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Gr:ElJL.'S<TlD 
 
 CONCEET 
 
 VOCAL & INSTRUMENTAL, 
 
 IN All) OF T)1K 
 
 iHcmodiil CUiivcU (Orpn fmu\. 
 
 <'■'■'«' li.lLL, M».\l»0\. 
 
 Tuesday Evening, 15th April, 73 
 
 UNDER THE MANAGEMENT OF MRS. RAYMOND, 
 
 Prouraumit.-, witli iho words oi the «ou->, Otc, eau Ik- i)n .cured 
 at K. A, Taylor and Co.'s, and W. L. Carrie's. 
 
 PRICE FIVE CENTS, 
 
 l'KM\IKI> i!\ (IIF-: KKEE PJJESS Pi! F \l I .S( ; . c 
 
 f^mmm^m 
 
i^ 
 
w 
 
 mm^ 
 
 i"wipww"ifw^^r" 
 
 a-x&^£r33 
 
 
 ISTGEE 
 
 VOCM. A IKSTRUM1RIITA1., 
 
 IN AU> OP tBB 
 
 PewQiriaif €%miU iBt$m imt 
 
 Tuesday Evening, 15th April, '73 
 
 UNHIi TItC MANAOEIfENT or VftS. RAYMOMO. 
 
 Vrogmmmm^ wilh^ the words ^ the 8011^, &c., can be proeured 
 at B. A. Taylor and Coi'e, and W. L. Carrie'*, 
 
 PRINTED BY THE FREE PRil^S PBINTmG CO. 
 
 1^73. 
 
Programme. 
 
 PART FIRST. 
 
 1 Duet (2 pianos)—** Norma." Thalherg. 
 
 MRS. MOORE AND MISS CLINTON. 
 
 2 Vocal Duet— 0! Lady Moon!. Wallace. 
 
 MRS. FURNESS AND DR. 8IPPI. 
 
 3 Song— Love, the Pilgrim BlumenthaL 
 
 \, MISS WILLIAMS. 
 
 4 Clarionet Solo. 
 
 MR. ST. JOHN HYHENRAVOH. 
 
 5 Song.— The Lady of the Lee Smart. 
 
 MRS. W. 0. FURNESS. 
 
 6 Becit. aSd Aria— **Waft her, Angels, to the Skies." 
 
 Handel. 
 
 DR. 0. A. SIPPI. 
 
 7 Piano Solo— **Rigoletto." , ..,. Liatz. 
 
 MISS OLINTON. 
 
 8 Song— The stormy Petrel... Harvey. . 
 
 MR. W. C. FURNESS. 
 
 J-.tUWUHUl W 
 
 
PART SECOND. 
 
 1 Violin Solo. 
 
 MR. QEO. B. 8IPPI 
 
 2 Terzetto — ** Gratias " from "Messe Solennelle." 
 
 Jfossini. 
 MRS. FURNE88. DR. SIPPI AND MR. FURNES8. 
 
 3 Duet (2 pianos. ) — Les Huguenots. 
 
 Thalberg and De Beriot 
 
 MI88 KATE OHIHENDEN AND MI88 CLINTON. 
 
 4 Song—" I'm aForestei Free." Beylof. 
 
 MR. W. 0. FURNES8. 
 
 5 Piano Solo—** II Trovatore. " Gottschalk. 
 
 MRS. MOORE. 
 
 6 Son g — Out on the Rocks . . . Mada vie Sain ton Dolby. 
 
 MISS WILLIAMS. 
 
 7 Song — The Yeoman's Wedding ...... Poniatowshi. 
 
 DR. C. A. SlPPi. 
 
 B Violin Solo — Rhapsodie Hungrois Hanser. 
 
 DR. Q. B. SIPPI. 
 
 I 
 
 9 Clarionet Solo — Concertino in B s Kiose. 
 
 MR. ST. JOHN HYTTENRAUCH. 
 
 GOD SAVE THE QUEEN. 
 
 J. 
 
 \ 
 
J- 
 
 ]pm#^mAMMS. 
 
 Paf^ F 
 
 IRST, 
 
 Duet— (2 pianos. ) ** Norma. " Thalberg, 
 
 Mrs. Moore and Miss Clinton. 
 
 Duet— (Vocal.) 0! LADY MOON! . Wallace, 
 
 Mrs. Furness and Dr. Sippi. 
 
 Soprano. 
 0, Lady Moon, 
 On silver clouds reclining, 
 While at thy feet, 
 ' Obedient night winds rove; 
 How can I gaze upon thy beauty shining, 
 And not believe thou must be blest in love. 
 If, as thou ridest in thy chariots beaming, 
 
 Thou look'st on earth from Heaven's ethereal fields 
 Guard my young heart from Passior's fever dreaming^ 
 Too prone, alas! to its fond spells to yield. 
 
 Tenor. 
 O, maiden fair! my life hath been so dreary 
 
 Since last I gazed into those gentle eyes; 
 Wilt thou not now reward the pilgrim weary 
 
6 
 
 With one bright smile — a day-dream of the skies? 
 Tremble not thus, I only come to cheer thee, 
 Hiding no thought to trifle or betray. 
 
 Duet. 
 
 Oh! 'twere in vain to say, I will not hear thee; 
 
 Go, idle pride, my heart is giv'n away; 
 Night, with its gloom, so long as thou art near me. 
 
 Fuller of glory is far, is far than day ! 
 
 ^^ 
 
 Song LOVE, THE PILGRIM. Blumentlial. 
 
 Miss Williams. 
 
 Every day a pilgrim blindfold, 
 
 When the night and morning meet, 
 Entereth the slumb'ring city, 
 
 Stealeth down the silent street, 
 
 Stealeth down the silent street. 
 Ling'reth round. some batter'd doorway, 
 
 Leaves, unblest, some portal grand, 
 And the walls where sleep the children, 
 
 Toucheth with his warm young hand. 
 Love is passing! Love is passing! 
 
 Passing while ye lie asleep: 
 Love is passing! Love is passing! 
 
 Passing while ye lie asleep. 
 In your blessed dreams, children, 
 
 Give him all your hearts to keep; 
 In your blessed dreams, children, 
 
 Give him all your hearts to keep. 
 Love is passing, Love is passing. 
 
 '^: 
 
Blind fold 's this pilgrim, maiden. 
 
 Though to-day he touch'd thy door, 
 He may pass it by to-morrow, 
 
 Pass it to return no more; 
 
 Paso it to return no more. 
 Let us then with pray'rs entreat him. 
 
 Youth! her heart wh«e coldness grieves. 
 May one morn by Love be softened, 
 
 Prize the treasure that he leaves. 
 Love is passing! Love is passing! 
 
 Passing while ye lie asleep; 
 Love is passmg! Love is passing! 
 
 Passing while ye lie asleep. 
 Bid this pilgrim touch the lintels 
 
 Of your door- ways ev'ry day; 
 Bid this pilgrim touch the lintels 
 
 Of your door- ways cv'ry day. 
 
 Love is passing! I^ove is passing! 
 
 Clarionet Solo. 
 
 Mr. St. John Hyttenrauch. 
 
 >^- 
 
 SONO. 
 
 THE LADY OF THE LEA 
 Mrs. W. C. Furnbss. 
 
 Smart, 
 
 Oh! the Lady of the Lea, 
 Fair and young and gay was she, 
 Beautiful exceedingly, 
 The Lady of the Lea. 
 
MesS M B iKi - a xu r t M m 
 
 8 
 
 Many a wooer sought her hai\d, 
 For she had gold and she had land — 
 Ev'ry thing at her command, 
 
 The Lady of the Lea. 
 Oh! the Lady of the Lea, 
 Fair, and young, and gay was she, 
 Fanciful, exceedingly, The Lady of the Lea. 
 
 When she held, in bov/'r or hall, , 
 
 Banquet high, or fe>3tival, 
 
 On ev'ry side her glance would fall, 
 
 Sparkling merrily. 
 But when ask'd if she would wed, 
 She would tc 3 her dainty head, 
 Saying, laughingly instead, 
 
 * ' Sirs, we would be free. " 
 " Time enough, I trow," quoth she, 
 '* When we're tir'd of liberty;" 
 «* For the present we would be. The Lady of the Lea.'" 
 
 To her bow'r at length t^ere came, 
 A youthful knight of noble name, 
 Hand and heart, in hope to claim, ^ 
 
 And in love fell she. 
 Still she put his suit aside, 
 So he left her in her pride, 
 And, broken hearted, droop'd and died, 
 
 The Lady of the Lea! 
 Oh! the Lady of the Lea, 
 Fair, and young, as fair could be, 
 Cold within the tomb lies she! 
 
 Sleeping peacefully. 
 
 % 
 
 ifesi^ 
 
Regit, and Aria. v 
 
 WAFT HER, ANGELS, THROUGH THE SKIEJI. 
 
 From Jephtha, HandeL 
 Dr. C. a. Sippi. 
 
 Recitative. 
 Deeper and deeper still tliy goodness, child, pierceth 
 
 a father's bleeding heart, 
 And cheeks the cruel sentence on my faltering tongue. 
 Oh, let me whisper it to the raging winds or howling 
 
 deserts — 
 For the ears of men it is too shocking. Yet, have I 
 
 not /ow'd. 
 And can I think the great Jehovah sleeps like Chemosh, 
 
 and such fabled Deities? 
 Oh no; Heav'n heard my thoughts, and wrote them 
 
 down; 
 It must be so, 'tis this that racks my brain, and poura 
 
 into my breast a thousand pangs. 
 That lash me into madness, horrid thought. 
 My only daughter! So dear a ch^ld, doomed by a 
 
 father! 
 Yes, the vow is, past, and Gilead hath triumph'd o'er 
 
 his foes; therefore, to-morrow's dawn. 
 To morrow's dawn— I can no more. 
 
 Aria. 
 Waft her, angels, through the skies, 
 Waft hor, angels, through the skies, far above yon 
 
 azure plain, far a jove yon azure plain; 
 Glorious there like you to rise, there like you for ever 
 
 reign. 
 Waft her, angels, through the skies, far above yon 
 
 azure plain. 
 
Piano Solo. 
 
 10 
 
 **Rigoletto.". 
 Miss Clinton. 
 
 , Listz. 
 
 Bono. 
 
 THE STORMY PETREL. 
 . Mr. W. CFurness. 
 
 Harvey. 
 
 A thousand miles from land are we, 
 
 Tossing about on the roaring sea; 
 
 From billow to bounding billow cast, 
 
 Like fleecy snow on the stormy blast. 
 
 The sails are scatter 'd abroad like weeds, 
 
 The strong masts shake like quiv'ring reeds, 
 
 The mighty cables and iron chains, 
 
 The hull, which all earthly strength disdains — 
 
 They strain, and they crack, and their hearts like 
 
 stone, 
 ^Their nat'ral hard, proud strength deny. 
 A thousand miles from land are we, 
 Tossing about on the roaring sea; 
 From billow to boundingbillow cast. 
 Like fleecy snow on the stormy blast. 
 Up and down, mid the flashing foam, 
 The stormy Petrel finds a home. 
 
 Over the deep, over the deep, 
 
 AVhere the whale and the shark and the sword-fish 
 
 sleep, 
 Out-flying the blast and the driving rain. 
 The Petrel telleth her tale in vain; 
 For the mariner curseth the warning bird 
 Who bringeth him news of the storm unheard. 
 And thus does the prophet of good or ill. 
 
 I 
 
 I 
 
I, 
 
 n 
 
 Meet hate from the creature he serve th stfll; 
 
 Yet he ne'er flatters so Petrel still; 
 
 Once more o'er the waves on thy stormy wmgs. 
 
 A thousand miles from land are we, 
 
 Tossing about on the roaring sea; 
 
 From billow to bounding billow cast, 
 
 Like fleecy Bnow on the stormy blast. 
 
 Up and down mid the flashing foam, 
 
 The stormy Petrel finds a home. 
 
 •♦♦4> 
 
 I 
 
12 
 
 Part Second. . 
 
 Violin Solo 
 
 Mr. G. B. Sippi. 
 
 Terzetto— *'Gratias," from "Messe Soleimelle." 
 
 Bossini. 
 Mrs. Furness, Dr. Sippi and Mr. Furness. 
 
 Gratius agimus tibi propter magnam gloriam tuarrt. 
 Duet— (2piaiius.) "Les Huguenots." 
 
 Thalherg and De Beriot. 
 Miss Kate Chittenden (pupil of Miss Clinton) and 
 
 Miss Clinton. 
 
 Song " I'M A FORESTER FREE. 
 Mr. W. C. Furness. 
 I'm a forester free and bold, 
 And hunt the wild wolf to his hold; 
 I care for neither heat nor cold, 
 I've rent and taxes free. 
 At morning light I track the roe, 
 Through briar and brake in chase I go. 
 Of raging storms no fear I know— 
 A forester's life for me. 
 
 Beyloff. 
 
T 
 
 13 
 
 No monarch's board has better fare, 
 
 A fat deer's haunch each day is there, 
 
 And costs me nothing, I do declare, 
 
 No pay they get from me. 
 
 I laugh at those who toil for gold. 
 
 Their freedom's bought; their hearts are sold, 
 
 So I'll be king of the greenwood bold^ 
 
 A forester's life for me. 
 
 Piano Solo. 
 
 "IlTrovatore." 
 Mes. Mooke. 
 
 Gottschalk. 
 
 Song. "OUT ON THE ROCKS.'' 
 
 Madame Sainton Dolby. 
 Miss Williams. 
 
 Do you remember it, darling, I wonder, 
 
 Do you remember it so long ago; 
 All that we said as we stroU'd there together. 
 
 Out on the rocks when the tide was low. 
 What did I say as we stroll'd on together, 
 
 What did you answer me timid and low; 
 What did you promise me, do you remember it? 
 
 Out on the rocks when the tide was low. 
 
 When the tide was low. 
 
 Never remember it, never remember it, 
 
 I have forgiven it long, long ago; 
 Only J think of it, only I think of it, 
 
 Ou.*- n the rocks when the tide is low. 
 
 ■ilM 
 
/ y 
 
 14 
 
 I have forgiven it, only I think of it, 
 Out on the rocks when the tide is low, 
 
 When the tide is low, 
 When the tide, the tide ia low. 
 
 Song.— THE YEOMAN'S WEDDING SONG. 
 
 Prince Poniatoioshi. 
 Dr. C. a. Sippi. 
 Ding dong, ding dong, ding dong, I love the song, 
 
 For it is my wedding morning, 
 And the bride so gay in fine array 
 
 For the day will be now adorning. 
 Tho* IVe little wealth but sovereign health, 
 
 And am only a yeoman free. 
 When heart joins hand there's none in the land 
 
 Can be richer in joys than we. 
 Ding dong, ding dong, we'll galop along, 
 
 All fears and doubting scorning; 
 Ding dong, we'll galop along. 
 
 All fears and doubting scorning. 
 Through the valley we'll haste, 
 For we've no time to waste. 
 
 As this is my wedding morning. 
 
 ' VERSE 2nd. 
 Di^g dong, ding dong, ding dong, my steed hie on. 
 
 For the church will soon be filling; 
 They must not wait, they must not wait, 
 
 For were we late, they'd deem the groom unwilling. 
 "The sun is high in the morning sky. 
 
 And the lark o'er our heads doth sing 
 
 , 
 
 
, 
 
 15 
 
 A bridal song as we galop along, 
 
 Keeping time to the bells as they ring. 
 Ding dong, ding dong, we'll galop along, 
 
 ^1 fears and doubting scorning; 
 Ding dong, we'll galop along, 
 
 All fears and doubting scorning; 
 Through the valley well haste, for we've no time to 
 waste, 
 
 As this is my wedding morning. 
 
 
 Finale. GOD SAVE THE QUEEN. 
 
 -♦♦♦-