b'-y-\'>S- ^< j^c ctcc^ ^ \n\nc\\ ^ \n\n\'C(^r ,^^^^53^cxc \n\n\n\nCCCCCCwCC \n\nCcccccc < C \n\nCCCCC C cC \n\n\n\n\' r 4r^>^;.^3^--5^\'^^^^cccs-cxcc ocd^ C ccxcCicc c: vccccc \nX t r^ f ^^ caccccc cccc .CC c ccc ccc ccc: c c ccicc c \n(^ ^t&ccccccccccc cCC cccrccc.ccicc ( ^mcc \n\nc c 9^ ^- C" cccccccc cc C C CCCCC - c \n\ncC5^. . C CCCCC - r<:r:c cc C/ c (Cl cc^C:\xe2\x80\x9e(C^ c" \n\n\n\nc ccccctc; ^ c \n": . c \xe2\x80\xa2 c C\xc2\xab \n\n^ cc .<\xc2\xaeCc- \xe2\x80\xa2 <^^* \n\n\n\n\n\n\nrc.^ic c \n\n\n\n<\xc2\xa3:\xe2\x80\xa2 c \n\n\n\n\n\n\nL c. t < c c \n\' <\'Cc:\' \' \n\nccCcC\' \n\n\'- \xc2\xabCc ^ \n\n:CCC-< \n\n\n\n\' cccc. \n\n\n"C \n\n\nccC^c \n\n\nc \n\n\n\xc2\xab: CfXC \n\n\nc- \n\n\nrci\xe2\x82\xac\xe2\x82\xac\' \n\n\nc \n\n\nccx:c \n\n\n\n\nCcCCC \n\n\n\n\n\nCC \n\nCc< \n\n\n\nc \n\n\nCC c \n\n\n\' a \n\n\nccc \n\n\n"c \n\n\n c c:cc . \n\n\n\n.ccc<^ \n\n\n\nC(\' C^- \xe2\x80\xa2 cdTc \'cccu. cc CCCC c^^ \nr4 f^ Cr CC OCT c CCC cc cccccxc \n^\':A^ cr-^c .:ccc ccccxccccc^ \n\n\n\n^c:\xc2\xab;.cc cc c \n\n\n\nCCCC.XCCC \ncC C \'C c c \n\n\n\nrC ; re \'.\'\'j\\ cccca \'CJ\xc2\xabs:iCjC. c: \n\n\n\ne \n\n\n\nV \n\n\n\n\\\\\\^ --i " \n\n\n\n_^L^il\xc2\xa5f^3^-c \n\n\n\n.a,-\' \n\n\n\n.,;J.\xe2\x80\x9ejV^~ \'^ZJ"&^\'\\ \n\n\n\n--\'--^-.."* \'"i \n\n\n\n\'m]ca^si^Q \n\n\n\n\n\n\n\n\nrl ITS SGJEI^ERY, \n\n\n\nlO \n\n\n\n\nLTISTS\xc2\xbb \n\n\n\nEBITED B,ir J\'i \n\n\n\nSA.V^.(&JEo XiTLoI^l \n\n\n\nTMOM^^S JKEJLXiYc. \n\n\n\nPicturesque Ireland: \n\nA \n\nLITERARY AND ARTISTIC DELINEATION \n\n\n\nTHE NATURAL SCENERY, REMARKABLE PLACES, HISTORICAL \n\nANTIQUITIES, PUBLIC BUILDINGS, ANCIENT ABBEYS, \n\nTOWERS, CASTLES, AND OTHER \n\nRomantic and Attractive Features of Ireland. \n\n\n\nIllustrated in Steel and Wood, by Eminent Native and Foreig7i Artists \n\n\n\n^7^ Edited by JOHN SAVAGE, LL.a \n\n\n\nNEW YORK : \n\nPUBLISHED BY THOMAS KELLY, \n\n358 & 360 Broome Street. \n\n\n\nTHE LIBRARY j \nor CONGRESS ll \n\nWASHHIGTOV i \n\n\n\n\\/ \n\n\n\nCopyright, 7SS4. \n\nBY \nTHOMAS KELLY. \n\n\n\nsv^ \n\n\n\niv Thomas Kelly, New York. \n\n\n\nPreface. \n\n\n\n\ni\'N volumes previously published relating to the subject embraced in this \nWork, it was not unusual, by way of recommendation, to dwell, per- \nhaps with pardonable pride, on the fact, that they severally presented \nscenes which had not been heretofore given through the medium of \nart to the public eye. Circumstances more than choice directed such \na course ; as editors and artists, and especially publishers, deemed it \nrather a risk to go over ground already occupied. It is conceded that \nmany charming scenes, hitherto little known, were thus brought to \nview, and many admirable descriptions of scenery added to the illustrative litera- \nture of Ireland. It must be also admitted, however, that the representative scenic \nsplendors and beauties of the favored island were issued in disconnected forms, \nrunning through a series of works of unequal artistic and literary merit. The cost \nof these several volumes \xe2\x80\x94 all of which have special interest to those bound by \nbirth, descent, or kin to the localities illustrated \xe2\x80\x94 is such as to preclude the ma- \njority of the lovers of Ireland, or students of the historical and the beautiful, from \nobtaining a satisfactory or intelligent knowledge of the entire subject. \n\nWithout reflecting on the works alluded to, the majority of which were of local \nimportance, we can confidently claim that the present work will more fully repre- \nsent the scenery of Ireland at large than any yet published on either side of the \nAtlantic. \n\nPicturesque Ireland is designed to embrace and present all the best and \nmost striking features of preceding works on the subject \xe2\x80\x94 reproductions of the \npictures and drawings of eminent artists who have, during the present century, \ngiven such a notable impetus to the study of Irish scenery, topography, and anti- \nquities \xe2\x80\x94 with hundreds of other views from recent photographs and drawings, \n\n3 \n\n\n\n4 PRE FA CE. \n\nespecially engraved for the work. Thus the characteristic features \xe2\x80\x94 natural, \narchaeological, and architectural, of all sections of the country \xe2\x80\x94 north and south, \neast and west \xe2\x80\x94 the public streets and buildings of the chief cities, the beautiful \nrivers and enchanting lakes, magnificent coast lines, historical castles, old abbeys \nand towers, wild mountains, picturesque valleys, glens, and waterfalls \xe2\x80\x94 from the \nGiant\'s Causeway and the solemn grandeur of the coasts of Antrim and Donegal \nin the north, to the poetical Lakes of Killarney, and the romantic mountain-gaps \nand river scenery of Tipperary, Waterford, Cork, and Kerry in the south ; from \nthe exquisite glens and cataracts on the Liffey in Dublin and Wicklow in the east, \nto the expanding magnificence of the Shannon and the wilds of Connemara in the \nwest, \xe2\x80\x94 will be reproduced in an attractive form, and at a price which will be within \nthe means of every intelligent family. \n\nIn this work every county in Ireland will be noticed, and the remarkable fea- \ntures of each illustrated. Artists and engravers who have already raised the \nstandard of American excellence in Illustrated Works, add their ability and skill \nto the intrinsic attractiveness of the subject, and the affinities and experience of the \nEditor may be taken as a guarantee that the literary portion of the work will be \xe2\x80\x94 - \nin descriptive, historical, and antiquarian matter \xe2\x80\x94 as variously full, suggestive, or \nexhaustive as the themes may command, or space permit. \n\nFor works of this nature, combining Literature and Art, a taste and apprecia- \ntion has been developed among cultivated people in America and Europe, result- \ning in a demand at once highly creditable to the producers and the purchasers. \nThe Publisher congratulates himself upon having made this work, in artistic \nexcellence, mechanical skill, and general elegance, fully equal to the prevailing \nhigh expectations in relation to undertakings of its class. \n\n\n\nCONTENTS. \n\n\n\n^ PAGE \n\nINTRODUCTION xix \n\nKERRY 5 \n\nWICKLOW 6i \n\n\n\nANTRIM . \n\n\n\nlog \n\n\n\nGALWAY 1 77 \n\nMEATH 245 \n\nWESTMEATH 2S5 \n\nLONGFORD 290 \n\n\n\nDUBLIN. \n\n\n\n293 \n\n\n\nMAYO 3S1 \n\nCARLOW 401 \n\nCORK 405 \n\nKING\'S COUNTY 471 \n\nARMAGH 473 \n\nROSCOMMON 477 \n\nQUEEN\'S COUNTY 479 \n\nFERMANAGH 4S1 \n\nLEITRIM 4S7 \n\nMONAGHAN 4S8 \n\nLOUTH 489 \n\nWEXFORD 497 \n\nSLIGO 509 \n\nDONEGAL , 513 \n\nCAVAN 520 \n\nWATERFORD \xe2\x96\xa0 521 \n\nTYRONE 535 \n\nKILKENNY 537 \n\nLIMERICK 551 \n\nKILDARE 565 \n\nLONDONDERRY 573 \n\nCLARE 579 \n\nDOWN 589 \n\nTIPPERARY 602 \n\nGENERAL INDEX 617 \n\niii \n\n\n\n^"^ \n\n\n\nLIST OF ILLUSTRATIONS. \n\n\n\nMap of Ireland. Engraved expressly for Savage\'s Picturesque Ireland. . . \n\nSligo Abbey. Title page \n\nMap of Kerry \n\nView on the Blackwater (Kerry), from the Bridge \n\nBlackwater Bridge \n\nTunnel on Kenmare Road \n\nRocks on Kenmare Road \xe2\x80\x94 Lake view \n\nTore Cascade \n\nTore Cascade \n\nThe Chancel, Muckross \n\nMuckross Abbey, Eastern Window \n\nFireplace at Muckross \n\nViews at Muckross : \n\nWest Porch and Nave "1 \n\nNave I \n\nInnisfallen \n\nMuckross, The Chancel \n\nChancel and Nave \n\nMuckross by Moonlight T. . . \n\nTomb of the Monks \n\nDoorway at Aghadoe \n\nKate Kearney\'s Cottage \n\nRapids in the Gap of Dunloe \n\nTore and Lower Lake, from Tore Cascade \n\nGap of Dunloe \n\nThe Pike ,. \n\nThe Balance Rock \n\nDerrycunnihy \n\nDerrycunnihy Cascade \n\nEagle\'s Nest \n\nOld Weir Bridge \n\nUnder the Rocks at Tore Lake \n\nOld Weir Bridge, near view \n\nThe Cottage on Dinis Island \n\nBrickeen Bridge \n\nInnisfallen \n\nO\'Sullivan\'s Cascade \n\nCottage at Glena \n\nRuins of Ross Castle \n\nRoss Island \n\nRoss Castle by Moonlight \n\nO\'Donoghue\'s Horse \n\nThe Vision of O\'Donoghue \n\nEagle\'s Nest Mountain, from Kenmare Road. \n\nKillaSihie Church \n\n\n\nARTIST. \n\nRussell. \n\nT. M. Baynes. \n\nRussell. \n\nG. W. Gibson. \n\nJ. Noblett. \n\nA. Nicholl. \n\nF. B. Schell. \n\nG. W. Gibson. \nA. Nicholl. \n\nA. Nicholl. \nA. Nicholl. \nR. D. Tongue. \n\n\n\nT. S. Prout. \nA. Nicholl. \nG. W. Gibson. \n\nF. W. Hulme. \n\nG. W. Gibson. \nG. W. Gibson. \n\n, A. Nicholl. \n, R. D. Tongue. \n, G. W. Gibson. \n\nF. B. Schell. \n\nA. Nicholl. \n\nF. B. Schell. \n\nW. Gibson. \n\nA. Nicholl. \n\nA. Nicholl. \n\nA. Nicholl. \n\nA. Nicholl. \n\nF. B. Schell. \nA. Nicholl. \nA. Nicholl. \nA. Nicholl. \n\nG. W. Gibson. \nR. D, Tongue. \nJ. R. Herbert. \nW. H. Gibson. \nR. D, Tongue. \n\n\n\nENGRAVER. PAGE \n\nStruthers \n\nW. Watson \n\nStruthers 5 \n\nHarley 5 \n\nLandells 6 \n\nLandells 7 \n\nMeeder\xe2\x80\x94 Chubb . . S \n\nMeeder \xe2\x80\x94 Chubb . . g \n\nLandells 10 \n\nLandells 10 \n\nLandells 11 \n\nLandells 11 \n\n\n\nLauderbach 13 \n\n\n\nEvans 17 \n\nLandells.- 17 \n\nMeeder\xe2\x80\x94 Chubb . . iS \n\nW. Measom 19 \n\nBaker 20 \n\nMeeder \xe2\x80\x94 Chubb . . 21 \n\nWalmsley 22 \n\nLandells 23 \n\nMeeder \xe2\x80\x94 Chubb . . 24 \n\nHarley 25 \n\nLandells 27 \n\nHarley 2S \n\nMeeder \xe2\x80\x94 Chubb . . 29 \n\nLandells 30 \n\nGreen 30 \n\nLandells 31 \n\nLandells 32 \n\nLauderbach 33 \n\nGreen 35 \n\nWalmsley. . 35 \n\nLandells 36 \n\nHarley 37 \n\nLandells 38 \n\nLandells 39 \n\nMorse 41 \n\nLandells 43 \n\nvii \n\n\n\nLIST OF ILLUSTRATIONS. \n\n\n\n1 \n\n\n\nJ \n\n\n\nW. H. Gibson. \n\n\n\nDevil\'s Punch Bowl F. B. Schell. \n\nProfile of Rocks at Devil\'s Punch Bowl V. Abrahams. \n\nFlesk River F. W. Hulme. \n\nOver the Upper Lake, Killarney F. W. Hulme. \n\nTore Mountains, from Dinis Island W. H. Gibson. \n\nGalway River (Killarney), Cascade on \xe2\x96\xa0 \xe2\x96\xa0 F. B. Schell. \n\nShore of Dingle Bay W. Evans. \n\nViews at and near Killarney ; \n\nKillarney, distant view of the lakes \n\nLake in Gap of Dunloe \n\nThe Friar\'s Grave \n\nCottage at Derrycunnihy \n\nOn the Kenmare Road \n\nDinis Cottage \n\nKillarney, Victoria Hotel \n\nPusha Pike Fishing W. Willes. \n\nFerriter\'s Castle "W. Evans. \n\nBallybunian, On the Coast F. B. Schell. \n\nArdfert Abbey H. Hill. \n\nTomb in Ardfert Abbey H. Hill. \n\nMount Brendan \n\nMap of Wicklow Russell. \n\nFirst View of Wicklow, from the Scalp W. H. Gibson. \n\nScalp G. F. Sargent. \n\nBray-Head to " Sugar Loaf," from Dalkey, North G. F. Sargent. \n\nBray-Head, South \xe2\x80\xa2 F. B. Schell. \n\nA Narrow Gorge in the Dargle G. F. Sargent. \n\nIn the Dargle W. H. Gibson. \n\nBridge in the Dargle W. H. Gibson. \n\nCascade in the Dargle A. Nichol. \n\nThe Golden Spears, from over the Glen of the Downs F. B. Schell. \n\nLough Dan, near view F. B. Schell \n\nGlen of the Downs, South A. NichoU. \n\nDelgany G. F. Sargent. \n\nLough Dan, from Luggelaw G. F. Sargent. \n\nLuggelaw, the barren side G. F. Sargent. \n\nLough Dan A. Nicholl. \n\nIn the Vale of Clara W. H. Gibson. \n\nLough Bray ... A. Nicholl. \n\nRathdrum F. B. Schell. \n\nGlenmalure W. H. Gibson. \n\nThe Valley of Glen-da-Lough W. H. Gibson. \n\nThe Abbey, or Priory of St. Saviour \'.A. Nicholl. \n\nSt. Kevin\'s Kitchen W. F. Wakeman. \n\nOur Lady\'s Church \xe2\x80\x94 Doorway A. Nicholl. \n\nThe Church of Rhefeart A. Nicholl. \n\nSt. Kevin\'s Cell A. Nicholl. \n\nSt. Kevin\'s Bed A. Nicholl. \n\nAncient Stone Cross and Round Tower, at Glen-da-Lough F. B. Schell. \n\nIn the Devil\'s Glen F. B. Schell \n\nEntrance to to the Devil\'s Glen A. Nicholl. \n\nHead of Devil\'s Glen A. Nicholl. \n\nOver the Devil\'s Glen G. F. Sargent. \n\nThe View Rock, Dunran A. Nicholl. \n\nWaterfall in the Devil\'s Glen W. H. Gibson. \n\nWaterfall at Hermitage G. F. Sargent. \n\nVale of Afroca W. H. Gibson. \n\nSecond Meeting of the Waters, from Ballintemple A. Nicholl. \n\nNear " The Old Wooden Bridge " , \n\n\n\nENGRAVER. PAGE \n\nF. S. King 44 \n\nWalmsley 45 \n\nW. Measom 45 \n\nW. T. Green 46 \n\nJ. Filmer 4S \n\nMeeder \xe2\x80\x94 Chubb ... 4g \n\nGreen 52 \n\n\n\nEvans 54 \n\nGreen 55 \n\nLauderbach 56 \n\nLandells 57 \n\nSly 57 \n\n59 \n\nStruthers 61 \n\nJ. Filmer 6i \n\nGreen 63 \n\nWhimper 64 \n\nMeeder \xe2\x80\x94 Chubb ... 65 \n\nWalmsley 67 \n\nSmithwick \xe2\x80\x94 French 6S \n\nMorse 69 \n\nWhimper 70 \n\nF. S. King 72 \n\n\xe2\x80\xa2 73 \n\nLandells 74 \n\nArmstrong 75 \n\nMiss Williams 75 \n\nT. Williams 76 \n\nLandells 76 \n\nJ. Filmer 77 \n\nWhimper 7S \n\nJ. Filmer So \n\nSmithwick \xe2\x80\x94 French Si \n\nKarst S5 \n\nT. Williams S6 \n\nHanlon S7 \n\nE. Evans SS \n\nBastin SS \n\nBastin 90 \n\nJackson 92 \n\nMeeder \xe2\x80\x94 Chubb ... 93 \n\nHarley 96 \n\nLandells 97 \n\nT. Gilks gS \n\nArmstrong 99 \n\nLandells 100 \n\nJ. Filmer lOi \n\nWalmsley 102 \n\nJohnston 105 \n\nGreen 106 \n\n106 \n\n\n\nLIST OF ILLUSTRATIONS. \n\n\n\nNAME. ARTIST. \n\nLower Vale of Avoca, and Shelton Abbey J. Bentley. \n\nArklow Prior. \n\nMap of Antrim Russell . \n\nThe Giant\'s Gate \xe2\x80\x94 Causeway, Antrim F. B. Schell. \n\nMethodist College, Belfast J. R. Brown. \n\nBelfast, Antrim side of the Lagan J. R. Brown. \n\nBelfast, Queen\'s Quay \xe2\x80\x94 Down side of the Lagan J. R. Brown. \n\nQueen\'s College, Belfast J. R. Brown. \n\nPresbyterian College J. R . Brown. \n\nBotanical Garden, Belfast G. F. Sargent. \n\nLibrary, Queen\'s College, Belfast J. R. Brown. \n\nThe Albert Memorial, Belfast J. R. Brown. \n\nNorth Gate, Carrickfergus J. R. Brown. \n\nCarrickfergus Castle, from the land side T. V. Watson. \n\nSwift\'s Church, at Kilroot A. Nicholl. \n\nGlenarm W. H. Gibson. \n\nOlderfleet Castle J. H. Burgess. \n\nThe Goblin Cliffs A. Nicholl, \n\nCastles at Carrickfergus and Glenarm : \n\nCarrickfergus Castle, from the water \\ \n\nAntrim Castle (- W. H. Gibson. . \n\nGlenarm Castle ) \n\nThe Maidens J. H. Burgess. \n\nBarbican of Antrim Castle A. Nicholl. \n\nBridge and Castle at Glenarm A. Nicholl. \n\nGarron Tower F. B. Schell. \n\nRoad through Cliff, at Garron Point A. Nicholl. \n\nClough-i-Stookan A. Nicholl. \n\nTunnel at Red Bay A. Nicholl. \n\nMurlough Bay A. Nicholl. \n\nPairhead F. B. Schell. \n\nEntrance to Grey Man\'s Path A. Nicholl. \n\nThe Salt Pans A. Nicholl. \n\nThe Grey Man\'s Path W. H. Gibson. \n\nKenbane, looking over Bally Castle Bay to Fairhead A. Nicholl. \n\nCarrick-a-Rede and Sheep Island \n\nKenbane Castle, from Southeast \xe2\x80\x94 Rathlin in the distance F. B. Schell. \n\nCarrick-a-Rede, at the Rope Bridge F. B. Schell. \n\nCarrick-a-Rede \xe2\x80\x94 Base of the Chasm A. Nicholl. \n\nBengore Head \xe2\x80\x94 The Pleaskin, from the West A. Nicholl. \n\nDunseverick Castle J. O. Davidson. \n\nBruce\'s Castle A. Nicholl. \n\nDoon Point A. Nicholl. \n\nThe Giant\'s Causeway A. Nicholl. \n\nThe Lion\'s Head A. Nicholl. \n\nPleaskin \xe2\x80\x94 Giant\'s Causeway W. H. Gibson. \n\nThe King and his Nobles, from the West A. Nicholl. \n\nThe Nursing Child\xe2\x80\x94 Priest and His Flock A. Nicholl. \n\nChimney Rock \xe2\x80\x94 Giant\'s Causeway F. B. Schell, \n\nThe Chimney Tops, from the East A. Nicholl. \n\nThe Giant\'s Organ A. Nicholl. \n\nThe Giant\'s Causeway, East A. Nicholl. \n\nThe Giant\'s Causeway, from land side J. O. Davidson. \n\nThe Giant\'s Well A. Nicholl. \n\nThe " Honeycomb," Middle Causeway, from Little Causeway F. B. Schell. \n\nViews on the Antrim Coast : \n\nBridge of Glendun \n\nTown Hall at Lame \\ W. H. Gibson. \n\nGrace Staple\'s Cave \n\n\n\nENGRAVER. PAGE \n\nGreen 107 \n\nSmith loS \n\nStruthers igg \n\nMeeder \xe2\x80\x94 Chubb... 109 \n\nBrewer iii \n\nBrewer 112 \n\nBrewer 113 \n\nBrewer 114 \n\nBrewer 115 \n\nMiss Clint 115 \n\nBrewer 116 \n\nBrewer 117 \n\nBrewer iiS \n\nEvans 119 \n\nLandells 120 \n\nHarley 121 \n\nJ. Andrew 123 \n\nWhimper 124 \n\n\n\n125 \n\n\n\nWhimper 126 \n\nC. Gray 127 \n\nEvans 128 \n\nJ. Filmer 129 \n\nSmith 130 \n\nC. Gray 130 \n\nWhimper 131 \n\nJ. Wakefield 132 \n\nSmithwick \xe2\x80\x94 French 133 \n\nWhimper 134 \n\nWhimper 136 \n\nJ. Hellawell 137 \n\nJ. Kirchner 138 \n\n139 \n\nVarley 140 \n\nLangridge 141 \n\nSmith 142 \n\nMiss Williams 144 \n\nJ. Filmer 145 \n\nWhimper 146 \n\nJackson , 148 \n\nSmith 148 \n\nJackson 148 \n\nJohnson 149 \n\nJackson 151 \n\nEvans 152 \n\nCole 152 \n\nWhimper 154 \n\nJackson 155 \n\nJackson 156 \n\nLangridge 157 \n\nSmith 158 \n\nMeeder \xe2\x80\x94 Chubb . , . 160 \n\n\n\nJ. Filmer 161 \n\n\n\nLIST OF ILLUSTRATIONS. \n\n\n\n\xe2\x96\xa0cd: \n\n\n\nNAME. \n\nViews on the Antrim Coast. \xe2\x80\x94 Coiitina \n\nGlenarifF \n\nChurch at Layd \xe2\x80\x94 Ossian\'s Grave \n\nPort Coon Cave \n\nDunkeny Cave \n\nBush Mill \n\nShane\'s Castle \n\nShane\'s Castle, from Lough Neagh \n\nViews near Shane\'s Castle and Lough Neagh ; \n\nO\'Neill\'s Tomb \n\nO\'Neill\'s Chair and Seal \n\nShane\'s Castle, showing Terrace fronting the Lough. . \n\nTemplecoran Church \n\nTrummery Round Tower \n\nLisburn \n\nRound Tower at Antrim \n\nMap of Galway \n\nThe Abbey of Clare-Galway \n\nArch in the Claddagh \n\nStreet in Galway \n\nWarden Lynch\'s House, 1493 \n\nMarket of the Claddagh Fishermen \n\nAntique Claddagh Ring \n\nQueen\'s College, Galway \n\nViews at Galway and Gort ; \n\nIn the Claddagh \n\nAVest Bridge and Father Daly\'s Chapel \n\nLoughoutra Castle \n\nLough Inagh \n\nTwelve Pin (Bennebola) Mountains, and Lake of Kyleraore. \n\nOver Lough Inagh .... \n\nView from Coolnacartan Hill \n\nLough Derry, Clare, and Maam Turk Mountains \n\nLoiigh Fee \n\nGarromin, Connemara \n\nGlen in Connemara \n\nBallinahinch \n\nViews on Western Highlands, Connemara : \n\nLetterfrack and Diamond Hill \n\nGlendalough \n\nTwelve Pin Mountains \n\nLough Ballinahinch \n\nA Salmon Haul \n\nBelow the Falls at Clifden \n\nClifden \n\nClifden Falls \n\nOn the Kylemore Road \n\nThe Coast at Rinvyle \n\nIn the Pass at Kylemore \n\nKillery \n\nSalruc Pass \n\nHotel at Maam \n\nHen\'s Castle at Lough Coorib, and Maam Turk Mountains. \n\nLeenane \n\nMoving Bog \n\nViews in Connemara : \n\nClifden Castle \n\nPass and Lake of Kylemore \n\nIn the Pass of Kylemore \n\nKylemore Castle \n\n\n\nW. H. Gibson. \n\nA. NichoU. \nF. B. Schell. \nA. Nicholl. \nW. H. Gibson. \nA. Nicholl. \n\n\n\nj \n\n\\ W. H. Gibson. \n\n\n\nC. C. Hamilton. \nJ. R. Brown.. . . \n\n\n\nW. H. Gibson. \nG. F. Sargent. \nW. Evans. \nF. B. Schell. \nW. Evans. \nF. W. Fairholt. \nW. H. Gibson. \n\n\n\nW. H. Gibson. \n\nW. Evans. \nW. Brown. \nW. H. Gibson. \nF. B. Schell. \nW. H. Gibson. \nW. Evans. \nF. B. Schell. \n\n\n\nJ. Filmer 161 \n\nC. Gray 163 \n\nJ. Filmer 165 \n\nJackson 167 \n\nR. Schellim 169 \n\nJackson 172 \n\n\n\nJ. Filmer 173 \n\n\n\nNicholls 175 \n\n176 \n\n177 \n\nSmithwick \xe2\x80\x94 French 177 \n\nEvans 17S \n\nWhimper 179 \n\nJ. Filmer iSi \n\nJackson 1S3 \n\nNicholls 1S3 \n\nMeeder\xe2\x80\x94 Chubb ... 1S5 \n\n\n\nW. H. Gibson. \n\n\n\nW. H. Gibson. \n\nF. W. Fairholt. \nF. W. Fairholt. \nW. H. Gibson. \nW. H. Gibson. \nW. Evans. \nW. Evans. \nW. H. Gibson. \nF. W. Fairholt. \nW. H. Gibson. \nF. W. Fairholt. \nW. Evans. \nF. B. Schell. \n\n\n\nJ. Clement 1S9 \n\nEvans 191 \n\nWatson 192 \n\nLangridge 193 \n\nMeeder \xe2\x80\x94 Chubb.... 197 \n\nSmithwick \xe2\x80\x94 French 201 \n\nVizetelly 203 \n\nVarley 205 \n\nDalziel 207 \n\nMextom 209 \n\n\n\nJ.Johnstone 213 \n\nNicholls 214 \n\nWalmsley 216 \n\nVarley 217 \n\nJ. Filmer 221 \n\nVizetelly 222 \n\nJackson 224 \n\nJ. Filmer 225 \n\nBastin 227 \n\nVarley 22S \n\nArmstrong 229 \n\nEvans 231 \n\nHarley 233 \n\n\n\nMrs. W. D. Griffiths 235 \n\n\n\nW. H. Gibson. \n\n\n\nVarley 237 \n\n\n\nLIST OF ILLUSTRATIONS. \n\n\n\nKuins of Kilfursa \n\nLough Mask, from Fairhill F. W. Fairholt. \n\nDoorway of St. Patrick\'s Church, Inchangoill. \n\nDoorway of the Church of the Saint \n\nImpost Capital, right I From Wilde\'s Lough \\ ^^^^^ ^^^^^^^_ \n\nImpost Capital, left I Conib \n\nMonumental Stone, West \n\nMonumental Stone, East \n\nTuam Cathedral F. W^ Fairholt. \n\nStatue of John of Tuam \n\nMap of Meath \n\nTrim, from Over the Boyne W. H. Gibson. \n\nTrim Castle : W. F. Wakeman. \n\nInterior of Trim Castle \n\nAncient Tomb of Clonard W. F. Wakeman. \n\nWellington Monument, Trim W. H. Gibson. \n\nScurlogstown Castle W. F. Wakeman. \n\nNewtown Bridge and St. John\'s Priory W. F. Wakeman. \n\nAbbey of St. Peter and St. Paul G. Gastineau. \n\nBective Abbey J. B. Burgess. \n\nTara Hill W. H. Gibson. \n\nThe Boyne, and Plain of Meath W. H. Gibson. \n\nAthlumney Castle W. F. Wakeman. \n\nPillar Stone on the Hill of Tara W. F. Wakeman . \n\nAbbey of Slane W. H. Gibson. \n\nDoorway, Hermitage of St. Ere W. F. Wakeman. \n\nChoir Arch, Cannistown W. F. Wakeman. \n\nFont of Kilcarn W. F. Wakeman. \n\nCarvings on the Font of Kilcarn \xe2\x80\x94 First View W. F. Wakeman. \n\nCarvings on the Font of Kilcarn \xe2\x80\x94 Second View W. F. Wakeman. \n\nSt. Kieren\'s Cross W. F. Wakeman. \n\nRound Tower, Donaghmore J. B. Burgess. \n\nDistant View of Dangan Castle J. B. Burgess. \n\nSwift\'s Parish Church, at Laracor \n\nDonaghmore Abbey and Tower J. Warren. \n\nDunmoe Castle John Savage. \n\nThe Boyne, from Old Bridge G. Du Noyer. \n\nMound of New Grange After Wakeman. \n\nRuins of Dangan Castle : \n\nViews at New Grange ; \n\nAncient Remains of New Grange ) \xe2\x80\x9e , ,^ \xe2\x80\x9e \n\n\\ Tudor Horton, after Connolly. \n\n\n\n23S \n\nEvans 240 \n\n241 \n241 \n\nKenny \xe2\x80\x94 Redman. . ~^\' \n242 \n\n242 \n242 \n\nEvans 243 \n\n244 \n\n245 \n\nFilmer 245 \n\nJackson 24S \n\n249 \n\nHanlon 250 \n\nFilmer 251 \n\nHanlon 251 \n\nNugent 252 \n\nBastin 253 \n\nMiss Williams. . . . 255 \n\nSmith 256 \n\nSmith 257 \n\nHanlon 258 \n\n260 \n\nClement 261 \n\nHanlon 262 \n\nHanlon 263 \n\nHanlon 263 \n\nHanlon 264 \n\nHanlon 264 \n\nHanlon .... 266 \n\nSly 267 \n\nDalzie! 26S \n\n\n\nEastern Recess, or Crypt. . . \n\nStones of the Circle \n\nCarving in Eastern Recess. \n\n\n\nCarving in Eastern Recess V Tudor Horton, after Wakeman. \n\nCarved Stone on Exterior 1 \n\nEntrance to Gallery J \n\nKilsharvan Church \n\nNorthern Crypt, in New Grange A. NichoU. \n\nMound of Dowth W. F. Wakeman. \n\nEntrance to Gallery, Dowth W. F. Wakeman. \n\nCaillemote\'s Grave G. Du Noyer. \n\nDonore Hill and Church Ruins G. Du Noyer. \n\nThe Old Sheep-House G. Du Noyer. \n\nTara Brooch \n\nMap of Westmeath \n\nMultifemam Abbey John Savage. \n\nOld Gateway at Fore Tudor Horton. \n\nAthlone, from Westmeath J. Warren. \n\n\n\nCammeyer 271 \n\nJ. Filmer 273 \n\nMiss Williams. . . . 274 \n\nCuUen 275 \n\n\n\nKenny \xe2\x80\x94 Redman. 276 \n\n\n\nKenny \xe2\x80\x94 Redman. 276 \n\n\n\n27S \n\nGilks 279 \n\nHanlon 2S0 \n\nHanlon 281 \n\nLandells 282 \n\nLandells 2S3 \n\nLandells 2S4 \n\n284 \n\n285 \n\nJ. Filmer 285 \n\nKenny \xe2\x80\x94 Redman. 2S7 \n\nFilmer 288 \n\n\n\nxii LIST OF ILLUSTRATIONS. \n\nNAME. ARTIST. ENGRAVER. PAGP \n\nMap of Longford 2gu \n\nMaria Edgeworth\'s Residence F. W. Fairholt. Landells 290 \n\nRuins of Goldsmith\'s Early Home G. F. Sargent. Evans 291 \n\nThe Site of the Hawthorn Bush F. W Fairholt. Landells 291 \n\nScenes of Goldsmith\'s " Deserted Village " : \n\nThree Pigeons S \n\nThe Church I \xe2\x80\x9e \xe2\x80\x9e 01,11 -c-i \n\n> !\xe2\x96\xa0 . B. Schell. Fumer 292 \n\nThe Vicarage \n\nThe Busy Mill J \n\nMap of Dublin 295 \n\nView in Phcenix Park, Dublin 293 \n\nHowth Harbor and Lighthouse G. F. Sargent. Green 294 \n\nHowth Abbey G. F. Sargent. Evans 295 \n\nHowth Castle 296 \n\nHowth Head and Beach J. O. Davidson. Harley 297 \n\nSt. Doulough\'s Church F. W. Wakeman 298 \n\nSt. Doulough\'s Well J. Connell. Wakefield 299 \n\nMalahide Abbey Tudor Horton . Kenny \xe2\x80\x94 Redman . 300 \n\nThe Bailey Lighthouse J. O. Davidson. Filmer \n\nMalahide Castle G. F. Sargent. Wakefield 302 \n\nRound Tower and Church, Lusk A. NichoU. Evans 303 \n\nRound Tower and Church, Swords G. F. Sargent. Landells 304 \n\nDemesne and Castle of Howth \xe2\x80\x94 Ireland Eye and Lambay in the Distance . After Bartlett. Littell 305 \n\nSwords Castle G. F. Sargent. Evans 306 \n\nNew Railway Station, at North Wall 30S \n\nThe Liffey \xe2\x80\x94 Carlisle Bridge 309 \n\nBirmingham Tower G. Du Noyer. Nugent 310 \n\nChrist Church Cathedral G. F. Sargent. Bastin 311 \n\nSt. Patrick\'s Cathedral, Southeast G. F. Sargent. Armstrong 312 \n\nOn the Liffey \xe2\x80\x94 Wood Quay \xe2\x80\x94 Richmond Bridge 313 \n\nStrongbow\'s Monument \xe2\x80\x94 Christ Church 314 \n\nCrypt \xe2\x80\x94 Christ Church 315 \n\nNorman Doorway \xe2\x80\x94 Christ Church 316 \n\nSt. Patrick\'s Cathedral, East Harral 317 \n\nSt. Patrick\'s Cathedral, South 31S \n\nSwift\'s Monument 319 \n\nSwift\'s Birthplace 320 \n\nSt. Patrick\'s Cathedral, Interior 321 \n\nRoom in which Lord Edward was Captured H. MacManus. Jackson 323 \n\nSackville Street \xe2\x80\x94 General Post Office 324 \n\nSackville Street \xe2\x80\x94 Nelson\'s Pillar, from Carlisle Bridge. 325 \n\nBank of Ireland \xe2\x80\x94 Old Parliament House, from southeast G. F. Sargent. Walmsley 327 \n\nCastle Yard 329 \n\nBurke Statue 330 \n\nGrattan Statue 331 \n\nO\'Connell\'s Residence, Merrion Square 332 \n\nChapel Royal, and Birmingham Tower Harral 333 \n\nMornington House 335 \n\nStatue of William III 336 \n\nThe Chapel Royal, Interior 337 \n\nMoore\'s Birthplace \xe2\x80\x94 as it was - 339 \n\nRotunda and Lying-In Hospital 340 \n\nThe Four Courts (of Law) 341 \n\nMoore\'s Birthplace \xe2\x80\x94 as it is 342 \n\nNew Railway Bridge over the Liffey 344 \n\nStatue of Oliver Goldsmith Roberts 345 \n\nView down Dame Street, from Trinity College \xe2\x80\x94 Grattan \'s Statue, King \n\nWilliam\'s in the rear 347 \n\nThe Custom- House\xe2\x80\x94 South Front 349 \n\n\n\nLIST OF ILLUSTRATIONS. xiii \n\nNAME. ARTIST. ENGRAVER. PAGE \n\nOgham Stone in Trinity College 351 \n\nBell Tower, Trinity College 352 \n\nTrinity College^the Quadrangle G. F. Sargent. Evans 355 \n\nTrinity College 356 \n\nLibrary, Trinity College 357 \n\nBirthplace of Burke 359 \n\nSt. Michan\'s Church \xe2\x80\x94 Burial-Place of Emmet 360 \n\nO\'Connell Monument, Glasnevin 361 \n\nBank of Ireland (Old Parliament House) 364 \n\nHouse of Lords \xe2\x80\x94 Old Parliament House 365 \n\nThe Bank \xe2\x80\x94 Eastern Fa9ade and Portico, from College Gate 366 \n\nSt. Patrick\'s Bell 366 \n\nShrine of the Bell 366 \n\nSt. Stephen\'s Green \xe2\x80\x94 North Side 367 \n\nGrafton Street \xe2\x80\x94 Bank on left\xe2\x80\x94 College on right - 368 \n\nAlbert Memorial (Dublin) 369 \n\nBloody Bridge G. F. Sargent. Wakefield 370 \n\nStatue of Earl of Carlisle 37\xc2\xb0 \n\nBird\'s-Eye View of Dublin, from the Summit of Nelson\'s Pillar \xe2\x80\x94 Dub- \nlin Mountains in the Southern Distance 371 \n\nView in Phoenix Park 374 \n\nTunnel under Phcenix Park 375 \n\nVice-Royal Lodge, Phcenix Park 376 \n\nClondalkin and Round Tower\xe2\x80\x94 Southern Approach 377 \n\nDistant View of Clondalkin Round Tower, from the North H. O\'Neill. Mason 37S \n\nSkerry Islands 379 \n\nDublin Bay, from Dalkey, over Kingstown Tuttle. Tuttle 380 \n\nMap of Mayo 3Si \n\nCong Abbey , Frank Bellew. Meeder \xe2\x80\x94 Chubb.. . 3S1 \n\nGateway, Cong Abbey F. W. Fairholt. NichoUs 382 \n\nChancel Windows, Cong Abbey F. W. Fairholt. Evans 3S2 \n\nThe Pigeon Hole F. W. Fairholt. Branston 383 \n\nThe Cross of Cong F. W. Fairholt. Walmsley 384 \n\nThe Killeries, Mayo Dalziel 385 \n\nIn the Mountains of Mayo W. Evans. Vizetelly 386 \n\nApproach to Delphi W. Evans. Evans 387 \n\nOver Delphi Lodge \'\xe2\x80\xa2 W. H. Gibson. Langridge 389 \n\nMoyne Abbey 39^ \n\nHead of the Killeries W. H. Gibson. G. F. Smith 392 \n\nClew Bay F. W. Fairholt. Bastin 393 \n\nRuins of St. Colman\'s 394 \n\nNewport-Mayo F. W. Fairholt. Landells 395 \n\nBurrishoole Abbey F. W. Fairholt. Evans 396 \n\nCarrig-a-Hooley Castle : F. W. Fairholt. Evans 396 \n\nMuilrea, Killeries F. B. Schell. H. Gray 397 \n\nA Village on Achill F. W. Fairholt. A. J. Mason 399 \n\nRocks on Achill F. W. Fairholt. Evans 400 \n\nOn the Moy 4\xc2\xb0\xc2\xb0 \n\nMap of Carlow \xe2\x80\xa2 4\xc2\xb0! \n\nCarlow and Surrounding Country W. Harvey. Green 401 \n\nThe "Mound of the Kings" \' G. F. Sargent. Landells 402 \n\nCarlow Castle G. F. Sargent. Bastin 403 \n\nMilford \xe2\x80\x94 Mount Leinster and Blackstairs in the Distance W. Harvey. Bastin 404 \n\nMap of Cork , 405 \n\nQueen\'s College, Cork W. H. Gibson. Meeder\xe2\x80\x94 Chubb. . 405 \n\nCork Harbor W. Willes. Green 406 \n\nCrosshaven Sargent 407 \n\nHaulbowline and Spike Island M. A. Williams... 408 \n\nThe Depot on Rocky Islands Lady Deane. Landells 409 \n\n\n\nxiv LIST OF ILLUSTRATIONS. \n\nNAME. ARTIST. ENGRAVER. PAGE \n\nFishing Boats ofE Haulbowline J- O. Brierly. Landells 410 \n\nEast Feny 4" \n\n" Cove," Queenstown F. W. Hulme. Dalziel 412 \n\nLough Mahon 4^3 \n\nRound Tower at Cloyne 4^4 \n\nCloyne Cathedral 4I5 \n\nThe Mathew Tower 4i6 \n\nViews at Cork ; \n\nSunday\'s Well 1 \n\nFather Mathew Statue r F. B. Schell. Smith 417 \n\nNorth Wall, from the Lee \' \n\nFather Mathew Temperance Medal Sly 418 \n\nThe Cork Arms. Landells 419 \n\nPatrick\'s Bridge and Camden Quay, from Merchant\'s Quay Filmer 420 \n\nThe Mardyke F B. Schell. Smith 421 \n\nPortal of the Old Cathedral H. Hill. Landells 422 \n\nTomb in the Cemetery F. G. Sargent. Evans 423 \n\nScene in the Cemetery F. G. Sargent. Evans 424 \n\nCathedral and Interior F. B. Schell. Sharp 425 \n\nJames Barry\'s Birthplace T. C. Croker 426 \n\nFrom the Road to Cork F. W. Hulme. G. Dalziel 42S \n\nMacroom Castle W. H. Gibson. Harley 429 \n\nShandon Steeple Dalziel 432 \n\nMyrtle Grove ; Residence of Sir Walter Raleigh, Youghal F. B. Schell. Clement 433 \n\nCromlech at Castle Mary T. C. Croker. Landells 434 \n\nOld Signal Tower at Youghal W. WiUes. Sly 435 \n\nRaleigh\'s House \xe2\x80\x94 Front View 436 \n\nCollegiate Church Ruins, Youghal F. B. Schell. Varley 437 \n\nRaleigh\'s Yew Arbor W. Willes. Jackson 43S \n\nHie Jacet Thomas Fleming H. Hill. Landells 439 \n\nKilcrea Friary J- Noblett. Landells 440 \n\nCarrig-a-Droid Castle \' W. Willes. Sly 442 \n\nKinsale Harbor W. Willes. Evans 443 \n\nShip-Pool Castle W. Willes. Sly 444 \n\nDowndaniel Castle W- Willes. Jackson 444 \n\nGrave of Gerald Griffin Frank Bellew. Meeder\xe2\x80\x94 Chubb ... 445 \n\nNorthwest View of Blarney Castle G. Gibson. Harley 447 \n\nBlarney Castle W. H. Gibson. G. F. Smith 449 \n\nViews at and near Blarney Castle : \n\nKissing the Blarney Stone \\ \n\nBlarney Castle, from over the water h F. B. Schell. Schelling 453 \n\nAt St. Arms \' \n\nMonanimy Castle Armstrong 454 \n\nTomb of De Barry W. Willes. Evans 455 \n\nMallow Castle 45^ \n\nKilcolman Castle \'W. H. Gibson. Smithwick\xe2\x80\x94 French 457 \n\nThe Pass of Keim-an-eigh A. NichoU. Landells 45S \n\nGougane Barra 459 \n\nThe Green Little Island, Gougane Barra A. Nicholl. Landells 460 \n\nView at Glengarifl W. H. Gibson. Varley 461 \n\nChurch at Glengariff \'. \xe2\x96\xa0 - W. H. Gibson. Varley 461 \n\nLough Ine \xe2\x80\xa2 \xe2\x80\xa2 \xe2\x80\xa2 W. Willes. Landells 462 \n\nCrookhaven Harbor Dalziel 463 \n\nCrookhaven, looking inland W. Willes. Green 464 \n\nDunanore Castle, Cape Clear W. Willes. Green 464 \n\nAbbey Ruins, Inisherkin W. Willes. Landells 465 \n\nBantry Bay \xe2\x80\xa2 \xe2\x80\xa2 A. Nicholl. Landells 465 \n\nEntrance to Bantry, from Lord Bantry\'s, Swan Lake Dalziel 466 \n\nThe Harbor of Berehaven F. G. Sargent. Green 466 \n\n\n\nLIST OF ILLUSTRATIONS. \n\n\n\nNAME, ARTIST, ENGRAVER, , PAGE \n\nThe House of Rocks A, NichoU, Landells , , , 467 \n\nAt Glengariff W. H. Gibson. G. F, Smith 46S \n\nCromwell\'s Bridge, Glengariff F, B, Schell, Varley 469 \n\nFrom Glengariff to Killarney 470 \n\nMap of Kings County 471 \n\nGarry Castle G. F. Sargent. Gilks 471 \n\nClonmacnoise Cross and Ruins A. Nicholl. Evans 472 \n\nMap of Armagh , 473 \n\nArmagh Proctor 473 \n\nInterior of the Old Cathedral before its Restoration H. MacManus. Wakefield 474 \n\nCharlemont Fort H. MacManus. Jackson 475 \n\nMap of Roscommon 477 \n\nAthlone Castle 477 \n\nKilcomodon Hill F. W, Fairholt. Mason 47S \n\nMap of Queens County 479 \n\nRock of Dun-a-Mase Lady Chatterton, Walmsley 479 \n\nCanal Fly-Boat G. DuNoyer, Gray 4S0 \n\nMap of Fermanagh 4S i \n\nLough Erne J. Franklin. Dudley 481 \n\nMonea Castle J. Franklin. Miss Cook 483 \n\nTully Castle G. F. Sargent. Kirchner 484 \n\nRound Tower and Church on Devenish J. Franklin. Miss M, A. Williams 485 \n\nSculpture on Round Tower, North side G. F. Sargent. Evans 486 \n\nMap of Leitrim . : 487 \n\nMap of Monaghan 488 \n\nLough between Monaghan and Cavan H. MacManus, Jackson 4SS \n\nMap of Louth 489 \n\nKing John\'s Castle, Carlingsford A, Nicholl. Mason 489 \n\nCastle Roche T. B, Burgess. Jackson 490 \n\nKing James\' Quarters before the Boyne G. DuNoyer. Evans 491 \n\nKing William\'s Quarters before the Boyne G. DuNoyer. Miss Cook 491 \n\nCromwell\'s Fort H. Gastineau. Nicholls 492 \n\nSt, Lawrence Gate .\xe2\x80\xa2 493 \n\nCrypt at Mellifont Abbey A. Nicholl. Wakefield 494 \n\nBaptistry, Mellifont G. F. Sargent. Gilks 494 \n\nCross of Muredach W. F. Wakeman. Hanlon 495 \n\nRuins at Monasterboice A. Nicholl. Gilks 496 \n\nMap of We.xford 497 \n\nFerry Carrick on the Slaney A. Nicholl, T. Williams 497 \n\nPromontory of Bag-an-Bun John Lynn. Green 49S \n\nThe Saltee Islands John Lynn, Green 498 \n\nRuins of Bannow Abbey \xe2\x96\xa0 G. F. Sargent. Green 499 \n\nTintern Abbey John Lynch. Bastin 499 \n\nClonmines A. Nicholl, Evans 500 \n\nThe Lake at Johnstown A. Nicholl. Jackson. 500 \n\nEnniscorthy After Creswick. Walmsley 501 \n\nDunbrody Abbey, West 502 \n\nRemains of Selsker Abbey, adjoining the old Fortifications 503 \n\nRathmacnee Castle G. F. Sargent, Evans 504 \n\nBargy Castle A. Nicholl. T. Williams 504 \n\nSelsker Abbey. G. F. Sargent. Green 505 \n\nSt. Eden\'s Monument A. Nicholl. Sly 506 \n\nAncient Font at Ferns A. Nicholl. Sly 506 \n\nAugustinian Abbey Ruins, Ferns A. Nicholl. Wakefield 507 \n\nFerns Castle A. Nicholl. Wakefield 50S \n\nMap of Sligo 509 \n\nSligo Abbey\xe2\x80\x94Cloisters After W. H. Bartlett. R. S. Bross 509 \n\nSligo Abbey\xe2\x80\x94 Nave and Choir After W. H. Bartlett. R. S. Bross 511 \n\nTown Hall, Sligo 5 12 \n\n\n\nxvi LIST OF ILLUSTRATIONS. \n\nNAME. ARTIST. ENGRAVER. PAGE- \n\nMap of Donegal 5I3- \n\nDonegal Castle 513 \n\nBundoran G. F. Sargent. Whimper 516 \n\nGrianan of Aileach \xe2\x80\x94 Exterior Bross 517 \n\nGrianan\xe2\x80\x94 Bird\'s-eye View Bross 517 \n\nCastle of Myler Magrath, overlooking Lough Erne G. F. Sargent. Miss Clint 518 \n\nDonegal Castle, from below J. H. Burgess. Landells 519 \n\nMap of Cavan 520 \n\nOld Mill G. F. Sargent.\' Evans 520. \n\nMap of Waterford 521 \n\nCromlech at Knockeen 521 \n\nUp the Blackwater \xe2\x80\x94 Rincrew H. Hill. Sly 522\' \n\nUp the Blackwater \xe2\x80\x94 Strancally 523 \n\nUp the Blackwater \xe2\x80\x94 Knockmeledown in the Distance Armstrong 524 \n\nMount Melleray 525 \n\nMount Melleray Chapel 52& \n\nWeir at Lismore W. Evans. Green 527 \n\nOn the way to the Suir 528 \n\nSt. Declan\'s Well Lady Deane. Evans 529 \n\nRound Tower at Ardmore G. F. Sargent. Gilks 529 \n\nCoumshinaun J. Egan. Bastin 530 \n\nTubber Grieve G. F. Sargent. Landells 531 \n\nThe Castle of Kin-Corr G. F. Sargent. Sly 532 \n\nChurch Ruins at Faithlegg \xe2\x96\xa0. G. F. Sargent. Landells 533 \n\nDunmore Pier C. N. Bolton. Bastin 534 \n\nDruid Altar near Dunmore C. N. Bolton. Sly 534 \n\nMap of Tyrone 535 \n\nCastle Caulfield J. H. Burgess. Evans 535 \n\nSt. Patrick\'s Chair.\' Bross 536 \n\nMap of Kilkenny 537 \n\nRuins at Kells C. Heaviside 537 \n\nSt. Catharine\'s Abbey J. Egan. Evans 539 \n\nTower and Cross at Kilree J. Egan. Bastin 540 \n\nKells Abbey \xe2\x80\x94 General View J. Egan. Landells 540 \n\nJerpoint, from the river After Bartlett 54^ \n\nJerpoint Abbey, South J. Egan. Wakefield 542 \n\nInterior View of Jerpoipt Abby J. Egan. Walmsley 543 \n\nShee\'s House, in which the Confederate Parliament Avas held J. Egan. Evans 544 \n\nThe Black Abbey J. Egan. Delamotte 544 \n\nChair of St. Kiernan J. Egan. Evans 54S \n\nSt. Canice\'s Cathedral J. Egan. Evans 545 \n\nThe Well of St. Canice J. Egan. Gilks 54& \n\nThe Butt\'s Cross J. Egan. Bastin 547 \n\nThe Franciscan Friary 548 \n\nRound Tower at Tulloherin J. Egan. Evans .\' 549 \n\nWoodstock Demesne and Bridge G. F. Sargent. T. Williams 550 \n\nLodge School at Woodstock G. F. Sargent. Miss Williams. ... 550 \n\nMap of Limerick 55 1 \n\nCity of Limerick 55i \n\nDruidical Remains \xe2\x80\x94 Cromlech at Altoir J. Windele. Landells 552 \n\nDruidical Remains J. Windele. Landells 552 \n\nDruidical Temple J. Windele. Gilks 552 \n\nKing John\'s Castle, Limerick 553 \n\nCathedral of St. Mary J. H. Mulcahy. Wakefield \xe2\x96\xa0. . . 554 \n\nSt. Mungret\'s Priory J. Humphreys. Landells 554 \n\nTreaty Stone . 555 \n\nCarrig-o-Gunnel 556 \n\nHome of Gerald Griffin T. C. Croker. Miss Williams 556 \n\nAugustinian Abbey, Adare W. H. Gibson. G. F. Smith 557 \n\n\n\nLIST OF ILLUSTRATIONS. xvii \n\nNAME. ARTIST. ENGRAVER. PAGE \n\nShannid Castle and Rath J. Windele. Green 558 \n\nBlack Castle at Lough Gur T. C. Croker. Walmsley 558 \n\nNew Church at Lough Gur J. Windele. Gilks 559 \n\nThe Mass Rock. . .i T. C. Croker. T. Williams 560 \n\nRound Tower and Ruins at Croom J. Windele. Landells 560 \n\nAskeaton Abbey W. H. Gibson. Morse 561 \n\nChurch at Killmallock T. C. Croker. Jackson 562 \n\nDominican Friary T. S. Prout. Landells 563 \n\nTomb of William Smith O\'Brien 564 \n\nMap of Kildare 565 \n\nCarbery Castle J. Filmer 565 \n\nRound Tower and Cross at Kildare 566 \n\nCathedral of Kildare 567 \n\nAncient Castle of the Geraldines 568 \n\nCarton, Seat of the Duke of Leinster 569 \n\nWhite\'s Castle and Athy Bridge A. Nicholl. Bastin 571 \n\nSalmon Leap, Leixlip G. F. Sargent. Whimper 572 \n\nMap of Londonderry 5 73 \n\nLondonderry 573 \n\nSalmon Leap, Coleraine 575 \n\nGate of Derry H. Gastineau. Evans 577 \n\nWalker\'s Monument H. Gastineau. Evans 577 \n\nPennyburn Mill H. Gastineau. Evans 578 \n\nMap of Clare 579 \n\nCoast at Kilkee After Bartlett. J. H. Kubler 579 \n\nCliffs at Moher J. O. Davidson 581 \n\nChapel of St. Camin W. F. Wakeman. Evans 582 \n\nNatural Bridges at Ross After Bartlett. Bross 583 \n\nInchiquin Castle Roberts 584 \n\nLion\'s Head Rock . . J. O. Davidson. R. Sclielling 585 \n\nQuin Abbey 586 \n\nCratloe Castle W. F. Wakeman. Evans 587 \n\nInniscattery \xe2\x80\x94 Round Tower and Ruins \' 588 \n\nSt. Senanus\' Oratory 588 \n\nMap of Down 589 \n\nGrey Abbey, Interior 589 \n\nDownpatrick Cathedral J. H. Burgess. Evans 590 \n\nRuins at Knockbreda Church A. Nicholl. Smith 590 \n\nRemains at Moville Abbey A. Nicholl. Bastin 591 \n\nGrey Abbey J. H. Burgess. Evans 591 \n\nRuined Arch, Grey Abbey 592 \n\nKillclief Castle Cammeyer 592 \n\nSt. Colman\'s Cathedral, Dromore 593 \n\nArdglass \xe2\x80\x94 Tower Cammeyer 594 \n\nArdglass \xe2\x80\x94 Tower Cammeyer 594 \n\nDundrum Castle .\' J. H. Burgess. Jackson 595 \n\nBridge, ToUymore Park A. Nicholl. Landells 595 \n\nTomb of John Mitchel 50 \n\nPulpit from which Mitchel\'s father preached 597 \n\nNarrow Water Castle J- H. Burgess. Bastin 598 \n\nNewry River T. Gilks 599 \n\nDonoughmore Church and Graveyard \xe2\x96\xa0 600 \n\nMap of Tipperary 602 \n\nRock and Ruins of Cashel W. F. Wakeman. Jackson 603 \n\nSt. Mary\'s Church, Clonmel G. DuNoyer. Delamotte 603 \n\nSt. Patrick\'s Well J- Egan. Green 603 \n\nCarrick-on-Suir T. Heaviside 604 \n\nCahir Castle G. DuNoyer. Landells 603 \n\nTurret of Cahir Castle ....... G. DuNoyer. Evans 605 \n\n\n\nLIST OF ILLUSTRATIONS. \n\n\n\nNAME. ARTIST. ENGRAVER. P.\\GE \n\nCahir Castle, from Southeast Heaviside 606 \n\nTubrid Church \xe2\x80\x94 Grave of Geoffrey Keating G. DuNoyer. Sly 607 \n\nGolden Bridge W. F. Wakeman. Walmsley 607 \n\nTowers on the Rock J. S. Prout. Mason 607 \n\nAthassel Abbey W. F. AVakeman. Landells 608 \n\nEntrance to Athassel G. F. Sargent. T. Gilks 60S \n\nEntrance to Cormac\'s Chapel J. S. Prout. Mason 609 \n\nCormac\'s Chapel After Bartlett. Bross 6og \n\nRock of Cashel, distant view, southeast J. S. Prout. A. J. Mason 609 \n\nCormac\'s Chapel, Interior , After Bartlett. Bross \'. . . 610 \n\nTomb of Miler Magrath.. J. S. Prout. J. Walmsley 611 \n\nHore Abbey W. F. Wakeman. Sly 612 \n\nHore Abbey, Interior , W. F. Wakeman. Mason 612 \n\nHoly Cross Abbey After Bartlett 613 \n\nHoly Cross, Interior \xe2\x96\xa0 614 \n\nMonk\'s Rest \xe2\x80\x94 Holy Cross J". Egan. Evans 614 \n\nStalactite Curtain, Mitchelstown Cave A. Nicholl. Bastin 615 \n\nChamber in Middle Cave, Mitchelstown A. Nicholl. Green 615 \n\nEdward\'s Bed \xe2\x80\x94 Cromlech on Galtee More T. C. Croker. Sly 616 \n\n\n\nINTRODUCTION. \n\n\n\n\nS^ROM the earliest period geographers and historians have directed \nattention to Ireland, not less for commercial success and advantages \nof position than for the fertility of the soil and the salubrity of her \nclimate. From Tacitus and Ptolemy, in the first and second century \nof Christianity,\'\'\' to Orosius in the fifth, Venerable Bede in the eighth, \nGiraldus Cambrensis in the twelfth, and Edmund Spenser in the \nsixteenth, we have allusions to the sea-port characteristics, the cli- \nmate, and the scenery of " the very ancient isle." f \n\nIsidore, following Orosius, states that Ireland was inferior in size to Britain, \nbut, from its situation, of greater fertility ; and Bede says " Ireland is much \nsuperior to Britain, both in the salubrity and serenity of the atmosphere." Gi- \nraldus Cambrensis questions the statement of Bede as to serenity, but with little \nreason, as he almost immediately proceeds to illustrate the fact by stating that \n" Ireland, lying at equal distances between the cold of Iceland and the heat of \nSpain, with its temperature moderated from these opposite quarters, the country \nis happily favored both in having a temperate climate and a wholesome air." \n\nFollowing the Anglo-Norman invaders, Gerald Barry, better known as Gi- \nraldus Cambrensis (of Wales), accompanied Prince (afterwards king) John in the \ncapacity of secretary to Ireland in ii85, and his misrepresentations of the char- \nacter, manners, and customs of the Irish people have been a fruitful source of \n\n\n\n* Even before Tacitus, who speaks of the harbors of Ireland being more frequented than those of Britain, the phi- \nlosopher Artemidorus, who flourished one hundred years before Christianity, speaks of " eleven illustrious cities in \nIreland." \n\nt Ogygia \xe2\x80\x94 very ancient isle \xe2\x80\x94 alluded to by Plutarch, Life of Solon. \n\nI xix \n\n\n\nXX INTRODUCTION. \n\ncomment and correction on the part of subsequent historians and antiquarians. \nA churchman of education, travel, ability, and unweening ostentation, and also a \nvoluminous author, the desire to display his extensive knowledge and observation \nfound utterance in much \xe2\x80\x94 outside of political and personal misrepresentation of the \npeople \xe2\x80\x94 of a really interesting character. To the natural beauties of Ireland he \nmade suggestive reference. " Separated," he says, " from the rest of the known \nworld, not only by its situation, but by the objects out of the ordinary course of \nnature contained in it, Ireland seems to be nature\'s especial repository, where she \nstores up her most remarkable and precious treasures." * Some of these objects \nhe points out : " Here you may see standing waters on the tops of the mountains, \nfor pools and lakes are found on the summits of lofty and steep hills. There are, \nhowever, in some places, very beautiful plains, though of limited extent in compari- \nson with the woods." f Again he speaks of the fascinating inland waters and the \nsecurely romantic places of retreat and refuge of the native chiefs : " This island \nis also especially remarkable for a great number of beautiful lakes, abounding in \nfish, and surpassing in size those of any other countries I have visited. These lakes \nencompass some slightly elevated spots, most delightfully situated,, virhich for the \nsake of security, and because they are inaccessible except by boats, the lords of \nthe soil appropriate as their places of refuge and seats of residence, where they \nraise their harvests." | \n\nEdmund Spenser received from Queen Elizabeth over three thousand acres \nof land in Cork, confiscated from the Earl of Desmond. He was, consequently, \neagerly in favor of a free use of the sword, and the exercise of unsparing violence \nin the treatment of the natives. He had a natural cupidity also, which was in no- \nwise abated by the desire of permanent establishment in a country which he could \nthus describe : " And sure it is yet a more beautiful and sweet country as any is \nunder heaven, being stored throughout with many goodly rivers, replenished with \nall sorts of fish abundantly, sprinkled with many sweet islands and goodly lakes, \nlike little inland seas, that will carry even ships upon their waters ; adorned with \ngoodly woods even fit for building houses and ships, so commodiously, as that if \nsome princes in the world had them, they would soon hope to be lord of all the \nseas, and ere long of all the world ; also full of very good ports and havens open- \n\n* Topography of Ireland, chap. ii. \\Ibid., chap. iv. % Chap. vii. \n\n\n\nINTRODUCTION. xxi \n\ning upon England, inviting us to come unto them to see what excellent commodi- \nties that country can afford ; besides the soyle it selfe most fertile, fit to yield all \nkind of fruit that shall be committed thereunto. And lastly, the heavens most \nmilde and temperate, though somewhat more moist than the parts towards the \neast." \n\nThe allusion to the extent of the lakes surpassing anything elsewhere seen by \nGiraldus had especial reference, among others, to Lough Neagh, the. legend of \nwhich, as related by him, suggested, more than six centuries later, the verse \nin Moore\'s famous melody commencing \xe2\x80\x94 \n\n"On Lough Neagh \'s banks, as the fisherman strays." \n\nNeagh is the largest lake in Great Britain, indeed it is one of the largest \nin Europe, being only exceeded in extent by Geneva in Switzerland, Ladoga \nin Russia, and Vener in Sweden. Other loughs (or lakes) as Corrib, Mask, \nConn, Erne, Derg, Ree, Killarney \xe2\x80\x94 some of them little less in extent than Lough \nNeagh \xe2\x80\x94 embrace, as Cambrensis says, numerous beautiful islands, and are more \ncelebrated for various degrees of wild and enchanting scenery, and for human \ninterest associated with historical and romantic events of the past. Killarney, \nwhich is a synonym all over the world for the beautiful and poetical in lake scene- \nry, needs no particular mention in this place, but others less known are deemed \nof equal, if not more attractive grandeur. Mr. Henry David Inglis, the persis- \ntent and observant Scottish traveler, with all the glories of Europe, from Switzer- \nland to the Isles of Achill, and from Norway and Sweden to the Sierra Moreno, \nin his mind\'s eye, confidently asserted " that the Lower Lough Erne, take it all \nin all, was the most beautiful lake in the three kingdoms ; and but for the majestic \nAlpine outline that bounds the horizon on the upper part of Lake Leman, Lake \nLeman itself could not contend in beauty with this little-visited lake in the County \nof Fermanagh." In sombre " dim religious " contrast to Erne is another Ulster lake, \nDerg, famous as the locality of " Saint Patrick\'s Purgatory," and the most widely \nknown of the Irish lakes during the mediaeval era. Loughs Conn, Mask, and Cor- \nrib, in Connaught, are splendid sheets of water, presenting combinations of grand \nmountain and island scenery. Corrib is next in extent to Lough Neagh, and in \nscenery is accounted one of the finest in Europe. It was the opinion of the late \n\n\n\nxxii INTRODUCTION. \n\nRev. Caesar Otway, author of some excellent " Sketches of Travel in Ireland," \nthat " if such a lake were in Scotland, or indeed anywhere else in Europe, it would \nbe covered with steamboats and yachts, and there would be hotels and accommo- \ndations on its shores ; and a country as rich, if not richer, than Cumberland would \nbe opened out and planted and built upon." It presents a noble area of water, ex- \ntending in a sinuous manner a distance of nearly thirty miles, studded with islands, \nsome fertile, others rugged with rocks; " some embattled with the ruins of an old \nfortress ; some made holy by the crumbling remains of a still older church." These \nislands contain about one thousand acres of arable land. Next in extent is the \ngreat Lough Derg, an expansion of the Shannon, with bold and elevated banks, \nand "screened with magnificent mountain scenery" toward the south. Other crag- \nencircled gems of water there are, like Killarney, of much less extent, such as \nGougane Barra, in the County Cork, and Glendalough, Luggelaw, Dan, and \nBray, in the County Wicklow, which are of exceeding beauty, consecrated to lay \nand legend, and of great fame. \n\nAs Ireland has the largest lakes, it also has the largest river in the united \nkingdoms \xe2\x80\x94 the historic Shannon \xe2\x80\x94 ^which, rising in the wild district of Glangavelin \nin the County Cavan, embosoms itself in Lough Allen, from the confines of \nwhich, between the mountains of Sleevenerrin and Dowbally, it comes forth \nrefreshed, expands into several lakes, whirls and foams by Castle-Connell in a \nseries of rapids \xe2\x80\x94 with which the Swiss Geisbach cannot compare for grandeur and \neffect \xe2\x80\x94 drains seven thousand square miles in eleven counties of the four prov- \ninces, swallows numerous picturesque tributaries, reflects on its noble current, \nbesides a number of places dear to memory and renown, the towns and towers \nof Athlone and Limerick. It is the largest island river on the globe, and con- \nveys a larger body of water to the sea than any continental river of the same \nextent. It was known to Ptolemy as Semes, to Orosius as Sccna, and to Spenser, \nin the sixteenth century, as Shenan. Fifteen miles below Limerick it deepens \nand widens, becomes an immense arm of the sea, and joins the Atlantic sixty \nmiles distant. \' Many rivers there are whose chroniclers and "sweet recorders," \nthe bards, dispute the right of the Shannon to the sovereignty of queen river \nof Ireland ; and their claims are sustained by everj^ possible variety of scenic \nbeauty, antiquarian lore, valorous action, pathetic history, and captivating legend \n\n\n\nINTRODUCTION. xxiii \n\n\xe2\x80\x94 by everything, in fact, save extent. Spenser, in his episode of the Marriage of \nthe Thames and Medway \'^\' introduces the principal rivers of Ireland : \n\n" Ne thence the Irish rivers absent were ; \nSince no less famous than the rest they be." \n\nThree of the principal rivers of the south, which unite about five miles above \nthe city of Waterford, he happily describes as the "Three Renowmed Brethren." \n\n"The first the gentle Suir, that, making way \nBy sweet Clonmel, adorns rich Waterford ; \nThe next, the stubborn Nore, whose waters gray \nBy fair Kilkenny and Rosseponte board ; \nThe third, the goodly Barrow, which doth hoard \nGreat heaps of salmons in his deep bosom : \nAll which, long sundred, do at last accord \nTo join in one, ere to the sea they come ; \nSo, flowing all from one, all one at last become." \n\nThere also was \n\n"The spreading Lee, that, like an island fair \nEncloseth Cork with his divided flood," \n\nbut which is more widely celebrated by Father Francis Mahony\'s \n\n" Bells of Shandon \nThat sound so grand on \nThe pleasant waters of the river Lee," \n\nand send echoes over land and ocean which thrill the heart of every native of \n"the beautiful city " to the ends of the earth. In his poem of "The Rivers," \nThomas Davis recalls the memories and wonders of the northern and southern \nBlack waters : \n\n" There\'s a far-famed Blackwater that runs to Lough Neagh, \nThere\'s a fairer Blackwater that runs to the sea." \n\nThe one he calls "the glory of Ulster," with its heroic and patriotic reminiscences \nof Benburb and Owen Roe O\'Neill, the shrines of Armagh and the church of Dun- \ngannon ; and the other, with its gorgeous turrets, scholastic echoes of saintly Lis- \nmore, splendid mountains, rich woodlands, trees and flowers, he rapturously hails \n\n* The Faerie Queene, book iv., canto xi. \n\n\n\nxxiv INTRODUCTION. \n\nas the \'\xe2\x80\xa2 beauty of Munster," the Eden of Ireland ! In Ulster " the fishy fruitful \nBann " forms the only outlet of Lough Neagh, which receives eight rivers. The \nvalley of the Lagan, between Belfast and Lisburn, presents a panorama of beauty, \ncultivation, and activity, amid a variety of hill, dale, wood, and water that is not \nsurpassed by any tract of the same extent in the British empire. The other \nimportant northern river, the Foyle, a notable and noble stream, formed by the \njunction of the Finn and Mourne, flows by the foot of the city of Londonderry, \nwhich is picturesquely seated on a conical hill rising about one hundred and \ntwenty feet above high-water mark. Leinster is rich with rivers and streams, \nbesides those alluded to in Spenser\'s verse, of vital historical interest, perpetual \nscenic splendor and romantic association, broken by dazzling cascades and water- \nfalls, and reunited by lovely lakes. Principal of these are the Boyne, the Slaney, \nthe Liffey, the Avoca, the Vartry, the Bray, and the Dodder, all except the first \nand last rising in Wicklow, and adding life and beauty to some of the most de- \nlightful vales and glens in the world. \n\nIn mountains Ireland maintains the supremacy accorded to her for possession \nof the Shannon and Loughs Neagh, Corrib, and Erne. There is no mountain in \nEngland that lifts its head so high into the clouds as Carran-Tual, one of MacGil- \nlicuddy\'s Reeks, in Kerry. The highest peak in England is that of Scawfell, 3,229 \nfeet. Mangerton was formerly esteemed the highest in Ireland, but surveys have \ndetermined that Carran-Tual is 658 feet higher. The Reeks rise almost perpendi- \ncularly to a height of 3,414 feet, overshadowing the waters of Killarney, surrounded \nby other mountains of scarcely less lofty character, their upper portions clothed \nwith purple heath, while rich foliage, among which the arbutus is prominent, luxu- \nriantly covers the lake shore. The mountain ranges are principally confined to \nthe coast counties of Kerry, Galway, Mayo, Donegal, Down, and Wicklow ; but \nKippure, at the border of Dublin and Wicklow, and at the head of the Dodder \nriver, rises to an altitude of 2,473 feet, about the height of the loftiest peak of \nthe Alleghany range in Pennsylvania, nearly nine hundred feet higher than \nthe range of the Blue Mountains, running in the north-east portion of the same \nState, which is broken through at the New Jersey line by the Water Gap of the \nDelaware, and half as high again as the Highlands of the Hudson. Lugnaquilla, \nthe highest of the Wicklow range, is 3,039 feet. Mount Leinster, dividing \n\n\n\nINTRODUCTION. xxv \n\nWexford and Carlow, is 2,610 feet. In Waterford, the Knockmeledown Summits \non the northwestern border, and the Commeraghs are noble features ; and in \nTipperary, Sleive-na-man and Keeper mountains, with the Galtees overlooking- \nboth ranges and reaching a height of 3,000 feet, form a splendid group, surround- \ning a country of exceeding agricultural fruitfulness, embracing the famous Golden \nVale. From east to west Cork is picturesquely mountainous ; the Mourne \nmountains, in Down, and the great Donegal range are famous for the boldness \nand grandeur of their scenery ; while in Mayo and Galway the mountain aspect \nof Ireland takes perhaps its wildest and most overpowering character \xe2\x80\x94 inspired \nby the Connemara region in the latter county, and the range of which Nephin \nand Croagh Patrick are the principal in the former. A recent authority says \nthere are over fifty mountains in Ireland, each exceeding 2,000 feet in height. \n\nSurrounding all this vast accumulation of beautiful scenery, mountains, lakes, \nrivers, and glens, within an area of 32,524 square mules, far less than the size of \nthe State of South Carolina, is the everlasting sea. With the exception of the \neast, the whole coast faces the Atlantic. The stupendous force with which the \nwaves rush toward the coast is broken by a large number of islands \xe2\x80\x94 there are \none hundred and ninety-six in all \xe2\x80\x94 which stand forth, as Mr. Walker says, "like \noutlying fortresses, defending the sacred island with their rocky cliffs, generally \nsublinje in their altitude, and singularly picturesque in the fantastic shapes into \nwhich they have been worn." A glance at the map will show how the coast \nhas been sapped and worn away into inlets, estuaries, and bays ; giving it a most \nremarkably indented appearance. Owing to this circumstance the coast line of \nthe little island is immense, extending 2,300 miles. The ocean views all round \nthe coast are truly sublime ; the waves in their incessant restlessness taking \nmajestic, wild, and beautiful forms that lift the gazer into wordlessness at their \neternal variety. It is difficult to express the thoughts and sensations that inspire \nor oppress us \xe2\x80\x94 we can only unite with the words of the royal psalmist, " Wonder- \nful are the surges of the sea! " and, standing on \n\n" the high hills that vizor \' \n\nThy wreck-making shore," \n\nfeel as the poet felt when he wrote his famous apostrophe : \n\n\n\nxxvi INTRODUCTION. \n\n" How humbling to one with a heart and a soul, \nTo look on thy greatness, and list to its roll ; \nTo think how that heart in cold ashes shall be, \nWhile the voice of eternity rises from thee ! \n\n" Yes ! where are the cities of Thebes and of Tyre ? \nSwept from the nations like sparks from the fire ! \nThe glory of Athens, the splendor of Rome ? \nDissolved \xe2\x80\x94 and forever \xe2\x80\x94 like dew in thy foam. \n\n" But thou art almighty \xe2\x80\x94 eternal \xe2\x80\x94 sublime \xe2\x80\x94 \nUnweakened \xe2\x80\x94 unwasted \xe2\x80\x94 twin-brother of Time ! \nFleets, tempests nor nations thy glory can bow; \nAs the stars first beheld thee, still chainless art thou." * , \n\nIt i.s claimed that Ireland is pre-eminently a land of ruins. Certainly no- \ncountry of the same extent contains so numerous a collection of remains which \nincontrovertibly illustrate a past of excessive human thought and action ; of deep- \nseated devotion and religious observance, both in pagan and Christian times ; of \ntribal, feudal, political, polemical, and national conflicts and emergencies ; of heroic \neffort, and, however directed, of almost superhuman energy. It is suggested, and \nwith truth, that considering the sparsity of the population before the era of the \n"Reformation," reaching back into the cryptic dimness of antiquity, so. far as \nhistory can enlighten us, it is astonishing to find so many places distinguished by \nmonuments of the remote past \xe2\x80\x94 cromlechs, caves, cairns, pillars, raths, forts, towers, \nsculptured crosses, churches, castles. All these imply the existence of a race \nof people more or less skilled in the art of building, and being so far elevated \nabove the barbaric state as to build for futurity, to erect monuments and sculptured \nstones which posterity might admire and read. They imply combination, govern- \nment, intelligence, reverence for the past, and a desire to perpetuate the memory \nof great deeds to coming ages. \n\nIn an earnest plea to the Irish clergy and gentlemen of education and taste \nfor the zealous preservation of every remnant of antiquity, as evidence of national \ncharacter, and of the dignified exercise of intellect and justice from the most \nremote period, Thomas Davis asks, " Are there no Brehon\'s chairs on her hills to- \n\n* John .\\ugustus Shea, Poems, 1S46. \n\n\n\nINTRODUCTION. xxvii \n\ntell more clearly than Vallancey or Davies how justice was administered here ? \nDo not you meet the Druid\'s altar, and the Guebre\'s tower in every barony \nalmost, and the Ogham stones in many a sequestered spot? " The question thus \nput in justification of the plea is answered by every traveler and tourist, and their \nobservations may be summed up in that of one of the most recent writers,* when \nhe says, " Go where we will, not only over the great plains, but amidst the \nremotest glens, and mountain gorges, and rocky cliffs, and wooded islands, we find \nthose marvelous traces of the haunts of mighty men, of gigantic power, of divine \n\xe2\x96\xa0worship, and heroic deeds." Indeed the vast number of these monuments has at \nonce incited the wonder of the thoughtful, and made their materials available to \nthe building necessities of some districts, thus contributing to their still further \ndemolition at the hands of the careless and the ignorant. Davis had seen pigs \nhoused in the piled friezes of a broken church, cows stabled in the palaces of the \nDesmonds, corn threshed on the floors of abbeys, and sheep tenanting the royal \ncorridors of Aileach. Worse than that: he wrote, " The peasant lugs down a pillar \nfor his sty, the farmer for his gate, the priest for his chapel, the minister for his \nglebe." \n\nIn the same key Mr. Wakeman,* referring to the remains of the Paganf \n\xe2\x80\xa2era, says, they are found in considerable numbers, particularly in the remote \nparts of the island, where the population was small and the absence of " mod- \nern improvement " suffered them to stand unmolested, save by the hand of \ntime. \n\nThus many of the ruins were ruined. Sir William Wilde in his catalogue of \nthe Royal Irish Academy indicates in a brief but comprehensive manner both the \ncharacter and purposes of the most primitive monuments, many of which are \nelaborately sculptured with artistic skill ; and of the people whose feelings, taste, \nand workmanship they represent. It may be only necessary to say in advance, \nthat while history and tradition seem to have lost mention of the fact, the testi- \nmony of the tombs, from which cinerary urns, containing ashes and burned bones \nhave been exhumed in every part of Ireland, shows that the custom of cremation \nand urn-burial was a very general, though not the only, mode of sepulture in \n\n* Mr. John A. Walker, author of a very useful and intelligent Hand-book of Ireland. \nf Anhaolo^a Hibertiica. A Hand-book of Irish Antiquities, Pagan and Christian. \n\n\n\nxxviii INTRODUCTION. \n\nvery ancient Ireland.* " The small square stone grave," says Wilde, " contain- \ning a single cinerary urn, placed beneath the surface of the soil, and so frequentV \nexposed by the spade ; the collection of urns, apparently marking the site of an \nancient cemetery, possibly that of a battle-field ; the grassy mound, and the massive- \ncromlech, breaking the level outline of the landscape ; the large stone circle, or the \noblong inclosure, popularly termed a giant\'s grave ; the huge, temple-like barrow, \nwith its enveloping mound of stones or earth (the western type of the true Orien- \ntal pyramid), the simple rude pillar-stone, the Ogham-inscribed monolith, or the \nsculptured cross ; the wayside monument, the horizontal grave-stone, the stone \ncoffin, the modern vault or stately mausoleum, the carved recumbent figure in the \ndecorated abbey, as well as the tablet in the modern church \xe2\x80\x94 all afford abundant \nexamples of the tise of stone materials in sepulchral and funeral rites, and evince \nthe piety and reverence with which the dead were regarded in Ireland from the \nearliest time." This veneration for the dead is a characteristic of old races, an. \nancient custom of Catholic nations, amounting to a passion among Celtic peo- \nples, and justifies Frederick Ozanam in saying that it is the mark of a healthful, \nmoral race, clinging tenderly to its heritage of family pride and tradition. The \npractical illustration of this respectful sentiment is strikingly noticeable among the \nIrish and French. Among that other old branch of the human family, the Basque \npeople, a neglected grave is seldom seen. Villages rival each other in care and \ndecoration of their grave-yards, and "no one enters the church without having \nfirst knelt upon the tomb of his ancestors to pray." \n\nTeeming and crowded as Ireland is with every variety of natural scenery^ \nwonderful and romantic, strikingly bold or sweetly pastoral, and raimented as she \nis with a cheerful and eye-consoling verdure of emerald, still is she undoubtedly a \nland of ruins. And the ruins are so blended with all that is beautiful, or grand, or \nexquisite in mountain or lake localities, that the mind \xe2\x80\x94 in presence of the glorious \ntriumphs of nature, yearly renewed in freshness and beauty, and the relentless \ntriumphs of time over the labors of man, yearly falling to decay \xe2\x80\x94 is compelled into \na contemplative mood. In no other country, perhaps, is the intelligent traveler so \nfrequently called on to make a sort of sombre remonstrance with himself \xe2\x80\x94 restrain- \n\n* See interesting chapter on Monuments, Graves, etc., in The Oiigin and History of Irish A\'aincs of Places, by P. W- \nJoyce, A.M., M.R.I. A. ; also Rev. CKsar Otvvay\'s Sketches in.Erris and Tyrawley, etc. \n\n\n\nINTRODUCTION. xxix \n\nino- the ecstatic delight and astonishment inspired by the natural beauties under the \nsense of desolation conjured up by the haggard presence of some crumbling \nreminder of former violence, splendor, or devotion. Yet these latter are of deep \nand wide interest. As history is but the labored effort of intellect and research to \nbring the past face to face with us, these actual pieces of the past possess a sig- \nnificance which the antiquarian may in some instances overestimate, but which the \nartist and historical student cannot undervalue. We cannot fling aside these old \nremnants of renown. Davis well says, "he who tramples on the past does not \ncreate a future. The same ignorant and vagabond spirit which made him a \ndestructive, prohibits him from creating for posterity." We cannot ignore the \npast; and the past is all ruins in various stages of restoration or decay. Hence\' \nthey compel fascinating sensations and solemn inspirations ; they have their \nunwritten histories in the fancy and imagination, and fill up the skeleton forms \npresented to us by chronologers and annalists : they give an impression of reality \nto the filmy rumors and shadowy pageants of tradition. \n\nThe eloquence of ruins is eminently persuasive\' to even the most sluggish intel- \nlect. It takes us back through the centuries as naught else can, and excites us, \nby its subtle confidences and strange echoes from bygone generations, to the \ncreation of the passions, motives, and exigencies which have resulted in the all- \ncontrolling influences that surround us. The ashes, so to speak, rekindle the \nflame which had produced it. Then the meaner worldly passions shrink out of \nsight before these granite spectres of ambition and power \xe2\x80\x94 these sombre preachers \nof the insecurity of all worldly force. It is Charles Lamb who recalls to mind the \naffecting pleasure of wandering at will through the deserted halls of some fine old \nbuilding. The pleasure is in the moral elevation over the human passions of envy \nand vanity ; for, as he suggests, the traces of extinct grandeur admit of a better \npassion than envy ; and contemplations on the great and good, whom we fancy \nin succession to have been its inhabitants, weave for us illusions incompatible \nwith the bustle of modern occupancy and foolish vanities of present aristocracy. \n\nThe temperature of the climate and fertility of the soil, so early ascertained \nand recorded by the ancient writers alluded to, have done wonders in producing \nthat exceeding verdure and freshness, and fascinating beauty of effect in Irish \nscenery which have inspired not only native poets, orators, and artists, but drawn \n\n\n\nXXX INTRODUCTION. \n\nthe most eloquent appreciation and delight from all \xe2\x80\x94 French, German, English, \nScotch, and American \xe2\x80\x94 who have written on the subject from the days of Giraldus, \nor Raleigh and Spenser, to the present. While variously commenting on the \ncondition of the people, the rise or fall of trade or commercial enterprise in certain \ntowns, and the neglect or disappearance of agricultural industry in the rural dis- \ntricts ; or contrasting the brightness and poverty of the peasantry, or balancing \nthe numerous social, mercantile, political, or polemical questions of the day, all of \nthese writers unite in dwelling with respect and admiration on the natural resources \nand attractions of the land, its superior fertility^ exquisite, wild or grand scenery, \nthe extent of its ruins, the mystery of its towers, the richness of its antiquities, \nand the splendor and beauty of the streets and buildings of the capital. \n\n" Nature," says a distinguished French writer who gave extended personal atten- \ntion to the social, political, and religious aspects of Ireland some thirty years ago. \n" nature seems to have endowed Ireland with her most munificent gifts. She \nenriched her bosom {entrailles) with precious metals, and poured with a bounteous \nhand upon her rocky foundation the most fertile soil in the world. She has given \nto her maritime commerce the noblest harbors, fourteen of which have capacity to \nreceive vessels of war ; and, as if she had destined her for a grand fortune, placed \nher west of the continent, as an advanced guard, trustee of the keys of the ocean, \ncommissioned to open to European vessels the path to America ; and to present to \nAmerican vessels the first European port. Having thus richly endowed her, she \nhas also labored to as richly embellish her. She has designed her mountains in \nevery variety of beaut)-, interspersed her valleys with meadows and lakes, and \nhaving covered all in a brilliant robe of verdure, desired that she be called, in the \nlanguage of the poet, Green Erin ! the beautiful emerald ! " \'^ \n\nThe atmosphere of Ireland is peculiarly adapted not only to produce the \nwealth of emerald vegetation which is so characteristic of the land, but, under \nfavorable circumstances, to create those varying and sympathetic cloud-effects \nwhich seem to identify themselves with, and add so much to every form and \naspect of landscape. A writer in an English publication, depicting some of the \nfeatures of Irish scenery, makes suggestive reference to this fact, as well as to \nthe concomitant pleasures of color and perfume resulting from the same cause. \n\n* L\' Irlanik, SociaU, Politique ct Keli^icuse. Par Guslave de Beaumont. Palis, 1839. Vol. i., pp. iSS, 1S9. \n\n\n\nINTRODUCTION. xxxi \n\nAlluding to the absence of what may be called the statuesque in nature, he thinks \nit is compensated for by the infinite softness and tenderness, and by a sweetness \nalmost pathetic in the beauty of an Irish landscape. Each feature, however \nuncultivated, is soft ; each hue, however rich, is free from glare or harshness. \n\n" The atmosphere," he says, " which in Switzerland so often causes every \ngiant mountain to look like a great theatric painted scene, cut, as if in cardboard, \nagainst the blue sky, in Ireland, on the contrary, makes every object, from the \nbarren rocks of Connemara to the rich valleys of Kildare, equally soft and \nshadowy. Nothing seems defiant or sharp after a hundred yards\' distance, just \nas nothing looks fresh or gaudy after a few months\' exposure. The mountains \nthree miles off seem vaguely grand. The tower built a century ago looks older \nthan the pyramids. Another peculiarity of Ireland is that the broad and distant \nlines of the greater part of its scenery, the lignes larges with which it is sketched \nby nature, and the absence of minor accidents of ground of which we have \nspoken, all result in giving to the scenery of the sky a greater prominence than \nit usually possesses elsewhere \xe2\x80\x94 very often a greater prominence to the eye of \nthe beholder than any of the landscape below. And what a sky it is ! Surely \nthe loveliest in its rare moments of sunlight, the mournfullest in its many hours \n\xe2\x96\xa0of gloom, of all the heavens that overreach the world. Irish skies do not glare \n\xe2\x80\xa2and dazzle, they do not laugh out scornfully in derision of our care-laden hearts, \nnor frown and threaten, big with storms and thunder. They smile rather than \nlaugh on the brightest summer\'s morning, and on the dreary winter\'s eve they \ngather their long gray mantles, and hang motionless and mourning over the \n\xe2\x96\xa0dead world, while the wind wails in bursts of grief, rising and dropping again like \nthe death keen heard across a lonely moor. Irish skies are soft and beautiful ; \nand Irish trees, though somewhat monotonous in tone and form, are wonderfully \nluxuriant in foliage, each leaf a large one of its kind; and Irish herbage is a thrice- \npiled carpet, which the richest palace of the East cannot match for splendor. \nAnd besides the hues of the dark green trees and the emerald grass, nature, as \nif jealous to supply the color to earth which she denies to the sky, has dressed \nthe hillsides with imperial robes of purple heather and golden gorse \xe2\x80\x94 whole \nmiles of Tyrian purple, whole acres of golden fringe. To stand among the \nWicklow Mountains in August, is to behold a display of pure color, not due to \n\n\n\nxxxii INTRODUCTION. \n\nthe brilliancy of the atmosphere, but to the actual hues of the objects themselves^ \nsuch as it has never been our fortune to see elsewhere, even amid the emerald \nfields and yellow sands of Egypt. Lastly, there is another peculiarity of Ireland, \nwhich we suspect, has some share in securing for the country many pleasing, \nthough half-conscious memories. Ireland (remote, of course, from the towns \nand villages) is the land par excellence of natural perfumes. Doubtless, the \nmoisture of the climate tends to make the odors of vegetation both more pun- \ngent and also more apt to extend themselves in the atmosphere. A hayfield, or \nbeanfield, or a lime-tree in blossom, are thus perceptible in Ireland Avhere distance \nwould quite efface their sweetness elsewhere. Often we have known the haw- \nthorn in a large park so to impregnate the air, that an open window admitted a \ngust of perfume as from an orange orchard in Italy. To drive along a common \ncountry road in Ireland on a fine day is to pass through a range of delicious \nodors, varying according to the month ; violets, or hawthorn, or clover, or the \nrich, luscious gorse. Even the meadow-sweet in the ditch is often sufficient to \nperfume the whole road for half a mile together."""\' \n\nTo reproduce the colors which add such an inexpressible charm to the verdure \nand scenery of Ireland is impossible in a work of this nature ; but the outlines \nof the chief features of famous and picturesque localities or objects delineated \nwith spirit, fidelity, and an artistic appreciation of nature in the disposition of light \nand shade, convey ideas of grandeur, beauty, and effect which are everywhere, \nat this day, accepted as invaluable promoters of intellectual and artistic culture. \nSuch portraiture of the physical or material world extends our knowledge by mak- \ning us conversant, in an agreeable and attractive manner, with the forms and \ncharacteristics of the most remarkable historical monuments or exquisite works of \nnature all over the face of the habitable earth. The reproduction. In an intelligi- \nble form, of any place where man has dwelt, or where man has penetrated. Is \ninteresting to man ; much more everything or anything relating to those older \nseats of life which may be deemed not only the cradles of humanity but the nurs- \neries of human energy ; where the races halted for centuries, and In the strug- \ngles within circumscribed boundaries developed mind and muscle, thews of brain \nand body, confidence In the earth and faith in Heaven, which gave them devo- \n\n\n\nINTRODUCTION. xxxiii \n\ntion and courage to go forth and conquer unknown regions, create new nations \nand peoples, and make practical constitutions out of the crotchets of bygone \nphilosophers. \n\nIreland is one of those cradles and nurseries, and the memories associated \nwith her, not less than the intrinsic beauty of her scenery and the interest attach- \nino- to her archseological remains and historical monuments, impress us with a \nconfident belief that the work now presented will be widely acceptable. \n\nPicturesque Ireland is designed to embrace and present all the best and most \nstriking features of preceding works on the subject \xe2\x80\x94 reproductions of the pictures \nand drawings of eminent artists who have for the last fifty years given such a \nnotable impetus to the study of Irish scenery, topography, and antiquities \xe2\x80\x94 with \nnumerous other views from recent photographs and drawings, especially en- \ngraved for the work. \n\nJOHN SAVAGE. \n\n\n\nKERRY. \n\n\n\n\nThe border land of \nthe counties of Cork and \nKerry, from Glengariff to \nthe lake district of Kil- \nlarney, embraces a grand \nmountainous tract, partly \non the coast, where the \n\nView on the B lack-water from the Bridge. hand of Nature seems tO \n\nhave thrown every form of grandeur, beauty, and romance into a disorder at once \nstartling and picturesque. The continuous surprises and general effect baffle the \n\n\n\nPICTURESQUE IRELAND. \n\n\n\nefforts of the pen, while they astonish and delight the eye of even the inost \nskilled and eloquent tourist. One whose felicitous pen has won the admiration \nof his time has declared that the scenes of romantic beauty to be found in the \ndeep solitudes of the stupendous cliffs and lofty mountains of the district, the suc- \ncession of glowing and magnificent pictures formed by the combination of rush- \ning torrent, placid lake, broad sea, and rocky shores, exceed the power of de- \nscription. Passing from Cork into the " Kingdom of Kerry," through a dark \ntunnel of two hundred yards cut through the rocks, one experiences somewhat \nthe effect produced by darkening a hall preparatory to the unfolding of sofne \nsplendid panorama before his eyes. \n\nEmerging from the darkness, we are confronted with a scene of wild and stern \nmagnificence, on the very brink of an Alpine precipice, the road descending in \nspiral windings, as if Nature, having repented of building a mountain so difficult \nof ascent, wound round it a spiral staircase for the accommodation of man. Gaz- \ning from the dizzy height \xe2\x80\x94 now adown the beetling cliff, now along the tortuous \nroad, and away into the far-off valley \xe2\x80\x94 the eye rests upon the formidable Kinmare \nRiver, " the wide embayed Mayre," as Spenser calls it, diminished to a tiny line \nof white in the distance. Nothing can exceed the wild grandeur of the prospect, \nwhich extends for miles and miles. The road, of which there is a view almost the \nwhole way to Kenmare, is admirably constructed, kept in constant repair, and is by \ncommon consent classed as one of the best in the United Kingdoms. The de- \nscent to Kenmare is gradual, and commands a succession of bold and magnificent \n\nviews. Approaching the town, the noble suspen- \nsion bridge, the only one of any extent in Ireland, \ngracefully spanning the sound, commands attention. \nIt is four hundred and ten feet in length, and is \nnamed after the Marquis of Lansdowne, who, as \nlord of the soil, bore half its cost. Kenmare is a \nsmall town, but admirably situated at the head of the \nbay. In the vicinity are some beautiful lakes, and \na visit to the bay where the Blackwater enters it \nwill repay the trouble. Near the confluence the \nriver is spanned by a lofty bridge of two arches \nwhich crosses a chasm of great depth. \n\nThe scenery in this locality is highly picturesque, \nthe river rushing through a deep ravine, the sides of which are varied by woods \nand rocks. Some twelve miles west on the coast is one of the most remarkable \n\n\n\n\nBlackwater Bridge. \n\n\n\nKERRY. \n\n\n\nof the Cyclopean remains in Ireland, the Cathavr or fort of Staigue. It consists \nof a circular wall of uncemented stones, about eighteen feet in height, and twelve \nin thickness, inclosing an area of eighty-eight yards in diameter. Upon the in- \nternal face of the wall are regular flights of steps leading to the top platform, or \nparapet. The doorway is composed of large unhewn stones, and is covered by \na horizontal lintel. A ditch of twenty-six feet, now nearly filled, defended the \nwall upon the exterior.* A mile west of Kenmare are the ruins of Dunkerron, \nthe ancient seat of the O\'Sullivan More, and there are several druidical remains, \ncircles, dallans,f and cromlechs \nin the neighborhood. \n\nThe road to Killarney {Kill- \nairne, the Church of the Sloes) \nascends to the rocky defile of \nWindy Gap, when the scenery \ntegins to wear a more majes- \ntic aspect than any yet seen ; \nfurther on, Looscanagh, a lake \nsleeping under the shadow of \nlofty mountains, is passed ; and \nsoon we reach that one point \nwhich is ever memorable in the \njourney \xe2\x80\x94 like Inspiration Point over the Valley of the Yosemite \xe2\x80\x94 that at which \nthe lakes in all their resplendent beauty first burst iipon the sight. Those who \nenter by any other than the Kenmare road can form but a faint conception \nof the sensation inspired by the magnificence of this first view they have \nmissed. From an eminence near the police station, a picturesque castle in min- \niature, the upper lake in all its splendor lies revealed far, far below, with the \nmiddle and lower lakes in the distance. Crossing Galway\'s Bridge, within sound \nof Derrycunnihy Cascade, we pass through the Tunnel under a declivity ofCrom- \naglan Mountain, and traversing two sides, the west and north, of the base of \nTore Mountain, reach Tore Cascade. Entering the path to the fall it leads up a \ngravel walk so lined with trees and shrubs \xe2\x80\x94 larch, on one side, and holly, birch, \noak, alder, and arbutus on the other, and judiciously curved that the cascade is \n\n\n\n\nThe Tunnel. \n\n\n\n* Wakeman\'s Archteologia Flibcrnica, p. loo. A model of this fort is in the Royal Dublin Society. \n\nf Dallans, pillar-stones variously used as objects of worship, monuments, boundaries, etc. Cromlechs, composed \nof three or more stones forming an inclosure, over which a large stone is laid. They were for sepulchral and sacri- \nficial uses. \n\n\n\n8 PICTURESQUE IRELAND. \n\nconcealed until the spectator is immediately under and opposite to it. The water, \nAvhich is supplied from Mangerton and the Devil\'s Punch Bowl, is forced in a \nsheet of foam over a broken wall of rock some seventy feet high, forming sev- \n\n\n\n\n\neral cascades in \nits progress. On \' \'~s- \neach side the pre \ncipitous rocks art ^=i^^ \ncovered with lux- \'^ \'^- \n\nuriant trees and ferns, which afford \na fine contrast to the mist and \nspray in which the cascade breaks \nbefore it resumes its course through \nthe deep ra\\ine to mingle with the \nwaters of the middle lake. \n\nThe small illustration gives a \nthe cascade, while the large one presents it in its \nspecial and more brilliant aspect. Art has been \neffectively called to the aid of Nature here. The op- \nposite hill to the cascade has been elegantly planted, \nand a circuitous path leads to a well-selected eminence, from which a view of the \nmiddle and lower lakes with the wooded peninsula between can be obtained (p. 20). \nClose over the cascade on the left appears Tore Mountain ; beyond the middle \nlake, Glena ; in the immediate foreeround is the demesne and mansion of Muck- \n\n\n\nofeneral view \n\n\n\n\nRocks on the Kenmare Road. \n\n\n\nKERR Y. \n\n\n\n\nTore Cascade. \n\n\n\nross ; and in \nthe distance \nto the right \nthe faint out- \nhne of the \nDingle Hills. \nBlack\'s \nGuide well \nadvises the \n\\ isitor never \nto omit this \nview from \nTore Cas- \ncade, as it \nis certainly \none of the \nfinest in Ire- \nland. 1 \nResuming \nthe road, it \nis but a short \ndistance \nthrough the \nnoble Muck- \nr o s s d e - \nmesne and \n\n\n\nPICTURESQUE IRELAND. \n\n\n\n\nby the village of Cloghreen to the ruins of Muck- \n1/ ^ -> \xc2\xab=.V ross Abbey. Though neither in extent nor ar- \n\nchitecture equaling, much less rivaling many mo- \nnastic ruins in Ireland, its seclusion and the beauty \nof its surroundings produce an effect perhaps equal \nto anything in the -country. Situated on a slight \neminence overhanging the eastern extension of \nthe lower lake, in one of the finest parts of the \nMuckross demesne, embosomed in the shade ot \nlofty and venerable ash, oak, elm, yew, and syca- \nmore trees \xe2\x80\x94 festooned with trailing plants, and \nTore Cascade. garlanded with ivy of the darkest and most luxu- \n\nriant foliage \xe2\x80\x94 it is, as Willis said, " More beautiful in its loneliness and decay \nthan it could have been in its pristine state of neatness and perfection." \n\nIt is indeed a splendid relic of antiquity ; and a more picturesque spot, " where \nerring man might hope to rest," it would be difficult to conceive. The original \nname was the Abbey of Irelough, \'the building at the lake.\' It was founded by the \nMac Carthys, Princes of Desmond, according to the annals of the Four Masters, \nin 1340, on the site of an ecclesiastical structure which existed here from a remote \nera, and which, according to a record in the library \nof Trinity College, Dublin, was destroyed by fire in \n1 192. The present ruins are the remains of the Mon- \nastery and Church of Franciscan Friars, which were re- \npaired in 1602, and subsequently, according to a Latin \ninscription on a stone let into the north wall of the choir, \nin 1626. The building consists principally of two parts, \nthe abbey and the church ; the latter being divided into \nthree compartments, the choir, the nave, and the south \ntransept, from the midst of which rises, on four high \nand slender pointed arches, a square tower thickly draped \nwith ivy. The entrance is through a richly decorated doorwa)\' of the pointed \nstyle, luxuriantly overgrown with ivy, and directly opposite is the large eastern \nwindow. The length of the church is about one hundred feet, by twenty-four m \nwidth, and the length of the transept thirty-six feet. The interior is filled with \ntombs, the greater number being but slightly elevated above the ground. \nIn the center of the choir is a large tomb of modern construction, covering \nthe vault in which were interred the Mac Carthys More of the olden times; \n\n\n\n\n77/6 LhaiutI, Mm/ 1 Si \n\n\n\nKERRY. \n\n\n\nand more recently the O\'Donoghues \nMore of the Glens. The slab which \nformerly covered the vault is close by, \nlying on the earth without inscription, \nbut bearing the arms of the Earl of \nClancare. On the former tomb the \nfollowing lines are carved : \n\n" What more could Homer\'s most illustrious verse, \nOr pompous TuUy\'s stately prose rehearse, \nThan what this monumental stone contains, \nIn death\'s embrace, Mac Carthy Mor\'s remains ? \nHence, reader, learn the sad and certain fate \nThat waits on man, spares not the good and great ; \n\n\n\n\nMttckross, Eastern Window. \n\n\n\nAnd while this venerable marble calls \nThy patriot tear, perhaps, that trickling falls. \nAnd bids thy thoughts to other days return. \nAnd with the spark of Erin\'s glory burn ; \nWhile to her fame most grateful tributes flow. \nOh ! ere you turn, one warmer drop bestow ! \nIf Erin\'s chiefs deserve thy generous tear. \nHeir of their worth, O\'Donoghue lies here." \n\n\n\nThanks to Mr. Henry Arthur \nHerbert, M.P., and late Chief \nSecretary for Ireland, the pro- \nprietor, whose taste and vigil- \nance in the care-taking of these \ninteresting remains is entitled \nto gratitude, the abbey is in a \nfair state of preservation. He \nhas repaired the foundation and \nparajDets in such a way as not \nFire-place at Miickross. to impair the gerteral effect of \n\nantiquity. The building is unroofed, and dank grass and weeds encumber the \nupper portion ; but the ground floor being arched over, and containing the \nkitchen, refectory, infirmary, cellars, and other chambers, is comparatively pro- \ntected from the weather. The capacious fire-place of the kitchen and refectory \nis sufficiently suggestive to indicate that the good fathers recognized the Chris- \n\n\n\n\n12 PICTURESQUE IRELAND. \n\ntian duty of hospitality ; and perhaps also the truth of the axiom put into the \nmouth of the jovial " Friar of orders gray," that \n\n"Who leads a good life, is sure to live well." \n\nBut in those days the abbey was the hostel, house of entertainment, and succor \nfor all wayfarers \xe2\x80\x94 whether peers or peasants \xe2\x80\x94 for, \n\n" Whoever passed, be he baron or squire, \nWas free to call at the abbey and stay ; \nNor guerdon or gift for his lodging pay, \nAlthough he tarried a week with its holy quire." * \n\nThe recess of this fire-place was taken possession of more than a century and a \nquarter ago by a pilgrim named John Drake, who came "no one knew whence," \nand after a harmless and mysterious life of eleven years there, disappeared as \nsuddenly. He braved all weathers in his chimney recess with a blanket and his \nordinary clothes ; never begged, nor would receive more than a single penny as a \ngratuity ; paid for his fish and potatoes when he purchased them ; never ate out of \nhis \' home ; \' had a half-penny and a prayer to bestow on those more needy than \nhimself ; rarely if ever went to chapel ; but daily prayed at particular spots in the \nabbey-yard, and cultivated his garden. No one knew the cause of his seclusion. \nHe spoke as a penitent of the need of prayer, and one of his maxims was that \n" those who were harmless had a right to be happy." Mrs. Hall adds a feature of \nromance to the mystery by stating "as \'twas told to her," that about ten years \nafter Drake\'s disappearance, a lady of "foreign tongue," with two servants "who \ncould not speak English," came and remained at Killarney for many weeks. Hav- \ning inquired about the pilgrim, she used to weep floods of tears over his couch \nevery day, prayed where he had prayed, and distributed abundant alms to all who \nhad been kind to him. She would answer no questions, and after much prayer \nand evident penance departed unknown. \n\nAs may be supposed, adds Mrs. Hall, Drake\'s singular choice of residence has \ngiven rise to abundant stories, and the mention of his name to any of the guides \nor boatmen will at once \xe2\x80\xa2 produce a volume of the marvelous. When the man \nmade his dwelling in this lonely and awful place \xe2\x80\x94 the companion of the dead, living \namong the frightful and half-decayed relics of mortality \xe2\x80\x94 it is said his hands were \nsmall and delicate, his air and manner tranquil and dignified, and his "tongue" was \nnot of the south. He appeared to be under forty years of age, and made no \n\n* The Monks of Kilkrca. \n\n\n\n\nSCENES AT INNISFAL-LEN AND MUCKROSS. \n\n\n\n14 PICTURESQUE IRELAND. \n\neffort to gain a reputation for sanctity. The belief among the peasantr}\' is that he \nhad committed some crime which demanded desperate atonement, and that his \npenance was to be made within the holy yet haunted walls of Muckross Abbey. \n\nThe abbey presents a singularly picturesque appearance from almost every point \nof view, but it is generally conceded that it is seen to most advantage from the \nsouth and west, within the precincts of the grove of trees by which it is sur- \nrounded. Here are \n\n" \xe2\x96\xa0 \xe2\x80\x94 deep empty tombs \n\n\n\nAnd dells and mouldering shrines, with old decay \nRustic and green, and wide embowering shades \nShot from the crooked clefts of nodding towers." \n\nThe cloister constitutes the finest part of the Muckross ruins. It is the best \nexecuted portion of the fabric, and remains in a state of comparative perfection. \nIt consists of a quadrangle of forty-six feet, encompassed by a vaulted walk si.x \nfeet wide. The a\'rcade thus formed embraces twenty-two arches. The pillars and \narches are formed of a bluish and pale-red marble, producing a gray effect. The \npillars are finished exactly alike, but the arches vary both in form and number on \nthe sides. At two of the contiguous sides they are of the sharp-pointed or Gothic \nform, and are ten in number ; while the corresponding sides contain twelve semi- \ncircular arches. How this capricious variet}^ says Isaac Weld, so frequently to be \nobserved in the religious buildings of those infant days of art and taste, was first \nintroduced, we can now only conjecture. At two of the opposite corners of the \ncloister there are stairs leading to the cells over the vaulted walk, and to the chief \napartments of the abbey. The latter are in a very dilapidated state, but several \nof the cells remain entire ; and under the little grates by which they were lighted \none may still see the broad, flat stones upon which the monks offered up their \norisons, worn and polished by the pressure of many a weary knee. Around the \nsummit of the building there was a safe walk, defended by an embattled parapet.* \n\nThe solemn effect of the ecclesiastical remains is greatly heightened by a vener- \nable and magnificent yew-tree, whicli rises like a stately column in the inclosure \nwith a circumference of thirteen feet, and branches extending over and covering in \nthe entire quadrangle. It is believed to be coeval with the building, and it is not \nunlikely, as the yew is of slow growth, and lives to an immense age. Such is the \ngloominess diffused over the cloister by its thick and dusky foliage that \xe2\x80\x94 as Weld \nmentions \xe2\x80\x94 the bat is frequently observed flitting through the vaulted arches at \n\n\n\n* Illustrations of the Scenery of Killarney and the Surrounding Country, by Isaac Weld, Esq., M.R.I.A., etc. \n\n\n\nKERRY. 15 \n\nnoon-day. The vaults and winding passages of the abbey are still more gloomy \nthan the cloister. \n\n"There, through thick walls, oblique the broken light \nFrom narrow loop-holes quivers to the sight." \n\nLovers of the picturesque will agree that " this obscurity adds much to the effect \nof the ruin, and, combined with the stillness and solitude of deep retirement, the \nfragments of monumental grandeur, and the spectacle of mouldering mortality, \nforms an associa\'don highly calculated to inspire the imagination. The mind be- \ncomes abstracted from the world. The shade of every waving branch is converted \nto a spectre, and the echoes of the footsteps to the whispering of ideal inhabitants. \nThe startled senses distrust their own perception, and the delusion can scarcely be \ndispelled by returning to the cheerful regions of light and life." \n\nAlthough it is a matter of speculation as to where the monks who lived and died \nat Muckross were interred, the people point out a rudely constructed vault on the \nexterior of the church, immediately under the eastern window, as the resting-place \nof the holy men who succeeded each other for centuries in religious service here. \nIt is known as " The Tomb of the Monks." \n\nContemplating these solemn scenes, and impressed with their suggestiveness, our \nthoughts easily drift in unison with the retrospective reflections of the artistic Weld \nunder the effect of the same locality. " A ruined church is a common object, \nwhich, independent of the picturesque beauty it may possess, excites little interest; \nbut the sight of a monastery carries us back to distant ages, and gives rise to a \ntrain of reflection which every mind of sensibility feels a pleasure in indulging. \nWe remember that these places were asylums of men who, voluntarily renouncing \nthe seducing pleasure of the world, devoted themselves to the services of charity \nand religion. Hither the aged peasants from the neighboring hamlets flocked in \nthe hours of sickness and of affliction, to obtain the advice and consolation of the \nghostly fathers, to crave the boon of charity, or implore the blessing of heaven on \nthe labors of their toiling offspring. Hither, during the ages of violence and \nrapine, those who by inclination were disposed to retirement and to ease could \nwithdraw in safety from the dangers of contending factions and devote themselves \nto the calm and tranquil pursuits of literature. These were the sacred retreats of \nlearning, where the germs of knowledge were preserved till a more genial season \nbade them spring forth and flourish in open day." * \n\n* Weld, p. 24. \n\n\n\ni6 \n\n\n\nPICTURESQUE IRELAND. \n\n\n\nThe picturesque obscurity which stillness and solitude lend to the ruins of \nMuckross even in the daytime, from the umbrageous gloom of the surroundings, \nhas been noticed by all writers on the localit)\' ; but the moonlight adds a charm \n\n\n\n\npeculiarly its own, \nwhich completes all \nthat might \xe2\x80\x94 if anything \n\xe2\x80\x94 be wanting to thoroughly enchain the \nsentiment and awaken the fancy of the ar- \ntistic or poetical beholder. To Muckross, \nas to Melrose, the moon is magical. \n\nFor ages the southern part of the ground outside ot the church \nused as a cemetery by the people ; and there are man)\' tombs worthy \n\n\n\n\'i/iii/ lOis b\\ Alooiuulit \n\n\n\nhas been \nof inspec- \n\n\n\nKERR Y. \n\n\n\n17 \n\n\n\n\nTomb of the Monks. \n\n\n\ntion as showing the ages at which those whose dust is below went to rest. These \nrecords show that quite a number were over a century old, and that one Peter \n\nO\'Dowd lived one hundred and four- \nteen years in this transitory world. \n\nMuckross, or Cloghreen, as the vil- \nlage is called, is selected by many as \n" headquarters," from which " to do " \nthe lake district ; and it has many rec- \nommendations, being in the immediate \nvicinity of some notable scenes. Others \nchoose the town of Killarney,two miles \nfurther north on the same road, where \nthere are several hotels. The principal \nbuildings in Killarney are a magnificent \nRoman Catholic Cathedral designed by Pugin, and " worthy of any city in the \n\xe2\x96\xa0empire," the railway station, and the mansion of Lord Kenmare, whose demesne \nruns up to the town. The circuit of the lakes may be made and many splendid \nviews of all the leading points attained before going on the water, by coming to \nKillarney from the Kenmare road as we have done, and going from Killarney \nby the Gap of Dunloe to the head of the upper lake. \n\nLeaving Killarney and passing the Victoria Hotel, we turn off from the main \nroad to note the venerable remains at Aghadoe, \nsituated on rising ground, and consisting of the rem- \nnants of a fortress, a church, and a tower. The first \nnamed is sometimes called the " Bishop\'s Chair," or \npulpit. The church is a low oblong building consist- \ning of two distinct chapels of unequal antiquity, lying \neast and west of each other ; that to the east is in \nthe pointed style, dated 1 1 58, and dedicated to the \nHoly Trinity ; the other, or western chapel, is of an \nearlier period, between the sixth and twelfth cen- \nturies, in the Romanesque style, and was under the \npatronage of St. Finian. The whole of the church \nis about eighty feet in length, by twenty in breadth. \nThe ornamented doorway, though much injured, still retains traces of grace and \nteauty. \n\nThe Round Tower is proved to be of still greater antiquity by the superiority \n\n\n\n\nDoorway at Aghadoe. \n\n\n\nPICTURESQUE IRELAND. \n\n\n\nof its masonry. The stones are large, regular, and well dressed ; the greater por- \ntion has been taken away to supply headstones in the adjacent grave-yard. The \nremains are about fifteen feet high, fifty-two feet in circumference, and the \nwalls three and a half feet thick. Crossing the bridge over the river Laune^ \nwhich carries off the surplus water from the lower lake, we find, in a field near \nby, the cave of Dunloe, which was discovered in 1838. As some laborers were \nmaking a ditch they broke into a subterranean chamber of a circular form, the \nwalls of which were uncemented stones inclining inward, with a roof also, of long \ntransverse stones. The discovery brought to light a chamber of the very highest \nantiquity, as the stones in the roof were covered with writing in the Ogham char- \nacter, which is stated to have been used in Ireland long before the Christian era ; \n\nand is to the Irish antiquary \nwhat " the Runes are in the \nnorth, and the arroAv-headed \nor wedge character in Baby- \nlonia and Persepolis." About \na mile west is Dunloe Castle, \na stronghold of O\'Sullivan \nMore, which stands on a bold \npromontory overlooking the \nLaune. It stood a siege by \nthe Cromwellian forces ; was \nfor 3^ears a ruin, but was re- \npaired and fitted up as a \nmodern residence by the fa- \nther of the present proprietor. \nThe view from the casde is exquisite, and a row down the river esteemed not \nthe least interesting episode of an excursion. At the cottage of Kate Kearney \xe2\x80\x94 \nwho is represented by the granddaughter of Lady Morgan\'s mountain heroine, \n\n"Oh, did you not hear of Kate Kearney" \xe2\x80\x94 \n\ntourists have to forsake their cars or carriages, but hardy ponies are in waiting \nfor those who cannot " face the Gap on foot." \n\nThe Gap of Dunloe, one of the grandest wonders of this wonder-land, is a deep,, \nwild, rugged mountain-gorge, about four miles long, between the Magillicuddy \nReeks on the west, and the Purple Mountains and Toomies on the east. The \nmountains present the appearance of having been driven asunder by some mighty \n\n\n\n\nKate Kearney\'s Cottage. \n\n\n\nKERRY. \n\n\n\n19 \n\n\n\nconvulsion of nature. The cliffs rise from the bottom in many places to a great \nheight, presenting many wild and striking combinations, and exhibiting vast masses \nof rock, heaved up and scattered about in the wildest disorder. On the brow of \nthe cliff, on the northern entrance to the right, immense masses of rock, suspended \nin their lofty bed, overhang the pass, and seem to threaten destruction to the ven- \nturesome wayfarer. Further in the projecting cliffs arise on either hand, impend- \ning fearfully over the narrow pathway. Nor do they always hold their threatening \nattitude, as immense fragments of rock which strew the bottom of the ravine \nsufficiently testify. As Mr. Smith* says, " Immense blocks of rock, rent from the \noverhanging masses of the precipice, and precipitated down its ruined sides, \nlie scattered about, so as to completely choke up the defile. Impending fragments \nseem starting from their shattered beds, and ready to add to the chaos below;" \nand Dr. Forbes adds, " It particularly reminds one of an Alpine valley, by the vast \naccymulation of fragments of rock, fallen from the cliffs above, which are strewed \nalong its base." \n\nA small but rapid little stream, \nthe Loe \xe2\x80\x94 whence the Gap takes its \nname \xe2\x80\x94 traverses the glen from the \nsouth, and finally runs into the river \nLaune. In its course in the defile it \nexpands into five little loughs, which \nare known as the Cummeen Thomeen \nLakes. Here and there a dwarf tree, \nor a thicket of coppice, or patches \nof golden furze or arbutus, in union \nwith the lakes, or the stream, which \nnow steals along, and anon rages \nover some jagged steep, adds not a \nlittle to the charm of the scene, by \nsomewhat softening into beauty its \nprevailing aspect of stern grandeur \nand wildness. The road, constructed often on the brink of precipices, follows the \ncourse of the stream, and in two instances it crosses by means of bridges, at Black \nLake, the second, and Black Lough, the fifth of the loughs or tarns, at which points \nthe effect is very picturesque\xe2\x80\x94 one especially, where the bridge stands at the head \nof a beautiful rapid where the torrent plunges in whitening foam over its rocky bed. \n\n* Killamey and the Sitrrounding Scenery. \n\n\n\n\nRapids in the Gap of Dujiloe. \n\n\n\nKERRY. \n\n\n\n\nGap of Dunloe. \n\nThe admiration of the visitor continues to increase until he arrives at that part \nwhere the pass becomes so contracted as to scarcely afford room between the \ninclosing precipices for the narrow pathway. This is right under the Purple \nMountain, near Auger Lough, called by the peasantry, doubtless by way of \nderisive contrast, or perhaps in sportive recognition of the human energy and \nperseverance which surmounted the difficulties of cutting a passage through this \nonce inaccessible pass, "The Turnpike," or more commonly "The Pike" \xe2\x80\x94 a \nspot where nature seems to have reached her bleakest climax. On the right, \nthe monarch of Irish mountains, Carran Tual, uplifts his dusky head ; and on \n\n\n\nPICTURESQUE IRELAND. \n\n\n\n\n\n\n\nTlu PiU \n\n\n\nthe left, Toomies and the Pur- \nple Mountain rest in everlasting \nshadow. The echoes, which are \nstartlingly fine all through the \nGap, are here in the greatest \nperfection. Saluting the moun- \ntains with a small cannon and \nthe martial blare of a trumpet, \nthe answering reverberations are \nlike the thunders of mighty ar- \nmies in conflict. " The shot in \nitself is insignificant, but the ef- \nfect, produced is absolutely sub- \nlime. Shots, peals of sound; \nthunderbolts, leap, burst, crash \nfrom out the surrounding hills. Dells, cliffs, rocks, and peaks pour forth a torrent \nof rolling rage, as if the signal had let loose the angry spirits of the mountains." \n\nThe road continues to the top of the Gap, and issuing thence from the depress- \ning solitude and the uncontrollable influences to melancholy which the deep gloom \nof the place inspire, a scene the most beautiful the imagination can paint bursts daz- \nzlingly upon the sight, the effect no doubt greatly heightened by the contrast with \nthat through which the eye has passed. A sudden turn on the narrow path, and, \nas if by magic, on the east appears the Gearhameen River as it falls into the \nupper lake, near Lord Brandon\'s cottage, and the lake itself embosomed amidst \nglorious woods and mountains ; while to the west, or right, the Coom-Dhuv, or \nBlack Valley, with its river and cataract. \n\nThe Black Valley is a deep, dark moorland glen extending some five miles \nwestward from the head of the upper lake, in which distance it rises only one \nhundred and forty-seven feet. The darkness of the valley is not caused by any \nexcess of vegetation, which is sparing and stunted, but by the height of the hills \nand the dissolved peaty matter in the water. The traveler Inglis regards it as \nmore striking than Dunloe, for few could look into its wild recess and seemingly \nboundless craggy moorland without a feeling- of awe akin to horror. Describing \nthe valley, Mr. Windele says, " on our right lies the deep, broad, desolate glen \nof Coom-Dhuv ; an amphitheater buried at the base, and hemmed in by the vast \nmasses of the mountain, whose rugged sides are marked by the course of the de- \nscending streams. At the western extremity of the valley, gloomily reposes \n\n\n\nKERRY. \n\n\n\n23 \n\n\n\namidst silence and shadows one of those lakes, or rather circular basins of dark \nstill water, Loch-an-bric-dearg , \' the lake of the char or red trout.\' Other lesser \nlakes dot the surface of the moor, and uniting form at the side opposite the termi- \nnation of the Gap, a waterfall of considerable height, enjoying the advantage, not \ncommon to other falls in Ireland, of being plentifully supplied with water at every \nseason of the year." A first view of the Coom-Dhuv on a hot hazy day is said to \nbe truly magical, reminding one of the dioramic representations of the blasted \nheath in Macbeth. Amid the surrounding blackness the water throws back the \nlight it receives by reflection from the clouds, giving the idea of being lighted from \nbelow. " Had there been at the bottom," says the German traveler Kohl, "among \nthe rugged masses of black rock, __ \n\nsome smoke and flame instead of \nwater, we might have imagined we \nwere looking into the entrance to the \ninfernal regions." \n\nIf we shared this idea we have \nbut to turn to the left, as before sug- \ngested, to experience a transportation \nfrom Hades to a terrestrial heaven, \nin the delightful effect of the Upper \nLake. On our way to it we pass a \nvery singular curiosity \xe2\x80\x94 the " Logan \nStone," or as it is variously called the " Balance Rock " \xe2\x80\x94 or " Rocking Stone." \nIt is situated on the side of a steep hill, is twenty-four feet in circumference ; and \nis considered a druidical relic of deep interest to the antiquarian. \n\nThe Upper Lake is but two and a half miles long, and three quarters of a mile \nwide, yet its position and surroundings have aroused the greatest delight and en- \nthusiasm of travelers ; and it is generally thought to be the finest of the lakes. \nAs Weld says, it displays much greater variety than the others, but that variety \narises from different combinations of the same wild features. Wakefield described \nthe Upper Lake as an " immense reservoir in a hollow between stupendous moun- \ntains, the rugged, rocky, and almost perpendicular sides of which may be said to \noverhang the water," whilst the whole scenery is of the most awful and extraordi- \nnary kind, such as very seldom occurs, " and on a scale of magnificence hardly to \nbe equaled anywhere else except in the wildest districts of Switzerland." Not \nless enthusiastic is a more recent writer, who says its solid grandeur strikes the \nobserver on first beholding it with feelings of awe and admiration. Perfectly \n\n\n\n\nThe Balance Rock. \n\n\n\n24 \n\n\n\nPICTURE so UE I RE LA ND. \n\n\n\ndistinct in the character of its romantic scenery from that of the Tore (Middle) and \nLower Lakes, it combines many of the softer beauties of wood and water, with all \nthe stern reality of mountain scenery, possessing in a surpassing degree every \n\n\n\n\n\nDerrycunnihy \n\nvariety of landscape that can delight the eye or gratify the imagination.* On the \nsouth are the Derrycunnihy hills, which give the name to one of the grand cascades \nof the region which is to be seen a little way up the Gal way River on the south- \neastern line of the lake. Here the torrent leaps forth from between some \nrocks high up the mountain, and having fallen a distance of over thirty feet, breaks \ninto innumerable falls, as though every rock and tree had its own jet a\'eau, and \n\n* N. P. Willis or J. Sterling Coyne, who wrote the descriptions to Bartlett\'s illustrations. \n\n\n\n\nDERRICUNIHY CASCADE. \n\n\n\n26 PICTURESQUE IRELAND. \n\nemitted a separate cascade. These gorgeous natural works, split into a thousand \nrills, again unite, and, after concentrating their forces in a deep basin excavated in \nthe rocks, once more leap forth in a mass of foam down the narrow channel, \nand are lost in the woods below. In the vicinity of Derrycunnihy Cascade an \ninlet from the lake is entered between two lofty crags. Within lies a beautiful \nsheet of water hemmed in by precipitous rocks, and overhanging trees. Behind \nthis a rapid stream rushes through a ravine, being impelled by the force of a cata- \nract concealed in a glen a short distance from the shore. Derrycunnihy is a favor- \nite and chosen place of meet for the stag-hunts, and its neighborhood frequently \nthe scene of the closing triumphs of the chase. \n\nAfter showing how an experienced person stealthily selects a deer, on the day \nprevious to the hunt, Mr. Weld continues : " Before the break of day the dogs are \nconducted up the mountain, as silently and secretly as possible, and are kept \ncoupled until some signal, commonly the firing of a small cannon, announces that \nthe party commanding the hunt has arrived in boats at the foot of the mountain; \nthen the dogs are loosed, and brought upon the track of the deer. If the business \nprevious to the signal has been silently and orderly conducted, the report of the \ncannon, the sudden shouts of the hunters on the mountain, which instantly suc- \nceed it, the opening of the dogs, and the loud and continued echoes along an ex- \ntensive region of woods and mountains produce an effect singularly grand. \n\n" The deer, upon being roused, generally endeavors to gain the summit of \nthe mountains, that he may the more readily make his escape across the open \nheath to some distant retreat. To prevent this, numbers of people are stationed \nat intervals along the heights, who by loud shouting terrify the animal, and \ndrive him toward the lake. The hunt, however^ begins to lose its interest after \nthe first burst. The ruggedness of the ground embarrasses the pursuers ; the \nscent is followed with difficulty, and often lost altogether, or only resumed \nat the end of a long interval : much confusion also arises from the emulous \nefforts of the people on the water to follow the course of the hunt, especially \nif it should take a direction toward\' the Upper Lake, when the contending \nboats are frequently entangled among the rocks and shoals of the river which \nleads to it. Those who attempt to follow the deer through the woods are rarely \ngratified with a view, and are often excluded from the grand spectacle of his \ntaking the sail, or, in other words, plunging into the lake. It is therefore gener- \nally recommended to remain in a boat. I was once- gratified by seeing the \ndeer run for nearly a mile along the shore, with the hounds pursuing him in \nfull cry. On finding himself closely pressed, he leaped boldly from a rock into \n\n\n\n\nX- ; \n\n\n\nKERRY. \n\n\n\nV \n\n\n\n\nthe lake, and swam toward one of the islands ; but, terrified by the approach of \nthe boats, he returned, and once more sought safety on the main shore ; soon \nafterward, in a desperate effort to leap across a chasm between two rocks, his \nstrength failed him, and he fell exhausted to the bottom. It was most interesting \nto behold the numerous spectators who hastened to the spot \xe2\x80\x94 ladies, gentlemen, \npeasants, hunters, combined in various groups around the noble victim, as he \nlay extended in the depth of the forest. The stag, as is usual on these occa- \nsions, was preserved from death." \n\nAfloat on the bosom of the \nUpper Lake we realize the sen- ^=- \xe2\x80\x94 ^^*\'- ^ \n\nsations of an intelligent voyageur, \nwho says : " As we glided along \nthe smooth lake, enclosed by \nheaven-kissing hills, with heath- \ncovered brows, or more threat- \nening rocky precipices, relieved \nat the base by luxuriant shrubs \nwhich shade its verge, and \nstudded with islands covered \nwith myrtle and arbutus ; the \nnational melody stealing along the waters, and thrown back upon our ears by \nthe echoing rocks ; our boat\'s crew with sinewy strength and picturesque mien \ntugging swiftly at their oars, and our fair companions, with delighted eyes, the \nonly living things in sight save one strong eagle, which hovered aloft over its \ngiant rock ; and then the stillness of the air and the (I believe unwonted) \n\xe2\x80\xa2clearness of the blue canopy which covered us \xe2\x80\x94 altogether produced an effect \nsuch as I shall not attempt to delineate." \n\nThe Long Range, a water channel of more than two miles in length, con- \nnects the Upper and Middle Lakes. Rocks, woods, and picturesque openings \ncontinue and sustain the interest. About halfway through is the Eagles\' Nest, \nan inaccessible mass of rock of a pyramidal form, eleven hundred feet in height, \nrichly clothed with foliage and shrubs about its sides, and around whose bar- \nren summit the eagles build their nests and breed their young. The nests \ncan only be reached by ropes from above. The echoes at this point are world- \nfamous, and are impossible to fully describe. The firing of a gun produces rever- \nberations from mountain to mountain, of thrilling distinctness, like peals of near \nand mighty thunder. A bugle-call is repeated a dozen times from crag to \n\n\n\nThe Eaglci\' Nest. \n\n\n\n28 PICTURESQUE IRELAND. \n\nhill, sometimes low, sometimes loud, sometimes in rapid succession, sometimes \npausing as if for answer, then dying off, and yet again returning with renewed \nforce and eclat from some more distant range. " It is scarcely in the power of Ian- \n\n\n\n\n\n\n\nOld Weir Bridge. \n\n\n\nguage,"\' says Weld, " to convey an idea of the extraordinary effect of the echoes \nunder this clifif, whether they repeat the dulcet notes of music, or the loud, dis- \ncordant report of a cannon. Enchantment here appears to have resumed her \nreign, and those who listen are lost in amazement and delight." Under some \nsuch spell Okenden \xe2\x80\x94 who wrote in 1760, seems to have been. "We gazed," \n\n\n\nKERR Y. \n\n\n\n29 \n\n\n\n\nUnder fJie Rocks at Tore Lake. \n\n\n\nhe said, "at the wood, the rock, and the river, with ahernate hope and lear; \nand we expected, with a pleasing impatience, some ver\\^ marvelous event. \nAngels from the sky, or fairies from the mountains, or O\'Donoghoe from trie \nriver, we every moment expected to appear before us." \n\n\n\n30 \n\n\n\nPICTURESQUE IRELAND. \n\n\n\n\nOld Weir Bridge, near view. \n\n\n\nGliding out of this locality, where the magic of sound is so powerful, and \ndown the Range, we pass the fairy scene at the Meeting of Waters, and are at \nthe old Weir Bridge, which connects Dinis Island with the mainland, and is \nthe entrance to the Middle Lake. The descent of the rapids under the bridge \nis exciting, and needs careful management of the boat. The boatmen, however, \n\nare very skillful, and shooting the rapids \n_ \xe2\x80\x94 _ is one of the- pleasant sensations of a Kil- \n\nlarney trip, although some persons prefer \nlanding and walking round. \n\nThe Middle Lake is frequently called \nTore Lake, from the mountain which \ncasts over it a perpetually solemn shade \nand appearance ; and sometimes Muck- \nross Lake, from being bounded on the \nother (north) side by the Muckross de- \nmesne. The current from the Upper Lake divides, at Dinis Pool, flowing to \nthe right into Tore Lake, and to the left between Dinis Island and Glena, \nand joining the Lower Lake at Glena Bay. \n\nStanding near the confluence of the waters of the three lakes, Scott, after \npausing in rapt admiration, exclaimed, in the words of Coleridge, " Beautiful \nexceedingly ! " Tore, which is half as large again as the Upper Lake, partakes \nsomewhat of the joint characteristics \nof the other two lakes. The rocks \nalong its shore have been hollowed \nout into cavernous and grotesque \nforms by the action of the waters. \nIn reply to the query, " What is to \nbe said about Tore Lake?" Thack- \neray wrote, " When there, we agreed \nthat it was more beautiful than the \nlarge lake, of which it is not one- \nfourth the size ; then when we came \nback; we said, \'No ; the large lake \nis the most beautiful;\' and so, at \n\nevery point we stopped at, we determined that that particular spot was the \nprettiest in the whole lake. The fact is, and I don\'t care to own it, they are \ntoo handsome. As for a man comino- from his desk in London or Dublin, \n\n\n\n\nThe Cottage on Dinis Island. \n\n\n\n\nKERRY. 31 \n\nand seeing \' the whole lakes in a day,\' he is an ass for his pains. A child \ndoing a sum in addition might as well read the whole multiplication table, and \nfancy he had it by heart." Dinis Island is a lovely spot, and a neat and com- \nmodious cottage has been built on it by Mr. Herbert, for the gratuitous use \nof visitors. \n\nBrickeen Island seems to form a prolongation of the thickly-wooded penin- \nsula of Muckross, from which it is only separated by a narrow stream, sjaanned \nby a bridge of a single arch, through which is one of three passages to the \nLower Lake. \n\nThe Lower Lake, or Lough Lene, is five \xe2\x80\x94 \n\nmiles long, three miles wide, and contains about ^ *"^ , /, \n\nthirty-five islands, most of them richly clothed \nwith verdure, and all of them more or less \ninteresting by association with romance or \nlegend. The transition from wild and rugged \nand closely-piled scenic effects to the expansive rl|^^ \nbeauty of Lough Lene at first tends to create \na feelinjj- of disappointment; but, by degrees,, . , \xe2\x80\x9e ., \n\n\xe2\x80\xa2^ .< o Brickeen Bridge. \n\nthe wonderful loveliness of the shores, woods, \n\ncascades, islands, and ruins around unfold before the vision and leave a last- \ning impression of harmony and sweetness. There are fine views from the \neastern and western shores, but the noblest is doubtless from the northeast, or \nRoss Island, from which the grand mountains in the west and south form a \nglorious background to the placid beauty of its surface, and the poetical effect \nof its innumerable inlets, delicious nooks, and wooded bays. The mountains of \nGlena and the Toomies form an effective barrier on the west. \n\nInnisfallen Island, about twenty-three acres in extent, is nearly midway between \nthe east and west shores of the Lower Lake. It is universally hailed as the most \nbeautiful of the lake islands, and its luxuriance of vegetation and purity of ver- \ndurous color entitle it, in the opinion of many, beyond any other in the country, to \nthe pre-eminence of being the " Emerald Isle." Its appearance from the water is \nthat of a dense wood of magnificent trees and gigantic evergreens. It seems im- \npenetrable, the foliage being very close, and literally extending into the water, the \nroots in some places twisting in fantastic forms out of the lake. On approaching, \nglades and alleys appear, and on landing and penetrating its recesses, a variety of \ndelightful scenery is disclosed, diversified with rock and dell and lawn, sunny \nglade and umbrageous awning, embellished by thickets of flowering shrubs and \n\n\n\n32 \n\n\n\nPICTURESQUE IRELAND. \n\n\n\nevergreens. Here are lofty elms and hollies of unusually large growth and \ngirth, fine old oaks too ; but the ash, which attains here a remarkable magni- \ntude and luxuriance, prevails. Among the venerable trees is one at whose \nroot a legendary " Friar\'s grave " is pointed out. Vistas having been judiciously \ncut through the groves, the openings command the most varied and lovely views \nof the shimmering waters, the shores, the woody slopes, and the blue summits \nof the mountains towering above the surrounding woods. \n\nIn addition to its enchanting aspect, Innisfallen has attractions of an historical \n\ncharacter. The abbey, the ruins \nof which are scattered about the \nisland, was founded by St. Finian \nearly in the seventh centur}^ The \nsolemn tranquillity of the place \nrendered it in ancient times a \n"paradise and secure sanctuary;" \nbut the treasures " in gold and \nsilver, and richest goods of the \nwhole country" which were de- \nposited in it proved a tempta- \ntion which led to its invasion and \nviolation in 1180, when, accord- \ning to the "Annals," the O\'Don- \noghues plundered the abbey, and the MacCarthys slew many of the clergy in the \ncemetery. Near the principal ruins are others, generally believed to have been \nconnected with the abbey ; but the most interesting of the remains on the \nisland is a part of a structure of far more ancient date, covered with ivy, and \nstanding on a mass of rock near the water, close to the landing-place. It is vari- \nously called a chapel and oratory, but is believed to be the remains of a temple \nof sun-worship, and associated with the remotest antiquity. It has a hand- \nsome round-headed doorway at the west, and is a striking feature in both of \nthe illustrations given. From the abbey issued "The Annals of Innisfallen," a \ncompendium of universal history to the era of St. Patrick, with a continua- \ntion to the end of the thirteenth century \xe2\x80\x94 in Irish intermixed with Latin. \nThe original is in the Bodleian Library, Oxford, and there are copies in Trinity \nCollege, and the Royal Irish Academy, Dublin. \n\nMoore has beautifully conveyed the haunting memory of loveliness left on \nthe mind by this isle, in the following lines : \n\n\n\n\nInnisfallen. \n\n\n\n\nO\'SULLIVAN\'S CASCADE. \n\n\n\n34 PICTURESQUE IRELAND. \n\n" Sweet lanisfallen, fare thee well ; \n\nMay calm and sunshine long be thine \\ \nHow fair thou art let others tell\xe2\x80\x94 \nTo feel how fair shall long be mine. \n\n" Sweet Innisfallen, long shall dwell \n\nIn memory\'s dream that sunny smile \nWhich o\'er thee on that evening fell, \nWhen first I saw thy fairy isle. \n\n" \'Twas light, indeed, too blest for one \nWho had to turn to paths of care \xe2\x80\x94 \nThrough crowded haunts again to run. \nAnd leave thee bright and silent there ; \n\n" No more unto thy shores to come, \n\nBut, on the world\'s rude ocean toss\'d. \nDream of thee sometimes, as a home \nOf sunshine he had seen and lost. \n\n*\' Far better in thy weeping hours, \nTo part from thee as I do now ; \nWhen mist is o\'er thy blooming bowers, \nLike sorrow\'s veil on beauty\'s brow. \n\n" For, though unrival\'d still thy grace. \nThou dost not look, as then, too blest, \nBut thus in shadow, seem\'st a place \n\nWhere erring man might hope to rest \xe2\x80\x94 \n\n" Might hope to rest, and find in thee \nA gloom like Eden\'s, on the day \nHe left its shade, when every tree. \n\nLike thine, hung weeping o\'er his way. \n\n" Weeping or smiling, lovely isle ! \n\nAnd all the lovelier for thy tears--- \nFor, though but rare thy sunny smile, \n\'Tis heav\'n\'s own glance when it appears. \n\n" Like feeling hearts, whose joys are few. \nBut, when indeed they come, divine \xe2\x80\x94 \nThe brightest light the sun e\'er threw. \nIs lifeless to one gleam of thine ! " \n\n\n\nKERRY. \n\n\n\n35 \n\n\n\n\nThe Cottage at Glena. \n\n\n\nO\' Sullivan\'s Cascade is at the foot of the Toomies, and the stream which \nforms it separates these mountains from Glena, and empties into the lake on the \nsouth-west shore which presents a rich and beautiful extent of foliage. Approach- \ning it, the hills have a fine \nappearance and broken out- \nline. The deep woods clothe \ntheir base, and farther up they \nare covered with heath, and \nfurrowed with water-courses. \nLanding to the right of the \nbed of the stream, and follow- \ning the course of the torrent, \nthe roar of dashing waters \nbreaks on the ear ; but the \nover-arching foliage, and the \n\nintervening shrubs are so thick, that a sight of the waterfall is not attained \nuntil expectation has been some time excited by the sound of its plunging \nthrough the rugged channel. It rolls a large volume of water from the deep \nbosom of a woody glen, with impetuous velocity over a cliff seventy feet high, \n\nand forms three distinct falls \xe2\x80\x94 the first \npassing over the ridge falls perpendicu- \nlarly into an unseen natural basin, from \nwhich it escapes and forces itself impetu- \nously between two hanging rocks into \nanother basin, from which it makes its \nthird leap into a rugged and broken \ncourse, where its force and fury is ex- \npended before it joins the placid waters \nof the lake. In the opinion of some tour- \n=1:^ ists, this fall is superior in beauty to all \nothers in the district, not even excepting \nTore and Derricunnihy. It is certainly \nexceedingly beautiful, presenting the ap- \npearance of a " continued . flight of unequally elevated foamy stages." A fine \nview of the cascades is obtained from a grotto under a projecting rock, over- \nhanging the lower basin ; so overshadowed by an arch of foliage as to shut \nout the lisfht. \n\n\n\n\nRuins of Ross Castle. \n\n\n\n36 \n\n\n\nPICTURESQUE IRELAND, \n\n\n\nFollowing the woody shores under Glena which is covered with the richest \nevergreens, we find in a charming forest glade on Glena Bay, a cottage erected \nby the counties of Kenmare, for the accommodation of visitors, and so spacious \nthat several parties can occupy it at the same time without inconvenience. \n\nRoss Castle is one of the most striking and attractive features of Killarney \nscenery. It presents a very picturesque effect itself, as seen from all parts of \nthe lake and from every one of the adjacent mountains, and affords from the \nsummit of its tower a commanding panoramic view of every important object \n\nby which it is surrounded. It \n^~ " ~-^f^^-:z^^^ takes its name from the ros, or \n\npeninsula, on which it stands, on \nthe eastern shore of the Lower \nLake. The castle consisted of a \nstrong keep and other stout build- \nings, both of a domestic and mili- \ntary nature, surrounded by the \nusual bawn* wall, with its breast- \nworks and circular flanking towers \nat the corners. The point on \nwhich it is built was made an \nisland by the cutting of a deep channel through the marshy neck originally joining \nit to the mainland. This ditch, flooded by the waters of the lake, formed a prin- \ncipal defense on the land side. The date of its foundation is unsettled, but \nthe style of its masonry and other characteristics indicate it as belonging to the \nlatter part of the fourteenth century. About that date, and in some parts of \nIreland, before it, the Irish chieftains began to adopt some of the manners of \ntheir powerful Norman neighbors ; and upon the site of their wooden caJiirs, \nor fortresses, built strong castles of stone, in which they stood many a gallant \nsiege, and from which they led many a foray to protect their borders from the \nmail-clad intruders. During the vengeful wars that raged through Ireland, Ross \nCastle several times changed hands. From the O\'Donoghue More, by one of \nwhose ancestors it seems to have been erected, it passed into the hands of \nMac Carthy More, by whom it was transferred in i588 to Sir Valentine \nBrowne, ancestor of the present house of Kenmare. After the fall of the \nConfederation of Kilkenny, in 1648, which was soon followed by the execu- \n\n\n\n\nRoss Island. \n\n\n\n* Ba-cvn, an anglicised form of the Irish bo-dhun (cow-fortress), a fortified inclosure for cattle. \n\n\n\nKERRY. \n\n\n\n37 \n\n\n\ntion of Charles I. in England, many of the generals of the former stoutly \nheld out arainst the Cromwellians, who succeeded the latter. Among these \n\n\n\n\nf was Donagh Mac Carthy, Lord \nof Muskerry, commander of the \nCatholic forces of Munster. After \nhis defeat b> the ParHamentary \nforces under Lord Broghill at Knock- \nmclashy in July, i65i, he led fifteen \nhundred men across the mountains, \nand threw himself into Ross Castle. The \nstrength of the position is indicated by the \nParliamentarian General Ludlow, who in \nhis " Memoirs," states that he led four \nthousand foot and two thousand horse to its reduction. Muskerry resisted him \nfor some time, but Ludlow, having launched several boats on the lake, each \nholding one hundred and twenty men, was able to use some of his force in \n\n\n\nRoss Castle. \n\n\n\n38 \n\n\n\nPICTURESQUE IRELAND. \n\n\n\ncutting off the land supplies to the castle. In this dilemma Muskerry was forced \nto parley, and, as Ludlow says, " after a fortnight\'s debate, concluded the agree- \nment " of capitulation.* At all times of interest, the time-worn battlements of \nthis ancient stronghold present, under particular surroundings of atmosphere, a \nmost fascinating effect. On every side it commands scenes of the wildest beauty \nand sublimity. To the west, before it, arise the Toomies and the Purple Moun- \ntains, and beyond them the lofty Reeks of Magillicuddy throw up their savage \nsummits into the ever-varying sky. To the east and north-east the valley of \n\nthe Flesk, Coltman\'s Castle, \n-sr=r^^ the Millstreet Mountains and \n\nthe Paps. To the north a \nnumber of abrupt and irregu- \nlar eminences, with Killarney \ntown and the Kenmare de- \nmesne between, with the ruins \nof Aghadoe to the north-west. \nSouthward the Middle Lake, \nMuckross, and Castlelough \nbay in the foreground, with \nTore and Crommaglan Moun- \ntains, and nearly on a line with the latter, but almost as high as both together, \nthe Mangerton range in the background. \n\nWhen N. P. Willis visited Ross Castle, the sun was near its setting, and \nthe scene presented was one of rare loveliness. " A soft and golden flood of \nlight covered the bosom of the lake, and the background of mountains and \nislands, with a glory inexpressibly beautiful. The side of the ruined castle \ntoward me lay in deep shade, and its one square and tall tower cut the glow- \ning sky with an effect which made me wish I had been an artist. The scene \naltogether, for softness of atmosphere, richness of light, singular beauty of out- \nline, and combination of island, mountain, and water, seemed to me quite incom- \nparable. I ascended the top of the ruin, and sat watching the fading light on \nthe lake till the color was dissolved in twilight : it was a rare moment of natural \nbeauty, sufficient of itself, without legendary or other interest. I enjoyed it to \nthe depths of my heart." \n\nOne of the most popular and beautiful of Irish legends is associated with \n\n\n\n\nO\'Donog-hue\'s Horse. \n\n\n\nLegends of the Wars in Ireland, by Robert Dwyer Joyce, M.D. ; Ludlow\'s Memoirs (1751), p. i6o. \n\n\n\nKERR Y. \n\n\n\n39 \n\n\n\nRoss Castle and Killarney \xe2\x80\x94 that of O\'Donoghue of the Lakes. The story, which \nmay be found at length in Weld\'s work on Killarney, Derrick\'s letters on the \nsame (1760), Crofton Croker\'s Irish fairy-lore and others, in brief, is this: \nIn the largest of the islands of Lough Lene there lived, many hundred years \nago, a prince named O\'Donoghue, who was lord of the lake, the surrounding \nshore, and a large district of the neighboring country. Indeed, wander where \nyou will to this day, hill, rock, glen, and water recall the affection in which \nthe chief was held. Among other of his appurtenances symbolized by tarn or \ncliff is his " horse," \na rock so worn by \nwater and time as to \nbear somewhat the \nappearance of a \nhorse drinking. \n\nO\'Donoghue was \ndistinguished for \ngreat munificence, \nhumanity, and wis- \ndom ; and by "his \nprofound knowl- \nedge in all the se- \ncret powers of na- \nture, he wrought \nwonders as miracu- \nlous as any tradition has recorded of saints by the aid of angels, or of sorcerers \nby the aid of demons." He was as renowned for his warlike exploits as for \nhis pacific virtues ; and as a proof that his domestic administration was not the \nless rigorous because it was mild, the rocky island, called O\'Donoghue\'s prison, \nis shown as the place where the prince confined his own son for some act of \ndisorder or disobedience. Among other gifts, he possessed the secret of eternal \nyouth. Having continued a long time on the surface of the earth without grow- \ning old, he made the occasion of his departure only less memorable than his \nrevisitings. At one of those splendid feasts at Ross Castle for which his court \nwas celebrated, surrounded by the most distinguished of his chiefs and people, \nhe was engaged in a prophetic relation of the events which were to happen in \nthe ages yet to come. His auditors listened, now rapt in wonder, now fired \nwith indignation, burning with shame or melted into sorrow, as he detailed the \n\n\n\n\nThe Vision of O\'Donoghue. \n\n\n\n40 PICTURESQUE IRELAND. \n\nheroism, the injuries, the crimes and miseries of their descendants. In the \nmidst of his predictions, lie arose slowly from his seat, advanced with a solemn, \nmeasured, and majestic tread, passed through the window, and moved for some \ndistance over the waters of the lake. As he reached the centre he paused for \na moment, turned slowly round, looked toward his friends, and waving his \narms to them with the cheerful air of one taking a short farewell, descended \ninto the waters, which opened to receive him, and closed as he disappeared. \n\nThe memory of the good O\'Donoghue is impressed on everything about \nthe lakes, and has been cherished for successive generations : and he seems in \nhis spirit-life to have loved the place and the people, returning again and many \ntimes \xe2\x80\x94 not in the night as ghosts do, revisiting the glimpses of the moon, but \nas one not dead \xe2\x80\x94 on May-day morning, while the sun is radiant and the air \nalive Avith pleasant perfume. His visits are hailed with delight ; for fortunate \nis the being who beholds the generous spirit-chief. His presence is always an \nomen of good fortune, and the vision on May-day is granted to many ; it is a \nsure token of an abundant harvest, the want of which was never felt during the \nreign of this O\'Donoghue. His absence, which sometimes occurs for three or \nfour years, is lamented as an augury of bad times. Derrick had the account \nof one of those beautiful visits \xe2\x80\x94 the O\'Donoghue attended b)^ a numerous reti- \nnue scattering flowers, and moving together over the surface of the Avaters \xe2\x80\x94 \nfrom an " eye-witness ;" and adds : " The account is confirmed in time, place, and \ncircumstances, by many more spectators from the side of the lake, who are all \nready to swear, and not improbably to suffer death in support of their testi- \nmony." Derrick wrote more than a hundred years ago, but testimony not less \npositive is not wanting in our own day in regard to the visions to be seen at \nKillarney. Many living witnesses testified to the appearance of O\'Donoghue, \nand to " actual interviews between children of earth and the spirit of the \ndisembodied prince," to Mr. and Mrs. S. C. Hall, while at Killarne3\\ One of \nthem they especially refer to as having no "pre-established superstition" \xe2\x80\x94 "an \nEnglishman, a Protestant, and moreover a soldier of the 30th Regiment." His \nstory was : He and a comrade, an Irishman, were engaged in ploughing up the \nold church-yard in Innisfallen, a work they both disliked. As they were moor- \ning the boat in which they came to the island in the morning, after the \'com- \nmencement of the work, "they saw a procession of about two hundred persons \npass from the old church-yard, and walk slowly and solemnly over the lake to \nthe mainland. Reynolds Avas himself terribly alarmed, but his companion fainted \nin the boat." He repeatedly afterward saw smaller groups of figures, but no \n\n\n\n\nEAGLE\'S-NEST MOUNTAIN, FROM KENMARE ROAD. \n\n\n\n42 PICTURESQUE IRELAND. \n\ncrowd so numerous. " In answer to our questions, he expressed his perfect \nreadiness to depose to the fact on oath ; and asserted he would declare it if he \nwere on his death-bed." The writers add, that the " plain-spoken native of \nDevonshire," who had won the prize at the plowing-match the year previous, \nevidently had no imagination, was little likely to invent or give currency to a \nfiction, had no object in coining a deceit, and was indisposed to talk on the \nmatter.* In a scientific note, however, interesting enough to be poetical, this \nand many other old-time legends and visions are disposed of as optical illusions \nand illustrations of the mirage. Among the traditions of the lake is one of a \nbeautiful young girl of the house of Cluain-Fineen, who, believing herself in \nlove with the prince, threw herself into the lake on a May morning, in search \nof the object of her affections. On this romantic theme Moore founded his \n"melody" of " O\'Donoghue\'s Mistress," commencing \xe2\x80\x94 \n\n" Of all the fair months that round the sun \nIn light-link\'d dance their circles run, \nSweet May, shine thou for me ; \nFor still, when thy earliest beams arise, \nThat youth, who beneath the blue lake lies, \nSweet May, returns to me." \n\nMr. Wakefield, at the commencement of the century, observed that those \nwho go to Killarney without ascending the Reeks and Mangerton, though they \nmay come away delighted with the gratification derived from the rich scenery \nof Muckross, the beautiful appearance of the islands emerging from the crystal \nflood, and astonished by the singularly wild and rugged views which the Upper \nLake affords, yet will they know nothing of those grand, awful, and sublime \nscenes exhibited by nature, where objects of the most terrific kind are united \nin the wildest and most fantastical manner. These views, and the enthusiasm \ninspired by the region, have impressed the most intelligent travelers. \n\nThe ascent of Carran Tual is difficult and dangerous, requiring activity, cour- \nage, and endurance. Indeed, a good combination of sure-footed shelties, intel- \nligent guides, self-possession, and strong lungs, are necessary to face the preci- \npices that lie between the lakes and the chief summit of the Reeks. With these \nand favorable weather the ascent will fully repay the toil. Provided with a \nstock of creature comforts adequate to sustain the " inner man " on such an \nexcursion, the road from the town of Killarney along the northern shore of the \nLower Lake, by the entrance to the Gap of Dunloe, is taken, and on to the \n\n* Mr. and Mrs. S. C. Hall\'s Ireland, etc., vol. i., p. 200. \n\n\n\nKERR Y. \n\n\n\n43 \n\n\n\nGiddagh River, following the upward channel of which the Hag\'s Glen is reached. \nOn the left are the precipices of the Reeks, and on the right the ascent of \nKnock-a-Brianeen. Proceeding, the Hag\'s Lough and Teeth and the Devil\'s \nLough are pointed out, and resigning the ponies, the adventurous searcher \nafter the picturesque must trust for a good hour more to his elastic temper \nand thews and sinews to complete the ascent. Stopping occasionally to \ntake breath, wonder and admiration are tame expressions to describe the \nfeelings which arise at the contemplation of the prospect that unfolds itself, like \na miap, before the vision on \nthe northern side of the Reeks. \nOn reaching the summit the \nfull glory of the scene on all \nsides is magnificent beyond \nconception. A noble pano- \nrama \xe2\x80\x94 glorious in all that \nmakes earth beautiful \xe2\x80\x94 hills, \nlakes, valleys, rivers, are mi- \nnutely discernible below the feet \nof the spectator. The Killar- \nney Lakes, except a small por- \ntion of the Lower one, are \nnot visible, being shut out by \n\nthe Toomies Mountains ; but in the Reeks are several lakes \xe2\x80\x94 now glancing \nin sunlight, now shadowed by overhanging precipices \xe2\x80\x94 within view, while \nimmediately under Carran Tual on the south is Curraghmore Lough, at an \naltitude of 1004 feet, and on the north Lough Gauragh, 11 26 feet above the \nsea level. The scenes extend in sublime grandeur beyond the immedi- \nately surrounding localities, from the Shannon on the north to Cape Clear, and \nembracing between them the bays of Dingle, Kenmare, Bantry, and Dunmanus ; \nthe waters of the Atlantic mingling with the sky in the distant horizon. \n\nThe ascent of Mangerton is less difficult. While at the village of Cloghreen, \nen route, a slight divergence might be made to view the little old church of \nKillaghie. It is very small and of simple construction, yet it will repay a visit, \n"being a sample of the stone-roofed chapels of the early Irish saints. With the \n\xe2\x96\xa0exception of the tower, which is an addition of a later date, a remote antiquity is \nclaimed for this edifice as for others of similar character. The ascent to Mangerton \nis made on sure-footed ponies, through ravines and water-courses, and at times by \n\n\n\n\nKillaghie Church. \n\n\n\n44 \n\n\n\nPICTURESQUE IRELAND. \n\n\n\nsteep, rough, and precipitous paths. At length the Devil\'s Punch Bowl is reached, \nand the traveler is not disinclined to rest. This Bowl is a tarn near the sum- \nmit of the mountains, surrounded by almost perpendicular rocks, the rugged \noutlines of which reflected in the water add to its apparent depth, and the singu- \nlar wildness of the lonely scene. Its dark and unfathomable waters, the over- \nflow of which forms the beautiful Tore Cascade, are extremely cold ; and they \n\n\n\n\nDevil\'s Punch Bowl. \n\n\n\nneither freeze m the \nseverest wmters, nor \nare calm m the mild- \nest summers, facts \nwhich are attributed \nto the nature of his Satanic majesty, after whom \nthe lake is named. It is more than two thousand feet above the lakes, and \nis twenty-eight acres in extent. Charles James Fox, it is said, swam round it \nin 1772, and, as suggested by that feat and other facts, he used to boast \nthat he " was shaved by Old Nick (his barber\'s name was Nicholas) in the \nmorning, swam across the Devil\'s Punch Bowl at noon, and got as drunk as \nthe devil at night." To the east of the " Bowl " is Glenna Coppel, which looks \ninaccessible to all save the brown eagle, which seems to have made it its \n\n\n\nKERRY. \n\n\n\n45 \n\n\n\n\n\xe2\x80\xa2dwelling. A more wild spot can scarcely be imagined \xe2\x80\x94 a valley sunk down as \n\nprecipitous as the crater of a volcano, with several \n\nsmall lakes at the bottom. None should attempt . f - \xe2\x80\xa2\' ~ - \n\nthe descent save hardy climbers, and even those - \n\non the north side, through the opening by which ^ ^ ^~- \n\nit discharges the overflow from its lakes in the - \n\nwinter.* \n\nFrom the Punch Bowl the ascent to the sum- \nmit of Mangerton is by a narrow pathway too \nsteep for the ponies. An American, who from \nyouth had learned to love natural scenery \xe2\x80\x94 whose \neyes and feelings were trained to the picturesque \n-and grand by the bold outlines of the Granite \nHills, over which tower Semaphor, Kearsarge, and \nMonadnock \xe2\x80\x94 made the ascent of Mangerton, and \nhas given us his impressions f of the view from \nthe summit. \n\n" Here," he says, " we had a magnificent pros- \npect in all directions, as far as the eye could reach, \nexcept a small space at the west, toward Derrynane \xe2\x80\x94 the former residence of \nO\'Connell, which was hidden by the highest peak in Ireland, Carran Tual, and \n\nMagillicuddy"s Reeks, which stand \n\n^^ ;:^ _^^ ^^^ like towers of defense about their \n\n^ ^^\'^^^^^^* ;"T"r"^^^ \xe2\x80\x94 -, royal master. North of them, \n\n\xe2\x80\x94 ^_ beyond a fine, undulating country^ \n\n^-;.i~ \xe2\x80\x94 we could see Dingle Bay ; and \n\non the south, over rough, barren \nhills, cut in pieces by deep glens \na.nd widening vales, lay, in glossy \nbrightness, the Bay of Kenmare, \nand a little further, over another \nrough range, through which we \ncould trace the celebrated and \nromantic Glengariff, was Bantry Bay, and still further. Cape Clear and the broad \n\n\n\nProfile of Rocks at Devil\'s Punch \nBowl. \n\n\n\n\n\n\n\nThe Flesk River. \n\n\n\n* A Series of Papers, "A Run through the South of Ireland," in the Dublin Saturday Magazine, 1865-6, has given \nus some good hints, practical, descriptive, and otherwise. \n\nt Ireland as I Saw It, by William S. Balch, New York, 1850. \n\n\n\n46 \n\n\n\nPICTURESQUE IRELAND. \n\n\n\n\nAtlantic. Toward the east, a long line of broken, barren, heathy hills, rocky- \ndells, and deep ravines. The romantic valley of the Flesk, winding tortuously \nthrough this wild and desolate region, so well described in Lever\'s O Donoghue, \n\nis distinctly traced \xe2\x80\x94 the rounded Paps \nand Cahirconree on the one side, \nand Croghan and Keim-an-eigh on \nthe other. In this direction is a \nscene of wild and confused desola- \ntion, such as the eye rarely rests \nupon, which contrasts forcibly with \nthe beautiful and cultivated vales be- \nyond, and the broad and gently undu- \nlating plains on the north. \n\n" What adds greatly to the beauty \nof this remarkably picturesque scen- \nery are the numerous little lakes \nwhich bespangle it like stars in the \ndeep blue firmament of heaven. \nScarcely a hut or sign of human \nhabitation meets the eye in all this \nrange. ... I had never dreamed that such a dreary, mountainous district \ncould be found in the Emerald Isle ; never that a landscape so variegated, wild, \nand picturesque was to be looked for, except in Scotland or Switzerland. The \nlakes and town of Killarney, the shaded villas, the small and vari-colored fields, \nthe innumerable white thatched huts dotting the broad sweep of cultivated and \napparently level land west and north, which, seen at this distance, look very \nneat and comfortable ; the floating clouds, which once or twice enveloped us \nin mist \xe2\x80\x94 everything, in fine, conspired to entrance me with the beauty, the splen- \nior, and novelty of the scene. \n\n" The view from the top of Mount Washington is more grand, more aAvfully \nsublime, but lacks the variety, beauty, and romance of this spot. There we see \nno crumbling castles, ivied abbeys, ruined monasteries, unfinished cathedral, \ngray old towers, embowered villas, O\'Donoghue legends, sportsmen\'s lodges, \nshepherd\'s cots, thatched cabins, Irish wit, and Celtic songs. We have beauti- \nful lakes, though none so sweet and silvery as these scattered all about us. \nWe have narrow defiles, but none more wild and picturesque than Glengariff, \nthe Pass of Keim-an-eigh, the Gap of Dunloe, or Commedhuv. We have taller \n\n\n\nOver the Upper Lake. \n\n\n\nKERRY. \n\n\n\nA7 \n\n\n\nmountains, and ranges, and spurs shooting off in different directions, but none \nare more bleak and wildly confused than these. Ours mingle not the white \nbleached granite, rising occasionally, in perpendicular masses, with the brown \nheather, purple erica, dark-green patches of moor and fen, and glassy lakelets. \nWe have more patriotic names, but none so venerable and euphonious as Carran \nTual, Cahirconree, Cracmaveel, Finnevagogh, Cruchabinny, Fortagrisane, Glen- \ngariff, Toomies, and Cahir Reeks. Ours have a newness and a freshness, which, \nin one sense, charms us. They rise from the midst of vast forests, which climb \nfar up their sides, till dwindled into shrubs and moss; then come the naked \nand confused mass of dark rocks. These plant their deeply indented bases \non broad fields of rich soil, bedotted with lakes, towns, hamlets, and huts, \nwhich latter extend up their shrubless sides as far as space of earth is found \nto till." \n\nIn this connection may be added the observations of another visitor from \nAmerica: "The glory of the picture lay in its massive frame of purple moun- \ntains, towering in savage grandeur tier upon tier, until high over all loomed the \npeak of Carran Tual, or the inverted reaping-hook, so called from its shape. In- \ndeed, it is this combination of sublimity and beauty, rugged mountain and grassy \nslope, crystal waters and waving woods, all concentrated in such a small compass, \nthat makes Killarney unsurpassed as a perfect picture by any other spot on \nGod\'s earth." The writer thinks that for simple beauty alone there is no single \nview in Killarney or in its vicinity equal to one on the Blackwater at Lismore, or \nnear Cappoquin, where that river abruptly changes its eastward course and runs \nsouthward to the sea. But he adds, " Though unsurpassed, in the wealth of glo- \nrious rivers and fertile fields, gorgeous woods and ivy-mantled castles, the dark \nand magnificent background to the picture which forms so striking a feature in \nthe Killarney landscape is wanting." . . . Again, "I have seen some views on \nLake George in this State (New York) which for clearness of the water, greenness \nof the islands on its bosom, and beauty of the woods in their gorgeous autumnal \nlivery, might compare favorably with any single view of Killarney. But here, \nagain, the mountains, though magnificent in their wooded tiaras, are not near as \nhigh nor half as grand in form ; and Lake George can boast of no ivy-crowned \nruin to awaken thoughts of the past." \n\nAs one takes a parting view of the Upper Lake from the Kenmare Road, \nhe is deeply impressed with the prevailing sense of solitary beauty; and will \nagree with Willis, that " here Nature sits in lonely and silent grandeur amidst \nher primeval mountains. Solitude, stillness the most profound, rests upon the \n\n\n\n48 \n\n\n\nPICTURESQUE IRELAND. \n\n\n\n\n\n\nwoody shores and the tranquil lake, filling and overpowering the mind with a \ndeep sense of the perfect seclusion of the scene." \n\nSir Richard Colt \nHoare, a noted Eng- \nlish antiquary and topo- \ngrapher, declared that \nthe collected beauties \nof this favored district \nare so great, so varied, \nand so superior to any- \nthing that he had ever \nseen in Italy, Switzer- \nland, or England, that \nto delineate or describe \nthem he felt impossi- \nble. Artists and au- \nthors will agree with \nhim ; and, in realizing \nthat neither pen nor \npencil can do complete \njustice to the scen- \nery and ever - varying \neffects, will also unite \nwith Judge Haliburton \nof Nova Scotia, when \nhe says: " Killarney is \nnot over-praised \xe2\x80\x94 it is \nnot praised half enough. \nGo there of a fine day, \nwhen the lake is sleep- \ning in the sunbeams, \nand the jealous moun- \ntain extends its shadowy vail to conceal its beautiful bosom from the intrusive \ngaze of the stranger. Go when the light silver vapor rises up like a transparent \nscarf, and folds the lofty summit of Mangerton, till it is lost in the fleecy clouds \non the upper regions. Rest on your oars and drift slowly down to the base of \nthe cliff, and give utterance to the emotions of your heart, and say, \' O, God, \n\n\n\n\nTore Mountain from Dinnis Island. \n\n\n\nKERR V. \n\n\n\n49 \n\n\n\nhow beautiful ! \' and your voice will awaken the sleepy echoes from their \ndrowsy caverns, and every rock, and every cavern, and every crag, and every \npeak of the mountain will respond to your feeling, and echo in a thousand \nvoices, \' O God, how beautiful ! \' Then turn your \nback to the coming \nbreeze, an^ steer for \nMuckross Abbey. __ \n\n\n\n\nCascade on the Galivay Rivei \n\n\n\nPause here \nagain to take \na last, long, \nlingering look at this scene \nof loveliness, and with a mind \nthus elated and purified, \nturn from nature to nature\'s \nGod, and entering upon the \nawful solitude that reigns over His holy temple, kneel upon its broken altar, \nand pray to Him who made this island so beautiful, to vouchsafe in His \ngoodness and mercy to make it also tranquil and happy." Macaulay, writing at, \nand of Killarney, says : " I never in my life saw anything more beautiful ; I \nmight say, so beautiful. Imagine a fairer Windermere in that part of Devon- \nshire where the myrtle grows wild. The ash-berries are redder, the heath richer, \n4 \n\n\n\n50 \n\n\n\nPICTURESQUE IRELAND. \n\n\n\nthe very fern more delicately articulated than elsewhere. The wood is every- \nwhere. The grass is greener than anything that I ever saw. There is a positive \nsensual pleasure in looking at it." "^ \n\nThe chorus of Cascades from Derrycunnihy and the Galway River \xe2\x80\x94 to which \nallusion was made on our route from the Black Valley to our first view of the \nUpper Lake \xe2\x80\x94 breaks upon the reverie into which these expressions of apprecia- \ntion led us, only, however, to enable us to still more fully realize the beauty of \nthe objects that inspired them. \n\nAmono- the attractive modern features which taste and wealth have added \nto the neighborhood of Killarney is the handsome castle built by Mr. Colts- \nman about half a century ago. A native of Great Britain, he became en- \namored of the beauty of Killarney, and purchasing an estate adjoining the \nLower Lake, raised the castellated and picturesquely situated residence shown \nin the engraving ; principally, it was said, from his own designs. The grounds \nwhen selected were bleak, but within ten years after, fine plantations and \nfruit-orchards added their charms of foliage to the scene. Crowning an emi- \nnence which falls gently on every side, the castle affords unobstructed views \nof the surrounding scenery. The County of Kerry abounds in natural won- \nders, but the observation of Mr. Wakefield many years ago is almost as true \nof to-day \xe2\x80\x94 that the attention of the tourist is so much occupied with Killar- \nney, that the romantic scenery and antiquities in other parts are either forgotten \nor largely overlooked. Of course this is readily accounted for, yet the beau- \nties of Killarney will not, or at least should not, dull the edge of the percep- \ntive sensibilities for scenery not less remarkable, if less celebrated. The scenery \nof the sea-coast is particularly fine. Lough Carra, fifteen miles west of Kil- \nlarney, about seven miles in length, and varying from two to four miles wide,, \nwas formerly only known to persistent sportsmen, but Avith the aid of good \nroads and accommodations, it is growing into general estimation. It is divided \ninto upper and lower, and the former is one of the grandest of the Kerry \nLakes, and deemed not inferior to its namesake at Killarney. The Valle}- of \nGlencar, in which Carra takes its rise, is surrounded by mountains, that pre- \nsent a grand amphitheatric appearance \xe2\x80\x94 one rising above the other, with the \nReeks and Carran-Tual towering back of all to the south. The Lough \xe2\x80\x94 which \nis connected with the sea by Carra River, five miles long \xe2\x80\x94 is almost in the direct \nline to Cahir-civeen, the Southern Coast of Dingle Bay, and the Harbor and \n\n\n\n* Life and Letters of Lord Macaulay, vol. ii., p. 230. \n\n\n\nKERRY. 51 \n\nIsland of Valentia. Cahir-civeen is chiefly noted for its proximity to the birth- \nplace of O\'Connell. Derrynane x\'\\bbey, the patriot\'s country seat, originally a \nfarm-house which has received additions from time to time, is picturesquely \nsituated near the mouth of the Kenmare River, and in the vicinity of some mo- \nnastic ruins dating from the seventh century. Speaking of this district, in i752, \nSmith\'s " Kerry," the only work which then, or for perhaps three-quarters of a \ncentury later, noticed the remote locality, said, "At Aghmore, toward the \nwestern extremity of the parish, are the remains of a small abbey of canons \nregular of St. Austin, founded by the monks of St. Finbar, near Cork, in the \nseventh century. It is situated in a small island near the mouth of the river of \nKenmare, having its walls so beaten by the sea, that they will soon be entirely \ndemolished. About a league to the southwest of this island, which is at low \nwater joined to the shore, there are two islands called Scariff and Dinish ; the \nformer is a high mountain in the sea, and hath one family on it, who take care \nof some cows, and make a considerable quantity of butter; on the top of the \nhighest ground in the island, is a ruined hermitage. These islands, with the \ncontinent, are farmed from the Earl of Cork and Orrery, by Mr. Daniel Connel, \nwho has on a part of the said land, named Derrynane, built a good house, and \nmade other improvements, the only plantation hereabouts." Inglis went through \nthe "Wilds of Kerry" in 1834, and of the route from Killarney to Cahir-civeen \nsaid, "The road is altogether a very interesting one, both on account of the \nscenery through which the traveler passes ; and on account of the peculiarities \nthat attach to the people of these parts, which are said to have been colonized \nby Spanish settlers, and which long held a close intercourse with the Penin- \nsula. . . . Nothing can be finer than the road skirting the sea, after \nleaving Lord Headly\'s property. In the magnificence of its mountain and sea \nviews, it is not inferior to any of the celebrated roads which have been con- \nstructed along the shores of the Mediterranean ; and is every way superior to \nthe road from Bangor to Conway, in North Wales." He was now in " O\'Con- \nnell\'s country." " Near to Cahir-civeen is the birth-place of the great agitator. \nIt is a ruined house, situated in a hollow near to the road ; and when I reached \nthe spot, the driver of the car pulled up, and inquired whether I would like to \nvisit the house." \n\nIn 1825, on the death of his uncle Maurice, " Old Hunting-Cap," who had \nadopted him, Daniel O\'Connell became possessed of Derrynane. He made \nthe old house suitable to his position, enjoyed himself as a prince, and gave \nprincely entertainment to his friends. He was enthusiastic about the scenery \n\n\n\n52 \n\n\n\nPICTURESQUE IRELAND. \n\n\n\namong which he had passed his boyhood, and loved to roam about with his \nguests, and to point out to them the cloud-capped mountains of Coomakisth \nand Kilcrohan, and climb with them to the Scholar\'s Cave, there to feast the \neye on the sea in all its grandeur, and the ear with the unceasing and never- \ntiring chorus of the Atlantic. \n\nHe kept a large establishment during his visits to Derrynane, and the \nold retainers and their children and children\'s children flocked about him at \n\nhome, like the sea-birds \nround a rock on the sea- \nshore, or as the multitude \ncircled him on political \noccasions. He loved the \nmusic of the pack by day \nas well as he loved the \nmusic of the piper when \nthe day\'s doings had closed, \nand the evening\'s merri- \nment had commenced. At the head of his table, he showed to such advantage \nthat one could scarcely think so wide a wealth of sunshiny nature could ever \nbe transformed into stormy wrath. No word of political or religious significance \nwas indulged in, that could suggest, much less indicate, a difference between \nhost and guest. And, like a true old boy as he was, he ever loved the society \nof the young and fair. Florence MacCarthy, describing O\'Connell in his moun- \ntain home, thus depicts the region of Derrynane. \n\n\n\n\nShore of Dingle Bay. \n\n\n\n" Where foams the white torrent and rushes the rill \nDown the murmuring slopes of the echoing hill ; \nWhere the eagle looks out from his cloud-crested crags, \nAnd the caverns resound with the panting of stags ; \nWhere the brow of the mountain is purple with heath. \nAnd the mighty Atlantic rolls proudly beneath, \nWith the foam of its waves like the snowy Fenane, \nOh ! this is the region of wild Derrynane." \n\nValentia Island is the extreme point of land on the south side of Dingle \nBay, and with the exception of the little islands north of it, is the nearest point \nof Ireland to America. The island is about five miles long, and two broad, \nand is owned by the Knight of Kerry, who resides on it at Glenbean. It has \na world-wide interest as the Atlantic Telegraph Station \xe2\x80\x94 the spot on which the \n\n\n\n\nVIEWS IN THE L^KE COUMTRY. \n\n\n\n\n54 PICTURESQUE IRELAND. \n\nEuropean end of the Atlantic Cable from America is fixed. The ocean is here \nseen in all its wildest magnificence, the waves rising to a height scarcely credible \nto those who have not visited this coast. Near the northwest entrance to \nValentia Harbor is Beg Innis Island, on which Cromwell placed a fort. A light- \nhouse is now there, the lantern of which is fifty-four feet above the sea level, \n\ndisplaying a fixed white light, \nvisible at twelve miles, dis- \ntance. A signal tower is also \non Breahead, the southern- \nmost point of the island. \nOne of the largest vessels \nof the Spanish Armada was \nwrecked here \xe2\x80\x94 a cabin-boy \nbeing the only person saved. \nPusha-Pike Fishing. To the northeast. Dingle \n\nBay extends inland. Its \nshores are indented with numerous harbors and lesser bays, formed by the moun- \ntains running out into the sea and producing a wild and imposing effect. \n\nSouth of Valentia are the Skelligs, a group of three rocks which rank \namong " the greatest curiosities of the Atlantic." They were formerly celebrated \nas the resort of pilgrims. The great Skellig is nearly eight miles south- \nwest of Breahead, and eight miles northwest of Bolushead, and is composed of \na mass of slated rock, rising perpendicularly to the height of i6o feet, and then \nforms two pyramids, one of which is 1,500 feet above the level of the sea. \nThere are two light-houses here, they are 65o feet apart, and are distinguished \nas the upper and lower Skellig lights; their lanterns, 372 and 173 feet above \nhigh water, displaying two fixed white lights, seen respectively at a distance of \ntwenty-five and eighteen miles at sea. The soundings about these islands \nare in ninety fathoms water, and abound with a great variety of fish. The \nsouthern bays, rivers, and estuaries are famous fisheries, and the usual mode of \nfishing in these waters is termed " pusha-pike." It needs but one man to \nmanage a net. " At low tide he moors his boat to a pole fixed in the water, \nand spreading a net loosely over two poles placed at an angle, lowers it into the \nnarrow channel. When the net is touched by a fish, the fisher who holds the \nupper part, feels the touch, and he instantly raises the net and secures the prize." \nThe peninsula, north of Dingle Bay, extending from the lofty Sliev Rlish \nbetween Tralee and Castlemaine, to the Blaskets, is full of natural beauties and \n\n\n\nKERRY. \n\n\n\n55 \n\n\n\n\nBiViittrs Castle \n\n\n\nhistorical associations. Here, as all along these coasts, the Spaniards had set- \ntlements, and the remains of strongholds are numerous. At Ferriter\'s Cove, \nseven hundred Spaniards and Itahans landed with munitions to aid Des- \nmond, then in arms against Elizabeth. They took the town of Smerwick, but \nsubsequently, having surrendered, were mercilesssly slaughtered \xe2\x80\x94 the foreigners \nwere put to the sword, and the _ \n\nIrish hanged to a man. This \nact was brought against Sir \nWalter Raleigh on his trial, and \nhe was unable to fully excul- \npate himself from participation \nin the dishonorable and foul \ndeed. As Hall, an English \nwriter says, " The butchery is, \nand ever will be, a foul stain \non Raleigh ; it was a gratuitous \nand merciless act of slaughter, utterly indefensible ; ... it was, however, but \nin keeping with the whole system pursued by the English in these parts." The \nremaining tower of Ferriter\'s Castle, situated on a wild spot on the very verge \nof the Atlantic, recalls another of many terrible illustrations of this "system." \nThe last of the Ferriters, Pierce, was "out in the troubles" of 1641, surren- \ndered under promise of pardon, but was, with all his followers, put to the sword. \n\nAbout four miles from Dingle, at Kilmelchedor, are two ancient heathen tem- \nples ; one in the ornamental style, and the other plain. The first is called in Irish, \nTemple Melchedor \xe2\x80\x94 the "Temple of the Golden Moloch;" and is believed to \nbe as old as Cormac\'s Chapel at Cashel. Over the door on the inside is the \nfigure of an ox\'s head \xe2\x80\x94 supposed to represent the Golden Moloch himself. The \nother is called Gallern\'s Oratory. The wildness of the place, and the sparsity \nof population, lead the people, in their inability to see their use, to credit such \nbuildings to supernatural agency. The presence, however, of such remarkably \nperfect specimens of architecture in such localities, must be a subject of deeply \ninteresting conjecture, if not study, to rational, intelligent people. \n\nAmong the most wonderful of the coast sights are the Caves of Ballybunlan. \n" The whole shore," writes the old historian, " here hath a variety of romantic \ncaves and caverns, formed by the dashing of the waves ; in some places are \nhigh open arches, and in others Impending rocks, ready to tumble down upon \nthe first storm." Mr. William Ainsworth published a small volume descriptive \n\n\n\n56 \n\n\n\nPICTURE SO UE IRE LA ND. \n\n\n\nof them in 1834, in which he says: "The cliffs of Ballybunian are even less \nremarkable for their dimensions, than they are for the singular form of rocks, \nwhich seem as if carved by the hand of man ; and, independently of the lofty \n\n\n\n\nBally I\'ll mall, on I he Coast. \n\n\n\nmural precipices, whose angular proportions present every variety of arrangement, \nas in Smuggler\'s Bay, where they oftentimes are semicircularly arranged, like \nthe eroin-work of an arch, or the tablets or small strings running round a window. \n\n\n\nKERRY. \n\n\n\n57 \n\n\n\n\nArdfert Abbey. \n\n\n\nor are piled above one another in regular succession, presenting a geological phe- \nnomenon of great grandeur and magnificence, they have also other distinct beau- \nties, which originate frequently \nin similar causes." ~~ \n\nTralee is the chief town of \nthe county. It is well built \nand lighted, presents a pleasing \naspect ; has about thirteen thou- \nsand inhabitants, and carries on a \nprosperous traffic. With a vast \nexpanse of water before it and \nSleiv Mish beside it, the scenery \nin its neighborhood is very at- \ntractive. Near the village of \nArdfert, about five miles north- \nwest from Tralee, are the ruins \nof Ardfert Abbey, not only the most important monastic remains in Kerry, but \nwhich among antiquarians rival the interest surrounding St. Cormac\'s at Cashel. \n\nArdfert was a very ancient diocese. \nThe ruins of the Cathedral bear marks \nof great antiquity. The western front \ncontains four round arches ; in the \neastern, as seen in the illustration, are \nthree elegant narrow-pointed windows, \nand on the right of the altar are some \nniches with Saxon mouldings. A round \ntower, built chiefly of dark marble, \nand one hundred and twenty feet high, \nstood near the west front, suddenly \nfell down in 1771. Tradition states \nthat Ardfert had seven churches ; and \nthe remains of four were at a recent \ndate traceable within the Cathedral \nenclosure, which also contains the \ntombs of many of the old families of Kerry, of which we give a specimen. \n\nThe castle of the Lords of Kerry who protected the churches of Ardfert is \nrepresented by the broken remnant wall. Smith says it was " demolished in the \n\n\n\n\nTomb m Ardfert Abbey. \n\n\n\n58 PICTURESQUE IRELAND. \n\nwars of 1 641," but the building then destroyed was a recent structure, erected \non the site of the ancient castle, "built by Nicholas, the third Lord Kerry, in \n131 1, and re-edified by Thomas, the eighteenth Lord, in iSgo." The Cathe- \ndral is dedicated to St. Brendan. Carthaguiney is the name of the peninsula \nthat shoots \xe2\x80\x94 as Camden said of the whole county, " like a tongue into the \nsea, roaring on both sides of it" \xe2\x80\x94 a length of twenty-five miles, a ridge of \nmountains sending its loftiest summits toward the west end, the tallest of which \nis called after the same Saint, Brendan, named the Voyager. This mountain \nand the bay within its shelter are deeply interesting as the place whence St. \nBrendan set out on his voyages of discovery in the sixth century. Having \nlearned from his cousin Barinthius of a voyage made, and of the western isles \nlanded on, by him, he determined \xe2\x80\x94 for the conversion of the heathen \xe2\x80\x94 to take a \nvoyage of discovery himself Aware that many traditions existed on the western \nIrish coast, of the existence of a farther western land, he proceeded up the coast \nand made inquiries among the remnants of the Tuatha-de-Danaan people, whose \ngreat knowledge led them to be regarded as magicians by the Milesians. He \nset up his cross at Inniskea and Innisgloria, where subsequently in his honor were \nerected those monuments whose curious remains still exist. Having satisfied \nhis mind, he returned to his native Kerry, and from a bay sheltered by the lofty \nmountain, that is now known by his name, he set sail for the Atlantic land. \n\n" At length the long-expected morning came, \n\nWhen from the opening arms of that wild bay, \nBeneath the hill that bears my humble name. \n\nOver the waves we took our untracked way : \nSweetly the morn lay on tarn and rill. \n\nGladly the waves played in its golden light. \nAnd the proud top of the majestic hill \n\nShone in the azure air \xe2\x80\x94 serene and bright. \n\n" Over the sea we flew that sunny morn, \n\nNot without natural tears and human sighs. \nFor who can leave the land where he was born, \n\nAnd where, perchance, a buried mother lies, \nWhere all the friends of riper manhood dwell. \n\nAnd where the playmates of his childhood sleep : \nWho can depart, and breathe a cold farewell, \n\nNor let his eyes their honest tribute weep ? \n\n" Our little bark kissing the dimpled smiles \nOn Ocean\'s cheek, flew like a wanton bird. \nAnd then the land, with all its hundred isles. \nFaded away ..." D. Florence McC.\'^rthy, Voyage of St. Brendan. \n\n\n\nKERRY. 59 \n\nDirecting his course southwest to meet the summer solstice, after a long \nand rough voyage, he came to summer seas, where he was carried along for \ndays without the aid of sail or oar. "This, it is presumed, was the great Gulf \nStream, which brought his three vessels to shore somewhere about the Virginia \nCapes, or where the American coast trends eastward and forms the New England \nStates." He landed, proceeded for fifteen days into the interior until he came to \na large river flowing from east to west, and returned under some admonition that \n\n\n\n\nMount Brendan. \n\nthe Christianizing of the land would devolve on other men, and in other times. \nAfter an absence of seven years he returned to his native country. Curious details \nare given of his wanderings in old metrical narratives. The voyage of St. Bren- \ndan was very popular from the twelfth century. It was first promulgated in Latin, \nsubsequently translated into all the languages of Western Europe, and exercised, \nsays Montalembert, " a lively influence upon the Christian imagination during all \nthe middle ages, and even up to the time of Christopher Columbus, to whom the \nsalt-water epic of St. Brendan seems to have pointed out the way to America". * \n\n* " 1 am convinced," said Columbus, " that the terrestrial paradise is in the island of St. Brendan, which nobody \ncan reach except by the will of God." Quoted by M. Ferdinand Denis, Le Monde Enchante, p. 130. Vide Montalem- \nbert, Monks of the West (vol. i., p. 695). \n\n\n\n6o PICTURESQUE IRELAND. \n\nThe legend, says Otway, "when tested by common sense, clearly shows that \nBrendan landed on a continent, and went a good way into the interior, met a \ngreat river running in a different direction from those he heretofore crossed ; \nand here, from the difficulty of transit or want of provisions, or deterred by in- \ncreasing difficulties, he turned back." * On his return he visited Brittany, where \nhe founded a monastery, and subsequently, at the age of about seventy, the great \nestablishment at Clonfert, Galway, into which he collected three thousand monks. \nThe "Annals of The Four Masters" record his death in a.d. 5/6, as follows: \n" St. Brenainn, Abbot of Cluain-ferta-Brenainn, died on the i6th May. He died \nat Eanach-dain (now Annadown, in the barony of Clare, County Galway), and his \nbody was interred at Cluain-ferta-Brenainn." \n\nOn the top of Mount Brendan are the remains of the Saint\'s Oratory ; and \nan ancient stone-paved causeway leading to it, which are believed to be coeval \nwith the voyager himself Old ecclesiastical writers refer to Kerry as St. Bren- \ndan\'s land, and Camden calls that part of the Atlantic off the coast of Kerry, \nat the mouth of the Shannon, Mare Brendanicuin, or the Sea of Brendan. \n\nAs our opening chapter describes the nearest Irish land to America, brief \nallusion to the first European Avho, according to tradition, found his way to the \nAmerican Continent, will not be deemed out of place. Our eminent poet Long- \nfellow assigns the Flemish version of the wonderful journey of St. Brendan \n{Reis van Sainte Brandaeii) to the twelfth century, and in his " Poetry of Eu- \nrope " gives an outline of the strange romance, which he deems of French \norigin. In the thirteenth century Bishop Voraginius of Genoa, made special \nmention of it in the " Golden Legend," and in 1483, Wynkin de Worde re- \nhearsed it in the " Life of Saynte Brandan " in its earliest English form. The \nearly popularity in France of the Irish Saint\'s voyage is illustrated by the \nallusion of Pierre St. Cloud \xe2\x80\x94 that among the graceful resources of a troubadour \nwas his ability to sing a tale \n\n" Of Arthur brave or Tristram bold, \nOf Charpel, or Saint Brendan old." \n\nFrench interest in the subject has not abated even during our time, judging from \nthe fact that two French versions, as well as the original in Latin, were printed \nin Paris in 1836. In Blackiuood\' s Magazine (vol. xxxix.) may be found a spirited \ntranslation of one of the early French romances ; and Denis Florence McCarthy \nhas treated the theme in an original poem, from which an extract has been made. \n\n* Sketches in Erns and Tyrawley, pp. loo-l. \n\n\n\nV ^-^ ^ j^ \n\n\n\nXoz^^^" \n\n\n\n\n\n\n\nCopyright, 1878, by Thomas Kelly, New Yoi\'k. \n\n\n\nJf T T ID JF IJ> W JIS JL r IT \n\n\n\n\n%s, \n\n\n\n<^ HT \n\n\n\n\xe2\x80\x94l 1 1 I L 1 l_ \n\n\n\nCop>Ti([ht,18Tfl, hy ThoiriM Kelly, New York. \n\n\n\nW I C K L O W. \n\n\n\n\n\n\n\n\n\n\nThi County of \nAVicklow is one of \nthe mobt enchant- \ning territories, not \nonly in Ireland, but \nin Europe For its \nsize, it will proba- \nbly compare in pic- \nturesque contrasts \nof sublimity and \nbeauty with any of \nsimilar extent in \nthe world. It has \n\nbeen called the Garden of Ireland ; the Eden and boast of the inhabitants of \nDublin ; the most picturesque of Irish counties ; and has inspired what might \nseem exaggerated strains of laudation from foreign as well as native writers. \nThis susnicinn of over-praise, however, quickly fades away in presence of the \n\n6i \n\n\n\nFirsi View of Wicklow\xe2\x80\x94from the Scalp. \n\n\n\n62 PICTURESQUE IRELAND. \n\nscenes and sensations commemorated, and the heretofore doubter is hkely ta \ndiscover the resources of his language insufficient to convey the compensating \nhomage of his constant state of surprise, wonder and delight. He will realize \nthe inability, expressed by a most appreciative writer on the subject, " to portray \nin words all the charms that embellish this romantic region ; " and feel that even \n"glimpses of the sweet haunts of this fairy land" conjure up \n\n" The power, the beauty, and the majesty \nThat have their haunts in dale or piny mountain, \nOr forest, by slow stream, or pebbly spring. \nOr chasms, or watery depths." \n\nHere nature has been lavish of her bounties; and culture, taste, and well-directed \nwealth have united in developing or embellishing the scenic gifts of Providence. \nWhile mountains of rugged aspect, but striking outline, rise thousands of feet \nover gloriously wooded uplands and broad hills, and form the guardian almoners \nof numerous rich and fertile valleys, the face of the country is otherwise seamed \nwith chasms that sink hundreds of feet into the earth. Through these the streams\' \ntear in their conquering way, flashing in magnificent cataracts over steep crags, \nresounding in the cavernous clearings made by the toil of centuries, or whimper- \ning with gentle poetical effect in pebbly brooks and reflecting pools, as they \nemerge from the gloom and meet the sunshine in the more expanding valleys. \n\nWithin the borders of Wicklow are very remarkable contrasts of rugged, \nuntamed sublimity, and tastefully developed loveliness. It is alive with beautiful \nand sparkling streams, rivers and lakes, wild cascades and stately waterfalls. Its \nglens and vales are of every variety : of the wildest grandeur, narrow and pre- \ncipitous, like the Scalp and Glen-ma-lure ; of most romantic features, like the \nDargle and the Devil\'s Glen ; of almost savage sadness, as at Glen-da-lough \xe2\x80\x94 \nthe valley of the Seven Churches ; and of fascinating fertility and expanded \nbeauty, as in the Vale of Avoca and the Vale of Clara. A writer, a few years \nsince, truly said : " It is a land of loveliness, of sunshine and flowers, of sloping \nhill and deep valley, of mountain and marine view ; land of rich soil and lovely \nseats, of roads of marble surface winding through incomparable demesnes ; and \nonly for the loss of Parliament, with the absenteeism consequent on this vital \nloss, would be a terrestrial paradise. Notwithstanding this absentee drain, \nthe resident gentry of the locality have spared neither purse nor pains in \nthe improvement of their demesnes, and the face of the land is covered with \nnatural beauties, as various as unrivaled, at every half-mile of the tourists\' jour- \nney, from the Bridge of Bray to Arklow, and from Wicklow Head to Cnoc-a-dru." \n\n\n\nWICK LOW. \n\n\n\n63 \n\n\n\nThe proximity of Wicklow to the city of Dublin has been of great advan- \ntage to it, both as regards the improvement of its natural attractions and the \nextension of their fame. Within easy reach of the metropolis, the eastern por- \ntion especially offers deliciously shaded retreats to successful men who seek a \nhome there ; to the fashionable, it is an exhaustless summer resource ; to the \ntourist, a series of marvels at little cost of time or money ; and to the resident \nnobility and gentry, a perpetual treasury of limitless delight. The benefit is \nmutual, for few capitals of any distinction in the world are so immediately within \nsuch reasonable access to such a noble variety of glorious scenery. There are \nthree main avenues from \nDublin County into Wick- \nlow : the coast line by Bray ; \nthe western, by the road to \nBlessington leading to the \nPoul-a-phuca waterfall, and \nwhat might be termed the \ncentral \xe2\x80\x94 although considera- \nbly to the east of the central \ncounty line \xe2\x80\x94 through the \nScalp. A more central ave- \nnue is that through Killakee \nand over the Kippure Moun- \ntain, by the Military Road, \nwhich enters Wicklow over \nthe Vale of Glancree, with \nLough Bray on the right. From Killakee, in the Dublin Mountains, there is a \ngrand panoramic view embracing the city, suburbs, and bay of Dublin. The \nfavorite Wicklow " trail," however, is by the Scalp, an apperture or defile which \nseems to have been created by some convulsion of nature, in which a great \nmountain of granite was split in the center, the efTect producing, as viewed from \nsome distance, the appearance of the letter V. The road runs through the \nbottom of the rugged valley thus made. At either side of the road for a quarter \nof a mile, the mountain is very steep, ragged and jagged in outline, and rises to \na considerable height. The effect is enhanced by the wild and barren character \nof the rocky walls of the \'pass. These are utterly without verdure. Nothing is \npresented to the eye but ridges of rocks, huge masses of disjointed granite \nthrown into all possible combinations and groups, leaning on each other in \n\n\n\n\nTho Scalp. \n\n\n\n64 \n\n\n\nPICTURESQUE IRELAND. \n\n\n\nangular points, projecting in a variety of forms, and in places apparently held so \nloosely in position as to threaten instantaneous descent, bringing havoc in their \ntrain. The sensation, passing through the defile, is of wonder, not unmixed with \nawe, and even terror, at the unpleasant uncertainty as to the safety of the passage. \nOccasionally in the winter, or after heavy rains, crags are precipitated down the re- \nsounding sides, and block up the road until removed by great labor and difficulty. \nAt one side of the pass, a subterranean stream of water murmurs among the \nrocks, until it finds exit into light at the foot of the descent, while in fitful unison \nmay at times be heard overhead the scream of the hawk, the kite, and the raven. \n\nThrough the de- \n- -^ . file is seen the \n\nGolden Spears, \ntwo conical \nmountains which \nare popularly \nknown as the \n"Sugar Loaves." \nThe great Sugar \nLoaf, above four \nmiles distant, is \nespecially prom- \ninent in the view \n\napproaching the Scalp, and, looming directly over the aperture, seems to close up \nand forbid all egress from the Avild gorge, which was formerly one of the natural \nfortresses of the Clan Ranelagh, the sept of the O\'Byrnes, which with the \nO\'Tooles, their correlatives, when driven by the Anglo-Normans from their \noriginal territory in Kildare, took secure hold in the mountain fastnesses and \nvales of Wicklow, swayed their clans for centuries, and were a terror to the \n" English of Dublin." \n\nThe approach to the County Wicklow from the coast side is very picturesque, \nthe sea from Dalkey \xe2\x80\x94 the southernmost extremity of Dublin Bay \xe2\x80\x94 to Bray-Head \nin the foreground below you, and the Wicklow Mountains rising boldly up form- \ning a near background to the picture. It is a portion of the coast line which \ninspires exclamations of pleasure from the voyager, when steaming, after the \nusually rough experiences of the Irish Channel, into Dublin Bay and making \nfor the welcoming piers of Kingstown Harbor. \n\nBray-Head is a noble promontory which rises to the height of eight hundred \n\n\n\n\nBray -Head to tlu " Suga> Loaf\'^rom Dalkey \xe2\x80\x94 North. \n\n\n\nWICK LOW. \n\n\n\n65 \n\n\n\n\n\n\n\nr-^. \n\n\n\nfeet above the sea level. Under it nestles \nthe town of P>ra}, a charming suburban \n\\vatering-])lace, esteemed as the most beautiful town in the \ncounty of Wicklow. It is situated on the borders of Dublin \nand Wicklow, the di\\ ision being made b) the Bray (or Dar- \ngle) River, which here forms the boundary between the coun- \nties. The old town, or Little Bray, is on the Dublin side ; and the new \nand handsome town within the borders of Wicklow, to the beauties of \nwhich it adds no slight attraction. It is the most convenient "headquarters" for the \ntourist who desires to visit the scenery for which the county is celebrated, and is \nalso interesting by historical connections with the past. Here, according to good \nauthority, Saint Patrick made his first landing when he came to preach the Gospel ; \nalthough others indicate the place as somewhat more south, at the mouth of the \n5 \n\n\n\n\n66 PICTURESQUE IRELAND. \n\nVartry River. However, the Saint proceeded northward, having been repulsed by \na local chief named Nathi. . The " Annals of Clonmacnoise " tells us that on the \nSaint\'s landing at Inver Dea he was opposed by the Leinstermen, one of whom \nstruck one of his companions on the mouth with a stone, and knocked out four \nof his teeth, from which misfortune he was called Mantatus, or the toothless, and \nthe church of Kill-Mantain, now Wicklow, is said to have derived its name from \nhim. \n\nAn ancient bridge connects the old and new towns of Bray, and this was \ndefended in days past by a castle evidently built by the Normans, or their de- \nscendants, as a shield against the O\'Tooles and O\'Brynes, the heroic native septs \nof the district. In 13 15 the clansmen destroyed the usefulness of this castle, \nand about a hundred years subsequently their descendants fought a great battle \nhere with the English of Dublin. The natural beauties of the locality have been \ngreatly improved during the last quarter of a century : terraces, esplanades and \nwalks have been made along the bold coast ; hotels and villas have been erected, \nand every inducement created to attract the wise and the wealthy to partake of \nthe health-giving atmosphere and poetical surroundings. \n\nNowhere is there a more lovely tract of country than that which lies around \nBray ; and there are few portions of mountain scenery more beautiful than that \nwhich encompasses it. From the railway station, but better, from all the more \nelevated lands around the town this fine circular mountain-range can be traced. \nFrom the church, which occupies one of the finest sites imaginable, at the top \nof the town, a panoramic view of the richest scenery is commanded Encircled \nby a range of mountains of varying outline, commencing at Bray-Head, including \nthe two Suear Loafs, Douce, and terminatino- at Shankhill, the mountain line \nis only broken by the Vale of Shanganagh, which appears from this point like a \nthick forest. Killiney, Dalkey Island, and the Hill of Howth, are also in view \nfrom this eminence. \n\nBray owes its latter-day attractiveness to William Dargan, a man who from the \nhumble beginning of a day-laborer, arose to great prominence as a contractor and \nrailway magnate, the encourager of national industry, the projector of the Dublin \nInternational Exposition of 1853, and who declined the honor of knighthood at \nthe hands of Queen Victoria. But a few years ago Bray was composed of fisher- \nmen\'s huts and dwellings, scattered few and far between. Under the practical \ngenius of Dargan, these huts and cabins have given way, as by magical transfor- \nmation, to promenades, terraces, streets and squares. Surrounded by scenery \nof beauty and grandeur, open on one side to the sea, bounded on the south by \n\n\n\nWICKLOW. \n\n\n\n67 \n\n\n\nthe promontory, and inland by the Sugar-Loaf Mountains, overlooking the Valley \nof Diamonds, Bray possesses advantages which, with the improvements already \neffected, and those in progress, indicate it as destined to be one of the most \nattractive places of residence and resort within daily reach of Dublin, and one of \nthe chief watering-places in Ireland. It has been called the " Irish Brighton," \nbut " when we turn to the mountains and the woods, we feel how vastly superior \nare the natural advantages which Bray possesses, and how soon it might be ex- \npected to rival Brighton in every respect, if it were as near the great English \nmetropolis. There is something delightfully exhilarating in the wildness and \nfreshness of the Little Sugar-Loaf and \nBray-Head, as we look down from \ntheir gray rocky cliffs upon the broad \nexpanse of ocean on the one side and \nthe exquisitely beautiful landscape on \nthe other." \n\nA tunnel for the Dublin, Wicklow \nand Wexford Railroad has been cut \nthrough the solid rock of Bray-Head \nunder the engineering directions of \nMr. Brunei. As seen in our illustra- \ntion, the rail-track runs along the \nedge of the cliff, and the abyss below \nand the great elevation above, with the swift motion of the cars, combine to \ngive an exciting interest to the scene. At many places the Head rises almost \nperpendicularly from the sea, and above the railroad a delightful promenade has \nbeen constructed all around it, leading on the southern side by the cliff-path to \nGreystones, another and rapidly rising watering-place some five miles dis- \ntant. \n\nIn the neighborhood of Bray are several noble residences situated among \nfine woods, hills, slopes, and carefully tended grounds, which are well worthy of \ninspection. Their possessors wisely reside here, and taking interest in the wel- \nfare of the district, are justly proud of their efforts to aid the charms of nature. \n\nThe village of Enniskerry, two miles from Bray, situated on the lap of \ngently rising hills, its neat cottages gleaming through bright foliage, presents a \nrefreshing picture. A mountain stream, the Kerry, flows from the village down a \nwooded glen until it mingles with the Glenislorane, or Dargle \xe2\x80\x94 an anglicized cor- \nruption of the words Dot?\'- and Gleann, signifying Oak Valley \xe2\x80\x94 which takes its \n\n\n\n\nA Narrow Gorge in the Dargle. \n\n\n\n68 \n\n\n\nPICTURESQUE IRELAND. \n\n\n\n\nname from the celebrated \nra\\ ine through which it \npasses, and to ^\\hich it \ncontributes so many \nbeautiful and brilliant \neffects. \n\nThe Dargle is per- \nhaps the first, and some- \ntimes the onl) one of \n\n_ the Wicklow glens in- \n\nIn the Dargle. troduced to visitors, and \n\nits celebrity is commensurately extensive. The stream divides two demesnes, \nthose of Powerscourt and Charleville, both beautiful, but the former admirably \n\n\n\n\n\n\n\n\n\n\nBRIDGE IN THE DARGLE. \n\n\n\n70 \n\n\n\nPICTURESQUE IRELAND. \n\n\n\n\n\n\ndeserving the title of magnificent. The Dargle is the great resource of picnic- \nparties from DubHn, for whose comfort Viscount Powerscourt has kindly pro- \nvided tables and seats. The ravine itself is of great depth and about a mile in \nlength, winding among precipitous cliffs and rocks, clothed with overhanging \ntrees and brush, assuming all sorts of fantastic forms, and luxuriantly covered \n\nwith foliage. Here barren rocks \nJi^-iM . jut out over moss-covered \n\nslopes ; and there gnarled bran- \nches of venerable trees hang \nover the stream and reach \nacross it. The foliage some- \ntimes makes a perfect curtain \nshutting out the water, which \nis thus often unseen, but heard \nfretting and foaming through \nthe bowlders far below, which \nsometimes form narrow gorges. \nOn one side the mass of thick \nfoliage rising upward from the \nbrink of the river has called to \nmind Milton\'s line, \n\n\n\n" Verdurous walls of Paradise upraised,\' \n\n\n\nwhile on the other hand the \ncharacter of some portions of \nthe glen, with the unseen river, \nso far below the surface of the \nwoods in which it is lost, might \nsuggest "without any extraordinary stretch of the imagination, it was a river \nin some inner world, laid open by a Titanic throe, that had cracked asunder \nthe rocky crust of this shallow earth ; \xe2\x80\x94 the soil, and the deep-striking roots \nof the trees terminating far above us, looking like a black rim on the inclosing \nprecipices." \n\nAn eagerly sought glimpse of the troubled waters gives no " silvery relief " to \nthe solemn grandeur of their gloom, the stream taking a somber tinge from the \nshadow of the overhanging rocks and dense foliage. Advance but a few steps \nand a delicious change meets the eye \xe2\x80\x94 the water breaking musically over blocks \n\n\n\n\nCaicade in the Dargle. \n\n\n\nWICK LOW. 71 \n\nof granite, flinging up glistening spray, aud pouring forward in successive cas- \ncades, sometimes so narrow that you could easily spring over it, and then widen- \ning into the placid dimensions of a miniature lake. \n\nMidway down the ravine is The Lover\'s Leap, a dizzy precipice, a great \nheight over the river \xe2\x80\x94 from which there is a splendid prospect. From it every \npart of the deep glen below is embraced, gradually expanding on the left to \nthe open champaign, with the blue sea in the distance ; and another charming \nview of the Dargle is from the bottom of the Glen on the margin of one of \nthe miniature lakes in which the waters are confined by a ledge of rocks. Look- \ning up the stream the waters are seen tumbling over a rocky channel, out of the \ndark woods which arise to a vast height on either side, while patches of blue sky \nare occasionally seen through the parting branches overhead. The Moss House \nis the name of a rustic banquet-hall or summer-house, erected on a picturesque \neminence, for the accommodation or shelter of visitors, from which also one of \nthe favorite views of the Dargle strikes the beholder. Immediately beneath him \ngapes a chasm in the huge granite rocks, that seem broken asunder to afford a \npassage to the water that struggles far below over a rocky bed embosomed in \ntrees. Above, a dark and gloomy forest overshadows all. A path from the \nMoss House leads to the water\'s edge at the bottom of the Glen. As seen from \nthe opposite side of the river the prospect at this point is characterized as " in \nthe highest degree sublime." From thence the vale appears deep, retired and \ngloomy. At the feet the crystal stream, and the rocky chasm yawning in front. \n\nThis scenery \xe2\x80\x94 a union of rock, wood and water \xe2\x80\x94 variously sublime, romantic \nand inspiring, continues for a mile to the top of the glen at the bridge, where \nthe road from Enniskerry crosses it at the gate of the Powerscourt demesne. \nThis demesne of fourteen hundred acres, with hill and dale exquisitely ap- \nportioned, and so completely inclosed by mountains as to realize the picture \nof the Happy Valley, can scarcely be equaled anywhere. Unrivaled landscapes \ncan be obtained at numerous points, but some think those from near the en- \ntrance unexcelled. " Here," says an observant tourist, " as we approach the \nHouse, the first break of scenery toward the south is inconceivably grand, soft, \nand various." The avenue winds up a gradual ascent, through undulating \ngrounds, adorned with every variety of shrubs and evergreens, and immense \nold trees, some clothed with ivy. Sugar Loaf and Douce Mountains soon \ncome in view, and proceeding higher we overlook an extensive glen on the \nleft, at the head of which the Powerscourt Mansion is seen. The position is \n.commanding in the extreme. " When we consider," says Walker, " the extent \n\n\n\n^2 \n\n\n\nPICTURESQUE IRELAND. \n\n\n\n\nfe\xe2\x82\xac \n\n\n\n\ni:\'^:^i \n\n\n\nof the Park, stretch- \ning away to the water- \nfall on one side, and up \nthe mountains overlooking \'""- \nEnniskerry on the other, " -=- \n\nwe cannot be surprised if \nroyalty itself should covet an abode like \nthis." Tinnehinch, the former residence of \nthe great orator, Henry Grattan, purchased \nfor him by the Irish at a cost of $250,000, \nis an interesting feature of the landscape. \n\nThe Deer Park at Powerscourt is rich \nin natural beauties, containing many grand \nold oaks, but the noted feature is the cele- \nbrated Powerscourt Waterfall, which breaks \nthrough a gap in the mountain, and over \na nearly perpendicular rock over two hun- \ndred feet high. It forms the extremity of a beautiful semicircular amphitheater \nof wooded mountains, which heighten the splendid effect of the cataract. In \ndry seasons, the fall descends like a thin, transparent vail ; but after a rain, or \n\n\n\nTJu \n\n\n\nGolden Spears, from over the Glen of the \nDowns. \n\n\n\nWICK LOW. \n\n\n\n73 \n\n\n\n\n\n\n\n^^ \n\n\n\nin winter, when \nthe mountain \nchannels have \nbeen charged, \nthe water leaps \nforth with tu- \nmultuous fury \n\nm a single arch and with a thun- \ndering roar, which command the \nwonder and delight of the be- \nholder. \n\nTaking the road south from Bray, we pass the \nsplendid evergreen oaks, cypress and yew trees in \nthe desmesne of Hollybrook, pursue our course at \nthe bottom of the valley between the Golden Spears \nMountains, and at about four miles from Bray we enter the romantic pass called \nthe Glen of the Downs. Nothing could afford a stronger contrast to the wild \nand rugged effect of the Scalp than this richly wooded Glen. It is not a fissure \nin the earth like the Dargle, but a pass like the Scalp, only it is much larger and \n\n\n\n\nLough Dan \xe2\x80\x94 }iear view. \n\n\n\n74 \n\n\n\nPICTURESQUE IRELAND. \n\n\n\nlonger, extending a mile and a half, and having its bold mountainous sides covered \n\nwith primitive wood, oak, hazel, \nbirch, holly, with masses of modern \nplantation; larch, spruce, and \nScotch fir, and an endless variety \nof luxuriant copse. The bottom \nof the Glen is only the width of \nthe road which leads through it, \nand a small bright stream, the \nendless accompaniment of all the \ncharms of Wicklow. The Glen \nforms part of the demesne of \nBellevue, the property of the La \nTouches, to one of the ladies of \nwhich family the public are in- \ndebted for a free banqueting-hall, \nsituated on a commanding height. \nFrom this " Octagon-house," the \nfinest views are obtained ; the \nglen beneath, rich with tints of \nfoliage and age-dyed rocks, with \n\nthe sea on the east and mountains rising on all other sides, among which the \n\npeaks of the Golden Spears, or Sugar \n\nLoaves as they are popularly called, \n\ntower conspicuously near, the whole \n\npresenting a scene of luxurious soft- \nness, combined with grandeur and \n\nmagnificence. The low road from \n\nthe Glen of the Downs leads to the \n\nvillage of Delgany, which, pleasantly \n\nsituated among beautifully verdant \n\nhills, and with the sea in the distance, \n\npresents a very pleasing view as it \n\ncomes unexpectedly in sight. In its \n\nneatness, accommodations and situa- \ntion, Delgany reminds tourists of " the more favored English localities." \n\nFrom the Powerscourt Deer-Park the tourist can take the hieh road to \n\n\n\n\nPowerscourt Waterfall. \n\n\n\n\nGlen of the Downs \xe2\x80\x94 entrance from South. \n\n\n\nIV/CKLOW. \n\n\n\n75 \n\n\n\n\nDtl^am \n\n\n\nHoundwood, which has become noted as the location of the great reservoir of \nthe DubHn Water-works, by which the pure and soft water of the Vartry is \nsupplied not only to the capital, but to Bray, Kingstown, Blackrock, \nSandymount, and Pembroke Township. The embankment is i,6oo \nfeet long and 500 wide. The basin holds 2,482,810,483 \ngallons of water, being a supply of 12,000,000 gallons daily \n\nfor two hundred - z -^ _^ \n\ndays. At a dis- -^ ~^ ^ ~ \n\ntance the basin \ngleams like a \nlake. But within \na few miles are \ntwo real lakes \xe2\x80\x94 \nLough Tay, or \nLuggelaw, and \nLough Dan \xe2\x80\x94 \xe2\x80\xa2 \n\nwhich will well repay the artist. Two miles from Roundwood the ascending- \nroad lies between two mountains. Douce on the north, and Ballenrush on the \n\xe2\x96\xa0south. Up we go for three miles through a bleak, wild, and barren country, \nexpectant, but still wondering where can the talked-of lakes be hid. So, while \ntraveling along a level plateau, having turned from the public road, on a sudden \n\ntwo lakes in a valley far beneath swim \n"^^ into the vision. Sinking as much \n\nbeneath the level of the surrounding \ncountry as the neighboring mountains \nrise above it, are two mighty excava- \ntions forming the beds of Loughs Tay \nand Dan. The sudden development \nof so much beauty is delightfully plea- \nsurable ; and we gaze in wonder at the \nwhole, before we can tame the eye to the varied and contrasting details. A \nglorious vale lies beneath us \xe2\x80\x94 immediately below. Lough Tay or Luggelaw ; \nand stretching to the south, the wild Lough Dan, connected by the river Kil- \nlough, looking from the distance like a white ribbon. Luggelaw is set among \nalmost perpendicular mountains, some of the wildest, some of the richest charac- \nter. One side is luxuriously raimented from the shore to the mountain top by \nevery variety of forest trees, fir, ash, thorn, oak and elm, of gigantic growth and \n\n\n\n\nLough Dan, from Luggelaw. \n\n\n\n76 \n\n\n\nPICTURESQUE IRELAND. \n\n\n\n\nLitggelaw \xe2\x80\x94 the barren side. \n\n\n\nrichness of foliage ; from this side a thousand tiny cascades spring forth, and on \ntheir way to the lake, through rocks, roots and tangled underwood, present num- \nberless delicious fountains. On the \n- _ other side all is bleak and bare, the \n\nheath-covered Douce looming over \nboth. The principal supply of the \nlough is the little Annamoe River, \nwhich, collected from the rills which, \nfurrow the mountain -sides lying \nwestward, flings itself over a rocky \nprecipice at the upper end of the \nlough. In close proximity to this \nwaterfall is Luggelaw Cottage \xe2\x80\x94 "one \nof the most romantic retreats in any country" \xe2\x80\x94 iormerly a mountain residence \nof the La Touches, but now devoted to the purposes of a shooting-lodge in con- \nnection with a leading hotel at Bray, from which during the season an omnibus \nis run, making this charming place easily accessible to many who might other- \nwise never behold it. \n\nThe grounds con- -=\xe2\x80\x94 ^ -- -~ \n\nn e c t e d with this \nlodge embrace the \nentire of the lovely \nbut lonely lough, \nwith all its magni- \nficent boundaries. \nFrom the high road \nabove it, the best \nview of the lough \nwith the vast extent \nof surrounding \nmountains, with the \nreach of the glen between it and Lough Dan, and a portion of the latter, may \nbe obtained. As Fraser remarks, although this part of the road, from its steep- \nness in many places, is ill suited to carriages, " yet from no part is this sublime \nportion of WIcklow scenery so finely displayed." Higher up beyond the cottage \nthe valley closes with a vast amphitheater of rocks. Descending by a sloping \npath through the woods the shore Is reached, and amid the seclusion and beauty \n\n\n\n\nT.oihsJi Dan. \n\n\n\nWICK LOW. \n\n\n\n77 \n\n\n\none realizes that for " mountain grandeur and sylvan loveliness combined, there \nis no spot in Ireland, out of Killarney, equal to this." It is 807 feet above the \nlevel of the sea, and occupies a circular dell of about one hundred and twenty \nacres at the head of the glen. Save in Italy, no small lake is so deep. \n\n\n\n\n\n\n\n\n\n\n\n^\'kh\'j \n\n\n\nhi the Vale of CI a 7- a \n\n\n\nLough Dan, 685 feet above the sea level, is about two miles distant from Lug- \ngelaw, and assumes the form of a river less than two miles long and half a mile \nwide, surrounded by the mountains of Knocknacloghole and Scar on the west, \nand Sliev-Buckh on the east. It is in one of the wildest districts, and though. \n\n\n\n\n\n78 PICTURESQUE IRELAND. \n\naccording to general opinion, losing by contrast with the variety of Luggelaw, it \nhas an interest of its own. One of the mountains in which it is embosomed forms, \nat about two-thirds of its line, a headland which must be doubled before the \nremainder of the water becomes visible. The mountains are bare to the \nsummits, in some parts sloping to the water\'s edge, and in others rising abrupt- \nly from, and projecting over the lake, \n- \xe2\x96\xa0 \xe2\x80\xa2 *^^^ masses of rock furrowed with the trick- \n\nling moisture of vegetable morasses, \n: ^\'\' " patched with moss and lichen, and pre- \n\nsenting occasionally a solitary ash or \nholly growing out of its fissures. The \nbase of these rocks is in some places \nhollowed into caverns by the action of \nthe waters, which are at , times greatly \nagitated, being more open to the winds \nthan those of Luggelaw. The glen \nJ , \xe2\x80\x9e between the lakes is fertile, beautiful, \n\nLotign Bray. \' \n\nand richly cultivated. \nReturning to the point from which the grand surprise of Luggelaw and \nLough Dan burst on our vision, and continuing the northwest inclination of the \nmountain road, we soon reach Sally-Gap. At the cross-roads, taking the one due \nnorth, and then following it to the east, we cross the infant Liffey, which has its \nrise near by, and have before us the Vale of Glancree, in all its length and breadth, \nwith its mixture of moorland and cultivation ; in the center the Glancree River, \nmade by the surplus water from Lough Bray, as well as the numberless rills and \nstreams that rush down the sides of Kippure Mountain, the chief of the Dublin \nrange, but whose southern side here looms over the Wicklow border. Glancree \nis the highest and one of the best defined of the Wicklow vales. It is wild, soli- \ntary, and in strong contrast, by its heath-clad effect, to the softness which exces- \nsive vegetation has given to others we have noticed. Near the head of the vale, on \nthe left and under Kippure, are the upper and lower Loughs Bray. They are \nsituated in a locality of much wildness, and occupy two deeply secluded dells \nabout halfway up the mountain. The larger (lower) lake has a surface of sixty- \nfour acres, and the upper, of twenty-eight. The former is 1,225 ^"^^ ^^^^ latter \n1,453 f^Gt above the sea level, while the broad brow of Kippure overlooks \nthe lough from an altitude of 1,248, and Seefingen Mountain from 1,139 f^^*^- \nThe darkness of the waters of Lough Bray \xe2\x80\x94 caused by the peat of the surround- \n\n\n\nWICK LOW. 79 \n\ning moorlands \xe2\x80\x94 is intensified by the shadows of the overhanging mountains. In \nthe midst of the gloom and desolation, a charming evidence of human existence, \nin the shape of a picturesque cottage, gives to and takes from the scene a pleas- \ning effect. This romantic residence was the retreat of Sir Philip Crampton, a \nformer Surgeon-General of Ireland, and was presented to him by the Duke of \nNorthumberland, when Viceroy, in memory of pleasant days spent in a cottage \nof humbler pretension on the same site, which was accidentally destroyed by fire. \nThis object truly forms an " oasis in the desert." The view from the road \nnear the lower lake embraces a noble prospect, from the wildness of Kippure \nto the richness of Powerscourt, with the Sugar Loaf beyond ; before us the \nVale of Glancree, and the Mountains of War and Douce to the right (or south). \nBelow us at the head of the vale is Glancree Barrack, one of those built with \nthe military roads by the Government after the national insurrection in 1 798, to \nenable it to cope with and if possible control the mountain chiefs, who, like Michael \nDwyer and Joseph Holt, successfully defied it. The Barrack, however, with \nadditional buildings, is now occupied as a Reformatory for youthful Catholic \nvagrants, who receive instruction in various trades in addition to the ordinary \neducation of the " National Schools." It is the largest institution of the kind in \nIreland, and of somewhat the same nature as the noble Catholic Protectory in \nWestchester County, New York. Great attention is paid to Agriculture at the \nGlancree Reformatory, and it is true that " their labors in clearing, draining, \nsubsoiling, tilling and manuring, under the skillful directions of the officers, have \nconverted a large tract of barren mountain into a garden, which presents in its \ngreen luxuriant crops a wonderful contrast to the savage scene of rocks and \nheather that surround it." \n\nHaving got as far north in Wicklow as we can get in this section, and having \nno desire to clamber over Kippure, which, however, we have done many and \nmany a time, we will resume our pursuit of the picturesque at the southern \nextremity of Lough Dan. Here the infant Avonmore, having brightly sparkled \nthrough the glen between Knocknacloghole and Scar, ffows into the lake, mingles \nwith the Annamoe, and gives its name to the united streams that emerge from it \nas one, and pursues its way through a series of scenes, famous in song \xe2\x80\x94 through \nthe Vale of Clara to Avoca. The little village of Annamoe is remembered as the \nplace where Laurence Sterne had the wonderful escape when a child \xe2\x80\x94 having \nfallen into a mill-race while the mill was going, and having the good fortune of \nbeing swept through unhurt. A short distance from Annamoe is Laragh, per- \nhaps the most central position in the county from which to reach the greater \n\n\n\n8o \n\n\n\nPICTURESQUE IRELAND. \n\n\n\nnumber of its wonderful and beautiful moun- \ntain, lake and glen combinations. Situated in a \nhigh valley in the midst of the mountains, \nwhere several glens of various extent and char- \nacter \xe2\x80\x94 such as the farnous Glendalough, \nGlendassan, which contains the lead \n\n\n\n\n-m \n\n\n\n\nmines of Lug- \nganure, and \nthrough which lies the \nroad to Poul-a-phuca \nand Blessington ; Glen- \nmacanass, leading west \nof Lough Dan, between Scar on the east, \nand Brockagh and Thonelagee Mountains \non the west, through which runs the Military Road , Glen \nAvon, a name given by Mr. James Fraser* to the plain ex- \ntending from Laragh in an easterly and thence northerly Rathdrwn. \ndirection to Sally-Gap, a distance of twelve miles, embracing \n\nLuggelaw and Lough Dan\xe2\x80\x94 fall into the Vale of Clara, Laragh is a notable \ngeographical center. Here the various roads which are carried along these glens \n\n\n\nAuthor of the long-time and favorably Icnown Hcindhooh for Travellers in Ireland, etc. \n\n\n\nWICK LOW. \n\n\n\n8i \n\n\n\nunite, as well as others leading to Roundwood, and east to the Devil\'s Glen, \nthe Glen of Dunran, and Wicklow town ; to Baltinglas through Glenmalure \non the southwest ; and last but not least, southward to that world-famous \n\n\n\n\n\n\n\n\n\n\nGUnmaliii c . \n\n\xe2\x80\xa2" scene of enchantment," \xe2\x80\x94 that perhaps best known of all valleys \xe2\x80\x94 Avoca, the \nfirst and second meeting of the waters, and thence to Arklow. Here also, at \nLaragh, the streams that spring from their mountain -sides and water these \nglens, flow into the Avonmore, which then takes its way down the Vale of Clara \n6 \n\n\n\n82 PICTURESQUE IRELAND. \n\nwhich extends southward from Laragh to Rathdrum, a six-miles\' reach of that \nlovely combination and diversity of hill, woods and water specially character- \nistic of the sylvan features of Wicklow. \n\nThe Vale of Clara is quite beautiful and in some places romantic, giving the \neye relief after many of the wildly grand though barren prospects on at least two \nof the routes to it. Many fine views of the Avonmore gleaming along under its \noak-clothed banks are presented from the surrounding heights. The hamlet of \nClara is very prettily situated about halfway down the vale, which is bound on the \neast to this point, by the hills under Trooperstown Mountains, and from the \nhamlet to Rathdrum by copse-clad heights which have a very fine effect. On \nthe west the vale lies under the "foot hills" of Kirikee and Carrigliveen. The \ncopse-wood is a striking feature, extending from Moneystown Hill to Rathdrum, a \ndistance of three miles and a half, and having an average of a mile in width. It \nlaps over into the vale of Clara for two miles ; and is almost entirely on the \nestate of the Earl of Fitzwilliam, who is the largest land proprietor in the \ncounty. \n\nThe small town of Rathdrum at the end of the Vale of Clara, by the route \nwe have indicated, is conspicuously and beautifully seated on the west side of the \nAvonmore, and on a steep bank of more than seven hundred and fifty feet. In \nthe olden days of stage and mail coaches the Wexford coach could not enter, but \nhad to turn aside, and reach the higher part of the town by a branch. Even \nafter leveling to meet more modern demands, the long ascent was very severe \non horses. Now, however, the line of the railroad to Wexford crosses the \nAvonmore near this point on a bridge which is a very picturesque object in \nthe scene. One of the handbooks wisely mentions as a recent acceptable \nfeature, a new hotel into which you step from the railway platform. " Erected \non the face of a cliff, chiefly for the accommodation of tourists, it is a desirable \nresting-place for those who wish to explore the district." Other objects of inter- \nest are the handsome new Catholic Church, and the "Flannel Hall" on "Wool \nHill," the summit of the eminence on which the town stands. A writer, sixty \nyears ago, stated that the latter was erected by the Earl Fitzwilliam (in 1793) for \n"the exhibition and sale of woolen yarns, flannels, raw wool, etc., in which articles \na considerable trade is carried on. The periodical fairs or great market days here \nare attended by crowds of dealers from all parts of the island. A very fine wool \nis grown in this part of the country." A writer of to-day supplements this pic- \nture of industry with the following : " The mountainous regions westward of \nthe town, so favorable for sheep-grazing and the production of wool, made it a \n\n\n\nWICKLOW. 83 \n\nsuitable place for a flannel market, and for some time the trade flourished, \npurchasers going there regularly from Dublin. But the hand-loom weaving \ncould not compete with machinery." \n\nLeaving Rathdrum, and taking Fraser with us as a guide, we start for Glen- \nmalure and the ascent to Lugnaquilla, the highest of the Wicklow Mountains. \nMaking for the hamlet of Greenan, which is adjoined by a considerable wood and \nthe demesne of Ballinacor, we strike into the lower part of Glenmalure. The \nglen proper is twelve miles long, that is from the Table Mountain where it \ncommences to the first " Meeting of the Waters " where it has its embozuluire, and \nunites with the Vale of Avoca. Ballinacor is seven miles from the Table Moun- \ntain, and five from the first Meeting of the Waters. Glenmalure is bounded \non the west by a mountain chain of which Croghanmoira and Garraway Stick \nare the highest summits, and on the east by the range of which Kirikee, Mulla- \ncop and Lugduff are the most elevated. The great military road which comes \ndown the Vale of Glancree crosses both the ranges that shelter Glenmalure on \nits route from Laragh to Aughavanagh. The glen is traversed for its entire \nlength by the Avonbeg, which, originating in some springs on the sides of the \nTable Mountain, forms the Ess-fall at the head of the glen, and receiving the \nnumerous rills which trickle and leap down the ravines, pours the collected force \ninto the Avonmore under the umbrageous height of Castle Howard and forms the \nMeeting of the Waters. The character of Glenmalure is as different from that \nof the Dargle or the Downs as it is from the Scalp or Glancree. It is wild but \nimpressive, and the barren rocks rise in picturesque forms which give "a savage \ngrandeur to the scene." \n\nThis is true of the upper part ; but in fact Glenmalure has two distinct \nfeatures ; one above, and the other below Ballinacor. Below it the landscape \nis undulating, soft, cultivated, beautiful. Here it is of considerable breadth, \nthe hills lower, the sides widely displayed and the mountains gracefully ex- \ntended on either side : it is a sunny valley \xe2\x80\x94 the sweet and natural precursor \nto the Vale of Avoca. Above Ballinacor the scenery assumes that character \nof wildness generally associated with the name of Glenmalure. It becomes \nnarrower and deeper. Except in the passes the mountains have an average \nheight of 2,200 feet, and their precipitous sides are only broken by chasms and \nravines which add to their barren aspect and pictorial effect. Passing Ballinacor \nupward we reach the solitary inn of Drumgoff, "where," says Fraser, "tourists \ngenerally stop," for the safe reason, doubtless, that " good accommodation is \nafforded." The most interesting features of Glenmalure commence here to \n\n\n\n84 PICTURESQUE IRELAND. \n\nattract our attention, and hence for seven miles to the base of Table Mountain, \na continuation of magnificent close mountain scenery commands our enthusiastic \nand artistic appreciation. Many tourists are unanimous in the belief that there \nis no glen in Wicklow comparable with this portion of Glenmalure : and one, \nquoted in Bartlet, in view of the Ess-fall springing down the precipitous face of \nthe mountain, says, that " with the exception of the Killeries in Connemara," the \nhead of Glenmalure " is not to be equaled in the kingdom." In none of the \nother Wicklow glens do the mountains assume such well-defined outlines, and at \nthe same time attain to such elevations. Nowhere is the prevailing character of \nthe place less disturbed by the traces of cultivation, the attempts at improvement, \nand other unaccording circumstances ; nowhere is the repose so profound, and \nthe scenery so striking ; nowhere do we appear to be so embosomed in moun- \ntains ; nor do we \xe2\x80\x94 continues Fraser \xe2\x80\x94 remember any other combination of natu- \nral objects in the glen scenery of the district so capable of awakening emotions \nof awe and sublimity. In seasons when the thousands of rills and torrents are \nfed with water, the numberless cascades inconceivably enhance the general effect, \nadding a restless radiance of beauty to the grandeur of the glen. The road \nthrough the glen becomes a mere bridle-path in its mountain ascent. It leads \nover the Table Mountain at an elevation of 2,266 feet. The views from differ- \nent points on the ascent, and especially from the summit, which commands the \nglen of I male, into which the road leads on the other side, will amply repay the \ntourist. \n\nGlenmalure was the fastness of the famous Feagh Mac Hugh O\'Byrne, a chief \nof the sixteenth century. Spenser recommended Queen Elizabeth to spare neither \nmeans nor men to extirpate this dashing chief. In 1580 an English expedition \nfor this purpose under Lord Arthur Grey, then Lord Deput3^ Sir Peter Carew, \nand others, was almost annihilated by the Irish under Feagh Mac Hugh, and Fitz \nEustace Viscount Baltinglass, at this locality, which some writers erroneously \nstate as having occurred at Glendalough. \n\nReturning to the central hamlet of Laragh we are within a mile and a \nhalf of the famous Glendalough or Valley of the two Lakes, or " the seven \nChurches," as it is variously called. Glendalough, which embraces a hamlet, \nmany ruins and a round tower, is situated in the heart of " the O\' Byrne\'s Coun- \ntry," in the territorial subdivision now known as the barony of Ballinacor, some \ntwenty-two miles from Dublin. The valley is about two miles and a half long, \nand varies from half a mile to a mile in width. It is bounded on the north by \nthe mountains of Brocagh, Glendassan, and Comaderry, and on the south by \n\n\n\nI I \n\n\n\nI I \n\n\n\n\n\n\n\nPICTURESQUE IRELAND. \n\n\n\nthose of Derrybawn and Lugduff : and except at the entrance between Brocagh \nand Derrybawn it is completely hemmed in by these lofty, wild, bare and precip- \nitous elevations. The most unimpressionable visitor cannot fail to be affected \nby the solemn and melancholy aspect of the scene as he approaches. Here the \nChristian religion and literature flourished at a very remote period \xe2\x80\x94 and even \ncivilizations before that era have left their mark here. St. Kevin, to whose \nfaith and energy the Christian glory of the valley is due, and whose name is \nsynonymous with both the extent and asceticism of the monastic life, flourished \nin the sixth century. He was born of Christian parents in 498 ; trained for the \n\nChristian ministry, among \ndevoted teachers, priests \nand hermits, and having \nerected a monastery at \nClon-duach, returned to his \nnative locality and founded \nhis chief establishment in \nGlendalough, according \nto Usher and Harris in \nthe year 549. From this \nwere derived several other \nreligious houses in Leinster. \nSt. Kevin, having well arranged the order and discipline of this institution at \nGlendalough, retired to the upper part of the valley, about a mile from the \nAbbey, and there, in a small place beset by thick trees and refreshed by rivu- \nlets, he led the life of a hermit for four years, practicing great austerities, until \nprevailed on to return to the Abbey, where, with the exception of some short \nvisits to other monasteries, he continued to reside until his death. This event \ntook place on the 3d of June, 618, when the saint had attained the age of \none hundred and twenty years. \n\nDuring St. Kevin\'s lifetime a considerable city had grown up here, and the \nplace became an episcopal see either then or shortly after his death, for some \nwriters assert that he was never consecrated bishop. Glendalough subsequently \nbecame celebrated as a seat of learning and piety ; and the reputation of its \nfounder was such that for several centuries vast multitudes continued to repair to \nit on every 3d of June to celebrate his festival. \n\nPope Alexander HI., by a bull dated the 13th of May, a. d. 1179, confirms \nthe city of Glendalough, with the churches, to Malchus, Bishop of Glendalough, \n\n\n\n\nThe Abbey, or Priory of St. Saviour. \n\n\n\nWICKLOW. \n\n\n\n87 \n\n\n\nand to his successors, saving the rights of the abbot. In 12 14, the See of Glenda- \nlough was united to that of DubHn, but the archbishops of the latter being Eng- \nlish, the Irish would only recognize the authority of the Bishops of Glendalough ; \nand it was near the end of the fifteenth century before a union was established. \n\nDuring the ninth and tenth centuries Glendalough was repeatedly ravaged by \nthe Danes ; within sixty years in the eleventh century it was five times reduced \nby fire to a heap of ashes ; it was also ravaged in the thirteenth and fourteenth \ncenturies by the English ; and under incessant incursions it finally fell into decay. \nThe ruins of the churches alone remain. \n\nNo vestige of the famous " city " was visible a few years back save a small \npaved quadrangle which indicated the site of a market-place. No traces of do- \nmestic buildings have been discov- \nered, but the remains of a causeway, -^^^g\' ^i4 ~:^^^^ \nextending from the ancient market- \nplace to Hollywood, some twenty \nmiles distant on the borders of the \nCounty Kildare, were recently visi- \n"ble. This laborious work of art \nwas twelve feet wide, composed \nof roughly-hewn blocks of stone set \nedgewise, not unlike the Roman \nroads met with in England. The \ntemples of stone which the holy men of the ancient Church in Ireland were \nwont to build to the glory of God were constructed in such a manner as to \nconvey the idea that their founders intended they should " last forever." At \nGlendalough, as at other kindred establishments of about the same era, we find \nonly the remains of strictly ecclesiastical edifices. \n\nWe meet the first of the " ruins " on the Laragh road, at about a mile east \nof the Cathedral in the glen cemetery. It is called " the Monastery," by the \npeople, and is variously known as the Abbey, and the Priory of St. Saviour. It \nis the most interesting of the detached buildings outside of the group near the \nlake ; and is perhaps architecturally the finest, as it was evidently the most exten- \nsive of all the edifices in this region. It consisted originally of two parallel \nbuildings, of rare and beautiful workmanship, adorned with curious sculptures, of \nwhich only detached fragments are now attainable. Two of its columns remain, \ntheir capitals exhibiting the ornamental style of the ninth and tenth centuries. \nThese, says Wakeman, in England would be pronounced Norman, more particu- \n\n\n\n\nSi. Kevin\'s Kitchen. \n\n\n\nPICTURESQUE IRELAND. \n\n\n\n\nOur Lady\'s Church \xe2\x80\x94 Doorway. \n\n\n\nlarly as the arch they are designed to sustain displayed a variety of the zigzag- \nor chevron molding, as may be seen from several stones. A great mass of \n\nsculptured blocks are scattered about, over- \ngrown with brush and brambles. Some speci- \nmens found in the vicinity, though rude, are of \ngreat interest. " On one stone is represented \na wolf gnawing a human head ; on another, \nthe head of a young man, whose long hair is \nentwined with the tail of the animal." The \ncharacter of the hair is supposed to represent \nthe ancient Irish coulin or glibb, and its at- \ntachment to the wolf\'s tail an allegorical form \nof showing "the fondness of the one for the \npursuit of the other." The Abbey is now in the \ndemesne of Derrybawn ; and adjacent to it, in a \nsmall crypt, was recently found the tomb \nof St. Kevin. The Trinity or Ivy Church, \nwhich stands close by the roadside near the \nvillage, should be carefully studied, as it constitutes a very well-preserved \nexample of undecorated work of the earliest, or very nearly the earliest, \nage of church architecture in \nIreland. It consists of nave \nand choir, connected together \nwith a perfectly Roman - look- \ning arch. There was originally \na semi-detached round tower \nor belfry, at the southwestern \nangle of the nave, making the \nthird example of that curious \nstyle of building which we know \nto have existed at Glendalough. \nOn an eminence sloping from \nthe mountains toward the \nlake the principal ruins with the \nround tower form a group which affects us with somber and even melancholy \nsensations. An American writer says that " the almost deathly quiet, the op- \npressive loneliness, the strange, deep, unearthly gloom of this moldering city \n\n\n\n\nThe Church of Rhcfcart. \n\n\n\nWICK LOW. 89 \n\nof the dead, are things to h& felt in all their melancholy and weird-like power, but \nwhich could scarcely be pictured by the most vivid word-painting." Its solemn \nsolitariness is almost overpowering. It is intrinsically a place of the past. No \nplace we have seen so sadly speaks to us of the past : and we do not wonder that \nWalter Scott stood with folded arms \xe2\x80\x94 lost in thought for more than half an hour, \nbefore the doorway of the " Lady Church." The principal group of ruins \xe2\x80\x94 consist- \ning of the round tower, the Cathedral, the Lady Church, Saint Kevin\'s Church, \nor "kitchen," as it is called, and a small inclosure called the Sacristy, used as a \nburial-place for Roman Catholic clergymen \xe2\x80\x94 stand in a well-tenanted cemetery, \nthe entrance to which is over the Glendassan River and through an archway, a \nportion of the ancient fortified wall. This gateway originally consisted of an \nouter and inner arch, similar to the celebrated Newport gate at Lincoln, in Eng- \nland, which is undoubtedly of Roman workmanship. These arches were sur- \nmounted by a tower. The outer portal, after long threatening to fall, came to \nthe ground not many years ago. \n\nThe great round tower is of course the most prominent feature of the central \ngroup. It is a splendid specimen, standing a little to the southwest of the cathe- \ndral. It is one hundred and ten feet high and fifty-one feet in circumference at \nthe base. It had originally six floors. The doorway head is semicircular and \ncut out of a single stone. It is built of granite, and of a hard kind of slate \nwedged in behind the granite blocks. The conical cap by which it was sur- \nmounted was blown down by a storm in 1804. To those who believe in the pre- \nChristian origin of the round towers in Ireland, as many of the ablest anti- \nquaries, architects and archseologists do, the contrast which this remarkable pagan \nmonument presents towering over all the. Christian ruins in the valley, whether \nof ecclesiastical or sepulchral character, is sure to lead the mind into the mys- \ntical depths .of the past. " Nothing is clearer," says O\'Donovan, the eminent \nIrish scholar and archseologist, " than that Patrick engrafted Christianity on the \npagan superstitions with so much skill, that he won the people . over to the \nChristian religion before they understood the exact difference between the two \nsystems of belief." Upon the festivals of the heathen were erected Christian \nholy-days, elevated and rendered attractive by Christian solemnities. A train \nof suggestive thoughts growing out of these facts, are the natural result of a \ncogitation surrounded by these ruins of Glendalough. Men of less vivid tem- \nperament than Otway, can readily sympathize with his mood in association \nwith the scene and the ruins, "where the long continuous shadow of the \nlofty and slender tower moves slowly from morn to eve over wasted churches. \n\n\n\n90 \n\n\n\nPICTURESQUE IRELAND. \n\n\n\nscattered yew-trees, and the tombs, now undistinguishable, of bishops, abbots, \nand anchorites, walking its round as time-sentinel, and telling forth to the An- \ncient of Days how many suns have run their diurnal and annual course since \nthese holy men had descended to their graves." \n\nThe cathedral, as may be expected, is the great stone church of the establish- \nment, although the smallest of ecclesiastical structures in the country which have \nbeen dignified by the title of "cathedral." The upper portion of its walls ap- \npears to be less ancient than the lower, which has all the character of very early \nwork. In the decoration of the more modern part an Irish style of ornamenta- \ntion of about the twelfth century is distinctly marked. The nave is forty-eight \n\nfeet long by thirty wide, and \na semicircular arch formed \nthe chancel. \n\n" St. Kevin\'s Kitchen," \na very curious stone-roofed \nbuilding standing at a little \ndistance to the south of the \ncathedral, is believed by the \nbest antiquaries who have \ninspected the ruins of Glen- \ndalough to have been a \nhouse of the saint converted \ninto a church in the twelfth \ncentury. The original structure appears to have been a plain oblong, to which \na chancel and sacristy were added ; certain it is that the additions cannot be later \nthan the twelfth century, and that what was originally the east end of the build- \ning was ait through for the purpose of forming a choir-arch. The upper portion \nof the original eastern window remains. \n\nIt is supposed that the stone roof, and the little miniature round tower belfry \nstanding upon the western gable, are additions of the same date as the chancel. \nTaking it altogether, St. Kevin\'s Kitchen is a most curious antiquarian study, \nand is of similar construction to St. Douloughs, near Dublin, Cormac\'s Chapel on \nthe Rock of Cashel, and the Crypt at Killaloe. Its unromantic name is of no \ngreat antiquity, and was probably suggested by the chimney-like appearance of \nthe bell-turret. \n\nWhat remains of our Lady\'s Chapel, which must have been originally a \nsmall building, is of great interest. This is the church which his monks erected \n\n\n\n\nSt. Kevin\'s Cell. \n\n\n\nWICK LOW. 91 \n\nfor the saint when they wished to induce him to abandon that more solitary por- \ntion of the valley where the Rhe-feart Church still exists. This venerable relic of \nancient Christian architecture, the doorway through which St. Kevin must have \npassed perhaps several times daily for years, and through which his dead body \nmust have been carried for interment, remains still quite perfect, a splendid \nspecimen of that style of building which our ancestors derived from works of \na pagan time, such as the great prehistoric monuments of New Grange and \nDowth, where, for countless ages, \n\n" Beneath the cairn\'s gray pyramid \nThe urns of mighty chiefs lay hid." \n\nThe sides and top of the opening are ornamented with a flat projecting band, and \nthe soffit of the lintel with a cross. The masonry is truly cyclopean, and would \nseem to have been raised by builders who still retained a tinge of the Druidical \nfondness for the massive and time-defying. \n\nThe Rhe-feart Church, as its name indicates, stands in the royal cemetery, \nRhe-feart signifying the kings\' burial-place. Like the " Lady Church," it consists \nsimply of one oblong apartment with a square-headed doorway with inclined \nsides placed in the center of the west gable. This doorway is not ornamented \nwith a cross, but a portion of a projecting band, similar to that of the " Lady \nChurch," decorates it externally. Beyond some plain unimportant crosses, the \nsurrounding cemetery does not, at least above ground, contain any memorial of \nthe kings, chieftains, and ecclesiastics here interred. The interior, however, is \novergrown with briers. Some writers allude to an oblong slab which bore an \nIrish inscription to the effect that it marked " the resting-place of King Mac \nToole, who died in Jesus Christ, loio." A later writer says the last inscribed \nmonument which remained was, some few years ago, broken into small pieces \nand sold by the " guides " of Glendalough, chiefly to English curiosity-seekers, \nas portions of the tomb of a " real Irish king." \n\nNot far from the Rhe-feart Church is a portion of a ruin \xe2\x80\x94 a circle of stones of \nthat class of buildings usually called Claughawn, which there is reason to believe \nformed the cell of St. Kevin during a portion of his rule over "the Churches." \nThe most singular remains of this description, however, is at the sylvan glen \nbetween the mountains of Lugduff and Derrybawn, where the Poolanass brook \npours its little torrent over a ledge of rocks, and forms a sparkling fall. The ruin \ndiscloses masses of flat stones regularly laid, forming part of a circle, in the cen- \nter of which are the remains of a rude stone cross. It is known as St. Kevin\'s cell. \n\n\n\n92 \n\n\n\nPICTURESQUE IRELAND. \n\n\n\nAs it is situated in a rock which juts outward, the view of the valley in all direc- \ntions from this point is magnificent. Descending to the lake shore here, one of \nthe most comprehensive views of the overhanging mountains is to be found. \n\nOf the remaining churches, Temple-na-Skellig and the priest\'s house are so \ndilapidated as not to require any especial description. The latter, we may say, \nfrom drawings made about the middle of the last century, was very peculiar and \nrichly decorated. The former, "the Temple of the Rock," or, as it is called in \nold records, " Convent de Deserto," is situated in a solitary nook, almost inacces- \nsible save by water, under the impending mountain of Luo-duff. \n\nAs at Killarney every- \nthing is associated with the \nwise prince O\'Donoghue, at \nGlendalough everything \nis linked with Saint Kevin. \nLegends are associated \nwith his churches, his cell, \nhis well, his basin, his keeve, \nhis bush, his chair, etc., \nbut that connected with \nhis bed has won perennial \nfame in the regions of ro- \nmance. St. Kevin\'s Bed \nis a small excavation, made, it is said by the saint himself, in the front \nof a rock under Lugduff, and overhanging the dark lake, at a height of thirty \nfeet. Access to it is had from above, or below; the latter path from the \nlake shore is difficult ; while the former\' is dangerous, the approach being \nby a narrow path along the steep side of the mountain, at every step of \nAvhich the slightest false movement or unsteady balance would precipitate the \npedestrian into the lake. "There is one place in particular," says one of the ad- \nventurers, " where all the eloquence of the guide is sure to be exerted to encour- \nage the party, and where it frequently proves unsuccessful \xe2\x80\x94 that is the edge of \nthe rock called the Lady\'s Leap." After passing this Rubicon, the landing-place \nabove the cave is soon reached, but the descent to it must be made with great \ncaution ; keeping the face to the rock down which we climb. The present writer, \nin the " hey-day of his youth," made the adventure, and succeeded in what \nwas then deemed the feat of getting into St. Kevin\'s Bed, without a guide and \nby the mountain path. The excavation is capable of holding two persons in a \n\n\n\n\nSt. Kevin\'s Bed. \n\n\n\nWICK LOW. \n\n\n\n93 \n\n\n\n\nrecumbent position, \nand the difference of \nthe modes of getting into it may be \nsuggested b> the getting into a small \ndormer window from below by means of \na ladder, or from above by means of the \nroof. This rocky and isolated refuge \nSaint Kevin made \xe2\x80\x94 according to tradition \xe2\x80\x94 to conceal himself from the visits of \na beautiful maiden Kathleen. Here he fled from temptation. But the "eyes of \nmost unholy blue " from which he fled, led their lovely owner to this " rocky, \nwild retreat." \n\n" And when morning met his view, \nHer mild glances met it too." \n\n\n\nAncie7tt Stone Cross, and Round Towe?-, at \nGlendaloush. \n\n\n\nIn the sudden shock of surprise and anger on awaking, the saint hurled the \n\n\n\n94 PICTURESQUE IRELAND. \n\npersistent beauty from the beetling rock into the dark waters of the lake. Moore \nintroduced this legend to popularity in a vividly dramatic ballad, and the tempta- \ntion of young Kevin and the tragic catastrophe have been admirably treated by \nGerald Griffin. The legend thus brought home to the senses in such poetical \nforms, had its origin doubtless in an allegory based on truth \xe2\x80\x94 to illustrate the \nfact that here in his solitude and gloomy retirement his vows of asceticism be- \ncame strengthened, he conquered the passions incident to youth and tenderness, \nrose defiant to the temptations of worldly beauty, fascination, and danger, and \nby an ecstatic effort hurled them from his path forever. This self-denial and \nfervor led to a life of extraordinary virtue and piety, which resulted in miracu- \nlous powers. These, says the Monasticon Hibernicum, drew " multitudes from \ntowns and cities, from ease and affluence, from the cares and avocations of civil \nlife and from the comforts and joys of society, to be spectators of his pious acts \nand sharers in his merits, and with him to encounter every severity of climate \nand condition. This influence extended even to Britain, and induced St. Moch- \nnarog to convey himself hither ; who fixed his residence in a cell on the east side \nof Glendalough, where a city soon sprang up, and a seminary was founded, from \nwhence were sent forth many saints and exemplary men, whose sanctity and \nlearning diffused around the Western world that universal light of letters and \nreligion which, in the earlier ages, shone so resplendent throughout this re- \nmote, and at that time tranquil isle, and were almost exclusively confined to it." \nAmong the interesting relics of the cemetery of ruins is an ancient cross of one \nsolid block of granite eleven feet high. Fragments of other crosses are scattered \nabout, and a line of them across the valley between the two lakes can still be \ntraced. \n\n\xe2\x96\xa0\xe2\x96\xa0 With Vandal Time, tlieir sculptures rude \nBut sacred combat well ; \nLike trusty friends, they have outstood \nThe wealth that from us fell. \n\n" These crosses, like great note-marks, stand \nO\'er all the Celtic sod. \nGrown gray in agony of love \nReferring us to God." \n\n\xe2\x80\x94 " Eva : A Goblin Romance," Part I. \n\nThe principal group of ruins, as seen in the engraving, are romantically situ- \nated at the juncture of Glendassan and Glendalough, and near where the streams \nwhich water those glens unite. As the name indicates, there are two loughs: \n\n\n\nWICKLOW. 95 \n\nthe lower of small extent, the upper a mile in length, a quarter of a mile in \nwidth, and 441 feet above the sea level. The mountains like stupendous walls \narise on both sides some eighteen hundred feet. The upper lake is supplied \nby two streams, the Poolanass, which has been referred to, and the Glanealo, \nwhich, rushing down the gorge between the summits of Comaderry and Lugduff, \ndashing and foaming through the crags and masses of broken rocks which are \nheaped in wild disorder at that end of the glen \xe2\x80\x94 forms a strikingly picturesque \nfall as it leaps into the lake. The Glenealo is the infant Avonmore, and takes \nthat name when, after uniting with the Glendassan, it passes under Derrybawn \nBridge, and leaves this glen of gloom and desolation. We cannot rehearse the \nmany legends associated with Glendalough, or dwell on the more authentic trans- \nactions of history which embrace the wonderful defiance of the native septs of this \nterritory for centuries of all foreign interference. One fact alone must suffice to \nindicate this prolonged conflict and spirit of independence. " Glendalough, the \ncapital of the sept which had inherited those glens, is only twenty-three miles from \nthe metropolis, the seat of the English power ; and yet they continued to defy that \npower unconquered for four centuries." On leaving the scene of so much learning \nand energy, peaceful pursuits and warlike experience, we are inclined to agree \nwith Mr. Walker that the general impression left by the locality is one of sadness. \n"The aspect of the surrounding mountains being so much in keeping with \nthe ruins scattered over the valley, and speaking of power, of art, and piety, in \nages so remote that history affords no authentic records of their authors or \norigin. The gloomy lake, and the cold, stern mountains seem to be in a sort of \nmysterious communion with the ivy-clad towers and broken arches of the ruined \ntemples, still haunted by human associations which produce a painful sense of \ndesolation." \n\nRetracing our steps from Laragh to Roundwood, we can follow the course of \nthe Vartry River to where it forms the boundary between the demesnes of Bal- \nlycurry and Glenmore and flows through the Devil\'s Glen, which according to \nBrewer might more appropriately have been denominated the " Glen of the Gods." \nThe Vartry rises on the southern side of the great Sugar Loaf, receives a tribu- \ntary from a thousand feet up the eastern side of Douce with other rivulets, \nand after increased volume, and a rapid course over a high table-land and rough \nmoors, is precipitated over a ledge of rocks with a splendid fall into the Devil\'s \nGlen. This ravine is of somewhat the same character as the Dargle, with which \ncomparisons are necessarily made. It is, however, deeper and longer, being a \nmile and a half in length, and in some places the sides rise to an elevation \n\n\n\nPICTURESQUE IRELAND. \n\n\n\n\nof four hundred feet. It is more somber than the Dargle, and has a grand \nwaterfall at its upper end, which the other glen does not possess. The lower \nentrance is through a tunnel, and as the approach is concealed by luxuriant foli- \nage, the spectator is unprepared for the beautiful scene that bursts upon the sight. \n\n\n\nWICK LOW. \n\n\n\n97 \n\n\n\nIn a like manner the view of the glen, approached from the high, bleak, \nand barren lands above it, has all the attractiveness of strong contrast. All \naround is a bare tract of sheep-pasture ; a few steps forward, and the eye be- \nholds a picture presenting all that is rich in vegetation, varied in sylvan tints, \nbold in rocks and cliffs, and enlivened by a stream bounding and foaming \namongst the rocks, gliding between grassy banks, or hiding under the umbrageous \nbranches of natural wood. The best views are obtained from the glen road \nascending to the fall. Brewer * thought the Devil\'s Glen " one of the most ro- \nmantic objects in an island fertile of subjects for the inspiration of romance." \n^^ Impending rocks and moun- \ntains and a river flowing \nthrough a narrow channel \nform the striking features \nof this favorite locality. It \nhas beauties peculiarly its \nown, and the same writer \non the picturesque in natu- \nral scenery thinks "it is \nmarked by some combina- \ntions of pictorial objects in \nwhich wood, rock, and \nwater are blended in forms \nunknown " in either the Dargle or Glen of the Downs. Other English writers \nare equally enthusiastic in acknowledging its beauty \xe2\x80\x94 " with its roaring river, \nits huge precipices, its circuitous paths, and the noble and graceful \'fall\' \nthat seems a crown of glory to its head." A distinguished Spaniard, Dr. D. \nJoaquin Lorenzo Vi\'llanueva, has celebrated this glen in an ode, in which, after \nalluding to the most noted and charming places of his native land, he says : \n\n\n\n\nEntrance to the Devil\'s Glen. \n\n\n\n"But I, \'mid the bosky shadows \n\nOf the Devil\'s Glen, defy the splendor \nOf all earth\'s mounts and rneadows. \nFor a perfect peace doth lend her \nCharms supreme \xe2\x80\x94 there laughter\'s hushed and grief itself grows tender."! \n\n* Beauties of Ireland, by J. N. Brewer, 2 vols., Lond. 1S26. \nf " Mas yo con el sombrio \n\nBosque de Devil\'s Glen y su bastida \nAl orbe desafio ; \n\nDo reina una cumplida \nPaz, hierve el gozo v el pesar se olvida." \n\n\n\n98 \n\n\n\nPICTURESQUE IRELAND. \n\n\n\n"Than Pindus, theme of poets, \n\nLeafier this vale; than Pimplea clearer \nIts crystal waves that sow its \nBreast with diamond gleams, and here are \nSilvery sands and pebbles bright than which there\'s nothing dearer.\' \n\n\n\nMidway in the glen, at a suitably chosen spot a sort of rustic temple has been \nerected, which is equally available for calm contemplation when the visitor is \nalone, or for the gayer purposes of social enjoyment when on a picnic frolic \nand the sky is threatening. From this temple a \ncharming walk has been constructed along the up- T - \n\nper part of the wood, in the course of which many \nfine views are attainable. On leaving the Devil\'s \nGlen, the Vartry, passing through a rude amphi- \ntheater, has time, so to speak, to rest after its \nturbulent exertions, thence, flowing onward, beau- \ntifies the demesne of Glenmore, and passing r^, \nAshford- bridge and Newrath- bridge, exhausts \nitself into the Broad Lough, a tidal marsh near \nthe town of Wicklow. Between Ashford and \nNewrath it flows through the demesne of Ro- \nsanna, famous for its venerable trees, among \nwhich are some of the finest oaks and Spanish \nchestnuts in the country. Famous for the pos- \nsession of those woods in which all poets de- \nlight, Rosanna is still more famous as the home of a lovely and gifted Irish \npoetess, Mary Tighe, who here wrote her beautiful and imaginative poem Psyche, \nfounded on the classic allegory of Love and the Soul. It is written in the Spen- \nserian stanza, and is characterized by elegance, classical taste, a wealth of graceful \nimagery, and a brilliancy of coloring rarely excelled. Chambers says that she \n"evinced a more passionate and refined imagination than any of her tuneful \nsisterhood." " Was not Tighe an angel," exclaims one of the critics of the \nNodes AmbrosiancB, "if ever there was one on earth \xe2\x80\x94 beautiful, airy, and evanes- \ncent as her own immortal Psyche?" Lovely and accomplished Mrs. Tighe in \nyouth had mixed with the gay world, but extreme sensibility, crowned by a \nhappy marriage, led her to retirement. She was an invalid for several-years, and \nMoore has made her early death the subject of the exquisite lyric, " I saw thy \nform in youthful pride," concluding : \n\n\n\n\nHtad of Dtvil s Glen. \n\n\n\nWICKLOW. \n\n\n\n99 \n\n\n\n" If souls could always dwell above, \n\nThou ne\'er hadst left that sphere ; \nOr could we keep the souls we love, " \n\nWe ne\'er had lost thee here, Mary ! \nThough many a gifted mind we meet, \n\nThough fairest forms we see. \nTo live with them is far less sweet \n\nThan to remember thee, Mary." \n\nRosanna, Avondale, Glenmalure and the Vartry naturally Inspired the expres- \nsion of Mrs. Tighe\'s admiration. The chestnut bowers of the former were nota- \nble in her day, at the beginning of \nthe century, and their broad shadows \n- to-day are evidence of ancient ances- \n\ntry and of a long reign of care and \npeace in this happy valley. \n\nConvenient to the Devil\'s Glen, and \non its northeast is the Glen of Dunran, \nwhich exhibits features of interest, es- \npecially when we learn that within less \nthan a century a scene as rocky as \nthe Scalp has been transformed by \nart into one of attractive vegetation, \ntrees having been planted in the inter- \nstices of the rocks, where to all appear- \nance there was scarcely soil enough to \ncover the roots. The narrow ravine \nstretches along the base of Carrig na \nMuck, the ridge on the opposite side \nlying in front of the higher summit of \nDunran. The avenue, through which strangers are permitted to drive, runs \nthrough the demesne of Dunran, and is about two miles in length parallel to the \npublic road. \n\nThe Glen of Dunran differs from all those we have been describing; in its \npeculiar conformation on the one hand, aiid in its exceptional want of a stream \nflowing through it; which is owing to its altitude. It is nevertheless everywhere \ninteresting, from the finely wooded and romantic steeps along the base of which \nwe travel : particularly at the eastern entrance, where by some natural upheaval \nthe stratified rocks have been tilted up on end, and from various points of view \n\n\n\n\nthe Dcvil s Lrhn \n\n\n\nPICTURESQUE IRELAND. \n\n\n\npresent singular and grotesque forms : some bearing striking resemblances to \ntowers, spires, minarets and fortifications. From the artificial pond near the \ncenter of the ravine, a path winds for about half a mile through the wood lead- \ning to the ascent by which the View Rock is reached. From this point the view \nis, as may be expected, well worth the trouble to obtain it. Here, you command \nthe rich country stretching from the base of the hill to Wicklow town ; the ex- \ntensive oak wood which clothes the sides of Carrig na Muck, and constitutes the \nprincipal feature \n\nof the ravine ; y-=^^^^qy^ ::it^ \n\nand the sterile \nrocks Avhich rise \nfrom the wood \nto the summit of \nthe mountain of \nDun ran. The \nfine forest scene \nwhich is here \npresented to our \nview, is greatly \nheightened by \nthe dark foli- \nage of the old \npines scattered \nthrough it, and \nwhich clothe \nthe conical rock \n\nforming the eastern boundary of the ravine, where the upheaved strata referred \nto are so strikingly prominent in a variety of shapes. The summit of Dunran \nis 1,122 feet above the level of the sea, and a good view of the beautiful tract \nof country from the base of the mountain to Delgany is obtained from the high \nground near the northern entrance to the glen. Fraser recommends those who \nhave not had the prospect from the View Rock to take the high road by Dunran \nHouse to the Glen of Kiltymon on the north, on which the views are better than \nfrom the lower roads along the route.* \n\nWhile in this vicinity, reference may be made to the man}\' fine demesnes \nin the neighborhood of Newtown-Mount-Kennedy, a couple of miles north of \n\n\n\n\nThe View Rock, Dunran. \n\n\n\n\xe2\x96\xa0 Fraser\'s Hand-book, p. 1S5. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n^-.^T_^^\'l \n\n\n\n\nWATh.Ki-Al_J_ IN THE DEVIL\'S GLEN. \n\n\n\nPICTURESQUE IRELAND. \n\n\n\n\nDunran ; and situated in the center of that rich tract lying between the Downs \nMountain and the hill of Delgany on the north, the secondary range of hills \nwhich sweep from the Downs to Dunran on the west and south, and the sea on \nthe east. Of these variously attractive places, the most noticeable are Wood- \nstock, Mount Kennedy, Glendaragh, Altadore, which are enlivened by pleasant \nstreams. In a glen of the latter, called the Hermit- \nage, is a waterfall which is esteemed the special \nattraction of a retreat otherwise deemed delicious. \nRathdrum or Drumgoff is usually chosen as the \n\\, starting-point for the ascent of Lugnaquilla, which \nrises to the height of 3,039 feet, and is one of the \nfive mountains in Ireland which lift their heads one \nthousand yards above the level of the sea. On the \nroute described Drumgoff is of course the nearest \nplace : and on leaving the inn we soon pass the lonely \nbarrack, take the military road toward Aughavanagh, \nand after a short distance turn to the right and climb \nthe front of Drumgoff Hill. Having reached the top, \nthe course lies northward, following the bed of a moun- \ntain torrent up a sloping vale for a considerable dis- \ntance. Kelly\'s Lough, a small pond in a hollow, is next passed, and then a steep \nprecipice of loose rubble stone and long grass tests the powers of endurance of the \ntourist. Surmounting this steep, and gaining the ridge above it, the dark cliffs of \nLugnaquilla come in sight ; thence a smooth sod leads to the summit, so that, with \nthe exception of a comparatively brief space, the ascent, if the weather is favora- \nble, does not present many great difificulties to the persistent sight-seer. The \nmountain top embraces a large extent of table-land, and the highest point is \nmarked by a stone, called Pierce\'s Table, resting on low supporters, some- \nwhat resembling a Druidical cromlech. From the summit a very splendid and \nextended panorama is unrolled on all sides. Toward the north, facing the glen \nof Imale, the side is broken into a secluded hollow beyond Kelly\'s Lough, over- \nhung by bold and precipitous rocks, called the North Prison, beyond which \nare seen the plains of Kildare, Meath and West-Meath. Southward toward \nAughavanagh the mountain is more immediately escarped into a secluded dell, \nthe South Prison, as on the north, and the eye ranges over the whole of \nWexford County and its ocean boundaries in the far distance. On the south- \nwest a vast tract from the base of the mountains to the higher summits of Tip- \n\n\n\nWaterfall at Hermitage. \n\n\n\nWICKLOW. 103 \n\nperary is embraced, holding between the central parts of the counties of Carlow \nand Kilkenny ; while to the east are those ranges of beautiful hills that wavelike \nraise their crests and fade into the horizon over the Irish Sea. It is suggested \nto those who make the ascent of Lugnaquilla and have not seen the Ess-fall, to \nreturn by the latter route, which is only three miles longer, a distance that will \nbe more than compensated by the views in Glenmalure.* \n\nAs previously stated, the lower part of Glenmalure expands in a pleasant way : \nthe hills sloping back on either side, and being wooded to the water\'s edge, \npresent a naturally attractive opening to the still more beautiful Vale of Avoca. \nThe Avonmore which has its origin in the sad region of Glendalough, and the \nAvonbeg which forced its way through the wild fastnesses of the upper Glenma- \nlure, uniting at Castle Howard, form the world-famous " Meeting of the Waters," \nand henceforth take the name of the Avoca from the vale through which it \npasses. From this point to Arklow, the scenery is unequaled for its variety of \nbeautiful views in which the pleasingly picturesque is combined with the most \nstrikingly romantic. The Vale of Avoca is distinguished by a most admirable \nadmixture of mountain, forest, lawn, and river scenery. The hill-sides are gener- \nally not more than a quarter of a mile distant from each other, and for nearly \neight miles are thickly wooded. The road winds through this vale, which em- \nbraces the grand woods of Castle Howard, Ballyarthur, Castle Macadam, Shelton \nAbbey, and Glenart. From Castle Howard \xe2\x80\x94 which occupies a proud position on \nan eminence two hundred feet over the water, and seems to be upheld by the tops \nof the trees which present a dense wall of foliage from the river bank to the \nhouse \xe2\x80\x94 to the forest-embosomed Glenart, a succession of sweet, soft and tranquil \npictures fill the vision and call forth renewed expressions of delight. Tourists \nof all classes and nationalities are almost ecstatic over the pleasure received here. \nThree-quarters of a century ago, Sir John Carr visited Avondale, the splendid \nresidence of Sir John Parnell, who lost the Chancellorship of the Exchequer by \nopposing the Union, and gave a pen-picture of the opening of this vale. "A \nnew scene of enchantment presented itself at the \' Meeting of the Waters,\' and \nriveted us in silent admiration. It was a scene of valleys, whose leafy sides \nwere covered with the most luxuriant foliage, presenting a compact slope of \nleaves through which neither branch nor trunk of tree could be seen. Upon the \ntop of one of these umbrageous mountains, a banqueting-room or tower arose, the \ncasement of which was brightened by the sun ; whilst below, dimly seen through \n\n* See Frasev\'s Hand-book, pp. 235-7. \n\n\n\n104 PICTURESQUE IRELAND. \n\nover-arching beech trees, a confluence of streams mingled with the river under \nthe blue mist of approaching evening." * \n\nA late writer is not less picturesque in conveying his appreciation of the same \nscene. " Nature," he says, "has here scattered her charms with a liberal hand: \nwaving woods, clear waters, and verdant shores combine to render the scene one \nof surpassing softness and beautiful tranquillity." It is not a scene in which \neither the poet or painter would find resources to awake or fill the imagination \nwith sensations of sublimity or terror : but it is superabundant in those qualities \nof repose and peace which have found fitting expression in the exquisite lyric of \nMoore. Evidently taking inspiration from the Meeting of the Waters, the poet \nconveys the effect produced by the reposeful bloom and " bosom of shade " so \nstrikingly characteristic of the whole vale. Notwithstanding its popularity, the \nbrevity as well as the beauty of the lyric suggests its reproduction here, as \nappropriate. \n\nThere is not in the wide world a valley so sweet \nAs that vale in whose bosom the bright waters meet ; \nOh ! the last rays of feeling and life must depart, \nEre the bloom of that valley shall fade from my heart. \n\nYet it was not that Nature had shed o\'er the scene \nHer purest of crystal and brightest of green ; \n\'Twas not her soft magic of streamlet or hill, \nOh ! no, \xe2\x80\x94 it was something more exquisite still. \n\n\'Twas that friends, the beloved of my bosom, were near. \nWho made every dear scene of enchantment more dear. \nAnd who felt how the best charms of nature improve, \nWhen we see them reflected from looks that we love. \n\nSweet vale of Avoca ! how calm could I rest \n\nIn thy bosom of shade, with the friends I love best, \n\nWhere the storms that we feel in this cold world should cease. \n\nAnd our hearts, like thy waters, be mingled in peace. \n\nA strong occasional contrast to the general luxuriance of forest effect, is \nformed by the appearance of wild and barren rocks, particularly near the copper \nmines of Cronbane and Ballymurtagh which succeed to the woods of Castle \nHoward, and lie on different sides of the river, nearly opposite to each other \xe2\x80\x94 \nBallymurtagh on the west, and Cronbane on the east. A vitriolic stream from \nthe latter, years ago destroyed one of the finest salmon fisheries at Arklow. \n\n\n\n* The Stranger in Ireland, etc., by Sir John Carr, author of ^ Northetn Summer ; The Stranger in France, etc., 1807. \n\n\n\n\nVALE OF AVOCA. \n\n\n\nio6 \n\n\n\nPICTURESQUE IRELAND. \n\n\n\nThe working of the mines revolted the feehngs of the anglers, one of whom from \n\n\n\nthe " sister island " at the time wrote, \n\n\n\n\nSecond Meeting of tht ]VatL> i ft om Bal/intiuiph \n\n\n\nI am sure, but for this noxious infusion, \nthat the Avoca would abound in white \ntrout, and afford to the angler, through \nits romantic course, not less sport \nthan our father Walton experienced \nin the resembling waters of the Dove \nin Derbyshire." \n\nThrough varied scenery we reach \nthe second Meeting of the Waters, \nmade by the junction of the Aughrim \n(or Avonbeg, yellow river) with the \nAvoca, where the river is crossed \nby a substantial stone, bridge, though \nthe locality retains its former name \nof " The Old Wooden Bridee." As- \n\n\n\ncending the hill at this point by an embowered winding path, a view of rare \ninterest is beheld. The Second is thought by many to outrival the first Meet- \n\n\n\n\nNear "IJie Old IVooden Bridge. \n\n\n\ning of the Waters : but it is not the water alone that renders this second beauty \nspecially attractive. It is the Meeting of the Glens. " From the east and the \n\n\n\n\nci/(?iyy-a-AA^yCi^a^ ^^y^^^j^// , /\'>,: ,\'^/ icA/^ct-iA- \n\n\n\nSEWTCEK , THOMAS HELIX, \n\n\n\nWICKLOW. \n\n\n\n107 \n\n\n\n-west, the north and the south they come hke rivers to the sea." From this point \nfive vales or glens are visible, as well as Croghan-Kinsella, which contained the \nWicklow gold mines worked in the last century, and commemorated in a dra- \nmatic piece by John O\'Keeffe. \n\nThe vale of the Avoca widens gradually in its approach to Arklow : between \nthe mines and the latter, on the east of the river the continuous woods of Bally- \narthur and Shelton rival in beauty the range of woods terminating in Glenart \non the opposite side. The town of Arklow, and its old ruined castle standing \non an eminence over the Avoca, which, after beautifying so much glorious \nscenery, discharges itself through a bridge of nineteen arches, have a grand and \nimposing appearance ; while an extensive sea view terminates the prospect. \n\nArklow was the scene of a memorable battle between the royalist forces \nunder General Needham, aided by Lord Farnham, Sir Watkin W. Wynne, \nColonel Skerret, Colonel Bainbridge and others, and the Wexford nationalists \nfrom Gorey, on the 9th of June, 1798. The "insurgents" intended attacking, \nthe town both from the sea side and from the opposite quarter. The garrison \nlearning this, was extensively reinforced and advantageously posted outside of \nthe town ; where the two forces met face to face, in a regular pitched battle. The \nfire began with the regularity of disciplined troops, and was maintained for hours. \nThe fortune of the day was various, until the insurgents threw the army into \nconfusion by dismounting the royal cannon and following the achievement by sin- \ngular bravery. The royal officers became alarmed. General Needham had given \nthe orders for retreat. Victory seemed with the nationalists \xe2\x80\x94 when, their ammu- \nnition giving out, they retired to Gorey, unpursued, however, by the royalists \xe2\x80\x94 as, \nsays the Protestant historian \n\nRev. Wm. Gordon, " a pur- \xe2\x80\x94 -,^-^- \n\nsuit would have been very _ ..i, \n\nhazardous." At this battle, ,^ \nthe priest-general Rev. Mi- \nchael Murphy, leading on a \ndivision of pike-men, was \ntorn to pieces by a cannon- \nball. \n\nAs we have gone from \nnorth to south of Wicklow "" \' ^----~-- \n\nLower Vale, and Shelton Abbey. \n\nin search of the picturesque, \n\nwe shall have to take a trip to its western border by the road from Laragh, or \n\n\n\n\nio8 \n\n\n\nPICTURESQUE IRELAND. \n\n\n\nby the road from Dublin, through Tallaght, Brittas and Blessington, to see, \nfour miles from the latter, the romantic falls at Poul-a-phuca. This celebrated \ncataract is formed by the Liffey, which, in its devious meanderings, enters a \ndeep chasm amid perpendicular rocks, and throws its accumulated mass of water \n\n\n\n\nover a series of rocky walls and ledges into a deep pool, called in Irish Poul-a- \nphuca, the pool of the Pooka, or Puck\'s hole; the Irish elf Phuca \xe2\x80\x94 an odd mix- \nture of merriment and malignity, being a counterpart, if not prototype of Puck the \n" merry wanderer of the night." A picturesque bridge of a single arch \xe2\x80\x94 sixty- \nfive feet \xe2\x80\x94 has been thrown over the gorge, and adds to the scenic effect. Fine \nviews can be obtained from a banqueting-room below the falls, and from a cot \nabove the bridge. The breadth of the gorge between the rocks is forty feet, and \nthe height from which the waters successively fall from the upper stage beyond \nthe bridge, i8o feet. The chasm under and below the bridge widens to a ravine, \nand the river Liffey spreads over a rugged bed for some distance, and then \ntakes a graceful course to Ballymore Eustace ; through Kildare and Dublin, \nwhere we shall agrain meet it in some charmino- scenes. \n\n\n\nANTRIM. \n\n\n\n\nThe Glints Gxie Cxusewxy \n\n\n\nThe County of Antrim is famous for the remarkable and magnificent coast \nrange which presents such wonderful features to the eye of art and science \nalmost throughout the entire extent of its ocean boundary from the mouth of \nthe Lagan to the mouth of the Bann. This region has long been a subject of \ninquiry and delight to geologists, philosophers, scientists, artists and tourists. \nThe mountains which are highest along the coast are not only strikingly pictur- \nesque, but are peculiarly attractive in displaying the strata of which their wind \nand wave wracked steeps are formed. The Giant\'s Causeway, one of the, in \n\xe2\x80\xa2every sense, monumental wonders of Antrim \xe2\x80\x94 not to say of all nature \xe2\x80\x94 is evea \n\n109 \n\n\n\nno PICTURESQUE IRELAND. \n\nenhanced by the promontories, rocks, cliffs, caves and ruins in its vicinity. To> \nconvey some general idea of the topography of this coast, of which so much has \nbeen written, is difficult. It has been suggested, to somewhat understand its \ncharacter, that the reader look at the map, and before the mind\'s eye imagine a \nline extending from Belfast to Portrush \xe2\x80\x94 a circuit of some sixty miles \xe2\x80\x94 presenting \na resemblance to the continuous walls of a fortified city, with all its bastions, \ncurtains, and battlements, and he may arrive at some idea of the stupendous \nmasonry with which nature at this extremity of the island resists the perpetual \nforce of a turbulent ocean. This battlemented line is intersected by a great \nnumber of bays, which are usually designated " ports," at the extremity of each \nof which lies a valley, stretching into the country, generally divided by a stream \nof limpid water, and bounded by basaltic mountains which form the eastern and \nwestern boundaries of each bay. The interior of the county, which expands into- \nfertile and pleasant plains and vales, might, as Dr. Drummond remarks, be char- \nacterized by its valleys running in an opposite direction to those on the coast, \n" Thus the vales of Six-Mile- Water and Glenwhirry are opposite to those of Larne \nand Glenarm ; the rivers of the former hastening to join the waters of Lough \nNeagh, while those of the latter empty themselves into the sea." The county is \nalmost entirely surrounded by water \xe2\x80\x94 on its exterior line by Belfast Lough, the \nIrish Channel and the Atlantic Ocean, and on its interior by the Lagan, Lough \nNeagh, Lough Beg and the Bann ; \xe2\x80\x94 hence the old name Ean-dr^nni, the " ridge \nby the water," or, as otherwise translated, the " habitations by the waters." \n\nIf Antrim is justly celebrated for its natural features, it is equally, perhaps in \nthe eyes of commerce more, celebrated as the home of great industries, developed \nby energy of character, scientific appreciation,. business enterprise, and commer- \ncial integrity. As Manchester is the cotton capital, Belfast is the linen capital of \nthe British Empire. Belfast surpasses all other places in Ireland in the progress- \nand rapidity of its prosperity, and in this reminds an English writer of "the \nstories of American cities and towns." It is situated about twelve miles from \nthe sea, at the mouth of the Lagan, which separates Down and Antrim, at the \nsouthern extremity of what was once called Carrickfergus Bay, but now Bel- \nfast Lough. Although built on an alluvial flat only a few feet above the sea \nlevel, the general arrangement of the streets, invariably running toward the sur- \nrounding hills and acting as funnels to convey constant currents of pure mountain \nair into the heart of the town, renders it very healthy. Although the vicinity is \neminently historical and full of antiquarian and archaeological objects of interest, \nthe town of Belfast itself is thoroughly modern, no house in it dating earlier than \n\n\n\nANTRIM. Ill \n\nthe middle of the last century. The castle, to the erection of which Belfast owes \nits existence as a town, was destroyed by fire in 1708, three of the ladies Chiches- \nter perishing in the flames. The site of the castle, which was a magnificent \nstructure, is now occupied by the castle buildings and castle market ; and the traces \nof the past history of Belfast are only to be found in the names of some of the \nolder streets and localities. Thus Cromac Street and Cromac Place furnish \nreminiscences of Ballycromage, an- \n\n\n\n\nciently a townland and probably a \nplace of execution, Cromog signify- \ning " a gallows." Clowney Bridge \nrecalls Ballyclony, " the place of the \nmeadows." Friars\' Town \xe2\x80\x94 from \nBaile na inbrathair, or " the town iJ \nof the friars " \xe2\x80\x94 indicates the former \nexistence of a monastery there. \nMillfield, on the western side, was \nthe probable site of the mill and \nbrewhouse which, at the end of the \nsixteenth century, were the only \nbuildings here in addition to the \ncastle. \n\nThe rise of Belfast has been \nsingularly rapid. Two centuries \nago it was a mere fishing village. Carrickfergus was the principal entrepot for \nmerchandise consigned to the adjacent country. Even after Belfast had in- \ncreased in commercial importance, ships of large burden landed four miles dis- \ntant on the Down side of the Lough, and even as late as 1839 steamers plying \nbetween Belfast and Liverpool were compelled, at low water, to land their pas- \nsengers by means of small boats, at Donegal Quay, the only one then existing. \nAn act of Parliament of June 30th, 1837, authorized a corporation to preserve \nand improve the port, and by remarkable ingenuity and judgment this body \novercame numerous obstacles. Another act of June 21st, 1847, created a Board \nof Belfast Harbor Commissioners, under which the improvements in progress \nwere completed and others projected." Indeed the result of the labors of these \nbodies has been hailed as almost of a magical character. A new channel has \n\n\n\n\nMethodist LolU^c, L\xc2\xab:ljast. \n\n\n\n* A lucid account of obstacles encountered, and the ability by which they were surmounted, will be found in The \nAncient and Modem Histoiy of the Maritime Ports of Ireland, by Anthony Marmion. Fourth ed., London, iS6o. \n\n\n\nPICTURESQUE IRELAND. \n\n\n\n\n\n1. "iU\\x\\XVl \n\n\n\n\n\ni;Jl\\,st\xe2\x80\x94Aiilyiiii side of tli \n\n\n\nbeen constructed, enabling vessels drawing from eighteen to twenty feet of \nwater to come up close to the quays, the river frontage of which is at present \nupward of two miles in extent ; while five docks and basins, with a water-surface \nof ninety-six acres, furnish accommodation for vessels from all the leading \n\n\n\nANTRIM. \n\n\n\n"3 \n\n\n\n\n\n:W;ii^^-,;:^T^:31|i \n\n\n\n\n^.-^^,. ^ C,\'."v \xe2\x96\xa0^^\xe2\x80\x94\xe2\x96\xa0- - of tliL Lagan. \n\nEuropean and American ports. Dry docks and graving docks have been added \nto the various ship-building establishments, in the principal of which, that of \nHarland & Wolff, which employs over two thousand hands, all the United States \nMail Steamers of the " White Star " line were built. \n\n\n\n114 \n\n\n\nPICTURESQUE IRELAND. \n\n\n\nOur " Bird\'s-eye View" presents a good idea of the situation of this fine town. \nThe broad open space on the right is Queen\'s Quay with its ample accommoda- \ntion ; Donegal Quay on the opposite side of the river is principally used by the \nsteamers plying to and from London, Liverpool, Glasgow, and other ports. \nThe Lagan is crossed here by two splendid bridges, Ormeaugh Bridge, and \nQueen\'s Bridge, the latter of which, consisting of five granite arches of fifty \nfeet span each, is a conspicuous feature in the view. It occupies the site of \n\nthe old Long Bridge, which received \nso much damage by the passage of \nSchomberg\'s heavy cannon, on its \nway from Groomsport to the Boyne \nin 1689, that it never afterward \nwas considered secure. We cannot \nbut allude to the picturesque back- \nground made by Divis Mountain, \nand Cave Hill (crowned by Mac- \nArt\'s fort), which, rising as it were \nfrom the tidal waters of the Lough, \nreach an altitude of 1,567 and 1,185 \nfeet. The diversified and romantic \nacclivities of Cave Hill are graced \nby fine villas, gardens and planta- \n\nQueen\'s College. tions \n\nThe general appearance of Belfast immediately and favorably impresses the \nmind of every visitor. While the busy scenes in the leading thoroughfares re- \nmind one of the ceaseless activity of Glasgow, Manchester, and other large centers \nof manufacturing industry, there is comparatively little of the smoke and dust \nwhich seem to have become permanent characteristics of those places. The \nactivity of Belfast in commercial enterprises did not jarevent its inhabitants from \ncultivating letters, arts and science. Printing was introduced in 1696, and the \nfirst Bible printed in Ireland was printed here in 1704. Among the principal archi- \ntectural ornaments of the town are the buildings devoted to education and intel- \nlectual culture. Of those there may be enumerated the Belfast Academy, the \nRoyal Belfast Academical Institution, the Model School, School of Art, Public \nLibrary, the Queen\'s College, the Presbyterian College, and the Methodist Col- \nlege. The places of religious worship, especially those of recent erection, are \ndistinguished by architectural merit and effect. The Presbyterian and Wesleyan \n\n\n\n\nANTRIM. \n\n\n\n115 \n\n\n\n\nPresbyterian College. \n\n\n\nare of course largely in the majority, the former having thirty and the latter \n\nfifteen churches. The Baptists, Independents, Friends, Unitarians, and other \n\nProtestant denominations also possess sev- \neral pUces of worship, as do the Roman \n\nCatholics, the most notable among the \n\nlatter being St. Malachy\'s and St. Patrick\'s, \n\nboth of which are on a cathedral scale, and \n\nin the Pointed style. The latter have also \n\nseveral conventual establishments. \n\nThe Queen\'s College, opened in 1849, \n\nis a brick building in\' the Tudor style, with \n\nan elegantly designed tower rising in the \n\ncenter. The number of students averages \n\nfour hundred annually. During the noted \n\nmeeting of the British Association in Bel- \nfast in 1874, the fine library of this college \n\nwas appropriately utilized for committee \n\nconsultations, and similar purposes. This \n\ncollege was built from the design of \n\nCharles Lanyon, county surveyor of Antrim; who also designed nearly all of \n\nthe public buildings \xe2\x80\x94 the churches and lunatic asylum excepted \xe2\x80\x94 of Belfast. \n\nThe Presbyterian College, erected in 1853, is devoted to the training of \n\nstudents intended for the ministry. The professorial chairs are endowed by \n\nGovernment. \n\nThe Wesleyan Methodist College, erected in 1868, at a cost of over $150,000, \n^ possesses an en- \n\ndowment of $125,- \n000, raised by \nvoluntary contri- \nbutions, and re- \nceives about three \nhundred students \nannually. \n\nOne of the in- \nstitutions of \n\nwhich Belfast feels justly proud is the Botanical Garden. It is near the Queen\'s \n\nCollege, covers an area of seventeen acres, and extends to the Lagan. Its \n\n\n\n\nBotanical Garden, \n\n\n\n\nLIBRARY, QUEEN\'S COLLEGE. \n\n\n\n\nTHE ALBERT MEMORIAL. \n\n\n\nii8 \n\n\n\nPICTURESQUE IRELAND. \n\n\n\nconservatories, its fine collections of plants and native heaths, specimens of forest \ntrees, delightful scenery, and pervading effect of unremitting care and taste, pre- \nsent constant sources of admiration. \n\nThe Albert Memorial, which stands at the foot of High Street, is of very \nstriking appearance. It consists of a clock-tower, with open belfry and spire, \nthe face next High Street being embellished by a statue of the Prince Consort. \n\n\n\n\nA\'ort/i Gate, CarriLkJ\'crgn \n\n\n\nThe height of the structure, one of the most graceful of its kind, is 138 feet. It \nAvas erected by public subscription, and completed in 1S69. \n\nIn every aspect Belfast is attractive. A distinguished and gifted American, \nSamuel S. Cox, with the growth of the great cities of his country in his ex- \nperience and before his mind\'s eye, writes " that no American city of the same \nsize presents so much activity and commercial life : while at the same time, it is \nlaid out with an elegance which betokens foresight and grace." Mr. Cox\'s visit \nwas made toward the end of the month of August, and he describes the fields \nas "snow-white with linen bleaching in the sun, while the country between \nDrogheda and Belfast waved with the flax, some of which was in process of \npulling." * \n\n* The Buckeye AlimaJ, by Samuel S. Cox, p. 395. \n\n\n\nANTRIM. \n\n\n\n119 \n\n\n\nThe Irish Hnen manufacture \xe2\x80\x94 allusion to which, however brief, must be made \nin connection with Belfast \xe2\x80\x94 dates from a very remote period. It is said that so \nearly as a.d. 12 16 it was in a flourishing condition, and that in a.d. 1245 Walter \nde Burgo, Earl of Ulster, had parcels of linen woven for his household. At a \nmuch earlier date, the Danes, in sacking Bangor, are said to have carried off vast \n\n\n\n\nCarrickfergus Castle^from the land side. \n\n\n\nquantities of fine linen robes. The linen cloth was usually dyed with saffron, \nand was worn by the inhabitants in large loose-fiowing robes, requiring some \nthirty or forty yards for each garment. When Shane O\'Neill made his memorable \nvisit to the Court of Elizabeth, the saffron-hued vests of his followers attracted \nas much attention from the Londoners as their flowing locks. The real progress \nof the Irish linen trade dates, however, from the settling of the French refugees \nin and about Lisburn in 1699. They brought with them the use of the spinning- \nwheel, and various improvements in weaving and bleaching, the adoption of \nwhich did more to benefit the trade than all the laws which had been passed for \nits protection. In 171 1 the Linen Board was formed "for the encouragement of \n\n\n\nPICTURESQUE IRELAND. \n\n\n\n\nthe flax and hempen manufactures of Ireland," having the distribution of an \nannual grant of about $100,000, voted by Parliament. The protective system \nreceived further developments in later years, but did not prevent the linen indus- \ntry from experiencing several seasons of extreme depression, especially during \nthe American War of Independence. The prosperity of the trade dates from \n1828, when the Linen Board was dissolved, and the various restrictions on the \nmanufacture removed. The capitalists, thrown entirely on their own resources, \n\nwithout the least \nprospect of a re- \nturn to the boun- \nty system, were \ncompelled to \nadopt every pos- \nsible improve- \nment, and so en- \nergetically did \nthey adapt them- \nselves to the new \norder of things, \nthat up to this \ntime they have kept a foremost place in the markets of the world. \n\nThe developments of the linen industry are both numerous and impor- \ntant. The weaving of diaper was first introduced at Newtownards by James \nBradshaw, about a century and a half ago. The manufacture of damask \nwas introduced about the same time at Waringstown by Richard H olden ; at \nLisburn by William Coulston ; followed up by Michael Andrews at Ardoyne. \nBy these every new invention for perfecting the workmanship was introduced. \nSome of the original designs for table linen produced in this neighborhood stand \nunrivaled. Damasks from these looms at present adorn the tables of Queen \nVictoria and some of the other crowned heads of Europe, as well as of many of \nthe leading nobility. Lurgan has long held the first place in the manufacture \nof cambric, lawn, and cambric handkerchiefs, and in diapers, and Ballymena \nstands out pre-eminent for its fine yard-wide plain linens. \n\nCarrickfergus, ten miles from Belfast,- formerly the county town of x\\ntrim, \nreceived its name from Carrig, a rock, and Feargus, an Irish hero who was lost \nin a storm some three centuries before the Christian era. It has an ancient and \nturbulent record of wars, and sieges, and sanguinary conflicts. It was surrounded \n\n\n\nSwiff s Church at Kilroot, \n\n\n\nANTRIM, \n\n\n\n\nby a wall, some traces \n\nof which are yet visible \n\non the western side , \n\nand the North Gate, iri \n\ngood preservation, still \n\nremains The streets \n\nwithin and without the ^ ^^^t-=;^S^ \n\nwalls are narrow and ,,, \n\nLrlenarm. \n\nantiquated. The chief \n\nobject of interest now, as it was the commanding object of possession in the past, \nis the venerable castle. Standing on a low rock, it projects into the sea, and is \nordinarily surrounded on three sides by water. It occupies a military position of \ngreat importance, and is the only one of the ancient Norman fortresses remaining \nin a state of preservation. It is garrisoned by troops, mounts twenty-five pieces \nof cannon, and is the most extensive depot for small arms in the North of Ireland. \n\n\n\n122 PICTURESQUE IRELAND. \n\nThis historical pile was built by Sir John de Courcy in 1178, Henry II. \nhaving made him a grant of all the land he might conquer in Ulster. Toward \nthe town are two half-moon towers, and between them is the only entrance, \ndefended by a strait passage with loop-holes. About the center of this passage \nAvas a drawbridge, protected by a barbican still to be seen. Between , the half- \nmoons there was also an aperture through which to fling stones, melted lead, etc., \non the assailants. There is a portcullis and aperture for the same purpose in- \nside, and still farther within, the lower and upper ballmm, ofificers\' quarters, \narmorer\'s forge, furnace for heating lead, bomb-proof vaults, and all the other \nnecessary resources of a powerful stronghold. The square tower is divided into \nfive stories, in the third of which is the largest room, being twenty-five feet \nhigh, thirty-eight feet broad, and forty feet long. Within the keep, the walls of \nwhich are nearly nine feet thick, was a draw well, now nearly choked up, thirty- \nseven feet deep, the waters of which were said to possess medicinal virtues. \n\nThis fortress, as suggested, was for centuries the objective point of many \nchiefs and invaders. " A right of supremacy over the lords of this territory (the \nancient Dalriada, and Dalaradia) was claimed by the powerful family of the \nnorthern O\'Neills, who were at length deprived of the southern part of this \ncounty by the family of Savage, and other English (Anglo-Norman) adventurers."* \nIn 1315, Edward Bruce, having landed at Olderfleet (JVolder Firtli^ captured \nCarrickfergus Castle after a most vigorous defense by Sir Thomas Mandeville, \nwho was killed in a sortie. After the defeat and death of Bruce, the English re- \ngained possession, but in 1333 William de Burgo, Earl of Ulster, was assassinated, \nand the O\'Neills obtained possession, either extirpating the Anglo-Normans or \nreducing them within narrow bounds. In these prolonged conflicts, " several \nfamilies," says Thierry, "who possessed great domains in those parts, such as the \nAudelys, the Talbots, the Touchets, the Chamberlains, the Mandevilles, and the \nSauvages, all Normans byname and origin, were obliged to quit."f Subsequently \nthe Anglo-Normans partially regained their possessions. The few Norman, fami- \nlies re-established in Ulster, after these events, were, as Thierry says, "either poor \nor had formed relations with the natives, and became more Irish than the Irish \nthemselves." In 1386 Carrickfergus was burned by the Scots, and in 1400 was \nagain destroyed by the combined forces of the Scots and Irish. It had many \n\n* Topographical Dictionary of Ireland : With Historical end Statistical Descriptions, tic. By Samuel Lewis. 2 vols. \n4to. London, 1837. Article Antnm. \n\n\\ History of the Conquest of England by the N\'oj-mans : Its Causes and Consequences in England, Scotland, Ireland \netc. By Augustus Thierry. Translated by Wm. Hazlitt. 2 vols. London, 1S56. Vol. ii,, p. 322. \n\n\n\nANTRIM. \n\n\n\n123 \n\n\n\nvicissitudes by fire and famine and war, and the corporation in 1573 represented \nthe town as being one-third in ruins. It was in this state when the Earl of Essex \nlanded here on his disastrous expedition against Hugh O\'Neill. His successor, \nLord-Deputy Sidney, built a wall around it in 1576 : but its resources were so \nreduced by the incursions of the O\'Neills and O\'Donnells that the Deputy, Lord \nGrey, found it necessary in 1581 to issue an edict peremptorily forbidding the in- \nhabitants from paying to the Lord of Clannaboy the tribute known as " Bryan \nBallaughe\'s Eric." In 1641 the design of Sir Henry Mac Neill to capture the town \nwas frustrated by the vigi- \nlant activity of Arthur Chi- ^^\xc2\xa3 ^-_ - \nChester, governor of the _^_ \nCastle \xe2\x80\x94 who bore a promi- \nnent part in the final subju- \ngation of Ulster, and was \nrewarded by large tracts \nand titles \xe2\x80\x94 built a great \ncastle here and another at \nBelfast, of which town he \nis esteemed the virtual \nfounder. In the war of \nthis year the fortress was \nalternately in the hands of the Scotch, English, and Irish. In 1642 Munroe held \nit for the Scotch Presbyterians : in 1648 he was surprised, captured and sent to \nEngland by Monk, who occupied it for the Parliament. Next, Montgomery of the \nArds held it for Charles I., and in 1649 it was taken by Sir Charles Coote in the \nname of Cromwell. In 1666 the garrison mutinied, and seized castle and town, \nbut were compelled to a surrender by the Duke of Ormonde. The " Irish quar- \nter " outside the walls recalls Ormonde\'s proclamation of 1677 forbidding Ro- \nman CathoHcs to dwell within fortified towns. In 1689, the castle was held by, \nLord Iveagh for James II. ; but during the year, the garrison, having exhausted \nits ammunition, surrendered to Schomberg for William III., who landed here in \n1690 to take personal command of his army. The stone on which he first set his \nfoot is still shown at the end of the pier. The quietude which followed this event \nfor nearly three-quarters of a century was broken by Commodore Thurot, the \ndescendant of ah exiled Jacobite officer named Farrell, who, in 1760, with three \nFrench frigates and eight hundred men, invested and captured the castle after \na o-allant resistance. The next event of interest was also under naval auspices ; \n\n\n\n\nOlderfleet Castle. \n\n\n\n124 PICTURESQUE IRELAND. \n\nas well asunder the stars and stripes carried by Paul Jones. On his famous cruise \nin \\k\\^ Ranger in 1778, while near Carrickfergus on the 21st June, he learned that \nthe British man-of-war Drake, twenty guns, was in the bay. Prevented by the \nweather from attacking her that night, he sought shelter on the Scottish coast. \nThe next day he set fire to Whitehaven, on the 23d sacked the Earl of Sel- \nkirk\'s, on St, Mary\'s Isle, and on the 24th dashed back to pay his respects to the \nDrake, which, in answer to an express from Whitehaven, he found coming out. \nJones hoisted the stars and stripes, and in response to "a hail " demanding who \nhe was, replied, " The American Continental ship Ranger, that he waited for \n\nthem, and desired them to come on." \nThis he emphasized with a broadside. \nThe action was warm, close and ob- \nstinate, and resulted in the capture \nof the Drake. \n\nThe old Church of St. Nicholas \xe2\x80\x94 \ndating from the eleventh or twelfth \ncentury \xe2\x80\x94 is the other object of in- \nterest in Carrickfergus. It contains \nsome fine monuments, but the Done- \ngal family is charged with culpable neglect of family monuments and hereditary \nassociations in permitting the venerable edifice to crumble piecemeal into ruins. \n\nThe route from Carrickfergus around the coast to Ballycastle affords a \ngrand treat to lovers of the picturesque. The road, which was designed in 1834 \nby Mr. Bald the engineer, and built at the joint expense of the government and \nthe county, is a fine work cut through the hills of limestone, winding round the \ncliffs and passing for a great distance close to the sea. On the route to Larne \nit passes through the village of Eden to Kilroot, interesting to the literary world \nas containing the remains of the church in which Jonathan Swift, afterward the \ngreat Dean of St. Patrick, first officiated after taking orders. Not far distant, at \nBallycarry, is another object of great interest to a special denomination connected \nwith the history of Ulster \xe2\x80\x94 the ruins of the church of Templecoran, the first \nPresbyterian church erected (161 3) in Ireland. Leaving the coast road to \nLarne, a visit to the noted promontory called Island Magee will repay the \ntourist. On the eastern boundary are the stupendous basaltic cliffs, the Gobbins \n( from Gob, the mouth, and Ben, height, or headland), forming a perpendicular \npalisade over 200 feet in height. The Island Magee massacre is infamously \nfamous in history. Without entering Into the discussion as to the numbers slain. \n\n\n\n\nIIu uobhiii LliJJs \n\n\n\n126 \n\n\n\nPICTURESQUE IRELAND. \n\n\n\nthe fact is sufficient that a united band of English and Scotch under Munroe^ \nthe Covenanter governor of Carrickfergus, on the 8th .of January, 1642, "in re- \nvenge for some outrage on the Protestants in a neighboring district," precipitated \na large number of unoffending Roman Catholics over the Gobbin Cliffs. In \nthese cliffs are seven caves, into which the tide flows. They are a little above \nlow-water mark, under a basaltic rock 210 feet high, intersected by layers of \nochreous basalt an inch thick, and of a bright vermilion color. The island is \nover seven miles in length,\' and averages perhaps one and a half in width. At \nBrown\'s Bay is an ancient Logan stone, now displaced from its pivot, weighing \n\ntwelve tons ; and on \n^^=j, ^- . the northern end at \n\nBallyumpage are the \nremains of a crom- \nlech, or, as it is call- \ned, "Druid\'s Altar," * \nnear which several \narticles in pure gold \nhave been found. \nNear the entrance to \nthe peninsula, in a \nfine situation on a \nbold shore, are the \nremains of Castle Chichester, and there are also on the island the ruins of two \nancient churches. A writer on the locality says that a curious account of this \nisland is to be met, " in a private MS. in this county, which mentions that in \nthe reign of Elizabeth it was a complete waste," without any wood, and that, \nevidently at the suggestion of Essex, "the Queen granted a lease of it to Savage." \nThe ancient rent of the island was " two goshawks and a pair of gloves." \n\nIsland Magee was noted as the theater of sorcery; in 171 1 eight females \nwere tried on charges of witchcraft in Carrickfergus, and the memory of " Fairy \nBrown " is still a cause of "terror to the neighboring peasantry." We can pro- \nceed by the ferry on the northwestern extremity to Larne by way of Olderfleet ; \nor reach the same place by resuming the coast road at Kilroot. \n\nLarne, nine and a half miles from Carrickfergus, is pleasantly situated under \n\n* Eugene O\'Curry does not think the names synonymous. He is of the opinion that cromlechs were neither intended \nfor, nor used as altars or places of sacrifice \xe2\x80\x94 that they were in no sense Druidical, but in every sense sepulchral. See \nMS. Matetials of Ancient Irish Hist. Appendix xcv. \n\n\n\n\nThe Maidens. \n\n\n\nANTRIM. \n\n\n\n127 \n\n\n\na steep hill in a fertile and sheltered glen at the head of Lough Larne, the name \ngiven to the inlet of the sea lying between Island Magee and the mainland of \nAntrim. The approach discloses some bold and picturesque scenery, the bright \nblue sea surrounding the island, and in almost immediate foreground the bleach \ngreens and quarries. The entrance to the Lough \xe2\x80\x94 a deep channel \xe2\x80\x94 may be ob- \nserved to lie between the long narrow strip of land, which from its resemblance to \na reaping-hook is called the Curraan, or Carran, and Island Magee. Near the ex- \ntremity of the Carran are the ruins of Olderfleet Castle, erected to keep watch on \nthe Scottish invaders. It was only abandoned as a military station when the crowns \n\nof England and Scotland were united on the ^ \n\nbrow of James the First. Six miles from _^ \n\nthe mainland are the Maidens \xe2\x80\x94 two lofty \nlight-houses erected on rocky islets. The \nlanterns are respectively eighty-four and \nninety feet above high water. \n\nFrom Larne the road leads along the \ncoast, and four miles distant is tunneled \nthrough Ballygally Head, a bold promon- \ntory faced with enormous basaltic pillars, \nmany joints of which are not less than \neight feet in length. We next approach \nthe village of Glenarm, and we may pause \nas well to admire the beauty of the situa- \ntion as the means by which we reach it. \nThe coast road in this section leading into \nand from Glenarm has commanded enthusiastic approval. In its construction, \naccording to the commissioners\' report, two peculiar difficulties presented them- \nselves \xe2\x80\x94 one the necessity of constructing the road under a considerable extent of \nrocks some hundreds of feet in height, and with its base washed by the open sea: \nand the other its passage along portions of very steep hills of moving clay banks. \n" About 30,000 cubic yards of rock have been hurled down on the shore, and the \nroad, ten feet above the highest tides, has been floored, partly upon the loose, and \npartly upon the solid rock." If the engineer "had worked with a poet and painter \nat his back, he could not have laid out its course more agreeably to the eye \nand to the imagination. It is constructed with equal skill, taste and enterprise; \ncliffs cut through, chasms crossed, watercourses walled and bridged \xe2\x80\x94 a roughly- \nribbed and jagged coast, in short, traversed by a road as smooth and almost as \n\n\n\n\nBarbican of Anil 1 \n\n\n\n128 \n\n\n\nPICTURESQUE IRELAND. \n\n\n\nlevel as a tennis court. We have been surprised at the excellence of the roads \nall over Ireland, but by none so agreeably as this." * \n\nThe view from the summit of any of the hills surrounding Glenarm is sur- \npassingly beautiful. Looking toward the sea, the Mull of Cantyre, the Scottish \nmainland stretches in the distance, upon which, even in moderately clear weather \n\xe2\x80\x94 says Wakeman \xe2\x80\x94 not only the fields but even the neatly white-washed houses \nare distinctly visible. The village is nestled in a romantic glen, surrounded by \nwoods and watered by a troutful stream. Its chief architectural feature is the \ncastle, which represents a still older structure of which some remains are still \n\nextant, and which was \n\n___^ ;r^^ for many years the \n\n- ^-^^^= ""^ ^^ seat of the MacDon- \n\nnells, Earls of An- \ntrim. The castle is \nquadrangular, flank- \ned at the angles with \nfour beautifully pro- \nportioned towers \nsupporting minarets, \ntopped by vanes. \nThe entrance is \nthrough a noble bar- \nb i c a n , approached \nfrom without by a \nbridge. " Four hundred deer and stags graze around it, and six hundred old an- \ncestral trees overshadow its ground : and all this smiling and peaceful beauty, shel- \ntered between the wild black rocks which form the little glen, with a view opening \non old ocean rolling his stormy white-crested waves beyond, forms perhaps the \nmost wonderful site in all the world for a stately baronial mansion." \n\nThe distant hill rising above the opening of the valley is the celebrated Sleive \nMish, where St. Patrick as a boy captive is said to have tended the swine of \nMilcho. A fine bay six miles in extent reaches from the headlands of Glenarm \non the south to the bold promontory of Garron Point on the north. Between \nthose points on land the road crosses the vale of Carnlough, in the center of \nwhich is the hamlet of the same name. Garron Point is a conspicuous promon- \ntory consisting of three pinnacles united by precipices of basalt. The highest \n\n\n\n\nBmf\'re and LastU at GUiuinn \n\n\n\n* Bartlett\'s Ireland. Letter-press by N. P. Willis, J. Sterling Coyne, etc. \n\n\n\nANTRIM. \n\n\n\n129 \n\n\n\nsummit is of easy access, along a gently rising verdant bank. Near it, on the \nacclivities of Nachore hill, 1,179 f^^t above the sea, which rises over the Point, \nand occupying an elevated site is Garron Tower, a modern castellated \n;.^ structure of fine appearance, built by the dowager Marchioness of \n\nLondonderry, whose boundless wealth, it is gratefully recorded, was \n\' employed liberally in the improvement of her es- \n\ntate in this part of Antrim. She had a railway \nconstructed at her own expense from the lime- \nstone quarries to the sea, at the village of Corn- \nlough, which quickly \nunderwent a complete \ntransformation under \n\n\n\n\n-^m^\'\' \n\n\n\n\nthe magic power of her gold- \nen wand She presided per- Cnujon Toum \nsonally over the entertain- \nments given to her tenants, and delivered able \nlectures to them on the management of their farms. \n\nFrom this and the neighboring heights extensive views of the \nscenery between Glenarm and Cushendon, as well as of the Scottish \' \'\xe2\x96\xa0\xe2\x96\xa0""\'^\xe2\x96\xa0S-r \ncoast, are obtained. From the shore line also at Garron Point, the \nviews, north and south, are truly characterized as magnificent. The road here is \ncut through the cliff of the promontory, and presents a rather notable appear- \nance. Farther on are the limestone rocks called Clough-i-stookan (from clotigk, \nstone, and stook, a pinnacle), which have been isolated from the mainland, not by \n9 \n\n\n\nI30 \n\n\n\nPICTURESQUE IRELAND. \n\n\n\n\nRoad through Cliff at Gar ran Point. \n\n\n\nthe engineer, but by the labor of time and the tides. Rounding Garron Point we \nenter Red Bay, so called from the soft red sandstone of its rocky boundary. And \n\njust here, perhaps, it is as well that we \nshould pause and hear, in a condensed \nform, what the scientists have to say on \nthe interesting and important geologi- \ncal and mineralogical features of this \ncounty. Excepting a diversified district \non the east coast, and the valley of the \nLagan, nearly the whole County of An- \ntrim is occupied by basaltic beds, present- \ning magnificent abrupt declivities on the \nnorth and east. These secondary beds \nconsist of enormous unstratified masses \nof an average depth of 300 feet, though \nat Knock-Layd it is 980 feet, the base \nof which is of mica slate. The beds of \ncolumnar basalt occur almost exclusively \non the northern extremity. Besides the columnar strata, known as the Giant\'s \nCauseway, and the adjacent cliffs, similar strata are seen in other parts, particu- \nlarly near the town of Antrim and Kilroot. Slievemish or Slemish Mountain is \nan enormous mass of greenstone, which also occurs in other localities. Porphyry \noccupies a considerable district south of Connor and Kells, and is met in other \nplaces, especially near Cushen- \ndall. The substance called \nwood-coal occurs in thin strata \nat Portnoffer, Kiltymorris, Bal \nlintoy, and elsewhere. \n\nAll the other rocks of An \ntrim are beneath the basaltic \nbeds in geological position. The \nfirst is hard chalk, sometimes \ncalled white limestone, which \naverages 200 feet in thickness \nand occurs on the eastern and "~"~" \n\nsouthern sides of the county \nand on the southern coast of Rathlin Island \n\n\n\n\nClo ugh - i- Stooka n . \n\nGreen sandstone next occurs in \n\n\n\nANTRIM. \n\n\n\n131 \n\n\n\nthe neighborhood of Belfast, to the north of Carrickfergus, near Larne, at Garron \nPoint, etc. ; and under this are found Has beds on the coast between Garron \nPoint and Larne. These, together with the chalk and basalt, are based upon \nbeds of reddish and reddish-brown sandstone of various textures, which are found \nunder the entire southeastern border, in several spots along the eastern coast, \nand in considerable tracts from Red Bay to Ballycastle : the upper strata form a \nmarl, in which are veins of gypsum. The coal district of Ballycastle comprises \nabout two miles along the coast ; the beds crop out above the level of the sea, \ndipping to the _ \n\nsouth east about \none foot in nine, ^ ^ \n\nand alternate with sm- \n\nothers of sandstone \nand slate clay, being \nthemselves of a \' \nslaty quality. The \nonly rocks lying un- \nder the strata of the \ngreat coal district, \nbesides the primi- \ntive rocks of mica- \nslate, etc., men- \ntioned, are those of \n\n" old red sandstone," between the bays of Cushendall and Cushendun. All of \nthe above-mentioned strata are occasionally intersected and dislocated by remark- \nable dykes of basalt or whinstone, varying from three inches to sixteen feet in \nwidth. Sometimes very minute dykes or veins of greenstone penetrate these \nenormous beds of basalt, and are particularly noticeable near Portrush, where they \nare seen in the face of the cliff hot more than an inch broad. Chert is also found \nin abundance and variety at Portrush. Fuller\'s earth exists in the basaltic dis- \ntrict, in which also a rough tripoli is found at Agnew\'s Hill, near Larne, and a \nvein of steatite or French chalk in the path to the Gobbins. \n\nRed Bay is the most beautiful of the bays on the Antrim coast. Opening \ninland from the bay is Glenariff. From Red Bay to Cushendun, a distance of \nsix miles, there are four vales or glens \xe2\x80\x94 Glenariff, Glendall, Glenaan, and Glen- \ndun, named after their respective streams, the Ariff, the Dall, the Aan, and the \nDun. Of these elens the first named is esteemed the most beautiful. It is \n\n\n\n\nTunnel at Red Bay. \n\n\n\n132 \n\n\n\nPICTURESQUE IRELAND. \n\n\n\n\nbounded on the one side by the cHffs of Carnlea, 1,179 f^^t high, and on the \nopposite by Lurgethan, a huge truncated cone of equal altitude. Leaping be- \ntween boldly escarped Avails the Ariff River forms a waterfall and flows into the \nsea at the little hamlet of Waterfoot. Beyond the latter are the noted caves of \nRed Bay, excavations in the soft red sandstone, formed perhaps by the unceas- \ning inroads of the \n\' -\'I IT^^F waves in days \n\npast, now exclud- \ned by the embank- \nment. Red Bay \nCastle, the ruins \nof which tower \nabove a lofty \narch cut through \n\nJIin-/oii\xc2\xa3;h Bay. , , \n\nthe southern end \nof one of the projecting red cliffs, was, in 1598, the residence of Randall Mac \nDonnell, then lord of the county, but was originally built by the Bissetts. The \nshore view from Red Bay is something very remarkable. On the left, a range of \ndeeply-furrowed escarpments, with torn and irregular abutments, extends for \nmiles along the coast. In this the courses and furrows of numerous waterfalls \xe2\x80\x94 \ntorrents precipitated over mural crowns more than one thousand feet high, have \na striking and splendid effect. Many of these waterfalls are permanent \xe2\x80\x94 some \nabundant in the rains of spring and summer, and all foaming and flashing in \nwinter. \n\nThe glens alluded to arrest our attention as we proceed. Next to Glenariff \nis Glendall, lying between Lurgethan and Trostan, the latter being 1,810 feet high \nand the highest of the hill chain here. The road through this orlen leads from \nCushendall to Ballymena. Glenaan, a narrow valley, lies between the mountains \nof Sleevebulliagh, 1,346 feet high, and Eshery, the moorland crown of which is \n1,197 feet over the sea. Glendun is bounded on the west by the mountains \nof Glenmakeeran, 1,321 feet high, and across the lower end the new road from \nCushendun to Ballycastle is carried over a fine stone bridge, the central arch of \nwhich is eighty feet above the river Dun. \n\nThe village of Cushendall affords the tourist a resting-place and a point from \nwhich he can devote at least a couple of days to profitable expeditions among the \ncliffs, shores, mountains and glens of the vicinity, especially as he must soon \nleave the coast ; as, from Cushendall to Fairhead, with the exception of the little \n\n\n\nANTRIM. \n\n\n\n133 \n\n\n\n\n\n\n\n\n\n\n\n\n\xe2\x80\xa2>\xe2\x96\xa0 \n\n\n\nbays of Cushendun ami \nMurlough, the mountain \ndescend so sheer to the si\xe2\x80\x9ea \nas to leave no opportunity \nfor a road ; which has to take \na turn inland, and be earned \nover the mountains at a con- \nsiderable elevation to Bally- \ncastle, and at a distance of \nsome two miles and a half \nfrom the shore. \n\nThe coast road, however, from Larne to this point, is one which presents \n\n\n\nN 1 \\ \n\n\n\n\'% \n\n\n\nFair he ad. \n\n\n\n\n\n\njch \n\n\n\n134 \n\n\n\nPICTURESQUE IRELAND. \n\n\n\nscenery to the eye as cannot readily be obliterated from the memory. It embraces \nthe most interesting coast-drive in the kingdom. Skirting the shore the entire \nway, a rare opportunity is afforded of viewing its great distinguishing features to \nthe best advantage. The outlines of the shore assume the most pleasing forms, \nand produce effects which are peculiarly agreeable from their striking contrasts \nand harmonious variety. Here, the road penetrates the high, jutting, rocky pro- \nmontory; there it sweeps around the smooth, lovely, circular bay. Unlike many \nof our estuaries, says Fraser, the ebbing tides disclose no silty, no noxious resi- \nduum, but leave the smooth strand and pebbly beach in lieu of the dark blue \n\nwaters. The outlines, forms, colors, and char- \nacters of the cliffs, so totally different in all \nthese respects from those of the other shores of \nIreland, never fail to arrest the attention, while \nthe ever-varying and new alternations of rocky \nprecipice, grassy bank, sequestered knoll, and \ncultivated lea invariably excite the most pleasing \nemotions. \n\nWithin a mile of Cushendall are the ruins of \nthe old Church of Layd, where, according to \ntradition, is buried Ossian, the famous poet, \nson of Fioun, the disciplinarian of the ancient \nFenian hosts, and himself a leader of this na- \ntional militia. \n\nThree miles \xe2\x80\xa2 northward is the pleasantly \nsituated fishing hamlet of Cushendun, and six \nmiles farther Tor Head, only distant twelve \nmiles from the Mull of Cantyre, which makes it \nthe nearest point to Scotland. " In some old maps of Elizabeth\'s time. Tor is \ncalled \' the Scots\' warning fire,\' from the Scots who had settled in these parts \nmaking fires on it to bring over their friends to their assistance, when about to \nbe assailed by the English or Irish." \n\nThe sturdy tourist will keep to the cliff path, and take in the beauty of Mur- \nlough Bay, from which to its northwestern point of Benmore, or Fair Head, the \ncoast is not only very fine, but of deep interest to the geologist. Vast fragments \nof rocks lie scattered along the shore, amongst which enormous masses of colum- \nnar greenstone prevail. \n\nFair Head, the Robogdium Promontormm of Ptolemy the Geographer, is a bold \n\n\n\n\nEntrance io Grey Mans Path. \n\n\n\nANTRIM. 135 \n\nand beautiful headland, one of the most striking on the whole coast of Ireland. \nAccording to the Ordnance Survey its height is 639 feet, of which the face of \nthe cliff shows 319 feet of a perpendicular escarpment. It is formed of colossal \nbasaltic pillars, some of which exceed two hundred feet in length, and are from \nfive to twenty in diameter. One of these, by Dr. Playfair\'s measurement, is a \nquadrangular prism, thirty-three feet by thirty-six on the sides, and of the gigan- \ntic altitude mentioned. It is said to be the largest basaltic pillar yet discovered \non the face of the globe, "exceeding in diameter the pedestal that supports the \nstatue of Peter the Great at St. Petersburg, and considerably surpassing in length \nthe shaft of Pompey\'s pillar at Alexandria." At the foot of this magnificent col- \nonnade is seen an immense mass of rocks similarly formed, accumulation of \ndebris, and huge fragments of the enormous pillars which have fallen from their \nplace, and lie piled in masses and groups, resembling many of the varieties of \nartificial ruins, and forming a novel effect : the deep waters of the sea rolling at \ntheir base with a full and heavy swell. The whole headland is widely different \nfrom the small, compact, close-grained basalt of the neighborhood, being a highly \ncrystalline greenstone, and supposed to belong to a different epoch, notwith- \nstanding its close proximity to the great basaltic mass. " It presents to the \nspectator," says Dr. Drummond, "the most stupendous colonnade ever erected \nby nature, and in comparison of which the proudest monuments of human archi- \ntecture are but the efforts of pigmy imbecility to the omnipotence of God." \n" The scene of ruin," says another writer, "at the base of these Titanian pillars, \nis probably not exceeded in Europe." Hall says it is " grand in the extreme \xe2\x80\x94 \nsublime beyond conception/\' and, appalled at its extent and magnificence, adds, \n" it is utterly impossible for any description to afford an idea of its surpassing \ngrandeur \xe2\x80\x94 to portray which the pencil of the artist is equally incapable." Bay- \nard Taylor, in his Views a-Foot, records a metaphor which is both suggestive and \ndescriptive : " My companion," he says, " compared it to Niagara Falls petrified, \nand I think the simile very striking. It is like a cataract falling in huge waves, \nin some places leaping out from a projecting rock, in others descending in an un- \nbroken sheet." Whether considered in a scenic or scientific point of view, Fair \nHead is the highest, boldest, and most interesting promontory on the whole grand \nline of the Antrim coast ; and it will be freely admitted, that no one who has de- \nscended this promontory by the "Grey Man\'s Path," can forget its wonderful \nbasaltic precipices, and the natural ruins at its base. In walking along the top \nof the cliff, several of the vast pillars may be seen to be partially loosened from \nthe mainland, and to lean out fearfully over the gulf below. The Fhir Leith, or \n\n\n\n136 \n\n\n\nPICTURESQUE IRELAND. \n\n\n\nGrey-Man\'s Path, is a fissure in the precipice, through which a path winds down to \nthe shore. A part of a huge pillar has fallen across the narrowest part near the \ntop, and looks threatening enough to forbid risking oneself in the path beneath. \nBut in the midst of these wild scenes one gets accustomed to danger. The pas- \nsage widens in the descent, and the walls assume a vast and sombre significance, \nrising, as they do, some two hundred and twenty feet. \n\nThe views from off this promontory of a fine day are truly beautiful. Scotland \n\napproaches within \nseventeen miles, \nand i t s rocky \nshores and moun- \ntains, and even \ni t s habitations, \nwith the aid of \na moderate glass, \nare quite distinct- \n5^ ly seen. Far off \n- to the north the \nPaps of Jura and \nthe Crag of Ailsa \nappear faintly against the cloudless horizon, as if some viewless hand had traced \n\n" An airy palace on the sky ;" \n\nand nearer, to the east, the mountains of Ayrshire and the crags of Arran seem \nsoftened by distance into an almost ethereal tinge of blue ; while westward, the \nsharp bluffs of the receding headlands of the Causeway jut out one by one, until \nthey conduct the eye across to the point of Innishowen Head and the moun- \ntains of Donegal, still more faintly blue than the Scottish mountains to the east. \nIn descending from Fair Head towards Ballycastle we pass two small lakes \xe2\x80\x94 \nCaolin and Crossa \xe2\x80\x94 near the edge of the precipice, and nearly five hundred feet \nabove the sea. The celebrated Whin-dyke of Carrig Maur opens a passage for \nthe waters which precipitate themselves over the cliff, forming a scanty but at \ntimes pretty waterfall dripping fantastically from the brow of the dingy rocks \ninto the ocean.* Not far from the promontory is a little settlement, with the \nremains of a factory, which is known as the Salt-Pans, a view of which adds to \n\n\n\n\nIlu Salt Pans \n\n\n\n*See Tours in Ulster : a Handbook to the Antiquities and Scenery of the North of Ireland. By J. B. Doyle. With \nnumerous illustrations. Dublin, 1854, \n\n\n\nANTRIM. \n\n\n\n137 \n\n\n\n\nlike summit is 1,635 \nfeet above the sea. \nBallycastle is the \nprincipal town to \nbe met with after \nLarne. It is compa- \nratively new, that is, \nscarcely a century \n\n\n\nThe Grey-Man\'s Palh. \n\n\n\n138 \n\n\n\nPICTURESQUE IRELAND. \n\n\n\nand a quarter old, and owes its advantages to the energy and foresight of one \nman, Hugh Boyd, who without considerable fortune, or great natural connec- \ntions, or superior talents, opened public roads, formed .. harbor, built a town, \nestablished manufactures, and lived to see a wild country cultivated and active \nwith industry. He also, at his own expense, built a church, whose walls received \nhis body on the day of its consecration in 1756. After the demise of Boyd mis- \nfortune seems to have fallen on his life-project. In 1770 the Irish Parliament \naided improvements to encourage the coal works ; but the sand filled the harbor, \nand the mining operations failed. Since 1873 the latter have been resumed with \n\nsome prospect \nof success. The \ncollieries which \nare situated in \nan abrupt bank \nover-hanging \nthe sea between \nFair Head prom- \nontory and the \ntown, are sup- \nposed, says Mar- \nmion, to have \nbeen worked \n\neven as early as the time the Phoenicians traded with this country. Ham- \nilton, writing in 1 784, records the fact that some twelve years previous, the \nworkmen, in pushing forward a new adit, unexpectedly broke through the rock \ninto a cavern. The hole was not very large, and two lads with candles were \nmade to creep in to explore this new region. Going forward they entered an \nextensive labyrinth branching off into numerous apartments, in the mazes of \nwhich they were completely lost and their lights extinguished. Opening a pas- \nsage, the workmen in the drift extricated the lads after a night\'s imprisonment. \n" On examining this subterranean wonder, it was found to be a complete gallery \nwhich had been driven forward many hundred yards to the bed of coal ; \xe2\x80\x94 that it \nbranched off into various chambers, where the miners had pushed on their differ- \nent works; \xe2\x80\x94 that pillars were left, at proper intervals, to support the roof; \xe2\x80\x94 in \nshort, it was found to be an extensive mine, wrought by a set of people at least as \nexpert in the business as the present generation. Some remains of the tools, and \neven the baskets used in the works, were discovered, but in such a state that on \n\n\n\n\nKeiibanc \xe2\x80\x94 looking over Ballycastle Bay to Fairhead. \n\n\n\nANTRIM. \n\n\n\n139 \n\n\n\nTjeing touched they immediately fell to powder. The antiquity of this work is \npretty evident from hence, that there does not remain the most remote tradi- \ntion of it in the country ; but it is still more strongly demonstrable from a \nnatural process which has taken place since its formation, for stalactite pillars \n\nliad been generated, reaching from the ^^ \xe2\x96\xa0 \xe2\x80\x94 ^-- ___^ -^^ \n\nroof of the pit to the floor ; and the sides \nand supports were found covered with \nsparry incrustations, which the present \nAvorkmen do not observe to be deposited \nin any definite portion of time." * Dr. \nWm. H. Drummond, in a note to his poem \n" The Giant\'s Causeway," throws a doubt \non Hamilton\'s theory regarding the an- \ncient working of these mines, by stating \nthat they had been wrought " about \neighty years j^rior to the discovery of \nthe chambers alluded to." This doubt, \nhowever, is removed by a circumstance \nwhich seems to carry conclusion with it \nin the minds of several writers ; it is this : \nthat Bruce\'s Castle on Rathlin Island, over seven miles distant, was built with \nlime burned with sea coal, the cinders of which are visible in the mortar and bear \na strong resemblance to those of Ballycastle coal. The suspicion that the coal \nmight have been brought from England, is untenable for several reasons : first, \nat the time the castle was built, the English had but just discovered the use of \nsea coal as fuel ; second, the English collieries were not then generally worked ; \nthird, we find that in the time of Edward I., sea coal having been tried in Lon- \ndon, its use was prohibited on the ground that the vapor was noxious to the \npublic health ; and fourth, if the English did export coal it would be to some \nplace of commercial character ; and the British charts of the period do not lay \ndown a single village in all this line of coast.f \n\nSouth of Ballycastle, , at the eastern base of Knocklayd, is the Vale of \nGlenshesk, the road through which leads to Armoy, where are the remains \nof an ancient tower. The coast cliffs are crowned by castle ruins. Doonany is \n\n\n\n\nCarrick-a-Rede and Sheep Island. \n\n\n\n" Letters concerning the Northern Coast of the Countiy of Antiiin, containing a Natural History of its Basalles, etc. \nEy the Reverend William Hamilton, A.M., Fellow of Trin. Coll. Dub. ,1786. Pp. 33-35. \nf Hamilton, p. 27. \n\n\n\n140 \n\n\n\nPICTURESQUE IRELAND. \n\n\n\n\nKcnbanc Ca:,tk,f) out Southeast\xe2\x80\x94 Raihlin in the distance. \n\nclose by; Duncurry, on a cliff 300 feet high, within a mile and a half; and \nthree miles westward McAllister\'s Castle on Kenbane {Keji-ban), the white head, \n\n\n\nANTRIM. \n\n\n\n141 \n\n\n\n\n\n\n\nCat lick a-Redt at flu Rope \nBt idze \n\n\n\n\'I \n\na pictures- \nque rock of \nwhite limestone \nin the midst \nof the basalt. \nIt is connected \nwith the main- \nland by a nar- \nrow ledge, and \nthe chalk is worn by the waves into \nseveral fantastically shaped caves. The \nmost remarkable cave in the vicinity is a \nsort of mmiature of Fingal\'s at Staffa, \ncalled Grace Staples\' Cave, the columnar \npillars of which are regularly placed, \nas if art and not nature had arranged \ntheir position. Between this and Carrick-a-Rede there is a remarkable fissure \nin the rock, called the Bulye, made, according to tradition, by a stroke of the \nmighty sabre of Cuchullin, one of the Ossianic heroes. \n\n\n\n142 PICTURESQUE IRELAND. \n\nCarrick-a-Rede, so called from being a " rock in the road," which intercepts \nthe course of the salmon along the coast \xe2\x80\x94 is another highly striking promon- \ntory or islet on this romantic shore, which derives additional interest from being \nconnected with the mainland by a flying rope-bridge flung across an appalling \nchasm. The island is over three hundred feet high, and contains about two and \na half acres ; and the frightful bridge, made for the accommodation of fisher- \nmen in summer-time, is constructed in a \nsimple manner. Two strong cables are \nextended across the gulf by an expert \nclimber and fastened firmly into iron \nrings mortised into the rock. Between \nand upon these ropes boards a foot In \nbreadth are laid crosswise in succes- \nsion, on which other boards are fastened \nlengthways by cross-cords, and thus the \naerial pathway is formed, which, though \nbroad enough to bear a man\'s foot with \ntolerable convenience, does not by any \nmeans hide from view the pointed rocks \nand raging sea beneath. This light \nand airy contrivance, swaying and un- \ndulating in a space sixty feet wide, and \nover a chasm ninety feet deep, presents \nan appearance of danger which unde- \nniably affects even persons of strong nerve. The greatest caution is necessary in \nusing the hand-rope placed on one side as a guide. The slighest inadvertence in \nplacing too much weight on it would precipitate the passenger headlong into the \nsea, or Avhat is worse, on to the rocks. It is, as Hamilton suggests, a beautiful \nbridge in scenery, but a frightful one in real life. The people in the habit of \nusing it, however, pass and repass with apparent ease ; and even the fishers\' \nwives and sons carry burdens across with evident contempt of danger. Still, \nfrom a boat in the water, and gazing upward, it is painful to see people \ncrossing the bridge, and distressing to anticipate the imminent danger to which \nthey are incessantly exposed in their struggle for existence. \n\nIt may be asked, says a writer, why the fishermen do not spare them- \nselves the trouble of throwing across this very dangerous bridge, and ap- \nproach the island by water ? and the answer Is given that It Is perfectly \n\n\n\n\nCarrick-a Rede \xe2\x80\x94 Base of the Chasm. \n\n\n\nANTRIM. 143 \n\nimpracticable, owing to the extreme perpendicularity of the basaltic cliffs on \nevery side, except in one small bay, which is only accessible at particular \nperiods. The residents in the little cottage on the island comprise the clerk \nand the fishermen, who remain only during the summer months. "This sal- \nmon fishery, and indeed all those along the northern coast, are very produc- \ntive. The fishermen are paid, and all the expenses of fishing defrayed, by \nproportionate allowances of salmon." There is a beautiful and remarkable \ncave of unsupported basaltic columns, thirty feet high \xe2\x80\x94 the bases of which \nhave been washed away or otherwise removed \xe2\x80\x94 in the cliffs near the island. \nThe shores around Carrick-a-Rede are exceedingly picturesque, and the surface \nwhich alternates with the high cliffs and rocks very beautiful, romantic, and fer- \ntile. One of the finest views afforded on the whole coast of Antrim is obtained \nfrom a little eminence above the path leading from the old Ballycastle road \ndown to "the Rock in the Road." \n\nProceeding west through the hamlet of Ballintoy, and by the bay of the \nsame name, we reach, at a distance of some four miles, the remarkable rock and \nruins of Dunseverick. The rock is isolated, of perpendicular form, one hundred \nand twenty feet in height, and about half an acre in area on the top. The Cas- \ntle is a solitary remnant of a ruin like that at Kenbane and other cliff castles on \nthis coast, and the whole presents a strikingly romantic and suggestive aspect. \n" Immense masses of the rock have been hewn away, evidently for the purpose \nof rendering the castle as inaccessible as possible. An enormous basaltic rock, \nsouth of the entrance, also appears to have been cut in a pyramidal form, and \nflattened on the top, perhaps as a station for a warder, or for the use of some en- \ngine of defense." The locality is invested with peculiar interest to the historical \nstudent from the fact that it perpetuates the name of Sovarkie, one of the earliest \nMilesian kings of Ireland, who with his brother Kermna, jointly ruled the king- \ndom nearly twelve hundred years before the Christian era. They were the first \nUlster kings of Ireland ; and the portion north of a line from Drogheda to Lim- \nerick was governed by Sovarkie, who built a fortress-palace named Dun Sovar- \nkie. The neighborhood naturally took the name of the fort, as Fort Washing- \nton and Fort Hamilton give names to places in the neighborhood of New York ; \nbut it is doubtful if the area of the rock, as seen at present, would have accom- \nmodated the dimensions of Dun Sovarkie. A portion of the fortress \xe2\x80\x94 a look-out \n\xe2\x80\x94 may have been on the rock, as it seems to be agreed by antiquarians "that a \nfortress existed here long before the introduction of Christianity." It was a \nchosen place for a stronghold, and the ruin, represented in the illustration, the \n\n\n\n144 \n\n\n\nPICTURESQUE IRELAND. \n\n\n\nwalls of which were eleven feet thick, is the remnant of one of the McQuillans\' \n\ncastles \xe2\x80\x94 subsequently occupied by the O\'Cahans \xe2\x80\x94 and dates to the twelfth century. \n\nThe tourist now has his choice of two routes to the Causeway \xe2\x80\x94 one by a \n\n\n\n\nBengore Head \xe2\x80\x94 The PleasLm, from i/u IVcst \n\nAvalk along the headlands, the other by the road to Bushmills, and thence to the \nCauseway, The author of Totirs in Ulster is justified in his selection of the \nformer, as being one of the most varied, most singular, and interesting walks to \nbe found in any country. Every step is replete with novelty. The thousand \nlittle objects, that can scarcely be named \xe2\x80\x94 grotesque fragments of rocks, little \ntiny amphitheaters scooped out of the cliffs \xe2\x80\x94 these, combined with the striking and \nmajestic features of the more celebrated points of view, keep the mind in a state \nof pleasing excitement, and produce impressions, such, perhaps, as no other class \nof scenery would impart. The same writer recommends the tourist to suitably \nprepare himself for this walk b}\' procuring No. 3 of the Ordnance Map of An- \ntrim for handy and frequent reference,"" to which we would add that his owm \nbook will be a useful pocket companion to the map. After Dunseverick we \n\n* Tours in Ulster, etc. By J. B. Doyle. Illustrated, 1S54. \n\n\n\nANTRIM. \n\n\n\n145 \n\n\n\n\nDiDiseverick Castle. \n\nmeet the rock of sorcery, Ben an Danaan, and next a fine cascade, where the \nstream from Feagh Hill plunges over the cliffs into Port Moon. \n\n\n\n146 \n\n\n\nPICTURESQUE IRELAND. \n\n\n\nThe leading features of this coast, as Hamilton remarks, are the two great \npromontories of Bengore and Fair Head, which are eight miles distant from each \nother : both formed on a great and extensive scale, both abrupt toward the sea, \nabundantly exposed to observation, and each in its kind exhibiting noble ar- \nrangements of the different species of columnar basalts. Fair Head has already \nbeen described. Bengore is\'about seven miles from Ballycastle. In reaching it \nfrom Dunseverick we pass some nine " ports," each from an eighth to a quarter of \na mile in extent, with its particular name, and some with striking rocks \xe2\x80\x94 such \nas the Hen and her Chickens, the Stack, the Four Sisters, which the guides will \n_,^\xe2\x80\x9e^^ ^ point out. Bengore, viewed at a dis- \n\ntance on sea, presents a headland pro- \nfile running out a considerable dis- \ntance from the coast into the ocean. \nStrictly speaking, however, it is made \nup of several capes, the tout ensemble \nof which forms what the seamen call \nthe Headland of Bengore. These \ncapes are composed of a variety of dif- \n^ ferent ranges of pillars, and a great \n- number of strata ; which, from the ab- \n!l ruptness of the coast, are extremely \n~ conspicuous, and form an unrivaled \npile of natural architecture, in which \nall the neat regularity and elegance of \nart is united to the wild magnificence of nature. \n\nIn every ocean view from Fair Head to Bengore, and indeed from points south- \neast of the former and far west of the latter, the Island of Rathlin (also called \nRagherry, Rachlin, Rachrin) is a prominent object, varying, of course, in size and \nposition, from the point of view. Its nearest points to the mainland are about \nthree miles from Fair Head, and five and a half from Ballycastle. Its form is a \nrude resemblance to a low-legged boot, the toe of which points to Ballycastle col- \nlieries, the top. Bull Point, to the Atlantic Ocean, and the heel, where Bruce\'s \nCastle is situated, to the Scottish coast of Cantyre, which is nearly fifteen miles \ndistant. From the top to the heel is five miles, and from the heel to the toe four. \nIts breadth varies from half a mile to a mile and a quarter. On the inside of the \nbend is Church Bay. The highest point on the northwestern part \xe2\x80\x94 North Kenra- \nmer \xe2\x80\x94 is 447 feet above the sea level ; and the cliffs all around the northern shores. \n\n\n\n\nBt iCLL i Lastle. \n\n\n\nANTRIM. \n\n\n\n147 \n\n\n\nfrom Bruce\'s Castle to the recess of Church Bay, veryprecipitous, averaging 300 \nfeet. This small island, surrounded as it is by a wild and turbulent sea, fortified \nby barriers of inhospitable rock, and containing little or nothing in itself to pro- \nvoke the rage of either avarice or ambition, might, suggests Dr. Drummond, \nbe supposed to have escaped the desolating scourge of war. But if its almost \ninaccessible retirement recommended it as a home for peace and religion, the \nlatter also awakened piratical cupidity ; while its commanding position and natu- \nral defenses suggested its use both as a warlike rendezvous, and as a refuge for \nthe heroic unfortunate. Hence history records many pages of blood and rapine \non the little thea- \nter of this island. \nIt has felt the fury \nand rapacity o f \nDanish, Engl ish \nand H e b r i d i a n \narms. The mon- \nastery established \nb)^ St. Columba, \nwith all its shrines \nwas ravaged and \ndestroyed in 790 , \nand again in 973 \n\nby the Danes, who, on their second descent, killed the abbot. The memory of a \ndreadful massacre by the Highland Scotch Campbells is still preserved ; and a \nplace called Sloe na Calleach ("slaughter of the old women ") perpetuates a tra- \ndition of the destruction of all the aged women of the island, by precipitation \nover the rocks. The barbarian author of the atrocity was named MacNalreavy. \nHamilton remarks that in his time the memory of this deed was so strongly im- \npressed on the inhabitants that no person of the name of Campbell was allowed \nto settle on the island. After the disgraceful execution of William Wallace, by \nEdward I., and the disruption of Scottish claims and rights, Robert Bruce found \na refuge here when forced to leave his native country. He was pursued, how- \never, and the remains of the fortress, on the northern angle of the island, cele- \nbrated for the defense which the hero made in it, is still known as Bruce\'s Castle. \nThe antiquity of this building is nearly six centuries; indeed, "it maybe consider- \nably older, as the time which Bruce spent in Rathlin was scarce sufficient for \nthe purpose of erecting it." Here it was that the Bruce received the lesson in \n\n\n\n\nDoon Point. \n\n\n\n148 \n\n\n\nPICTURESQUE IRELAND. \n\n\n\n\nThe Giant\'s Granny. \n\n\n\nperseverance from watching the labors of a spider, which, after several failures, suc- \nceeded in securely fastening its web to a beam, that led him to the glorious field of \n\nBannockburn. Since then it \n,_\xc2\xbb7.T, has been held unlucky and \n\nungrateful, says Scott, for \none of the name of Bruce to \nkill a spider. The English \ninvaded Rathlin unsuccess- \nfully in 1 551; but seven \nyears later the Lord-Dep- \nuty Sussex drove out the \nScots with great carnage. \n\nRathlin \xe2\x80\x94 the Ricina of \nPtolemy \xe2\x80\x94 has long been \nan object of study as well \nas of curiosity, on account of the similarity of its shores to those on the coast of \nAntrim, from which, it is supposed, it has been severed by some awful convulsion. \nGeologists agree that the structure of the island and the adjacent mainland are \nidentical, and Hamilton was of opinion that \nthis island, standing between the coasts of \nAntrim and Scotland, may be the surviving \nfragment of a large tract of country, which at \nsome period of time has been buried in the _ \ndeep, and may have formerly united Staffa -^^ \nand the Giant\'s Causeway. The island is "fi= \nprincipally occupied by those basaltic beds ^fe:- \nwhich are classified by Dr. Berger under the ~ \n\nheads : tabular basalt, columnar basalt, green- \nstone, graystone, porphyrj\', bole or red ochre, wacke, amygdaloidal wacke, and \nwood-coal ; and imbedded in them are granular olivine augite, calcareous spar, \nsteatite, zeolite, iron pyrites, glassy feldspar, and chalcedony. Doon Point, on \nthe eastern coast, is regarded as a beautiful and remarkably curious development \nof the process of basaltic formations, presenting, as it does, a combination of per- \npendicular, horizontal and bending pillars. It is thought "more worthy of obser- \nvation than the Causeway, and better calculated to explain the phenomenon of \nthe basaltic crystallizations." Its base resembles a mole composed of erect columns \nlike those of the Giant\'s Causeway; over the extremity of this mass, others appear \n\n\n\n>% \n\n\n\n\' r- \n\n\n\n\nThe Lion\'s Head. \n\n\n\n\n\n\n.. r \n\n\n\nHill-\' \':\'i*l\'t\'l-\' \n\n\'*\' iilflf t* tlfitH I \n\n\n\n\n\n\n\n\n\n\n\n\n\nm^4 \n\n\n\n-\xc2\xa3fi\xc2\xbb- \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nPLEASKIN\xe2\x80\x94 GIANT S CAUSEWAY. \n\n\n\nISO PICTURESQUE IRELAND. \n\nin a bending form, as if they had slid over in a state of softness, capable of accom- \nmodating themselves to the course of their descent, and thus assuming the figure \nof various curves in consequence of the action of gravity ; over all, several pillars \nare disposed in a horizontal position, such as would accord with an hypothesis \nof their having just reached the brink of the ascent, where they were suddenly ar- \nrested and became rigid, lying along with their extremities pointing out toward the \nsea.* The channel between the main and the island is very turbulent, the eastern \nopening being insufficient for the press of waters from the Atlantic, which conse- \nquently returns in a counter-current tide westward for thirty miles, while the true \ntide is running east. The channel is called the Valley of the Sea {Sleuck na \nMassa), and also Brecan\'s Caldron, or hollow {Corrie-Brecaiii), in consequence of \nthe loss here of Brecain \xe2\x80\x94 son of Nial of the Nine Hostages \xe2\x80\x94 and his fleet of fifty \nCurraghs. Nothing can be grander than the Atlantic rolling with the tide, but \nno sooner does the ebb oppose itself to this mighty mass of waters, than the wild- \nest confusion occurs, the waves foaming and tossing in a fearful manner. The \nrushing of the waters from the Scottish and Irish shores at each other is vividly \ndescribed in Cormac\'s Glossary. They are sucked down as if into a gaping cal- \ndron. " The waters are again thrown up, so that their belching, roaring, and \nthundering are heard amidst the clouds, and they boil like to a caldron upon a \nfire." In the Lord of the Isles, founded on adventures of Bruce after he left \nRathlin, Scott alludes to the " roar " of " Corryvreken\'s whirlpool rude." \n\nReturning to Bengore, from which we were attracted by Rathlin, we resume \nour observations on the coast line. Bengore proper presents a broad convexity \nto the sea, forming a striking contrast to the semicircular bays and pointed capes, \nthe most perfect of which is called the Pleaskin {Pleasg-ke7i, the dry head). \nNear the former is the remarkable natural pillar which, thanks to the guides \nand custom, is called " The Giant\'s Granny." Passing westward by Port na \nTrughen \xe2\x80\x94 Lamentation harbor, so called from the woful moans, as of human \nvoices, issuing from the caves \xe2\x80\x94 we meet the "Giant\'s Pulpit," hanging over the \nsea, the perpendicular rock called the " Giant\'s Ball Alley," the " Twins " off the \nfine headland called Ben-bane na Parage (the white cliff of the sea), and the red \nsandstone group called the " Lion\'s Head " a little east of Horse-shoe Harbor, \nand finally Port na Pleaskin, before we reach the splendid semicircular precipice \nof Pleaskin itself. Sir John Forbes thinks It the most beautiful and pictur- \nesque of these cliffs, and that In which the various strata, particularly the colum- \n\n* See Hamilton, p. 128 ; Drummond, pp. 168-171. \n\n\n\nANTRIM. \n\n\n\n151 \n\n\n\n\nnar, are more regularly shown. However we may agree with Sir John, that \n" no drawing would do full justice to its splendor and magnificence, as seen in the \nmorning sunshine from the boat;" still it will be seen that in the bold profile \nviewfrom the east, given by our artist, its remarkable features alluded toby Ham- \nilton \xe2\x80\x94 whose description in its combination of scientific accuracy and pictorial \neffect has not been bettered by any writer since \xe2\x80\x94 are suggestively conveyed. \n\nThe summit of Pleaskin is covered with a thin grassy sod, under which lies \nthe natural rock, having generally an uniform hard surface, somewhat cracked \nand shivered. At the depth of twelve feet from the summit, this rock begins to \nassume a columnar tendency, and forms a \nrange of massy pillars of basalt, which stand 1 \n\nperpendicular to the horizon, presenting, in \xe2\x80\x94 ^ , \' \n\nthe sharp face of the promontory, the appear- \nance of a magnificent gallery or colonnade, \nupward of sixty feet in height. This colon- \nnade rests on a solid base of coarse, black, \nirregular rock, sixty feet thick, abounding in \nblebs or air-holes \xe2\x80\x94 but though comparatively \nirregular, it may be observed to affect a pe- \nculiar figure, tending in many places to run into regular forms, resembling the \nshooting of salts and many other substances duringa hasty crystallization. Under \nthis great bed of coarse stone stands a second range of pillars, between forty and \nfifty feet in height, less gross and more sharply defined than those of the upper \ncolonnade, many of them, on a close inspection, emulating even the neatness of \nthe columns in the Giant\'s Causeway. This second range is supported on a \nlayer of red ochre stone, which serves as a relief to show it to great advantage.* \nThese two admirable natural galleries, together with the interjacent mass of \nirregular rock, form a perpendicular height of one hundred and seventy-five feet ; \nfrom the base of which, the promontory, covered over with rocks and grass, slopes \ndown to the sea for the space of two hundred feet more, making in all a mass \nof nearly four hundred feet in height, which in beauty and variety of its coloring, \nin elegance and novelty of arrangement, and in the extraordinary magnitude of \nits objects, cannot readily be rivaled by anything of the kind at present known. \nThe cliff appears as though it had been painted for effect in various shades of \n\n\n\nThe Kin^ anil Ins \\ool, \\ j > oin tiu llisl. \n\n\n\n* " The only instances of different ranges of basalts that have hitherto been discovered, occur in the valuable work of \nM. Faujas de St. Fond on the volcanoes of Viverais, etc. ; but the arrangement which appears there, even with the neat- \nness that always attends an engraving, is greatly inferior to that of Pleaskin." \xe2\x80\x94 Hamiltini. \n\n\n\n152 \n\n\n\nPICTURESQUE IRELAND. \n\n\n\ngreen, vermilion, red ochre, gray licliens, etc., its general form so beautiful, its sto- \nried pillars, tier over tier, so architecturally graceful \xe2\x80\x94 its curious and various strati- \nfications supporting the columnar ranges, here the dark-brown amorphous basalt^ \n\n\n\n\nThe Xiirsing Child \xe2\x80\x94 Priest and his Flock. \n\nthere the red ochre, and below that again the slender but distinct lines of wood- \ncoal; all the edges of its different stratifications tastefully diversified by the hand of \nnature, with grasses, ferns, and rock-plants. This theater of nature, composed \nof so many various strata harmoniously arranged, rock upon rock, and gallery \nupon gallery, so magnificent, so solitary, facing the wide Atlantic as if formed \nfor the temple of "spirits from the vasty deep," impresses the mind with admira- \ntion and awe, and shows us how nature surpasses in the symmetry of her plans as- \nmuch as in the magnitude of her materials. From " Hamilton\'s Seat" three mag- \nnificent headlands open upon the view, with all their singular and beautiful \naccompaniments of fanciful objects, such as the " Sea Gulls," the " King and his \nNobles," the " Nursing Child," the " Priest and his Flock," and others ; but it is the \nPleaskin itself which rivets the attention. Sir Richard Colt Hoare thought the \nview of the three promontories " truly astonishing and pleasing;" and S. C. Hall \n\n\n\n\' "" mimi \n\n\n\nM \n\n\n\n\nI r n I \'lli, ^ \n\n\n\nI\'illiiiip^ \n\n\n\nCHIMNEY ROCK\xe2\x80\x94 GIANT\'S CAUSEWAV. \n\n\n\n154 \n\n\n\nPICTURESQUE IRELAND. \n\n\n\neven more enthusiastic, says " it is impossible for painter to portray, or the imagi- \nnation to conceive, a walk of more sublime beauty " than that which we have \nindicated. See the Pleaskin from the water, if you can, but do not fail to see it \nby land ; for, exclaims the same writer in advocacy of his urgent advice, " the \nwonders of the Causeway, the grandeur of Fair Head, the dells and glens, the \nchanging yet perpetual beauty of Cushendall and Cushendun, of Glenarm and \nRed Bay, of all the Antrim coast and scenery \xe2\x80\x94 sink into comparative insignifi- \ncance before the combined grandeur and loveliness of the Pleaskin." \n\nThe large illustration of the Pleaskin indicates the character of the formations \n\nbeyond, and one of the "Sea Gull" \n\n^^ \xe2\x80\x94 \'^US*\' ^^- 3^^^&^^k Isles on the right ; there is another \n\n^[|| of the same name in Port Noffer. The \n\nillustration on page 152 presents a sug- \ngestive view of the line of promontories, \nfrom that over the " Nursing Child," \nnear the center, which separates Port \nna Tober (the harbor of the well) \nfrom Port na Callian (the old woman\'s \nharbor), to the " Chimney Tops," on \nthe headland to the extreme right ; \nand between them the group of rocks \nin the latter port, called the " Priest \nand his Flock." \n\nGetting over the "Horse\'s Back," \nthe headland at the western extremity of Port na Callian, we behold Port na \nSpania, or Spanish harbor, so named from a vessel of the famous " Invincible Ar- \nmada" having been lost here. In this port is a stupendous precipice, almost \nequal to the Pleaskin ; and the formation of the pipe-like pillars on the perpen- \ndicular rock naturally suggested for the particular spot the title of the " Spanish \nOrgan." Some islands and another little port, Madadh Ruadh (red fox har- \nbor), are passed, and we arrive at the promontory over which the insulated pillars, \ncalled the " Chimney Tops," are pinnacled. The tallest of the " Chimneys " is forty- \nfive feet. Tradition says they derived their names from the fact that in the night- \ntime they were mistaken for the chimneys of Dunluce Castle by one of the ships \nof the Spanish Armada, which opened its batteries on and succeeded in break- \ning one of them. The ship was subsequently lost on the rocks in the little bay \nto the east. West of the Chimneys is Port Reostan, and the Roveren Valley, \n\n\n\n\nThe Cluinncy \'I\'ops\xe2\x80\x94Jroni tlic East. \n\n\n\nANTRIM. \n\n\n\n155 \n\n\n\nAvhere there is a remarkable whin-dike which cuts the face of the cliff, shaped \nexactly like a barbed arrowhead. \n\nOf the whin-dikes, which abound on the coast, this is esteemed a fine speci- \nmen. We have alluded to that of Carrig Maur at Fair Head. These dikes are \nwalls of whinstone, trap, or prismatic basalt, varying from a few inches to forty \nand fifty feet in breadth, penetrating to an unknown depth, and often attended \nby a softening or an induration, and a dislocature of the strata through which \nthey pass. Sometimes two of these walls or veins are seen running in parallel \nlines, and when they are interrupted by a chasm or arm of the sea, they rise on \nthe opposite side with the same dis- \ntance and parallelism. Thus acontinu- ^ \nation of the Antrim dikes is traced \n\non the Scottish shores.* Passing the ^ \'^i, \n\nbroad high rock, generally covered with \nthe birds which suggested the name of \nSea Gull Isle, we are in Port Noffer, a \ncorruption, no doubt of Port na Fhir, \nthe port of the man, meaning the giant \npar excellence, Finn Mac Cumhal (pro- \nnounced Mac Cool), who has given his \nname to the famous Causeway \xe2\x80\x94 which \nis now in sight, forming the western \nboundary of the harbor \xe2\x80\x94 as well as to \nall the remarkable formations about it. \n\nTo our left, rounding from the Sea \nGull, is a magnificent colonnade of pillars one hundred and twenty feet in \nheight on the side of the hill. It appears as though a landslide had disclosed the \nhidden range of vertical columns, which, in turn, seem to support the mountain \nabove them and to prevent its further descent. This is the Giant\'s Organ, a \nname not too fanciful for the striking suggestiveness of the effect produced. \n\n\n\n\nTlie Giant\'s Otgan. \n\n\n\n* See Drummoiid, Pref. xvii. Dr. Richardson on Whin-dikes; In addition to Hamilton, Richardson, rector of \nClonfecle, has written with much care, and recorded observations of great value on the northern coast. These, with \nPortlock\'s Geology, will serve to illustrate the interesting formation of the north with a comprehensiveness worthy of the \nsubject. See Doyle\'s Tours, etc., p. 249. Sir John Forbes, M.D.,in his Mefnorandunis, etc., 1853, gives an intelligent \nresume of information respecting the Giant\'s Causeway and its vicinity, paying merited acknowledgments to Dr. Rich \nardson\'s writings, and to the more recent and excellent work on the subject, Geological Notices of the Environs 0/ Belfast, \n