^> IMAGE EVALUATION TEST TARGET (MT-3) LO I.I IIIM ^ \\ % o pi? 23 WEST MAIN STREET WEBSTER, NY 14580 (7i6) 872-4503 <^ CIHM/ICMH Microfiche Series. CIHM/ICMH Collection de microfiches. Canadian Institute for Historical Microreproductions Institut Canadian de microreproductions historiques 1980 Technical and Bibliographic Notes/Notes techniques et bibliographiques The Institute has attempted to obtain the best original copy available for filming. Features of this copy which may be bibliographicaily unique, which may alter any of the images in the reproduction, or which may significantly change the usual method of filming, are checked below. y Coloured covers/ Couverture de couleur I I Covers damaged/ Couverture endommag^e □ Covers restored and/or laminated/ Couverture restaur6e et/ou pelliculde n □ Cover title missing/ Le titre de couverture manque □ Coloured maps/ Cartes gdographiques en couleur □ Coloured ink (i.e. other than blue or black)/ Encre de couleur (i.e. autre que bleue ou noire) D Coloured plates and/or Illustrations/ Planches et/ou illustrations en couleur Bound with other material/ Reli6 avec d'autres documents Tight binding may cause shadows or distortion along interior margin/ La reliure ''err^e peut causer de i'ombre ou de la disiortion le long de la marge int^rieure Blank leaves added during restoration may appear within the text. Whenever possible, these have been omitted from filming/ II se peut que certaines pages blanches ajout6es lors d'une restauration apparaissent dans le texte, mais, lorsque cela 6tait possible, ces pages n'ont pas 6t6 film^es. Additional comments:/ Commentaires suppl6mentaires: L'Institut a microfilm^ le meilleur exemplaire qu'il lui a 6t6 possible de se procurer. Les details de cet exemplaire qui sont peut-dtre uniques du point de vue bibliographique, qui peuvent modifier une image reproduite, ou qui peuvent exiger une modification dans la methods normale de filmage sont indiquis ci-dessous. I I Coloured pages/ D D Pages de couleur Pages damaged/ Pages endommag^es Pages restored and/oi Pages restaurdes et/ou pellicul6es Pages discoloured, stained or foxe( Pages ddcolordes, tacheties ou piqudes I I Pages damaged/ I I Pages restored and/or laminated/ I — I Pages discoloured, stained or foxed/ n Pages detached/ Pages d^tach^es □ Showthrough/ Transparence □ Quality of print varies/ Quality in^gale de I'impression j I Includes supplementary material/ Comprend du material supplementaire Only edition available/ Seule Edition disponible Pages wholly or partially obscured by errata slips, tissues, etc., have been refilmed to ensure the best possible image/ Les pages totalement ou partiellement obscurcies par un feuillet d'errata, une pelure, etc., ont 6x6 filmdes d nouveau de fapon d obtenir la meilleure image possible. □ This item is filmed at the reduction ratio checked below/ Ce document est film6 au taux de reduction indiqu6 ci-dessous. 10X 14X 18X 22X 26X 30X y 12X 16X 20X 24X 28X 32X ils lu iifier ine age The copy filmed here has been reproduced thanks to the generosity of: Harold Campbell Vaughan Memorial Library Acadia University The images appearing here are the best quality possible considering the condition and legibility of the original copy and in keeping with the filming contract specifications. L'exemplaire filmd fut reproduit grdce A la g6n6rosit6 de: Harold Campbell Vaughan Memorial Library Acadia University Les images suivantes ont 6t6 reproduites avf c le plus grand soin, compte tenu de la condition et de la nettet6 de l'exemplaire film6, et en conformity avec les conditions du contrat de flimage. Original copies in printed paper covers are filmed beginning with the front cover and ending on the last page with a printed or illustrated impres- sion, or tho baLk cover when appropriate. All other original copies are filmed beginning on the first page with a printed or illustrated impres- sion, and ending on the last page with a printed or illustrated impression. Les exemplaires originaux dont la couverture en papier est imprimde sont film^s en commenpant par le premier plat et en terminant soit par la dernidre page qui comporte une empreinte d'impression ou d'illustration, soit par le second plat, selon le cas. Tous les autres exemplaires originaux sont fifmds en commengant par la premidre page qui comporte une empreinte d'impression ou d'illustration et en terminant par la dernidre page qui comporte une telle empreinte. The last recorded frame on each microfiche shall contain the symbol ^^> (meaning "CON- TINUED "), or the symbol V (meaning "END "), whichever applies. Un des symboles suivants apparaitra sur la dernidre image de cheque microfiche, selon le cas: le symbols ^^ signifie "A SUIVRE", le symbols V signifie "FIN". Map!}, plates, charts, etc., may be filmed at different reduction ratios. Those too large to be entirely included in one exposure are filmed beginning in the upper left hand corner, left to right and top to bottom, as many vrames as required. The following diagrams illustrate the method: Les cartes, planches, tableaux, etc., peuvent dtre film6s d des taux de reduction diffdrents. Lorsque le document est trop grand pour dtre reproduit en un seul cliche, il est film6 d partir de Tangle supdrieur gauche, de gauche d droite, et de haut en bas, en prenant le nombre d'images n6cessaire. Les diagrammes suivants illustrent la mithode. rata telure. H 32X 1 2 3 1 2 3 4 5 6 opies BY MftUDe e. BftKeR. 'y* I >. ^ I PEN MA r' PUN SYMlM-IONins BY MAUDE E. BAKER. HALIFAX, N. S. .1S> T IIAMKAX, N. S. T. ('. ALLKN .V CO., A gn.i i >^rt Go! little book and on yourerranJ speed, In gentle tones straight to the hearts Move, Then *.«*** If scanned by strangers' eyes forbearance plead ; A few stray thoughts fronn out a wavering pen. n^5'6n ( I CONTENTS. The New Year Recjuest A Wish Trouble in the Woods World In June Time Contrast - - ■ ■ Sul)mi8siou An Autumn Evening Night - - - - - Hope - - - - Elan de L'ame A Reverie Despair - - - We Two Dawn . - - - • Retrospect Then and Now At Last - - - - To One Beloved A Portrait You - - - - Sunnner - - - - Difference Memoirs - - - - Parting - - • My Garden The Old and New Year - I'An 16 Retrospect. RETROSPECT. I sadly muse, Sweetheart, with thoughts of you Across the vista, dim, of silent years; World-weary, heart-sick with the many fears That still my pulses' throbbing ; till a-through It all, your brave, sweet face, with eyes aglow, Perfect, of all there is, that's pure and good. Here, in this June-tide with her fields of snow Shy nodding plumes of daisies, v^ith the brood Of gauzy insects singing life away. World forgot, amid the rhymthic sway. And, now, the Night creeps up from o'er the sea. Crowned with the splendor of Her myriad stars, This beauty brings your beauty back to me. That absence. Sweetheart, only dimly mars. There, in your garden, hear you not the thrill, As roses' petals thirsty hearts upraise, A murmur sweet from golden daffodil. Listing my message through the star-hued haze ( Faint dreamy music, and 1 see you stand With pale, sad face and sweetest words of light : "My soul lias met your soul ; I understand. Heart of my heart, your lonliness to-night." ) i Then and Noiv. 17 ) i THEN AND NOW. Close tight Oblivions lid, O, tired heart ! The dreams are dead, their memory is pain, The old things tear the gaping wounds apart, The new, perhaps, will help to heal again. The mad, sweet hours of June's rose scented niglit Lie buried deep in roses crushed and sere : Life's wine-vat trod their beauty out of sight. Their sweetness drenched in many a bitter tear. But, noiv Beloved, the world is all a-gold Since first I knew the inmost soul of Thee, As Dawn awakes the music of the sea, Atremble with a million hues untold. O, grand, true eyes, beneath a wealth of hair, Deep violets, beneath a Hash of gold — Can it be true that you have found me fair. My soul's own soul, whom some have thought so cold:* Unworthy, though, I can be all that's true. And noble, as you say in your kind way, What good undreampt of can a woman do. Crowned with your love, and willing to obey— My true, true Heart, and yet, all this I know, One glance of mine has power thus to bring Your noblest thought within those eyes aglow. For I am you, imdi you my being's King. 18 At Last, AT LAST, Together, and alone, at last are we ; 'Twas weary waiting for the rapture sweet ; The hours dragged on so drearily, The blue was dimmed, the world was grey and bleak; What care I note, low lying at your feet, That yearning eyes had fought back bitter tears ? A calm has fallen, O, so deep, so deep ! And I can banish all the foolish fears. Since I can see your tender love-lit eyes Radiant with glory, as summer sun-kissed skies, Caress your hair, and kiss your crimson lips. Like unto roses, and yet them eclipse ; Draw near. Sweet One ! round me your arms enfold! — What matters no'iv, the sneering, bitter world ? I / To One Beloved. 19 I 4 TO ONE BELOVED. Beloved, as I walked alone to-day, The world was wrapped in misty golden glow ; And overhead, the deep blue heavenly way Seem6d to kiss the wonder ot the snow ; For far away, o'er fields ot trackless white Unshadowed yet, by any thought of f f «• Naught, but the sea's deep music, and the light Of dusky Night's attendants, golden stars. And, as I came unto the tall dark pines. Outlined so strong against the amber light, Weaving their music born of lonely winds, Or tired hearts alone, as mine to-night , Thou art to me, the fragrance of the rose The still starlight, that dreams in garden clo.,e , Thou art the dew in silver all empearled. Thou art the mist tliat o'er the sea lies curled !- Thou art the lightning's flash, in summer noons : The golden wonder, of the fut'""".^;'"" ' , The pensive twilight and the midnight deep . The calm, sweet blessings of the hours of s eep- Thou art'the fulness of the salt -f breath The pink sea shells that gen; the da k ^M^^^^^^ Thou^art my Life, without thee would be Death- And darkness, and depair, for evermore. 20 A Portrait. A PORTE Air. Leonie, with deep, dark pathetic eyes, Like unto dusk of autumn's niidnio-ht skies, Crowned with a cloud of sun-gold wind blown hair, Fit setting for a brow so |)ure and fair. A mouth ripe, rich, like to a cloven ros«% Steeped in the witchery that the god, Love, throws, For weal or woe, a mouth to woman given. Whose passion-touch would make this earth a heaven. Arrayed in softness of old rich brocade, Falling in lines of beauty fold on fo'd. Behind you, the deep shadows of the glad<% Illumined with the sunset's clouds of gold ! Nestling 'mid laces near your bosom's snow A bio d-red Rose, with sweetly perfumed tips, Yearns madly upwards, with its heart aglow, In wild desire, to your crimson lips. ' "If You. 21 YOU. Have you watched the creamy pink of roses' petals, Sweet Urifold themselves to mysteries of sunlight, air and dew, Tremulous with ecstacy,with heads down-drooped and meek^ So has my heart unfolded all its wealth of love for you. Have you watched the great, grey Sea flush deep as ruby wine. When rosy fingered Dawn has gently touched His sullen breast, And with a murmurous melody the waves in tones divine Have lulled the lone, dark shore, into a haven of rest ? Have you watched the violet in modest blue-tipped hood, Emerge from out th« winter snows like tiny crystal star, How dearly loved, the wee thing is, by all the deep dense wood. To whom it tells of golden hours — that Summer is not far. Dear One, the twilight's falling, and the hours are lone and drear. While purple mist all starry lies a-dream upon the lea, I want you my Beloved One, I want you ever near. While watchinir all these beauties, dear, of violet, rose an«l sea. 22 Summer. SUMMER (), the thrilling and the pulsing of the blood, in days like these, With the sky a blaze of glory, and the sun-kissed laden breeze Quivering all the sombre branches of the patient waiting trees With caresses sweet with love, kindling hope and peace and ease ! Telling of the pinky splendor of the rnayflower and wild rose, ^ Gemming jewels in the stilly w^ays of forest dark, and close: Telling of the dusky-dressed fields flecked in gleam of golden rod. Wondrous stars, a dream-lit silence, peace and beauty shed al)road. Till the Old Earth rests in blessing, underneath the smile of God; Of the Sea in laughing beauty, stretching arms out to the shore. For his heart is full of music never dreamed of yet before, Where the sea-shells shyly nestle with their !; /eetly crimsoned cheeks. For a love song 'tis he sings, a love song 'tis he speaks. 'Tis a joy to sit and listen to the birds whose music floats • In the gleaming rose-hued dawn-time in their sweetest rippling notes; Singing " Summer," Summer " Summer," from a thousand sweet tuned throats. I I Difference. 28 ' DIFFERENCE. Wrapped in silence, Love, So deep, so deep, None but the stars above, Know the watch I keep. Sunlit-time, enraptured, Love, Old world born anew. All the sunlight captured, Love, In that hour with you. Ah ! my life is weary, Love, Bleak and gray, 'Reft of joy, and weary. Love, This winter day. Now the embers dying, Love, In a sullen glow. And the world is lying, Love, Wrapped in snow. r 24 Memoirs, MEMOIRS. It^^rieves me that the golden time is dead ; The amher-tinted flower-scented June Hannts all my memory, as one, fancy led, Sees rose leaves faded, in some sacred room. That night I wove a garland for thy waist, Of poppies rare besteeped in moonlit dew : Thy lips rich crimson often did 1 taste, For all my life was colored with their hue. The distant hills were peaceful, O my Love ! The moon had kissed them with her sil'vry sheen, One tiny star was shining far above, Whose liglit, reflected, was in yonder stream. Cilad Nnture spoke, and all things answered her : The night's sweet music made the rose unfold ; I he hly swayed, to catcli the faint sweet stir Of pniky petals from each other curled. My heart is weary with its restless pain : My life is grey as yonder sobbing sea : Its yearnings kill me, for the dream is vain, The dream I dreamed of thee. ^ Parting. 25 PARTING. 9 ^ We said farewell by waters chill and deep : We two alone, though many were the feet That passed us, ever in their aimless quest, Their faces lined with care, for few had rest ; Thus it seemed, as you to me were all the world : For in you were my dreams and hopes unfurled. Sweetheart,! did not wish, from me, that you should go, E'en though the length of days be one or two My heart was weary, aching, aching so. I count not time by weeks, or months, or years ; By joys and sunny laughter ringing through, But, pent up fountain of resisted tears. O, Love, my Love with eyes of greyest blue, 1 saw the tears, within their tender depths A moment, ere our parting thrilled me through ; 1 could have wept, Sweetheart, I could have w^ept. Some golden thought from soul to soul flashed too. I was alone with memory of my kiss Pressed down and folded, soft as dew on rose. Dear Heart, o:<'od by ! and as the dav tides close. And dusky midnight wnngs its dreams to thee, Ma}^ angels guard thy silent, sweet repose. With thoughts all true, and bring thee soon to me. J 26 My Garden. MY GARDEN. There is a dear (juaint old ^jrarderi, Sheltered by cliffs from the sea, Where Spring winds riot, and barred in With creepers wild and free. With daffodils, dahlias, and pansies, With pinks snowy-flaked, and deep red, Where the lily's o-old heart full of fancies' Lures the bee dusky-hued to her bed. 0, how the stars love that garden, Its shadowed ways, claimed by the Niglit ! And Day in sunshine all starred in, Glows sweet in her roseate lio-ht. 0, how my heart loves that garden ; Bathed deep in the Nicrht's tender tears ! O, my soul loves that garden. As she refills the urn of the years ' ^ To the