mv: ‘./input-file.zip’ and ‘./input-file.zip’ are the same file Error: near line 1: database is locked Send options without primary recipient specified. Usage: mailx -eiIUdEFntBDNHRVv~ -T FILE -u USER -h hops -r address -s SUBJECT -a FILE -q FILE -f FILE -A ACCOUNT -b USERS -c USERS -S OPTION users Creating study carrel named subject-woodengraving-gutenberg Initializing database Unzipping Archive: input-file.zip creating: ./tmp/input/input-file/ inflating: ./tmp/input/input-file/20195.txt inflating: ./tmp/input/input-file/29928.txt inflating: ./tmp/input/input-file/27268.txt inflating: ./tmp/input/input-file/40589.txt inflating: ./tmp/input/input-file/metadata.csv caution: excluded filename not matched: *MACOSX* === DIRECTORIES: ./tmp/input === DIRECTORY: ./tmp/input/input-file === metadata file: ./tmp/input/input-file/metadata.csv === found metadata file === updating bibliographic database Building study carrel named subject-woodengraving-gutenberg FILE: cache/20195.txt OUTPUT: txt/20195.txt FILE: cache/40589.txt OUTPUT: txt/40589.txt FILE: cache/27268.txt OUTPUT: txt/27268.txt FILE: cache/29928.txt OUTPUT: txt/29928.txt 29928 txt/../pos/29928.pos 29928 txt/../wrd/29928.wrd 29928 txt/../ent/29928.ent === file2bib.sh === id: 29928 author: Kainen, Jacob title: Why Bewick Succeeded: A Note in the History of Wood Engraving date: pages: extension: .txt txt: ./txt/29928.txt cache: ./cache/29928.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 resourceName b'29928.txt' 20195 txt/../wrd/20195.wrd 20195 txt/../pos/20195.pos 20195 txt/../ent/20195.ent === file2bib.sh === id: 20195 author: Fletcher, F. Morley (Frank Morley) title: Wood-Block Printing A Description of the Craft of Woodcutting and Colour Printing Based on the Japanese Practice date: pages: extension: .txt txt: ./txt/20195.txt cache: ./cache/20195.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 resourceName b'20195.txt' 40589 txt/../wrd/40589.wrd 40589 txt/../pos/40589.pos 40589 txt/../ent/40589.ent 27268 txt/../pos/27268.pos 27268 txt/../wrd/27268.wrd === file2bib.sh === id: 40589 author: Cundall, Joseph title: A Brief History of Wood-engraving from Its Invention date: pages: extension: .txt txt: ./txt/40589.txt cache: ./cache/40589.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 31 resourceName b'40589.txt' 27268 txt/../ent/27268.ent === file2bib.sh === id: 27268 author: Ruskin, John title: Ariadne Florentina: Six Lectures on Wood and Metal Engraving date: pages: extension: .txt txt: ./txt/27268.txt cache: ./cache/27268.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 6 resourceName b'27268.txt' Done mapping. Reducing subject-woodengraving-gutenberg === reduce.pl bib === id = 27268 author = Ruskin, John title = Ariadne Florentina: Six Lectures on Wood and Metal Engraving date = pages = extension = .txt mime = text/plain words = 60696 sentences = 3225 flesch = 76 summary = DESIGN IN THE GERMAN SCHOOLS OF ENGRAVING (HOLBEIN AND DÜRER) 81 DESIGN IN THE FLORENTINE SCHOOLS OF ENGRAVING (SANDRO BOTTICELLI) 108 to say, the pen, producing shade by black lines, as old engraving did; You have thus three arts,--engraving, light-and-shade drawing, and 5. One, English,--to-day sold in the High Street,--Caricaturist Art. And of these, the Florentine and old English are divine work, A line is the simplest work of art you can produce. I mean, by engraving, the art of producing decoration on a surface by engraving, like fine wood-cutting, ignores light and shade; and that, in line-work,--do you mean to tell us that these ignore light and shade?' engravings ever produced by art,--two subjects in Holbein's Dance of beautiful or good a thing as a painting, or line engraving. great schools of European art, than the perfectness of modern line are to look for in engraving, as a separate art from that of painting. cache = ./cache/27268.txt txt = ./txt/27268.txt === reduce.pl bib === id = 29928 author = Kainen, Jacob title = Why Bewick Succeeded: A Note in the History of Wood Engraving date = pages = extension = .txt mime = text/plain words = 8128 sentences = 488 flesch = 68 summary = A little engraving on wood was also done, but Bewick tells us that his the art of engraving and cutting on wood was just beginning to show "white line" that gave wood engraving its special quality. black ink and white paper, it mattered little whether the engraved lines [Illustration: Figure 3.--Late 15th-Century White-Line Engraving "The Actually, white-line engraving for relief printing dates from the 15th white-line metal relief prints, inked on the surface like woodcuts. Koehler, "White-line engraving for relief-printing in [Illustration: Figure 4.--White-Line Engraving on Metal for Relief Relief engraving on type metal and end-grain wood really got under way _French_ engravers on Wood all working in the old Manner; no Metal [Illustration: Figure 7.--Wood Engraving by Thomas Bewick, "The Man and Bewick's early work was printed on laid paper. Bewick was still using wood engraving as The wood-engraving of Thomas Bewick, produced [Illustration: Figure 12.--Wood Engraving by W. cache = ./cache/29928.txt txt = ./txt/29928.txt === reduce.pl bib === id = 20195 author = Fletcher, F. Morley (Frank Morley) title = Wood-Block Printing A Description of the Craft of Woodcutting and Colour Printing Based on the Japanese Practice date = pages = extension = .txt mime = text/plain words = 17396 sentences = 981 flesch = 76 summary = The following account of colour-printing from wood-blocks is based on a The actual value of wood-block prints for use as decoration is a matter To see a few impressions taken from a set of blocks in colour printing, It is usual to print the line or key-block of a design first, as one is The complete design of a print may require several blocks for colour as block that must be cut first is that which prints the line or "key" of other blocks for printing the coloured portions of the design are cut. development of drawing in designs for wood-block prints. key-block of a Japanese print showing admirable variety in the means printing surface of a colour block would be as follows: Preparation of Paper, Ink, Colour, and Paste for Printing impression from colour-blocks as the long-fibred Japanese paper, yet it One by one each colour-block is printed in this way until the batch of cache = ./cache/20195.txt txt = ./txt/20195.txt === reduce.pl bib === id = 40589 author = Cundall, Joseph title = A Brief History of Wood-engraving from Its Invention date = pages = extension = .txt mime = text/plain words = 29078 sentences = 1624 flesch = 74 summary = Wood-Engraving in England in the Fifteenth Century--William the first book, printed from type, that had wood engravings. of the fifteenth century, illustrated a few books printed in Italy, is This book contains the first decorative work by wood-engraving we have met These works mark an important era in the history of wood-engraving and Dürer made also many drawings on wood which were engraved and printed under wood-engravings, after Dürer's drawings, appeared between the years 1510 work, the most important production of the art of wood-engraving the world designed and engraved pictures for books. books and printed them, but designed ornamental borders and engraved them. several excellent wood-engravings published in London in illustration of wood-engraver at Antwerp, Christoph Jegher, who worked for many years with engraving, and devoted himself to drawings for the illustration of books. fifteenth century, many artists and engravers produced work of great merit: cache = ./cache/40589.txt txt = ./txt/40589.txt Building ./etc/reader.txt Error: near line 1: database is locked Send options without primary recipient specified. Usage: mailx -eiIUdEFntBDNHRVv~ -T FILE -u USER -h hops -r address -s SUBJECT -a FILE -q FILE -f FILE -A ACCOUNT -b USERS -c USERS -S OPTION users 27268 40589 20195 40589 29928 27268 number of items: 4 sum of words: 115,298 average size in words: 28,824 average readability score: 73 nouns: work; wood; block; art; engraving; colour; paper; line; illustration; time; printing; lines; hand; book; design; blocks; century; print; cuts; men; books; day; artist; man; drawing; life; power; engraver; years; metal; prints; plate; death; light; form; way; works; page; ink; shade; part; color; means; use; engravings; history; end; surface; artists; drawings verbs: is; be; are; was; have; were; had; has; been; printed; made; see; engraving; do; engraved; cut; used; printing; give; know; done; being; think; given; say; find; published; known; look; produced; make; said; put; taken; found; take; did; seen; drawn; called; set; designed; show; does; cutting; am; having; draw; shown; left adjectives: other; first; great; many; little; good; own; more; best; such; same; much; modern; black; white; old; new; key; small; last; few; japanese; fine; beautiful; true; large; important; fifteenth; possible; original; second; early; flat; present; general; excellent; different; young; popular; most; better; several; italian; whole; necessary; full; least; german; actual; right adverbs: not; so; only; more; very; now; also; as; then; most; even; well; here; first; out; much; never; far; too; up; always; still; however; all; down; yet; again; entirely; indeed; therefore; ever; just; often; thus; quite; nearly; probably; once; about; perhaps; less; on; n''t; at; together; there; soon; enough; generally; away pronouns: it; his; you; i; he; they; their; we; them; its; him; my; her; our; your; me; himself; us; she; itself; themselves; myself; one; yourself; thy; ourselves; mine; herself; yourselves; yours; thee; oneself; you,--you; then,--you; theirs; rome?--his; ours; hic; hers; execution,--the; breast,--the proper nouns: _; bewick; holbein; |; botticelli; mr.; st.; john; england; dürer; london; venice; thomas; florence; sandro; christ; de; w.; museum; italy; florentine; germany; wood; william; sibyl; virgin; turner; hans; chapter; bible; library; j.; c.; robert; fig; dance; raphael; paris; michael; church; society; le; british; angelo; dr.; d.; book; ii; fables; engraving keywords: illustration; bewick; wood; st.; print; mr.; holbein; engraving; england; dürer; work; venice; turner; thomas; sibyl; sandro; printing; michael; man; london; line; john; japanese; italy; italian; greek; germany; florentine; florence; fig; engrave; death; colour; church; botticelli; book; block; bible; art; angelo one topic; one dimension: wood file(s): ./cache/20195.txt titles(s): Wood-Block Printing A Description of the Craft of Woodcutting and Colour Printing Based on the Japanese Practice three topics; one dimension: work; wood; power file(s): ./cache/27268.txt, ./cache/40589.txt, ./cache/29928.txt titles(s): Ariadne Florentina: Six Lectures on Wood and Metal Engraving | A Brief History of Wood-engraving from Its Invention | Why Bewick Succeeded: A Note in the History of Wood Engraving five topics; three dimensions: engraving work art; block printing colour; wood engraving bewick; months additional invented; months additional invented file(s): ./cache/27268.txt, ./cache/20195.txt, ./cache/29928.txt, ./cache/29928.txt, ./cache/29928.txt titles(s): Ariadne Florentina: Six Lectures on Wood and Metal Engraving | Wood-Block Printing A Description of the Craft of Woodcutting and Colour Printing Based on the Japanese Practice | Why Bewick Succeeded: A Note in the History of Wood Engraving | Why Bewick Succeeded: A Note in the History of Wood Engraving | Why Bewick Succeeded: A Note in the History of Wood Engraving Type: gutenberg title: subject-woodengraving-gutenberg date: 2021-06-10 time: 17:06 username: emorgan patron: Eric Morgan email: emorgan@nd.edu input: facet_subject:"Wood-engraving" ==== make-pages.sh htm files ==== make-pages.sh complex files ==== make-pages.sh named enities ==== making bibliographics id: 40589 author: Cundall, Joseph title: A Brief History of Wood-engraving from Its Invention date: words: 29078 sentences: 1624 pages: flesch: 74 cache: ./cache/40589.txt txt: ./txt/40589.txt summary: Wood-Engraving in England in the Fifteenth Century--William the first book, printed from type, that had wood engravings. of the fifteenth century, illustrated a few books printed in Italy, is This book contains the first decorative work by wood-engraving we have met These works mark an important era in the history of wood-engraving and Dürer made also many drawings on wood which were engraved and printed under wood-engravings, after Dürer''s drawings, appeared between the years 1510 work, the most important production of the art of wood-engraving the world designed and engraved pictures for books. books and printed them, but designed ornamental borders and engraved them. several excellent wood-engravings published in London in illustration of wood-engraver at Antwerp, Christoph Jegher, who worked for many years with engraving, and devoted himself to drawings for the illustration of books. fifteenth century, many artists and engravers produced work of great merit: id: 20195 author: Fletcher, F. Morley (Frank Morley) title: Wood-Block Printing A Description of the Craft of Woodcutting and Colour Printing Based on the Japanese Practice date: words: 17396 sentences: 981 pages: flesch: 76 cache: ./cache/20195.txt txt: ./txt/20195.txt summary: The following account of colour-printing from wood-blocks is based on a The actual value of wood-block prints for use as decoration is a matter To see a few impressions taken from a set of blocks in colour printing, It is usual to print the line or key-block of a design first, as one is The complete design of a print may require several blocks for colour as block that must be cut first is that which prints the line or "key" of other blocks for printing the coloured portions of the design are cut. development of drawing in designs for wood-block prints. key-block of a Japanese print showing admirable variety in the means printing surface of a colour block would be as follows: Preparation of Paper, Ink, Colour, and Paste for Printing impression from colour-blocks as the long-fibred Japanese paper, yet it One by one each colour-block is printed in this way until the batch of id: 29928 author: Kainen, Jacob title: Why Bewick Succeeded: A Note in the History of Wood Engraving date: words: 8128 sentences: 488 pages: flesch: 68 cache: ./cache/29928.txt txt: ./txt/29928.txt summary: A little engraving on wood was also done, but Bewick tells us that his the art of engraving and cutting on wood was just beginning to show "white line" that gave wood engraving its special quality. black ink and white paper, it mattered little whether the engraved lines [Illustration: Figure 3.--Late 15th-Century White-Line Engraving "The Actually, white-line engraving for relief printing dates from the 15th white-line metal relief prints, inked on the surface like woodcuts. Koehler, "White-line engraving for relief-printing in [Illustration: Figure 4.--White-Line Engraving on Metal for Relief Relief engraving on type metal and end-grain wood really got under way _French_ engravers on Wood all working in the old Manner; no Metal [Illustration: Figure 7.--Wood Engraving by Thomas Bewick, "The Man and Bewick''s early work was printed on laid paper. Bewick was still using wood engraving as The wood-engraving of Thomas Bewick, produced [Illustration: Figure 12.--Wood Engraving by W. id: 27268 author: Ruskin, John title: Ariadne Florentina: Six Lectures on Wood and Metal Engraving date: words: 60696 sentences: 3225 pages: flesch: 76 cache: ./cache/27268.txt txt: ./txt/27268.txt summary: DESIGN IN THE GERMAN SCHOOLS OF ENGRAVING (HOLBEIN AND DÜRER) 81 DESIGN IN THE FLORENTINE SCHOOLS OF ENGRAVING (SANDRO BOTTICELLI) 108 to say, the pen, producing shade by black lines, as old engraving did; You have thus three arts,--engraving, light-and-shade drawing, and 5. One, English,--to-day sold in the High Street,--Caricaturist Art. And of these, the Florentine and old English are divine work, A line is the simplest work of art you can produce. I mean, by engraving, the art of producing decoration on a surface by engraving, like fine wood-cutting, ignores light and shade; and that, in line-work,--do you mean to tell us that these ignore light and shade?'' engravings ever produced by art,--two subjects in Holbein''s Dance of beautiful or good a thing as a painting, or line engraving. great schools of European art, than the perfectness of modern line are to look for in engraving, as a separate art from that of painting. ==== make-pages.sh questions ==== make-pages.sh search ==== make-pages.sh topic modeling corpus Zipping study carrel