P. C. K€UY ROSUNDALt. MASS. A CUSHLA GAL MO CHREE (Bright Vein of My Heart) An Irish Girl Wearing the National Cloak and Hood COPYRIGHT, 1904, BY JOHN I). MORRIS & COMPANY EDITORIAL BOARD AND ADVISORY COMMITTEE Maurice Francis Egan, LL.D., of the Catholic University, Washington Lady Gregory Standish O’Grady D. J. O’Donoghue Prof. F. N. Robinson, of Har- vard University W. P. Ryan Douglas Hyde, LL.D. James Jeffrey Roche, LL.D., Editor The Pilot G. W. Russell (“A. E.”) Stephen Gwynn Prof. W. P. Trent, of Columbia University Prof. H. S. Pancoast John E. Redmond, M.P. Charles Welsh, Managing Editor Author of ‘The Life of John Newbery ’ (Goldsmith’s friend and publisher). SPECIAL ARTICLES and THEIR WRITERS Irish Literature Justin McCarthy Modern Irish Poetry .... William Butler Yeats Early Irish Literature . . . Douglas Hyde, LL.D. Ireland’s Influence on Euro- pean Literature Dr. George Sigerson Irish Novels Maurice Francis Egan, LL.D. Irish Fairy and Folk Tales . . Charles Welsh The Irish School of Oratory , J. F. Taylor, K.C. The Sunniness of Irish Life . . Michael MacDonagh Irish Wit and Humor . . . . D. J, O’Donoghue The Irish Literary Theater . . Stephen Gwynn A Glance at Ireland’s History . Charles Welsh Street Songs and Ballads and Anonymous Verse BIOGRAPHIES and LITERARY APPRECIATIONS by George W. Russell (“ A. E.”) W P. Ryan Charles Welsh Douglas Hyde, LL.D. T. W. Rolleston G. BaRxNett Smith H. C. Bunner G. A. Greene W. B. Yeats S. J. Richardson Standish O’Grady D. J. O’Donogiiue Austin Dobson D r. G. Sigerson N. P. Willis Lionel Johnson i-j O ? « I — Irish Lit. Vol. 3 ,i - Digitized by the Internet Archive in 2016 https://archive.org/details/irishauthorsthei03mcca MODERN IRISH POETRY. The Irish Celt is sociable, as may be known from his proverb, It is better to be quarreling than to be lonely,^’ and the Irish poets of the nineteenth century have made songs abundantly when friends and rebels have been at hand to applaud. The Irish poets of the eighteenth cen- tury found both at a Limerick hostelry, above whose door was written a rhyming welcome in Gaelic to all passing poets, whether their pockets were full or empty. Its owner, himself a famous poet, entertained his fellows as long as his money lasted, and then took to minding the hens and chickens of an old peasant woman for a living, and ended his days in rags, but not, one imagines, with- out content. Among his friends and guests had been Red O^Sullivan, Gaelic O’Sullivan, blind O'Heffernan, and many another, and their songs had made the people, crushed by the disasters of the Boyne and Aughrim, re- member their ancient greatness. The bardic order, with its perfect artifice and imperfect art, had gone down in the wars of the seventeenth century, and poetry had found shelter amid the turf smoke of the cabins. The powers that history commemorates are but the coarse effects of influences delicate and vague as the beginning of twilight, and these influences were to be woven like a web about the hearts of men by farm laborers, peddlers, potato diggers, hedge schoolmasters, and grind- ers at the quern, poor wastrels who put the troubles of their native land, or their own happy or unhappy loves, into songs of an extreme beauty. But in the midst of this beauty was a flitting incoherence, a fitful dying out of the sense, as though the passion had become too great for words, as must needs be when life is the master and not the slave of the singer. English-speaking Ireland had meanwhile no poetic voice, for Goldsmith had chosen to celebrate English scenery and manners; and Swift w^as but an Irishman by what Mr. Bal- four has called the visitation of God, and much against his will; and Congreve by education and early associa- tion; while Parnell, Denham, and Roscommon were poets vii viii MODERN IRISH POETRY. but to their own time. Nor did the coming with the new century of the fame of Moore set the balance even, for his Irish melodies are too often artificial and mechanical in their style when separated from the music that gave them wings. Whatever he had of high poetry is in ‘ The Light of Other Days,^ and in ‘ At the Mid Hour of Night,’ which express what Matthew Arnold has taught us to call the Celtic melancholy,” with so much of delicate beauty in the meaning and in the wavering or steady rhythm that one knows not where to find their like in literature. His more artificial and mechanical verse, because of the ancient music that makes it seem natural and vivid, and because it has remembered so many beloved names and events and places, has had the influence which might have belonged to these exquisite verses had he written none but these. An honest style did not come into English-speaking Ire- land until Callanan wrote three or four naive translations from the Gaelic. ‘ Shule Aroon ’ and ^ Kathleen O’More ’ had indeed been written for a good while, but had no more influence than Moore’s best verses. Now, however, the lead of Callanan was followed by a number of translators, and they in turn by the poets of Young Ireland, who mingled a little learned from the Gaelic ballad writers with a great deal learned from Scott, Macaulay, and Campbell, and turned poetry once again into a principal means for spreading ideas of nationality and patriotism. They were full of earnestness, but never understand that, though a poet may govern his life by his enthusiasms, he must, when he sits down at his desk, but use them as the potter the clay. Their thoughts were a little insincere, because they lived in the half-illusions. of their admirable ideals; and their rhythms not seldom mechanical, because their pur- pose was served when they had satisfied the dull ears of the common man. They had no time to listen to the voice of the insatiable artist, who stands erect, or lies asleep waiting until a breath arouses him, in the heart of every craftsman. Life was their master, as it had been the mas- ter of the poets who gathered in the Limerick hostelry, though it conquered them not by unreasoned love for a woman, or for native land, but by reasoned enthusiasm, and practical energy. No man was more sincere, no man MODERN IRISH POETRY. ix had a less mechanical mind than Thomas Davis, and yet he is often a little insincere and mechanical in his verse. iWhen he sat down to write he had so great a desire to make the peasantry courageous and powerful that he half believed them already the finest peasantry upon the earth, and wrote not a few such verses as “ Lead him to fight for native land, His is no courage cold and wary ; The troops live not that could withstand The headlong charge of Tipperary ” — and to-day we are paying the reckoning with much bom- bast. His little book has many things of this kind, and yet we honor it for its public spirit, and recognize its pow- erful influence with gratitude. He was in the main an orator influencing men^s acts, and not a poet shaping their emotions, and the bulk of his influence has been good. He was, indeed, a poet of much tenderness in the simple love- songs ^ The Marriage,’ ^ A Plea for Love,’ and ‘ Mary Bhan Astor,’ and, but for his ideal of a fisherman defying a foreign soldiery, would have been as good in ^ The Boat- man of Kinsale ’ ; and once or twice when he touched upon some historic sorrow he forgot his hopes for the future and his lessons for the present, and made moving verse. His contemporary, Clarence Mangan, kept out of public life and its half-illusions by a passion for books, and for drink and opium, made an imaginative and powerful style. He translated from the German, and imitated Oriental poetry, but little that he did on any but Irish subjects has a lasting interest. He is usually classed with the Young Ireland poets, because he contributed to their periodi- cals and shared their political views; but his style was formed before their movement began, and he found it the more easy for this reason, perhaps, to give sincere expres- sion to the mood which he had chosen, the only sincerity literature knows of; and with happiness and cultivation might have displaced Moore. But as it was, whenever he had no fine ancient song to inspire him, he fell into rhetoric which was only lifted out of commonplace by an arid in- tensity. In his ^ Irish National Hymn,’ ^ Soul and Coun- try,’ and the like, we look into a mind full of parched sands where the sweet dews have never fallen. A miser- X MODERlSl IRISH POETRY, able man may think well and express himself with great vehemence, but he cannot make beautiful things, for Aph- rodite never rises from any but a tide of joy. Mangan knew nothing of the happiness of the outer man, and it was only when prolonging the tragic exultation of some dead bard that he knew the unearthly happiness which clouds the outer man with sorrow, and is the fountain of impassioned art. Like those Avho had gone before him, he was the slave of life, for he had nothing of the self-knowl- edge, the power of selection, the harmony of mind, which enables the poet to be its master, and to mold the world to a trumpet for his lips. But O’Hussey’s Ode over his outcast chief must live for generations because of the passion that moves through its powerful images and its mournful, wayward, and fierce rhythms. “ Though he were even a wolf ranging the round green woods, Though he were even a pleasant salmon in the untamable sea, Though he were a wild mountain eagle, he could scarce bear, he. This sharp, sore sleet, these howling floods.” Edward Walsh, a village schoolmaster, who hovered, like Mangan, on the edge of the Young Ireland movement, did many beautiful translations from the Gaelic; and Mi- chael Doheny, while out “ on his keeping in the moun- tains after the collapse at Ballingarry, made one of the most moving of ballads; but in the main the poets who gathered about Thomas Davis, and w^hose work has come down to us in ‘ The Spirit of the Nation,’ were of practical and political, not of literary, importance. Meanwhile Samuel Ferguson, William Allingham, and Aubrey de Vere were working apart from politics; Fer- guson selecting his subjects from the traditions of the bardic age, and Allingham from those of his native Bally- shannon, and Aubrey de Vere wavering between Eng- lish, Irish, and Catholic tradition. They were wiser than Young Ireland in the choice of their models, for, while drawing not less from purely Irish sources, they turned to the great poets of the world, Aubrey de Vere owing some- thing of his gravity to Wordsworth, Ferguson much of his simplicity to Homer, while Allingham had trained an ear, too delicate to catch the tune of but a single master, upon MODEm IRISH POETRY. xi the lyric poetry of many lands. Allingham was the best artist, but Ferguson had the more ample imagination, the more epic aim. He had not the subtlety of feeling, the variety of cadence of a great lyric poet, but he has touched, here and there, an epic vastness and naivete, as in the de- scription in ^ Congal ’ of the mire-stiftened mantle of the giant specter Mananan mac Lir, striking against his calves with as loud a noise as the mainsail of a ship makes, “ when with the coil of all its ropes it beat the sounding mast.” He is frequently dull, for he often lacked the ‘‘ minutely appropriate words ” necessary to embody those fine changes of feeling which enthrall the attention ; but his sense of weight and size, of action and tumult, has set him apart and solitary, an epic figure in a lyric age. Allingham, whose pleasant destiny has made him the poet of his native town, and put ^ The Winding Banks of Erne ’ into the mouths of the ballad singers of Ballyshan- non, is, on the other hand, a master of minutely appro- priate words,” and can wring from the luxurious sadness of the lover, from the austere sadness of old age, the last golden drop of beauty ; but amid action and tumult he can but fold his hands. He is the poet of the melancholy peas- antry of the West, and, as years go on, and voluminous histories and copious romances drop under the horizon, will take his place among those minor immortals who have put their souls into little songs to humble the proud. The poetry of Aubrey de Vere has less architecture than the poetry of Ferguson and Allingham, and more medita- tion. Indeed, his few but ever memorable successes are en- chanted islands in gray seas of stately impersonal reverie and description, which drift by and leave no definite rec- ollection. One needs, perhaps, to perfectly enjoy him, a Dominican habit, a cloister, and a breviary. These three poets published much of their best work before and during the Fenian movement, which, like Young Ireland, had its poets, though but a small number. Charles Kickham, one of the triumvirate ” that con- trolled it in Ireland; John Casey, a clerk in a flour mill; and Ellen O’Leary, the sister of Mr. John O’Leary, were at times very excellent. Their verse lacks, curiously enough, the oratorical vehemence of Young Ireland, and is xii MODERlS^ IRISH POETRY. plaintive and idyllic. The agrarian movement that fol- lowed produced but little poetry, and of that little all is forgotten but a vehement poem by Fanny Parnell and a couple of songs by T. D. Sullivan, w^ho is a good song writer, though not, as the writer has read on an election placard, one of the greatest poets w^ho ever moved the heart of man.^’ But while Nationalist verse has ceased to be a portion of the propaganda of a party, it has been written, and is being written, under the influence of the Nationalist newspapers and of Young Ireland societies and the like. With an exacting conscience, and better models than Thomas Moore and the Young Irelanders, such beautiful enthusiasm could not fail to make some beautiful verses. But, as things are, the rhythms are me- chanical, and the metaphors conventional ; and inspiration is too often worshiped as a Familiar who labors while you sleep, or forget, or do many worthy things which are not spiritual things. For the most part, the Irishman of our times loves so deeply those arts which build up a gallant personality, rapid writing, ready talking, effective speaking to crowds, that he has no thought for the arts which consume the per- sonality in solitude. He loves the mortal arts which have given him a lure to take the hearts of men, and shrinks from the immortal, which could but divide him from his fellows. And in this century, he who does not strive to be a perfect craftsman achieves nothing. The poor peasant of the eighteenth century could make fine ballads by abandon- ing himself to the joy or sorrow of the moment, as the reeds abandon themselves to the wind which sighs through them, because he had about him a w^orld where all was old enough to be steeped in emotion. But we cannot take to ourselves, by merely thrusting out our hands, all we need of pomp and symbol, and if we have not the desire of artistic per- fection for an ark, the deluge of incoherence, vulgarity, and triviality will pass over our heads. If we had no other symbols but the tumult of the sea, the rusted gold of the thatch, the redness of the quicken-berry, and had never known the rhetoric of the platform and of the newspaper, we could do without laborious selection and rejection; but, even then, though we might do much that would be delight- MODERN IRISH POETRY, xiii ful, that would inspire coming times, it would not have the manner of the greatest poetry. Here and there, the Nationalist newspapers and the Young Ireland societies have trained a writer who, though busy with the old models, has ^ome imaginative energy; while the more literary writers, the successors of Ailing- ham and Ferguson and De Vere, are generally more anxious to inhuence and understand Irish thought than any of their predecessors w^ho did not take the sub- stance of their poetry from politics. They are distin- guished too by their deliberate art, and by their preoc- cupation with spiritual passions and memories. The poetry of Lionel Johnson and Mrs. Hinkson is Catholic and devout, but Lionel Johnson’s is lofty and austere, and like De Vere’s never long forgets the greatness of his Church and the interior life whose expres- sion it is, while Mrs. Hinkson is happiest when she em- bodies emotions, that have the innocence of childhood, in symbols and metaphors from the green world about her. She has no reverie nor speculation, but a devout tenderness like that of St. Francis for weak instinctive things, old gardeners, old fishermen, birds among the leaves, birds tossed upon the waters. Miss Hopper belongs to that school of writers which embodies passions, that are not the less spiritual because no Church has put them into prayers, in stories and symbols from old Celtic poetry and my- thology. The poetry of A. E.,” at its best, finds its sym- bols and its stories in the soul itself, and has a more disem- bodied ecstasy than any poetry of our time. He is the chief poet of the school of Irish mystics, in which there are many poets besides many who have heard the words, “If ye know these things, happy are ye if ye do them,” and thought the labors that bring the mystic vision more im- portant than the labors of any craft. Mr. Herbert Trench and Mrs. Shorter and “ Moira O’Neill ” are more interested in the picturesqueness of the world than in religion. Mr. Trench and Mrs. Shorter have put old Irish stories into vigorous modern rhyme, and have written, the one in her ^ Ceann dubh Deelish ’ and the other in ^ Come, Let Us Make Love Deathless,’ lyrics that should become a lasting part of Irish lyric poetry. “ Moira xiv MODERN IRISH POETRY. O’Neill ” has written pretty lyrics of Antrim life; but one discovers that Mrs. Hinkson or Miss Hopper, although their work is probably less popular, come nearer to the peasant passion, when one compares their work and hers with that Gaelic song translated so beautifully by Dr. Sigerson, where a ragged man of the roads, having lost all else, is yet thankful for the great love gift of sorrow,” or with many songs translated by Dr. Hyde in his ‘ Love Songs of Connacht,’ or by Lady Gregory in her ‘ Poets and Dreamers.’ Except some few Catholic and mystical poets and Pro- fessor Dowden in one or two poems, no Irishman living in Ireland has sung excellently of any but a theme from Irish experience, Irish history, or Irish tradition. Trinity Col- lege, which desires to be English, has been the mother of many verse writers and of few poets ; and this can only be because she has set herself against the national genius, and taught her children to imitate alien styles and choose out alien themes, for it is not possible to believe that the educated Irishman alone is prosaic and uninventive. Her few poets have been awakened by the influence of the farm laborers, potato diggers, peddlers, and hedge schoolmas- ters of the eighteenth century, and their imitators in this, and not by a scholastic life, which, for reasons easy for all to understand and for many to forgive, has refused the ideals of Ireland, while those of England are but far-off murmurs. An enemy to all enthusiasms, because all enthu- siasms seemed her enemies, she has taught her children to look neither to the world about them, nor into their own souls, where some dangerous fire might slumber. To remember that in Ireland the professional and landed classes have been through the mold of Trinity Col- lege or of English universities, and are ignorant of the very names of the best Irish writers, is to know how strong a wind blows from the ancient legends of Ireland, how vigorous an impulse to create is in her heart to-day. Deserted by the classes from among whom have come the bulk of the world’s intellect, she struggles on, gradually ridding herself of incoherence and triviality, and slowly building up a literature in English which, whether im- portant or unimportant, grows always more unlike others ; MOBEm IRISH POETRY. XV nor does it seem as if she would long lack a living litera- ture in Gaelic, for the movement for the preservation of Gaelic, which has been so much more successful than any- body foresaw, has already its poets. Dr. Hyde has written Gaelic poems which pass from mouth to mouth in the west of Ireland. The country people have themselves fitted them to ancient airs, and many that can neither read nor write sing them in Donegal and Connemara and Galway. I have, indeed, but little doubt that Ireland, communing with herself in Gaelic more and more, but speaking to foreign countries in English, will lead many that are sick with theories and with trivial emotion, to some sweet well- waters of primeval poetry. IRISH FAIRY AND FOLK TALES. The history of Ireland and of -the Irish people dates from a very remote antiquity; indeed, its beginnings are lost in the twilight of fable, but its language, as Mr. Doug- las Hyde says, has left the clearest, most luminous, and most consecutive literary track behind it of any of the ver- nacular tongues,^’ excepting the Greek. Linguistically speaking, the Celtic people are a branch of the great Aryan race. The Irish are part of a vast Indo- European family which countless ages ago spread to the West over a great part of Europe. The Gaelic language has roots which go far down toward the parent stock; its literature, consequently, is of the utmost interest and value to those who seek to read the riddle of the past and to push back the horizon of knowledge concerning it. The reader will not, therefore, be surprised to learn that the Irish fairy tales and folk stories are among the oldest of those of any of the European races. Of all the traces that man in his earliest period has left behind him says Mr. Douglas Hyde in his ^ Beside the Fire,^ there is nothing except a few’ drilled stones or flint arrowheads that approaches the antiquity of these tales.^’ And although they have man^^ counterparts in other languages, w hich w’ould seem to indicate a common origin in the far off past, notably in Oriental folk lore, the spirit of the race is enshrined in them in a more character- istic and striking degree, perhaps, than in the fairy tales and folk lore of any other country. This is doubtless due to their preservation in the ancient Gaelic ; to the fact that the w’andering bard has lingered longer in Ireland than elsewhere, and to the fact that the professional story-teller, although fast disappearing, is not 3’et entirely extinct in that country. Story-telling has always been a favorite amusement of the Celtic race. In ancient times the professional story- tellers w’ere classified, and w’ere called, according to their rank, ollaves, shannachies, files, or bards. Their duty was to recite old tales, poems, and descriptions of historical events in prose or verse at the festive gatherings of the xvii xviii IRISH FAIRY AYD FOLK TALES. people. They were especially educated and trained for this profession, which was looked upon as a dignified and important one, and they were treated with consideration and amply rewarded wherever they went. It is recorded how the story-tellers used to gather to- gether of an evening, and if any had a different version from the others, they would all recite theirs and vote, and the man who had varied would have to abide by their ver- dict. In this way stories have been handed down with such accuracy that the long tale of Dierdre was, in the earlier decades of the eighteenth century, told almost word for word as in the very ancient MS. in the Royal Dublin Society. In one case only it varied, and then the MS. was obviously wrong — a passage had been forgotten by the copyist. But this accuracy is rather in the folk and bardic tales than in the fairy legends, for these vary widely, being usually adapted to some neighboring village or local fairy-seeing celebrity. While the Irish fairy tales and folk tales are among the oldest in the world, they are also the most numerous and diversified. Although the same personages figure in them over and over again, many collectors have classified their chief figures more or less. The following will give an idea of the main grouping : There are the Sociable Fairies,’^ who go about in troops, and quarrel and make love much as men and women do. They are land fairies or Sheoques ( Ir. Sidheog^ a little fairy and water fairies or Merrows (Ir. Moruadh, a sea maid The Sheoques haunt the sacred thorn bushes and the green raths or royalties — those little fields circled by ditches, and supposed to have been ancient fortifications and sheepfolds. Many a mortal they have said to have en- ticed into their dim world. Many have listened to their fairy music, till human cares and joys drifted from them and they became great seers, or fairy doctors,’’ or musi- cians, or poets, like Carolan, who is said to have gathered his tunes while sleeping on a fairy rath ! or else they died in a year and a day, to live ever after among the fairies. These Sheoques occasionally steal a child and leave a with- ered fairy, a thousand or maybe two thousand years old, instead. IRISH FAIRY AND FOLK TALES. xix The Merrows sometimes come out of the sea in the shape of little hornless cows. In their own shape, they have fishes^ tails and wear a red cap, called in Irish cohuleen driuth. The men among them have green teeth, green hair, pigs’ eyes, and red noses; but their women are beautiful and sometimes prefer handsome fishermen to their green- haired lovers. Among “ Solitary Fairies’’ is the Lepricaun (Ir. Leith hhrogan, i. e. the one shoemaker). He is seen sitting under a hedge mending a shoe, and whoso catches him can make him deliver up his crocks of gold, for he is a miser of great wealth ; but if you take your eyes off him he vanishes like smoke. He wears a red coat with seven buttons in each row, and a cocked hat, on the point of which he sometimes spins like a top. In Donegal he goes clad in a great frieze coat. The Chcricaun’s (Ir. Clohhair-cean) occupations are rob- bing wine cellars and riding sheep and shepherds’ dogs the livelong night, until the morning finds them panting and mud-covered. The Gonconer or Ganconagh (Ir. Gean-canogh^ i.e. love- talker) is a creature of the Lepricaun type, but a great idler. He appears in lonely valleys, pipe in mouth, and spends his time in making love to shepherdesses and milk- maids. The Far Darrig (Ir. Fear dearg, i. e. red man) is the practical joker of the other world. He presides over evil dreams. The Pooka (Ir. Puca^ a word derived by some from poo, a he-goat) also is of the family of the nightmare. His shape is usually that of a horse, bull, goat, eagle, or ass. His delight is to get a rider, with whom he rushes through ditches and rivers and over mountains, and whom he shakes off in the gray of the morning. Especially does he love to plague a drunkard ; a drunkard’s sleep is his king- dom. At times he takes more unexpected forms than those of beast or bird. When it rains in Ireland at the same time that the sun is shining it is a sure sign that the Pooka will be out that night. The Dullahan has no head, or carries it under his arm. He is often seen driving a black coach, called coach-a- bower ” (Ir. Colte-hodliar) , drawn by headless horses. It rumbles to your door, and if you open it a basin of blood is XX IRISH FAIRY ARD FOLK TALES. thrown in your face. It is an omen of death to the houses where it pauses. The Leanhaun Slice (Ir. Leanhami sidhCy i.e. fairy mis- tress) seeks the love of men. If they refuse, she is their slave; if they consent, they are hers, and can escape only by finding one to take their place. Her lovers waste away, for she lives on their life. The Far Gorta (man of hunger) is an emaciated fairy that goes through the land in famine time, begging and bringing good luck to the giver. The Banshee (Ir. Bean-sidhe, i.e. fairy woman) is a so- ciable fairy grown solitary through much sorrow. The name corresponds to the less common Far Shee (Ir. Fear sidhe), a man fairy. She wails, as most people know, over the death of a member of some old Irish family. There are also the “ House Spirits : the Water Sherie, a kind of will-o^-the-wisp ; the Soiolth, a formless luminous creature; the Pastha (piasthestia) , the lake dragon, a guardian of hidden treasure; and the Bo men fairies, who destroy the unwary ; and there is the great tribe of ghosts, called Thivishes in some parts. Representative stories of each of these groups will be found in the writings of those who have made it their busi- ness to collect and retell the fairy tales and folk lore of the country, and we have, under the heading of Fairy and Folk Tales of Ireland, anonymous,’’ brought together a few of the typical stories to which no names are attached. And there is fairy poetry as well, of which not a little is to be found in the works of the Irish poets from William Allingham to William Butler Yeats. But it is not so abundant as one might expect. The ancient myths and legends and the half-mythical history of Ireland and her manifold wrongs and sufferings seem to have appealed more to the Irish poetical spirit. The very first collections of fairy tales and folk tales are of course to be found in the old Chap-books. They are,” says Mr. W. B. Yeats, to be found brown with turf smoke on cottage shelves, and are, or were, sold on every hand by the peddlers, but cannot be found in any library of this city of the Sassanach (London). ‘The Royal Fairy Tales,’ ‘ The Hibernian Tales,’ and ‘ The Legends of the Fairies ’ are the fairy literature of the people.” IRISH FAIRY AND FOLK TALES. xxi Of a certain volume of the ^ Hibernian Tales/ Thack- eray writes pleasantly in his ‘ Irish Sketch Book/ remark- ing : So great is the superiority of the old stories over the new, in fancy, dramatic interest, and humor, that one canT help fancying that Hibernia must have been a very superior country to Ireland.^^ These Hibernian novels, too,^^ he continues, are evi- dently intended for the hedge-school universities. They have the old tricks and some of the old plots that one has read in many popular legends of almost all countries, European and Eastern ; successful cunning is the great vir- tue applauded; and the heroes pass through a thousand wild extravagant dangers, such as could only have been invented when art was young and faith was large. And as the honest old author of the tales says they are suited to the meanest as well as to the highest capacity, tending both to improve the fancy and enrich the mind, let us con- clude the night’s entertainment by reading one or two of them, and reposing after the doleful tragedy which has been represented. The ‘ Black Thief ’ is worthy of the Arabian Nights, I think — as wild and odd as an Eastern tale. . . . Not a little does it add to these tales that one feels as one reads them that the writer must have believed in his heart what he told ; you see the tremor, as it were, and the wild look of the eyes as he sits in his corner and recites and peers wistfully around lest the spirits he talks of be really at hand.” And after telling us the Chap-book ver- sion of the story of ‘ Hudden, Dudden, and Donald,’ and of ‘‘ the Spaeman,” he says : “ And so we shut up the hedge- school library, and close the Galway Nights’ Entertain- ments ; they are not as amusing as Almack, to be sure, but mau}^ a lady who has her opera box in London has listened to a piper in Ireland.” It is significant of how Ireland’s contribution to English literature in every department has been ignored by the Eng- lish, and in consequence by the entire literary world, that in the two great collections of Chap-books made by the elder and the younger Boswell, which are now in the library of Harvard University, there are scarcely any of Irish ori- gin, though England and Scotland are fully represented; and yet during the period covered by these collections, as these remarks by Thackeray and W. B. Yeats vrould indi- xxii IRISH FAIRY AND FOLK TALES, cate, her output of this literature was as large as, if not larger than, that of either England or Scotland. If it had not been for a certain purchase made by Thackeray at Ennis when on his tour through Ireland, and for a certain rainy day in Galway about 1840, the English people would probably never have known that the Irish people had their Chap-books from the fifteenth to the nineteenth century as well as the people of almost all other European coun- tries. The systematic collection of Celtic folk tales in English began in Ireland as early as 1825, with T. Crofton Croker’s ‘ Fairy Legends and Traditions of the South of Ireland.’ Among the novelists and tale- writers of the schools of Miss Edgeworth and Lever folk tales were occasionally utilized, as by Carleton in his ^ Traits and Stories,’ by Lover in his ^ Legends and Stories,’ and by Griffin in his ^ Tales of a Jury Boom.’ These all tell their tales in the manner of the stage Irishman. Patrick Kennedy, a Dublin book- seller, printed about one hundred folk and hero tales and drolls in his ‘ Legendary Fictions of the Irish Celts,’ 1866 ; ‘ Fireside Stories of Ireland,’ 1870; and ^ Bardic Stories of Ireland,’ 1871. Lady Wilde has told many folk tales very effectively in her ‘ Ancient Legends of Ireland,’ 1887. Mr. J. Curtin’s ^ Myths and Folk Tales of Ireland,’ 1890, must not be forgotten. Douglas Hyde has published in ^ Beside the Fireside,’ 1891, English versions of some of the stories he had published in the original Irish in his ^ Leahbar Sgeulaighteachta,’ Dublin, 1889. Miss Mac Lintock has published many tales in various periodicals during the past twenty years ; a period which has been re- markably fruitful in active workers in this hitherto com- paratively untilled field. P. W. Joyce’s ‘ Old Celtic Ro- mances,’ W. Larminie’s ^ West Irish Folk Tales,’ P. J. McCall’s ‘ Fenian Nights’ Entertainments,’ Seumus Mac- Manus’ ^ Donegal Fairy Tales,’ D. Deeney’s ^ Peasant Lore from Gaelic Ireland,’ and many other books too nu- merous to mention are rich in material of this kind. But Dr. Douglas Hyde, Lady Gregory, and W. B. Yeats have done more than all to reveal to us “ the old weird world which sleeps in Irish lore.” They know the people of Ire* land thoroughly, and in their works they give us not only the folk and fairy tales of the people, but they make us feel IRISH FAIRY AIW FOLK TALES, xxiii how entirely they enter into and pervade and influence their every-day lives. One reason, perhaps, why the Irish people are as a rule so supremely gifted with the power of poetical self expres- sion, why they are endowed with so rich and luxurious a fancy, is because for centuries they have been nourished on such a wealth of fairy tales and wonder stories as is ex- ceeded by no other literature of the world. Emerson says, What nature at one time provides for use, she afterward turns to ornament,^’ and Herbert Spen- cer, following out this idea, remarks that the fairy lore, which in times past was matter of grave belief and held sway over people’s conduct, has since been transformed into ornament for ‘ The Midsummer Night’s Dream,’ ‘ The Tempest,’ ^ The Faerie Queene,’ and endless small tales and poems; and still affords subjects for children’s story books, amuses boys and girls, and becomes matter for jocose allu- sion.” Sir Walter Scott also' says, in a note to ^ The Lady of the Lake ’ : The mythology of one period would appear to pass into the romance of the next, and that into the nur- sery tales of subsequent ages ” ; and Max Muller, in his ‘ Chips from a German Workshop,’ says : The gods of ancient mythology were changed into the demigods and heroes of ancient epic poetry, and these demigods and heroes again become at a later age the principal characters of our nursery tales.” In just the same way many of the Irish folk tales are the detritus of the ancient bardic stories, and we can see this detrition in actual process in Ireland to-day, where the belief in the fairies and legends still exists in the minds of many of the older folks. As Lady Wilde says in her in- troduction to ^ Irish Legends ’ : With the highly sensitive organization of their race, it is not wonderful that the people live habitually under the shadow and dread of in- visible powers which, whether working for good or evil, are awful and mysterious to the uncultured mind that sees only the strange results produced by certain forces, but knows nothing of the approximate causes.” And so Tir- nan-og, the country of the young, the place where you will get happiness for a penny, so cheap and common will it be, is still devoutly believed in by many to whom Hy Braesil, xxiv IRISH FAIRY AXD FOLK TALES. the Island of the Blest, is also something more than a name. And it is not a little curious to note in this connection that, while the fairy tales of other lands have long been the natural literature of childhood, it is only in later years that even in Ireland itself her fairy tales, folk lore, wonder tales, and hero stories have figured in books especially made for young people. The fairy tales and folk lore of Ireland should have a special interest not alone for Irish-Americans, but for that greater American nation which is being evolved out of the mixture of the blood of all the races of the world, to- day. We inherit, we are infused by, and we are trans- muting into terms of national individuality, all the ro- mance, all the culture, all the art, and all the literature of the past, of all the nations of the world. And when this individuality shall have been achieved, we shall have a culture which will be distinctly American, we shall have an art which will be distinctly American, we shall have a literature which will be distinctly American There has entered, and there will enter, into the com position of this new and individual race, a greater infu, sion of the Celtic element than of any other, and it is there, fore of the highest importance that the literature in which this element has been cradled, the literature to which the Celtic spirit responds most quickly and with the happiest results, should form part of the mental nourishment of our young people, in the form of the fairy tales and folk lore of Ireland. We have given our children freely for the last two hun dred years of the English Mother Goose rhymes and fairy tales, of the German, and even of the Norse fairy tales and romances — much of the content and idea of which is re- mote, and to which because of race-inherited feelings and tendencies, they cannot respond — while we have left un- heeded the vast treasures which exist in Irish fairy litera- ture, a literature which makes the strongest appeal to the largest ingredient in the composition of the new American race which is being evolved. CONTENTS OF VOLUME III. Modern Irish Poetry. — W. B. Yeats Irish Fairy and Folk Tales . — Charles Welsh . Daunt, William Joseph O’Neill . . . . Repealers in Prison and Out, fr. ^ Eighty-five Years of Irish History ’ . King Bagenal, fr. ‘ Eighty-five Years of Irish History ’ .... ... A Facetious Irish Peer, fr. ^ Eighty-five Years of Irish History ’ Davis, Thomas Osborne Fontenoy Oh ! the marriage ...... A Nation Once Again My Grave . The West ’s Asleep ...... The Girl of Dunbwy The Welcome My Land Davitt, Michael How the Anglo-Irish Problem Could be Solved, fr. ^ Leaves from a Prison Diary ’ . Despair and Hope in Prison, fr. ^ Leaves from a Prison Diary ’ Dawson, Arthur Bumpers, Squire Jones Deeny, Daniel A Midnight Funeral, fr. ^ Peasant Lore from Gaelic Ireland ’ A Little Woman in Red, fr. ^ Peasant Lore from Gaelic Ireland ’ XXV PAGE vii xvii 811 811 817 819 822 823 826 827 827 828 829 830 831 832 832 837 841 841 845 845 846 XXVI CONTENTS. PAQE Strange Indeed ! fr. ^ Peasant Lore from Gaelic Ireland ’ 847 Denham, Sir John 849 View of London from Cooper’s Hill . . . 850 De Vere, Sir Aubrey . . . . . . . 851 Lady Jane Grey, fr. ^ Mary Tudor’ . . 851 Liberty of the Press 852 The Shannon 852 De Verb, Aubrey Thomas 853 How to Govern Ireland, fr. ^ English Misrule and Irish Misdeeds ’ 854 The Sun God 858 The Little Black Rose 858 Dirge of Rory O’More 859 Song 859 Sorrow 860 The Wedding of the Clans .... 860 Flowers I would bring 861 Song 862 The Long Dying 863 Doheny, Michael 864 A Cushla Gal Mo Chree 864 Dowden, Edward 866 The Interpretation of Literature, fr. ^ Trans- cripts and Studies ’ 866 England in Shakespeare’s Youth . . . 869 The Humor of Shakespeare, fr. ^ Shakespeare : A Critical Study ’ 870 Shakespeare’s Portraiture of Women, fr. ^ Transcripts and Studies ’ . . . . 875 Aboard the Sea-Swallow . . . . .876 Oasis 876 Leonardo’s Monna Lisa 877 Dowling, Bartholomew 8T8 The Brigade at Fontenoy 878 CONTENTS. xxvu PAGE Dowling, Richard 881 A Guide to Ignorance, fr. ^ Ignorant Essays ^ . 881 On Dublin Castle 887 Downey,, Edmund 891 From Portlaw to Paradise .... 891 King John and the Mayor .... 900 Raleigh in Munster 909 Downing, Ellen Mary Patrick .... 916 My Owen 916 Talk by the Blackwater 916 Doyle, James Warren 918 The True Friends of the Poor and the Afflicted, fr. ^ Letters on the State of Ireland ^ . . 919 Drennan, William ....... 924 Erin . . . .' 924 The Wake of William Orr 925 Drennan, William, Jr 928 The Battle of Beal-An-Atha-Buidh , . . 928 Drummond, William Hamilton .... 930 Ode Written on Leaving Ireland, fr. the Irish of Gerald Nugent 930 Dufferin, Lady 932 Lament of the Irish Emigrant .... 933 Terence’s Farewell ;..... 934 Katey’s Letter 935 Dufferin, Lord 937 On Irishmen as Rulers 938 An Icelandic Dinner, fr. ‘ Letters From High Latitudes ’ 942 DuFFET, Thomas 948 Come all you pale lovers .... 948 Duffy, Sir Charles Gavan 950 A Dispute with Carlyle, fr. ^ Conversations with Carlyle’ 951 XXVlll CONTENTS. PAGE The Muster of the North 954 The Irish Rapparees 957 The Irish Chiefs 959 Innishowen 961 Dunraven, Earl of 963 A City in the Great West, fr. ^ The Great Di- vide ^ 963 Eccles, Charlotte O’Connor 967 King William 967 Edgeworth, Maria 993 Castle Rackrent 995 Continuation of the Memoirs of the Rackrent Family 1014 The Originality of Irish Bulls Examined, fr. ^ Irish Bulls ’ 1055 Little Dominick, fr. ^ Irish Bulls ’ . . 1060 Waste Not, Want Not 1068 • Edgeworth, Richard Lovell 1073 My Boyhood Days, fr. Memoirs . . . 1073 Egan, Maurice Francis 1080 The Orange Lilies, fr. ‘ The Land of St. Law- rence ’ 1080 The Shamrock 1085 Eglington, John. See Magee, William K. Emmet, Robert 1086 liast Speech 1087 Lines on the Burying-Ground of Arbor Hill . 1094 Esler, Mrs 1096 The Criminality of Letty Moore . . . 1096 Ettingsall, Thomas 1114 Darby Doyle ’s Voyage to Quebec . . . 1114 Fahy, Francis A 1124 How to Become a Poet 1124 The Donovans 1132 Irish Molly O 1133 CONTENTS. xxix PAGE The Ould Plaid Shawl 1134 Little Mary Cassidy 1135 Fairy and Folk Tales of Ireland, Anonymous . 1136 Will-o^-the*Wisp, fr. ^ Hibernian Tales ’ . . 1136 Loughleagh (Lake of Healing) . . . 1142 Donald and His Neighbors, fr. ‘ Hibernian Tales ^ 1147 Queen^s County Witch, A . . . . 1150 The Fairy Greyhound 1154 The Countess Kathleen O’Shea . . . 1157 Kent-Day . 1160 Conversion of King Laoghaire’s Daughters . 1162 Farquhar, George 1164 The Counterfeit Footman, fr. ^ The Beaux’ Stratagem ^ 1165 Father Prout. See Mahony, Francis Sylvester. Ferguson, Sir Samuel 1168 Speech on Robert Burns, fr. ^ Tlie Ireland of His Day ^ 1170 The Forging of the Anchor .... 1174 Lament Over the Ruins of the Abbey of Time- league 1177 Owen Bawn 1179 Cashel of Munster 1181 Molly Asthore 1182 Cean Dubh Deelish 1183 The Lapful of Nuts 1183 Pastheen Fion 1184 Fair Hills of Ireland 1185 Looking Seaward, fr. ^ Congal ’ . . . 1185 Grace Nugent, fr. the Irish of O’Carolan . 1186 Mild Mabel Kelly 1187 The Coolun, fr. the Irish of Maurice Dugan . 1188 Fitzgerald, Percy Hetherington .... 1190 Sheridan as an Orator, fr. ^ Lives of the Sheri- dans ^ 1190 2 — Irish Lit. Vol. 3 XXX CONTENTS. Fitzpatrick, William John Anecdotes of Keogh, the Irish Massillon, fr. ‘ Irish Wits and Worthies ^ . . . Fitzsimon, Ellen O’Connell Song of the Irish Emigrant, or the Woods of Caillino Flecknoe, Richard Of Drinking On Travel Flood, Henry Flood’s Reply to Grattan’s Invective A Defense of the Volunteers . . . . On a Commercial Treaty with France Forrester, Mrs. Ellen The Widow’s Message to her Son Fox, George The County of Mayo, fr. the Irish of Tliomas Flavell Francis, M. E. See Mrs. Blundell. Francis, Sir Philip To the Duke of Grafton, fr. ‘ The Letters of J unius ’ ....... French, William Percy The First Lord Liftinant .... Furlong, Alice The Trees PAGE 1199 1199 1206 1206 1208 1209 1209 1210 1212 1217 1219 1220 1222 1224 1224 1226 1228 1233 1233 1239 1239 WILLIAM JOSEPH O’NEILL DAUNT. ( 1807 — 1894 .) William Joseph O’Neill Daunt, the able historical writer, was born at Fullamore, King’s County, April 28, 1807, and died June 29, 1894. He was for some years associated Avith Daniel O’Con- nell in a secretarial capacity, and throughout his long life he was steadfast in his admiration for that great leader and in his intense hostility to English rule in Ireland. His first published work was ‘ Ireland and Her Agitators,’ 1845, which was followed by ‘ Hugh Talbot, a Tale of the Irish Confisca- tions,’ 1846. In 1848 he issued his valuable ‘ Personal Recollections of O’Connell,’ and in 1851 his ‘ Catechism of Irish History,’ which was a text-book in Irish schools, and a novel entitled ‘ The Gentle- man in Debt.’ During the later part of his life he lived quietly as a country gentleman, but that he had not lost any of his early views is proved by his ‘ Essays on Ireland,’ 1886, and his ‘ Eighty- Five Years of Irish History,’ published in the same year. After his death his daughter published in 1896, under the title of ‘ A Life Spent for Ireland,’ his personal diary, a most entertaining volume, full of good stories and valuable side-lights on the history of his times. REPEALERS IN PRISON AND OUT. From ‘ Eighty-five Years of Irish History.’ O’Connell, on the evening of his incarceration, had ex- claimed: Thank God, I am in jail for Ireland!” He believed that Peel’s false move tended to augment the strength of the national cause. All the prisoners dined together, and the party wore anything but a tragical air. They all enjoyed the exhilaration of spirits arising from a hope that, whatever inconveniences they might sustain, their imprisonment would accelerate the triumph of the cause that was nearest to their hearts. They were for the first few days occupied with the bustle of fixing themselves in their new quarters. At last they settled down into something like their usual habits. Charles Gavan Duffy, the editor of The Nation; Doctor (afterwards Sir John) Gray, the editor of The Freeman; and Richard Barrett, the editor of The Pilot, found abun- dant employment superintending their several journals. The moments unoccupied by business they devoted to study, 811 812 IRISH LITERATURE. or to taking exercise in the adjoining garden. Mr. Duffj, under the impression that the imprisonment would last a year, announced his purpose of reading through Carte’s ‘ Life of Ormond,’ in three folio volumes. Mr. Kay still exercised his supervision of the affairs of the Associa- tion. John O’Connell wrote his amusing and instructive ‘ Repeal Dictionary,’ which appeared in the weekly press, and which I believe was subsequently published in a col- lected form. Steele read Kane’s ^ Industrial Resources of Ireland,’ and defaced the fair, pages of the work with innumerable marks of admiration. Barrett was ready for fun, — frisk, joyous frolic of any sort, and more than once kept the incarcerated coterie in roars of laugh- ter by attitudinizing and grimacing in a style that would have done honor to Liston. Two of the visitors played the short-armed orator; the comic force of the pathetic passages being much enhanced by a cambric handker- chief, which the gentleman who performed the action held to the weeping eyes of the gentleman who performed the eloquence. Nearly all the prisoners contributed to the pages of a jeu d’esprit called Prison Gazette, in which they quizzed each other and their friends with merry mal- ice. In short, there never were prisoners who bore so lightly and joyously the hours of imprisonment, or whose deprivation of freedom was more soothed by the kind and sympathetic offices of friends. They had access to two gardens. In one of these was a mound with a summer-house on the top. The mound they amused themselves by calling Tara Hill ; the summer- house was termed Conciliation Hall. In the other garden they erected a large marquee, which they styled Mullagh- mast, and in this marquee were received the numerous deputations who bore addresses to the convicts ” from the different quarters of the kingdom. I learned from a gentleman, who was present on one of these occasions, that O’Connell replied to the bearers of an address in the following words : Tell your friends that my heart is joy- ful, my spirits are buoyant, my health is excellent, my hopes are high. My imprisonment is not irksome to me, for I feel and know that it will, under Providence, be the means of making our country a nation again. I am glad I am in prison. There wanted but this to my career. I WILLIAM JOSEPH O’NEILL DAUNT, 813 have labored for Ireland — refused office, honor and emolument for Ireland — I have prayed and hoped and watched for Ireland — there was yet one thing wanted — that I should be in jail for Ireland. This has now been added to the rest, thanks to our enemies; and I cordially rejoice at it.^^ O’Connell, in the course of that day, was waited on by a party of American tourists. When they arrived, he was standing on the top of Tara Hill.” The^^ doffed their hats and remained at the foot of the mound until desired to walk up. You are probably more visited here,” said one of them, than if you were at large.” Yes,” replied the Liberator, and here I cannot use the excuse of ^ not at home.’ ” The progress of Repeal during his imprisonment en- chanted him. The people,” said he, are behaving nobly. I was at first a little afraid, despite all my teach- ing, that at such a tr^dng crisis they would have done either too much or too little — either have been stung into an outbreak, or else awed into apathy. Neither has hap- pened. Blessed be God! the people are acting nobly. What it is to have such a people to lead ! ” He rejoiced especially over the excellent training of the Repeal Association; praised the young talent called forth by the movement, bestowing particular eulogy on Mac- Nevin and Barry. In the days of the Catholic Association,” said he, I used to have more trouble than I can express in keeping down mutiny. I always arrived in town about the 25th of October, and on my arrival I invariably found some jealousies, some squabbles — some fellow trying to be leader, which gave me infinite annoyance. But now all goes right — no man is jealous of any other man; each does his best for the general cause.” Speaking of his pacific polic}^, he remarked that it was a curious coincidence that the Conal of Ossian should sajq My sword hangs at my side — the blade longs to shine in my hand — but I love the peace of green Erin of the streams.” The convicted patriots received numerous presents of fresh fruits and flowers. A patriotic confectioner pre- sented them with two monster cakes. Mr. Scriber of 814 IRISH LITERATURE. Westmoreland Street sent them seven musical-boxes to cheer their imprisonment; and it is said that, imme- diately on the arrival of the harmonious cargo, the pris- oners evinced their satisfaction with more musical zeal than taste — by setting the seven boxes playing together. Mr. Steele one day placed a stone which he dignified with the name of Liach Fail, or the Stone of Destiny, on the side of the mimic Tara Hill in the garden, calling on Dufty to doff his hat in honor of the august ceremony. With these and similar helps and devices did the pris- oners try to cheat the hours of that bondage which, under every circumstance of mitigation, must ever be oppressive to men of ardent minds and active habits. One day John O’Connell made some remark on the high, gloomy prison buildings, which excluded the view of the country from the dining-room. “ I am better pleased,” said his father, that the view is excluded. To see the hills, and fields, and sea-coast, and to feel that you were debarred from the freedom of walking among them, were a worse affliction than to be deprived altogether of the sight. It would tantalize too much.” . . . On the evening of the 6th of September, O’Connell and his fellow-prisoners were liberated. About ten days pre- viously his intimate friend, Mr. Patrick Fitzpatrick, of Eccles Street, had expressed to him the expectation that the law-lords would confirm the sentence, but that the prisoners would be liberated by the exercise of the Royal prerogative. “ You must, in that event,” said Mr. Fitz- patrick, be prepared with instant securities. How large is the amount of bail required? ” O’Connell had forgotten the amount, and descended to the Governor’s office to inspect the book. Mr. Fitzpat- rick speedily followed, and found O’Connell laughing heartily at the personal description annexed to his name in the book : Daniel O’Connell — complexion good.” The amount of bail was £5,000 (|25,000) personally, and two securities at £2,500 (|12,500) each. But it is idle, quite idle to talk of it,” said O’Connell ; there is not the least probability — not the smallest shadow of a chance of our being set free. No, my good friend, we shall suffer our full term.” In this conviction O’Connell continued until the even- WiLLIAM JOSEPH O^NEILL DAUNT. 815 ing of the 6th. Two messengers from the Corn Exchange rushed simultaneously into the prison with the news, vociferating in such noisy rivalship that their tidings were for a long time unintelligible. At length one of them, perforce of better wind, shouted his comrade out of breath, and having reached the corridor leading to O’Con- nelPs apartments, he continued to bellow, I ’m first ! Where ’s the Liberator? I ^m first ! ‘‘What is it all about?’’ demanded Mr. Barrett, who was calmly perambulating the corridor. “ Only that you ’re free,” cried Edmond O’Hagarty (the messenger). “I’m first! I’m first! Hurrah! Where’s the Liberator? I’m first!” They rushed into a drawing-room where O’Connell was seated between two ladies, O’llagarty in his noisy delight still shouting, “I’m first! I’m first! You’re free, Lib- erator! Thanks be to God for that same! The judg- ment ’s reversed.” “Bah! not true; it can’t be true,” replied O’Connell coolly. “ But it is true. Liberator.” And the messenger showed him the placard which had been printed in London an- nouncing the fact. He examined it attentively, and said to Fitzpatrick : “ After all, this may be true,” when doubt was dispelled by the sudden appearance of the attorneys for the defense. “ On the merits,” were the first words of Mr. Ford, who threw his arms round O’Connell’s neck and kissed him. O’Connell wore his green velvet Mullagh- mast cap, and Ford wore a broad-brimmed beaver hat, oblivious in his ecstasy of the presence of the ladies. “ On the merits,” he triumphantly repeated ; “ no technical- ities at all — nothing but the merits.” The news had now spread through the prison, and the other prisoners crowded to the drawing-room to learn their fate. There was a quiet sort of triumph, no bois- terous joy amongst the traversers. In the course of the evening O’Connell said to my informant in a tone of deep solemnity: “Fitzpatrick, the hand of man is not in this. It is the response given by Providence to the prayers of the faithful, steadfast, pious people of Ireland.” It was near twilight when O’Connell left the prison to return to his home in Merrion Square. As he walked 816 IRISH LITERATURE. along the streets, the people at first gazed on him in be- wildered astonishment. They could scarcely believe the evidence of their eyes. Was O’Connell indeed free? They crowded round him to ascertain the fact; the crowds aug- mented; and by the time he arrived at the western end of Merrion Square, his friends were obliged to form a cordon around him to avert the inconvenient pressure of the de- lighted multitude. When he placed his foot on his own hall-door step, to re-enter the home from which he had for three months been iniquitously exiled, the popular ecstasy became uncontrollable. Cheer after cheer rose and swelled upon the air. The people gave vent to their wild delight in vociferous acclamations; every heart beat high with i3ride and triumph at the liberation of their venerated leader — not by ministerial grace or favor, but by the strict and stern vindication of that law which had been so nefariously outraged in the trial and conviction. O’Connell appeared on the balcony and addressed the people briefly. He exhorted them to bear their victory with moderation. Let them, he said, demonstrate their fitness to rule themselves by the spirit of conciliation and friendliness with which they should enjoy their triumph. On the next day (Saturday, the Tth of September) the liberated patriots passed in procession through the lead- ing streets of the metropolis. It was a scene of inde- scribable excitement. When opposite the door of the old Parliament House in College Green, the cavalcade halted — O’Connell rose in his triumphal car, uncovered his head and pointed with significant emphasis to the edifice. Then arose a mighty shout from the surrounding thou- sands — again and again did O’Connell, looking proudly around him, repeat his significant gesture; again and again did the myriads who thronged the broad street upraise their glad voices in deafening cheers. It was like the roar of the ocean, that proud shout of a nation’s triumph and a nation’s hope. WILLIAM JOSEPH O’NEILL DAUNT. 817 KING BAGENAL. From ‘ Eighty-five Years of Irish History.’ Of manners elegant, fascinating, polished by extensive intercourse with the great world, of princely income, and of boundless hospitality, Mr. Bageual possessed all the qualities and attributes calculated to procure him popu- larity with every class. A terrestrial paradise was Dun- leckny for all lovers of good wine, good horses, good dogs, and good society. His stud was magnificent, and he had a large number of capital hunters at the service of visitors who were not provided with steeds of their own. He de- rived great delight from encouraging the young men who frequented his house to hunt, drink, and solve points of honor at twelve paces. ‘‘ Enthroned at Dunleckny, he gathered around him a host of spirits congenial to his own. He had a tender af- fection for pistols, a brace of which implements, loaded, were often placed before him on the dinner table. After dinner the claret was produced in an unbroached cask; BagenaFs practice was to broach the cask with a bullet from one of his pistols, whilst he kept the other pistol in terrorem for any of the convives who should fail in doing ample justice to the wine. Nothing could be more impressive than the bland, fatherly, affectionate air with Avhich the old gentleman used to impart to his junior guests the results of his own experience, and the moral lessons which should regulate their conduct through life. “ ^ In truth, my young friends, it behooves a youth enter- ing the world to make a character for himself. Respect will only be accorded to character. A young man must show his proofs. I am not a quarrelsome person — I never was — I hate your mere duelist; but experience of the world tells me there are knotty points of which the only solution is the saw handle. Rest upon your pistols, my boys! Occasions will arise in which the use of them is absolutely indispensable to character. A man, I repeat, must show his proofs — in this world courage will never be taken upon trust. I protest to Heaven, my dear young friends, I am advising you exactly as I should advise my own sonF 818 IRISH LITERATURE, And having thus discharged his conscience, he would look blandly around with the most patriarchal air imag- inable. His practice accorded with his precept. Some pigs, the property of a gentleman who had recently settled near Dunleckny, strayed into an enclosure of King BagenaPs, and rooted up a flower knot. The incensed monarch or- dered that the porcine trespassers should be shorn of their ears and tails; and he transmitted the several appendages to the owner of the swine with an intimation that he, too, deserved to have Ins ears docked; and that only he had not got a tail, he (King Bagenal) would sever the caudal member from his dorsal extremity. ‘ Now,^ quoth Bagenal, ^ if he ^s a gentleman, he must burn powder after such a message as that.’ “ Nor was he disappointed. A challenge was given by the owner of the pigs. Bagenal accepted it with alacrity, only stipulating that as he was old and feeble, being then in his seventy-ninth year, he should fight sitting in his arm-chair; and that as his infirmities prevented early rising, the meeting should take place in the afternoon. ‘ Time was,’ said the old man, with a sigh, ‘ that I would have risen before daylight to fight at sunrise, but we can- not do these things at seventy-eight. Well, Heaven’s will be done.’ They fought at twelve paces. Bagenal wounded his antagonist severe!}"; the arm of the chair in which he sat was shattered, but he remained unhurt; and he ended the day with a glorious carouse, tapping the claret, we may presume, as usual, by firing a pistol at the cask. The traditions of Dunleckny allege that when Bagenal, in the course of his tour through Europe, visited the petty court of Mecklenburg-Strelitz, the Grand Duke, charmed with his magnificence and the reputation of his wealth, made him an offer of the hand of the fair Charlotte, who, being politely rejected by King Bagenal, was afterwards accepted by King George III.” Such was the lord of Dunleckny, and such was many an Irish squire of the day. Kecklessness characterized the time. And yet there was a polished courtesy, a high-bred grace in the manners of men who imagined that to shoot, or to be shot at, on the sod,” was an indispensable ingre- WILLIAM JOSEPH O’NEILL DAUNT. 819 dient in the character of a gentleman. Look at Bagenal, nearly fourscore, seated at the head of his table. You ob- serve the refined urbanity of his manner, and the dignified air which is enhanced, not impaired, by the weight of years. You draw near to participate in the instructions of this ancient moralist. What a shock — half ludicrous, half horrible — to find that he inculcates the necessity of prac- tice with the hair-triggers as the grand primary virtue which forms the gentleman ! A FACETIOUS lEISH PEEE. From ‘ Eighty-five Years of Irish History.’ Amongst those whom a descent of some half-dozen gen- erations entitled to call themselves Irish, the greater num- ber had so habitually looked on politics as a game to be played for the purpose of personal aggrandizement, that they had no conception of anything like political principle. There was a thorough moral recklessness about them which rendered them quite ready for any act of political despera- tion, provided it did not tend to enlarge the power of the people. Their personal habits necessarily fostered their recklessness. Their profusion and extravagance were great ; and some of them — not a few — resorted to modes of raising the wind which showed that they mingled few scruples with their system of financial pneumatics. There was, withal, a strong dash of odd drollery in the brazen shamelessness of their expedients. A curious specimen of this order of men Tvas Lord M y. His title was the result of some dexterous traffic in Parliamentary votes. His manners were eminently fas- cinating, and his habits social. He had a favorite saying that a gentleman could never live upon his rents; a man who depended on his rents had money only upon two days in the year, the 25th of March and the 29th of September. He accordingly left no expedient untried to furnish him- self with money every other day too. It chanced that when Lord Kerry^s house in St. Ste- phen's Green was for sale, a lady named Keating was de- 820 IRISH LITERATURE. sirous to purchase a pew in St. Anne’s Church appertain- ing to that mansion. Mrs. Keating erroneously took it into her head that the pew belonged to Lord M y; she accordingly visited his lordshij) to propose herself as a purchaser. My dear madam,” said he, I have not got any pew, that I know of, in St. Anne’s Church.” Oh, my lord, I assure you that you have ; and if 3^ou have got no objection, I am desirous to purchase it.” Lord M y started no farther difficulty. A large sum was accordingly fixed on, and in order to make her bar- gain as secure as possible, Mrs. Keating got the agreement of sale drawn out in the most stringent form by an at- torney. She paid the money to Lord M y, and on the following Sunday she marched up to the pew to take pos- session, rustling in the stateliness of brocades and silks. The beadle refused to let her into the pew. “ Sir,” said the lady, this pew is mine.” Yours, madam? ” Yes; I have bought it from Lord M y.” Madam, this is the Kerry pew ; I do assure you Lord M y never had a pew in this church.” Mrs. Keating saw at once she had been cheated, and on the following day she went to his lordship to try if she could get back her money. My lord, I have come to you to say that the pew in St. Anne’s — ” My dear madam, I ’ll sell you twenty more pews if you have any fancy for them.” Oh, my lord, you are facetious. I have come to ac- quaint you it was all a mistake; you never had a pew in that church.” Hah ! so I think I told you at first.” And I trust, my lord,” pursued Mrs. Keating, you will refund me the money I paid you for it.” The money? Really, my dear madam, I am sorry to say that it is quite impossible — the money’s gone long ago.” But — my lord — your lordship’s character — ” That ’s gone too ! ” said Lord M y, laughing with good-humored nonchalance, I have already said that this nobleman’s financial opera- WILLIAM JOSEPH O’NEILL DAUNT. 821 tions were systematically extended to every opportunity of gain that could possibly be grasped at. He was colonel of a militia regiment; and, contrary to all precedent, he regularly sold the commissions and pocketed the money. The Lord Lieutenant resolved to call him to an account for his malpractices, and for that purpose invited him to dine at the Castle, where all the other colonels of militia regiments then in Dublin had also been invited to meet him. After dinner the Viceroy stated that he had heard with great pain an accusation — indeed, he could hardly believe it — but it had been positively said that the colonel of a militia regiment actually sold the commissions. The company looked aghast at this atrocity, and the in- nocent colonels forthwith began to exculpate themselves* I have never done so.^^ I have never sold any.’’ Nor I.” ’ The disclaimers were general. Lord M y resolved to put a bold face on the matter. I always sell the commissions in my regiment,” said he, with the air of a man who announced a practice rather meritorious. All present seemed astonished at this frank avowal. How can you defend such a practice? ” asked the Lord Lieutenant. << Very easily, my lord. Has not your Excellency always told us to assimilate our regiments as much as possible to the troops of the Line? ” “ Yes, undoubtedly.” Well, they sell the commissions in the Line, and I thought that the best point at which to begin the assimila- tion.” It is told of this nobleman, that when he was dying he was attended by a clergyman, who remonstrated with him on the scandalous exploits of his past life, and strongly urged him to repent. Repent? ” echoed the dying sinner; I don’t see what I have got to repent of ; I don’t remem- ber that I ever denied myself anything.” THOMAS OSBORNE DAVIS. ( 1814 — 1845 .) Thomas Osborne Davis, born in 1814, was a native of MalloAv, an historic and picturesque town, pleasantly situated on the north bank of the Munster Blackwater, in the county of Cork. Through his mother he could trace some kinship with the O’Sullivans, chiefs of Berehaven. There was much in the scenery of his native place to aAvaken the poetic and patriotic feelings of the boy. The stern old walls of Mallow Castle had Avitnessed several sieges in the days when the Lords President of Munster held their court within its ramparts. Not far stands Kilcolman, where Edmund Spenser penned ‘ The Faerie Queene,’ and near it is Newmarket, where John Philpot Cur- ran was born and reared. Davis from an early age exhibited a keen interest in the language, the history, and the antiquities of his country. He Avas educated at Trinity College, Dublin, Avhere he was graduated in 1836 ; and tAvo years afterAvard he Avas called to the bar. Later on he joined the Repeal Association of O’Connell, a step which colored his whole after life and had influences far wider than his personal fortunes. The Repeal Association, powerful as it was in some respects, was in others very feeble. There attached to it, in the first place, the sus- picion of being a sectarian body, a society Avhich identified national Avith purely Catholic interests. The autocratic position of O’Connell, too, had had the effect of making the Association appear to be merely an arena in Avhich he performed as a star. The adhesion of Davis to the body did much to remove these prejudices, and the result was that the new recruit was followed by several others of perhaps a better class than had hitherto joined O’Connell’s Association. In 1842 The Nation newspaper was founded : an event destined to bear most important fruits, literary and political, in the history of Ireland. Mr. (later on Sir) Charles Gavan Duffy was the editor, and Davis became one of the chief contributors. It was in the col- umns of this paper that the greater part of Davis’ poems appeared, and his stirring words were among the most potent agencies in stimulating the revolutionary passions of the people. ‘*I re- member,’’ AA^rote the Very Reverend Father O’Burke, “ with AA^hat startled enthusiasm I would arise from reading Davis’ ‘ Poems ’ ; and it Avould seem to me that before my young eyes I saw the dash of the Brigade at Fontenoy ; it would seem to me as if my young ears Avere filled with the shout that resounded at the YelloAv Ford and Benurb — the war-cry of the Red Hand — as the English hosts were swept away, and, like snow under the beams of the rising sun, melted before the Irish onset.” Davis soon formed a party in the Association, which aimed at objects and contemplated means to which the founder of the body was most vehemently opposed. In the middle of the struggle be- tween the advocates of physical force — who came to be knoAvn as the Young Ireland party — and O’Connell, who believed in the om- nipotence of constitutional agitation, Davis died. Sept. 16, 1845. 822 THOMAS OSBORNE DAVIS. 823 It is impossible to describe the poignancy of regret with which the news of this premature and sudden close to a career of such bright promise was received. Extreme as were the political opin- ions of Davis, they were free from the least suspicion of sectarian- ism ; and this, together with the transparent purity of his motives and his splendid talents, made him admired by men of the most opposite principles. “ Perhaps the best evidence of the potency and the nobility of his influence,” says a writer in ‘ A Treasury of Irish Poetry,’ “was the fact that this sense of loss was overcome by the recollection of the ideals he had held up, and that his memory was honored by the undaunted pursuance of his work, and the maintenance of the pure and lofty ardor with which he wrought.” The great heart of O’Connell was deeply stirred when he heard of his young opponent’s death. From Derrynane his habit was to send a long weekly letter, to be read at the meeting of the Associ- ation. This week his letter was very short — nothing but a burst of lamentation. “ As I stand alone in the solitude of my mountains many a tear shall I shed in memory of the noble youth. Oh ! how vain are words or tears when such a national calamity afflicts the country. Put me down among the foremost contributors to what- ever monument or tribute to his memory be voted by the National Association. Never did they perform a more imperative, or, alas ! so sad a duty. I can write no more — my tears blind me.” “ It was in his poetry,” says a writer in ‘A Treasury of Irish Poetry,’ “ that he most intimately revealed himself. And though Thomas Davis was extraordinarily fertile in ideas and indefatigable in methodic industry, the best thing he gave to the Irish people was not an idea or an achievement of any sort, but simply the gift of himself. He was the ideal Irishman. North and south, east and west, the finest qualities of the population that inhabit the island seemed to be combined in him, developed to their high- est power, and colored deeply with whatever it is in character and temperament that makes the Irish one of the most separate of races. The nation saw itself transfigured in him, and saw the dreams nourished by its long memories and ancestral pride coming true. Hence the intense personal devotion felt toward Davis by the ardent and thoughtful young men who were associated with him, and the sense of irreparable loss caused by his early death. He stood for Ireland — for all Ireland — as no other man did, and it was hardly possible to distinguish the cause from his personality.” FONTENOY.i Thrice at the huts of Fontenoy the English column failed, And twice the lines of Saint Antoine the Dutch in vain as- sailed ; For town and slope were filled with fort and flanking battery, 1 The battle of Fontenoy, fought in Flanders in 1745 between the French and the Allies — English, Dutch, and Austrians — in which the Allies were worsted. The Irish Brigade fought by the side of the French, and won great renown by their splendid conduct in the field. 824 IRISH LITERATURE, And well they swept the English ranks and Dutch aux- iliary. As vainly, through De Band’s wood, the British soldiers burst. The French artillery drove them back, diminished and dis- persed. The bloody Duke of Cumberland beheld with anxious eye. And ordered up his last reserve, his latest chance to try. On Fontenoy, on Fontenoy, how fast his generals ride! And mustering come his chosen troops, like clouds at even- tide. Six thousand English veterans in stately column tread, Their cannon blaze in front and flank. Lord Hay is at their head ; Steady they step a-down the slope — steady they climb the hill; Steady they load — steady they fire, moving right onward still, Betwixt the wood and Fontenoy, as through a furnace blast. Through rampart, trench, and palisade, and bullets shower- ing fast; And on the open plain above they rose, and kept their course. With ready fire and grim resolve, that mocked at hostile force: Past Fontenoy, past Fontenoy, Tvhile thinner grow their ranks — They break, as broke the Zuyder Zee through Holland’s ocean banks. More idly than the summer flies, French tirailleurs rush round ; As stubble to the lava tide, French squadrons strew the ground ; Bomb shell, and grape, and round-shot tore, still on they marched and fired — Fast, from each volley, grenadier and voltigeur retired. Push on my household cavalry ! ” King Louis madly cried : To death they rush, but rude their shock — not unavenged they died. On through the camp the column trod — King Louis turns his rein : Not yet, my liege,” Saxe interposed, the Irish troops re- main ; ” And Fontenoy, famed Fontenoy, had been a Waterloo, Were not these exiles ready then, fresh, vehement, and true. Lord Clare,” he said, “ you have your wish, there are your Saxon foes ! ” The marshal almost smiles to see, so furiously he goes ! THOMAS OSBORNE DAVIS. 825 How fierce the look these exiles wear, who ’re wont to be so gay, The treasured wrongs of fifty years are in their hearts to- day— The treaty broken, ere the ink wherewith ’twas writ could dry. Their plundered homes, their ruined shrines, their women’s parting cry. Their priesthood hunted down like wolves, their country over- thrown, — Each looks as if revenge for all were staked on him alone. On Fontenoy, on Fontenoy, nor ever yet elsewhere. Rushed on to fight a nobler band than these proud exiles were. O’Brien’s voice is hoarse with joy, as, halting, he commands. Fix bay’nets ” — charge,” — Like mountain storm, rush on these fiery bands! Thin is the English column now, and faint their volleys grow, Yet, must’ring all the strength they have, they make a gallant show. They dress their ranks upon the hill to face that battle- wind — Their bayonets the breakers’ foam; like rocks, the men be- hind! One volley crashes from their line, when, through the surging smoke. With empty guns clutched in their hands, the headlong Irish broke. On Fontenoy, on Fontenoy, hark to that fierce huzza ! Revenge ! remember Limerick ! dash down the Sacsanach ! ” Like lions leaping at a fold, when mad with hunger’s pang. Right up against the English line the Irish exiles sprang: Bright was their steel, ’t is bloody now, their guns are filled with gore; Through shattered ranks, and severed files, and trampled flags they tore; The English strove with desperate strength, paused, rallied, staggered, fled — The green hillside is matted close with dying and with dead. Across the plain and far away passed on that hideous wrack. While cavalier and fantassin dash in upon their track. On Fontenoy, on Fontenoy, like eagles in the sun. With bloody plumes the Irish stand — the field is fought and won ! 82G IRISH LITERATURE. OH! THE MARRIAGE. Oh ! the marriage, the marriage, With love and mo hhuachaill ^ for me, The ladies that ride in a carriage Might envy my marriage to me; For Eoghan is straight as a tower. And tender and loving and true. He told me more love in an hour Than the squires of the county could do« Then, Oh! the marriage, &c. His hair is a shower of soft gold. His eye is as clear as the day. His conscience and vote were unsold When others were carried away; His word is as good as an oath. And freely ’t was given to me ; Oh ! sure ’t will be happy for both The day of our marriage to see. Then, Oh! the marriage, &c. His kinsmen are honest and kind. The neighbors think ^nucii of his skill, And Eoghan ^s the lad to my mind. Though he owns neither castle nor mill. But he has a tilloch of land, A horse, and a stocking of coin, A foot for the dance, and a hand In the cause of his country to join. Then, Oh! the marriage, &c. We meet in the market and fair — We meet in the morning and night — He sits on the half of my chair. And my people are wild with delight. Yet I long through the winter to skim. Though Eoghan longs more I can see. When I will be married to him. And he will be married to me. Then, Oh! the marriage, the marriage. With love and mo hhuacJiaill for me. The ladies that ride in a carriage Might envy my marriage to me. 1 Mo hhuachaill, ma bouchal, my boy. THOMAS OSBORNE DAVIS. 827 A NATION ONCE AGAIN. When boyhood’s fire was in my blood, 1 read of ancient freemen, For Greece and Rome who bravely stood, Three Hundred men and Three men.^ And then I prayed I yet might see Our fetters rent in twain. And Ireland, long a province, be A Nation once again. And, from that time, through wildest woe, That hope has shone, a far light ; Nor could love’s brightest summer glow Outshine that solemn starlight: It seemed to watch above my head In forum, field, and fane; Its angel voice sang round my bed, A Nation once again.” It whispered, too, that freedom’s ark And service high and holy. Would be profaned by feelings dark. And passions vain or lowly : For freedom comes from God’s right hand. And needs a godly train ; And righteous men must make our land A Nation once again.” So, as I grew from boy to man, I bent me to that bidding — My spirit of each selfish plan And cruel jjassion ridding; For, thus I hoped some day to aid — Oh ! can such hope be vain ? When my dear country shall be made A Nation once again. MY GRAVE. Shall they bury me in the deep. Where wind-forgetting waters sleep? Shall they dig a grave for me. Under the greenwood tree? 1 The Three Hundred Greeks who died at Thermopyloe, and the Hire© Romans who kept the Sublician Bridge. — Davis. 828 IRISH LITERATURE. Or on the wild heath, Where the wilder breath Of the storm doth blow? Oh, no! oh, no! Shall they bury me in the palace tombs, Or under the shade of cathedral domes? Sweet ’twere to lie on Italy’s shore; Yet not there — nor in Greece, though I love it more. In the wolf or the vulture my grave shall I find? Shall my ashes career on the world-seeing wind? Shall they fling my corpse in the battle mound, Where coffinless thousands lie under the ground? Just as they fall they are buried so — Oh, no! oh, no! No! on an Irish green hillside. On an opening lawn — but not too wide ; For I love the drip of the wetted trees — I love not the gales, but a gentle breeze. To freshen the turf ; — put no tombstone there, But green sods decked with daisies fair; Nor sods too deep, but so that the dew The matted grass-roots may trickle through. Be my epitaph writ on my country’s mind : He served his country, and loved his kind.’^ Oh ! ’t were merry unto the grave to go, If one were sure to be buried so. THE WEST’S ASLEEP. When all beside a vigil keep, The West ’s asleep, the West ’s asleep. Alas! and well may Erin weep. When Connaught lies in slumber deep. There lake and plain smile fair and free, ’Mid rocks — their guardian chivalry. Sing! oh! let me learn liberty From crashing wind and lashing sea. That chainless wave and lovely land Freedom and Nationhood demand; Be sure the great God never planned TEOMA^ OSBORNE DAVIS. 829 For slumbering slaves a home so grand. And long a brave and haughty race Honored and sentineled the place — Sing, oh ! not even their sons’ disgrace Can quite destroy their glory’s trace. For often, in O’Connor’s van. To triumph dashed each Connaught clan, And fleet as deer the Normans ran Through Curlieu’s Pass and Ardrahan, And later times saw deeds as brave; And glory guards Clanricarde’s grave — Sing, oh! they died their land to save. At Aughrim’s slopes and Shannon’s wave. And if, when all a vigil keep, The West ’s asleep, the West ’s asleep — Alas! and well may Erin weep. That Connaught lies in slumber deep. But hark! some voice like thunder spake: The West ’s awake ! the West ’s awake ! ” Sing, oh ! hurrah ! let England quake ; iWe ’ll watch till death for Erin’s sake. THE GIEL .OF DUNBWY. T is pretty to see the girl of Dunbwy Stepping the mountain statelily — Though ragged her gown and naked her feet, No lady in Ireland to match her is meet. Poor is her diet, and hardly she lies — Yet a monarch might kneel for a glance of her eyes ; The child of a peasant — yet England’s proud Queen Has less rank in her heart and less grace in her mien. Her brow ’neath her raven hair gleams, just as if A breaker spread white ’neath a shadowy cliff — And love and devotion and energy speak From her beauty-proud eye and her passion-pale cheek. But, pale as her cheek is, there ’s fruit on her lip. And her teeth flash as white as the crescent moon’s tip, And her form and her step, like the red-deer’s, go past — As lightsome, as lovely, as haughty, as fast. 830 IRISH LITERATURE. I saw her but once, and T looked in her eve, And she knew that I worshiped in passing her by. The saint of the wayside — she granted my prayer. Though we spoke not a word ; for her mother was there, I never can think upon Bantry’s bright hills, But her image starts up, and my longing eye fills; And I whisper her softly : Again, love, we ’ll meet! And I ’ll lie in your bosom, and live at your feet.” THE WELCOME. Come in thQ evening, or come in the morning, Come when you ’re looked for, or come without warning. Kisses and welcome you ’ll find here before you. And the oftener you come here the more I ’ll adore you. Light is my heart since the day we were plighted. Red is my cheek that they told me was blighted. The green of the trees looks far greener than ever. And the linnets are singing, True lovers, don’t sever ! ” I ’ll pull you sweet flowers, to wear, if you choose them : Or, after you ’ve kissed them, they ’ll lie on my bosom. I ’ll fetch from the mountain its breeze to inspire you ; I’ll fetch from my fancy a tale that won’t tire you. O your step ’s like the rain to the summer-vexed farmer. Or saber and shield to a knight without armor; I ’ll sing you sweet songs till the stars rise above me. Then, wandering, I ’ll wish you, in silence, to love me. We’ll look through the trees at the cliff and the eyrie; We’ll tread round the rath on the track of the fairy; We ’ll look on the stars, and we ’ll list to the river. Till you ’ll ask of your darling what gift you can give her. O she ’ll whisper you, Love as unchangeably beaming. And trust, when in secret, most tunefully streaming. Till the starlight of heaven above us shall quiver As our souls flow in one down eternity’s river.” So come in the evening, or come in the morning. Come when you ’re looked for, or come without warning, Kisses and welcome you ’ll find here before you. And the oftener you come here the more I ’ll adore you. THOMAS OSBORNE DAVIS. 831 Light is my heart since the day we were plighted, Red is my cheek that they told me was blighted, The green of the trees looks far greener than ever, And the linnets are singing, True lovers, don’t sever ! ” MY LAND. She is a rich and rare land; O she ’s a fresh and fair land ; She is a dear and rare land — This native land of mine. No men than hers are braver — Her women’s hearts ne’er waver; I ’d freely die to save her. And think my lot divine. She ’s not a dull or cold land ; No! she ’s a warm and bold land; O she ’s a true and old land — This native land of mine. Could beauty ever guard her, And virtue still reward her. No foe would cross her border — • No friend within it pine! O she ’s a fresh and fair land, O she ’s a true and rare land ! Yes, she ’s a rare and fair land — ’ This native land of mine. MICHAEL DAVITT. (1846 ) Michael Davitt was born in Ireland, March 25, 1846. He was the son of the late Martin Davitt of Straide, County Mayo, and Scran- ton, Pa. ; his mother was Mary, the daughter of John Yore, St. Joseph, Mich. He with his parents was evicted in 1852 ; he began work in a Lancashire cotton mill in 1856, losing his right arm by machinery in 1857. He was employed as a newsboy, printer’s “devil,” and assistant letter-carrier successively. He joined the Fenian Brotherhood in 1865. He was arrested and tried in London for treason-felony in 1870, and sentenced to fifteen years penal servitude. He was released on “ ticket-of-leave ” in 1877; and with the late Mr. Parnell and others founded the Irish Land League in 1879. He was arrested on the charge of making a seditious speech the same year, but prosecution was abandoned. He came to the United States to organize an auxiliary Land League organization in 1880. He was arrested shortly after his return in 1881, and sent back to penal servitude. He was released May 6, 1882 ; arrested in 1883, and tried under the law of King Edward HI. for seditious speech and imprisoned for three months. He was included in the “ Parnellism and Crime” allegations, and spoke for five days in defense of the Land League before The Times Parnell Commission. He was first elected to Parliament for the county of Meath, while a prisoner in Portland Convict Prison, in 1882, but was disqualified by special vote of the House of Com- mons on account of non-expiry of sentence for treason-felony. He unsuccessfully contested Waterford City in 1891. He was Mem- ber of Parliament for North Meath in 1892, and was unseated on petition. He was returned unopposed for Northeast Cork in the same year, and resigned in 1893, owing to bankruptcy proceedings arising out of the North Meath election petition. He was returned unopposed for East Kerry and South Mayo in 1895, while in Aus- tralia, and resigned in 1899. He traveled in the United States, Canada, Australia, Egypt, Pales- tine, France, Italy, Switzerland, and in South Africa. His publications are ‘Leaves from a Prison Diary,’ 1884; ‘De- fense of the Land League,’ 1891 ; ‘ Life and Progress in Australia,’ 1898 ; ‘ The Boer Fight for Freedom,’ 1902 ; ‘ The Fall of Feudalism in Ireland,’ 1904. HOW THE ANGLO-IRISH PROBLEM COULD BE SOLVED. From ‘ Leaves from a Prison Diary.’ The question is frequently asked, What will satisfy the Irish people? And the answer is as frequently volun- 832 MICHAEL DAVITT. 833 teered, Nothing. Nothing will satisfy them but total separation — and that they ’won’t get.” It is an illogical way of answering such a question, but pardonable in an Englishman ; and the impatience which it manifests is also strikingly characteristic. Your ordinary Englishman en- tertains the pretty conceit that English rule is of such a beneficent character that any people who do not tamely submit to it are to be pitied and — dragooned. While in particular, the Irish people, for their obstinacy in refusing to see any virtue in English rule in Ireland, must be clearly made to understand,” and must be told once for all,” that England will maintain her hold upon Ireland at all costs. All this talk is indulged* in really for the sake of con- cealing the chagrin which England experiences in conse- quence of the fact, revealed in recent years, that the people of Ireland have discovered how to make it more difficult for England to rule Ireland, than to govern all the rest of her vast empire put together. English statesmen, even now, are devising a middle course between things as they are, and total separation. They are casting about for a scheme which will combine the characteristics of modern statesmanship — a scheme, for example, which will involve as small a concession as possible to the demand of the people concerned, and have a fair chance of passing the House of Lords. Eminent statesmen have more than once challenged Irish public men to say what they want, but the required answer has not been forthcoming. There have been answers, but they have been too reasonable. English statesmen have not been able to offer upon them the comment, We told you so, the thing demanded is utterly out of the range of practical politics, and, in point of fact, is absolutely out of the question.” The answer really required is such a one as English statesmen can meet with a non possumus. And for this reason, English statesmen, I repeat, know that a substantial concession will have to be made to the genius of Irish nationality within the next few years. The demand for it is too strong to be resisted; for the Irish race have to be dealt with now. If at home on Irish soil the people can make the ruling poAvers uneasy ” to such an extent as I have indicated, in 3— Irish Lit. Vol. 3 834 IRISH LITERATURE. Westminster their representatives can clog the wheels of legislation and endanger the very existence of government by parliamentary methods; while abroad, in Great Brit- ain, America, Australia, Canada, the exiled Irish have discovered how to operate on the flank, so to speak, by elevating the Irish question into the position of a national or colonial issue. Further, EnglancFs guilt towards Ire- land is known and commented on all over the world. Fur- ther still, the real people of England — the working men of England — have of late been asking for the reasons why Ireland should be perpetually discontented, and the an- swers they have received, to the credit of their common sense, be it said, do not appear to have satisfied them. Re- spectable England is very angry; and, to conceal their annoyance at the inevitable, and to pave the way for a concession, English statesmen ask the question of Irish public men — “ What do you want? ’’ and require an answer to which they may return an emphatic impossi- ble.^’ But this is only diplomacy. They only desire us to say how much we want, in order to say in reply how little they will give. They ask us to formulate our demand,” that they, in formulating their concession, may assure their opponents of its comparative innocence. Responsi- ble Irish public men have declined to fall into the trap. And they have acted very wisely. For why should Irish public men show their hand rather than English Prime Ministers? Apart altogether from considerations of this character, however, there are others of a distinctly Irish nature which the leaders of the National movement in Ireland have to take into account. The varying shades of National senti- ment may not be ignored. Let us therefore analyze the degrees of intensity of Irish Nationalist aspirations. We have first, the Extremists, those who believe that to- tal separation from England is the only thing that would satisfy Irish genius or develop it properly. These include the most self-sacrificing Irishmen. They represent, in their aspirations for Irish liberty, those who have made the most illustrious names in Ireland’s history. They in- clude many cultured men, especially among the expatri- ated portion of the race, but their main strength is in the working classes. Patriotism is purer among the Indus- MICHAEL DAVITT. 835 trial order because less modified by mercenary motives and less liable to corrupting influences. But the Extremists or Separatists are divided among themselves upon the question of method. There are Separatists who advocate physical force, believing moral force, that is, constitution- al means, ineffectual and demoralizing. This section in- cludes men who have never tried moral force and who believe solely either in honorable warfare or dyna- mite.^^ It also includes those who have tried moral force and given it up in despair. Then there are the Separa- tists who, with the experiences of ^48 and ^67 before their minds, rely upon constitutional action alone. Next in importance to the Extremists come the Home Rulers, or Federalists, who may be divided into those who disbelieve in the possibility of Separation and those who do not see its necessity. This section of the National party includes some of the ablest and most earnest men in Ireland. Their methods, I need hardly say, are strictly constitutional. No Irish leader can afford to ignore either of these two principal phases of Irish National sentiment. Were such a man to commit hims^elf to a definite scheme, at the mere invitation of an English Minister, he would run the risk of alienating that section of his supporters whose views were not represented in his proposals. It is an obvious remark that such a contingency would not be unwelcome to English statesmen. From what I have just said, it will be readily perceived how difficult is the task to which Irish popular leaders are asked to address themselves. Nevertheless, I shall venture to outline a scheme of local and National self-government which, I believe, would com- mand the support of the majority of the Irish people at home and abroad, and which would probably receive a fair trial at the hands of the Extremists, though its operation would undoubtedly be watched with a jealous eye. In the first place, there should be established in Ireland a system of county government, by means of Elective Boards, to take the place of the existing unrepresentative and practically irresponsible Grand Jury system. The functions of such Boards should be more comprehensive than those exercised by the Grand Juries. For example, in addition to the duty of administering purely county 836 IRI^H LITERATURE. business, these Boards should be permitted to initiate measures of general application; such as schemes of arte- rial drainage, tramways, railways, canals, docks, harbors, and similar enterprises, which would be of more than local importance and character. Such schemes, after being fully discussed by these elective bodies, would be submitted to the National Assembly to be subsequently described. Then the County Boards should control the police within the county, and appoint the magistrates, and be entirely responsible for the preservation of law and order. Further, should the land problem be justly and satis- factorily solved on the lines of national proprietary, the duty of assessing and collecting the land-tax would nat- urally devolve upon the County Boards, which, deducting what was necessary for the expenses of county government, would remit the balance to the National Exchequer. In fact the object of such a system should be to constitute each county, as far as practicable, a self-governing com- munity. Manifestly any system of local self-government for Ire- land involves a corresponding one of National self-gov- ernment as its natural and inevitable complement. To extend the principle of local self-government at all in Ireland, without radically changing the system of Castle rule, would only have the effect of increasing the fric- tion already existing between the people and their rulers. Hence, it is absolutely necessary that legislation for Na- tional self-government should go hand in hand with any scheme for the creation of Elective County Boards. I am well aware that the hope is indulged, in some quarters, that the inclusion of Ireland in a general measure of county government, with the sop of an Irish Parliamen- tary Grand Committee, thrown in, will suffice to choke off the demand for Irish legislative independence ; but English statesmen need not delude themselves with the idea that any such Westminster expedient will satisfy the genius of Irish Nationality. There could be established in Dublin a National Assem- bly, composed of elected members from the constituencies of Ireland, who should proceed to the administration of all Irish affairs, in the manner which obtains in Colonial par- liaments, excepting the substitution of one for two Cham- MICHAEL DAVITT. 837 bers, here proposed. That is to saj, the Representatives of the Crown in Ireland would call upon some member of the National Assembly to form a government, the different members of which should be constituted the heads of the various Boards, which at present are practically irrespon- sible bureaucracies ; but which, under the system here pro- posed, would become departments of a popular govern- ment, and open to the supervision of the people through the National Assembly. Such a government, subject to the control of the governed through their elected represen- tatives, would be the practical solution of the Anglo-Irish difficulty. It would be but the common definition of con- stitutional rule carried into practice. It would, as already remarked, be the application to misgoverned and unfor- tunate Ireland of a constitution kindred to that which British statesmanship has long since granted, wisely and well, to a consequently peaceful and contented Canada. Certainly if a similar act of political justice and sound policy does not solve the Irish difficulty, nothing less will. What possible danger could England run from such an application of constitutional rule to a country much near- er to the center of Imperial power than Canada? But what a beneficent change for Ireland — nay, what a relief to England herself — would be involved in such an act of simple political justice! DESPAIR AND HOPE IN PRISON. From ‘ Leaves from a Prison Diary.’ As it seldom happens that even the worst of criminals is found to be all crime, neither is an association of one thou- sand of convicts all repulsive moral deformity. Imprison- ment, like many other unfortunate occurrences in the life of those who are born under an unlucky star, has what, for want of a more accurate expression, I shall term its bright side also, inasmuch as its life in some very remote respects approaches to that of the less criminal — because uncon- victed — outside world. All the talk of a convict prison is not of murder, theft. 838 IRISH LITERATURE. and indecency, nor is misery and unhappiness always pres- ent among those who may be supposed to be the exclusive victims of grim-visaged Despair.^^ Therefore is there that I may call a negative silver lining to even the dark cloud of penal existence. It is a most singular thing that I have met very few individuals in prison who gave evidence, in appearance or talk, of being truly miserable, no matter what the length of their sentence, amount of extra punish- ment, or contrast between their previous and their convict life, may have been. It is true the deepest sorrow and most acute pains of life are often hid from the mockery of human pity away in the recesses of the sufferer’s breast; and that therefore the smiling face and cheerful conversation are not to be relied upon as sure indications of a contented or happy ex- istence. Yet a constant and familiar observation of men of all ages, possessing the strongest of human passions, while being subject to disciplinary restraints that have no parallel in the daily annoyance or troubles of outside life, would be almost certain to detect any tendency to- wards despair or severe heart-suffering on the part of men who should succumb to their fate or surroundings. It is also certain that numbers of prisoners having comforta- ble homes in the outer world must often indulge in sad regrets for what has lost them their enjoyment, and allow their minds to dwell on the painful contrast between the, perhaps, happy influence and remembrance of the one, and the cheerless and weary aspect of the other mode of life. But these feelings are seldom or never exhibited in the general behavior or talk of four-fifths of the inmates of a convict prison; and happy, indeed, is it for all concerned in their custody that it is so; as such a mass of bridled passions, if maddened by ever-present thoughts of family, home, and former pleasures (while mind and body are made conscious every hour in every day of the terrible penalties which crime has purchased), would become as unmanageable and dangerously restless as a thousand caged hyenas. it is only when these possible feelings overcome the re- sisting influence of Hope and Patience — the bright and ever-present guardian angels of the imprisoned — nowhere MICHAEL DAVITT, 839 SO needed, and thanks to a beneficent Providence, nowhere so constantly present and powerful, as in a prison — that the heart fails in presence of seemingly unbearable woe, inducing mental aberration and finally insanity in the unfortunate victims. Such cases, are, however, not fre- quent, while the instances of prisoners buoying up their existence under the weight of life sentences with the hope of something being done for them some time, through the agency of some fortunate circumstance or other, are almost as numerous as are such terrible sentences themselves. The first two years of penal servitude are the hardest to bear, and test mental endurance more than the whole of the remainder of an ordinarj^ sentence. Liberty has only just been parted with. The picture of the outside world is still imprinted upon the memory, and home and friends, with perhaps a dearer object still, are made to haunt the recollection whenever the association of ideas recalls some incidents of happier days. Of these two years the heaviest portion is comprised within the nine or ten months which must be spent in what is termed “ pro- bation — solitary confinement in Millbank or Penton- ville; and while ‘‘solitary’’ is not much dreaded by or- dinary prisoners at a later stage of penal existence, it is truly a terrible ordeal to undergo at the commencement. In Millbank this is specially so. The prison is but a few hundred yards west of Westminster Palace, from whence comes, every quarter of an hour, the voice of Big Ben, telling the listening inmates of the penitentiary that another fifteen minutes of their sentences have gone by! What horrible punishment has not that clock added to many an unfortunate wretch’s fate, by counting for him the minutes during which stone walls and iron bars loill a prison make! Then again there are the thousand-and- one noises that penetrate the lonely cells and silent cor- ridors of that cheerless abode. Now it is the strains of a band from St. James’s Park, “ bringing back to the memory merry days long gone by;” next it is the whistle of the railway engine, Avith its suggestiveness of a journey “ home and so on, during the long weary days and nights, until the terrible idea of suicide is forced across the mind as the only mode of release from the horrible mockery of the noisy, joyful world beyond the boundary walls. . . . 840 IRISH LITERATURE, This all-sustaining prison virtue, Hope, necessarily begets a kindred sort of comforting delusion in prisoners, adapting itself to the seeming requirements of those whose lot is hardest, and hiding the worst features of the objec- tive present behind a picture of a pleasant and happy, if imaginary, future. Prison is the paradise of castle- builders — the fruitful dreamland of fortunes to be made, happiness to be won, and pleasures to be tasted, that shall more than compensate for the trials and privations of the past by the double enjoyment of their intrinsic delights and the contrast which their possession will make to the days when prison walls had frowned upon liberty and prison rations had but little comparison with the food of the gods. Alnaschar himself never conjured up so glo- rious a picture of gratification that was to come as will the imaginative convict while employed at his daily tasks, or in confiding his plans and prospects of the future to some one who will lend an attentive ear to their narration. Apart from such of the airy structures as are erected upon projected crime, this phase of criminal mental activity often conducts the stream of convict talk from its ordinary track on ugly themes into a more pleasant channel, in which it is easy to learn something of the better side of those whose blacker deeds and criminal ideas I have already endeavored to sketch. ARTHUR DAWSON. ( 1700 ?— 1775 .) Arthur Dawson was born about 1700, and was graduated B.A, at Dublin University. He was a noted wit and hon vivant of the days of Grattan’s Parliament. He wrote songs and verses, but does not appear to have published any collection of them. He was a shrewd and witty lawyer of the type of Counselor Pleyden in Scott’s ‘Guy Mannering.’ In 1742 he was appointed Baron of the Irish Court of Exchequer, and he died in 1775. There is an amusing story told about the origin of ‘ Bumpers, Squire Jones.’ Carolan and Baron Dawson happened to be enjoy- ing the hospitalities of Squire Jones at Money glass, and slept in rooms adjacent to each other. The bard, being called upon by the company to compose a song or tune in honor of their host, under- took to comply with their request ; and on retiring to his apart- ment took his harp with him, and not only produced the melody now known as ‘ Bumpers, Squire Jones,’ but also very indifferent English words to it. While the bard was thus employed the Judge was not idle. Being possessed of a fine musical ear as well as of considerable poetical talents, he not only fixed the melody on his memory, but actually wrote the song now incorporated with it be- fore he retired to rest. At breakfast on the following morning, when Carolan sang and played his composition, Baron Dawson, to the astonishment of all present, and of the bard in particular, stoutly denied the claim of Carolan to the melody, charged him with audacious piracy, both musical and poetical, and to prove the fact, sang the melody to his own words amidst the joyous shouts of approbation of all his hearers — the enraged bard excepted, who vented his execrations in curses on the Judge both loud and deep. The Baron later on, it is said, avowed the source of his inspiration. Lover in his ‘Poems of Ireland’ says : “In Bunting’s ‘General Collection of the Ancient Music of Ireland ’ (dementi, L