Momus Triumphans: OR, THE PLAGIARIES OF THE English Stage; Exposed in a CATALOGUE OF ALL THE 

Comedies,  
Tragicomedies,  
Masques,  
Tragedies,  
Operas,  
Pastorals,  
Interludes, etc.    
Both Ancient and Modern, that were ever yet Printed in English. The Names of their Known and Supposed Authors. Their several Volumes and Editions: With an Account of the various Originals, as well English, French, and Italian, as Greek and Latin; from whence most of them have Stole their Plots.  
By GERARD LANGBAINE Esq  
Indice non opus est nostris, nec vindice Libris:  
Stat contra dicitque tibi tua Pagina, Fures.  Mart. 
LONDON: Printed for Nicholas Cox, and are to be Sold by him in Oxford. MDCLXXXVIII.   

The Preface.  
IF it be true, what Aristotle 
(a) Poet. c. 10.  that great Philosopher, and Father of Criticism, has owned, that the Stage might instruct Mankind better than Philosophy itself. If Homer was thought by Horace 
(b) Erist. 2. ad Lollium.  to exceed Crantor and Chrystippus, in the Precepts of Morality; and if Sophocles and Euripides, obtained the title of Wise, for their Dramatich Writing, certainly it can be no discredit for any man to own himself a lover of that sort of Poetry, which has been styled, The School of Virtue and good Manners? I know there have been many severe Cato's who have endeavoured all they could, to decry the use of the Stage; but those who please to consult the Writings of the Learned Dr. Gager, Albericus Gentiles, Sir Philip Sidney, Sir Richard Baker, Heywood, the Poet and Actor both in one; not to mention several others, as the famous Scaliger, Monsieur Hedelin, Rapine, etc. will find their Objections fully answered, and the Diversion of the Theatre sufficiently vindicated. I shall therefore without any Apology, publicly own, that my inclination to this kind of Poetry in particular, has lead me not only to the view of most of our Modern Representations on the Stage, but also to the purchase of all the Plays I could meet with, in the English Tongue; and indeed I have been Master of above Nine Hundred and Fourscore English Plays and Masques, besides Drolls and Interludes; and having read most of them, I think am able to give some tolerable account of the greatest part of our Dramatic Writers, and their Productions.  
The general Use of Catalogues, and the esteem they are in at present, is so well known, that it were to waste Paper to expatiate on it: I shall therefore only acquaint my Reader, that I designed this Catalogue for their use, who may have the same relish of the Drama with myself; and may possibly be desirous, either to make a Collection, or at least have the curiosity to know in general, what has been Published in our Language, as likewise to receive some Remarks on the Writings of particular Men.  
The Reasons that induced me to the publishing this Catalogue, were these: First, That the former Catalogues were out of Print. Secondly, That they were all of them full of gross Errors. Thirdly, That they were not, as I thought, so Methodical as this which I have now made; wherein the Reader will find the Imperfections I observed in the former Catalogues, amended; all the Plays which have been Printed since 1680, to this present time, added; with several Remarks, which whether or no observed, I cannot tell, but never published by any Author till now.  
To begin then first with the Errors of former Catalogues, they are chief Five:  
First, There were Plays inserted in all of them, which were never in Print; as for Brevity's sake, to give one instance for many, The Amorous Widow, and Wanton Wife, a Comedy. This is a Stock-Play, and was written (if not Translated from Mollieres George Dandin) by Mr. Batterton.  
Secondly, Some Plays were omitted, which had been Printed very long ago; as, Cola's Fury, and Lirenda's Misery. Written by Henry Burkhead. The Religious Rebel; and several others.  
Thirdly, Two Titles which belonged to one and the same Play, were frequently printed, as if they had been two distinct Plays; as The Constant Maid, or Love will find out the Way. Written by Shirley. Ferex and Porex, or the Tragedy of Gorboduc. Written by Sacvile and Norton; with many others.  
Fourthly, The same Title was often times printed twice, and that separately, as if writ by two several persons; and sometimes ascribed to different Authors likewise; when it was only a new Edition of the same Play; as for Example, Patient Griselda was again repeated under the Title of Patient Griselda Old. And Appius and Virginia, written by Webster, is afterwards ascribed to T. B. though as the deceased Comedian Mr. Carthwright, a Bookseller by Profession, told me, 'twas only the old Play Reprinted, and Corrected by the  Mr. Batterton; with several others.  
Fifthly, Some Plays are ascribed to one Author which were writ by another; as Celum Britanicum, a Masque, is to Sir William Davenant, though it was written by Carew and Jones. Which fault is rather to be imputed to the Publishers of Sir William Davenant's Works, 1673, in Folio, than to the Compilers of the former Catalogue; who are more excusable than Mr. Phillips in his Catalogue of Poets, called, Theatrum Poetarum; and his Transcriber Winstanley, who has followed him at a venture in his Characters of the Dramatic Writers, even to a word, in his Lives of the English Poets. Both these Authors through a mistake of the Method of former Catalogues, and their Ignorance in what Pieces each Dramatic Author had published, have fallen into very great Errors, as I am going to show.  
The first Catalogue that was printed of any worth, was that Collected by Kirkman, a London Bookseller, whose chief dealing was in Plays; which was published 1671, at the end of Nicomede, a Tragi-comedy, Translated from the French of Monsieur Corneille. This Catalogue was printed Alphabetically, as to the Names of the Plays, but promiscuously as to those of the Authors, (Shakespeare, Fletcher, Johnson, and some others of the most voluminous Authors excepted) each Author's Name being placed over against each Play that he writ, and still repeated with every several Play, till a new Author came on. About Nine Years after, the Publisher of this Catalogue, Reprinted Kirkman's with emendations, but in the same Form. Notwithstanding the Anonimous Plays, one would think easily distinguishable by the want of an Authors Name before them, yet have both these charitable kind Gentlemen found Fathers for them, by ranking each under the Author's Name that preceded them in the former Catalogues. Thus Charles the First is placed by them both to Nabbs; because in both the former Catalogues it followed his Covent-Garden: and for the same reason Cupid's Whirligig is ascribed by both of them to Goff; because it followed his Careless Shepherdess; and so of many others, too tedious to repeat.  
To prevent the like mistake for the future, and to make the Catalogue more useful, I wholly altered the form: And yet that I might please those who delight in old Paths, I have Transcribed the same as a Second Part, after the former way of Alphabet, though more Methodically than formerly, as I shall show presently.  
In this New Catalogue the Reader will find the whole to be divided into Three distinct Classes. In the first I have placed the Declared Authors, Alphabetically, according to their Surnames, in Italic Characters: and placed the Plays each Author has written, underneath in Roman Letters, which are ranked Alphabetically likewise; so that the Reader may at one glance view each Authors Labours. Over against each Play, is placed as formerly a Letter to indicate the nature of the Drama: as C. for Comedy. T. for Tragedy. T. C. for Tragi-comedy. P. for Pastoral. O. for Opera. I. for Interlude. F. for Farce.  
And for the better use of those who may design a Collection, I have added to the Letter the Volume also, (according to the best Edition) as Fol. 4o. 8o. against each Play that I have seen. And for their further help; where a Play is not printed single, the Reader will be directed by a Letter or Figure to the bottom of the Column, where he will meet with Instructions how it is to be found; I mean, with what Poems or other Plays it is printed, the Year when, the Place where, and the best Edition of each Book so mentioned.  
This may seem superfluous at first sight, but may possibly be no longer thought so, when I shall have acquainted my Reader, that when I was making my Collection, I found several Plays and Masks, bound up with other Poems, which by the name were scarce known to the generality of Booksellers: as for instance, Sir Robert Howard's Blind Lady; Daniel's Philotas; Carew's Coelum Britanicum; Shirley's Triumph of Beauty; with infinite others. But two Plays I might particularly mention, both taken notice of in former Catalogues, to wit, Gripus and Hegio, a Pastoral; and Deorum Dona, a Masque; both which were written by Baron, and were wholly unknown to all the Booksellers of whom I happened to inquire, and which I could never have found but by chance; they being printed in a Romance called, The Cyprian Academy, in 8o. The same I might add of The Clouds, (a Play which was never in any Catalogue before, and was translated from Aristophanes' Nubes by Stanley, and printed with his History of Philosophy, Fol. Lond. 1655. and now newly reprinted; and of several others) but that I must hasten back to give an Account of the two other Divisions of my Catalogue. The one of which contains those Plays whose Authors discover themselves but by halves, and that to their intimate Friends, by two Letters only in the Title-Page, or the bottom of their Epistle; and in the last Degree are placed all Anonemous Plays; and this completes the First Part.  
The Second Part contains the Catalogue Reprinted in an exact Alphabetical manner, according to the forms of Dictionaries, the Author's Names being here left out as superfluous; and against each Play is a Figure to direct you to the Page where you may find it in the First Part.  
Thus much as to the Method and Alterations of this Catalogue: Now as to the Remarks, which are of three sorts; the first of use, and the other two conducing to Pleasure at least, if not to Profit likewise.  
The First is to prevent my Readers being imposed on by crafty Booksellers, whose custom it is as frequently to vent old Plays with new Titles, as it has been the use of the Theatres to dupe the Town, by acting old Plays under new Names, as if newly writ, and never acted before; as, The Counterfeit Bridegroom, an old Play of Middleton's; The Debauchee, another of Brome's; The Match in Newgate, another of Marston's; with many more, too tedious to repeat. By these Remarks the Reader will find The Fond Lady, to be only the Amorous Old Woman, with a new Title, The Eunuch, to be The Fatal Contract, a Play printed above thirty years ago; with many the like.  
The Second is an Essay towards a more large Account of the Basis on which each Play is built, whether it be founded on any Story or Passage either in History, Chronicle, Romance, or Novel. By this means the curious Reader may be able to form a Judgement of the Poet's ability in working up a Drama, by comparing his Play with the Original Story. I have not been so large and full in this as I intent hereafter, not having by me several Chronicles and Novels, which might have been subservient to my Design, as the Chronicles of particular Countries, and the Novels of Cynthio Geraldi, Loredano, Bandello, Sansorino Belleforreste, etc. For this reason, in the Notes on several Plays which I have taken notice of, I have been forced to refer to the Chronicles of a Country in general, not have had time or opportunity to make an exact search what Historian the Author has chief followed, or what Author has most largely treated on that particular Action which is the subject of the Drama. So in Novels I have been forced through Necessity to quote some which have been printed since the Plays were written to which they are referred: because I knew that they were extracted and collected from the Originals, whence the Plot was taken, though I had them not by me: of which I could produce many instances, were it material.  
I would desire my Readers leave to make this Observation by the by, that a Dramatic Poet is not tied up to the Rules of Chronology, or History, but is at liberty to new model a Story at his pleasure, and to change not only the Circumstances of a true Story, but even the principal Action itself. Of this opinion are most of our modern Critics; and Scaliger observes, not only that 'tis the privilege of Epic Poets, 
Poetices. Lib. 1. c. 2.  but also of Tragedians. Quis nescit omnibus Epicis Poetis Historiam esse pro argumento? quam illi aut adumbratam, aut illustratam certe alia facie quam ostendunt ex Historia conficiunt, Poema. Nam quid alius Homerus? Quid Tragicis ipsis faciemus. Sic multa Lucano ficta. Patriae Imago quae sese offerat Caesari: 
Pref. to Gondibert, p. 2.  excitam ab Interis animam, atque alia talia. This instance of Lucan, makes me call to mind what Sir William Davenant says on account of the same Author, whom he blames for making choice of an Argument so near his own time, that such an Enterprise rather beseemed an Historian, than a Poet. For (says he) wise Poets think it more worthy to seek out truth in the Passions, than to record the truth of Actions; and practise to describe mankind just as we are persuaded or guided by instinct, not particular persons, as they are lifted, or leveled by the force of Fate, it being nobler to contemplate the general History of Nature, than a selected Diary of Fortune. So that we see the business of a Poet is to refine upon History; and Reformation of Manners is so much his business, that he is not to represent things on the Stage, as he finds them recorded in History, but as they ought to have been: and therefore we are not to make History so much the Standard and Rule of our Judgement, as Decency and Probability. For indeed, provided the Author show Judgement in the heightening and working up of his Story, it matters not whether the Play be founded on History, or Romance, or whether the Story be his own, or another's Invention.  
The last sort of Remarks, relate to Thefts: for having read most of our English Plays, as well ancient as those of latter date, I found that our modern Writers had made Incursions into the deceased Authors Labours, and robbed them of their Fame. I am not a sufficient Casuist to determine whether that severe Sentence of Synesius be true, Magis impium Mortuorum Lucubrationes quam vestes furari; That 'tis a worse sin to steal dead men's Writings, than their Clothes: but I know that I cannot do a better service to their memory, than by taking notice of the Plagiaries, who have been so free to borrow, and to endeavour to vindicate the Fame of these ancient Authors from whom they took their Spoils. For this reason I have observed what Thefts I have met with throughout the Catalogue, and have endeavoured a restitution to their right Owners, and a prevention of the Readers being imposed on by the Plagiary, as the Patrons of several of our Plays have been by our Modern Poets. But none certainly has attempted it with greater confidence, than he that styles himself the Author of The Country Innocence, or The Chambermaid turned Quaker: a Play which was acted and printed in the year 1677. but first published many years before by its genuine Author Ant. Brewer.  
It is not to those of our own Nation only, but to Foreigners also, that I have endeavoured to do Justice. For that reason I have remarked (as far as my knowledge would permit me) what has been translated or stolen from Tasso, Guarini, Bonarelli, Garnier, Scarron, both the Corneilles, Molliere, Rucine, Quinault, and others both French and Italians. Neither have I omitted, to my power, to do right likewise to the ancient Greek and Latin Poets, that have written in this way, as Sophocles, Euripides, Aeschylus, Aristophanes, Seneca, Plautus, Terence, etc. I must acknowledge, with regret, that these are not so well known to me as I could wish; but yet as far as my power, I have endeavoured to do right to their Memories. But I dare assure my Reader, that for the future it shall be more my business to obtain a more intimate acquaintance with all worthy Strangers, as well as with my own Countrymen, so that if this Trifle should have the fortune to appear abroad a second time, it shall be more complete and correct, than the shortness of the time, and my small acquaintance with Authors at present allow; the Catalogue being in the Press, and the first sheet of it set, before I thought of adding these Remarks.  
But before I quit this Paper, I desire my Readers leave to take a View of Plagiaries in general, and that we may observe the different proceed between the Ancients and our Modern Writers. This Art has reigned in all Ages, and is as ancient almost as Learning itself. If we take it in its general Acceptation, and according to the extent of the word we shall find the most Eminent Poets (not to move excentrically and out of our present Sphere) are liable to the charge and imputation of Plagiary. Homer himself is not free from it, if we will give credit to Suidas, Aelian, and others: and that the invention of the Iliad is not wholly due to him, seems to be confirmed by the Testimony of Aristotle, who mentions a small Iliad, 
Poet. c. 23.  which was written before his was produced. But whether there be any ground, for this Opinion, or no, certain it is that the most eminent Poets amongst the Romans, I mean Virgil and Ovid, made use of the Grecian Magazines, to supply their Inventions. To prove this, let us first consider Virgil, 
Poet. l. 3. cap. 15.  styled the King of Poets by Scaliger, and to the opinion of Propertius exceeding Homer himself, as appears by the following Lines so well known amongst all learned men.  
Cedite Romani Scriptores, cedite Graii,  
Nescio, quid majus nascitur Aeneade.  
Yet even this great man has borrowed in all his Works; from Theocritus; in his Eclogues; from Hesiod and Aratus, in his Georgics; and from Homor and Pisander, in his Aeneads: besides what he has borrowed from Parthenius Nicaeus, his Tutor in the Greek Tongue, and from Q. Ennius an ancient Latin Poet; as you may read more at large in Macrobius. 
Saturnalia, l. 5. c. 11. l. 6. c. 1.  If we consider Ovid, the Flower of the Roman Wit, we shall find him imitating at least, if not borrowing from, the forementioned Parthonius: his Metamorphosis, 
Vol. 2. Orat. 3.  that Divine Poem, (as Ant. Muretus' styles it in his Orations) being built upon that Poem writ in the Greek Tongue, which bore the same Name; and handled the same Subject, as we are told by Plutarch and Eustathius. And if to these we add that worthy Carthaginian Terence, who by the kindness of the generous Lucan, was at once made a free man and Citizen of Rome, and whom on the account of his Comedies written in the Latin Tongue, we may number among the Roman Writers: we shall find him likewise beholding; for his Productions, to that eminent Athenian Poet Menander.  
But let us now observe how these Eminent Men manage what they borrowed; and then compare them with those of our times. First, They proposed to themselves those Authors whose Works they borrowed from, for their Model. Secondly, They were cautious to borrow only what they found beautiful in them, and rejected the rest. This is proved by Virgil's Answer concerning Ennius his Works, when he was asked by one who saw him reading, what he was about, replied, Aurum se ex Enii stercore colligere. Thirdly, They plainly confessed what they borrowed, and modestly ascribed the credit of it to the Author whence 'twas originally taken. Thus Terence owns his Translations in his Prologue to Euntichus.  
Qui bono vertendo, & eas discribendo ma●●  
Ex Graecis bonis, Latinas fecit non bonas.  
This behaviour Pliny commends in these words: 
Epist. ad Tit. Vespar.  Est enim benignum & plenum ingenium Pudoris, fateri perquos profeceris: and after having blamed the Plagiaries of his time, he commends Cicero for making mention of Plato, Crantor, and Pariaetius, whom he made use of in his Works: and let it be observed by our Modern Poets, that though our modest Carthaginian owned his Translations, yet was he not the less esteemed by the Romans, or his Poems less valued for it. Nay, even in this Age he is universally commended by learned men, and the judicious Rapine gives him a Character, which I doubt few of our Age will deserve. 
Reflect. 26. part 2.  Terence a ecrit d'une Maniere, & si naturelle, & si judicieuse, que de Copie qu'il estoit il est devenu original: car jamais Auteur n'a eu un goust plus par de la Nature. Lastly, Whatsoever these ancient Poets (particularly Virgil) copied from any Author, they took care not only to alter it for their purpose; but to add to the beauty of it: and afterwards to insert it so handsomely into their Poems, (the body and Oeconomy of which was generally their own) that what they borrowed, seemed of the same Contexture with what was originally theirs. So that it might be truly said of them; Apparet unde sumptum sit, aliud tamen quàm unde sit, apparet.  
If we now on the other side examine the proceed of our late English Writers, we shall find them diametrically opposite in all things. Shakespeare and Johnson indeed imitated these Illustrious Men I have cited; the one having borrowed the Comedy of Errors from the Menechmi of Plautus; the other has made use not only of him, but of Horace, Ovid, Juvenal, Sallust, and several others, according to his occasions: for which he is commended by Mr. Dryden, 
Epist. to Mock ginger.  as having thereby beautified our Language: and Mr. Rymer, whose Judgement of him is this; I cannot (says he) be displeased with honest Ben, 
Tragedies of the last Age, p. 143  when he chooses rather to borrow a Melon of his Neighbour, than to treat us with a Pompion of his own growth. But for the most part we are treated far otherwise; not with sound Roman Wit, as in Ben's time, but with empty French Kickshaws, which yet our Poetical Hosts serve up to us for Regales of their own Cookery; and yet they themselves undervalue that very Nation to whom they are obliged for the best share of their Treat. Thus our Laureate himself runs down the French Wit in his Marriage a la Mode, and steals from Molliere in his Mock ginger; and which makes it more observable, at the same time he does so, pretends in his Epistle to justify himself from the imputation of Theft: Not unlike the Cunning of a Juggler (to apply his own Simile to him) [Epistle to the Spanish Friar] who is always staring us in the Face, 
Ep. to the Spanish Friar.  and overwhelming us with Gibberish, only that he may gain the opportunity of making the cleanlier conveyance of his Trick. I will wave the Epistle to this Play, which seems to be the Picture of Bays in little, yet I cannot omit one Observation more, which is, that our Laureate should borrow from Old Flecknoe, whom be so much despises: and yet whoever pleases to read Flecknoe's damoiselles a la Mode, will find that they have furnished Mr. Dryden with those refined Expressions which his Retrenching Lady Donna Aurelea makes use of, as the Counsellor of the Graces, and that furious indigence of Ribbons. But possibly he will own that he borrowed them as Father Flecknoe did, from Mollieres Les Precieuses Ridicules: however, I hope he will allow that these Expressions better suit with the Spiritual Temper of those French Damsels, than with the known Gravity of the Spanish Ladies. I hope Mr. Dryden will pardon me this Discovery, it being absolutely necessary to my design of Restoring what I could to the true Authors: and this Maxim I learned from his own Father Aldo, 
Kind Keeper.  Every one must have their Own. Fiat Justitia, aut ruat Mundus. In pursuance to which, I own that Mr. Dryden has many Excellencies which far outweigh his Faults; he is an excellent Critic, and a good Poet, his Style is smooth and fluent, and he has written well, both in Verse and Prose. I own that I admire him, as much as any man; 

●or. Sat. 10. l. 1. — Neque ego illi detrahere ausim,  
Haerentem Capiti multâ cum Laude Coronam.  But at the same time I cannot but blame him for taxing others with stealing Characters from him, (as he does Settle in his Notes on Morocco) when he himself does the same, almost in all the Plays he writes; and for arraigning his Predecessors for stealing from the Ancients, as he does Johnson; which 'tis evident that he himself is guilty of the same. I would therefore desire our Laureate, that he would follow that good Advice which the modest History Professor Mr. Where gives to the young Academic in his Antelogium, to shun this, Confidence and Self-love, as the worst of Plagues; and to consider that Modesty is it which becomes every Age, 
Mr. Bohun's Translat.  and leads all that follow her in the straight, and right Path to solid Glory; without it we are hurled down Precepices, and instead of acquiring Honour, become the scorn of Men, and instead of a good Fame, we return loaden with Ignominy and Contempt.  
I have not time to examine the Thefts of other Plagiaries in particular, both from the French and our own Language, and therefore shall only desire them to consider this Sentence of Pliny: 
Ep. ad T.U.  Obnoxii profecto animi, & infelicis ingenii est, deprehendere infurto malle, quam mutuum reddere cum presertim sors fiat ex ufurâ.  
Althô I condemn Plagiaries, yet I would not be thought to reckon as such either Translators, or those who own what they borrow from other Authors: for as 'tis commendable in any man to advantage the Public; so it is manifest, that those Authors have done so, who have contributed to the Knowledge of the Unlearned, by their excellent Versions: Yet at the same time I cannot but esteem them as the worst of Plagiaries, who steal from the Writings of those of our own Nation. Because he that borrows from the worst Foreign Author, may possibly import, even amongst a great deal of trash, somewhat of value: whereas the former makes us pay extortion for that which was our own before.  
For this reason I must distinguish one of our best Comic-writers, from the common Herd of Translators; 
Mr. Shadwell.  since though proportionate to his Writings, none of our modern Poets have borrowed less; yet has he dealt ingenuously with the World, and if I mistake not, has publicly owned, either in his Prefaces, or Prologues, all that he has borrowed; which I the rather take notice of, because it is so little practised in this Age. 'Tis true indeed, what is borrowed from Shakespeare or Fletcher, is usually owned by our Poets, because every one would be able to convict them of Theft, should they endeavour to conceal it. But in what has been stolen from Authors not so generally known, as Murston, Middleton, Massinger, etc. we find our Poets playing the parts of Bathyllus to Virgil, and robbing them of that Fame, which is as justly their due, as the Reward the Emperor Augustus had promised to the Author of that known Distich affixed on the Court Gate, was to Virgil.  
Neither can this Imputation be laid at the doors of such who are only Imitators of the Works of others, amongst which, are admired Sir Charles Sidley, and the inimitable M. Wytcherley: The last of which, if I mistake not, has Copied Mollieres le Misanthrope, in his Character of the Plain Dealer; and his Celimene, in that of Olivia: but so well, that though the Character of the Misanthrope be accounted by Rapine, 
Reflect. 26. part. 2.  Te Caractere le plus achevee; The compleatest Character, and the most singular that ever appeared on the Stage: yet certainly our Poet has equaled, if not exceeded his Copy. Imitation which Longinus commends in Stesichorus, Archilochus, and Herodotus, all of them being imitators of Homer; but particularly he says of Plato: 
〈◊〉 〈◊〉 〈◊〉 〈◊〉 〈◊〉 Sect. 11.  〈◊〉 〈◊〉 〈◊〉 〈◊〉 〈◊〉. Sed omnium hujus Poetae studiosissimus imitator fuit Plato, ab illis Homericis Laticibus ad se seductos vivos quamplurimos transferens.  
But to put an end to these Observations, which may prove alike troublesome to the Reader, as well as to the Poets: I must say this for our Countrymen, That notwithstanding our Modern Authors have borrowed much from the French, and other Nations, yet have we several Pieces, if I may so say, of our own Manefacture, which equal at least, any of our Neighbours productions. This is a truth so generally known, that I need not bring instances to prove, that in the humour of our Comedies, and in the characters of our Tragedies, we do not yield to any other Nation. 'Tis true the unities of Time, Place, and Action, which are generally allowed to be the Beauties of a Play, and which the French are so careful to observe, add all lustre to their Plays; nevertheless, several of our Poets have given proof, that did our Nation more regard them, they could practise them with equal success: But as a correct Play is not so much understood, or at least regarded by the generality of Spectators; and that few of our Poet's  writ so much for Honour as Profit: they are therefore content to please at an easier rate. But would some great Man appear here in the defence of Poetry, and for the support of good Poets, as the great Cardinal Richlieu, that Noble Patron of Arts and Sciences, did in France; I doubt not but we should find several Authors, who would quickly evince, that neither the Writings of Aristotle, or the practice of those admirable Rules laid down by that Father of Criticism, and his best Commentator, Horace; with the rest of those eminent Men, that have written on the Art of the Stage, are unknown to them.  
But in the mean time, would our Nobility and Gentry, who delight in Plays, but allow themselves so much time as to read over what is extant on this Subject in English, as, Ben. Johnson's Discoveries; Roscommon's Translation of Horace's Art of Poetry; Rapin's Reflections on Aristotle's Treatise of Poetry; Longinus of the loftiness of Speech; Boyleau's Art of Poetry; Hedelin's Art of the Stage; Euremont's Essays; Rimer's Tragedies of the last Age considered; Dryden's Dramatic Essay; and several others; though they understood none but their native Language, and consequently could not read what Vossius, Heinsius, Scaliger, Plutarch, Athenaeus, Titius Giraldus, Castelvetro, Lope de Vega, Corneille, Menardiere, and others which have written to the same purpose in several Languages; yet those which are to be met with in English, are sufficient to inform them, both in the excellency of the Poetic Art, and the Rules which Poets follow, with the Reasons of them: They would then find their Pleasure increase with their Knowledge; and they would have the greater satisfaction in seeing a correct Play, by how much they were capable (by the help of these Rules) to discern the Beauties of it; and the greater value for a good Poet, by how much they were sensible of the Pains and Study requisite to bring such a Poem to perfection. This would advance the fame of good Poets, and procure them Patrons amongst the Nobility and Gentry, and through their Emulation to exceed each other, Poetry might in a few Tears be advanced to the same Perfection that it was in formerly, at Rome and Athens.  
GERARD LANGBAINE.   

ERRATA.  
BY reason of my great distance from the Press, several considerable Erratas are to be met with throughout; but the most material are these which follow: Which the Reader is desired to Pardon and Correct.  
In the Catalogue itself.  
PAge 6. The Wits is left out, a Play of Sir W. Davenant. p. 10. Courageous Turk, etc. for 4ᵒ read 8ᵒ p. 11. Play of Love, etc. deal 4º, for I never saw but the first Play. p. 13. for Hymenes read Hymenaei. p. 16 for Antiquarary read Antiquary. p. 17. Heir for 8ᵒ read 4o. p. 25. for Loyal Brother read Revengers Tragedy.  
In the Notes.  
PAge 7. and so throughout, for in vitam read in vitâ, and in vitas read in vitis. p. 9 Note (c) for Procopis read Procopii. p. 10. N. (n) add the Line of the next Page, viz. Plot from Guiciardine's History of Italy, p. 11. deal and from Poetical History, ibid. to N. (*) instead of what is Printed, read, These three Plays are Translated from Seneca, and Printed with the rest, Lond. 1581. p. 13. N. (b) for Book the Ninth, satire the first Part, read, Book the First, satire 9 p. 17. N. (d) for du Bec, read du Bec. p. 18. N. (†) for Fourteen, read Thirteen, and for Three, read Five. p. 19 N. (l) belongs to Cambyses. p. 20. N. (h) for Mons read Monsieur. p. 21. N. (k) for Maenectrini, read Maenechmi. p. 22. N. (i) for 1581., read 1653. ibid. to Triumph of Beauty, add (k) with this Note, Printed with his Poems, Lond. 1646. p. 25. N. (b) for Published, read Reprinted. ibid. N. (d) for Musaee Erotoprgnion, read Musaei Erotopagnion. p. 24. N. (s) for K. read Prince. p. 25. N. (n) to Observationum, add Medicarum Volumen. p. 27. N. (d) for Poem, read Play. ibid. N. (g) belongs to French Conjurer, and N. (h) to Witty Combat. p. 28. N. (h) belongs to Thornby-Abby: N. (i) to Marriage Broker, and the last Line to Menechmus. p. 31. N. (r) belongs to Rivals.   

A Catalogue of Plays. WITH THEIR Known or Supposed AUTHORS, etc.  

Will. Alexander, Lord Sterline.  

(c) These of the Lord Sterline are all Bound with his Works (in Folio) called, Recreations with the Muses. Printed at London, 1637.  


(a) Plot from Justin's Hist. Lib. 14.  Alexandrian Trag. Tr. Fol.  

(b) Plot from Herodotus, Lib. 1. Plutarch in Solon's Life.  Croesus' T. Fol.  

(d) Plot from Justin's Hist. Lib. 11.  Darius' T. Fol.  

(e) Plot from Suetonius and Plutarch.  Julius Caesar T. Fol.     

Robert Armin.  
Maids of Moorclack H.   

Barnaby Barnes.  

(f) Plot from Guiciardine's Hist. of Italy.  Devil's Charter. T. 4ᵒ.   

Samuel Brandon.  

(g) Plot from Plutarch's Lives.  Virtuous Octavia T. C. 8ᵒ.   

Henry Burkhead.  
Colas Fury, or Lyrindas Misery. T. 4ᵒ   

Robert Baron.  

(h) These two of R. Baron are mentioned in former Catalogues, but are part of a Romance writ by him, and called the Cyprian Academy. Printed at London, 1647.  

Gripus & Hegio P. 8ᵒ  
Deorum Dona M. 8ᵒ    

(i) Plot from Herbert's Travels, Fol.  Mirza T. 8ᵒ   

Anthony Brewer.  
Country Girl Com. 4ᵒ  

(k) From an old English Chronicle, Fol.  Lovesick King T. C. 4ᵒ   

Nicholas Breton.  
Old man's Lesson, and Young man's Love I. 4ᵒ   

Dabridgecourt Belchier.  
See me, and see me not C. 4ᵒ   

Francis Beaumond.  
Vide Fletcher.   

Richard Bernard.  
Terence's Comedies, viz. 

Andraea. 4ᵒ.  
Adelphi. 4ᵒ.  
Eunuchus. 4ᵒ.  
Heautontimorumenos. 4ᵒ.  
Hecyra. 4ᵒ.  
Phormio. 4ᵒ.     

Lodow. Barrey.  
Ram-Alley, or Merry Tricks. C. 4ᵒ   

Richard Brome.  

(a) These five of Richard Brome, are Printed in one Volume, Octavo, London, 1635.  

Court Beggar C. 8ᵒ.  
City Wit C. 8ᵒ.  
Damoiselle C. 8ᵒ.  
Mad couple well matched. 8ᵒ.  
Novella C. 8ᵒ.    

(b) These five of Brome, are Printed in another Volume in Octavo, London, 1659.  

Covent Garden weeded. C. 8ᵒ  
English Moor C. 8ᵒ  
Lovesick Court C. 8ᵒ  
New Exchange C. 8ᵒ  
Queen and Concubine C. 8ᵒ    
Antipodes C. 4ᵒ  

* Reprinted, Lond. 1686.  Jovial Crew C. 4ᵒ  

(c) Lately Reprinted.  Northern Lass C. 4ᵒ  
Queen's Exchange C. 4ᵒ  
Asparagus Garden C. 4ᵒ   

Alexander Brome.  
Cunning Lover C. 4ᵒ   

Fulk, Lord Brook.  

(d) These two of the Lord Brooks are Printed with his Poetical Works in Folio. London, 1633.  Alaham T. Fo.  

(e) Plot from the Turkish Chronicle.  Mustapha T. Fo.   

Abraham Baily.  
Spiteful Sister C. 4ᵒ   

Mrs. Frances Boothby.  
Marcelia T. C. 4ᵒ   

John Bancroft.  
Sertorius T. 4ᵒ   

Mrs. Astraea Behn.  
Amorous Prince T. C. 4ᵒ  

(f) This is a Play of Christopher Marlo's, called Lust's Dominion, Printed in Octavo, London, 1661.  Abdellazar, or the Moors. Revenge T. 4ᵒ  

(g) Part of the City Heiress, from a Play of Middleton's, called, A Mad World my Masters, Quarto; and part from another of Massenger's, called, The Guardian, Octavo.  City Heiress C. 4ᵒ  

(a) Plot from Don Fenise, Octavo.  Dutch Lover C. 4ᵒ  

(b) Stolen from Harlequin, Emperur dans le Monde de la Lune.  Emperor of the Moon F. 4ᵒ  
Forced Marriage T. C. 4ᵒ  
False Count C. 4ᵒ  
Feigned Courtesans C. 4ᵒ  
Lucky Chance C. 4ᵒ  

(c) Taken from Tho. Killegrew's Don Thomaso, or The Wanderer, Folio.  Rover, two Parts C. 4ᵒ  

(d) A Play of John Tateham's, called, The Rump, altered, Quarto.  Roundheads C. 4ᵒ  

(e) Part of this Play taken from Richard Brome's Damoiselle, Octa. and Le malade imaginaire.  Sir Patiented Fancy C. 4ᵒ  

(f) A great part of this Play borrowed from a Play, called, The Miseries of forced Marriage, Written by George Wilkins, Quarto.  Town-Fopp, or Sir Timothy Tawdry C. 4ᵒ  

(g) Plot from Alcamenes and Menalippa, in Cleopatra, Folio.  Young King T. C. 4ᵒ   

Capt. William Bedloe.  
Excommunicated Prince. T.C. Fo.   

John Banks.  

(*) Plot from the old Story so called.  Destruction of Troy T. 4ᵒ  

(h) Plot from Cassandra, Folio.  Rival Kings T. 4ᵒ  

(i) Plot from E. of Essex and Q. E. a Nou.  Unhappy Favourite- Essex T. 4ᵒ  

(k) Plot from Causin's Holy Court, Folio.  Mary; Queen of Scotland T. 4ᵒ  

(l) Plot Q. Eliz. Novel, first Part 8o.  Virtue Betrayed- An. Bullen. T. 4ᵒ   

George Chapman.  
All Fools C. 4ᵒ  

(*) Plot from Chron. de Rebus Germanicis.  Alphonsus, Emperor of Germany T. 4ᵒ  
Blind Beggar of Alexandria C. 4ᵒ  

(†) Plot from the French Chron. Hen. 3.  

Bussy D' Amboys T. 4º  
— His Revenge T. 4ᵒ    

(m) Plot from the French Chronicles.  

Byron's Conspiracy T. 4º  
— His Tragedy T. 4ᵒ    

(n) Plot from Lucan's Pharsalia, Suetonius, in the Life of Julius Caesar.  Caesar and Pompey T. 4ᵒ  
Gentleman Ʋsher C. 4ᵒ  
Humorous Days Mirth C. 4ᵒ  
May Day C. 4ᵒ  
Monsieur D' Olive C. 4ᵒ  
Masque of the Middle Temple. M. 4ᵒ  
Revenge for Honour T. 4ᵒ  
Temple M. 4ᵒ  
Two Wise Men, and all the rest Fools C. 4ᵒ  

(o) Plot from Petronius Arbyter.  Widow's Tears C. 4ᵒ  

(p) Written by Chapman, Johnson, and Marston.  Eastward Ho C. 4ᵒ   

Robert Cox.  

(‖) Plot from Ovid's Metamorph.  Actaeon and Diana I. 4ᵒ   

John Cook.  
Green's Tu Quoque C. 4ᵒ   

Edward Cook.  

(a) Plot from Cassandra, Fol.  Love's Triumph T. C. 4ᵒ   

Thomas Carew, and Inigo Jones.  

(b) Printed with Carew's Poems. London, 1670.  Coelum Britannicum M. 8ᵒ   

Lady Eliz. Carew.  

(c) Plot from Josephus, Folio.  Mariam T. 4ᵒ   

Robert Chamberlain.  
Swaggering Damoiselle C. 4ᵒ   

William Chamberlain.  
Love's Victory C. 4ᵒ   


(d) The first of Carlell's Plays, (viz.) in two Parts, Bound in one Volume, Twelve. The three next Printed in another Volume, Octavo. London, 1657. And the next in Octavo. Printed 1659.  Lodowick Carlell.  
Arviragus and Philicia, two Parts T. C. 12ᵒ  
Fool would be a Favourite T.C. 8ᵒ  
Deserving Favourite T. C. 8ᵒ  

(*) Plot from Knolls' Turkish History, in the Reign of Mahomet the First.  Osmond the Great Turk. T. 8ᵒ  
Passionate Lovers, two Parts. T.C. 8ᵒ  

(e) From Corneille.  Heraclius Emperor of the East T. 4ᵒ   

Abraham Cowley.  

(f) This Play is the Guardian, Corrected and Enlarged.  Cutter of Coleman street C. 4ᵒ  
Guardian C. 4ᵒ  

(g) Bound with his Second Volume, Folio, London, 1681.  Love's Riddle P. Fol.   


(h) All Printed with his Poems, Lon. 1651.  William Carthwright.  
Lady Errand T. C. 8ᵒ  
Ordinary C. 8ᵒ  
Royal Slave T. C. 8ᵒ  

(i) Occasion in Plutarch's Life of Cymon, and Part from Boccaces Novels, the Ninth Day, Novel the First.  Siege T. C. 8ᵒ   


(k) All Printed with his Poems. Lon. 1669.  Sir Aston Cockain.  
Obstinate Lady C. 8ᵒ  

(†) Plot from his Elegies.  Ovid T. 8ᵒ  

(l) Plot from Trapolen creduto Principe.  Trappolin supposed a Prince. T.C. 8ᵒ   

Richard Carpenter.  
Pragmatical Jesuit C. 4ᵒ   

Charles Cotton.  

(m) From Corneille.  Horace T. 4ᵒ   

John Corey.  

(a) Part of this Play is borrowed from Sir William Dower's Noble Ingratitude.  Generous Enemies C. 4ᵒ   

John Crown.  

(b) Translated from the French.  Andromache T. 4ᵒ  
Ambitious Statesman T. 4ᵒ  
City Politics C. 4ᵒ  

(c) Part from Molliere 's Le Sicilien.  Country Wit C. 4ᵒ  

(d) Plot from Guiciardine's Hist. and the French Chron. in the Reign of Charles 8.  Charles the Eighth T. 4ᵒ  

(e) The Foundation from Ovidil Metam. Lib. 2.  Calisto M. 4ᵒ  

(f) Plot from Josephus' Hist. Book 6. 7.  Destruct. of Jerusal. 2 pts. T. 4ᵒ  

(†) From English Chronicles, and part of the Language, from Shakespeare.  

Henry the sixth T. 4ᵒ  
— The second Part, or the Miseries of Civil War T. 4ᵒ    
Juliana, Princess of Poland. T.C. 4ᵒ  

(g) Plot, and part of the Play from a Spanish Play, called No Puedeser.  Sir Courtly Nice C. 4ᵒ  

(h) Plot from Poetical History.  Thyestes' T. 4ᵒ   

John Day.  
Blind Beggar of Bednal Green. C. 4ᵒ  
Humour out of Breath C.  

(i) Plot from Sir Phil. Sidney's Arcadia.  Isle of Gulls C. 4ᵒ  
Law Tricks C. 4ᵒ  
Parliament of Bees M. 4ᵒ  

(k) Writ by him, Rowly, and Wilkins.  Travels of three English Brothers H. 4ᵒ   

Robert Dawbourn.  
Christian turned Turk T. 4ᵒ  
Poor Man's Comfort C. 4ᵒ   


(l) All Printed in one Volume, London, 1623.  Samuel Daniel.  

(m) Plot from Appian of Alexandria.  Cleopatra T. 4ᵒ  
Hymen's Triumph P. 4ᵒ  

(n) Plot from Plutarch's Life of Alexander, and Quintus Curtius, Book the 6th.  Philotas T. 4ᵒ  
Queens Arcadia P. 4ᵒ  
Vision of the twelve Goddesses. M. 4ᵒ   

Robert Davenport.  

(o) Plot from Don Quixot 's Novel, of the Curious Impertinent, and Boccaces Novels, Day the 7th, Novel 7th.  City Nightcap C. 4ᵒ  

(p) English Chronicle.  John and Matilda T. 4ᵒ   

Thomas Decker.  
Fortunatus C. 4ᵒ  
Honest Whore, two Parts C. 4ᵒ  
If this be'nt a good Play, the Devil's in't C. 4ᵒ  
Match me in London C. 4ᵒ  

(q) Writ by him and Webster.  

Northward Ho C. 4ᵒ  
Westward Ho H. 4ᵒ  
Wyat's History H. 4ᵒ    
Untrussing of the Humorous Poet C. 4ᵒ  
Whore of Babylon C. 4ᵒ  
Wonder of a Kingdom C. 4ᵒ  

(*) Writ by him, Rowly, and Ford.  Witch of Edmonton T. 4ᵒ   


(1) 
All, except the last, Printed with his Works, in Folio. Lond. 1673.  
The last writ by him, and Inigo Jones, the late King's Surveyor.   Sir Will. D'Avenant.  

(a) Plot from Heylin's cosmography, Book the First. Chronicle of Italy.  Albovine T. Fol.  
Cruel Brother T. Fol.  
Distresses C. Fol.  
Fair Favourite T. C. Fol.  
Just Italian T. C. Fol.  
Love and Honour T. C. Fol.  

(b) From Measure for Measure, and Much ado about Nothing.  Law against Lovers T. C. Fol.  

(c) From Mollieres 's Joddelet 〈◊〉 le Maitre valet.  Man's the Master C. Fol.  
Platonic Lovers C. Fol.  

† Part from Mollieres Sganarelle.  Playhouse to be Let C. Fol.  
Siege T. C. Fol.  
Siege of Rhodes, two Parts. T.C. Fo.  
Temple of Love M. Fol.  
Triumph of the Prince D'Amour M. Fol.  
Unfortunate Lovers T. Fol.  

(d) Not his, but Carew's, and Printed with his Poems, Octavo.  Coelum Britannicum. M. Fol.  
News from Plymouth C. Fol.  
Britannia Triumphans M. 4ᵒ   

Dr. Charles D'Avenant.  
Circe O. 4ᵒ   

Tho. Denham.  

(e) 
Plot from Herbert's Travels, Life of Abbas.  
Printed with his Poems. London, 1670.   Sophy T. 8ᵒ   

John Dancer.  

(f) Translated from the Italian of Tasso, and Printed with Dancer's Poems, London, 1660.  Aminta P. 8ᵒ  

(g) Translated from Monsieur Quinault.  Agrippa King of Alba. T.C. 4ᵒ  

(h) Translated from Corneille.  Nicomede T.C. 4ᵒ   

John Dryden.  

(i) Sanderson's Hist. of K. James p. 577.  Amboyna T. 4ᵒ  

(k) Plot of the serious Part, from the Annals of Love: In the Story of Constance the Fair Nun. The Part of Aureleo, from Scarron's Comical Romance: In the Story of Destiny and Madam Star.  Assignation C. 4ᵒ  

(l) Plot from Tavernier's Voyages into India, Volume the First, Part the Second, Book the Second. — Auringzebe T.C. 4ᵒ  

(m) Plutarch's Life of Marcus Antonius, and other Roman Historians.  All for Love T. 4ᵒ  
Albion and Albanius O. Fol.  

(a) Plot, Almanzor and Almahide, from Cleopatra in the Story of Artaban: and Almahide the Romance. Ozmyn and Benzaida, from Osman and Alibech, in Ibrahim. Abdalla, Abdelmelech, Lyndaraxa, from Prince Ariantes, Agathirses, and Elibesis, in the First Book of the Ninth Part of Cyrus.  Conquest of Granada, two Parts T.C. 4ᵒ  

* Part from Corneilles De Pit Amoreuse, part from Le-feinte Astrologue, and part from the Illustrious Bassa, a Romance.  Evenings Love, or Mock-Astrologer C. 4ᵒ  

(b) Plot, Heylin 's Cosmography, Book the Fourth. Hen. Bonzonus rerum ab Hispanis in India Occidentali gestarum, Lib. 3. Octavo.  Indian Emperor T.C. 4ᵒ  
Kind Keeper, or Mr. Lymberham C. 4ᵒ  

(c) Plot, from Cleobuline, Queen of Corinth, in the Second Book of the Seventh Part of Cyrus: and the Character of Celadon and Florimell, from Pisistrate and Cerinthe in Cyrus, Part Ninth, Book Third; and from the French Marquis in Ibrahim, Part Second, Book the First.  Maiden Queen T.C. 4ᵒ  

(d) Plot of the serious Part, and the Characters from Sesostris and Timareta in Cyrus, Part the Sixth, Book the Second: and Palamedes from the Prince of Salamis, in the Story of Timantes and Parthenia, Part Sixth, Book First, of Cyrus; and from Nagaret, in the Annals of Love, Octavo.  Marriage Al-a-mode C. 4ᵒ  

(f) Founded on Plautus' Amphytruo.  Mistaken Husband C. 4ᵒ  
Rival Ladies T. C. 4ᵒ  

† Part from Molliere 's L' Etourdy.  Sir Martin Marall C. 4ᵒ  

(g) Plot from Milton's Paradise lost. Octavo.  State of Innocence C. 4ᵒ  

(h) Plot of the Comical Part from the Pilgrim, a Novel, Twelve.  Spanish Friar T.C. 4ᵒ  

(i) Originally Shakespear's.  Tempest C. 4ᵒ  

(‖) Plot from Jul. Capitolinus in vitam Maximini.  Tyrannic Love, or Royal Martyr T. 4ᵒ  

(k) Part Shakespeare.  Troilus and Cressida T. 4ᵒ  
Wild Gallant C. 4ᵒ  

(†) Joined in these two last with Nath. Lee.  


(l) From D'Avila's History of France.  Duke of Guise T. 4ᵒ  

(m) From Sophocles, and the Poetical Histories.  Oedipus T. 4ᵒ     

John Dover.  
Roman Generals T. C. 4ᵒ   

Thomas Durfey.  

(n) Plot from Don Fenise, Octavo.  Banditti C. 4ᵒ  

(o) Borrowed from Fletcher's Sea-Voyage.  Commonwealth of Women T.C. 4ᵒ  
Fool turned Critic C. 4ᵒ  
Fond Husband C. 4ᵒ  

(p) The Foundation Shakespear's.  Injured Princess T. C. 4ᵒ  

(a) Part from the Antiquary. Quarto.  Madam Fickle C. 4ᵒ  
Siege of Memphis T. 4ᵒ  

(b) Plot from Francion's Romance, Fol.  Squire Old Sapp C. 4ᵒ  
royalist C. 4ᵒ  

(c) Part of it from the Fine Companion, Quarto. And Ploe from the Double-Cuckold, a Novel, Octavo.  Sir Barnaby Whigg C. 4ᵒ  

(d) From Monsieur Thomas.  Trick for Trick C. 4ᵒ  
Virtuous Wife C. 4ᵒ   

Tho. Duffet.  
Mock-Tempest F. 4ᵒ  
Spanish Rogue C. 4ᵒ   

Sir George Etheridge.  
Love in a Tub C. 4ᵒ  
Man of Mode, or Sir Fopling Flutter C. 4ᵒ  
She would if she could C. 4ᵒ   

Edward Eccleston.  

(e) Foundation on Sacred Writ.  Noah's Flood O. 4ᵒ   


* All Beaumond and Fletcher's Plays Printed together in one Volume, Folio, London, 1679.  John Fletcher, and Francis Beaumond.  
Beggar's Bush C. Fol.  

(f) Plot from Tacitus' Annals, Book 14.  Bonduca T. Fol.  

(g) Plot from Harodianis Historiae.  Bloody Brother, or Rollo D. of Normandy. T. Fol.  
Custom of the Country T. C. Fol.  

(h) Altered by the Duke of Buckingham, and Printed in Quarto. Lond. 1682. The Plot from Lady Cornelia, in Exemplary Novels, Folio.  Chances C. Fol.  
Captain C. Fol.  
Coxcomb C. Fol.  
Cupid's Revenge C. Fol.  
Coronation T. C. Fol.  
Double Marriage T. C. Fol.  
Elder Brother C. Fol.  
False One T. Fol.  
Four Plays in One T. C. Fol.  
Faithful Shepherdess P. Fol.  
Fair Maid of the Inn C. Fol.  
Honest Man's Fortune C. Fol.  
Humorous Lieutenant T. C. Fol.  

(*) Lately Reprinted with Alterations, by Nat. Tate. Lond. 1687.  Island Princess T. C. Fol.  
King and no King T. C. Fol.  
Knight of the Burning Pestle. C. Fol.  
Knight of Malta T. C. Fol.  

(i) Plot from Gusman 's Don Lewis de Castro, and Don Roderigo de Montalvo.  Little French Lawyer C. Fol.  
Loyal Subject T. C. Fol.  
Laws of Candy C. Fol.  

(k) Plot, Lysander and Calista.  Lover's Progress T. C. Fol.  
Love's Cure C. Fol.  

(l) Part of it from Johnson's New Inn, Octavo, and the Plot from Exemplary Novels, Two Damsels.  Love's Pilgrimage C. Fol.  
Mad Lover C. Fol.  

(m) Serious Plot from Gerardo, p. 350. 8ᵒ.  Maid in the Mill C. Fol.  
Masque of Grays-Inn Gent. M. Fol.  
Monsieur Thomas C. Fol.  
Maid's Tragedy T. Fol.  
Noble Gentleman C. Fol.  
Nice Valour T. C. Fol.  
Night Walker C. Fol.  
Prophetess T. C. Fol.  
Pilgrim T. C. Fol.  
Philaster T. C. Fol.  
Queen of Corinth T.C. Fol.  
Rule a Wife, and have a Wife C. Fol.  

(a) From Gerardo 's Leandro. p. 214. 8ᵒ.  Spanish Curate C. Fol.  
Sea Voyage T. C. Fol.  
Scornful Lady C. Fol.  

(b) Plot from the French Chronicles, in the Reign of Clotaire the Second. Imperfect in the Folio Edition, but right in the Quarto.  Thierry and Theodoret T. Fol. & 4ᵒ  
Two Noble Kinsmen T. C. Fol.  

(c) Plot, Procopis Caesariensis Historiae: Altered by the Lord Rochester. Printed Quarto, 1686.  Valentinian T. Fol. & 4ᵒ  
Woman's Prize C. Fol.  
Women pleased C. Fol.  
Wife for a Month C. Fol.  
Wit at several Weapons C. Fol.  
Wild-goose Chase C. Fol.  
Woman Hater C. Fol.  
Wit without Money C. Fol.   

Nathaniel Field.  
Amends for Ladies C. 4ᵒ  
Woman's a Weathercock C. 4ᵒ   

John Ford. v. Decker.  
Broken Heart T. 4ᵒ  
Fancies C. 4ᵒ  
Lover's Melancholy T. 4ᵒ  
Love's Sacrifice T. 4ᵒ  
Lady's Trial T. 4ᵒ  

(d) Plot from Gainsford's History, 4o.  Perkin Warbeck H. 4ᵒ  
Pity she's a Whore T. 4ᵒ  

(e) Ford and Decker.  Sun's Darling C. 4ᵒ   

Thomas Ford.  

(f) Printed with his Works, Octavo. London, 1661.  Love's Labyrinth T. C. 4ᵒ   

Abraham France.  
Countess of Pembroke's Ivy Church, 2 Parts P. 4ᵒ   

Richard Flecknoe.  

(g) Borrowed from Molliere's Preceeuses Redicules. Octavo.  Damoyselles a-la-mode C. 8ᵒ  
Erminia T. C. 8ᵒ  

(h) These two almost the same.  

Love's Kingdom T. C. 8ᵒ  
Love's Dominion P. 8ᵒ    
Marriage of Oceanus and Britannia M.   

Ulpian Fulwell.  
Like will to like, quoth the Devil to the Collier C. 4ᵒ   

J. Fountain.  
Reward of Virtue C. 4ᵒ   

Sir Ralph Freeman.  
Imperial T. 4ᵒ   

Lord Viscount Faulkland.  
Marriage Night T. 4ᵒ   

Sir Richard Fanshaw.  

(a) Translated from Guarini's Italian, and Printed with his Poems, London, 8ᵒ.  Pastor Fido P. 8ᵒ   

Sir Francis Fane, Jun.  

(b) Plot from the Invisible Mistress, in Scarron's Novels, 8o.  Love in the Dark T. C. 4ᵒ  
Sacrifice T. 4ᵒ   

Henry Glapthorn.  
Albertus Wallenstine T. 4ᵒ  

(c) Plot from Sir Philip Sidney's Arcadia, Folio.  Argalus and Parthenia P. 4ᵒ  
Hollander C. 4ᵒ  
Lady's Privilege C. 4ᵒ  
Wit in a Constable C. 4ᵒ   

Tho. Goff.  
Careless Shepherdess. P. 4ᵒ  

(d) Plot from the Turkish History.  Selimus T. 4ᵒ  

* Printed in one Volume.  


(e) Plot from the same.  Courageous Turk. T. 4ᵒ  

(f) From Euripides.  Orestes. T. 4ᵒ  

(g) Plot from the Turkish History.  Raging Turk. T. 4ᵒ     

Robert Green.  

(h) Plot from the English Chronicle.  Friar Bacon C. 4ᵒ  

(i) Plot, Story of Ionas in the Holy Scripture.  Looking-glass for London H. 4ᵒ   

George Gerbyer.  
False Favourite disgraced T. C. 8ᵒ   

† George Gascoign.  
Glass of Government T. C. 4ᵒ  

(k) From Euripides.  Jocasta T. 4ᵒ  

(l) From Ariosto.  Supposes C. 4ᵒ  
Pleasure at Kenelworth-Castle. M.   

Francis Goldsmith.  

(m) From Hugo Grotius 's Sophompaneas, Latin.  Joseph T. C. 8ᵒ   

Robert Gomersall.  

(n) Printed with his Poems, Lond. 1633.  Sforza Duke of Milan T. 8ᵒ   

Alexander Green.  
Politician Cheated C. 4ᵒ   

John Heywood.  
Four P P. I. 4ᵒ  
Play of Love I. 4ᵒ  
Play of the Wether I. 4ᵒ  
Play between John the Husband, and Tib his Wife. I. 4ᵒ  
Play between the Pardoner, Friar, Gurate, and Neighbour Prat. I. 4ᵒ  
Play of Gentileness and Nobility, 2 Parts. I. 4ᵒ   


* Plot from Guiciardine's History of Italy, Folio, and from Poetical History.  Jasper Heywood.  
Hercules Furiens T. 4ᵒ  
Thyestes T. 4ᵒ  
Troas T. 4ᵒ   

Tho. Heywood, vide Ford.  

† These are usually Bound together.  


‖ Plot from Poetical History.  

Golden Age H. 4ᵒ  
Silver Age H. 4ᵒ  
Brazen Age C. 4ᵒ    

(a) Plot from Virgil's Aeneids, Second Book, and Homer's Iliads.  Iron Age, 2 Parts H. 4ᵒ    
Challenge for Beauty C. 4ᵒ  

(b) Plot from English Chronicle, and Clark's Martyrology.  Duchess of Suffolk H. 4ᵒ  
English Traveller C. 4ᵒ  
Edward the Fourth, 2 Parts H. 4ᵒ  

(c) Plot from English Chronicle.  Elizabeth's Troubles, 2 Pts. H. 4ᵒ  

(d) Plot, English Lovers, 8ᵒ.  Fair Maid of the West, Two Parts. C. 4ᵒ  
Four London-Prentices H. 4ᵒ  
Fair Maid of the Exchange C. 4ᵒ  

(e) By him and Rowley.  Fortune by Land and Sea. H. 4ᵒ  

(f) By him and Brome.  Lancashire Witches C. 4ᵒ  

(g) Plot from Apuleius 's Golden Ass, 4ᵒ.  Love's Mistress M. 4ᵒ  
Maidenhead well lost C. 4ᵒ  

(h) Plot from Titus Livius.  Rape of Lucrece T. 4ᵒ  

† Plot, Stow and Speed's Chronicle.  

Robert Earl of Huntingdon's Downfall. H. 4º  
— His Death T. 4ᵒ    
Woman killed with Kindness C. 4ᵒ  
Wise Woman of Hogsden C. 4ᵒ   

William Habington.  
Queen of Arragon Folio.   

Charles Hool.  

(i) Castrated Latin, English.  Terrences Comedies C. 8ᵒ   

Peter Hausted.  
Rival Friends C. 4ᵒ   

Barton Holiday.  
Marriage of the Arts C. 4ᵒ   

William Hemings.  

(a) Plot, French Chronicles.  Fatal Contract T. 4ᵒ  

(b) Plot from Josephus' History of the Jews, Book Sixth and Seventh.  Jews Tragedy T. 4ᵒ   

Richard Head.  
Hic & ubique C. 4ᵒ   


* The four first of Sir Robert Howard's Plays, are usually Bound together.  Sir Robert Howard.  
Indian Queen T. Fol.  
Committee C. Fol.  
Surprisal T. C. Fol.  
Vestal Virgins T. C. Fol.  

(c) Printed with his Poems in 8o.  Blind Lady C. 8ᵒ  
Duke of Lerma T. 4ᵒ   

James Howard.  
All Mistaken, or the Mad Couple. C. 4ᵒ  
English Monsieur C. 4ᵒ   

Edward Howard.  
Man of Newmarket C. 4ᵒ  
Six Days Adventure C. 4ᵒ  
Usurper T. 4ᵒ  
Woman's Conquest T. C. 4ᵒ   

James Howel.  

(d) Translated from the French.  Peleus and Thetis M. 4ᵒ   


(†) All Ben. Johnson's except the four last, are Printed with other Poems in two Volumes, Folio, London, 1640.  Benj. Johnson.  
Alchemist C. Fol.  
Bartholemew-Fair. C. Fol.  
Christmas' Masque M. Fol.  
Cloridia M. Fol.  
Cynthia's Revels C. Fol.  
Challenge at Tilt M. Fol.  

(e) Plot from Salust's History.  Cataline's Conspiracy T. Fol.  
Devil's an Ass C. Fol.  
Every Man in his Humour C. Fo.  
Every Man out of his Humour. C. Fo.  

(f) From several Authors quoted in the Margin throughout.  Entertainment at K. James' Coronation. E. Fol.  
Entertainments of the Q. and Prince, at Althrop. E. Fol.  
Entertainments of the King of England, and the King of Denmark, at Theobalds'. F. Fol.  
Entertainment of K. James, and Q. Ann, at Theobalds'. F. Fol.  
Entertainment of the King and Queen, on May Day, at Sir Wil Cornwallis' House, at Highgate. E. Fol.  
Fortunate Isles M. Fol.  
Fox C. Fol.  
Golden Age restored M. Fol.  
Honour of Wales M. Fol.  

* All marked with this * are in the first Volume, and Quotations are Cited by the Author in the Margin throughout.  Hymenes M. Fol.  
Irish Masque M. Fol.  
King's Entertainment at Welbeck. M. Fol.  
Love's Triumph M. Fol.  
Love's Welcome M. Fol.  
Love Restored M. Fol.  
Magnetic Lady C. Fol.  
Masque of Auguurs M. Fol.  
Masque at the Lord Hayes' House. M. Fol.  
Masque at the Lord Haddington's Marriage. M. Fol.  
Masque of Owls M. Fol.  

* All marked with this * are in the first Volume, and Quotations are Cited by the Author in the Margin throughout.  Masque of Queens M. Fol.  
Mercury Vindicated M. Fol.  
Metamorphosed Gipsies M. Fol.  

(a) An Imperfect Piece just begun.  Mortimer's Fall T. Fol.  
News from the New World in the Moon. M. Fol.  
Neptune's Triumph M. Fol.  

* All marked with this * are in the first Volume, and Quotations are Cited by the Author in the Margin throughout.  Oberon the Fairy-Queen M. Fol.  
Pleasure reconciled to Virtue M. Fol.  
Pan's Anniversary M. Fol.  

(b) From Ovid's Elegies; and from Horrace's Satyrs, Book the Ninth, satire the first Part.  Poetaster C. Fol.  

* All marked with this * are in the first Volume, and Quotations are Cited by the Author in the Margin throughout.  Queen's Masque of Blackness. M. Fol.  

* All marked with this * are in the first Volume, and Quotations are Cited by the Author in the Margin throughout. — Her Masque of Beauty M. Fol.  
Speeches at Pr. H. Barriers M. Fol.  
Staple of News C. Fol.  

(c) Borrowed part of it from Ovid de Arte Amandi, and Juvenal's Sixth satire.  Silent Woman C. Fol.  

(d) This Play left Imperfect.  Sad Shepherd T. Fol.  

(e) Plot, Tacitus, Suetonius, Seneca, etc. There is an Edition of this Play, 4º, Printed Lond. 1605, by the author's own Orders, with all the Quotations from whence he borrowed any thing of his Play.  Sejanus T. Fol.  
Tale of a Tub C. Fol.  
Time Vindicated M. Fol.  
Vision of Delight M. Fol.  
Case is altered C. 4ᵒ  
New-Inn C. 4ᵒ  

(f) Joined in this with Chapman.  Eastward Ho C. 4ᵒ  

(g) Joined in this with Fletcher and Middleton.  Widow C. 4ᵒ   

John Jones.  
Adrasta C. 4ᵒ   

Tho. Ingeland.  
Disobedient Child I. 4ᵒ   

Tho. Jordain.  
Fancies Festivals M. 4º  
money's an Ass C. 4ᵒ  
Walks of Islington and Hogsden C. 4ᵒ   

William joiner.  

(h) Plot, Zosimi Historiae.  Roman Empress T. 4ᵒ   

Tho. Jevorn.  
Devil of a Wife F. 4ᵒ   

Tho. Kyd.  

(a) Translated from the French of Robert Garnier.  Cornelia T. 4ᵒ   

Tho. Kirk.  

(b) Plot, History of the Seven Champions of Christendom.  Seven Champions of Christendom. H. 4ᵒ   

Ralph Knevet.  
Rhodon & Iris P. 4ᵒ   


* All Printed in one Volume Folio, Oxon. 1666.  Sir William Killigrew.  
Ormasdes T.C. Fol.  
Pandora T. C. Fol.  
Selindra T. C. Fol.  
Siege of Urbino T.C. Fol.   

Henry Killigrew.  

(c) These two in a manner the same.  

Conspiracy T. 4ᵒ  
Pallantus and Eudora T. Fol.     


† These all Printed in one Volume, Folio, London, 1664.  Tho. Killigrew.  
Bellamira her Dream, 2 Parts. T. Fol.  
Claracilla T.C. Fol.  
Cicilia and Clorinda, 2 Parts. T.C. Fol.  
Parson's Wedding C. Fol.  
Prisoners T.C. Fol.  
Princess T.C. Fol.  
Pilgrim T. Fol.  
Thomaso, or the Wanderer, 2 Parts. C. Fol.   


‖ The first Six Printed together in Octavo London, 1632.  John Lilly.  

(d) Plot, Pliny 's Natural History, Lib. 35. Cap. 10.  Alexander and Campaspe C. 8ᵒ  

(e) Plot, Lucian's Dialogue between Venus and the Moon.  Endymion C. 8ᵒ  
Galathaea C. 8ᵒ  

(f) Plot, Ovid 's Metamorph. Lib. 11.  Midas C. 8ᵒ  
Mother Bombie C. 8ᵒ  

(g) Plot, Ovidii Epistolae.  Sappho and Phaon C. 8ᵒ  
Love's Metamorphosis C. 4ᵒ  
Maid's Metamorphosis C. 4ᵒ  
Woman in the Moon C. 4ᵒ   


* The three first of Sir Wil Lower's Plays, Printed together in 12ᵒ London, 1661.  Sir William Lower.  
Amorous Phantasm P. 12ᵒ  
Enchanted Lovers P. 12ᵒ  

(a) From the French.  Noble Ingratitude T.C. 12ᵒ  

(b) From Corneille.  Horatius T. 4ᵒ  

(c) From Corneille 's Polyeucte.  Martyr T. 4ᵒ   

Tho. Lupon.  
All for Money T. 4ᵒ   

Tho. Lodge.  

(d) Plot from Plutarch in Vitas C. Marii & Syllae.  Marius and Scylla T. 4ᵒ  

(e) By him and Green.  Looking-glass for London H. 4º   

John Lacey.  

(f) Plot and Language from Molliere 's Le Medicine Malyre luy.  Dumb Lady C. 4ᵒ  
Old Troop C. 4ᵒ  
Sir Hercules Buffoon C. 4ᵒ   

Nat. Lee, v. Dryden.  

(g) Plot from Matchiavel.  Caesar Borgia T. 4ᵒ  

(h) Plot, Eusebius de vitâ Constantini.  Constantine the Great T. 4ᵒ  

(i) Plot from Cleopatra.  Gloriana T. 4ᵒ  

(k) Plot, Clelia, and Livy's History.  Lucius Junius Brutus T. 4ᵒ  

(l) Plot, Historical Dictionary, Appian, Alexand. Romanae, Historiae.  Mithridates T. 4ᵒ  

(m) Plot from Suetonius, in Vitam Neronis.  Nero T. 4ᵒ  

(n) Plot, Quintus Curtius.  Rival Queens T. 4ᵒ  

(o) Plot, Sir Walter Raleigh 's History of the World, Book 5th, Chap. 3d. Sect. 18th.  Sophonisba T. 4ᵒ  

(p) Plot from Pharamont, Book 3d. Part 3d. Page 282, and Eusebii Histor. Ecclesiastica.  Theodosius T. 4ᵒ   

J. Leanard.  

(q) Taken from a Play called The Country Girl. C. 4o.  Country Innocence C. 4ᵒ  

(r) Part from More Dissemblers besides Women. C. 4ᵒ.  Rambling Justice C. 4ᵒ   

Tho. Middleton, v. Fletcher.  
Any thing for a quiet Life C. 4ᵒ  
Blurt Mr Constable C. 4ᵒ  
 Maid in Cheapside C. 4ᵒ  
Family of Love C. 4ᵒ  
Game at Chess C. 4ᵒ  
Inner-Temple Masque M. 4ᵒ  
Mad World my Masters C. 4º  

(s) Plot from Ranulph. Cestrensis Polychronicon.  Mayor of Quinborough C. 4ᵒ  
Michaelmas-Term C. 4ᵒ  
Phoenix C. 4ᵒ  
Roaring Girl C. 4ᵒ  
Trick to catch the old one C. 4ᵒ  
Triumphs of Love and Antiquity. M. 4ᵒ  
World tossed at Tennis M. 4ᵒ  
Your Five Gallants C. 4ᵒ  

† These three in one Volume, 8º, Lon. 1657.  

More Dissemblers besides Women C. 8ᵒ  

‖ Plot from Hippolito and Isabel, a Novel, 8o.  Women beware Women T. 8ᵒ  
No 

Wit  
Help   like a Woman's C. 8ᵒ    

* These four were Writ by Middleton and Rowley.  


(a) Plot from God's Revenge against Murder, in Alsemero and Beatrice Joanna, Folio.  Changeling T. 4ᵒ  

(b) Plot from Complaisant Companion, 8º, Page 280.  Fair Quarrel T. C. 4ᵒ  
Old Law C. 4ᵒ  

(c) Plot, Cervantes 's Exemplary Novels, Folio. Force of Blood.  Spanish Gipsies C. 4ᵒ     

Philip Massinger.  
Bondman C. 4ᵒ  
City Madam C. 4ᵒ  
Duke of Milan T. 4ᵒ  

(d) Plot, Eusebii Hist.  Emperor of the East T. C. 4ᵒ  
Fatal Dowry T. 4ᵒ  
Great Duke of Florence C. 4ᵒ  
Maid of Honour C. 4ᵒ  
New way to Pay old Debts C. 4ᵒ  

(e) Plot from Fortunate, Deceived, and Unfortunate Lovers, 8º: Novel the 4th of the Deceived Lovers.  Picture C. 4ᵒ  
Roman Actor T. 4ᵒ  
Renegado C. 4ᵒ  
Unnatural Combat T. 4ᵒ  

(f) Plot, Eusebii Hist. Lib. 8. Cap. 17.  Virgin Martyr T. 4ᵒ  

(h) These three are Printed in one Volume, 8o. Lond. 1655.  

Bashful Lady C. 8ᵒ  

(g) Plot from the Cimmerian Matron, 8ᵒ.  Guardian C. 8ᵒ  
Very Woman T. 8ᵒ     


* All except the two last are in one Volume, 8o. Lond. 1633.  John Marston.  
Antonio & Mellida, 2 Parts T. 8ᵒ  

(i) Plot from Palace of Pleasure, the last Novel.  Dutch Courtesan C. 8ᵒ  
Fawn C. 8ᵒ  

(k) Plot from Sir Walter Raleighs History, and Livy's History.  Sophonisba T. 8ᵒ  
What you will C. 8ᵒ  

(l) Plot from Montius' History of Naples, in The Life of Joan Queen of Naples.  Insatiate Countess T. 4ᵒ  
Malcontent T.C. 4ᵒ   

Shakerly Marmion.  
Antiquarary C. 4ᵒ  
Fine Companion C. 4ᵒ  
Holland's Leaguer C. 4ᵒ   

Christopher Marlow.  

(m) Plot, Camerarii Opera Subsc. Cent. 1. Cap. 70.  Dr. Faustus T. 4ᵒ  

(a) Writ by him and Nash, Plot, Virgil's Aeneids, Book 4.  Dido Q. of Carthage T. 4ᵒ  

(b) Plot, English Chronicles.  Edward the 2d T. 4ᵒ  
Jew of Malta T.C. 4ᵒ  
Lust's Dominion T. 8ᵒ  

(c) Plot, French Chronicles.  Massacree at Paris T. 8ᵒ  

(d) Plot, Jean du Bee L' Histoire de Tamerlane, 8º, and his Life in English, 8ᵒ.  Tamburlaine the Great, two Parts T. 8ᵒ   

Thomas May.  

† These two Printed together, 8º, London, 1639.  


(e) Plot, Taciti annal, Lib. 12.  Agrippina T. 8ᵒ  

(f) Plot, Plutarch in vitam, M. Antonii.  Cleopatra T. 8ᵒ    

(g) Plot from Sophocles.  Antigone T. 8ᵒ  
Heir T.C. 8ᵒ  
Old Couple T. 4ᵒ   

Tho. Meriton.  
Love and War T. 4ᵒ  
Wand'ring Lover T. C. 4ᵒ   

Lewis Machin.  
Dumb Knight C. 4ᵒ   

Cosmo Manuch.  
Just General T. 4ᵒ  
Loyal Lovers T. C. 4ᵒ   

Gervase Markham.  

(h) Writ by him and Samson. Plot from Josephus' History, Book 17.  Herod and Antipater T. 4ᵒ   

J. Milton.  
Samson Agonestes T. 8ᵒ   

John Mason.  
Mulcasses the Turk T. 4ᵒ   

Walter Montague.  
Shepherd's Paradise P. 8ᵒ   

Robert Mead.  
Combat of Love and Friendship C. 4ᵒ   

Jasper Main.  

† These two Printed together, and may be had either in 4ᵒ or 8o.  

Amorous War C. 4ᵒ & 8ᵒ  
City Match C. 4ᵒ & 8ᵒ     

Matthew Medbourn.  

(i) Translated from Molliere.  Tartuff C. 4ᵒ   

L. Maidwel.  
Loving Enemies C. 4ᵒ   

Thomas Nabbs.  
Bride C. 4ᵒ  
Covent-Garden C. 4ᵒ  
Entertainment on the Prince's Birthday F. 4ᵒ  

(a) Plot from Corn. Nepos in vitam Annibalis.  Hannibal and Scipio T. 4ᵒ  
Microcosmus M. 4ᵒ  
Spring's Glory M. 4ᵒ  
Tottenham Court C. 4ᵒ  
Unfortunate Mother T. 4ᵒ   

Tho. Nash, v. Marlow.  
Summers' last Will and Testament C. 4ᵒ   

Tho Norton, and Sackvile.  

(b) Plot from Old British Chronicles.  Ferex & Porex, or Gorboduc T. 4ᵒ   

Thomas Nuce.  

(c) Translated from Seneca's Tragedies.  Octavia T. 4ᵒ   

Tho. Newton.  

(d) Translated from the same.  Thebais T. 4ᵒ   

Alex. Nevile.  

(e) Translated from the same.  Oedipus T. 4ᵒ   

Robert Nevile.  
Poor Scholar C. 4ᵒ   

Duke of Newcastle.  
Humorous Lovers C. 4ᵒ  
Triumphant Widow C. 4ᵒ   


† The first Fourteen of her Plays, are Printed together in one Volume, Folio. The other Three are in another Volume, with other Scenes, Printed London 1668.  Duchess of Newcastle.  
Apocryphal Ladies C. Fol.  
Bell in Campo, 2 Parts C. Fol.  
Female Academy C. Fol.  
Love's Adventures, 2 Parts C. Fol.  
Lady Contemplation, 2 Parts C. Fol.  
Matrimonial Trouble, 2 Parts C. Fol.  
Natures 3 Daughters, 2 Pts. C. Fol.  
Public Wooing C. Fol.  
Religion's C. Fol.  
Several Wits C. Fol.  
Unnatural Tragedy T. Fol.  
Wit's Cabal, 2 Parts C. Fol.  
Youth's Glory, and Death's Banquet C. Fol.  
Blazing World C. Fol.  
Bridals C. Fol.  
Covent of Pleasure C. Fol.  
Presence C. Fol.  
Sociable Companions C. Fol.   

Earl of Orrery.  

(a) Plot, English Chronicle in K. Edward the Third.  Black Prince H. Fol.  
Tryphon T. Fol.  

(b) Plot, Turkish Chronicles.  Mustapha T. Fol.  

(c) Plot, English Chronicles.  Henry the Fifth H. Fol.   

Tho. Otway.  
Atheist, or the Second Part of the Soldiers Fortune C. 4ᵒ  

(d) Plot from Plutarch, and Corn. Nepos both in the Life of Alcibiades.  Alcibiades T. 4ᵒ  

‖ Plot from Ravenscroft's Scaramouch.  Cheats of Seapin F. 4ᵒ  

(e) Stolen part from Shakespear's Romeo & Juliet, Plot from Plutarch, in his Life of C. Marius, and Lucan's Pharsalia, Book 2d.  Caius Marius T. 4ᵒ  

(f) Plot from the Novel so called, 12o.  Don Carlos T. 4ᵒ  
Friendship in Fashion C. 4ᵒ  

(g) Plot, English Adventures, a Novel, 8ᵒ.  Orphan T. 4ᵒ  
Soldiers Fortune C. 4ᵒ  

(h) From Monsieur Racine.  Titus and Berenice T. 4ᵒ  
Venice preserved T. 4ᵒ   

George Peele.  

(i) Plot from Holy Scripture.  David and Bethshabe T. C. 4ᵒ  

(k) From English Chronicles.  Edward the First H. 4ᵒ   

Henry Porter.  
Two angry Women of Abingdon C. 4ᵒ   

Tho. Porter.  
Carnival C. 4ᵒ  
Villain T. 4ᵒ   

Lady Pembrock.  
Antonius T. 4ᵒ   

Tho. Preston.  
Cambyses King of Persia T. C. 4ᵒ   

Edward Prestwick.  
Hector's C. 4ᵒ  

(l) Plot Justin. Hist. Lib. 1. Cap. 9  Hippolytus T. 8ᵒ   

Mrs. Katherine Phillips.  

(m) Plot from Livy, Translated from Corneille.  Horace T. Fol.  

(n) Plot from Lucan's Pharsalia, Translated from Corneille.  Pompey T. Fol.   

Samuel Pordage.  

(o) Plot from Joseph. Hist. and Cleopatra a Romance, in the Story of Tyridates.  Herod and Meriamne T. 4ᵒ  

(p) Plot from Cassandra, a Romance, Fol.  Siege of Babylon T. 4º   

— Peaps.  
Love in its Ecstasy P. 4ᵒ   

John Palsgrave.  
Acolastus C. 4ᵒ   

Francis Quarles.  
Virgin Widow C. 4ᵒ   

William Rowley, v. Webster, Middleton, Day, and Shakespeare.  

(a) Lipsii Monita, Lib. 1. Cap. 5.  All's lost by Lust T. 4ᵒ  
Match at Midnight T. 4ᵒ  

(b) Plot, History of the Gentle Craft.  Shoemakers a Gentleman C. 4ᵒ  
Wonder a Woman never vexed C. 4ᵒ  
Spanish Gipsies C. 4ᵒ   

Samuel Rowley.  

(c) Plot from English Chron. Hen. 8th. etc.  When you see me you know me C. 4ᵒ   

Joseph Rutter.  

(d) Translated from Corneille.  Cid, 2 Parts T. C. 8ᵒ  
Shepherd's Holiday   

Nath. Richards.  

(e) Plot, Suetonius, in Claudio and Tacitus, Lib. 11.  Messalina T. 8ᵒ   

Tho. Rawlins.  
Rebellion T. 4ᵒ   

Tho. Randolph.  

† These Four Printed with his Poems, 8o.  

Aristippus T. 8ᵒ  
Aminta T. C. 8ᵒ  
Jealous Lover T. C. 8ᵒ  
Muse's Looking-glass P. 8ᵒ    

(f) Translated from Aristophanes' Plutus.  hay for Honesty, down with Knavery C. 4ᵒ   

William Rider.  
Twins C. 4ᵒ   

Edward Revett.  
Town Shifts C. 4ᵒ   

Edward Ravenscroft.  

(g) Borrowed part from De Molliere 's Monsieur de Pourceaugnac, 8ᵒ.  Careless Lovers C. 4ᵒ  

(h) Translated from Molliere 's Le Bourgeois Gentlehome, & Mons de Pourceaugnac.  Citizen turned Gentleman C. 4ᵒ  

(a) Translated from La Divineresse.  Dame Dobson C. 4ᵒ  

(b) Translated from the Latin Ignoramus.  English Lawyer C. 4ᵒ  

(c) Plot from English Chronicles.  King Edgar and Alfreda T. 4ᵒ  

(d) Plot, part from Scarron's Novels, 8º, Novel first, The Fruitless Precaution, part from Les-Contes Du-Sieur D' Ouville, 8º, 2de. pte. page 121. And part from Boccace's Novels, Day 7th, Novel 6 and 7 of the 7th Day.  London Cuckolds C. 4ᵒ  

(e) Part from Molliere 's le Bourgeois Gentlehomme, & la Marriage Forcee, 8ᵒ.  Scaramouch, etc. F. 4ᵒ  

(f) Plot from Deceptio visus: or, Seeing and Believing are two Things, a Romance in 8ᵒ.  Wrangling Lovers C. 4ᵒ   

Tho. Rymer.  

(g) Plot, English Chronicles.  Edgar T 4ᵒ   


* All except the last, are Printed in one Volume, Fol. Lond. 1685.  William Shakespeare.  

(h) Plot from Boccace's Novels, 3d. Day, 9th Novel. Juliet of Narbona.  All's well that ends well C. Fol.  

(i) Plot from Plutarch, in Vitam Antonii.  Anthony and Cleopatra T. Fol.  
As you like it C. Fol.  

(k) The Ground from Plautus' Ampitruo, and Maenectrini.  Comedy of Errors C. Fol.  

(l) Plot, Plutarch in vitam Coriolan: and from Livy 's History.  Coriolanus T. Fol.  

(m) Plot from English Chronicle.  Cromwell's History H. Fol.  

(n) Plot from Boccace's Novels, 2d. Day, Ninth Novel.  Cymbeline T. Fol.  
Gentleman of Verona C. Fol.  

† All so marked had their Plots from English Chronicles.  Henry the 4th, 2 Parts H. Fol.  

† All so marked had their Plots from English Chronicles.  Henry the 5th H. Fol.  

† All so marked had their Plots from English Chronicles.  Henry the 6th 3 Parts H. Fol.  

† All so marked had their Plots from English Chronicles.  Henry the 8th H. Fol.  
Hamlet Prince of Denmark T. Fol.  

† All so marked had their Plots from English Chronicles.  John K. of England, 2 Pts. H. Fol.  

(o) Plot, Livy's History.  Julius Caesar T. Fol.  

† All so marked had their Plots from English Chronicles.  Lears Tragedy T. Fol.  

† All so marked had their Plots from English Chronicles.  Locrine's Tragedy C. Fol.  
London Prodigal C. Fol.  
Love's Labour lost C. Fol.  
Merry Wives of Windsor C. Fol.  
Measure for Measure C. Fol.  
Merchant of Venice T. C. Fol.  

(p) Plot from Scotch Chronicles, and Heylin's Cosmography.  Macbeth T. Fol.  
Midsummers' Nights-Dream C. Fol.  
Much ado about nothing C. Fol.  

(q) Plot from English Chronicle.  Oldcastle, Lord Cobham's Life and Death T. Fol.  

(r) Plot from Cynthio's Novels.  Othello Moor of Venice T. Fol.  
Pericles' Prince of Tyre H. Fol.  
Puritan Widow C. Fol.  

† All so marked had their Plots from English Chronicles.  Richard the Second H. Fol.  

† All so marked had their Plots from English Chronicles.  Richard the Third H. Fol.  

(s) Plot from Cynthio's Novels.  Romeo & Juliett T. Fol.  
Taming of the Shrew C. Fol.  
Tempest C. Fol.  
Titus Andronicus T. Fol.  

(a) Plot from Lucian's Dialogue.  Timon of Athens T. Fol.  
Troilus and Cressida T. Fol.  
Twelfth Night C. Fol.  

(b) Plot from Dorastus and Fawnia, 4o.  Winter's Tale C. Fol.  
Yorkshire Tragedy T. Fol.  
Birth of Merlin P. 4ᵒ   

J. Studley, v. Jaspar Heywood.  

‖ All Translated from Seneca's Tragedies.  

Agamemnon T. 4ᵒ  
Hippolytus T. 4ᵒ  
Hercules Oetus T. 4ᵒ  
Medea T. 4ᵒ     

James Shirley.  

(c) Plot from Sir Philip Sidney's Arcadia, Folio.  Arcadia P. 4ᵒ  
Bird in a Cage C. 4ᵒ  
Ball C. 4ᵒ  
Changes, or Love in a Maze C. 4ᵒ  

(d) Plot from the French Chronicles.  Chabott, Admiral of France T. 4ᵒ  
Constant Maid, or Love will find out the way C. 4ᵒ  
Cupid and Death M. 4ᵒ  
Contention for Honour and Riches M. 4ᵒ  
Duke's Mistress T. C. 4ᵒ  
Example T. 4ᵒ  

(e) Plot from The Unlucky Citizen, 8ᵒ.  Gamester C. 4ᵒ  

(f) Plot, Part from Gayton's Notes on Don Quixot, Book 4th, Chap. 6th.  Gentleman of Venice T.C. 4ᵒ  
Grateful Servant C. 4ᵒ  
Hyde-Park C. 4ᵒ  
Humorous Courtier C. 4ᵒ  
Love's Cruelty T. 4ᵒ  
Lady of Pleasure C. 4ᵒ  

(g) Plot from Reynolds' God's Revenge against Murder, Folio, Book 2d. Hist. 7th.  Maid's Revenge T. 4ᵒ  
Opportunity C. 4ᵒ  
Politician C. 4ᵒ  
Patrick for Ireland H. 4ᵒ  
Royal Master C. 4ᵒ  
School of Compliments C. 4ᵒ  
Traitor T. 4ᵒ  
Triumph of Peace M. 4ᵒ  
Wedding C. 4ᵒ  
Witty Fair One C. 4ᵒ  
Young Admiral C. 4ᵒ  

‖ These Printed together in Octavo, Lon. 1658.  

Honoria and Mammon C. 8ᵒ  

(h) Plot from Ovid's Metamorphosis, Book 13th.  Contention of Ajax and Ulysses, for Achilles' Armour M. 8ᵒ    

(i) These are Printed together in 8º, Lond. 1581.  

Brothers C. 8ᵒ  
Sisters C. 8ᵒ  
Doubtful Heir T. C. 8ᵒ  
Imposture T. C. 8ᵒ  
Cardinal T. C. 8ᵒ  
Court Secret T. C. 8ᵒ  
Triumph of Beauty M. 8ᵒ     

Henry Shirley.  
Martyred Soldier T. 4ᵒ   

Edward Sherbourn.  

† Translated from Seneca's Tragedy.  

Medea T. 8ᵒ  
Troades T. 8º     

— Sheppard.  
Committee-man Curried C.   

George Sandys.  

(a) Translated from Hugo Grotius.  Christ's Passion T. 8ᵒ   

J. Swallow.  
Cynthia's Revenge T. 4ᵒ   

Edward Sharpham.  
Fleir C. 4ᵒ   

William Samson, v. Markham.  
Vow Breaker T. 4ᵒ   

Tho. Stanley.  

(b) Translated from Aristophanes, Printed with his History of Philosophy, newly Published, Folio.  Clouds Fol.   

William Smyth.  
Hector of Germany H. 4ᵒ   

William Strode.  
Floating Island C. 4ᵒ   

Gilbert Swinhoe.  

(c) Plot from Bandello 's Novels, Turkish Chronicles, Life of Mahomet the First.  Fair Irene T. 4ᵒ   


* All Printed with his Poems, 8ᵒ Lond. 1648.  Sir John Suckling.  
Aglaura T. C. 8ᵒ  
Brenoralt T. 8ᵒ  
Goblins T. 8ᵒ  
Sad one T. 8ᵒ   

Lewis Sharp.  
Noble Stranger C. 4ᵒ   

John Smyth.  
Cytherea C. 4ᵒ   

Sir Robert Stapleton.  

(d) From Ovid 's Epistles, and Muse's Erotopegnion Gr. Lat.  Hero and Leander T. 4ᵒ  
Slighted Maid C. 4ᵒ   

Tho. St. Serf.  
Tarugoes Wiles C. 4ᵒ   

Tho. Shadwel.  
Epsom Wells C. 4ᵒ  
Humorists C. 4ᵒ  
Lancashire Witches C. 4ᵒ  

(a) Plot from Molliere 's L'Athee Foudroye.  Libertine C. 4ᵒ  

(b) Plot from Molliere's L'Avaree.  Miser C. 4ᵒ  

(c) Plot, Apuleii Aureus Asrinus.  Psyche O. 4ᵒ  

(d) From Reward of Virtue, 4ᵒ.  Royal Shepherdess C. 4ᵒ  

(e) Plot from Molliere 's Les Facheaux.  Sullen Lovers C. 4ᵒ  

(f) Part from Shakespeare.  Timon of Athens T. 4ᵒ  
True Widow C. 4ᵒ  
Virtuoso C. 4ᵒ  
Woman Captain C. 4ᵒ   

Elkanah Settle.  

(g) Plot, Justin 's Hist. Lib. 1. Cap. 9 Amianus Marcellinus, Lib. 23.  Cambyses K. of Persia T. 4ᵒ  

(h) Plot, Heylin 's Cosmography, Book 3d. and Conquest of China, By Senior Palafax, Englished, 8ᵒ.  Conquest of China T. 4ᵒ  
Empress of Morocco T. 4ᵒ  

(i) Plot, Achilles Tatius 's Clitophon and Leucippe, 8ᵒ Book 5th.  Fatal Love T. 4ᵒ  

(k) Plot from Platina, etc. Life and Death of Pope Joan, 8ᵒ.  Female Prelate T. 4ᵒ  
Heir of Morocco T. 4ᵒ  

(l) Plot from The Illustrious Bassa, Fol.  Ibrahim T. 4ᵒ  

(m) From Fatal Contract, 4ᵒ.  Love and Revenge T. C. 4ᵒ  

(n) From Fanshaw's Translation of Guarini.  Pastor Fido P. 4ᵒ   

Sir Charles Sidley.  

(o) Plot, Plutarch 's Life of M. Anthony.  Anthony and Cleopatra T. 4ᵒ  

(p) The Ground from Terence's Eunuchus.  Bellamira C. 4ᵒ  
Mulberry-Garden C. 4ᵒ   

Tho. Shipman.  

(q) From the French Chronicles.  Henry the 3d. of France T. 4ᵒ   

Charles Saunders.  

(r) Plot, Asteria and Tamerlain, a Novel, 8o.  Tamerlane the Great T. 4ᵒ   

Tho. Southern.  
Disappointment C. 4º  

(s) Plot, Tachmas K. of Persia, a Novel, 8ᵒ.  Loyal Brother T. C. 4ᵒ   

Cyril Turneur.  
Atheists Tragedy T. 4ᵒ  
Loyal Brother T. C. 4ᵒ   

John Tateham.  
Distracted State T. 4ᵒ  

(a) Plot from English Chronicles.  Rump C. 4ᵒ  
scott's Vagaries C. 4ᵒ  

(b) Printed with his Poems, London, 1651.  Love Crowns the end C. 8ᵒ   

Nich. Trott.  
Arthur T.   

Robert Taylor.  
Hog has lost his Pearl   

Tho. Thompson.  
English Rogue C. 4ᵒ  

(c) Part of the Language from the City Madam; and Plot from a Book so called in Prose, 4o.  Mother Shipton's Life and Death C. 4ᵒ   

Nat. Tate.  

(d) Plot, Virgil 's Aeneiads, Book 4th.  Brutus of Alba T. 4ᵒ  

(e) From Eastward Ho.  Cuckold's Haven C. 4ᵒ  

(f) From Trapolin supposed a Prince, 8o.  Duke and no Duke F. 4ᵒ  

(g) Part from Shakspear's Coriolanus.  Ingratitude of a Commonwealth T.C. 4ᵒ  

(h) Revived from Shakespeare.  Island Princess T.C. 4ᵒ  
Loyal General T. 4ᵒ  

(i) Revived from Shakespeare.  Lear and his 3 Daughters T. 4ᵒ  

(k) Revived from Shakespeare.  Richard the Second H. 4ᵒ   

S. Tuke.  
Adventures of 5 Hours C. 4ᵒ   

Richard Tuke.  
Divine Comedian C. 4ᵒ   

John Tutchim.  

(l) Printed with his Poems, Lond. 1686.  Unfortunate Shepherd P. 8ᵒ   

John Webster, v. Decker.  

(m) Plot, Livy's History.  Appius and Virginia T. 4ᵒ  

(n) Part of the Plot in Schenchii Rariorum Observationum.  Devil's Law-Case T. C. 4ᵒ  
Duchess of Malsey T. 4ᵒ  
White Devil T. 4ᵒ  

‖ By Webster and Rowley.  

Thracian Wonder H. 4ᵒ  
Cure for a Cuckold C. 4ᵒ     

Lewis Wager.  
Marry Magdalen's Repentance I. 4ᵒ   

William Wayer.  
The longer thou liv'st the more Fool thou art C.   

George Wapul.  
Tide tarryeth for no man C.   

Nat. Woods.  
Conflict of Conscience P.   

R. Weaver.  
Lusty Juventus I.   

Robert Wilson.  
Cobbler's Prophecy C. 4ᵒ   

John Wilson.  

(a) Plot from Heylin's Cosmography in the Description of Greece.  Andronicus Comenius T. 4ᵒ  
Cheats C. 4ᵒ  
Projectors C. 4ᵒ   

J. Weston.  

† Plot from Strabo, Lib. 11. Quintus Curtius, Lib. 6.  Amazon Queen T. C. 4ᵒ   

Robert Wilmot.  

(b) Plot from Boccace's Novels, 1st. Novel, 4th Day.  Tancred and Grismond T. 4ᵒ   

George Wilkins, v. Day.  
Miseries of enforced Marriage T.C. 4ᵒ   

John Wright.  

(c) Both in one Volume, 8º, Lond. 1674. the former from Seneca.  

Thyestes T. 8ᵒ  
Thyestes F. 8ᵒ     

Leonard Willan.  

(d) Plot from a Romance so called.  Astraea P. 8ᵒ   

Edmund Waller.  

(e) From Corneille.  Pompey T. 4ᵒ   

William Wycherly.  
Country Wife C. 4ᵒ  
Gentleman Dancing Master C. 4ᵒ  
Love in a Wood C. 4ᵒ  
Plain Dealer C. 4º   

— Whitaker.  
Conspiracy T. 4ᵒ   

Robert Yarrington.  
Two Tragedies in One T. 4ᵒ   

Supposed AUTHORS.  

R. A.  

(a) Plot from British Chronicles.  Valiant Welshman T.C. 4ᵒ   

H. B.  

(b) Written by Henry Burnell.  Landagartha C. 4ᵒ   

H. H. B.  

(c) Translated from Aristophanes.  Plutus C. 8ᵒ   


* Supposed to be Peter Bellon.  P. B.  
Mock-Duellest C. 4ᵒ   

J. C.  
Merry Milkmaids C. 4ᵒ   

R. C.  
Alphonsus K. of Arragon C. 4ᵒ  

(d) Translated from the Latin Poem so called.  Ignoramus C. 4ᵒ   

J. D.  
Hell's higher Court of Justice I. 4ᵒ  
Mall C. 4ᵒ   

T. D.  
Bloody Banquet T. 4ᵒ  

(e) Ascribed to Tho. Dursey.  Fool turned Critic C. 4ᵒ  

(f) Said to be Writ by Tho. Duffet.  Psyche Debauched F. 4ᵒ   

S. H.  
Sicily and Naples T. 4ᵒ   

B. J.  
Guy of Warwick T.   


† Supposed to be Matthew Medbourn.  E. M.  
St. Cecily, or the Converted Twins T. 4ᵒ   

T. P.  

(g) Plot, part of it from Gusman's Fol. in the Story of Dorido and Cloridia.  Witty Combat T.C. 4ᵒ  

(h) Plot from the Germane Princess, a Novel, 8o.  French Conjurer C. 4ᵒ   

Monsieur P. P.  

(i) Put into Music, by Monsieur Grabutt.  Ariadne O. 4ᵒ   

S. P.  

(a) Supposed to be Writ by Samuel Pordage, being Printed with his Poems, 8ᵒ Lond. 1660.  Troades T. 8ᵒ   

T. R.  

(b) Translated from Corneille.  Extravagant Shepherd P. 8ᵒ   

W. R.  
Three Lords and Ladies of Lond. C.   

Mr. S. Master of Arts.  
Gammer Gurton's Needle C. 4ᵒ   

J. S.  
Masquerade Du Celestina M.  

(c) Translated from the Italian of C. Guidubaldo di Bonarelli.  Phillis of Syros P. 8ᵒ  

(d) Plot from Sir Philip Sidney's Arcadia, in the Story of Plangus, p. 155.  Andromana T. 4º   

S. S.  
Honest Lawyer C. 4ᵒ   

J. T.  

(e) In a Book called The Ternory of Plays, 8ᵒ Lond. 1662. Plot from Matchiavil's Marriage of Belphegor, a Novel, Folio: The same is Printed with Quevedo's Novels, 8o.  Grim the Collier of Croyden C. 8ᵒ  

(f) Translated from Seneca.  Troas T. 4ᵒ   

C. W.  

(g) From Sophocles by Christoph. Wase.  Electra T. 8ᵒ   

E. W.  
Apollo Shroving C. 8ᵒ   

L. W.  
Orgula, or the Fatal Error T. 4ᵒ   

M. W. Master of Arts.  

(h) In the Ternary of Plays, and Plot from English Chronicles, in the Reign of Sebert, King of the Westsaxons.  Marriage Broker C. 8ᵒ   

T. W.  

(i) In the same Ternary of Plays, and Translated from Plautus.  Thornby-Abby H. 8ᵒ   

W. W.  
Menechmus C. 4ᵒ    

Unknown AUTHORS.  

A.  
Abraham's Sacrifice  

(a) Plot from the Tragical History of the City of Antwerp, 4ᵒ.  Alarm for London H. 4ᵒ  
Albion I.  
Albion's Triumph M. 4ᵒ  
Albumazar C. 4ᵒ  

(b) Translated from Tasso, Italian.  Aminta P. 4ᵒ  
Amorous Gallant C. 4ᵒ  
Amorous old Woman C. 4ᵒ  

(e) Plot from English Chronicles.  Arden of Feversham T. 4ᵒ  
Arraignment of Paris P.   

B.  

(d) Plot from Heylin's Cosmography, in the History of Spain. De Rebus Lusitan: By Andr. Schottum, Folio.  Battle of Alcazar T. 4ᵒ  
Band-Ruff and Cuff 1  
Bastard T. 4ᵒ   

C.  
Caesar's Revenge T.  

(e) Plot from English Chronicles.  Charles the First T. 4ᵒ  
Combat of Gaps M.  
Commons Conditions C.  
Constant Nymph P. 4ᵒ  
Costly Whore C. 4ᵒ  

(f) Plot from the Second Part of Shakspear's Henry 6th, Folio.  Contention between York and Lancaster, 2 Parts  
Counterfeits C. 4ᵒ  

(g) From No Wit like a Woman's, By Middleton.  Counterfeit Bridegroom C. 4ᵒ  

(h) Bound with the Varieties, 8o.  Country Captain C. 8ᵒ  
Cromwell's Conspiracy T. C.  
Cruel Debtor  
Cupid's Whirligig C. 4ᵒ  
Cyrus' King of Persia T.   

D.  
Damon and Pythias H.  

(i) From Brome 's Mad Couple well Matched.  Debauchee C. 4ᵒ  
Destruction of Jerusalem  
Dick Scorner  

(k) Plot from Holy Scripture, Jeroboam, etc.  Divine Masque M. 4ᵒ  
Doctor Dodipol C. 4ᵒ   

E.  

(l) Plot from English Chronicles.  Edward the Third H. 4ᵒ  

(m) Ascribed to the Lord Digby.  Elvira T. C. 4ᵒ 
(c) Plot from Baker, and other English Chronicles.   

(a) Said to be Writ by Tho. Duffet.  Empress of Morocco F. 4ᵒ  

(b) Ascribed to J. carel.  English Princess T. 4º  
Enough's as good as a Feast C.  
Every Woman in her Humour C. 4ᵒ   

F.  

(c) From Guarini 's Il Pastor Fido.  Faithful Shepherd P. 4ᵒ  
Fair Em C. 4ᵒ  
Fair Maid of Bristol H. 4ᵒ  
Factious Citizen C. 4ᵒ  
Fatal Jealousy T. 4ᵒ  
Fidele and Fortunatus  

(d) Translated from the French of Monsieur Corneille, Junior.  Feigned ginger C. 8ᵒ  
  

(e) Ascribed to Rhodes.  Flora's Vagaries C. 4ᵒ  

(f) The same with the Amorous old Woman, only a different Title.  Fond Lady  
Fulgius and Lucrelle   

G.  
Gentile-Craft C. 4ᵒ  
Ghost C. 4ᵒ   

H.  

(g) Plot from English Chronicles.  Henry the Fifth, with the Battle of Agincourt H. 4ᵒ  

(h) Ascribed to Edm. Prestwith.  Hector's C. 4ᵒ  
Histriomastix C. 4ᵒ  
Hoffman T. 4ᵒ  
How to choose a good Wife from a bad one C. 4ᵒ   

J.  
Jacob and Esau C.  
Jack Drum's Entertainment C. 4ᵒ  
Jack Juggler  

‖ Plots from English Chronicles.  Jack Straw's Life and Death H. 4ᵒ  
James the Fourth H.  
Jeronimo, 2 Parts T. 4ᵒ  
Impatient Poverty  

† Ascribed to Sir William Killigrew, and Translated from the Latin.  Imperial Tragedy T. Fol.  
Interlude of Youth I 4ᵒ  
John the Evangelist  
Joseph's Afflictions  
Jovial Crew I. 4ᵒ   

K.  

‖ Plots from English Chronicles.  King Edgar and Alfreda H. 4ᵒ  
King and Queen's Entertainment at Richmond M. 4ᵒ  
Knave in Grain C. 4ᵒ  
Knack how to know an honest Man  

‖ Plots from English Chronicles.  Knack how to know a Knave. C. 4ᵒ  
Knavery in all Trades C. 4ᵒ  
Knight of the Golden Shield H. 4ᵒ   

L.  
Lady Alimony C. 4ᵒ  
Laws of Nature C.  
Levellers levelled I.  
Liberality and Prodigality C.  
Lingua C. 4ᵒ  
London Canticleers F. 4ᵒ  
Look about you C. 4ᵒ  
Lost Lady T. C. Fol.  
Love A-la-mode C. Fol.  
Love's Loadstone C. 4ᵒ  
Lumenalia M. 4ᵒ  

(a) From Corneille 's Le Menteur.  Liar C. 4ᵒ   

M.  
Manhood and Wisdom  

(b) Plot from Plutarch. in vitam Ciceronis.  Marcus Tullius Cicero T. 4ᵒ  
Marriage of Wit and Science 1  
Masque of Flowers M. 4ᵒ  

(c) Ascribed to J. Milton.  Masque at Ludlow Castle M. 4ᵒ  

(d) Plot from Giraffi's History of Naples, Englished by James Howel.  Massianello T. 8ᵒ  
Mercurius Britannicus C. 4ᵒ  
Merry Devil of Edmonton C. 4ᵒ  

(e) Said to be Writ by Mr. Pane.  Morning Ramble C. 4ᵒ  
Mucedorus C. 4ᵒ  

(f) Three Drolls stolen from several Plays.  Muse of Newmarket F. 4ᵒ   

N.  

(g) Plot from Suetonius.  Nero's Life and Death T. 4ᵒ  
New Custom I 4ᵒ  
New-market Fair F. 4ᵒ  
New Trick to cheat the Devil C. 4ᵒ  
Nice Wanton C.  
Nobody and Somebody H. 4ᵒ   

O.  
Oldwives' Tale  

(h) Play from Ariosto's Poem so called, Fol. Englished by Sir J. Harrington.  Orlando Furioso H. 4ᵒ   

P.  

(i) Plot from Boccace's Novels, Day 10, Novel 10. Folio.  Patiented Grissle C.  
Pedlar's Prophecy C.  
Philotus Scotch C. 4ᵒ  
Pinder of Wakefield C. 4ᵒ  

(k) Plot from Suetonius, in Vitam Neronis.  Piso's Conspiracy T. 4ᵒ  
Presbyterian Lash T.C.  

(l) Plot from Hyne's Pranks, 8o.  Prince of Priggs C. 4ᵒ  
Promises of God manifested  
Promus and Cassandra, 2 Parts   

Q.  
Queen T.C. 4ᵒ   

R.  

(m) Ascribed to J. Lenard. Part from Middleton 's More Dissemblers besides Women, 8ᵒ.  Rambling Justice C. 4  

(n) From the Fine Companion, and other Plays.  Rampant Alderman F. 4ᵒ  

(o) Ascribed to Mrs. Behn, but Borrowed all from Marston's Dutch Courtesan.  Revenge C. 4ᵒ  

(p) Said to be Writ by the late Duke of Buckingham.  Rehearsal F. 4ᵒ  

(q) By Mr. Arrowsmith.  Reformation C. 4ᵒ  
Religious Rebel T.C. 4ᵒ  

(r) Ascribed to Sir William D'Avenant.  Return from Parnassus C. 4ᵒ  
Rivals T.C. 4ᵒ  
Robin Conscience  
Robin Hood's Pastoral May-games  
Rob. Hood and his Crew of Soldiers  
Royal Masque at Hampton-Court M. 4ᵒ  

(a) Plot from Livius, Lib 1: Ovidii Metamorph. Lib. 14.  Romulus and Hersilia T. 4ᵒ   

S.  
Salmacida Spolia M. 4ᵒ  

(b) Plot from Heylin's Cosmography, Book 2d. in the Description of Greece, and Constantinopolis à Mahammada, 2da. expugnata, Fol.  Siege of Constantinople T. 4ᵒ  
Sicillides a Piscatory Drama P. 4ᵒ  
Sir Gyles Goosecap C. 4ᵒ  

(c) Ascribed to John Carrel, from Corneille 's L'Escote des Femmes, 8ᵒ.  Sir Solomon C. 4ᵒ  
Soliman and Perseda T. 4ᵒ  
Sophister C. 4ᵒ  

(d) A Collection of Drolls taken from Plays, Printed in 8ᵒ Lond. 1673.  Sport upon Sport.— Drolls  
Spanish Bawd T. C. 4ᵒ  
Stepmother T. C. 4ᵒ  

(e) Plot from Heliodorus Emissenus Aethiopicorum, Lib. 10. The same is in English, 8ᵒ 1687.  Strange Discovery T. C. 4ᵒ  
Susanna's Tears  
Swetnam the Woman-hater Arraigned C. 4ᵒ   

T.  
Tempe Restored M. 4ᵒ  
Thersytes I.  

(f) Part from Molliere 's Le Cocu Imaginary. C. 8ᵒ.  Tom Essence C. 4ᵒ  
Tom Tyler and his Wife I. 4ᵒ  
Traitor to himself I 4ᵒ  

(g) Plot from Liv. Lib. 5. Caesaris Coment. Lib. 4 & 5. Galfridus ap Arthur Monumetensis. De Gestis Regum Brittanniae, Lib. 4.  True Trojans H. 4ᵒ  
Trial of Chivalry  
Trial of Treasure  

(h) That and Tom Essence ascribed to Mr. Rawlins.  Tunbride-Wells C. 4ᵒ  
Tyrannical Government   

V.  
Valiant Scot T. 4ᵒ  

(i) Bound with the Country Captain, 8ᵒ.  Varieties C. 8ᵒ  

(k) Plot from Heylin's Cosmogrophy, in the Description of Greece.  Unfortunate Usurper T. 4ᵒ  
Ungrateful Favourite T. 4ᵒ   

W.  
Warning for Fair Women T. 4ᵒ  
Wealth and Health  
Weakest goes to the Wall C. 4ᵒ  
Wily beguiled C. 4ᵒ  
Wine Beer Ale and Tobaco I. 4ᵒ  

(l) Part of it taken from Chamberlain's Love's Victory.  Wits led by the Nose C. 4ᵒ  
Wit of a Woman C. 4ᵒ  
Woman turned Bully C. 4ᵒ  
Woman will have her Will C. 4ᵒ     

The Alphabetical INDEX of PLAYS, Referring to their AUTHORS, etc.  

A.  
Abdelazar Page 2  
Abraham's Sacrifice Page 29  
Acolastus Page 20  
Actaeon and Diana Page 3  
Adelphi Page 2  
Adrasta Page 13  
Adventures of 5 Hours Page 25  
Agamemnon Page 22  
Aglaura Page 23  
Agrippa King of Alba Page 6  
Agrippina Page 17  
All for Love Page 6  
All mistaken Page 12  
All Fools Page 3  
All for Money Page 15  
All's lost by Lust Page 20  
All's well that ends well Page 21  
Alaham Page 2  
Alarm for London Page 29  
Albion ib.  
Albion's Triumph ib.  
Albion and Albanius Page 6  
Albertus Wallenstine Page 10  
Albovine Page 6  
Albumazar Page 29  
Alcibiades Page 19  
Alchemist Page 12  
Alexander and Campaspe Page 14  
Alexandrian Tragedy Page 1  
Alphonsus K. of Arragon Page 27  
Alphonsus Emp. of Germ. Page 30  
Amazon Queen Page 26  
Ambitious Statesman Page 4  
Amboyna Page 5  
Amends for Lady's Page 9  
Amorous Gallant Page 29  
Amorous old Woman Page 29  
Amorous War Page 17  
Amorous Prince Page 2  
Amorous Phantasm Page 15  
Amynta Page 6. 20. 29.  
Andraea Page 2  
Andromache Page 5  
Andromana Page 28  
Andronicus Commenius Page 26  
Anthony and Cleopatra, Page 21. 24.  
Antigone Page 17  
Antipodes Page 2  
Antiquary Page 16  
Antonio and Mellida Page 16  
Antonius Page 19  
Any thing for a quiet Life Page 15  
Appius and Virginia Page 25  
Apocryphal Ladies Page 18  
Apollo Shroving Page 28  
Arcadia Page 22  
Arden of Feversham Page 29  
Argalus and Parthenia Page 10  
Ariadne Page 27  
Aristippus Page 20  
Arraignment of Paris Page 29  
Arthur Page 25  
Arviragus and Philitia, two Parts Page 4  
As you like it Page 21  
Assignation Page 6  
Astrea Page 26  
Atheists Tragedy Page 25  
Auringzebe Page 6   

B.  
Ball Page 22  
Band-Ruff and Cuff Page 29  
Banditti Page 7  
Bartholomew-Fair Page 12  
Bashful Lover  
Bashful Lady Page 16  
Bastard Page 29  
Battle of Alcazar Page 29  
Beggars Bush Page 8  
Bell in Campo Page 18  
Bellamira, her Dream Page 14  
Bellamira, the Mistress Page 24  
Bird in a Cage Page 22  
Birth of Merlin Page 22  
Black Prince Page 19  
Blazing World Page 18  
Blind Beggar of Alexandria Page 3  
— of Bednal Green Page 5  
Blind Lady Page 12  
Blurt Mr. Constable Page 15  
Bloody Brother, vide Rollo Page 8  
Bloody Banquet Page 27  
Bondman Page 16  
Bonduca Page 8  
Brazen Age Page 11  
Brenoralt Page 23  
Bridals Page 18  
Bride Page 18  
Britannia Triumphans Page 6  
Broken Heart Page 9  
Brothers Page 22  
Brutus of Alba Page 25  
Bussy D' Amboys Revenge Page 3  
— His Tragedy ib.  
Byron's Conspiracy ib.  
— His Tragedy ib.   

C.  
Calisto Page 5  
Caius Marius' History and Fall Page 19  
Cambyses K. of Persia Page 19 24.  
Captain Page 8  
Cardinal Page 22  
Careless Lovers Page 20  
Careless Shepherdess Page 10  
Carnival Page 19  
Case is altered Page 13  
Cataline's Conspiracy Page 12  
Caesar Borgia Page 15  
Caesar and Pompey Page 3  
Caesar's Revenge Page 29  
Chabot Admiral of France Page 22  
Challenge at Tilt Page 12  
Challenge for Beauty Page 11  
Champions of Christendom Page 14  
Chances Page 8  
Changes Page 22  
Changeling Page 16  
Charles the First Page 29  
Charles the 8th of France Page 5  
 Maid in Cheapside Page 15  
Cheats Page 26  
Cheats of Scapin Page 19  
Christmas Masque Page 12  
Christ's Passion Page 23  
Christian turned Turk Page 5  
Cicilia and Clorinda Page 14  
Cid Page 20  
Circe Page 5  
City Heiress Page 2  
Citizen turned Gentleman Page 20  
City Madam Page 16  
City Match Page 17  
City Nightcap Page 5  
City Politics Page 5  
City Wit Page 2  
Claricilla Page 14  
Cleopatra Page 5. 17  
Cloridia Page 12  
Clouds Page 23  
Cobler's Prophecy Page 26  
Caelum Britannicum Page 4. 6  
Colas Fury Page 1  
Combat of Cap Page 29  
Combat of Love and Friendship Page 17  
Comedy of Errors Page 21  
Commonwealth of Women Page 7  
Committe-man Curried Page 23  
Commons Conditions Page 29  
Conflict of Conscience Page 26  
Conquest of China Page 24  
— of Granada Page 7  
Conspiracy Page 14. 26  
Constant Maid Page 22  
Constant Nymph Page 29  
Constantine the Great Page 15  
Contention of Ajax and Ulysses Page 22  
Contention for Honour and Riches Page 22  
Contention between York and Lancaster Page 29  
Coriolanus Page 21  
Cornelia Page 14  
Coronation Page 8  
Costly Whore Page 29  
Covent-Garden Page 18  
Covent-Garden Weeded Page 2  
Covent of Pleasure Page 18  
Counterfeits Page 29  
Sergeant Bridegroom Page 29  
Countess of Pembrook's Ivy-Church Page 9  
Country Captain Page 29  
Country Innocence Page 15  
Country Girl Page 5  
Country Wife Page 26  
Country Wit Page 5  
Courageous Turk Page 10  
Court Beggar Page 2  
Court Secret Page 22  
Coxcomb Page 8  
Cruel Brother Page 6  
Custom of the Country Page 8  
Cromwell's History Page 21  
Cunning Lover Page 2  
Cuckolds Haven Page 25  
Cupid and Death Page 22  
Cruel Debtor Page 29  
Croesus' Page 1  
Cupid's Whirligig Page 29  
Cupid's Revenge Page 8  
Cure for a Cuckold Page 25  
Cutter of Coleman-street Page 4  
Cymbeline Page 21  
Cynthia's Revels Page 12  
Cynthia's Revenge Page 23  
Cytherea Page 23  
Cyrus' King of Persia Page 29   

D.  
Dame Dobson Page 21  
Damoiselle Page 2  
Damoiselle A-la-mode Page 9  
Damon and Pythias Page 22  
Darius' Tragedy Page 1  
David and Bethsabe Page 19  
Debaucheé Page 29  
Deorum Dona Page 1  
Deserving Favourite Page 4  
Destruction of Jerusalem Page 29. 5  
Destruction of Troy Page 3  
Devil's an Ass Page 12  
Devil's Charter Page 1  
Devil's Law-Case Page 25  
Devil of a Wife Page 14  
Dick Scorner Page 29  
Dido Q. of Carthage Page 17  
Disappointment Page 24  
Disobedient Child Page 13  
Distresses Page 6  
Distracted State Page 25  
Divine Comedian Page 25  
Divine Masque Page 29  
Doctor Dodipole Page 29  
Doctor Faustus Page 16  
Don Carlos Prince of Spain Page 19  
Double Marriage Page 8  
Doubtful Heir Page 22  
Duke and no Duke Page 25  
Duke of Guise Page 7  
Duke of Lerma Page 12  
Duke of Milan Page 16  
Duke's Mistress Page 22  
Dumb Knight Page 17  
Dumb Lady Page 15  
Dutch Courtesan Page 16  
Dutch Lover Page 3  
Duchess of Malfey Page 25  
Duchess of Suffolk Page 11   

E.  
Eastward Ho Page 3. 13  
Edgar Page 21  
Edward the First Page 19  
Edward the Second Page 17  
Edward the Third Page 29  
Edward the Fourth Page 11  
Elder Brother Page 8  
Electra Page 28  
Elizabeth's Troubles Page 11  
Elvira Page 29  
Emperor of the East Page 16  
Emperor of the Moon Page 3  
Empress of Morocco T. & F. Page 24. 30.  
Enchanted Lovers Page 15  
Endymion Page 14  
English Lawyer Page 2  
English Monsieur Page 12  
English Moor Page 2  
English Princess Page 33  
English Rogue Page 25  
English Traveller Page 11  
Enough's as good as a Feast  
Entertainment at K. James' Coronation Page 12  
— of K. James, and Q. Ann, at Theobalds' Page 12  
— of the K. of England, and the King of Denmark, at Theobalds' Page 12  
— on the Prince's Birthday Page 17  
— of the Q. and Prince at Althrop Page 12  
— of King and Queen at Highgate Page 12  
Epsom Wells Page 24  
Erminia Page 9  
Evening Love Page 7  
Every Man in his Humour Page 12  
Every Man out of his Humour Page 12  
Every Woman in her Humour Page 30  
Eunuchus Page 2  
Example Page 22  
Excommunicated Prince Page 3  
Extravagant Shepherd Page 28   

F.  
Factious Citizen Page 30  
Fair Em Page 30  
Fair Favourite Page 6  
Fair Irene Page 23  
Fair Maid of Bristol Page 30  
— Maid of the West Page 11  
— of the Exchange Page 11  
— of the Inn Page 8  
Fair Quarrel Page 16  
Faithful Shepherd Page 30  
Faithful Shepherdess Page 8  
False Favourite disgraced Page 10  
False Count Page 3  
False One Page 8  
Family of Love Page 15  
Fancies Page 9  
Fancies Festivals Page 13  
Fatal Contract Page 12  
Fatal Dowry Page 16  
Fatal Love Page 24  
Fatal Jealousy Page 30  
Fawn Page 16  
Feigned ginger Page 30  
Feigned Courtesans Page 3  
Ferex and Porex Page 18  
Female Prelate Page 24  
Female Academy Page 18  
Fidele and Fortunatus Page 36  
Fine Companion Page 16  
Fleir Page 23  
Floating Island Page 23  
Flora's Vagaries Page 30  
Fond Lady Page 33  
Fond Husband Page 7  
Fool turned Critic Page 7  
Fool would be a Favourite Page 4  
Forced Marriage Page 3  
Fortunate Isles Page 12  
Fortune by Land and Sea Page 11  
Fortunatus Page 5  
Four P P. Page 11  
Four London Prentice's Page 11  
Four Plays in One Page 8  
Fox Page 12  
Free Will Page 30  
Friendship in Fashion Page 19  
French Conjurer Page 27  
Friar Bacon Page 10  
Fulgius and Lucrelle Page 30   

G.  
Galathea Page 14  
Game at Chess Page 15  
Gamester Page 22  
Gammer Gurton's Needle Page 28  
Generous Enemies Page 5  
Gentle Craft Page 30  
Gentleman Dancing-Master Page 26  
— of Venice Page 22  
— Usher Page 13  
— of Verona Page 21  
Ghost Page 30  
Glass of Government Page 10  
Gloriana Page 15  
Goblins Page 23  
Golden Age Page 11  
Golden Age restored Page 12  
Grateful Servant Page 22  
Great Duke of Florence Page 16  
Green's Tu Quoque Page 3  
Grim the Collier of Croyden Page 28  
Gripus and Hegio Page ●  
Guardian Page 4. 16  
Guy of Warwick Page 27   

H.  
Hamlet Pr. of Denmark Page 21  
Hannibal and Scipio Page 18  
Heautontimorumenos Page 2  
Hector of Germany Page 23  
Hector's Page 19  
Hecyra Page 2  
Heir of Morocco Page 24  
Heir Page 17  
Hell's higher Court of Justice Page 27  
Henry the 3d of France Page 24  
Henry the 4th Page 21  
Henry the 5th Page 21. 19  
— Item, with the Battle of Agincourt Page 30  
Henry the 6th, 3 Parts Shakespeare Page 21  
Henry the 8th, 2 Pts. Crown Page 5  
Heraclius Emp. of the East Page 4  
Hercules Furiens Page 11  
Hercules Oetus Page 22  
Hero and Leander Page 23  
Herod and Antipater Page 17  
Herod and Mariam Page 19  
Hey for Honesty down with Knavery Page 20  
Hic & Ubique Page 12  
Hippolytus Page 19 22  
Histrioma styx Page 30  
Hoffman Page 30  
Hog hath lost his Pearl Page 25  
Hollander Page 10  
Holland's Leaguer Page 16  
Honest Lawyer Page 28  
Honoria and Mammon Page 22  
Honest Man's Fortune Page 8  
Honest Whore Page 5  
Honour of Wales Page 12  
Horace Page 4. 19  
Horatius Page 15  
How to choose a good Wife from a bad Page 30  
Humorous Lovers Page 18  
Humorous Courtier Page 22  
Humorous Days-Mirth Page 3  
Humorous Lieutenant Page 8  
Humorists Page 24  
Humour out of Breath Page 5  
Hyde Park Page 22  
Hymenaei Page 13  
Hymen's Triumph Page 5   

J.  
Jack Drum's Entertainment Page 30  
Jack Juggler ib.  
Jack Straw's Life and Death ib.  
Jacob and Esau ib.  
James the 4th ib.  
Ibrahim Page 24  
Jealous Lovers Page 20  
Jeronymo Page 30  
Jew of Malta Page 17  
Jews Tragedy Page 12  
If this be'nt a good Play the Devil's in't. Page 5  
Ignoramus Page 27  
Impatient Poverty Page 30  
Imperial Page 10  
Imperial Tragedy Page 30  
Imposture Page 22  
Indian Emperor Page 7  
Indian Queen Page 12  
Ingratitude of a Commonwealth Page 25  
Injured Princess Page 7  
Inner-Temple Masque Page 15  
Insatiate Countess Page 16  
Interlude of Youth Page 30  
Jocasta Page 10  
John the Evangelist Page 30  
John King of England Page 21  
John and Matilda Page 5  
Joseph Page 10  
Joseph's Afflictions Page 30  
Jovial Crew Page 2. 30  
Irish Masque Page 13  
Iron Age Page 11  
Isle of Gulls Page 5  
Island Princess Page 8  
Juliana Princess of Poland Page 5  
Julius Caesar Page 1. 21  
Just General Page 17  
Just Italian Page 6   

K.  
Kind Keeper Page 7  
King and no King Page 8  
K. Edgar and Alfreda Page 21. 3  
King's Entertainment at Welbeck Page 13  
King and Queen's Entertainment at Richmond Page 3  
K. Lear, and his 3 Daughter's Page 25  
Knack to know an honest Man Page 30  
Knack to know a Knave Page 30  
Knave in Grain Page 30  
Knavery in all Trade's Page 3  
Knight of the Burning Pestle Page 8  
Knight of the Golden Shield Page 30  
Knight of Malta Page 8   

L.  
Lady Alimony Page 30  
Lady Contemplation Page 18  
Lady Errand Page 4  
Lady of Pleasure Page 22  
Lady's Trial Page 9  
Lady's Privilege Page 10  
Lancashire Witches Page 24. 11  
Landgartha Page 27  
Laws of Candy Page 8  
Law against Lover's Page 6  
Laws of Nature Page 30  
Law Tricks Page 5  
Levellers Levelled Page 30  
Lears Tragedy Page 21  
Liberality & Prodigality Page 30  
Libertine Page 24  
Like Will to like, quoth the Devil to the Collier Page 9  
Lingua Page 30  
Little French Lawyer Page 8  
Locrine Page 21  
London Canticlers' Page 30  
London Prodigal Page 21  
Look about you Page 30  
Looking-Glass for Lond. Page 10  
London Cuckolds Page 21  
Lost Lady Page 31  
Love A-la-mode Page 31  
Love Crowns the End Page 25  
Love in its Ecstasy Page 20  
Love freed from Ignorance, By B. J. Omitted  
Love and Honour Page 6  
Love in the Dark Page 10  
Love lost in the Dark, Omit-  
Love restored Page 13  
Love and Revenge Page 24  
Lovesick King Page 1  
Lovesick Court Page 2  
Love in a Tub Page 8  
Love and War Page 17  
Love in a Wood Page 26  
Loves Adventures Page 18  
Loves Cure Page 8  
Loves Cruelty Page 22  
Loves Dominion Page 9  
Loves Kingdom Page 9  
Loves labour lost Page 21  
Loves Labyrinth Page 9  
Loves Loadstone Page 31  
Lovers Melancholy Page 9  
Loves Metamorphosis Page 14  
Loves Mistress Page 11  
Love's Pilgrimage Page 8  
Lovers Progress Page 8  
Love's Riddle Page 4  
Love's Sacrifice Page 9  
Love's Triumph Page 4. 13  
Loves Victory Page 4  
Loves Welcome Page 13  
Love will find out the way  
Loving Enemies Page 17  
Lucius Junius Brutus Page 15  
Luminalia Page 31  
Lusts Dominion Page 17  
Lusty Juventus Page 26  
Loyal Brother Page 25  
Loyal Gentleman Page 25  
Loyal Lovers Page 17  
Loyal Subject Page 8  
Lucky Chance Page 3  
Liar Page 31   

M.  
Macbeth Page 21  
Mad Couple well Matched Page 2  
Madam Fickle Page 8  
Mad Lover Page 8  
Mad World my Master's Page 15  
Magnetic Lady Page 13  
Maid of Honour Page 16  
Maid in the Mill Page 8  
Maid's Metamorphosis Page 14  
Maids of Moorclack Page 1  
Maid's Revenge Page 22  
Maiden Queen Page 7  
Maid's Tragedy Page 9  
Maidenhead well lost Page 11  
Malcontent Page 16  
Mall Page 27  
Man of Mode Page 8  
Manhood and Wisdom Page 31  
Man's the Master Page 6  
Man of Newmarket Page 12  
Marriage A-la-mode Page 7  
Marriage Broker Page 28  
Marriage Night Page 10  
Marriage of the Arts Page 11  
Marriage of Oceanus and Britannica Page 9  
— of Wit and Science Page 31  
Mariam Page 4  
Marcelia Page 2  
Marcus Tull. Cicero Page 31  
Marius and Scylla Page 15  
Martyr Page 15  
Martyred Soldier Page 23  
Mary Q. of Scotland Page 3  
Mary Magdalen's Repent. Page 2  
Masque of Augurs Page 13  
Masque at the L. Haddington's House Page 13  
Masque of Greys-Inn Gent. Page 8  
Masque at Ludlow-Castle Page 3  
Masque of the Middle-Temp. and Lincolns-Inn Gent. Page 3  
Masquerade Du Ciel Page 28  
Massacree at Paris Page 17  
Massianello Page 31  
Masque of Owls Page 13  
Masque of Flowers Page 31  
Masque of Queen's Page 13  
Match me in London Page 5  
Match at Midnight Page 20  
Matrimonial Trouble Page 18  
Mayday Page 3  
Mayor of Quinborough Page 15  
Measure for Measure Page 21  
Medea Page 21. 23  
Menechmus Page 28  
Merchant of Venice Page 21  
Mercurius Britannicus Page 31  
Mercury Vindicated Page 13  
Merry Devil of Edmonton Page 31  
Merry Milkmaids Page 27  
Merry Wives of Windsor Page 21  
Messalina Page 20  
Metamorphosed Gipsses Page 13  
Michaelmas-Term Page 15  
Microcosmus Page 17  
Midas Page 14  
Midsumer Nights Dream Page 21  
Mirza Page 1  
Miser Page 24  
Miseries of Civil War Page 5  
Miseries of enforced Marr. Page 29  
Mistaken Husband Page 7  
Mithridates Page 15  
Mock Tempest Page 8  
Mock Duellest Page 27  
Money is an Ass Page 13  
Monsieur Thomas Page 8  
Morning Ramble Page 31  
More Dissemblers besides Women Page 16  
Mortimer's Fall Page 13  
Monsieur D'Olive Page 3  
Mother Bombie Page 14  
Mother Shipton's L. & D. Page 25  
Mucedorus Page 31  
Much ado about nothing Page 21  
Mulberry Garden Page 24  
Muleasses the Turk Page 17  
Muse's Looking-glass Page 20  
Muse of Newmarket Page 31  
Mustapha Page 2. 19   

N.  
Natures 3 Daughters Page 18  
Neptune's Triumph Page 13  
Nero, newly Written Page 15  
Nero's Life and Death Page 31  
New Custom Page 31  
New Exchange Page 2  
New Inn Page 13  
Newmarket Fair Page 3  
New Trick to cheat the Devil Page 31  
New way to pay old debts Page 16  
News from the World in the Moon Page 13  
News from Plymouth Page 6  
Nice Valour Page 9  
Nice Wanton Page 31  
Nicomede Page 5  
Night-Walker Page 9  
Noah's Flood Page 8  
Nobody and Somebody Page 31  
Noble Gentleman Page 9  
Noble Ingratitude Page 15  
Noble Spanish Soldier, By S. R. Omitted.  
Noble Stranger Page 23  
Northern Lass Page 2  
Northward Ho Page 5  
Novella Page 2  
No Wit like a Woman Page 16  
No Help like a Woman Page 16   

O.  
Oberon, the Fairy Prince Page 13  
Obstinate Lady Page 4  
Octavia Page 18  
Oedipus Page 7. 18  
Oldcastle Page 21  
Old Couple Page 17  
Old Law Page 16  
Old Man's Lesson, and a young Man's Love Page 1  
Old Troop Page 15  
Old Wives Tale Page 31  
Opportunity Page 22  
Ordinary Page 4  
Orestes Page 10  
Orlando Furioso Page 31  
Orgula Page 28  
Ormazdes Page 14  
Orphan Page 19  
Othello, the Moor of Ven. Page 21  
Ovid Page 4  
Osmond the Great Turk ib.   

P.  
Pallantus and Eudora Page 14  
Pandora Page 14  
Pan's Anniversary Page 13  
Parliament of Bees Page 5  
Parson's Wedding Page 14  
Passionate Lovers Page 4  
Pastor Fido Page 10. 24  
Patient Grissle Page 31  
Patrick for Ireland Page 22  
Pedlar's Prophecy Page 31  
Peleus and Thetis Page 12  
Perkin Warbeck Page 9  
Pericles Prince of Tyre Page 21  
Philaster Page 9  
Phillis of Scyros Page 28  
Phoenix Page 15  
Phoenix in her Flames  
Philotus, Scotch Page 31  
Philotas Page 5  
Phormio Page 2  
Picture Page 16  
Pilgrim Page 9 14  
Pinner of Wakefield Page 31  
Piso's Conspiracy ib.  
Pity she's a Whore Page 9  
Platonic Lovers Page 6  
Playhouse to be Let ib.  
Play of Gentileness and Nobility Page 11  
Play of Love ib.  
Play between John the Husband, and Tib his Wife ib.  
Play between the Pardoner, and the Friar, the Curate, and Neighb. Prat ib.  
Play of the Wether ib.  
Plain Dealer Page 26  
Pleasure at Kenelworth-Castle Page 10  
Pleasure reconciled to Vir. Page 13  
Plutus Page 27  
Poetaster Page 13  
Politician Page 22  
Politician Cheated Page 10  
Pompey Page 19 26  
Pope Joan, vide Fem. Prel.  
Poor Man's Comfort Page 5  
Poor Scholar Page 18  
Pragmatical Jesuit Page 4  
Presbiterian Lash Page 31  
Presence Page 18  
Princess Page 14  
Prince of Priggs Page 31  
Prisoners Page 14  
Projectors Page 26  
Prophetess Page 9  
Promus and Cassandra Page 31  
Promises of God manifested ib.  
Psyche Page 27  
Psyche Debauched Page 27  
Public Wooing Page 18  
Puritan Widow Page 21   

Q.  
Queen Page 31  
Queen's Arcadia Page 5  
Queen of Arragon Page 11  
Queen and Concubine Page 2  
Queen of Corinth Page 9  
Queen's Exchange Page 2  
— Masque of Blackness Page 13  
— Masque of Beauty Page 13   

R.  
Raging Turk Page 10  
Ram-Alley Page 2  
Rambling Justice Page 15  
Rampant Alderman Page 31  
Rape of Lucrece Page 11  
Rebellion Page 20  
Reformation Page 31  
Rehearsal Page 31  
Religions Page 18  
Religious Rebel Page 31  
Renegado Page 16  
Return from Parnassus' Page 31  
Revenge ib.  
Revenge for Honour Page 3  
Revenger's Tragedy, By C. T. Omitted.  
Reward of Virtue Page 9  
Rhodon and Iris Page 14  
Richard the Second Page 21. 25  
Richard the Third Page 21  
Rival Friends Page 11  
Rival Kings Page 3  
Rival Ladies Page 7  
Rival Queen's Page 15  
Rivals Page 32  
Roaring Girl Page 15  
Robert Earl of Huntingdon's Downfall Page 11  
— His Death ib.  
Robin Hood's Pastoral May-games Page 32  
— and his Crew of Sold. ib.  
Robin Conscience ib.  
Rollo D. of Normandy Page 8  
Roman Actor Page 16  
Roman Empress Page 13  
Roman Generals Page 7  
Romeo & Juliet Page 21  
Romulus and Hersilia Page 32  
Roundheads Page 3  
Rover Page 3  
royalist Page 8  
Royal Master Page 22  
Royal Masq. at Hampt. Court  
Royal Slave Page 4  
Royal Shepherdess Page 24  
Rule a Wife and have a Wife Page 9  
Rump Page 25   

S.  
Sacrifice Page 10  
Sad One Page 23  
Sad Shepherd Page 13  
St. Sicily Page 27  
Salmacida Spolia Page 32  
Samson Agonestes Page 17  
Sappho and Phao Page 14  
Scaramouch, etc. Page 21  
School of Compliments Page 22  
Scornful Lady Page 9  
Scot's Figgaries Page 25  
Sea Voyage Page 9  
Seven Cham. of Christian. Page 14  
See me and see me not Page 1  
Sejanus Page 13  
Selimus Page 10  
Selindra Page 14  
Sertorius Page 2  
Several Wits Page 18  
Sforza Duke of Milan Page 10  
She would if she could Page 8  
Shepherds Paradise Page 17  
Shepherds Holiday Page 20  
Shoemaker a Gentleman Page 20  
Sicelides Page 32  
Sicily and Naples Page 27  
Siege Page 4. 6  
— of Babylon Page 19  
— of Constantinople Page 32  
— of Memphis Page 8  
— of Rhodes Page 6  
— of Urbino Page 14  
Silent Woman Page 13  
Silver Age Page 11  
Sir Courtly Nice Page 5  
Sir Barnaby Whigg Page 8  
Sir Giles Goosecap Page 32  
Sir Hercules Buffoon Page 15  
Sir Martin Marr-all Page 7  
Sir Patiented Fancy Page 3  
Sir Solomon Page 32  
Sisters Page 22  
Six Days Adventure Page 12  
Slighted Maid Page 23  
Sociable Companions Page 18  
Soliman and Perseda Page 32  
Sophister ib.  
Sophonisba Page 15. 16  
Sophy Page 6  
Soldiers Fortune Page 19  
Spanish Bawd Page 32  
— Curate Page 9  
— Friar Page 7  
— Gipsies Page 16. 20.  
— Rogue Page 8  
Asparagus Garden Page 2  
Speeches at Pr. H. Barriers Page 13  
Spiteful Sister Page 2  
Sport upon Sport Page 32  
Spring's Glory Page 18  
Squire Oldsap Page 8  
Staple of News Page 13  
Stepmother Page 2  
State of Innocence Page 7  
Strange Discovery Page 32  
Stukeley's Life and Death, vide Battle of Alcazar  
Sullen Lover's Page 24  
Summers last Will and Testament Page 18  
Sun's Darling Page 9  
Supposes Page 10  
Surprisal Page 12  
Susanna's Tears Page 32  
Swaggering Damoysel Page 4  
Swetnam the Woman-hater arraigned Page 32   

T.  
Tale of a Tub Page 13  
Tamburlaine the Great Page 17  
Tamerlain the Great Page 24  
Tancred and Gismond Page 26  
Taming of the Shrew Page 22  
Tartuff Page 17  
Tarugoes Wiles Page 24  
Tempe restored Page 32  
Temple Page 3  
Temple of Love Page 6  
Tempest Page 7. 22  
The longer thou livest, the more Fool thou art Page 25  
Thebais Page 18  
Theodosius Page 15  
Thersytes Page 32  
Thomaso Page 14  
Thornby-Abby Page 21  
Thracian Wonder Page 25  
Three Lords and Ladies of London Page 28  
Thyestes T. & F. Page 5. 11. 20  
Thyerry, and Theodoret Page 9  
Time Vindicated to himself, and to his Honour Page 13  
Timon of Athens Page 22. 24  
Titus Andronicus Page 22  
Titus and Berenice Page 19  
Tom Essence Page 32  
Tom Tyler, and his Wife ib.  
Tottenham-Court Page 18  
Town Fop Page 3  
Town Shift Page 20  
Trapolin supposed a Prince Page 4  
Travels of 3 Eng. Broth. Page 5  
Traitor Page 22  
Traitor to himself Page 32  
Trick to catch the old One Page 15  
Trick for Trick Page 8  
Triumph of Beauty Page 22  
— of Love and Antiq. Page 15  
— of Peace Page 22  
— of the Pr. D'Amour Page 5  
Triumphant Widow  
Troades Page 23. 28  
Troas Page 28. 11  
Troilus and Cressida Page 7. 22  
True Trojans Page 32  
True Widow Page 24  
Tunbridge Wells Page 32  
Trial of Chivalry Page 32  
Trial of Treasure  
Tryphon Page 19  
Twelfth-Night Page 22  
Twins Page 20  
Two Noble Kinsmen Page 9  
Two Tragedies in one Page 26  
Two angry Woman of Ab. Page 19  
Tide tarryeth for no man Page 26  
Tyrannical Government Page 32  
Tyrannic Love Page 7  
Two wise Men, and all the rest Fools Page 3   

V.  
Valentinian Page 9  
Valiant Scot Page 32  
Valiant Welshman Page 27  
Varieties Page 32  
Very Woman Page 16  
Unfortunate Lovers Page 6  
Unfortunate Shepherd Page 25  
Unfortunate Mother Page 18  
Unfortunate Usurper Page 32  
Ungrateful Favourite Page 32  
Unhappy Favourite, Essex Page 3  
Unnatural Combat Page 16  
Unnatural Tragedy Page 18  
Usurper Page 12  
Untrussing the humorous Poet Page 5  
Venice preserved Page 19  
Virtue Betrayed Page 3  
Vestal Virgin Page 12  
Villain Page 19  
Virgin Martyr Page 16  
Virgin Widow Page 20  
Virtuous Octavia Page 1  
Virtuous Wife Page 8  
Virtuoso Page 24  
Vision of Delight Page 13  
Vision of the 12 Goddesses Page 5  
Vow Breaker Page 23   

W.  
Walks of Islington & Hogsdon Page 13  
Wand'ring Lover Page 17  
Warning for fair Women Page 32  
Weakest goes to the Wall ib.  
Wealth and Health ib.  
Wedding Page 32  
Westward Ho Page 5  
What you will Page 16  
When you see me, you know me Page 20  
White Devil Page 25  
Whore of Babylon Page 5  
Wiat's History ib.  
Widow Page 13  
Widow's Tears Page 3  
Wife for a Month Page 9  
Wild Gallant Page 7  
Wild-Goose Chase Page 9  
Wily beguiled Page 32  
Wine, Beer, Ale, & Tobac. ib.  
Winter's Tale Page 22  
Wise Woman of Hogsdon Page 11  
Witch of Edmonton Page 5  
Wit in a Constable Page 10  
Wit without Money Page 9  
Wit of a Woman Page 32  
Wit at several Weapons Page 9  
Wits, By Sir W. D. Omitted  
Wits Cabal Page 18  
Wits led by the Nose Page 32  
Witty Combat Page 27  
Witty Fair One Page 22  
Woman turned Bully Page 32  
— Captain Page 24  
— 's Conquest Page 12  
— killed with kindness Page 11  
— Hater Page 9  
— in the Moon Page 14  
— 's Prize Page 9  
— will have her Will Page 32  
— 's a Weathercock Page 9  
Women pleased ib.  
Women beware Women Page 16  
Wonder, a Woman never vexed Page 20  
Wonder of a Kingdom Page 5  
World tossed at Tennis Page 16  
Wrangling Lovers Page 21   

Y.  
Yorkshire Tragedy Page 22  
Young Admiral ib.  
Your five Gallants Page 16  
Youth's Glory, and Death's Banquet Page 18  
Young King Page 3    

ADVERTISEMENT.  
C. Stands for Comedy, T. Tragedy, T. C. Tragicomedy, O. Opera, H. History, P. Pastoral, I. Interlude, and E. Entertainment.  
FINIS.