# ent

id: 21957
type: ORG
entity:
  The Means of Empirical Observation of the Voice CHAPTER II Sympathetic Sensations of Vocal Tone CHAPTER


id: 21957
type: WORK_OF_ART
entity:
  The Materials of Rational Instruction in Singing CHAPTER IX Outlines of a Practical Method of Voice Culture Bibliography CHAPTER


# bib

id: 15446
author: Brower, Harriette
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summary:
  studied and worked, I would be able one day to sing in such a way as to Italian operas required little or no action, only beautiful singing. master vocal art, the singer must have so developed his voice that it is "Young singers ask me what vowels to use in vocal practice. how necessary it is for the singer to do daily work on the voice, I To ask such a natural born singer how she studies and works, is like singer with a good natural voice, who takes her tones correctly, who How many of our great singers began their musical studies of the voice." The singer illustrated the idea with a short musical think if they have a good natural voice and take singing lessons, that in the middle of her voice--always the best way--and sings a whole tone vocal art, the singer must have so developed his voice that it is under

title:
  Vocal Mastery Talks with Master Singers and Teachers, Comprising Interviews with Caruso, Farrar, Maurel, Lehmann, and Others


id: 19493
title: The Head Voice and Other Problems: Practical Talks on Singing
author: Clippinger, D. A. (David Alva)
txt: ./txt/19493.txt
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  tone quality, and the astounding thing about the human voice is that for moving appeal in the pure singing tone of the human voice that cannot singer must form the pitch, power, and quality of each tone as he uses tone throughout his vocal compass his voice is placed, and it is not the voice means the development of the musical mentality and at best is Again, the human voice can produce such a variety of tone qualities that voice production and disappear as the singer learns to produce his upper In preparing the head voice the student must begin with a tone that is voice teachers usually believe in direct control of the vocal organs. In voice production it means the perfect tone concept. same way the vocal student must hear mentally the pure singing tone an untrained voice and attempts to make it produce a musical tone.


id: 20069
title: Caruso and Tetrazzini on the Art of Singing
author: Caruso, Enrico
txt: ./txt/20069.txt
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summary:
  been written on breathing, tone production and what singers should eat Open the throat wide and start your note by the pressure breath. From the minute the singer starts to emit a tone the supply of breath pronounce the tones on a note in the easiest part of your voice. eventually the head voice will be joined to the breath, and a faint note singer with this voice production usually concentrates her entire If the singer''s health is good the voice should end only with life voice, first singing with the mouth closed and relying entirely on very In singing in public as well as when practicing the singer must stand so The "throaty" voice comes from singing with the throat insufficiently If the singer gives much of himself as well as of his voice to the sings with good breath support the more beautiful the voice becomes.


id: 19116
title: How to Sing [Meine Gesangskunst]
author: Lehmann, Lilli
txt: ./txt/19116.txt
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summary:
  tongue, or palate, or in the organs that furnish the breath pressure. Red lines denote division of the breath in palatal resonance, lower for the highest tone, sing the figure to its end, toward the nose, large resonating chamber thus formed yields tones that are powerful the organs of breathing, the position of the larynx, of the tongue, sing in a high vocal range, I can plainly feel the larynx rise and In singing very high head tones I have certain position of the vocal organs--larynx, tongue, and palate. With every tone that the singer has to sing, he must always head and falsetto tones, which are without any palatal resonance and the breath,--except in the very highest head tones,--around which it By this exercise the form for the breath, tone, and word, in _ah-e-[=a]_, larynx, tongue, and palatal position on the lowest tone


id: 19880
author: Mills, Wesley
txt: ./txt/19880.txt
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summary:
  effect--Forms of general exercise for the voice-user--Summary 62 Vocal bands and resonance-chambers compared--Improvised mechanism to practice as related to ease--The registers of the speaking voice The vocal bands during the production of a high-pitched tone 138 voice-training essential, if artistic results are to follow; neither breath-control so essential to good singing and speaking. Like the nose the larynx, and especially the vocal bands, may The larynx is the most important organ in voice-production, and muscles most in use in ordinary speech and in singing the lower tones. The tone caused by the vibration of two such small bands as the vocal of quality in the voice, and change of mechanism in the vocal singing and speaking the student learn to begin his voice-production any singer of whatever voice; while for speakers high tones are really cases to the vocal organs, while good voice-production strengthens

title:
  Voice Production in Singing and Speaking Based on Scientific Principles (Fourth Edition, Revised and Enlarged)


id: 16658
title: Piano and Song How to Teach, How to Learn, and How to Form a Judgment of Musical Performances
author: Wieck, Friedrich
txt: ./txt/16658.txt
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  teach you a great deal of it in a different way, and every time I shall acquire a fine touch on the piano; that is, to make the tones sound as singing, as a necessary foundation for piano-playing. advance the age; have heard every thing great and fine in music, and sing when papa played the flute, said, "What ridiculous little things just as singing-teachers rely upon the culture of a fine tone, in order has been acquired, it is of no use to talk about a fine singing tone. musical culture, with special reference to piano-playing. music, to play this piece, even if it is done quite mechanically, two or chords, which allow time to bring out the singing tone, in which Three trifles are essential for a good piano or singing-teacher,-EXTRAVAGANCES IN SINGING AND PIANO-PLAYING. EXTRAVAGANCES IN SINGING AND PIANO-PLAYING. Where did he learn piano-playing?


id: 26477
title: Observations on the Florid Song; Or, Sentiments on the Ancient and Modern Singers
author: Tosi, Pier Francesco
txt: ./txt/26477.txt
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summary:
  attend him: Let a Singer have a Fund of Knowledge sufficient to perform Let the Master attend with great Care to the Voice of the Scholar, In the same Lessons, let him teach the Art to put forth the Voice, that they understand the Art of Singing better than the Singers. If the Master hastens insensibly the Time when the Scholar sings Let the Scholar not be suffered to sing _Divisions_ with Let the modern Master learn to make use of this Advice, for Action by the Singer, the Master is obliged to teach the Scholar a The most necessary Study for singing _Airs_ in Perfection, and Generally speaking, the Study of the Singers of the present Times I do not know if a perfect Singer can at the same time be a Where Knowledge with Study makes one a good Singer, Ignorance with


id: 30889
title: The Mechanism of the Human Voice
author: Behnke, Emil
txt: ./txt/30889.txt
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summary:
  tone-producing element as the "Vocal Ligaments." voice, because in inspiration the air strikes the vocal ligaments to the larynx, and the tone of the vocal ligaments will be intensified, sing a pure vocal tone, and the mirror will remain perfectly tone is produced by the vibrations of the vocal ligaments. When singing in what is called chest-voice the voicebox rises gradually As soon as we produce a tone, the pyramids, and with them the vocal Every time we take breath, the pyramids with the vocal ligaments recede, Formation of the Vowel-tones and the Registers of the Female Voice. male voice, the vocal ligaments alone act in forming the sound, and are but by the shield-pyramid muscles which press the vocal ligaments more [Illustration: musical notation] in the female voice, and in the male tones of the Upper Thick, when the tension of the vocal ligaments is vocal ligaments in producing voice, with especial reference to the


id: 30854
title: The Voice: Its Production, Care and Preservation
author: Miller, Frank E. (Frank Ebenezer)
txt: ./txt/30854.txt
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summary:
  singers the physical action of the vocal organs and of all the resonance singing involves complete physiological control of the voice-producing voice produced on breath that is under the singer''s control and that Every vocal tone is, in fact, a mental concept reproduced as voice by the physical organs of voice-production, so that every vocal tone is, voice) calls for an extraordinary change in the adjustment of the vocal vocal apparatus required for their production, and not by voice-quality. to produce the lower notes of one register with the vocal adjustment function of the vocal tract below and above the cords simply to voice male voice, especially in the lowest tones of the chest register, that register, however, produces in the alto voice a tone that is rich for alto voice; and when singing in chest or head register, an alto their natural singing range, is in the middle register, and the tones


id: 21957
author: Taylor, David C. (David Clark)
txt: ./txt/21957.txt
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summary:
  instruction in singing and the actual methods of vocal teachers. the vocal action is obtained by attentive listening to voices, and in no the voice separately;--when the correct vocal cord action had been of tone; they instruct their pupils to sing low notes in one quality, empirical precept, "Sing with open throat." Several vocal theorists take MECHANICAL VOCAL MANAGEMENT AS THE BASIS OF VOICE CULTURE MECHANICAL VOCAL MANAGEMENT AS THE BASIS OF VOICE CULTURE vocal-cord action, for forward emission of tone, and for control of the Voice Culture must be turned from the idea of mechanical vocal classes of muscular sensation of vocal tone, direct and sympathetic, are vocal mechanism, obtained through the attentive listening to voices. throughout all vocal training the teacher listens to the pupil''s voice. correct vocal action and any other manner of tone-production. the vocal organs and to the mechanical operations of the voice.

title:
  The Psychology of Singing A Rational Method of Voice Culture Based on a Scientific Analysis of All Systems, Ancient and Modern


id: 21400
title: Style in Singing
author: Haslam, W. E.
txt: ./txt/21400.txt
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summary:
  basic principles of Style to the vocal music of the German, French, successfully the music of Falstaff, in Verdi''s opera, as is necessary if the musical phrasing be judiciously combined with a change in phrasing is good and effective, especially if the artist changes at of the classics confined to the vocal parts of the music composed by [Music: (Original Italian version, as written for Vienna.) accuse artists of introducing changes, of not performing the music as the composers'' music listen to the following phrase, sung as it is Composers and dramatic authors, in fact, _create_ their art-works; but (Italian), and means the changing of the notes or contour of a musical word "His," to which it belongs, while the composer''s music remains gifted artist, possessing a voice of very great compass, was enabled musical phrases or ideas to the work; but that his practical knowledge


id: 7824
title: Melody : The Story of a Child
author: Richards, Laura Elizabeth Howe
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summary:
  Melody''s voice came in like a wave of sound, filling the room with "It''s like the foreign birds they tell about!" said Miss Rejoice, "Martha Penny has a sharp way, Melody," said Miss Rejoice; "but she "Why, Vesta Dale, how you do talk!" said Miss Rejoice, and then they But stop," he added, as the child, after touching Miss Vesta''s hand "Good-by, Doctor," cried the child, joyously, turning her bright face "Melody," he said tenderly, taking the child on his knee,--"little "Why, Vesta!" said Miss Rejoice''s soft voice; "how you do talk!" Melody passed her hand rapidly over the old man''s face, and then "Yes, Mr. De Arthenay," said Miss Vesta, "do play a little for us, "I should like to know what you can do about it," said Miss Vesta, wonderful voice; and one day she had come home and told Miss Rejoice


id: 12856
author: Myer, Edmund J. (Edmund John)
txt: ./txt/12856.txt
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summary:
  Practical Stand-Point," "Voice-Training Exercises" (a study of the natural movements of the voice), "Vocal Reinforcement," "Position and Action in singing, which are freedom of form and action, spontaneity and naturalness. true art of voice is to study the conditions which allow these phenomena to devices used to study natural laws, to develop the God-given powers of the conditions of tone; movements which allow the voice to sing spontaneously. These movements develop in a common-sense way the power of natural forces, to be the level of the tone let the voice sing. which secure the true conditions of tone and automatic breath-control. is the great movement for developing the low tones of all voices. way all true conditions are secured, and the voice is allowed to sing as a rule, upon freedom of voice and the true conditions of tone as before Sing a tone, about the middle of the voice, without other thought than that

title:
  The Renaissance of the Vocal Art A Practical Study of Vitality, Vitalized Energy, of the Physical, Mental and Emotional Powers of the Singer, through Flexible, Elastic Bodily Movements


id: 32023
author: Curwen, J. Spencer (John Spencer)
txt: ./txt/32023.txt
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summary:
  A BOOK OF PRACTICAL INFORMATION ON THE TRAINING OF BOYS'' VOICES FOR "Our best solo boy, who has a splendid voice and who sings beautifully, I try a new boy''s voice at the choir practice. boys, by singing quietly, to glide the chest voice into the upper the choir-boy, it is not worth while to teach him to sing by note. new lot of choir boys will be liable to sing flat, and to lower their obtain choir-boys, adult men learned to sing alto, and even low treble adult altos in my choir I should not think of using boys'' voices. indeed do I hear boy altos sing with sweet voices and true intonation, "In part-singing where there are boy trebles, the adult male alto voice I have trained boys to sing alto in is the custom in some choirs to make a boy sing alto as soon as his

title:
  The Boy''s Voice A Book of Practical Information on The Training of Boys'' Voices For Church Choirs, &c.


id: 33358
title: Great Singers on the Art of Singing Educational Conferences with Foremost Artists
author: Cooke, James Francis
txt: ./txt/33358.txt
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summary:
  singers and, later, in teaching voice for many years, formed a machine company, a man whose acquaintance with great singers of the time famous singers in the great opera house with the minutest attention, My advice to the voice students of America is to hear great singers. The American student with a really good voice and a really fine vocal work that many native Italian singers with realty fine voices are when a new singer comes to me and wants to sing _Tosca_ or some rôle the case at one time in America that a singer with a great reputation Opera House in New York was so great that at the time I made my début opera singer in the great opera houses of the world rarely sings more The opera singer naturally gets tired of singing a few rôles the voice and trains the singer technically to do great things.


id: 37662
title: Seed Thoughts for Singers
author: Tubbs, Frank Herbert
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  Heart and Intellect, 54; Time Ends Not, 55; Power of Thought, 56; Nature Good, 84; Little Things Affect, 85; Musical Library, 86; Change of A singing teacher, passing along, noticed the rich voice of the line of development to follow in bringing into use the singing voice. had in mind the opportunity which the music teacher has to do good. A teacher of voice and singing who does not believe his way is the best into voice and music, thus making better their ability. teacher feels every little while as if his good way were slipping from long time, much longer than it takes to sing any phrase in music which It will come to any man who is doing good work and living a teacher''s mind can be made upon the pupil in two seasons of study if it body enter into voice culture, where they are and how they work.


