Roundtable: Housewife’s Secret Arsenal

Starch: Faultless Premium Spray Starch

 

 

Deborah Cohler

San Francisco State University
dcohler@sfsu.edu

 

 

Abstract

An exhibit at the Museum of the American Military Family provides a springboard from which to investigate spray starch. The exhibit elicits recollections of military ironing as a masculine labor of precision, rather than unskilled feminized work. A starched and ironed uniform signals military conformity and discipline; the illusion of race- and gender-blind meritocracy; and sanitized, honorable warriors. Braiding together the military roots of this Cold War-technology with its cultural history reveals the domestic labor that produces spray starched militarized masculinity.

This essay is a part of the Roundtable called “The Housewife's Secret Arsenal” (henceforth HSA); a collection of eight object-oriented engagements focusing on particular material instantiations of domesticated war. The title of this roundtable is deliberately tongue-in-cheek reminding readers of the many ways that militarisms can be invisible to their users yet persistent in the form of mundane household items that aid in the labor of homemaking. Juxtaposing the deliberately stereotyped “housewife” with the theater of war raises questions about the quiet migration of these objects and technologies from battlefield to kitchen, or bathroom, or garden. Gathered together as an “arsenal,” their uncanny proximity to one another becomes a key critical tool in asking how war comes to find itself at home in our lives.

 

Keywords

domestic labor, museums, US military training, hygiene, starch

 

 

Walk into the Museum of the American Military Family (MAMF) in Tijeras, New Mexico, and you enter a home. Founded in 2011 by a small battalion of volunteers—most of whom are military spouses, kids, or veterans—MAMF collects and curates material culture and archival records of military families. Housed in a former duplex, this small community museum displays exhibits around the living room's fireplace and in kitchen cupboards, as well as on walls and in display cases.

An ironing board stands between the living room and the kitchen, a uniform, iron, and can of Faultless Premium Spray Starch resting atop (Figure 1). To many veterans and their families, the humble can of Faultless Premium Spray Starch signals authenticity: proof that the museum is getting it right, a shared object. Spray starch denotes military precision and the domestication of war. And its origins and contexts reveal how threads of labor, technology, and military hierarchy camouflage difference and violence.

Ironing board with iron, spray starch, and fatigues shirt, in front ofa kitchen table.

Figure 1. Ironing exhibit, Museum of the American Military Family. Photograph by author.

 

Invisible Labor Made Visible

Ironing the uniform has been a key part of US military life. MAMF's ironing exhibit illustrates a core component of the museum's mission: to make visible the necessary and invisible labor of US military “dependents” (spouses, children). And in that spirit, I—a civilian, feminist researcher—initially assumed that service members' spouses (wives) would be responsible for this domestic labor. Domestic labor has been culturally assigned to women and feminized. However, when chatting at the exhibit, a female military spouse commented that her husband did this domestic task in their family, since her ironing was not up to standard, and a male veteran noted that ironing had been his job (field notes, June 2017). This exhibit makes the domestic labor of military dress visible. Conversations in that museum kitchen (a public space repurposed from domestic architecture) complicate any linear story of women's invisible labor for men's advancement.

Can of Faultless Premium Spray Starch

Figure 2. A can of Faultless Premium Spray Starch. Photograph by Louis Bledsoe.

 

Faultless brands itself as “America's oldest, most respected fabric care brand” (Faultless, n.d.). Embracing the rhetoric and iconography of Americana, the can's gold, blue, and white design is militarized by its signature red star (Figure 2). The white-and-red striped ironing board cover; the blue, white, and gold on the iron; and the can of Faultless together form a patriotic backdrop for the Battle Dress Uniform (BDUs) on the board. BDUs were issued between 1981 and 2015 (Cole 2021); they predate current Operational Camouflage Pattern (OCPs) designed for desert, rather than jungle, warfare. The uniform on display is historical, not contemporary.

How did spray starch become military gear? Braiding together the military roots of this Cold War-technology with its cultural history reveals the domestic labor that produces spray starched militarized masculinity. A starched and ironed uniform signals military conformity and discipline; the illusion of race- and gender-blind meritocracy; and sanitized, honorable warriors. MAMF's starch and ironing board represent war-making as a project of order and regulation, not carnage and death.

From Soapsuds to Spray Starch

During the Revolutionary War, laundresses accompanied General Washington's army. Often wives of enlisted soldiers, these women received “half rations for themselves and quarter rations for each child” (Alt and Stone 1991, 4) to clean and maintain soldiers' clothing. An order to “not throw soapsuds on the parade ground” (4) indicates an ambivalent relationship of military discipline to the materiality of hygiene. Simultaneously necessary and marginal, female camp-followers such as laundresses disrupted homosocial military formations with their indispensable, messy labors.

The end of chattel slavery and the rise of industrialization transformed work in the United States. Domestic labor became a paid, not stolen, class of work in the South; industrialization provided waged labor in the North; some middle-class women entered newly opening professions. As unpaid care work increasingly fell into “second shift” labor for many working women, the rise of commodity capitalism promised increased domestic efficiency.

The first US starch production plant opened in 1807 (Schwartz and Whistler 2009, 3). Derived from grains or vegetables, starch is mechanically extracted and chemically processed. Long used on textiles, as powder, as food additive, or for adhesive, industrial starch production distinguishes starches by material, chemical process, and use.

In 1892 Sarah Boone, a formerly enslaved African American woman, patented an improved ironing board that facilitated ironing seams and sleeves (Helton 2018). Purchasing Boone's ironing board instead of using a homemade board promised to ease an onerous task. In 1897 Faultless Starch company was formed. Major Thomas Graham Beaham, a white retired Union officer, joined the wholesale household supply company in Kansas City, Missouri, in 1887. A decade later, the sale of household starch eclipsed its other products, and Beaham, now sole owner, began exclusively selling starch. Both Boone's patent and Beaham's consolidation indicate increasing demand and commodification of household products in the 1890s.

Turn-of-the-twentieth-century public hygiene campaigns enlisted middle-class women to discipline immigrant and working-class women. These so-called social reformers created arbitrary standards of household cleanliness and extolled commercially produced clothing and household products. Such eugenics-based campaigns foreshadowed mid-twentieth-century ideologies of domestic sanitation, all tied to new inventions that promised to reduce the domestic labor required to meet newly heightened standards.

One such invention aerosolized household starch. Developed in 1924, aerosol technology was first widely used in the US during World War II: “Canisters filled with insecticide and propellants were used to protect U.S. servicemen from insects carrying diseases such as malaria” (National Aerosol Association, n.d.). In 1949 World War II Army veteran Robert Henry Abplanalp patented a plastic valve for aerosol cans, paving the way for general use (Greenhouse 2003). In 1960 Faultless transformed its popular powdered starch into a liquid aerosolized spray, rapidly increasing its market share (Funding Universe, n.d.). In 1972 a patent was approved for the incorporation of “a film-forming, water-soluble polyurethane” to be added to the dry starch and water that made up most spray starch formulas. The patent cites aerosol starch as “a great convenience to the housewife,” which has become “a commercially important item” (Starkman and Brown 1972).

Starched uniforms signaled military readiness during the Cold War. Colin Powell reports that in 1961 members of the Strategic Army Corps “had our field uniforms starched stiff as boards to achieve knife-edge creases. 'Breaking starch' meant using a broom handle to open up the pants so we could get our legs into our fatigues” (Powell and Persico 1995, 55). Powell bemoans time spent starching rather than training for combat. Steve Loomis LTC, EN, US Army (Retired) recalls, "Starch was not used by soldiers in combat (Vietnam or Southwest Asia) as it wasted time and could irritate the skin." Starch was used only by "more senior person[s] in zone" or in garrison (non-combat) to look sharp (personal communication, August 23, 2021). Basic training continued to prioritize sartorial “readiness” as recruits were sent into increasingly deadly combat situations where a starched uniform was a detriment, not an asset.

Concurrently, Faultless promoted its new aerosol product to suburban women. In a 1965 television commercial, a white housewife starches her husband's sports shirt. The authoritative male voiceover and animated stars projecting from the aerosol cannister instruct, “Even modern fabrics stay neater, look fresher, longer” (Laundrystop 2010). As the US increased its involvement in the war in Vietnam and growing civil rights movements challenged white supremacy, Faultless's postwar marketing not only ignored its military roots and uses, but deliberately framed starching men's clothes as a peacetime domestic task for white, unpaid, women: part of the erasure of the war in white, home-front iconography.

Heavy Starch: Basic Training

Uniforms enforce bodily conformity to conservative social norms, discipling individuals and covering over cultural difference. A well-pressed military uniform should minimize race, class, ethnic, religious, and gender differences. As the military applauds its “color-blind culture” (Lutz, 2001, 187), it manages racial, class, and cultural differences through rigorous conformity to an able-bodied, white, male, Christian model (Belkin 2012).

Basic training includes intensive bodily regulation: when to sleep, how to make a bed, how launder clothes. Some veterans report formal lessons in military ironing techniques. Others recall more haphazard approaches. ETC Kyle Boswell (USCG Retired) reports, “It was part of the student experience to look sharp and look good” (personal communication, August 3, 2021).

Regardless of class, race, or gender, recruits are expected to leave basic training with a systematized ability to maintain their uniforms. The feminized labor of domesticity becomes masculine when systematized and surveilled. Discussing her basic training in 1978, former A1C Cheryl Mathison (Air Force) told me, “They even trained you how to fold your bras” (personal communication, July 29, 2021). Of Coast Guard basic training, Boswell reports, “Ironing culture can take on a life of its own,” including informal competitions in the barracks: who can get the sharpest creases, for example. When asked if he noticed gendered differences in “ironing culture,” Boswell replied, “what I saw was much more of a meritocracy...I saw people who tried real hard and worked real hard to succeed, and I saw people who tried not so hard and just kind of skate by not succeed.” The domestic is refashioned as part of the equalizing of basic training: military discipline that can become a competition and is gendered masculine for recruits of all genders as it occupies public, rather than domestic, space.

Premium Starch: “Like a Boss”

After soldiers learn regulation ironing during basic training, this task moves from a collective, sometimes competitive, activity in the barracks to an invisible, domestic labor. When recruits leave basic training for their first (non-combat) duty station—with or without a military spouse in tow—the spray starch comes along.

Starchy military masculinity appears in a popular YouTube video "Ironing Your [Air Force] Blues Shirt." Viewers are exhorted to soak the shirt with heavy duty spray starch, “turn that bad boy inside out,” and “work the edges of the rank really good” by the white male Faultless-wielder. “That's it. Simple. Like a boss,” the video concludes (Jeremy and Ashlee Kate 2014). Produced by an Air Force husband-wife team, the video teaches ironing through hyper-masculine performance.

Spray starch symbolizes peacetime military, when a soldier worries about a sergeant's disapproval of a trouser crease, not survival through a muddy battlefield. And whether a starched uniform is required depends on the duty station. Working as a medical lab tech, Army veteran Marc Johnson wore “cook whites”—no starch required, especially on the night shift. But when giving presentations or at special events, he wore his starched Class A uniform—“That was my money maker” (personal communication, August 4, 2021). Dress uniforms (always starched) mark special occasions: celebrations, promotions, funerals—events outside warzones. A well-starched uniform signals safety, success, order, discipline, and technology. Use your spray starch and you will thrive.

But this formula only works outside the dirty work of war. For combat engineers or ground troops, this sanitized version of military discipline is irrelevant. When the can of Faultless spray starch on an ironing board in the MAMF kitchen becomes a touchstone of military identity and verisimilitude, the military stands for safety, order, and homogeneity. The physical and psychological costs of the war machine, and the military's underlying mission of control through violence is an unseen wrinkle.

Coda: “Do Not Starch or Hot Press the OCP”

In 2015 the Army introduced OCPs—a new uniform textile designed for warfare in Afghanistan and Iraq. The technical fabric is flame resistant, insect repelling, and cooling, the digital pattern redesigned: the right attire for desert conditions and to survive improvised explosive devices. This is wartime fabric. Of note for the housewife's arsenal, care instructions for OCP uniforms state boldly, “Do not starch or hot press the OCP. Light ironing is authorized, however, repeated hot pressing or heavy ironing will accelerate the overall wear of the fabric” (Public Affairs 2018).

The rise of “technical fabrics” may soon relegate Faultless Premium Spray Starch to the museum.

References

Alt, Betty Sowers, and Bonnie Domrose Stone. 1991. Campfollowing: A History of the Military Wife. New York: Praeger Publishers.

Belkin, Aaron. 2012. Bring Me Men: Military Masculinity and the Benign Facade of American Empire, 1898-2001. New York: Columbia University Press.

Cole, David. 2021. “History of US Army Uniforms.” Military.com. https://www.military.com/army/uniforms.html.

Faultless. n.d. “About Us.” Accessed August 15, 2021. https://faultless.com/about-us/.

Funding Universe. n.d. “Faultless Starch/Bon Ami Company History.” Accessed August 1, 2021. http://www.fundinguniverse.com/company-histories/faultless-starch-bon-ami-company-history/.

Greenhouse, Linda. 2003. “Robert Abplanalp, 81, Inventor and Nixon Confidant, Dies.” New York Times, September 2, 2003. https://www.nytimes.com/2003/09/02/us/robert-abplanalp-81-inventor-and-nixon-confidant-dies.html?smid=url-share.

Helton, Daniel. 2018. "Sarah Boone (1832 - 1904)." Black Past. July 4, 2018. https://www.blackpast.org/african-american-history/boone-sarah-1832-1904/.

Jeremy and Ashlee Kate. 2014. “Ironing Your Blues Shirt”. Operation AF Life: Faith, family and the fight for freedom. YouTube video, April 22, 2014. https://youtu.be/c3PIgQwwBMg.

Lutz, Catherine. 2001. Homefront: A Military City and the American Twentieth Century. Boston: Beacon Press.

Laundrystop. 2010. “Faultless Spray TV Commercial - 1965.” September 19, 2010. https://www.youtube.com/watch?v=ao8lSucjAEc.

National Aerosol Association. n.d. “History of the Aerosol.” Accessed August 15, 2021. https://www.nationalaerosol.com/history-of-aerosol/.

Powell, Colin L., and Joseph E. Persico. 1995. My American Journey: An Autobiography. New York: Random House.

Public Affairs, 315th Airlift Wing. 2018. “Updates to Dress and Appearance AFI.” 512th Airlift Wing. July 18, 2018. https://www.512aw.afrc.af.mil/News/Article-Display/Article/1578470/updates-to-dress-appearance-afi/.

Schwartz, Deborah, and Roy L. Whistler. 2009. “History and Future of Starch.” In Starch: Chemistry and Technology, 3rd ed., edited by James N. BeMiller and Roy Whistler, 1-10. London: Elsevier.

Starkman, Jesse H., and William J. Brown. 1972. “Spray Starch Containing Water-Soluble Polyurethane.” United States Patent Office. Patent number 3,639,309. February 1, 1972.

 

 

Author Bio

Deborah Cohler is a Professor of Women and Gender Studies at San Francisco State University. She is the author of Citizen, Invert, Queer: Lesbianism and War in Early Twentieth-Century Britain (University of Minnesota Press, 2010) and is currently completing a book about US military spouses in the early twenty-first century.