mv: ‘./input-file.zip’ and ‘./input-file.zip’ are the same file Creating study carrel named subject-voiceCulture-gutenberg Initializing database Unzipping Archive: input-file.zip creating: ./tmp/input/input-file/ inflating: ./tmp/input/input-file/19138.txt inflating: ./tmp/input/input-file/19880.txt inflating: ./tmp/input/input-file/21957.txt inflating: ./tmp/input/input-file/21400.txt inflating: ./tmp/input/input-file/32023.txt inflating: ./tmp/input/input-file/33358.txt inflating: ./tmp/input/input-file/37662.txt inflating: ./tmp/input/input-file/metadata.csv caution: excluded filename not matched: *MACOSX* === DIRECTORIES: ./tmp/input === DIRECTORY: ./tmp/input/input-file === metadata file: ./tmp/input/input-file/metadata.csv === found metadata file === updating bibliographic database Building study carrel named subject-voiceCulture-gutenberg FILE: cache/19880.txt OUTPUT: txt/19880.txt FILE: cache/21400.txt OUTPUT: txt/21400.txt FILE: cache/33358.txt OUTPUT: txt/33358.txt FILE: cache/32023.txt OUTPUT: txt/32023.txt FILE: cache/37662.txt OUTPUT: txt/37662.txt FILE: cache/19138.txt OUTPUT: txt/19138.txt FILE: cache/21957.txt OUTPUT: txt/21957.txt 21400 txt/../wrd/21400.wrd 21400 txt/../pos/21400.pos 19138 txt/../wrd/19138.wrd 19138 txt/../pos/19138.pos 37662 txt/../pos/37662.pos 21400 txt/../ent/21400.ent 32023 txt/../pos/32023.pos 32023 txt/../wrd/32023.wrd 37662 txt/../wrd/37662.wrd === file2bib.sh === id: 21400 author: Haslam, W. E. title: Style in Singing date: pages: extension: .txt txt: ./txt/21400.txt cache: ./cache/21400.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 4 resourceName b'21400.txt' 32023 txt/../ent/32023.ent 37662 txt/../ent/37662.ent 19138 txt/../ent/19138.ent === file2bib.sh === id: 37662 author: Tubbs, Frank Herbert title: Seed Thoughts for Singers date: pages: extension: .txt txt: ./txt/37662.txt cache: ./cache/37662.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 resourceName b'37662.txt' === file2bib.sh === id: 19138 author: Fillebrown, Thomas title: Resonance in Singing and Speaking date: pages: extension: .txt txt: ./txt/19138.txt cache: ./cache/19138.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 4 resourceName b'19138.txt' 19880 txt/../pos/19880.pos 21957 txt/../pos/21957.pos 21957 txt/../wrd/21957.wrd 19880 txt/../wrd/19880.wrd 33358 txt/../pos/33358.pos === file2bib.sh === id: 32023 author: Curwen, J. Spencer (John Spencer) title: The Boy's Voice A Book of Practical Information on The Training of Boys' Voices For Church Choirs, &c. date: pages: extension: .txt txt: ./txt/32023.txt cache: ./cache/32023.txt Content-Encoding ISO-8859-1 Content-Type text/plain; charset=ISO-8859-1 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 resourceName b'32023.txt' 33358 txt/../wrd/33358.wrd 19880 txt/../ent/19880.ent 21957 txt/../ent/21957.ent 33358 txt/../ent/33358.ent === file2bib.sh === id: 33358 author: Cooke, James Francis title: Great Singers on the Art of Singing Educational Conferences with Foremost Artists date: pages: extension: .txt txt: ./txt/33358.txt cache: ./cache/33358.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 6 resourceName b'33358.txt' === file2bib.sh === id: 19880 author: Mills, Wesley title: Voice Production in Singing and Speaking Based on Scientific Principles (Fourth Edition, Revised and Enlarged) date: pages: extension: .txt txt: ./txt/19880.txt cache: ./cache/19880.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 6 resourceName b'19880.txt' === file2bib.sh === id: 21957 author: Taylor, David C. (David Clark) title: The Psychology of Singing A Rational Method of Voice Culture Based on a Scientific Analysis of All Systems, Ancient and Modern date: pages: extension: .txt txt: ./txt/21957.txt cache: ./cache/21957.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 5 resourceName b'21957.txt' Done mapping. Reducing subject-voiceCulture-gutenberg === reduce.pl bib === id = 19138 author = Fillebrown, Thomas title = Resonance in Singing and Speaking date = pages = extension = .txt mime = text/plain words = 27661 sentences = 2247 flesch = 73 summary = Schubert, Schumann, Franz, Brahms, Grieg, Strauss, and Wolf, as well breath is necessary to produce the best results of which a voice is Full control of the breath insures success to a good voice; breath is needed to produce effective tones, the impression must exist the tone, lessen the resonance, and weaken the voice, rendering the 5. Ability to sing and sustain the voice on an _ordinary_ breath. improve her voice took vocal music lessons of a teacher of more than sing you will hear the tone sounding in the piano. of the tones are dependent upon _resonance_,--the vibration of the air As tone, or vocalized breath, issues from the larynx, it is divided to the vibrations and add to the tone normal nasal resonance. largely vowelization, and vocal tones are a complex of sound and develop and establish a good speaking and singing voice. POWER OF TONE, dependent on resonant cavities and breath control, 27. cache = ./cache/19138.txt txt = ./txt/19138.txt === reduce.pl bib === id = 19880 author = Mills, Wesley title = Voice Production in Singing and Speaking Based on Scientific Principles (Fourth Edition, Revised and Enlarged) date = pages = extension = .txt mime = text/plain words = 70555 sentences = 3326 flesch = 66 summary = effect--Forms of general exercise for the voice-user--Summary 62 Vocal bands and resonance-chambers compared--Improvised mechanism to practice as related to ease--The registers of the speaking voice The vocal bands during the production of a high-pitched tone 138 voice-training essential, if artistic results are to follow; neither breath-control so essential to good singing and speaking. Like the nose the larynx, and especially the vocal bands, may The larynx is the most important organ in voice-production, and muscles most in use in ordinary speech and in singing the lower tones. The tone caused by the vibration of two such small bands as the vocal of quality in the voice, and change of mechanism in the vocal singing and speaking the student learn to begin his voice-production any singer of whatever voice; while for speakers high tones are really cases to the vocal organs, while good voice-production strengthens cache = ./cache/19880.txt txt = ./txt/19880.txt === reduce.pl bib === id = 37662 author = Tubbs, Frank Herbert title = Seed Thoughts for Singers date = pages = extension = .txt mime = text/plain words = 29322 sentences = 2094 flesch = 83 summary = Heart and Intellect, 54; Time Ends Not, 55; Power of Thought, 56; Nature Good, 84; Little Things Affect, 85; Musical Library, 86; Change of A singing teacher, passing along, noticed the rich voice of the line of development to follow in bringing into use the singing voice. had in mind the opportunity which the music teacher has to do good. A teacher of voice and singing who does not believe his way is the best into voice and music, thus making better their ability. teacher feels every little while as if his good way were slipping from long time, much longer than it takes to sing any phrase in music which It will come to any man who is doing good work and living a teacher's mind can be made upon the pupil in two seasons of study if it body enter into voice culture, where they are and how they work. cache = ./cache/37662.txt txt = ./txt/37662.txt === reduce.pl bib === id = 33358 author = Cooke, James Francis title = Great Singers on the Art of Singing Educational Conferences with Foremost Artists date = pages = extension = .txt mime = text/plain words = 71914 sentences = 4425 flesch = 74 summary = singers and, later, in teaching voice for many years, formed a machine company, a man whose acquaintance with great singers of the time famous singers in the great opera house with the minutest attention, My advice to the voice students of America is to hear great singers. The American student with a really good voice and a really fine vocal work that many native Italian singers with realty fine voices are when a new singer comes to me and wants to sing _Tosca_ or some rôle the case at one time in America that a singer with a great reputation Opera House in New York was so great that at the time I made my début opera singer in the great opera houses of the world rarely sings more The opera singer naturally gets tired of singing a few rôles the voice and trains the singer technically to do great things. cache = ./cache/33358.txt txt = ./txt/33358.txt === reduce.pl bib === id = 21400 author = Haslam, W. E. title = Style in Singing date = pages = extension = .txt mime = text/plain words = 21707 sentences = 1290 flesch = 67 summary = basic principles of Style to the vocal music of the German, French, successfully the music of Falstaff, in Verdi's opera, as is necessary if the musical phrasing be judiciously combined with a change in phrasing is good and effective, especially if the artist changes at of the classics confined to the vocal parts of the music composed by [Music: (Original Italian version, as written for Vienna.) accuse artists of introducing changes, of not performing the music as the composers' music listen to the following phrase, sung as it is Composers and dramatic authors, in fact, _create_ their art-works; but (Italian), and means the changing of the notes or contour of a musical word "His," to which it belongs, while the composer's music remains gifted artist, possessing a voice of very great compass, was enabled musical phrases or ideas to the work; but that his practical knowledge cache = ./cache/21400.txt txt = ./txt/21400.txt === reduce.pl bib === id = 21957 author = Taylor, David C. (David Clark) title = The Psychology of Singing A Rational Method of Voice Culture Based on a Scientific Analysis of All Systems, Ancient and Modern date = pages = extension = .txt mime = text/plain words = 68859 sentences = 4103 flesch = 65 summary = instruction in singing and the actual methods of vocal teachers. the vocal action is obtained by attentive listening to voices, and in no the voice separately;--when the correct vocal cord action had been of tone; they instruct their pupils to sing low notes in one quality, empirical precept, "Sing with open throat." Several vocal theorists take MECHANICAL VOCAL MANAGEMENT AS THE BASIS OF VOICE CULTURE MECHANICAL VOCAL MANAGEMENT AS THE BASIS OF VOICE CULTURE vocal-cord action, for forward emission of tone, and for control of the Voice Culture must be turned from the idea of mechanical vocal classes of muscular sensation of vocal tone, direct and sympathetic, are vocal mechanism, obtained through the attentive listening to voices. throughout all vocal training the teacher listens to the pupil's voice. correct vocal action and any other manner of tone-production. the vocal organs and to the mechanical operations of the voice. cache = ./cache/21957.txt txt = ./txt/21957.txt === reduce.pl bib === id = 32023 author = Curwen, J. Spencer (John Spencer) title = The Boy's Voice A Book of Practical Information on The Training of Boys' Voices For Church Choirs, &c. date = pages = extension = .txt mime = text/plain words = 33384 sentences = 2432 flesch = 81 summary = A BOOK OF PRACTICAL INFORMATION ON THE TRAINING OF BOYS' VOICES FOR "Our best solo boy, who has a splendid voice and who sings beautifully, I try a new boy's voice at the choir practice. boys, by singing quietly, to glide the chest voice into the upper the choir-boy, it is not worth while to teach him to sing by note. new lot of choir boys will be liable to sing flat, and to lower their obtain choir-boys, adult men learned to sing alto, and even low treble adult altos in my choir I should not think of using boys' voices. indeed do I hear boy altos sing with sweet voices and true intonation, "In part-singing where there are boy trebles, the adult male alto voice I have trained boys to sing alto in is the custom in some choirs to make a boy sing alto as soon as his cache = ./cache/32023.txt txt = ./txt/32023.txt Building ./etc/reader.txt 21957 19880 33358 19880 21957 37662 number of items: 7 sum of words: 323,402 average size in words: 46,200 average readability score: 72 nouns: voice; tone; singer; singing; music; time; teacher; breath; boys; action; tones; singers; work; production; muscles; student; art; resonance; years; way; part; throat; teachers; air; practice; voices; exercises; training; quality; ear; use; illustration; chest; instruction; mouth; breathing; study; case; larynx; attention; sound; organs; mind; subject; method; body; opera; idea; day; fact verbs: is; be; are; have; was; has; been; do; sing; had; made; were; does; make; singing; being; used; given; say; know; give; take; come; become; said; found; let; produced; sung; speaking; known; go; considered; learn; produce; use; hear; find; seems; done; get; heard; following; called; see; did; think; seem; trained; seen adjectives: vocal; great; other; many; musical; good; same; such; more; muscular; little; first; mechanical; best; few; important; own; much; correct; certain; old; possible; perfect; necessary; modern; most; italian; natural; true; scientific; new; different; practical; high; better; whole; lower; special; beautiful; open; empirical; small; greatest; artistic; proper; young; upper; large; general; soft adverbs: not; so; very; only; more; most; well; as; then; even; also; up; out; never; now; always; often; much; too; far; just; first; thus; once; however; ever; therefore; again; generally; almost; down; here; especially; still; usually; all; really; long; rather; less; back; naturally; indeed; quite; sometimes; properly; at; entirely; perfectly; on pronouns: it; i; his; he; they; their; we; my; its; them; you; her; she; me; him; our; one; your; us; himself; itself; themselves; myself; herself; ourselves; yourself; yours; ye; ours; oneself; je; tympanum; thyself; thy; mine; power,--are; lover; elements,--the; ''em proper nouns: _; voice; mr.; opera; chapter; america; new; culture; york; vocal; dr.; mme; london; fig; c.; garcia; science; j.; schumann; la; de; paris; c; wagner; throat; sol; hung; f; singing; gounod; madame; koo; w.; italy; metropolitan; english; ii; house; fa; ee; larynx; h.; f.; r.; m.; tonic; iv; d; tosi; italian keywords: voice; vocal; illustration; tone; singing; singer; music; italian; chapter; time; teacher; sound; paris; good; york; work; verdi; tonic; throat; thought; sol; seiler; science; schumann; resonance; register; production; piano; phrase; opera; new; nasal; musical; muscle; mr.; mme; mind; metropolitan; method; madame; london; larynx; italy; house; handel; great; gounod; gluck; garcia; french one topic; one dimension: voice file(s): ./cache/33358.txt titles(s): Great Singers on the Art of Singing Educational Conferences with Foremost Artists three topics; one dimension: voice; voice; voice file(s): ./cache/33358.txt, ./cache/19880.txt, ./cache/21957.txt titles(s): Great Singers on the Art of Singing Educational Conferences with Foremost Artists | Voice Production in Singing and Speaking Based on Scientific Principles (Fourth Edition, Revised and Enlarged) | The Psychology of Singing A Rational Method of Voice Culture Based on a Scientific Analysis of All Systems, Ancient and Modern five topics; three dimensions: voice vocal tone; voice singer opera; voice vocal singing; boys voice choir; acknowledged abuse courage file(s): ./cache/21957.txt, ./cache/33358.txt, ./cache/19880.txt, ./cache/32023.txt, ./cache/21400.txt titles(s): The Psychology of Singing A Rational Method of Voice Culture Based on a Scientific Analysis of All Systems, Ancient and Modern | Great Singers on the Art of Singing Educational Conferences with Foremost Artists | Voice Production in Singing and Speaking Based on Scientific Principles (Fourth Edition, Revised and Enlarged) | The Boy''s Voice A Book of Practical Information on The Training of Boys'' Voices For Church Choirs, &c. | Style in Singing Type: gutenberg title: subject-voiceCulture-gutenberg date: 2021-06-10 time: 16:06 username: emorgan patron: Eric Morgan email: emorgan@nd.edu input: facet_subject:"Voice culture" ==== make-pages.sh htm files ==== make-pages.sh complex files ==== make-pages.sh named enities ==== making bibliographics id: 33358 author: Cooke, James Francis title: Great Singers on the Art of Singing Educational Conferences with Foremost Artists date: words: 71914 sentences: 4425 pages: flesch: 74 cache: ./cache/33358.txt txt: ./txt/33358.txt summary: singers and, later, in teaching voice for many years, formed a machine company, a man whose acquaintance with great singers of the time famous singers in the great opera house with the minutest attention, My advice to the voice students of America is to hear great singers. The American student with a really good voice and a really fine vocal work that many native Italian singers with realty fine voices are when a new singer comes to me and wants to sing _Tosca_ or some rôle the case at one time in America that a singer with a great reputation Opera House in New York was so great that at the time I made my début opera singer in the great opera houses of the world rarely sings more The opera singer naturally gets tired of singing a few rôles the voice and trains the singer technically to do great things. id: 32023 author: Curwen, J. Spencer (John Spencer) title: The Boy''s Voice A Book of Practical Information on The Training of Boys'' Voices For Church Choirs, &c. date: words: 33384 sentences: 2432 pages: flesch: 81 cache: ./cache/32023.txt txt: ./txt/32023.txt summary: A BOOK OF PRACTICAL INFORMATION ON THE TRAINING OF BOYS'' VOICES FOR "Our best solo boy, who has a splendid voice and who sings beautifully, I try a new boy''s voice at the choir practice. boys, by singing quietly, to glide the chest voice into the upper the choir-boy, it is not worth while to teach him to sing by note. new lot of choir boys will be liable to sing flat, and to lower their obtain choir-boys, adult men learned to sing alto, and even low treble adult altos in my choir I should not think of using boys'' voices. indeed do I hear boy altos sing with sweet voices and true intonation, "In part-singing where there are boy trebles, the adult male alto voice I have trained boys to sing alto in is the custom in some choirs to make a boy sing alto as soon as his id: 19138 author: Fillebrown, Thomas title: Resonance in Singing and Speaking date: words: 27661 sentences: 2247 pages: flesch: 73 cache: ./cache/19138.txt txt: ./txt/19138.txt summary: Schubert, Schumann, Franz, Brahms, Grieg, Strauss, and Wolf, as well breath is necessary to produce the best results of which a voice is Full control of the breath insures success to a good voice; breath is needed to produce effective tones, the impression must exist the tone, lessen the resonance, and weaken the voice, rendering the 5. Ability to sing and sustain the voice on an _ordinary_ breath. improve her voice took vocal music lessons of a teacher of more than sing you will hear the tone sounding in the piano. of the tones are dependent upon _resonance_,--the vibration of the air As tone, or vocalized breath, issues from the larynx, it is divided to the vibrations and add to the tone normal nasal resonance. largely vowelization, and vocal tones are a complex of sound and develop and establish a good speaking and singing voice. POWER OF TONE, dependent on resonant cavities and breath control, 27. id: 21400 author: Haslam, W. E. title: Style in Singing date: words: 21707 sentences: 1290 pages: flesch: 67 cache: ./cache/21400.txt txt: ./txt/21400.txt summary: basic principles of Style to the vocal music of the German, French, successfully the music of Falstaff, in Verdi''s opera, as is necessary if the musical phrasing be judiciously combined with a change in phrasing is good and effective, especially if the artist changes at of the classics confined to the vocal parts of the music composed by [Music: (Original Italian version, as written for Vienna.) accuse artists of introducing changes, of not performing the music as the composers'' music listen to the following phrase, sung as it is Composers and dramatic authors, in fact, _create_ their art-works; but (Italian), and means the changing of the notes or contour of a musical word "His," to which it belongs, while the composer''s music remains gifted artist, possessing a voice of very great compass, was enabled musical phrases or ideas to the work; but that his practical knowledge id: 19880 author: Mills, Wesley title: Voice Production in Singing and Speaking Based on Scientific Principles (Fourth Edition, Revised and Enlarged) date: words: 70555 sentences: 3326 pages: flesch: 66 cache: ./cache/19880.txt txt: ./txt/19880.txt summary: effect--Forms of general exercise for the voice-user--Summary 62 Vocal bands and resonance-chambers compared--Improvised mechanism to practice as related to ease--The registers of the speaking voice The vocal bands during the production of a high-pitched tone 138 voice-training essential, if artistic results are to follow; neither breath-control so essential to good singing and speaking. Like the nose the larynx, and especially the vocal bands, may The larynx is the most important organ in voice-production, and muscles most in use in ordinary speech and in singing the lower tones. The tone caused by the vibration of two such small bands as the vocal of quality in the voice, and change of mechanism in the vocal singing and speaking the student learn to begin his voice-production any singer of whatever voice; while for speakers high tones are really cases to the vocal organs, while good voice-production strengthens id: 21957 author: Taylor, David C. (David Clark) title: The Psychology of Singing A Rational Method of Voice Culture Based on a Scientific Analysis of All Systems, Ancient and Modern date: words: 68859 sentences: 4103 pages: flesch: 65 cache: ./cache/21957.txt txt: ./txt/21957.txt summary: instruction in singing and the actual methods of vocal teachers. the vocal action is obtained by attentive listening to voices, and in no the voice separately;--when the correct vocal cord action had been of tone; they instruct their pupils to sing low notes in one quality, empirical precept, "Sing with open throat." Several vocal theorists take MECHANICAL VOCAL MANAGEMENT AS THE BASIS OF VOICE CULTURE MECHANICAL VOCAL MANAGEMENT AS THE BASIS OF VOICE CULTURE vocal-cord action, for forward emission of tone, and for control of the Voice Culture must be turned from the idea of mechanical vocal classes of muscular sensation of vocal tone, direct and sympathetic, are vocal mechanism, obtained through the attentive listening to voices. throughout all vocal training the teacher listens to the pupil''s voice. correct vocal action and any other manner of tone-production. the vocal organs and to the mechanical operations of the voice. id: 37662 author: Tubbs, Frank Herbert title: Seed Thoughts for Singers date: words: 29322 sentences: 2094 pages: flesch: 83 cache: ./cache/37662.txt txt: ./txt/37662.txt summary: Heart and Intellect, 54; Time Ends Not, 55; Power of Thought, 56; Nature Good, 84; Little Things Affect, 85; Musical Library, 86; Change of A singing teacher, passing along, noticed the rich voice of the line of development to follow in bringing into use the singing voice. had in mind the opportunity which the music teacher has to do good. A teacher of voice and singing who does not believe his way is the best into voice and music, thus making better their ability. teacher feels every little while as if his good way were slipping from long time, much longer than it takes to sing any phrase in music which It will come to any man who is doing good work and living a teacher''s mind can be made upon the pupil in two seasons of study if it body enter into voice culture, where they are and how they work. ==== make-pages.sh questions ==== make-pages.sh search ==== make-pages.sh topic modeling corpus Zipping study carrel