.^^ ■A o V'^' ^-..c,^^ :- '-^^0^ r^^^'^. -ov^^ ;^^'^ ^-^^0^ r^^^M': -ov^ ^4\^ pa5t7io95 SlauGS. BY B. O. FLOWER. Richly Illustrated with Six Photo- gravure and Twenty-five Text Cuts. F^rioe-- IS Cei^ts. BOSTON, MASS.: ARENA PUBLISHING CO. Copley Square. 1892. The Rise of the Swiss Republic By W, D. ncCRACKAN, A. M. With Large Colored Map and Full-Page Portrait of the Author. T HE Arena PuBLTSHi>rG Compaxy take great pleasure in announcing that they have just issued a brilliant history of the Swiss Re- public, which deals in a popular yet scholarly manner with this ideal republic, which is attracting the attention of thoughtful Americans as is no other foreign nation in the world to-day. The author has devoted five years of careful study to this work. A large portion of this time has been spent in Switzerland, and every important locality has been visited and studied that a clear and in- W. D. MccitACKAN, A. M. telligent idea of the events described might be presented. The archives of the little republic have yielded much information little known even to the continental reader. This work is scholarly, yet written in a popular style, and will be a delight alike to the student and general reader. It is also of special value to thoughtful Americans, as it contains comparative chapters where the two republics are contrasted. - SPECIAL FEATURES. AMONG the special features of this volume are chapters on the recent experimental innovations made by the Swiss Republic, the revised Constitution of Switzerland (1874), a general reference index to works by Swiss authorities, and a handsomely colored map of Switzerland. It contains over four hundred images, printed from new and handsome type on a fine quality of heavy paper. The margins are wide, and the volume is richly bound in cloth. PRICE, POST=PAID, $3.00. Address all orders, ARENA PUBLISHING COMPANY, Copley Square, Boston, Mass. F=OR SKUB BV THE TRKDB. XXX FASHION'S SLAVES. BY / /A- B; O. FLOWER, ^ Editor of the "Arena. ILLUSTRATED. ^Hren^Pres^^ BOSTON, MASS. THE ARENA PUBLISHING CO., COPLEY SQUARE. 1892. \s X 0^ r- L I 1 -J FASHION'S SLAVES. BY B. O. FLOWER. The last session of the International Council of "Women discussed no question of greater importance to civilization than that of dress reform. The fact that this world's con- gress, repi-esenting the most thoughtful, conscientious, and broad-minded women of our age, has taken up this subject with a firm determination to accomplish a revolution which shall mean health and happiness to the oncoming generation, is itself a prophecy pregnant with promise of a substantial and enduring reform. It will not be surprising if in the near future it is found that this earnest though somewhat timid discussion marked a distinct step in the world's progress ; certainly it was the most significant and authoritative utter- ance from united womanhood that has yet been made touch- ing a problem which most vitally affects civilization. To the student of sociology nothing is more perplexing or discouraging than society's persistency in blindly clinging to old standards and outgrown ideals which can no longer be defended by reason ; and this is nowhere more marked than in the social world where fashion has successfully defied all true standards of art, principles of common sense, rules of hygiene and what is still more important, the laws of ethics which underlie all stable or enduring civi- lizations. At the very threshold of this discussion, I ask the reader to, as far as possible, divest his mind of all prejudice arising from preconceived opinions, and view in a perfectly candid and judicial manner this problem upon which the last word will not be spoken until woman is emancipated. As long as free discussion is tabooed and conservatism finds it possible to dismiss the question with a flippant jest, a ribald joke, or a basely unjust imputation, the old order will stand ; partly because woman feels her helplessness and largely because so few people stop to trace cause and effect or patiently reason upon results of the most serious character. Conservatism is strongly entrenched in the minds of the millions, and to a certain degree mental lethargy broods over the world. It is true that in woman's sphere to-day mental activity is more marked than in any other age, and the best brains and most thoughtful women of our time are boldly denouncing the bondage of fashion and bravely pleading for such radical reforms in dress as will secure to womanhood liealth and comfort, while being genuinely artistic and graceful, breath- ing true refinement and conforming to cssthetic principles rather than the caprice of fashiou. To me there is some- thing infinitely pathetic in the brave protests that have from time to time flashed from the outraged sensibilities of those who represent the very flower of American womanhood, when discussing this subject, for running through their almost every utterance is the plaintive note of helplessness, mingled with the consciousness of the justice of the cause for which they plead. The talented and universally respected Mrs. AblxT, Woolson Gould some years ago thus gave ex- pression to her feelings when writing of the long, heavy, disease-producing skirts of women : Do wliat we will with them, they still add enormouslj' to the weight of clothing, prevent cleanliness of attii'e about the ankles, overheat by their tops the lower portion of the body, impede loco- motion, and invite accidents. In short, they are uncomfortable, unhealthy, unsafe, and unmanageable. Convinced of this fact by patient and almost fruitless attempts to remove their objectionable qualities, the earnest dress-reformer is loath to believe that skirts hanging below the knee are not transitory features in woman's attire, as similar features have been in the dress of men, and surely destined to disappear with the tight hour-glass Avaists and other monstrosities of the present costume. . . . Any changes the wisest of us can to-day propose are onl}'- a mitigation of an evil which can never be done away till women emerge from this vast swaying, undefined, and indefinable mass of drapery into the shape God gave to His human beings. Mary A. Livermore voices a sad and terrible truth when she obserA'es : The invalidism of young girls is usually attributed to every cause but the right one ; to hard study — co-education — which, it is said, compels overwork that the girl student may keep up Avith the young men of her class ; too much exercise, or lack of rest and quiet at certain periods when nature demands it. All the while the physician is silent concerning the glove-fitting, steel- clasped corset, the heavy, dragging skirts, the bands engirding the body, the pinching, deforming boot, and the ruinous social dissipation of fashionable society. These will account for much of the feebleness of young women and girls. For they exhaust nervous force, make freedom of movement a painful impossibility, and frequently shipwreck the young girl before she is out of port. We have a theory, generally accepted in civilized society, which we never formulate in s])eech but to which we are very loyal in practical life. This theory, put in plain language, is as follows : God knows how to make boys ; and, when He sends a boy into the world, it is safe to allow him to grow to manhood as God made liim. He may be too tall or too short, for our notions, too stout or too thin, too light or too dark. Nevertheless, it is right, for God knows how to make boys. But when God sends a girl into the world, it is not safe to allow her to grow to womanhood as He has made her. Some one must take her and improve her figure, and give her the shape in which it is proper for her to grow. Accordingly, the young girl comes some day from the dress- maker with this demand : '^ Mnie. (the dressmaker) says that I am getting into horrid shape, and must have a pair of cor- sets immediately." The corsets are bought and worn, and the physical deterioration begins. Miss Frances E. Willard thus touchingly refers to the bon- dage of fashion : " But there came a day — alas ! the day of my youth — on which I was as literally caught out of the fields and pastures as was ever a young colt; confronted by a long dress that had been ma«le for me, corsets and high-heeled shoes that had been l)Ought, hair-pins and ribbons for my straying locks, and I was told that it simply ' wouldn't answer ' to ' run wild ' another day. Com- pany from the city was expected ; I must be made presentable ; ' I had got to look like other folks.' " That was a long time ago, but I have never known a single physically reasonable day since that sweet May morning, when I cried in vain for longer lease of libert}'." Mrs. Frances E. Russell, whose significant paper read at the Woman's Council elicited universal approbation, in the following extract from her able essay in The Arena sounds a more hopeful note than her illustrious predecessors, for she is nearer the dawn, and the horizon of woman's freedom is broadening : The fiction tliat women have no legs is now fully discredited, for in the show windows of the largest dry goods stores stand dummies of the female figure dress-ed only in the combination undersuit made of wool or silk " tights," covering the whole body, except the head, hands, and feet. By this time everyone must know that woman, like man, is a biped. Can anyone give a good reason why she must lift an unnecessary weight of clothing with every step she takes,^ pushing forward folds of restricting drapery and using almost constantly, not only her hands, but her mental power and nervous enei'gy to keep her skirts neat and out of the way of harm to herself and others? Much discussion has been wasted over the question whether a woman should carry the burden of her voluminous drapery from the shoulders or the hips. Why must she carry this unnecessary weight at all ? Now let us join hands, all lovers of liberty, in earnest co-oper- ation to free American women from the dominion of foreign fashion. Let us, as intelligent Avomen, Avith the aid and encour- agement of all good men, take this important matter into our own hands and provide ourselves with convenient garments ; a cos- tume that shall say to all beholders that we are equipped for rea- sonable service to humanity. Conservative critics have so frequent!}^ misrepresented those who have honestly pleaded for dress reform, that it is no longer safe to be frank, and this fact alone has con- strained numbers of earnest writers from expressing their sentiments who have felt it their duty to speak in behalf of health, beauty, and common sense ; indeed so certain is one to be misrepresented who handles this subject in anything like a reasonable and unconventional manner, and so surely will his views be assailed as improper, owing to the age-long cast of conventional thought, that were it not that this ques- tion so intimately affects fundamental, ethical, and hygienic laws, and bears such a vitally important relation to true progress, I frankly admit that I doubt whether I should have the courage to discuss it. But I find it impossible to remain silent, believing as I do most profoundly that the baleful artificial standards so long tolerated must be abolished, that the fetish of the nineteenth century civilization must be overthrown, and that it is all-important that people be thor- oughly acquainted with the far-reaching and basic signifi- cance of this problem, through courageous and persistent agitation and education, in order that manhood and woman- From 18C0 to 18C5. The era of hoop-skirts. structive to life and health, and degrading to womanhood have been readily sanctioned by conventionalism. This antago- nistic attitude toward any movement for an improvement in woman's attire founded on the laws of health, art, com- fort, and common sense was characteristically expressed in a recent editorial in a leachng Boston daily, wherein the writer solemnly ob- served : The simple truth is, the great majority of the women appreciate the fact that it is their missioji to be beautiful^ and the hood be brought up to the ethical plane which marks enduring civilization. In the examination of this subject I desire to very briefly notice it from a'sthctie, hygienic, and ethical points of view. It is a singular fact that every effort made toward a healthful a n d common sense r e f o r m i n woman's apparel has been assail- ed as inartistic or i m moral; while fashions at once disgusting, indecent, d e - From 18G0 to 18G5. The hoop-skirt era. The difficult feat of tying on a bonnet. dress reformers have never yet devised any gar- ment to assist the women in fulfilling this mis- sion. The author of the above fairly represents the attitude of conventional thought, — its servility to fashion, its antagonism to reformative moves. The implied falsehood that fashion represents beauty and art, or is the servant of sestheticism has been reiterated so often that thousands have accepted it as truth. In order to expose its falsity, I have repro- duced in this paper plates taken from leading American and English fashion monthlies during the past thi'ee decades, in each of which it is notice- able that ex- 1870 to 1875. The era of the enormous bustle and , train of sweeping iliineni^ions. tremes nave been reached. In 1860-65, the hoop-skirt held sway, and the wasp waist was typical of beauty. Then no lady was correctly attired according to the prevailing idea who did not present a spectacle cu- riously suggestive of a moving circus tent. During this era four or live fashionably dressed women completely '\ filled an ordinary drawing-room ; while the sidewalk was often practically mo- nopolized by moving monstrosities, save when in front or behind the formidable swinging cages moved escorts, who with no less servility than American womanhood bowed to the frivolous and criminal caprice of 1870 to 1875. The era of the enormous bustle and j.i inndavn "RciVnrlr^n train of sweeping dimensions. ^^'^ mouem liaDyiOn. But fashion is nothing if not changeable; fancy not art guides her mind. What to-day types beauty, is by her own voice to-morrow voted indecent and absurd. Thus "we find in the period extending from 1870 to 1875 an entirely new but none the less ridiculous or injurious extreme pre- vails. The wonderful swinging cage, the diameter of which at the base often equaled the height of the encased figure, has disappeared, being no longer considered desira- ble or ?esthetic, and in its place we have prodigious bus- tles and immense trains, by which an astonishing quantity of material is thrown behind the body, suggesting in some instances a toboggan slide, in others tlie unseemly hump on the back of a camel. This is the era of the enormous bustle and the train of sweeping dimensions.* When we examine the prevailing styles w^hich marked this period, we are struck with amazement at the power exerted by fashion over the intellect and judgment of society. Imagine the shame and humiliation of a woman of fashion, endowed by nature or afflicted by dis- ease with such an unsightly hump on the back as characterized the fashion- able toilet of this period ! Toward the end of the seventies, we find another extreme reached, which if possible was more absurd and injurious than those which marked of this was the tie-back, skirts trains fashion's with one the earl}^ days decade. This period of the or n a r r o w and enormous . As in 1860 slaves vied another in their effort to cover the largest possible circular space, now their ambi- tions lay in the direction 1870 to 1875. " SiiKge-^ting bogfian slide ; in others, the back of a camel." in some instances a to- the unseemly hump on * During this period the ingenuity of man came to woman's rescue, by the invention of an interesting, and, judging by its popularity, exceedingly serviceable contrivance known as a dress elevator, whicli enabled ladies to instantly'elevate their enormous trains when they came to a particularly muddy and tilthy crossing. 10 narrow as of the opposite extreme:* the skirts must be as possible even though it greatly impeded walking, for as will be readily observed all free use of the lower limbs was out of the question during the reign of the '' tie-back." The reaction in favor of a more sensible dress which fol- lowed was of brief duration. During this time, however, the long trains were seldom seen, and thoughtful women began to hope that the arbitrary rule of fashion was over. It was not long, however, before the panier period ar- rived, and what was popularly known as the p u 1 1 - back was a c - cepted as the correct style in ,„_„ „, ,...■., , • . „ . . •' 18<8. The period of the tie-back, narrow skirts, anil enormous lashion S world. trains. Of this latter conceit little need be said, for it has so re- cently passed from view that all remember its peculiarity, which to the ordinary observer seemed to be a settled * It was in the midst of the period of the tie-backs that Harper's ZJosor publislied two striUng cartoons illustrating the poem given below. One represented a poor man's wife, " The slave of toil," and was i)arheticany powerful in its tidelity to trutli ; the other, drawn by the powerful Xast, represented a society lady of the day attired in the reigning tie-back, measuring at the hips a little niore'than double the width a short distance below the knees. This slave was chained to fashion's column. SISTER SLAVES. You think there is littleof kinship between them? Perhaps not in blood, yet there's likeness of soul ; And in bondage 'tis patent to all who have seen them That both are fast held under iron control. The simjiering girl, with her airs and her graces, Is sister at heart to the hard-working drudge ; Twotypes of to-day, as they stand in their places; Whose lot is the sadder Ileave you to judge. One chained to the block is the victim of Fashion ; Her object in life to be perfectly dressed ; Too silly for reason, too shallow for i)assion. She i)asses her days 'neath a tyrant's behest. Thus pinioned and 'fetteref tliis ))ractical dress retorm on the jiart of the belles of New York, the Boston Ua'ihi (iluhr rt'cently observed editorially : The jireat question now agitating the fashionable women of Fifth Avenue is : " Do you wear knickerbockers? " Stripped of all apologetic circumlocution, " knickerbockers" are simply loose, easy trousers, above which IS worn a becoming blouse waist, and thus attired, the belles of New York come down to breakfast. Nor are the trousers subsequently removed while the ladies are about the house, unless some conservative caller is announced, when a stylish tea-gown can be jumijed into in a second, and the lady is in faultless female costume. That women should be handicapped in their locomotion in their own homes is simply a relic of oriental slavery and prudery, and the revolt against it is sensible and wholesome. That they have come to stay is evident, while improved costumes for shop girls, and other women engaged in business every day in the year, are certain to follow in the order of progress.— Boston Globe. It might be well also for the council to recommend the formation of societies in each community where social or society gatherings of those interested might be lieM at stated intervals, at which all members would api^ear in dresses made with special regard to health, comfort, and beauty, and in which all garments would conform to the general ideal recommended by tlie council. t As the paper is being set iip my attention has been attracted to a remarkably sensible signed editorial in the Boston Sunday Globe, of July 26, by the brilliant 31 Another encouraging sign of the times is the increasing demand on the great and fashionable house of liiberty & Co., of London, for the Greek and other simple cos- tumes by fashionable ladies, who are using them largely for home wear. I have re- produced two recent styles of dresses made by Liberty. All fabrics used are rich, soft, and elegant, and the effect is said to be gratifying to lovers of art, as well as far more healthful and comfor- table than the conventional dress. The most impor- tant fact, however, is the effect or influence which is sure to follow this breaking: away from the rulingr fash- Soine of Liberty's recent dresses. GreciaD Costume. The ions in wealthy cir- cles. When conventionalism in dress is fully discredited, practical reform is certain to follow. The knell of the one means the triumph of the other. Believing as I do that the cycle of woman writer and sensible thinker, Adelaide A. Clafiin, from which I extract the foUowina: : Bishop Coxe's fulmiuation against tlie riding of bicycles by women has attracted considerable attention, but to tlie student of social movements it is not strange that Bisliop Coxe should object. The real oddity is that scarcely anybody else, ai)par- ently, hasobjectei. Tiiat young girls from the best families should within a short time have betaken themselves to whirling through the public thoroughfares, like so many boys, is certainly a new departure from all old fashioned canons of feminine decorum, at least as startling as many that have brought down all sorts of thunder- bolts from pulpit and press. Had it been a prerequisite that an amendment to the United States Constitution, or even a statute of a State Legislature should be obtained, the girls would doubtless liave liad to wait many a weary year. It is not long since another church dignitary. Dr. Morgan Dix, objected to tlie entrance of girls into universities, because it was not " proper for young women to be exposed to the gaze ofyoung men, many of whom were less beut upon learning tlian upon amusement." Some of Liberty's recent dresses. The Juliet. 32 has dawned, and that through lier humanity will reach a higher and nobler civilization than the world has yet known, I feel the most profound interest in all that affects her health, comfort, and happiness ; for as I have before observed, her exaltation means the elevation of the race. A broader liberty and more liberal meed of justice for her mean a higher civilization, and the solution of weighty and fundamental problems which will never be equitably adjusted until we have brought into political and social life more of the splendid spirit of altruism, which is one of her most conspic- uous characteristics. I believe that morality, education, practical reform, and enduring progress wait upon her com- plete emancipation from the bondage of fashion, prejudice, superstition, and conservatism. However little she may realize it, every girl who rides her steel horse is a vivid illustration of one of the greatest waves of progress of this century, the advancement of women in freedom and (ii)ii()rtunity. A wise physician once said that the opinion that a good woman should stay closely at home had killed more women than any other one cause. In the days of "our grand- mothers the suggestion of regular gymnastic training or athletics for girls would have been received with horror. It was hardly proper for a woman to have any knowledge of the construction of her physical system. It is a curious historical fact that the first women lecturers upon physiology were women's rights women, and viewed by the majority of people as dangerous to female modesty, while the Ladies' Physiological Institute in Boston was at first much disapproved of by the clergy. " So long, too, as old-fashioned " stays " (laced up sometimes by the aid of equally old-fashioned bed-posts) remained in vogue, neither physiology nor athletics stood much chance with women. But the often derided dress reformer has had her way, to a great extent. Bathing dresses, gymnastic and tennis suits which would have frightened an eighteenth century dame into one of her favorite fainting fits. Meanwhile the girls have mounted their bicycles. Bless you, my children; what endless vistas of good times are before .you! "What glorious landscape views and ocean moonrises, what freedom, what fresh, airy delight in young life and strength ! Already one young doctor has departed with his bride on "a wedding tour to Texas, each upon a bicycle. Other strange affairs will no doubt take place. By and by the bishops will see no more irreverence in bidding Godspeed to girls starting on a journey to California upon bicycles thau to girls departing to Europe on a steamship. THE ARENA. The Arena, since its inception, has been more liospitable to women tlian any other a^reat review imblished in the civilized world. It has also ever been the champion of all means and measures looking toward the emancipation of woman. As an illustration of these important points we call attention to the Arena for Aujjust, 1892, which contains papers by Mary A. Livermore, Mrs. B. P. Underwood, Frances B. Willard, Mrs. Frances E. Russell, Helen H. Gardener, Louise Chandler Moulton, Mrs. Gen. Lew Wallace, and a sjmposium on WomtMis ('liit)s, to which the foUowini; ladies con- tribute : — May "Wright Sewall, Ellen M. Mitchell, Mary E. Mumford, Mary A. Livermore, Mary E. Boyce, Kate Gannett Wells, Louise Chandler Moulton, Katharine Nobles, Hester M. Poole, Dr. Julia Holmes Smith. Annah Robinson Watson, The September Arena for 1892 contains a symposium on AVoman's Dress, to which such well-known writers as the foHowinn' will contribute: Octavia W. Bates, Grace Greenwood, Frances E. Russell, May Wright Sewall, Mrs. E. M. King, Elizabeth Smith Miller. Frances M. Steele, Tills will be the most imi>ortant symposium on Woman's Dress that has ever appeared in a leadini^' ma,<;azine. It is the determination of the management to make the Arena indis- pensable to all thoughtful, wide-awake women. The Opinion of the Highest Literary Authority of Boston. 'I'he hold that this magazine lias taken upon the public is due wholly and solely to its intrinsic merits, and not to any elaborate or shrewd methods of advertising. It has won its own way, and in a straightforward and legitimate manner. No magazine in the country has taken higher ground in the treatment of (juestions dealing with social and political reform. Its contributors include some of the l)est know n n)en of the day in the walks of science, theology, and general literature, and there is no topic of public interest but readers may look to see broadly, thoroughly, and impartially treated. — Erenincj Transcript, Boston. Mass. SUBSCRIPTION PRICE, $5.00, SINGLE COPIES, 50 cts. A sample copy of the Arena will be forwarded, postpaid, for 20 cents, to any person wishing to examine the same with a view to subscribing. ARENA PUBLISHING CO., COPLEY SQ., BOSTON, MASS. Just Out. A Brilliant Realistic Novel by the Author of "Is this Your Son, My Lord? °5e ublishincL" ., (b.Q) ' y "H 44 81 PRICE, PAPER, 50 CENTS; CLOTH, $1.00. ADDRESS ALL ORDERS ARENA PUBLISHING CO., CopLEY S^,, BOSTON, flASS. o-?\ >^ o. rv^ . » • ^* .*?!§te»\ \/ ..ijxifi;-, *^ >„