This is a table of type quadgram and their frequencies. Use it to search & browse the list to learn more about your study carrel.
quadgram | frequency |
---|---|
what do you mean | 126 |
in a low voice | 61 |
out to the right | 59 |
it seems to me | 53 |
the door on the | 47 |
out to the left | 45 |
do you mean by | 44 |
goes out to the | 43 |
let me tell you | 40 |
goes out by the | 37 |
what do you say | 37 |
what do you want | 37 |
i can tell you | 36 |
comes in from the | 36 |
you mean by that | 36 |
what do you think | 35 |
door on the left | 33 |
you may be sure | 32 |
do you think i | 31 |
after a short pause | 30 |
door on the right | 29 |
i will tell you | 29 |
at the same time | 29 |
for the sake of | 28 |
goes out through the | 28 |
i am going to | 28 |
by the hall door | 27 |
i should like to | 27 |
when we dead awaken | 27 |
that is just what | 27 |
that is why i | 27 |
that sort of thing | 26 |
in from the right | 26 |
i must tell you | 26 |
you are going to | 26 |
are you going to | 25 |
for the first time | 25 |
and shuts the door | 25 |
what is the matter | 25 |
by the door on | 23 |
and that is why | 23 |
do you know what | 23 |
the joy of life | 23 |
lady from the sea | 23 |
the feast at solhoug | 22 |
looks at him with | 21 |
to be able to | 21 |
what is it you | 21 |
what are you saying | 21 |
i am not going | 21 |
out by the hall | 20 |
that is what i | 20 |
works of henrik ibsen | 19 |
the middle of the | 19 |
but all the same | 19 |
do you think of | 19 |
the table on the | 19 |
i am sure you | 19 |
as a matter of | 19 |
in the middle of | 18 |
as soon as i | 18 |
is the matter with | 18 |
do you think so | 18 |
is just what i | 18 |
not in the least | 18 |
in the old days | 17 |
am not going to | 17 |
you are thinking of | 17 |
as long as i | 17 |
it must have been | 17 |
on the works of | 16 |
and looks at him | 16 |
the works of henrik | 16 |
on the point of | 16 |
how can you say | 16 |
the matter with you | 16 |
commentary on the works | 16 |
do you think it | 16 |
in front of her | 16 |
you are right there | 16 |
the back of the | 15 |
you ought not to | 15 |
there is no one | 15 |
go out to the | 15 |
do you suppose i | 15 |
go down to the | 15 |
om udviklingsgangen i ibsens | 15 |
it was i who | 15 |
walking up and down | 15 |
udviklingsgangen i ibsens digtning | 15 |
that is to say | 15 |
out through the garden | 15 |
if only i could | 15 |
what sort of a | 15 |
of such a thing | 14 |
for a little while | 14 |
i suppose you have | 14 |
other side of the | 14 |
and that sort of | 14 |
seems to me that | 14 |
it is too late | 14 |
the other side of | 14 |
that was why i | 14 |
it would have been | 14 |
do you mean that | 14 |
i do not understand | 14 |
you are quite right | 14 |
shuts the door after | 14 |
i have told you | 14 |
to do with the | 14 |
at him with a | 14 |
hat in his hand | 13 |
what makes you think | 13 |
i ought to have | 13 |
to think of it | 13 |
there will be no | 13 |
room on the left | 13 |
goes up to the | 13 |
how can you think | 13 |
goes up to her | 13 |
up and down the | 13 |
to the hall door | 13 |
as far as i | 13 |
at the hall door | 13 |
do you say to | 13 |
i beg your pardon | 13 |
out through the hall | 13 |
and says in a | 13 |
in front of him | 13 |
on the other hand | 13 |
i must try and | 13 |
she goes to the | 13 |
i do not know | 13 |
out of the house | 13 |
side of the table | 13 |
make an end of | 13 |
in all the world | 12 |
do you want to | 12 |
on the other side | 12 |
what are you going | 12 |
nothing to do with | 12 |
the sooner the better | 12 |
makes you think that | 12 |
the door after him | 12 |
goes into the house | 12 |
the room on the | 12 |
you know very well | 12 |
i may as well | 12 |
down into the garden | 12 |
but what do you | 12 |
she goes out by | 12 |
want to speak to | 12 |
in the habit of | 12 |
down on a chair | 12 |
do you mean to | 12 |
anything to do with | 12 |
a great deal of | 12 |
it was you that | 12 |
it seemed to me | 12 |
the lady from the | 12 |
you must tell me | 11 |
be sure of that | 11 |
thing in the world | 11 |
an end of it | 11 |
a matter of fact | 11 |
goes to the table | 11 |
far as i am | 11 |
for your own sake | 11 |
table on the left | 11 |
for a long time | 11 |
she goes out to | 11 |
goes to the hall | 11 |
she goes into the | 11 |
i can assure you | 11 |
revue des deux mondes | 11 |
perhaps you are right | 11 |
nothing in the world | 11 |
the action takes place | 11 |
i have forgiven you | 11 |
let us have a | 11 |
up your mind to | 11 |
have been able to | 11 |
his hat in his | 11 |
what you have done | 11 |
of course it is | 11 |
i only know that | 11 |
do you believe that | 11 |
you mean to say | 11 |
never be able to | 11 |
the farther door on | 11 |
at the bottom of | 11 |
straight in front of | 11 |
as if i had | 11 |
that is just it | 11 |
it is true that | 11 |
there is one thing | 11 |
impossible for me to | 11 |
may as well tell | 11 |
what does this mean | 11 |
to go to the | 11 |
after a short silence | 11 |
walks up and down | 10 |
looking at him with | 10 |
but i am not | 10 |
you think it is | 10 |
i was going to | 10 |
to tell you that | 10 |
at the same moment | 10 |
sits down on the | 10 |
i shall have to | 10 |
looks out to the | 10 |
the door of the | 10 |
with a gesture of | 10 |
that is what you | 10 |
make up your mind | 10 |
that is just the | 10 |
if i could only | 10 |
to be allowed to | 10 |
i am sure it | 10 |
sits down at the | 10 |
in the master builder | 10 |
i am sure i | 10 |
what is it that | 10 |
it is to be | 10 |
with a glance at | 10 |
out of the question | 10 |
put an end to | 10 |
have no right to | 10 |
there is no need | 10 |
you may well say | 10 |
you know quite well | 10 |
so good as to | 10 |
goes over to the | 10 |
be so good as | 10 |
how do you do | 10 |
out of the window | 10 |
to think that i | 10 |
why did you not | 10 |
goes into his room | 10 |
he goes out to | 10 |
how do you mean | 10 |
farther door on the | 10 |
says in a low | 10 |
you want with me | 10 |
in the course of | 10 |
something of the sort | 10 |
do you want with | 9 |
enters from the left | 9 |
i should never have | 9 |
i have no doubt | 9 |
i am thinking of | 9 |
it is all over | 9 |
you going to do | 9 |
do you think that | 9 |
burning on the table | 9 |
in a tone of | 9 |
come up from the | 9 |
i am not so | 9 |
it is not so | 9 |
the door into the | 9 |
go away from me | 9 |
in the first place | 9 |
it will be a | 9 |
know all about it | 9 |
the law of change | 9 |
know anything about it | 9 |
is at an end | 9 |
look at me like | 9 |
that it is my | 9 |
but i do not | 9 |
at me like that | 9 |
is heard at the | 9 |
as well as i | 9 |
the hall door and | 9 |
in from the hall | 9 |
what i wanted to | 9 |
i do not think | 9 |
you must not think | 9 |
down on the sofa | 9 |
the edge of the | 9 |
now you know it | 9 |
do you say that | 9 |
by henrik ibsen translated | 9 |
as well tell you | 9 |
will tell you what | 9 |
give me your hand | 9 |
i have come to | 9 |
his wife and children | 9 |
i am no longer | 9 |
all the glory of | 9 |
goes to the door | 9 |
enemy of the people | 9 |
you can say that | 9 |
do you really mean | 9 |
a chair by the | 9 |
may be sure of | 9 |
what have you done | 9 |
in spite of everything | 8 |
all the rest of | 8 |
have anything to do | 8 |
door to the right | 8 |
once in a way | 8 |
goes into the room | 8 |
and that was why | 8 |
has in the meantime | 8 |
down on the table | 8 |
you know what i | 8 |
without looking at him | 8 |
shall be able to | 8 |
and what do you | 8 |
now i am going | 8 |
i only wanted to | 8 |
looks at him and | 8 |
looks at her in | 8 |
do you think he | 8 |
think it would be | 8 |
the glory of the | 8 |
is heard in the | 8 |
a matter of course | 8 |
the day after tomorrow | 8 |
it is no use | 8 |
you must remember that | 8 |
it is my duty | 8 |
i have had to | 8 |
i can see you | 8 |
it is impossible for | 8 |
i think it would | 8 |
see it in your | 8 |
table on the right | 8 |
do not let us | 8 |
for the last time | 8 |
ornulf of the fiords | 8 |
glory of the world | 8 |
you must excuse me | 8 |
you know all about | 8 |
as well as the | 8 |
i am in the | 8 |
two hundred and fifty | 8 |
out her hand to | 8 |
enters from the hall | 8 |
can you say that | 8 |
hundred and fifty pounds | 8 |
be able to work | 8 |
as i am concerned | 8 |
and is about to | 8 |
where are you going | 8 |
that is quite true | 8 |
just think of it | 8 |
comes up from the | 8 |
at her in astonishment | 8 |
stands for a moment | 8 |
comes out of the | 8 |
let us sit down | 8 |
you look at it | 8 |
through the garden door | 8 |
holds out her hand | 8 |
here is my hand | 8 |
the sake of the | 8 |
the day before yesterday | 8 |
his hands behind his | 8 |
come in from the | 8 |
have you forgotten that | 8 |
from time to time | 8 |
i want to go | 8 |
at her for a | 8 |
in front of the | 8 |
you have told me | 8 |
the doorway on the | 8 |
do you think we | 8 |
hands behind his back | 8 |
if i am to | 8 |
of you to come | 8 |
post in the bank | 8 |
and goes out through | 8 |
have nothing more to | 8 |
with his hands behind | 8 |
it in your face | 8 |
the rest of us | 8 |
out by the door | 8 |
a little while ago | 8 |
up from the garden | 8 |
the whole thing is | 8 |
i am afraid i | 8 |
and looks at her | 8 |
is it you want | 8 |
but now i am | 8 |
it must be so | 8 |
one thing and another | 8 |
i can see that | 8 |
there can be no | 8 |
a gesture of repulsion | 8 |
that was what i | 8 |
many a time i | 8 |
my days and dreary | 7 |
how am i to | 7 |
as if i were | 7 |
not a bit of | 7 |
the opposite side of | 7 |
to the table on | 7 |
are you thinking of | 7 |
if you want to | 7 |
you think i have | 7 |
say no more about | 7 |
comes into the room | 7 |
must have been a | 7 |
knock is heard at | 7 |
tell me at once | 7 |
in a lower voice | 7 |
comes in by the | 7 |
it is i who | 7 |
mean to say that | 7 |
is too late now | 7 |
it seemed as if | 7 |
i am sure of | 7 |
to speak to me | 7 |
the corner of the | 7 |
every now and then | 7 |
feel as if i | 7 |
what i want to | 7 |
so kind to me | 7 |
the fact that the | 7 |
me tell you this | 7 |
have nothing to do | 7 |
the bottom of the | 7 |
looks steadily at him | 7 |
that it would be | 7 |
looks at him in | 7 |
as the saying goes | 7 |
now i can speak | 7 |
to go into the | 7 |
i want to get | 7 |
that i am a | 7 |
it was i that | 7 |
as you used to | 7 |
you want of me | 7 |
it on the table | 7 |
i know all about | 7 |
think that i should | 7 |
do you know anything | 7 |
i am going away | 7 |
i can quite understand | 7 |
a step or two | 7 |
out of your mind | 7 |
can you tell me | 7 |
but what about the | 7 |
with all my heart | 7 |
as if it were | 7 |
should like to know | 7 |
the end of the | 7 |
part of it all | 7 |
say such a thing | 7 |
and then i shall | 7 |
would have done it | 7 |
going up to her | 7 |
alone in the world | 7 |
she goes towards the | 7 |
i suppose it is | 7 |
i beg you to | 7 |
it is a good | 7 |
that is how it | 7 |
make your mind easy | 7 |
into the room on | 7 |
i have heard that | 7 |
going up to him | 7 |
to do with you | 7 |
it would be a | 7 |
nothing else for it | 7 |
it was only a | 7 |
i suppose you mean | 7 |
looking straight in front | 7 |
there is nothing to | 7 |
that you did not | 7 |
may be sure he | 7 |
can you say such | 7 |
took place at the | 7 |
in the eyes of | 7 |
how do you know | 7 |
hands on his shoulders | 7 |
the sister of mercy | 7 |
door into the hall | 7 |
for both of us | 7 |
in front of it | 7 |
both you and i | 7 |
and you can say | 7 |
i will go and | 7 |
on the back of | 7 |
it must be a | 7 |
out here in the | 7 |
made up my mind | 7 |
first of all i | 7 |
i suppose i must | 7 |
no more about it | 7 |
you want to speak | 7 |
holding out her hand | 7 |
in front on the | 7 |
goes to the window | 7 |
i suppose you are | 7 |
you ought to have | 7 |
looking at him in | 7 |
do not think i | 7 |
by all the gods | 7 |
what i have done | 7 |
let us hope so | 7 |
i am waiting for | 7 |
you have come to | 7 |
you must let me | 7 |
the sort of thing | 7 |
through the inner room | 7 |
nothing of the sort | 7 |
at that time i | 7 |
the lake of taunitz | 7 |
you think it would | 7 |
there is only one | 7 |
it would be best | 7 |
so much the better | 7 |
with an expression of | 7 |
castles in the air | 7 |
appears in the doorway | 7 |
not be able to | 7 |
are my days and | 7 |
what am i to | 7 |
on a chair by | 7 |
me tell you that | 7 |
on one of the | 7 |
sad are my days | 7 |
on the same side | 7 |
sinks down on a | 7 |
i will show you | 7 |
how could you think | 7 |
but it is a | 7 |
she goes out through | 7 |
to make an end | 7 |
such a thing as | 7 |
be angry with me | 7 |
in the world to | 7 |
down by the stove | 7 |
in a subdued voice | 7 |
go to the bottom | 7 |
you must know that | 7 |
you think i am | 7 |
am waiting for thee | 7 |
i swear to you | 7 |
you and i have | 7 |
a good deal of | 6 |
you have done for | 6 |
i have to thank | 6 |
to me as if | 6 |
looks searchingly at her | 6 |
the flight of steps | 6 |
do you know about | 6 |
end of it with | 6 |
the sins of the | 6 |
in the inner room | 6 |
to look at him | 6 |
is to be a | 6 |
how do you think | 6 |
it would never have | 6 |
up to the table | 6 |
nothing of that sort | 6 |
i had to come | 6 |
but there is one | 6 |
surely you can understand | 6 |
and down the room | 6 |
you shall not have | 6 |
do you not think | 6 |
who is it that | 6 |
sins of the fathers | 6 |
to tell the truth | 6 |
are they to do | 6 |
you are not going | 6 |
but do you think | 6 |
opposite side of the | 6 |
that is why you | 6 |
i will not go | 6 |
a knock is heard | 6 |
there is nothing else | 6 |
there is not the | 6 |
how can i tell | 6 |
i do not believe | 6 |
i wanted to say | 6 |
do you understand what | 6 |
do you know the | 6 |
goes into the dining | 6 |
it is you that | 6 |
know all about that | 6 |
the first time in | 6 |
homes for human beings | 6 |
shall never be able | 6 |
no one will come | 6 |
go to the altar | 6 |
go down into the | 6 |
with a slight smile | 6 |
that is a very | 6 |
i want to have | 6 |
is a good thing | 6 |
never in this world | 6 |
go out by the | 6 |
out of my mind | 6 |
ought not to be | 6 |
a knock at the | 6 |
have a talk with | 6 |
but how can you | 6 |
let me show you | 6 |
is it possible that | 6 |
it is not the | 6 |
is that what you | 6 |
as if he had | 6 |
i am certain of | 6 |
perhaps i had better | 6 |
in a low tone | 6 |
leaves in his hair | 6 |
here in the country | 6 |
not the man to | 6 |
they go out to | 6 |
i will try to | 6 |
i almost think i | 6 |
i thought it was | 6 |
when i was a | 6 |
eyes of the world | 6 |
i am afraid it | 6 |
in by the door | 6 |
and i have been | 6 |
if it were so | 6 |
in a little while | 6 |
as soon as you | 6 |
you say such a | 6 |
i want to be | 6 |
get out of it | 6 |
her hands on his | 6 |
her hat and cloak | 6 |
to speak to you | 6 |
i know quite well | 6 |
it was to be | 6 |
you are not the | 6 |
with a touch of | 6 |
a great piece of | 6 |
i beg and implore | 6 |
looking out to the | 6 |
off her hat and | 6 |
the back of his | 6 |
is on the point | 6 |
that is not true | 6 |
with his hat in | 6 |
into the room and | 6 |
and then you will | 6 |
and here is the | 6 |
as i am now | 6 |
one or two things | 6 |
to have done with | 6 |
we are going to | 6 |
as far as you | 6 |
i have not been | 6 |
you want me to | 6 |
is that you have | 6 |
enters by the hall | 6 |
with an outburst of | 6 |
what is to become | 6 |
closes the door behind | 6 |
there we have it | 6 |
that i should be | 6 |
if i were to | 6 |
is to become of | 6 |
henrik ibsen translated by | 6 |
i have no right | 6 |
is just what he | 6 |
have no idea what | 6 |
out of the way | 6 |
what it is you | 6 |
i was thinking of | 6 |
for once in a | 6 |
you do not understand | 6 |
you think you can | 6 |
a little bit of | 6 |
to write to you | 6 |
in the fact that | 6 |
back of his chair | 6 |
do not want to | 6 |
all these ten years | 6 |
how should i know | 6 |
her arms round her | 6 |
table in front of | 6 |
i should have thought | 6 |
there is no denying | 6 |
nothing more to do | 6 |
i shall never be | 6 |
i only want to | 6 |
you mean that you | 6 |
may well say so | 6 |
seemed to me that | 6 |
your own free will | 6 |
so long as you | 6 |
that it should be | 6 |
as clear as daylight | 6 |
enters by the door | 6 |
the eyes of the | 6 |
crack in the chimney | 6 |
and goes out by | 6 |
the door to the | 6 |
what do you suppose | 6 |
of the master builder | 6 |
there is not a | 6 |
her for a moment | 6 |
i know what i | 6 |
go out into the | 6 |
out into the world | 6 |
is going to happen | 6 |
in the long run | 6 |
going away from here | 6 |
in love with me | 6 |
ibsen en zijn werk | 6 |
your husband and your | 6 |
of your own free | 6 |
in john gabriel borkman | 6 |
i promised to get | 6 |
husband and your children | 6 |
for the time being | 6 |
you ought to go | 6 |
henrik ibsen og hans | 6 |
is it that you | 6 |
it would be quite | 6 |
down to the garden | 6 |
looking at her watch | 6 |
to be at home | 6 |
i feel as if | 6 |
i did not think | 6 |
think of such a | 6 |
any more about it | 6 |
in the presence of | 6 |
looks at her for | 6 |
puts his arm round | 6 |
front on the right | 6 |
have the heart to | 6 |
shawl over her head | 6 |
one of the most | 6 |
do you mean it | 6 |
going to tell you | 6 |
you have always been | 6 |
the th of september | 6 |
that i mean to | 6 |
i was a child | 6 |
enter from the right | 6 |
and that is what | 6 |
what i mean is | 6 |
you know anything about | 6 |
do you think they | 6 |
and do you think | 6 |
quite certain that the | 5 |
there are plenty of | 5 |
that is the most | 5 |
whom do you mean | 5 |
make so bold as | 5 |
i see it in | 5 |
the last time we | 5 |
to know anything about | 5 |
never for a moment | 5 |
tear it into a | 5 |
look into the matter | 5 |
but that is just | 5 |
do you not see | 5 |
goes into the conservatory | 5 |
the life of the | 5 |
as you call it | 5 |
i was so absolutely | 5 |
you may rely upon | 5 |
that is not the | 5 |
the door behind her | 5 |
what was it you | 5 |
him with a smile | 5 |
that he ought to | 5 |
anything rather than that | 5 |
back into the room | 5 |
takes off her hat | 5 |
anything of the kind | 5 |
i have not the | 5 |
have you the courage | 5 |
you will be so | 5 |
did i tell you | 5 |
do not understand you | 5 |
and speaks in a | 5 |
is it you are | 5 |
i have need of | 5 |
to the table and | 5 |
not to be able | 5 |
and so i had | 5 |
holds out his hand | 5 |
what are we to | 5 |
more to do with | 5 |
there is a certain | 5 |
you for the first | 5 |
and closes the door | 5 |
i want to know | 5 |
nazimova in the master | 5 |
putting her hands over | 5 |
do you suppose that | 5 |
thank you for all | 5 |
will go with you | 5 |
her hand to him | 5 |
think that i am | 5 |
something of that sort | 5 |
not listening to her | 5 |
to her at once | 5 |
you think that is | 5 |
middle of the room | 5 |
as far as the | 5 |
you think of that | 5 |
what sort of an | 5 |
through the garden gate | 5 |
how goes it with | 5 |
coming in from the | 5 |
have the right to | 5 |
i assure you it | 5 |
is one thing i | 5 |
to hear you say | 5 |
so then it is | 5 |
i make so bold | 5 |
you and your husband | 5 |
i had better go | 5 |
all of a sudden | 5 |
have you really the | 5 |
ought to have been | 5 |
through the farther door | 5 |
perhaps it would be | 5 |
i am looking forward | 5 |
then i suppose you | 5 |
had a talk with | 5 |
that is what it | 5 |
to be found in | 5 |
to go back to | 5 |
a man like you | 5 |
as i bid you | 5 |
you suppose i am | 5 |
what do you propose | 5 |
how can you suppose | 5 |
it is that you | 5 |
to thank you for | 5 |
a good thing for | 5 |
her with his eyes | 5 |
i shall never go | 5 |
letters of henrik ibsen | 5 |
a word with you | 5 |
not a word more | 5 |
anything of the sort | 5 |
how in the world | 5 |
down at the table | 5 |
the point of going | 5 |
far as that goes | 5 |
is still burning on | 5 |
by the farther door | 5 |
him as long as | 5 |
enters from the back | 5 |
not go away from | 5 |
that i have been | 5 |
can you say so | 5 |
lamp is still burning | 5 |
out of your senses | 5 |
why do you want | 5 |
forest to the left | 5 |
do you want of | 5 |
in the case of | 5 |
know very well that | 5 |
her hands over her | 5 |
am sure of that | 5 |
there is something in | 5 |
there is something i | 5 |
if you do not | 5 |
a bit of it | 5 |
what is all this | 5 |
tell him he must | 5 |
he goes out by | 5 |
that there is a | 5 |
that is exactly what | 5 |
i seem to see | 5 |
is nice of you | 5 |
in spite of that | 5 |
been too much for | 5 |
do with the matter | 5 |
do not believe that | 5 |
it will not be | 5 |
to the door and | 5 |
beg and implore you | 5 |
be so kind as | 5 |
he was one of | 5 |
you can see that | 5 |
doorway on the right | 5 |
so bold as to | 5 |
as if seized by | 5 |
me all the time | 5 |
and women of ibsen | 5 |
am going to tell | 5 |
to be afraid of | 5 |
in the company of | 5 |
it would be so | 5 |
have in the world | 5 |
face in his hands | 5 |
every one of them | 5 |
of course he will | 5 |
a talk with him | 5 |
that it is not | 5 |
long as i can | 5 |
one of these days | 5 |
out at the back | 5 |
i can see it | 5 |
he goes into the | 5 |
in the same tone | 5 |
for that very reason | 5 |
to the bottom of | 5 |
stands still for a | 5 |
it was only the | 5 |
to say to me | 5 |
in the matter of | 5 |
the forest to the | 5 |
but there is no | 5 |
of john gabriel borkman | 5 |
then you will see | 5 |
it is that i | 5 |
him in the face | 5 |
when i look back | 5 |
a bundle of papers | 5 |
are you out of | 5 |
be of no use | 5 |
and as long as | 5 |
i think you ought | 5 |
know what it is | 5 |
understand what you mean | 5 |
sits down by the | 5 |
from the room on | 5 |
what does he want | 5 |
if that is so | 5 |
is silent for a | 5 |
else in the world | 5 |
play in four acts | 5 |
i know very well | 5 |
then i shall have | 5 |
what are you doing | 5 |
and goes into the | 5 |
it is nice of | 5 |
but i could not | 5 |
you mean that i | 5 |
may be sure i | 5 |
is what i cannot | 5 |
goes towards the house | 5 |
i shall not be | 5 |
to look after the | 5 |
in the midst of | 5 |
looks fixedly at him | 5 |
ibsen as an artist | 5 |
into the inner room | 5 |
out of my thoughts | 5 |
i am not at | 5 |
what you are saying | 5 |
i quite agree with | 5 |
hall door and calls | 5 |
walks across the room | 5 |
if i had not | 5 |
wanted to tell you | 5 |
how i have been | 5 |
have you noticed that | 5 |
at the head of | 5 |
i am willing to | 5 |
that is true enough | 5 |
you shall have your | 5 |
you surely do not | 5 |
you know what is | 5 |
him by the arm | 5 |
at last i have | 5 |
it is not for | 5 |
action takes place in | 5 |
but let me tell | 5 |
i could never have | 5 |
i go with you | 5 |
you propose to do | 5 |
do you see that | 5 |
herself in his arms | 5 |
on the th of | 5 |
you know that i | 5 |
of the name of | 5 |
if it is a | 5 |
is it not so | 5 |
it was about the | 5 |
i had to go | 5 |
and one or two | 5 |
what are you thinking | 5 |
silent for a moment | 5 |
you out of your | 5 |
of pillars of society | 5 |
been so kind to | 5 |
to the end of | 5 |
now it is all | 5 |
would be best for | 5 |
shuts the door and | 5 |
know that i have | 5 |
over the back of | 5 |
and then i will | 5 |
the first performance of | 5 |
a thing like that | 5 |
i would rather go | 5 |
that you have been | 5 |
but now i have | 5 |
the fairest of flowers | 5 |
he told me that | 5 |
can quite understand that | 5 |
was one of those | 5 |
i did it for | 5 |
i am not speaking | 5 |
for all the world | 5 |
to do with it | 5 |
turning over the leaves | 5 |
gazing straight before him | 5 |
it is such a | 5 |
are not the man | 5 |
i can give you | 5 |
is nothing else for | 5 |
the grouse in justedal | 5 |
to say to you | 5 |
tell you that he | 5 |
last time he was | 5 |
still burning on the | 5 |
would have been a | 5 |
in the least understand | 5 |
in such a way | 5 |
but at that time | 5 |
always been so kind | 5 |
you have become a | 5 |
what do you really | 5 |
believe you are right | 5 |
to me that i | 5 |
his finger at her | 5 |
can tell you it | 5 |
what did i tell | 5 |
to me to be | 5 |
anything in the world | 5 |
and goes into his | 5 |
i learned the truth | 5 |
of the joy of | 5 |
what do you know | 5 |
i cannot help it | 5 |
i have such a | 5 |
have you never heard | 5 |
the indian girl is | 5 |
it was as if | 5 |
what will you do | 5 |
now you must tell | 5 |
to come to town | 5 |
of the whole thing | 5 |
if it were only | 5 |
is one of the | 5 |
to talk over with | 5 |
that it was i | 5 |
you really want to | 5 |
had the courage to | 5 |
and it is to | 5 |
as a sort of | 5 |
would not have been | 5 |
i think it was | 5 |
seems to me as | 5 |
her in his arms | 5 |
that was how i | 5 |
i think i have | 5 |
on the edge of | 5 |
i suppose you will | 5 |
i will go with | 5 |
go out through the | 5 |
the contents of the | 5 |
if i asked you | 5 |
i want you to | 5 |
is going to be | 5 |
that you are my | 5 |
if he had been | 5 |
that would be a | 5 |
anything of that sort | 5 |
that i should have | 5 |
to come to the | 5 |
do you propose to | 5 |
in for a moment | 5 |
know what you are | 5 |
this is how you | 5 |
coming into the room | 5 |
arm round her waist | 5 |
in the light of | 5 |
is why i am | 5 |
and what have you | 5 |
herself at the table | 5 |
how could you be | 5 |
ask you a question | 5 |
then you must be | 5 |
something of the kind | 5 |
and that it was | 5 |
play in three acts | 5 |
it is not true | 5 |
and out to the | 5 |
the lamp is still | 5 |
is burning on the | 5 |
the last time he | 5 |
you are not in | 5 |
how you look at | 5 |
it has been a | 5 |
on my own account | 5 |
rushes out to the | 5 |
only for the sake | 5 |
want to go to | 5 |
a time i was | 5 |
i want to talk | 5 |
just as you please | 5 |
i have been thinking | 5 |
his hands to her | 5 |
his face in his | 5 |
his arm round her | 5 |
he goes up to | 5 |
be able to do | 5 |
the table beside the | 5 |
to both of us | 5 |
in a certain sense | 5 |
take me with you | 5 |
i was to go | 5 |
men and women of | 5 |
opens the door on | 5 |
i have never had | 5 |
at the table on | 5 |
we ought to be | 5 |
but i have no | 5 |
it was that i | 5 |
talk any more about | 5 |
i assure you i | 5 |
there has been a | 5 |
out into the hall | 5 |
i used to sit | 5 |
performance of the play | 5 |
think you ought to | 5 |
he will do it | 5 |
was so absolutely certain | 5 |
do as i say | 5 |
ibsen in his maturity | 5 |
will be able to | 5 |
the matter of the | 5 |
i have had a | 5 |
of the play in | 5 |
good of you to | 5 |
opens the door and | 5 |
it in this way | 5 |
make me so happy | 5 |
let me help you | 5 |
but now you must | 5 |
stops in the doorway | 5 |
that would have been | 5 |
seats herself in the | 5 |
do you think you | 5 |
must tell you that | 5 |
had no right to | 5 |
to the glass door | 5 |
so kind as to | 5 |
have always been so | 5 |
it would not be | 5 |
come to the rescue | 5 |
you would like to | 5 |
in the form of | 5 |
have to thank for | 5 |
it is one of | 5 |
it is hard to | 4 |
let me thank you | 4 |
i am beginning to | 4 |
you have begun to | 4 |
then you do not | 4 |
of the university of | 4 |
i did not know | 4 |
promised to get you | 4 |
i am a man | 4 |
of the nineteenth century | 4 |
makes a movement to | 4 |
out of love for | 4 |
if only i knew | 4 |
i want to hear | 4 |
horrible to think of | 4 |
out of the room | 4 |
in the hour of | 4 |
never to be able | 4 |
i ought to be | 4 |
if i had asked | 4 |
i have in the | 4 |
you that i have | 4 |
at all events you | 4 |
the foot of the | 4 |
when i am gone | 4 |
i had been living | 4 |
what are you talking | 4 |
will be so kind | 4 |
is sure to be | 4 |
she takes off her | 4 |
is a little like | 4 |
for me to have | 4 |
to put an end | 4 |
the greatest of pleasure | 4 |
castle in the air | 4 |
and when we dead | 4 |
i too have something | 4 |
it is not in | 4 |
i know one who | 4 |
i had asked him | 4 |
in my first moment | 4 |
looking at him and | 4 |
now that you know | 4 |
preface to the second | 4 |
into the hall and | 4 |
and then you must | 4 |
to see you again | 4 |
will have it so | 4 |
for a short time | 4 |
it would be for | 4 |
of course he had | 4 |
the good of the | 4 |
under the influence of | 4 |
goes towards the right | 4 |
but i can tell | 4 |
nothing whatever to do | 4 |
ibsen as seen in | 4 |
splendid to look at | 4 |
heard in the distance | 4 |
in the bigger countries | 4 |
to make use of | 4 |
go back to the | 4 |
it was no good | 4 |
to have made a | 4 |
you will be able | 4 |
to your lawful husband | 4 |
towards the inner room | 4 |
a good look at | 4 |
come and help me | 4 |
in the name of | 4 |
to the window and | 4 |
you have the heart | 4 |
it is only something | 4 |
now i am beginning | 4 |
so far as i | 4 |
to say that i | 4 |
and i have no | 4 |
left at the back | 4 |
you really think that | 4 |
out by the back | 4 |
that it was a | 4 |
is not the first | 4 |
a man who has | 4 |
do as you please | 4 |
can see you are | 4 |
and the master builder | 4 |
there had been a | 4 |
do not know what | 4 |
too have something to | 4 |
if you knew how | 4 |
and opens the door | 4 |
that such a thing | 4 |
the only thing i | 4 |
in what you say | 4 |
is a question of | 4 |
close up to him | 4 |
but first of all | 4 |
tell me all about | 4 |
music is heard in | 4 |
om udviklingsgangen i henrik | 4 |
a man like that | 4 |
sits down on a | 4 |
be able to be | 4 |
do you remember that | 4 |
and other things as | 4 |
table beside the sofa | 4 |
do you see how | 4 |
with a slight start | 4 |
how could you do | 4 |
a work of art | 4 |
not going to give | 4 |
suppose you are going | 4 |
long as i live | 4 |
there is some one | 4 |
you remember what you | 4 |
a wonderful thing to | 4 |
it seems as if | 4 |
just at this time | 4 |
not for a moment | 4 |
as the curtain falls | 4 |
table by the sofa | 4 |
and i will tell | 4 |
bring up the children | 4 |
at the foot of | 4 |
you think we can | 4 |
the matter must be | 4 |
sit here and imagine | 4 |
putting on her cloak | 4 |
to take the blame | 4 |
night on the upland | 4 |
the table by the | 4 |
door of his room | 4 |
with the greatest of | 4 |
come in for a | 4 |
in through the garden | 4 |
proud and glad of | 4 |
are to be found | 4 |
i suppose you think | 4 |
the path of duty | 4 |
i have no idea | 4 |
the high road to | 4 |
it is something you | 4 |
be a sort of | 4 |
go in to them | 4 |
thing is going to | 4 |
what else could i | 4 |
and it is just | 4 |
you mean to do | 4 |
bewitched in the mountain | 4 |
then i gave you | 4 |
he shuts the door | 4 |
for aught i care | 4 |
you are a widow | 4 |
all these eight years | 4 |
is delightful to be | 4 |
i have been your | 4 |
you to come home | 4 |
going to the window | 4 |
you came to me | 4 |
with a smile of | 4 |
told me that when | 4 |
i have gone through | 4 |
you will see i | 4 |
must try and get | 4 |
that is the reason | 4 |
seems to me to | 4 |
tell you what it | 4 |
when you were a | 4 |
but never mind about | 4 |
searching look at her | 4 |
all the powers of | 4 |
not a single word | 4 |
it shall be as | 4 |
thank you for that | 4 |
you need not be | 4 |
have the courage to | 4 |
out into the open | 4 |
to be alive and | 4 |
a shipwrecked man clinging | 4 |
should be glad to | 4 |
because it is such | 4 |
i want to see | 4 |
if i had had | 4 |
i must come to | 4 |
stops at the door | 4 |
am quite sure that | 4 |
know what to say | 4 |
the vikings of helgeland | 4 |
in such a hurry | 4 |
i should be afraid | 4 |
him for a moment | 4 |
you ought to be | 4 |
to me that the | 4 |
wonderful thing of all | 4 |
are heard on the | 4 |
it is quite true | 4 |
there are so many | 4 |
was about the orphanage | 4 |
of the feast at | 4 |
let it be so | 4 |
must make an end | 4 |
be as it may | 4 |
you go with me | 4 |
we shall have to | 4 |
back in his chair | 4 |
it great fun when | 4 |
now i am coming | 4 |
is exactly what i | 4 |
those who are gone | 4 |
dearer to me than | 4 |
of all i must | 4 |
busies herself with the | 4 |
i cannot bear to | 4 |
and now you must | 4 |
to keep up the | 4 |
life was in danger | 4 |
i should have been | 4 |
in the bank as | 4 |
make the best of | 4 |
you what it is | 4 |
the right frame of | 4 |
and i have to | 4 |
be nothing but a | 4 |
are out of your | 4 |
i mean to make | 4 |
has had the courage | 4 |
but i have never | 4 |
do you want me | 4 |
not think of that | 4 |
and i suppose you | 4 |
would you believe it | 4 |
and it was only | 4 |
it had to be | 4 |
the name of krogstad | 4 |
that must have been | 4 |
long as i am | 4 |
some way or another | 4 |
but it seems to | 4 |
turns to go into | 4 |
and all the rest | 4 |
told me of the | 4 |
who has in the | 4 |
you say to that | 4 |
i could not have | 4 |
to fill it up | 4 |
should dearly love to | 4 |
i want to live | 4 |
to such a thing | 4 |
have come to town | 4 |
looks round the room | 4 |
tell you that you | 4 |
and so it was | 4 |
one of that sort | 4 |
on the subject of | 4 |
what have you to | 4 |
have nothing whatever to | 4 |
studj di psicologia penale | 4 |
hear what it is | 4 |
you asked me to | 4 |
a wife who has | 4 |
to the fact that | 4 |
a talk with you | 4 |
by william archer introduction | 4 |
you will hardly believe | 4 |
as it should be | 4 |
he is sure to | 4 |
to think of my | 4 |
you can do that | 4 |
one to the other | 4 |
the whole of your | 4 |
i must go on | 4 |
would have to be | 4 |
i henrik ibsens digtning | 4 |
as hard as i | 4 |
be a good thing | 4 |
goes into the hall | 4 |
but this i tell | 4 |
you sure of that | 4 |
that may be so | 4 |
stay here with you | 4 |
rush out through the | 4 |
to have come to | 4 |
not so silly as | 4 |
is said to have | 4 |
wanted you so much | 4 |
to get you that | 4 |
you do not know | 4 |
know what sort of | 4 |
and thank you for | 4 |
i see it now | 4 |
to come and see | 4 |
but it is so | 4 |
truth in what you | 4 |
never see him again | 4 |
the sound of a | 4 |
into a hundred thousand | 4 |
wood to the right | 4 |
must be a very | 4 |
a good word for | 4 |
right frame of mind | 4 |
and what sort of | 4 |
you will see how | 4 |
for such a thing | 4 |
i have so often | 4 |
to you that you | 4 |
to see me again | 4 |
to look at the | 4 |
i really must say | 4 |
able to work again | 4 |
you have got him | 4 |
say that i have | 4 |
but you are not | 4 |
bernick comes in from | 4 |
has happened to you | 4 |
the door of his | 4 |
goes to the writing | 4 |
goes up to him | 4 |
you have never been | 4 |
did not know that | 4 |
it is not only | 4 |
he was in town | 4 |
is it really true | 4 |
it shall not be | 4 |
beilage zur allgemeine zeitung | 4 |
know what i think | 4 |
other things as well | 4 |
harps in the air | 4 |
but i have not | 4 |
you did not love | 4 |
the right in the | 4 |
is not in my | 4 |
how could such a | 4 |
i may tell you | 4 |
he goes to the | 4 |
are you talking about | 4 |
she looks at him | 4 |
beg you so earnestly | 4 |
what good would it | 4 |
that you have a | 4 |
and be sure you | 4 |
in my power to | 4 |
but what i wanted | 4 |
a match of it | 4 |
is the only one | 4 |
i beg you so | 4 |
i was able to | 4 |
but what is this | 4 |
a searching look at | 4 |
and now you have | 4 |
follows her with his | 4 |
a step towards him | 4 |
good of the community | 4 |
the orphanage is to | 4 |
summer night on the | 4 |
and what is that | 4 |
down there in the | 4 |
let them come in | 4 |
the door after her | 4 |
with a searching look | 4 |
room and shuts the | 4 |
i should dearly love | 4 |
an almost imperceptible smile | 4 |
the bottom of it | 4 |
his arms on the | 4 |
give it to me | 4 |
am certain of it | 4 |
as seen in his | 4 |
a lot to do | 4 |
once upon a time | 4 |
than what you have | 4 |
is a matter of | 4 |
you used to call | 4 |
was nothing else to | 4 |
places it on the | 4 |
you were a little | 4 |
is sitting on the | 4 |
that is the way | 4 |
to bring up the | 4 |
soon as i am | 4 |
the pillars of society | 4 |
know you too well | 4 |
soon as i can | 4 |
that i had to | 4 |
of the lady from | 4 |
bell rings in the | 4 |
looks searchingly at him | 4 |
is it that has | 4 |
let me hear what | 4 |
it is as i | 4 |
the way in which | 4 |
i did not dare | 4 |
you promise me that | 4 |
lectures on henrik ibsen | 4 |
be allowed to come | 4 |
i can do that | 4 |
going out to the | 4 |
you do not believe | 4 |
and do you know | 4 |
and shaking his head | 4 |
surely do not suppose | 4 |
i am in a | 4 |
and this is how | 4 |
understand what you have | 4 |
of course you are | 4 |
i have never noticed | 4 |
have such a lot | 4 |
with him to the | 4 |
would it have been | 4 |
advancement of scandinavian study | 4 |
in the world you | 4 |
wanted to say was | 4 |
why i am going | 4 |
from the inner room | 4 |
me what it is | 4 |
i am free as | 4 |
as long as you | 4 |
almost think you are | 4 |
the whole thing was | 4 |
quite sure that if | 4 |
hard as i could | 4 |
he has been here | 4 |
now i see it | 4 |
but i cannot help | 4 |
kissing her on the | 4 |
such a lot to | 4 |
to use your influence | 4 |
a little on the | 4 |
in the halls of | 4 |
nothing more than that | 4 |
she has in her | 4 |
must be my witness | 4 |
me to believe that | 4 |
i thought as much | 4 |
i have been able | 4 |
it is horrible to | 4 |
lays his hand on | 4 |
go away from you | 4 |
mean to say you | 4 |
he was so ill | 4 |
a tremendously big favour | 4 |
to speak to him | 4 |
i almost think you | 4 |
he suffers from a | 4 |
i told you so | 4 |
a sort of a | 4 |
that it is necessary | 4 |
but now tell me | 4 |
on the lake of | 4 |
as long as we | 4 |
what they ought to | 4 |
towards the door on | 4 |
what are they to | 4 |
i am not thinking | 4 |
you think he is | 4 |
this is how it | 4 |
what is the truth | 4 |
he goes out through | 4 |
out his hands to | 4 |
to me it seems | 4 |
must come to you | 4 |
i do not want | 4 |
paces up and down | 4 |
was good enough to | 4 |
walking about the room | 4 |
you have nothing to | 4 |
am sure it was | 4 |
in from the garden | 4 |
there is to be | 4 |
as if you had | 4 |
i have never seen | 4 |
is it to be | 4 |
am sure you are | 4 |
i know how fond | 4 |
and now i will | 4 |
the door and looks | 4 |
over the leaves of | 4 |
have a big salary | 4 |
to get the money | 4 |
not to be allowed | 4 |
go into the house | 4 |
a hundred thousand pieces | 4 |
you in the least | 4 |
is impossible for me | 4 |
when it is a | 4 |
get you that amount | 4 |
the only one who | 4 |
came to see me | 4 |
bows and goes out | 4 |
i cannot go on | 4 |
on the wrong track | 4 |
i could not do | 4 |
hands and looks at | 4 |
is not so very | 4 |
action takes place at | 4 |
but do you know | 4 |
you the courage to | 4 |
i have been in | 4 |
a word of it | 4 |
you can give me | 4 |
of no use to | 4 |
she had made a | 4 |
biographical and literary studies | 4 |
how did you know | 4 |
the result of the | 4 |
and no one shall | 4 |
in the neighbourhood of | 4 |
knock at the door | 4 |
and seats herself on | 4 |
are we to do | 4 |
as in the old | 4 |
my joy and pride | 4 |
speak to you alone | 4 |
seats herself at the | 4 |
it is delightful to | 4 |
here in the north | 4 |
looks at her watch | 4 |
as much of it | 4 |
give his life for | 4 |
if i had never | 4 |
do not wish to | 4 |
shipwrecked man clinging to | 4 |
there was nothing else | 4 |
for good and all | 4 |
make a match of | 4 |
is standing by the | 4 |
to come to her | 4 |
i suppose you know | 4 |
as you put it | 4 |
in the indian girl | 4 |
the least little bit | 4 |
a bell rings in | 4 |
be proud and glad | 4 |
arms round her neck | 4 |
looking up at him | 4 |
and now let us | 4 |
tell me more of | 4 |
on to the verandah | 4 |
are thinking of the | 4 |
talk over with you | 4 |
was only when i | 4 |
little bit of a | 4 |
i should have to | 4 |
rings in the hall | 4 |
i have no one | 4 |
this is the first | 4 |
what you are doing | 4 |
it in me to | 4 |
what does it all | 4 |
tell you it is | 4 |
the rest of it | 4 |
is no one here | 4 |
at the door on | 4 |
you must be my | 4 |
the leaves of a | 4 |
so sure of that | 4 |
as sure as i | 4 |
most wonderful thing of | 4 |
in one way or | 4 |
delightful to think of | 4 |
of course it must | 4 |
looking hard at her | 4 |
what the clergyman said | 4 |
there is something that | 4 |
you be willing to | 4 |
the truth from me | 4 |
who lent you the | 4 |
that it is i | 4 |
you really the courage | 4 |
i have no longer | 4 |
comes through the forest | 4 |
four lectures on henrik | 4 |
my own darling nora | 4 |
i think of it | 4 |
i gave you the | 4 |
course he had to | 4 |
whatever to do with | 4 |
may well say that | 4 |
why have you never | 4 |
it is a question | 4 |
the two little boys | 4 |
but it was no | 4 |
are you sure of | 4 |
give up the idea | 4 |
and i do not | 4 |
the christmas tree is | 4 |
then why did you | 4 |
the light of day | 4 |
is it you that | 4 |
tell me what it | 4 |
shuts the door into | 4 |
they are not so | 4 |
that you must not | 4 |
would it not be | 4 |
if seized by a | 4 |
i wish i could | 4 |
is the reason why | 4 |
glad to see you | 4 |
year and a half | 4 |
upon the joy of | 4 |
a big salary and | 4 |
she splendid to look | 4 |
door leading to the | 4 |
you should not have | 4 |
at the door and | 4 |
and crosses the stage | 4 |
by the garden door | 4 |
to say that it | 4 |
is what i mean | 4 |
when i used to | 4 |
what you are going | 4 |
me to tell you | 4 |
it is splendid to | 4 |
but you would have | 4 |
when i am out | 4 |
that i have forgiven | 4 |
in the world that | 4 |
i felt i must | 4 |
out of his pocket | 4 |
looks at her with | 4 |
i will sit here | 4 |
then it will be | 4 |
i imagine that you | 4 |
her on the forehead | 4 |
come to an end | 4 |
it comes to the | 4 |
letter in his hand | 4 |
never get to know | 4 |
it was just after | 4 |
it is true enough | 4 |
in his own way | 4 |
stay at home here | 4 |
you may be quite | 4 |
going to have a | 4 |
i begin to understand | 4 |
and gazes at her | 4 |
had to come out | 4 |
have no doubt you | 4 |
through the hall door | 4 |
such a thing of | 4 |
i know nothing about | 4 |
to be a mother | 4 |
looks inquiringly at her | 4 |
at the outer door | 4 |
the luck on your | 4 |
she has always been | 4 |
as long as possible | 4 |
on his own account | 4 |
the power of an | 4 |
on the table in | 4 |
dress ball at the | 4 |
luck on your side | 4 |
throws herself in his | 4 |
i shall be able | 4 |
there shall be no | 4 |
to be proud and | 4 |
at the present moment | 4 |
i thought you had | 4 |
is about to go | 4 |
a bit of a | 4 |
i have the right | 4 |
that is what torvald | 4 |
it is in here | 4 |
away from the window | 4 |
in the foreground on | 4 |
not for all the | 4 |
on the high road | 4 |
you were going to | 4 |
to the right and | 4 |
sitting at the table | 4 |
to live your life | 4 |
thought it great fun | 4 |
had been living here | 4 |
i shall never forget | 4 |
i am sure he | 4 |
i know that what | 4 |
do you really think | 4 |
that time i have | 4 |
they go into the | 4 |
stand in the way | 4 |
seemed to me to | 4 |
to that of the | 4 |
he goes towards the | 4 |
would you like to | 4 |
have something to be | 4 |
to have an appointment | 4 |
down on the couch | 4 |
the shawl round her | 4 |
the reason why i | 4 |
it is easy to | 4 |
mean that you will | 4 |
for the advancement of | 4 |
occur to you that | 4 |
corner of the sofa | 4 |
i know you too | 4 |
of the wild duck | 4 |
anything of that kind | 4 |
and if you had | 4 |
her hands behind her | 4 |
knocking at the door | 4 |
looks up at him | 4 |
but i shall not | 4 |
in your own home | 4 |
expression in her eyes | 4 |
that it may be | 4 |
by the lake of | 4 |
something to be proud | 4 |
time he was in | 4 |
out in the cold | 4 |
the thought of the | 4 |
you should know it | 4 |
talk to you about | 4 |
that i have done | 4 |
died on the th | 4 |
when that was done | 4 |
want to get on | 4 |
you know what you | 4 |
never mind about that | 4 |
it into a hundred | 4 |
i have tried to | 4 |
it is you i | 4 |
that is quite a | 4 |
are going to have | 4 |
without looking at her | 4 |
what is in this | 4 |
and have a little | 4 |
what a dangerous condition | 4 |
quite impossible for me | 4 |
that the law is | 4 |
as i used to | 4 |
do not think that | 4 |
and i should be | 4 |
i shall never see | 4 |
but of course you | 4 |
that you are going | 4 |
is true enough that | 4 |
me to the end | 4 |
with a faint smile | 4 |
must not think of | 4 |
i had to do | 4 |
the room and looks | 4 |
down at the piano | 4 |
know so little of | 4 |
down to the office | 4 |
clinging to some wreckage | 4 |
you to tell me | 4 |
much of it as | 4 |
small post in the | 4 |
to the second edition | 4 |
as ever you can | 4 |
the advancement of scandinavian | 4 |
used to sit here | 4 |
out through the farther | 4 |
manager of the bank | 4 |
what would you have | 4 |
with me in the | 4 |
buries his face in | 4 |
frame of mind for | 4 |
for you must know | 4 |
i can quite believe | 4 |
the master builder and | 4 |
looks up at her | 4 |
this sort of thing | 4 |
is as clear as | 4 |
up to her and | 4 |
to the door of | 4 |
the left at the | 4 |
in the first act | 4 |
you want to do | 4 |
if you could only | 4 |
for the good of | 4 |
as soon as possible | 4 |
that is going on | 4 |
goes out into the | 4 |
of all the rest | 4 |
i was at home | 4 |
in the hands of | 4 |
out over the fiord | 4 |
no idea what a | 4 |
come and sit down | 4 |
i think it will | 4 |
alone in the room | 4 |
what i have bought | 4 |
position in the bank | 4 |
as in the first | 4 |
when i am no | 4 |
if torvald could hear | 4 |
but what is the | 4 |
have a little chat | 4 |
comes in through the | 4 |
i should not be | 4 |
want to tell you | 4 |
is that you are | 4 |
udviklingsgangen i henrik ibsens | 4 |
whom i have loved | 4 |
but you must not | 4 |
we shall be able | 4 |
will be no one | 4 |
sure that if i | 4 |
i must and will | 4 |
in the right frame | 4 |
so that was it | 4 |
if only it were | 4 |
not look at me | 4 |
as i can remember | 4 |
you make up your | 4 |
but now i must | 4 |
what is going to | 4 |
was not to be | 4 |
i understand very well | 4 |
trying on your dress | 4 |
you will be free | 4 |
as much as you | 4 |
is horrible to think | 4 |
i am so glad | 4 |
goodbye for the present | 4 |
i will have it | 4 |
the way of it | 4 |
the foreground on the | 4 |
of hedda gabler and | 4 |
crosses to the right | 4 |
that you have come | 4 |
going to do there | 4 |
a clear and certain | 4 |
was one of the | 4 |
you think he will | 4 |
why in all the | 4 |
had no other mother | 4 |
know anything about that | 4 |
had good reason to | 4 |
have the pleasure of | 4 |
out of the box | 4 |
go in to him | 4 |
i am quite sure | 4 |
to come back to | 4 |
know how fond you | 4 |
but it is true | 4 |
the thought of it | 4 |
for me to come | 4 |
that i am not | 4 |
my life as a | 4 |
so long as i | 4 |
quite sure of that | 4 |
like a child in | 4 |
the maid opens the | 4 |
torvald wants me to | 4 |
this is sheer madness | 4 |
i do not see | 4 |
by all that is | 4 |
they ought to do | 4 |
into the garden and | 4 |
to run away from | 4 |
i must make an | 4 |
to a certain extent | 4 |
you are out of | 4 |
goes quickly up to | 4 |
my first moment of | 4 |
all that i have | 4 |
what would become of | 4 |
if you had not | 4 |
production at plymouth theatre | 4 |
to sit here and | 4 |
the courage to do | 4 |
must go down to | 4 |
all the world knows | 4 |
me all about it | 4 |
her cloak and hat | 4 |
write to you about | 4 |
against the back of | 4 |
sake of the money | 4 |
i wish i had | 4 |
and yet i cannot | 4 |
a great friend of | 4 |
are not going to | 4 |
to stay at home | 4 |
the most wonderful thing | 4 |
when i was at | 4 |
and claps her hands | 4 |
i had good reason | 4 |
to see if i | 4 |
will be all right | 4 |
and asks in a | 4 |
i will not have | 4 |
i do not wish | 4 |
stay where he is | 4 |
you understand what you | 4 |
the wood to the | 4 |
so i took the | 4 |
now that i have | 4 |
i should not advise | 3 |
doorway at the back | 3 |
you never heard of | 3 |
i shall soon be | 3 |
wall of the house | 3 |
he ought to have | 3 |
to the right is | 3 |
of the fact that | 3 |
one to live for | 3 |
i shall send you | 3 |
forgotten to thank you | 3 |
on ibsen the unpopular | 3 |
you suppose that he | 3 |
i thought i was | 3 |
go into the dining | 3 |
do you think a | 3 |
under the ark ibsen | 3 |
appreciation of the drama | 3 |
is the good of | 3 |
free as a bird | 3 |
lady inger of ostraat | 3 |
with a table and | 3 |
arms round his neck | 3 |
her for a while | 3 |
i had only had | 3 |
and i shall have | 3 |
over to the stove | 3 |
you must help me | 3 |
beating about the bush | 3 |
i have never understood | 3 |
not for the sake | 3 |
think that is what | 3 |
to go out into | 3 |
in from the room | 3 |
be the one to | 3 |
to live my life | 3 |
i was right in | 3 |
i mean that i | 3 |
and now i can | 3 |
him and shakes him | 3 |
i wanted to know | 3 |
edge of the bed | 3 |
comes out of his | 3 |
too much for my | 3 |
well what sort of | 3 |
thing i can do | 3 |
quite agree with you | 3 |
how kind you are | 3 |
away from each other | 3 |
shall be obliged to | 3 |
will you be my | 3 |
it into his head | 3 |
a sudden change of | 3 |
should you like to | 3 |
vor dem strafrichter und | 3 |
dem strafrichter und psychiater | 3 |
then i should have | 3 |
of it is that | 3 |
my life over again | 3 |
to give it up | 3 |
the point of death | 3 |
the whole of our | 3 |
no wife for you | 3 |
think of all the | 3 |
i heard my own | 3 |
to leave it all | 3 |
the same as i | 3 |
to go to sleep | 3 |
there was a time | 3 |
say a good word | 3 |
goes into the forest | 3 |
it is all so | 3 |
any one of that | 3 |
away through the garden | 3 |
into my head to | 3 |
had to come to | 3 |
when i think it | 3 |
down to the sea | 3 |
my own dear boy | 3 |
i cannot account for | 3 |
my head for a | 3 |
i was obliged to | 3 |
and stands in the | 3 |
you shall know the | 3 |
i thought you were | 3 |
of course you do | 3 |
some papers under his | 3 |
going nearer to her | 3 |
i was to be | 3 |
the tree and rosmersholm | 3 |
i wanted to be | 3 |
know much about these | 3 |
out the contents of | 3 |
me what thou wilt | 3 |
if it should happen | 3 |
so that i might | 3 |
in spite of her | 3 |
have you not heard | 3 |
by the camp fire | 3 |
the peer gynt music | 3 |
there is a letter | 3 |
i have never felt | 3 |
that we had it | 3 |
looks anxiously at him | 3 |
it is the law | 3 |
you want to save | 3 |
dearest thing in the | 3 |
for a while at | 3 |
not that sort of | 3 |
i hope you will | 3 |
it was in the | 3 |
we shall never get | 3 |
if only i were | 3 |
it makes no difference | 3 |
there you are right | 3 |
is my duty to | 3 |
them to the door | 3 |
have a little talk | 3 |
so you think it | 3 |
take the liberty of | 3 |
the second door to | 3 |
never so much as | 3 |
i have never been | 3 |
down the flight of | 3 |
the indian girl will | 3 |
and it is a | 3 |
in the papers about | 3 |
it possible that you | 3 |
little of what is | 3 |
the greater part of | 3 |
to let you know | 3 |
what i am most | 3 |
there was nothing in | 3 |
in through the door | 3 |
off to the left | 3 |
when they are gone | 3 |
you knew how to | 3 |
the curtain a little | 3 |
the world you would | 3 |
the ark ibsen and | 3 |
and you are going | 3 |
of course she has | 3 |
the wrong i have | 3 |
crime a man can | 3 |
let us speak of | 3 |
to keep him at | 3 |
it was no easy | 3 |
goes towards the door | 3 |
them come in to | 3 |
you do not love | 3 |
full of the joy | 3 |
to think that we | 3 |
i believe you are | 3 |
too much for you | 3 |
but what on earth | 3 |
it is best so | 3 |
be at an end | 3 |
i will come back | 3 |
where did you get | 3 |
was one of that | 3 |
assure you it is | 3 |
how i came to | 3 |
and in spite of | 3 |
as it was before | 3 |
to be of some | 3 |
that i used to | 3 |
is to be found | 3 |
part of the world | 3 |
in quite a different | 3 |
only yesterday i was | 3 |
coming a step nearer | 3 |
farquharson sharp dramatis personae | 3 |
as if he were | 3 |
i want to say | 3 |
i should think so | 3 |
know how i could | 3 |
is in evening dress | 3 |
tell me what that | 3 |
well that you are | 3 |
through the open door | 3 |
to make a long | 3 |
heart love is rooted | 3 |
never shall it be | 3 |
going down to the | 3 |
at the end of | 3 |
what use would it | 3 |
would never have come | 3 |
in the royal hall | 3 |
so that was why | 3 |
book on human responsibility | 3 |
of the room a | 3 |
a man of business | 3 |
think such a thing | 3 |
under the direction of | 3 |
a good thing that | 3 |
hands it to him | 3 |
let us talk about | 3 |
go to the door | 3 |
more life in the | 3 |
i know what you | 3 |
come out of the | 3 |
is absolutely necessary that | 3 |
to him at once | 3 |
but this i know | 3 |
think it will be | 3 |
have you with me | 3 |
i wanted to see | 3 |
have invoked on your | 3 |
i know it well | 3 |
i will come with | 3 |
now that i know | 3 |
very kind of you | 3 |
of something that will | 3 |
what has become of | 3 |
the life in my | 3 |
looks at her and | 3 |
who it was that | 3 |
and now i am | 3 |
well tell me at | 3 |
a glance at the | 3 |
been waiting for me | 3 |
you can have no | 3 |
i should go out | 3 |
cry off the bargain | 3 |
am beginning to understand | 3 |
the right of the | 3 |
it is just as | 3 |
him he must come | 3 |
i shall do it | 3 |
measures him with a | 3 |
to put up with | 3 |
left out in the | 3 |
will not stay here | 3 |
in a lower tone | 3 |
let me go to | 3 |
for any one else | 3 |
arms on the table | 3 |
as i am in | 3 |
have you the heart | 3 |
and now you know | 3 |
sein schule in deutschland | 3 |
well on in the | 3 |
a nice sort of | 3 |
it in that way | 3 |
i am sitting here | 3 |
it is the last | 3 |
is not the least | 3 |
you have loved me | 3 |
outside to the left | 3 |
to do so much | 3 |
can see it in | 3 |
i am glad of | 3 |
are looked upon as | 3 |
thank you for your | 3 |
will come with you | 3 |
out of his mind | 3 |
life in the prison | 3 |
like to know if | 3 |
she crosses to the | 3 |
good as to go | 3 |
your conduct has been | 3 |
and looks at them | 3 |
could you not see | 3 |
bear to think of | 3 |
one cock in the | 3 |
only for half an | 3 |
manifold in this world | 3 |
and then you can | 3 |
in the heart love | 3 |
i see you are | 3 |
in three acts act | 3 |
it did not seem | 3 |
that is what we | 3 |
and where is he | 3 |
side of the matter | 3 |
chair and sits down | 3 |
give me an explanation | 3 |
as i tell you | 3 |
thank god that i | 3 |
tell you one thing | 3 |
i will be a | 3 |
as i then was | 3 |
it would be better | 3 |
you know why i | 3 |
and then all the | 3 |
two dramas of ibsen | 3 |
have the chance of | 3 |
if it is true | 3 |
in copenhagen on december | 3 |
i have heard something | 3 |
i am quite alone | 3 |
the door at the | 3 |
i know it is | 3 |
be found in the | 3 |
do you ask me | 3 |
you not your mother | 3 |
vengeance you have invoked | 3 |
her and takes her | 3 |
what did they say | 3 |
at the door of | 3 |
a man who is | 3 |
quickly out to the | 3 |
raising her eyes to | 3 |
seems to me so | 3 |
do you suppose he | 3 |
did not think i | 3 |
believe such a thing | 3 |
it is the dead | 3 |
in by the hall | 3 |
i shall come back | 3 |
take it in this | 3 |
but do not think | 3 |
papers under his arm | 3 |
should like to live | 3 |
what he is doing | 3 |
from one to the | 3 |
think of something that | 3 |
i must go down | 3 |
then she is so | 3 |
i ought not to | 3 |
is true that you | 3 |
since i was a | 3 |
shall not have it | 3 |
and then we will | 3 |
i went up into | 3 |
and all the others | 3 |
chair by the table | 3 |
but tell me now | 3 |
to me like a | 3 |
now you shall hear | 3 |
the stage to the | 3 |
must be as it | 3 |
my position in the | 3 |
right in the midst | 3 |
have you been sitting | 3 |
i shall manage to | 3 |
me hear what it | 3 |
is it not true | 3 |
ibsens gespenster und die | 3 |
easy matter to get | 3 |
that you gave me | 3 |
board the indian girl | 3 |
else to be done | 3 |
in his young days | 3 |
me in that way | 3 |
not your mother to | 3 |
that is a matter | 3 |
what if it were | 3 |
as i am alive | 3 |
to give up the | 3 |
my own free will | 3 |
am coming to a | 3 |
we spoke to each | 3 |
i had thought of | 3 |
thing did not happen | 3 |
i want to speak | 3 |
that it is all | 3 |
no longer think of | 3 |
could never have believed | 3 |
in an expressionless voice | 3 |
to be a little | 3 |
ark ibsen and women | 3 |
with his arms on | 3 |
that you might be | 3 |
for that sort of | 3 |
have been a good | 3 |
now i see clearly | 3 |
may i have a | 3 |
der kunst bei wagner | 3 |
know the whole story | 3 |
it is of no | 3 |
know what to do | 3 |
i am sure there | 3 |
must tell me all | 3 |
i shall remain here | 3 |
opens the door of | 3 |
not be the least | 3 |
seems to me it | 3 |
what is to be | 3 |
to try and get | 3 |
with the joy of | 3 |
from the very first | 3 |
goes out with his | 3 |
the only one that | 3 |
it all the same | 3 |
tell you i am | 3 |
putting down the glass | 3 |
the course of the | 3 |
do you still think | 3 |
speeches and new letters | 3 |
there was no other | 3 |
something has happened to | 3 |
know very well what | 3 |
it that you are | 3 |
house as played by | 3 |
on the right and | 3 |
soul in the place | 3 |
on a chair near | 3 |
seen in his letters | 3 |
will never be a | 3 |
part of the country | 3 |
that was just what | 3 |
things of that sort | 3 |
see the matter in | 3 |
ibsen und sein schule | 3 |
i will no longer | 3 |
i see you have | 3 |
have come to the | 3 |
no easy matter to | 3 |
you are a nice | 3 |
as they say in | 3 |
if it were in | 3 |
a small bottle of | 3 |
let us think of | 3 |
him when he comes | 3 |
i have a right | 3 |
and when he was | 3 |
did it for your | 3 |
that would never do | 3 |
out of consideration for | 3 |
is almost as if | 3 |
forgotten that it was | 3 |
it was high time | 3 |
to talk to you | 3 |
face to face with | 3 |
of you and the | 3 |
will be splendid to | 3 |
goes close up to | 3 |
you that he is | 3 |
is not a single | 3 |
it certainly seems to | 3 |
it has not been | 3 |
with you to the | 3 |
it seems as though | 3 |
am in the power | 3 |
seems to me a | 3 |
and i must try | 3 |
to have nothing to | 3 |
you said just now | 3 |
go up to the | 3 |
arms on the back | 3 |
ibsen i hedda gabler | 3 |
out on the verandah | 3 |
if you had been | 3 |
to remember the condition | 3 |
i will protect you | 3 |
i dare say you | 3 |
and then you went | 3 |
of course he is | 3 |
in earnest about it | 3 |
i am coming to | 3 |
you mean to go | 3 |
it cannot be true | 3 |
social dramas of ibsen | 3 |
i am afraid you | 3 |