CIHM ICIVIH Microfiche Collection de Series microfiches (Monographs) (monographies) Canadian Institute for Historical Microreproductions / Institut canadien de microreproductions historiques Technical and Bibliographic Notes / Notes techniques et bibliographiques The Institute has attempted to obtain the best original copy available for filming. Features of this copy which may be bibliographically unique, which rnay alter any of the images in the reproduction, or which may significantly change the usual method of filming are checked below. D D D D D Coloured covers / Couverture de couleur I I Covers damaged / Couverture endommag^e □ Covers restored and/or laminated / Couverture restauree et/ou pelliculee Cover title missing / Le titre de couverture manque I I Coloured maps / Cartes geographiques en couleur □ Coloured ink (i.e. other than blue or black) / Encre de couleur (i.e. autre que bleue ou noire) □ Coloured plates and/or illustrations / Planches et/ou illustrations en couleur Bound with other material / Reli6 avec d'autres documents Only edition available / Seule edition disponible Tight binding may cause shadows or distortion along interior margin / La reliure serree peut causer de I'ombre ou de la distorsion le long de la marge int^rieure. Blank leaves added during restorations may appear within the text. Whenever possible, these have been omitted from filming / Use peut que certaines pages blanches ajoutees lors d'une restauration apparaissent dans le texte, mais, lorsque cela etait possible, ces pages n'ont pas ete filmees. Additional comments / Commentaires supplementaires: L'Institut a microfilm^ le meilleur exemplaire qu'il lui a 6t6 possible de se procurer. Les details de cet exem- plaire qui sont peut-etre uniques du point de vue bibli- ographique, qui peuvent modifier une image reproduite, ou qui peuvent exiger une modification dans la metho- de normale de fiJmage sont indiqu6s ci-dessous. Coloured pages / Pages de couleur I I Pages damaged / Pages endommag6es □ Pages restored and/or laminated / Pages restaurees et/ou pellicul^es Pages discoloured, stained or foxed / Pages d6color6es, tachetees ou piquees r Pages detached / Pages d6tach6es I /[ Showthrough / Transparence I I Quality of print varies / D D Quality inegale de I'impression Includes supplementary material / Comprend du materiel supplementaire Pages wholly or partially obscured by errata slips, tissues, etc., have been refilmed to ensure the best possible image / Les pages totalement ou partiellement obscurcies par un feuillet d'errata, une pelure, etc., ont et6 filmees a nouveau de fa?on a obtenir la meilleure image possible. Opposing pages with varying colouration or discolourations are filmed twice to ensure the best possible image / Les pages s'opposant ayanf des colorations variables ou des decolorations sont filmees deux fois afin d'obtenir la meilleure image possible. D This item Is filmed at the reduction ratio checked below / Ce document est filme au taux de reduction indlqu^ ci-dessous. lOx 14x 18x 22x 26x 30x / 12x 16x 20x 24x 28x 32x The copy filmed here has been reproduced thanks to the generosity of: .Montreal Museum of Fine Arts Library L'exemplaire film^ fut reproduit grace k la gAn^rosit^ de: Musee des Beaux-Arts de Montreal Bibliotheque The images appearing here are the best quality possible considering the condition and legibility of the original copy and in keeping with the filming contract specifications. Les images suivantes ont 6x6 reproduites avec le plus grand soin, compte tenu de la condition et de la nettet6 de l'exemplaire filmi, at en conformity avec les conditions du contrat de filmage. Original copies in printed paper covers are filmed beginning with the front cover and ending on the last page with a printed or illustrated impres- sion, or the back cover when appropriate. All other original copies are filmed beginning on the first page with a printed or illustrated impres- sion, and ending on the last page with a printed or illustrated impression. The last recorded frame on each microfiche shall contain the symbol — ^ (meaning "CON- TINUED"), or the symbol V (meaning "END"), whichever applies. Maps, plates, charts, etc., may be filmed at different reduction ratios. Those too large to be entirely included in one exposure are filmed beginning in the upper left hand corner, left to right and top to bottom, as many frames as required. The following diagrams illustrate the method: Les exemplaires originaux dont le couverture en papier est imprimis sont filmis en commencant par le premier plat et en terminant soit par la derniAre page qui comporte une empreinte d'impression ou d'illustration, soit par :e second plat, salon le cas. Tous les autres exemplaires originaux sont filmis en commenpant par la premiere page qui comporte une empreinte d'impression ou d'illustration et en terminant par la derniAre page qui comporte une telle empreinte. Un des symboles suivants apparaitra sur la derniAre image de cheque microfiche, selon le cas: le symbole —^ signifie "A SUIVRE", le symbols V signifie "FIN". Les cartes, planches, tableaux, etc.. peuvent etre filmis ^ des taux de reduction diffirents. Lorsque le document est trop grand pour etre reproduit en un seul cliche, il est filmi A partir de Tangle supirieur gauche, de gauche i droite, et de haut en bas, en prenant le nombre d'images nicessaire. Les diagrammes suivants illustrent la mithode. 1 2 3 1 2 3 4 5 6 MICaOCOPY RESOLUTION TEST CHART (ANSI and ISO TEST CHART No 2) 1.0 I.I 1.25 1^ 111^ ^ m III— III 4 l-UI. 1.4 2.5 2.2 ZO 1.8 1.6 ^ APPLIED IM^GE nc '653 East Mom Street Rochester, New rork 14609 USA (716) 482 - 0300 - Phone (716) 288 - 5989 - Fox CATALOGUE -OK-- PAINTIi -A N I ) Vv ATER COLOR DRAWINGS BY IIIK I.ATK Hllan Gdson, n. a. h. TO BE SOLD BY AUCTION. AT No, 1827 NOTRE DAME STREET, (OTTAWA HOTEL BUILDINGS) TUESDA Y AFTERNOON, 2gih MA V, AT TWO O'CLOCK. 18^ K M. HICKS & CO., Auctioneers. NOW ON VIEW. « CATALOGUE. f WATER COLORS. J/ ..TROUT STREAM. ..COMIXG FROM WORK. li^y^ 3.... COW-PATH IX THE WOODS. ^/ 4. . . .SKETCH, RETURNING HOME. ^/ » 5. . . .IN THE FIELDS, GLEN SUTTON. }^ 6 . . . . SKETCH, THE WOOD CH( )PPER. ^J, j~/> 7 . . . . WOODLAND. 8.... EDGE OF THE WOODS. 9 . . . . INTERIOR OF WOODS. 10....NEAR1NG GLEN SUTTON. jr. 11.... EVENING. 12.... NEAREST WAY HOME. 1 3.... S ALTERS. 14. . . .TWILICillT, WINTER. 15.... DOWN HY THE STREAMLET, GLEN SUTTON. 16.... A WINTER'S GLOW AETER SUNSET. 17.... ABANDON ED ROAD, WOODLAND. 18. . . .ACROSS THE CREEK, GLEN SUTTON. 19.... BROOK IN THE WOODS. 20.... ACROSS THE VALLEY, GLEN SUTTON. 23.... LUMBER SHANTY. 24 ... . PLAYING IN THE SNO^V. 2.5.... RYDER BROOK TROUT STREAM. 26.... ROAD OVER THE HILLS. 27.... BIT OF A PASTURE. 28. . . .SUNSET, GLEN SUTTON. 29 .... A BRIGHT DAY IN SEPTEMBER. 30.... A SUNNY DAY. id, 21....VALLEY, GLEN SUTTON. ^^, 22. . . . A BIT OF JAY PEAK, GREEN MOUNTAINS. i ^, 31 ... . lUT OF GLEN SUTTON. 32.... LIFE IN THE WOODS. 33 ... . FOG LIFTING. 34.... ON THE ROAD TO GLEN SUTTON. 35.... HERN E BAY. 36.... A MORNING IN WINTER. 37 .... A FROZEN CASCADE. 38. . . .WOODLAND, DAVEN'S UROOK. / 39. . . .LUMBER HUT IN THE WOODS, WINTER. 1 f)0. 40 ... . OLD LUMBER ROxlD. ' ^^ ' 41 ... .A WINTER'S DAY, RETURNING HOME. / !>^0 . 42. . . .OLD LUMBER ROAD, BOLTON FCJREST. / J f> 43 ... . SILVER MOUNTAIN, GLEN SUTT( )N. / / D. 44 ... . CASCADE IN BOLTON FOREST. / Ji D . 45....WOODLAND, BOLTON FOREST. . ^ /W . OIL PAINTINGS. U) ...IN TIIK MOI^VTAINS, OLKN SUTTON. Kxhibitfd dt tlio Royal Cunadian Kxliibititm, IHHti. J7. . . .CKKV DAY, CKKXAY, KHANCK. 48...."nirKNS"'C()TTA(}K. 49. . .FULLWKLl. I'ARK NKAK .STHAWUKRHY HILL, MlUin.lvSKX, ENGLAND. ^ S^^ 50.... OLD KLL\ LN TOWN oF AYK, SCOTLAND. T)! . .. . WOODLAND, CLLN SUTTON. 52.... OLD WILLOWS. r);i....OLD WEIR NEAR IIOUNSLOW, ENGLAND. 54.... PATH THROUGH THE ROCKS. 55 .... COAL MAKER'S IIUT. 4f- 56 ... . STAR AND GARTER, RICHMOND, ENGLAND. / /) 57 ... . OLD WALL, SCOTLAND. //. i 68 . . . HKATH, CKKNAV, KRANCK. ^f f/ r)n....sTn>Y 'k tree. )r GO. . . .SUNNYSIDE, NEAR TEDDIXCiTOX, ENCiLAXF). / ^. 01.... SUNSET ON THAMES, NEAR TWICKENHAM, ENGLAND. ff. 62.... OUT CAMPING. Oj a. G3....0N THE THAMES. / . it). 64.... A PEEr OF THE OLD CHURCH, TWICKENHAM, ENGLAND. i f. 65 .... STUDY OF ROCK, SPRING. ^ f CO.... EARLY SPRING, FRANCE. JC WATER COLORS. 67 ... . MONTGOMERY CREEK. 68.... ON THE THAMES. 69. . . .STUDY, AUTUMN TINTS. 70. . . .ROUNDTOP MOUNTAIN, (;LEN SUTTON. 71 . . . .STE. ANN'S, PETITE P.RETAONE 72.... STUDY OF ROCK AND WOOD. 73.... WATERFALL IN THE WOODS. 74. . . .BON AIME ROCK, SAGUENAY^ 75.. 76.. 77.. 78.. ..GREY DAY. ..GOING TO WORK. IF. 13. ijP. HAZY MORNING, GLEN SUTTON. i 0- . .SKETCH, THE GLOW THROUGH THE TREES. Xlj, I 79....TUSCA ROCK. 80.... SHANTY NEAR GLEN SUTTON. 81 .... A COOL SPOT, GLEN SUTTON. 82 ... . STUDY, BIRCH TREE, TWILIGHT. 83.... TROUT STREAM, 84 ... . GOING FOR WOOD. 85 .... BIT OF BROOK. 86 ... . NEAR GLEN SUTTON. 87 ... . SOUTH STACK, HOLYHEAD. 88 ... . SUNSET SKETCH. 89....TUSCA ROCK. 90. . . .EDGE OF THE SWAMP, SUNSET. 91 . . . .EDGE OF THE RIVER BOLTON. 92.... A BIT OF GLEN SUTTON. 93. . . .STUDY OF ROCK AND WATER. 94. . . .A STUDY OF TREES, GREY DAY. 95 ... . FOG SALTERS. 96.... A DRIFTING DAY. / Jf. iiP. /A /;• 4f. 2i. il 11. n- 40. 8 97. . . .THROUGH THE PASTURE; APPROACHING STORM. 98. . . .THE BRIDGE, GLEN SUTTON. -? /"'^^ 99.... PART OF GLEN SUTTON. 100.... SUNSET IN WINTER. 101 ... .A PEEP THROUGH THE TREES. 102.... IN THE WOODS. 103. . . .MONTGOMERY CREEK. 104.... LOGGING SHANTY IN THE WOODS. 105.... WOOD AND COW. 106 STUDY, BIRCH TREE. IS.