Using Evidence in Practice
Using Inventory Data to Enhance Music Collections
Joel Roberts
Music Librarian
University Libraries
University of Memphis
Memphis, Tennessee, United States of America
Email: jcrberts@memphis.edu
Rachel Scott
ILS Librarian
University Libraries
University of Memphis
Memphis, Tennessee, United States of America
Email: rescott3@memphis.edu
Received: 8 Aug. 2019 Accepted: 6 Nov. 2019
2019 Roberts
and Scott. This is an Open Access article distributed under the terms of the
Creative Commons‐Attribution‐Noncommercial‐Share
Alike License 4.0 International (http://creativecommons.org/licenses/by-nc-sa/4.0/),
which permits unrestricted use, distribution, and reproduction in any medium,
provided the original work is properly attributed, not used for commercial
purposes, and, if transformed, the resulting work is redistributed under the
same or similar license to this one.
DOI: 10.18438/eblip29620
Setting
The University of Memphis is a public university in an urban setting in the United
States. The University Libraries use Innovative Interfaces, Inc.’s Sierra
Integrated Library System (ILS). Using Sierra, a comprehensive inventory was
conducted in one of the university’s branch libraries, the Music Library. The
Music Library houses reference materials (2,803); non-circulating scores
(6,189); circulating scores of different sizes—standard (19,503), oversize
(307), and
miniature (2,115); desk items such as CDs and DVDs (10,263); and
standard circulating monographic items (14,357) in a collection totaling around
56,000 items. The School of Music at the University of Memphis has roughly 400
undergraduate students, 100 graduate students, and 45 faculty members who
comprise the main patron base of the Music Library. The Music Library
nonetheless assists a variety of patrons, including undergraduate students,
graduate students, faculty, and staff from all university programs, as well as
community members who are not affiliated with the university. The personnel
involved in this project included two faculty librarians, two full-time staff
members, and one graduate assistant. It had been several years since the
collection had been partially inventoried and the status of the physical
collection was increasingly disordered. Although this workflow represents an
example from a music library, the steps are applicable to most academic library
settings because the branch includes a variety of item locations, types, and
statuses.
Problem
Collections are not static and require ongoing analysis of their
physical condition, availability, and the degree to which they meet the needs
of their users. That an inventory of the Music Library collections was long
overdue had become increasingly evident over the last few years. Library staff
and student workers were spending more time with patrons in the stacks
attempting to locate known items. Some items were merely shelved incorrectly,
but other items were found to have call numbers, locations, or item statuses
that differed from what was indicated in the catalogue. Music Library personnel
kept a tally of items that required a search of the shelves and found that in
roughly 25% of searched items there was an inconsistency between the
information contained in the ILS and the physical item. This finding
underscores a significant problem: if our catalogues do not accurately describe
what is available to users, we will not meet their information needs. Consequently,
we were interested in aligning the physical collections in the Music Library
with the data in the ILS, and in using inventory data to support
collections-related decisions.
Evidence
There is detailed literature on inventorying academic library
collections, including studies that leverage the ILS to partially automate
inventory processes (Ernick, 2005; Sung, Whisler, & Sung, 2009; Womack, 2010; Loesch, 2011;
Greenwood, 2013). A local workflow for inventorying collections using Sierra
has been recently established and is described in Barton & Scott (2020).
Much of the literature on conducting inventories, however, is not focused on
the particular needs of music library collections, which have relatively
diverse formats and a host of complications not encountered with collections
that are predominated by books. For example, music scores often contain
multiple parts. The existence of multiple parts complicates inventory processes
in that an item can appear to be on the shelf in the sense that its barcode is
accounted for, but the item can still be missing parts, making it essentially
useless. For this reason, we had to combine our local workflow for inventory
processes with some music-specific processes, such as separately accounting for
parts in multi-part items and assessing handwritten markings on notated music.
With this in mind, Music Library personnel scanned
into .txt files the barcodes of all items available, which the ILS Librarian
uploaded into the backend of Sierra. Using Sierra’s “Compare inventory to shelf
list” program, the inventory date fields in item records were updated and
inventory reports were generated. This data is our primary evidence; it
reflected both the physical order of the scanned items and the representation
of the scanned items in the ILS. The data also uncovered items that were not in
the catalogue; that is, their barcodes were not associated with records in the
ILS. Most importantly, the data pinpointed items that were shelved incorrectly.
This was useful in two distinct ways. First, the reports identified items that
were simply misshelved. Second, several items listed
as misshelved in the reports were in fact in the
correct place. Further investigation, however, revealed that the call numbers
printed on spine labels did not always match the call numbers in the ILS.
Examination of these items on a case-by-case basis allowed us to determine
whether the spine label contained an error, or whether the data in the call
number field in Sierra contained errors.
Implementation
During the inventory project, we implemented strategies to benefit
our collection in a variety of ways. To do this, we conducted shelf-reading to
count pieces in multi-part scores, put items in shelf order, and identify
damaged materials. By physically handling every item, we were able to establish
the physical condition and extent to which our collections matched data in the
ILS.
By verifying that all multi-part scores had all parts
and were in usable condition, the project led directly to weeding and
replacement decisions. Inspection of scores during the project also led to the
identification of items that needed care, whether it was erasing markings or
basic repair. Implementation falls into three categories: system updates, care
or weeding, and acquisitions.
System Updates
Using the reports generated by the ILS, we identified items that
were inaccurately listed in the ILS. We noted, for example, that some recital
recordings and LPs that were listed as being available in the Music Library
were in fact in the University Libraries’ storage facility. The item record
location was accordingly updated globally via Sierra’s global update feature.
Inventory scanning was done in sections based on item location, and doing so
allowed us to globally update those items whose location was not accurately
represented. For example, all music monuments have the item location mu51, but
after scanning this section, we found items with the location for music
reference or scores. We updated various item record fixed fields, including
location, agency, and status, with each inventory scanning session.
We also ran reports and confirmed that several items marked as
lost or missing had been scanned during the inventory process. These items
could then be updated globally to reflect that they were available in the Music
Library. Relatively few items were identified that had been listed as being
available in the ILS, but had not been inventoried. After searching to confirm
that these were not missed or skipped somehow, these items could be updated
with an unavailable status in the ILS and suppressed from public view. OCLC
holdings were also removed from these titles, as we would be unable to fulfill
interlibrary loan requests for them.
Care & Weeding
Before we started scanning the collection for inventory, each of
the multi-part scores was inspected to ensure that all of the pieces were in
the appropriate folder and that they were in good physical condition. Scores
that were missing parts were considered for weeding, or if previous use merited
such, replacement. Several items had extensive markings and were carefully
erased when possible. If the markings had rendered the work unreadable or had
otherwise damaged the score, it was considered for weeding or replacement,
depending on usage and other holdings. We added prompts to remind employees to
count the number of parts for those multi-part scores that did not already
include a pop-up message indicating the number of pieces. After inventory
scanning, the music librarian noted some instances in which several copies of
lower-quality editions were available and decided to weed some of
these.
Acquisitions
We weeded damaged materials first. Then we
identified titles that were missing and no longer on the shelf. With this
information, we determined titles that needed to be replaced. We ultimately did
not need to purchase a great deal of content to fill these gaps. With a
large-scale space reclamation project in another of the university’s branch
libraries, we were able to compare their music holdings to our
recently-inventoried collection and use some of their materials, which were to
be weeded, to plug holes in our music collection.
Outcome
The implemented changes ultimately made the representation of our
physical collection more accurate. Specifically, over 2,500 records were
updated. Some of these were items that were able to be updated en masse, such as 1,713 recital recordings that had been
moved to storage years ago without the location having been changed. Another
243 items were found to be missing and were deleted as a result. In addition,
16 items were found to have been sitting on the shelf with barcodes and call
numbers, yet without records in the ILS; these were catalogued and added to the
library’s collection in the ILS. Around 100 monuments previously had an item
status indicating that they were to be used in the library only; these were
updated to show a status of available. The remainder of the items were updated
with respect to their call numbers, status, or location.
As a result of this project, not only are the shelves in better
physical order, but call number discrepancies have been fixed in the ILS. In
some cases, the call number that was in the system had not matched the call
number on the spine of the book for decades, making the task of finding that
particular book nearly impossible. Similarly, item locations for hundreds of
items, particularly for reference materials that had previously been listed in
the regular stacks, were updated. There is now a sense of confidence that when
an item is listed as “available,” it is on the shelf. Prior to conducting
inventory, when walking back into the stacks to assist a patron, there was a
lack of certainty as to whether the item would be there or not.
Reflection
This process was straightforward, and we encountered no major
obstacles. By physically handling every item in the collection, we gained great
insight to its physical condition and availability. Updating our ILS by running
a systematic progression of reports and global updates is also a process with
which we were familiar. By successfully executing this project in a relatively
short time period of four months, we realized that it is indeed doable and
should be prioritized on a regular and ongoing basis. Because there are so many
aspects to a project of this nature—erasing, scanning, reading reports,
processing bulk updates to bibliographic records, and others—there are
opportunities for all music library employees, including student workers,
graduate assistants, library assistants, and librarians, to contribute.
Consequently, this large-scale project ultimately proved to be a valuable team-building
venture involving close collaboration between personnel in the Music Library,
Systems, and Collection Development departments.
References
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& Scott, R. E. (2020). Relocating, downsizing, and merging: Inventory
projects to manage change in a digital environment in S. Marien
(Ed.), Library technical services: Adapting
to a changing environment. West Lafayette, IN: Purdue University Press.
Ernick, L.
(2005). Floating bibs and orphan bar codes: Benefits of an inventory at a small
college. Library Resources &
Technical Services, 49(3), 210–216. https://doi.org/10.5860/lrts.49n3.210
Greenwood, J. T.
(2013). Taking it to the stacks: An inventory project at the University of Mississippi
Libraries. Journal of Access Services, 10(2),
77–89.
Loesch, M. F.
(2011). Inventory redux: A twenty-first century adaptation. Technical Services Quarterly, 28(3),
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Sung, J. S., Whisler, J. A., & Sung, N. (2009). A cost-benefit
analysis of a collections inventory project: A statistical analysis of
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Womack, J.
(2010). Inventory or stockcheck? The Christian Librarian, 53(3), 111–113. Retrieved from https://digitalcommons.georgefox.edu/tcl/vol53/iss3/4