BA ALA gd” sey Se9 Ar MARRS ‘ Ae. WIFE Se oe z eA ant Ney A riers Oty ey tear PALS , ‘ b> 4 fet nas FRA ANAT, 1 * t ° : : , ten 8 he ERR EN Fahes: ee yes se f i \ Suite ran Rit : iy wh Ah ; PT aes hk - ‘ ‘ $ Lot i tates (4 Att) hacen : ‘ } } (iby " ; ; ‘ 4 seh : d ‘ L t . i i. 24 | i (- i ay i ‘ ¢ é ' ' : ; : “ , } F i ; r ; Ln ye ats i ‘ i 7 af ‘ ; i ee ea ’ 4 bee ae 7f 4 : ‘ ‘ $ a4 nt ve ; 7 . ? ‘ +* i , iJ diak ‘ i * reed ; f i j 1 ; \ ; tea mi wae Thy’ 4 fabset at dati ‘ ied ; 5 F, x, Se ers peice "oS CATALOGUE | BINOCULAR PiCTU: OF THE Aondon Stereoscopic Company, Sees A PS i DE, [TWO DOORS WEST OF BOW CHURCH,] 313, OXFORD STREET, [TWENTY DOORS WEST OF REGENT.STREET.] = be without one. It is one of the wonders of our age.”—Britannia. “ Sir David Brewster, for this charming discovery, deserves the thanks of the na _— Morning Chronicle. , “ Marvels of beauty—Heidelberg as real as on the Neckar.”—Daily News. “ Their groups and views are the finest we ever saw.”—Art Journal. “ Vast fields of enjoyment, the effects seem almost miraculous.”—Morning Herald. “ Hyerything grand and beautiful in the world brought to our own firesides.”— Morning Advertiser. “ Wonderful instrument.”— Times. “ Administers at once to wonder and delight.” —Spectator. THE CRYSTAL PALACE, SYDENHAM, Shewing the various Courts and points of greatest interest, with descriptive letter-press at the back of each slide. The following are mounted on Card, at 8s. each Slide, and are of the choicest description. 1. The Byzantine Court—Interior 2. The Egyptian Court—Entrance View, with the black marble fountain (an to, with Avenne of Lions. The different styles exact copy of one at Heisterbach on the of columns, &c., during the Ptolemaic period, Rhine), and the celebrated effigies of Henry about 300 years B.C., and the outlines in IJ. and his queen Eleanora, and of Isabella, low relief on the walls are beautifully de- wife of King John, from Foutevrault Abbey. lineated. “ The two become one, and produee effects unknown to art. No family or school . e 3.. The Court of the Lions—One of the most gorgeous in the Alhambra, re- markable for its graceful fretwork and the fairy-like slightness of its columns. It de- rives its name from the stone fountain seen in its centre, surrounded by lions. 4. The Italian Court—From a por- tion of the Farnese Palace at Rome, with the figure of Lorenzo de’ Medici, and Dawn and Twilight, from the celebrated monument in the Church of San Lorenzo at Florence, 5. The Pompeian Court—A well- chosen view from that beautiful Court, being an actual representation of the “ Atrium,” or hall of a Roman mansion, with its “im- pluvium” at the time of the great eruption, A.D. 79. 6. The Renaissance Court—A cor- rect epitome of thatarchitecture which super- seded the florid Gothic of the 15th century, and returning to a chaster style, is now known as the renaissance. 7. The Two Colossal Statues—Of Rameses, from the Temple of Abou Simboul, in Nubia, sculptured in the solid rock. From hieroglyphics in the interior the date of their construction is ascertained to have been 1560 B.C. 8. The Elizabethan Court—Both facade and arcades of which are from Hol- land House, Kensington, together with two bronze figures by Landini, from the Tarta- rughe fountain at Rome, and busts of Shake- speare, &c. 9. Entrance to English Me- dizeval Court — Showing the western doorway of Tintern Abbey, and the two statues from the west front of Wells Cathe- dral, The celebrated Walsingham font is seen Within the Court. 10. The Egyptian Hall of Co- lumns—This hall exhibits a combination of columns from various buildings; some from the Tomb of Ozymandias, and others crowned with the head of Athor, the Egyptian Venus. 11. The Telescope Gallery — So named from the curious effect produced by its apparently interminable repetition of rings, when seen from either extremity. 12. The Assyrian Court—With re- presentations of the human-headed bulls which formed the entrance to the palace at Khorsabad, and of some of the figures on its walls, as also of the Sphinxes, cast from one ’ inthe Louvre, dated 1000 years before Christ. 18. View in the Greek Court— Containing some of the finest examples of Greek sculpture; a portion of the Egyptian - Court is also visible, with one of the figures of Amenoph, restored from the black granite - statue in the British Museum. * 14. Entrance to the Egyptian Court—Remarkable for the dedication on the frieze, to the Queen, as the “ Ruler of the Waves, the Royal Daughter Victoria, Lady Most Gracious,” &c., in hieroglyphies. 15. Interior View of the Crystal Palace--Looking towards the north end, and comprising nearly the whole length of the nave. Osler’s crystal fountain occupies the centre of the foreground, surrounded by the colossal statues of Lessing and Hus- kisson, Lord Chatham, and Dr. Johnson. 16. The Stationery Court —This View comprises three, life-like figures by Rauch of Berlin, pupil both of Canova and Thorwaldson. The character of the Court is composite, with cinque-cento ornamentation. 17. Gallery of Greek Sculpture— The statues seen in this view are of different periods of Greek art, but all of the highest class, from the collections at Rome, Naples, Paris, and Berlin. 18. Gallery of Greek Sculpture— A continuation of the preceding, andgcom- prising statues and busts in no way inferior to it in any of the qualities of high and re- fined art, 19. Gallery of Greek Sculpture— Remarkable principally for the authenticated busts of Numa Pompilius, and various Roman Emperors, clustered round the termination of the gallery looking towards the Court of the Lions. 20. Gallery of Greek Sculpture— Amongst the statues in this continuation of the Greek Court, is the far-famed Venus de’ Medici, and it is remarkable for the massive ante or square columns, in therecess between which is a small statue of Euripides. 21. The Byzantine Court — Two arches of the arcade from the cloisters of St. Mary in Capitolo, an ancient church of Cologne, witii@iam ples on the spandrils of the costume and style of the Byzantine period, and recumbent figures of the Earls of Pembroke and Essex, 22. The Byzantine Court—A con- tinuation of the same facade, with portraits of the Emperor Nicephorus, and of Theo- dora, wife of Justinian. 23. The Italian Court — Con- structed after the model of the Farnese Palace with the statue of Guliano de’ Medici, and the figures of Light and Night, from San Lorenzo, Florence. In the centre is seen the fountain of the Tartarughe, from Rome. 24. The Italian Court-—The ori- ginal design of the Farnese Palace, the model from which this court is taken, was by Sangallo, but it was completed under the direction of Michael. Angelo; by whom is the celebrated statue of Bacchus, seen in front of the fagade. _ 25. English Mediswval Court-- Part of which is from Tintern Abbey, and part from Gainsborough, Yorkshire, with statues from Romsey and Wells Cathedral. 26. Entrance to the Greek Court—Presenting two columns from the Temple of Jupiter, at Nemea, and in the pack ground a model, about one-fourth the size of the original, of the Parthenon, with antique statuary in the foreground, ' 27. Interior of Greek Court— Supported by pillars from the Temple of Jupiter, at Nemea, constructed about 400 years B.C. Here are the two famous statues, the gladiator Repellens, and the Scythian whetting his knife. ‘28. Mixed Fabrics Court—In the occupation of Sowerby, of Regent Street; at this angle is seen Bailey’s Graces, and the Musidora by Thomas. 29. The Roman Court — Nothing can be more chaste and simple than this court, its arches rising between Ionic pillars and separated by a pilaster of the same order, in harmony with the sculpture it con- tains. 30. The Statues of Amenoph— Restored from the original in black granite, now in the British Museum, together with a portrait of Rameses II. sitting under the Persea tree, sculptured on the walls. 31. Interior of English Mediz- val Court—Most conspicuous in the cen- tre of this court, is the tomb of Edward the Black Prince, from Canterbury Cathedral, and that of William of Wykeham, from Win- chester, beyond which is the Walsingham Font. 82. Middle Entrance to the Greek Court—Showing a Doric column, part of the facade from the Temple of Jupiter, at Nemea. + 33. Entrance to the Alhambra Court—An exact fac-simile of the en- trance into the court of the Lions from the Court of the Fish-pond. The diaper pattern on the walls being from the Sala de la Barca. 34. The Nave — Osler’s well-known fountain, Una and the Lion, and the Eagle Slayer, are here seen in a line across the Nave, beyond which are the statues of Charles I. and James II. 35. Screen of the Kings and Queens of England—A beautiful re- presentation of the Screen designed by M. D. Wyatt, with the sculpture by Thomas; it is taken from the angle where the Norman series commences, and comprises the statue of her present Majesty. 86. The Musical Instrument Court—A truthful representation of the entrance of this beautiful Court, designed by Thomas, with a representation of Miriam in the space above, and a bust of Jubal to the right. 37. View in the Nave—This view is taken directly across the Nave, in aline with Osler’s fountain and the statues of Charles I. and James II.; and showing a line of statues, by Theed and Gibson, amongst which most conspicuous is that of Humphrey Chetham, of Manchester. 38. Group of Africans—Contrast- ing the Negro of the lower levels, with the Danakil of the high pastures and plateaus of the Desert. 39. Byzantine Court—Showing the centre arch of the facade from the Church of St. Mary in Capitolo, at Cologne, the columns from which it springs being ornamented with Capitols of different designs. 40, Mixed Fabrics Court — The only statue visible from this point of view, is from the Murder of the Innocents, but it derives its interest from the tropical ever- greens, by which it is surrounded. 41. Ceremony of Inauguration —Being a correct representation taken upon the spot on the 10th of June, 1854, when Mr. Laing, the Chairman of the Crystal Palace Company, was in the act of reading the address to Her Majesty. 42. Mixed Fabrics Court—Show- ing the Tired Hunter, a statue by Bailey, and Apollo -discharging his bow, by the same artist. 43. General View of the Crystal Palace—A beautiful view of the building seen froma distance. It is taken from a point above Anerley station, where it is seen to the greatest advantage. 44.. Portion of the North Wing— In which the general character of the Italian Terraces with the vases, statues, flower-beds, fish-ponds, &c., is seen in connection with a portion of the building. 45. General View in the Grounds —As seen from the central corridor, compri- sing the broad walk down to the great foun- tain, the village and church, beyond the grounds, and the hills and variegated land- scape in the far distance. The Second Series of about 200 subjects taken from the Crystal Palace, in addition to and in- cluding many of the above, with- out description, mounted at 2s. each slide. “ai # MISCELLANEOUS SUBJECTS. Groups, Figures, &c. &c. FIRST SERIES. + Consisting of numerous Groups and Views, of an amusing and entertaining character, of the very finest quality. On card, mounted at 8s. each slide. Return from Shooting. Dead Game. Cock and Fox. The old Larder. The Family Torment. The Egg Girl. A Day’s Sport (Group of Fish). Articles of Verti. The Curiosity Shop. The Enraged Cockatoo; or, a Chinese Ball in Danger. The Pet Bird. Mortality. Hawk and Duckling. Hen and Weasel. Group of Four Chinese. Group of Two Esquimeaux. Robt. Drummond, Valet to late Lord Nelson. Mr. Lovejoy—objeets to being disturbed just when he begins to feel comfortable. (Taken by Command of Her Majesty.) Group of Three Sailors—Crimean Heroes. 3 Five Royal Marines _,, 2 Royal Marine Artillery ,, Group of 3 Rifle Brigade—Crimean Heroes. *9 3 Fusilier Guards Launch of the Marlborough at Portsmomth: Ditto another View Ditto another View. Several exquisite Bustic Scenes from Berkshire, Now Publishing , by permission, some Beautiful Scenes from the Winter's Tale. SECOND SERIES. Very popular Subjects, mounted at 2s. 6d. each slide. The Murder of Abel. Miss Wyndham of the Adelphi, as Columbine. Bal Masqué (Eighteen Plates). Mother Goose. The Emperor and Empress of China. Roman Woman atthe Well. Crogsing the Brook. Charity School. Girl with Fawn (Three Plates). “ Strictly Confidential.” Going to the Ball. The Coquette. Boys Blowing Bubbles (Two Plates). Boys at Play. Impudence. Children Swinging. Dinner Party (Four Plates), group of 8. Tea Party (Four Plates), Dessert. Group of Fruit. Catholic Devotion. Dancing Figure. Spanish Dancers (Hight varied Plates). Clara Novello. Albert Smith. Love. Holmes, or Dead Guy. Ross, Her Majesty’s Piper. Lady Asleep; Another overlooking. ' Lady Reading; Another overlooking (Two Plates). Dead Game. Costermonger with Game. Flower Girl. Fruit Girl. Fish Girl (Two Plates). The Gleaner (T'wo Plates). Vivandiére. Combat (Mr. Albert Smith and Mr. Weiely. Pantomimes, various and amusing. Harlequin, Pantaloon, and Columbine. The Gipsey. The Toilet. The Rabbit on the Wall. Taking a Sight. Scenes from the Ballet of “ Ondine.” “ Happy to take Wine with You.” (Group of 7.) The Tired Gleaner (Two Plates). Group of Shells. Mrs. Caudle’s Curtain Lecture. Mr. Caudle’s attempt at Peace. 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