id	author	title	date	pages	extension	mime	words	sentence	flesch	summary	cache	txt
8049g447j8s	Daniel Murphy	The Technics of Realism: Media and Social Reportage in Narrative Art after 1965	1904		.txt	text/plain	284	8	20	A commitment to mimetic social reportage obtains in and after postmodernism, with realistic historical fiction emerging in recent years as the dominant mode of narrative art in American consensus culture. Focusing on a range of artists including Jenji Kohan, Don DeLillo, Kathryn Bigelow, Thomas Pynchon, Terrence Malick, and Rachel Kushner, and assessing texts such as Gravity's Rainbow and Libra alongside Zero Dark Thirty, The Wire, and Orange is the New Black, the project proposes a techno-epistemological account of new realism and shows how media-intensive strategies in docudrama work to theorize, and even justify, the perceived cultural work of narrative art.	cache/8049g447j8s.txt	txt/8049g447j8s.txt