J5a\ 1 5 8'? 7 k^ R (■" Class J2£J25Cd Book Xk^V1 GopyrightN?__ COPVEIGHT DEPOStIi POEMS BY CARROLL AIKINS BOSTON SHERMAN, FRENCH & COMPANY 1917 ^'^\^ .<^^'^^ '^.<^ c c t Copyright, 1917 Shermaist, French 6* Company -JAN -4 1918 ;=^ ©GiA47983r> ^Voo \ tiT' ^ to THE MEMORY > OF ^ MY FATHER Greater than temples, greater than the song Of priest and chorister at their craft and art, Are the nice balances of right and wrong That swing to mercy, in a good man's heart. NOTE The author's thanks for permission to reprint certain of the poems inchided in this collection are due the Editors of Scribner's Magazine, Mc- Clure's Magazine and The Canadian Magazine. CONTENTS POEMS PAGE Credo 1 I Would No Lordly Over-weal .... 2 Sonnet 3 Grey Sisters 4 In the Orchard . 5 The River 6 Prayer 7 The Cabin on the Plain 8 To 9 Sardonyx 10 Chanson a Deux 11 My Lady of the Light Canoe . . . . 12 Spring 13 Give Me Your Eyes to Love 14 The Chosen 15 The Grey Room 16 Content 17 Good to Walk the World With .... 18 Carpentry 19 Vigil 20 To A Child 21 June Roses 22 In No Man's Land 23 Beauty 24 FROM THE MOUNTAINS PAGE The Hermit of Whispering Creek ... 27 The Pioneer Breed 31 Legend 32 Wine of the Morning S3 Above the Tree-line 34 The Song op the Winds 35 ASHNOLA 36 POEMS CREDO I BELIEVE in God and Fairies, Hell and Heaven, hearts' desire. I believe in lovers' fancies. Morning star and sunset fire. I believe in work and leisure, Idle wine and bleeding hands. I believe in pain and pleasure, Mountains of the shifting sands. I believe in good and evil. Secret gift and open ill. I believe in truth and cavil. Aconite and daffodil. I believe in woman's honour. Be it chaste or otherwise. I believe in man's endeavour. Though it wing in barren skies. I believe in soul and spirit. Sensitive and gossamer. I believe in luck and merit, Wage-slave and adventurer. I believe in peace and conquest. Orchard-close and field of strife; For, in mocking mood or earnest, Have I great belief in life. [1] I WOULD NO LORDLY OVER-WEAL I WOULD no lordly over-weal, No hound of chase, No costly ring, no kingly seal, No maid's embrace. But I would root in roadside clay My singing tree That travelers of the Western way May come to me And, resting in the cool release. Each pilgrim heart Find, in my shaded singing, peace E'er he depart. [2] SONNET No ! In that thou art fair I love thee not — Those eyes that hold the rapture and the gleam Of stars in misty summers, eyes that seem The havening of each outshadowed thought, In all save love and gentleness untaught ; That hair! The ripple of a midnight stream! That face ! That body ! All that others deem Most to be loved — I hold them less than naught ! For thy true spirit is as far above The templed beauty as the star of love Set in immortal skies. The soul's design Of courage and compassion is so fine In undissolved allegiance, that I hold Th^ mortal loveliness as dross to gold. [3] GREY SISTERS She stood upon her life's tumultuous brink And all the happy seasons ran to meet Her girlhood, and to gather at her feet The flowers of youth, the blossoms white and pink. All deeds were hers, all thoughts, to do and think. All the unfashioned, all the endless sweet Of love and life — these wove about her feet Their chain of 3^ears untarnished, link on link. And as she stood, still hesitant, a child Unventured, unrevealed, the stainless vow Of youth upon her young lips undefiled, From the great outer emptiness there sped Three passionless grey sisters of the dead That kissed her on the eyes and lips and brow. [4] IN THE ORCHARD I SEE God in my orchard every hour, And in the downward pulses of the sun I feel His heart beat, and I feel the power Of pregnancy in every passing shower; And still I find His infinite spirit spun In bud and blossom, and His bidding done By amber bees, and many a pollened flower With mating song and silent orison. And when night hovers over field and grove With shadowy plumage, and all creatures sleep. Still on the lake the guardian waters keep A lamping vigil with His stars above, And in the vast, unventured hills I see The awful measure of His mastery. [5] THE RIVER Through the unclanging city, girt and pent With walls of granite, the slow river glides, A drowsy woman, wrapped in changing tides Of starry vesture, torn and sharply rent By stabbing spire and shadowy battlement, And, drifting 'neath grey bridges, dully chides Her bastion-lovers with a weak lament And droops to sleep amid her silent tides. And from the city, one that had no bread And one that wept because his love was dead Of his own doing, and such others came As were life-thwarted in the streets of shame. And from their starveling sleep went down to dream With the unwakeful woman of the stream. [6] PRAYER Let me not live by twilight, Lord, I pray, Nor drowse my life out in the empty grey Cathedral shadow where the fountains play. Oh, drench me in the sun's downpouring light Or give me starflung passionate delight I Only the noon is splendid, and the night. [7] THE CABIN ON THE PLAIN " The Spring will come ! And then, and then," they said, Those blue lips babbling ever of the Spring. But through the cabin door the windy sting Of prairie winter swept the pillowed head. " The Spring will come ! " Life's stealthy afterglow Brightened the worn young face. " With flowers of May ! " But the encircling prairie crept away In level wastes of shadowless white snow. " And when it comes. . . ." The hopeful, childish breath Broke in a shallow whisper, hard and dry. The stainless depths of the incurious sky Were blue and vacant as the eyes of death. The Spring wind whispers in the fields of grain. The birds sing, and the first faint flowers come out. Grow bolder, brighter, garland it about. . . . The little empty cabin on the plain. [8] To — - I LOVE thee for my sorrows ; they shall creep Into thine eyes and be transfused, and shine Like bubbles of a dark, unprisoned wine. I love thy laughter for the tears I weep. And for my sins I love thee ; they shall hide Their darkness in thy bright, untroubled breast And feed thine innocence, as poisonous weeds are blest In burial to feed the fairest garden-side. And to the world thy laughter and thy grace Shall be more lovely for the gifts I bear ; For sorrow shall have touched thy shining face, And pity, thy quiet breast, with trembling care.' [9] SARDONYX There lives beside the Tyrrhene sea An artisan, who lovingly Gives all his days of sun or shade In pleasant labour, love-repaid, To carving faces, grave or gay As sard or as chalcedony. And as he works the veined stone His passing fancies to enthrone. So do I write with pen and ink The dreams I dream, the things I think. And as each careless day destroys His cameos (such fragile toys!) I dare not hope this verse of mine May even live so long a time. He labours less with hands than heart As I do now, with lesser art. But we are equals, man to man. In pleasures of the artisan! [10] CHANSON A DEUX As unto us is given One birth, one death, So, under widest heaven. One sense, one breath Of downward winds love-laden Is mine, is thine; Be jo J thy love's hand-maiden, As song is mine. [11] MY LADY OP THE LIGHT CANOE If the bent, hurrying god should say, " Go, live again thy happiest day ! " With what a glad, swift-joyous heart I'd run, and thrust the boughs apart. Stoop to the water's edge, and you. My Lady of the light canoe. Out where the vigorous sunlight pours A flood of gold on the tumbled floors. Our paddles dip to the running wave — Ah ! Youth is merry ! And Youth is brave, And the haven of Youth is the Isle of Charms And the wings of Youth are swift, brown arms ! My Lady of the light canoe, Go wind and weather well with you? And do you still loose down your hair. And have you still no heavier care Than making tea and toast for two. My Lady of the light canoe? [12] SPRING Under the frozen sod she lay And could not smile or weep ; But grief was with him all the day And grievous was his sleep. Above her grave the shrunken earth Was garmented a-new; She could not see the greening birth Of grasses, edged with dew. She could not hear the bluebirds sing Of matings in the wood; But he could sense the yearning spring In every straining bud. And as he walked a midnight street, From gaping windows wide Came light and lilt of dancing feet That would not be denied. O Earth, be merciful and kind To her within thy trust; Pray God the dead be deaf and blind, Pray God that dust is dust! [13] GIVE ME YOUR EYES TO LOVE Give me your eyes to love, daughter of glad- ness! Warm as the ocean by midsummer noon, Cool as the ripples that riot their madness Down the long river-reaches a-slope from the moon! Give me your eyes to love, daughter of sorrow ! Soft as rose petals asleep in the rain, Sad as the midnight with never a morrow. Darker than Death, and his plumage of pain ! Give me your eyes to love, now and hereafter! Eyes of the spirit in shadow or light. That all the day long I may live with their laughter And bide with their sorrow the span of the night ! [14] THE CHOSEN God has designed To ride the wind A lustful Death With icy breath, And woe betide The builder's pride, The poet's youth. The dreamer's truth, For He has need Of urgent deed, Of valiant sight. Of rhymed delight. And never trees May shelter these From that swift form Astride the storm. [15] THE GREY ROOM Oh, this grey room with love is lit As room has never been, And urgent fire-flung envoys flit Between us and between; And though they speak a stranger tongue. Unused beyond our door. No sweeter song was ever sung In any room before. [16] CONTENT December sits a-loft the sky And plucks the snow-clouds' wintry fleece ; I hear his snarling hounds go by, But in my house is peace The frost is patterned on the pane ; The shivering storm runs bare above; The trees are naked in the lane, But in my house is love. [17] GOOD TO WALK THE WORLD WITH Good to walk the world with, Such a mate ! Good to love and live with, Soon and late. Good to take God's sending, Though it be But a by-path wending To the sea. Good to walk the path with Such a friend! Good to sail the sea with, At the end. [18] CARPENTRY In this belittered room the candle-sprite Cuts and is quit of the uneven walls, Flickers and dies on chisel, plane and saw, But dances ever by the unfinished crib As if the unborn tenant, girl or boy, Already peered between the latticed chinks And loved the play, and laughed with shining eyes. And on that younger face the glory shone Of our own Springtime ; and the love that fled Into our friendlier summer shyly came And put his arms about me, wistfully. [19] VIGIL That he be true, this pledge of ours, We still must hold above The cradle of his dawning hours The vigil of our love, And touch those blue, unclouded eyes With rays of tempered fire, And steer the spirit's frail surmise To venture its desire, Not with the torrent's mad delights. But on that inland sea Of charted reefs and steady lights That is self-mastery. [20] TO A CHILD I CLING to thee, as thou To laughter clingest; I sing to thee, as thou To thy heart singest. Thou, whom the elves make free Of elfin lands — Child, are they aught to thee, My clinging hands? Thou fluttering baby-bird On fairy wing. Sweeter thy songs unheard Than those I sing. Starry my child alway Hides from the morrow ; Knows he that age is grey — Age that is sorrow? [21] JUNE ROSES Soft as the leisured sunset My roses take the night, And some are pale with loving, And some with love are bright. Theirs is the quiet evening, The deep and starry breath Of skies that know not sorrow, Of dew that knows not death. O roses of St. Eloi, That glimmer in the night — Why are they pale, thy petals .'^ Why are thy petals bright.'* O roses of St. Eloi, That breathe the battle-breath Pale with the dews of anguish, Pright with the blood gf death, [22] IN NO MAN'S LAND Wounded, he prayed for death, And silently death came, And he was glad. He felt the easing of his muscles, A sweet throbbing of music in his wounds. The dew, cool on his wrists and lips. And he was glad. Glad when death came, Mother. [25] BEAUTY Great God ! What blindness of the living eyes Was ours that we went knocking at the door Of her whose sterile breast and barren thighs Are desolation and the mounds of war. Now, in the night of terror and surprise, We crouch and tremble ; Beauty is no more ; In her sweet bed a cynical foul whore Laughs shrilly when the heart of childhood dies. Oh! Where is Beauty, innocent, enraptured Of the new leaf, the song of the birds, the wind, Shadows of trees, night and the clear, uncap- tured Glory of morning? Shall our children find The print of her swift feet, and leap and run With her bright limbs against the golden sun? [24] FROM THE MOUNTAINS THE HERMIT OF WHISPERING CREEK The people say I've lived so long (A thousand year, if I'm not wrong) In this old shack, with floor for bed. That I've got sawdust in my head. We'll call them fools, and let it go ; They think I'm mad ; they are, I know. For not a soul of them can hear My water-voices, singing clear ! Their city is a passing lie, But these stream-voices shall not die. At least — God save me from that fear. They've been my friends a thousand year! Stranger, you know old Siwash Bill, Who lives behind the Eight-Mile Hill? Don't know old Bill? His son's your guide! The half-breed? Yes. Bill lost his pride. An Oxford man he says he was. Left England for the Big Because — No matter that! But Old Bill said. And swore it on his father's head, That he had heard (and was not drunk. And was not dreaming in his bunk) That he had heard a preacher say This stream was being ditched away ! He said the pilot had it straight. The whole damned project, name, and date. To steal my water to reclaim [27] Dry Valley from its " wasteful shame." Dry Valley — twenty miles away ! And just to grow their oats and hay, They'd take this melted snow of mine And coax it down a surveyed line, And smooth it gently, like a lake. For fear the ditch should wash and break, And hamper it with pipe and drain. And use it common like the rain, A-smearing it across the field To give their dust a double yield. And they can do it — that's the worst ! A fellow doesn't fyle his thirst, Record his mate, and God defend That I may never brand a friend! The stream is mine, in oral fee. Because the waters speak to me. A thousand year they've called my name — Has any man a prior claim? Not by the Greater Right! But then, I know your courts of lawyer-men. Their book-wise wisdom, bound in calf. And how the very judge would laugh And ask me for the cubic-gauge. The signed and sealed recording page — No justice there! And that is why I fear these mates of mine may die And leave their places bare and cold. With me beside them sick and old. Sometimes (perhaps my hearing's poor, [28] I hope to God it's nothing more) The voices seem to falter out And whisper, where they used to shout, Seem kind of sad, and weary, too. Not laughing- like they used to do ; And then I think of what Bill said, And seem to see the stony bed A-glaring at me in the sun, With all the singing voices dumb! And then I watch the water sink Below that lower basin brink. Go down and down, and how I fret And feel to find if it is wet. And wonder if the flow will stop. If they have stolen every drop. And clench my hands, and grit my teeth. And curse that irrigation thief — Until the bursting clouds bring rain That sends it flooding back again! That's how we stand — I left the town Because the people trod me down ; I left your love and hate and lies. Your city with its peering eyes ; I called the old life at an end And took this stream for wife and friend ! And now — hush ! Listen to the stream And tell me. Stranger, does it seem Not quite so loud, and is it low, Low — lower than a while ago ? Hush ! Hark the voices — bend your ear — [29] What's that? Speak louder! I can't hear — What's that? No answer! What? Good- bye? You're leaving this old channel dry And going round the other way To help them grow . . . their oats . . . and hay; You're leaving me . . . you've made the start ; Don't like the ditch . . . but friends must part. Remember you? But, God above! You know I gave you all my love. I'll not forget! Christ help me, lad! They're dying — and I'm going mad ! [30] THE PIONEER BREED We are our mothers' children; This is our sires' behest: — Lay your back to the burden, Turn your face to the West ! Go ! Where the stag breaks cover And lone coyotes cry, Over the uncrossed river, Under the smooth-rimmed sky. Delving your league-long furrow Deep in the tufted loam. Sleeping against the morrow Snug in your wattled home, Sowing the wheat and the clover. Warily understand You are the man and the lover, She is the virgin land. What if the land be barren, Arid, rotten with rain? Know ye the ways of women? Go to your bride again! Hold her against her season. Hold, and bid her give birth! Love with a blind unreason, Lord of the pregnant earth! [31] LEGEND They drew his corpse from the bleeding thorns, (Beware the Buck with the Golden Horns!) Hunter was he and he went astray. (The way of the woods is a wo7nan*s way.) He followed game as a hunter should, Until he saw in a lonely wood The Buck with the Golden Horns — ah ! woe ! He dropped his arrows and knife and bow, He dropped his pouch and his flinty spear, To follow after that bounding deer. Faster and faster the phantom ran, Faster and faster followed the man. Into a valley, over a stream, Soft as a shadow, swift as a dream ! Higher and higher ! They meet and merge On the ragged lip of a chasm's verge — Hunter was he and he went astray. (The way of the woods is a woman* s way.) They drew his corpse from the bleeding thorns. (Beware the Buck with the Golden Horns!) [32] WINE OF THE MORNING Wine of the morning, once, in every vein I felt your swiftest rapture; once, I knew When the sun rose that I should drink of you, Drink and drink deep, be drunk and drink again. Wine of the morning, once there was no pain In your shrill, tinkling bells of steely dew, No sorrow in the pine-sweet breath of you Wine of the morning, rouse my blood again ! Borne in love's brimming cup by one whose art Is to keep pure the childhood of her heart, Wine of the morning, come ; the dawn wind stirs With leafy breath night's shadowy gossamers ; Child of the morn, be fleet ! I, too, would run My youth out in the ardours of the sun. [33] ABOVE THE TREE-LINE Impregnant and outworn ! Was ever bloom Of flower upon these mountains, living fruit Ripe for the lips (red lips and reedy flute!) Of lovers, by some wavering water-plume? Or were they ever old and ever mute, Born without youth, in the shut hours of gloom, Born without love, in chambers destitute, A brooding menace and a nameless doom? They turn and shoulder from their beds of silt In desolate sickness ; and the inclement morn Looks down upon them with cold eyes of scorn, And the green valley shudders at the guilt Of those bleak summits, brute and uncreate. Whose soul is spent, whose spirit devastate. [34] THE SONG OF THE WINDS All the bright day we wandered and were proud As the free winds, and with them stormed the height And swayed the thrilling grasses in our flight, So swift were we to press against the cloud Our happy faces. Riotous and loud We roused the lonely mountain with our might Until he laughed with us in our delight And crest to crest threw back the vows we vowed. Oh, love is of the mountains ; old as they. Torn and triumphant as the riven crest That fingers to the sky ; the ancient prey Of every wind that strikes the open breast. Our love is of the mountains, furious, strong, And ever J wind of heaven is our song. [35] ASHNOLA Child of the rooted earth, Slender Ashnola, Fern of the waking woods, Dawn winds uphold you. Deep from the breathing hills Animate waters Sing to your secret heart Songs as mysterious. Noon, from her flaming height. Bends her down vainly ; Dark, from his kenneled depth. Comes not to vex you. Child of the rooted earth. Slender Ashnola, Fern of the waking woods. Dawn winds uphold you. [36] "f*.- Illlilliiiiiii 018 604 422 8