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 CATALOGUE 
 
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 First New York Solon of Original Etchings in Colors 
 by Engravers of the Modern French School 
 
 At the GalUry *»/ 
 Painting* of 
 
 EDWARD BRANDUS 
 
 391 Fifth Avenue New York 
 
N 
 
 5120 
 
 Cornell Uttinetaitg ffithtanj 
 
 Stfjara, SJem Hock 
 
 Bf^Ji.t),^^. 
 
S3 
 
 Cornell University 
 Library 
 
 The original of this book is in 
 the Cornell University Library. 
 
 There are no known copyright restrictions in 
 the United States on the use of the text. 
 
 http://www.archive.org/details/cu31924020698282 
 
Gondolas 
 
 CATALO G U E 
 
 of the First New York Salon 
 of Original Etchings in 
 Colors by Engravers of the 
 Modern French School 
 
 At the Gallery 
 of Paintings of 
 
 EDWARD BRANDUS 
 
 391 Fifth Avenue, New York 
 
A4&04-12- 
 
To All Lovers of Art 
 
 in the 
 
 United States 
 
 ORIGINAL Etchings printed in Colors are 
 the outcome of a renewed Art Industry, 
 which two centuries ago was flourishing in France 
 and England, but remained lost to the world 
 for the following two hundred years. 
 
 In November, 1904, the First Annual Salon of 
 Colored Etchings was opened in the Georges 
 Petit Galleries, 8 Rue de Seze, Paris, and was 
 greeted with unbounded enthusiasm. Ever since 
 the demand for these new creations of the 
 Modern French School has increased among art 
 lovers everywhere. Beyond all doubt these Color- 
 Printed Etchings have now regained their old 
 prestige. 
 
Not only the Luxembourg Museum in Paris, 
 but the principal Art Galleries of Europe and 
 America, made important purchases at the Paris 
 Salons of 1904, 1905, 1906 and 1907. 
 
 The surprising and never ending resources of 
 the Etchers soon attracted other artists. Painters 
 of high repute joined their ranks. Art lovers 
 followed with an increasing interest the develop- 
 ment of this delicate and powerful Art, and their 
 collections include to-day a number of plates that 
 have become very scarce, and which they show 
 with legitimate pride. 
 
 The number of copies published of each subject 
 is limited, and every one of the Etchings is 
 numbered and signed by the Artist himself. After 
 the announced issue has been reached, the plates 
 are destroyed. This limitation in the number of 
 copies published has gone far towards securing the 
 present success. The art lover is always eager to 
 possess a work which he knows is bound to 
 become very rare and often unobtainable in the 
 future. 
 
Those of our Color-Printed Etchings which 
 find particular favor with the public, are rapidly 
 exhausted, and among these we could mention a 
 certain number, published during the last two 
 years only, which have increased many times in 
 value. 
 
 The Color-Printed Etchings are not bought by 
 the Art collector alone, through their highly 
 artistic and decorative qualities they have found 
 their way into the most elegant and refined homes. 
 
 In opening the First New York Salon of the 
 Modern French School of Etchings in Colors, it is 
 hoped that its success will not be less than the one 
 obtained in Paris, in 1904, and at the Dore Galleries 
 in London, in 1907, and that it will justify to 
 hold in New York an annual Salon of the new 
 Original Works produced by the Artists during 
 the year. 
 
What is an Etching 
 in Colors 
 
 AN Etching in Colors is an Original Work of 
 Art by an Artist who engraves it himself 
 on special plates. As a rule he does also the 
 coloring and printing himself for every copy 
 printed, one by one. 
 
 No photographic process and no mechanical 
 work comes into operation. 
 
 The number of copies taken is very limited ; 
 each copy is signed by the Artist and has a refer- 
 ence number; the number of copies taken is 
 registered at, and guaranteed by, the French 
 Printsellers Association (Cercle de la Librairie). 
 As soon as the declared number of copies is 
 reached the plates are destroyed. 
 
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Pierre Waidmann 
 
 The Castle of Chillon 
 
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CATALOGUE 
 
 NOTICE : The number of copies published is limited to tbe quantity indicated in the 
 first column. The plates are destroyed after-wards. 
 
 Each engraving is numbered and signed by the Artist himself. 
 
 An asterick before the title indicates that only very few are left unsold 
 
 Copies 
 
 Limited 
 
 to 
 
 150 
 200 
 200 
 
 200 
 200 
 
 40 
 110 
 
 200 
 200 
 
 BELLANGER (Adhemar) 
 
 1 — The Meuse at Dordrecht 
 2— The Tow-Path 
 3 — Douarnenez Bay 
 
 BERGES 
 
 4 — The Return of the "Yvonne Marie" 
 5 — Sunday Evening 
 
 BERTRAND 
 
 6 — Countess of Carysfort 
 
 by Sir Joshua Reynolds 
 
 Published with a Sketch by the Artist 
 
 7 — Countess of Carysfort 
 
 by Sir Joshua Reynolds 
 
 Published without the Sketch 
 
 BOMPARD 
 
 *8 — Venice the "Red" 
 9 — Santa Maria della Salute 
 
 Price 
 
 Without 
 
 Frame 
 
 12. 
 
 Dollars 
 
 24. 
 
 u 
 
 24. 
 
 u 
 
 32. 
 
 u 
 
 32. 
 
 t( 
 
 120. 
 
 u 
 
 80. 
 
 11 
 
 40. 
 
 (C 
 
 24. 
 
 u 
 
Copies 
 
 Limited 
 
 to 
 
 200 
 200 
 200 
 200 
 200 
 200 
 
 150 
 
 200 
 200 
 
 CHABANIAN 
 
 *10 — Shrimp Fishing 
 1 1 — Fir Tree by Moonlight 
 12 — Moonlight at Murano 
 13 — Rough Coast at Quiberon 
 14 — Moonrise 
 15 — Sea Gulls 
 
 CHARPENTIER (Georges) 
 
 * 16 — The Temple of Love 
 
 DAUPHIN (Eugene) 
 
 * 17 — The Quay at Toulon 
 18 — Evening (Riviera) 
 
 GEOFFROY 
 
 19 — Petits Bretons 
 20 — Petites Bretonnes 
 
 Price 
 
 Without 
 
 Frame 
 
 40. 
 
 Dollars 
 
 32. 
 
 u 
 
 32. 
 
 u 
 
 24. 
 
 u 
 
 50. 
 
 u 
 
 20. 
 
 a 
 
 12- 
 
 u 
 
 40. 
 
 u 
 
 32. 
 
 a 
 
 16. 
 
 u 
 
 16. 
 
 « 
 
Copies 
 
 Limited 
 
 to 
 
 GRIMELUND (Johannes) 
 
 Price 
 
 Without 
 
 Frame 
 
 
 
 200 
 
 21 — Thawing Up (Norway) 
 
 HELLEU 
 
 32. Dollars 
 
 100 
 
 22 — Blondine 
 
 50. " 
 
 225 
 
 23— The Pink Hat 
 
 50. " 
 
 100 
 
 24— Chilly 
 
 HOUDARD (Charles) 
 
 50. " 
 
 200 
 
 25 — The Shower 
 
 32. " 
 
 200 
 
 26— The Windmill 
 
 32. " 
 
 200 
 
 27 — En Flandre 
 
 32. " 
 
 200 
 
 28 — After the Shower 
 
 32. 
 
 200 
 
 29 — Swamps 
 
 32. " 
 
 200 
 
 30 — Clearing Up 
 
 32. " 
 
 200 
 
 31 — In the Dunes 
 
 JOURDAIN (Henri) 
 
 32. " 
 
 300 
 
 32— The Main Canal (Reims) 
 
 50. " 
 
 250 
 
 33 — Caught by the Rain 
 
 32. " 
 
Copies 
 
 Limited 
 
 to 
 
 JOURDAIN (Henri) continued 
 
 Price 
 
 Without 
 
 Frame 
 
 
 
 200 
 
 * 34— The Old Church 
 
 32. Dollars 
 
 200 
 
 *35 — Old Tanneries 
 
 24. " 
 
 200 
 
 36 — The Tannery 
 
 24. " 
 
 200 
 
 37— Ducks 
 
 32. " 
 
 200 
 
 38 — Ponts des Archers 
 
 32. " 
 
 200 
 
 39 — Moonrise 
 
 32. " 
 
 250 
 
 40— The Old Mill 
 
 24. " 
 
 200 
 
 41 — Sunset 
 
 32. " 
 
 200 
 
 42 — Last Rays 
 
 32. " 
 
 200 
 
 * 43— Halt of the Canal Boats 
 
 32. 
 
 200 
 
 44— The Inn 
 
 24. " 
 
 50 
 
 * 45— The Flood 
 
 100. " 
 
 200 
 
 46 — Autumn 
 
 24. " 
 
 200 
 
 47 — Shower 
 
 24. " 
 
 200 
 
 48 — The Ferryman's House 
 
 24. " 
 
 200 
 
 49 — Spring Morning 
 
 24. " 
 
Copies 
 
 Limited 
 
 to 
 
 LABROUCHE (Pierre) 
 
 Price 
 
 Without 
 
 Frame 
 
 
 
 200 
 
 50 — In the Basque Country 
 
 32. Dollars 
 
 150 
 
 51— Red Roofs 
 
 24. " 
 
 150 
 
 52 — Devotion at Bruges 
 
 LAFFITTE (AlpWse) 
 
 24. " 
 
 200 
 
 53— Night in Port 
 
 12. " 
 
 200 
 
 54 — Barks at Sunset 
 
 12. " 
 
 200 
 
 55 — Outward Bound 
 
 16. " 
 
 200 
 
 56 — Street Under Snow 
 
 16. " 
 
 200 
 
 57 — Fishermen's Cottage 
 
 16. " 
 
 200 
 
 58 — Banks of the River Marne 
 
 16. " 
 
 200 
 
 59 — Low Tide 
 
 16. " 
 
 200 
 
 60 — In the Harbor 
 
 16. " 
 
 200 
 
 61 — Treport 
 
 LATENAY (De) 
 
 24. 
 
 200 
 
 * 62— Solitude 
 
 20. " 
 
 150 
 
 * 63 — The War Salon 
 
 40. " 
 
Copies 
 Limited 
 to 
 
 200 
 200 
 
 200 
 200 
 200 
 200 
 200 
 200 
 100 
 200 
 
 200 
 200 
 200 
 200 
 
 LATENAY (De) continued 
 
 64 — Golden Mist 
 65— The Marble Basin 
 66 — Allee Snow Covered 
 67 — Ladies of the Manor 
 68 — Spring 
 69 — Autumn 
 70— Winter 
 * 71 — In the Park 
 72 — Chateau de Versailles 
 73 — Summer 
 
 LE GOUT-GERARD 
 
 74 — On the Hills of Audierne (Brittany) 
 75 — Calmness 
 76— L'lle de Sein 
 77 — At night 
 
 Price 
 
 Without 
 
 Frame 
 
 32. Dollars 
 
 32. 
 
 32. 
 
 32. 
 
 24. 
 
 24. " 
 
 24. " 
 
 16. " 
 
 80. 
 
 24. " 
 
 40. 
 40. 
 40. 
 40. 
 
Copies 
 Limited 
 to 
 
 200 
 
 200 
 200 
 
 150 
 200 
 
 200 
 150 
 150 
 
 200 
 100 
 
 LEVE (Fredrie-Louis) 
 
 78— A Cloud 
 
 LUIGINI 
 
 79— Place de Malines 
 80 — Gothic Bridge 
 
 LUSY 
 
 *81 — Banks of the River Loing 
 82 — Notre Dame des Etangs 
 
 OSTERLIND (Anna) 
 83 — Spanish Dancer 
 84 — Luminous Dancer 
 85 — Evening Company 
 
 PICABIA (F.) 
 
 86 — Bridge at Villeneuve sur Yonne 
 87 — On the Banks of the River Loing 
 
 Price 
 
 Without 
 
 Frame 
 
 16. Dollars 
 
 40. 
 40. 
 
 20. 
 24. 
 
 16. 
 
 32. 
 24. 
 
 32. 
 60. 
 
Georges Charpentier 
 
 The Temple of Love 
 
Calmness 
 
Copies 
 
 Limited 
 
 to 
 
 RAFFAELLI (J. F.) 
 
 Price 
 
 Without 
 
 Frame 
 
 
 
 200 
 
 88 — The Tempest 
 
 40. Dollars 
 
 200 
 
 89 — Little Donkeys 
 
 40. " 
 
 200 
 
 90— The Snow 
 
 40, " 
 
 200 
 
 91 — Boulevard des Italiens 
 
 50. " 
 
 200 
 
 92— The Old Oak 
 
 ROBBE (Manuel) 
 
 50. '- 
 
 200 
 
 93— Fish Market 
 
 32. 
 
 200 
 
 94— The Soup 
 
 16. " 
 
 150 
 
 95 — The Bridge of Alexander III, Paris 
 
 32. ' ; 
 
 200 
 
 96 — Trinity Square, Paris 
 
 16. " 
 
 200 
 
 97 — Rue Royale, Paris 
 
 20. " 
 
 200 
 
 98 — The Colored Etching 
 
 20 
 
 200 
 
 99 — In the Studio 
 
 20. " 
 
 200 
 
 100 — Pare Monceau, Paris 
 
 20. ''' 
 
 200 
 
 101 — Parisienne 
 
 24. " 
 
 200 
 
 102 — Dressing 
 
 16. '•'■ 
 
Copies 
 
 Limited 
 
 to 
 
 150 
 150 
 
 150 
 150 
 
 200 
 200 
 
 250 
 
 200 
 
 200 
 
 SIMON (T.-Francois) 
 
 103 — Statuary Dealer 
 104— Bird Dealer 
 105 — Vegetable Market 
 106 — Bric-a-brac 
 
 TRUCHET (Abel) 
 
 - 107— Gondolas 
 108— Rialto 
 
 THAULOW (Frits) 
 
 * 109— Windmill in Holland 
 
 VEBER 
 
 110 — The Lesson 
 
 111 — Dispute in the Village 
 
 Price 
 
 Without 
 Frame 
 
 20 
 
 Dollars 
 
 20 
 
 a 
 
 16. 
 
 u 
 
 20. 
 
 a 
 
 40. 
 
 a 
 
 40. 
 
 u 
 
 50. 
 
 a 
 
 20. 
 
 u 
 
 20. 
 
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 The Colored Etching 
 
Copies 
 Limited 
 to 
 
 200 
 
 200 
 200 
 
 WAIDMANN (Pierre) 
 
 112 — In Flanders 
 
 113— Windmill at Zaandyck (Holland) 
 
 114— The Castle of Chillon 
 
 Price 
 
 Without 
 
 Frame 
 
 32. Dollars 
 
 24. " 
 24. " 
 
 Rue Royale, Paris 
 
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Visitors to New York 
 
 are Cordially invited to visit 
 
 the Gallery of Paintings 
 
 of 
 
 Edward Brandus 
 
 391 Fifth Avenue 
 
 Permanent Exhibition of 
 
 Important Paintings 
 
 by 
 
 Great Modern Artists 
 
 and 
 
 Ancient Portraits 
 
 by the 
 
 Old Masters of the Early French, 
 
 English, Dutch and 
 
 Italian Schools 
 
 American Art Lovers when in Europe are Cordially- 
 Invited to the Galleries of Edward Brandus, 
 2 b " 'Rjie Caumartin, Paris 
 
Cornell University Library 
 N 5220.B82A6 
 
 Catalogue of the first New York salon of 
 
 3 1924 020 698 282