CIHM
Microfiche
Series
(Monographs)
ICIVIH
Collection de
microfiches
(monographies)
Canadian Institute for Historical Microreproductions /institut Canadian de microreproductions historiques
Technical and Bibliographic Notes / Notes techniques et bibliographiques
ues
The Institute has attempted to obtain the best original
copy available for filming. Features of this copy which
may be bibliographically unique, which may alter any of
the images in the reproduction, or which may
significantly change the usual method of filming are
checked below.
□ Coloured covers /
Couverlure de couleur
I I Covers damaged /
Couverlure endommag6e
Covers restored and/or laminated /
I I Couverlure restauree et/ou pellicul6e
I I Cover title missing / Le titre de couverlure manque
I I Coloured maps / Cartes g§ographiques en couleur
D
Coloured ink (i.e. other than blue or black) /
Encre de couleur (i.e. autre que bleue ou noire)
I — I Coloured plates and/or illustrations /
n
n
D
Planches et/ou illustrations en couleur
Bound with other material /
Reli6 avec d'autres documents
Only edition available /
Seule edition disponible
Tight binding may cause shadows or distortion along
interior margin / La reliure serree peut causer de
I'ombre ou de la distorsion le long de la marge
interieure.
Blank leaves added during restorations may appear
within the text. Whenever possible, these have been
omitted from filming / Use peut que certaines pages
blanches ajoutees lors d'une restauration
apparaissent dans le texte, mais, lorsque cela etait
possible, ces pages n'ont pas ete filmees.
L'Institut a microfilms le meilleur exemplaire qu'il lui a
6t6 possible de se procurer. Les details de cet exem-
plaire qui son! peut-etre uniques du point de vue bibli-
ographique, qui peuvent modifier une image reproduite,
ou qui peuvent exiger une modification dans la m6tho-
de normale de filmage sont indiqu6s ci-dessous.
I I Coloured pages / Pages de couleur
I I Pages damaged / Pages endommagees
□ Pages restored and/or laminated /
Pages restaur^es et/ou pelliculees
□ Pages discoloured, stained or foxed /
Pages d6color6es, tachet6es ou piquSes
I 1 Pages detached / Pages d6tach6es
I I Showthrough / Transparence
Quality of print varies /
Qualit6 in6gale de I'impression
Includes supplementary material /
Comprend du materiel suppl6mentaire
Pages wholly or partially obscured by errata slips,
tissues, etc., have been refilmed to ensure the best
possible image / Les pages totalement ou
partiellement obscurcies par un feuillet d'errata, une
pelure, etc., ont et6 filmees a nouveau de fafon h
obtenir la ineilleure image possible.
Opposing pages with varying colouration or
discolourations are filmed twice to ensure the best
possible image / Les pages s'opposant ayant des
colorations variables ou des decolorations sont
filmees deux fois afin d'obtenir la meilleure image
possible.
D
D
D
^
Additional comments / This copy is a photoreproduction.
Commentaires supplemenlaires:
I
This Item is tilmed at the reduction ratio checked {seiow /
Ce document est (lime au taux de reduction indique ci-deasout.
10x
14x
18x
22x
26x
30x
K
tnsr
1fiv
?0x
24 X
28x
32x
The copy filmed here has been reproduced thanks
to the generosity of:
National Gallery of Canada,
Library
L'exemplaire filmi fut reproduit grace A la
gAn^rosit^ de:
Husee des Beaux -Arts du Canada,
Bibliotheque
The images appearing hare are the best quality
possible considering the condition and legibility
of the original copy and in keeping with the
filming contract specifications.
Original copies in printed peper covers are filmed
beginning with the front cover and ending on
the last page with a printed or illustrated impres-
sion, or the back cover when appropriate. All
other original copies are filmed beginning on the
first page with a printed or illustrated impres-
sion, and ending on the last page with a printed
or illustrated impression.
The last recorded frame on each microfiche
shall contain the symbol — ^ (meaning "CON-
TINUED"), or the symbol V (meaning "END"),
whichever applies.
Maps, plates, charts, etc., may be filmed at
different reduction ratios. Those too large to be
entirely included in one exposure are filmed
beginning in the upper left hand corner, left to
right and top to bottom, as many frames as
required. The following diagrams illustrate the
method:
Les images suivantes ont iti reproduites avec le
plus grand soin. compte tenu de la condition et
de la nettetA de l'exemplaire filmA, et en
conformity avec las conditions du contrat de
filmage.
Les exemplaires originaux dont la couverture en
papier est imprim^e sont filmis en commencant
par le premier plat et en terminant soit par la
derniire page qui comporte une empreinte
d'impression ou d'illustration. soit par le second
plat, salon le cas. Tous les autres exemplaires
originaux sont film^s en commenpant par la
premii&r* page qui comporte une empreinte
d'impression ou d'illustration et en terminant par
la derniire page qui comporte une telle
empreinte.
Un des symboles suivants apparaitra sur la
darniire image de cheque microfiche, selon le
cas: le symbole — «- signifie "A SUIVRE", le
symbole V signifie "FIN".
Les cartes, planches, tableaux, etc.. peuvent etre
film^s A des taux de reduction diff6rents.
Lorsque le document est trap grand pour etre
reproduit en un seul cliche, il est film^ d partir
de Tangle supirieur gauche, de gauche A droite,
et de haut «n bas, en prenant le nombre
d'imeges n^cessaire. Les diagrammes suivants
illustrent la m^thode.
1
2
3
1
2
3
4
5
6
#
.-.:'• '. I
ay.-..^ vvXiO o-TJ-Tr.
OIL Ab[D WATER COLOUR PAirTT: r^o.
W O mc S O T' >V Ti T ,
i.r.N I 1 ()i: riir. hha^iun. \ni)
Kxnd'.nr.n at tui: mi-.cu anto' hai. r..
WONTPvEAL,
ri;r.UL"Ai: V or i -i..v
l''l.,rii ■ih'u-' , '•■.'■r,./,; (■:■_.. "i i,' ;,.-..■ .l'.' „.,/).v i
rr.itM.i> ■^ri'.w: i-i;!-;.--, -l-'y.) :...i":i: ii\'.:,. "Ttir.f.T,
I S ."( .
f ri;ii.i: itn <kn i>: 1
.•^..^X^mtfrn-mK. .«h4»au.,t
i
^xt Ss:S:afl]viioa (fixMHti-Wi,
^'■
18 G5.
c.A.'X'.A.r.o a-"U"£2
or
OIL AND WATER COLOUR PAINTINGS
E.VGIIAVINGS, PILOTOURAPilS,
AM) or III; 11
■WOKlitS OF A-ilT,
li;nt foil Tin; dwamox, .\si>
EXllIUITED AT TIIK MECHANICS' HALL,
MONTRSAL.
I'EIJKI'AUY -J 7, iitio.
C'uncli 'fldiid iitCi'it'r'^'t. i.r;;.v'f;i^ jiritiut-i patine.
jnoiitrt:il :
lIKlliLD STEAM I'itlir^S, 209 NOXr.E DAilE STKEET,
18 G.J.
• •
r9
• •
OIL PAINTING.
I. in otic tiotnMo v.ny Kiifjlisli ait ililTeM I'rum llint of nil other European schools.
'1 ucy hiivo tlioir root iiior« oi' kss in niuiliaival tinii;s ; our'), in moJerii. Thiy nro
iiiflupiK'cJ in stylo or siiliji'it liy luitivn larliir niu.stoi'.s; we, by fonigners only.
Our eightpenlli tentury [jiiiiiti'iH haJ to ciciti- tho Iji'lieT lh.it KiipIanJ \\a* ublo to
prodtico Art: Itiily, J'laiii-o, Cliniii.iiiy iiinl tho Ai'thcrliitiiU coulil point to torinur
triiiiiipha with piiiii', or atmly thiin with cmul^itioii. Tho kiy to the tirst period of
tho Kiigllsh Kcl'oul is (riven hy this |i( ciiliiir position n[ ciriiimstnucos.
II. It is not iiitcniJeil, in thi.H nnil llin rollowln? siMiunruii'S, to p'lvv n ci\tiiln<;iio
of nnines, or ntlempt to chunicterizo every p.iintcr n-prcscuted in tlio Kxhibitiouj
but to >ki'(< li llio >ijirit of e:icli Si liool in its nwiiii phases, witli tiio t".ines thiit
guiiled its development. This will l>o done best by I'ollowinff tho cnursa of tho
fjrenter artists; lor these, like the fjre.itcst men or pre^itest books of any p''riod,
not only einbraeo the niuis of inl'i rior minds, presenlinj: them in n I'liirer und clearer
form, but iidd to wlmt they conld do, nil IJKit lies within the preroj/ntive of penins.
Four such nun — a hirpo iiuniher for one century — oeenr in thw eighteenth: —
llo^'arth (lO'JT— ITtil); Wilson ( 17 i:;—17--J) ; KeymdJs (17','3— IT'JC) ; Ciainsbor-
(ii(,'h (17'J7 — I'm). Thus the life of tiaiu>boroni;h, tho Inttst boru, covers thirty-
seven ye;\;s of the life of llogaith, the enrliest. Mow then did previous Art aiii'ot
these cie:it conteiirpoiiiries ' I!y wh:it e'ements oi thi'ir own did they lotuid nu
y.npi'iisli sehool in i» country whieh h.id hithi'rto known little but tho imtiirulizeJ
art of Holh 'in and Ziiceuvo, — of Kuliens, Vandyke, Lely. or Knellcr ? How far
did they carry nntivo painting ' A reply to tlle^e empiiiies will at onco contain
the essential plory of the llriti>h art of the last century, and prepare us, in souio
decree, to understand that of the present.
III. In his lil'e cot less than in his works, Jfopirlh present.^ a sturdy protest
r.painst all previoii; slyles. No nuiu more distiiu-tively nnd decidedly original and
creative — not evin Chidias of Athens, or (iiolto of I'lorente, — ever handled art:
Eo one, for ^'ood oi for evil. >.as ever less alfioted hy pro-e\istinff iuUueuces, or by
cnutenipura.y criticism. The uioilern art of JOnvopii began as completely with him
as its nioii'Tu poetry \^\\i l->ante j and ns Dante's fellow-couotrynieu were at tirst
unable to helieve that a great jioem eouhl be writtin in their mother tongue, so
Hogarth's were inerediilous tiiat Knglund could produce a painter. Ho tirst. with
a serious an I widely-extended scheme, [Uit into painting what Fielding put into
uovtd-writing ; lo' broii^.'ht the canvass down from mythology and pageantry, fiuJ
made it tell tiie real story of common Ut'u. — its patlios, lis lucaune-s, faihioui,
humours, tears, laughter, triumphs, and dipths of degn'.dntion. Chi>vui, 'ops,
lords, rebels, polititians, gan\h|i'id, laljonrer.s, soldiers, brides, mistresses, speud-
thrit'ts, poets, musicians, madmen — nay, the very wigs and nueues and walking-
sticks of the age, — all move and live on tho stage of bis marvellous theatre.
In a sense true of no olbei artist, noga-th held up his uurror to nature, and
gave b.ick tho form aud pressure of the time with a strength only equalled by
his subtlety, bleikespearo (idways exce])tional) excepted, no artist, not even
Cralbe, htis drawn so nuiuy characters for us, has given us so much healthy
laughter — so much of ' the .sorrowing by which tho heart is mado better.' Yet, iii
this prodigality of power, one thing is wanting — not pcrh.ips to hi* mind, but to
his pictures, — th" charm of beauty is not conspicuous here. Occasional loucheM
of grace or repose occur, the .seventy is not without sweetness; yet the liigher
Kphcre of lovliness is harijly reached ; there is no char .scuse of the poetry of nature.
Through 1ms stern, honest-hearted rejection of Italian mt, abused aud ill-estimated
as he saw it by the iiieu of timte about him, ho missed this gift in marked intensity.
IV. Not so with Hogarth's iminediato successors. The seuao of beauty, the lovo
of innocence, — no artists have enjoyed these nioro deeply than Kcynohls and Gains-
borough i nor in management of color, in light and shade, in gracufulness of liaa,
juJ deliucatiou of charttclor, have they been often etpialled. Their art, iu tecLnkal
•f •
c
'C
>^
c
d
I
9
g
"i i j: ■" i •- i
"3 — • - t. ... 1
. . — i ? iM •* t.
? -* Si "^ t w""
^ *« r ?- s ■ >?
i! i«. 2 •;
Si; c i" 2
- '■ ►-. Jl .'■ > -.v
"^ "rt S 3 a ■-■■ -
u:.i o n r:5 "--r
- ■; 5. 2 5 .:
''3 s
«
w
5 .'--3 ;7 "
:^
»*•- C '- «;
£
"^
Pim
s
tf
i'-^ H
'•f
^r
r
-
~ -^'iS M *"
.t
!Z
r?,i=ii
■—
b^
= -^'.2 ■;''•
? ="1^ t; t T'i .T"! "" ;- - ' I .-; . ?": i = = i =r -'i B i"=i-n:"t «" ?•-
:-5ic --'I J s ri-l^ : : H 2^£ i'; =r .^t ^1 --l ►,= '""•r^l sis
I- Ell'ili -iiyl-fflli -jfPi: -iss-HHli'tci'^-l'-
•5-.
• •
• •
• •
r-i
o
• •
V.
5
• •
— ™ - :i <; •-
a-. - — 2 <; 'i r- .= .2,— .s~j5 3'C^ U-. 05 S Si:,a
.-" 3 ^ - V :; .•
V. T —
^ o -5 " i H 'i
l":3 r i
r|i ^J J|"i'T--i'^rj| ? 7'^'£ I'll t'-i "-•=• li| : I ?'-i f iii^ll s'^.? ='| ?-f I "'.'I,
-: -^ Z -
c b 7? ' --• -
1-. ^ ■_ •- z 1
- ? T-i-T^.r'-
• •
• •
• •
t'i-tfc'^-H'^ ="5's ^-S s-i:^ /: I = •.• : - '-z-'.-i-r 'f~- r. -3i-?..' c to I -tJ v',- S±'^..^f .= I = ?. 5 J g.i;-^ J J
2v = 7_'S21;'c.5
■^ *; » o 2,^_n -^~— :•, .- - .J r: ~ 7 C - ,•■; f^ ir .- = -.- Z - 'i ^ ; .- — " r I?' " = ^ .5 U 5 -^ - ■= ~ "^ '"''.= ~ - ? ^3 m. -n" '^ o-a •a
r •
~ p
■ %u
C 1* ^
"C
-* i £""
■^ C '.' = ft =
= ^
:- V. -. —
:.• ■/. i;* — j= -^
r; ■/.
i/-
5 -■ 5 ■—
. " •^ ■ "■ J^ ut
f* "
- *"* ij ^
•—
— •-( *
~ _; y .. ,M ^..
i": 7
"/'■"' 1
c
"3 V g
C :5 "' T" i"^ "
:; -:::
•^ ** ~ ^
ir
^ iS -r--
= " c -r - f-TT
T ™
5i r" - --
>:1 - b -- •- ^
; 2.S --j^ > J
■:'^>.J1.:i.;;-r^
- '• V ~ _ -■ ^ yj
:: a o --=c-<
m^
• •
12:
M
El
M
<
o
O
o
Eh
# » - •
2 ~ -r — ~ i 5; — -^ ii ■" :;
r V r: >.•■• y'~ t I •-" ■-'" r S - £ 2 c •- 2 ? ti 9-3 2 fj- Jl
3 ^
-• . '. ~ ^- -r ^ .^
tC V
i'S =
■£*^
" i ^
s^
^ > i-
"^r. ., ,t
I- t;
S u<
"c y ~ ^ = ■•? i-i = " - •
c
5
»^,
z
^
^Z'.
tf
5
^
5^
■r
-r
c;
•"-r
: s ti.~ — ' -2 „ T i ^ :: "
• •
I — r. J.
1 ^ b V
• " = /: tt ^
- iT 2 -
■ - t- — - J"
' J '• -H'C i
?.= : y- }^_ |s ^2
•. .. X = i 1 - • S r 2 S ? P
i -j-f ? ■
t
; -.' ? t." a: ») ;j
o
O
o
o
ij
o
li
o I ■= -' '-■- o S 2 '3 - V^"? 3 2 t? 3 "2 c 's = -r L' '" " " -> H i " 2 •'" i? = 7. ;-, '■; "^ J 3 i 4 5 . S -^ S 1 -" ?: = :-' "5 1 i •£ J ; g i ^ =
>.•/;-: — .; ; -r i o £ ^ -r T •■ S r .'i ■S .- ~ ; ~ = 'r it'.
y- — "^ - -• >
'..-:; C t' 5 ? -
2 '' '- ~ -r = •
^ ^ -* 5 " '^ /
-' - ^ - /• :^ -
o . 5 — '^ • -'- .* ^
T - S ^r "
." i o i t: T -
^
M
>
o
'-■-"■;= ~ H: ■^ .= ■_•'-'-/ i: ^ '^ ■
o j: =
%• r S
,„ .-S 2 .1 = - ;: ^ ^ '-5 o ~ 3 - -= _ > i: _ — 7 .i i -^ : :r "O S = ^ y
I I S I ^ f = <?t ^
:; „ -J _u
^.r-"^-
1 K-^jSs^iis^Ki^zr-riCLjStsSrts-Ca-^to >---i«
i^
e
cs
o
ir.
J -S 6 J, i. .- ^ ►■ V }
■- - -r '» >.,^ .; ^ .*
•■".n.? ? °--. *:;: J;"
= ^i = ?c^is-^i.= =;=i|'i^iiii^ si^^nfill^si^ i^ilfSJl^sl'^fllliyPIII I
u J - ii ;
CO
O
H
M
H
M
o
n
o
a
o
■A
I
m
U
6
c
V
a
5' ^
C
I
•3
?!
S irf F »^
Jit
o St
I
t
is
i
I
o
3
3
to
a
§
* S
" - =* i' .rt
C
3
a
•t
o
I
erf
'•;•
i w 5s ^
t^ ^* ^
^ ^ «
a
•2
o
1^
-3
%
e
u
e
to
I
(>i i; 7. a ?i
?•, ^3
s
u
o
s
3
£
a
I
t d
-5 S5 ■= a a
?. ri "<- M fn
:S 1
s
O
'3
3
if
I
"a
■c ^
-: 1
ig
I
Si
a
o
!i
w
I
I i
<a <« k.
»» M
s
>>
«
^ o
> * iJ
•=* S
B
^
'Ta rt
Jo
rt
a
a
5
s a
•3 rt
%'2
o
3
■T3
4^
13
rt
o „-
C'-' -5
'" .2
»-•
.£3
u
2 §
> fc- o
S S sj
a^
rt
s
1=.
"" "rt
^ o >.
(3
o
J3
o
E ;<
=4 w rfa
f=-^
rt
J3
fc=
h
" . ■*-*
a -u
<= s
O
o
.
ri ,''- to
>>«2
.2
"o
'rt
O rt o
S .2
a>
.a
o
>-•
?o2
- o o
•M _ a
>
-^ o
p
!3
o
rt
rt
5 sU
2 ^
^ to
s
^3
.5 a
'3 .2
2 •= 5
n
r3 ij
♦^
o
^
1.
o
a
a
£
rt
s
a-H
r' '5 ^
>,
4^
rt
-*-»
O
o
m U
£-• rS -
c
<1
o
o
o
CO
•4J
r— •
C
3
.:: O
-;> ci
iZ, _ v._
^
•::• -^,
ka
t»
-::• p
1?
5
.3 W HH
o
a-
1— 1
O
•A
t3
to
s
'u
>»
rt
O
u
•4J
o
SO
s
'a
-**
e
c
5:
CJ
^
fc.
6
HH
1— t
S^
W
r*
o
«
O
o
i-
01
5 I
§>
?5
to
S
C
-5
.<
1— O
'£1
5!
^
^
>"
h
>',
X
Tr.
^^
_,^
^-^
<<
>«
/^
>-^
>l
>
>"
'^
P^;
tp
>*
'<^
V.
/5
S5
=.
k;
V.
«
KH
c
tr.
L<
o
C/
U
t— t
^
d
•z
Tt
r^
0<
c«
i ■;■ o
-? o o
CI e> CI
TO
►^ o t- e-
O -H
CJ CI
k: ;i
q 14
t. =:
c: O — CJ
V.
9
CI
•Jt
c
5
trt o
d
t-3
K
3
H
-J
> ^ 7
c c
X' ^
o
-3
(3
.2 a
'/;
c3
^ |*V
^ s
C4
3
O
1-1
s
•c
o
o =. =
a
so
a
'o
O
-ti " "tl
o
to
3
-S -3 P -S
^ ^ J. ^
r -t- >'. =
• 5 "5 h
fe O
a
•A
c3
>-5
5
13
3
-3
t/3
,2 o til
3 01
CO *
-3
C3
C5 r- 75
c; o o
- o
a
d
•
O
o
c::
y
eft
m
c
O
O
d
-r
f
K
M
o
^
rr.
w
>.
t>.
>.
CJ
^
^
£
c
s
•*>
O
6
r
P5
"-5
o
o
H
o
1
C^"
■3
-3
P4
<
w
f4
'-'
>-9
.??
.
■o-
,
■
v=0
*
s
tc
o
,
c;
o
u
•-•
c:
c3
e
3
C
O
1
d
d
kl
ci
o
6 t
c
n
>—<
•—1
c
1
i
*3
S
C
1
: s
.= f^
4 F
'3
a
o
a
3
a
d
d
;
j
■-;
'
1 ■;
>i
tn
el
,
^
J3
* •
.
I «
•
.
e
: ;
;
«-
c
»
■• 3*
o
£
I-
* -
^ »-
. t-
;
5
' >»
: E^
o
c
ts.
>i
-4-3
o
■r.
■c
c
1-
4 c
1 1
1
1
c
^ =
* j
3
:: 1
J c
3 =
i "-5
rt
O
o
_o
■
'/5
V
. 1
?1 r'
■« **
""
' to
tj
K
c
■rr
J 1
^
= c
5 t
\ 1
i
i-
-
3 E
2
F
2 S
o
o
3
P
6
^*<
i-j
t.
3 r-
«
CJ '
D
H ■:
1 M
-
i* 1
"3 ^
s
rs o
-t - <
*> '
■?
t* L-5
3 r-
00
o
i-
I'
t
(-
c-
I-
C 3
g
CO
O j
ID
O
X.
/j Cl
s
^
:^
ei
o
H
O
P
o
(J
t
14
H
2
3 0?
s Ti i
k3 ^ C<
a "■ c^
^ ^ a,-
o
-3
O
S "«
o
-3
o
a o
^ 3
o
W I
u
o
^ u
o
-3
.to
O
[^
3
to
O
n
a
a
a
"3
60
to
&; >^
a
O
%•
m o
3
O
aj K cj
K
k;
= '3 "o •" -r ^
o
I.
O
O
3
o
o
C
o
a
" ^ pa
C!
O
^ 2
? to
a 1
n
•-J
B
O
S !^ > =-«
3 S: s =.
W
•z y.
o
CO ^
o
O
u
g r 2
^ -^ a
a > a
1-5 ♦ iJ
2
r5
'"^rS.^^ c c cc
-4
fe r-
?= w <
<1 A < -3 i fc
fe
'^ ^ H CJ
= P5
W
c
SI
B
o
to w
S — ^
1-
o
a
5
rt o
e
I
I I
>
e- '■'^
O T-.
'■5 O
#
V.
■f.
o
o
1 =
3 3
.2 I
05
tS >
^4
I
s
^
o o
!«
/•,•••
•••*.•
o o
■a -3
o
o
2 5 3 "^
6 ,'i . ^ u «3 o f^
« T- ^; > s
?^ t< 1-3 S^ >-:» >->
o
-3
to
to
s a
— K
£ 2 rt =
3
to
o
•S .2
Si s- -=
■^ 1^
t: Si
a
O
•/I
5 g
g CO
O Pi
-= — Si '^
•t; 3 «
u. s "^ *: "^ r:^ c5
« - o "
o c: -* >>
= in 3 5
o .5 o -2
o
— X r*
"5 13 _3
3 9:.^
3 3
o
c
13
2'
X.
s
_tp
"5
a
C5
-3
.X" g
to
d
o
o
•
O
15.
M
J?
H
<i
f^
o
1^
o
o
«
EH
H
o
u
•^ o c o
to
o >-<
to
a
o
g o' u °
^ '3 ^
iz;
r3
r3 <= a -
-^ '3 tr, rn
"5
en
3
to
A r-. >-
C
&.
9
3
3
to
a
o
-A
F=
&
o
a
o
o
3 ?
c
o
■<
>-3
o
W
y ,3
3 I-?
^
H
P-
C
5" £ p o
i_; '^3
o •— <^'
?; 'f '■>
3
ii ■
M
S SJ f
,— I— »-* CI
o
H
■A
;5 -2 ^
.S
•^ 'C
d
K
5 I
I
y
r3 .^ /.
a '^
o
►J
(2
"s 5" to
2 « .5
"tj "^ "S
o
3
K o :;•
c^
s. a
s
5 S
o rs a
u «^ -c ^
o
P)
c
C/l
X
S
O
,^
C
to
U
e5
o
r-l
l-H
a
O
1-
00
C5
06
»
m
r>
S
H
o
;;
H
:
n
"T.
•
<
c
P
> r:;
rH
c
r^
to
.5 5
i-c r"
;3 =
■5.
'5 c
O
o
«5
3 O
►J .r:
a c =
o •- n
5 ^ H
3 O
rs ^ >.
O
£, »
to
*i)
c
c.
n
u
."
c;
t;
!-•
^
2 -
S -2
5 §
o
-3
Ut
O
a
1-3
•^ -5 ^ ^ <^
3
o
.2
o
s
•
Yt
r.
r!
c
5
O
Eh
1
n
"3
<
c
c
c
t— 1
o
►H
*
-r^
>^
tu
c
>•
J3.
H 6
CO
C5
o
o
CO
-*•
CO
r-
TO
C5
C3
CI
o
eo
00
C3
o
CJ CO
•
1
-2 > ^
a O
o s
— rt
.5 ?
a - o
<t ;h
Iff
H
1-5
3
-3
I I
o
o
a
o
3
3
•c
>
<
C4
u
H
^ a .-!
2 i o
^H .^ -^
i=< O r/2
X < H
, ,
s
o
^
/-J
o
;^
2
'«
*i
<1
p-5
^
u
r,*
6
W
S -2 "
o
O
a
o
a
y.
3
• ^ »^
6
■ « ^
<j
1
- a
c
e
X
■£
3 -' ^ _,
a ^
-§ -2 o -3 ^
o
o
S
o
3
«
w-i ^ ^-
.Sot;
-5 H -5
^ ^ o
= o
C.)
c ^ is
S -"^
o
>ii T= o .S,
e
H
O
K
•
n
a
Z
.4*
es
o
s
n
5^
8 -.
Si "J" a
I ■= ■
i, j; ^
-i » E-'
1 2
-= j!
^ <
r
b
CI
£ S fi 1
o c
-i< I- O
-= ^ >'- -r a
?5
s
2 5
ii 57. w 5i
f 2S
a e
^ T
^ n
I-
o
»•?
o
w
o
o
o
W
H
D
3
H
12
a
•
K
o «
3
^
■^
ri 'S
U
"^
= c
000
■ ^
r
<;
o
c-'
1^
r3 r: rs
" T
jj
S
'
1
-5 ^
c
c
.
-§
c
C
^
Z
3'
£4
D
k-
M
-r;
)o
c
■n
cj
c:
H-i
J
. *j
•r
2
f— «
1
1
4-1
2
i
1
til
i
>
•J
-r'
t
tr.
J
•J
>
i-
'3
s
5*
rt
1
1
c
5
^
■/
>
^
?i
'!?*
=
rj
"s
hJ
P-4
"3
^
tl
^y
<;
u
5
1
U
;3
, *j
rt
'^
>•
n
•
J^
r
c
^
<
5
>
o
r3
r; X. ■
a 5=' »•
2
5
3
o
c
rJ
e
O
o 3
.ii -.5
2 o
I ll
o
K
^:3.
i
en
C
p:
»-,
<
h
P
r
1-
P
O
K
W
O
^ *~- .L
?^. <• <
^ 2
i a-.
5 'i
o
C2
a
o
H ^
31
-5 ^ C
pi ^
c
t "s 2
— ^ — ? r-.
-- r^ -H hi ~0 '^ '-'
£ £ = C
S f=
c= - -
to ■«
to 3 ^
c 9
2- "^ •_
S = ":?
c
^ ^ CJ
^ O ^ i
C- 13 o
O
P
-' "J^ ej
D '-J
•C o
i2 £
~' •r.
■^ ?.
55 M
S 5
to «-
5 o
^ C — f-* S £ -" «= ^''^
C 2; h5 £-1 O "-^ ^
O r:^
f
! •
II
»
)
m
;c'o;c.\;!iA'!:i,i) :■.•; i vu:\\ c.\y. xiii. !'';■''>
.■•;vjh;
HIS EXCEILE:;0Y the GC-.'''N0^ Gt';;R:L.
i.irt.i'^cn;:
THE ^10ST REVER:f;0 THE lORO QiSHCP Cf MCNTREU A";0 .VETf-'O;!;;?;,
I>i:c-Urc5l5crt:
•I
>rT-^-i;<. A. D. l'Ai;i::.n Mi;=-;:-. T. Ilri.i-ATn.
Amiukw '\V;r.-ij\ n. ( n wi.i.ui.ir-
.iAMi.s (,I'i:;ii'>N T, [I, \\\\r.
Tjio*. ItntMKi: T. ^.i.,:i:y Hi vt
V. IS. >r' [!r,:%\< !'. I.vv.r..::i,
fir.ii, A |);:r\i\ioNP ■'.V. ];. l.\Mi:::.
.Arii. vr. ir. a. \t\\iF.<.
>[':. I!. Ct' \Mf;!.!:r.!N.
>ri;. >. K. I)\v.-oN.
Mu. T. I). Kisr..
^rt ^.'-uiou nml c-xiiilntiau ^:o!umUtci"..
>ri<-^T!>;. ]i. Gir.v.
W. ir. A. Dwrr.s
T. D. Kixc
■\V. I!. I.\>fi;i.
PKiri: l;.,."-A-:,;
T. Stkhkv Hlnt