Summary of your 'study carrel' ============================== This is a summary of your Distant Reader 'study carrel'. The Distant Reader harvested & cached your content into a collection/corpus. It then applied sets of natural language processing and text mining against the collection. The results of this process was reduced to a database file -- a 'study carrel'. The study carrel can then be queried, thus bringing light specific characteristics for your collection. These characteristics can help you summarize the collection as well as enumerate things you might want to investigate more closely. This report is a terse narrative report, and when processing is complete you will be linked to a more complete narrative report. Eric Lease Morgan Number of items in the collection; 'How big is my corpus?' ---------------------------------------------------------- 5 Average length of all items measured in words; "More or less, how big is each item?" ------------------------------------------------------------------------------------ 26914 Average readability score of all items (0 = difficult; 100 = easy) ------------------------------------------------------------------ 77 Top 50 statistically significant keywords; "What is my collection about?" ------------------------------------------------------------------------- 5 Rembrandt 3 picture 3 man 2 illustration 2 Van 2 Titian 2 Rubens 2 Reynolds 2 Landscape 2 Christ 1 year 1 work 1 woman 1 view 1 head 1 bust 1 Venice 1 St. 1 Sir 1 Scheffer 1 Saskia 1 Rome 1 Petersburg 1 Paul 1 Paris 1 Nature 1 Museum 1 Michelangelo 1 Meissonier 1 Mariano 1 Mantua 1 Landseer 1 King 1 Joshua 1 Italy 1 Hermitage 1 Gallery 1 Fortuny 1 FIGURE 1 England 1 Dyck 1 Duke 1 Dore 1 Ditto 1 Book 1 Amsterdam Top 50 lemmatized nouns; "What is discussed?" --------------------------------------------- 529 picture 529 man 421 work 311 year 287 art 245 time 243 artist 239 portrait 209 hand 197 painter 194 woman 171 day 166 life 153 light 150 head 143 master 138 mother 137 thing 131 line 130 figure 127 view 126 name 120 way 118 boy 116 subject 113 print 109 world 108 colour 106 face 105 father 100 eye 98 child 96 genius 91 one 89 etching 89 book 88 friend 87 heart 86 effect 85 place 85 illustration 82 drawing 80 people 80 ditto 77 part 76 canvas 74 nature 73 painting 71 son 71 fact Top 50 proper nouns; "What are the names of persons or places?" -------------------------------------------------------------- 874 _ 666 Rembrandt 192 Rubens 127 Van 105 Reynolds 101 Titian 78 Paris 77 Michelangelo 76 Christ 73 Joshua 71 Scheffer 71 Landscape 71 Dyck 70 Amsterdam 56 Sir 52 Venice 52 Landseer 52 King 51 St. 51 Paul 51 Duke 50 Rome 49 Museum 49 Meissonier 47 Portrait 47 Hundred 46 Mr. 43 Mariano 42 Holland 42 Gallery 42 Fortuny 42 England 41 London 41 Jean 41 Italy 39 Saskia 39 Giorgione 37 Ditto 36 de 36 Peter 36 Dore 35 Nature 35 Leyden 33 Woman 31 Louvre 31 Lastman 31 Charles 31 Ary 30 Mantua 29 National Top 50 personal pronouns nouns; "To whom are things referred?" ------------------------------------------------------------- 1806 he 1086 it 532 him 460 they 454 i 377 we 251 she 244 you 234 them 139 himself 112 her 79 us 69 me 36 themselves 31 one 31 itself 14 myself 12 herself 5 ourselves 4 theirs 4 his 3 yourself 2 yours 1 thee 1 pelf 1 ours 1 oneself 1 mariano 1 ''s 1 ''em Top 50 lemmatized verbs; "What do things do?" --------------------------------------------- 4971 be 1682 have 515 do 381 make 349 see 282 give 271 paint 245 say 240 know 231 come 219 go 202 take 152 look 151 find 148 show 134 work 115 live 111 seem 111 draw 100 call 89 tell 88 get 86 write 86 stand 79 hold 77 think 77 produce 74 contain 73 die 72 pass 70 use 69 feel 69 bring 68 leave 67 turn 67 represent 66 pay 65 begin 63 bear 62 ask 61 sit 61 send 61 follow 59 place 58 put 58 become 57 carry 55 appear 53 love 52 set Top 50 lemmatized adjectives and adverbs; "How are things described?" --------------------------------------------------------------------- 746 not 384 so 354 great 240 only 233 old 224 more 200 good 197 other 184 little 183 out 173 then 172 very 171 now 168 well 156 young 154 first 151 up 151 many 143 never 140 dated 131 much 128 long 122 own 120 even 118 most 117 too 116 as 113 high 106 small 100 same 99 large 98 also 97 few 93 here 92 just 91 such 91 ever 89 there 82 down 81 several 81 fine 81 away 80 full 80 back 79 still 78 strong 73 often 71 once 65 last 64 always Top 50 lemmatized superlative adjectives; "How are things described to the extreme?" ------------------------------------------------------------------------- 64 good 35 great 24 most 21 high 19 least 16 fine 7 slight 6 small 4 strong 3 young 3 near 3 large 3 happy 3 grand 3 deep 3 bright 2 noble 2 j 2 full 2 early 2 big 2 bad 2 Most 1 true 1 sweet 1 soft 1 simple 1 severe 1 ripe 1 pure 1 mean 1 low 1 loud 1 light 1 l 1 innermost 1 hot 1 heavy 1 handsome 1 gentle 1 foul 1 foremost 1 farth 1 faint 1 eld 1 easy 1 dull 1 dark 1 cold 1 close Top 50 lemmatized superlative adverbs; "How do things do to the extreme?" ------------------------------------------------------------------------ 94 most 6 well 4 least Top 50 Internet domains; "What Webbed places are alluded to in this corpus?" ---------------------------------------------------------------------------- 2 www.gutenberg.net Top 50 URLs; "What is hyperlinked from this corpus?" ---------------------------------------------------- 1 http://www.gutenberg.net/dirs/2/2/6/9/22690/22690-h/22690-h.htm 1 http://www.gutenberg.net/dirs/2/2/6/9/22690/22690-h.zip Top 50 email addresses; "Who are you gonna call?" ------------------------------------------------- Top 50 positive assertions; "What sentences are in the shape of noun-verb-noun?" ------------------------------------------------------------------------------- 4 rembrandt was not 3 man was not 3 work was not 2 boy did not 2 lives make dull 2 mother lived together 2 picture called _ 2 picture was not 2 picture was so 2 rembrandt did not 2 rubens had too 1 _ goes far 1 art are secondary 1 art does not 1 art is indebted 1 art is often 1 art was so 1 artist do not 1 artist does business 1 artist is essentially 1 artist is ever 1 artist makes vigorous 1 artist saw only 1 artist stood by 1 artist was first 1 artists are more 1 artists are not 1 artists were geniuses 1 arts are esteemed 1 boy got on 1 boy looked on 1 boy showed such 1 boys are dog 1 boys got on 1 boys have not 1 boys took hold 1 day were not 1 days are far 1 days is so 1 days were not 1 figure is capable 1 figure is just 1 figure is likewise 1 figure is napoleon 1 figure is straighter 1 figure is wonderful 1 figures are ill 1 figures are nude 1 figures are often 1 figures is light Top 50 negative assertions; "What sentences are in the shape of noun-verb-no|not-noun?" --------------------------------------------------------------------------------------- 1 artists are not necessarily 1 day were not so 1 days were not long 1 man had no family 1 man was not hirsute 1 man was not quite 1 painter has no other 1 picture has no other 1 picture is not quite 1 picture was no likeness 1 picture was not keyed 1 pictures is no doubt 1 pictures were not mystical 1 rembrandt had no pretensions 1 rembrandt had no talent 1 rembrandt was not ambitious 1 rembrandt was not very 1 rembrandt was not yet 1 thing is not necessarily 1 things was not so 1 time is not at 1 woman had no wish 1 women was not small 1 work was not art 1 works show no proof A rudimentary bibliography -------------------------- id = 22690 author = Burnet, John title = Rembrandt and His Works Comprising a Short Account of His Life; with a Critical Examination into His Principles and Practice of Design, Light, Shade, and Colour. Illustrated by Examples from the Etchings of Rembrandt. date = keywords = Book; Christ; Ditto; Landscape; Nature; Rembrandt; Reynolds; Rubens; Sir; Titian; Van; bust; head; man; view; woman summary = A ditto, containing Landscapes after Nature by _Rembrandt_. these two figures is light in the picture but the head and hands of the 6. Portrait of Rembrandt when a young man, wearing a fur cap and a black Portrait of Rembrandt, seen in a front view, having an expression of Portrait of Rembrandt, seen in a front view, having a fur cap, and a Portrait of Rembrandt, seen in a three-quarter view, with the head Portrait of Rembrandt, seen in a front view, wearing a fur cap of a Portrait of Rembrandt, seen in nearly a front view, having on a Portrait of Rembrandt, seen in a front view, having on a Portrait of Rembrandt, seen in nearly a front view, having on a fur Portrait strongly resembling Rembrandt, seen in a front view, having Portrait of Rembrandt, seen in a three-quarter view, with a small id = 18118 author = Hubbard, Elbert title = Little Journeys to the Homes of the Great - Volume 04 Little Journeys to the Homes of Eminent Painters date = keywords = Dore; Duke; Dyck; England; Fortuny; Italy; Joshua; King; Landseer; Mantua; Mariano; Meissonier; Michelangelo; Paris; Paul; Rembrandt; Reynolds; Rome; Rubens; Scheffer; Titian; Van; Venice; man; picture; work summary = He began his artistic work when fourteen years old, and he lived to be One day the father came and found the boy in a blouse at work with mallet From that time forth Rembrandt was regarded by the little art world of And so there is a picture of Rembrandt''s mother which this son painted Rubens worked four years with Van Noort and then entered the studio of a hundred men worked to produce the pictures we call "Rubens." Titian was a good-looking young man, but he was not handsome like Van Dyck said he would think about it; and Rubens took a look at his old years Van Dyck lived in England he painted nearly one thousand portraits. He set to work feverishly to paint the great picture that was to bring It is a great thing to paint a beautiful picture, but ''t is a more id = 20607 author = Israëls, Jozef title = Rembrandt date = keywords = Amsterdam; Rembrandt; Saskia; man; picture; year summary = Rembrandt had painted many portraits when the picture of In the first years of his married life Rembrandt moved to the Nieuwe In this year Rembrandt painted the famous fine work, Rembrandt''s pleasant years came to an end. [Illustration: PLATE IV.--PORTRAIT OF AN OLD MAN Rembrandt painted very many portraits of men and women whose identity said to be one of Rembrandt''s portraits of himself, painted about what had come from the hand of the great master, the unique Rembrandt. When I had looked at Rembrandt''s pictures to my heart''s content, I used the colours, and the kind of people Rembrandt shows us in his works. of Rembrandt''s art, viz., his picture "The Night Patrol." work of the genius whom men call Rembrandt. in his great book on painting: "In Rembrandt''s pictures the paint is which for long years did little more than snarl at Rembrandt, has for id = 17215 author = Menpes, Mortimer title = Rembrandt date = keywords = Christ; Gallery; Hermitage; Petersburg; Rembrandt; St.; illustration; picture summary = this picture, and, in fact, of all Rembrandt''s works, are so poor and so Rembrandt''s pictures--that known as _The Night Watch_. with Rembrandt, surrounded by reproductions of his pictures, drawings, and wrongs of Rembrandt''s life, but went straight to his pictures and etchings, night, this child asked his mother why Rembrandt''s pictures were so that one day Rembrandt noted with amusement a man in the street shaking his imagine the healthy, full-blooded Rembrandt of this portrait painting the When we look at Rembrandt''s portrait of _An Old Woman_ at There are authorities who assert that in etching Rembrandt''s art found its printed form with the words--"Rembrandt''s Etchings and Drawings." Ten years later Rembrandt painted another Doelen or Regent picture which, Rembrandt gave them a work of art. that Rembrandt painted of himself, two years before his death. extraordinary work, perhaps the last Rembrandt painted, is modelled with id = 26496 author = Morse, Peter title = Rembrandt''s Etching Technique: An Example date = keywords = FIGURE; Landscape; Museum; Rembrandt; illustration summary = _Landscape with a hay barn and a flock of sheep._ Etching by Rembrandt, _A Rembrandt print in the collection of the Smithsonian Institution has prepared drawing on top of a white-grounded plate and traced the lines, Rembrandt almost certainly made all the etched lines in this print in a The author has attempted, by tracing only the etched lines in the print, Rembrandt''s print, _Landscape with a hay barn and a flock of sheep_. Rembrandt''s print, _Landscape with a hay barn and a flock of sheep_. plate is then put back in the acid and the remaining lines etched more Detail of the etched copper plate for Rembrandt''s print, _Christ seated Detail of Rembrandt''s finished print, _Landscape with a hay barn and a Detail of Rembrandt''s finished print, _Landscape with a hay barn and a Detail of Rembrandt''s finished print, _Landscape with a hay barn and a