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ON FREE PUBLIC VIEW
FROM 9 A. M. UNTIL 6 P. M.
AT THE AMERICAN ART GALLERIES
FROM SATURDAY, MARCH 25tn, UNTIL THE
DAY OF SALE
AN IMPORTANT COLLECTION
OF
FOREIGN AND AMERICAN
OIL PAINTINGS
TO BE SOLD AT UNRESTRICTED PUBLIC SALE
FOR ACCOUNT OF SEVERAL ESTATES AND FOR
PRIVATE OWNERS
AT THE AMERICAN ART GALLERIES
MADISON SQUARE SOUTH, NEW YORK
ON THE EVENINGS OF
WEDNESDAY, THURSDAY AND FRIDAY
MARCH 29TH, 30TH AND 8lst, 1916
BEGINNING PROMPTLY AT 8.15 O’CLOCK
CATALOGUE
OF
OVER THREE HUNDRED
OLD AND MODERN PAINTINGS
BY
FOREIGN AND AMERICAN ARTISTS
BELONGING TO THE ESTATE OF THE LATE
SENHOR SALVADOR DE MENDONCA
(FORMERLY BRAZILIAN MINISTER AT WASHINGTON)
THE ESTATES OF THE LATE
DR. M. C. GOULD, ALFRED HENRY LEWIS AND E. A. BIGELOW
THE PROPERTY OF
MRS. AMZI L. BARBER, MISS E. V. COCKCROFT,
AND MRS. T. GAILLARD THOMAS
AND OTHER INTERESTS AS SPECIFICALLY INDICATED
IN THIS CATALOGUE
der 4. Snhee eats bhatt; babefe Va
TO BE DISPOSED OF . te es Wa :
AT UNRESTRICTED PUBLIC SALE
ON THE EVENINGS HEREIN STATED
THE SALE WILL BE CONDUCTED BY
MR. THOMAS E. KIRBY
ASSISTED BY MR. OTTO BERNET, OF
THE AMERICAN ART ASSOCIATION, MANAGERS
NEW YORK
1916
ALL DETAILS OF ILLUSTRATION -
TEXT AND TYPOGRAPHY —
CONDITIONS OF SALE
1, Any bid which is merely a nominal or fractional advance may
be rejected by the auctioneer, if, in his judgment, such bid would be
likely to affect the sale injuriously.
2. The highest bidder shall be the buyer, and if any dispute
arise between two or more bidders, the auctioneer shall either decide
the same or put up for re-sale the lot so in dispute.
3. Payment shall be made of all or such part of the purchase
money as may be required, and the names and addresses of the pur-
chasers shall be given immediately on the sale of every lot, in default
of which the lot so purchased shall be immediately put up again and
re-sold.
Payment of that part of the purchase money not made at the
time of sale shall be made within ten days thereafter, in default of
which the undersigned may either continue to hold the lots at the
risk of the purchaser and take such action as may be necessary for
the enforcement of the sale, or may at public or private sale, and
without other than this notice, re-sell the lots for the benefit of such
purchaser, and the deficiency (if any) arising from such re-sale shall
be a charge against such purchaser.
4. Delivery of any purchase will be made only upon payment
of the total amount due for all purchases at the sale.
Deliveries will be made on sales days between the hours of 9
A. M. and 1 P. M., and on other days—except holidays—between the
hours of 9 A. M. and 5 P.M.
Delivery of any purchase will be made only at the American Art
Galleries, or other place of sale, as the case may be, and only on pre-
senting the bill of purchase.
Delivery may be made, at the discretion of the Association, of
any purchase during the session of the sale at which it was sold.
5. Shipping, boxing or wrapping of purchases is a business in
which the Association is in no wise engaged, and will not be performed
by the Association for purchasers. The Association will, however,
afford to purchasers every facility for employing at current and
reasonable rates carriers and packers; doing so, however, without any
assumption of responsibility on its part for the acts and charges of
the parties engaged for such service.
6. Storage of any purchase shall be at the sole risk of the pur-
chaser. Title passes upon the fall of the auctioneer’s hammer, and
thereafter, while the Association will exercise due caution in caring
for and delivering such purchase, it will not hold itself responsible if
such purchase be lost, stolen, damaged or destroyed. ,
Storage charges will be made upon all purchases not removed
within ten days from the date of the sale thereof.
%. Guarantee is not made either by the owner or the Association
of the correctness of the description, genuineness or authenticity of
any lot, and no sale will be set aside on account of any incorrectness,
error of cataloguing, or any imperfection not noted. Every lot is
on public exhibition one or more days prior to its sale, after which
it is sold “‘as is” and without recourse.
The Association exercises great care to catalogue every lot cor-
rectly, and will give consideration to the opinion of any trustworthy
expert to the effect that any lot has been incorrectly catalogued, and,
in its judgment, may either sell the lot as catalogued or make mention
of the opinion of such expert, who thereby would become responsible
for such damage as might result were his opinion without proper
foundation. |
AMERICAN ART ASSOCIATION,
American Art Galleries,
Madison Square South,
New York City.
»
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hina
2.
wa.
FIRST EVENING’S SALE
WEDNESDAY, MARCH 29, 1916
AT THE AMERICAN ART GALLERIES
BEGINNING AT 8 O'CLOCK
UNKNOWN ARTIST
No. 1 eS Chon hack
Lf Ge Drawing: Height, 31 inches; length, 61 inches
A DRAWING in monotint washes and pen, depicting a group of trees.
Property of the Estate of the late Srnuor Satvapor pe MENDONGA.
JOHN H. DOLPH, N.A.
AMERICAN: 1835—1903
\ 3 Wi,
No. 2— MR. PUG LM. (Sarky
/ j + : Height, 11/4 inches; width, 61, tutheee hi
Portrair of a pug dog with a jacket of gray and wide white collar, fastened
with a silk cord and tassel.
Signed with initials, J. H. D. at lower left and lated ’76.
Property of the Estate of the late Dr. M. C. Gouxp.
WILLIAM KELLY
AMERICAN
No. 3— WALT WHITMAN (OY vy, Lf,
a ae Height, 9 inches; width, 7 se,
>) oe
Fuii-race portrait of the well-known poet and writer, painted about 1880.
Signed lower left, W. Ketty.
Property of a New York Collector.
GIACOMO CORTESE BOURGUIGNON
Frencu: 1621—1676
No. 4— HORSEMEN IN BATTLE
, Copper panel: Height, 64, inches; length, By, inches | age SE
Fen seit vy y: ang F
A FIERCE struggle between two parties of cavalrymen of the Middle Ages, fight-
ing with swords, spiked maces and lances. The action is placed on the shore
of the sea, which appears in the background at the left.
Property of the Estate of the late SeENHOR SALVADOR DE MENDONGA.
FRENCH SCHOOL
gists eg ee ee Se eS ee
a Sear ane a ee a ae Oe ee ee eee ee
=
ee A a
(Period of the Republic and First Consulate)
NOs ves NAPOLEON IN THE EAST
/ Drawing in pen and ink: Height, 6 inches; length(& inches 74
lo —— Vr Sit\ Ae LAM
Numerous figures in an Oriental interior with view o citadel through an
open archway. The people, including figures both nude’and draped, are pre-
sumably captives. In the central group Napoleon is seen speaking to one of
the men as he passes through the crowd.
% =="
Property of the Estate of the late SeNuHor SALvapor DE MENDONCA.
ALFRED SEIFERT
Bouemian: 1850—
No. 6— PORTRAIT OF A YOUNG LADY
—es Panel: Height, 74%, inches; width, 5 ee A
te? Aad RAAB AY OO
Heap and bust portrait of a sweet-faced, large-eyed young girl maturing int
womanhood. Over a décolleté bodice she wears a velvet jacket of orange-brown
lined with pink, broadly open and with a tall collar, and her jeweled head-
dress of mob-cap shape is edged with fine lace. She faces the observer, head
turned slightly to her left.
Signed at the right, A. SEIFERT.
Property of a Lady.
W. BOHM PAL
GERMAN
No. 7— A HUMBLE HOME
“ Panel: Height, 61, inches; length, 81/ inch
a ee 2s 9, Bi ener) es AY far
oor
A croup of Italian peasant women and children, including/a how. at the
of a rudely built, dilapidated hut with sod-covered walls. While the others
are chatting, one of the women is busy with a frying-pan over a fire.
Signed at the lower left.
Property of the Estate of Lorena L. Barner.
ABEL pr PUJOL
Frencu: 1785—1861
No. 8— BRINGING THE BREAD
sy Water color: Height, 634 inches; length, 8%, iMches ae
| ~ ‘ MA. pean SS SSF Peed ”
A FAMILY party, at a table, on the right, in a oe tyard, is ready to vi)
eat a meal, and the mother has risen to take a huge loaf of bread from a little //
girl who is carrying it with some difficulty. In the background is seen another
party at table.
Signed at the lower left.
Property of the Estate of the late Srnuor Satvapor pE MENDONGA.
WILLIAM JAMES MULLER
Enecuso: 1812—1845
Novos: LANDSCAPE
ie Panel: Height, 6 inches; width, 9 a
oe Sy: VY:
A Rroapway in the center leading into the middle fee: On the right, fore?
trees and two figures seated in the shade; a chalet with white walls amid t
sky of blue with white clouds. |
Property of the Estate of the late S—ENwor Satvapor bE MENDONCA.
PERCIVAL ROSSEAU
AMERICAN: CONTEMPORARY
No. 10— LANDSCAPE
. Panel: Height, 71, inches; ae th, 9% pee: ; 4
A Group of trees on rising ground, at the left, and Mees group at the right _
all in shadow. In the center, a vista of ientlows with ee cattle. The sk ;
is gray with a space of blue.
A study, in his early period, by a well-known painter of dogs and landscapes.
Signed at the lower right.
By order of Executors.
PROF. EDWARD GRUTZNER
GERMAN: 1846—1898
No. 11— A JOLLY CONFAB
Panel: Height, 8 inches; length, 10 nee
oe as A fs
A LARGE man is visiting some brown-habited es and in the intimacy of has
old acquaintance the table offers bread and radishes and cold cuts, with large
steins and seidels of cheer. A merry monk of goodly girth is much amused
at what the visitor is recounting, as is likewise Brother Cellarer, who brings
replenishment; a more solemn brother looks doubtful.
Signed at the bottom center, E. Grirzner.
Property of a Lady.
REMBRANDT
(ATTRIBUTED TO)
No. 12— LANDSCAPE Nh. ee
Vee a al
‘A noap and a stream occupy the foreground. In the middle distance is a town
with a church. The scene is animated by figures, a cart and cattle.
Pen and ink drawing: Height, 61. inches; length, 91/, inches
Property of the Estate of the late Senwor Satvapor pE Menponga.
GUSTAVE PAUL DORE
Frencu: 1833—1883
f
: — A LION :
oS (an Gone
ek gt Water color: Height, 9 inches; width, 7
inches
A 110n standing with head turned to the spectator’s left. Behind him is a
tree with spreading limbs. Painted in monotint.
Signed at the lower left.
Property of the Estate of the late Dr. M. C. Gouin.
PAUL DOUGHERTY, N.A.
AMERICAN: 1877—
No. 14— LANDSCAPE = |) ¥, ip oe ye
4a ee Millboard: Height, 6 inches; length, 9 inches
Fievps and a road in the foreground; hills with a glimpse of a river in the
distance, and an evening sky ‘showing warm tints in the clouds in the upper
portion.
On back of picture is a label stating that it is “a Paul Dougherty original presented to the
writer by the painter’ and signed Aaron Suerx (of Sherk Bros., Brooklyn).
Property of the Estate of the late Dr. M. C. Gourp.,
JAMES D. SMILLIE, N.A.
AMERICAN: 1833—1909 |
No. 15— THE WHITE MOUNTAIN FROM RANDOLPH HILL 7
‘E7 ‘oa ‘. Canvas: Height 6 inches; length, 10 finches Oi. a
: Ni- VV: RGN) BI ees
f
Tux snow-capped mountain is seen in the distance pirat a foreguae of
Oo
ud
herbage and rocks, with a belt of trees in autumn foliage. A small white
or two float in the blue sky. |
Signed at the lower left.
Property of the Estate of the late Dr. M. C. Gouxp.
CULLEN YATES, A.N.A.
AmeERIcAN: 1866—
No. 16— THE BREAKERS: COAST OF MAINE
F yi Sees Canvas, mounted on compo board: Height, 9 Fh. ae 12 ine] es
pon
An attractive piece of color. On the left, the rocky shore; on the right the
waves breaking over a rock; beyond, the sea and a sky of gray.
Signed at the lower left.
Property of the Estate of the late Dr. M. C. Govutp.
WILLIAM HART, N.A.
AMERICAN: 1823—1894
No. 17— LANDSCAPE AND CATTLE
F ) Millboard: Height, 61% inches; length, 11 inches ()
v'§ ( S* oe Lr
io Om ty v/, J SRA are :
Aw autumn landscape with a stream bordered by trees in the foreground at // ‘
the left. In the immediate left foreground, three cows; sky of white and
gray clouds with spaces of blue in upper portion.
Signed at the lower left, and dated 187—.
Property of the Estate of the late S—Nuor Satyapor p—E MEeNDONGA.
JOHN FREDERICK KENSETT, N.A.
AMERICAN: 1818—1872
No. 18— LANDSCAPE Uh Garntagwe
. Millboard, oval: Height, 81 inches; width, 71% inches (|
27 tt
- Sec
A peak in the hills with a lake at its base, bordered by pines and other trees.
The sky is of pale blue with white clouds.
By order of Executors.
GEORGE W. BRENNEMAN
AMERICAN: 1838—1909
No. 19— DECLINING TO LOOK
| Panel: Height, 91, inches; width, 8 inches —/"\ {>
of se af ane age
h
A THREE-QUARTER length seated figure of a man, with gr air and beard,
holding a human skull on his left knee while with his righf hand he tries to
turn the head of a monkey, on a table at his side, and force him to look at the
skull.
Signed at the upper left.
Property of a Lady.
ALFRED C. HOWLAND, N.A.
American: 1838—1909
No. 20— IN THE COUNTRY
ls Taal Panel: Height, 101%, inches; width, 71/, inches f) les ie
uv Far Ly] t01%
A LANpDscaPeE with a brook in the foreground; on the bank at the right, two A
children with home-made fishing rods; houses and church on a hill beyond. C,
The sky is of blue with white clouds.
Signed with initials, A. C. H. at lower right.
Property of the Estate of the late Dr. M. C. Govutp.
MAURICE LELOIR
Frencu: 1853—
No. 21— REVERIEY) +4, Vir o Algae
Water color: Height, 8 inches; width, 714, inches
/ (4
A sEATED figure of a young woman in costume of the Louis Quatorze period.
She holds a piece of embroidery on her lap but, having stopped her work, she
gazes dreamily before her.
Signed on étagére in background, and dated 1884.
Property of the Estate of the late S—Nuor SaLvapor DE MENDONGA.
EK. HETTICH
\
No. 22— SWISS LANDSCAPR| Wy (9 pe
A 0: Panel: Height, 8 inches; length, 11f/j inches
A strEAm in the foreground of a valley, which lies in shadow, and on its banks
little houses and figures and a campfire. Beyond rise high hills, surmuonted
by a castle and other buildings. Over all is a blue sky. This work is char-
acterized by precision of execution and exact drawing in miniature of nature’s
forms.
Signed at the lower right, and dated 1881.
Property of the Estate of the late SENwOR SALVADOR DE MENDONCA.
JOSEF DE RIBERA
(ATTRIBUTED TO)
SpANIsH: 1588—1656
No. 23— THE crvorrixions, 77 - nF
Copper panel: Height, 101%, inches; width, 81/, inches
ee es
x =
Tue figure of Christ, on the cross, forms the center of the composition and
symmetrical balance in the design is given by the presence of a single figure
on either side, one a man; the other, a woman. At the foot of the cross are
a skull and cross bones.
Property of the Estate of the late SeNuor Satvapor pE MENDONGA.
REMBRANDT
(ATTRIBUTED TO)
No. 24— THE OLD GATEWAY ie Be yet Reese
Pen and ink drawing: Height, 7 inches; length, 12 inches
fo
TuE walls of a ruined castle, with arched doorway in the center. At the right
is an open chimney with a woman seated on a bench before it.
Property of the Estate of the late SeNHor Sstvapor pe MENDONGA.
JOHN FREDERICK HERRING
Eneuisu: 1795—1865
No. 25— PIGS
oe : Panel: Height, 934, inches; length, 12 inches EL any Oy ae
A uicuty finished study of a sow and her little pigs, in the clean straw in a
snug corner of a barn.
Signed, J. F. Herrine, SEnr., at the upper left, and dated 1853.
Property of the Estate of the late Senor SAtvapor DE MENDONCA,
VAN OSTADE
Dutcu
No. 26— DANCING IN THE BARN :
yi, me Panel: Height, 91 inches; length, 131, inchey Vy. Ure Dee
HE interior of a lofty room, with arched rafters and numerous figures. One
group is seated at an open door, at the left. Several couples are dancing.
The chief color note is given by the red jacket of a man, who is one of those
dancing in the center of the composition.
Signed at the lower right, and dated 1643.
Property of the Estate of the late SeNuor SAtvapor DE MENDONCA.
REMBRANDT VAN RYN
(ATTRIBUTED TO) ee
Dutcu: 1606—1669 ; Waite : a
Noe? LANDSCAPE Ut (Servet wt 3
eS
ae pols ee Water color, crayon, pen and sepia: Height, 8 nee length, 12 inches . ae
An open space in the foreground, where roads come together, trees, rising
ground in the middle distance, and the buildings of a city beyond.
Initial signature at lower right, with date 1634.
Property of the Estate of the late Srnnor SALVADOR DE MENDONGA.
RUBENS SCHOOL
No. 28— FAN DESIGN
ss a Water color: Height, 634 inches; length, “fe
; f ee
A composition of eleven figures and a number of cupi s, or loves.
the women are dancing to the music of a pipe, played by a shepherd, a¥t
right. On the left, a young soldier is advancing with lances. The background
is a landscape with hills, trees and castles.
of
From the J. J. Pioli sale, 1894.
Property of the Estate of the late Srnxnor SAtvapor DE MENDONGA.
LUIGI LOIR
AUSTRIAN: 1825—
ai
No. 29— AT EVENTIDE Oe fat
) 4 ae Water color: Height, 101%, inches; length, 14 inches
/
In the center of a broad village street, at the hour when lights appear, a police-
cavalryman has halted, with back to the spectator, to talk with a peasant, and
another group of gossips appears further on.
Signed at the lower right, Lom Lovie.
Property of the Estate of Atrrep Henry Lewis, Esa.
ATTILIO SIMONETTI
ITALIAN: CONTEMPORARY
No. 80— IN THE SUN
4 ”) oF Water color: Height, 12 inches; width, 7 inches Z h, ( LA LZ Wi
SEATED on a stool, out in the bright sunshine, a matronly young woman is seen
in easy attitude, facing the left, three-quarters front. Her low-cut gown is
a blend of soft colors and figured with flowers.
Signed at the lower left, SimoneTTI.
Property of the Estate of Mrs. T. Gatttarp THomas.
MAX WEYL
American: 1837—1914
NO. B1————| LANDSCAPE
Canvas: Height, 91/, inches; length, 1414 inches» f
/o- Ft anva g Vo g Vo mc Vt. fh. F epee AG ta
A ponp and a road, with trees on either side; overhead, a sky of blue with white (/
clouds.
Signed at the lower right.
Property of the Estate of the late S—enuor Satvapor p—E MENpoN¢A,
JOHN J. HAMMER
AMERICAN: 1842—
No. 32-- SPRING
3a dose Panel: Height, 101% inches; length, 16 inches | ] ,
ve A g 72 g LO ae 7,
In the foreground is a green meadow, with a girl seated and a man lying down,
his head resting on his traveling pack. Willow trees in early foliage frame
in the meadow and there is a glimpse of a creek in the center of the picture.
Over all is a spring sky of gray clouds with a dash of blue.
— Y
we -¢
Signed at the lower right.
By order of Executors,
ALFRED THOMPSON BRICHER, A.N.A.
AMERICAN: 1839—1908
No. 33— CLIFFS ON DANA ISLAND, MANCHESTER-BY-THE-SEA
= eee Height, 9 inches; lefythp 18 ey Y, CLL
A HEADLAND of brown, jagged rocks projects from the right into a blue sea
lightly in motion. Afar off are sails and gulls, and in the foreground the water
takes various colors in reflections from the rocks.
Signed at the lower left, A. T. BricHER.
Property of the E. A. Bicerow Estate.
EDWARD MORAN, A.N.A.
AMERICAN: 1829—1901
No. 34— FISHER GIRL OF CANCALE
/ ze Canvas: Height, 12 Cae ae
A Frencu fisher-girl of the Normandy coast crossing the sands wi
step, carrying a large net rolled up, and with a basket on her left
ground of sea and sky.
vigorous
m. Back-
Signed at the lower left, and dated 1881.
Property of the Estate of the late Dr. M. C. Gouxp.
EMIL CARLSEN, N.A.
AMERICAN: 1853—
Sear.
No. 35— SUNSET ce a Y f
Beet se
/
/ = - Canvas: Height, 8 inches; length, 12 inches
’ A prain in the foreground with a clump of trees and a horse in the middle
distance. The horizon is placed low and the sky is filled with warm yellow
light, gradated up to gray-bluish tints above. The sun is setting in the right-
center.
Signed at the lower right.
Property of the Estate of the late Dr. M. C. Govutp.
/
SANFORD R. GIFFORD, N.A.
AMERICAN: 1823—1880
No. 36— BERKSHIRE HILLS
= Canvas: Height, 8 inches; length, 13 inches
Tue foreground is occupied by meadows and a stream. In the center of the Pg
picture are elm trees backed by a piece of woods in the middle distance. /
Beyond are the high hills of the Berkshire range and, above, a pale, warm-gray
sky. ;
Signed on rocks at lower left center.
Property of the Estate of the late Dr. M. C. Goutp,
J. M. BARNSLEY
AMERICAN: CONTEMPORARY
No. 37— MARINE
Ss Lt ad Panel: Height, 9 inches; length, 131% inches (sy ANGE
‘ a Y ned na
THE sea, with a wave breaking into spray, in the foregrotixd; gulls flying over
the water, and a sky of gray.
Signed at the lower left.
Property of the Estate of Lorena L. Barner.
FRANZ DE PAULA FEIG
AuvsTRIAN: 1689—1740
No. 38— THE DANCE |
ra } Panel: Height, 101% inches; length, 13 inches Th- ‘bobs
Peasants dancing a round in an open space before the entranceway of a coun-
try house, the white walls of which fill the central part of the composition. At
the right, in the distance, a landscape vista.
Property of a Lady.
ADAM PYNACKER
Dutrcu: 1621—1673
No. 39— _ THE EMBARCATION oe
/ eas Canvas: Height, 103, inches; length, 16 inches
6,
On the right, a partly ruined castle, built against a rocky cliff, bekaba hae
are numerous figures, one, a captain or officer of the guard, who is over-
seeing the embarcation of some people with their baggage and goods. — a :
vessel, with sail lowered, is at the quay, on the left, and beyond is a view ofa, ae
sea and sky. ae
Property of the Estate of the late S—ENuor Satvapor DE MENDONGA.
FRANCESCO MARIA MAZZOLA (PARMIGIANO)
(ATTRIBUTED TO) |
Iratran: 1503—154 ()
No. 40— PORTRAIT OF COLUMBUS
/ "a Panvas, mounted on silk with brass-headed pins: Height, 141 inches; width, 111, inches
On the back of this painting was a penciled note as follows: “This portrait __
of Columbus was painted by Parmigiano and purchased by my Uncle Robert — ke
Percy Smith in Naples in 1844, at a sale of pictures belonging to the Countess
Guiccioli and fell to me in division of the estate at his death.”
(Signed) Harry Percy Vracin.
Nov. 26, 1896.
Property of the Estate of the late SeNHor Satvapor pE MENDONGA.
ANTOINE COYPEL
Frencu: 1661—1722
“aNG, 41— sine fe M) tage
Canvas: Height, 151, inches; width, 111, inches
A croup of two partly nude figures, with loves in the background overhead. The
woman, seated, is listening to the advances of the man, who holds a lance
decorated with vine leaves in his left hand, and is making gestures with her
hands indicating gentle protest.
Signature, partly disintegrated, at the lower right.
Property of the Estate of the late SeNuor SALVADOR DE MENDONGA.
GUY C. WIGGINS
e AMERICAN: 1883—
Nop. 42— EVENING
f a 4 ar
Canvas: Height, 10 inches; length, 14 inches Y /). é
F oe. Bee ;
3 _ Iw the foreground of this landscape is a group of oaks on a hillock. In the
e. middle distance, on the right, is a river with shore beyond. Evening sky with
ca yellow glow and gold tinged clouds.
f Signed at the lower right.
Property of the Estate of the late Dr. M. C. Goutp.
J. G BROWN, N.A.
AMERICAN: 1831—1918 |
No. 43—_ IN THE WOODS
Canvas: Height, 14 inches; width, 10 inches
Y pte | For
A woop interior with sunlight filtering through the trees and a little girl, y Hifi tara a
red and white-striped shawl and straw hat, standing in the foreground.
Signed at the lower right, and dated 1861.
Property of the Estate of the late Dr. M. C. Goup.
JOHN BUNYAN BRISTOL, N.A.
AmeERIcAN: 1826—1909
No. 44— HOUSATONIC VALLEY
/ ae é Height, 10 inches; length, 15 inches ae Md
Hazg hangs over the valley, and low mountains extend their green and rounded __,
peaks along the horizon, under patches of white cloud suspended motionless (/
in a pale robin’s-egg sky. In the middle distance gray streaks of winding
water are seen across luxuriant tree-tops; and in the foreground a woman in
a white waist and broad-brimmed hat stands in a subdued sunlight radiance,
before the shadows of dense, flourishing trees which stand in thick clumps
at the border of a green, hilly field.
Signed at the lower left, J. B. Bristrox, ’87.
Property of the Estate of Mrs. T. Garttarp THoMas.
3 ¢
Y
ve | JULIAN RIX
American: 1851—1903
No. 45— SUNLIGHT AND SHADOW
Millboard: Height, 12 inches; ee 16 7 oe
f*
ee
A SHALLOW grass-covered ravine lying in Afeep eae cast from the right
by the late afternoon sun. On the farther side of the hollow is a group of
trees and bushes with autumnal foliage shining in the sunlight. Above is a sky
of intense blue. 7
Signed at the lower left.
Property of the Estate of the late Dr. M. C. Govtn.
JOHN FREDERICK KENSETT, N.A.
; AMERICAN: 1818—1872
No. 46— FOREST AND HILLS
~ Canvas: Height, 10 inches; | Nit 8 incKe
Ave wt Giwt
A PANORAMIC view showing a forest in autumn rite stretching across‘ /the
canvas to hills on the right, with a lake at their base. Beyond, dimly“seen
through the hazy atmosphere, is a wide stretch of country with blue hills
in the distance. Over all is a sky of gray-blue.
Signed with initials, J. F. K., at the lower left.
This picture was “presented by members of the House of Representatives to John S.
Rice, Speaker, Session of 1864.” Companion work to No. 47.
Property of the Estate of the late Dr. M. C. Govutp.
JOHN FREDERICK KENSETT, N.A.
AMERICAN: 1818—1872
No. 47— LAKE ERIE UU €
. b re Canvas: Height, 10 inches; length, 18 inches
Rocky bluffs, at the left, extending into the distance and the waters of the
_ great lake filling all of the lower half of the composition. In the evening sky
are warm-tinted gray clouds.
Signed at the lower left.
This picture was “presented by members of the House of Representatives to John S.
Rice, Speaker, Session of 1864.” Companion work to No. 46.
Property of the Estate of the late Dr. M. C. Gov p.
THEODORE CERIEZ
Bewcran: 1832—1904
Nai — AU CABARET |) kal, aoe
it a7 Panel: Height, 1534 inches; width, 11%, inches
—
In the gray interior of a small wine shop three men in long coats, perruques
and three-cornered hats are standing in conversation, one in red, one in blue
and one in gray, while other men are seated at a table and through a door-
way men and women are seen outside.
Signed at the lower right, T. Certez.
From the Exposition Belge des Beaux-Arts a Philadelphie.
Property of a Lady.
te aaa ee Wipe
“ he me ~~ ae , »
6 ee
Py th ._
GIUSEPPI SIGNORINI
Iratian: 1857—
No. 49— HIS FAVORITE
Water color: Height, 171, inches; with, 111, inches , ys: e. |
{4 nee
A uanpsome blond young matron in a décolleté gown of flowered silk is alae at
at a richly gilt piano the favorite air of an elderly cleric in cardinal biretta
and voluminous robes, who attests his pleasure by following the notes closely —
through a glass, while he distinguishes the fair player by the most delicate
of tentative embraces.
Signed at the lower right, Gruser SicNor1ni, Panis.
Property of the Estate of A.rrep Henry Lewis, Esa.
VINCENT ST. LUCHE
ConTEMPORARY | -
No. 50— A HOSPITABLE CELLAR
Ee, 47 Water color: Height, 14 ve widt phe ee
i
In the crypt of a huge conventual ae a ree monk kneels before one
of two wine butts, a flagon in his hand, while a more portly brother stands
at his elbow with a glass of ruby wine partly emptied, on which he is pro-
nouncing judgment of satisfaction. A third brother approaches with empty
pitchers. 7
Signed at the lower right, Vinc St. Lucue, 1871.
Property of the KE. A. Bicrtow Estate. | :
WILHELM VELTEN
GERMAN: 184°7—
No--51-= FIRST AID TO THE INJURED
S- 2 Panel: Height, 16 inches; a i sl oP ta
A ‘terri ce and girl, seated on a stool and a bench in a vi work s shop.
The girl is tying a bandage on one of the forelegs of a dog, holding him in
her lap meanwhile, and on the floor is a basin and a cloth that the children
have used in attending to the injury of their pet.
Signed at the lower left.
By order of Executors.
WILLIAM CALLAM
CONTEMPORARY
| No. 52— VIEW OF A CITY
in =. oe Water color: Height, 1014 inches; length, (19¥/. inches
eS Tue buildings of a European city rise in colorful m ng a broad gray river
ie! which is crossed by a bridge of many arches. In the foreground two boatmen
r are working on a raft.
| Signed at the lower right, Wm. Catiam, 1881.
Property of the E. A. Bicetow Estate.
CARLETON WIGGINS, N.A.
AMERICAN: 1848—
No. 53— THE HILLSIDE
g al a4 Canvas: Height, 151% inches; width, 11, inchgs f
——— ' f
YN. bo nargen—
A storine hillside, with sheep grazing; beyond at the left, a shed, and digfant
trees; sky of white clouds.
Signed at the lower right, and dated 1882.
Property of the Estate of the late Dr. M. C. Gov p.
PAUL CORNOYER, A.N.A.
AMERICAN: 1864—
oe) ry
Coe
No. 54— MADISON SQUARE 7 heder
Vig @ Canvas: Height, 12 inches; length, 16 inches
Y/ Soe
A view in Madison Square, New York, with snow effect under a gray sky.
The Farragut statue is seen at the right and the Flatiron Building on the
left.
Signed at the lower left.
Property of the Estate of the late Dr. M. C. Gout.
CARLETON WIGGINS, N.A.
AMERICAN: 1848—
No. 55— OLD RELIABLE
Canvas: Height, ep ghees gt 18 inher aaa
Seas
A picture of a white cow in three-quarters view to the spectator and her head
turned full face; landscape setting of pasture fields and gray sky.
Signed at the lower left.
Property of a Lady. :
JULIAN ONDERDONK
AMERICAN: 1882—
No. 56— THE CLOSE OF A SUMMER DAY
/ i Rite Canvas: Height, 12 inches; length, 18 ifiches
| : PAV ee AI
Lusu meadows with pools of water occupy the foreground. On the lett (4 re
groups of trees and on the right, farther away, is a belt of trees. The sky slows
an effect of evening in its expanse of tempered blue with rose-tinted floating
clouds.
Signed at the lower left.
Property of the Estate of the late Dr. M. C. Govt.
WILLIAM J. WHITTEMORE
AMERICAN: 1860—
No. 57— NEAR THE LIGHTHOUSE
) 7 Water color: Height, 1114 inches; length, 1914, inches /
ol Vo x é
Tue lighthouse, a conical white structure, stands Site rocks and sands on a
low, treeless shore, and back of it the top of a dwelling can be seen across a
sloping foreground of verdure.
Signed at the lower left, Wm. J. Wuirremore.
Property of the E. A. Bicetow Estate.
KRUSEMAN VAN ELTEN, N.A.
AMERICAN: 1829—1904
No. 58— EVENING Ot 2 asi
: LA (\Syrncrt ]
/ ae 5 fA Canvas: Height, 121% inches; length, 18 inches (/
In the right foreground is a stream. On the bank, at the left, a group of
trees; hills in the distance; evening sky with pink-tinted clouds.
Signed at the lower left.
Property of a Lady.
ALFRED THOMPSON BRICHER, A.N.A.
AmeERIcAN: 1839—1908
No. 59— MARINE of. oe 7 ES oe
/ art Water color: Height, 1334 inches; length, 1934, inches
VioLer and purple-gray clouds are seen banked at the horizon, and swept by the
wind sifting aloft in lessening mass in a greenish sky of fading light. Below,
gulls are flying low over a ruffled sea, whose waves leave varied markings on
grayish-yellow sands.
Signed at the lower right, 84, A. 'T. Bricuer.
Property of the Estate of Mrs. T. Gairtarp THomas,
JASPER FRANCIS CROPSEY, N.A.
AmERICAN: 1823—1900
No. 60— LANDSCAPE
Gt Canvas: Height, 12 inches; length, 20 inches iy 4
A view from a hillock, with a sedgy pool, overlooking the Hudson. On a
headland, or point, that juts out in the water with irregular outlines, are
buildings, and on the broad bosom of the river is a steamboat with black
smoke drifting from the funnel.
Signed at the lower left, and dated 1893.
Property of the Estate of the late Dr. M. C. Gouxp.
GEORGE M. BRUESTLE
AMERICAN: 1872—
No. 61— A GRAY DAY
Panel: Height, 14 inches; length, 18/inches Le
ib) se VO Le,
Ar the left a red building with peaked roof and outbuildings att shed; a farms:
house beyond. On the right farm fields and a glimpse of distant hills. The |
gray sky is atmospheric in quality.
1
Signed at the lower right, and dated 1905. ae
Property of the Estate of the late Dr. M. C. Govt.
ARTHUR W. DOW
AMERICAN: CONTEMPORARY
No. 62— | _ EVENING
S ue Canvas: Height, 12 inches; length, 20 inches va
4 4. ak A
GREEN meadows occupy the entire foregroun a the middle distance, near
upy &
the left-center, is a clump of trees. The evening sky shows tints of rose at
the horizon and is gradated Geers to tempered blue.
Signed at the lower left, and dated 1890.
Property of a Lady.
JAMES CRAWFORD THOM
AMERICAN: 1835—1898
No. 68— FISHING Vie e 0
Water color: Height, 14 inches; length, 203, inches
Sera se
Two children have come down to a pond or shallow stream to fish, a boy
who holds the rod and watches the bobber intently, and an older girl who
holds the bait can a little higher up on the green bank behind him.
Signed at the lower right, J. C. THom, ’81.
Property of the Estate of Mrs. T, Garrtarp Tomas.
EDWARD HENRY POTTHAST, N.A.
AMERICAN: 1857—
No. 64— LATE EVENING
if oe Canvas: Height, 15 inches; length, 20 inches OL
. ‘ - (PUSHY
A VILLAGE street in France with houses and walls on either side apd a man
driving two cows homeward at nightfall. The sky is of greenish-blue with
crescent moon.
Signed at the lower left.
Property of the Estate of the late Dr. M. C. Gou pn.
ALBERT BIERSTADT, N.A.
AMERICAN: 1830—1902
@
No. 65— THE WATERFALL
eae Canvas: Height, 16 inchés; length, 20 inches
. 3 7 Cyrae [Sernnrrst Ugenrt ba
On the left of the composition a Fae drops sheer down a rocky cliff break- C
ing into foaming waters midway in its descent, and plunging onward still
farther amid great boulders until it reaches a stream in the etxreme right
foreground, at the base of a precipice. Beyond, between the cliffs, is a vista of
wide plains and mountains with a stormy sky overhead filled with threatening
dark clouds.
Signed at the lower left, and dated 1873.
By order of Executors.
WILLIAM BRADFORD, A.N.A.
AMERICAN: 1830—1892
_ No. 66— IN THE arctic Ick FieEtps «= 777. Carre
of ]s27 Canvas, backed with a wood panel: Height, 20 inches; width, 16 inches
A THREE-MASTED, square-rigged ship, with high, stout hull, moving slowly
through the ice fields of the Arctic seas. At the right, in the distance, is
another ship following the foremost, and the mass of a snow-capped iceberg.
The picture shows a night sky and moonlight effect.
Signed at the lower right.
By order of Executors.
AAW
EDWARD PORTIELJE
ANTWERP: cog ae f Has.
No. 67— RECONCILIATION
Panel: Height, 1734 inches; width, 141, inches
has :
A croup of two figures in a cottage interior. A young wife, in a dress of
grayish white and with a white mob cap, is standing in full face view in the
center of the composition, holding a rose in her right hand, while her left —
hand is taken by her husband who leans over a table and looks up at her.
Signed at the lower left.
The artist’s seal on back of panel. — e 4
Property of a Gentleman, , ae
J. VISSCHER |
AFTER BrrewEen)/y ae Sie ae
No. 68— - LANDSCAPE AND CATTLE
3 7 Engraving: Height, 131% inches; length, 1714 inches
A composition in which cattle are seen standing in a pool, at the left, and
lying down on a grassy mound, at the right. The other elements are two
figures and a dog, trees and ruined walls.
Property of the Estate of the late S—nuior Satvapor DE MENDONGA.
SEBASTIANO RICCI
Irautian: 1658 or 60—1734
No. 69— ieee oe o Oe
ve Canvas: Height, 1814 inches; width, 141, inches
pice
Bust portrait of the Florentine priest and preacher: dark-colored robe and
dark background.
Property of the Estate of the late SenuHor Sarvapor DE MENDONGA. ~
ADOLPHE ALEXANDRE LESREL
Frencu: 1830—
No. 70— THE SHOPPER -
lA 0 mete: Height, 18 inches; width, 15 inches £. VM HA COD nm aa
: “
On a window shelf opened to a roughly paved street, a woman vendor has dis-
posed of some flowers, and she is endeavoring to sell an image to a grand lady
passing. The lady is brilliantly gowned, in white and gold and royal blue,
adorned with gold fleurs-de-lis and ermine.
. Signed on the doorstep, A. Lrsret, 1872.
Property of a Lady.
EUGENE ISABEY
(ATTRIBUTED TO)
Frencu: 1804—1886
noo 1— AT THE HOTEL DE CLUNY
eS ——— Water color, with pen and sepia: Height, 141%, inches; lendt
Foe UTS.
, attendants, and
h century. A red
Tue courtyard of the Hotel de Cluny in Paris, with horse
ladies, at the doorway, on the right; costumes of the fifte
banner flies from the tower at the right.
Property of the Estate of the late Senuor Satvapor p—E Menponca.
NEWTON BRABY
ENGLIsH
‘No. 72— A SILENT PRAYER
iy os Canvas: Height, 21 inches; width, 17 inches af Vive
On a broad bench along the wall before a deep set window with colored glass,
. : : ee V
in an English country house of an early period, a young girl, in dress of black,
with white collar, cuffs and cap, is seated, holding an open bible on her knees.
The artist’s title for the picture suggests that her thoughts are with the
absent, and the costume and the accessories of the interior denote the proba-
bility of the absent one having gone to the wars between the Roundheads and
the Cavaliers.
Signed at the lower right, and dated 1900.
Property of a Private Collector.
(Baron) TJARDA van STARKENBORGH
GERMAN: 1822—
No. 73— LANDSCAPE 4 y Spore
=> ve Canvas: Height, ad inches ; length, 24 inches
Sees | ;
A LAKE amid mountains, the view being taken from a roadway on high ground
overlooking the lake. Two men, who have dismounted from their horses, are
standing in the road conversing. Overhead is a summer sky of pale blue ee
white clouds. : om
Signed at the lower Hight. ie
By order of Executors. tae 7
FREDERICK EDE
Scanpinavian: 1865— | |
No. 74— THE BROO VN ee
[ Ge Canvas: Height, 181%, inches; length, 22 inches
id
A strEAM in the foreground, reflecting the sky and green foliage, runs under
a bridge, in the middle distance. On either side are seen green fields and a
highway. Sarr
Signed at the lower left.
Property of a New York Collector.
FREDERICK EDE caavien
SCANDINAVIAN: 1865—
oe No. 5— THE BRIDGE
RR ee sie Canvas: Height, 191% inches; length, 234, inches
A swirtLy flowing river occupies the entire foreground of the picture, with
the sky of gray and blue reflected in its waters. In the middle distance, crossing
from bank to bank, is a rustic bridge.
Signed at the lower right.
Property of a New York Collector.
C. BECKER
GERMAN
No. 76— ROSALIE ng f l, Sn ea
ac Canvas: Height, 25 inches; width, 181/, inches
f- 9 —
Tue head and bust of a young woman with luxuriant brown hair, in full face
view. Her costume is a crimson robe with wide ruff of openwork linen of large
pattern.
Signed at the upper right, and dated 1872.
Property of a Gentleman,
JULIAN ONDERDONK
AMERICAN: 1882—
No. 77— VIEW FROM THE PALISADES
f\
Canvas: Height, 14 inches; length, 20 inches a } 1 EEL AD
A ———
Tue foreground shows the steep hillsides of the New Jersey shore of the
Hudson, the lower lands, dotted with houses, showing below. Beyond are the
broad expanse of the river and the New York shore with the buildings of
the city bathed in afternoon sunlight. Overhead is a sky of blue with white
clouds.
Signed at the lower right.
Property of the Estate of the late Dr. M. C. Goutp.
BENJAMIN EGGLESTON
AMERICAN: 1867—
Ds Fig
No. 78— ANCIENT DAYS ~ ve
Canvas: Height, 16 inches; length, 20 inches eA V OD Fg Wi, See
Two young women, one semi-nude, seated; the other, in b - robes, standing
beside her. The setting is composed of a landscape with a pool in the im-
mediate foreground, a valley in the middle distance, with temples crowning the
hills at the left, and a blue sky with a mass of rose-tinted clouds.
Signed at the lower left.
Property of the Estate of the late Dr. M. C. Gourp.
@
JUNIUS B. STEARNS, N.A.
AMERICAN: 1810—1885
No. 79— JACK AND JILL
Canvas: Height, 20 inches; width inches
A soy and a girl, with a doll and an meartgaicl water pail, are depicted on —
the grass at the foot of a hill where they have both tumbled down. The —
landscape comprises, besides the grassy hillside, a group of trees at the right
and a view of the sea beyond. Sky of blue with white clouds at the horizon.
Signed at the lower right, and dated 1881.
Property of the Estate of the late Dr. M. C. Gout.
JASPER FRANCIS CROPSEY, N.A.
AMERICAN: 1823—1900
No. 80— ; SUNSET? : + “Sk CA
PN Canvas, backed with a wood panel: Height, 15 inches ; length, 24 inches
A view, from the suburbs of a town, over a harbor with hills at the horizon.
The sun is seen setting in a sky filled with clouds of crimson and gray.
Signed at the lower right.
By order of Executors.
GEORGE HENRY SMILLIE, N.A.
AMERICAN: 1840— 4,
No. 81— SPRINGTIME
Canvas: Height, 16 inches; length, 24 inches
of ater
A smiLine garden landscape with a brick cottage, in the left-center, embowered
by fruit trees in full blossom. The effect is of sunlight, with shadows cast
by trees on the left on the grassy foreground.
Signed at the lower right; on back of canvas, the date 1910.
Property of the Estate of the late Dr. M. C. Govtp.
CHARLES COURTNEY CURRAN, N.A.
AMERICAN: 1861—
No. 82— LISTENING TO THE WAVES
el Canvas: Height, 22 inches; width, 18 Gr
mi D prvg
A youne mother with a child, seated on the arm g an sy a The child
holds a shell to its ear and shows in its face interest ‘dnd delight in hearing
the roaring sound of distant breakers.
Signed at the lower right, and dated 1907.
Property of the Estate of the late Dr. M. C. Govutp.
ELLIOTT DAINGERFIELD, N.A.
AMERICAN: 1859—
No. 83— WASH DAY ee ” ,
: | ieee ee NV VL rp
ip oe ae 3 Canvas: Height, 22 inches; width, 18 inches ()
A pDOmMEsTIC scene in the South, showing two colored women, one at a wash-
tub, the other carrying a big basketful of clothes. At the left, an iron boiler
over a wood fire in the yard. A white house, other farm buildings and trees
form the setting for the figures. The sky, seen beyond, is of blue, with white
clouds.
V
Signed at the lower right, and dated ’87.
Property of the Estate of the late Dr. M. C. Gout.
MAX WEYL
AMERICAN: 1837—
be UCner ae GQ Lf
~
No. 84— THE WOODS AT PAUL SMITH’S
—— Canvas: Height, 18 inches; length, 24 inches
In the left foreground a brook meanders through sparse woods, all the lower
part of the composition being in shadow. Between the trunks is a vista of
Adirondack forest in full sunlight.
Signed at the lower left.
Property of the Estate of the late S—enuHor Satvapor DE MENDONGA.
oc
a
Jp
Faxey Sr pate Panel: Height, 2134 inches; width, 18 inches
ST O
FREDERIC H. MANS
Dutcu: SEVENTEENTH CENTURY
No. 85— THE RENDEZVOUS
rae Panel: Height, 21 sa a 1 inches Cana
THE mise-en-scéne consists of a evi: Pea in the left CA Gores on the
bank of a stream which flows past a town in the Netherlands. an
YC a ea Se ig
= Pe eter
CHARLES EMILE JACQUE
Frencu: 1813—1894 yor
i N o. 122— SHEEP
Height, 71/4, inches; length, 12 inches Ce. Dandarie Ge
Gi interior of a sheepcote a
slant of light falls across two sheep, one of
whom stands with head up, the other with his nose just raised from the ground,
where a basket of fresh grass or greens has just been emptied.
Signed at the lower right, Cu. Jacque.
Property of the Estate of Mrs. T. Gatttarp Tuomas.
MAURICE LELOIR
Frencu: 1853—
No. 123— | THE BALCONY G - et ng. Pt A RA
y c? Water color: Height, 934, inches; width, 7 inches
4 ee
Tue seated figure of a lady in a balcony, with circular front, looking through
a glass, with single sight. She is dressed in costume of the time of Louis
Quatorze and holds a fan in one hand. The background is composed of
landscape scenery and a green curtain falls at the side of the balcony at
the right.
Signed at the lower right, and dated 1884.
Property of the Estate of the late S—eNuor Satvapor DE MENDONCA.
JAMES STARK
Enewisu: 1794—1859
fe
. 12: LANDSCAPE yy ‘-— men en WD
No a Vir te ner" nied
/ 3 ie Canvas: Height, 81, inches; length, 12 inches j
A rnoapway, with great trees on either side, leads into the right of the picture
from the left foreground. On the farther side of the road is a flock of sheep,
lying down. Two small figures at the right.
Property of the Estate of the late S—ENHor Satvapor DE MENpDoNGA,
SIR DAVID WILKIE, R.A.
ScorcH: 1785—1841
No. 125—_ THE FESTIVE BOWL
oe ee Water color: Height, 81, inches; lengfh, 17 oe inches
THE evening is well spent and a roysterin compaaly ihe kai rustics, “boys and
girls together,” old and young, are well in their ¢yps, gleeful and amorous,
lively and vocative. An irate young man who has just burst in threatens to
draw his sword, irritated, apparently, at a saucy wench who dances defiantly,
while the merry fiddler trips a light toe in her company.
Property of the Estate of Mrs. T. Garttarp THomas.
A. ROOSENBOOM
No. 126— THE CHILDREN’S PASTIME
/ Gienne su Panel: Height, 12 inches; width, 101, co
A LITTLE boy and a little girl diverting Mere 4 A pind cards rg
they have folded and made to stand upright on the polished surface of a table.
Signed at the lower right.
Declaration of the artist on a label on back of panel that he painted the picture to the
order of A. Huyveth, of Antwerp, with signature and date, Brussels, 1883.
Property of a Gentleman,
LUIGI LOIR
AUSTRIAN: 1825—
No. 127— BRIDGE IN WINTER
b y oe Water color: Height, 101% chor ngth, 1334 inches
rn res
On a bridge across a river, leading directly rom the spectator toward
city buildings on the farther shore, a single dart and numerous pedestrians are
seen, including several soldiers. Their tracks are seen in the wet snow.
Signed at the lower right, Lom Lutat.
Property of the Estate of Atrren Henry Lewis, Esa.
BENJAMIN EGGLESTON
AMERICAN: 1867—
No. 128— READY FOR THE BATH
/ 44 Canvas: Height, 10 inches; width, 8 inches ) ee A Cn
THREE-QUARTER length nude figure of a young woman}éeated on a piece of
white drapery spread out on the bank of a lake. The head, in profile view,
is turned downward as the young woman looks at the inviting waters. The
ki background is composed of trees with a view of the farther shore of the lake,
hills and sky.
Signed at the lower right.
Property of the Estate of the late Dr. M. C. Gourn.
DAVID JOHNSON, N.A.
AMERICAN: 1827—1908
No. 129— LANDSCAPE
/ $e Panel, oval: Height, 9 inches; width, 8 inches
A stTreAm flowing placidly through a valley, verve AE Aintre At the
left are groups of trees and a small figure of a woman with a red shawl seated
on the grass. In the center of the picture rises a mountain peak, partly
wooded. The sky is of blue with white clouds.
By order of Executors.
FLORENT WILLEMS
Bewieran: 1823—1905
No. 130— THE BOOK OF POEMS
/ st Panel: Height, 12%, inches; width, 91, inches
a
7 AIAN LN
A BLonp young lady in a dress of salmon-pink satin Ghee, . right / =
hand resting on the back of a chair and the left holding a small volume fromi/
which she is reading.
Signed at the lower right.
Property of a Gentleman.
GEORGE INNESS, N.A.
AMERICAN: 1825—1894
No. 131— LANDSCAPE OL ce
/ yp ie Canvas: Height, 10 inches; length, 12 inches
A PICTURE painted in the artist’s earlier period. In the foreground are a pool |
and meadows. At the left appear a group of green trees and cattle grazing. 4
Beyond is a wide stretch of flat country with distant hills of blue-gray. The
sky is composed of gray and white clouds. :
Signed at the lower left.
Property of the Estate of the late Dr. M. C. Gouxp.
EASTMAN J OHNSON, N.A.
American: 1824—1906
No. 182— IN GENTLE SLUMBER
uf y pin Height, 934, inches; length, 113, inches
A cHILD with lie curling locks is lying asleep in her small bal her head ee
cushioned among ample pillows.
Signed at the lower left, E. youre 18,
Property of the Estate of Mrs. T. Garttarp Tomas.
ALEXANDER HARRISON, N.A.
AMERICAN: 1853—
No, 133— A BREAK IN THE STORM
3 6) oe Canvas: Height, 9 inches; length, 12 inches (amen
——
A view of the ocean with a schooner scudding along at the hoeisait A break
in the heavy, black sky discloses a brilliantly illuminated space of clouds.
Signed at the lower right.
Property of the Estate of the late Dr. M. C. Gout.
RALPH ALBERT BLAKELOCK, A.N.A.
AMERICAN: 184'7—
No. 134— THE CAMPFIRE
. = Panel: Height, 9 inches; length, 131, inches : wy, Wee.
| ao. Boa AES
An Indian, nude to the waist, seated at the left, with his pony standing Beside
him. In the center and on the right are tepees, dimly seen in the shadows
of night.
Signed at the lower right.
Property of the Estate of the late Dr. M. C. Govuxp.
MAX WEYL
AMERICAN: 1837—1914
No. 135— | LANDSCAPE
P=) Canvas: Height, 81% inches; length, 131, inches ea
ia O [O-- Sint
An effect of evening. In the foreground a flat plain and a pond; in
center a group of trees. The sky is of pinkish gray.
Signed at the lower right.
Property of the Estate of the late S—enuor Satvapor pE MENDONGA.
ARTHUR QUARTLEY, N.A.
AMERICAN: 1839—1886
No. 136—_ MOONRISE
Ze \ Height, 81%, inches; length, 13 inches / yy atom
Be ght, 8Y, & 9 iL | Sippy
Tue yellow full moon is just above the horizon, in the center of the picture, L—
and her golden light streaks a dark green sea, placid at the evening hour, |
along a low-lying rocky coast. In the offing a sailing vessel is listless with
all canvas up, headed alongshore with port light showing.
Signed at the lower right, QuarTLEY.
Property of the E. A. Bicetow Estate.
M. LORING
AMERICAN
No. 1387— A SLOOP AT LOW TIDE
Lf bes gon Water color: Height, 131% inches ; width, 91, inches Py
——
a
Ar the side of a pier, at the left of the picture, a sailing vessel js seen with —
the greater part of its hull above the water. The lower part of the hull shows —
a green color, as if resulting from the action of the sea water on copper sheath-
ing. The upper part is painted black. The farther end of an adjoining pier —
appears at the right and a line of hills in the distance encloses a wide expanse
of sea.
| Sjgned_at the lower left.
From the Henry G. Marquand Sale, 1903.~ H/3 — ps od: On 5 a Vi dlird
Property of a Private Collector.
LOUIS COMFORT TIFFANY, N.A.
AMERICAN: 1848— it,
No. 188— SONS OF THE DESERT ar hrten be
Height, 914, inches; length, 141/, inches
On a flat reddish-sandy plain, with a struggling tree or two visible in the _
distance, are a number of Arabs in white burnouses or dark purplish gar-
ments. In front of a straw tepee-like shelter a merchant has arranged some
colorful wares, and one man standing and another bending over are examining
them.
Signed at the lower left, Lovis C. Tirrany.
Property of the E. A. Bicerow Estate.
GEORGE H. BOGERT, A.N.A.
AMERICAN: 1864—
No. 139— LANDSCAPE
Canvas: Height, 10 inches; length, 13 ches
trees, cottages, and a haystack in the center of the middle distance; a cart on
the road going to the village. Overhead is a blue sky with some gray clouds.
Signed at the lower right, and dated Serr. 15, 791.
Property of the Estate of the late Dr. M. C. Goutp.
ARTHUR QUARTLEY, N.A.
American: 1839—1886
‘No. 140— MARINE
3 M4, et Canvas: Height, 14 inches; width, 10 eee
A scHooner and a tugboat at sea; night sky with thetu ad ell up ee
the horizon. /
Signed at the lower left, and dated ’
Property of the Estate of the late Dr. M. C. Goutp.
EASTMAN JOHNSON, N.A.
AMERICAN: 1824—1906
eNo. 141— THE TRYSTING PLACE
Canvas: Height, 14 inches; width, 11%, inches()
A FULL-LENGTH figure of a young girl in costume of early se of the
nineteenth century, with pannier skirt and bodice of lilac, underskirt of figured
stuff, and white apron, holding a billet doux in her right hand and looking out
towards the spectator from under a fan held up in her left hand. The setting
for the figure consists of summer verdure and a lake in the middle distance.
Signed at the lower right, and dated 1874.
Property of the Estate of the late Dr. M. C. Goutp.
PAUL DOUGHERTY, N.A.
American: 1877— 7
No. 142— LANDSCAPE |
/ See . Canvas: Height, 11 inches Gee. 14 snohes
In the foreground are meadows, with a group of trees in the center. —
sky of luminous quality, with gray clouds at the horizon. ae
Signed at the lo
Property of the Estate of the late Dr. M. C. Gout. ae
BENJAMIN EGGLESTON ie
AMERICAN: 1867— ;
No. 143— AT THE RIVERSIDE ~
5 AF Canvas: Height, 12 inches; len th, 151, mches/
A FULL-LENGTH nude figure, in back view, 6f@ young woman wii H auh urn Caer
seated on white drapery, on the bank of a river, supporting herself, as she lea ;
_ by her right arm. Background of foliage, with a glimpse of landscape a
the left. an
sed tere ae ¢:
Signed at the lower left. —
wit . .
Property of the Estate. of the late Dr. M. C. Govuxp.
M. F. H. pE HAAS, N.A.
AMERICAN: 1832—1895
No. 144— LOW TIDE AT FLYING POINT
3 4 Canvas: Height, 121% inches; length, 191, inches
A view of sea and shore comprising a sandy beach, in the foreground, oR a
point with white rocks jutting out toward the left Sev iers the whgle
under a sky of bluish gray.
Label on back of stretcher with inscription: “We her certify that this is one of a
number of pictures painted by the late M. F. H. de Haas,w.A., but left unsigned by him
by reason of his sudden death. This picture is sold by order of the Surrogate’s Court of
the City and County of New York, filed December 18, 1895.”
(Signed) Alice Preble Tucker de Haas, M. F. H. de Haas, Jr.,
Temporary administrators of the Estate of M. F. H. de Haas, dec’d.
Property of the Estate of the late Dr. M. C. Goutp.
LUDWIG KNAUS
GERMAN: 1829—1910
No. 145— WALKING THROUGH THE FIELDS
cf y st Panel: Height, 13 inches; width, 1014 inches
—
Two men in long black coats, one tall and angulay, Ss
rotund, walking on a path through fields of ripe grain. The tall man, who is
apparently less affected by the heat of the day than.his portly companion, is
holding by the hand a little peasant girl who is passing that way on some
errand or other. Two little dogs precede the party.
Signed at the lower right, and dated 1850.
Property of a Gentleman.
de a the
ADOLPH HUMBORG
German: 1847—
No. 146— — TESTING THE VINTAGE
FI ee Panel: Height, 16 inches; width, 12% oper:
Two monks in the wine cellar of a monastery, one sitting comlaeeneit besi
a cask and the other drawing a cork from a bottle, the contents of ie
are doubtless about to taste and pass judgment upon.
igned an the lower 1
From the Henry Hilton Sale, 1900. ~#kLES Zp Va oe a pf
Property of a Private Collector.
BERNARD CORNELIS KOEK-KOEK
Dutrcu: 1803—1862 |
No. 147— LANDSCAPE
_ Panel: Height, 12% inches; length, 161/, inches | ieee
J/L0% Aged, hfe
A view over a diversified country from a foreground showing a road whigh” =
leads to a village in the middle distance. In the roadway is a man trundlin
wheelbarrow and accompanied by a woman carrying a hamper on her back. —
At the right are a tall tree and a house; in the distance a range of hills. The
sky is blue, with cloud masses of gray and white.
Signed at the lower right. —
To be sold to close an Estate. - ;
JOSEF ISRAELS
Dutcu: 1824—1911
No. 148— FISHER FOLK
Ces Canvas: Height, 16 inches; width, 12 inches
A sKETCH of a young man, leading a boy by the hand, as they wade through
the inshore waters of the sea. Ships are indicated in the offing.
Signed at the lower left.
Property of the Estate of the late Dr. M. C. Govutp.
GEORGE MORLAND
EneuisoH: 176383—1804
No. 149— GYPSIES
Panel: Height, 13 inches; length, 171 inches
[ Vy
Gypsies in a wood beside their campfire. A mother, in red dress and
a white kerchief on her head, is seated in the middle of the group. At her (feet,
on the right, is a child with a dog. Nearby is the sturdy figure of a man,
standing, and on the right, leaning against a tree trunk, is another of the band.
This work is marked by broad handling and effective execution.
Property of the Estate of the late Senuor Sarvanor pe MENnon¢a.
MARIE ANNA ANGELICA KAUFFMANN
Swiss: 1741—1807
No. 150— THE BATHERS
uL 7 aa Canvas: Height, 101% inches; length, 134 inches [)
A croup of four nude, female figures reclining on the banks of a pool.
setting is composed of trees with a landscape view in the distance.
Signed at the left center, and dated 17-6 (1736 or 1796)
Property of the Estate of the late S—ENuor Satvapor DE MENDONGA.
JEAN BAPTISTE GREUZE
(ATTRIBUTED TO)
Frencu: 1725—1805
No. 151— SAYING GRACE
ae es} Height, 18 inches; width, 15 inches YL, /)
iY C ré —— i?) & A WY Oat: A]
A youne mother, in white dress and cap, seated beside a table whereon are /
dishes and flagons, while two small children, kneeling on her left, hold their “a
hands together in the reverent attitude of saying grace.
Property of the Estate of the late Senuor Satvapor DE MENDONGA.
JEAN HONORE FRAGONARD
Frencu: 1732—1806
No. 152— LE SOMMEIDCY y on
4 ste Canvas: Height, 151 inches; length, 1714 inches
Turee cherubs asleep on a couch while a fourth, flying away at the upper — i
right of the composition, drags away with him the white bed covering. In
the night sky in the background is a gleaming star.
Signed at the lower left.
Property of the Estate of the late SeNHor Satvapor DE MENDONGA.
JEAN ANTOINE WATTEAU
Frencu: 1684—1721
No. 153— VENUS AND MARS .
(Copy of Rubens)
gf L go Canvas: Height, 191 inches; width, 14.i
A croup of two figures, from a composition by Peter Paul Rubens, showing
Venus as a nude figure of blond type and Mars as a soldier in cuirass and
helmet. Two Loves figure in the composition, one clinging to the figure of
Venus, the other overhead. On the left is the trunk of a tree and, in the upper
left, part of the figure of a woman, stretching out her Hens in appeal as
if opposed to the departure of Venus with Mars.
Written in ink on the back of the stretcher is a statement in French, of
which the following is a translation:
“This study, after Rubens, the original of which is in the Museum at
Munich, is by Watteau, who devoted much study to the great Flemish master,
especially during his sojourn with Audran, decorator and keeper at the Palace
of the Luxembourg (Medicis), the apartments of which were filled with Ru- —
bens’s pictures, and this one probably belonged among them. The handling, the
drawing, the color and the use of rich oil as a medium (Count de Caylus),
and the vermilion-tinged extremities of the personages, all point to Watteau.
M. Edmond de Goncourt, to whom I made known my discovery, is absolutely
of my opinion and has authorized me to join it with my own.
St. Germain, 15 September, 1880.”
(Signed) F. Bonvin, painter, author of L’Ecole des Fréres, Salon of 1874
Property of the Estate of the late SeNuHor Satvapor pe Menponca.
AELBERT CUYP
(ATTRIBUTED TO)
Dutcu: 1620—1691
No. 154— ADMIRAL TROMP
W hs Height, 16 inches; width, 15 inches IY B ee een
THREE-QUARTER-LENGTH portrait of the admiral in ufform, standing with
left hand resting on the muzzle of a cannon. In the background a battle is
in progress between ships of the line.
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Painted in 1652,
ie
Property of the Estate of the late SenuHor Satvapor pE MENDONCA.
JACOB JORDAENS
Dutcu: 1593—1678
No. 155— | SAINTE MARIE
| Panel: Height, 16 inches; width, 15 inches 74
4 8 ge es ,
bs OF oa [Vn wrws
AINTE Marte seated, with the Child standing on her lap. Both Mother and
Child are of the blond, auburn-haired Flemish type. The color scheme includes
reds and blues, in the costume and draperies.
Property of the Estate of the late SeNuor Satvapor pE MENDONCA.
PERUGINO (PIETRO VANNUCCI)
Travian: 1446—1523
No. 156— SAINT CATHERINE
Panel: Height, 171, inches; width, 121% inches
25) are
ae ann. ove
A nearty half-length picture of the Saint as a young woman, in costume of
red, and her light auburn hair falling in curls upon her shoulders. With her
left hand she holds a palm against her breast. Halo around the head; dark-
colored background.
Signed at the upper left-hand corner, Pierro Vannvcct, and dated 1486.
Property of the Estate of the late Senuor Satvapor pE MENDON¢A.
LUCAS CRANACH
GERMAN: 1472—1553
No. 157— THE WOMAN TAKEN IN ADULTERY
Panel: Height, 131% inches; length, 20 inches ape pp,
uf 5 VV eek t6
In the center of a composition of eleven three-quarter-length figures Christ
is depicted as pronouncing the words given in the inscription in German at
the top of the picture, while the woman, her hands bound together with a cord, —
leans towards him from the right. Between their heads appears the face
of an obese gentleman who is, apparently, the leader of the accusers. Among
the other personages are citizens and soldiers in costumes of the sixteenth —
century.
Property of the Estate of the late S—Nuor Satvapor DE MENDONCA.
BRUCE CRANE, N.A.
AMERICAN: 1857—
No. 158— AUTUMN
Mt a
A wate autumn effect showing fields and_ hills ae with tawny brown ih Bs.
herbage. In the foreground some sticks of wood lie scattered about where AS
a tree has been cut down. The sky is a luminous expanse of pale warm blue ==
with a few clouds, the whole filled with the hazy atmosphere of November.
Canvas: Height, 12 inches; length, 16 inches ty Ge
Signed at the lower right.
Property of the Estate of the late Dr. M. C. Gouxp.
ROBERT WARD VAN BOSKERCK, N.A.
AMERICAN: 1855—
No. 159— LANDSCAPE
Bey, Geos Canvas: Height, 13 inches; ee inches v7, y +f y,
A strEAm in the foreground, flowing between Banks clothegwith shrubbery;
groups of trees in summer green on either side; a brown Parvest field in the
center-middle distance; sky of white and gray clouds.
Signed at the lower right.
Property of the Estate of the late Dr. M. C. Goup. |
_ JAMES McDOUGAL HART, N.A.
BMCERIOAN 3 1828—1901
COW DRINKING
Height, 12 inches; length, 16 inches ‘ ff / eg iys
RE] Rid Betta: cow stands Eciwart the A ae headed toward the right.
; come to a trough where a wooden conduit brings the blue rill from
ois spring, and | looks up at a pause in her drinking.
ert - oe Signed at the lower left, James M. Harr, 1880.
) the E. A. Bicetow Estate. -
M. F. H. De HAAS, N.A.
AMERICAN: 1832—1895
| - : p 3 161— MARINE
ay Bere “Height, 12 inches; length, 18 inches ¥' Va ? | ee
GRAYISH cliffs or sand an their tops grass-covered, but treeless, extend
- i _ from the right out into a restless sea, under a cloudy sky. A “ener eae
eae vessel is lying to in the middle distance, and in the foreground a fisherman’s
single-sticker is bobbing idly in the wash of the wavelets while its occupant
busies himself with something inboard. _
Signed at the lower right, M. F. H. De Haas, 1883.
Property of the E. A. Bicrtow Estate.
ee Tee a
.
ALBERT BIERSTADT, N.A.
: AMERICAN: 18380—1902
No. 162— THE ROCKY MOUNTAINS
Height, 12 inches; length, spe pee
J ¢ a 1¥i- a fl Lx (Og
In the foreground, on the left, the low, yellowi “green, grassy shore of a lake
is, dotted with the red tops of field flowers, ag over the cool blue lake which
fills the rest of the foreground water fowl are in flight, or resting on the
water. The farther shore is one of brown foothills, above which rise the |
massive, jagged peaks of rugged mountains. i
Signed at the lower left, A. Bierstapt.
Property of the Estate of Mrs. T. Garttarp THomas.
FREDERICK W. KOST, N.A.
AmeERIcAN: 1861—
No. 163— LANDSCAPE a
Height, 12 inches; length, 20 i 4. Ba
jose Tn to - Vasa
In a hae restful country, in aspect Dutch, a sluggish teed des am
flat green fields which lie to right and left of it, as it extends from the right ai
foreground back to the central distance, its gray and tranquil surface mirror-
ing some green pollards that stand near a group of farm buildings on the
right. On the left, yellow haystacks rise at either side of a stable, and over ==
the low-toned, moist green fields is the soft light of a gray day. | |
~~
Signed at the lower left, Frev. W. Kost. ; i:
Property of the Estate of Mrs, T. Gamtarp THomas.
DAVID JOHNSON, N.A.
AMERICAN: 1827—1908
No. 164— STUDY FROM NATURE, NEAR THE POWDER HOUSE
. Canvas: Height, 131, inches; length, 21 inches ;
a (— Qn . eee \ Keg hate
4 4
A picture of great shelving rocks with a sandy pathway leading through
On the left are grass-covered rocks and trees. Overhead is a blue sky.
Signed at the lower right with monogram, D.J., and dated 1868. :
Property of the Estate of the late Dr. M. C. Gout. |
JAMES CRAWFORD THOM
AMERICAN: 1835—1898
No. 165— FEEDING THE CHICKENS
/ . 3 . Facile Water color: Height, 1314. inches; length, 2034 inches ¥ ae) ae Tre Pot
In the yard of a farmhouse an old bucket well is seen on the left with fruit
trees beyond it and blue churn in front of it, and on the right a high wooden
stair leads to the house. On the small balcony at its top a little girl leans
over the rail, looking down at chickens gathered at a feeding dish; another
girl with an empty bow! in her hands stands on the ground, watching the
or Signed at the lower right, J. C. Tom.
Property of the Estate of Mrs. T. Gatttarp THomas,
EMILE MEYER
FrencHo: CONTEMPORARY
No. 166— SELECTING A BOUQUET A
/ 3 6 ge Panel: Height, 18 inches; width, 14%, inca Re YH [LC ) op A at
(/ pe thee fi GaGa
;
}
Ix a salon with French gray walls and much gilding a” priest in red
robes stands at the end of a side table, carefully selecting a goodly hand
bouquet from a large vase of lilies and roses.
Signed at the lower left, E. Meyer.
Property of a Lady. ;
FRITZ C. ZUBER-BUHLER
German: 1822—1896
No. 167— NATALIE — 7s Ob
3 at . Canvas: Height, 18 inches; width, 15 inches
Tue head and bust, life size, of a little girl with brown hair.
Property of a Gentleman.
WILHELM KRAY
GERMAN: 1828—1889
No. 168— THE SMILING PAGE LL Ge
/ yt Canvas: Height, 161 inches; width, 13 inches
Heap, on oval canvas, of a lad in doublet of crimson, white rue and cap oe
crimson with white plume, looking over his left shoulder, face to the ‘pee
tator, and smiling.
Property of the Estate of the late S—eNuHor Satvapor DE MENDONGA.
AUGUSTIN THEODULE RIBOT
FRENCH: 1823—1897 —
No. 169— THE SCRIVENER Je YVi4
ne : Canvas: Height, 16 inches; width, 121% inches
A sEATED figure, in profile view, of a man with a long black coat and blue Bs
nightcap, at a table and eneegete in mending the point of a quill pen. The
setting for the figure is a humble interior with shelves filled with books and
other evidences of the calling of the occupant, who is probably a school- —
master as well as a writer of letters and themes.. The color scheme of restrained —
sober tints foreshadows the strong contrasts in lights and shades that are
characteristic of a later period of Ribot’s painting.
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ve) iy:
Signed, T.R., at the lower left.
From the Henry Hilton Sale, 1900. ¥J2 8300.5 0b na
Property of a Private Collector.
A. DELECHAUX
Frencu: ConTEMPORARY
No. 170— LA JEUNE MERE |
/ coaee Panel: Height, 1614, inches; width, 121, on OS /
Aw excellent example of carefully executed, highly ay Y genre enn
A young mother, with gray skirt and white blouse, is seated with her infant
held on her lap and bemg nourished. The setting for this domestic picture
of motherly love is a comfortable bedroom with parquet floor and period
furniture. On the left, in the background, is the mother’s curtained bed; on
the right the baby’s cradle.
ig Signed at the lower left.
Property of a Gentleman.
CHARLES EMILE JACQUE
Frencu: 1813—1894
No. 171— READY TO START :
¢ ¢ J . ° °
Riser de Height, 151, inches; width, 13 inches Bae y oe: LO AAT
Yt wht gt
A wuite donkey, saddled and bridled, standing at the festway of a stable, o]
built of stone. At the right a hen looks hesitatingly forward before deciding ‘
to enter the stable door. An excellent example of Jacque.
Signed at the lower right-center, and dated 1869.
Property of the Estate of Lorena L. Barser.
EDOUARD JEAN HAMMAN.
Bertcran: 1819—1888
No. 172— £'THE TERRAC Lee ©
Canvas: Height, 18 inches; width, 15 inches
8, 26 al
A croup of four figures, of whom three are women, seated and standing
a terrace at the head of stone steps at the left of the picture. With his rig
arm resting against a pillar, at the right, stands a man in costume of red
the period of Charles IX, who holds up his left hand as he addresses t
ladies. As the latter are in the dress of the Second Empire it is presumabl
that the man is in costume for some ceremony or spectacle. The face of t
lady who is sitting on the etek bears a resemblance to the Empress Bugés
Signed at the lower right, and dated 1854,
Property of the Estate of the late SENHorR SALVADOR DE Menpon¢a.
FRANCISCO PERALTA
SPANIsH: (?) —1896
No. 173— THE PROPOSAL 7 (~ ie
y: ( on Panel: Height, 1914 inches; width, 14 inches
;
———
A croup of two figures in the most elegant costumes of the Court of Henri —
Deux in the sumptuous surroundings of an apartment hung with rich, vari- __
colored draperies. A lady with dress of ivory white, figured with gold and __
with gold embroidery is seated in an armchair facing a gentleman in costume __
of light blue and pink with cape of wine-colored velvet who is in the act of
reaching out his hand to draw away a fan that the lady holds before her face
to conceal her blushes. ie! omg, ee fe re
ee DT ae tn eh gh | Oe ek
: wea a <
® ae 7. Se PR ee
GEORGE H. BOGERT, A.N.A.
AMERICAN: 1864—
No. 183— NIGHT IN THE VILLAGE
Panel: Height, 19 inches; length, 24 inches
ra ; 7
eR y fv.
A CARREFOUR, or irregular square, in an English Village
enclosing it. A man is seen riding a horse across the square and the shor
dow of a little shop, in the center of the composition, is aglow with
Over all is a night sky of gray with a glint of light on the clouds
unseen moon. oy
Signed at the lower right, and C
Property of a Lady. eat
ARTHUR PARTON, N.A.
American: 1842—1914 _
No 184— : THE POND Hepae iS Ne
/ a, j ae Canvas: Height, 16 inches; length, 22 inches
In the foreground are the quiet waters of a pond, reflecting the green ae
clump of willows, on the right, where a punt is seen, with two figures.
cottage in the middle distance, near the center, and a eray sky
the picture. :
Signed at the lower re
Property of the Estate of the late Dr. M. C. Govtp.. . |
CARLETON WIGGINS, N.A.
AMERICAN: 1848—
No. 185— CATTLE IN PASTUR
Canvas: Height, 17 inches; length, 20 inches
»
Jxatm—
JO r
Meapow lands with a stream on the right; a white cow standing in the fore-
ground and a black one lying down just behind her; other cows grazinis S ‘ge ee
farther away. Sky of gray clouds.
Signed at the lower Toft.
Property of the Estate of the late Dr. M. C. Govuxp.
BRUCE CRANE, N.A.
AMERICAN: 1857— “ o
Lert | S, Sh Cth ec
No. 186— THE VILLAGE BY THE RIVER Ps
; Canvas: Height, 18 inches; length, 24 inches V
ee
LANDSCAPE with a French subject. The foreground is occupied by the
smooth waters of a river, with a green bank at the left, and on the opposite
shore are houses with white walls and red-tiled roofs and a church of me-
dieval architecture. The sky overhead of pale blue, with a few white clouds,
is reflected in lower values in the river.
Signed at the lower left.
Property of the Estate of the late Dr. M. C. Govtn.
H. M. KITCHELL
AMERICAN: CONTEMPORARY
Vey:
lp \e a ae /
wnenenie [ ~/ ff » Z
No. 187 EVENING GLOW lO F- UL
3 os, te a Canvas: Height, 18 inches; length, 24 inches 5
eee
Tue edge of a forest, with trees on the right reaching to the top of the
canvas. On the left a sky of orange tints with small, dark clouds in the
upper portion.
Signed at the lower right.
Property of the Estate of the late Dr. M. C. Govutp.
ALBERT LYNCH
Peruvian: 1851—
FreENcH CONTEMPORARY SCHOOL
No. 188— YOUNG Woman / at
{/ if
j ge Height, 2514 inches; width, 20 inches
A HALF-LENGTH, life-size picture of a young woman with face to the spec-
tator and head slightly inclined to the left. Her dress consists of a scarlet
lace-trimmed wrapper and boudoir cap of white with red and white striped
ribbon and a yellow rose is fastened-to her clothing on her breast.
Signed at the left.
A
2 ab Ane
Property of a Lady.
JUSTUS SUSTERMANS
| FLEeMIsH: 159 ea
VV IZ
No. 189— PORTRAIT OF A YOUNG pelts
Ds Canvas: Height, 241, inches; width, 191% inches
SoBe
Bust portrait of a young gentleman in a coat of brown and black; wide a. a
collar edged with ge and, across the chest, a silver chain with pe
emblem.
Property of the Estate of the late S—eNuor Satvapor pe MEenpon¢a.
GEORGES MICHEL
Frencu: 1768—1843
No. 190— LANDSCAPE WITH CATTLE AND GOATS
/ / j EOEN Canvas: Height, 211% inches; cae 251, anches
A DUN-COLORED cow stands in a stream, fo) upies the foreground, hile
goats are browsing on the banks at the right. On the left bank is af/group
of trees. The middle distance shows rising ground, with cattle grazing on = af
the hilltops, their forms in silhouette against the warmly-tinted gray sky.
Seal on the back of stretcher.
Property of the Estate of the late Sennor Satvapor pE Mrennonca.
JAMES STARK
EneutsH: 1794—1859
No. 191— VIEW OF NORFOLK
a Sot ‘Canvas: Height, 24 inches; length, 26%, Vis
A view of the town of Norfolk, seen from the river CO « fills Co fore- :
ground of the picture. On the right bank are buildings and a square white
tower, and shipping. In the center of the composition is an arched stone
bridge. The sky is filled with gray and white clouds with heavy masses in
the lower portion.
Property of the Estate of the late Sennor Satvapor p—E Menponca.
aw
4 4, fae Canvas: Height, 26 inches; width, 20 inches
F. PILLE
FRenNcH: CFNTEMPORARY
No. 192— COUP DE MISTRAL, ESTEREL, CANNES
a Canvas: Height, 2114 inches; length, 29 Heel (4 ts f
A MARINE showing the blue-green waters of the Mediterranean whipped into
white-caps by the mistral, or north-west wind, and crashing in breakers and
surf on the foreground shore. The opposite shore of the gulf is seen in the
right-middle distance, where a headland projects, formed of mountainous
hillocks, illumined with tints of violet by the late afternoon sun. Above is a
sky of tempered blue with lilac-tinted clouds in the lower portion. The gen-
eral effect is strikingly veracious.
| Signed at the lower right.
Property of a Private Collector.
PETRUS VAN SCHENDEL
Dutcu: 1806—1870
No. 193— TESTING THE EGG
A scENE at night in the market-place of a town in the Netherlands. A house-
wife, with her basket, is holding up an egg before a candle, to judge of its
freshness, while the market-woman and a young man are critically observing
the test. In the background are other market booths, a tree and, in the
distance, the buildings of the city.
Signed at the lower right.
Property of a Gentleman.
é
;
j
7
J
v
GEORGE BARRETT
Enewiso: 1728—1784
No. 194— THE FOREST PARK
Canvas: Height, 25 inches iene ra achaes
see
eat (eA A
a
Growine in the greensward of an ‘English park are two ae beeches wi
wide-spreading branches covered with early autumn foliage reaching to 1
top of the picture. Farther away are other trees and stretches of level a
turf where, at the left, a flock of sheep is seen grazing in the sunshine. In
the shadows of the foreground, on the right, are a doe and fawn; on the deft ay
a stag. %
Property of a Private Collector.
WILLIAM BRADFORD, A.N.A.
AmeERICAN: 1830—1892
No. 195— ~ IN NORTHERN SEAS
ae Height, 20 inches; length, 30 inghes
Ca : we BE
THE sea, comparatively smooth, occupies the foreground, hile 3 in the ‘middle
distance is a great iceberg illumined by a gleam of sunlight. In the left-
center of the picture is a two-masted fishing vessel, moving slowly along before
a light wind, and a boat load of sailors busy with the work of the catch, —
Near the iceberg are two other vessels and in the distance, at the left, appear
the sails of the rest of the fleet. On the right is a headland, with snow lying —_
in the ravines, on which are seen the buildings of a government station. The
sky is filled with clouds and the picture is made effective by the late after-
noon sun lighting up the middle part of the composition.
Signed at the lower right.
Property of a Lady.
J
i
Ay
J. G BROWN, N.A.
AmeERIcAan: 1831—1913
No. 196— AT THE BROOK
Height, 30 inches; width, 20 inches
A BUXOM woman is ated: nude, on white drapery at a brookside, one foot
dipped in the shallow water. She is turned to the left, three-quarters front,
and the sunlight falls full upon her from the left.
; Signed at the lower right, J. G. Brown, N.A.
Property of a Lady.
HENRY P. SMITH
American: 1854—1907
No. 197— | MARINE
at RA e 2 Canvas: Height, 18 inches; length, 28 ror
A view of the sea off the coast which is seen on the right, in the. middle
distance, showing a hill with houses at its foot and two piers jutting out
into the water. Fishing boats, in the left foreground, pitching on the
waves; clouded sky with spaces of blue.
Signed at the lower left, and dated 1883.
Property of the Estate of the late Dr. M. C. Govuxp.
MAX WEYL
AmeERIcAN: 1837—
(7
No. 198— THE POTOMAC FLATS (ER a eae
ff U jail Canvas: Height, 24 inches; length, 36 inches x
A xtanpscaPE with effect of early evening showing, in the foreground, broad
meadows and pools. On the right, in the middle distance, a group of trees;
beyond, in the left center, the Potomac river and the farther shore. The
partly clouded sky shows tints of pink in the lower portion.
Signed at the lower right.
Property of the Estate of the late Senuor Satvapvor pe Menponga.
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J,
Vi”) fh /
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Fs
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YVL-VI- deanna gor
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g. (hiee Uercerg 6 oe
2 a ee Height, 3434 inches; width, 281%, inches
p Voor Rane
NICOLAS POUSSIN
Frencu: 15938—1 ie
No. 199— LANDSCAPE
Tau trees at the left of the foreground rise dark against the sun, hou
light comes from the left beyond them and illumines in the middle distance
and background some rolling pastures and high hills. Two people are walking
across the fields toward a group of buildings. Near the foreground is a stream
and a man ashore is raising a net. : eo
Property of the Estate of Mrs. T. Gatrtarp THomas.
ALBERT BIERSTADT, N.A.
AMERICAN: 1830—1902
No. 200— GIANT TREES OF CALIFORNIA
3 a ce . Canvas: Height, 28 wan. width, 19 Cipaleser _
A croup of the Giant Trees of California. righ trunks rea up to the toy
of the canvas where there are some of the lower pranehest ie in the back-
ground are pine trees, which afford a measure for comparison with the great
trees that form the subject of the picture. In the upper part of the canvasa
dark blue sky appears. ae
Signed at the lower right.
Property of the Estate of the late Dr. M. C. Gourp. .
RALPH ALBERT BLAKELOCK, A.N.A.
AMERICAN: 1847—
} f) ae
No. 201 LAanpscaPBUL Ly OnLy
Canvas: Height, 20 inches; length, 34 inches
A poot, amid rocks, in the foreground; trees on the right, and in the middle
distance, on the left. At the left, from a vantage point on a rock, an Indian
is seen shooting, with bow and arrow, a deer at the brink of the pool. The
entire canvas is painted in warm browns, yellows and rich brown greens.
Signed at the lower right.
Property of the Estate of the late Dr. M. C. Goutp.
GEORGE HERBERT McCORD, A.N.A. \
AMERICAN: 1840-—1909_
> +
+
int in \ the PAections from the blue sky.
~
—
Signed at the lower left, and dated Sorrento, 1907.
W. HAMILTON GIBSON
AmERICAN: 1850—1896
STILL LIFE—FLOWERS
een edie: Height, 30 inches; width, 2114 inches “4 (3 a
oe. Vip. ae. ae
7 a
a Piierical erystal vase which takes a variety of hues from an Oriental
_ rug on which it rests, and which extends up the wall behind it, is a brillant
bouquet of marguerites and wild roses, and other white flowers. Beside it are
a smaller crystal vase and a crystal ball.
‘Signed at the lower right, W. Hamitron Gisson, 1881; copyright, 1888, by W.
Hamitron Grsson.
Property of the E. A. Bicerow Estate.
=
EDWARD GAY, N.A.
AMERICAN: 18388—
/
No. 204— EVENIN
( (7 f— Canvas: Height, 23 inches; length, 30 inches
A stream with placid waters winds into the middle distance. On the bank at
the right is a group of trees; on the left, in the middle distance, are trees
and hills. Above is a rose-tinted sky with crescent moon, which i is rele Ge ;
in the waters.
Signed at the lower ie
Property of the Estate of the late Dr. M. C. Govt.
MAX WEYL
American: 1837—1914
No. 205— A WOODLAND POOL |
ee Canvas: Height, 33 inches; width, 25 inches (3
eh ee
In the center of the composition is a little waterfall, “where stream tumbles
over rocks and continues its course into the foreground, thé/waters reflecting
the trunks and foliage of white birches on the bank at the left. Through the —
trees is a vista of landscape with an early summer sky of pale blue with white mes”
clouds. ie
| Signed at the lower right.
Property of the Estate of Lorena L. Barser. SS
JOHN SINGLETON COPLEY
(ATTRIBUTED TO)
American: 1737—1815
No. 206— = ‘THE DUKE OF WELLINGTON ;
ve Canvas: Height, 36 inches; wi 28 inches Y) $A
Tes eae
black cloak covering his red coat except for a portion of At showing at the
neck ; plumed chapeau with gold order, or military badge; t
profile view, turned to the left.
A LIFE-s1zE bust portrait of the Duke of Wellington in se uniform, a
e head, nearly in
Property of the Estate of the late Senwor Satvapor pE MEenpon¢a.
PHILIBERT LEON COUTURIER
Frencu: 1823—
a
'
5
a
No. 207— THE POULTRY YARD
: j ce Canvas: Height, 231%, inches; length, 34 inches 6 WADA
ee oe aie ode
Cuicxens and ducks in a poultry yard, some of them feeding from a basin
| and a trough, others lying down or roosting on the chicken house at the left.
_ On the right, farther away, is a peasant farmhouse. Above is a blue sky.
( Signed at the lower left.
By order of Evxecutors.
P. LEBRET
FRENCH
No. 208— #23 } #£(LANDSCAPE AND SHEEP
—— 3 Canvas: Height, 29 inches; length, 39 aad A ly a (poe
[4
Suzezp and lambs in a pasture field, one of the sheep, with black face and dark, /
fleece, standing at the left and another with white fleece lying down in t
middle foreground.
Signed, on fence, at the left, and dated 1867.
Property of a Gentleman.
FRANCOIS ALFRED DELOBBE
Frencu: 1835—
No. 209— AT THE SPRING 5 us VV tie AY MIM F ,
uf 7 ——_— Canvas: Height, 451, inches; width, 35 inches (a q
A uire-sizE figure of a Breton peasant girl, in blue dress with Breton em-
broidery at the neck, flowered apron and white cap, seated before a stone
basin, at the left, where her water jar is filling from the jet that flows from
a pipe leading out from a hillside. Overhead is green foliage.
Signed at the lower right.
By order of Executors.
No. 210— | THE LAKE
1615—1673
No. 212—._ : THE SHOCK OF BATIUE
3 Hid Canvas: Height, 32 inches; length SI, inches, oe Ln ie
in the picture.
SPLINE rere Fah ied aM +g 3
A. NORMANN
Norwecian: 1848—
fens
Canvas: Height, gas length, 4li}/, inches
ride
are fishermen and pleasure seekers, in boats. The sky is of gray-blue |
white clouds drifting upward from the snow-capped mountains. |
Signed at the lower r
Property of the Estate of Lorena L. Barper. .
J. N. F. van STORKENBORGH
GERMAN
re
No. 211— LAKE OF DERWENT WATER, CUMBERLAND
— Canvas: Height, 361, inches; tif 51 inches te /
AY
In the right foreground, on the shore of the lake, a party. men, women and
children are waiting to be ferried to some other landing place, and a man is
seen in a boat approaching the shore and about to cast the painter, a metal
chain that he holds in his hand. In the middle portion of the picture there —
are oaks and rising behind them are high hills. At the upper left is a sky of
gray clouds. an
Signed at the lower right. —
Property of a Gentleman. . ie a
SALVATOR ROSA .
(ATTRIBUTED TO)
Two horsemen, wearing cuirasses of steel, in a hand to ee encounter, while
a multitude of cavalrymen press forward, from the left, to the support of their
leader, who is getting the worst of the duel that forms the central incident
Property of the Estate of the late SsNuor Satvapor pe MENnponga.
ORIZONTI
JAN FRANS VAN BLOEMEN (Called ORIZONT])
1662—1740 ?
No. 213— LANDSCAPE
of pe wily eam
~ 6 f ee. Height, 38 inches; length, 521, inher
A tatu castle with battlemented towers and various other buildings are seen
in a vast mountainous landscape, the castle in the middle distance command-
ing a pass and the foreground showing a rough, irregular, sheltered valley
largely in shadow. Here a man is running, a young woman and a partly nude
man are conversing on a knoll, and other figures are seen, reclining or in
motion, including in the middle distance a horseman followed by a man on foot.
On the stretcher is a paster with the following inscription:
“Original. A large landscape by an old master, Orizonti. Bought for me by Henry K
Brown in Rome, where Mr. Brown saw it repeatedly and took other painters to see it.
Coghetti not only pronounced it an unquestionable original, but Orizonti’s best picture.
“Troy, Noy. 1868, Emma Willard.”
Property of the Estate of Mrs. T. Garttarp THomas.
FLEMISH PRIMITIVE SCHOOL
No. 214— THE HOLY FAMILY AND THE MAGI
om ae Canvas, mounted on wood panel: Height, 33%, inches; wid a i ga a
THE Virgin i is seated at the left with the Child on her lap. One; he Wise
Men, in gold embroidered robe, kneels, in the center, as he pres np a casket
to the Child. Two other wise men, one a negro, are behind the kneeling figure,
at the right. Joseph is seen standing, with a staff in his hand, behind the
Virgin. Architectural background.
Painted on the back: A figure at prayer.
Signature, “Man,” at the lower left.
Property of the Estate of the late SenHor Satvapor p—E Menpong¢a.
AW
— A V A .
“ Ph Fg EP |e
ALONSO CANO
SPANISH: 1601—1667
No. 215— MADONNA
if Canvas: H tg 43 inches; width
Cs
THREE-QUARTER length seated figure: of the Madonna, with the Chita
inches
spectator. The Child is depicted nude and the Madoran is -alothels in
red and blue, with hood ang cape of yellow brown. 1
Property of the Estate of the late S—nuor Satvapor DE Mennonga.
FRANCESCO VINEA
Irauian: 1846—
No. 216— poe a
7, oe Canvas: Height, 72 inches; widt reg
A FULL-LENGTH, life-size figure of a young Italian woman; face in full view
the spectator and smiling. She is depicted dressed in a frock of blue, fig
stuff, white apron, and red kerchief on her head, standing, with her
extended on either side, against a rustic fence. The setting for the figt rey:
is on a hillside, covered with green plants and vines. In the upper portion of = a
the picture, at the left, are trees on the crown of the hill, and at the right, By :
a glimpse of the sky. wie
Signed at the lower right, and dated 1888. x :
Property of the Estate of Lorena L. Barner.
oe Ct Fa gg
JOSEF DE RIBERA
Spaniso: 1558—1656
No. 217— THE MARTYRDOM OF SAINT BARTHOLOMEW
is Bile a SO Canvas: Height, 60 inches; length, 76 inches Oo | oe: | :
MVAL
Tis impressive composition shows the nude figure of Saint Bartholomew,
nude except for a white cloth about his loins, on the right of the canvas, in
three-quarter length, life-size, upright with his arms stretched upward by
ropes bound around his wrists. Cuts, made by the torturer, on his left breast
have soaked the loin cloth with blood, and the scourger, in red turban, who
is at his side, at the left of the saint, is making ready to inflict more wounds.
At the extreme right is a boy carrying the saint’s clothing; at the left are
soldiers. The figure of the martyr, an elderly man with grizzled beard, his
head drawn backward in pain, is of a fine golden tone and is modeled with
breadth and virile handling. The picture as a whole gives evidence on its
face of being the work of a painter of great ability.
_ Property of the Estate of the late SenHor Satvapor v—E MENpDOoN¢A.
THIRD AND LAST EVENING’S SALE
FRIDAY, MARCH 31, 1916
AT THE AMERICAN ART GALLERIES
BEGINNING AT 8 O'CLOCK
GEORGE HENRY BOUGHTON, N.A., R.A.
AMERICAN: 1834—1905
No. 218— AT THE BANKSIDE
s Charcoal drawing: Height, 11 inches; width, 8, inghes Cc }
A youne woman of pleasing features and placid, thoughtful Axpression, is
seated on a bank at the edge of a grove, quietly enjoying ef day of mild
temperature, hatless and clad in a loose, comfortable gown. She faces the
left, elbows on knees and one hand raised to her breast.
Signed at the lower left, G. H. B.
Property of the Estate of Mrs. T. Gaittarp THomas.
ALBERT BIERSTADT, N.A.
AMERICAN: 1830—1902
No. 219— SUNSET Wg O 43. ‘as Saal
¥
yr? - Height, 914, inches; length, 131%, inches
Bryonp a round-topped mountain the sun is sinking, turning the sky to gold,
crimson and purple, and sending still a ray across the green flank to brighten
a dark river flowing at the mountain’s foot. On the nearer side of the river
three cows are moving lazily homeward, followed by a farmer.
Signed at the lower right, A. Briersrapr.
Property of the E. A. Bicetow Estate.
GEORGE INNESS, N.A.
AMERICAN: 1825—1894
No. 220— | IN THE FIELDS
a a ae Canvas: Height, 6 ee oe ll inches )
A srupy in the early period of the great landscape painter chow’ "aft e//
care in execution. In the foreground are a field with white masses of blossoms is
among the herbage and a group of trees, at the right. Beyond is an uncut |
field of grain and, in the distance, trees 4nd the tower and spire of a white en
church. The sky is of pale blue-gray with white clouds in the lower ‘patent 3
La
Property of the Estate of the late Dr. M. C. Goutp.
Span!
FELIX SATURNIN BRISSOT DE WARVILLE _
Frencu: 1818—1892 ,
No. 221— - THE SHEEP PASTURE
3 " on | Water color: Height, 914 inches; length, De
ue es
Two sheep, close in the foreground, are nibbling at the green grass of a bank
that rises abruptly on the right, crowned by a stunted, leafless tree. A third
gate looking on.
Property of the Estate of Mrs. T. Ga1ttarp THomas.
FELIX SATURNIN BRISSOT DE WARVILLE |
Frencu: 1818—1892 \ a =
No. 222— ~—-—-* FEEDING THE SHEEP _+ 2 ae
2 De Water color: Height, 91% inches; length, ee Cpe] Ce C
Five gray sheep are at a feed rack against a white and gray and brownish —
stable wall. The rack is filled with grass in which red clover and field flowers
mingle, and a herdsman with arms laden is about to drop in more of the succu-
lent provender.
Signed at the lower right, F. Brissor.
Property of the Estate of Mrs. T. Garttarp THomas.
JOHN CONSTABLE, R.A.
Eneuisu: 1776—1837
/)
No. 223— LANDSCAPE G. pete Mt DATAA
—ye Water color: Height, 634 inches; length, 834 inches
Las Ce
Unver a sky of tumultuous clouds, darkening but still full of light, rolling
hills along the horizon bound a sunny plain at whose farther end a village
nestles, its gray church steeple prominent.
; Signed at the lower left, J. C.
Property of the Estate of Mrs. T. Garttarp THomas.
JOSEPH MALLORD WILLIAM TURNER, R.A.
_Enenisu: 1775—1851
ND. 224— THE STRAW YARD ~/( 7) 4, me
7 a Drawing in sepia and crayon: Height, 61% inches; length, 10 inches
A ¥rarm yard with a thatch-roofed stable and several horses eating from
bunches of fodder. Some men, at the left, are building a straw stack and, at
the right, near a gate are two other farm hands, one of them with a wheelbarrow.
From the collection of the Rev. Sepastian Bownen, S.J.
Property of a Private Collector.
EMILIO SANCHEZ-PERRIER
SpanisH: 1853—1907
No. 225— LANDSCAPE :
es , A : : Va YY
5 sy oa Height, 6 inches; length, 81, inches | Va SF a pe in Zo a
GrRAYIsH-wuiTeE buildings with brownish-tiled roofs, mounting, it seems, in tiers “
U
one above another, give a rigid, angular skyline against an intense but light
blue. Below are masses of low-growing trees with close, feathery foliage, in a
green and brown field where several figures are resting on the grass.
Signed at the lower left, E. Sancuez Perrier.
Property of the Estate of Aurrep Henry Lewis, Ese.
Tid pees
ALEXANDRE GABRIEL DECAMPS |
Frencu: 1803—1860 3
No. 226— AT THE OUTPOST
Canvas: Height, 9 inches gth, eer
7A
/1 0 vy 2 nt ba
Tue scene shows a building with a hich courtyard wall, at the left, at the foot fy
of a range of hills. A camel, with its load on its back and ied by its driver,
is in the foreground, while at the door of the building are.a group of figur Sek
and another camel. hee
Signed at the lower ri,
Property of the Estate of the late Senuor Satvavor pe Mrenponga.
LEON VICTOR DUPRE
Frencu: 181 6—1879
No. 227— _ ON THE RIVERSIDE/~
Panel: Height, 9 inches; length, 15 inches
/fo =
A LanpscaPE with a stream in the foreground, a white-walled cottage aie ae
trees on the right and a plain, with trees, on the left. The sky is of blue with ‘<
white and gray clouds. :
Signed at the lower right.
Property of a Gentleman.
JEAN JACQUES HENNER
Frencu: 1829—1905
No. 228— 3 JEUNE FILLE
Panel: Height, 10%, inches; width, 7 inokde “1 ae a é AHN a ) i .
A HEAD of a young woman, in full rue to the spectator, with luxuriant blond
hair falling over her shoulders; low cut bodice of bluish black, background of
peacock blue. Notably balan in general effect.
) Signed at the upper left.
Property of a Lady.
ROBERT C. MINOR, N.A.
AMERICAN: 1840—1904
No. 229— MOONLIGHT
3 4 e _ Millboard: Height, 6 inches; length, 8% ee (2
Tue composition shows groups of trees on both sides of the canvas and
cottage, placed among them, at the left, with light in a window. A lake appear
in the middle distance. The night sky is filled with clouds with the moon illu-
mining them in the upper portion.
Signed at the lower right.
Property of the Estate of the late Dr. M. C. Govt.
HOMER D. MARTIN, N.A.
AMERICAN: 1836—1897
a 0-~— | THE LAKE
/ ae Canvas: Height, 6 inches; length, 10 inches Y Ww pi
3 4
A view of one of the Great Lakes, with a group of trees on the shore at the
right. Overhead is an evening sky, with gray clouds at the horizon and cea
tints above where the sky is gilded by the setting sun.
Signed at the lower right.
Property of the Estate of the late Dr. M. C. Goutpn.
BEN FOSTER, N.A.
AMERICAN: 1852—
No. 231— THE CLOSE OF DAY
Millboard: Height, 9 inches; length, 12 inches
he ae
So meme
A marsuy foreground and a green hillside beyond, with buil
trees on its summit in silhouette against the evening sky.
Signed at the lower left.
qn. BA a ian <<
gs and clumps of
Property of the Estate of the late Dr. M. C. Gouxp.
ARTHUR PARTON, N.A.
AmeERICAN: 1842—1914
No. 232— AN ORCHARD IN SPRINGTIME
gth, 16 inches
Canvas: Height, 11 inches;
( joe
of tender blue and gray.
By order of Executors.
GEORGE INNESS, N.A.
AMERICAN: 1825—1894
No. 233— SUNSET
Canvas: Height, 12 inches; wi inches
Tue foreground shows meadows and a pool. the middle distance, at th
left-center, are a building and tall trees. On‘the right a train is passing wi
black smoke from the locomotive drifting over it. The sky is composed o
warm grays, reds and yellows.
Signed at the lower left.
Property of the Estate of the late Dr. M. C. Govtp. s
WINSLOW HOMER, N.A.
AMERICAN: 1836—1910
No. 234— THE STAG
/ mm) o- Water color: Height, 151, inches; csr ae er
A /
Heap of a deer, appearing above a clump of bushes which hides his body from
view. Blue sky background.
Signed at the left, and dated 89.
Property of the Estate of the late Dr. M. C. Gout.
_L—_———-- eS.
BEN FOSTER, N.A.
AMERICAN: 1852—
No. 235— FAGOT CARRIERS |
Wat lor: Hei ll i i , 16 ¢
by ve ater color: Height, inches; length ee (3 ee
Wn. Zi: )
Tue gray and brown roofs of a European hamlet are seen above gray garden
walls, beyond a flat green field. In a winding road across the field to the village
a man in sabots and a woman accompanied by a child are bearing on their
shoulders large bundles of fagots.
Signed at the lower left, Ben Foster.
Property of the E. A. Bicetow Estate.
BRUCE CRANE, N.A.
AMERICAN: 1857—
No. 236— THE WESTERN SKY
3 7 0 ve ~~ | Canvas: Height, 12 inches; length, 16 inches Sa Spee |
VV MNt20 |
In the center of the foreground, a pool; on the right, a cottage; at the left a
clump of bushes; in the distance, a line of hills. Over all is an evening sky with
clouds orange-tinted by the sun, which has just gone down below the horizon.
Signed at the lower right.
Property of the Estate of the late Dr. M. C. Govtpn.
JOHANNES HENDRIK WEISSENBRUCH
DutcH: 1824—1903
No. 237— THE BARN
F ve Panel: Height, 10% inches; width, 84 inches ;
é —— pest
A Brown barn comes into the background from the ri , and in front of it
rise several tall and graceful trees. In the green, most, grassy foreground
some black and white cows seek the shade of the tall trees.
/) //
on Wyre Wh parrete [
VY
Signed at the lower right, J. H. WetssenBaucn.
Property of the Estate of Arrrep Henry Lewis, Esa.
HY yy i YWeievy.
LOUIS GABRIEL EUGENE ISABEY
FRENCH: 1804—1886
No. 238— A CEREMONY
7 4 * Height, 1014 inches; length, 1334 inches
Te scene is the interior of a church, with an altar back of whic 1a
large cross. Here a kingly figure robed in red stands(majestically, hold
his right hand a sword pointed at the zenith, and with his left extended te
an object on the altar, as if directing a red-robed man kneeling before
with arms reaching forward to make a vow. Seated near is a mitred figu:
and among the large company of men and women in attendance in the bo
of the building now and then a lance projects and one man has arisen ond h
vonnden Seemingly the sketch for a larger Sicare
Signed at the lower right, Isapny.
Property of the Estate of Mrs. T. Gatrrarp THoMas. an
FELIX ZIEM
Frencu: 1821—1911
No. 239— VENICE
Height, 104, inches; length, 15 inches
Ar the left a corner of the Libreria comes into view, with the columns ofthe
hon and St. Theodore, and the facade of the Ducal Palace. People are s¢gted —
on the library steps, and robed dignitaries are about to embark in a gondola.
Beyond it Venetian sailboats are seen in the violet distance, under a pale s
yellow sunset sky. 7
Signed at the lower left, Zrem.
Property of the Estate of Mrs. T. Gaitrarp THomas.
LUIGI LOIR
AUSTRIAN: 1825—
No. 240— THE SIDEWALK MARKET
fy Z) hs Water color: Height, 11 inches; length, 1614 inches ,
~
Wares of many sorts are spread along the sidewalk, at either side of a n
merchant’s booth, and a characteristic crowd of French passers-by are mowing
past or stopping to look over the goods. On the right, cannon on a parapet are
pointed over the scene, and the buildings below are overtopped by a cathedral of
twin spires. |
Signed at the lower right, Lom Lvict.
Property of the Estate of Atrrep Henry Lewis, Esa.
LUIGI LOIR
AvsTRIAN: 1825—
No. 241— CITY STREETS
Ses Canvas: Height, 12°4 inches; length, 1514 inches |
(3d YN | G Nek.
A ryrrcat French carrefour, such as are found near the fortifications of Paris, —
is depicted, in the autumn, when the sparse trees are all but leafless. (puildings
are irregular, people are plentiful, and at hand are a couple of city police-
men.
Signed at the lower right, Lom Lute.
Property of the Estate of Arrrep Henry Lewis, Esa.
PIETER NEEFS
FLemisuH, circa 1577—circa 1660
AND
FRANS FRANCKEN
Called DON FRANCISCO
Friemisu: 1581—1642
No. 242— INTERIOR OF ANTWERP CATHEDRAL
/ my e
6 Ant, Panel: Height, 10 inches; length, 12 4nches,
AN niece view of the Cathedral at Antwerp, Belgium, with figures of
and gentlemen in seventeenth century costume, and peasants and arti
Some of the people are kneeling. The architectural forms are carefully dr:
and correctly rendered. The figures were painted by Francken. — soy
In the Museum of Brussels there is a picture to which this one , bears a likeness, but i
of different size and the figures are differently disposed in the composition.
Property of a Lady.
PIERRE MIGNARD
Frencu: 1610—1695 _
No. 243— MADONNA
Canvas: Height, 151% inches; width, 1114 OF:
SS <—vr
~~ oy —
A croup of three figures. The Mother, seated, in lilac-pink and green robe f a
holds the Child on her lap. The infant St. John, at the left, holds up a bunch v va
of flowers, which the Child is taking in its hands, looking up, at the same time, o*
in its Mother’s face. ,
Signed P. Micnarp, and dated at Rome 1—4—. on the base of stone seat at lower KS
right.
Property of the Estate of the late Senuor Satvapor pe Menpong¢a.
JAN GOSSAERT MABUSE
1470—1541
No. 244—PORTRAIT OF JOHN MOORE, SON OF
SIR JOHN MOORE :
ee ole Panel: Height, 17 inches; width, 12 inches Be
axe,
A HALF-LENGTH portrait of a young man whose hair is cut around below his
ears, dressed in a black cloak with gray sleeves and dark red under-jacket with
yoke of white mull. The head, with black flat hat is turned in three-quarter
view to the left and he holds a glove in his right hand. The background is of
neutral tone. es
THERE is a group of fine trees in the right-center of the position and a
road leads from the foreground into the distance. A peasant woman is s
with a bunch of fagots. The early autumn sky is formed of gray and wl
clouds with small spaces of blue. .
Signed at the een ‘righ
Property of a New York Collector. 2
JOHN CROME (“OLD CROME”) —
Enenisu: 1769—1821
No. 264— LANDSCAPE IN NORFOLK
9 ae Canvas: Height, 14%, aches: ng ae ie inches ; CG | i s .
A BRoap winds into the middle riatanee from the right and center foreground. —
On the left, a cottage with steep, peaked roof and another building beyond. =
Trees are seen reaching up behind the cottage and at its door are two igure mae:
The sky is composed of white and gray clouds. a
Property of the Estate of the late Senuor Satvapor pe Menponca.
BARTHOLOMEUS VAN DER HELST ; ‘ a
Durcu: 1613—1670 “as
No. 265— PORTRAIT OF A LANDOWNER
( ge width, wi recs
Busr portrait of a man of the higher bdéurgeois class of the
with long hair and slight mustache; whit collar, with square ends over black
coat.
Canvas: Height, 22%, inchés}
Property of the Estate of the late Senuor Satvapor DE MEenponc¢a.
LEON RICHET
Frencu: 1847—1907
No. 266— SOLEIL COUCHANT
Canvas: Height, 131% inches; length ine
~ eda ght, Vo ’ gth, F
_A sunset landscape with a lake. occupying the foreground and a tree, on the
left, bending out over the water. In the middle distance is a belt of forest
trees, with a gap near the right-center of the picture through which are visible
at the horizon some crimson clouds. Above is a sky, painted in a high key,
which is reflected in the waters of the lake.
Signed at the lower left.
On back, label Bernheim jeune, Paris.
Property of a Private Collector.
JULIEN DUPRE
Frencuo: 1851—1910
No. 267— FRENCH PEASANT GIRL
a Canvas: Height, 2114 inches; ee. US) Caeyeg A fi
A a Oe age OO
A WELI-pRAWN, life-size, head in profile view of a young woman in (res bodice
and white under-bodice, with a kerchief of yellow-brown on her head. ‘The
subject is depicted in out-of-doors effect, with a background of harvest fields
and gray sky.
Signed at the lower right.
Property of the Estate of the late Senuor Satvapor pe Mennon¢a.
iz
”
PAUL DESIRE TROUILLEBERT
Frexcu: 1829—1900 —
No. 268— , LANDSCAPE
. ate ee er Canvas: Height, 18 inches; length
ly, inches
mistaken by expert judges for Cheeta noe it was Trouilicherte pra
sign his pictures with his own name. On the left of this picture is a g
tall birches; on the right, a lake. Over all is a sky of white and gray
Signed at t
Property of the Estate of the late Senuor Satvavor pe Menponga.
NARCISSE VIRIGILE DIAZ DE LA PENA
(ATTRIBUTED TO)
Frencu: 1807—1876
No. 269— IN THE FOREST
Canvas: Height, 16 inches; length, 22 inches Vy
ae
In the foreground are trees with the trunks spaced at intervals acr 36
picture is in shadow. Beyond is a clearing with the woods at the bctheee sid ey $e
all this part being in sunlight. In the clearing are a man and a woman gather- hes —
ing up fallen branches. A bit of blue sky appears at the upper right. Thee ee
elements are combined in a landscape of notably striking effect. —
Signed at the lower right, and dated 59. ee 4
Purchased at the Henry Ward Beecher Sale as a Diaz.
Property of the E. A. Bicetow Estate.
FELIX ZIEM
Frencuo: 1821—1911
No. 270— IN ITALY
s, > 0 y¢ qe Panel: Height, 131, inches; length, 26 a VV ‘ tig sees
A LanpdscaPE in full sunshine with view of a bay in the 7s riatic. At th Yleft, on
the shore, are trees growing out horizontally from a hillock and a wif seated
in the phade. The middle distance shows the blue waters of the bay and the
hills beyond. The blue sky is gradated into yellow-white at the horizon, indi-
cating intense light and warm weather.
Signed at the lower left.
Property of the Estate of Lorena L. Barer.
JULIEN DUPRE
Frenco: 1851—
No. 271— RETURNING FROM PASTURE
3/ y Uv . Canvas: Height, 18 inches; length, 22 ee a oe ie
A PEASANT girl in blue, with a red kerchief on her Gs ond carrying ‘bundle
of fodder, is depicted in the foreground coming home in the late afternoon
with her cows and sheep from the wide pasture fields which are seen in the
middle distance. The animals, as well as the figure of the girl, are notable for
good ‘drawing and the picture, with a quiet color scheme, shows a harmonious
ensemble.
Signed at the lower left.
Property of a New York Collector.
ALEXANDRE GABRIEL DECAMPS
ee Frencuo: 1803—1861
ap
No. 272— ORIENTAL INTERIOR 6 hak Lies
Canvas: Height, 1814 inches; length, 25% inches
In the shadowy recesses of a spacious hall, paved with stone flags, are many
figures, chatting, bargaining and smoking. Through an open, arched door-
way, where the sunlight floods a booth and the walls of houses, are other figures.
The ensemble presents a striking and colorful harmony.
Signed at the lower right.
Property of the Estate of the late Spenuon SALvapor DE MENDONGA.
ADOLPHE ALEXANDRE LESREL
Frencu: 1830—
No. 273— A VISIT TO THE ARMORER
3 / 0 (f ‘Panel: Height, 23 inches; wid Beg ae
A COMPOSITION of two ame showing a cavali ; seated 1 in an arm chair, dressec x
armor, high, white buckskin boots and gray hat with plume, examining % =
musket of beautiful design and workmanship, while an armorer, in red with ae
black cap, stands near him behind a table, on which are displayed other guns, __
swords and a helmet. On a shelf behind him are arms and accouterments and an —
open door, at the left, leads into the workshop where the anvil and tools are —
seen. A highly finished work with historical accuracy in all the details. |
Signed at the lower left, and dated 1889, 2 ;
Property of a Lady. on
AIME PERRET
Frencu: 1847—
No. 274— THE HARVESTER
be Canvas: Height, 24 inches; width, 20 inches
a LITHE, tall figure of a peasant girl coming through a field Tot bored grain. |
Her costume consists of a red bodice, red cap, white under-bodice, dark blue
skirt and grayish-brown apron. In her left hand she carries a sheaf of wheat.
In the distance are a haystack and a farm laborer plowing. On the low horizon
line are seen houses and trees. The evening sky, in the west, is of luminous
pale yellow, gradated upward to blue and gray.
Signed at the lower right. :
Property of a New York Collector.
ETIENNE PROSPER BERNE-BELLECOUR
Frencu: 1838—1910
No. 275— HORSEMEN
inches ;
Two of the French mounted military are seen in/f# sandy road near a wood,
and across a green plain on the left appear the red roofs of a town. One man,
astride a sorrel, is manipulating a cigarette; his companion has dismounted and
holds the head of his bay.
Panel: Height, 17 inches; length,
Signed at the lower right, E. Berne-Bettecovr, 1904.
Property of a Lady.
LUIGI LOIR
AUSTRIAN: 1825—
No. 277— LE SOIR
; ‘ Canvas: Height, 18 inches; length, 24 inches
Jog ey
A-V/
Broap boulevard sidewalks, grayer than the gloaming sky, are busy wi an
active population, men, women and children, bent on their way or with time
for idling; the chimney-pots and roof lines of the city are dark against the
gray aloft. In the shop windows a glow appears and street lights show yellow
below slender leafless trees.
Signed at the lower right, Lor Lute, 82.
Property of the Estate of Atrrep Henry Lewis, Ese.
CHARLES THEODORE FRERE
Frencu: 1815—1888
No. 278—A STREET SCENE IN CONSTANTINOPLE
ee ee Canvas: Height, 151 inches; length, 314, inches 4
xr ; ee
Tuer composition shows an open space with bazaars on the left and on the
right. Sunlight illumines the white walls of the buildings and the scene is
peopled with numerous figures. Two camels are in the throng, and from the
roofs, at the right, a great flock of pigeons is rising in a long flight across the
2k Signed at the lower right, with “Constantinople.”
By order of Executors.
JULES ADOLPHE GOUPIL
Frencu: 1839—1883
No. 279— AN INTERESTING BOOK
po Panel: Height, 25Y, inches; width, 18 inches
/ oot Rat 57, re fy. y, 7
A FULL-LENGTH, seated figure, in profile view with fa ice to the vets on a
woman in a Directoire gown of wine-colored satin and wide gray sash. —
her, at a table of ebony and gold, she holds a book she is reading,
Property of a Private Collector.
AIME PERRET
Frencuo: 1847—
No. 280— THE TOWN ON THE RIVERSIDE
y, ove Canvas: Height, 21 inches; length, 251, rae
ie Cie ‘a
In the left-middle distance of the composition is a group of the houses of a
French provincial town into which leads a causeway from the foregrot
crossing a stream, which empties into the river on the right. A peasant g"
walking to the town, is crossing the bridge of the causeway and in the distance.
are trees, on the river banks, and hills. The effect is one of early xe with
warm-tinted gray clouds in a sky of blue. ae,
Signed at the lower right. 4
Property of a Private Collector. ‘uae
EUGENE JOSEPH VERBOECKHOVEN
FremisH: 1799—1881
eNo. 281— THE HURRYING FLOCK
3 7 j— Height, 18 inches; length, 28 inches VA Gi)
i ph hwnd : CLP. :
a A smatu flock of sheep are being hurried over a snow-covered field by a shep- pra:
: herd, who with his dog is chasing them across the picture, toward the right.
. ; Signed at the lower right, EuctNr VERBOECKHOVEN, 1874.
; Property of a Lady.
— ~ ADRIEN SCHULZ
GERMAN
No. 282— LANDSCAPE
? j te ~Canvas: Height, 211%, inches; length, 2514 inches
| Sie ay :
A roapway leads from the central foreground to the left of a pond, in the middle
distance. On the right are the trees of a forest and on the left of the road ar
two other trees. The sky is of blue with white clouds.
Signed at the lower right.
Property of a New York Collector.
GIUSEPPI SIGNORINI
TraLuiaAn: 1857—
No. 283— IN A MOORISH COURTYARD
Water color: Height, 21 inches; length, 29 inches
ae Ce 7,
Tue white wall of a building, with grated windows, cross« e background
and turns forward on the right, where an archway admits ‘t¢ the interior. In
the yard two richly clad dark-skinned men are having a quiet game at a table
resting on an Oriental rug.
Signed at the lower right, Gruser. Sicnorin1, Paris,
Property of the Estate of Arrrep Henry Lewis, Esa.
GEORGE HENRY SMILLIE, N.A.
AMERICAN: CONTEMPORARY
No. 283A— HILL AND DALE NEAR BRONXVILLE
/ 7 () ys Canvas: Height, 20 aoe width, 30 inches. te
In the foreground are four ducks by a small pool.
away to a forest of tall trees. The sloping ground{/at either side is rock :
covered and topped with trees. ;
Owner, Grorce H. SmItuie.
To be sold for the benefit of families of French Soldier-Artists,
FREDERICK K. EDE
SCANDINAVIAN: 1865—
No. 284— LES BLANCHISSEUSES
a re Canvas: Height, 21 inches; (pe 29 inches - R 7
A RuRAL scene in France. On the left, on the bank of a stream, are two young |
women washing clothes. On the opposite bank are trees {n/autumn foliage and ‘
a house with a red roof. Overhead is a blue sky with white clouds, its expanse
reflected in the water, which has lily pads on its surface near the bank’on the
right. . ae
Signed at the lower left. =
Property of a New York Collector. . ae
FREDERICK K. EDE
SCANDINAVIAN: 1865—
No. 285— LANDSCAPE
3 Canvas: Height, 21144 inches; length, 29 inches =
a/ 6 — : és yy) “Wy. ¢. Lr = Pe
A stream, flowing between green banks, fills the left foreground. On thebank — my
at the right are a rustic dwelling and farm buildings. Trees on se es of
the water and in the distance are the other elements in the composition, which-
depicts an effect of gray weather.
Signed at the lower left.
Property of a New York Collector.
JOHAN HENDRIK van MASTENBROEK
Dutcu: 1875—
No. 286— WINTER
Vt Height, 22 inches; length, 28 inches
a 24 .
Corp gray clouds of winter all but fill the sky, and a light f
a rough roadway that leads away from the spectator betwee
_ houses on the outskirts of a town. On the left is a team and wagon, the driver
muffled in a dark blue coat.
Signed at the lower right, J. H. v. MasrenBRoEK.
Property of the Estate of Atrrep Henry Lewis, Esa.
GEORGES MICHEL
Frencu: 1763—1843
No. 287— LANDSCAPE NEAR PARIS
Panel: Height, 23 inches; length, 29 inches O
ee < ue Lime
A SUPERLATIVELY good example of Michel. The composition shows a
stretch of country, seen from the heights of Montmartre, looking north ae
in the direction of the little town of Enghien-les-Bains and the forest of Mont-
morency. In the foreground a road winds downward into the plains, which
are in shadow, where windmills are seen on the eminences and a village with a
church spire. Farther away are stretches of cultivated country and distant
hills. A shepherd and a woman, with their sheep dog, are seen in the road,
following a flock, and two small figures are in the left center foreground. Over
all is a majestic sky with great cumulus clouds.
Property of the Estate of the late Senuor Satvapor pe Menponca.
ADRIEN SCHULZ
GERMAN
No. 288— EVENING MISTS a
( ) Ge ' Canvas: Height, 251 inches; width, 21 ke
A LANDSCAPE with @ group of tall trees 1 in th foliose on the right, a stre ‘
distance, and ie jee of a herd of deer advancing from the shrubbery
drink at the waters. Over the valley in the distance evening mists are ris
after the sun has set. The sky, mostly clear, shows a strip of gray at
horizon and a few floating clouds above.
Signed at the lower righ
Property of a Private Collector.
ADOLPHE ALEXANDRE LESREL
Frencu: 1830—
No. 289— THE GAME OF CARDS
LLU otal fom
In a tapestried hall, with a high window lookifg out upon buildings of French —
architecture, a half dozen elegant men of fashion, in ruffs, sashes, and elabo-
rately embroidered velvets, are gathered about a large table where there is
wine for the pouring. Two are at cards, while the others look on. oR
Panel: Height, 22 inches; leng
Signed at the lower left, A. A. Lesrez, 1907. “
Property of a Lady. ! ce:
JOHANNES WEILAND Ba
Dutrcu: 1858— |
No. 290— IN THE STUDIO
Canvas: Height, 25%, inches; width, 2
/570 j we
Aw artist, seated in his studio, examining an engraving while a m
with white neckpiece and black hat, leans over at his side as if
judgment of the critic.
~
Property of a Gentleman.
EUGENE JOSEPH VERBOECKHOVEN
Berteran: 1799—1881
No. 291— A SHEEP
y 6 Panel: Height, 22 inches; length, 28 inches :
Jo mA: Gere
_ Aw important example of the work of Verboeckhoven. A sheep with heavy
- fleece, in side view, is standing near a water trough where two hens are pecking
about. The horizon of the landscape setting is placed low so that the back-
ground is formed by a sky of gray clouds with spaces above of steel blue.
Property of a Gentleman.
HENRY WARD RANGER, N.A.
AMERICAN: 1858—
No. 292— EVENING ON THE LITTLE RIVER
ot 7 ot Canvas: Height, 18 inches; length, 251/, ef g |
In the foreground is a stream, with a skiff in which is a girl in red. Trees line
the opposite bank and beyond, seen between their trunks, are fields and distant
hills. In the evening sky are clouds tinted with rose.
Signed at the lower left.
Property of the Estate of the late Dr. M. C. Gouxp.
EDWARD GAY, N.A.
AMERICAN: 1837—
No. 293— LANDSCAPE
~N
of / “ Canvas: Height, 20 inches; length, 24 inche : le,
In the foreground some children are gathering wild flowers in a meadow filled
with asters and other autumn posies. On the left is a tree with its bran¢hes
nearly bare of leaves and beyond it a wood. At the right is a group of trees.
In the distance are a house, a glimpse of a river and hills. The sky is blue,
with white and gray clouds. The foreground is painted with minutely executed
details in the manner of the English Pre-Raphaelites.
Signed at the lower left, and dated 1877
Property of a Gentleman.
RALPH ALBERT BLAKELOCK, A.N.A. |
AMERICAN: 184'7—
No. 294— AN INDIAN ENCAMPMENT
Canvas: Height, 16 inches; length, 26 fiches
Tuer edge of a stream is seen crossing the canvas in the immediate foreground,
_ with two canoes moored at the bank, on the left. The middle ground of the
composition shows an open space in a forest, with trees on either side reaching
high up. At the left, under the trees, is a tepee with a group of Indians sitting
on the ground before it around a brushwood fire. On the right,’at the other
side of the open space are two tepees and a couple of Indians. Beyond in the
center, is a distant hillside and over all is a sunset sky of warm yellows with
clouds of tawny red.
Signed at the lower right. ~
Property of the Estate of the late Dr. M. C. Goutp. ,
ALEXANDER HEDWIG WYANT, N.A.
AMERICAN: 1836-—1892
No. 295— A SEPTEMBER DAY |
Canvas: Height, 18 inches; Agngth, 30 ne ;
Bi
Faerie en
A BrRoap stretch of country with the fore d of pastures and trges, on the
left, all in shadow, while the middle distancé is illumined by the afternoon sun.
Beyond is a line of blue hills and, overhead, a sky of gray and white clouds
with spaces of blue in the upper part.
Signed at the lower right center.
Property of the Estate of the late Dr. M. C. Goutp.
WARREN SHEPPARD
AMERICAN: 1858—
No. 296— VENICE
/ g ye “iis Canvas: Height, 27 inches; width, Poa
Figs 21) OSs: VE
A view on the shores of Venice with a palage on the left and, beyond it, St.
Mark’s and one of the columns with a lion surmounting it. The effect is in
sunshine under a blue sky.
Signed at the lower left.
Property of a Gentleman, :
HENRY P. SMITH
; AMERICAN: 1854—1907
No. 297— OLD OAKS IN SUNLIGHT
2 ee Canvas: Height, 20 inches; length, es, €
On either side of a road, which curves into the riddle of the comp@sition is a
fine oak tree, the dark green foliage illumined in the upper portions by the
late afternoon sunlight. At the left a red brick house, mostly obscured by
the foliage, with a white out-building attached, makes a brilliant contrasting
note with the tints of green. The entire foreground of the picture is in shadow
and over all is a sky of blue.
Signed at the lower right.
Property of the Estate of the late Dr. M. C. Govt.
fe. WARLE, A.N.A.
; AMERICAN: 1845—
No. 298— THE MEADOWS
/ 37 ge Canvas: Height, 20 inches; length, 30 sd yaee
|
Le
A New Jersey landscape with level meadows and a hai stream, at the left,
occupying the foreground. Beyond, at the right, dre fruit trees in blossom
and, at the left, hills and woods, in the distance.
Signed at the lower right.
Property of a New York Collector.
JOHN BUNYAN BRISTOL, N.A.
AMERICAN: 1826—1909
No. 299— BERKSHIRE HILLS
4 Asa d| oe. Canvas: Height, 24 inches; length, 3Q inghes &)
‘J Lye
A vary in the Berkshires with a stream, wooded slopes, meadows, and a
village, with a church, embowered amid the trees. Beyond rise the high hills
with a lofty peak on the left. The sky is of blue, with white clouds.
Signed at the lower right.
Property of the Estate of the late Senuor Satvapor pE MENnponga.
JOSEPH H. BOSTON, A.N.A.
AMERICAN
~ No. 800— THE HAYSTACKS
2 ; 3 / Canvas: Height, 25 ae length, 30 inch y
A narnyarp with three great haystacks. At the deor of the barn, on the |
is a man with a lantern. In the central portion (of the composition is a view
of a river and distant hills. The effect is of moonlight and the disc of tl
moon is seen high upon the blue-gray sky, partly oyeeeies by the hay:
on the right. ro
Signed at the lower
Property of the Estate of the late Dr. M. C. Gourp.
GUY C. WIGGINS
| AMERICAN: 1883— 7
No. 301— AUTUMN LANDSCAPE
( a tt | Canvas: Height, 25 oe 30 goles. Lana”
From a foreground of withered grass and herbage
on the right, where there are trees in autumn tints of brown, yellow, crimson
and red. The effect is of sunlight and the sky is blue, with some ae io :
Property of the Estate of the late Dr. M. C. Gourp.
GIUSEPPI SIGNORINI
Travian: 1857—
No. 302— -ORIENTALS
JL j ad Water color: Height, 24 inches; length, 34, inches
Four Arabs or Moors in gorgeous costume in a brilliant light in | i
the patio of a large, light-gray building. Their robes are crimson and rich —
olive, blue, gray and purple-red, and three of them have enormous pictanesyalia 3
hats as brilliantly colored as their garments. Long Arab guns and other
weapons are in evidence.
Signed at the lower right, Gruser. Stcnortnt, Paris.
Property of the Estate of Atrrep Henry Lewss, Hsa.
JULES JACQUES VEYRASSAT
Frencu: 1825—1893
No. 303— AT THE SMITHY
on a, age Height, 31 inches; width, 24 inches g
: 4
A stone blacksmith shop with stable-loft above, and red tiled roof over which
a deep blue sky is seen, crosses the background beyond a stone-paved court
_ and adjoins on the right a gray-plastered dwelling. From the left a slant of
sunshine brightens the head of a white horse waiting to be shod, and falls upon
the young smith, and upon a young woman holding a fagot broom.
Signed at the lower left, J. Veyrassat, "72.
Property of a Lady. |
ETIENNE ADOLPHE PIOT
Frencu: ConrTEMPORARY
No. 304— CANDLELIGHT
gs Height, 391, inches; width, 2714, inche ae L) {)
(sad
THREE-QUARTER-LENGTH portrait of a young lady standing at the edge of /a
table, facing the spectator, and holding in her left hand an adjustable candk- V
stick with candle lighted which she has just taken from the table. She is
i looking, with a smile, directly at the observer, while keeping out of his eyes the
glare of the candle by holding in front of it her right hand, whose delicate
fingers become translucent, silhouetted against her illumined breast. Her gown
is décolleté, and the light travels in diminishing radiance to her slender neck
and affable features, touching the edges of her wavy rich red hair.
Signed at the lower right, A. Prov.
Property of the Estate of Mrs, T. Garttarp THomas.
is y oe Height, 391/ a width, “oe ieee
<7 v Height, 25%, 8; length, 3134 inche
ae Ke
On the left a high wall mounts almost out of picture, and trees alone ity
CHARLES HORACE VERNET
Frencu: 1758—1836 |
No. 305— THE KING OF BEASTS
spectator. The massive features and mighty limbs, and the maze of ;
variations in the fine, rich coat, are carefully studied and effectively w
in a subdued interior light against a background of black shadow. ~
Signed at the lower left, H. Ver:
Property of the Estate of Mrs. T. Garrrarp THomas.
FRITZ THAULOW
Norweciuan: 184°7—1906
No. 306— RIVERSIDE IN WINTER
rise higher. At their foot a broad walk or roddway curves along a navigable —
river, the way now snow-covered and plentifully arked by footprints. Housed- —
over barges lie in the stream, which is cold and dark green, and men stand a
near them at the bankside. In the middle distance a bridge crosses to a large —
city built high on the right, and from various chimneys black smoke and white
steam curl and puff against a gray wintry sky.
Signed at the lower left, Frrrz THavuiow.
Property of the Estate of Atrrep Henry Lewis, Ese.
ALEXANDRE GABRIEL DECAMPS
Frencu: 1803—1861 68
No. 307— VUE D°ORIENT
Ys 3 "4 A ae Canvas: Height, 451, inches; width, ees. of gi eo ie
A roapway, with a pool, in an Oriental settlement ; houses with projecting bal-
conies, all in deep shadow, at the right; in the center a mosque with white
walls and tower. In the immediate foreground a woman, in white robes, accom-
panied by a child, is seen walking away from the spectator to the pool, probably
to fill the water jar she carries on her head. Tall palms on either side and a
_ sky of dark blue.
Signed at the lower left.
Property of the Estate of the late Sennor Satvapor pE MENDONGA.
J. BERGHEM
Dutcus 1620—1683
No. 308— LANDSCAPE AND CATTLE
7 4 gu Panel: Height, 30 inches; length, 361, , inches Grab
/ F
Caf v LLABAAN
the =
eac
Tux landscape shows a waterfall tumbling over rocks i central portion
of the canvas and on the left a tree, the branches of whic h up to the top
of the composition. Under the tree, in the shade, are cattle at rest. On the
right is another tree with trunk growing out from the rocky hillside. Beyond
is the sky with summer clouds. This picture is notable for its mellow, golden
tone.
Signed at the lower left.
Property of a Lady.
ALEXANDER HARRISON, N.A.
AMERICAN: 1853—
No. 309— _ SUMMER EVENING
uy ee Canvas: Height, 20 oe eh, 391/, sie
q/ oj } — 3 2 y
A MARINE showing the vast expanse of the ocean ts waves ro
ward and spreading out in flat shallows as they reach the =o
scheme is cast in violet tints with rose-colored and greenish-white
the rising moon is seen near the right-center of the sky.
“Signed at the lox
Property of the Estate of Lorena L. Barper. 5 ee
CHARLES EDOUARD DELS an
FRENCH: 1814—1890
No. 310— | THE FERRY
ie Height, 36 inches; width, 26 inches
SEATED in the stern of a roomy skiff and facing the spectator are two figur
young man in blue, with tricorne hat and red leggings, and a fowling piec
slung over his shoulder, who is seen lifting the cover of a basket: with two S u ok
in it, held on the lap of a pretty girl, beside him, who in gray cloak and w
cap and apron, is evidently going to market. The young sportenanal
beagles leashed together, are seen looking over the side of the boat. The oe tin |
for this pretty group is formed by the placid waters of the river, an |
stone bridge and the houses of a town. Overhead is a gray sky. sol
Signed at the le
Property of a Lady.
WILLIAM L. PICKNELL, A.N.A.
AMERICAN: 1852—1897
No. 311— LANDSCAPE
fi j g+ Canvas: Height, 36 inches; width, 30 iyches __
: of, wth, LL,
Art the edge of a road, in the foreground, a man vidi ga hag at to
water his mount at a wayside trough. Trees in summer foliage fill the right
and central portions of the canvas and at the left, above, is a sky of blue with
white clouds. The effect is one of strong sunshine.
Signed at the lower right.
Property of the Estate of Lorena L. Barser.
JAMES CRAWFORD THOM
AMERICAN: 1835—1898
No. 312— VIEW ON SOUTH RIVER
os v Height, 24 inches; length, 42 inches Pon
Carre VW Bas
THE river comes winding about a point on the right and skirts the the nck
ground. The point is green with thick shrubbery, and beyond it in the back-
ground a wooded ridge crosses the picture, the roofs of a farmhouse being
glimpsed among the trees on the left. In the foreground are cows and ducks,
and a man is seated on the grass. In the stream is a scow loaded with hay,
and people are also aboard.
Signed at the lower right, J. Crawrorp THom, Op Brincr, ’82.
Property of the Estate of Mrs. 'T. Gariarn THomas.
3 cy vs Canvas: Height, 28 inch
7 6
tn, pee) Se) et: Cr a ee BS a
a.) nl i
FREDERICK A. BRIDGMAN, N.A.
American: 1847—
No. 313— INTERIOR OF BISKRA CAFE, ALGIERS
A LarcE room with pillars supporting t
square opening in the roof and from
center of the composition stands an Arab, in white with a great Pec ih
ing on his back, who 1 is talking to a man and a woman, sae on a m
traveler. In the background are Rie men and women, Bor, oc
playing cards.
Property of the Estate of Lorena L. Barser.
MAX WEYL
American: 1837—
No. 314— SPRINGTIME
Canvas: Height, 38 inches ; lenge 42 aS Fon
—
filling the middle distance on the right. On the
in spring foliage; in the distance a glimpse of a river and a ‘ifne of hills pen
sky is of light gray with a few spaces of springtime blue.
Signed at the lower ram
Property of the Estate of the late Senuor Satvapor pE Menponga.
DANIEL RIDGWAY KNIGHT
AMERICAN: 1845—
No. 315— THE CHRYSANTHEMUMS
/ LST (ce Height, 46 inches; width, 354, inches. J Ne Siete Zia
A Fine example of the work of the popular and distinguished painter, Ridgway
Knight. The composition presents an attractive, full-length figure of a young
French peasant girl in dress of blue of different shades, the bodice showing
_ tints of violet, the apron of gray, and the skirt frankly blue. On her head is a
kerchief of red with white dots and her underwaist and sleeves are white. She
is depicted leaning over to take hold of the handles of a wheelbarrow, which is
loaded with pots of dark red, yellow and white chrysanthemums. This pleas-
ing rustic subject is placed in a garden on the bank of a river which fills the
middle part of the canvas, and beyond are seen the wooded shores and distant
hills. Above is a sky of gray.
~ Signed at the lower right.
Property of a Lady.
HUGUES MERLE
Frencu: 1823—1881
No. 316— A MODERN DIANA
sl ed) Le Canvas: Height, 451, inches; width, 32 inches
A THREE-QUARTER length, life size, standing figure of a young woman nude to
the hips and with drapery of white and dull red covering her body below the
waist. The figure is in front view to the spectator, the head turned to the left
and both hands raised to the abundant tresses of blond hair. In the forest
background is a pond of clear water. A representative example of a talented
French artist of wide celebrity.
Vy: Yi | oe ci ae
Signed at the lower left, and dated 1870.
Property of a New York Collector.
ALBERT LOREY GROLL, N.A.
AMERICAN: 1866—
Noa Sl7== OCTOBER
Height, 40 inches; length, 51 .
Goss Se
a THROUGH an opening in a wood the eye travels to a sky massed with light oud:
on a breezy day in late autumn. At either side the thick foliage glow: in ¢
light golden yellow, tempered by soft orange-browns. Falling leaves are in th
air, the underbrush is brown and red. In the foreground a pond reflects th
silvery trunks of the trees. meee FS
Signed at the lower left BOs Grou
Property of the Estate of A.trrep Henry Lewis, Ese.
ALBERT BIERSTADT, N.A.
AMERICAN: 1829—1902
No. 318— THE FALLS OF ST. ANTHONY
30"
THis impressive view of the Falls of St. Anthony is taken from a point on the
shore of the river below, the shore appearing, on the left, as a sloping bank
with several trees, their branches extending to the top of the canvas. In the
immediate foreground is a stone construction buttressing the bank and on it is
a man in a long coat casting his fishing line in the waters below. At the left
are two other figures, one in a red cloak, the other an Indian with headdress
of feathers. On the other side of the picture, filling the foreground, is the
river with its swift-running waters. The falls themselves stretch across the
composition in the near middle distance. Beyond them lies the upper river
and farther away are the hills that line the shores. A summer sky, with white
and gray clouds, fills the upper portion of the picture.
Canvas: Height, 38 he 601% inches.
Signed at the lower left.
Property of G. P. Cuarrrerp, Esa. :
"ENTERTAINING GUESTS | P
nv NT eae Bee ect
in a wine cellar, grouped around a table, cov-
Signed at the lower right.
AMERICAN ART ASSOCIATION,
MANAGERS.
sT OF ARTISTS REPRESENTED
AND THEIR WORKS.
LIST OF ARTISTS REPRESENTED AND
a THEIR WORKS ;
- nee is. | CATALOGUE
| Poets ~ NUMBER
37
: and Cattle (Panel)
aS
275
97
ae
BIERSTADT, Axzert, N.A.
The Waterfall (Canvas) ) 3 om 65
- Sunset 38 219
The Falls of St. Anthony (Canvas) 318
~The Rocky Mountains: nb 162
Giant Trees of California (Canvas) 200
: BLAKELOCK, ‘Rarpu Axper, 4.N.A.
_—~—“C he «Campfire (Panel) 134
eee The Chinese Junk (Canvas) ; 181
Landscape (Canvas) 201
~The White Captive (Canvas) e 257
An Indian Encampment (Canvas) 294
BLUMENSCHEIN, Ernest L., A.N.A. | ‘
‘ A Spanish Lady (Canvas) 99
. aS Se a
BOGERT, Georce H., A.N.A.
Landscape (Canvas)
Night in the Village (Panel)
BONHEUR, Rosa
Driving the Herd (Drawing)
BOSTON, Josernu H., A.N.A.
The Haystacks (Canvas)
BOUGHTON, Gerorce Henry, N.A., R.A.
At the Bankside (Charcoal Drawing)
BOURGUIGNON, Giacomo CorrTEsE
Horsemen in Battle (Copper Panel)
BRABY, NrewrTon
A Silent Prayer (Canvas)
BRADFORD, Wi.u1am, A.N.A.
In the Arctic Ice Fields (Canvas, backed with a Weed Panel) 6
In Northern Seas 1
BRENNEMAN, Gerorcre W.
Declining to Look (Panel) : Oa een
BRICHER, Atrrep Tuomrson, A.N.A. | ee ,
Cliffs on Dana Island, Manchester-by-the-Sea 8380
Marine (Water Color) (69° as
On the Coast of Maine (Canvas) 2 ) aes
Summer Afternoon: Nantasket Beach (Canoe | | 101-3 “a
BRIDGMAN, Frepericx A., N.A.
Interior of Biskra Café, Algiers (Canvas) | SIR . 4
BRISSOT DE WARVILLE, Feu Sarurnin I
The Sheep Pasture (Water Color) 221
Feeding the Sheep (Water Color) 222
BRISTOL, Joun Bunyan, N.A. “oi
Housatonic Valley 44 aa
Berkshire Hills (Canvas) 299° im
CATALOGUE
NUMBER
BROWN, J. G., N.A.
In the Woods (Canvas) 43
The Apple Boy (Canvas) 254
At the Brook 196
BRUESTLE, Gerorce M.
A Gray Day (Panel) 61
BRUNER], F.
Getting Ready for Market 108
BUNKER, Dennis MILLER
The Town of Lamor (Canvas) 256
CAILLE, Lrton ;
Ready for School (Canvas) 109
CALLAM, Wi.u1AaM
View of a City (Water Color) 52
CANO, Atonso .
Madonna (Canvas) 215
CARLSEN, Emm, N.4A.
Sunset (Canvas) 35
CEREZO, Marrero
Head of Christ (Canvas) | 86
CERIEZ, THEODORE
Au Cabaret (Panel) 48
CHARLET, Nicouas Toussaint
After the Battle (Water Color) 112
CHASE, Wiiti1am Merritt, N.A.
The Guitar (Canvas) 116
CONSTABLE, Joun, R.A.
Landscape (Water Color) 223
COOMANS, Joserx
Surprise (Canvas ) 103
COPLEY, Joun Sixcieron ( Attributed to)
| The Duke of Wellington (Canvas)
~
CORNOYER, Paut, A.N.A.
Madison Square (Canvas)
COYPEL, Anrorne
Allegory (Canvas)
COUTURIER, Puiuisert Lion
The Poultry Yard (Canvas)
COX, Kenyon, N.A.
Venice (Canvas)
CRANACH, Lvcas
The Woman Taken in Adultery (Panel)
CRANE, Bruce, N.A.
Autumn (Canvas)
The Village by the River (Canvas)
The Western Sky (Canvas)
CROEGAERT, Georces
The Disputed Passage (Panel)
CROME, Joun (“OLD CROME”)
Landscape near North Elmham (Cases
Landscape in Norfolk (Canvas)
CROPSEY, Jasper Francis, N.A.
Landscape (Canvas)
Sunset (Canvas, backed with Wood Panel)
CURRAN, Cuarues Courtney, N.A.
Listening to the Waves (Canvas)
CUYP, Artsert (Attributed to)
Admiral Tromp
DAINGERFIELD, Exuiorr, N.A.
Wash Day (Canvas)
e Dancing “seat a Panel)
: Outpost “(Canvas)
ital Interior (Canvas)
’ a
ell 8 ba
DIAZ DE ; LA PENA, NarcissE VIRGILE
Ss aes (Panel) : ieee er LO
LA PENA, Narcisse Vinee (Attributed to )
a3
In co Forest (Canvas) | 269
ee eV ae Tu
2
, José | ;
ee e Portrait of Juanito Domingo (Canvas) 177
see |
D ORE, Gustave Pau
oa A Lion (Water Color) : 7 | 13
| oven Pavz, N.A.
Dy Landscape (Millboard) 14
ie Landscape (Canvas) . 142
Beep Dow, Anrnur W.
a 3 ? _- Evening (Canvas) < 62
DUPRE, JULIEN
French Peasant Girl (Canvas) : 267
Returning from Pasture (Canvas) eae yf
Gee Pay SOR = ee wg “e he be a i :
ms oy As i 7 : 6 pe 2 ’
~ oe 4 ba : Se -* "s
¥ a i —t aril) “tgo 0 = a! tee P
. ie 2 ae 7 _
:
L
DUPRE, Lion Vicror
On the Riverside (Panel)
EARLE, L. C., A.N.A.
The Meadows (Canvas)
EATON, CuHarites WarrEN
October, near Montclair (Canvas)
EDE, Frepericx
The Brook (Canvas)
The Bridge (Canvas)
Les Blanchisseuses (Canvas)
Landscape (Canvas)
EGGLESTON, Bensamin
Ancient Days (Canvas)
Ready for the Bath (Canvas)
At the Riverside (Canvas)
FEIG, Franz pe Paura
The Dance (Panel)
FICHEL, Evctne
The Music Lesson (Panel)
FIELD, E. Loyar
Landscape (Canvas)
FLEMISH PRIMITIVE SCHOOL
The Holy Family and the Magi (Caras, mounted on Wood
Panel)
FOSTER, Ben, N.4A.
Fagot Carriers (Water Color)
The Close of Day (Millboard)
FRAGONARD, Jean Honort
Le Sommeil (Canvas)
FRENCH SCHOOL
Napoleon in the East (Drawing in Pen and Ink)
FRERE, CuarLes THEODORE
A Street Scene in Constantinople (Canvas)
- CATALOGUE
NUMBER
204
293
i, Dano Fr RANGors Pasca
nig Book (Panel)
S, M. F. H. vs, N.A.
“Tow Tide at Flying Point coonuee)
Le ee.
/
7
“
ae at , , Epovarp JEAN
a pene Terrace (Canvas) 3 172
tah, =e a F
aa Bet AMMER, Joun J. we :
= a «Spring (Panel) — 32
4. Sea
oe. - HARRISON, ech? N.A.
ag A Break in the Storm (Canvas) 133
. Summer Evening (Canvas) 309
HART, James McDoveat, N.A. 4
Cow Drinking : | 160
HART, Wiuiam, N.A.
| Landscape and Cattle (Millboard) 17
HELST, BarTrHoLoMEus VAN DER
Portrait of a Landowner (Canvas)
HENNER, Jean Jacques
Jeune Fille (Panel)
HERRING, Joun Freperick
Pigs (Panel)
HERRMANN, Leo
Taking Her Measure (Panel)
HERZOG, P. cae
Landscape and Sheep (Canvas)
HETTICH, E.
Swiss Landscape (Panel)
HOMER, Wiystow, N wf
Breakers (Water Color)
The Stag (Water Color)
HOWLAND, Atrrep C., N.A.
In the Country (Panel)
HUMBORG, Apo.trxH
Testing the Vintage (Panel)
INNESS, Gerorce, N..A.
Landscape (Canvas)
In the Fields (Canvas)
Sunset (Canvas)
ISABEY, Louis Gasrie, EvcEne
A Ceremony
ISABEY, Evctne (Attributed to)
At the Hotel de Cluny (Water Color, with Pen and Sepia) —
ISRAELS, Joser aa
Fisher Folk (Canvas) a Ae 148:" a
JACQUE, Cuartes Exits
Sheep CF meee
Ready to Start \. SEIS
CATALOGUE
NUMBER
JOHNSON, Davin, N.A.
Landscape (Panel: Oval) 129
Study from Nature, near the Powder House (Canvas) 164
Looking West from Dollar Island, Lake George (Millboard) 252
JOHNSON, Eastman, N.A.
In Gentle Slumber 132
The Trysting Place (Canvas) 141
JONES, Hvueu Botton, N.A.
Spring (Canvas) | 258
~ JORDAENS, Jacozs
Sainte Marie (Panel) ; 155
KAUFFMANN, Marie Anna ANGELICA
The Bathers (Canvas) s 150
KELLY, Wit11aM
Walt Whitman 3
KENSETT, Joun Freverickt, N.A.
Landscape (Millboard: Oval) 3 18
Forest and Hills (Canvas) 46
Lake Erie (Canvas) AT
KITCHELL, H. M.
Evening Glow (Canvas) 187
KNAUS, Lupwic :
Walking through the Fields (Panel) 145
The Poppies (Panel) 245
KNIGHT, Daniet Rineway
The Chrysanthemums - 315
KOEK-KOEK, Brernarp CorneELis
Landscape (Panel) 147
KOST, Frepericx W., N.A.
Landscape 163
The River 253
KRAY, WILHELM
The Smiling Page (Canvas) —
LEBRET, ie
Landscape and Sheep (Canvas)
LELOIR, Mavrice
Reverie (Water Color)
The Balcony (Water Color)
LESREL, ApotpHe ALEXANDRE
The Shopper
A Visit to the Armorer (Panel)
The Game of Cards (Panel)
LOIR, Louie
At Eventide (Water Color)
Bridge in Winter (Water Color)
The Sidewalk Market (Water Color)
City Streets (Canvas)
Le Soir (Canvas)
LORING, M.
A Sloop at Low Tide (Water Color)
LYNCH, Axserr
Young Woman
MABUSE, Jan GossaerRt
Portrait of John Moore, Son of Sir John Moore (Panel)
MANS, Freperic H. ees tee
The Rendezvous (Panel) 85. ire:
MARTIN, Homer D., N.A. .
The Lake (Canvas) — 230
MASTENBROEK, Jouan HeEnprix van
Winter 286
MAZZOLA (PARMIGIANO), Francesco Marta (Attributed to) —
Portrait of Columbus (Canvas, mounted on Silk with Brass-
headed Pins) 40
AP Fz ey
(=
ul
- fee es Ps el Se eee ae CATALOGUE
McC R Nee : ' — rea “NUMBER
McCC a -GrorcE Herzert, AN. a; |
ee: The Green Waters of Sorrento (Canvas) | 202
at
[ERLE py ueuEs
, eon ay Cattle and Goats (Canvas)
e near Paris (Panel)
Peay a
fete the Desert (Canvas )
: owas, > A.N.A.
4 = Fisher Girl of Cancale (Canvas) 34
/ MORELAND, GEORGE .
PAs = Gypsies (Panel) | 149
=... ae
- MULLER, Witiiam JAMEs
¢ Landscape (Panel) 9
ay Arabs Resting (Canvas) | 88
_NEEFS, Picks, AND Frans FRANCKEN
* es ; Interior of Antwerp Cathedral age 242
_ _NORMANN, A.
| The Lake (Canvas) _ 210
OFFERMANS, Tony
Going Home (Canvas) 176
ONDERDONK, Jurian
The Close of a Summer Day (Canvas) 56
View from the Palisades (Canvas) . 77
The Edge of the Woods (Canvas) 255
- ORIZON es Gar ree VAN. < Browsers) ah
Landscape _ oy os
PAL, W. Boum
A Humble Home (Panel)
PARTON, Artuur, N.A.
An Orchard in Springtime (Canvas)
The Pond (Canvas)
PATTEIN, César
Harvest Days
PERALTA, Francisco
The Proposal (Panel)
PERRET, Aime
The Harvester (Canvas)
The Town on the Riverside (Canvas)
PERUGINO (Pierro VANNUCCI)
Saint Catherine (Panel)
PICKNELL, Wituam L., A.N.A.
Landscape (Canvas)
PILLE, F.
Coup he Mistral, Estérel, Gate: (Cansas
PIOT, EviENNE ADOLPHE
Candlelight
PODEUM, Antonio
Portrait of a German Count (Canvas)
PORTIELJE, Epwarp
Reconciliation (Panel)
POST, Wituram Merritt, A.N.A.
Landscape (Canvas)
POTTHAST, Epwarp Henry, N.A.
Late Evening (Canvas)
ad REMI on (Attributed to)
tore Landscape (Pen and Ink Drawing)
ee The Old Gateway (Pen and Ink Drawing)
Landscape (Water Color, Crayon, Pen and Sepia)
ee _- REMBRANDT SCHOOL
Rak he oa — Christ i in the Temple (Panel)
a ae "RIBERA, JOSEF DE
= : . _---‘The Martyrdom of St. Bartholomew (Canvas)
RIBERA, JosEF DE (Attributed to)
oe The Crucifixion (Copper Panel)
~ RIBOT, Aveustin THtopuLe
The Scrivener (Canvas)
RICCI, Sesastiano
. Savonarola (Canvas)
217
23
-RICHET, Leon
Soleil Couchant (Canvas)
RIX, Juan ,
Sunlight and Shadow (Millboard)
RONTBOUTS, J.
A Dutch Farmhouse (Panel)
ROOSENBOOM, A.
The Children’s Pastime (Panel)
ROSA, Satvator (Attributed to)
The Shock of Battle (Canvas)
ROSSEAU, Percivan
Landscape (Panel)
RUBENS SCHOOL
Fan Design (Water Color)
SANCHEZ-PERRIER, Emitnio
Landscape
SANI, A.
Entertaining Guests (Canvas)
SCHENDEL, Perrus van
Testing the Egg (Canvas)
SCHULZ, Aprien
The Fagot Gatherer (Canvas)
Landscape (Canvas )
Evening Mists (Canvas)
SEIFERT, ALFRED
Portrait of a Young Lady (Panel)
SHEPPARD, Warren
Venice (Canvas)
CATALOGUE
1 NUMBER
; SIGNORINI, Grvusepr1
17 His Favorite (Water Color) 49
; In a Moorish Courtyard (Water Color) 283
} Orientals (Water Color) 802
:
; SIMONETTI, Arrizio
i In the Sun (Water Color) 30
fi SMILLIE, Groncn Henny, N.A.
[ Springtime (Canvas) 81
i Hill and Dale near Bronxville (Canvas) 283A
SMILLIE, Jamzs D., N.A.
> The White Mountain from Randolph Hill (Canvas) 15
| SMITH, Henry P.
Marine (Canvas) 197
Old Oaks in Sunlight (Canvas) 297
b - STAMMEL, A. °
7 In the Art Gallery 90
STARK, James
Landscape (Canvas) 124
View of Norfolk (Canvas) 191
STARKENBORGH, (Baron) Tsarpa van
Landscape (Canvas) 73
ST. LUCHE, Vincent
A Hospitable Cellar (Water Color) 50
STEARNS, Junius B., N.A.
Jack and Jill (Canvas) | 79
STORKENBORGH, J. N. F. van
Lake of Derwent Water, Cumberland (Canvas) 211
: - SUSTERMANS, Justus
: Portrait of a Young Gentleman (Canvas) 189
TERBURG, Gerarv (Attributed to)
Portrait of a Dutch Burgomaster (Copper Panel) 1138
‘THAULOW, Fritz
Winter (Canvas)
Riverside in Winter
THOM, James CrawFrorpD
Fishing (Water Color)
Sheep Going to Water
Feeding the Chickens (Water Color)
View on South River
TIFFANY, Louis Comrort, N.A.
Sons of the Desert
TOL, Dominicus vAN
The Pledge (Panel)
TOULMOUCHE, AveustTE
Portrait of a Lady
TROUILLEBERT, Pavut Désiré
Landscape (Canvas)
TURNER, Joseph Matiorp Wirziam, R.A. |
The Straw Yard (Drawing in Sepia and Crayon)
TYLER, James G.
Before the Wind (Canvas)
UNKNOWN ARTIST
The Hut (Drawing)
Candlelight (Canvas)
VAN BOSKERCK, Rosert Warp, N.A.
Landscape (Canvas)
VAN ELTEN, Kruseman, N.A.
Evening (Canvas )
VAN OSTADE |
Dancing in the Barn (Panel)
VELTEN, WiLHEe_m
First Aid to the Injured (Panel)
VERLAT, Cuartes
Les Intimes (Panel)
T, Cuartes Horace
so teas Be ae.
t the Sth <. | 303 ) &
PTEAU, Jean ANnTOINE
_ Venus and Mars (Copy of Rubens—Canvas) 153
In the § Studio (Canvas) 290
ay a
__ WEISSENBRUCH, JoHANNEs HEnprik
The Barn (Panel) 237
The Deserted Canal (Water Color) 248
| WEYL, Max é
Landscape (Canvas) 31
The Woods at Paul Smith’s (Canvas) 84
Landscape (Canvas) 135
The Potomac Flats (Canvas) 198
A Woodland Pool (Canvas) 205
Sunset (Canvas) ; 260
Springtime (Canvas) 314
WHITTEMORE, Witsuiam J.
Near the Lighthouse (Water Color)
WIEGAND, GustavE
Among the Hills (Canvas)
WIGGINS, Carzieton, N.A.
The Hillside (Canvas)
Old Reliable (Canvas)
Cattle in Pasture (Canvas)
Down by the Sea (Canvas)
WIGGINS, Guy C.
Evening (Canvas)
Autumn Landscape (Canvas)
WILKIE, Sir Davin, R.A.
The Festive Bowl (Water Color)
WILLEMS, FLORENT
The Book of Poems (Panel)
WYANT, ieee Sey Hepwie, N.A.
A September Day (Canvas)
WYWIORSKY, M. G.
A Winter Day (Panel)
YATES, Cunien, A.N.A.
The Breakers: Coast of Maine (Canvas,
Board)
ZIEM, Feux
Venice
In Italy (Panel)
ZUBER-BUHLER, Frirz C.
Natalie (Canvas)
\
v
mounted on Compo. |
FOR INHERITANCE TAX :
AND OTHER PURPOSES
THE AMERICAN ART ASSOCIATION
IS EXCEPTIONALLY WELL EQUIPPED
TO FURNISH
INTELLIGENT APPRAISEMENTS
OF
ART AND LITERARY PROPERTY
JEWELS AND PERSONAL EFFECTS OF EVERY
DESCRIPTION
IN CASES WHERE
PUBLIC SALES ARE EFFECTED
A NOMINAL CHARGE ONLY WILL BE MADE
THE AMERICAN ART ASSOCIATION
MADISON SQUARE SOUTH
NEW YORK
TELEPHONE, 3346 GRAMERCY
COMPOSITION, PRESSWORK
AND BINDING BY
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