CIHM 
 Microfiche 
 Series 
 (l\/lonograpiis) 
 
 ICIVIH 
 
 Collection de 
 microfiches 
 (monographies) 
 
 Canadian Institute for Historical Microreproductions / Institut canadien de microreproductions historiques 
 
 OkOkCk 
 
riques 
 
 Technical and Bibliographic Notes / Notes techniques et bibliographiques 
 
 The Institute has attempted to obtain the best original 
 copy available for filming. Features of this copy which 
 may be bibliographically unique, which may alter any of 
 the images in the reproduction, or which may 
 significantly change the usual method of filming are 
 checked below. 
 
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 Coloured covers / 
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 Couverture endommagee 
 
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 Tight binding may cause shadows or distortion along 
 interior margin / La reliure serree peut causer c'e 
 I'ombre ou de la distorsion le long de la marge 
 interieure. 
 
 Blank leaves added during restorations may appear 
 within the text. Whenever possible, these have been 
 omitted from filming / Use peut que certaines paces 
 blanches ajoutees lors d'une restauraticn 
 apparaissent dans le texte, mais, lorsque cela etait 
 possible, ces pages n'ont pas ete filmees. 
 
 L'Institut a microfilme le meilleur exemplaire qu'il lui a 
 ete possible de se procurer. Les details de cet exem- 
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 ou qui peuvent exiger une modification dans la m^tho- 
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 Pages wholly or partially obscured by errata slips, 
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 obtenir la meilleure image possible. 
 
 Opposing pages with varying colouration or 
 discolourations are filmed twice to ensure the best 
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 colorations variables ou des decolorations sont 
 filmees deux fois afin d'obtenir la meilleure image 
 possible. 
 
 Additional comments / 
 Commenlaires supplementaires: 
 
 This copy is a photoreproduction. 
 
 This item is filmed at the leduction ratio checked below / 
 
 Ce document est (lime au taux de reduction indiaue cl-dessous. 
 
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The copy filmed hare has been reproduced thanks 
 to the generosity of: 
 
 National Gallery of Canada, 
 Library 
 
 The images appearing here are the best quality 
 possible considering the condition and legibility 
 of the original copy and in keeping with the 
 filming contract specifications. 
 
 Original copies in printed paper covers are filmed 
 beginning with the front cover and ending on 
 the last page with a printed or illustrated impres- 
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 other original copies are filmed beginning on the 
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 The last recorded frame on each microfiche 
 shall contain the symbol — ^ (meaning "CON- 
 TINUED"), or the symbol V (meaning "END"), 
 whichever applies. 
 
 Maps, plates, charts, etc., may be filmed at 
 different reduction ratios. Those too large to be 
 entirely included in one exposure are filmed 
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 right and top to bottom, as many frames as 
 required. The following diagrams illustrate the 
 method: 
 
 L'exemplaire filmd fut reproduit grace k la 
 g^n6rosit6 de: 
 
 Husce des Beaux-Arts du Canada, 
 Bibliotheque 
 
 Las images suivantes ont 6x6 reproduites avec le 
 plus grand soin. compte tenu de la condition et 
 de la nettet* de l'exemplaire filmd, et en 
 conformity avec les conditions du contrat da 
 filmage. 
 
 Les exemplaires originaux dont la couverture an 
 papier est imprimAe sont film6s an commenpant 
 par le premier plat et en terminant soit par la 
 dernidre page qui comporte una empreinte 
 d'impression ou d'illustration, soit par le second 
 plat, selon la cas. Tous les autres exemplaires 
 originaux sont filmAs en commenpant par la 
 premiAre page qui comporte une empreinte 
 d'impression ou d'illustration et en terminant par 
 la derniAre page qui comporte une telle 
 empreinte. 
 
 Un des symboles suivants apparaitra sur la 
 derniAre image de chaque microfiche, selon le 
 cas; le symbole — ^ signifie "A SUIVRE ", le 
 symbole V signifie "FIN '. 
 
 Les cartes, planchas. tableaux, etc.. peuvent etre 
 filmAs A des taux de rAduction diffArents. 
 Lorsque le document est trop grand pour etre 
 reproduit en un seul clichA, il est filmA ^ partir 
 de I'angle supArieur gauche, de gauche A droite. 
 et da haut en bas, en prenant le nombre 
 d'images nAcessaire. Les diagrammes suivants 
 illustrent la mAthode. 
 
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 2 
 
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 1 
 
 2 
 
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 6 
 
MlCKOCOHY RESOIUTION TEST CHART 
 
 lANSI and ISO TcST a-^^:•(^ No 7] 
 
 1.0 
 
 I.I 
 
 !.25 
 
 '- IIIIIM 
 
 III 3 2 
 
 5„ 
 
 
 1.4 
 
 II 2.5 
 
 1 2.2 
 
 2.0 
 1.8 
 
 1.6 
 
 ^ ^PPL-IED IM^GE_ Inc 
 
 =1 ">^i Last Ma>n il^eel 
 
 rjZ ■■ ^ches'er. Jew York U609 U5A 
 
 ■= '16) 482 - 0300 - Phone 
 

 
 N910 
 
 S33 
 
 A51 
 
 1886 
 
 c.l 
 
 ^i^M BcfinPBcoK i[ , ^9 
 
 1 ■ , ' 
 
 EXHIBIT 
 
 WofI^ by the Jugils during it| Jfirlt Jerm, 
 
 IN CONNKXTION WITH TBK 
 
 PERMANENT COLLECTION OF PAINTINGS IN THE GALLERY. 
 
 PRINCIPAL Of CDUC«TION»l. DCPAHTMINT; 
 
 JOHN HAMMOND. 
 
 AN EXHIBITOR IN THE RO>?AL ACADEMY AND THE PARIS SALON. 
 
 trustees: 
 
 ROBERT REED, FRANCIS JORDAN, 
 
 THOMAS JORDAN, JOHN HEGAN, 
 
 ANDREW D. ROBERTSON. 
 
 president: 
 ROBERT REED. 
 
 SAINT JOHN, N. B. 
 
 J. & A. McMillan, 93 Prince William Street. 
 
 1886. 
 
The National Gallery of Canada 
 
 library 
 
 Galerie nationale du Canada 
 
 bibliotheque 
 
 s 
 4 
 
 
 .1 / 
 
 M M ^ 
 

 Lilt of Jugill 
 
 C>)STKmUTINO TO THE KXIIIDITION OF WoRK EXECUTED DURINO THE FlIUfT 
 
 Term (7 Months) fr6m 12th October, 1885, to l^rn May, 1886. 
 
 MiM Adamn, 
 
 " Allan, 
 
 " P. Ilenrd, 
 
 " B. Piirbonr, 
 
 " Bull, 
 
 " Barker, 
 
 ' Bowden, 
 
 " Berrj-man, 
 Mrs. Blaine, 
 Miss Bayard, 
 
 " Boyd, 
 Majtter W. J. Burditt, 
 Mni. Cleveland, 
 MLss Cownn, 
 
 " Campbell, 
 Mr. Cleveland, 
 Miss E. Distin, 
 
 " Mary Davidson, 
 
 " Dimock, 
 
 " Drury, 
 
 " Eva Drury, 
 
 " Dever, 
 Mrs. Dearborn, 
 Mr. Frost, 
 Master Frith, 
 Miss E. Fielders, 
 
 " Fielders, 
 Ma-ster Fairweather, 
 Mrs. E. Fairweather, 
 Mifls Gilbert, 
 
 " Godfloe, 
 Mr. GorbeU, 
 
 " Green, 
 Miaa Harding, 
 - " Hanington, 
 
 " M. Holly, 
 
 Mias Julia Ilarriion, 
 
 " Ilolmun, 
 
 ". irnrriaoD, 
 
 " Hunt, 
 
 " IIbU, 
 
 " Hiitlieway, 
 
 " Han ford, 
 
 " M.Hazen, 
 Mr. Hall, 
 
 " L. A.Holman, 
 _ Miss E<lnn Junes, 
 Mr. E. Jones, 
 Miss Jack, 
 
 " E.F. Jones, 
 
 " Jordan, 
 
 " K. .Jones, 
 
 " F. Ktive, 
 
 " A. King, 
 
 " Kerr, 
 Mr. LawRon, '■ 
 Mrs. Lewis, 
 
 " Marsters, 
 Miss McGivem, 
 
 " MacKay, 
 Mrs. Tlu)«. McLellan, 
 
 " Js'evinj, • 
 Miss Newcomb, 
 
 " Xarraway, 
 
 " Pullen, 
 
 " A. Puddington, 
 
 " Peters, 
 
 " B. Puddington, 
 Mr. Pad'Jock, 
 Miss Parks, 
 
 " Peters, 
 
 " Emma Pitt, 
 
 Miss Kobertsoii, 
 
 " Rankin, 
 
 " Robertson, 
 
 " Maud Robertson, 
 Mrs. Raymond, 
 Miss Julia Reed, 
 
 " H. Robertson, 
 
 " Raymond, 
 
 " Ritchie, 
 
 " F. Robert-TOn, 
 
 " C.W.Sharp, 
 
 " Carrie Seely, 
 
 " Annie Scammell, 
 Master E. Sancton, 
 Miss Stevens, 
 Master A. Stead, 
 Miss Smith, 
 
 " Shaw, 
 
 " Smith, 
 
 " Ethel Smith, 
 
 " Stewart, 
 Mrs. T. A. Temple, 
 Miss Thomas, 
 
 " Thompson, 
 
 " M. TurnbiiU, 
 
 " G.Tumbull, 
 
 " Thompson, 
 
 "■ A.White, 
 
 " Ella Whitley, 
 Mrs. Wardroper, 
 Miss Woodburn, 
 
 " B.Whitney, 
 
 " Wallace, 
 
 " Woodworth, 
 Mr. S. Watson. 
 
■iMi*M*NM«M*aM 
 
 ■MkhMiillha <Ma 
 
 -<im 
 
 /7 
 
 ;f,.u 
 
 ?. 
 
 AMONG THK 
 
 Pla^teF |Iodel| in the Ouuenl ^rt School 
 
 AUK THE FOr.LOWINO: 
 
 1, Ih" FiglUin;i Hero or Gladiator. a R«]uciiPn from the MmW* in ih» ix»iri* 
 
 Thl« iniMl (ii.lrltKl of nlf alnliira (O;^ fut fiom hcnd lo foot) nnclent or modern, win 
 fmiiidon thecniKt m-»r Anlliim— jerj iienr th« ,<pol where, Kccntiirjr curlier, the Apollo 
 Helrrderti if.M found. The stem iiupp<>rlinu It Is Iii9crll>«d In Or«k leltrm, " Ak»»H», »on 
 of Doiilhein, the FnhMlan, nude li,'^ and Iherefnre It U » ipwlnien of lireek nciilpliire of 
 the fmirtli Kpocli. llml endfd with the Itoiuan conqiiest. Crlllce differ H to the rhariclt-r 
 II l« supposed 10 rt-prewiit, but the world ak tees In the pi-rfecllon of Us bold.enerirellcelTle, 
 tlienervoueti-Mi'lDn of the whole bodr, the cooibined rcidlnen for ■tiuk and defrnc*, tDd 
 the Orm ind deduit brow. 
 
 2. Antinous. (A Reduction from the Marble in the Capitol at Rome). 
 
 Anllnoiu w«s • hnnd'ome youth, belored hy the Kraperor Hadrian, lo whom he was so 
 bmch attached that he droirneil himself In the Mlo to saie liig linperlal master from the 
 death foretold lo him, iinlr83«a»e<l by Biich BsacrlHce. Hadrlitn Itnniortalli'd his farorlie 
 by lalsfng leniplee and Matnes to his memory. He Is teni-rally repri>saiite<l with n pensirs 
 declln.iilon of his head, ai though In end foribodlng of his early doom. Thla statue la con- 
 •Idered k perfect etnbodlraeiit or young, graceful manhood. 
 
 3, 4 and 5. Lnocooii. (Busts of Fiither and Sonsi). Marble in the Vatican 
 
 This magnificent .Marble group, now In the Vatican, Rome, belongs lo the fourth Epoch 
 Offireelt Sculpture. It was executed by three Sciilptoni— Agnandruo, Atheo<loni!>, and 
 Pulydorue. it was found In Uoine in I.Wi. and the I'opo ordered n public festlTal In honor 
 of Its dl.«corerT. Acconllng to Pliny, It once clood In the p.ilaco of Titus. Laocoon was a 
 prlfstof Apollo, and the k'xI being ollendcd, sent twoeeipents that killed hlni and his two 
 eons at the a.'.ar, while oHerlnK sairifica (o Neptuni-. The com|)0eition and the eiecution 
 •re masterly, and wortliy of adroinilion,aB depicting the one moment of utmost suA'eriDK 
 •nd horror petrified with fearful truth. 
 
 6. Venus de Medici, a Re<luctloo from the MarWe in the Tribunal of the Cfflil, Florence. 
 
 The original was found In Ihe ISth Cfntury and carried lo Venice during the reign of 
 Cosmos dl Medicis, hence Its name. It was executed by Cleoinenee, of Athens, at a period 
 when Greek Art was rapidly declining. Though It has been charactcrlied as the status 
 that enchants the world, there Is no famous work of aenlptnre that baa been more theaub- 
 Ject of direrse criUciam, 
 
 7. Bust of Caracallii. (Marble in the Louvre). 
 
 Kniperorof Rome, and, after a wicked reign of alx yoar», was assassinated A. D. 217. 
 ills iil-laTored fvatum declare his charsoler. He carried his head on one side In ira'ta' 
 tlon of Alexander the Great. 
 
 8. St. Cecilia. A Boa Relief, by Donaiello. 
 
 Marble, In the South Kensington Musenm. Bom 1386-146)1. 
 
 In this excellent profile head the roaster of masters In the treatment of relief repeats 
 his supremacy. Of all Donatello's works this la thought to be the bnst known anil the 
 most popular, the refined, pure outline of the features, the graceful bend of Ihe head, the 
 classic elegance nf coilTure, the modest Invi'llnese of the fac^-, are oxcellenclea which com- 
 mand general admiratinn, while the subtle gradation of planes from the lowest lo the 
 higher portion of the relief, and the delicate inanlpuUtiun of the whole surface, delights 
 the technical connoisseur. 
 
 9. Head of St. George. (A Baa Relief). 
 
 The marble statue of St. George, by Donatelln (born 13»»-146«), clad In snnonr, with 
 oross^embluoned shield, itaods In an external niche of San Michelle, Florence, and Is coir^ 
 sldered m manterpiece of knightly grace and dignity. 
 
 1 0. Bust. A Young Girl of the 15th Centuiy, Marble in — -. by Dmalello. 
 
1 
 
 ■i 
 
 ^ 
 

 
 *l 
 
 11. Bimt of Homer. (Mnrble in the Ix)uvrc). 
 
 mnwn 
 
 Iloniar »ri> Irtetl. 
 
 12. Bust, of Aiitiuous. (Marble in the Tjouvre). 
 
 • DClrnt Itoino. 
 
 » V a i,i;„,. by ^rUonio del Pollajolo 
 
 15 Bust. A Young Soldier, "J " 
 
 Mtrhle In M.iMxm, Florono*. 
 
 16. Bust. Bennivlejine. (I^Ionk). M»ri.i« m th. i>o.,t«. 
 
 17. Bust. The Unknown Woman, by /)o)w<f«o. M.rbi. la tho Lo«.r. 
 
 18. Bust. .A Young Girl of Kith Century, by Donalello. M.rbi.iu . 
 
 19. Bust. Muse. (Marble in British Museum). 
 
 20. Bust. Young Girl, by Raphael. (Marbl« in .) 
 
 21. Mask. Ariadna. 
 
 22. Maj^k. Fighting Gladiator. 
 
 23. Bust Henry IV., of France. 
 
 24. Bust. Rt. John. 
 
 25. Bust. Minerva. (Antique). 
 
 26. Bust. Brutus. 
 
 27. Bust. A Young «»ild, by Doimlello. (Marble ) 
 
 28. Bust. A Young Pri«,t, by Antonio Solhtikk, M.rhi. in M«««.n. F.or.„e..l ,- 
 
 '■ 
 * 
 
 •■:\ 
 
 
 on -Vfo.al, Vniin of the Capitol. MttrMelnCapltollneMiiwdm. 
 
 S''Sutl/:^.'wo?t «rH7;ti;i*;:'.TS'e' .Z^"r..or. or -The M.rb„ F»»n." 
 
 30. Mask of St. Gerome. 
 
 31. Bust. Julien de IMediciN by Mkr'.el Angela. (Marble ) 
 
 32. Mask. Michael Angelo's Slave. 
 
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