mv: ‘./input-file.zip’ and ‘./input-file.zip’ are the same file Creating study carrel named subject-musicAppreciation-gutenberg Initializing database Unzipping Archive: input-file.zip creating: ./tmp/input/input-file/ inflating: ./tmp/input/input-file/17474.txt inflating: ./tmp/input/input-file/30412.txt inflating: ./tmp/input/input-file/30560.txt inflating: ./tmp/input/input-file/25213.txt inflating: ./tmp/input/input-file/34610.txt inflating: ./tmp/input/input-file/metadata.csv caution: excluded filename not matched: *MACOSX* === DIRECTORIES: ./tmp/input === DIRECTORY: ./tmp/input/input-file === metadata file: ./tmp/input/input-file/metadata.csv === found metadata file === updating bibliographic database Building study carrel named subject-musicAppreciation-gutenberg FILE: cache/25213.txt OUTPUT: txt/25213.txt FILE: cache/30412.txt OUTPUT: txt/30412.txt FILE: cache/30560.txt OUTPUT: txt/30560.txt FILE: cache/17474.txt OUTPUT: txt/17474.txt FILE: cache/34610.txt OUTPUT: txt/34610.txt === file2bib.sh === id: 25213 author: Mathews, W. S. B. (William Smythe Babcock) title: The Masters and Their Music A series of illustrative programs with biographical, esthetical, and critical annotations date: pages: extension: .txt txt: ./txt/25213.txt cache: ./cache/25213.txt Content-Encoding ISO-8859-1 Content-Type text/plain; charset=ISO-8859-1 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 2 resourceName b'25213.txt' Traceback (most recent call last): File "/data-disk/reader-compute/reader-classic/bin/file2bib.py", line 107, in text = textacy.preprocessing.normalize.normalize_quotation_marks( text ) File "/data-disk/python/lib/python3.8/site-packages/textacy/preprocessing/normalize.py", line 32, in normalize_quotation_marks return text.translate(QUOTE_TRANSLATION_TABLE) AttributeError: 'NoneType' object has no attribute 'translate' 25213 txt/../ent/25213.ent 25213 txt/../pos/25213.pos 25213 txt/../wrd/25213.wrd Traceback (most recent call last): File "/data-disk/reader-compute/reader-classic/bin/txt2keywords.py", line 54, in for keyword, score in ( yake( doc, ngrams=NGRAMS, topn=TOPN ) ) : File "/data-disk/python/lib/python3.8/site-packages/textacy/ke/yake.py", line 96, in yake word_scores = _compute_word_scores(doc, word_occ_vals, word_freqs, stop_words) File "/data-disk/python/lib/python3.8/site-packages/textacy/ke/yake.py", line 205, in _compute_word_scores freq_baseline = statistics.mean(freqs_nsw) + statistics.stdev(freqs_nsw) File "/data-disk/python/lib/python3.8/statistics.py", line 315, in mean raise StatisticsError('mean requires at least one data point') statistics.StatisticsError: mean requires at least one data point 30412 txt/../ent/30412.ent 30412 txt/../wrd/30412.wrd 30412 txt/../pos/30412.pos === file2bib.sh === id: 30412 author: Saint-Saëns, Camille title: On the Execution of Music, and Principally of Ancient Music date: pages: extension: .txt txt: ./txt/30412.txt cache: ./cache/30412.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 2 resourceName b'30412.txt' 34610 txt/../pos/34610.pos 34610 txt/../wrd/34610.wrd 34610 txt/../ent/34610.ent 17474 txt/../wrd/17474.wrd 17474 txt/../pos/17474.pos 17474 txt/../ent/17474.ent 30560 txt/../pos/30560.pos 30560 txt/../wrd/30560.wrd 30560 txt/../ent/30560.ent === file2bib.sh === id: 34610 author: Kobbé, Gustav title: How to Appreciate Music date: pages: extension: .txt txt: ./txt/34610.txt cache: ./cache/34610.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 7 resourceName b'34610.txt' === file2bib.sh === id: 17474 author: Krehbiel, Henry Edward title: How to Listen to Music, 7th ed. Hints and Suggestions to Untaught Lovers of the Art date: pages: extension: .txt txt: ./txt/17474.txt cache: ./cache/17474.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 6 resourceName b'17474.txt' === file2bib.sh === id: 30560 author: Spalding, Walter Raymond title: Music: An Art and a Language date: pages: extension: .txt txt: ./txt/30560.txt cache: ./cache/30560.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 10 resourceName b'30560.txt' Done mapping. Reducing subject-musicAppreciation-gutenberg === reduce.pl bib === id = 30560 author = Spalding, Walter Raymond title = Music: An Art and a Language date = pages = extension = .txt mime = text/plain words = 114873 sentences = 6157 flesch = 66 summary = foundation of any large work of music, be it symphony, symphonic poem part in the music of Haydn, Schubert, Chopin, Liszt, Brahms, Grieg, movement of Brahms's _C minor Symphony_, the second phrase of which is theme of the Slow movement of Schumann's Second Symphony (measures instrumental music gradually worked out a structure of its own,[64] Invention, the Two and Three-part forms, the Rondo and the Varied Air. Through the perfecting of these means of expression music became a two living musical personalities, the first and second themes. For actual musical examples it seems best to begin with the works of invent pure instrumental melody, _i.e._, musical expression suited to Bach's work, we feel that his musical sense operated abstractly like a than the mere development of musical themes. working principles of musical composition, they are as much subject to use made of themes in modern music, in the works of Strauss, cache = ./cache/30560.txt txt = ./txt/30560.txt === reduce.pl bib === id = 17474 author = Krehbiel, Henry Edward title = How to Listen to Music, 7th ed. Hints and Suggestions to Untaught Lovers of the Art date = pages = extension = .txt mime = text/plain words = 63234 sentences = 3969 flesch = 68 summary = music--Development of the instrument--The Pedal and its use--Liszt and [Sidenote: _Popular ignorance of music._] [Sidenote: _The nature of music._] [Sidenote: _Tones and musical material._] [Sidenote: _Origin of musical elements._] [Sidenote: _How composers hear music._] [Sidenote: _Beethoven's Chamber music._] [Sidenote: _The characteristics of Chamber music._] [Sidenote: _Kinds of Programme music._] [Sidenote: _Music and movement._] instrumental because it is a mixed art; in it the purpose of music is [Sidenote: _Beethoven's notes on descriptive music._] [Sidenote: _A definition of "Classical" in music._] conditioned the character of the music composed for the instrument, wind instruments, are obliged to form the musical tone--which, in the [Sidenote: _Periods in pianoforte music._] music composed for these instruments to a great extent. [Sidenote: _Music and emotion._] [Sidenote: _Words and music united._] [Sidenote: _Music and action._] [Sidenote: _Music and dramatic expression._] [Sidenote: _Five-part music._] [Sidenote: _Characteristics of his music._] [Sidenote: _Palestrina's music not dramatic._] cache = ./cache/17474.txt txt = ./txt/17474.txt === reduce.pl bib === === reduce.pl bib === id = 30412 author = Saint-Saëns, Camille title = On the Execution of Music, and Principally of Ancient Music date = pages = extension = .txt mime = text/plain words = 4984 sentences = 265 flesch = 68 summary = his treatise on music, speaking of how Plain Song should be interpreted, the grievous practice of adapting popular songs to church music. century admirable music was written, though deprived of melody, properly attempts to execute the music of Palestrina were made in the time of me, differs completely from our musical conceptions; and it is a great Such a way of playing this music is simply out of the question. It was decided that in piano playing unless indicated to the Finally, in ancient times notes were not defined as they are to-day and written note indicating a long or short duration. A great obstacle to executing ancient works from the eighteenth century revolutionized the performance of music on the piano, but also the way A question of the greatest importance in playing the music of Chopin is Another plague in the modern execution of music is the abuse of the cache = ./cache/30412.txt txt = ./txt/30412.txt === reduce.pl bib === id = 34610 author = Kobbé, Gustav title = How to Appreciate Music date = pages = extension = .txt mime = text/plain words = 63730 sentences = 2799 flesch = 63 summary = epoch--A Bach fugue more elaborate than a music-drama or tone modern music--Wagner unites the harmony of Beethoven with the music--Wagner, greatest of orchestral composers--Employs large the Mozart opera and the Beethoven symphony in the evolution of music, his baton as a pianoforte is to the fingers of a musical poet like go through the pianoforte score of a Wagner music-drama and, as you of the composer and the woman who inspired his great music-drama, to A Wagner music-drama, a Richard Strauss tone poem, seem form as developed by Haydn, Mozart and Beethoven), Bach composed pianoforte scores of the Wagner music-dramas, which actually sound this day in orchestra, opera and music-drama as well as in pianoforte this greater genius, and he said of Chopin that he composed music for of instrumental music in the tone poem of Richard Strauss. Strauss's works form the latest great utterance in music. cache = ./cache/34610.txt txt = ./txt/34610.txt Building ./etc/reader.txt 30560 17474 34610 30560 17474 34610 number of items: 5 sum of words: 246,821 average size in words: 61,705 average readability score: 66 nouns: music; sidenote; theme; form; movement; works; work; composer; pianoforte; part; orchestra; time; art; style; instruments; tone; melody; instrument; composers; expression; effect; life; fact; measure; development; sonata; symphony; measures; example; songs; genius; opera; day; nature; compositions; themes; movements; composition; use; power; song; rhythm; way; voice; voices; years; key; pieces; strings; words verbs: is; be; are; was; have; has; were; had; been; being; made; see; called; found; do; find; said; played; used; make; written; known; seems; heard; composed; say; give; did; given; says; does; produced; become; wrote; following; come; based; set; play; developed; came; know; begins; hear; became; beginning; considered; think; taken; let adjectives: first; musical; great; modern; other; second; such; many; same; own; dramatic; more; minor; orchestral; last; major; certain; instrumental; much; third; old; new; little; several; different; beautiful; true; romantic; popular; free; flat; few; whole; full; greater; symphonic; complete; real; greatest; mere; early; characteristic; main; best; melodic; emotional; long; general; original; french adverbs: not; so; most; more; only; as; well; also; even; often; however; out; e.g.; now; then; very; always; up; too; thus; still; far; just; never; yet; much; here; rather; merely; especially; sometimes; once; first; almost; down; again; instead; together; indeed; long; ever; frequently; generally; entirely; all; therefore; somewhat; already; back; simply pronouns: it; his; he; its; we; they; their; i; them; him; our; us; itself; himself; you; her; my; me; themselves; she; one; your; ourselves; myself; thy; herself; yourself; ye; thyself; thee; ours; yours; oneself; hör proper nouns: _; beethoven; bach; pianoforte; symphony; footnote; wagner; schumann; mozart; |; liszt; music; brahms; chopin; sonata; haydn; berlioz; schubert; strauss; franck; finale; c; richard; et; mendelssohn; debussy; new; scherzo; overture; tchaikowsky; english; orchestra; f; opera; de; mr.; la; g; york; french; fifth; suite; d''indy; song; form; coda; handel; church; weber; scarlatti keywords: music; mozart; wagner; symphony; schumann; liszt; haydn; berlioz; beethoven; bach; work; sonata; schubert; pianoforte; mr.; italian; instrument; french; form; english; chopin; york; theme; tchaikowsky; supplement; suite; strauss; sidenote; scherzo; russian; romantic; richard; plain; palestrina; paderewski; overture; opera; new; musical; illustration; handel; great; german; franck; footnote; finale; fifth; debussy; composer; coda one topic; one dimension: music file(s): titles(s): The Masters and Their Music A series of illustrative programs with biographical, esthetical, and critical annotations three topics; one dimension: music; music; signification file(s): ./cache/30560.txt, ./cache/17474.txt, titles(s): Music: An Art and a Language | How to Listen to Music, 7th ed. Hints and Suggestions to Untaught Lovers of the Art | The Masters and Their Music A series of illustrative programs with biographical, esthetical, and critical annotations five topics; three dimensions: music pianoforte theme; music sidenote musical; music time notes; fourteenth breaking sadness; fourteenth breaking sadness file(s): ./cache/30560.txt, ./cache/17474.txt, ./cache/30412.txt, , titles(s): Music: An Art and a Language | How to Listen to Music, 7th ed. Hints and Suggestions to Untaught Lovers of the Art | On the Execution of Music, and Principally of Ancient Music | The Masters and Their Music A series of illustrative programs with biographical, esthetical, and critical annotations | The Masters and Their Music A series of illustrative programs with biographical, esthetical, and critical annotations Type: gutenberg title: subject-musicAppreciation-gutenberg date: 2021-06-07 time: 12:06 username: emorgan patron: Eric Morgan email: emorgan@nd.edu input: facet_subject:"Music appreciation" ==== make-pages.sh htm files ==== make-pages.sh complex files ==== make-pages.sh named enities ==== making bibliographics id: 34610 author: Kobbé, Gustav title: How to Appreciate Music date: words: 63730.0 sentences: 2799.0 pages: flesch: 63.0 cache: ./cache/34610.txt txt: ./txt/34610.txt summary: epoch--A Bach fugue more elaborate than a music-drama or tone modern music--Wagner unites the harmony of Beethoven with the music--Wagner, greatest of orchestral composers--Employs large the Mozart opera and the Beethoven symphony in the evolution of music, his baton as a pianoforte is to the fingers of a musical poet like go through the pianoforte score of a Wagner music-drama and, as you of the composer and the woman who inspired his great music-drama, to A Wagner music-drama, a Richard Strauss tone poem, seem form as developed by Haydn, Mozart and Beethoven), Bach composed pianoforte scores of the Wagner music-dramas, which actually sound this day in orchestra, opera and music-drama as well as in pianoforte this greater genius, and he said of Chopin that he composed music for of instrumental music in the tone poem of Richard Strauss. Strauss''s works form the latest great utterance in music. id: 17474 author: Krehbiel, Henry Edward title: How to Listen to Music, 7th ed. Hints and Suggestions to Untaught Lovers of the Art date: words: 63234.0 sentences: 3969.0 pages: flesch: 68.0 cache: ./cache/17474.txt txt: ./txt/17474.txt summary: music--Development of the instrument--The Pedal and its use--Liszt and [Sidenote: _Popular ignorance of music._] [Sidenote: _The nature of music._] [Sidenote: _Tones and musical material._] [Sidenote: _Origin of musical elements._] [Sidenote: _How composers hear music._] [Sidenote: _Beethoven''s Chamber music._] [Sidenote: _The characteristics of Chamber music._] [Sidenote: _Kinds of Programme music._] [Sidenote: _Music and movement._] instrumental because it is a mixed art; in it the purpose of music is [Sidenote: _Beethoven''s notes on descriptive music._] [Sidenote: _A definition of "Classical" in music._] conditioned the character of the music composed for the instrument, wind instruments, are obliged to form the musical tone--which, in the [Sidenote: _Periods in pianoforte music._] music composed for these instruments to a great extent. [Sidenote: _Music and emotion._] [Sidenote: _Words and music united._] [Sidenote: _Music and action._] [Sidenote: _Music and dramatic expression._] [Sidenote: _Five-part music._] [Sidenote: _Characteristics of his music._] [Sidenote: _Palestrina''s music not dramatic._] id: 25213 author: Mathews, W. S. B. (William Smythe Babcock) title: The Masters and Their Music A series of illustrative programs with biographical, esthetical, and critical annotations date: words: nan sentences: nan pages: flesch: nan cache: txt: summary: id: 30412 author: Saint-Saëns, Camille title: On the Execution of Music, and Principally of Ancient Music date: words: 4984.0 sentences: 265.0 pages: flesch: 68.0 cache: ./cache/30412.txt txt: ./txt/30412.txt summary: his treatise on music, speaking of how Plain Song should be interpreted, the grievous practice of adapting popular songs to church music. century admirable music was written, though deprived of melody, properly attempts to execute the music of Palestrina were made in the time of me, differs completely from our musical conceptions; and it is a great Such a way of playing this music is simply out of the question. It was decided that in piano playing unless indicated to the Finally, in ancient times notes were not defined as they are to-day and written note indicating a long or short duration. A great obstacle to executing ancient works from the eighteenth century revolutionized the performance of music on the piano, but also the way A question of the greatest importance in playing the music of Chopin is Another plague in the modern execution of music is the abuse of the id: 30560 author: Spalding, Walter Raymond title: Music: An Art and a Language date: words: 114873.0 sentences: 6157.0 pages: flesch: 66.0 cache: ./cache/30560.txt txt: ./txt/30560.txt summary: foundation of any large work of music, be it symphony, symphonic poem part in the music of Haydn, Schubert, Chopin, Liszt, Brahms, Grieg, movement of Brahms''s _C minor Symphony_, the second phrase of which is theme of the Slow movement of Schumann''s Second Symphony (measures instrumental music gradually worked out a structure of its own,[64] Invention, the Two and Three-part forms, the Rondo and the Varied Air. Through the perfecting of these means of expression music became a two living musical personalities, the first and second themes. For actual musical examples it seems best to begin with the works of invent pure instrumental melody, _i.e._, musical expression suited to Bach''s work, we feel that his musical sense operated abstractly like a than the mere development of musical themes. working principles of musical composition, they are as much subject to use made of themes in modern music, in the works of Strauss, ==== make-pages.sh questions ==== make-pages.sh search ==== make-pages.sh topic modeling corpus Zipping study carrel