The Mourning Poets: OR, AN ACCOUNT OF THE POEMS ON THE DEATH OF THE QUEEN. In a Letter to a Friend. Singula quaeque locum teneant sortita decenter. Si vis me flere, dolendum est Primum ipsi tibi— male si mandata loqueris Aut dormitabo aut ridebo. Horat. de Art. Poet. LONDON, Printed for J. Whitlock, near Stationers-Hall, 1695. THE Mourning Poets, etc. In a Letter to a Friend. WHat! Would You see those Poems on the Queen, Which few, besides the Printers, have seen? I sent you some which were esteemed the best, Must you, my Friend, desire th' unworthy rest? I'll bate you Hundreds that infest the Town, And only send one bad one of my own: But as the last still borrows from the first, 'Tis wholly owing to the best and worst; Each, with a different Fate, exacts my Lays, Some to commend, and others to dispraise: This be my Task, let abler Pens aspire To sing a Queen, I only can admire; My Virgin Muse must modestly decline Th' unequal Task, and starts at the Design: Maria is a Theme, She must forbear, Her tender Pinions still unfledged appear, And cannot soar to so sublime a Sphere. Her Friends, I mean those who her Right assert, (For who were Foes to such a high Desert?) In distant Regions, but in Albion most Express their Grief, and mourn Maria lost: Nor does She fall unpitied even by those Whom the malicious World miscalls her Foes. Even Dryden mourns; though yet he does refuse To mourn in public, and exert his Muse; Nor can we well his Want of Love suspect, Who kindly could an absent Muse correct. In Congreve Dryden's ours, to Him we own The tuneful Notes which from Alexis flow: He chose out Congreve, and inspired his Flame; Congreve, his best beloved, and next in Fame: Whose Beams the unexpecting World surprise, As when unseen the Sun in Clouds does rise, Then breaking through, at once attracts our Eyes. Unlike in this, no Night succeeds his Day, But still he shines with one continued Ray. When in full Glory Congreve first appeared, We saw, we wondered, and confessed the Bard: Dryden by Thee All own these Wonders done, Thou taught'st this Eagle to approach the Sun. He to the Swains Pastora's Fate bemoans, Sighs to the Winds, and fills the Vales with Groans. The Vales return his Groans, the Winds his Sighs; And every Swain repeats the tuneful Cries. Not so lamented Grecian Bion fell, Nor Venus mourned the lovely Boy so well; Poets unborn shall make his Lays their Theme, And future rapines take their Rules from him. Here let me end his Praise, but whom, my Muse, Will't thou place next? place boldly next Motteux; Whose charming numbers can at once dispense The Gallic softness, and the British sense: He with his Labours does oblige our Isle, Adorns our Language, and refines our Style, Shows how to write, by what himself has writ, And shames us Britons, to a sense of Wit. Horace himself, inspired by him, prepares To lull our Griefs, and stop our boundless Tears: Scarce Horace sung in so divine a strain, Scarce could he with such Harmony complain; The flowing numbers charm my Mind to Peace, Enchant my Woes, and make even Sorrow please. Maria's Death does Stepney's Muse revive, And by his Muse, Maria seems alive. He, while his long neglected Flame returns, Like Waller praises, and like Waller mourns, His fainting Muse uplifts her drooping Head, And sweetly sings, when we bemoaned her Dead: So in Distress Arion, doubly warmed, With Numbers thought his last, divinely charmed. Once, when his Hero's Voyage did employ His artful Muse, his Verses flowed with Joy; He taught the Tritons on their Shells to play, And praised, and blessed Maria's gentle Sway. But now, like us, by Fate's Decree distressed, He mourns the Beauty, whom before he blest. Majestic Dennis next demands my Lays; Soar, Muse, and strive thy feeble Flight to raise, In Numbers, like his own, attempt his Praise. Like Pindar, he, unutterably bold, Burns like a raging Fire, and cannot be controlled. Gods! With what State his daring Thoughts arise, While with sonorous Wings he upwards flies, Till he seems lost above his darling Skies! Some wondrous active Force informs the whole, Each Word has Life, and every Line a Soul. Bold Pictures thus the help of Shades disclaim, There all is Light, all Heat, all dazzles, all is Flame. How shall I show his vast commanding Force! His rapid Transports, and unequalled Course! His towering Muse which scorns a human Flight! But shines aloft, and blinds with too excessive Light! With him my Soul thro' rapt'rous Regions flies, And drinks at once a rolling Stream of Joys; Convulsive Transports all my Vitals tear: Gods! 'tis too much, too much for Man to bear. Dennis, thy Words alone thy Thoughts can right, As Fire is best discovered by its Light. I cease, for though my Blood with Fury boil, To mock the Thunder is a dangerous Toil. Descend, my Muse, resume thy humble Strain, Nor court a Pleasure that's allied to Pain; Let now the slow, though zealous Bard be praised, Who to his Muse a Mausoleum raised: Maria's Worth, and Royal Bounty proved The Muse, that best the Lawrelled Poet moved. See! The whole Man now labours to deplore, Now strains, and strives above himself to soar. What mighty care he takes t' improve a Thought! A Slave to Sense, and cautious to a Fault. All modest Beauties thus, like prudent Tate, False glittering Gems, and gaudy Tinsel hate. Elegy to noisy Rant was turned, This was observed when Rome and others mourned. In Cowley's strain mourns Westley's grateful Muse, Nor could she well the doleful Task refuse: He shares a part of th' English Pindar's Flame; The same their Beauties, and their Faults the same. More gladly we his Life of Christ had seen, Were his God praised as well as is his Queen. Yet though his Vein does by degrees refine, Speaks him a Poet, and his Fancies shine, Down, down, down, down, is what he should decline. Walsh with an artless Grief our loss displays, Smooth are his Words, and modest is his Praise, Grave are his Thoughts, his Muse to Vice a Foe. Who could expect a Sermon from a Beau? Gould's untaught Muse on this betrays a Wit For Satire more than Panegyric fit; Tho in the Piece no Satire should be seen It shocks us less than his, God save the Queen. Talbot instructs the Painter how to show, With moving Art, this dismal Pomp of Woe. Oh! Painter, canst thou draw what he can sing, A dying Queen, and a lamenting King? Betimes our learned Academies reveal, The Products of their ever forward Zeal; In some, old Roman Beauties we descry, With Virgil these, and those with Horace vie. Almost the same their Purity and Grace, But not in all these mighty Charms we trace; All praise Maria, but not All with Flame, And All to like's as bad as All to blame. Here some in Epigrams their Sorrows vent, In Syriac, Turkish, nay in Welsh lament; There while like Rome Some would their Thoughts express, A Modern Air profanes their Ancient Dress: Yet 'tis less Gild to venture on this Crime, Than to commit odd Latin-English Rhyme. For sure the Dunce can be excused by none, Who dead Tongues studies, and unlearns his own: Such more for Pedants than for Poets pass, As your mere Scholar is a learned Ass: Let these usurp the Tongues of every Land; Which They, and none but They half-understand, Their idle Toil, and Failures we'll excuse, So they in English ne'er debauch a Muse. Yet all in Colleges not thus are cursed, Some in our Tongue stand equal with the First: These like Exceptions are to gen'ral Rules, Free from th' Infection of contagious Schools; And had deserved with Honour to be named, But most were silent, though their Lays were claimed. Some Noble Pens gave Verse, but not their Name, Worthy at once, and negligent of Fame: These, with some few that scaped me in the throng, Miss here the Deuce which to their Lays belong. Some on this Theme not without Art have writ, With here and there a glimmering Spark of Wit, But stuffed the rest with old, flat, trivial Thoughts, And scare the Beauties countervail the Faults. Others, whose End and Dulness is the same, In couples hunt that common Mistress Fame; A want of Sense, and scarcity of Lines, (Like Pedlars low in Stock) the Poetaster joins. I'll slight a Wretch, who, to exalt his Theme, Did blest Maria, and her God blaspheme, And to adorn his Queen, his Godhead rob; Since J. D. Gent. proves only Blue-coat C— Few Rhymers think Mediocrity their Lot; So most will think they're wronged because forgot, Tho I forget 'em, but to wrong 'em not. All should their Tears, but not their Verses bring, For all can grieve, but very few can sing. Rhymed Panegyrics These in vain compose, If they must praise, why don't They praise in Prose? Besides, we're glutted, no distinction's had, And the Good lie confounded with the Bad: For who can read, though he delights to toil, All the good Paper which our Scribblers spoil? Yet to move Sadness let their Works be had, And sure they'll prove, unless the Reader's mad, Grave, woeful, dismal, lamentably sad. What bulky Heaps of doleful Rhyme I see! Sure all the World runs mad with Elegy; Lords, Ladies, Knights, Priests, Soldiers, Squires, Physicians, Beaux, Lawyers, Merchants, Prentices, Musicians, players, Footmen, Pedants, Scribes of all Conditions. We most of These the Rhyming Mob may call, With Fustian Sheets encombring every Stall; Wights by their ill, or their no Genius cursed To copy still, and copy for the worst: To Paper fatal, the lethargic Elves At their own Cost in Print lampoon themselves; Proud of whole Sheets of tedious Nothings full, And like Themselves emphatically dull. Yet with pedantic, dark, prosaic Rhymes, Or Bombast which irregularly chimes, These would be thought the Pindars of the Times: Then may some Rill, aspiring to be great, With pigmy Water's mate a Mountain's height, Pretend to roar, and scare the fearful Swains, overwhelm its Banks, and foam, and roll impetuous o'er the Plains. But who's the Chief of this presumptuous Band? Place D— y first, and let him All command; D D —y not even by this great Theme was fired, But found himself alas not now inspired With any Genius for Poetry, Such as They on these occasions used to be. He, while his subject strongly prompts to weep, Can cause, with Feet that hobble, strut, or creep, Mirth, and then Pity, Anger, Scorn and Sleep. He gives us Lines to fool our Sorrow fit, The merriest Funeral Ode that e'er was writ; Yet false the Mirth, and treacherous the Relief, He racks a sacrilegious Laugh from Grief: But like tart Draughts with nauseous After tastes, The Pleasure passes, and the Loathing lasts. Yet blame him not, He, to ill Stars a Slave, When Grief should rule is Gay, when Mirth is Grave; Still to run counter is the Farcian's Rule, Thus He turned Quixot out of Ridicule. Then, Ye poor Snarlers of the Age, be gone, 'Tis scandalous to kick a Man that's down; The Wretch is fallen to such a low Degree, He claims Compassion, and from Satire's free. 'Tis time t'have done, thank Heaven, my Paper's full, Since even the Thoughts of D D —y make me Dull. FINIS.