A NEW CATALOGUE OF ENGLISH PLAYS, CONTAINING ALL THE  

Comedies,  
Tragedies,  
Tragicomedies,  
Operas,  
Masques,  
Pastorals,  
Interludes,  
Farces, etc.   
Both Ancient and Modern, that have ever yet been Printed, to this present Year, 1688.  
To which, are Added,  
The Volumes, and best Editions; with divers REMARKS, of the Originals of most PLAYS; and the PLAGIARIES of several Authors.  
By GERARD LANGBAINE, Gent.  
Indice non opus est nostris, nec vindice Libris: Stat contra, dicitque tibi tua Pagina, Fures. Mart.  
LONDON  
Printed for Nicholas Cox. and are to be Sold by him in OXFORD. M DC LXXXVIII.   

The Preface.  
IF it be true, what Aristotle 
a 〈◊〉. c. 10.  that great Philosopher, and Father of Criticism, has owned, that the Stage might instruct Mankind better than Philosophy itself. If Homer was thought by Horace 
b Erist. 2. ad Lollium.  to exceed Crantor and Chrystippus, in the Precepts of Morality; and if Sophocles and Euripides, obtained the title of Wise, for their Dramatich Writing, certainly it can be no discredit for any man to own himself a lover of that sort of Poetry, which has been styled, The School of Virtue and good Manners? I know there have been many severe Cato's who have endeavoured all they could, to decry the use of the Stage; but those who please to consult the Writings of the Learned Dr. Gager, Albericus Gentiles, Sir Philip Sidney, Sir Richard Baker, Heywood, the Poet and Actor both in one; not to mention several others, as the famous Scaliger, Monsieur Hedelin, Rapine, etc. will find their Objections fully answered, and the Diversion of the Theatre sufficiently vindicated. I shall therefore without any Apology, publicly own, that my inclination to this kind of Poetry in particular, has lead me not only to the view of most of our Modern Representations on the Stage, but also to the purchase of all the Plays I could meet with, in the English Tongue; and indeed I have been Master of above Nine Hundred and Fourscore English Plays and Masques, besides Drolls and Interludes; and having read most of them, I think am able to give some tolerable account of the greatest part of our Dramatic Writers, and their Productions.  
The general Use of Catalogues, and the esteem they are in at present, is so well known, that it were to waste Paper to expatiate on it: I shall therefore only acquaint my Reader, that I designed this Catalogue for their use, who may have the same relish of the Drama with myself; and may possibly be desirous, either to make a Collection, or at least have the curiosity to know in general, what has been Published in our Language, as likewise to receive some Remarks on the Writings of particular Men.  
The Reasons that induced me to the publishing this Catalogue, were these: First, That the former Catalogues were out of Print. Secondly, That they were all of them full of gross Errors. Thirdly, That they were not, as I thought, so Methodical as this which I have now made; wherein the Reader will find the Imperfections I observed in the former Catalogues, amended; all the Plays which have been 〈◊〉 since 1680, to this present time, added; with several Remarks, which whether or no observed, I cannot tell, but never published by any Author till now.  
To begin then first with the Errors of former Catalogues, they are chiefly Five:  

First, There were Plays inserted in all of them, which were never in Print; as for Brevity's sake, to give one instance for many, The Amorous Widow, and Wanton Wife, a Comedy. This is a Stock-Play, and was written (if not Translated from Mollieres George Dandin) by Mr. Batterton.  
Secondly, Some Plays were omitted, which had been Printed very long ago; as, Cola's Fury, and Lirenda's Misery. Written by Henry Burkhead. The Religious Rebel; and several others.  
Thirdly, Two Titles which belonged to one and the same Play, were frequently printed, as if they had been two distinct Plays; as The Constant Maid, or Love will find out the Way. Written by Shirley. Ferex and Porex, or the Tragedy of Gorboduc. Written by Sacvile and Norton; with many others.  
Fourthly, The same Title was often times printed twice, and that separately, as if writ by two several persons; and sometimes ascribed to different Authors likewise; when it was only a new Edition of the same Play; as for Example, Patient Griselda was again repeated under the Title of Patient Griselda Old. And Appius and Virginia, written by Webster, is afterwards ascribed to T. B. though as the deceased Comedian Mr. Carthwright, a Bookseller by Profession, told me, 'twas only the old Play Reprinted, and Corrected by the abovementioned Mr. Batterton; with several others.  
Fifthly, Some Plays are ascribed to one Author which were writ by another; as Celum Britanicum, a Masque, is to Sir William Davenant, though it was written by Carew and Jones. Which fault is rather to be imputed to the Publishers of Sir William Davenant's Works, 1673, in Folio, than to the Compilers of the former Catalogue; who are more excusable than Mr. Phillips in his Catalogue of Poets, called, Theatrum Poetarum; and his Transcriber Winstanley, who has followed him at a venture in his Characters of the Dramatic Writers, even to a word, in his Lives of the English Poets. Both these Authors through a mistake of the Method of former Catalogues, and their Ignorance in what Pieces each Dramatic Author had published, have fallen into very great Errors, as I am going to show.   
The first Catalogue that was printed of any worth, was that Collected by Kirkman, a London Bookseller, whose chief dealing was in Plays; which was published 1671, at the end of Nicomede, a Tragi-comedy, Translated from the French of Monsieur Corneille. This Catalogue was printed Alphabetically, as to the Names of the Plays, but promiscuously as to those of the Authors, (Shakespeare, Fletcher, Johnson, and some others of the most voluminous Authors excepted) each Author's Name being placed over against each Play that he writ, and still repeated with every several Play, till a new Author came on. About Nine Years after, the Publisher of this Catalogue, Reprinted Kirkman's with emendations, but in the same Form. Notwithstanding the Anonimous Plays, one would think easily distinguishable by the want of an Authors Name before them; yet have both these charitable kind Gentlemen found Fathers for them, by ranking each under the Author's Name that preceded them in the former Catalogues. Thus Charles the First is placed by them both to Nabbs; because in both the former Catalogues it followed his Covent-Garden: and for the same reason Cupid's Whirligig is ascribed by both of them to Goff; because it followed his Careless Shepherdess; and so of many others, too tedious to repeat.  
To prevent the like mistake for the future, and to make the Catalogue more useful, I wholly altered the form: And yet that I might please those who delight in old Paths, I have Transcribed the same as a Second Part, after the former way of Alphabet, though more Methodically than formerly, as I shall show presently.  
In this New Catalogue the Reader will find the whole to be divided into Three distinct Classes. In the first I have placed the Declared Authors, Alphabetically, according to their Surnames, in Italic Characters: and placed the Plays each Author has written, underneath in Roman Letters, which are ranked Alphabetically likewise; so that the Reader may at one glance view each Authors Labours. Over against each Play, is placed as formerly a Letter to indicate the nature of the Drama: as C. for Comedy. T. for Tragedy. T. C. for Tragi-comedy. P. for Pastoral. O. for Opera. I. for Interlude. F. for Farce.  
And for the better use of those who may design a Collection, I have added to the Letter the Volume also, (according to the best Edition) as Fol. 4o. 8o. against each Play that I have seen. And for their further help; where a Play is not printed single, the Reader will be directed by a Letter or Figure to the bottom of the Column, where he will meet with Instructions how it is to be found; I mean, with what Poems or other Plays it is printed, the Year when, the Place where, and the best Edition of each Book so mentioned.  
This may seem superfluous at first sight, but may possibly be no longer thought so, when I shall have acquainted my Reader, that when I was making my Collection, I found several Plays and Masks, bound up with other Poems, which by the name were scarce known to the generality of Booksellers: as for instance, Sir Robert Howard's Blind Lady; Daniel's Philotas; Carew's Coelum Britanicum; Shirley's Triumph of Beauty; with infinite others. But two Plays I might particularly mention, both taken notice of in former Catalogues, to wit, Gripus and Hegio, a 〈◊〉; and Deorum Dona, a Masque; both which were written by Baron, and were wholly unknown to all the Booksellers of whom I happened to inquire, and which I could never have found but by chance; they being printed in a Romance called, The 〈◊〉 Academy, in 8ᵒ. The same I might add of The Clouds, (a Play which was never in any Catalogue before, and was translated from Aristophanes' Nubes by Stanley, and printed with his History of Philosophy, Fol. Lond. 1655. and now newly reprinted; and of several others) but that I must hasten back to give an Account of the two other Divisions of my Catalogue. The one of which contains those Plays whose Authors discover themselves but by halves, and that to their intimate Friends, by two Letters only in the Title-Page, or the bottom of their Epistle; and in the last Degree are placed all Anonemous Plays; and this completes the First Part.  
The Second Part contains the Catalogue Reprinted in an exact Alphabetical manner, according to the forms of Dictionaries, the Author's Names being here left out as superfluous; and against each Play is a Figure to direct you to the Page where you may find it in the First Part.  
〈◊〉 much 〈◊〉 to the Method and 〈◊〉 of this Catalogue: Now as to the Remarks, which are of three 〈◊〉; the first of use, and the other two conducing to Pleasure at least, if not to Profit 〈◊〉.  
The First is to prevent my Readers being imposed on by 〈◊〉 Booksellers, whose custom it is as frequently to vent old Plays with new 〈◊〉, as it has been the use of the Theatres to 〈◊〉 the Town, by acting old Plays under new Names, as if newly writ, and never acted before; as, The 〈◊〉 Bridegroom, an old Play of Middleton's; The Debauchee, another of Brome's; The Match in Newgate, another of Marston's; with many more, too tedious to repeat. By these Remarks the Reader will find The Fond Lady, to be only the Amorous Old Woman, with a new Title, The Eunuch, to be The Fatal Contract, a Play printed above thirty years ago; with many the like.  
The Second is an Essay towards a more large Account of the Basis on which each Play is built, whether it be founded on any Story or Passage either in History, Chronicle, Romance, or Novel. By this means the curious Reader may be able to form a Judgement of the Poet's ability in working up a Drama, by comparing his Play with the Original Story. I have not been so large 〈◊〉 full in this as I intent hereafter, not having by me several Chronicles and Novels, which might have been subservient to my Design, as the Chronicles of particular Countries, and the Novels of 〈◊〉 Geraldi, Loredano, Bandello, Sansorino 〈◊〉, etc. For this reason, in the Notes on several Plays which I have 〈◊〉 notice of, I have been forced to refer to the 〈◊〉 of a 〈◊〉 〈◊〉 general, not have had time or opportunity to make an exact search what Historian the Author has chiefly followed, or what Author has most largely treated on that particular Action which is the subject of the Drama. So in Novels I have been forced through Necessity to quote some which have been printed since the Plays 〈◊〉 written to which they are referred: because I knew 〈◊〉 they were extracted and collected from the Originals, whence the Plot was taken, though I had them not by me: of which I could produce many instances, were it material.  
I would desire my Readers leave to make this Observation by the by, that a Dramatic Poet is not tied up to the Rules of 〈◊〉, or History, but is at liberty to new model 〈◊〉 〈◊〉 at his pleasure, and to change not only the Circumstances of a true Story, but even the principal Action itself. Of this opinion are most of 〈◊〉 〈◊〉 Critics; and Scaliger observes, not only that 'tis the privilege of Epic Poets, but also of Tragedians. Quis nescit omnibus Epicis 
Poetices. Lib. 1. c. 2.  Poetis Historiam esse pro argumento? quam illi aut adumbratam, aut illustratam certe alia facie quam ostendunt ex Historia conficiunt, Poema. Nam quid alius Homerus? Quid Tragicis ipsis faciemus. Sic multa Lucano ficta. Patriae Imago quae sese offerat Caesari: excitam ab Interis animam, atque alia 
Pref. to Gondibert, p. 2.  talia. This instance of Lucan, makes me call to mind what Sir William Davenant says on account of the same Author, whom he blames for making choice of an Argument so near his own time, that such an Enterprise rather beseemed an Historian, than a Poet. For (says he) wise Poets think it more worthy to seek out truth in the Passions, than to record the truth of Actions; and practise to describe mankind just as we are persuaded or guided by instinct, not particular persons, as they are lifted, or leveled by the force of Fate, it being nobler to contemplate the general History of Nature, than a selected Diary of Fortune. So that we see the business of a Poet is to refine upon History; and Reformation of Manners is so much his business, that he is not to represent things on the Stage, as he finds them recorded in History, but as they ought to have been: and therefore we are not to make History so much the Standard and Rule of our Judgement, as Decency and Probability. For indeed, provided the Author show Judgement in the heightening and working up of his Story, it matters not whether the Play be founded on History, or Romance, or whether the Story be his own, or another's Invention.  
The last sort of Remarks, relate to Thefts: for having read most of our English Plays, as well ancient as those of latter date, I found that our modern Writers had made Incursions into the deceased Authors Labours, and robbed them of their Fame. I am not a sufficient Casuist to determine whether that severe Sentence of Synesius be true, Magis impium Mortuorum Lucubrationes quam vestes furari; That 'tis a worse sin to steal dead men's Writings, than their Clothes: but I know that I cannot do a better service to their memory, than by taking notice of the Plagiaries, who have been so free to borrow, and to endeavour to vindicate the Fame of these ancient Authors from 〈◊〉 they took their Spoils. For this reason I have observed what Thefts I have met with throughout the Catalogue, and have endeavoured a restitution to their right Owners, and a prevention of the Readers being imposed on by the Plagiary, as the Patrons of several of our Plays have been by our Modern Poets. But none certainly has attempted it with greater confidence, than he that styles himself the Author of The Country Innocence, or The Chambermaid turned Quaker: a Play which was acted and printed in the year 1677. but first published many years before by its genuine Author Ant. Brewer.  
It is not to those of our own Nation only, but to Foreigners also, that I have endeavoured to do Justice. For that reason I have remarked (as far as my knowledge would permit me) what has been translated or stolen from Tasso, Guarini, Bonarelli, Garnier, Scarron, both the Corneilles, Molliere, Rucine, Quinault, and others both French and Italians. Neither have I omitted, to my power, to do right likewise to the ancient Greek and Latin Poets, that have written in this way, as Sophocles, Euripides, Aeschylus, Aristophanes, Seneca, Plautus, Terence, etc. I must acknowledge, with regret, that these are not so well known to me as I could wish; but yet as far as my power, I have endeavoured to do right to their Memories. But I dare assure my Reader, that for the future it shall be more my business to obtain a more intimate acquaintance with all worthy Strangers, as well as with my own Countrymen, so that if this Trifle should have the fortune to appear abroad a second time, it shall be more complete and correct, than the shortness of the time, and my small acquaintance with Authors at present allow; the Catalogue being in the Press, and the first sheet of it set, before I thought of adding these Remarks.  
But before I quit this Paper, I desire my Readers leave to take a View of Plagiaries in general, and that we may observe the different proceedings between the Ancients and our Modern Writers. This Art has reigned in all Ages, and is as ancient almost as Learning itself. If we take it in its general Acceptation, and according to the extent of the word, we shall find the most Eminent Poets (not to move excentrically and out of our present Sphere) are liable to the charge and imputation of Plagiary. Homer himself is not free from it, if we will give credit to Suidas, Aelian, and others: and that the invention of the Iliad is not wholly due to him, seems to be confirmed by the Testimony of Aristotle, who mentions a small Iliad, which was 
Poet. c. 23.  written before his was produced. But whether there be any ground, for this Opinion, or no, certain it is that the most eminent Poets amongst the Romans, I mean Virgil and Ovid, made use of the Grecian Magazines, to supply their Inventions. To prove this, let us first consider Virgil, styled the King of Poets by Scaliger, and in the opinion 
Poet. l. 3. cap. 15.  of Propertius exceeding Homer himself, as appears by the following Lines so well known amongst all learned men.  

Cedite Romani Scriptores, cedite Graii,  
Nescio, quid majus nascitur Aeneade.   
Yet even this great man has borrowed in all his Works; from Theocritus, in his Eclogues; from Hesiod and Aratus, in his Georgics; and from Homer and Pisander, in his Aeneads: besides what he has borrowed from Parthenius 〈◊〉, his Tutor in the Greek Tongue, and from Q. Ennius an ancient Latin Poet; as you may read more at large in Macrobius. If we consider Ovid, 
Saturnalia, l. 5. c. 11. l. 6. c. 1.  the Flower of the Roman Wit, we shall find him imitating at least, if not borrowing from, the forementioned Parthenius: his Metamorphosis, that Divine Poem, (as Ant. Muretus' styles it in his Orations) 
Vol. 2. Orat. 3.  being built upon that Poem writ in the Greek Tongue, which bore the same Name, and handled the same Subject, as we are 〈◊〉 by 〈◊〉 and 〈◊〉. And if to these we add that worthy Carthaginian Terence, who by the kindness of the generous Lucan, was at once made a free man and Citizen of Rome, and whom on the account of his Comedies written in the Latin Tongue, we may number among the Roman Writers: we shall find him likewise beholding, for his Production, to that eminent Athenian Poet Menander.  
But let us now observe how these Eminent 〈◊〉 manage what they borrowed; and then compare them with those of our times. First, They proposed to themselves those Authors whose Works they borrowed from, for their Model. Secondly, They 〈◊〉 cautious to borrow only what they found beautiful in them, and rejected the rest. This is proved by Virgil's Answer concerning Ennius his Works, when he was asked by one who saw him reading, what he was about, replied, Aurum se ex Enii stercore colligere. Thirdly, They 〈◊〉 confessed what they borrowed, and modestly ascribed the credit of it 〈◊〉 the Author whence 'twas originally taken. Thus Terence owns 〈◊〉 Translations in his Prologue to Eunuchus.  

Qui 〈◊〉 vertendo, & eas discribendo 〈◊〉  
Ex 〈◊〉 bonis, Latinas fecit non bonas.   
This behaviour Pliny commends in these words: Est enim benignum 
Epist. ad Tit. Vespar.  & plenum ingeniumPudoris, 〈◊〉 per quos profeceris: and after having blamed the Plagiaries of his time, he commends 〈◊〉 for making mention of Plato, 〈◊〉, and Panaetius, whom he made use of in his Works: and let it be observed by our Modern Poets, that though our modest Carthaginian owned his Translations, yet was be not the less esteemed by the Romans, or his Poems less valued for it. Nay, even in this Age he is universally commended by learned men, and the judicious Rapine gives him a Character, which I doubt few of our Age will deserve. Terence a ecrit d'une Maniere, 
Reflect. 26. part 2.  & si naturelle, & si judicieuse, que de Copie qu'il estoit il est devenu original: car jamais Auteur n'a eu un goust plus par de la Nature. Lastly, Whatsoever these ancient Poets (particularly Virgil) copied from any Author, they took care not only to alter it for their purpose; but to add to the beauty of it: and afterwards to insert it so handsomely into their Poems, (the body and Oeconomy of which was generally their own) that what they borrowed, seemed of the same Contexture with what was originally theirs. So that it might be truly said of them; Apparet unde sumptum sit, aliud tamen quam unde fit, apparet.  
If we now on the other side examine the proceedings of our late English Writers, we shall find them diametrically opposite in all things. Shakespeare and Johnson indeed imitated these Illustrious Men I have cited; the one having borrowed the Comedy of Errors from the Menechmi of Plautus; the other has made use not only of him, but of Horace, Ovid, Juvenal, Sallust, and several others, according to his occasions: for which he is commended by Mr. Dryden, as 
Epist. to Mock ginger.  having thereby beautified our Language: and Mr. Rymer, whose Judgement of him is this; I cannot (says he) be displeased with honest Ben, when he chooses rather to borrow a Melon 
Tragedies of the last Age, p. 143  of his Neighbour, than to treat us with a Pompion of his own growth. But for the most part we are treated far otherwise; not with sound Roman Wit, as in Ben's time, but with empty French Kickshaws, which yet our Poetical Hosts serve up to us for Regales of their own Cookery; and yet they themselves undervalue that very Nation to whom they are obliged for the best share of their Treat. Thus our Laureate himself runs down the French Wit in his Marriage a la Mode, and steals from Molliere in his Mock ginger; and which makes it more observable, at the same time he does so, pretends in his Epistle to justify himself from the imputation of Theft: Not unlike the Cunning of a Juggler (to apply his own Simile to him) [Epistle to the Spanish Friar] who is always 
Ep. to the Spanish 〈◊〉.  staring us in the Face, and overwhelming us with Gibberish, only that he may gain the opportunity of making the cleanlier conveyance of his Trick. I will wave the Epistle to this Play, which seems to be the Picture of Bays in little, yet I cannot omit one Observation more, which is, that our Laureate should borrow from Old Flecknoe, whom he so much despises: and yet whoever pleases to read Flecknoe's damoiselles a la Mode, will find that they have furnished Mr. Dryden with those refined Expressions which his Retrenching Lady Donna Aurelea makes use of, as the Counsellor of the Graces, and that furious indigence of Ribbons. But possibly he will own that he borrowed them as Father Flecknoe did, from Mollieres Les Precieuses Ridicules: however, I hope he will allow that these Expressions better suit with the Spiritual Temper of those French Damsels, than with the known Gravity of the Spanish Ladies. I hope Mr. Dryden will pardon me this Discovery, it being absolutely necessary to my design of Restoring what I could to the true Authors: and this Maxim I learned from his own Father Aldo, Every one must have their Own. 
Kind Keeper.  Fiat Justitia, aut ruat Mundus. In pursuance to which, I own that Mr. Dryden has many Excellencies which far outweigh his Faults; he is an excellent Critic, and a good Poet, his Style is smooth and fluent, and he has written well, both in Verse and Prose. I own that I admire him, as much as any man;  

— Neque ego illi detrahere ausim, 
Mor. Sat. 10. l. 1.   
Haerentem Capiti multâ cum Laude Coronam.   
But at the same time I cannot but blame him for taxing others with stealing Characters from him, (as he does Settle in his Notes on Morocco) when he himself does the same, almost in all the Plays he writes; and for arraigning his Predecessors for stealing from the Ancients, as he does Johnson; which 'tis evident that he himself is guilty of the same. I would therefore desire our Laureate, that he would follow that good Advice which the modest History Professor Mr. Where gives to the young Academic in his Antelogium, to shun this, Confidence and Self-love, as the worst of Plagues; and to consider that Modesty is it which becomes every Age, and 
Mr. 〈◊〉 's Translat.  leads all that follow her in the straight, and right Path to solid Glory; without it we are hurled down Precepices, and instead of acquiring Honour, become the scorn of Men, and instead of a good Fame, we return loaden with Ignominy and Contempt.  
I have not time to examine the Thefts of other Plagiaries in particular, both from the French and our own Language, and therefore shall only desire them to consider this Sentence of Pliny: Obnoxii 
Ep. ad T. V.  profecto animi, & infelicis ingenii est, deprehendere infurto malle, quam mutuum reddere cum presertim sors fiat ex usurâ.  
Althô I condemn Plagiaries, yet I would not be thought to reckon as such either Translators, or those who own what they borrow from other Authors: for as 'tis commendable in any man to advantage the Public; so it is manifest, that those Authors have done so, who have contributed to the Knowledge of the Unlearned, by their excellent Versions: Yet at the same time I cannot but esteem them as the worst of Plagiaries, who steal from the Writings of those of our own Nation. Because he that borrows from the worst Foreign Author, may possibly import, even amongst a great deal of trash, somewhat of value: whereas the former makes us pay extortion for that which was our own before.  
For this reason I must distinguish one of our best Comic-writers, from the common Herd of Translators; since though proportionate 
Mr. Shadwell.  to his Writings, none of our modern Poets have borrowed less; yet has he dealt ingenuously with the World, and if I mistake not, has publicly owned, either in his Prefaces, or Prologues, all that he has borrowed; which I the rather take notice of, because it is so little practised in this Age. 'Tis true indeed, what is borrowed from Shakespeare or Fletcher, is usually owned by our Poets, because every one would be able to convict them of Theft, should they endeavour to conceal it. But in what has been stolen from Authors not so generally known, as Murston, Middleton, Massinger, etc. we find our Poets playing the parts of Bathyllus to Virgil, and robbing them of that Fame, which is as justly their due, as the Reward the Emperor Augustus had promised to the Author of that known Distich affixed on the Court Gate, was to Virgil.  
Neither can this Imputation be laid at the doors of such who are only Imitators of the Works of others, amongst which, are admired Sir Charles Sidley, and the inimitable M. Wytcherley: The last of which, if I mistake not, has Copied Mollieres le Misanthrope, in his Character of the Plain Dealer; and his Celimene, in that of Olivia: but so well, that though the Character of the Misanthrope be accounted by Rapine, Te Caractere le plus achevee; 
Reflect. 26. part. 2.  The compleatest Character, and the most singular that ever appeared on the Stage: yet certainly our Poet has equaled, if not exceeded his Copy. Imitation which Longinus commends in Stesichorus, Archilochus, and Herodotus, all of them being imitators of Homer; but particularly he says of Plato: 〈◊〉 〈◊〉 〈◊〉 〈◊〉 〈◊〉, 
〈◊〉 〈◊〉 〈◊〉 〈◊〉 〈◊〉 Sect. 11.  〈◊〉 〈◊〉 〈◊〉 〈◊〉 〈◊〉. Sed omnium hujus Poetae studiosissimus imitator fuit Plato, ab illis Homericis Laticibus ad se seductos vivos quamplurimos transferens.  
But to put an end to these Observations, which may prove alike troublesome to the Reader, as well as to the Poets: I must say this for our Countrymen, That notwithstanding our Modern Authors have borrowed much from the French, and other Nations, yet have we several Pieces, if I may so say, of our own Manefacture, which equal at least, any of our Neighbours productions. This is a truth so generally known, that I need not bring instanees to prove, that in the humour of our Comedies, and in the characters of our Tragedies, we do not yield to any other Nation. 'Tis true the unities of Time, Place, and Action, which are generally allowed to be the Beauties of a Play, and which the French are so careful to observe, add all lustre to their Plays; nevertheless, several of our Poets have given proof, that did our Nation more regard them, they could practise them with equal success: But as a correct Play is not so much understood, or at least regarded by the generality of Spectators; and that few of our Poet's nowadays write so much for Honour as Profit: they are therefore content to please at an easier rate. But would some great Man appear here in the defence of Poetry, and for the support of good Poets, as the great Cardinal Richlieu, that Noble Patron of Arts and Sciences, did in France; I doubt not but we should find several Authors, who would quickly evince, that neither the Writings of Aristotle, or the practice of those admirable Rules laid down by that Father of Criticism, and his best Commentator, Horace; with the rest of those eminent Men, that have written on the Art of the Stage, are unknown to them.  
But in the mean time, would our Nobility and Gentry, who delight in Plays, but allow themselves so much time as to read over what is extant on this Subject in English, as, Ben. Johnson's Discoveries; Roscommon's Translation of Horace's Art of Poetry; Rapin's Reflections on Aristotle's Treatise of Poetry; Longinus of the loftiness of Speech; Boyleau's Art of Poetry; Hedelin's Art of the Stage; Euremont's Essays; Rimer's Tragedies of the last Age considered; Dryden's Dramatic Essay; and several others; though they understood none but their native Language, and consequently could not read what Vossius, Heinsius, Scaliger, Plutarch, Athenaeus, Titius Giraldus, Castelvetro, Lope de Vega, Corneille, Menardiere, and others which have written to the same purpose in several Languages; yet those which are to be met with in English, are sufficient to inform them, both in the excellency of the Poetic Art, and the Rules which Poets 〈◊〉, with the Reasons of them: They would then find their Pleasure increase with their Knowledge; and they 〈◊〉 have the greater satisfaction in seeing a correct Play, by how much they were capable (by the help of these Rules) to discern the Beauties of it; and the greater 〈◊〉 for a good Poet, by how much they were sensible of the Pains and Study requisite to bring such a Poem to perfection. This would advance the fame of good Poets, and procure them Patrons amongst the Nobility and Gentry, and through their Emulation to exceed each other, Poetry might in a few Years be 〈◊〉 to the same Perfection that it was in formerly, at Rome and Athens.  
GERARD LANGBAINE.   

ERRATA.  
BY reason of my great distance from the Press, several considerable Erratas are to be met with throughout; but the most material are these which follow: Which the Reader is desired to Pardon and Correct.  

In the Catalogue itself.  
PAge 6. The Wits is left out, a Play of Sir W. Davenant. p. 10. Courageous Turk, etc. for 4o read 8o p. 11. Play of Love, etc. deal 4o, for I never saw but the first Play. p. 13. for Hymenes read Hymenaei. p. 16 for Antiquarary read Antiquary. p. 17. Heir for 8o read 4ᵒ. p. 25. for Loyal Brother read Revengers Tragedy.   

In the Notes.  
PAge 7. and so throughout, for in vitam read in vita, and in vitas read in vitis. p. 9 Note (c) for Procopis read Procopii. p. 10. N. (n) add the Line of the next Page, viz. Plot from Guiciardine's History of Italy, p. 11. deal and from Poetical History, ibid. to N. (*) instead of what is Printed, read, These three Plays are Translated from Seneca, and Printed with the rest, Lond. 1581. p. 13. N. (b) for Book the Ninth, satire the first Part, read, Book the First, satire 9 p. 17. N. (d) for du Bee, read du Bec. p. 18. N. (†) for Fourteen, read Thirteen, and for Three, read Five. p. 19 N. (l) belongs to Cambyses. p. 20. N. (h) for Mons read Monsieur. p. 21. N. (k) for Maenectrini, read Maenechmi. p. 22. N. ay for 1581., read 1653. ibid. to Triumph of Beauty, add (k) with this Note, Printed with his Poems, Lond. 1646. p. 25. N. (b) for Published, read Reprinted. ibid. N. (d) for Musaee Erotoprgnion, read Musaei Erotopagnion. p. 24. N. (s) for K. read Prince. p. 25. N. (n) to Observationum, add Medicarum Volumen. p. 27. N. (d) for Poem, read Play. ibid. N. (g) belongs to French Conjurer, and N. (h) to Witty Combat. p. 28. N. (h) belongs to Thornby-Abby: N. ay to Marriage 〈◊〉, and the last Line to Menechmus. p. 31. N. (r) belongs to Rivals.    

A Catalogue of Plays, WITH THEIR Known or Supposed AUTHORS, etc.  

Will. Alexander, Lord Sterline.  
(c) These of the Lord Sterline are all Bound with his Works (in Folio) called, Recreations with the Muses. Printed at London, 1637.  
(a) Plot from Justin' s Hist. Lib. 14.  Alexandrian Trag. Tr. Fol. 
(b) Plot from Herodotus, Lib. 1. Plutarch in Solon's Life.  Croesus' T. Fol. 
(d) Plot from Justin' s Hist. Lib. 11.  Darius' T. Fol. 
(e) Plot from Seutonius and Plutarch.  Julius Caesar T. Fol. 
Robert Armin.  Maids of Moorclack H. 
Barnaby Barnes.  
(f) Plot from Guiciardine's s Hist. of Italy.  Devil's Charter. T. 4o. 
Samuel Brandon.  
(g) Plot from Plutarch' s Lives.  Virtuous Octavia T. C. 8o. 
Henry Burkhead.  Colas Fury, or Lyrindas Misery T. 4o 
Robert Baron.  
(h) These two of R. Baron are mentioned in former Catalogues, but are part of a Romance writ by him, and called the Cyprian Academy. Printed at London, 1647.  Gripus & Hegio P. 8o Deorum Dona M. 8o 
(i) Plot from Herbert' s Travels, Fol.  Mirza T. 8o 
Anthony Brewer.  Country Girl Com. 4o 
(k) From an old English Chronicle, Fol.  Lovesick King T. C. 4o 
Nicholas Breton.  Old man's Lesson, and Young man's Love I. 4o 
Dabridgecourt Belchier.  See me, and see me not C. 4o 
Francis Beaumond. Vide Fletcher. Richard 〈◊〉.  Terence's Comedies, viz. Andraea. 4o. Adelphi. Eunuchus. Heautontimorumenos. Hecyra. Phormio. 
Lodow. Barrey.  〈◊〉- Alley, or Merry Tricks. C. 4o 
Richard Brome.  
(a) These five of Richard Brome, are Printed in one Volume, Octavo, London, 1635.  Court Beggar C. 8o. City Wit C. Damoiselle C. Mad couple well matched. Novella C. 
(b) These five of Brome, are Printed in another Volume in Octavo, London, 1659.  Covent Garden 〈◊〉. C. 8o English Moor C. 8o Lovesick Court C. 8o New Exchange C. 8o Queen and Concubine C. 8o Antipodes C. 4o 
* Reprinted, Lond. 1686.  Jovial Crew C. 4o 
(c) Lately Reprinted.  Northern Lass C. 4o Queen's Exchange C. 4o Asparagus Garden C. 4o 
Alexander Brome.  〈◊〉 〈◊〉 C. 4o 
Fulk, Lord Brook.  
(d) These two of the Lord Brook's s are Printed with his Poetical Works in Folio. London, 1633.  Alaham T. Fo. 
(e) Plot from the Turkish Chronicle.  Mustapha 〈◊〉 Fo. 
Abraham Baily.  Spiteful Sister C. 4o 
Mrs. Frances Boothby.  Marcelia T. C. 4o 
〈◊〉 〈◊〉.  Sertorius T. 4o 
Mrs. Astraea Behn.  Amorous Prince T. C. 4o 
(f) This is a Play of Christopher Marlo's s, called Lust's Dominion, Printed in Octavo, London, 1661.  Abdellazar, or the Moors Revenge T. 4o 
(g) Part of the City Heiress, from a Play of Middleton' s called, A Mad World my Masters, Quarto; and part from another of Massenger' s, called, The Guardian, Octavo.  City Heiress C. 4o 
(a) Plot from Don Fenise, Octavo.  Dutch Lover C. 4o 
(b) Stolen from Harlequin, Emperur dans le Monde de la Lune.  Emperor of the Moon F. 4o Forced Marriage T. C. 4o False Count C. 4o Feigned 〈◊〉 C. 4o Lucky Chance C. 4o 
(c) 〈◊〉 from Tho. Killegrew's Don Thomaso, or The Wanderer, Folio.  Rover, two 〈◊〉 C. 4o 
(d) A Play of John Tateham's s, called, The Rump, altered, Quarto.  Roundheads C. 4o 
(e) Part of this Play taken from Richard 〈◊〉 ' s 〈◊〉, Octa. and Le malade imaginaire.  Sir Patient Fancy C. 4o 
(f) A great part of this Play borrowed from a Play, called, The Miseries of 〈◊〉 〈◊〉, Written by George Wilkins, 〈◊〉.  Town-Fopp, or Sir Timothy Tawdry 〈◊〉 〈◊〉 
(g) 〈◊〉 from Alcamenes and Menalippa, in Cleopatra, Folio.  Young King T. C. 〈◊〉 
Capt. William 〈◊〉.  Excommunicated Prince. T. C. Fo. 
John Banks.  
(*) Plot from the old Story so called.  Destruction of Troy T. 4o 
(h) Plot from Cassandra, Folio.  Rival Kings T. 4o 
(i) Plot 〈◊〉 E. of Essex and Q. E. a Nou.  Unhappy Favourite- Essex T. 4o 
(k) Plot from Causin's Holy Court, Folio.  Marry, Queen of Scotland T. 4o 
(l) Plot Q. Eliz. Novel, first Part 8o.  Virtue Betrayed- An. Bullen. T. 4o 
George Chapman.  All Fools C. 4o 
(*) Plot from Chron. de Rebus Germanicis.  Alphonsus, Emperor of Germany T. 4o Blind Beggar of Alexandria C. 4o 
(†) Plot from the French Chron. Hen. 3.  Bussy D'Amboys T. 4o His Revenge T. 4o 
(m) Plot from the French Chronicles.  Byron's Conspiracy T. 4o His Tragedy T. 4o 
(n) Plot from Lucan's Pharsalia, Suetonius, in the Life of Julius Caesar.  〈◊〉 and Pompey T. 4o Gentleman Ʋsher C. 4o Humorous Days Mirth C. 4o May Day C. 4o Monsieur D'Olive C. 4o Masque of the Middle Temple. M. 4o Revenge for Honour T. 4o Temple M. 4o Two Wise Men, and all the rest Fools C. 4o 
(o) Plot from Petronius Arbyter.  Widow's Tears C. 4o 
(p) Written by Chapman, Johnson, and Marston.  Eastward Ho C. 4o 
Robert Cox.  
(|) Plot from Ovid's Metamorph.  Actaeon and Diana I. 4o 
John Cook.  Green's Tu Quoque C. 4o 
Edward Cook.  
(a) Plot from Cassandra, Fol.  Love's Triumph T. C. 4o 
Thomas Carew, and Inigo Jones.  
(b) Printed with Carew's s Poems. London, 1670.  Coelum Britannicum M. 8o 
Lady Eliz. Carew.  
(c) Plot from Josephus, Folio.  Mariam T. 4o 
Robert Chamberlain.  Swaggering Damoiselle C. 4o 
William Chamberlain.  Love's Victory C. 4o 

(d) The first of Carlell's s Plays, (viz.) in two Parts, Bound in one Volume, Twelve. The three next Printed in another Volume, Octavo. London, 1657. And the next in Octavo. Printed 1659.  Lodowick Carlell.  Arviragus and Philicia, two Parts T. C. 12o Fool would be a Favourite T. C. 8o Deserving Favourite T. C. 8o 
(*) Plot from Knolls's Turkish History, in the Reign of Mahomet the First.  Osmond the Great Turk- T. 8o Passionate Lovers, two Parts. T. C. 8o 
(e) From Corneille.  Heraclius Emperor of the East T. 4o 
Abraham Cowley.  
(f) This Play is the Guardian, Corrected and Enlarged.  Cutter of Coleman street- C. 4o Guardian C. 4o 
(g) Bound with his Second Volume, Folio, London, 1681.  Love's Riddle P. Fol. 

(h) All Printed with his Poems. Lon. 1651.  William Carthwright.  Lady Errand T. C. 8o Ordinary C. 8o Royal Slave T. C. 8o 
(i) Occasion in Plutarch' s Life of Cymon, and Part from Boccaces Novels, the Ninth Day, Novel the First.  Siege T. C. 8o 

(k) All Printed with his Poems. Lon. 1669.  Sir Aston Cockain.  Obstinate Lady C. 8o 
(†) Plot from his Elegies.  Ovid T. 8o 
(l) Plot from Trapolen creduto Principe.  Trappolin supposed a Prince. T. C. 8o 
Richard Carpenter.  Pragmatical Jesuit C. 4o 
Charles Cotton.  
(m) From Corneille.  Horace T. 4o 
John Corey.  
(a) Part of this Play is borrowed from Sir William Lower's s Noble Ingratitude.  Generous Enemies C. 4o 
John Crown.  
(b) Translated from the French.  Andromache T. 4o Ambitious Statesman T. 4o City Politics C. 4o 
(c) Part from Molliere's Le Sicilien.  Country Wit C. 4o 
(d) Plot from Gulciardine's s Hist. and the French Chron. in the Reign of Charles 8.  Charles the Eighth T. 4o 
(e) The Foundation from Ovidii Metam. Lib. 2.  Calisto M. 4o 
(f) Plot from Josephus's s Hist. Book 6. 7.  Destruct. of Jerusal. 2 pts. T. 4o Henry the sixth T. 4o — The second Part, or the Miseries of Civil War T. 4o 
(†) From English Chronicles, and part of the Language, from Shakespeare.  Juliana, Princess of Poland. T. C. 4o 
(g) Plot, and part of the Play from a Spanish Play, called No Puedeser.  Sir Courtly Nice C. 4o 
(h) Plot from Poetical History.  Thyestes' T. 4o 
John Day.  Blind Beggar of Bednal Green. C. 4o Humour out of Breath C. 
(i) Plot from Sir Phil. Sidney's Arcadia.  Isle of Gulls C. 4o Law Tricks C. 4o Parliament of Bees M. 4o 
(k) Writ by him, Rowly, and 〈◊〉.  Travels of three English Brothers H. 4o 
Robert Dawbourn.  Christian turned Turk T. 4o Poor Man's Comfort C. 4o 

(l) All Printed in one Volume, London, 1623.  Samuel Daniel.  
(m) Plot from Appian of Alexandria.  Cleopatra T. 4o Hymen's Triumph P. 4o 
(n) Plot from 〈◊〉 Life of Alexander, and Quintus Curtius, Book the 6th.  Philotas T. 4o Queens Arcadia P. 4o Vision of the twelve Goddesses. M. 4o 
Robert Davenport.  
(o) Plot from Don Quixot' s Novel, of the Curious Impertinent, and Boccaces Novels, Day the 7th, Novel 7th.  City Nightcap C. 4o 
(p) English Chronicle.  John and Matilda T. 4o 
Thomas Decker.  Fortunatus C. 4o Honest Whore, two Parts C. 4o If this be'nt a good Play, the Devil's in't C. 4o Match me in London C. 4o Northward Ho C. 4o Westward Ho H. 4o Wyat's History H. 4o 
(q) Writ by him and Webster.  Untrusfing of the Humorous Poet C. 4o Whore of Babylon C. 4o Wonder of a Kingdom C. 4o 
(*) Writ by him, Rowly, and Ford.  Witch of Edmonton T. 4o 

(1) All, except the last, Printed with his Works, in Folio. Lond. 1673. The last writ by him, and Inigo Jones, the late King's Surveyor.  Sir Will. D'Avenant.  
(a) Plot from Heylin' s cosmography, Book the First. Chronicle of Italy.  Albovine T. Fol. Cruel Brother T. Fol. Distresses C. Fol. Fair Favourite T. C. Fol. Just Italian T. C. Fol. Love and Honour T. C. Fol. 
(b) From Measure for Measure, and Much ado about Nothing.  Law against Lovers- T. C. Fol. 
(c) From Mollieres's Joddelet, ou je Maitre valet.  Man's the Master C. Fol. Platonic Lovers C. Fol. 
† Part from Mollieres Sganarelle.  Playhouse to be Let C. Fol. Siege T. C. Fol. Siege of Rhodes, two Parts. T. C. Fo. Temple of Love M. Fol. Triumph of the Prince D'Amour M. Fol. Unfortunate Lovers T. Fol. 
(d) Not his, but Carew's s, and Printed with his Poems, Octavo.  Coelum Britannicum. M. Fol. News from Plymouth C. Fol. Britannia Triumphans M. 4o 
Dr. Charles D'Avenant.  Circe O. 4o 
Tho. Denham.  
(e) Plot from Herbert' s Travels, Life of Abbas. Printed with his Poems. London, 1670.  Sophy T. 8o 
John Dancer.  
(f) Translated from the Italian of Tasso, and Printed with Dancer' s Poem's, London, 1660.  Aminta P. 8o 
(g) Translated from 〈◊〉 Quinault.  Agrippa King of Alba. T. C. 4o 
(h) Translated from Corneille.  Nicomede T. C. 4o 
John Dryden.  
(i) Sanderson' s Hist. of 〈◊〉: James p. 577.  Amboyna T. 4o 
(k) Plot of the serious 〈◊〉, from the Annals of Love: In the Story of Constance the Fair Nun. The Part of Aureleo, from Scarron's Comical Romance In the Story of Destiny and Madam Star.  Assignation C. 4o 
(l) Plot from Tavernier's s Voyages into India, Volume the First, Part the Second, Book the Second. — Auringzebe T. C. 4o 
(m) Plutarch' s Life of Marcus Antonims, and other Roman Historians.  All for Love T. 4o Albion and Albanius O. Fol. 
(a) Plot, Almanzor and Almahide, from Cleopatra in the Story of Artaban: and Almahide the Romance. Ozmyn and Benzaida, from Osman and Alibech, in Ibrahim. Abdalla, Abdelmelech, Lyndaraxa, from Prince Ariantes, Agathirses, and Elibesis, in the First Book of the Ninth Part of Cyrus.  Conquest of Granada, two Parts T. C. 4o 
* Part from Corneilles De Pit Amoreuse, part from Le-feinte 〈◊〉, and part from the Illustrious 〈◊〉, a Romance.  Evenings Love, or Mock-Astrologer C. 4o 
(b) Plot, Heylin' s Cosmography, Book the Fourth. Hen. Bonzonus rerum ab Hispanis in India Occidentali gestarum, Lib. 3. Octavo.  Indian Emperor T. C. 4o Kind Keeper, or Mr. Lymberham C. 4o 
(c) Plot, from Cleobuline, Queen of Corinth, in the Second Book of the 〈◊〉 Part of Cyrus: and the Character of Celadon and Florimell, from Pisistrate and Cerinthe in Cyrus, Part Ninth, Book Third; and from the French Marquis in Ibrahim, Part Second, Book the First.  Maiden Queen T. C. 4o 
(d) Plot of the serious Part, and the Characters from 〈◊〉 and Timareta in Cyrus, Part the Sixth, Book the Second: and Palamedes from the Prince of Salamis, in the Story of Timantes and Parthenia, Part Sixth, Book First, of Cyrus; and from Nagaret, in the Annals of Love, Octavo.  Marriage Al-a-mode C. 4o 
(f) Founded on Plautus's Amphytruo.  〈◊〉 Husband C. 4o Rival Ladies T. C. 4o 
† Part from Molliere's L'Etourdy.  Sir Martin Marall C. 4o 
(g) Plot from Milton's Paradise lost. Octavo.  State of Innocence C. 4o 
(h) Plot of the Comical Part from the Pilgrim, a Novel, Twelve.  Spanish Friar T. C. 4o 
(i) Originally Shakespear's.  Tempest C. 4o 
(|) Plot from Jul. Capitolinus in vitam Maximini.  Tyrannic Love, or Royal Martyr T. 4o. 
(k) Part Shakespeare.  Troilus and Cressida T. 4o Wild Gallant C. 4o 
(l) From D'Avila's s History of France.  Duke of Guise T. 4o 
(m) From Sophocles, and the Poetical Histories.  Oedipus T. 4o 
(†) Joined in these two last with Nath. Lee.  
John Dover.  Roman Generals T. C. 4o 
Thomas Durfey.  
(n) Plot from Don Fenise, Octavo.  Banditti C. 4o 
(o) Borrowed from Fletcher's Sea-Voyage.  Commonwealth of Women T. C. 4o Fool turned Critic C. 4o Fond Husband C. 4o 
(p) The Foundation Shakespear's.  Injured Princess T. C. 4o 
(a) Part from the Antiquary. Quarto.  Madam Fickle C. 4o Siege of Memphis T. 4o 
(b) Plot from Francion' s Romance, Fol.  Squire Old Sapp C. 4o royalist C. 4o 
(c) Part of it from the Fine Companion, Quarto. And Ploe from the Double-Cuckold, a Novel, Octavo.  Sir Barnaby Whigg C. 4o 
(d) From Monsieur Thomas.  Trick for Trick C. 4o Virtuous Wife C. 4o 
Tho. Duffet.  Mock-Tempest F. 4o Spanish Rogue C. 4o 
Sir George Etheridge.  Love in a Tub C. 4o Man of Mode, or Sir Fopling Flutter C. 4o She would if she could C. 4o 
Edward Eccleston.  
(e) Foundation on Sacred Writ.  Noah's Flood O. 4o 

* All Beaumond and Fletcher' s Plays Printed together in one Volume, Folio, London, 1679.  John Fletcher, and Francis Beaumond.  Beggar's Bush C. Fol. 
(f) Plot from Tacitus's Annals, Book 14.  Bonduca T. Fol. 
(g) Plot from 〈◊〉 Historiae.  Bloody Brother, or Rollo D. of Normandy. T. Fol. Custom of the Country T. C. Fol. 
(h) Altered by the Duke of Buckingham, and Printed in Quarto. Lond. 1682. The Plot from Lady Cornelia, in Exemplary Novels, Folio.  Chances C. Fol. Captain C. Fol. Coxcomb C. Fol. Cupid's Revenge C. Fol. Coronation T. C. Fol. Double Marriage T. C. Fol. Elder Brother C. Fol. False One T. Fol. Four Plays in One T. C. Fol. Faithful Shepherdess P. Fol. Fair Maid of the Inn C. Fol. Honest Man's Fortune C. Fol. Humorous Lieutenant T. C. Fol. 
(*) Lately Reprinted with Alterations, by Nat. Tate. Lond. 1687.  Island Princess T. C. Fol. King and no King T. C. Fol. Knight of the Burning Pestle. C. Fol. Knight of Malta T. C. Fol. 
(i) Plot from Gusman's Don Lewis de Castro, and Don Roderigo de Montalvo.  Little French Lawyer C. Fol. Loyal Subject T. C. Fol. Laws of Candy C. Fol. 
(k) Plot, Lysander and Calista.  Lover's Progress T. C. Fol. Love's Cure C. Fol. 
(l) Part of it from Johnson's New Inn, Octavo, and the Plot from Exemplary Novels, Two Damsels.  Love's Pilgrimage C. Fol. Mad Lover C. Fol. 
(m) Serious Plot from Gerardo, p. 350. 8o.  Maid in the Mill C. Fol. Masque of Grays-Inn Gent. M. Fol. Monsieur Thomas C. Fol. Maid's Tragedy T. Fol. Noble Gentleman C. Fol. Nice Valour T. C. Fol. Night Walker C. Fol. Prophetess T. C. Fol. Pilgrim T. C. Fol. Philaster T. C. Fol. Queen of Corinth T. C. Fol. Rule a Wife, and have a Wife C. Fol. 
(a) From Gerardo's Leandro. p. 214. 8o.  Spanish Curate C. Fol. Sea Voyage T. C. Fol. Scornful Lady C. Fol. 
(b) Plot from the French Chronicles, in the Reign of Cloraire the Second. Imperfect in the Folio Edition, but right in the Quarto.  Thierry and Theodoret T. Fol. & 4o Two Noble Kinsmen T. C. Fol. 
(c) Plot, Procopis Caesariensis Historiae: 〈◊〉 by the Lord Rochester. Printed Quarto, 1686.  Valentinian T. Fol. & 4o Woman's Prize C. Fol. Women pleased C. Fol. Wife for a Month C. Fol. Wit at several Weapons C. Fol. Wild-goose Chase C. Fol. Woman Hater C. Fol. Wit without Money C. Fol. 
Nathaniel Field.  Amends for Ladies C. 4o Woman's a Weathercock C. 4o 
John Ford. v. Decker.  Broken Heart T. 4o Fancies C. 4o Lover's Melancholy T. 4o Love's Sacrifice T. 4o Lady's Trial T. 4o 
(d) Plot from Gainsford' s History, 4o.  Perkin Warbeck H. 4o Pity she's a Whore T. 4o 
(e) Ford and Decker.  Sun's Darling C. 4o 
Thomas Ford.  
(f) Printed with his Works, Octavo. London, 1661.  Love's Labyrinth T. C. 4o 
Abraham France.  Countess of Pembroke's Ivy Church, 2 Parts P. 4o 
Richard Flecknoe.  
(g) Borrowed from Molliere's Preceeuses 〈◊〉. Octavo.  Damoyselles a-la-mode C. 8o Erminia T. C. 8o 
(h) These two almost the same.  Love's Kingdom T. C. 8o Love's Dominion P. 8o Marriage of Oceanus and Britannia M. 
Ulpian Fulwell.  Like will to like, quoth the Devil to the Collier C. 4o 
J. Fountain.  Reward of Virtue C. 4o 
Sir Ralph Freeman.  Imperial T. 4o 
Lord Viscowt Faulkland.  Marriage Night T. 4o 
Sir Richard Fanshaw.  
(a) Translated from Guarini's Italian, and Printed with his Poems, London, 8o.  Pastor Fido P. 8o 
Sir Francis Fane, Jun.  
(b) Plot from the Invisible Mistress, in Scarron' s Novels, 8o.  Love in the Dark T. C. 4o Sacrifice T. 4o 
Henry Glapthorn.  Albertus Wallenstine T. 4o 
(c) Plot from Sir Philip Sidney's Arcadia, Folio.  Argalus and Parthenia P. 4o Hollander C. 4o Lady's Privilege C. 4o Wit in a Constable C. 4o 
Tho. Goff.  Careless Shepherdess. P. 4o 
(d) Plot from the Turkish History.  Selimus T. 4o 
* Printed in one Volume.  
(e) Plot from the same.  Courageous Turk. T. 4o 
(f) From Euripides.  Orestes. 
(g) Plot from the Turkish History.  Raging Turk. 
Robert Green.  
(h) Plot from the English Chronicle.  Friar Bacon C. 4o 
(i) Plot, Story of Ionas in the Holy Scripture.  Looking-glass for London- H. 4o 
George Gerbyer.  False Favourite disgraced T. C. 8o 
† George Gascoign.  Glass of Government T. C. 4o 
(k) From Euripides.  Jocasta T. 4o 
(l) From Ariosto.  Supposes C. 4o Pleasure at Kenelworth-Castle. M. 
Francis Goldsmith.  
(m) From Hugo Grotius' Sophompaneas, Latin.  Joseph T. C. 8o 
Robert Gomersall.  
(n) Printed with his Poems, Lond. 1633  Sforza Duke of Milan T. 8o 
Alexander Green.  Politician Cheated C. 4o 
John Heywood.  Four P P. I. 4o Play of Love I. 4o Play of the Wether I. 4o Play between John the Husband, and Tib his Wife. I. 4o Play between the Pardoner, Friar, Curate, and Neighbour Prat. I. 4o Play of Gentileness and Nobility, 2 Parts. I. 4o 

* Plot from Guiciardine's s History of Italy, Folio, and from Poetical History.  Jasper Heywood.  Hercules Furiens T. 4o Thyestes Troas 
Tho. Heywood, vide Ford.  
† These are usually Bound together.  
| Plot from Poetical History.  Golden Age H. 4o Silver Age Brazen Age C. 4o 
(a) Plot from Virgil's Aeneids, Second Book, and Homer's Iliads.  Iron Age, 2 Parts H. 4o Challenge for Beauty C. 4o 
(b) Plot from English Chronicle, and Clark's s Martyrology.  Duchess of Suffolk H. 4o English Traveller C. 4o Edward the Fourth, 2 Parts H. 4o 
(c) Plot from English Chronicle.  Elizabeth's Troubles, 2 Pts.- H. 4o 
(d) Plot, English Lovers, 8o.  Fair Maid of the West, Two Parts. C. 4o Four London-Prentices H. 4o Fair Maid of the Exchange C. 4o 
(e) By him and Rowley.  Fortune by Land and Sea. H. 4o 
(f) By him and Brome.  Lancashire Witches C. 4o 
(g) Plot from Apuleius' Golden Ass, 4o.  Love's Mistress M. 4o Maidenhead well lost C. 4o 
(h) Plot from Titus Livius.  Rape of Lucrece T. 4o 
† Plot, Stow and Speed's s Chronicle.  Robert Earl of Huntingdon's Downfall. H. 4o — His Death T. 4o Woman killed with Kindness- C. 4o Wise Woman of Hogsden C. 4o 
William Habington.  Queen of Arragon Folio. 
Charles Hool.  
(i) Castrated Latin, English.  Terrences Comedies C. 8o 
Peter Hausted.  Rival Friends C. 4o 
Barton Holiday.  Marriage of the Arts C. 4o 
William Hemings.  
(a) Plot, French Chronicles.  Fatal Contract T. 4o 
(b) Plot from Josephus' History of the Jews, Book Sixth and Seventh.  Jews Tragedy T. 4o 
Richard Head.  Hic & ubique C. 4o 

* The four first of Sir Robert Howard ' s Plays, are usually Bound together.  Sir Robert Howard.  Indian Queen T. Fol. Committee C. Surprisal T. C. Vestal Virgins T. C. 
(c) Printed with his Poems in 8o.  Blind Lady C. 8o Duke of Lerma T. 4o 
James Howard.  All Mistaken, or the Mad Couple. C. 4o English Monsieur C. 4o 
Edward Howard.  Man of Newmarket C. 4o Six Days Adventure C. 4o Usurper T. 4o Woman's Conquest T. C. 4o 
James Howel.  
(d) Translated from the French.  Peleus and Thetis M. 4o 

(†) All Ben. Johnson' s except the four last, are Printed with other Poems in two Volumes, Folio, London, 1640.  Benj. Johnson.  Alchemist C. Fol. Bartholemew-Fair. Christmas' Masque M. Fol. Cloridia Cynthia's Revels C. Fol. Challenge at Tilt M. Fol. 
(e) Plot from Salust's s History.  Cataline's Conspiracy T. Fol. Devil's an Ass C. Fol. Every Man in his Humour C. Fo. Every Man out of his Humour. 
(f) From several Authors quoted in the Margin throughout.  Entertainment at K. James' Coronation. E. Fol. Entertainments of the Q. and Prince, at Althrop. E. Fol. Entertainments of the King of England, and the King of Denmark, at Theoblads. F. Fol. Entertainment of K. James, and Q. Ann, at Theobalds'. F. Fol. Entertainment of the King and Queen, on Mayday, at Sir Wil Cornwallis' House, at Highgate. E. Fol. Fortunate Isles M Fol. Fox C. Fol. Golden Age restored M. Fol. Honour of Wales M. Fol. 
* All marked with this * are in the first Volume, and Quotations are Cited by the Author in the Margin throughout.  Hymenes M. Fol. Irish Masque M. Fol. King's Entertainment at Welbeck. M. Fol. Love's Triumph M. Fol. Love's Welcome M. Fol. Love Restored M. Fol. Magnetic Lady C. Fol. Masque of Auguurs M. Fol. Masque at the Lord Hayes' House. M. Fol. Masque at the Lord Haddington's Marriage. M. Fol. Masque of Owls M. Fol. 
* All marked with this * are in the first Volume, and Quotations are Cited by the Author in the Margin throughout.  Masque of Queens M. Fol. Mercury Vindicated M. Fol. Metamorphosed Gipsies M. Fol. 
(a) An Imperfect Piece just begun.  Mortimer's Fall T. Fol. News from the New World in the Moon. M. Fol. Neptune's Triumph M. Fol. 
* All marked with this * are in the first Volume, and Quotations are Cited by the Author in the Margin throughout.  Oberon the Fairy-Queen- M. Fol. Pleasure reconciled to Virtue- M. Fol. Pan's Anniversary M. Fol. 
(b) From Ovid' s Elegies; and from Horrace's Satyrs, Book the Ninth, satire the first Part.  Poetaster C. Fol. 
* All marked with this * are in the first Volume, and Quotations are Cited by the Author in the Margin throughout.  Queen's Masque of Blackness. M. Fol. 
* All marked with this * are in the first Volume, and Quotations are Cited by the Author in the Margin throughout. — Her Masque of Beauty M. Fol. Speeches at Pr. H. Barriers M. Fol. Staple of News C. Fol. 
(c) Borrowed part of it from Ovid de Arte Amandi, and Juvenal's s Sixth satire.  Silent Woman C. Fol. 
(d) This Play left Imperfect.  Sad Shepherd T. Fol. 
(e) Plot, Tacitus, Suetonius, Seneca, etc. There is an Edition of this Play, 4o, Printed Lond. 1605, by the author's own Orders, with all the Quotations from whence he borrowed any thing of his Play.  Sejanus T. Fol. Tale of a Tub C. Fol. Time Vindicated M. Fol. Vision of Delight M. Fol. Case is altered C. 4o New-Inn C. 4o 
(f) Joined in this with Chapman.  Eastward Ho C. 4o 
(g) Joined in this with Fletcher and Middleton.  Widow C. 4o 
John Jones.  Adrasta C. 4o 
Tho. Ingeland.  Disobedient Child J. 4o 
Tho. Jordain.  Fancies Féstivals M. 4o money's an Ass C. 4o Walks of Islington and Hogsden C. 4o 
William joiner.  
(h) Plot, Zosimi Historiae.  Roman Empress T. 4o 
Tho. Jevorn.  Devil of a Wife F. 4o 
Tho. Kyd.  
(a) Translated from the French of Robert Garnier.  Cornelia T. 4o 
Tho. Kirk.  
(b) Plot, History of the Seven Champions of Christendom.  Seven Champions of Christendom. H. 4o 
Ralph Knevet.  Rhodon & Iris P. 4o 

* All Printed in one Volume Folio, Oxon. 1666.  Sir William Killigrew.  Ormasdes T. C. Fol. Pandora T. C. Fol. Selindra T. C. Fol. Siege of Urbino T. C. Fol. 
Henry Killigrew.  
(c) These two in a manner the same.  Conspiracy T. 4o Pallantus and Eudora- T. Fol. 

† These all Printed in one Volume, Folio, London, 1664.  Tho. Killigrew.  Bellamira her Dream, 2 Parts. T. Fol. Claracilla T.C. Fol. Cicilia and Clorinda, 2 Parts. T.C. Fol. Parson's Wedding C. Fol. Prisoners T.C. Fol. Princess T.C. Fol. Pilgrim T.Fol. Thomaso, or the Wanderer, 2 Parts. C. Fol. 

| The first Six Printed together in 〈◊〉 London, 1632.  John Lilly.  
(d) Plot, Pliny's Natural History, Lib. 35. Cap. 10.  Alexander and Campaspe- C. 8o 
(e) Plot, Lucian's Dialogue between Venus and the Moon.  Endymion C. 8o Galathaea C. 8o 
(f) Plot, Ovid's Metamorph. Lib. 11.  Midas C. 8o Mother Bombie C. 8o 
(g) Plot, Ovidii Epistolae.  Sappho and Phaon C. 8o Love's Metamorphosis C. 4o Maid's Metamorphosis C. 4o Woman in the Moon C. 4o 

* The three first of Sir Wil Lower's s Plays, Printed together in 12o London, 1661.  Sir William Lower.  Amorous Phantasm P. 12o Enchanted Lovers P. 12o 
(a) From the French.  Noble Ingratitude T.C. 12o 
(b) From Corneille.  Horatius T. 4o 
(c) From Corneille's Polyeucte.  Martyr T. 4o 
Tho. Lupon.  All for Money T. 4o 
Tho. Lodge.  
(d) Plot from Plutarch in Vitas C. Marii & Syllae.  Marius and Scylla T. 4o 
(e) By him and Green.  Looking-glass for London- H. 4o 
John Lacey.  
(f) Plot and Language from Molliere's Le Medicine Malyre luy.  Dumb Lady C. 4o Old Troop C. 4o Sir Hercules Buffoon C. 4o 
Nat. Lee, v. Dryden.  
(g) Plot from Matchiavel.  Caesar Borgia T. 4o 
(h) Plot, Eusebius de vita Constantini.  Constantine the Great T. 4o 
(i) Plot from Cleopatra.  Gloriana T. 4o 
(k) Plot, Clelia, and Livy's s History.  Lucius Junius Brutus T. 4o 
(l) Plot, Historical Dictionary, Appian, Alexand. Romanae, Historiae.  Mithridates T. 4o 
(m) Plot from Suetonius, in Vitam Neronis.  Nero T. 4o 
(n) Plot, Quintus Curtius.  Rival Queens T. 4o 
(o) Plot, Sir Walter Raleighs History of the World, Book 5th, Chap. 3d. Sect. 18th.  Sophonisba T. 4o 
(p) Plot from Pharamont, Book 3d. Part 3d. Page 282, and Eusebii Histor. Ecclesiastica.  Theodosius T. 4o 
J. Leanard.  
(q) Taken from a Play called The Country Girl. C. 4o.  Country Innocence C. 4o 
(r) Part from More Dissemblers besides Women. C. 4o.  Rambling Justice C. 4o 
Tho. Middleton, v. Fletcher.  Any thing for a quiet Life C. 4o Blurt Mr Constable C. 4o chaste Maid in Cheapside C. 4o Family of Love C. 4o Game at Chess C. 4o Inner-Temple Masque M. 4o Mad World my Masters C. 4o 
(s) Plot 〈◊〉 Ranulph. Cestrensis Polychronicon.  Mayor of Quinborough C. 4o Michaelmas- Term C. 4o Phoenix C. 4o Roaring Girl C. 4o Trick to catch the old one C. 4o Triumphs of Love and Antiquity. M. 4o World tossed at Tennis M. 4o Your Five Gallants C. 4o 
† These three in one Volume, 8o, Lon. 1657.  More 〈◊〉 besides Women C. 8o 
| Plot from Hippolito and Isabel, a Novel, 〈◊〉.  Women beware Women T. 8o No Wit Help like a Woman's C. 8o 
* These four were Writ by Middleton and 〈◊〉.  
(a) Plot from God's Revenge against Murder, in Alsemero and Beatrice Joanna, Folio.  Changeling T. 4o 
(b) Plot from Complaisant Companion, 8o, Page 280.  Fair Quarrel T. C. 4o Old Law C. 4o 
(c) Plot, Cervantes' Exemplary Novels, Folio. Force of Blood.  Spanish Gipsies C. 4o 
Philip Massinger.  Bondman C. 4o City Madam C. 4o Duke of Milan T. 4o 
(d) Plot, Eusebii Hist.  Emperor of the East T. C. 4o Fatal Dowry T. 4o Great Duke of Florence C. 4o Maid of Honour C. 4o New way to Pay old Debts C. 4o 
(e) Plot from Fortunate, Deceived, and Unfortunate Lovers, 8o: Novel the 4th of the Deceived Lovers.  Picture C. 4o Roman Actor T. 4o Renegado C. 4o Unnatural Combat T. 4o 
(f) Plot, Eusebii Hist. Lib. 8. Cap. 17.  Virgin Martyr T. 4o 
h These three are Printed in one Volume, 8o. Lond. 1655.  Bashful Lady C. 8o 
(g) Plot from the Cimmerian Matron, 8o.  Guardian C. 8o Very Woman T. 8o 

* All except the two last are in one 〈◊〉, 8o. Lond. 1633.  John Marston.  Antonio & Mellida, 2 Parts T. 8o 
(i) Plot from Palace of Pleasure, the last Novel.  Dutch Courtesan C. 8o Fawn C. 8o 
(k) Plot from Sir Walter Raleigh's s History, and Livy's s History.  Sophonisba T. 8o What you will C. 8o 
(l) Plot from Montius's s History of Naples, in The Life of Joan Queen of Naples.  Insatiate Countess T. 4o Malcontent T. C. 4o 
Shakerly Marmion.  Antiquarary C. 4o Fine Companion C. 4o Holland's Leaguer C. 4o 
Christopher Marlow.  
(m) Plot, Camerarii Opera Subsc. Cent. 1. Cap. 70.  Dr. 〈◊〉 T. 4o 
(a) Writ by him and Nash, Plot, Virgil's Aeneids, Book 4.  Dido Q. of Carthage T. 4o 
(b) Plot, English Chronicles.  Edward the 2d T. 4o Jew of 〈◊〉 T. C. 4o Lust's Dominion T. 8o 
(c) Plot, French 〈◊〉.  Massacree at Paris T. 8o 
(d) Plot, Jean 〈◊〉 Bee L'Histoire de Tamerlane, 8o, and his Life in English, 8o.  Tamburlaine the Great, two Parts T. 8o 
Thomas May.  
† These two Printed together, 8o, London, 1639.  
(e) Plot, Taciti annal, Lib 12.  Agrippina T. 8o 
(f) Plot, Plutarch in viram, M. Antonii.  Cleopatra T. 8o 
(g) Plot from Sophocles.  Antigone T. 8o Heir T. C. 8o Old Couple T. 4o 
〈◊〉. Meriton.  Love and War T. 4o Wand'ring Lover T. C. 4o 
Lewis Machin.  Dumb Knight C. 4o 
Cosmo Manuch.  Just General T. 4o Loyal Lovers T. C. 4o 
Gervase Markham.  
(h) Writ by him and Samson. Plot from Josephus's s History, Book 17.  Herod and Antipater T. 4o 
J. Milton.  Samson Agonestes T. 8o 
John Mason.  Muleasses the Turk T. 4o 
Walter Montague.  Shepherd's Paradise P. 8o 
Robert Mead.  Combat of Love and Friendship C. 4o 
Jasper Main.  
† These two Printed together, and may be had either in 4o or 8o.  Amorous War C. 4o & 8o City Match C. 4o & 8o 
Matthew Medbourn.  
(i) Translated from Molliere.  Tartuff C. 4o 
L. Maidwel.  Loving Enemies C. 4o 
Thomas Nabbs.  Bride C. 4o Covent-Garden C. 4o Entertainment on the Prince's Birthday F. 4o 
(a) Plot from Corn. Nepos in vitam Annibalis.  Hannibal and Scipio T. 4o Microcosmus M. 4o Spring's Glory M. 4o 〈◊〉 〈◊〉 C. 4o Unfortunate Mother T. 4o 
Tho. Nash, v. Marlow.  Summers' last Will and Testament C. 4o 
Tho Norton, and Saokvile.  
(b) Plot from Old British Chronicles.  Ferex & Porex, or Gorboduc T. 4o 
Thomas Nuce.  
(c) Translated from Seneca's s Tragedies.  Octavia T. 4o 
Tho. Newton.  
(d) Translated from the same.  Thebais T. 4o 
Alex. Nevile.  
(e) Translated from the same.  Oedipus T. 4o 
Robert Nevile.  Poor Scholar C. 4o 
Duke of Newcastle.  Humorous Lovers C. 4o Triumphant Widow C. 4o 

† The first Fourteen of her Plays, are Printed together in one Volume, Folio. The other Three are in another Volume, with other Scenes, Printed London 1668.  Duchess of Newcastle.  Apocryphal Ladies C. Fol. Bell in Campo, 2 Parts C. Fol. Female Academy C. Fol. Love's Adventures, 2 Parts C. Fol. Lady Contemplation, 2 Parts C. Fol. Matrimonial Trouble, 2 Parts C. Fol. Natures 3 Daughters, 2 〈◊〉. C. Fol. Public Wooing C. Fol. Religion's C. Fol. Several Wits C. Fol. Unnatural Tragedy T. Fol. Wit's Cabal 2 Parts C. Fol. Youth's Glory, and Death's Banquet C. Fol. Blazing World C. Fol. Bridals C. Fol. Covent of Pleasure C. Fol. Presence C. Fol. Sociable Companions C. Fol. 
Earl of Orrery.  
(a) Plot, English Chronicle in K. Edward the Third.  Black Prince H. Fol. Tryphon T. Fol. 
(b) Plot, Turkish Chronicles:  Mustapha T. Fol. 
(c) Plot, English Chronicles.  Henry the Fifth H. Fol. 
Tho. Otway.  Atheist, or the Second Part of the Soldiers Fortune C. 4o 
(d) Plot from Plutarch, and Corn. Nepos both in the Life of Alcibiades.  Alcibiades T. 4o 
| Plot from Ravenscroft's Scaramouch.  Cheats of Scapin F. 4o 
(e) Stolen part from Shakespear's Romeo & Juliet, Plot from Plutarch, in his Life of C. Marius, and Lucan's Pharsalia, Book 2d.  Caius Marius T. 4o 
(f) Plot from the Novel so called, 12o.  Don-Carlos T. 4o Friendship in Fashion C. 4o 
(g) Plot, English Adventures, a Novel, 8o.  Orphan T. 4o Soldiers Fortune C. 4o 
(h) From Monsieur Racine.  Titus and Berenice T. 4o Venice preserved T. 4o 
George Peele.  
(i) Plot from Holy Scripture.  David and Bethshabe T. C. 4o 
(k) From English Chronicles.  Edward the First H. 4o 
Henry Porter.  Two angry Women of Abingdon C. 4o 
Tho. Porter.  Carnival C. 4o Villain T. 4o 
Lady Pembrock.  Antonius T. 4o 
Tho. Preston.  Cambyses King of Persia T. C. 4o 
Edward Prestwick.  Hector's C. 4o 
(l) Plot Justin. Hist. Lib. 1. Cap. 9  Hippolytus T. 8o 
Mrs. Katherine Phillips.  
(m) Plot from Livy, Translated from 〈◊〉  Horace T. Fol. 
(n) Plot from Lucan's Pharsalia, Translated from 〈◊〉.  Pompey T. Fol. 
Samuel Pordage.  
(o) Plot from Joseph. Hist. and Cleopatra a 〈◊〉, in the Story of Tyridates.  Herod and Meriamne T. 4o 
(p) Plot from Cassandra, a Romance, Fol.  Siege of Babylon T. 4o 
— Peaps.  Love in its Ecstasy P. 4o 
John Palsgrave.  Acolastus C. 4o 
Francis Quarles.  Virgin Widow C. 4o 
William Rowley, v. Webster, Middleton, Day, and Shakespeare.  
(a) Lipsii 〈◊〉, Lib. 1. Cap. 5.  All's lost by Lust T. 4o Match at Midnight T. 4o 
(b) Plot, History of the Gentle Craft.  Shoemakers a Gentleman C. 4o Wonder a Woman never vexed C. 4o Spanish Gipsies C. 4o 
Samuel Rowley.  
(c) Plot from English Chron. Hen. 8th. etc.  When you see me you know me C. 4o 
Joseph Rutter.  
(d) Translated from Corneille.  Cid, 2 Parts T. C. 8o Shepherd's Holiday 
Nath. Richards.  
(e) Plot, Suetonius, in Claudio and Tacitus, Lib. 11.  〈◊〉 T. 8o 
Tho. Rawlins.  Rebellion T. 4o 
Tho. Randolph.  
† These Four Printed with his Poems, 8o.  Aristippus T. 8o Aminta T. C. 8o Jealous Lover T. C. 8o Muse's Looking-glass P. 8o 
(f) Translated from 〈◊〉 Plutus.  hay for Honesty, down with Knavery C. 4o 
William Rider.  Twins C. 4o 
Edward Revett.  Town Shifts C. 4o 
Edward Ravenscroft.  
(g) Borrowed part from De Molliere's Monsieur de Pourceaugnac, 8o.  Careless Lovers C. 4o 
(h) Translated from Molliere's Le Bourgeois Gentlehome, & Mons de 〈◊〉.  Citizen turned Gentleman C. 4o 
(a) Translated from La Divineresse.  Dame Dobson C. 4o 
(b) Translated from the Latin Ignoramus.  English Lawyer C. 4o 
(c) Plot from English Chronicles.  King Edgar and Alfreda T. 4o 
(d) Plot, part from Scarron's Novels, 8o, Novel first, The Fruitless Precaution, part from Les-Contes Du-Sieur D'Ouville, 8o, 2de. pte. page 121. And part from Boccace's Novels, Day 7th, Novel 6 and 7 of the 7th Day.  London Cuckolds C. 4o 
(e) Part from Molliere's le Bourgeois Gentlehomme, & la Marriage Forcee, 8o.  Scaramouch, etc. F. 4o 
(f) Plot from Deceptio visus: or, Seeing and Believing are two Things, a Romance in 8o.  Wrangling Lovers C. 4o 
Tho Rymer.  
(g) Plot, English Chronicles.  Edgar T 4o 

* All except the last, are Printed in one Volume, Fol. Lond. 1685.  William Shakespeare.  
(h) Plot from Boccace's s Novels, 3d. Day, 9th Novel. Juliet of Narbona.  All's well that ends well C. Fol. 
(i) Plot from Plutarch, in Vitam Antonii.  Anthony and Clcopatra T. Fol. As you like it C. Fol. 
(k) The Ground from Plautus' Ampitruo, and Maenectrini.  Comedy of Errors C. Fol. 
(l) Plot, Plutarch in vitam Coriolan: and from Livy's History.  Coriolanus T. Fol. 
(m) Plot from English Chronicle.  Cromwell's History H. Fol. 
(n) Plot from Boccace ' s Novels, 2d. Day, Ninth Novel.  Cymbeline T. Fol. Gentleman of Verona C. Fol. 
† All so marked had their Plots from English Chronicles.  Henry the 4th, 2 Parts H. Fol. 
† All so marked had their Plots from English Chronicles.  Henry the 5th H. Fol. 
† All so marked had their Plots from English Chronicles.  Henry the 6th 3 Parts H. Fol. 
† All so marked had their Plots from English Chronicles.  Henry the 8th H. Fol. Hamlet Prince of Denmark T. Fol. 
† All so marked had their Plots from English Chronicles.  John K. of England, 2 Pts. H. Fol. 
(o) Plot, Livy's s History.  Julius Caesar T. Fol. 
† All so marked had their Plots from English Chronicles.  Lears Tragedy T. Fol. 
† All so marked had their Plots from English Chronicles.  Locrine's Tragedy C. Fol. London Prodigal C. Fol. Love's Labour lost C. Fol. Merry Wives of Windsor C. Fol. Measure for Measure C. Fol. Merchant of Venice T. C. Fol. 
(p) Plot from Scotch Chronicles, and Heylin' s Cosmography.  Macbeth T. Fol. Midsummers' Nights-Dream C. Fol. Much ado about nothing C. Fol. 
(q) Plot from English Chronicle.  Old- 〈◊〉, Lord Cobham's Life and Death T. Fol. 
(r) Plot from Cynthio's s Novels.  Othello Moor of Venice T. Fol. Pericles' Prince of Tyre H. Fol. Puritan Widow C. Fol. 
† All so marked had their Plots from English Chronicles.  Richard the Second H. Fol. 
† All so marked had their Plots from English Chronicles.  Richard the Third H. Fol. 
s Plot from Cynthio's s Novels.  Romeo & Juliett T. Fol. Taming of the Shrew C. Fol. Tempest C. Fol. Titus Andronicus T. Fol. 
(a) Plot from Lucian's Dialogue.  Timon of Athens T. Fol. Troilus and Cressida T. Fol. Twelfth Night C. Fol. 
(b) Plot from Dorastus and Fawnia, 4o.  Winter's Tale C. Fol. Yorkshire Tragedy T. Fol. Birth of Merlin P. 4o 
J. Studley, v. Jaspar Heywood.  
| All Translated from Seneca's s Tragedies.  Agamemnon T. 4o Hippolytus T. 4o Hercules Oetus T. 4o Medea T. 4o 
James Shirley.  
(c) Plot from Sir Philip Sidney's Arcadia, Folio.  Arcadia P. 4o Bird in a Cage C. 4o Ball C. 4o Changes, or Love in a Maze C. 4o 
(d) Plot from the French Chronicles.  Chabott, Admiral of France T. 4o Constant Maid, or Love will find out the way C. 4o Cupid and Death M. 4o Contention for Honour and Riches M. 4o Duke's Mistress T. C. 4o Example T. 4o 
(e) Plot from The Unlucky Citizen, 8o.  Gamester C. 4o 
(f) Plot, Part from Gayton' s Notes on Don Quixot, Book 4th, Chap. 6th.  Gentleman of Venice T. C. 4o Grateful Servant C. 4o Hyde-Park C. 4o Humorous Courtier C. 4o Love's Cruelty T. 4o Lady of Pleasure C. 4o 
(g) Plot from Reynolds' God's Revenge against Murder, Folio, Book 2d. Hist. 7th.  Maid's Revenge T. 4o Opportunity C. 4o Politician C. 4o Patrick for Ireland H. 4o Royal Master C. 4o School of Compliments C. 4o Traitor T. 4o Triumph of Peace M. 4o Wedding C. 4o Witty Fair One C. 4o Young Admiral C. 4o 
| these Printed together in Octavo, Lon. 1658.  Honoria and Mammon C. 8o 
(h) Plot from Ovid's Metamorphosis, Book 13th.  Contention of Ajax and Ulysses, for Achilles' Armour M. 8o Brothers C. 8o Sisters C. 8o 
(i) These are Printed together in 8o, Lond. 1581.  Doubtful Heir T. C. 8o Imposture Cardinal Court Secret Triumph of Beauty M. 8o 
Henry Shirley.  Martyred Soldier T. 4o 
Edward Sherbourn.  
† Translated from Seneca's s Tragedy.  Medea T. 8o Troades T. 8o 
— Sheppard.  Committee-man Curried C. 
George Sandys.  
(a) Translated from Hugo Grotius.  〈◊〉 is Passion T. 8o 
J. Swallow.  Cynthia's Revenge T. 4o 
Edward Sharpham.  Fleir C. 4o 
William Samson, v. Markham.  Vow Breaker T. 4o 
Tho. Stanley.  
(b) Translated from Aristophanes, Printed with his History of Philosophy, newly Published, Folio.  Clouds Fol. 
William Smyth.  Hector os Germany H. 4o 
William Strode.  Floating Island C. 4o 
Gilbert Swinhoe.  
(c) Plot from Bandello's s Novels, Turkish Chronicles, Life of Mahomet the First.  Fair Irene T. 4o 

* All Printed with his Poems, 8o Lond. 1648.  Sir John Suckling.  Aglaura T. C. 8o Brenoralt T. 8o Goblins T. 8o Sad one T. 8o 
Lewis Sharp.  Noble Stranger C. 4o 
John Smyth.  Cytherea C. 4o 
Sir Robert Stapleton.  
(d) From Ovid' s Epistles, and Muse's Erotopegnion Gr. Lat.  Hero and Leander T. 4o Slighted Maid C. 4o 
Tho. St. Serf.  Tarugoes Wiles C. 4o 
Tho. Shadwel.  Epsom Wells C. 4o Humorists C. 4o Lancashire Witches C. 4o 
(a) Plot from Molliere's L'Athee Foudroye.  Libertine C. 4o 
(b) Plot from Molliere's L'Avaree.  Miser C. 4o 
(c) Plot, Apuleii Aureus Asrinus.  Psyche O. 4o 
(d) From Reward of Virtue, 4o.  Royal Shepherdess C. 4o 
(e) Plot from Molliere's Les Facheaux.  Sullen Lovers C. 4o 
(f) Part from Shakespeare.  Timon of Athens T. 4o True Widow C. 4o Virtuoso C. 4o Woman Captain C. 4o 
Elkanah Settle.  
(g) Plot, Justin's Hist. Lib. 1. Cap. 9 Amianus Marcellinus, Lib. 23.  Cambyses K. of Persia T. 4o 
(h) Plot, Heylin's Cosmography, Book 3d. and Conquest of China, By Senior Palafax, Englished, 8o.  Conquest of China T. 4o Empress of Morocco T. 4o 
(i) Plot, Achilles Tatius' Clitophon and Leucippe, 8o Book 5th.  Fatal Love T. 4o 
(k) Plot from Platina, etc. Life and Death of Pope Joan, 8o.  Female Prelate T. 4o Heir of Morocco T. 4o 
(l) Plot from The Illustrious Bassa, Fol.  Ibrahim T. 4o 
(m) From Fatal Contract, 4o.  Love and Revenge T.C. 4o 
(n) From Fanshaw's s Translation of Guarini.  Pastor Fido P. 4o 
Sir Charles Sidley.  
(o) Plot, Plutarch's Life of M. Anthony.  Anthony and Cleopatra T. 4o 
(p) Said to be Writ by the late Duke of Buckingham.  Bellamira C. 4o Mulberry-Garden C. 4o 
Tho. Shipman.  
(q) From the French Chronicles.  Henry the 3d. of France T. 4o 
Charles Saunders.  
(r) Plot, Asteria and Tamerlain, a Novel, 8o.  Tamerlane the Great T. 4o 
Tho. Southern.  Disappointment C. 4o 
(s) Plot, Tachmas K. of Persia, a Novel, 8o.  Loyal Brother T.C. 4o 
Cyril Turneur.  Atheists Tragedy T. 4o Loyal Brother T.C. 4o 
John Tateham.  Distracted State T. 4o 
(a) Plot from English Chronicles.  Rump C. 4o scott's Vagaries C. 4o 
(b) Printed with his Poems, London, 1651.  Love Crowns the end C. 8o 
Nich. Trott.  Arthur T. 
Robert Taylor.  Hog has lost his Pearl 
Tho. Thompson.  English Rogue C. 4o 
(c) Part of the Language from the City Madam; and Plot from a Book so called in Prose, 4o.  Mother Shipton's Life and Death C. 4o 
Nat. Tate.  
(d) Plot, Virgil's Aeneiads, Book 4th.  Brutus of Alba T. 4o 
(e) From Eastward Ho.  Cuckold's Haven C. 4o 
(f) From Trapolin supposed a Prince, 8o.  Duke and no Duke F. 4o 
(g) Part from Shakspear's Coriolanus.  Ingratitude of a Commonwealth T.C. 4o 
(h) Revived from Shakespeare.  Island Princess T.C. 4o Loyal General T. 4o 
(i) Revived from Shakespeare.  Lear and his 3 Daughters T. 4o 
(k) Revived from Shakespeare.  Richard the Second H. 4o 
S. Tuke.  Adventures of 5 Hours C. 4o 
Richard Tuke.  Divine Comedian C. 4o 
John Tutchim.  
(l) Printed with his Poems, Lond. 1686.  Unfortunate Shepherd P. 8o 
John Webster, v. Decker.  
(m) Plot, Livy's History.  Appius and Virginia T. 4o 
(n) Part of the Plot in Schenchii Rariorum Observationum.  Devil's Law-Case T.C. 4o Duchess of Malfey T. 4o White Devil T. 4o 
| By Webster and Rowley.  Thracian Wonder H. 4o Cure for a Cuckold C. 4o 
Lewis Wager.  Marry Magdalen's Repentance I. 4o 
William Wayer.  The longer thou liv'st the more Fool thou art C. 
George Wapul.  Tide tarryeth for no man C. 
Nat. Woods.  Conflict of Conscience P. 
R. Weaver.  Lusty Juventus I. 
Robert Wilson.  Cobbler's Prophecy C. 4o 
John Wilson.  
(a) Plot from Heylin's Cosmography in the Description of Greece.  Andronicus Comenius T. 4o Cheats C. 4o Projectors C. 4o 
J. Weston.  
† Plot from Strabo, Lib. 11. Quineus Curtius, Lib. 6.  Amazon Queen T. C. 4o 
Robert Wilmot.  
(b) Plot from Boccace's Novels, 1st. Novel, 4th Day.  Tancred and Grismond T. 4o 
George Wilkins, v. Day.  Miseries of enforced Marriage T. C. 4o 
John Wright.  
(c) Both in one Volume. 8o, Lond. 1674. the former from Seneca.  Thyestes T. 8o Thyestes F. 8o 
Leonard Willan.  
(d) Plot from a Romance so called.  Astraea P. 8o 
Edmund Waller.  
(e) From Corneille.  Pompey T. 4o 
William Wycherly.  Country Wife C. 4o Gentleman Dancing Master C. 4o Love in a Wood C. 4o Plain Dealer C. 4o 
— Whitaker.  Conspiracy T. 4o 
Robert Yarrington.  Two Tragedies in One T. 4o   

Supposed AUTHORS.  

R. A.  
(a) Plot from British Chronicles.  Valiant Welshman T. C. 4o 
H. B.  
(b) Written by Henry Burnell.  Landagartha C. 4o 
H. H. B.  
(c) Translated from Aristophanes.  Plutus C. 8o 

* Supposed to be Peter Bellon.  P. B.  Mock-Duellest C. 4o 
J. C.  Merry Milkmaids C. 4o 
R. C.  Alphonsus K. of Arragon C. 4o 
(d) Translated from the Latin Poem so called.  Ignoramus C. 4o 
J. D.  Hell's higher Court of Justice I. 4o Mall C. 4o 
T. D.  Bloody Banquet T. 4o 
(e) Ascribed to Tho. Durfey.  Fool turned Critic C. 4o 
(f) Said to be Writ by Tho. Duffet.  Psyche Debauched F. 4o 
S. H.  Sicily and Naples T. 4o 
B. J.  Guy of Warwick T. 

† Supposed to be Matthew Medbourn.  E. M.  St. Cecily, or the Converted Twins T. 4o 
T. P.  
(g) Plot, part of it from Gusman's Fol. in the Story of Dorido and Cloridia.  Witty Combat T. C. 4o 
(h) Plot from the Germane Princess, a Novel, 8o.  French Conjurer C. 4o 
Monsieur P. P.  
(i) Put into Music, by Monsieur Grabutt.  Ariadne O. 4o 
S. P.  
(a) Supposed to be Writ by Samuel Pordage, being Printed with his Poems, 8o Lond. 1660.  Troades T. 8o 
T. R.  
(b) Translated from Corneille.  Extravagant Shepherd P. 8o 
W. R.  Three Lords and Ladies of Lond. C. 
Mr. S. Master of Arts.  Gammer Gurton's Needle C. 4o 
J. S.  Masquerade Du Celestina M. 
(c) Translated from the Italian of C. Guidubaldo di Bonarelli.  Phillis of Syros P. 8o 
(d) Plot from Sir Philip Sidney's Arcadia, in the Story of Plangus, p. 155.  Andromana T. 4 o 
S. S.  Honest Lawyer C. 4 o 
J. T.  
(e) In a Book called The Ternory of Plays, 8o Lond. 1662. Plot from Matchiavil's Marriage of Belphegor, a Novel, Folio: The same is Printed with Quevedo's s Novels, 8o.  Grim the Collier of Croyden C. 8o 
(f) Translated from Seneca.  Troas T. 4o 
C. W.  
(g) From Sophocles by Christoph. 〈◊〉.  Electra T. 8o 
E. W.  Apollo Shroving C. 8o 
L. W.  Orgula, or the Fatal Error T. 4o 
M. W. Master of Arts.  
(h) In the Ternary of Plays, and Plot from English Chronicles, in the Reign of Sebert, King of the Westsaxons.  Marriage Broker C. 8o 
T. W.  
(i) In the same Ternary of Plays, and Translated from Plautus.  Thornby-Abby H. 8o 
W. W.  Menechmus C. 4o   

Unknown AUTHORS.  

A.  Abraham's Sacrifice 
(a) Plot from the Tragical History of the City of Antwerp, 4o.  Alarm for London H. 4o Albion I. Albion's Triumph M. 4o Albumazar C. 4o 
(b) Translated from Tasso, Italian.  Aminta P. 4o Amorous Gallant C. 4o Amorous old Woman C. 4o 
(c) Plot from Baker, and other English Chronicles.  Arden of Feversham T. 4o Arraignment of Paris P. 
B.  
(d) Plot from Heylin' s Cosmography, in the History of Spain. De Rebus Lusitan: By Andr. Schottum, Folio.  Battle of Alcazar T. 4o Band-Ruff and Cuff 1 Bastard T. 4o 
C.  Caesar's Revenge T. 
(e) Plot from English Chronicles.  Charles the First T. 4o Combat of Caps M. Commons Conditions C. Constant Nymph P. 4 o Costly Whore C. 4o 
(f) Plot from the Second Part of Shakspear's Henry 6th, Folio.  Contention between York and Lancaster, 2 Parts Counterfeits C. 4o 
(g) From No Wit like a Woman's, By Middleton.  Counterfeit Bridegroom C. 4o 
(h) Bound with the Varieties, 8o.  Country Captain C. 8o Cromwell's Conspiracy T. C. Cruel Debtor Cupid's Whirligig C. 4o Cyrus' King of Persia T. 
D.  Damon and Pythias H. 
(i) From Brome's Mad Couple well Matched.  Debauchee C. 4o Destruction of Jerusalem Dick Scorner 
(k) Plot from Holy Scripture, Jeroboam, etc.  Divine Masque M. 4o Doctor Dodipol C. 4o 
E.  
(l) Plot from English Chronicles.  Edward the Third H. 4o 
(m) Ascribed to the Lord Digby.  Elvira T. C. 4o 
(a) Said to be Writ by Tho. Duffet.  Empress of Morocco F. 4o 
(b) Ascribed to J. carel.  English 〈◊〉 T. 4o Enough's as good as a Feast C. Every Woman in her Humour C. 4o 
F.  
(c) From Guarini's Ill Pastor Fido.  Faithful Shepherd P. 4o Fair Em C. 4o Fair Maid of Bristol H. 4o Factious Citizen C. 4o Fatal Jealousy T. 4o Fidele and Fortunatus 
(d) Translated from the French of Monsieur Corneille, Junior.  Feigned ginger C. 8o freewill 
(e) Ascribed to Rhodes.  Flora's Vagaries C. 4o 
(f) The same with the Amorous old Woman, only a different Title.  Fond Lady Fulgius and Lucrelle 
G.  Gentile-Craft C. 4o Ghost C. 4o 
H.  
(g) Plot from English Chronicles.  Henry the Fifth, with the Battle of Agincourt H. 4o 
(h) Ascribed to Edm. Prestwith.  Hector's C. 4o Histriomastix C. 4o Hoffman T. 4o How to choose a good Wife from a bad one C. 4o 
J.  Jacob and Esau C. Jack Drum's Entertainment C. 4o Jack Juggler 
| Plots from English Chronicles.  Jack Straw's Life and Death H. 4o James the Fourth H. Jeronimo, 2 Parts T. 4o Impatient Poverty 
† Ascribed to Sir William 〈◊〉, and Translated from the Latin.  Imperial Tragedy T. Fol. Interlude of Youth I 4o John the Evangelist Joseph's Afflictions Jovial Crew I. 4o 
K.  
| Plots from English Chronicles.  King Edgar and Alfreda H. 4o King and Queen's Entertainment at Richmond M. 4o Knave in Grain C. 4o Knack how to know an honest Man 
| Plots from English Chronicles.  Knack how to know a Knave C. 4o Knavery in all Trades C. 4o Knight of the Golden Shield H. 4o 
L.  Lady Alimony C. 4o Laws of Nature C. Levellers levelled I. Liberality and Prodigality C. Lingua C. 4o London 〈◊〉 F. 4o Look about you C. 4o Lost Lady T. C. Fol. Love A-la-mode C. Fol. Love's Loadstone C. 4o Lumenalia M. 4o 
(a) From Corneille's Le Menteur.  Liar C. 4o 
M.  Manhood and Wisdom 
(b) Plot from Plutarch. in vitam Ciceronis.  Marcus Tullius Cicero T. 4o Marriage of Wit and Science 1 Masque of Flowers M. 4o 
(c) Ascribed to J. Milton.  Masque at Ludlow Castle M. 4o 
(d) Plot from Giraffi' s History of Naples, Englished by James Howel.  Massianello T. 8o Mercurius Britannicus C. 4o Merry Devil of Edmonton C. 4o 
(e) Said to be Writ by Mr. Pane.  Morning Ramble C. 4o Mucedorus C. 4o 
(f) Three Drolls stolen from several Plays.  Muse of Newmarket F. 4o 
N.  
(g) Plot from Suctonius.  Nero's Life and Death T. 4o New Custom I 4o New-market Fair F. 4o New Trick to cheat the Devil C. 4o Nice Wanton C. Nobody and Somebody H. 4o 
O.  Oldwives' Tale 
(h) Play from Ariosto's s Poem so called, Fol. Englished by Sir J. Harrington.  Orlando Furioso H. 4o 
P.  
(i) Bound with the Country Captain, 8o.  Patient Grissle C. Pedlar's Prophecy C. Philotus Scotch C. 4o Pinder of Wakefield C. 4o 
(k) Plot from Suetonius, in Vitam Neronis.  Piso's Conspiracy T. 4o Presbyterian Lash T. C. 
(l) Plot from Hyne's s Pranks, 8o.  Prince of Priggs C. 4o Promises of God manifested Promus and Cassandra, 2 Parts 
Q.  Queen T. C. 4o 
R.  
(m) Ascribed to J. Lenard. 〈◊〉 from Middleton's More Dissemblers besides Women, 8o.  Rambling Justice C. 4 
(n) From the Fine Companion, and other Plays.  Rampant Alderman F. 4o 
(o) Ascribed to Mrs. Behn, but Borrowed all from Marston's Dutch Courtesan.  Revenge C. 4o 
(p) Said to be Writ by the late Duke of Buckingham.  Rehearsal F. 4o 
(q) By Mr. Arrowsmith.  Reformation C. 4o Religious Rebel T. C. 4o 
(r) Ascribed to Sir William D'Avenant.  Return from Parnassus C. 4o Rivals T.C. 4o Robin Conscience Robin Hood's Pastoral May-games Rob. Hood and his Crew of Soldiers Royal Masque at Hampton-Court M. 4o 
(a) Plot from Livius, Lib 1: Ovidii Metamorph. Lib. 14.  Romulus and Hersilia T. 4o 
S.  Salmacida Spolia M. 4o 
(b) Plot from Heylin' s Cosmography, Book 2d. in the Description of Greece, and Constantinopolis à Mahammada, 2da. expugnata, Fol.  Siege of Constantinople T. 4o Sicillides a Piscatory Drama P. 4o Sir Gyles Goosecap C. 4o 
(c) Ascribed to John Carrel, from Corneille's L'Escote des Femmes, 8o.  Sir Solomon C. 4o Soliman and Perseda T. 4o Sophister C. 4o 
(d) A Collection of Drolls taken from Plays, Printed in 8o Lond. 1673.  Sport upon Sport.— Drolls Spanish Bawd T. C. 4o Stepmother T. C. 4o 
(e) Plot from Heliodorus Emissenus Aethiopicorum, Lib. 10. The same is in English, 8o 1687.  Strange Discovery T. C. 4o Sufanna's Tears Swetnam the Woman-hater Arraigned C. 4o 
T.  Tempe Restored M. 4o Thersytes I. 
(f) Part from Molliere's Le Cocu Imaginary. C. 8o.  Tom Essence C. 4o Tom Tyler and his Wife I. 4o Traitor to himself I 4o 
(g) Plot from Liv. Lib. 5. Caesaris Coment. Lib. 4 & 5. 〈◊〉 ap Arthur Monumetensis. De Gestis Regum Brittanniae, Lib. 4.  True Trojans H. 4o Trial of Chivalry Trial of Treasure 
(h) That and Tom Essence ascribed to Mr. Rawlins.  Tunbride-Wells C. 4o Tyrannical Government 
V.  Valiant Scot T. 4o 
(i) Bound with the Country Captain, 8o.  Varieties C. 8o 
(k) Plot from Heylin' s Cosmogrophy, in the Description of Greece.  Unfortunate Usurper T. 4o Ungrateful Favourite T. 4o 
W.  Warning for Fair Women T. 4o Wealth and Health Weakest goes to the Wall C. 4o Wily beguiled C. 4o Wine Beer Ale and Tobaco I. 4o 
(l) Part of it taken from Chamberlain's Love's Victory.  Wits led by the Nose C. 4o Wit of a Woman C. 4o Woman turned Bully C. 4o Woman will have her Will C. 4o   

The Alphabetical INDEX of PLAYS, Referring to their AUTHORS, etc.  

A.  Page Abdelazar 2 Abraham's Sacrifice 29 Acolastus 20 Actaeon and Diana 3 Adelphi 2 Adrasta 13 Adventures of 5 Hours 25 Agamemnon 22 Aglaura 23 Agrippa King of Alba 6 Agrippina 17 All for Love 6 All mistaken 12 All Fools 3 All for Money 15 All's lost by Lust 20 All's well that ends well 21 Alaham 2 Alarm for London 29 Albion ib. Albion's Triumph ib. Albion and Albanius 6 Albertus Wallenstine 10 Albovine 6 Albumazar 29 Alcibiades 19 Alchemist 12 Alexander and Campaspe 14 Alexandrian Tragedy 1 Alphonsus K. of Arragon 27 Alphonsus Emp. of Germ. 30 Amazon Queen 26 Ambitious Statesman 4 Amboyna 5 Amends for Ladies 9 Amorous Gallant 29 Amorous old Woman 29 Amorous War 17 Amorous Prince 2 Amorous Phantasm 15 Amynta 6. 20. 29. Andraea 2 Andromache 5 Andromana 28 Andronicus Commenius 26 Anthony and Cleopatra, 21. 24. Antigone 17 Antipodes 2 Antiquary 16 Antonio and Mellida 16 Antonius 19 Any thing for a quiet Life 15 Appius and Virginia 25 Apocryphal Ladies 18 Apollo Shroving 28 Arcadia 22 Arden of Feversham 29 Argalus and Parthenia 10 Ariadne 27 Aristippus 20 Arraignment of Paris 29 Arthur 25 Arviragus and Philitia, two Parts 4 As you like it 21 Assignation 6 Astrea 26 Atheists Tragedy 25 Auringzebe 6 
B.  Ball 22 Band-Ruff and Cuff 29 Banditti 7 Bartholomew-Fair 12 Bashful Lover Bashful Lady 16 Bastard 29 Battle of Alcazar 29 Beggars Bush 8 Bell in Campo 18 Bellamira, her Dream 14 Bellamira, the Mistress 24 Bird in a Cage 22 Birth of Merlin 22 Black Prince 19 Blazing World 18 Blind Beggar of Alexandria 3 — of Bednal Green 5 Blind Lady 12 Blurt Mr. Constable 15 Bloody Brother, vide Rollo 8 Bloody Banquet 27 Bondman 16 Bonduca 8 Brazen Age 11 Brenoralt 23 Bridals 18 Bride 18 Britannia Triumphans 6 Broken Heart 9 Brothers 22 Brutus of Alba 25 Bussy D'amboys Revenge 3 — His Tragedy ib. Byron's Conspiracy ib. — His Tragedy ib. 
C.  Calisto 5 Caius Marius' History and Fall 19 Cambyses K. of Persia 19 24. Captain 8 Cardinal 22 Careless Lovers 20 Careless Shepherdess 10 Carnival 19 Case is altered 13 Cataline's Conspiracy 12 Caesar Borgia 15 Caesar and Pompey 3 Caesar's Revenge 29 Chabot Admiral of France 22 Challenge at Tilt 12 Challenge for Beauty 11 Champions of Christendom 14 Chances 8 Changes 22 Changeling 16 Charles the First 29 Charles the 8th of France 5 chaste Maid in Cheapside 15 Cheats 26 Cheats of Scapin 19 Christmas Masque 12 Christ's Passion 23 Christian turned Turk 5 Cicilia and Clorinda 14 Cid 20 Circe 5 City Heiress 2 Citizen turned Gentleman 20 City Madam 16 City Match 17 City Nightcap 5 City Politics 5 City Wit 2 Claricilla 14 Cleopatra 5. 17 Cloridia 12 Clouds 23 Cobler's Prophecy 26 Caelum Britannicum 4. 6 Colas Fury 1 Combat of Caps 29 Combat of Love and Friendship 17 Comedy of Errors 21 Commonwealth of Women 7 Committe-man Curried 23 Commons Conditions 29 Conflict of Conscience 26 Conquest of China 24 — of Granada 7 Conspiracy 14. 26 Constant 〈◊〉 22 Constant Nymph 29 Constantine the Great 15 Contention of Ajax and Ulysses 22 Contention for Honour and Riches 22 Contention between York and Lancaster 29 Coriolanus 21 Cornelia 14 Coronation 8 Costly Whore 29 Covent-Garden 18 Covent-Garden Weeded 2 Covent of Pleasure 18 Counterfeits 29 Sergeant Bridegroom 29 Countess of Pembrook's Ivy-Church 9 Country Captain 29 Country Innocence 15 Country Girl 5 Country Wife 26 Country Wit 5 Courageous Turk 10 Court Beggar 2 Court Secret 22 Coxcomb 8 Cruel Brother 6 Custom of the Country 8 Cromwell's History 21 Cunning Lover 2 Cuckolds Haven 25 Cupid and Death 22 Cruel Debtor 29 Croesus 1 Cupid's Whirligig 29 Cupid's Revenge 8 Cure for a Cuckold 25 Cutter of Coleman-street 4 Cymbeline 21 Cynthia's Revels 12 Cynthia's Revenge 23 Cytherea 23 Cyrus' King of Persia 29 
D.  Dame Dobson 21 Damoiselle 2 Domoiselle A-la-mode 9 Damon and Pythias 22 Darius' Tragedy 1 David and Bethsabe 19 Debaucheé 29 Deorum Dona 1 Deserving Favourite 4 Destruction of Jerusalem 29. 5 Destruction of Troy 3 Devil's an Ass 12 Devil's Charter 1 Devil's Law-Case 25 Devil of a Wife 14 Dick Scorner 29 Dido Q. of Carthage 17 Disappointment 24 Disobedient Child 13 Distresses 6 Distracted State 25 Divine Comedian 25 Divine Masque 29 Doctor Dodipole 29 Doctor Faustus 16 Don Carlos Prince of Spain 19 Double Marriage 8 Doubtful Heir 22 Duke and no Duke 25 Duke of Guise 7 Duke of Lerma 12 Duke of Milan 16 Duke's Mistress 22 Dumb Knight 17 Dumb Lady 15 Dutch Courtesan 16 Dutch Lover 3 Duchess of Malfey 25 Duchess of Suffolk 11 
E.  Eastward Hoe 3. 13 Edgar 21 Edward the First 19 Edward the Second 17 Edward the Third 29 Edward the Fourth 11 Elder Brother 8 Electra 28 Elizabeth's Troubles 11 Elvira 29 Emperor of the East 16 Emperor of the Moon 3 Empress of Morocco T. & F. 24. 30. Enchanted Lovers 15 Endymion 14 English Lawyer 2 English Monsieur 12 English Moor 2 English Princess 33 English Rogue 25 English Traveller 11 Enough's as good as a Feast Entertainment at K. James' Coronation 12 — of K. James, and Q. Ann, at Theobalds' 12 — of the K. of England, and the King of Denmark, at Theobalds' 12 — on the Prince's Birthday 17 — of the Q. and Prince at Althrop 12 — of King and Queen at Highgate 12 Epsom Wells 24 Erminia 9 Evening Love 7 Every Man in his Humour 12 Every Man out of his Humour 12 Every Woman in her Humour 30 Eunuchus 2 Example 22 Excommunicated Prince 3 Extravagant Shepherd 28 
F.  Factious Citizen 30 Fair Em 30 Fair Favourite 6 Fair Irene 23 Fair Maid of Bristol 30 — Maid of the West 11 — of the Exchange 11 — of the Inn 8 Fair Quarrel 16 Faithful Shepherd 30 Faithful Shepherdess 〈◊〉 False Favourite disgraced 10 False Count 3 False One 8 Family of Love 15 Fancies 9 Fancies Festivals 13 Fatal Contract 12 Fatal Dowry 16 Fatal Love 24 Fatal Jealousy 30 Fawn 16 Feigned ginger 30 Feigned Courtesans 3 Ferex and Porex 18 Female Prelate 24 Female Academy 18 Fidele and Fortunatus 36 Fine Companion 16 Fleir 23 Floating Island 23 Flora's Vagaries 30 Fond Lady 33 Fond Husband 7 Fool turned Critic 7 Fool would be a Favourite 4 Forced Marriage 3 Fortunate Isles 12 Fortune by Land and Sea 11 Fortunatus 5 Four P P. 11 Four London Prentice's 11 Four Plays in One 8 Fox 12 Free Will 30 Friendship in Fashion 19 French Conjurer 27 Friar Bacon 10 Fulgius and Lucrelle 30 
G.  Galathea 14 Game at Chess 15 Gamester 22 Gammer Gurton's Needle 28 Generous 〈◊〉 5 Gentle Craft 30 Gentleman Dancing-Master 26 — of Venice 22 — Usher 13 — of Verona 21 Ghost 30 Glass of Government 10 Gloriana 15 Goblins 23 Golden Age 11 Golden Age restored 12 Grateful Servant 22 Great Duke of Florence 16 Green's Tu Quoque 3 Grim the Collier of Croyden 28 Gripus. and Hegio 〈◊〉 Guardian 4. 16 Guy of Warwick 27 
H.  Hamlet Pr. of Denmark 21 Hannibal and Scipio 18 Heautontimorumenos 2 Hector of Germany 23 Hector's 19 Hecyra 2 Heir of Morocco 24 Heir 17 Hell's higher Court of Justice 27 Henry the 3d of France 24 Henry the 4th 21 Henry the 5th 21. 19 — Item, with the Battle of Agincourt 30 Henry the 6th, 3 Parts Shakespeare 21 Henry the 8th, 2 Pts, Crown 5 Heraclius Emp. of the East 4 Hercules Furiens 11 Hercules Oetus 22 〈◊〉 and Leander 23 Herod and Antipater 17 Herod and Mariam 19 Hey for Honesty down with Knavery 20 Hic & Ubique 12 Hippolytus 19 22 Histrioma styx 30 Hoffman 30 Hog hath lost his Pearl 25 Hollander 10 Holland's Leaguer 16 Honest Lawyer 28 Honoria and Mammon 22 Honest Man's Fortune 8 Honest Whore 5 Honour of Wales 12 Horace 4. 19 Horatius 15 How to choose a good Wife from a bad 30 Humorous Lovers 18 Humorous Courtier 22 Humorous Days-Mirth 3 Humorous Lieutenant 8 Humorists 24 Humour out of Breath 5 Hyde Park 22 Hymenaei 13 Hymens Triumph 5 
J.  Jack Drum's Entertainment 30 Jack Juggler ib. Jack Straw's Life and Death ib. Jacob and Esau ib. James the 4th ib. Ibrahim 24 Jealous Lovers 20 Jeronymo 30 Jew of Malta 17 Jews Tragedy 12 If this be'nt a good Play the Devil's in't. 5 Ignoramus 27 Impatient Poverty 30 Imperiale 10 Imperial Tragedy 30 Imposture 22 Indian Emperor 7 Indian Queen 12 Ingratitude of a Commonwealth 25 Injured Princess 7 Inner-Temple Masque 15 Insatiate Countess 16 Interlude of Youth 30 Jocasta 10 John the Evangelist 30 John King of England 21 John and Matilda 5 Joseph 10 Joseph's Afflictions 30 Jovial Crew 2. 30 Irish Masque 13 Iron Age 11 Isle of Gulls 5 Island Princess 8 Juliana Princess of Poland 5 Julius Caesar 1. 21 Just General 17 Just Italian 6 
K.  Kind Keeper 7 King and no King 8 K. Edgar and Alfreda 21.3 King's Entertainment at Welbeck 13 King and Queen's Entertainment at Richmond 3 K. Lear, and his 3 Daughters 25 Knack to know an honest Man 30 Knack to know a Knave 30 Knave in Grain 30 Knavery in all Trades 3 Knight of the Burning Pestle 8 Knight of the GoldenShield 30 Knight of Malta 8 
L.  Lady Alimony 30 Lady Contemplation 18 Lady Errand 4 Lady of Pleasure 22 Lady's Trial 9 Lady's Privilege 10 Lancashire Witches 24. 11 Landgartha 27 Laws of Candy 8 Law against Lovers 6 Laws of Nature 30 Law Tricks 5 Levellers Levelled 30 Lears Tragedy 21 Liberality & Prodigality 30 Libertine 24 Like Will to like, quoth the Devil to the Collier 9 Lingua 30 Little French Lawyer 8 Locrine 21 London Canticlers 30 London Prodigal 21 Look about you 30 Looking-Glass for Lond. 10 London Cuckolds 21 Lost Lady 31 Love A-la-mode 31 Love Crowns the End 25 Love in its Ecstasy 20 Love freed from Ignorance, By B. J. Omitted Love and Honour 6 Love in the Dark 10 Love lost in the Dark, Omit- Love restored 13 Love and Revenge 24 Lovesick King 1 Lovesick Court 2 Love in a Tub 8 Love and War 17 Love in a Wood 26 Loves Adventures 18 Loves Cure 8 Love's Cruelty 22 Loves Dominion 9 Loves Kingdom 9 Loves labour lost 21 Love's Labyrinth 9 Loves Loadstone 31 Lovers Melancholy 9 Loves Metamorphosis 14 Loves Mistress 11 Love's Pilgrimage 8 Lovers Progress 8 Loves Riddle 4 Loves Sacrifice 9 Love's Triumph 4. 13 Loves Victory 4 Loves Welcome 13 Love will find out the way Loving Enemies 17 Lucius Junius Brutus 15 Luminalia 31 Lusts Dominion 17 Lusty Juventus 26 Loyal Brother 25 Loyal Gentleman 25 Loyal Lovers 17 Loyal Subject 8 Lucky Chance 3 Liar 31 
M.  Macbeth 21 Mad Couple well Matched 2 Madam Fickle 8 Mad Lover 8 Mad World my Masters 15 Magnetic Lady 13 Maid of Honour 16 Maid in the Mill 8 Maid's Metamorphosis 14 Maids of Moorclack 1 Maid's Revenge 22 Maiden Queen 7 Maid's Tragedy 9 Maidenhead well lost 11 Malcontent 16 Mall 27 Man of Mode 8 Manhood and Wisdom 31 Man's the Master 6 Man of Newmarket 12 Marriage A-la-mode 7 Marriage Broker 28 Marriage Night 10 Marriage of the Arts 11 Marriage of Oceanus and Britannica 9 — of Wit and Science 31 Mariam 4 Marcelia 2 〈◊〉 Tull. Cicero 31 Marius and Scylla 15 Martyr 15 Martyred Soldier 23 Mary Q. of Scotland 3 Mary Magdalen's Repent. 2 Masque of Augurs 13 Masque at the L. Haddington's House 13 Masque of Greys-Inn Gent. 8 Masque at Ludlow-Castle 3 Masque of the Middle-Temp. and Lincolns-Inn Gent. 3 Masquerade Du Ciel 28 Massacree at Paris 17 Massianello 31 Masque of Owls 13 Masque of Flowers 31 Masque of Queens 13 Match me in London 5 Match at Midnight 20 Matrimonial Trouble 18 Mayday 3 Mayor of Quinborough 15 Measure for Measure 21 Medea 21. 23 Menechmus 28 Merchant of Venice 21 Mercurius Britannicus 31 Mercury Vindicated 13 Merry Devil of Edmonton 31 Merry Milkmaids 27 Merry Wives of Windsor 21 Messalina 20 Metamorphosed Gipsses 13 Michaelmas-Term 15 Microcosmus 17 Midas 14 Midsumer Nights Dream 21 Mirza 1 Miser 24 Miseries of Civil War 5 Miseries of enforced Marr. 29 Mistaken Husband 7 Mithridates 15 Mock Tempest 8 Mock Duellest 27 Money is an Ass 13 Monsieur Thomas 8 Morning Ramble 31 More Dissemblers besides Women 16 Mortimer's Fall 13 Monsieur D'Olive 3 Mother Bombie 14 Mother Shipton's L. & D. 25 Mucedorus 31 Much ado about nothing 21 Mulberry Garden 24 Muleasses the Turk 17 Muse's Looking-glass 20 Muse of Newmarket 31 Mustapha 2.19 
N.  Natures 3 Daughters 18 Neptune's Triumph 13 Nero, newly Written 15 Nero's Life and Death 31 New Custom 31 New Exchange 2 New Inn 13 Newmarket Fair 3 New Trick to cheat the Devil 31 New way to pay old debts 16 News from the World in the Moon 13 News from Plymouth 6 Nice Valour 9 Nice Wanton 31 Nicomede 5 Night-Walker 9 Noah's Flood 8 Nobody and Somebody 31 Noble Gentleman 9 Noble Ingratitude 15 Noble Spanish Soldier, By S. R. Omitted. Noble Stranger 23 Northern Lass 2 Northward Ho 5 Novella 2 No Wit Help like a Woman 16 
O.  Oberon, the Fairy Prince 13 Obstinate Lady 4 Octavia 18 Oedipus 7. 18 Oldcastle 21 Old Couple 17 Old Law 16 Old Man's Lesson, and a young Man's Love 1 Old Troop 15 Old Wives Tale 31 Opportunity 22 〈◊〉 4 Orestes 10 Orlando Furioso 31 Orgula 28 Ormazdes 14 Orphan 19 Othello, the Moor of Ven. 21 Ovid 4 Osmond the Great Turk ib. 
P.  Pallantus and Eudora 14 Pandora 14 Pan's Anniversary 13 Parliament of Bees 5 Parson's Wedding 14 Passionate Lovers 4 Pastor Fido 10. 24 Patient Grissle 31 Patrick for Ireland 22 Pedlar's Prophecy 31 Peleus and Thetis 12 Perkin Warbeck 9 Pericles Prince of Tyre 21 Philaster 9 Phillis of Scyros' 28 Phoenix 15 Phoenix in her Flames Philotus, Scotch 31 〈◊〉 5 Phormio 2 Picture 16 Pilgrim 9 14 Pinner of Wakefield 31 Piso's Conspiracy ib. Pity she's a Whore 9 Platonic Lovers 6 Playhouse to be Let ib. Play of Gentileness and Nobility 11 Play of Love ib. Play between John the Husband, and Tib his Wife ib. Play between the Pardoner, and the Friar, the Curate, and Neighb. Prat ib. Play of the Wether ib. Plain Dealer 26 Pleasure at Kenelworth-Castle 10 Pleasure reconciled to Vir. 13 Plutus 27 Poetaster 13 Politician 22 Politician Cheated 10 Pompey 19.26 Pope Joan, vide Fem. Prel. Poor Man's Comfort 5 Poor Scholar 18 Pragmatical Jesuit 4 Presbiterian Lash 31 Presence 18 Princess 14 Prince of Priggs 31 Prisoners 14 Projectors 26 Prophetess 9 Promus and Cassandra 31 Promises of God manifested ib. Psyche 27 Psyche Debauched 27 Public Wooing 18 Puritan Widow 21 
Q.  Queen 31 Queen's Arcadia 5 Queen of Arragon 11 Queen and Concubine 2 Queen of Corinth 9 Queen's Exchange 2 — Masque of Blackness 13 — Masque of Beauty 13 
R.  Raging Turk 10 Ram-Alley 2 Rambling Justice 15 Rampant Alderman 31 Rape of Lucrece 11 Rebellion 20 Reformation 31 Rehearsal 31 Religions 18 Religious Rebel 31 Renegado 16 Return from Parnassus 31 Revenge ib. Revenge for Honour 3 Revenger's Tragedy, By C. T. Omitted. Reward of Virtue 9 Rhodon and Iris 14 Richard the Second 21. 25 Richard the Third 21 Rival Friends 11 Rival Kings 3 Rival Ladies 9 Rival Queens 15 Rivals 32 Roaring Girl 15 Robert Earl of Huntingdon's Downfall 11 — His Death ib. Robin Hood's Pastoral May-games 32 — and his Crew of Sold. ib. Robin Conscience ib. Rollo D. of Normandy 8 Roman Actor 16 Roman Empress 13 Roman Generals 7 Romeo & Juliet 21 Romulus and Hersilia 32 Roundheads 3 Rover 3 royalist 8 Royal Master 22 Royal Masq. at Hampt. Court Royal Slave 4 Royal Shepherdess 24 Rule a Wife and have a Wife 9 Rump 25 
S.  Sacrifice 10 Sad One 23 Sad Shepherd 13 St. Sicily 27 Salmacida Spolia 32 Samson Agonestes 17 Sappho and Phao 14 Scaramouch, etc. 21 School of Compliments 22 Scornful Lady 9 Scot's Figgaries 25 Sea Voyage 9 Seven Cham. of Christian. 14 See me and see me not 1 Sejanus 13 Selimus 10 Selindra 14 Sertorius 2 Several Wits 18 Sforza Duke of Milan 10 She would if she could 8 Shepherds Paradise 17 Shepherds Holiday 20 Shoemaker à Gentleman 20 Sicelides 32 Sicily and Naples 27 Siege 4.6 — of Babylon 19 — of Constantinople 32 — of Memphis 8 — of Rhodes 6 — of Urbino 14 Silent Woman 13 Silver Age 11 Sir Courtly Nice 5 Sir Barnaby Whigg 8 Sir Giles Goosecap 32 Sir Hercules Buffoon 15 Sir Martin Marr-all 7 Sir Patient Fancy 3 Sir Solomon 32 Sisters 22 Six Days Adventure 12 Slighted Maid 23 Sociable Companions 18 Soliman and Perseda 32 Sophister ib. Sophonisba 15. 16 Sophy 6 Soldiers Fortune 19 Spanish 〈◊〉 32 — Curate 9 — Friar 7 — Gipsies 16. 20. — Rogue 8 Asparagus Garden 2 Speeches at Pr. H. Barriers 13 Spiteful Sister 2 Sport upon Sport 32 Spring's Glory 18 Squire Oldsap 8 Staple of News 13 Stepmother. 2 State of Innocence 7 Strange Discovery 32 Stukeley's Life and Death, vide Battle of Alcazar Sullen Lovers 24 Summers last Will and Testament 18 Sun's Darling 9 Supposes 10 Surprisal 12 Susanna's Tears 32 Swaggering Damoysel 4 Swetnam the Woman-hater arraigned 32 
T.  Tale of a Tub 13 Tamburlaine the Great 17 Tamerlain the Great 24 Tancred and Gismond 26 Taming of the Shrew 22 Tartuff 17 Tarugoes Wiles 24 Tempe restored 32 Temple 3 Temple of Love 6 Tempest 7. 22 The longer thou livest, the more Fool thou art 25 Thebais 18 Theodosius 15 Thersytes 32 Thomaso 14 Thornby-Abby 21 Thracian Wonder 25 Three Lords and Ladies of London 28 Thyestes T. & F. 5. 11. 20 Thyerry, and Theodoret 9 Time Vindicated to himself, and 〈◊〉 his Honour 13 Timon of Athens 22. 24 Titus Andronicus 〈◊〉 Titus and Berenice 19 Tom Essence 32 Tom Tyler, and his Wife ib. Tottenham-Court 18 Town Fop 3 Town Shift 20 Trapolin supposed a Prince 4 Travels of 3 Eng. Broth. 5 Traitor 22 Traitor to himself 32 Trick to catch the old One 15 Trick for Trick 8 Triumph of Beauty 22 — of Love and Antiq. 15 — of Peace 22 — of the Pr. D'Amour 5 Triumphant Widow Troades 23. 28 Troas 28. 11 Troilus and Cressida 7. 22 True Trojans 32 True Widow 24 Tunbridge Wells 32 Trial of Chivalry 32 Trial of Treasure Tryphon 19 Twelfth-Night 22 Twins 20 Two Noble Kinsmen 9 Two Tragedies in one 26 Two angry Woman of Ab. 19 Tide 〈◊〉 for no man 26 〈◊〉 Government 32 Tyrannic Love 7 Two wise Men, and all the rest Fools 3 
V  Valentinian 9 Valiant Scot 32 Valiant Welshman 27 Varieties 32 Very 〈◊〉 16 Unfortunate 〈◊〉 6 Unfortunate Shepherd 25 Unfortunate Mother 18 Unfortunate Usurper 32 Ungrateful 〈◊〉 32 Unhappy Favourite, Essex 3 Unnatural Combar 16 Unnatural Tragedy 18 Usurper 12 Untrussing the humorous Poet 5 Venice preserved 19 Virtue Betrayed 3 Vestal Virgin 12 Villain 19 Virgin 〈◊〉 16 Virgin 〈◊〉 20 〈◊〉 〈◊〉 1 〈◊〉 Wife 8 Virtuoso 24 Vision of Delight. 13 Vision of the 12 Goddesses 5 Vow Breaker 23 
W.  Walks of Islington & Hogsdon 13 Wand'ring 〈◊〉 17 Warning for fair Women 32 Weakestgoes to the Wall ib. Wealth and Health ib. Wedding 32 Westward Ho 5 What you will 16 When you see me, you know me 20 White Devil 25 Whore of Babylon 5 Wiat's History ib. Widow 13 Widow's Tears 3 Wife for a Month 9 Wild Gallant 7 Wild Goose Chase 9 Wily beguiled 32 Wine, Beer, Ale, & Tobac. ib. Winter's Tale 22 Wise Woman of Hogsdon 11 Witch of Edmonton 5 Wit in a Constable 10 Wit without Money 9 Wit of a Woman 32 Wit at several Weapons 9 Wits, By Sir W. D. Omitted Wits Gabal 18 Wits led by the Nose 32 Witty Combat 27 Witty Fair One 22 Woman turned Bully 32 — Captain 24 — 's Conquest 12 — killed with kindness 11 — Hater 9 — in the Moon 14 — 's Prize 9 — will have her Will 32 — 's a Weathercock 9 Women pleased ib. Women beware Women 16 Wonder, a Woman never vexed 20 Wonder of a Kingdom 5 World tossed at Tennis 16 Wrangling Lovers 21 
Y.  Yorkshire 〈◊〉 22 Young Admiral ib. Your five Gallants 16 Youth's Glory, and Death's Banquet 18 Young King 〈◊〉   

ADVERTISEMENT.  
C. Stands for Comedy, T. Tragedy, T. C. Tragicomedy, O. Opera, H. History, P. Pastoral, I. Interlude, and E. Entertainment.  
FINIS.