21	vibrate	vibrate	NN
30412	157	22	.	.	.
30412	158	1	Formerly	formerly	RB
30412	158	2	the	the	DT
30412	158	3	German	german	JJ
30412	158	4	female	female	JJ
30412	158	5	singers	singer	NNS
30412	158	6	sang	sing	VBD
30412	158	7	with	with	IN
30412	158	8	all	all	DT
30412	158	9	their	-PRON-	PRP$
30412	158	10	voice	voice	NN
30412	158	11	,	,	,
30412	158	12	without	without	IN
30412	158	13	any	any	DT
30412	158	14	vibration	vibration	NN
30412	158	15	in	in	IN
30412	158	16	the	the	DT
30412	158	17	sound	sound	NN
30412	158	18	and	and	CC
30412	158	19	without	without	IN
30412	158	20	any	any	DT
30412	158	21	reference	reference	NN
30412	158	22	to	to	IN
30412	158	23	the	the	DT
30412	158	24	situation	situation	NN
30412	158	25	;	;	:
30412	158	26	one	one	PRP
30412	158	27	would	would	MD
30412	158	28	say	say	VB
30412	158	29	they	-PRON-	PRP
30412	158	30	were	be	VBD
30412	158	31	clarinets	clarinet	NNS
30412	158	32	.	.	.
30412	159	1	Now	now	RB
30412	159	2	,	,	,
30412	159	3	one	one	PRP
30412	159	4	must	must	MD
30412	159	5	vibrate	vibrate	VB
30412	159	6	all	all	PDT
30412	159	7	the	the	DT
30412	159	8	time	time	NN
30412	159	9	.	.	.
30412	160	1	I	-PRON-	PRP
30412	160	2	heard	hear	VBD
30412	160	3	the	the	DT
30412	160	4	Meistersingers	Meistersingers	NNPS
30412	160	5	'	'	POS
30412	160	6	quintette	quintette	NN
30412	160	7	sung	sing	VBD
30412	160	8	in	in	IN
30412	160	9	Paris	Paris	NNP
30412	160	10	.	.	.
30412	161	1	It	-PRON-	PRP
30412	161	2	was	be	VBD
30412	161	3	dreadful	dreadful	JJ
30412	161	4	and	and	CC
30412	161	5	the	the	DT
30412	161	6	composition	composition	NN
30412	161	7	incomprehensible	incomprehensible	JJ
30412	161	8	.	.	.
30412	162	1	Not	not	RB
30412	162	2	all	all	DT
30412	162	3	singers	singer	NNS
30412	162	4	,	,	,
30412	162	5	fortunately	fortunately	RB
30412	162	6	,	,	,
30412	162	7	have	have	VB
30412	162	8	this	this	DT
30412	162	9	defect	defect	NN
30412	162	10	,	,	,
30412	162	11	but	but	CC
30412	162	12	it	-PRON-	PRP
30412	162	13	has	have	VBZ
30412	162	14	taken	take	VBN
30412	162	15	possession	possession	NN
30412	162	16	of	of	IN
30412	162	17	violinists	violinist	NNS
30412	162	18	and	and	CC
30412	162	19	'	'	``
30412	162	20	cello	cello	NN
30412	162	21	players	player	NNS
30412	162	22	.	.	.
30412	163	1	That	that	DT
30412	163	2	was	be	VBD
30412	163	3	not	not	RB
30412	163	4	the	the	DT
30412	163	5	way	way	NN
30412	163	6	Franchomme	Franchomme	NNP
30412	163	7	,	,	,
30412	163	8	the	the	DT
30412	163	9	'	'	``
30412	163	10	cello	cello	NN
30412	163	11	player	player	NN
30412	163	12	and	and	CC
30412	163	13	collaborator	collaborator	NN
30412	163	14	of	of	IN
30412	163	15	Chopin	Chopin	NNP
30412	163	16	,	,	,
30412	163	17	played	play	VBD
30412	163	18	,	,	,
30412	163	19	nor	nor	CC
30412	163	20	was	be	VBD
30412	163	21	it	-PRON-	PRP
30412	163	22	the	the	DT
30412	163	23	way	way	NN
30412	163	24	Sarasate	sarasate	JJ
30412	163	25	,	,	,
30412	163	26	Sivori	Sivori	NNP
30412	163	27	or	or	CC
30412	163	28	Joachim	Joachim	NNP
30412	163	29	played	play	VBD
30412	163	30	.	.	.
30412	164	1	I	-PRON-	PRP
30412	164	2	have	have	VBP
30412	164	3	written	write	VBN
30412	164	4	a	a	DT
30412	164	5	concerto	concerto	NNP
30412	164	6	,	,	,
30412	164	7	the	the	DT
30412	164	8	first	first	JJ
30412	164	9	and	and	CC
30412	164	10	last	last	JJ
30412	164	11	movements	movement	NNS
30412	164	12	of	of	IN
30412	164	13	which	which	WDT
30412	164	14	are	be	VBP
30412	164	15	very	very	RB
30412	164	16	passionate	passionate	JJ
30412	164	17	.	.	.
30412	165	1	They	-PRON-	PRP
30412	165	2	are	be	VBP
30412	165	3	separated	separate	VBN
30412	165	4	by	by	IN
30412	165	5	a	a	DT
30412	165	6	movement	movement	NN
30412	165	7	of	of	IN
30412	165	8	the	the	DT
30412	165	9	greatest	great	JJS
30412	165	10	calm,--a	calm,--a	NNP
30412	165	11	lake	lake	NN
30412	165	12	between	between	IN
30412	165	13	two	two	CD
30412	165	14	mountains	mountain	NNS
30412	165	15	.	.	.
30412	166	1	Those	those	DT
30412	166	2	great	great	JJ
30412	166	3	violin	violin	NN
30412	166	4	players	player	NNS
30412	166	5	who	who	WP
30412	166	6	do	do	VBP
30412	166	7	me	-PRON-	PRP
30412	166	8	the	the	DT
30412	166	9	honor	honor	NN
30412	166	10	to	to	TO
30412	166	11	play	play	VB
30412	166	12	this	this	DT
30412	166	13	piece	piece	NN
30412	166	14	,	,	,
30412	166	15	do	do	VB
30412	166	16	not	not	RB
30412	166	17	understand	understand	VB
30412	166	18	the	the	DT
30412	166	19	contrast	contrast	NN
30412	166	20	and	and	CC
30412	166	21	they	-PRON-	PRP
30412	166	22	vibrate	vibrate	VBP
30412	166	23	on	on	IN
30412	166	24	the	the	DT
30412	166	25	lake	lake	NN
30412	166	26	just	just	RB
30412	166	27	as	as	IN
30412	166	28	they	-PRON-	PRP
30412	166	29	do	do	VBP
30412	166	30	on	on	IN
30412	166	31	the	the	DT
30412	166	32	mountains	mountain	NNS
30412	166	33	.	.	.
30412	167	1	Sarasate	sarasate	JJ
30412	167	2	,	,	,
30412	167	3	for	for	IN
30412	167	4	whom	whom	WP
30412	167	5	this	this	DT
30412	167	6	concerto	concerto	NNP
30412	167	7	was	be	VBD
30412	167	8	written	write	VBN
30412	167	9	,	,	,
30412	167	10	was	be	VBD
30412	167	11	as	as	RB
30412	167	12	calm	calm	JJ
30412	167	13	on	on	IN
30412	167	14	the	the	DT
30412	167	15	lake	lake	NN
30412	167	16	as	as	IN
30412	167	17	he	-PRON-	PRP
30412	167	18	was	be	VBD
30412	167	19	agitated	agitate	VBN
30412	167	20	on	on	IN
30412	167	21	the	the	DT
30412	167	22	mountains	mountain	NNS
30412	167	23	;	;	:
30412	167	24	nor	nor	CC
30412	167	25	did	do	VBD
30412	167	26	he	-PRON-	PRP
30412	167	27	fail	fail	VB
30412	167	28	on	on	IN
30412	167	29	this	this	DT
30412	167	30	account	account	NN
30412	167	31	to	to	TO
30412	167	32	produce	produce	VB
30412	167	33	always	always	RB
30412	167	34	a	a	DT
30412	167	35	great	great	JJ
30412	167	36	effect	effect	NN
30412	167	37	--	--	:
30412	167	38	for	for	IN
30412	167	39	there	there	EX
30412	167	40	is	be	VBZ
30412	167	41	nothing	nothing	NN
30412	167	42	like	like	IN
30412	167	43	giving	give	VBG
30412	167	44	to	to	IN
30412	167	45	music	music	NN
30412	167	46	its	-PRON-	PRP$
30412	167	47	veritable	veritable	JJ
30412	167	48	character	character	NN
30412	167	49	.	.	.
30412	168	1	Anciently	anciently	RB
30412	168	2	music	music	NN
30412	168	3	was	be	VBD
30412	168	4	not	not	RB
30412	168	5	written	write	VBN
30412	168	6	as	as	RB
30412	168	7	scrupulously	scrupulously	RB
30412	168	8	as	as	IN
30412	168	9	it	-PRON-	PRP
30412	168	10	is	be	VBZ
30412	168	11	to	to	IN
30412	168	12	-	-	HYPH
30412	168	13	day	day	NN
30412	168	14	,	,	,
30412	168	15	and	and	CC
30412	168	16	a	a	DT
30412	168	17	certain	certain	JJ
30412	168	18	liberty	liberty	NN
30412	168	19	was	be	VBD
30412	168	20	permitted	permit	VBN
30412	168	21	to	to	IN
30412	168	22	interpretation	interpretation	NN
30412	168	23	.	.	.
30412	169	1	This	this	DT
30412	169	2	liberty	liberty	NN
30412	169	3	went	go	VBD
30412	169	4	farther	farther	RB
30412	169	5	than	than	IN
30412	169	6	one	one	PRP
30412	169	7	would	would	MD
30412	169	8	think	think	VB
30412	169	9	,	,	,
30412	169	10	resembling	resemble	VBG
30412	169	11	much	much	RB
30412	169	12	what	what	WP
30412	169	13	the	the	DT
30412	169	14	great	great	JJ
30412	169	15	Italian	italian	JJ
30412	169	16	singers	singer	NNS
30412	169	17	furnished	furnish	VBD
30412	169	18	examples	example	NNS
30412	169	19	of	of	IN
30412	169	20	in	in	IN
30412	169	21	the	the	DT
30412	169	22	days	day	NNS
30412	169	23	of	of	IN
30412	169	24	Rubini	Rubini	NNP
30412	169	25	and	and	CC
30412	169	26	Malibran	Malibran	NNP
30412	169	27	.	.	.
30412	170	1	They	-PRON-	PRP
30412	170	2	did	do	VBD
30412	170	3	not	not	RB
30412	170	4	hesitate	hesitate	VB
30412	170	5	to	to	TO
30412	170	6	embroider	embroider	VB
30412	170	7	the	the	DT
30412	170	8	compositions	composition	NNS
30412	170	9	,	,	,
30412	170	10	and	and	CC
30412	170	11	the	the	DT
30412	170	12	_	_	NNP
30412	170	13	reprises	reprise	VBZ
30412	170	14	_	_	NNP
30412	170	15	were	be	VBD
30412	170	16	widespread	widespread	JJ
30412	170	17	.	.	.
30412	171	1	_	_	NNP
30412	171	2	Reprises	Reprises	NNPS
30412	171	3	_	_	NNP
30412	171	4	meant	mean	VBD
30412	171	5	that	that	IN
30412	171	6	when	when	WRB
30412	171	7	the	the	DT
30412	171	8	same	same	JJ
30412	171	9	piece	piece	NN
30412	171	10	was	be	VBD
30412	171	11	sung	sing	VBN
30412	171	12	a	a	DT
30412	171	13	second	second	JJ
30412	171	14	time	time	NN
30412	171	15	,	,	,
30412	171	16	the	the	DT
30412	171	17	executants	executant	NNS
30412	171	18	gave	give	VBD
30412	171	19	free	free	JJ
30412	171	20	bridle	bridle	NN
30412	171	21	to	to	IN
30412	171	22	their	-PRON-	PRP$
30412	171	23	own	own	JJ
30412	171	24	inspiration	inspiration	NN
30412	171	25	.	.	.
30412	172	1	I	-PRON-	PRP
30412	172	2	have	have	VBP
30412	172	3	heard	hear	VBN
30412	172	4	in	in	IN
30412	172	5	my	-PRON-	PRP$
30412	172	6	youth	youth	NN
30412	172	7	the	the	DT
30412	172	8	last	last	JJ
30412	172	9	echoes	echo	NNS
30412	172	10	of	of	IN
30412	172	11	this	this	DT
30412	172	12	style	style	NN
30412	172	13	of	of	IN
30412	172	14	performance	performance	NN
30412	172	15	.	.	.
30412	173	1	Nowadays	nowadays	RB
30412	173	2	_	_	NNP
30412	173	3	reprises	reprise	VBZ
30412	173	4	_	_	NNP
30412	173	5	are	be	VBP
30412	173	6	suppressed	suppress	VBN
30412	173	7	,	,	,
30412	173	8	and	and	CC
30412	173	9	that	that	DT
30412	173	10	is	be	VBZ
30412	173	11	more	more	RBR
30412	173	12	prudent	prudent	JJ
30412	173	13	.	.	.
30412	174	1	However	however	RB
30412	174	2	,	,	,
30412	174	3	it	-PRON-	PRP
30412	174	4	would	would	MD
30412	174	5	be	be	VB
30412	174	6	betraying	betray	VBG
30412	174	7	the	the	DT
30412	174	8	intentions	intention	NNS
30412	174	9	of	of	IN
30412	174	10	Mozart	Mozart	NNP
30412	174	11	to	to	TO
30412	174	12	execute	execute	VB
30412	174	13	literally	literally	RB
30412	174	14	many	many	JJ
30412	174	15	passages	passage	NNS
30412	174	16	in	in	IN
30412	174	17	concertos	concerto	NNS
30412	174	18	written	write	VBN
30412	174	19	by	by	IN
30412	174	20	that	that	DT
30412	174	21	author	author	NN
30412	174	22	for	for	IN
30412	174	23	the	the	DT
30412	174	24	piano	piano	NN
30412	174	25	.	.	.
30412	175	1	At	at	IN
30412	175	2	times	time	NNS
30412	175	3	he	-PRON-	PRP
30412	175	4	would	would	MD
30412	175	5	write	write	VB
30412	175	6	a	a	DT
30412	175	7	veritable	veritable	JJ
30412	175	8	scheme	scheme	NN
30412	175	9	only	only	RB
30412	175	10	,	,	,
30412	175	11	upon	upon	IN
30412	175	12	which	which	WDT
30412	175	13	he	-PRON-	PRP
30412	175	14	would	would	MD
30412	175	15	improvise	improvise	VB
30412	175	16	.	.	.
30412	176	1	However	however	RB
30412	176	2	,	,	,
30412	176	3	one	one	PRP
30412	176	4	should	should	MD
30412	176	5	not	not	RB
30412	176	6	imitate	imitate	VB
30412	176	7	Kalkbrenner	Kalkbrenner	NNP
30412	176	8	,	,	,
30412	176	9	who	who	WP
30412	176	10	,	,	,
30412	176	11	in	in	IN
30412	176	12	executing	execute	VBG
30412	176	13	at	at	IN
30412	176	14	Paris	Paris	NNP
30412	176	15	the	the	DT
30412	176	16	great	great	JJ
30412	176	17	concerto	concerto	NN
30412	176	18	in	in	IN
30412	176	19	C	C	NNP
30412	176	20	Major	Major	NNP
30412	176	21	of	of	IN
30412	176	22	Mozart	Mozart	NNP
30412	176	23	,	,	,
30412	176	24	had	have	VBD
30412	176	25	rewritten	rewrite	VBN
30412	176	26	all	all	PDT
30412	176	27	its	-PRON-	PRP$
30412	176	28	passages	passage	NNS
30412	176	29	in	in	IN
30412	176	30	a	a	DT
30412	176	31	different	different	JJ
30412	176	32	manner	manner	NN
30412	176	33	from	from	IN
30412	176	34	the	the	DT
30412	176	35	author	author	NN
30412	176	36	.	.	.
30412	177	1	On	on	IN
30412	177	2	the	the	DT
30412	177	3	other	other	JJ
30412	177	4	hand	hand	NN
30412	177	5	,	,	,
30412	177	6	when	when	WRB
30412	177	7	I	-PRON-	PRP
30412	177	8	played	play	VBD
30412	177	9	at	at	IN
30412	177	10	the	the	DT
30412	177	11	Conservatoire	Conservatoire	NNP
30412	177	12	in	in	IN
30412	177	13	Paris	Paris	NNP
30412	177	14	Mozart	Mozart	NNP
30412	177	15	's	's	POS
30412	177	16	magnificent	magnificent	JJ
30412	177	17	concerto	concerto	NN
30412	177	18	in	in	IN
30412	177	19	C	C	NNP
30412	177	20	Minor	Minor	NNP
30412	177	21	,	,	,
30412	177	22	I	-PRON-	PRP
30412	177	23	would	would	MD
30412	177	24	have	have	VB
30412	177	25	thought	think	VBN
30412	177	26	I	-PRON-	PRP
30412	177	27	was	be	VBD
30412	177	28	committing	commit	VBG
30412	177	29	a	a	DT
30412	177	30	crime	crime	NN
30412	177	31	in	in	IN
30412	177	32	executing	execute	VBG
30412	177	33	literally	literally	RB
30412	177	34	the	the	DT
30412	177	35	piano	piano	NN
30412	177	36	part	part	NN
30412	177	37	of	of	IN
30412	177	38	the	the	DT
30412	177	39	Adagio	Adagio	NNP
30412	177	40	,	,	,
30412	177	41	which	which	WDT
30412	177	42	would	would	MD
30412	177	43	have	have	VB
30412	177	44	been	be	VBN
30412	177	45	absurd	absurd	JJ
30412	177	46	if	if	IN
30412	177	47	thus	thus	RB
30412	177	48	presented	present	VBN
30412	177	49	in	in	IN
30412	177	50	the	the	DT
30412	177	51	midst	midst	NN
30412	177	52	of	of	IN
30412	177	53	an	an	DT
30412	177	54	orchestra	orchestra	NN
30412	177	55	of	of	IN
30412	177	56	great	great	JJ
30412	177	57	tonal	tonal	JJ
30412	177	58	wealth	wealth	NN
30412	177	59	.	.	.
30412	178	1	There	there	RB
30412	178	2	as	as	IN
30412	178	3	elsewhere	elsewhere	RB
30412	178	4	the	the	DT
30412	178	5	letter	letter	NN
30412	178	6	kills	kill	VBZ
30412	178	7	;	;	:
30412	178	8	the	the	DT
30412	178	9	spirit	spirit	NNP
30412	178	10	vivifies	vivifie	NNS
30412	178	11	.	.	.
30412	179	1	But	but	CC
30412	179	2	in	in	IN
30412	179	3	a	a	DT
30412	179	4	case	case	NN
30412	179	5	like	like	IN
30412	179	6	that	that	DT
30412	179	7	one	one	PRP
30412	179	8	must	must	MD
30412	179	9	know	know	VB
30412	179	10	Mozart	Mozart	NNP
30412	179	11	and	and	CC
30412	179	12	assimilate	assimilate	VB
30412	179	13	his	-PRON-	PRP$
30412	179	14	style	style	NN
30412	179	15	,	,	,
30412	179	16	which	which	WDT
30412	179	17	demands	demand	VBZ
30412	179	18	a	a	DT
30412	179	19	long	long	JJ
30412	179	20	study	study	NN
30412	179	21	.	.	.
30412	180	1	EXPLANATORY	EXPLANATORY	NNP
30412	180	2	NOTES	NOTES	NNP
30412	180	3	[	[	-LRB-
30412	180	4	1	1	CD
30412	180	5	]	]	-RRB-
30412	180	6	Plain	Plain	NNP
30412	180	7	Song	song	NN
30412	180	8	(	(	-LRB-
30412	180	9	Fr	Fr	NNP
30412	180	10	.	.	.
30412	181	1	_	_	NNP
30412	181	2	Plain	Plain	NNP
30412	181	3	Chant	Chant	NNP
30412	181	4	_	_	NNP
30412	181	5	)	)	-RRB-
30412	181	6	was	be	VBD
30412	181	7	the	the	DT
30412	181	8	earliest	early	JJS
30412	181	9	form	form	NN
30412	181	10	of	of	IN
30412	181	11	Christian	christian	JJ
30412	181	12	church	church	NN
30412	181	13	music	music	NN
30412	181	14	.	.	.
30412	182	1	As	as	IN
30412	182	2	its	-PRON-	PRP$
30412	182	3	name	name	NN
30412	182	4	indicates	indicate	VBZ
30412	182	5	,	,	,
30412	182	6	it	-PRON-	PRP
30412	182	7	was	be	VBD
30412	182	8	a	a	DT
30412	182	9	plain	plain	JJ
30412	182	10	,	,	,
30412	182	11	artless	artless	JJ
30412	182	12	chant	chant	NN
30412	182	13	without	without	IN
30412	182	14	rhythm	rhythm	NN
30412	182	15	,	,	,
30412	182	16	accent	accent	NN
30412	182	17	,	,	,
30412	182	18	modulation	modulation	NN
30412	182	19	or	or	CC
30412	182	20	accompaniment	accompaniment	NN
30412	182	21	,	,	,
30412	182	22	and	and	CC
30412	182	23	was	be	VBD
30412	182	24	first	first	RB
30412	182	25	sung	sing	VBN
30412	182	26	in	in	IN
30412	182	27	unison	unison	NNP
30412	182	28	.	.	.
30412	183	1	Oriental	oriental	JJ
30412	183	2	or	or	CC
30412	183	3	Grecian	Grecian	NNP
30412	183	4	in	in	IN
30412	183	5	origin	origin	NN
30412	183	6	,	,	,
30412	183	7	it	-PRON-	PRP
30412	183	8	had	have	VBD
30412	183	9	four	four	CD
30412	183	10	keys	key	NNS
30412	183	11	called	call	VBN
30412	183	12	Authentic	Authentic	NNP
30412	183	13	Modes	Modes	NNPS
30412	183	14	,	,	,
30412	183	15	to	to	TO
30412	183	16	which	which	WDT
30412	183	17	were	be	VBD
30412	183	18	added	add	VBN
30412	183	19	later	later	RB
30412	183	20	four	four	CD
30412	183	21	more	more	JJR
30412	183	22	called	call	VBN
30412	183	23	Plagal	Plagal	NNP
30412	183	24	Modes	Modes	NNPS
30412	183	25	.	.	.
30412	184	1	These	these	DT
30412	184	2	modes	mode	NNS
30412	184	3	,	,	,
30412	184	4	called	call	VBN
30412	184	5	Phrygian	phrygian	JJ
30412	184	6	,	,	,
30412	184	7	Dorian	dorian	JJ
30412	184	8	,	,	,
30412	184	9	Lydian	Lydian	NNP
30412	184	10	,	,	,
30412	184	11	etc	etc	FW
30412	184	12	.	.	.
30412	184	13	,	,	,
30412	184	14	are	be	VBP
30412	184	15	merely	merely	RB
30412	184	16	different	different	JJ
30412	184	17	presentations	presentation	NNS
30412	184	18	in	in	IN
30412	184	19	the	the	DT
30412	184	20	regular	regular	JJ
30412	184	21	order	order	NN
30412	184	22	of	of	IN
30412	184	23	the	the	DT
30412	184	24	notes	note	NNS
30412	184	25	of	of	IN
30412	184	26	the	the	DT
30412	184	27	C	C	NNP
30412	184	28	Major	major	JJ
30412	184	29	scale	scale	NN
30412	184	30	--	--	:
30412	184	31	first	first	RB
30412	184	32	,	,	,
30412	184	33	with	with	IN
30412	184	34	D	d	NN
30412	184	35	as	as	IN
30412	184	36	the	the	DT
30412	184	37	initial	initial	JJ
30412	184	38	or	or	CC
30412	184	39	tonic	tonic	NN
30412	184	40	note	note	NN
30412	184	41	,	,	,
30412	184	42	then	then	RB
30412	184	43	with	with	IN
30412	184	44	E	E	NNP
30412	184	45	_	_	NNP
30412	184	46	et	et	NNP
30412	184	47	seq	seq	NN
30412	184	48	_	_	NNP
30412	184	49	.	.	.
30412	185	1	They	-PRON-	PRP
30412	185	2	lack	lack	VBP
30412	185	3	the	the	DT
30412	185	4	sentiment	sentiment	NN
30412	185	5	of	of	IN
30412	185	6	a	a	DT
30412	185	7	leading	lead	VBG
30412	185	8	seventh	seventh	JJ
30412	185	9	note	note	NN
30412	185	10	.	.	.
30412	186	1	In	in	IN
30412	186	2	these	these	DT
30412	186	3	weird	weird	JJ
30412	186	4	keys	key	NNS
30412	186	5	Plain	Plain	NNP
30412	186	6	Song	Song	NNP
30412	186	7	was	be	VBD
30412	186	8	conceived	conceive	VBN
30412	186	9	for	for	IN
30412	186	10	psalms	psalm	NNS
30412	186	11	,	,	,
30412	186	12	graduals	gradual	NNS
30412	186	13	,	,	,
30412	186	14	introits	introit	NNS
30412	186	15	,	,	,
30412	186	16	and	and	CC
30412	186	17	other	other	JJ
30412	186	18	offices	office	NNS
30412	186	19	of	of	IN
30412	186	20	the	the	DT
30412	186	21	primitive	primitive	JJ
30412	186	22	church	church	NN
30412	186	23	.	.	.
30412	187	1	Such	such	JJ
30412	187	2	music	music	NN
30412	187	3	was	be	VBD
30412	187	4	generally	generally	RB
30412	187	5	called	call	VBN
30412	187	6	Gregorian	Gregorian	NNP
30412	187	7	,	,	,
30412	187	8	because	because	IN
30412	187	9	St.	St.	NNP
30412	187	10	Gregory	Gregory	NNP
30412	187	11	,	,	,
30412	187	12	Pope	Pope	NNP
30412	187	13	of	of	IN
30412	187	14	Rome	Rome	NNP
30412	187	15	in	in	IN
30412	187	16	the	the	DT
30412	187	17	seventh	seventh	JJ
30412	187	18	century	century	NN
30412	187	19	,	,	,
30412	187	20	collected	collect	VBN
30412	187	21	and	and	CC
30412	187	22	codified	codify	VBD
30412	187	23	it	-PRON-	PRP
30412	187	24	,	,	,
30412	187	25	adding	add	VBG
30412	187	26	thereto	thereto	VB
30412	187	27	his	-PRON-	PRP$
30412	187	28	own	own	JJ
30412	187	29	contributions	contribution	NNS
30412	187	30	.	.	.
30412	188	1	Two	two	CD
30412	188	2	centuries	century	NNS
30412	188	3	previous	previous	JJ
30412	188	4	it	-PRON-	PRP
30412	188	5	was	be	VBD
30412	188	6	known	know	VBN
30412	188	7	as	as	IN
30412	188	8	Ambrosian	ambrosian	JJ
30412	188	9	music	music	NN
30412	188	10	,	,	,
30412	188	11	after	after	IN
30412	188	12	St.	St.	NNP
30412	188	13	Ambrose	Ambrose	NNP
30412	188	14	,	,	,
30412	188	15	Bishop	Bishop	NNP
30412	188	16	of	of	IN
30412	188	17	Milan	Milan	NNP
30412	188	18	.	.	.
30412	189	1	Originally	originally	RB
30412	189	2	,	,	,
30412	189	3	a	a	DT
30412	189	4	single	single	JJ
30412	189	5	chorister	chorister	NN
30412	189	6	intoned	intone	VBD
30412	189	7	the	the	DT
30412	189	8	Plain	Plain	NNP
30412	189	9	Song	Song	NNP
30412	189	10	,	,	,
30412	189	11	to	to	TO
30412	189	12	which	which	WDT
30412	189	13	a	a	DT
30412	189	14	full	full	JJ
30412	189	15	chorus	chorus	NN
30412	189	16	responded	respond	VBD
30412	189	17	.	.	.
30412	190	1	Later	later	RB
30412	190	2	this	this	DT
30412	190	3	manner	manner	NN
30412	190	4	was	be	VBD
30412	190	5	altered	alter	VBN
30412	190	6	to	to	IN
30412	190	7	antiphonal	antiphonal	JJ
30412	190	8	singing	singing	NN
30412	190	9	--	--	:
30412	190	10	two	two	CD
30412	190	11	choruses	chorus	NNS
30412	190	12	being	be	VBG
30412	190	13	used	use	VBN
30412	190	14	,	,	,
30412	190	15	one	one	CD
30412	190	16	for	for	IN
30412	190	17	the	the	DT
30412	190	18	initial	initial	NN
30412	190	19	and	and	CC
30412	190	20	the	the	DT
30412	190	21	other	other	JJ
30412	190	22	for	for	IN
30412	190	23	the	the	DT
30412	190	24	responsive	responsive	JJ
30412	190	25	chant	chant	NN
30412	190	26	.	.	.
30412	191	1	Such	such	JJ
30412	191	2	music	music	NN
30412	191	3	thus	thus	RB
30412	191	4	rendered	render	VBN
30412	191	5	was	be	VBD
30412	191	6	singularly	singularly	RB
30412	191	7	grave	grave	JJ
30412	191	8	,	,	,
30412	191	9	dignified	dignified	JJ
30412	191	10	,	,	,
30412	191	11	and	and	CC
30412	191	12	awe	awe	NN
30412	191	13	-	-	HYPH
30412	191	14	inspiring	inspire	VBG
30412	191	15	.	.	.
30412	192	1	During	during	IN
30412	192	2	the	the	DT
30412	192	3	middle	middle	JJ
30412	192	4	ages	age	NNS
30412	192	5	Plain	Plain	NNP
30412	192	6	Song	Song	NNP
30412	192	7	unfortunately	unfortunately	RB
30412	192	8	degenerated	degenerate	VBD
30412	192	9	much	much	RB
30412	192	10	from	from	IN
30412	192	11	its	-PRON-	PRP$
30412	192	12	original	original	JJ
30412	192	13	sacred	sacred	JJ
30412	192	14	character	character	NN
30412	192	15	,	,	,
30412	192	16	and	and	CC
30412	192	17	,	,	,
30412	192	18	in	in	IN
30412	192	19	one	one	CD
30412	192	20	disguise	disguise	NN
30412	192	21	or	or	CC
30412	192	22	another	another	DT
30412	192	23	,	,	,
30412	192	24	popular	popular	JJ
30412	192	25	and	and	CC
30412	192	26	even	even	RB
30412	192	27	indecorous	indecorous	JJ
30412	192	28	songs	song	NNS
30412	192	29	were	be	VBD
30412	192	30	smuggled	smuggle	VBN
30412	192	31	into	into	IN
30412	192	32	it	-PRON-	PRP
30412	192	33	.	.	.
30412	193	1	In	in	IN
30412	193	2	the	the	DT
30412	193	3	time	time	NN
30412	193	4	of	of	IN
30412	193	5	Pope	Pope	NNP
30412	193	6	Marcellus	Marcellus	NNP
30412	193	7	,	,	,
30412	193	8	1576	1576	CD
30412	193	9	,	,	,
30412	193	10	Palestrina	Palestrina	NNP
30412	193	11	was	be	VBD
30412	193	12	employed	employ	VBN
30412	193	13	to	to	TO
30412	193	14	purge	purge	VB
30412	193	15	Gregorian	gregorian	JJ
30412	193	16	music	music	NN
30412	193	17	of	of	IN
30412	193	18	its	-PRON-	PRP$
30412	193	19	scandalous	scandalous	JJ
30412	193	20	laxities	laxity	NNS
30412	193	21	.	.	.
30412	194	1	M.	M.	NNP
30412	194	2	Saint	Saint	NNP
30412	194	3	-	-	HYPH
30412	194	4	Saëns	Saëns	NNP
30412	194	5	,	,	,
30412	194	6	to	to	TO
30412	194	7	illustrate	illustrate	VB
30412	194	8	the	the	DT
30412	194	9	clever	clever	JJ
30412	194	10	way	way	NN
30412	194	11	in	in	IN
30412	194	12	which	which	WDT
30412	194	13	popular	popular	JJ
30412	194	14	songs	song	NNS
30412	194	15	were	be	VBD
30412	194	16	given	give	VBN
30412	194	17	an	an	DT
30412	194	18	ecclesiastical	ecclesiastical	JJ
30412	194	19	or	or	CC
30412	194	20	Plain	Plain	NNP
30412	194	21	Song	Song	NNP
30412	194	22	character	character	NN
30412	194	23	,	,	,
30412	194	24	has	have	VBZ
30412	194	25	here	here	RB
30412	194	26	added	add	VBN
30412	194	27	to	to	IN
30412	194	28	his	-PRON-	PRP$
30412	194	29	luminous	luminous	JJ
30412	194	30	lecture	lecture	NN
30412	194	31	the	the	DT
30412	194	32	following	follow	VBG
30412	194	33	precious	precious	JJ
30412	194	34	original	original	JJ
30412	194	35	composition	composition	NN
30412	194	36	,	,	,
30412	194	37	reproduced	reproduce	VBN
30412	194	38	in	in	IN
30412	194	39	facsimile	facsimile	NN
30412	194	40	,	,	,
30412	194	41	in	in	IN
30412	194	42	which	which	WDT
30412	194	43	through	through	IN
30412	194	44	ingenious	ingenious	JJ
30412	194	45	contrapuntal	contrapuntal	JJ
30412	194	46	treatment	treatment	NN
30412	194	47	he	-PRON-	PRP
30412	194	48	gives	give	VBZ
30412	194	49	a	a	DT
30412	194	50	mock	mock	JJ
30412	194	51	sacred	sacred	JJ
30412	194	52	form	form	NN
30412	194	53	to	to	IN
30412	194	54	an	an	DT
30412	194	55	old	old	JJ
30412	194	56	French	french	JJ
30412	194	57	ditty	ditty	NN
30412	194	58	,	,	,
30412	194	59	"	"	``
30412	194	60	I	-PRON-	PRP
30412	194	61	Have	have	VBP
30412	194	62	Some	some	DT
30412	194	63	Good	good	JJ
30412	194	64	Tobacco	tobacco	NN
30412	194	65	in	in	IN
30412	194	66	My	-PRON-	PRP$
30412	194	67	Snuffbox	Snuffbox	NNP
30412	194	68	.	.	.
30412	194	69	"	"	''
30412	195	1	[	[	-LRB-
30412	195	2	Illustration	illustration	NN
30412	195	3	:	:	:
30412	195	4	musical	musical	JJ
30412	195	5	notation	notation	NN
30412	195	6	]	]	-RRB-
30412	195	7	"	"	``
30412	195	8	_	_	NNP
30412	195	9	It	-PRON-	PRP
30412	195	10	is	be	VBZ
30412	195	11	apparent	apparent	JJ
30412	195	12	here	here	RB
30412	195	13	that	that	IN
30412	195	14	by	by	IN
30412	195	15	assigning	assign	VBG
30412	195	16	the	the	DT
30412	195	17	melody	melody	NN
30412	195	18	to	to	IN
30412	195	19	the	the	DT
30412	195	20	tenor	tenor	NN
30412	195	21	part	part	NN
30412	195	22	,	,	,
30412	195	23	it	-PRON-	PRP
30412	195	24	is	be	VBZ
30412	195	25	unrecognizable	unrecognizable	JJ
30412	195	26	.	.	.
30412	196	1	Oftentimes	oftentimes	JJ
30412	196	2	licentious	licentious	JJ
30412	196	3	songs	song	NNS
30412	196	4	were	be	VBD
30412	196	5	taken	take	VBN
30412	196	6	as	as	IN
30412	196	7	the	the	DT
30412	196	8	Plain	Plain	NNP
30412	196	9	Chant	chant	JJ
30412	196	10	text	text	NN
30412	196	11	,	,	,
30412	196	12	and	and	CC
30412	196	13	on	on	IN
30412	196	14	this	this	DT
30412	196	15	account	account	NN
30412	196	16	Pope	Pope	NNP
30412	196	17	Marcellus	Marcellus	NNP
30412	196	18	commissioned	commission	VBD
30412	196	19	Palestrina	Palestrina	NNP
30412	196	20	to	to	TO
30412	196	21	put	put	VB
30412	196	22	an	an	DT
30412	196	23	end	end	NN
30412	196	24	to	to	IN
30412	196	25	such	such	JJ
30412	196	26	practices	practice	NNS
30412	196	27	.	.	.
30412	196	28	_	_	NNP
30412	196	29	"	"	``
30412	196	30	In	in	IN
30412	196	31	a	a	DT
30412	196	32	note	note	NN
30412	196	33	he	-PRON-	PRP
30412	196	34	adds	add	VBZ
30412	196	35	:	:	:
30412	196	36	"	"	``
30412	196	37	It	-PRON-	PRP
30412	196	38	must	must	MD
30412	196	39	be	be	VB
30412	196	40	remembered	remember	VBN
30412	196	41	that	that	IN
30412	196	42	before	before	IN
30412	196	43	popular	popular	JJ
30412	196	44	songs	song	NNS
30412	196	45	were	be	VBD
30412	196	46	thus	thus	RB
30412	196	47	treated	treat	VBN
30412	196	48	in	in	IN
30412	196	49	counterpoint	counterpoint	NN
30412	196	50	[	[	-LRB-
30412	196	51	which	which	WDT
30412	196	52	means	mean	VBZ
30412	196	53	that	that	IN
30412	196	54	while	while	IN
30412	196	55	the	the	DT
30412	196	56	song	song	NN
30412	196	57	is	be	VBZ
30412	196	58	being	be	VBG
30412	196	59	produced	produce	VBN
30412	196	60	by	by	IN
30412	196	61	one	one	CD
30412	196	62	voice	voice	NN
30412	196	63	,	,	,
30412	196	64	the	the	DT
30412	196	65	other	other	JJ
30412	196	66	voice	voice	NN
30412	196	67	or	or	CC
30412	196	68	voices	voice	NNS
30412	196	69	are	be	VBP
30412	196	70	singing	singe	VBG
30412	196	71	against	against	IN
30412	196	72	it	-PRON-	PRP
30412	196	73	notes	note	VBZ
30412	196	74	entirely	entirely	RB
30412	196	75	different	different	JJ
30412	196	76	from	from	IN
30412	196	77	the	the	DT
30412	196	78	melody	melody	NN
30412	196	79	]	]	-RRB-
30412	196	80	,	,	,
30412	196	81	the	the	DT
30412	196	82	text	text	NN
30412	196	83	for	for	IN
30412	196	84	that	that	DT
30412	196	85	kind	kind	NN
30412	196	86	of	of	IN
30412	196	87	treatment	treatment	NN
30412	196	88	was	be	VBD
30412	196	89	the	the	DT
30412	196	90	Plain	Plain	NNP
30412	196	91	Song	Song	NNP
30412	196	92	--	--	:
30412	196	93	the	the	DT
30412	196	94	singing	singing	NN
30412	196	95	of	of	IN
30412	196	96	which	which	WDT
30412	196	97	was	be	VBD
30412	196	98	always	always	RB
30412	196	99	assigned	assign	VBN
30412	196	100	to	to	IN
30412	196	101	the	the	DT
30412	196	102	tenor	tenor	NN
30412	196	103	part	part	NN
30412	196	104	.	.	.
30412	197	1	In	in	IN
30412	197	2	my	-PRON-	PRP$
30412	197	3	youth	youth	NN
30412	197	4	I	-PRON-	PRP
30412	197	5	have	have	VBP
30412	197	6	heard	hear	VBN
30412	197	7	graduals	gradual	NNS
30412	197	8	treated	treat	VBN
30412	197	9	in	in	IN
30412	197	10	this	this	DT
30412	197	11	fashion	fashion	NN
30412	197	12	at	at	IN
30412	197	13	High	High	NNP
30412	197	14	Mass	Mass	NNP
30412	197	15	in	in	IN
30412	197	16	my	-PRON-	PRP$
30412	197	17	parish	parish	JJ
30412	197	18	church	church	NN
30412	197	19	of	of	IN
30412	197	20	St.	St.	NNP
30412	197	21	Sulpice	Sulpice	NNP
30412	197	22	in	in	IN
30412	197	23	Paris	Paris	NNP
30412	197	24	,	,	,
30412	197	25	which	which	WDT
30412	197	26	is	be	VBZ
30412	197	27	still	still	RB
30412	197	28	renowned	renowned	JJ
30412	197	29	for	for	IN
30412	197	30	the	the	DT
30412	197	31	splendor	splendor	NN
30412	197	32	of	of	IN
30412	197	33	its	-PRON-	PRP$
30412	197	34	ceremonials	ceremonial	NNS
30412	197	35	.	.	.
30412	197	36	"	"	''
30412	198	1	[	[	-LRB-
30412	198	2	2	2	CD
30412	198	3	]	]	-RRB-
30412	198	4	(	(	-LRB-
30412	198	5	Illustration	illustration	NN
30412	198	6	:	:	:
30412	198	7	musical	musical	JJ
30412	198	8	notation	notation	NN
30412	198	9	)	)	-RRB-
30412	198	10	There	there	EX
30412	198	11	are	be	VBP
30412	198	12	here	here	RB
30412	198	13	illustrations	illustration	NNS
30412	198	14	of	of	IN
30412	198	15	(	(	-LRB-
30412	198	16	a	a	LS
30412	198	17	)	)	-RRB-
30412	198	18	the	the	DT
30412	198	19	difference	difference	NN
30412	198	20	between	between	IN
30412	198	21	the	the	DT
30412	198	22	written	write	VBN
30412	198	23	manner	manner	NN
30412	198	24	of	of	IN
30412	198	25	Gluck	Gluck	NNP
30412	198	26	,	,	,
30412	198	27	in	in	IN
30412	198	28	a	a	DT
30412	198	29	passage	passage	NN
30412	198	30	from	from	IN
30412	198	31	his	-PRON-	PRP$
30412	198	32	"	"	``
30412	198	33	Alceste"--and	alceste"--and	CC
30412	198	34	the	the	DT
30412	198	35	actually	actually	RB
30412	198	36	correct	correct	JJ
30412	198	37	way	way	NN
30412	198	38	of	of	IN
30412	198	39	interpreting	interpret	VBG
30412	198	40	and	and	CC
30412	198	41	playing	play	VBG
30412	198	42	it	-PRON-	PRP
30412	198	43	;	;	:
30412	198	44	(	(	-LRB-
30412	198	45	b	b	LS
30412	198	46	)	)	-RRB-
30412	198	47	a	a	DT
30412	198	48	passage	passage	NN
30412	198	49	from	from	IN
30412	198	50	the	the	DT
30412	198	51	scherzo	scherzo	NN
30412	198	52	of	of	IN
30412	198	53	Mendelssohn	Mendelssohn	NNP
30412	198	54	's	's	POS
30412	198	55	string	string	NN
30412	198	56	quartet,--to	quartet,--to	NNP
30412	198	57	show	show	VBP
30412	198	58	how	how	WRB
30412	198	59	a	a	DT
30412	198	60	gay	gay	NN
30412	198	61	subject	subject	NN
30412	198	62	can	can	MD
30412	198	63	be	be	VB
30412	198	64	treated	treat	VBN
30412	198	65	in	in	IN
30412	198	66	the	the	DT
30412	198	67	minor	minor	JJ
30412	198	68	mood	mood	NN
30412	198	69	--	--	:
30412	198	70	and	and	CC
30412	198	71	M.	M.	NNP
30412	198	72	Saint	Saint	NNP
30412	198	73	-	-	HYPH
30412	198	74	Saëns	Saëns	NNP
30412	198	75	adds	add	VBZ
30412	198	76	:	:	:
30412	198	77	"	"	``
30412	198	78	Mendelssohn	Mendelssohn	NNP
30412	198	79	's	's	POS
30412	198	80	scherzo	scherzo	NN
30412	198	81	of	of	IN
30412	198	82	his	-PRON-	PRP$
30412	198	83	'	'	``
30412	198	84	Midsummer	Midsummer	NNP
30412	198	85	Night	Night	NNP
30412	198	86	's	's	POS
30412	198	87	Dream	Dream	NNP
30412	198	88	'	'	''
30412	198	89	is	be	VBZ
30412	198	90	in	in	IN
30412	198	91	sol	sol	NNP
30412	198	92	minor	minor	JJ
30412	198	93	but	but	CC
30412	198	94	it	-PRON-	PRP
30412	198	95	evokes	evoke	VBZ
30412	198	96	no	no	DT
30412	198	97	idea	idea	NN
30412	198	98	of	of	IN
30412	198	99	sadness	sadness	NN
30412	198	100	,	,	,
30412	198	101	although	although	IN
30412	198	102	oftentimes	oftentime	NNS
30412	198	103	those	those	DT
30412	198	104	who	who	WP
30412	198	105	play	play	VBP
30412	198	106	it	-PRON-	PRP
30412	198	107	,	,	,
30412	198	108	deceived	deceive	VBN
30412	198	109	by	by	IN
30412	198	110	its	-PRON-	PRP$
30412	198	111	minor	minor	JJ
30412	198	112	mood	mood	NN
30412	198	113	,	,	,
30412	198	114	give	give	VB
30412	198	115	it	-PRON-	PRP
30412	198	116	a	a	DT
30412	198	117	melancholy	melancholy	JJ
30412	198	118	character	character	NN
30412	198	119	,	,	,
30412	198	120	which	which	WDT
30412	198	121	is	be	VBZ
30412	198	122	very	very	RB
30412	198	123	far	far	RB
30412	198	124	from	from	IN
30412	198	125	what	what	WP
30412	198	126	the	the	DT
30412	198	127	composer	composer	NN
30412	198	128	intended	intend	VBD
30412	198	129	.	.	.
30412	198	130	"	"	''
30412	199	1	[	[	-LRB-
30412	199	2	3	3	CD
30412	199	3	]	]	-RRB-
30412	199	4	(	(	-LRB-
30412	199	5	Illustration	illustration	NN
30412	199	6	:	:	:
30412	199	7	musical	musical	JJ
30412	199	8	notation	notation	NN
30412	199	9	)	)	-RRB-
30412	199	10	Here	here	RB
30412	199	11	M.	M.	NNP
30412	199	12	Saint	Saint	NNP
30412	199	13	-	-	HYPH
30412	199	14	Saëns	Saëns	NNP
30412	199	15	has	have	VBZ
30412	199	16	written	write	VBN
30412	199	17	a	a	DT
30412	199	18	passage	passage	NN
30412	199	19	from	from	IN
30412	199	20	a	a	DT
30412	199	21	piano	piano	NN
30412	199	22	concerto	concerto	VBN
30412	199	23	of	of	IN
30412	199	24	Mozart	Mozart	NNP
30412	199	25	to	to	TO
30412	199	26	illustrate	illustrate	VB
30412	199	27	how	how	WRB
30412	199	28	that	that	IN
30412	199	29	composer	composer	NN
30412	199	30	wished	wish	VBD
30412	199	31	the	the	DT
30412	199	32	_	_	NNP
30412	199	33	non	non	NNP
30412	199	34	-	-	JJ
30412	199	35	legato	legato	JJ
30412	199	36	_	_	NNP
30412	199	37	to	to	TO
30412	199	38	be	be	VB
30412	199	39	interpreted	interpret	VBN
30412	199	40	--	--	:
30412	199	41	namely	namely	RB
30412	199	42	,	,	,
30412	199	43	in	in	IN
30412	199	44	a	a	DT
30412	199	45	flute	flute	NN
30412	199	46	-	-	:
30412	199	47	like	like	IN
30412	199	48	manner,--the	manner,--the	DT
30412	199	49	piano	piano	NN
30412	199	50	repeating	repeat	VBG
30412	199	51	textually	textually	RB
30412	199	52	the	the	DT
30412	199	53	passages	passage	NNS
30412	199	54	indicated	indicate	VBN
30412	199	55	to	to	TO
30412	199	56	be	be	VB
30412	199	57	played	play	VBN
30412	199	58	first	first	RB
30412	199	59	by	by	IN
30412	199	60	the	the	DT
30412	199	61	flutes	flute	NNS
30412	199	62	.	.	.
30412	200	1	Again	again	RB
30412	200	2	he	-PRON-	PRP
30412	200	3	illustrates	illustrate	VBZ
30412	200	4	the	the	DT
30412	200	5	same	same	JJ
30412	200	6	subject	subject	NN
30412	200	7	with	with	IN
30412	200	8	a	a	DT
30412	200	9	passage	passage	NN
30412	200	10	taken	take	VBN
30412	200	11	from	from	IN
30412	200	12	a	a	DT
30412	200	13	piano	piano	NN
30412	200	14	and	and	CC
30412	200	15	violin	violin	NN
30412	200	16	sonata	sonata	NN
30412	200	17	of	of	IN
30412	200	18	Beethoven	Beethoven	NNP
30412	200	19	.	.	.
30412	201	1	The	the	DT
30412	201	2	_	_	NNP
30412	201	3	non	non	JJ
30412	201	4	-	-	JJ
30412	201	5	legato	legato	JJ
30412	201	6	_	_	NNP
30412	201	7	passages	passage	NNS
30412	201	8	here	here	RB
30412	201	9	are	be	VBP
30412	201	10	not	not	RB
30412	201	11	to	to	TO
30412	201	12	be	be	VB
30412	201	13	played	play	VBN
30412	201	14	on	on	IN
30412	201	15	the	the	DT
30412	201	16	violin	violin	NN
30412	201	17	in	in	IN
30412	201	18	a	a	DT
30412	201	19	way	way	NN
30412	201	20	approaching	approach	VBG
30412	201	21	the	the	DT
30412	201	22	_	_	NNP
30412	201	23	staccato	staccato	NN
30412	201	24	_	_	NNP
30412	201	25	,	,	,
30412	201	26	although	although	IN
30412	201	27	they	-PRON-	PRP
30412	201	28	are	be	VBP
30412	201	29	written	write	VBN
30412	201	30	as	as	IN
30412	201	31	detached	detached	JJ
30412	201	32	notes	note	NNS
30412	201	33	;	;	:
30412	201	34	and	and	CC
30412	201	35	the	the	DT
30412	201	36	piano	piano	NN
30412	201	37	part	part	NN
30412	201	38	follows	follow	VBZ
30412	201	39	the	the	DT
30412	201	40	rendering	rendering	NN
30412	201	41	of	of	IN
30412	201	42	the	the	DT
30412	201	43	violin	violin	NN
30412	201	44	.	.	.
30412	202	1	A	a	DT
30412	202	2	final	final	JJ
30412	202	3	illustration	illustration	NN
30412	202	4	is	be	VBZ
30412	202	5	furnished	furnish	VBN
30412	202	6	in	in	IN
30412	202	7	the	the	DT
30412	202	8	"	"	``
30412	202	9	Turkish	turkish	JJ
30412	202	10	March	March	NNP
30412	202	11	"	"	''
30412	202	12	of	of	IN
30412	202	13	Mozart	Mozart	NNP
30412	202	14	.	.	.
30412	203	1	(	(	-LRB-
30412	203	2	Illustration	illustration	NN
30412	203	3	:	:	:
30412	203	4	musical	musical	JJ
30412	203	5	notation	notation	NN
30412	203	6	)	)	-RRB-
30412	203	7	The	the	DT
30412	203	8	proper	proper	JJ
30412	203	9	manner	manner	NN
30412	203	10	of	of	IN
30412	203	11	writing	write	VBG
30412	203	12	the	the	DT
30412	203	13	graceful	graceful	JJ
30412	203	14	_	_	NNP
30412	203	15	gruppetto	gruppetto	NNP
30412	203	16	_	_	NNP
30412	203	17	is	be	VBZ
30412	203	18	here	here	RB
30412	203	19	given	give	VBN
30412	203	20	--	--	:
30412	203	21	with	with	IN
30412	203	22	an	an	DT
30412	203	23	illustration	illustration	NN
30412	203	24	following	follow	VBG
30412	203	25	of	of	IN
30412	203	26	how	how	WRB
30412	203	27	it	-PRON-	PRP
30412	203	28	is	be	VBZ
30412	203	29	to	to	TO
30412	203	30	be	be	VB
30412	203	31	correctly	correctly	RB
30412	203	32	played	play	VBN
30412	203	33	,	,	,
30412	203	34	and	and	CC
30412	203	35	how	how	WRB
30412	203	36	it	-PRON-	PRP
30412	203	37	is	be	VBZ
30412	203	38	incorrectly	incorrectly	RB
30412	203	39	executed	execute	VBN
30412	203	40	.	.	.
30412	204	1	[	[	-LRB-
30412	204	2	5	5	CD
30412	204	3	]	]	-RRB-
30412	204	4	Next	Next	NNP
30412	204	5	is	be	VBZ
30412	204	6	illustrated	illustrate	VBN
30412	204	7	the	the	DT
30412	204	8	two	two	CD
30412	204	9	ways	way	NNS
30412	204	10	of	of	IN
30412	204	11	playing	play	VBG
30412	204	12	the	the	DT
30412	204	13	_	_	NNP
30412	204	14	mordant	mordant	NN
30412	204	15	_	_	NNP
30412	204	16	.	.	.
30412	205	1	[	[	-LRB-
30412	205	2	4	4	CD
30412	205	3	]	]	-RRB-
30412	205	4	Finally	finally	RB
30412	205	5	,	,	,
30412	205	6	are	be	VBP
30412	205	7	several	several	JJ
30412	205	8	examples	example	NNS
30412	205	9	of	of	IN
30412	205	10	the	the	DT
30412	205	11	_	_	NNP
30412	205	12	appoggiature,_--showing	appoggiature,_--showing	:
30412	205	13	both	both	PDT
30412	205	14	the	the	DT
30412	205	15	way	way	NN
30412	205	16	they	-PRON-	PRP
30412	205	17	are	be	VBP
30412	205	18	written	write	VBN
30412	205	19	,	,	,
30412	205	20	and	and	CC
30412	205	21	the	the	DT
30412	205	22	way	way	NN
30412	205	23	they	-PRON-	PRP
30412	205	24	are	be	VBP
30412	205	25	to	to	TO
30412	205	26	be	be	VB
30412	205	27	executed	execute	VBN
30412	205	28	.	.	.
30412	206	1	The	the	DT
30412	206	2	last	last	JJ
30412	206	3	line	line	NN
30412	206	4	of	of	IN
30412	206	5	the	the	DT
30412	206	6	music	music	NN
30412	206	7	above	above	RB
30412	206	8	is	be	VBZ
30412	206	9	an	an	DT
30412	206	10	example	example	NN
30412	206	11	of	of	IN
30412	206	12	how	how	WRB
30412	206	13	in	in	IN
30412	206	14	Haendel	haendel	NN
30412	206	15	the	the	DT
30412	206	16	rhythm	rhythm	NN
30412	206	17	as	as	IN
30412	206	18	interpreted	interpreted	JJ
30412	206	19	differs	differ	NNS
30412	206	20	from	from	IN
30412	206	21	that	that	DT
30412	206	22	in	in	IN
30412	206	23	which	which	WDT
30412	206	24	the	the	DT
30412	206	25	passage	passage	NN
30412	206	26	is	be	VBZ
30412	206	27	written	write	VBN
30412	206	28	.	.	.