See ste
Aa Gua //
655°
Kusrole, ¢
J (57 ay yes rae BS
5 Seen)
ONLY.
$31,400 PAID FOR THE
ELEVEN. PICTURES.
‘The Diaz Landscape Brings. $18,000. at
: the Same Sale---Dissatisfaction of
the Monet Cult—Total Receipts for
the Night’s. Offerings Gyver $108,000.
The late. William -H. Fuller’s eleven. paint-
ings by Claude. Monet were.sold at: Men-.
delssohn Hall dast evening for. $31,400. The
canvas which was the favorite of Mr. Fuller
went for the highest figure. of any of the:
collection. It. was the “Dawn at. Antibes,”
the. enchanting picture. which contains on
the hither bank. ofthe river the peculiar
green-blue.tree that has caused the painting
to be spoken of sometimes as. “The Blue
Tree.”
. To this painting Mr. Fuller would return
again. and again when showing his Monets
to friends, and each time he had:an. addi-
tional word or expression of admiration
for it.
A. Dowden ot: Newark for $4,500.
More. persons appeared to be after the
s “Cliff at Pourville” than any other of the
Mouets, but they dropped. out: of the bid-
ding as the $3,000 mark was approached,
land: the canvas went to Durand-Ruel
for. $3,100.
| Pourville” at. $3,000.
was started af $1,000, except “LL Aiguille
d’Etretat,” which started at $2,000, but
this picture scld. below some.of the others,
going. at $2,760.
Some of the Monet cult: in the audience
became fretful when immediately after the
impressionist canvases. had) been sold: a
latera Diaz, the “Landscape” (156), brought
$18,000. They would: have the fulness. of
time come at once and Monet jump. into
the high market value that: picture buyers
have put upon the cider schools of painting
‘But nobody bid halt so eagerly, so far
as could be pubiiciy seen, or nali so per-
sistenuly or hberaliy, for the impressionist
paintings as for the Diaz or the Van Marcke,
‘the as brought the highest figure of: the
Mmnight.. ;
; Epectators half expected to hear that it
was bought in the name of a footiight cé-
ebrity, but the buyer was John A. Hoag-
land.
Moneis, belong to the various collections,
the saic of which was begun on Thursday
evening. The. total of last night’s sale
was $108,095. Thomas E. Kirby was the
auctioneer. ° ;
' A small panel representing the “Descent
frora the Cross,” which belonged to the
late Clarence King, that had been greatly
admired when it was on exhibition by
all visitors who look for art rather than
The picture was bought by George |
8. Ji Bayne took the “Coast Guard. at |
Hach of the Monets |
Van. Marcke went for $4,760 and a little |
The paintings sold other than Mr. Fuller’s |
4H)
| for $700, was resold on account of that pur-
' chaser at the close of last night’s sale and.
' was bought by G. A. Dowden for $675.
id
{White bought, it- for $1,800...
The Millet “Porteuse de Lait” brought j
'
essed tne bebe! tnat it was oy Van Hyck,
ut it was catalogued merely as a Flemish
inting of the sixteenth century:
Stanford White and a man who was in the
company of John La Farge were the most
etermined of the bidders.for it, and Mr.
$6,000; “Twilight,” by George Inness, $1,U00; |
a. Mauve water color, “Sheep Feeding,”
$2,300; a. Barye water color,“ Lion Listening,”
$800. :
“Silence in the Wood,” by Lenoir (No.
96), which was sold on Thursday evening:
The order of sale was as follows, with the
and the buyers as given, and the price
order:
WATER: COLORS,
|
“titles of pictures, the ‘names of the artists,
7 ik!
.
10s—“A. Venetian Girl,” Levorati; C, W.
CUE sci oe ds Orient ppoleinbiaeeeee Une aera $30
104—“Landscape and Figures,” Koekkoek;
REI OTOG RCRA aid taint uhts sina atmos aie 65
105—~“Cherubs,” attributed to Correggio;
MP PSPIWRER As tecges op Ghee. Sin la: o cash tango alas ag at deer unmet 110:
106—-“lhe Rehearsal,” Lessi; Fishel, Adler
OG DIV Deny aly oe ae ee Dig eek akin Wiehe yet 85>
107—“‘In the. Rockies,” Colman; “Rich- "
VROU CB. ehcp denna p pie nies seca ae 25
108—“Ducks,”* Saunier; T. Carmichael...,.. 65
109—‘“Venice,” Zlem; C. Stotsberge......... 826:
110—“Tigerin the Desert, "Barye; “Chester” 300
411—“Lion: Listening,” Barye; Cottier & Co. 800
112—“The Valley,” #arsons; F. J. Sprague. . 100
1138—“An. Alpine Valley,” Cormanis A, W:
BOWE GGT Ey mm esate mmrenaest pie Rie ahem 35
{14—“Landseape,” Zuber; F. Housman..... 50.
115—"Cattle Drinking,” .Ludby; J. Rud-
THEISES Toso sca cis, mace sine nee anne havens ae a 45
116—“Water Lilies,” La. Farge; Jacacai.... 825
117—“A Dutch Stream,” Roelofs; A. J.
WinGate BERR ee stay cate eee vaste 60
118—"“Cliffts of Dover,” Turner; Tooth &
MORSE sar soho Ha Ratete Sau ee aaa te 1,250
119—“Fruit, and Berries,” Hunt; Tooth &
OS A epee AS VG See ah Maras pemeesea te 220,
120—“Scene in Rome,” Prout; Fishel, Adler -
CHPWAT Dice oF bia. Susie ws al cies Sie eee waste seers 270
121—“Dog’s. Head,” Landseer; M; H. Leh-
THUAN sols oa hone eee aie giarreeet PaCS ecceiguens t As 270
122——“English River Svene,.” Goodwin; Tooth D
USERS Hise aM eos abi Med cond sae ere Roca 35)
‘Returning Home,” Evans; Denny.... 80
124-——‘Devil's Bridge,” Doré; C. W. Gould. . 70.
1244-—-“Lac d’Oo, Pyrenees,” Doré; Sprague |
125—“A Frigate at Anchor,” unknown; 110 ,
SPTAGue . ee ee BD
126-—~"Bringing Heme the Flock,” Mauve;
Kn oedler fo Gy. cincs cop eee eget epee: 1,625 ¢
127—-"After the Storm,” Fripp; R. H.
WHILRIMISS . kbc ce vss pa sete eam erecta! H5
128—“Bisuam Abbey,” Pyne; J. Oehme.... , 110
| 129—“Isle of Wight,” Lloyd; Tooth & Sons. . 100
1390-——“Highland Cattle,” Bragley; A. B. Meyer 85 »
131—“Mountain Stream,” Wimperis; Tooth
A GONE og wc bins Sa an ig Ba eR nie 60°
132—“River Scene,” Rico; Chester........... 525. |
133—“Old: Mansion,” Elgood; W. H. Young 220: |
134-—-“Llon and Lioness,” Swan; W. Macbeth 900
135—“Mother and Child,” Israels; Knoedler
& 2,125
1,200
1,000
2,300
55
350
310
iael.... 100.
1483—“Lilaes,” De Longpr . Carmichael, . 100
: MR. FULLER'S MONETS,
144—"The Selne near Bennecourt—Float-
ing Ice,” Monet; J. F. Sutton.........00.. $3,500.
145—“Near Argenteull—Winter,” Monet; |
Wee EUs oooh taney eid 2a es Wades 2,000
146—"Autumn on the Seine,” Monet:
1024; 01 01's 18S) aR RR a BARR REA Ata 3,000
147—“Near Vetheuil—Floating Ice,” Monet;
Durand-Ruel
FSD OWE Dice ca Pataca Neer Sas
‘| 160—"Belle-Isie—Sunshine,” Monet; Du-
Pie class ok unh centers Aue an Waa 1,900 |
151—“Apple Blossoms,” Monet; Knoedier &
8 |, Sei i a ne Oi RO ree Hi Sates 2 |
152-— at Pourville,” Monet; Durand- ea
OE Mian Bae coe wee 3,100
poifis, wgtle ets ¥ ise 8 ele pie ely ol bs ele-9 OO See
guard. at Pourville—Moonlight,”
Monet; S.J. B : ponent
158—"The Kissing Bridge,” Boughton; T. R.
Oo Baie ee eee cee eee dee ence CMe or epee 775
159— Before Marriage,” Loustaunau; S. S.
LAM isaseee cee cence tects ee tenes eye ees 275)
160-— Home from Shopping,” Alma-Tadema;.
Gud. Dowden.,....-.ee rede eee Bera gel 1,650
16i—Japanese Interlor,” Fabri; A. J. Weish. 460.
1625" wilight,” Inness; \Fishel, Adler) &:
i SWAP Rh ces Getty et eke wag sane waite h.. 1,000)
168—""Bursiing Shell,” Schreyer; Fishel,
Ader d Swata..: 6.0. keels eee 5,100
164—“Sword. Dancers,” GérOme: G. B.
DUSUU Ea ise y vihieca sche sick pci! hes taledn wren eR hie 1,600
165—“Lady Reading,” Munier; F, Housman, 425)
166—“A Fine Day in. Wales,” Leader; F.
FROUSHISI 5. sick s wi vee Bein Bic tiaras; 900
167—“Refreshments,” Madrazo; F. Hous-
man., ; 550
168—"Family-Group,” Mever; Tooth &Sous. 2,400
169—-“At Ghent, N.Y.,” Johnson; A.B. Meyer, 175.
170—“Porteuse de Lait,” Millet; Kn. dler-&: 3 :
"ey ipa a Ras aie OP ur Hae a we Re OTC 900,
171—“A Standard Bearer,” Meissonier; Tooth
4 GS SONS, eee ee ee eee enters 1,400.
172—“Barn. Interior, With Sheep,” Jacque;
Fishel, Adler. &:Swarz,.......-.+-see ees 850.
-173--“His Favorite Flowers,” Vibert; Mrs.
Hus ogrt Reciny Gab cha ROU ge ESS Pee De RAR 1,275
175—“A. Standard Be { ;/Ches-
MPs Mai oa vista ery we aab ic vie ahs oeeral em oss SNe 700
176-—"“Setter. Dogs on Arnfeldt; T.
Carmichael so cccs pure even tet rents 75
177—-“‘The- Dead Christ,” Siateenth. Century
—Flemish; Dowdeswell.......0-6es-2 10s 250.)
178—‘Descent from the Cross,” Sixteenth:
Gentury—Flemish; Stanford White:..... 1,800,
179—"“Head of an.Old Woman,” Seventeenth
Century—Dutch; Mrs, White ....5.--..+ 225
180-—-“Madanna. and: Child,” fifteenth. cen-
tury—-German; Mrs. E, ©, Potter......- 175
181—"Holy Family,” sixteenth: century:
Italian; J; Fs Oummmings......--) sss: 225
182—"Madonna. and. Child,” fifteenth cen-
tury-Italian; Giendenning...... Lemons 150.
188—"Madonna and: Child,” sixteenth cen-
tury—Flemish; Winthrop ,....-.-.-- SAN 700
134.—“Marine,” Kannemees; Mrs. White.... 150
185—“Two Wings of a Triptych,” Unknown;
Knoedler & Cove sepe cess eee terete eens , 200
1g6-—The Prodigal Son,” attributed to
: Rosa; Richmond’.......-. eee 75
is7—"Phe Resurrection,” sixteenth cen-
tury—Itallan; S. White 225
188—"Interior of Cabaret,” Carle; Glenden- ee
TNA, hoe eee eee te bee
189-—“Landscape.” Unknown; Sterling 50
{90—Still Life,” Van 'Aelst; Willams. 200
19i—Villa. d!Este,” Blerstadt; Jacacel 276
192—“Still Life,” attributed to Heda; we
}
t ford: WHItC.. 4 .-bcehor ee see ee men we gees 3;
194—“Portrait. of a. Ge.tleman,” Maes;
Stanford White........-ssee eee eee eters ,400
195—“Guitar Player,” Garcia y Ramos} *
“Holland Art Galleries........-.--ssss00s 10
196—“On the Nile,” Gifford; J. N. Buckley. . 170
197—“A Camp,” Berne-Bellecour; Hi f
Seikas.. ii... eee SUA atone cit th Bs 1,125
jos—"At the Fireside,” Bouguereau; Hol-
Jand Art Galleries. .....0. 5s been neers ;800
199-—‘‘Mussel Gatherers,” Pearce; F. Hous- mk
TVET ea eee te Merk shes Nate ears boeiaigie ecatbun bt 28 I
200—“Mosque of Mohammed: Ali,” Gifford;
; J, Reidmeister.... 06.0... ++ hese ee gece 410
201—"Italian Maiden,” Lefebvre; E. Bhimen- en
BUA er ee See Aces RE eS Mee eae SE ee
202—"Mendicant,” Gallait; G: G; Benjamin, 800
203—“Hager and Ishmael,” Courtat; A. J. ‘
WALSH screw cat ctice caverta suave Hesniees 225
POP ie vives ve kata Poh as wien patty Pelee $108,095,
“exh
NTINGS.
BRING GOOD PRICES
| U4 Wert F- 1g
Eleven Examples of the Fa-
mous Impressionist’s Work |
Sold for $31,400.
DIAZ LANDSCAPE, $16,000
Close of the Sale of Pictures Be-
longing to Messrs. King,
Fulier and Others,
The second and concluding night’s sale off
the pictures owned by the late Clarence
King, Theodore Weil and William H. Fuller, |
and others owned by Mr. Victor Newcomb,
took place at Mendelssohn Hall last evening. |
There was a large attendance, and the)
leading dealers were all represented, while:
several private collectors also were present. |
The pictures offered were more importa:
than those sold on Thursday evening, a1
the eleven examples of the French impr
sionistic painter, Claude Monet, owned by)
the late William H. Fuller, were of them+)
selves a drawing card. Bich |
‘The total of the sale was $107,900 for ninety-|
nine canvases. This, added to the total of
Thursday night’s sale, $30,205, from which)
$75 must be deducted for a picture by Lenoir
sold over last night for $625, against $700,
which it brought the previous evering,
makes a grand total for the 202 paintings In
the collections of $138,030, a good result. a)
The highest figure of last night’s sale was
$16,000, paid by Mr. J. A. Hoagland for a
superb landscape by Diaz, There was lively
competition for the. Monets, and the eleven!
examples brought a. total of $31,400, or an
average of nearly $3,000 each. They cost Mr.
Fuller about $25,000, and were all hought’
within the last five years. : Ee |
Mr. Dowden paid_$4,500 for the “Dawn at
Antibes,” a good figure, and Durand-Ruel
& Co. secured the next éxample, the brilliant)
Belle Isle Sunshine,’’ for the astonishingly
low price of $1,900. This sale was made so’
quickly that the bidders did not realize the
canvas had been sold, and a murmur of as-)
tenishment was heard. This was one. of the}
great bargains of the sale. fran: fal
James F. Sutton
Sa
Ee EUr pee Monets, Mr.
§ red the two winter. Seine landscapes for
$3,500 and_ $2,000, respectively, and Dee id |
Ruel & Co. bought. ‘‘Near Vertheuil”” ‘or
$2,900, Autumn” for $3,000, ““Tourville Clift’
for $3,100, and ‘‘l’Aiguille d’Mtretat’’ for $2,100.
Mr. S.J. Bayne paid $3,000 for the “Coast-
eyaey Ht, ee vad = Co. $2,100 for ‘Apple
pee ANG ad g isi $2,70
a EP il chon Sunset.”’ ay ee a
i pictures that gold for $1,000 and ove
| with\ their prices and buyers, were co
lows :—
Ss, and Boner
t Gall
fo - Tie ee eee
ON FREE VIEW DAY AND EVENING
AT THE AMERICAN ART GALLERIES
FROM MARCH 6ru UNTIL THE
MORNING OF THE DAY OF SALE
SALE AT MENDELSSOHN HALL
FORTIETH STREET, EAST OF BROADWAY
ON THURSDAY AND FRIDAY EVENINGS
MARCH 127TH anp 137TH, PROMPTLY AT 8.30 o’cLocK
CATALOGUE OF VALUABLE
PAINTINGS AND WATER COLORS
TO BE SOLD AT UNRESTRICTED
PUBLIC SALE BY ORDER OF THE
EXECUTORS AND TRUSTEE OF
THE ESTATES OF THE LATE
CLARENCE KING
WILLIAM H. FULLER
AND
THEODORE G. WEIL
THE TRUSTEES OF
H. VICTOR NEWCOMB
AND TO CLOSE AN ESTATE REPRESENTED BY
ZABRISKIE, BURRILL & MURRAY, ATTORNEYS
THE SALE WILL BE CONDUCTED BY
THOMAS E. KIRBY
OF THE AMERICAN ART ASSOCIATION, MANAGERS
NEW YORK: 1903
Press of J. J. Little & Co., Astor Place, New York
CONDITIONS OF SALE
1. The highest Bidder to be the Buyer, and if any dispute arise
between two or more Bidders, the Lot so in dispute shall be im-
mediately put wp again and re-sold.
2. The Auctioneer reserves the right to reject any bid which is
merely @ nominal or fractional advance, and therefore, in his
judgment, likely to affect the Sale injuriously.
3. The Purchasers to give their names and addresses, and to
pay down a cash deposit, or the whole of the Purchase-money, if
required, in default of which the Lot or Lots so purchased to be
immediately put up again and re-sold.
4. The Lots to be taken away at the Buyer’s Expense and Risk
upon the conclusion of the Sale, and the remainder of the
Purchase-money to be absolutely paid, or otherwise settled for
to the satisfaction of the Auctioneer, on or before delivery; in
default of which the undersigned will not hold themselves respon-
sible if the Lots be lost, stolen, damaged, or destroyed, but they
will be left at the sole risk of the Purchaser.
5. While the undersigned will not hold themselves responsible
for the correctness of the description, genuineness, or authen-
ticity of, or any fault or defect in, any Lot, and make no War-
ranty whatever, they will, upon receiving previous to date of
Sale trustworthy expert opinion in writing that any Painting
or other Work of Art is not what it is represented to be, use
every effort on their part to furnish proof to the contrary; fail-
ing in which, the object or objects in question will be sold
subject to the declaration of the aforesaid expert, he being
liable to the Owner or Owners thereof, for damage or injury
occasioned thereby.
6. To prevent inaccuracy in delivery, and inconvenience in th
settlement of the Purchases, no Lot can, on any account, be re-
moved during the Sale.
7. Upon failure to comply with the above conditions, the money
deposited in part payment shall be forfeited; all Lots uncleared
within one day from conclusion of Sale shall be re-sold by public
or private sale, without further notice, and the deficiency (if any)
attending such re-sale shall be made good by the defaulter at
this Sale, together with all charges attending the same. This Con-
dition is without prejudice to the right of the Auctioneer to en-
force the contract made at this Sale, without such re-sale, if he
thinks fit.
Tue AMERICAN ART ASSOCIATION, Manacers
THOMAS E. KIRBY, AucrionrEERr
WATER itCOLORS
ABOUT WATER COLORS
After the introduction of the oil medium, the ancient
art of water-color painting dwindled in importance,
being used chiefly by the illuminators and miniaturists,
and by draughtsmen to tint their drawings in ink or
pencil. Its revival dates from the end of the eighteenth
century, when the Englishmen, Thomas Girtin and
Turner, developed it into an independent and very
beautiful expression of nature. They were the first of
the moderns to lay in a whole picture with the local
color of its parts; in fact, to paint in water colors;
Girtin with a vigor of effect and execution, Turner
with added delicacy of atmosphere and quality of color.
The first English Water Color Society was formed in
1804, the originators being Hills, Pyne, Shelley, Wills,
Glover and Varley, with William Sawrey Gilpin as
president. At first the Society had a precarious exist-
ence, but it began to flourish in 1823, when it established
itself in Pall Mall East, and received in 1881 the patent,
that established it as “ The Royal Society of Painters in
Water Colors.” In 1831 a new water color society
was organized, which two years later changed its name
to the “ New Society of Painters in Water Colors,” and
since 1863 has been vigorous under the title of “ The
Royal Institute of Painters in Water Colors.” Mean-
while in France the water colorist was but ill-recognized
until the marvellous verve, splendor and truth of For-
tuny’s paintings in that medium spurred others on to
practise it and aroused sufficient enthusiasm to establish
the “Société des Aquarellistes Francais.” Now every
country has its water-color society, the dignity of the
art is universally recognized, and its popularity with
connoisseurs is continually increasing.
FIRST EVENING’S SALE
THURSDAY, MARCH 121TH
BEGINNING PROMPTLY AT 8.30 o’cLOCK
AT MENDELSSOHN HALL
NOTE
The works of art enumerated in this catalogue belong to
various estates and comprise the following collections:
Paintings in oil and in water colors, estate of the late
CLARENCE KING, to be sold by the order of JAMES
T. GARDINER, trustee. Eleven important works by
CLAUDE MONET, estate of the late WILLIAM H.
FULLER, to be sold by the order of FREDERIC W.
STEVENS and J. FREDERIC KERNOCHAN, exec-
utors. Paintings in oil, estate of the late THEODORE
G. WEIL, to be sold by the order of S. R. WEIL,
executor. Paintings in oil and in water color col-
lected by H. VICTOR NEWCOMB, to be sold by the
order of OWEN P. BREEN and FRANCIS B.
SWAYNE, trustees. Paintings in oil and in water
colors to be sold to close an estate, by the order of
ZABRISKIE, BURRILL & MURRAY, attorneys.
AMERICAN ART ASSOCIATION,
ManaGERSs.
CATALOGUE
WATER COLORS
Pope DAVID COx
%S § 4
1—LANDSCAPE w =
iy
6—THE COLLECTOR }*
An old man with a white cap on his head sits behind a
table which is covered with an oriental cloth, examining
through his magnifying glass an object which has been
presented by a countryman in queer short blue-tailed
coat, with a red umbrella under his arm, who stands
anxiously by his side. The wall is hung with tapestry,
and objects of art are disposed about the room.
Signed at the right.
Height, 10 inches; length, 13 inches.
Owner, TrusteEE OF CLARENCE KING.
HELEN C. ANGELL _
f y os i} 7
() tL “f A/ BS A
7—ROSES ee
In a blue jar a bunch of roses is arranged in front of
an olive green background. The blossoms are white and
pinkish white, mingled with leaves and pink buds.
Signed at the left.
Height, 131% inches; width, 10 inches.
Owner, Trustee oF CLARENCE KING.
8—MARSEILLES \,@4e" |,
Z ¢ vie i tate rhe I — on Kk Ss
Sailing-ships are at anchor to right and left of the
blue water which stretches back to the city where the
white building of the Custom House is conspicuously
visible. Near the front on the right is a ship with flags
flying, beside which two boats lie, while another boat in
the middle, crowded with men, is making towards the
vessel.
Signed at the left.
Height, 9 inches; length, 12% inches.
Owner, Trustee or Cuarence Ktne.
HENRI HARPIGNIES fio,
9—LANDSCAPE = os
A pond and a clump of trees on a bank to the ‘eft
form the foreground. On the far side of the water a
man and a boy are walking along a road that leads to
the left. The road is bordered with trees, beyond which
appears a view of flat country terminating in blue hills.
Signed at the left.
Height, 9 inches; length, 12 inches.
Owner, Trustee of CrareNce Kine.
WILMOT PILSBURY
10—A HILLSIDE “PASTURE * (7 f° ~~ ™=
i Yn. Sees
The foreground is a meadow of long grass sprinkled
with thistles and dotted with sheep. Across the back
of it runs a hedge with trees at intervals, beyond which
is a suggestion of a dip in the landscape with rising
country further on.
Signed at the right and dated, 1882.
Height, 10 inches; length, 1444 inches.
Owner, TRUSTEE OF CLARENCE KING.
JOHANNES BOSBOOM
“nk, ag it
11—INTERIOR OF A CATHEDRAL »
= 7 Sa fr Vb. pA AD et
Rendered in sepia, the composition shows an altar, set
beneath a gallery supported upon arches and columns.
In front of it is a bier around which figures and lighted
tapers are disposed. A high window and vaulted roof
are seen at the back.
Signed at the left and dated, 69.
Height, 13% inches; length, 12% inches.
Owner, Trustee oF CLARENCE KING.
NICOLAAS BASTERT (/ © '
VR Al be
12—CANAL IN HOLLAND, ,...%
The canal in the foreground makes a bend round a
snow-covered quay in the center of the picture. The
houses on this form a block, to the left of which is a
narrow street where a single figure and a cart are ap-
proaching each other.
Signed at the left and dated, ’84.
Height, 154% inches; width, 10 inches.
Owner, Trustee or Crarence Kine.
J. H. WEISSENBRUCH 9)‘
P
i t
ae
13—A FARM IN HOLLAND‘. * ? ~~
ao fo ee oe
A stream flows diagonally from left to right through
the rich green pasture, crossed by a little wooden bridge,
which leads to a cottage on the left bank. Two trees
stand in front of the building and overtop its roof, while
at the back is a shelter of willows. A woman is hanging
linen on a line.
> WAAL ; AL 4 At lv fi
Signed at the left. d
Height, 91% inches; length, 15 inches. ~
Owner, Truster oF Cuarence Kine.
JEAN HENRI ZUBER
ep.
ay es fy ( {LAA NXEAL17 AM VAL
A \ nae ;
1f—L’ILE ST. HONORATVIQS* 7, , , ::
ost eng" |
The foreground of rushy grass, interspersed with
stones, slopes up to a little temple with domed roof
among some trees that stand near the centre of the
composition. To the right is an expanse of very blue
water bounded by faint, gray hills.
‘e
Signed at the right and dated, ’82.
Height, 10 inches; length, 14 inches.
Owner, TRUSTEE OF CLARENCE KING.
ANTON WALDORP
¢ f aw,
1§5—DEPARTURE OF THE INANE es
Fishing boats are dropping down to sea with
the tide. In the centre of the foreground is one with
loosely hanging sails, to the right of which, farther back,
appear two others, while two more are disappearing in
the distance on the left.
aT
Signed at the left.
Height, 9 inches; length, 13% inches.
Owner, Truster or Ciarence Kine.
VICTOR VAN HERSEHAUT
f poaty
v) at Ney F111 AY
16—DUTCH LUGGERS
Beyond the gray wet sand in the foreground tumbles
the greenish-white water, and in it bare-masted luggers
rock and strain at their hawsers. In the sky a little blue
shows through the gray clouds.
Signed at the right.
Height, 13 inches; length, 19 inches.
Owner, Trustee or CuarENCE Kine.
f ) \
HENRY STACQUET
‘
* a
¥
17—A VILLAGE STREET
The row of cottages on each side of the street con-
verges, the gap at the end being filled with trees, through
which appears a glow of red and yellow on the horizon.
A big green cart with a man alongside of it is approach-
ing.
Signed at the left.
Height, 10% inches; length, 23 inches.
Owner, TrusTEE or CLARENCE Kine.
F. J. DU CHATTEL
18—ON THE RIVER VECHT; |.
‘ = ee -
6 % ig 5 3
— ee: }
: aes; F biti_, Gerry &y
Alongside the left bank of tle river, on which appears /
a house among some trees, a red barge is moored, laden ~
with cargo which a man is transferring into a small
boat. Birds are skimming over the water and flying in
the sky, and on the right bank a brown-roofed house
nestles amid trees.
Signed at the left.
Height, 19% inches; width, 13% inches.
Owner, Trustee of CLareNce Kino.
GEORGE POGGENBEEK
Furtal ddl Wb
19—LANDSCAPE AND CATTLE, , . 4 f
“a TT, — im Te, - 2 ee
ea
Cows are standing in the f oreground among reeds near
a brook. Other cattle appear in the meadow beyond
and to the right stands a farmhouse among willow trees.
Signed at the left and dated, ’84.
Height, 16 inches; length, 24 inches.
Owner, Truster or Cruarence Kine.
J. H. WEISSENBRUCH, 1)"
20—A DUTCH RIVER SCENE »* baa
8
ipa A “ yr AP re £4. 20 OLLi f-/
: on the right bank of thes river are willows and a pro-
jecting jetty with a post and a boat at the end of it. In
the middle distance is a boat with two figures in it, and
on the flat horizon beyond appears a windmill.
Signed at the right.
Height, 14% inches; length, 21 inches.
Owner, Truster or Crarence Kine.
HENDRIK WILLEM .MESDAG
wed
Shreve
21—FISHING BOATS UNLADING ¢-~
LS ‘:
“
] jae Ay
—
ad L Se LA loner A
In the shallow water of the foreground a horse and
cart stand beside a dull red and brown boat with buff
and brown sails. Behind it is a bunch of fishing
smacks, and others are scattered to the right and left,
flying red and blue pennants from their masts.
Signed at the left. =. } £4 AA
Height, 18 inches; length, 2114 inches.
Owner, Trustee oF CLarence KInc.
Gf Oo &
LOUIS APOL
hy
22—WINTER EVENING ® >y**" pe
£O Odhty Gb
a net covers the level eountr’ y and, along a Gee
road bordered in the distance by poplars, to the left of
which appear cottages, approaches a cart with the
figures of a man and boy. From a pond on the right
of the foreground a flock of black birds is rising.
Signed at the right.
Height, 144% inches; length, 211% inches.
Owner, TrusTeEE oF CLARENCE KING.
ANTON MAUVE
23—CALVES ets Se
4. aR
r pes TAK.
LAS
A white calf turning its oad away from the specta-
tors, is the principal feature of the composition. Behind
it a black and a red one are lying in the field, which is
bounded by a hedge. :
i
Signed at the right. »
Height, 16 inches; length, 24% inches.
%
Wee
Owner, Truster or Crarence Kine. ie: fel La
BRUGUISH oo
VIA CA le aes
2)—A GARDEN WALL IN VENICE z
—o¢ e 4, pee
Poet wae ae 8
A woman stands inthe doorway of a red-bricked,
partly plastered wall that borders the canal. Below her
a gondola with white awning is moored and she watches
the approach of another one. Over the garden wall
appear a red slated roof among the trees, and a dome
and a vine arbor.
Signed at the left.
Height, 17 inches; length, 22 inches.
Owner, Trustee or CrareNce Kine.
R. F. STORTENBECKER
25—LANDSCAPE WITH CATTLE ¥
L3G = Y OF YY
eA i RT
A red cow and a black and white one are lying in the
grass and behind them another stands with her head
turned away. Farther back is a white calf with red
markings. The sky is blue and suggests a bracing air.
Signed at the right.
Height, 21 inches; width, 17 inches.
Owner, TrusTrE oF CLARENCE Kina.
R. F. STORTENBECKER . p,
| |Z
iL Pn tI ZL, VO ABC nA
be DUTCH CATTLE ype A
o ¢ S Z
Cows are standing Ghat river bank in the fore-
| ground, looking out over the stretch of water, which is
dotted with sailboats that catch the rosy glow of the
sunset. In the middle distance on the left appears a
faint line of land with a church tower.
o Ms g)
Signed at the right.
Height, 16 inches; length, 26 inches.
Owner, TrusTEE or CiareNnce KING.
EDUARD VAN DER HEER
g7—A RIVER SIDE IN, HOLLAND 6) (2 p47
Jag oe Se, fe tom
A sailboat has been drawn up the sloping stocks in
front of a shipwright’s shed, beside which is a cauldron
with smoke ascending from it. In a boat near the bank
a man sits fishing. Gulls are flying over the water, sail-
boats appear in the middle distance and on the horizon
are windmills and red-roofed cottages.
Signed at the right. f .
Height, 17 inches; length, 24 inches.
Owner, Truster oF CLARENCE KINe.
JEAN HENRI ZUBER 1 4
28—THE BIRCH GLAD od? tae 2D
On each side of a little path the bright green ‘grass-
land slopes upwards, gay with patches of sunshine, and
dotted with birch trees.
Signed at the right and dated, ’82.
Height, 14 inches; length, 20 inches.
Owner, Trustee oF CLARENCE Kina.
29—SNATCHING A wee
An old man, has fallen asleep in an ante-room lined
with tapestry. He wears a scarlet livery decorated with
bands of flowered silk, and his cocked hat lies beside him
on an oak chest.
Signed at the right, Roma.
Height, 22 inches; width, 15 inches.
Owner, Trustee oF Crarence Kine.
GUSTAVE DORE
OF 4)
DOW AVYe
80—CIRQUE DE GAVARNIE
/ O00 ae
Green hills, ribbed and strewn with rock and dotted
with fir trees, slope together, framing a distant view of
a snow mountain, down which drops a waterfall in a
single streak of blue. Figures on horseback and on foot
are coming down a road on the left of the foreground.
Signed at the left and dated, 1882.
Height, 16 inches; length, 24 inches.
Owner, TRUSTEE OF CLARENCE KING.
JULES LESSORE
81—A STREET SCENE IN ROUEN
So 0 of ni RYO eer Maer
In the foreground is an archway surmounted by a
large clock in brown carved frame, and in the angle of
the wall to the right appears the lower part of a sculp-
tured shrine. In the street beyond the archway are
| several figures. a
Signed at the right.
Height, 291% inches; width, 22 inches.
Owner, TRUSTEE oF CLARENCE KING.
CHARLES DETAILLE anor
82—THE PIGEON SHOOTING ree DE
BOULOGNE
DS
mtd. hr ea WY (a2 once
This illustrates a busy ue re in the Bois de Mi
Boulogne near the ground where the pigeon shooting
matches and other sports take place. A variety of smart
vehicles with pleasure-seeking occupants, equestrians,
promenaders and dogs crowd the avenue. In the back-
ground is the tree-enclosed field with its wooden struc-
tures and one or two tents.
Signed at the right, Cuartes Devaiite, 1878.
Height, 1434 inches; length, 27 inches.
Owner, Trustees or H. Victor NeEwcoms.
M. POIRSON P} ra)
383—THE DRIVE Lar C & be cee
a broad ene in the outskirts af Paris. Two
young ladies, driving in a dog-cart, have paused to chat
with a lady friend who, mounted on a chestnut horse,
stops at the edge of the bridle path. A white spaniel
stands near. Across the roadway is a line of trees and
shrubs indicating a suburban garden, and the house
stands on the left, half hidden by hae eos
Signed at the right, \Permson. 4 ?
Height, 16 inches; length, 22 inches.
Owner, Trustees of H. Vicrorn Newcoms.
J. G. VIBERT
34—THE ENEMIES
4
a= oe ee ee ee
Be Spanish liveried servant in Shoe sleeves, yellow
waistcoat and breeches, with a feather duster under his
arm and his hands held behind his back, stands making a
grimace at an orange-crested cockatoo on a perch. A
marble column and a part of the wall of a salon occupies
the background.
Signed at the right, J. G. Viper.
Height, 14 inches; width, 9% inches.
Owner, H. Victron Newcoms.
OIL PAINTINGS
OIL PAINTINGS
EMILE LAMBINET
35—LANDSCAPE
Ae pti
In the foreground is a sheet of water with a clump of
willows and other trees rising boldly against a sky which
is partly covered with cumulus clouds. On the right a
peasant woman is driving three cows to drink in the pool.
In the distance beyond the pasture on which the low sun
casts long shadows are low, wooded hills.
Signed at the left, Verve Lamaier.
Height, 15 inches; length, 22 inches.
Owner, H. Vicror Newcoms.
EDOUARD FRERE
» F >}
yy
| 36—THE YOUNG MusICcIAN J. Ao. (Li,
i} f A 4
4
i—
eed In the corner of a humble cottage a small boy in his
shirt sleeves, perched on a chair, is playing a toy flageolet
to amuse his younger sister, who stands near him. The
background is simple, showing part of a cupboard on the
left and a corner of the fireplace on the right.
. Signed at the left, Ep. Frere, ’58.
Height, 10 inches; width, 8 inches.
| Owner, H. Vicror NEwcoms.
| M. MATHIEU-LOLLIOT
387—THE CARDINAL
C)
yor Ae < a. DIAM
A cardinal in full robes stands reading his breviary
by the light of a long window in a French drawing-
room. His right hand rests on the handle of the window
| fastener as if he were about to turn it. A suggestion
of a porch or garden is seen through the glass of the
| window, the light from which is tempered by a curtain
above and below.
i Owner, Estate or THropore G. WEIL, DECEASED.
Signed at the left, M. Marurev-Loturor.
Height, 13 inches; width, 974 inches.
LEO HERMANN
38—A CHOICE VINTAGE, oo ae er
In a cellar which is lighted by a e idow high j in the
wall, a black-frocked priest is sampling a bottle of red
wine and holds the half empty glass toward the light
with an expression of pleasurable anticipation. A basket
of vegetables stands on the floor in front of the priest,
and behind him is a wine cask with a tin funnel and an
earthen jar.
Signed at the left, Leo Hermann.
Height, 92 inches; width, 7 inches.
Owner, Estate or THropore G. WEIL, DECEASED.
DAVID JOHNSON
A_ OL tte
39—LANDSCAPE VIL: Fe
Sy 10 ji ae e —
o
This is a wide prospect over a rich country broken by
rolling hills. .In the middig distance at the left a village
is seen on the edge of a sheet of ‘water, and on the right
a road winds away beyond a clump of waterside trees
which cast a deep shadow on the ground. All over the
picture is a suggestion of busy life, and in the sky,
which occupies nearly two-thirds of the composition, are
rolling clouds here and there illuminated by strong sun-
light. ed
Signed at the left, Ip; ) Pm
Height, 834 inches; length, 11% inches.
Owner, Estate or THreopore G. WEIL, DECEASED.
G. JACQUET
40—FEMALE DRUMMER FD
Lt ryt
i A buxom young girl in fancy dress with cocked velvet
hat, brocaded bodice, white chemise and red silk petti-
| coat marches sturdily along, beating a drum which is
slung across her shoulders by a satin ribbon. Behind her
is a gray sky, a distant landscape with a village and a
sheet of water. On the left is the corner of a rough
stone buttress.
Signed at the left, G. Jacquet.
ii Height, 13 inches; width, 8% inches.
Owner, Estates or Txeopore G. WEIL, DECEASED.
F, H, KAEMMERER 1
SP net |
“M—A GENT (We pent OF ¥ ibtecrpey
| ‘G wto-7 2 teh Csr,
i This is a full fats study of an old be OF the time oe
of the Directory wearing a tawny, satin- embroidered
coat, white stockings and waistcoat, black hat and white
| wig with black ribbon. He carries a dull red umbrella
under his arm and is promenading along a path which
leads down a gentle slope to a village among the trees.
HI :
Signed at the left, F. HW. Kaemmenzn.
Height, 10 inches; width, 6 inches.
Owner, Zasnisxis, Burnin & Mursay, ATrroRNneys.
ct nae
BR. H. Ler ie
42—A a ae THE DIRECTOR iS ne
: 2 7 as AS_. atrA barge
This is a wahch 2, figure of a lady in fcnaeed and Zs
striped silk dress daintily standing on a dry patch of
sand beside a tiny, shallow stream. Her right hand
rests on an ivory-topped stick and with her left she raises
her dress above her ankles. In the distance on the left a
couple are seen promenading, and on the right is an old
gentleman reading a letter.
. Signed at the right, F. H. Karmmuensn.
Height, 9% inches; width, 6 inches.
Owner, Zapriskic, Burra & Murray, Arrorneys.
J. J. ARANDA p (8°
+ g
Bees
43—THE FIDDLER +4 iy Ss '
he G0 Nt alr Hheaaae
An old musician is seated on a bench in a cabaret play- /
ing a fiddle to entertain the company present, two of
whom are to be seen seated at a table in the background.
The room is wainscoted with green painted panels and
the white walls above the wainscot are hung with engrav-
ings. :
Signed on the left, J. Jimz. Aranpa, Sevitna, 1878,
Height, 10% inches; widih, 744 inches.
Owner, Zapniskic, Burra & Murray, Arrorneys.
A. J. VAN WYNGAERDT ‘7/0:
; ence aay
{ / kh, LA 4 t
44—LANDS€4PE or a ie aie
4 ay sere ne, /
f, LSA thé 4 DIAG oF d
bp ot OO , KMIPOCEOCUOYG
In the foreground is a sheet of quiét water and on it
a flat-bottomed boat with a man ina red jacket. Beyond
the water is a sunlit meadow with sheep and cows
grazing. Further away a red-roofed cottage is half
hidden by trees and in the distance is a pleasant country
with a few trees. The sky is full of summer clouds.
Signed at the right, A. J. v. WYNGAERDT.
Height, 914 inches; length, 14% inches.
Owner, Zasriskie, Burriwa & Murray, ATTORNEYS.
,¢ PB, BEDINI me Or
6M ust
45—SAMPLING. WINE
abs 0.
f a4 = Beet l Nees 2, hs A f 0. Li
In a vaulted stone cellar a cavalier in gray hat, white
jacket and tall, yellow leather boots is seated on a bench
between a cask of wine and some earthen jars, draining
from a glass the last drop of wine which has been poured
out by a Capuchin monk, who stands ciose by with a
white earthen pitcher in his hand.
Signed at the right, P. Bernt, 1877.
Height, 9% inches; width, 6% inches.
Owner, Zapriskie, Burriwta & Morray, ArrorNeys.
agers
WINSLOW HOMER )G 0.
46—RETURNING FROM THE SPRING p- 5
; UE ae. Pe) Lae Lf
SOO c— : ft A
: This is a study of a little girl carrying a pail of water
with her right hand. Her back is turned to the spec-
tator and her head is inclined to the right. She is in full
sunlight and in relief against a hillside covered with
autumn-tinted grass and shrubs. On the right is a bush
with brilliant red leaves and, in the distance, on the hill-
top, a screen of forest trees rises. against the warm
autumn sky. —
Signed at the right, Homer, 1874. FP Chk
Height, 8 inches; width, 6 inches.
Owner, ZaBRiskiE, Burning & Murray, ATrorNeys.
eg
A
J. A. WALKER
en 9k 6.
; Sh gr* Se 95
4?—CUIRASSI Sp ee
— @¢¢ i g / | 2 cs TEAM V4)
A French cuirassier mounted on a sturdy brown horse
oe
has ridden up to a porte cochére closed by a green door,
and is ringing the bell. Horse and rider are in full sun-
light and their shadow is cast on the rough wall, which is
otherwise broken by the doorway on the left and by a
window with closed shutters on the right.
Signed at the right, J. A. Wauxer. ) je
Height, 9% inches; width, 7% iichen
Owner, Zapriskiz, Burritn & Murray, ATTORNEYS.
P.
C. COMTE
| 48—ON GUARD Sa are
7 Holding a musket and with a rapier by his side, a
il haggard looking soldier peers through the barred open-
ing of a window, apparently watching for an enemy in
| the street below. He is dressed in a buff jerkin, short,
black petticoat breeches, gray hose and buff boots. On
| the right is a doorway, showing the lower steps of a stone
| staircase and a latticed window.
| Signed at the left, Come.
Height, 13 inches; width, 94% inches.
Owner, Trustees or H. Vicror Newcomn.
DE BEAUMONT = =|“!
| VIAFE WUC henge a
| 49—IN THE STUDIO Pg wd / ;
ioe LAthmnen’G
An artist in Vandyck costume of blue doublet and pink
breeches with a rapier at his side is seated, with his
palette and brushes in hand, in front of a large canvas
which, in the full light of the studio, shows indications of
an intricate composition. The interior is crowded with
the miscellaneous objects dear to an artists heart.
Ht. Signed ai the right, with an ivy leaf in red outline.
| Height, 894 inches; length, 11 inches.
Owner, Trusrers or H. Vicron NEwcoms.
ALFRED DE DREUX OD
50—RATS
Ce £ LA 42. V Uc Arey AA
Three active, sporting terriers are hunting rats among =
the bedding in the corner of a stable. A rough-haired.
black dog in the foreground stands in an attitude of
alert expectation while his two companions are busy in
the deep straw.
Signed at the right, Aurrep De Drevx.
Height, 15 inches; length, 18 inches.
Owner, Trustees or H. Victron Newcoms.
LUIS JIMENEZ
YI. €0: At2tGeeenteen (
51—ON THE GARDEN WALL 7“ ~ =
ee
A young lady in a blue silk, long-sleeved dress, wear-
ing a large hat turned up at the side, and with a yellow
silk shawl thrown across her lap, is seated on a low wall
in front of a screen of dense foliage. A few hollyhocks
grow in the grass in front of the wall.
Signed at the right, Luis Jimenez, Panis, 1877.
Height, 16 inches; width, 10% inches.
Owner, Trustees or H. Vicror Newcomen. \
d2—IN aes GARDEN
“h ME oi os GIOVANNI one 1 ey
AN
aw tot
J06 LU ex ctr er
In the full glare of the sun under the shelter of her
parasol, a young lady is seated on the grass in front of
a country residence. She is dressed in pink silk with a
broad collarette of tulle. She is apparently listening
with feigned coyness to the soft speeches of a lover who
half reclines beside her. A shaggy white poodle sits
upright near the couple and pants with the heat of the
‘sun. On the right is a garden path, and, among the
shrubs and trees, the red-roofed wing of the house.
Signed at the left, Botprnt, °73.
Height, 11 inches; length, 19% inches.
Owner, Trustees or H. Victron NEwcoms.
E. BERNE-BELLECOUR “A \
GUT CR HELE vee
583—CHASSEUR L Ao by 5 a
SU @. loa ei Eat Bie
This is a characteristically careful study of a French
soldier in Algeria, who stands beside a roadside fountain
drinking from his water-bottle. He wears a blue and
red kepi, a blue hussar jacket, a broad blue sash and red
trousers reinforced with leather. In the background is
a partly wooded, low hillside, a group of stolid natives
and a red-tiled shed. Overhead is a simple blue sky.
Signed at the left, E. Bernz-Brziecovr, 1894.
Height, 16 inches; width, 12 inches.
Owner, Estare or Turopore G. WEIL, DECEASED.
AAO KAU
HENRI BARON>< 2) 4 cay
' ae r P
54—A GAME OF: BOWLS
ard, oe
On a broad path in the stately grounds of a chateau
or a palace a large party of ladies and gentlemen,
in the costumes of the middle of the eighteenth century,
are engaged in a game of bowls. In the foreground a
group watches one of the players who measures the
distance between the bowls to settle a controversy. Lean-
ing against a tree on the left is a lady in gray dress
holding a parasol, and in the path in the middle distance
are other bowl players who are apparently in competition
with the foreground group. Sunlight flickers through
the trees and across the path.
Signed at the right, H. Baron.
. Height, 11 inches; length, 1614 inches.
Owner, Estate or THroporr G. WEIL, DECEASED.
DAVID JOHNSON '
55—SCENE AT GEORGETOWN, CONNECTICUT,
‘The prominent features of this bit of typical domestic
scenery is a large tree which rises against the summer
sky, casting a shadow across a pool of water in which
four cows are standing to cool themselves in the heat of
the afternoon. On the right of the picture a path in
flickering sunlight leads to a farm house almost hidden
among the trees. On the left, beyond a sunlit meadow,
are distant wooded hills.
Signed at the right, ie Ses /
Height, 12 inches; length, 18 inchés.
Owner, Esrate or THeropore G. WEIL, DECEASED.
4
= * c j
F 4 YO LAGE iv~eg = ig OK. &r LS I
5Y—CAT AND KITTENS
<2
WF i
4
D2 EIRMIN-GIRARD “fl.
Es Ke. emt ‘1
56—A eae fon aay Mes
i le 0 il ee ae to TAA AAAN GAN
Under an irregular rank of trees in full summer foli-
age, a broad, grassy road leads off to the middle distance,
flickering with sunlight and shadow. Seated on a low
bank near a rustic gateway on the left is a lady in pink
dress, her open parasol by her side. From a basket in
her lap she takes a bunch of cherries, which a small boy
eagerly reaches for. A few toys are scattered on the
grass, and by the readside a little girl is gathering wild
flowers from the hedge.
Signed at the right, Fimmin-Grrarp.
Height, 15 inches; length, 22 inches.
Owner, Zapriskic, Burnin & Murray, Arrorneys.
(+9
f font BUGENE —.
jus! , { yl?
= oy, oF PAA Ae Aor
A Wee finished a of a mother cat with three
half-grown kittens. The old cat is lying down on her
right side and the kittens, strongly marked with white,
nestle near her shoulders. ‘The background is a simple
tone of gray with a shadow across the left side.
Signed at the right, L. Buekne Lampert.
Height, 9% inches; length, 1454 inches.
Owner, Zaprisxie, Burris & Murray, ATToRNEYs.
Ji fy
fi; Ww
rere \' | as
Tet M DOL SCHREYER fen 1? 4
58AN ea CHIEF §AsF a
Z 7] oF eg et = Z ngs eee Ss: Ot
A prancing black Arabian horse with its semi- ieee
rider is the motive of this picture. The horseman wears
a white burnous and trousers, a pale blue, embroidered
jacket, a red sash with pistols, and carries a long gun.
3ehind, in a cloud of dust, is seen a galloping com-
panion-in-arms, and, on the left, is a view over rough
ground where a few horsemen are scattered in the dis-
tance. va
Signed on the right, Av. Scireeyen. re
Height, 1614 inches; width, 1234 inches.
Owner, Zasriskie, Burrinn & Murray, Atrorneys.
RT 74 ira WORMS
59 PREPARING FOR A JOURNEY
eo LOT ge
=—¥ 7 : Lata UC: ak}
Near the angle between two buildings and attier a
projecting story is a stone trough at which a Spanish
peasant is watering his donkey, leaning on the animal
with his back toward the spectator. Behind the donkey
a young girl, carrying a water jug and dressed in parti-
colored costume, is chatting with the young man. The
white wall of the house in the background is relieved by
a doorway and by a window with an 8 baleony.
Signed at the left, J. Worms. f if t fh
Height, 12% inches: ‘eit, 9% inches.
Owner, Zapriskiz, Burzi. & Murray, Arrorneys.
t
WV APVINCENTE PALMAROLI 2° ay
( —
ao
(ye
60—THE SKETCH BOOK (st?
/ 7 (aoe ’ fa Wg Ly C&A Earner Ak
A young lady éé pale blue dress is seated before an
easel on which is a portrait partly draped with a piece of
blue damask. Below the portrait is a chair with a large.
loosely-sewn sketch book. The interior is evidently a
studio judging from the tapestry hangings and various
accessories of furniture and bric-a-brac.
Signed at the right, V. Paumarout. o 5) ADA
Height, 11% inches; oan, 8% inches.
Owner, Zapriskizr, Burritt & Murray, ArrorNneys.
mn
€ .
© FS 3
4
ihe re CHARLES MEISSONIER a rr}
am EASE rey. % ct
sof’ ey
25 6 Wy be
Se ef Ae
une is a full-length study of a cavalier gaily ise
in a dull yellow jacket with ruffs at sleeves and neck, red
velvet breeches and red stockings and an ample red cloak.
draped from his left shoulder around his body and over
his left arm. His right hand, holding his hat with
feathers, rests easily on his hip. Behind him is a door-
way in a tapestry-hung wall with staircases pas to
two upper floors.
an EG IES bé AL
Signed at the left, Cartes Metssonier, Friis, 1878. v ed p
Height, 13% inches; width, 834 inches.
Owner, Trustees or H. Vicrorn Newcome.
Jule? 8
StROSA BONHEUR |
‘fi ye 2
é nO ger
62—THE ARTIST’S PONY © ar
Cry / (eee os 0
{oe Ch J UV An
This is a careful study of a brown pony with a man’s
saddle on his back, who is tied to the trunk of an apple
tree. He is partly in sunlight and partly in shadow
and behind him is a thatched shed or farm building. On
the left three white geese wander off into the orchard
beyond. rae
Signed at the right, Rosa Bonnevr, 1878.
Height, 9% inches; length, 12% inches.
Owner, Trustees or H. Vicrorn NEwcoms.
J. WATSON NICOL
68—“ WHEN A MAN’S MARRIED—” _
5 ee FU Cea eee”
A spacious interior hung with tapestry and richly but Jy
quietly furnished. Seated at a dining-table, on which
f
are the scattered dishes and glasses of dessert, a cavalier
in wine-colored velvet suit in the style of Charles I., with
a broken clay pipe in his hand, gazes out of the picture
with an air of intense dejection. On the left, his wife,
who has just left her seat opposite him, is passing
through an open door, glancing scornfully over her,
shoulder as she departs.
Signed at the right, J. Wasson Nicon, 1879.
Height, 16 inches; length, 20 inches.
Owner, Trusters or H. Vicror Newcoms.
JULES LEFEBVRE
64—TRUTH | i
é a } a
qj o— Carn j —
a This is a small replica of the elle known ene in
the possession of the French government. Truth is sym-
bolized by the nude figure of a woman holding a dazzling
mirror aloft in her right hand. By artistic license the
well, at the bottom of which Truth is supposed to be
found, is converted into a deep cavern with trickling
streamlets and some verdure and a clump of irises.
,!5—BAREFOOT GIRL SD Ome ey re
BEES,
A little peasant girl wearing a yellow kerchief, white
chemise, red bodice and blue and brown petticoats, and
with bare arms, feet and ankles, stands on the terrace of
a chateau holding over her left shoulder a rough stick
on which are hung a pheasant and two smaller birds,
Behind her, seen under the boughs of great trees, are
the parti-colored houses of the village in sunlight.
Signed at the left, K. Munir, 1886.
Height, 30 inches; width, 16% inches.
Owner, Esrate or THeopore G. WEIL, DECEASED.
OWEN . , A
LR. 7 es C i!
16—RECLINING FIGURE GY, phyynerrql
The figure of a woman of Oriental ity dpe as to
the lower limbs, reclines prone on a mass of rich
| draperies, her head, resting on her folded arms, slightly
turned toward the spectator. Her back is in a full flood
| of light and the flesh is in strong contrast with the back-
ground of deep, rich tones, which suggest foliage and
indefinite tree forms.
Signed at the left, OwEn, 1846.
| Height, 11% inches; width, 24 inches.
4 Ownnr, Estate or THropore G. WEIL, DECEASED.
JEAN LEON GEROME | rly U
Mpa Ve PES ri ;
77—TIGER IN REPOSE
This is a carefully finished painting of a tiger, evi-
| dently made for the purpose of studying the character-
| istics of this animal for use in a picture, according to the
| therough method for which the artist is famous. The
tiger is lying partly on his right side with his forelegs
extended, his hind legs in a position of easy repose and
his head turned toward the spectator. The background
a broken, rugged bank with a suggestion of foliage
ae twigs.
i Signed at the left of the middle, J. L. GmROME,
i Height, 16 inches; width, 23 inches.
Owner, Estate or THroporeE G. WEIL, DECEASED.
PIERRE BILLET >
78—THE LAVA BED—MUSSEL) C7 ING
a S5d We DF Kang her
aa The prominent feature of this eee on is the
figure of a young girl, with basket on hip and petticoat
kilted up to the knees by her blue apron, which is wound
tightly around her waist. A red kerchief adorns her
head and her feet and ankles are bare. She stands on
a flat rock, just out of reach of the waves, where she
has been gathering shellfish, plucking them from the
crevices in the ledge. Beyond her are two companions,
and, behind, a tumbling sea under a gray sky, with a
bread passage of light near the horizon.
Signed at the right, Preere Brite.
Height, 24 inches; width, 17% inches.
Owner, Zapriskrr, Burrmxu & Murray, ATTorRNEYS.
EMIL RAU —-
79—HE LOVES ME / f S
ZA x 9 ACE
J “This is a half- fend ‘fave of a Bavarian peasant
girl seated on a bench near a window. She has just been
picking the leaves from a daisy, and, repeating the well-
known formula, the last leaf is left for “‘ He loves me.”
She wears a green felt hat with feather, a parti-colored
kerchief around her neck, an olive-toned bodice over a
white chemise and a blue apron. A strong reflection
from the side of the room opposite the window brings
the figure into relief against the dark background.
Signed at the upper left, EB. Rav, MUNCHEN, 787.
Height, 25 inches; width, 20% inches.
Owner, Zasrisxie, Burrtut & Murray, ATTORNEYS.
sy
as ,, pete AL :
oe xan Cveare A CONVENT
} =) + 4g 0 Pe ee, ta (Oe A ae AOA
| Be Two men and a ‘boy, dressed in the multi-colored
costume of the Turkish irregular soldiery, are standing
| near the entrance to an elaborately decorated house.
| The men carry a perfect arsenal of weapons, according
to the custom of their class, and the boy holds in his
hand a drawn yataghan. On the left is an ornate door-
way, and on the right, a window, closed by a richly
decorated shutter, with a long piece of stone-arabesque
carving below and a panel of Persian tiles above.
Signed at the left, Sr. Curesowsx1, 1878.
Height, 2634 inches; width, 20% inches.
Owner, Zapriskiz, Burrinig & Murray, Arrorneys.
E. MEISSNER @
TG tlh aie
84—THE TWO MOTHERS 7
A large ewe and her two newly born lambs stand in
full sunlight in a rich meadow, and, nearby, a black hen
and her brood of young chickens are seeking their
focd among the grass. In the background is a clump
of trees with dense foliage and, on the left, the corner of
a farmhouse showing through the trees.
Signed. at the right, HK. Muissner.
Height, 2654 inches; width, 19 inches.
Owner, Trustees or H. Vicror Newcoms.
GUSTAVE DE JONGHE , ~
pee THE BALL
, os Leen Bes
A lady in a gray yellow ball ee stands, fan in 1G, :
in front of an upright piano arranging the folds of her
dress and looking over her right shoulder to observe the
effect. In front of her a companion in a black silk
dress sits, languidly watching her friend. On the floor
is a parti-colored rug and on the wall above the piano
an engraving.
Signed at the right, Gustave De Joncue.
Height, 29 inches; width, 24 inches.
Owner, Trustees or H. Victor Newcomen.
J G0 , f
be ot APA. CASANOVA (/) ea
vp en Lc gy tg
88—THE DANCE oe ee
G aT : 8 .
In a richly decorated Spanish salon a young lady in
a white dress is dancing opposite a jolly Capuchin monk
who, attempting to rival his fair partner, lifts his coarse
brown frock to show his fat ankles and sandalled feet.
On the left a young beau applauds the dance, and near
him a young lady in a green dress is playing on a
painted and gilded harpsichord. On the right an
elderly couple seated on a sofa are enjoying the comedy,
and in the background a servant in livery is bringing a
tray with glasses.
Signed at the right, A. Casanova, Paris, 1880.
Height, 20 inches; length, 31% inches.
Owner, Trustees or H. Vicror Newcomn.
tet Mi. gEESREL 0) Os
Mone wes yy aes anor Vr ns AL De.
84—THE Aa PLAYERS Pe,
Boas es vg,
In the guard-room of a castle a company of cavaliers
of the early part of the seventeenth century are passing
their leisure hour at a game of cards. Four of them
are seated at a table engaged in the game and three
others are watching them intently. The costumes are
full of variety and interest. On the left of the picture
is a pile of weapons, a drum and a standard, and, on
the right, a stone staircase leads into an upper room.
Signed at the right, A. Lesret, 1878.
Height, 25 inches; length 33% inches.
Owner, Zasriskiz, Burris & Murray, ArrTorNEYS.
H. ©. VAN LEEMPUTTEN //) |
85—INTERIOR OF A BARN WITH SHEEP
y de 4
‘y : Ota Lee KAA Venn
A ‘few unfamiliar accessories in the way ‘of farm
utensils show that the motive of this picture was found in
Belgium or in Holland. It is the lambing season, and a
few sheep have entered the barn where there is plenty of
green fodder heaped in the corner. Several barn-yard
fowl peck about among the straw. From a half-open
door a strong flocd of light brings the central group of
sheep, ewes with one lamb, into strong relief.
Signed at the left, C. van Leempurren.
Height, 24 inches; width, 30144 inches.
Owner, Esrare or Trreopore G. WEIL, DECEASED.
A. VAN DER VENNE _, | 0:
Vr. FP FOr+~g CAL
86—AN UNEXPECTED MEETING ors
ey /
“ A stout burgher, accompanied by his daughter, is
driving in a quaint little vehicle along a rough road
when, at a turn around a high bank, suddenly appear
in front of the horse two Savoyards leading a tame bear.
The terrified horse stops and pulls back, and a catas-
trophe is imminent, for the wheels are on the edge of
a rough bridge over a ditch or culvert.
Signed at the left, A. van pen VeNneE, 874,
Height, 25% inches; length, 31% inches.
Owner, Estate or Turopore G. Wein, DECEASED.
3
M. I. CABALLERO
87—THE OLD JEWEL ee oe
(ores ee Reta
eyte This represents the interior of a Spanish bric-a-brac
shop in the eighteenth century. Seated at a carved
table, the old dealer himself, in an embroidered coat with
jabot and ruffles, snuff-box in hand, is discussing the
merits of a bit of old jewellery which a young lady,
standing opposite him, holds in her hand. Her com-
panion, seated beside her, watches the scene with inter-
est, half covering her face with her fan. The costumes
of the two girls are ornate and full of elaborate detail,
and the interior is rich in accessory objects.
Signed at the left, M. I. Canarirro.
Height, 2554 inches; length, 32% inches.
Owner, Estate or T'HEovorr G. Wet, DECEASED.
a
J. R. BRASCASSAT
88—BULL FIGHT
aé Av
Two rival bulls, pastured on different sides of a deeply
gullied stream, at last succeed in coming together. One
of them is just climbing up the steep bank of the stream
and is fiercely locking horns with his active enemy. To
(iL
the left of the picture, across the gully, is a peasant
with his dog, both excited at the struggle. Behind the
animals is seen a stretch of level meadow with hills be-
yond and a sky full of lowering clouds.
Signed at the right, R. Brascassar, 1855.
Height, 25 inches; length, 30 inches.
From rue AsprinwaLi CoLLecTIon.
Owner, Estate or THroporeE G. WEIL, DECEASED.
UNKNOWN
Yr oa € py te Ga
89—LAKE IN THE MOUNTAINS, HUMBOLDT,
NEVADA .
e
This is a view down upon a small lake which is entirely
enclosed by mountain slopes, some of them bare, and
others with scattered trees. There is snow on the ground,
and, with the exception of a shadow upon the trees, the
snow-covered foreground and part of the lake, the land-
scape is in full sunlight.
Height, 14 inches; length, 20 inches.
Owner, Truster oF Crarence Kine Estate.
A. BIERSTADT
Ce Bas
99—ROMAN RUINS Wf 247) Jf
: This is a careful study of the ruins of a Roman bath
or similar structure with numerous brick arches, window
openings, vaults and walls, here and there covered with
climbing plants and shrubs. The ruin is in full sunlight,
and beyond a group of cypress trees on the right is a
wide prospect over the campagna. During his residence
in Italy this artist painted a large number of carefully
studied realistic pictures of which this is an example.
Signed at the right, ABrersrapt.
Height, 1934 inches; length, 27 inches.
Owner, Truster or Crarence Kina Estate.
GILBERT MUNGE
es a Pe y domes fs J
CL pd VK tet EE
'G91—LANDSCAPE
Dae od
A small pool in a rough country with great clumps of
overhanging trees on either side, showing between them
a view over a flat country toward the glowing sky and
the distant horizon. The foreground is mostly in shadow.
Cattle drinking in the pool and a boat with a single
figure in it give a touch of life to the otherwise deserted
landscape.
Height, 28% inches; length, 364% inches.
Owner, Truster or CiarENce Kina Estate.
GILBERT MUNGER
VI)? eZ) ee: ARIA
92—SUNSET ae Pag —
a A serrated range of mountains, partly snow-covered,
stretches across the picture, and the rocky summits are
i illuminated by the warm light of the setting sun. The
whole is reflected in the smooth surface of a large sheet
of water which extends across the foreground, broken
only by the flight of a flock of ducks, who are apparently
disturbed by the approach of a thunder storm, which, on
the left, casts an ominous shadow on the land and water.
Signed at the left, Girpert Muncer, 1878.
Height, 21 inches; length, 44 inches.
Owner, Trustee or CLarENcE Kine Esrate.
‘4
A. BIERSTADT 1 .
Set a pe : Rofo ~ Ley i 7
| 93—-LANDSCAPE
| eK grassy meadow in a pleasant valley, where the hand
of man has not disturbed the natural beauties of the
scene. Groups of towering trees are scattered over the
| level area and frame in a vista across the distant lake to
: the shadowy forms of mountains beyond. A herd of
| deer, some of them quietly feeding and others alert and
| watchful, are seen on the left. The sun is low in the
| sky, and, veiled by the mist of Indian summer, is the
focus of the picture.
Signed at the left, ABmrsvapr.
Height, 20% inches; length, 271% inches.
Owner, TRUSTEE oF CLARENCE Kine Estate.
= Bi iter EER
’
} 2
SB ys JOZEF CHELMONSKI
2Y fh
oa ; |
A pair of black horses are madly dashing across the
snow, harnessed to a sledge in which are seated the driver
and a young lady. The latter leans back rather noncha-
lantly, but the former, his cloak waving wildly in the air,
is urging the horses to still madder action, holding his
head down to escape the flying balls of snow which are
thrown up by the horses hoofs. A blue net, apparently
an inefficient protection against these missiles, is stretched
between the dashboard and the horses. On the left and
below is a snow-shrouded village, and above a cold, wintry
Signed at the left, Jozer CueLmonsxi, 1879, Panis.
Height, 3134 inches; length, 63 inches.
Owner, Trusters or H. Vicror Nrewcoms.
we hf) PT oe
94—SLEIGHING IN RUSSIA _ ‘ ee ee
Pa ne
7
L. KRATKE
95—LE BATAILLON CARRE—WATERLOO
~~ - y, > a .
4g = we T= py nth gt
Nee,
This stirring incident of the much described and much
painted battle of Waterloo is illustrated by a composi-
tion showing a square of French infantry composed of
soldiers of two organizations resisting the English
cavalry, who are attacking them on all sides. Prom-
inent in height above the square are seen two mounted
officers and a standard with gold eagle. Smoke envelops
the square and hides the sky above, but to the left is a
glimpse of distant landscape and the gleam of late after-
noon sky. A dead horse and the bedies of several
cavalrymen lie in the foreground among the trampled
wheat.
Signed at the left, L. Krarnt, 1897.
Height, 29%4 inches; length, 42% inches.
Owner, Estate or TuHeonvore G. WEIL, DECEASED.
96 = TENCE IN THE WOOD
Ci teng
101—THE SHEPHERDESS | |.
Lope Ry » 2 :
“A peasant girl in dull gray dress, blue apron and
white, short-sleeved chemise with a kerchief on her head,
is leading a sheep dog by a leash held in her left hand.
Her flock crowds closely beside her, evidently anticipating
the burst of a tempest which is threatened by the storm
clouds which fill the sky. On the left is a simple stretch
of pasture land with two haystacks on the horizon.
Signed at the right, Tu. Satmon.
Height, 54 inches; width, 41 inches.
Owner, Trustees or H. Vicror Newcoms.
be Sees
KE. LEUTZE
102—EMIGRANT TRAIN ATTACKED BY INDIANS
A
/j
U
a
oe VY wd
A large party of emigrants with their fdmilies and
household goods in prairie schooners drawn by teams of
oxen and mules is crossing the plains. Two mounted
scouts have just ridden in to warn the party that they
are about to be attacked by Indians. The greatest con-
fusion follows. Everybody is arming; the drivers hasten
P
———
to corral the vehicles ; the women hide their children in the
wagon loads. On the left is a view over the arid, tree-
less waste, where on a low summit is the single figure of
an Indian on horseback, and beyond him is seen the smoke
of signal fires rising straight up toward the hot expanse
of sky.
‘Signed at the right, E. Leurze, Duspr. Pp. P. c.
Height, 3934 inches; length, 6734 inches.
Owner, Trustees oF H. Vicrorn Newcoms.
pecs, 23 | PRT RS — ee ae aii
SECOND EVENING’S SALE
FRIDAY, MARCH 138TH
BEGINNING PROMPTLY AT 8.30 o’cLOCK
AT MENDELSSOHN HALL
WATER COLORS
ee
WATER COLORS
EK. LEVORATI 45
103—A VENETIAN GIRL
Pye 8
rae
to un C2 AMA
This is a study of the head and shoulders of a Venetian
maiden, with dark eyes and carelessly arranged dark hair.
She has a white shawl around her neck, and a blue mantle
over her shoulders.
Signed at the right, E. Levorart, VENEZIA.
Height, 12 inches; width, 10 inches.
Owner, Truster or Crarence Kine Esrate.
BAREND CORNELIS KOEKKOEK
104—LANDSCAPE AND FIGURES i
BAA YD
—22 — tee
° In the foreground two figures and a donkey app
ear on
the brink of the high ground which overlooks a wide
plain below.
To the right is a large rock, and on the
opposite side of the composition is a pond and trees.
Signed with initials at the left and dated, 1829.
Height, 6% inches; length, 9% inches.
Owner, Trustee or CLareNce Kine Estate.
ATTRIBUTED TO CORREGGIO *
105—CHERUBS \ fy ¥
’ Drawing in Red Chalk
of Q f Ss BS aah Y, ie fel P 1 AAT A _
Two putti, one of whom has wings, are represented
side by side in a diagonal composition from right to
left, the position of the bodies suggesting a study for
figures floating in the air.
Stamped with a monogram at the left.
Height, 6 inches; width, 6 inches.
Owner, Truster of CrarENcCE Kine Estate.
TITO LESSI
106—THE REHEARSAL, “>
\
2 \ Ll He
Seated one behind the other, two men are absorbed in he
music. ‘The one in front, whose instrument is a violin,
wears a long satin coat of pinkish plum color over olive
breeches, while his companion, who plays a flute, has a
coat of dull green and drab stripes.
Signed at the right and dated, 1883.
Height, 10 inches; width, 7 inches.
Owner, Truster or Crarence Kine Estate.
porersfitegTt meres On _—_
SAMUEL COLEMAN
107—IN THE ROCKIES
fl
5 p= 6 J) :
= ae) a ae [fy ee ee Ae _ i
This is a view from the flank x one of a group of
rugged mountains, which are partly covered with forests,
and partly bare of vegetation. The warm tone of the
‘picture suggests early autumn.
Signed at the right, Sam™ Coreman.
Height, 7 inches; length, 914 inches.
Owner, Trusres or Crarence Kine Esrare.
O. SAUNIER
108—DUCKS
Weater-color
ge ‘ a
ee Cree vase»
A te dog pushes his way through a large bunch
of reeds and grass toward the spot where a wood-drake
is lying on his back, dead. Another bird with broken leg
is flying away, and in the distance are three more fortu-
nate members of the flock who escape unhurt.
Signed ai the right, Oct. Saunier.
Height, 9 inches; length, 12% inches.
Owner, Zasriskiz, Burrity & Murray, Arrorneys.
FELIX ZIEM ,. /-).. -
Lfx ALY | t
on p20 Co - 4 “3 = ae
QW eees mee $ Fe ae % ca J
70 ‘ kh rhe oF
| 109--VENICE, \ »~a +"
| - oy, : Z
a Boats with bright sails are moored on the right of
; the water beside a terrace wall, over the top of which rise
masses of foliage.
Signed at the right. Meck b.!
Height, 5 inches; length, 14 inches.
| Owner, TrusTEE of CLaRENCE Kine Estate.
i
|
|
| | ANTOINE LOUIS BARYE re
| afro ) A tee Ci Be
| meet Le IN THE DESERT;
| Es atk \ & ae ps
| itt In the midst of a vast desert a tiger sprawls at length,
with upraised head.
Signed at the right.
| Height, 8 inches; length, 1144 inches.
i
i EXHIBITED AT THE BaryeE Memortat Exuiertion, New York,
| 1889.
| Owner, Trustez or Crarence Kine Estate.
ANTOINE LOUIS BARYE
111—LION LISTENING L e
—__» a ; er = 7 yh (p
7 U U 43 eu 7G, AAS, ¥ eee.
In a wild rocky spot a lion sits upon his haunches P
against a white bowlder, above which are a tree and a
fallen branch.
Signed at the left.
Height, 9% inches; length, 12% inches.
EXHIBITED AT THE Barve Memortan Exuisirion, New York,
1889.
Owner, Truster oF Cirarence Kine Estate.
112—THE VALLEY
LAY
“From a grassy plateau in the foreground, dotted with
cattle and bordered by large beech trees in their yellow
livery of autumn, the eye travels over a level country
that stretches far to the horizon. A river winds through
it, and trees grow plentifully in the hedgerows.
Signed at the left.
Height, 944 inches; length, 15% inches.
Owner, TRUSTEE oF CLARENCE Kine Estate.
pe ae — Fa a LAAN AA :
eo Sf y —
113—AN ALPINE VALLEY
=
oy Bf Near a bowlder in the foreground are sitting two
go
€>
e
women in large straw hats. Beyond them are steep
green hills with water at the foot cf them, and tower-
ing high in the distance is a snow-mountain.
Signed ai the left.
Height, 814 inches; length, 1244 iaches.
Owner, Truster or Cirarence Kine Esrare.
JEAN HENRI ee
: i meeps Pd Aer! (ANANAALL
3B ve
Tih PAN DSCAES & fF
H ee
a ~~ ,“ The stream of water in the foreground is bordered on
the left by a bank with willow trees, and on the right by
sandy, indented, flat ground with a clump of dark shrub.
There is a view beyond of hilly country, under a breezy,
gray sky.
Signed at the right and dated, ’82.
Height, 10 inches; length, 14 inches.
Owner, Trusree or Cuarence King Esrate.
MAX LUDBY o*
t & #£
is : i i
In r < fin Ti ’ i ? a f
T1S—CATTLE DRINKING p54) 5 7 (UtrclAnw@
jee
A herd of cattle, and a single one to the left of it, are
standing in the water which occupies the foreground. A
smooth yellow-green meadow extends beyond, bounded
by a steep woody hill.
Signed at the left and dated, 1881.
Height, 9 inches; length, 13% inches.
Owner, Trustee or Crarence Kine Esrate.
JOHN LA FARGE jy ® 4) °
‘ i. coal
116—-WATER LILIES . S ‘-?
: Wit. pee
Floating on their leaves upon the water are two6pen
lihes and a bud. One leaf, curled at the edge, shows its
purple lining.
Height, 9 inches; length, 101% inches.
e
Owner, Trustee or Crarence Kine Esrare.
Be ap SN pt
be
Bay ‘ -WILLEM ROELOFS,
ani Pp { /) /) 3!
AS of Ne Ata
117A DUTCH STREAM, (\ \
‘ Ld
ALE
A sedgy stream crosses the front of/the picture and
makes a bend to the right around a spit of flat pasture,
on which grow dark-leaved bushes and two slender stems,
reflected in the water.
Signed at the right.
Height, 644 inches; length, 9 inches.
Ownen, TRUSTEE oF CLARENCE Kine Estare.
faim } v
So
118--CL IFFS
a
a ® a ft tit, ir goa
© High cliffs, white eet ells rise on the right, with a
village at their foot beside the blue water. On the left,
faint mountains tower up from the water’s edge.
Height, 1 inches; length, 9¥% inches.
Owner, Truster oF Cirarence Kine Estate. sf i. sana
Rawr’ ee
119—FRUIT AND BERRIES), [5
Wg , Saran d eve
SESS joe “ f ¢gie oom
Beside a bunch of purple grapes are xo yellow pears,
and in front of them a spray of two red berries and leaves
and some rose haws. 4. be :
Signed at the left. at
Height, 6% inchés; length, 101% inches.
Owner, TRUSTEE OF CLARENCE Kine Estate.
SAMUEL PROUT 7)
; ay ae “ioe
120—A SCENE IN ROME} © ¥ a
H & 5 ; ;
a7g = © Tue bk ALCL Three
A dwelling house has been built on to the fragment of S
a Roman temple, which shows an entablature supported
on four Corinthian capitals. Behind it rises in three
tiers of arches a high tower. Figures are disposed about
the street.
Signed at the corner. ;
Height, 15 inches; width, 94% inches.
Owner, Trustee or CrarENnce Kine Estate. i
SER EDWIN LANDSEER
14 ff
f YY “ANG Se
7°95 ‘| eee / i “¢ J NAA ie
— / ak:
121—A DOG'S HEAD, 4 ~~
“| -
as rm Against a blue background the head of a white long-
haired hound is thrust out toward the left, showing the
red of its tongue and lip.
Signed at the right, E. L., and dated, 1822
Height, 10% inches; length, 16 inches.
Owner, Trustee or CirareNce Kine Estare.
ALBERT GOODWIN
. >) ae = ig Be:
122—AN | ENGLISH RIVER SCENE
* 2:
S o
a : nye
The river : qe back from the foreground to a
white church and tower, on the left of which a stone wall
borders the water, enclosing a garden and red-roofed
house. Barges are lying in the stream, and from a float-
ing stage on the left of the foreground figures are en-
gaged in fishing.
Signed at the left and dated, ’84.
Height, 114% inches; length, 2014 inches.
Owner, Truster or Crarence Kine Egrarr.
BERNARD] EVANS
128-—RETURNING HOME, r
eh
af
ae
i
“Twilight is spreading over a rolling grassland, and
down the slope on the left two figures and a donkey are
following a string of cows, which is preceded by a flock
of sheep that has passed beyond the dip in the ground,
and is ascending the opposite slope. On a knoll toward
the left is a clump of trees, and the horizon is bordered
with wocds purple with shadow.
Signed at the left.
Height, 12% inches; length, 19% inches.
Owner, Truster or Cuarence Kine Esrare.
GUSTAVE DORE
124—DEVIL’S BRIDGE, SWITZERLAND
> & hem:
I ne
7 YU
In an Alpine gorge a single stone arch spans a torrent.
Figures are ascending the approach built on to the left
of it, while on the opposite side others are descending the
roadway which at right angles to the bridge skirts the
mountain side. NA as ae (Pu 0 fae aa
t tA Se (Os
Height, 17% inches; width, 12 inches.
Owner, Trusver or CuareNce Kine Esrare.
ys
/ou * C pe ~% ||O-
| £ #
Lg fy Fe J te ‘ 5 i 4% £ ee (4) ff
PS
UNKNOWN
2 FRIGATE AT ANCHOR
Sepia Drawing
Kn Y w 7 Kak
The subject, which suggests a copy from one of Van
de Velde’s pictures, represents a frigate with high poop
and with sails hanging loose, alongside which some barges
are lying. On the strip of shore in the foreground a man
with a dog is standing, looking out to sea.
Height, 174% inches; width, 13% inches.
Owner, Truster or Crarence Kine Esrare. :
ANTON MAUVE
_1a6—
gb RINGING HOME THE FLOCK y) yj
Soe : 5 _— 4 Sy & VL (ae ae, CL a, Cop.
ae the sandy, snow-scattered road is driven a flock
of sheep, on the left of which walks the shepherd with
his stick under his arm, while his dog alertly watches
on the right. The scene is wild and dreary with a few
bare bushes on the left.
Signed at the left.
Height, 13 inches; length, 19% inches.
ies
Owner, Trustee or Crarence Kine Estare. di fri Ad™ 6
GEORGE A. FRIPP Sa
q \ | oe,
127—AFTER THE STORM ,, fo
// 3 fae r Cy * 1 A, fA LN AAAA
The gray green sea_ is breaking in long rollers on the
shore and running up the brown slope on the left in a
mass of foam. A spar floats in the shallow water, and
far out beyond sailboats are seen. ;
Signed at the left.
Height, 13 inches; length, 20 inches.
Owner, Truster of CirarENcE Kine Esrare.
Za
THOMAS PYNE | ied
128—BISHAM ABBEY, GREAT MARLOW
sy ge pe etree
The stone walls, red roof and square tower of the
Abbey, now a country house, are seen across the Thames,
backed by trees that extend along the bank of the river
to the right. In the water in front some cows are stand-
ing. ; |
Signed at the right and dated, 1882. ; |
Height, 14 inches; length, 21 inches.
Owner, Trustee or CiareNceE Kine Estate.
/
TOM LLOYD
; * aaee rf
C7 eB tOWE IT nr
129—NEAR SHANKLIN, 1 SLE. OF WIGHT
| ‘A “ \
.)
q
Zs From the grassy top of the cliffs, where children are
playing, is a view across the blue sea to the white
shores of the English coast. A single sail dots the water,
over which flies a flock of black gulls.
Signed at the right.
Height, 11 inches; length, 22 inches,
Owner, Truster or Crarence Kine Esrare.
BASIL BRADLEY
Se ame ee (Ge fn. WV te LA
fame DI oe
I30—HIGHLAN of: ¢
0 HIGHLAND CATTLE
On a knoll, covered Riheraclaead heather, Highland
cattle have come to a halt, and a collie dog is racing
up to them, barking. Beyond a dip of ground in the
middle distance rises a hill, on the side ef which a shep-
herd is riding a white pony among his herd.
Signed at the left and dated, 1882.
Height, 13% inches; length, 20 inches.
Owner, Trustee or Cuarence Kine Esrarte.
E. M. WIMPERIS f [
‘]
B
131—A MOUNTAIN a es at L
f ee j Ei
6 Eh g
A purling stream flows through the foreground of
broken rock and patches of yellow grass, while at the
back rises a gray, craggy mountain.
Signed at the left and dated, ’%6.
Height, 13 inches; length, 20 inches.
Owner, Trustee or Cirarence Kine Estate.
MARTIN RICO | a :
‘ Fl
‘...
1389—A RIVER SCENE \ if}
= C1 mt:
Po
we
es
The foreground is a stretch of water with ducks
and a boat in which are two figures. On the op-
posite bank a woman is washing clothes, and beyond her
a roof appears among the trees. To the right a wooden
structure projects over the water, and on the opposite
side of the river is a large house.
Signed at the right.
Height, 14 inches; length, 21 inches.
Owner, Truster or CrarENceE Kine Esrate.
Steps descend on the right from a terrace on which
stands a Jacobean mansion. Clipped hedges grow along
the terrace wall, and on the smooth lawn where a peacock
stands, are two ladies in Pompadour trains and white lace
caps. Through a gap in the hedge on the far side ap-
pears a garden with view beyond of woods and hills.
Signed at the left and dated, 1882.
Height, 16 inches; length, 23% inches.
Owner, Trustee oF CiareNcE Kine Estate.
soe : A ‘ { ae JOHN M. Sw AN 4 ;
ey 2 4
184—LION AND LIONESS #3 ¥.
Over the darkening ground a lion, scenting the air,
and a lioness with her head lowered, are moving along
side by side: In the distance there is a white glare upon
the horizon.
Signed at the right.
Height, 16 inches; length, 23 inches.
Owner, TRUSTEE oF CLARENCE Kine Esrate.
JOSEF ISRAELS
135—MOTHER AND CHILD} fy 4
ry 5
a / oH
A mother sits nursing her baby beside a table on which
hes a red bow] full of potatoes. On the right is a fire-
place, with a blue valance hanging from the ae and ih s
a teapot standing on the hob. Cage lLyrte ey
Signed at the right.
Height, 21 inches; length, 23 inches.
2s # z
. ® 3 ee es
Owner, Trustee or Crarence Kine Esrate. oe :
ALBERT NEUHUYS
186—THE SISTERS | (Ai?
~ a8
sO07
Under a window to the left is a table on which lie a blue
bowl and a work-box. A young woman sits sewing on
a dull-red garment, while a fair-haired child stands
watching her.
Signed at the right.
Height, 25% inches; width, 20 inches.
4 }
Owner, Trustee or Cuarence Kine Esrate, Ye“ ts “Ys Me
Bb. T. BLOMMERS
, A EES “| C6 \ j
(C4 4 ee
i 2h We H-
@ f143 f**) ae re
IGI=AT THE SEASHORE 49° —o ote eo.
ZB
es a) ac /
ft \ gs Min® ‘the shallow water a woman stoops to dip her baby
as far as its knees, while a little child stands by, holding
up its petticoats. A wooden shoe is floating near, while
farther back in the water are some girls, and, in the dis-
tance, sail-boats.
Signed at the left.
Height, 19 inches; length, 29 inches.
Owner, Truster or Crarence Kine Estate. E
ANTON MAUVE
Se wary ee =
138—-SHEEP FEEDING b a ©
~D
Wind the slope of a meadow, in the (oan gray grass
flecked with yellow flowers, a few sheep are grazing as
they come forward. On the right_of the flock is a white Y
lamb. ‘S oe ete : eee Le Dds
Signed at the right.
Height, 20 inches; length, 32 inches.
Owner, Truster or Crarence Kine Estate. AE Be re dA. i
BERNARD EVANS
%
139—ON THE EDGE OF THE PLaing’ A) *
3 e hae
: eer Atntt p41 HH %
On the left of the foreground two figures are standing
under a group of birches, which, like the other trees in the
scene, are bowed toward the right by the wind. A plain
dotted with trees stretches away to distant hills, while
overhead large clouds roll in the blue sky.
Signed at the right.
Height, 2634 inches; width, 173% inches.
Owner, Truster or Crarence Kino Esrare.
&. J. DU CHATTEL
ay, oF, : Po
Me
140—LANDSCAPE de
see 2%
: 5
Water-color
A placid stream which widens until it covers the en-
tire foreground, is bordered on the right by a low bank
with a rough hedge and a clump of trees. On the op-
posite side of the stream is a low meadow with cattle feed-
ing, and beyond a rustic bridge is a vista of a flat coun-
try reaching away to the horizon.
|
|
Signed at the left, Frev. J. pu Cuarren.
Height, 24 inches; width, 18 inches.
Owner, Truster or Crarence Kina Estare.
B. GALOFRE :
Je = Pag i . ih VAY _A Re
Pp ON THE LAGOON * 2 9 oy oe
ae
Water-color
Under a wide expanse of sky, covered with soft summer
clouds, showing here and there spots of blue, is the glassy
stretch of the lagoon, reflecting the clouds like a mirror.
In the middle of the picture is a Venetian fishing boat
with lowered mast and sail, and, in it, a single fisherman
engaged in setting his fish-traps.
Signed on the right, B. GALOFRE.
Height, 25 inches; length, 38 inches.
Owner, Trustee of Crarence Kine Esrare.
M. DE LONGPRE, FILS
a. ] ty Ate
“ae ae Pair of Water-colors
2a" 55
Sg 142-—-WILD FLOWERS
A careful study of a large bouquet of wild field flowers,
executed natural size, comprising many varieties of
familiar blossoms.
oo Li Aes eG a
4
= = i) HOACAAYL AAG {7
This is a study of a bunch of white and colored lilacs,
natural size, and, like the companion picture, with a back-
ground of simple gray, and without accessories.
Signed at the right of the flower stems, M. ve Lonerre FIs.
Height, 3914 inches; width, 3034 inches.
Owner, ZABRISKIE, Burriv. & Murray, ArrorNneys.
MR. FULLER’S MONETS
MR. FULLER’S MONETS
CLAUDE MONET 4 *%
144—THE SEINE NEAR BENNECOURT—FLOAT-
#
nf Fein A A 7.
Se: 7] A ot we Série des Glacons — x f fi. ha
“> jp-
=
eras ‘ + Be x; (
Between us and the misty hills of the opposite shore ~
the river’s surface is encrusted with packs of floating ice.
A tender rosy bloom dapples their white and green
and caresses an open space of water in the front. A
small island, covered with bushes and trees that interlace
their rosy and violet branches, lies on the left of the
middle distance, while on the farther side of the stream
a long strip of island with faintest trees is just percept-
ible through the haze. Beyond it rises the line of snow-
mantled hills, streaked with blue and rose, indistinct
and vaporous, beneath a sky of tremulous flush that
merges above into the most delicate dove-grey.
Signed at the right, Ctaupe Monet.
Height, 25% inches; length, 3834 inches.
Owner, Estare or Winiiam H. Fourier, pecrasen.
aap This is a small portrait of a characteristic type of an
old Dutch woman with winged cap, full ruff, dull-green
dress and what appears to be a fur-trimmed mantle.
Height, 7 inches; width, 6 inches.
Owner, TrusterE oF CLARENCE Kine Estate.
FIFTEENTH CENTURY—GERMAN =
\ a
VI eo ees UU KK
LALO es t ai ft —- A_ 2-7 ‘cS
180—MADONNA AND CHILD /75
) —_ 7
This is painted on a sunken panel cut out of a solid
oak plank, and has an arched top and a hollow running
around the whole, with two broad gold lines. The Infant
rests his head on the left shoulder of the Virgin, and
clasps her breast with both hands. There are gold halos,
decorated with a design in red, around both heads.
Height, 1444 inches; width, 9% inches.
Owner, Trustee or CrarENcE Kine Estate.
¢
4
SIXTEENTH CENTURY —ITALIAN
ee ie Ore
Wei HOLY. PAMILY. ~ <7 ©) i
—< x
The Virgin is seated and holds in her lap the“Infant.
Joseph leans over her shoulder, and in front of her kneels
Mary Magdalen, raising the foot of the child to her lips
with one hand and holding in the other a covered glass
jar.
Height, 14% inches; width, 10% inches.
Owner, Truster o—r Crarence Kine Estate.
FIFTEENTH CENTURY—ITALIAN
Why. Gh. Lol eannrri'y
es
182—MADONNA AND CHILD / |
/
~ The Madonna is robed in a gold embroidered black
mantle, the hood of which covers her head, and holds in
her arms the Infant partly draped in white linen. Around
his neck is a chain with a coral pendant. The back-
ground is gilded, and richly incised halos surround the
heads.
Height, 15% inches; width, 111% inches.
Owner, Truster or Cuarence Krye Esrare.
SIXTEENTH CENTURY—FLEMISH
1883—MADONNA AND CHILD
dae ManZiaog
seated Madonna is holding the infant Jesus on her
lap, supporting him with one hand, while with the other
she dips a spoon into a bowl which stands on a low table
in front of her, where are also seen an apple, a knife and
a loaf of bread. In the upper left corner is a gray
earthen jug and a small vase of flowers. In the opposite
corner, through an open window, is a view over a garden
with a pond and a group of houses with trees beyond.
Height, 15 inches; width, 12% inches.
Owner, Truster oF Crarence Kine Estate.
A. G@ KANNEMAES
THAY-?: (Pure. ae
184—MARINE
TU ee
On the right are two Dutch vessels under full sail and
flying their flags; on the left a rowboat with five occu-
pants. The sea is perfectly quiet and reflects the soft,
warm summer sky.
Signed at the right, A. G. KANNEMAES.
Height, 12% inches; length, 17% inches.
Owner, Truster or Crarence Kine Esrare.
lr. Nr naan
ae
UNKNOWN i
PEL th G.
Opp ee igen
185—TWO WINGS OF A TRIPTYCH {~
g
These panels were probably isolated in design, relating
to, but not intimately belonging to, the central composi-
tion. The left one shows a kneeling angel bearing the
column, and, behind, a second angel with the spear and
the scourge. The right one balances the other with a
like arrangement of figures. One angel in kneeling
attitude is bearing the cross and another behind carries
the hammer, pincers and spikes.
Height, 214% inches; width, 6% inches.
Owner, Truster or CraRENCcE Kine Estate.
ATTRIBUTED TO SALVATOR’ ROSA
VIN. ke es CAN TK _
186—THE PRODIGAL SON
foes
This shows the half-length figure of a young man,
roughly clad and with a pale green mantle over his
shoulder and across his left knee. He turns his eyes
heavenwards and clasps his hands in supplication. There
is a strong effect of light on the figure.
Height, 1934 inches; width, 14% inches.
Owner, Truster or Crarence Kine Estate.
SIXTEENTH eee 2
Qin_hr7rda’ FF ee
187—THE RESURRECTION toMy
Ss) ak ——
A simple, almost archaic composition representing the
dead Christ, with blood streaming from his wounds,
seated on the edge of a marble sarcophagus, tenderly
supported by two angels, one on either side. There are
gold halos around the head with incised decoration and a
strip of similarly ornamented gold in the background,
above the cross at the top.
Height, 24° inches; width, 19% inches.
Owner, Truster or CLARENCE Kine Estate.
CARLE a
1I88—INTERIOR OF CABARET
Tite
This is a group of Dutch merrymakers, after’the man-
ner of Teniers or Ostade. At a low table three boors are
smoking and drinking, and, seated near, is a young
woman in a green dress, feebly resisting the advances of
an amorous friend.
Signed on the back of the panel, carle harlem.
Height, 12%4 inches; length, 1434 inches.
Owner, Truster oF CrarENcE Kine Estate.
UNKNOWN
PAP ey ) Le ieee
189—LANDSCAPE fo
Soe |
This is an interesting work in a’country where stone-
built cottages are found, as in parts of rural England.
On the right, a stone-arched bridge spans a stream which
flows to the foreground, and a village stands among the
trees near the bridge. On the left is a rocky, wooded
hillside.
Height, 10 inches; length, 18 inches.
Owner, Truster oF CrarENcE Kine Estate,
WILLEM VAN AELST ~
44 Non 49 - a3 : Ly GOLAN A.
190—STILL LIFE
JE jim hae:
A very elaborate and highly finished study of a pigeon
and a bunch of smaller birds hanging up over a table
with a horn, falcon hoods, leashes and other parapher-
nalia of the chase asembled in interesting confusion.
Signed at the upper left, Gurr van Agrtst, 1675.
Height, 26 inches; width, 21 inches.
Owner, Trustee oF CLARENCE Kine Estate.
191—A NEGLECTED GARDEN “<‘/¥«.
gz tt
Ges)
This motive has been found by the artist in an Italian
city, where there still exist residences with extensive
grounds, which are often neglected and half forgotten.
A screen of trees and shrubs borders a rough, unkempt
lawn, and among them a large and stately group of
cypresses rises in a dominant mass against the sky. In
the foreground is a ruined fountain, half covered with
a weedy growth, and on the right a tumbledown stone
structure suggesting former splendors. In the distance
are houses of the city and a corner of the grand but
simple residence to which the garden belongs.
Height, 19% inches; length, 27 inches.
Owner, Trustee of CrarENcE Kine Estate.
ATTRIBUTED TO HEDA
192—STILL LIFE
SS ae ea | | a
- A study of a table covered with objects removed from
a dining-room after dinner. There is a cut ham, a bit .
of bread, oyster shells, a glass beaker partly full of white
wine, a silver mustard pot and a salt cellar, a silver wine
jug, a rich gold chalice and other articles of interest.
Height, 4144 inches; length, 45% inches.
Owner, Trustee oF CrareNce Kine Estate.
=
J
PAULUS MOREELSE
roo (7 ~ Stor
193—PORTRAIT OF A LADY a
€
This is a half-length portrait of a Dutch lady of dis-
tinction in a fine lace cap and broad ruff, a figured red
silk bodice with full sleeves, a dark green surcoat trimmed
with black galoon and a watered-silk petticoat. She
wears bracelets on both wrists, rings on her forefingers,
and holds in her right hand the pendant of a gold chain
which hangs around her waist. |
Signed at the upper left, Arvates Suse 22, 1602. lo.
Height, 434% inches; width, 34 inches.
Owner, Truster or CiareNce Kine Estate.
NICOLAAS MAES ge
, LL
SoS Boy ane sa Zh po AL :,
AX Nf ie -
194—PORTRAIT OF A GENTLEMAN
f C&0dG7 i
This is a half-length portrait of a young gentleman in
a full, curly brown wig, and dressed in a brown coat,
clasped over a negligé jabot of lace, and with an ample,
dull-purple cloak arcund his arms. He rests his right
hand on his hip, and his left on a table. The background
is a tree with dense foliage, and beyond it a distant
landscape.
Signed at the right, Maes)
Height, 45% inches; width, 37% inches.
- Owner, Trustee oF CiaRENCE Kine Estate.
GARCIA Y RAMOS
f
i AS, At KAA Ug: lar ele AL Cig
195—GUITAR PLAYER
——7
; /
. This is a study of a Spanish woman with her guitar
under her right arm, standing in front of a multi-colored
rug. She wears the costume of the middle class, chiefly
noticeable for an ample white petticoat. On the right is
a fringed shawl, a black cap and a lustre plate.
Signed at the left, Garcta y Ramos.
Height, 22 inches; width, 14% inches.
Owner, Trustee oF CLARENCE Kine Estate,
-, RR. SWAIN GIFFORD SY | -
+ * we
i fi
196—ON THE BANKS OF THE NILE
7 ip te .
og A group of dahabeahs and other craft moored to the
low shore of the river lift a maze of sails, masts and
rigging against the sky. Near the boats are busy natives
in bright costumes, and in the foreground, on a mud bank
at the water’s edge, are two women kneeling with their
water jars beside them.
Signed at the right, R. Swain Gurrorp.
Height, 14 inches; length, 181% inches.
Owner, Truster or Crarence Kino Estate.
EK. eR
197—A CAMP Sion ee
ee
~The scene chosen is the popular focus of a camp, the
cook tent. A soldier cook is baking bread in a large port-
able oven and a comrade is dealing it out to the detail as
it arrives. ‘Two officers stand near by, one of them read-
ing an order from a book. Other minor incidents
illustrate life in camp. A row of tents, the houses in the
outskirts of an adjacent town, a few trees and a simple
sky with soft clouds near the horizon complete te com-
| position.
Signed at the right, EK. Berne-Betiecour, 1887.
Height, 20% inches; length, 30% inches.
Owner, ZABRISKIE, Burnin, & Murray, Arrorneys.
= ZL f=
L r De : KLE 2
Pin LAAAEL
yj
W. A. BOUGUE ae Rea
oF 2
198—AT THE FIRESIDE Pi
a ay
il! Cae This is a life-sized figure of a fair-haired little girl, in
i a white chemise, a dull gray bodice and a light gray
dress, and with bare arms, feet and ankles. She is seated
| ~ on a box with a primer in her hand, and her head is turned
toward the spectator. In the foreground her knitting
lies on the floor, and behind her is an oven opening and
the corner of a fireplace. :
i Signed at the right, W. BoucuErEav, 1879.
| Height, 40% inches; width, 29% inches.
ih E Owner, Trustees or H. Vicror Newcome.
199—MUSSEL GATHERERS
&
200—MOSQUE OF MOHAMMED ALI, CAI
ager
oe a / Aas ban AK MAL
+ d ~The impressive mass of the mosque with its two slender
_ CHARLES SPRAGUE, PRARCH y 87 yt
Two young girls in rough fisher-folk dress have been
gathering mussels at low tide, and, their baskets filled,
are now on their way home. The nearer one is dressed
in black bodice and shoulder shawl, and pale blue petti-
coat with sabots on her feet. Her companion wears a blue
kerchief on her head, a blue jacket and a gray and brown
petticoat. The beach along which they walk is broken
by pools of water and by scattered rocks. Near the
tumbling surf is a row of poles with nets hanging to dry,
and above the narrow strip of sea is a simple gray sky.
Signed at the right, Cuartes Spracur Pearce.
Height, 40 inches; width, 30 inches.
Owner, ZABRIskiE, Burritn, & Murray, ATrorNneys.
R, SWAIN GIFFORD
=
minarets and cluster of round domes rises above the huge
enclosing walls against an evening sky. It stands on a
slight eminence in the desert, and, below and beyond, on
the left, is a suggestion of the city in the mystery of
gathering twilight. A few natives strolling over the
waste of sand in the foreground give life to the scene.
Signed at the left, R. Swain Girrorp.
Height, 30 inches; length, 45 inches.
Owner, Trustee of CuareNce Kine Estate.
4 ‘
Met Yon
%
i
JULES LEFEBVRE
OF hnrrwaAhel
201—AN ITALIAN MAIDEN
See ee
This artist who is seldom seen in domestic genre, is
represented by a study of a full-length figure of a little
Italian peasant girl. She wears a white shawl, folded in
the usual manner, on her head, a white chemise, red over-
skirt and bodice, green apron and yellow petticoat.
Leaning against the whitewashed wall of a house she is
knitting a striped stocking and is apparently tending a
small fruit and vegetable shop, for a part of the stock
in trade is seen in the upper right-hand corner of the
picture.
Signed at the left, Jures Lerepvre.
be il Height, 41%4 inches; width, 25 inches.
Owner, Estate or THropore G. WEIL, DECEASED.
LOUIS GALLAIT
2902—THE MENDICANT Za
v
ort a g
This is a life-sized composition of an aged mendicant
musician with his boy companion. Seated on the ground
the old man holds across his lap the emaciated figure of
the boy, who rests his head against his protector’s
shoulder. A dog laps the nerveless hand of the child,
and the right hand of the mendicant is held out for alms.
The figures are seen half length only. In the background
are luminous clouds and the suggestion of a wild land-
elas
scape.
Signed at the right, Louis Gawuarr.
Height, 52 inches; width, 40% inches.
From tHe Duxe or Saramanca’s CoLLECTION.
Owner, Trustees or H. Vicror Nrewcoms.
L. COURTAT ;
‘ A ep KA. v =
/
{
203—-HAGAR AND ISHMAEL
Kneeling on the desert sand the Jewess supports the
naked figure of Ishmael, clasping his head with her left
hand, while she gives him to drink from an earthen jar of
water. She is dressed in shades of blue after the Bedouin
fashion, with large earrings of dangling gold coins, and a
head ornament of similar make. Behind the figures is
a huge bowlder, and on the left an aloe plant and a
stretch of desert waste leading the eye to the evening sky.
Signed at the right, L. Courrat, 1877.
Height, 57 inches; length, 74% inches.
Owner, Trusters or H. Vicror Newcoms.
AMERICAN ART ASSOCIATION,
| MANAGERS.
i THOMAS E. KIRBY,
i) AUCTIONEER.
| Ren ees Het e i
j Oo Dd ee of
. 9) ; = ; sme ATL
i] 2 pe ene sf Si Page UO:
| J Overangi tu _ °"
BIOGRAPHICAL NOTES
AND INDEX
APOL, LOUIS
BIOGRAPHICAL NOTES
AND INDEX
ALMA TADEMA, SIR LAURENS
Was born at Dronryp, Friesland, Holland, in 1836, and studied first
in the Antwerp Academy and later with Baron Leys. In 1869 he
settled in London and established his reputation by the painting
“ A Pyrrhic Dance,” exhibited in the Royal Academy. He has had
a most successful career and has received many honors in many
countries. He is a member of the Royal Academy and of various
other art institutions, and was knighted a few years ago in recog-
nition of his eminence in the profession.
160—HOME FROM SHOPPING
ANGELL, HELEN C.
7—ROSES
Among the band of Dutch artists who began to establish a repu-
tation in the seventies Louis Apol holds a very distinguished
place. He has a special fondness for winter scenes, which he
renders in a spirit of realism, with the quiet contemplative manner
and singular taste and purity that characterize the work of the
group.
22—WINTER EVENING
ARANDA, J. JIMINEZ
48—THE FIDDLER
%
ARNFELDT, G.
176—SETTER DOGS ON SCENT
BARON, CHARLES ANTOINE HENRI
Was born at Besancon in 1816, and was a pupil of Gigoux at
Paris. He exhibited his first picture in the Salon in 1840, and was
a popular genre painter, dealing generally with motives chosen
from the eighteenth century. :
db4—A GAME OF BOWLS
BARYE, ANTOINE LOUIS
A son of Paris, where he was born in 1795, Barye became a pupil
of Bosio and Gros and of the Ecole des Beaux Arts. But his real
inspiration came from Buffon, Lamarck and Cuvier, and from the
fine collection of animals in the Jardin des Plantes. So by his
studies of animals he widened the range of French sculpture, at
the same time strengthening the protest against the classic restric-
tion of study to the nude human form, and illustrating the gran-
deur of broad and massive style over that of minute detail. He
died in Paris in 1875.
110—TIGER IN THE DESERT
111—LION LISTENING
BASTERT, NICOLAAS
Born at Amsterdam, 1858. Pupil of the Amsterdam Academy.
A talented landscape painter. His work is refined and his inspira-
tion received directly from nature. He is at his best when paint-
ing still rivers which reflect the trees along their borders. The ~
paintings he sent to the Chicago Exposition were all bought by con-
noisseurs of the United States. He has exhibited in Paris, Munich,
Chicago, Amsterdam and The Hague with success, receiving a
medal in each city.
12—CANAL IN HOLLAND
BEDINI, FP:
453—SAMPLING WINE
BERNE-BELLECOUR, ETIENNE PROSPER
Was born at Boulogne in 1838, and studied in Paris under Picot
and Barrias. His realistic pictures of military life have gained
for him a reputation as a serious painter and an accurate observer.
58—CHASSEUR
197—A CAMP
BIERSTADT, ALBERT, N. A.
Born in Diisseldorf, 1830. Brought to America at an early age.
In 1853 he returned to Diisseldorf and entered the Academy there;
afterward he also studied in Rome, Switzerland and Germany.
Elected a member of the National Academy in 1860, and later
appointed Chevalier of the Legion of Honor, France. In 1867 he
was sent to Hurope upon a Government commission, to make studies
for a painting of the “ Discovery of the North River by Hendrik
Hudson.” Several of his paintings are owned by the United States
Government.
90—ROMAN RUINS
93—LANDSCAPE
BILLET, PIERRE
Was born at Cantin, France, and is one of the many successful
genre painters who have found their subjects among the peasantry
of that country.
78—THE LAVA BED—MUSSEL GATHERING
BLOMMERS, B. T.
Born at The Hague, 1844. Pupil of The Hague Academy. He
first exhibited in 1869 at The Hague, where his painting was hung
next to one by Israels. This led to a friendship between them,
from which we may suppose the young artist profited much. Jovial
and good-natured, he enters readily into sympathy with the com-
mon people, and his Dutch interiors tell the story of their home
life. His works hang in the museums at Amsterdam, The Hague,
Rotterdam, Munich, etc. He has received several medals.
187—AT THE SEASHORE
BOLDINI, GIOVANNI
Was born at Ferrara, Italy, in 1845. He studied first in Florence
and painted in his native country until 1872, when he went to Paris
and soon made a reputation as a painter with brilliant technique,
which he has sustained with success.
52—IN THE GARDEN
BONHEUR, MLLE. MARIE ROSA (Dsczrasep)
Born at Bordeaux, March 22, 18292. Pupil of her father, Raymond
B. Bonheur. Her first two pictures, exhibited at Bordeaux, 1841,
attracted much attention, and were followed by others which
established her world-wide fame. During the Franco-Prussian
War her studio and residence were respected by special order of
the Crown Prince of Prussia. Elected member of Antwerp Insti-
tute in 1868. Medals, 1845, 1848, 1855, 1867 (Exposition Univer-
selle). Legion of Honor, 1865. Leopold Cross, 1880. Com-
mander’s Cross of Royal Order of Isabella the Catholic, 1880.
Died May 10, 1899.
62—THE ARTIST’S PONY
BOSBOOM, JOHANNES (Deceasep)
Born at The Hague, 1817; died there, 1892. Pupil of B. J. Van
Hove. Bosboom is now recognized as one of Holland’s best paint-
ers. Since his death his works have rapidly been absorbed into
collections. He was unexcelled in his specialty of church interiors.
Beautifully drawn and executed, they are filled with air and also
with the suggestion of those sentiments that are inspired by the
grand architecture that has been a silent witness of great events
in Holland’s history. His landscapes are also full of fine feeling.
He received many honors; none that he greater esteemed than to
be chosen, as he was in July, 1885, to unveil Rembrandt’s master-
piece in the new museum at Amsterdam.
JI—INTERIOR OF A CATHEDRAL
BOUGHTON, GEORGE HENRY, BR.A., N.A.
Was born at Norwich, England, in 1834, and when he was three
years old was brought to the United States by his parents, who
settled in Albany. He went to London in 1861 and has remained
there since that date, having been made a member of the Royal
Academy and having established his reputation chiefly as a painter
of historical genre pictures.
158—THE KISSING BRIDGE
BOUGUEREAU, WILLIAM ADOLPHE
Was born at La Rochelle in 1825, and studied first at the art school
in Bordeaux. He finally succeeded in going to Paris, where he
joined the Ecole des Beaux Arts, and won the Prix de Rome in
1850. Since that time his career has been one of uninterrupted
success. Among the many honors he has received is that of mem-
bership of the Institute of France.
65—HEAD OF. A CHILD
I98—AT THE FIRESIDE
BRADLEY, BASIL
180—HIGHLAND CATTLE
BRASCASSAT, JACQUES RAYMOND
Born at Bordeaux in 1805. He first studied landscape art in Paris,
but devoted his attention soon to animal painting, and is considered
the founder of the school of which Troyon is the most eminent
follower. He was a pupil of Richard and of Hersent, and gained
the second prize for Historic Landscape in 1825. He painted for
several years in Italy. He received medals at Paris in 1827, 1831
and 1837; was made a Chevalier of the Legion of Honor in 1837
and a Member of the Institute of France in 1846. Died in 1867.
&88—BULL FIGHT
BRUGUISH
24—A GARDEN WALL IN VENICE
CABALLERO, M. I.
8(—THE OLD JEWEL
CARLE
I88S—INTERIOR OF CABARET
CASANOVA Y ESTORACH, ANTONIO
Casanova is widely known for his pleasant satires on the priest-
hood, full of genial humor. Pupil of Madrazo.
83—THE DANCE
CERMANI, J. G.
118—AN ALPINE VALLEY
CHELMONSKI, JOZEF
Was born at Warsaw, and after studying for some time in his
native city went to Paris and became a pupil of Gerson.
94—SLEIGHING IN RUSSIA
CHLEBOWSKI, STANISLAS
Was born in Russia and studied first at the Academy of Fine Arts
in St. Petersburg. Later he went to Paris and became a pupil of
Géréme.
80—BASHI-BAZOUKS GUARDING A CONVENT
COLMAN, SAMUEL, N.A.
Born in Portland, Maine, 1832. With some assistance from A. B.
Durand his early training was self-acquired. In 1860, after being
elected an Associate of the National Academy, he set out for two
years’ study in Paris and Spain. Again, in 1871, he made an
extensive tour of study in Europe and North America. In 1866
he was elected first president of the American Water Color So-
ciety, a position which he held for five successive terms.
107—IN THE ROCKIES
COMTE, PIERRE CHARLES
Was born at Lyons in 1823 and went to Paris at an early age,
where he studied under Delaroche, Horace Vernet and Robert
Fleury. His pictures, generally of historical genre subjects, are
found in many private collections and public galleries.
J8—ON GUARD
COOPER, THOMAS SIDNEY, R.A.
Was born at Canterbury, England, in 1803. He was a student in
the schools of the Royal Academy, London, and was for a few
months a pupil of Verboeckhoven, whose manner influenced him
permanently. He painted a large number of cattle and sheep
pictures, and lived to a great age, dying in 1902.
99—MORNING IN THE HIGHLANDS
COROT, JEAN BAPTISTE CAMILLE
Was born at Paris in 1796; a pupil of Michallon and of Bertin.
He made several trips to Italy, where he painted landscapes in a
formal, academic manner. After he was forty years of age he
developed the manner of painting which made him famous, and
when he died, in 1875, he was recognized as the foremost landscape
painter of his time.
69—LANDSCAPE
CORREGGIO, ANTONIO (Arrrisutep)
Born at Correggio in 1494, His real name was Antonio Allegri,
and he was probably a pupil of his uncle Lorenzo and of Antonio
Bartolotti, both artists in his native town. Little is accurately
known, however, about his training in art, and he probably never
left the confines of his native province. His work is chiefly remark-
able for its luminous quality, for the skilful management of light
and shade and for the sweetness of expression and grace of the
figures he painted. Died in 1534.
105—CHERUBS
COURTAT, LOUIS
Was born at Paris, and studied at the Ecole des Beaux Arts under:
Cabanel. He is chiefly known as a painter of academic historiéal
subjects.
208—HAGAR AND ISHMAEL
COX, DAVID
Was born at Dulwich, England, in 1809, and was the pupil of his
father, David Cox, senior. He was an associate of the Royal
Water Color Society and painted chiefly scenes in Wales. Died
at Strathan Hill in 1885.
I—LANDSCAPE
2—A SCENE IN WALES
DE BEAUMONT, CHARLES EDOUARD
Born at Lannion, France, in 1821. He went to Paris as a student,
and became the pupil of Boiselier. He first called attention to
himself as a landscape painter, but he became interested in figures
and made a considerable reputation as a painter of genre subjects
as well as an illustrator of books. He exhibited first in the Salon
in 1838.
49—IN THE STUDIO
DE DREUX, ALFRED
Was born at Paris in 1812, and studied under Cogniet. He painted
portraits as well as genre and was well known in both branches of
art. Died in 1860.
50—RATS
DE JONGHE, GUSTAVE
82—AFTER THE BALL
DE LONGPRE, PAUL
Born in the city of Lyons, France, 1855. Before reaching ten
years of age he had shown decided talent, and was soon after as-
sisting his father, who was employed making designs for the famous
silk looms of Lyons. In addition to this he was making flower
decorations on fans, which commanded ready sale, and this natu-
rally led to his painting flower pieces, which he took up with enthu-
siasm. His success caused him to visit Paris, where he soon gained
recognition for his work and its admission to the Annual Salon.
He came to America in 1890, and his work has attracted wide
attention.
142—WILD FLOWERS
148—LILACS
DETAILLE, CHARLES
Is the brother of the famous painter of military subjects, Edouard
Detaille, and although by no means so widely known as the latter,
maintains a popular reputation for his carefully treated subjects
of Parisian life.
82—THE PIGEON SHOOTING GROUND—BOIS DE
BOULOGNE.
DIAZ, NARCISSE VIRGILE DE LA PENA
Was born at Bordeaux in 1807. His father died while he was a
boy and his mother brought him to Sévres, where he was employed
for some time in the porcelain manufactory. The influence of the
painters at Barbizon soon attracted him to that place, and he
shortly made a reputation as a painter of landscape and of ideal-
istic figure subjects. Died in 1876.
67—NYMPH AND CUPID
156—LANDSCAPE
| DORE, GUSTAVE PAUL
Born in Strasburg in 1833. His drawings date from 1844, and at
fifteen years old he accepted a position in Paris upon the staff of
the Journal pour Rire. ‘The same year he exhibited some pen-and-
ink drawings at the Salon. In 1855 appeared his first oil painting,
“ Battle of the Alma,” but he did not attract notice until 1863, with
“Paolo and Francesca da Rimini.” During the seventies he pro-
duced a series of colossal sacred subjects, which prove him to have
been possessed of a wealth of imagination and an astounding
facility of hand. He died in Paris in 1883.
i 30—CIRQUE DE GAVARNIE
| 12}—DEVIL’S BRIDGE—SWITZERLAND
DU CHATTEL, F. J.
Born at Leyden, 1856. Pupil of Willem Maris. Of a happy and
joyous temperament, he usually presents nature in her brighter
and more attractive moods. There is great charm in nearly all
his work, and also a certain ideality that is always delightful. His
subjects are well conceived and well executed. Examples of his
work are in the museums of Amsterdam, Rotterdam and The
Hague.
18—ON THE RIVER VECHT
140—LANDSCAPE
DUPRE, JULES
Was born at Nantes in 1812. As a youth he worked in the porce-
lain manufactory at Sévres, but by diligent study he emancipated
himself from that branch of art and became one of the leaders of
the Barbizon group. Died in 1889,
7O—MORNING
ELGOOD, GEORGE S.
133—AN OLD ENGLISH MANSION
ERNST, RUDOLF
Is a German painter who has closely followed Géréme and has made
a considerable success with his pictures of Oriental subjects.
74—THE MID-DAY MEAL
: fs
ESCOSURA, IGNACE LEON Y
Was born in the Asturias, Spain, and studied in Paris under
Gérdéme. He paints historical genre pictures, and has gained a
high reputation in his particular line of accomplishment.
7I—A LOUIS XIV. SALON
EVANS, BERNARD
Is a member of the Royal Institute of Painters in Water Colors,
London.
128—RETURNING HOME 2
139—ON THE EDGE OF THE PLAIN
FABRI, A. E.
Was a pupil of Fortuny in Rome, and has been since that time a
devoted adherent to the traditions of the Spanish-Italian school.
161—A JAPANESE INTERIOR
FIRMIN-GIRARD
Was born at Poucin, France, and studied in Paris under Gleyre.
He is best known, perhaps, by his pictures which contain flowers,
for he has shown great taste for this class of work. He has, how-
ever, painted many successful genre pictures and portraits.
56—A COUNTRY ROAD
FRERE, PIERRE EDOUARD
Was born at Paris in 1819, and passed the greater part of his life
at Hcouen, where he painted a large number of genre pictures with
almost unvarying success. Died in 1886,
386—THE YOUNG MUSICIAN
FRIPP, GEORGE A
Now deceased, was a member of the Royal Institute of Painters
in Water Colors.
127—AFTER THE STORM
GALLAIT, LOUIS
Was born at Tournay, Belgium, in 1810, studied his profession at
the Antwerp Academy and afterwards painted some years in
Paris. He soon became known as a historical painter, and settled
in Brussels, where he had a long and eminently successful career.
202—THE MENDICANT
GALOFRE, B.
141—ON THE LAGOON
GARCIA Y RAMOS
195—GUITAR PLAYER
GEROME, JEAN LEON
Was born at Vesoul, France, in 1824. He studied in Paris under *
Paul Delaroche, by whom he was strongly influenced. He has
painted a wide range of subjects with almost unvarying success,
and has, moreover, executed a number of statues which are con-
sidered by many to be his masterpieces. He has received many
honors, among others that of membership of the Institute of
France, and continues to practise his profession with zeal and dili-
gence.
72—A GIRL OF SMYRNA
77—TIGER IN REPOSE
164—SWORD DANCERS fs
GIFFORD, R. SWAIN, N.A.
Born on the Island of Naushon, Mass., 1840. In 1864 he studied
in New Bedford under the marine painter, Albert van Beest, and
two years later settled in New York, where he practised as a
landscape painter and etcher. He made sketching tours in Califor-
nia and Oregon in 1869, and through Europe and North Africa 3
in 1870, and again four years later. He was one of the founders
of the American Water-Color Society in 1866, and is also a mem-
ber of the British Society of Painter-Etchers.
196-—ON THE BANKS OF THE NILE -
200—MOSQUE OF MOHAMMED ALI, CAIRO
GOODWIN, ALBERT
Is an English painter in oils and water colors, who contributes
regularly to the exhibitions of the Royal Academy. His studio
is at Ilfracombe in Devonshire.
122—AN ENGLISH RIVER SCENE
GOUBIE, JEAN RICHARD
Was born in Paris in 1842, and studied there under Gérome. He
has painted a great many successful pictures both of modern life
and from semi-historical motives.
1857—THE FALCONERS
HALL, J. P.
97—THE CAVALIER AND THE ‘PURITAN
HARPIGNIES, HENRI
Born at Valenciennes in 1819. He was a pupil of Achard, and has
exhibited regularly since 1852, winning his full complement of
honors. Both in oils and water colors he holds rank amongst the
foremost living French landscapists.
I—LANDSCAPE
HEDA, WILLEM KLAASZ (Arrrizutep)
Was born at Haarlem in 1594. His favorite still-life subjects
were articles of table furnishing, fruit and flowers. He also painted
some historical pictures. Died about 1678.
192—STILL LIFE
HERMANN, LEO
388—A CHOICE VINTAGE
HOMER, WINSLOW, N.A.
Was born at Boston, Mass., in 1836. When he was twenty-three
years of age he came to New York and studied in the Academy
Schools and under F. Rondel. He was well known as an illustrator
during the Rebellion, and has always painted American subjects.
46—RETURNING FROM THE SPRING
HUNT, ALFRED WILLIAM
Born at Liverpool in 1831. He was son of a landscape painter,
from whom he received instruction; but he did not turn his atten-
tion to painting as a profession until after he graduated at Oxford.
He has been an active member of the Royal Society of Painters in
Water Colors for many years, and is popular and successful in his
particular branch of art.
119—FRUIT AND BERRIES
INDUNO, GIROLAMO
Girolamo Induno, like his brother Domenico, studied under Saba-
telli in Milan, his native city, and took an active part in the strug-
gle which ended in Italian independence. In 1859, after the Aus-
trians had been expelled, he settled down in Milan to the practice
of his art and produced some excellent genre work; one of his best
pictures being the “Departure of the Conscripts in 1866,” which
hangs in the Royal Palace at Milan.
6—THE COLLECTOR
INNESS, GEORGE
Was born at Newburgh, N. Y., in 1825. He was a pupil for one
month only of Régis Gignoux, and, at various times, spent several
years in Europe, chiefly in Italy, where he painted many pictures.
He is best known, however, by his paintings of American land-
scapes, in which line he had almost phenomenal success. Died in
1894,
162—TWILIGHT
ISRAELS, JOSEF
Born at Amsterdam, Holland, in 1824. He studied in his native
town under Kruseman, and later in Paris under Picot. He has
lived for a long time at The Hague, and, although he has painted
pictures being the “Departure of the Conscripts in 1866,” which
hangs in the Royal Palace at Milan.
185—MOTHER AND CHILD
JACQUE, CHARLES EMILE
Was born at Paris in 1813, and began life as a map engraver. It
was not until 1861 that he began to attract public notice with his
pictures of landscapes and animals. He was the last survivor of
the Barbazon group. Died in 1894,
172—A BARN INTERIOR WITH SHEEP
JACQUET, JEAN GUSTAVE
Was born at Paris in 1846, and was a pupil of Bouguereau. He
has painted many noteworthy portraits and genre pictures, all of
them showing traces of his master’s influence.
4O—FEMALE DRUMMER
Aa TRS Oa
JIMENEZ, LUIS
Was born in Seville, Spain, in 1845, and is recognized as a skilful
painter of small genre subjects. He was a member of the Spanish- t
French coterie which flourished in Paris about twenty-five years
ago.
d1—ON THE GARDEN WALL
JOHNSON, DAVID, N.A.
Born at New York in 1827. He showed early in life a distinct ’
aptitude and a taste for art, and received at one time a few les-
sons from J. F. Cropsey, N.A. He has never been abroad, and
although he has admired and studied the works of European mas-
ters of landscape, he has worked in his own way, which has proved
a very successful and individual one. He was made a National
Academician in 1862, received a medal at the Centennial Exhi-
bition in 1876 and was one of the founders of the Artists’ Fund
Society.
39—LANDSCAPE
55—SCENE AT GEORGETOWN, CONNECTICUT .
169—AT GHENT, NEW YORK
KAEMMERER, FREDERIK HENDRIK
Was born in Ghent, Belgium, and was a pupil of Géréme in Paris.
His pictures, which are strongly individual, were generally painted
from motives suggested by Parisian life during the Directory.
Died in 1901.
41—A GENTLEMAN OF THE DIRECTORY >
42—A LADY OF THE DIRECTORY
I}
i
i}
KANNEMAES, A. G.
L16—WATER LILIES
184—MARINE
KOEKKOEK, BARNED CORNELIS
Born at Middleburg in 1803. He was a pupil of Schelfhorst and
Van Os, and early in his career made a wide reputation as a land-
scape painter. He was a member of the academies of Rotterdam
and of St. Petersburg and received many other honors. Died in
1862.
10O4—LANDSCAPE AND FIGURES
KRATKE, L.
95—LE BATAILLON CARRE—WATERLOO
LAFARGE, JOHN, N. A.
Born in New York in 1835. He received a classical education, and
his father’s house in Washington Square was a rendezvous of culti-
vated people, many of them émigrés of the French Revolution or
refugees from San Domingo. He was taught to draw by his grand-
father, Binsse Saint-Victor, a miniature painter of some talent.
Visiting Europe, he continued the study of art, as an accomplish-
ment, and presented himself to Couture, who recommended him
to copy the drawings of the old masters. ‘This he did with assiduity
at the Louvre and in Munich and Dresden. Next he made a short
stay in England, where the color-aims of the pre-Raphaelites at-
tracted his interest. Returning home, he entered a lawyer’s office,
until finally, by the advice of William Morris Hunt, he determined
to take up art as a profession. He first settled at Newport, Rhode
Island, subsequently moving to New York. He passed from land-
scape to figure subjects, and among his early works drawings such
as those in illustration of Browning’s poems take high rank.
LAMBERT, LOUIS EUGENE
Was born at Paris in 1825, and was a pupil of Paul Delacroix. He
has produced many successful genre pictures, although he is popu-
larly known as a painter of cats.
57—CAT AND KITTENS
LAMBINET, EMILE
Was born at Paris in 1815, and was a pupil of Boiselier, Drolling
and Horace Vernet. He turned his attention from figures to land-
scape and made a wide reputation in the latter branch of art.
Died in 1878.
85—LANDSCAPE
LANDSEER, SIR EDWIN HENRY, R.A.
Born in 1799. He was the son of the celebrated engraver, John
Landseer, and after studying with him some time, and showing
precocious talent, he entered the schools of the Royal Academy at
the age of fourteen. He enjoyed exceptional popularity as a
painter of animal life, and his pictures are found in most public
galleries and in numerous private collections. He was elected a
member of the Royal Academy in 1831 and was knighted in 18650.
Died in 1873.
i2Zi—d DOGS HEAD
LEADER, BENJAMIN WILLIAMS, R.A.
Was born at Worcester, England, in 1831. He studied in the
schools of the Royal Academy in London, and after leaving there
began to turn his attention to landscape painting. He has pro-
duced a great many pictures, and enjoys a wide popularity. He
is a member of the Royal Academy.
166—A FINE DAY IN WALES
LEFEBVRE, JULES JOSEPH
Was born at Tournan, France, in 1834, and studied in the Ecole
des Beaux Arts at Paris as a pupil of Léon Cogniet. He took the
Prix de Rome in 1861 and has continued to receive honors in his
native country and abroad up to the present time.
64—TRUTH
201—AN ITALIAN MAIDEN
LENOIR, C. A.
96—SILENCE IN THE WOOD
LESREL, ADOLPHE ALEXANDRE
Was born at Genest, France, and studied in Paris, where he has
followed the traditions of the school of historical genre of which
Meissonier was the leader.
64—THE CARD PLAYERS
LESSI, TITO
106—THE REHEARSAL
LESSORE, JULES
Lessore is fond of the picturesque corners in Rouen and the older
parts of Paris, and his water colors are popular in France, England
and Scotland.
31—A STREET SCENE IN ROUEN
LEUTZE, EMANUEL
Was born at Gmiind in Wiirtemberg in 1816. At an early age he
was brought to the United States by his parents and grew up a
citizen of the country. He first studied in Philadelphia, and in
1841 went to Diisseldorf, where he was a pupil of Lessing. His
historical paintings, chiefly of American subjects, make him widely
known and very popular in this country. Died in 1868.
102—EMIGRANT TRAIN ATTACKED BY INDIANS
LEVORATI, E.
108—A VENETIAN GIRL
LLOYD, TOM
Tom Lloyd’s name appears among the list of frequent exhibitors
at the Royal Academy.
4—THE INTERESTING BOOK |
129—NEAR SHANKLIN, ISLE OF WIGHT. : a
fe
i,
LOUSTAUNAU, LOUIS AUGUSTE GEORGES
Was born at Paris in 1846, and studied under Barrias, Vibert and
Géréme, and has followed closely in his genre pictures the methods
of the school of which the last-named painter is the acknowledged
leader.
159—BEFORE MARRIAGE 7
LUDBY, MAX
115—CATTLE DRINKING
MADRAZO, RAIMUNDO DE>
Was born at Rome in 1841. He studied first with his father,
Federico Madrazo, in Madrid, in Paris in the Ecole des Beaux Arts,
under Cogniet, and later under Winterhalter. He is known as a
portraitist as well as a painter of what might be called Parisian
genre.
167—REFRESHMENTS
MAES, NICOLAAS
Was born at Dordrecht in 1632, and was a pupil of Rembrandt.
He came under the influence of the Flemish painters, however, and
his style resembles them rather than that of his master. Died in
1693.
194—PORTRAIT OF A GENTLEMAN
MATHIEU-LOLLIOT
387—_THE CARDINAL
MAUVE, ANTON
Born at Zaandam, Holland, in 1838. He was a pupil of P. F. Van
Os, and from his master acquired the habit of painstaking finish
which is exemplified in his early works. But after leaving his
master he speedily acquired a more free and broad manner, and
his work gained also in sentiment and refinement of tone. Both in
water color and in oil he has rendered the charm of Holland and
of Dutch life in an individual and sympathetic way, and his pictures
are full of subtle qualities which are eminently personal. He re-
ceived medals at the Vienna, Philadelphia, Amsterdam, Antwerp
and Paris Expositions. Died in 1888.
28—CALV ES
126—BRINGING HOME THE FLOCK
138—_SHEEP, FEEDING
MEGIA, W.
38—AN INTERRUPTION
MEISSNER, ERNST ADOLF
Was born at Dresden in 1837. He was a pupil of the Dresden
Academy and of Kummer. After painting in various places, he
finally settled in Munich in 1870. He is well known as an animal
and landscape painter and his pictures are found in many notable
collections.
81—_THE TWO MOTHERS
MEISSONIER, JEAN CHARLES
Is the son of the eminent painter of historical genre, has closely
followed his father’s technique and has also painted similar sub-
jects with considerable success.
61—AT EASE
MEISSONIER, JEAN LOUIS ERNEST
Born at Lyons in 1815. He went to Paris in 1830, and for four
months was the pupil of Léon Cogniet. He began his profession
as an illustrator of books. He soon began to paint small genre
pictures with such perfection of technique that he became known
as a master in this branch of art. His long and successful career
was distinguished by wide public recognition and by most of the .
honors an artist can have. Died, 1891.
171—A STANDARD BEARER
MESDAG, HENDRIK WILLEM
Born at Groningen, 1831. Pupil of W. Roelofs. He became a pro-
fessional painter when thirty-five years of age, having previously
been in his father’s banking establishment. The sea is his delight,
and the ever-varying effects of morning, noon and evening he has
painted in canvases which are widely distributed. He is the most
famous of Holland’s marine painters; is very wealthy and a hard
worker; president of the artists’ society, “ Pulchri Studio,” and the
happy and satisfied possessor of many honors and decorations.
21—FISHING BOATS UNLADING
MEYER, OTTO
100—THE FIRST SMOKE
MOREELSE, PAULUS
Born at Utrecht in 1571; was a pupil of Mierevelt in Delft and
finished his studies in Rome. He painted a few historical pictures,
but chiefly portraits. Died in 1638.
198—PORTRAIT OF A LADY
MUNGER, GILBERT
91—LANDSCAPE
92—SUNSET
MUNIER, E.
Was a pupil of Bouguereau, and closely follows the methods of
this artist.
75—BAREFOOT GIRL
I65—LADY READING
MEYER VON BREMEN, JOHAN GEORG
Born at Bremen in 1813, from which circumstance he took his last
name. He studied in Diisseldorf and became a most popular
painter of genre subjects, He was for many years a professor in
the Academy at Berlin. He died in 1886.
168—FAMILY GROUP
MILLET, JEAN FRANCOIS
Born at Gruchy in the commune of Gréville, France. After many
discouragements he succeeded in going to Paris to study his chosen
profession, assisted in this step by the municipality of Cherbourg.
He entered the Ecole des Beaux Arts under Paul Delaroche, but,
having no sympathy with academic art, soon left the school and
began to paint pictures. In 1848 he went to Barbizon, where, after
many struggles, he succeeded in gaining recognition as the most
eminent painter of his time in the line he had chosen to follow.
170—PORTEUSE DE LAIT
MONET, CLAUDE
Born at Paris in 1840. “The accursed place ”—thus Monet stig-
matized the studio of Gleyre, in which fer a week or two he was
a pupil. He was drawing from the living model, and the master,
in criticising, said: “ You are keeping too close to the model; you
are copying its defects.” This was too much for Monet. “ Why
not abandon the model and draw from the cast?” was his indignant
comment to his fellow-students Reneir and Sisley. The three se-
ceded from the studio. Thus began and ended Monet’s scholastic
experience. Hugéne Boudin, the sailor and marine painter, had
already urged him to paint in the open air. Hereafter he did so.
“ Although born in Paris and passing my childhood in Havre,”
he said one day, “I have always lived in the country or on the sea-
coast, except from 1864-1866, when I had a studio in Paris. Since
1883 I have lived at Giverny on the Seine.” It is a simple state-
ment, but contains the whole story of his life as an artist. Nearly
half a century spent in the country, loving, studying and seeking
to depict it! His parents did all they could to discourage his
adopting art as a profession, even welcoming the fact that he was
drawn by the conscription for seven years’ service in Algiers. But
he was seized with a fever, invalided home, bought out of the
army by his father and at length, now twenty-two years old, per-
mitted to follow his bent. In 1865 a picture was admitted at the
Salon, followed two years later by the acceptance of “The Port of
Honfleur ” and “ Young Woman in the Garden.” A large interior,
“Le Déjeuner,” was refused in ’68; others, in "69 and ’70. ‘The
young man had become dangerously independent! He waited ten
years, till 1880; then sent “Les Glacons sur la Seine,” afterwards
bought by Mr. H. O. Havemeyer. It was declined. “ Pretty
hard,” was his comment, “but what is one to do?” He has never
sent another.
W4A—-THE SEINE NEAR BENNECOURT—FLOATING
ICE
145—NEAR ARGENTEUIL—WINTER
1J6—AUTUMN ON THE SEINE
147—NEAR VETHEUIL—FLOATING ICE
148—ETRETAT—SUNSET
149—DAWN AT ANTIBES (THE BLUE TREE)
160—BELLE-ISLE—SUNSHINE
161—APPLE BLOSSOMS
162—CLIFF AT POURVILLE
168-—L’AIGUILLE D’ETRETAT
154—COASTGUARD AT POURVILLE—MOONLIGHT
NAVONNE, EDOUARD
29—SNATCHING A NAP
NEUHUYS, ALBERT
Born in Utrecht, 1844. Pupil of the Antwerp Academy and of
G. Craeyvanger. All his life he has been a student in the school
of nature. His subjects treat of the familiar life of the Dutch
people. His works show a thorough understanding of the life of
the humbler country people and personal sympathy with them.
‘They also show great technical skill and are steadily increasing in
estimation. He has received many honors.
186—THE SISTERS
NICOL, ERSKINE
Was born at Leith, Scotland, in 1825. He began life as a house
painter, but attended the art school in Edinburgh, and mdde such
progress that he became instructor in drawing in his native town.
He settled in London in 1863, and was elected an Associate of the
Royal Academy in 1866.
78—THE JAM POT
NICOL, J. WATSON
Is the son of the well-known genre painter, Erskine Nicol, and made
his reputation with two pictures, “When a Man’s Single,” and
“When a Man’s Married,” illustrating these two popular proverbs.
68—“WHEN A MANS MARRIED—”
OWEN
76—RECLINING FIGURE
PALMAROLI, VINCENTE
Was born at Madrid, Spain, in 1835, and studied at the Academy
of Fine Arts, then under Federico Madrago. He established him-
self as a painter in Rome, and became director of the Spanish
Academy there. He has painted portraits as well as genre pictures,
but is best known in the latter branch of art.
60—THE SKETCH BOOK
PARSONS, ALFRED, A.R.A.
Born in Somersetshire, England, in 1847, He began life as a clerk
in the General Post Office, London, studying drawing and painting
in his leisure time, until he finally emancipated himself from his
uncongenial occupation and began to paint landscapes. He has
i illustrated a great deal for American publications. He paints both
in oil and in water colors, and is best known, perhaps, for his
pictures of flower gardens. He has travelled extensively and
painted for a year in Japan. He is an associate of the Royal
Academy and a member of the Royal Society of Painters in Water
Colors.
112—THE VALLEY
PEARCE, CHARLES SPRAGUE
|
: Was born at Boston, Mass., in 1851. He studied in Paris under
i Bonnat, and has resided in France for many years, painting genre
| subjects which have met with much popular appreciation.
199—MUSSEL GATHERERS
| PERRAULT, LEON BAZILE
i Was born at Poitiers, France. He entered the Iicole des Beaux
Arts at Paris and studied there under Picot and Bouguereau. He
i has been strongly influenced by the latter painter and has followed
his methods with close attention. He is one of the few successful
painters of life-sized genre subjects.
98-—-FRESH WATERMELON
PILSBURY, WILMOT
10—A HILLSIDE PASTURE
POGGENBEEK, GEORGE
Born at Amsterdam, 1855. A true artist, with Mauve’s tender feel-
ing for the harmony and sentiment that are in nature, though dif-
ferent from Mauve in subject and manner. There is a beautiful
simplicity and a refined poetic feeling in his landscapes. He is
very conscientious and produces fewer works than most of his
brother artists. His painting is very pure and his technique subtle
and charming. He is one of the best water color painters in a
country notable for this art.
19—-LANDSCAPE AND CATTLE
POIRSON, M.
33—THE DRIVE
PROUT, SAMUEL
Born at Plymouth, England, in 1785. He showed a talent for
painting in early youth and, going to London, found a ready sale
for his productions. He travelled extensively on the continent and
turned his attention particularly to architectural subjects, in which
branch of art he is considered a master. He was a member of the
Royal Society of Painters in Water Colors, and in addition to
painting executed many illustrations for serious books on travel
and similar publications. Died in 1852.
120—A SCENE IN ROME
PYNE, THOMAS
He was born at London, and is the son of James 8. Pyne, a well-
known landscape painter. He has devoted his attention chiefly to
water color painting.
128—BISHAM ABBEY—GREAT MARLOW
ty
= a —
RAU, EMIL
Was born at Dresden in 1858, and has long painted in Munich
under the influence of the realistic school there, devoting his atten-
tion to domestic genre.
(9—HE LOVES ME
RICO, MARTIN
A native of Madrid, he received his first lessons in drawing from
a cavalry captain, and then passed to the Madrid Academy, gain-
ing a living in the intervals of study by drawing, and engraving
on wood. During the summers, he would wander off on foot into
the country, consorting with gypsies and herdsmen; living a free,
happy existence, and laying by a store of memories. He won the
Spanish Prix de Rome, never before awarded for excellence in
landscape, and chose Paris for his place of study in preference to
Rome. Here he was kindly received by his countryman Zamacois,
who introduced him to Daubigny and Meissonier. Later he became
the intimate friend of Fortuny, with whom he spent much time in
Italy. In 1878 he was awarded the Cross of the Legion of Honor.
132—A RIVER SCENE
ROELOFS, WILLEM
Lats
Born at Amsterdam, Holland, in 1822. He was a pupil of Winter
in Utrecht and of van der Saude-Bakhusen in The Hague. He
settled in Brussels in 1848 and became identified with Flemish art,
although he never entirely lost his identity. He has received many
honors and has a wide reputation.
A DUTCH STREAM
ROSA, SALVATOR
Born at Renella, near Naples, in 1615. He studied under various
artists, but chiefly profited by the instruction of Amillo Falcone, by
whom he was influenced to paint battle scenes. He went to Rome
in 1639 and became famous there not only as a painter but as a
musician and a satirical poet. His work is notable for great bold-
ness of effect and vigor of movement. Died in 1673.
186—THE PRODIGAL SON
SALMON, THEODORE FREDERIC
Was born in 1867, and studied in Paris, where he has painted many
successful large genre pictures.
101—THE SHEPHERDESS
SAUNIER, OCTAVIUS
108—DUCKS
SCHREYER, ADOLF
Was born at Frankfort-on-the-Main in 1828, and studied in the art
school of that city, and also in Stuttgart and in Munich. Having
independent means, he travelled extensively, and finally settled in
Paris, where he became closely affiliated with French art and artists
and made an extensive reputation. He died in 1899.
38—AN ARAB CHIEF
1635—A BURSTING SHELL
STACQUET, HENRY
Among the Belgian water colorists Stacquet holds an excellent
place, painting with equal facility marines, interiors and street
scenes. He received a medal at the Universal Exposition of 1889.
17--A VILLAGE STREET
STORTENBECKER, R. F.
Stortenbecker’s landscape and cattle pictures partake of the vigor-
ous realism that distinguishes so many of the modern Dutch
painters.
25—LANDSCAPE WITH CATTLE
26—DUTCH CATTLE
ip
aoa
eee
i
SWAN, JOHN M.
He studied in the schools of the Royal Academy in London and
in the Ecole des Beaux Arts at Paris. After his return to England
he painted figure subjects of a classical tendency. He soon began
to study wild animals, and has not only painted them but has
represented them in sculpture with great success. He is very versa-
tile and designs and executes many objects in different metals. He
is an associate of the Royal Academy.
184—LION AND LIONESS
TAPIRO, T.
5—A NUBIAN
TROYON, CONSTANT
Was born at Sévres in 1810, and, like several others of the Barbizon
school, began his career in the porcelain manufactory there. He
studied under Riocreux at Paris, and in the early part of his life
painted landscapes exclusively. He received many honors and died
in 1865.
66—NORMANDY COWS
TURNER, JOSEPH MALLORD WILLIAM, B.A.
Born in 1775. At the age of fourteen he became a student at the
Royal Academy, and in the following year exhibited his first picture,
“View of the Archbishop’s Palace at Lambeth.” He was elected
an associate at twenty-four, the youngest age permitted, but the
works which he had already exhibited ranged over twenty-six
counties of England and Wales. Three years later, in 1802, he
was made a full Academician. Up to this date his powers had
been chiefly displayed in water colors, of which the most celebrated
is the collection of studies in monochrome, which he styled “ Liber
Studiorum,” in imitation of the “Liber Veritatis” of Claude.
Thenceforth oil painting mainly occupied his brush, and, as he had
beaten all rivals in the other medium, so he set himself to rival
Claude, whose preéminence in landscape was then admitted. In
the “Dido Building Carthage” of 1815 he may be said to have
accomplished this, and for the future devoted himself to eclipsing
the French artist—to being Turner. Then followed the maturest
period of his art, lasting, perhaps, to his third visit to Italy, in
1840. He never married, and, notwithstanding the fortune he had
amassed, lived shabbily. In 1851, during one of his absences from
home, he died in a garret in Chelsea.
118—CLIFFS
UNKNOWN
89—LAKE IN THE MOUNTAINS, HUMBOLDT, NE-
VADA
125—A FRIGATE AT ANCHOR
177—THE DEAD CHRIST
178—DESCENT FROM THE CROSS
179—HEAD OF AN OLD WOMAN
180—MADONNA AND CHILD
181—HOLY FAMILY
182—MADONNA AND CHILD
183—-MADONNA AND CHILD
185—TWO WINGS OF A TRIPTYCH
187—THE RESURRECTION
189—LANDSCAPE
191—Ad NEGLECTED GARDEN
VAN AELST, WILLEM
190—STILL LIFE
VAN DER HEER, EDUARD
27—A RIVER SIDE IN HOLLAND
VAN DER VENNE, A.
86—AN UNEXPECTED MEETING
VAN HERSEHAUT, VICTOR
16—DUTCH LUGGERS
VAN LEEMPUTTEN, H. C.
Was born in Belgium, and has long been held in good repute there
for his vigorous studies of domestic animals and landscapes.
65—INTERIOR OF A BARN WITH SHEEP
VAN MARCKE, EMILE
Was born at Sévres in 1827, and held a good position in the porce-
lain manufactory there. Having made the acquaintance of Troyon,
he yielded to his influence and opened a studio in Paris and painted
cattle with great success. He received many medals and other
honors and died in 1891.
155—CATTLE IN PASTURE
174—COWS
VAN WYNGAERDT, A. J.
4j—LANDSCAPE
VIBERT, JEHAN GEORGES
Was born at Paris in 1840, and studied at the Ecole des Beaux Arts
under Picot and Barrias. He painted at first historical pictures,
but met with indifferent success and turned his attention to the
humorous and cynical subjects for which he is best known. He
was one of the founders of the Society of French Water Color
Painters.
384—THE ENEMIES
68—THE PAINTER’S REST
178—HIS FAVORITE FLOWERS
9
ee
WALDORP, ANTON
Waldorp, conspicuous among Dutch painters in the early half of
the nineteenth century, was a Knight of the Order of the Lion
and of the Oaken Crown.
15—DEPARTURE OF THE TRAWLERS
WEISSENBRUCH, J. H.
Weissenbruch lives at The Hague, where he was born in 1822. He
was a pupil of B. J. Van Hove, and has been a notable figure
among the Dutch landscapists; especially in his water colors.
13—A FARM IN HOLLAND
20—A DUTCH RIVER SCENE
WIMPERIS, E. M.
181—A MOUNTAIN STREAM
WALKER, J. A.
47—CUIRASSIER
WORMS, JULES
Born at Paris in 1837. He was a pupil of Lafosse, and to his
careful training is due the conscientious execution which is notable
in the genre pictures for which this artist is famous. He has never
left the field of domestic and humorous subjects, and is well known
for both his oil and water color works. He received medals at the
Salon in 1868 and 1869, at the Expositions of 1867 and 1878, and
was made Chevalier of the Legion of Honor in 1878.
59—PREPARING FOR A JOURNEY
i, | Wut
ZAMACOIS, EDOUARD
Born in Bilbao, Spain, in 1842. He was first a pupil of Balaco and
afterwards of Federico Madrazo in Madrid. Later he went to
Paris and studied under Meissonier. His subjects were usually of
the period of the seventeenth century and his manner was strongly
influenced by his last master. Died in 1871.
175—A STANDARD BEARER
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} ZIEM, FELIX
Born at Beaune, Céte-d’Or, in 1821. After studying at the Art
School at Dijon, he travelled in Southern France, Italy, and the
East. Pictures of Venice and of the Golden Horn first brought
him into prominence, and his subsequent work has been a continua-
tion of his early method and impressions, Venice and the Adriatic
supplying a majority of his subjects. His popularity has been
immense and endorsed by a long list of official honors.
38—MARSEILLES
109—VENICE
4 ZUBER, JEAN HENRI
Zuber entered the naval college in 1861, but seven years later
h resigned from his rank as a midshipman and set himself to study
painting under Gleyre. He made his début at the Salon in 1870,
received a medal of the second class at the Exposition of 1878
and a gold medal at that of 1889.
14—LILE ST. HONORAT
28—THE BIRCH GLADE
114—LANDSCAPE
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