CIHM
Microfiche
Series
(IMonographs)

ICMH

Collection de
microfiches
(monographies)

Canadian Instttuta for Historical Microraproductions / Institut Canadian da microroproductiona historiquas

Technical and Bibliographic Notes / Notes techniques et bibilographlques

Th« Irwtitut* hat attwnptMl to obtain ttw tMtt original
copy availal)le for fibning. Featuraa of tfiis copy wftieh
may ba bibHographicaily imiqua, wtiicfi may altar any of
tha Imagaa In tha raproductlon. or wfilch may
significantly changa tha usual mathod of filming ara
cfiadwd balow.

D
D

D
D
D

Cotouradcovara/
Couvartura da coidaur

Covars damagad /
Couvartura andommagto

Covars rasiorad and/or laminated /
Couvarturs rastaurte at/ou pellicula

Covartltia missing /lAtltre da couvartura manqua

Coloured maps / Cartas g^ographiques en couleur

Coloured \rk (l.e. other than t>lue or black) /
Encre de couleur (i.e. autre que bleue ou noire)

Coloured plates and/or illustrations /
Planches et/ou Illustrations en couleur

Bound with other material /
Reli6 avec d'autres documents

Only edition available /
Seule Mition dispontt)le

Tight binding may cause shadows or distortion along
Interior margin / La reliure sente peut causer de
I'ombre ou de la distorsion le long de la marge
int^rieure.

Blank leaves added during restorattons may appear
within the text. Whenever possible, these have been
omitted from filming / Use peut que certaines pages
blanches ajoutdes tors d'une restauration
apparaissent dans le texte. mais, torsque ceia 6tait
pos8it)le. ces pages n'ont pas M filmtos.

Additk>nal comments /
Commentaires suppldmentaires:

TMs Mmi Isfilnwdittt
Ctt dooiHnwit ttst fllnw

Ml taux d* rMiiellon bMlquA

L'Institut a microfilm* la maVlaur axamplaira qu'H y a
M poaatoia de aa procurer. Laa ditaiia da oat axam-
plalre qui sont paut-«tra imkiuaa du point da vua bibN-
ograpNqua. qui pauvant modifiar una image rsproduMa.
ou qui pauvant axigar una nmdifkMtkxi dana la mMho-
da normala da fUmaga sont iniMqute d-daasoua.

I I CokNJiadpagaa/Pagaa da couleur

I I Pagaa damagad /Pagaaandommag4as

Pages restored andA>r laminatad /
Pages rsstaur*es et/ou pelllculdes

Pages discotoured, stained or foxed /
Pages d*cok)rtes, tachettes ou pkiu*es

I Pages detached/ Pages d6tach«as

\y Showthrough / Transparence

I I Quality of print varies/

D
D

Qualit* in^gala de rimpresston

Includes st^apienwntary material /
Comprend du ntat^riel suppMmentaire

Pages wholly or partially obscured by enata slips,
tissues, etc., have been refilmed to ensure the best
possible image / Las pages totalement ou
partieilement obscurcies par un feuHlet d'errata, une
peture, etc., ont *t* filmdes k nouveau de fa$on k
ot>tenir la meilleure image possible.

Opposing pages with varying colouration or
discokMjrattons are filmed twice to ensure the best
possible image / Les pages s'opposant ayant des
colorattons variables ou des d^cotorations sont
fiim^es deux fois afin d'obtanir la meilleure image
possttjle.

lOx

14x

18x

22x

2ex

aai

12x

18x

20x

24x

2tx

32x

TiMMtV

IHmHW

MtiMiftl Library of Canute

l^gi^Hlty

copiM in priMa^
wiHi tfM front i
t wMi a priiMatf a» muawawd knfM
back tvtm wtMn apprepfiata. AN
'• -apiaa ara fUmatf fcagi w i iw m
a ptimarf a* iNuawatarf «"»P«^_
iMt papa vvitli a primad

aiofi.Of tlM

atfM

fksi

•k

Tha laei racofdad frama on aajA miemfkja

•naM contain tna •vn»Pol — ""tS^-sSS^,'
Tli«UED"l. or tho •ymOol ▼ Imoaninf aww i.

MMa. plataa. charw. ate., mav bP «ln»n^ •«
SfSXadMCti^i ratio.. Th— !•• Ij^jo »»•
•ntiralv inclypad in ona aapoaura ara f«n»««
SSIU l« tM yppar laft hand cori-rjalt to

ri«M and top to bottom, m •"•^ ♦'•"^,"
raquirod. Tha fottoirwng diaflrama illuatrata tha

mattMd:

L'aaawpliirP Will* tut raproduit yted * >•

■Vwono wi

Blblloth^ioo MtionaU da Capada

Lao ima«aa Miivantaa ent *t« raproduitos avac la
plya tnind toin. compca tami da la condition at
do la nanatd da raaomploiro tilmd. at mn

loa ao n di t l a nc du aonuat da

Ua aacwplairac arigkiaua dont la eouwortwro 1%
pm^im aM ifl»prtni«a com f ilmda m eammancant
por lo otowlor plot ot an tarminant tait par la
damMro papa dui compono uno omprointo
dlmprooaion ou dmiotrotion. soit por lo tocond
plot, coton lo ooa. Taoa laa aMtraa aaampiatraa
orioinoiM cont Wmda an aomm onc aot par la
una amprainta

pfwniOfo popo dui awnpona una amproinM
dlmpraaaion a«i dlNvatration at 1% tarminant par
la damldid ppfo qui dPNipdfta una talia

Un daa aymboloa MiivanM apparaltra curia
damMra imaaa da chaoHa microfiche. Mian lo
SllltolvmlSo -» .igniflo "A SUIVRi". lo
•vmPoloVci«nifio''FIN''.

Lac cortoc. plonchoc. taWaau«. ate. pauwant «tra
fUmdo A daa taua da rdduction diff Crontc.
LorcQuo lo ddcumont oat trop 8»nd pour «tra
raproduit on un coul cMchd. il act fUm4 C partir
da ran^ aupdriaur gaucha. da gaucha * draita.
•t da haut an baa. an pranant la nombrc
d'Imopoc ndcoccaira. Lac diaprammaa cuiwanM
UlMstrant la mdtliodo.

Miamoopr moumon im own

(ANSI and ISO TiST CHAUT No. 2)

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fhehyrty. Nm York 1 .
(7t6) 482 - 0300 - Pheiw
(7ta) 286 - 5969 - Fo

USA

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Cbe

ynt^Niy of Cif e

By B. D« Olalsoii

111 o"t*liar ?ay3.. apart,
Ma.QVQjoi! daSi:..1;:-iroush-

- cut tlis year, -
i:eQii.._GIiristina3 ii

tir;

heart,

(WuAf-l.'h'UlM^.

tx/oo-tf^

UrM Pmt « aic$tiMe« IDa i.

25/

Wo^

>-**^^.<

CN SymMony of Cifft

OVE brooded over the years
till hit voice was heard like
the sound of bells pealing
across the desert. As I lour-
neyed, I looked eagerly thru
the shadows thst I might see Loye*s face
emerge froqi the darkness.

When it appeared it was as the face of
God. And all the way I was intent with open
ear to hear the great anthem of deep-toned
bells pealing like a symphony out of the silence.
But I heard also the jargon of the creeds, and
perceived that they who were intent upon
such things heard not the deeper voices, being
too bi*" r with things to care for the heart of
thin( ' leased with their own opinions to

hear h gs of the angels.

Now « aith and Hope |oined me in the way

and showed me the path over the drifting sands.

And another walked at my side, and as he

seemed to be wise, I asked him: "Whereunto

doth this desen path lead?'*

liiMiMWriirtiiiiinfffiwr-'-

!■•

Tk0 Sfimitkomf •/ LI/«

**It lefedeth" said he *V the land of cletr
vision and leif-realization. The sands are the
coverings that hide the face of the real. All
that is is within thee. God's promise is ia
thine own heart. The face of Love, the forms
of Hope and Faith, the voices of Nature and
the subtler appeal of personality are but im-
ages seen in a glass. That which is at the
heart of things is thine own life. Thou need-
est nothing outside thyself. Let the voices
within respond to the call of life, and thou
Shalt have )oy and comradeship, and the thrill
of it all shall be as the fire that leaps to beau-
ty in the hean of a iewel.

When I heard these things, I knew that he
who spake to me was Wisdom. Being mind-
ful of his words, I turned my thoughts inward
wondering what further light would break. Then
I heard a voice within me saying: "To him
whose heart is as the heart of a little child, the
eanh is full of heaven, silence is music, beau-
ty is the heart of the shadows. Listen again
and thou shalt hear the voices of the ancient
years."

I did to tod lo, the years etme btck with
silent feet and whispered, tnd I heard each
generaiion telling the next of a world of light
within the shadows, of i srthere of music more
intimate than the aenses. And the voicea of
the years rang clear thru my aoul, albeit the
nolaea of tims were thundering across the
world.

Then I knew that the voice of Love and
the word of Wisdom are the same, all the
muaic of the ailence, the whispers of eter-
nity, the voice of God one symphony of life.
I pierced the shadowa and semblancea, the
masks and wrappagea of life, for clear vlalon
had come and self-realization. And now I aee
that the purpose J life is not the achievement
of a deadny, nor the doing of thinga that we
may rest when *hey are done, but life is al-
together for IL * aake, for the toy of living
aa children who play together and are glad.
All true life la an arrival and diere la no end.
Death Is not a terminal, but a door to a new
houae of life. Every moral criala la a judgment
day and the present Is eternity.

We are alive that we may live. Love is no

^ Tk9 Sj fm^i t 9 •t Uh

temw M mm, of love*i appeal, but an eatraoce
» ■ toner y\9km, a deeper ioteaalty, a falter
es^reaajoo oTUfe. Faith la not a belief in a God
who Uvea oslylaa world to whieh weare toint.
It !• • fire kiadled oo the altar of Ufe-a fire
of whieh ereeda are but the aahea.

I BOW expect no reward for another'a aaeri-
fice, no eacape from myaelf except by atoying
the inferior that the nobler may appear. Hope
it to me a beacon naming from the hiUa of
victory, the triumph of aU God-conquered
Uvea fUnfing beama of light and beauty into
the deep heart-eyea of die world.

What am I doing wm}

I ani in the garden of life calling you to
ptoy with

(^MjOuGi^