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GALL SOUTH Tae Ee bee ASE et Fe ee sits eu owe es ey ear RSF WOE othe Maser ow we =a on er rox SP Wh es vee GENS = Sages asvasqataas se 2 fay solace menass rears fa K = = GeSS5 Ny R= oe 223 2s ay, Rn ee g ie = Sa Rs wae seas fe = Siteh ares ess 3 = r: SUSE: 3 = es see ze 3 Hy 5 28 > 3m soe one = as is a jens hee; ree 2 ie tsa pe pm x == ee yas Seow a = SoSseRSeiSas bart BS BES Sere, eae = anes mores Te 2 ‘eo = ii . = = * 3 see 33) Boge Soe x Son. = S rere = = At a ie Se = Grose p+ Cs ne id 5] ON: FREE PUBLIC VIEW ATS LHE AM ERICAN Ae ALE ERIES MADISON SQUARE SOUTH, NEW YORK BEGINNING SATURDAY, FEBRUARY 12th, 1916 (LINCOLN’S BIRTHDAY) AND CONTINUING UNTIL THE MORNING OF THE DATE OF SALE, INCLUSIVE THE FAMOUS CATHOLINA LAMBERT COLLECTION TO BE SOLD AT UNRESTRICTED PUBLIC SALE IN THE GRAND BALLROOM OF THE PLAZA HOTEL FIFTH AVENUE, 58th TO 59th STREET, NEW YORK ON MONDAY, TUESDAY, WEDNESDAY AND THURSDAY EVENINGS FEBRUARY 21st, 22nd (Washin&ton’s Birthday), 23rd AND 24th BEGINNING PROMPTLY AT 8 O’CLOCK Subscriber’s Copy No.8 54 EDITION LIMITED TO SIX HUNDRED COPIES «¢ a: ‘s cs om SCS <5 PO NER RETIN AREER PEE BME PROTO PE SPREE GS CORRIENTES | ES SE SIT ILLUSTRATED CATALOGUE . OF THE VALUABLE PAINTINGS AND Se Lil rw > BY THE OLD AND MODERN MASTERS FORMING THE FAMOUS CATHOLINA LAMBERT COLLECTION REMOVED FROM BELLE VISTA CASTLE, PATERSON, NEW JERSEY TO BE SOLD AT UNRESTRICTED PUBLIC SALE BY ORDER OF THE PATERSON SAFE DEPOSIT AND TRUST COMPANY OF PATERSON, NEW JERSEY, TRUSTEE AND MORTGAGEE IN THE GRAND BALLROOM OF THE PLAZA HOTEL FIFTH AVENUE, 58th TO 59th STREET ON THE EVENINGS HEREIN STATED DESCRIPTIONS AND ATTRIBUTIONS OF THE PAINTINGS BY THE EARLY ENGLISH PAINTERS AND THE OLD MASTERS BY WILLIAM ROBERTS, LONDON, AUTHOR OF SEVERAL AUTHORITATIVE ART PUBLICATIONS, AND DESCRIPTIONS OF THE MODERN PICTURES BY WILLIAM A. COFFIN, N.A. THE SALE WILL BE CONDUCTED BY MR. THOMAS E. KIRBY And his Assistant, MR. OTTO BERNET, of THE AMERICAN ART ASSOCIATION, MANAGERS NEW YORK 1916 eee eh Pe A ‘- Oe) ane vg oh.) ; ba _ oh te ae es i i bs yee) 8 eae oR ; a : ‘ x , é 28 ¥ i . E ' . La ba ~ . ; ey - ip ' . J . r - 4 * et - . 1 . F , 4 ‘ ] ‘ . ; * 5 a Hi ee | . THE AMERICAN ART ASSOCIATION DESIGNS ITS CATALOGUES AND DIRECTS if ALL DETAILS OF ILLUSTRATION TEXT AND TYPOGRAPHY > * ! THE LAMBERT COLLECTION 4 INTRODUCTION The formation of collections of pictures by Americans of taste and judg- ment may be roughly divided into two periods—the time when modern con- tinental artists were almost exclusively the vogue, and the time when the Old Masters of various countries became what may be described as the “ruling passion.” Of the former period we have an ample and exhaustive survey in Edward Strahan’s “Art Treasures in America,” issued in three large vol- umes some thirty-six years ago. The taste in those bygone days was largely for pictures which told a story, something which the mind could grasp without any great effort. The wealthy American in those days was a man whose busi- ness occupations were so exacting and varied that he had little or no time for the leisurely tour in Europe where, and where only, he could study the great masters of other days. During the last thirty or forty years, collecting, so far as pictures are concerned, has become almost entirely revolutionized; the gods of former times have become displaced and other and totally different gods reign in their stead. This evolution is not peculiar to America, but it has been effected more rapidly and with more thoroughness there than would be possible in any European country. It is not that pictures by modern artists are not collected, or that, in the words of Tacitus, vetera extollimus recentium im- curiosi, but that tastes have developed into other grooves ; and certain phases of pictorial art, once popular, have long ceased to attract, Picture collecting is of a progressive character, and but for the tastes of forty years ago there would be to-day but few collections of Old Masters in the United States. At some future time it will be interesting to inquire into the causes which brought about this revolution; to the names of those who contributed to it, such as Mr. John G. Johnson, Mr. J. Pierpont Morgan, Mr. P. A. B. Widener and Mr. B. Altman must be added that of Mr. Cath- olina Lambert. All these men began to collect on the lines that were pop- ular at the time, but as their intimate acquaintanceship with the old masters grew, so their love for them increased. Mr. Lambert, who has been one of the most enterprising and energetic of American collectors for nearly half a century, has made a wise and admirable compromise between the old masters and the modern, by collecting and retaining such of the latter as have every promise of what may be termed permanency. The Old Masters can always take care of themselves, for they will always remain more or less unaffected by the changes in fashion and taste. Mr. Lambert has succeeded in getting together one of the largest collections now existing in private hands. In forming it he has relied largely upon his own judgment. This large and varied collection is now to be dis- persed; its many units will in the immediate future find new homes and help to adorn other collections, and the pleasure which they have given to the present owner will be transferred to others. No one, and least of all Mr. Lambert, will be disposed to insist that all these pictures are masterpieces. All collections, public as well as private, contain pictures which are interesting rather than great; and it is not always the important pictures which give the greatest pleasure to the owner. And it is the interesting pictures, perhaps, which constitute the backbone of the Lambert collection. There are, nevertheless, many of the first rank of importance, both among the Old Masters and the modern. Special attention may be drawn to the Andrea del Sarto, to the Botticelli, to the Luini altar- piece, and to the Rembrandt portrait of a Rabbi. As in the case of so many other early pictures scarcely anything is known of the provenance of these pictures: the first three having been conveyed out of Italy into Eng- land without any flourish of trumpets. They were bought by Mr. Lambert on their artistic merits and are now offered for sale under the same con- ditions. The Rembrandt is an unquestionably fine picture, and the fact that another version of it exists in Berlin does not invalidate its authenticity. The quality of the early Spanish pictures is generally good, and among them are some important examples of the men who followed Velasquez and Murillo, such as Carrefio de Miranda, Coello and Pereda. The Dutch and Flemish portrait painters of the Seventeenth Century are represented by a number of first-rate examples in good condition. Particular attention may be directed to the Marc Geeraerts portrait of Lady Kenelm Digby, who sat to many painters for her portrait and whose intellectual gifts inspired so many of the poets and writers of her time; to the Van der Helst portrait of a gentleman, the De Keyser group of the Parker family, to Mierevelt’s portrait of Pieter de Schilde, Councillor of Brabant, to Moreelse’s portrait of another public official, the Sheriff of Dordrecht, and to Verspronck’s por- trait of Mynheer Ten Eyck. In subject pictures, the same schools are also well represented—Van der Werff by a marvelous piece of flesh painting in “The Incredulity of St. Thomas,” from the famous Hope of Deepdene Collec- tion; Honthorst by an “Adoration of the Magi,” with its curiously Flemish conception of Oriental life and costume; the big Jordaens picture of “Dedalus Fastening the Wings on Icarus”—to select only a few of the works worthy of the attention of the amateur and others. The early English school forms a very important section of Mr. Lam- bert’s collection. The pictures range from William Dobson, whose art greatly profited by his friendship with Van Dyck, down to Sir Thomas_ Lawrence and his friendly rival Sir William Beechey. In the interval we have—and here again we can only mention a few without prejudice to the others—Wil- liam Hogarth’s group of the Price family ; Thomas Gainsborough’s portrait of General Johnson; two particularly fine Lawrences, “The Two Sisters’? and “Mrs. Inglis,” as well as a most imposing and attractive group “At the Open- ing of the Gate. Wm. Bennett and Richard Yeo may be specially mentioned among the Sir Joshuas, whilst the fine series of Richard Wilsons and good examples of other and later English landscape and portrait painters help us to realize the greatness and excellence of English art from its origin down to the latter half of the last century. Mr. Lambert’s pictures by modern artists are in a manner dominated by the splendid series of the works of Monticelli—by far the most important to come into the market for many years, and probably the finest group which can occur during this and the next generation. As this feature is dealt with separately, it need not be enlarged upon here. Another striking feature is the large number of pictures by the American artist, Ralph Blakelock ; among them a wonderful moonlight landscape of large size. Yet a third feature, hav- ing regard to number and quality, is seen in the many works of Georges Michel, the French artist who has depicted for us the Montmartre of Paris as it had been for centuries and as it was until the middle of the last century. The story of modern French art is brought up almost to our own day. Nearly all the Barbizon painters are represented, as well as the artists who rank with them and yet do not fall quite into the same group. The important picture of Gustave Courbet and the brilliant Diaz may be specially mentioned. Several large and important examples of Puvis de Chavannes and of the Russian artist Verestchagin are among the features of the collection—gallery pic- tures which should find permanent homes in some public institution. In no phase of modern art is the collection more remarkable than in that of the modern Impressionists—Monet, Renoir, Sisley and Pissarro are all represented by brilliant examples of their art done at their most spontaneous periods. The interest which Mr. Lambert took in American artists is also fully manifest, not alone in the Blakelock pictures already mentioned, but in the large number of works by the leading men in American art up to the end of the last century. It should be added, in conclusion, that, since comparatively few of the pictures have been exhibited either in Europe or in this country, so far as can be traced, and as the owner kept few notes of his numerous and varied purchases, many of the details have been furnished by Mr. Lambert from his retentive memory. W. Roserts. Lonpon, January, 1916. a - . ‘ d's = Pi SN i { re = - ‘ iy a5 ‘ , , ° . ¢ 4 ft “ . ‘ - — ‘ : \ ’ a - ; ‘ ‘ . ‘ ae 2 ae ' Ese F® 4 Pe eames Na a , at iA oe | MONTICELLI NOTES ON MONTICELLI Monticelli is one of the most tragic figures in the history of modern art. As an artist and as a colorist he is sui generis, a law unto himself, a problem and a puzzle to students and critics. With many friends and admirers, and with wealth and fame just within his reach, Monticelli abandoned everything at the outbreak of the Franco-German War of 1870-71, and tramped back to his native city, where he remained to the end of his life, painting pot-boilers to bring him in a crust of bread and a glass of absinthe. Other painters survived the shock of the war, but for Monticelli the sun went down, never to rise again. He would have had the first claim to a niche in Sainte-Beuve’s proposed temple to the neglected and misunderstood, but the irony of fate and the mutability of fashion have transformed the neglect of a quarter of a century into a widespread appreciation, although his theories of art as exem- plified in his pictures are not yet clearly understood. The biographical details concerning Monticelli are exceedingly few. He was born at Marseilles in 1824 of Italian parentage, and “grandit solitaire et sauvage, en pleine nature, courant téte nue au soleil ’été: dans la neige, en sabots.”? At about the age of sixteen he had attained to considerable efficiency in drawing, and at twenty-two he won the first prize at the Ecole des Beaux- Arts in Marseilles. He visited Paris in 1847, remaining there a year studying in the museums and in the atelier of Paul Delareche. For a year or more he traveled about France, and in 1856 he was once more in Paris, where he became acquainted with Diaz, and, through him, with other artists. His works never appealed to the public, but artists and amateurs admired his extraordinary talents. Napoleon III paid 5,000 francs for one of his pictures (which was burnt in the Tuileries), and the Empress Eugénie had commissioned a series of large pictures (two of them are in Mr. Lambert’s collection), and, but for the war, Monticelli, doubtless, would have taken his place among the great painters of the day. The outbreak of the war of 1870 sounded the death-knell of the artist’s hopes and ambitions. He returned to Marseilles, where he led a precarious Bo- hemian and solitary life, partimg with his paintings for the value of a few francs. The death of his mother in 1888 still further hastened his decline, but his pas- sion for bright colors survived to the last. There was no sale of “remain- ing works” or public dispersal of the elaborate and costly equipment of a fashionable painter’s studio, to give Monticelli’s name a new lease of life, for his atelier consisted of a bedroom with a bed, an easel and two chairs, and, above all, a large red silk curtain which was placed over the window and which served to bathe the whole room in purple. Roughly speaking, Monticelli’s work may be grouped into three periods. The first of these includes his semi-allegorical groups of women, dressed in the fashion of the Second Empire, walking in parks, with ruins of aqueducts and other buildings. To his second period, that by which he is most generally known, belong the charming little pictures inspired by stories in the “Decam- eron,” by the legend of Faust and Marguerite, little fétes-champétres remin- iscent of Watteau and Pater, romantic dells with statues and fountains, and peopled with ladies, gentlemen, horses and birds. In his third period may be classed provincial landscapes, marines and flower pieces. There is yet a fourth period into which fall his latest works, but in these the brain no longer guides the hand; the color is as brilliant as ever, but the discordant notes, the amorphous masses of bright hues, all too effectively tell of the paralysis of mind and body. It is not in Monticelli that one seeks perspective of line or accurate draughtsmanship, any more than one goes to the novelist for strict historical accuracy. But like the novelist, he clothed the dry bones of fact with the brilliant and varied fancy of imagination. He is the Prospero of French art of the nineteenth century; his brilliant chromatic effect, his “maids glim- meringly grouped” in their dazzling dresses, and his cavaliers in their medieval costumes, revealed a new beauty in art. As a silk manufacturer as well as a collector, Mr. Lambert from the first had a profound admiration for Monticelli and his brilliant color schemes. He knew the artist, and has formed what is probably the finest collection of his works in existence. He has twenty-nine examples which cover the three best periods of the artist’s career. Dr. Mireur of Marseilles had eighty-eight, and Monsieur Delas had sixty-nine, but both these collections were scattered fifteen years ago. Four of Mr. Lambert’s pictures are superb and unrivaled. Two of these, which are among the largest which Monticelli ever painted, were commissions from the Empress Eugénie, and, but for the downfall of the Second Empire, would have adorned the boudoir of one of her majesty’s residences. Two others are the luxuriant pictures—oblong in shape—which Mr. Lambert obtained direct from the artist. These four pictures more espe- cially represent Monticelli at the height of his remarkable powers of creative fancy, and are among the greatest pictures of the period. But examples of the other phases of Monticelli’s art are in the sale—from flowers to portraits— and it cannot be doubted that when this wonderful series of pictures is placed on public view it will excite admiration for an artist whose genius has only been fully recognized within recent years. W. R. f = , \ f nr, ‘ I € a : vg . FIRST EVENING’S SALE MONDAY, FEBRUARY 21, 1916 IN THE GRAND BALLROOM OF THE PLAZA FIFTH AVENUE, 58TH TO 59TH STREET BEGINNING PROMPTLY AT 8 O’CLOCK VASILI VASILIEVICH VERESTCHAGIN Russian: 1842—1904 1—THE CAVE OF ENDOR Berore the battle, as we know, Saul went to consult the Witch of Endor. His mission was not without danger, as the village of Endor is on the north side of little Hermon, at the foot of which was the camp of the Philistines. Saul turned to the right, and so could reach Endor “in two hours time.” The witch predicted to the King his defeat and death. “And to-morrow shalt thou and thy sons be with me” (said the spirit of Samuel to the King) ; “the Lord also shall deliver the host of Israel into the hands of the Philistines” (1 Samuel xxvii., 19). Height, 41 inches; width, 844 inches. From the artist’s sale, New York, 1891. VASILI VASILIEVICH VERESTCHAGIN Russian: 1842—-1904 2—THE STABLE OF THE NATIVITY Srrone light, falling from above, illumines the stone walls and stair- way of an interior in which is seen, with back to the spectator, a figure in a long black cloak and a crimson fez. Height, 101% inches; width, 7% imches. Signature at the lower left partly effaced by fading of pigment and the action of time. From the artist’s sale, New York, 1891. AERT VAN DER NEER Dutcu: 1604—1677 3—HARLY MORNING View on a broad winding river with numerous sailing crafts, houses and trees on either side, with figures; early sunrise effects. Panel: Height, 81% inches; length, 18 inches. Signed with initials in lower left-hand corner. JOHN CONSTABLE, B.A. Encusu: 1776—1837 4—STUDY Srupy of an autumnal scene with two groups of trees, and a pond with fisherman. Panel: Height, 91% inches; length, 12% imches. STANISLAS LEPINE Frencu: 1836—1892 5—RIVER SCENE A qray day in the outskirts of Paris. The Seine, with some boats moving slowly along, occupies the left foreground, while on the right is an expanse of sandy shore with figures near the brink of the river. In the distance are the buildings and smoke stacks of manufacturing establishments, and on the bank, at the left, are some suburban dwell- ings. Height, 121% inches; length, 201% inches. Signed at the lower right. MARTIN RICO Spanisu: 1850—1908 6—ON THE RIVERSIDE Massss of trees, at the left, on the bank of a stream, are reflected in the placid waters. The sky is filled with cumulus clouds, tinted pink by the light of the sun at early evening. Height, 15 inches; length, 23 inches. Signed, Rico, at the lower left. EVERT JAN BOKS Bexeran: 1838— 7—CASUS BELLI A MAN and his wife have had a tiff over a milliner’s bill or some other domestic cause of discussion and have both given up talking. The man, on one side of the table, smokes his meerschaum and taps his fingers on the back of his chair. His impatience is counterbalanced by the resigned attitude of his wife, who, chin in hand, gazes fixedly be- fore her. Panel: Height, 16 inches; length, 221% inches. Signed at the lower left. On the back the artist has painted his signed declaration that he is the painter of the picture, finished at Antwerp in March, 1884. PROFESSOR LUDWIG KNAUS German: 1829—1910 8—LANDSCAPE AND PIGS A uerp of pigs lying in comfort in the shade, at the foot of a hull. Sunlight illumines the distance. Height, 19 inches; width, 141% inches. Signed and dated, 1878, on tree trunk at the left. From the Albert Spencer Collection, New York, February 28, 1888. AUGUSTE PAUL CHARLES ANASTASI Frencu: 1820—1889 9—LANDSCAPE A BROAD river winds between its banks on which are seen trees and cottages. Sailing vessels are depicted on its surface and in the fore- ground are various figures and a boat. The effect is in moonlight. Panel: Height, 124% inches; length, 17 inches. Signed at the lower left. JOHN LEWIS BROWN Frencu: 1829—1890 10—CHEVAUX AU BORD DE LA MER GRooMS exercising and bathing their horses in an inlet, with a high cliff rising, on the right, above the sea. Panel: Height, 91% inches; width, 7 inches. Signed at the lower right. ADOLPHE MONTICELLI Frencu: 1824—1886 11—LADY WITH A FAN A Laby, in a gown of cramoisi velvet and white satin, seated before a lectern with a fan in her hand. The figure is depicted in profile view. Companion piece to No. 12. Panel: Height, 10 inches; width, 4 inches. ADOLPHE MONTICELLI Frencu: 1824—1886 12—THE CAVALIER A CAVALIER in black velvet costume, mounted on a white horse, ap- proaching on a road at the edge of a forest. Companion piece to No. 11. Panel: Height, 1014 inches; width, 41% inches. Signed at the lower left. ADOLPHE MONTICELLI Frencu: 1824—1886 13—FAUST AND MARGUERITE Faust, Marguerite and Mephistopheles grouped closely together. A color harmony with strong notes of red, light and dark blues, quali- fied with gray and, in the background, blue and green. Panel: Height, 12 inches; width, 8 inches. Signed at the lower left. ADOLPHE MONTICELLI Frencu: 1824—1886 14—FLOWER PIECE A wuts and brown Chinese vase filled with field daisies. On the left of the bouquet is a large red blossom. Panel: Height, 11 inches; width, 61% inches. Signed at the lower left. RALPH ALBERT BLAKELOCK, A.N.A. AmeERICcAN: 1847— 15—LANDSCAPE AND MOONLIGHT A LAKE framed in with trees on either side of the composition. ‘The full moon, rising over the hills of the farther shore, is reflected on the waters. Height, 8 inches; width, 6 inches. Signed at the lower right. RALPH ALBERT BLAKELOCK, A.N.A. AMERICAN: 1847— 16—LANDSCAPE Tuz1s landscape is especially notable for the frank, clear tints of blue and white in the sky. It is much less subdued in color than most of the landscapes by this individual artist, but it is most convincing by its rare brilliancy. Dark tree foliage and gray greens and browns in the foreground harmonize in charming fashion with the clarity of the sky. Panel: Height, 10 inches; length, 12% inches. GEORGES MICHEL Frencu: 17638—1843 17—LANDSCAPE A. LANDSCAPE harmony in brown and gray. On the left is rising ground, mostly in shadow, crowned with trees; on the right, beyond, the wide stretch of a plain bathed in sunlight. The sky is composed of gray clouds, graduated into warm but delicate-yellow light on the left. Height, 14 inches; length, 18 inches. GEORGES MICHEL Frencu: 1768—1843 18—LANDSCAPE WITH CASTLE A LANDSCAPE with an attractive scheme of color. The sky is blue with white clouds. At the left is a group of forest trees with a castle, on a hill, silhouetted against the sky. Some cattle are seen in the fore- ground; there is a river in the middle distance, and beyond, at the right, is a stretch of hills in atmospheric tones of blue. Height, 17 imches; length, 27 inches. GEORGES MICHEL Frencu: 1763—1843 19—LANDSCAPE WITH TREES A COMPOSITION of classical aspect with large, full-foliaged trees on either side of a roadway. The dark masses of the trees showing against the sky and the sky itself, with its great white clouds, are so placed as to form a very striking ensemble. Canvas: Height, 19 inches; length, 231 inches. VICTOR PIERRE HUGUET Frencu: 18385—1902 20—THE ARRIVAL A party of Moorish horsemen at the entrance of a white-walled house with a green, railed balcony over the doorway. One of the riders has dismounted and his horse is being led through a doorway at the left of the picture. The effect shows full sunlight. Height, 15 inches; length, 18 inches. Signed at the lower left. JOHN LEWIS BROWN Frencu: 1829—1890 21—_THE MEET A proap stretch of flat country with hills in the distance. A lady and two gentlemen, seated in their saddles, await the beginning of the chase. Panel: Height, 15 inches; width, 10% wches. Signed at the lower left. STANISLAS LEPINE Frencu: 1886—1892 22—_MOONLIGHT THE composition shows a pond in the right foreground and, at the left, a group of trees. In the middle distance a church tower is seen. Over all, a gray, night sky with saffron moon. Canvas: Height, 18 inches; length, 211% inches. Signed at the lower left. AUGUST FRANZEN, A.N.A. AMERICAN: 1863— 23—A VISTA IN FRANCE From a sandy dooryard, enclosed with a low stone wall and with a fruit tree in the left center, the view comprises the walls of country houses and the spire of a church. Water Color: Height, 171% inches; width, 111% inches. Signed at the lower right. ARTHUR QUARTLEY, N.A. American: 1839—1886 24_-MARINE A HEADLAND, with houses and a church, juts out from the right of the composition. Two sailing vessels are seen approaching and the sky, of quiet blue-gray with clouds in the upper portion, is illuminated by the rising moon, which is just appearing over the headland. Height, 13 inches; length, 21 inches. Signed at the lower right. F. K. M. REHN, N.A. AmERICAN: 1848—1914 25—LANDSCAPE A suNSET landscape with marshes and stream in the foreground. At the left, on the horizon, are a windmill and some other buildings. At the horizon the sky is reddened by the setting sun and warm tones are gradated up to the top of the composition. Well up, on the left, is seen the thin crescent of the new moon. Height, 16 inches; length, 231 inches. Signed at the lower left, FKM Rerun. EDWARD LAMSON HENRY, N.A. AMERICAN: 1841— 26—UNINVITED GUESTS A. FARMHOUSE scene wherein the master, probably a bachelor, who is a portly man of middle age, has fallen asleep after his meal at a small table and the chickens, as is their wont when not kept away by a watchful housewife, have invaded the kitchen. Through an open door is seen a cheery yard under the light of the summer sun. The work is marked by the excellent drawing and complete rendering of detail that is characteristic of one of the most popular of American genre painters. Height, 181% inches; length, 241% wmches. Signed at the lower right, K. L. Henry. SIR JOHN GILBERT, R.A. Enewisu: 1817—1897 27_THE HERALD OF THE TOWER FULL-LENGTH figure of a herald in a scarlet tunic trimmed with black and gold, and wearing a black velvet cloak. The head is turned to- ward the spectator and the right hand supports a silver trumpet from which hangs a richly embroidered banner. 'The setting for the figure is formed by the massive pillars of a castle porch and a sky with gray clouds. Height, 231 inches; width, 16 mches. Signed at the lower left. This is probably “A Trumpeter” exhibited at the British Institution in 1866, No. 76. AUGUST FRANZEN, A.N.A. AmERICAN: 1863— 298—HEAD OF A GIRL Tur head of a young girl whose shoulders are covered by a white kerchief. The background is composed of vari-colored foliage. Water Color: Height, 2114 inches; width, 18 inches. Signed at the lower left. JOHN LEWIS BROWN Frencu: 1829—1890 299-LA BAIGNADE DES CHEVAUX A uap with three horses in the surf in the foreground. On the left, farther out, a groom with two other horses. Beyond is a headland with a low, white tower, and overhead there is a fine sky of white clouds with spaces of blue in the upper portion. Height, 211% inches; width, 134% inches. Signed at the lower right. STANISLAS LEPINE Frencu: 1836—1892 30—STREET SCENE A w~arrow street with houses at the left and a steep incline of rock at the right, with overhanging foliage. A woman vendor in the road- way is bargaining with one of the tenants of the houses, who appears at a window. In the distance a priest is approaching. Height, 22 inches; width, 15 inches. Signed at the lower left. CHARLES BARGUE Frencu: 1856—1883 31—_PEASANT BOY OF THE APENNINES Harr-tencru head of a little lad, whose back is toward the specta- tor, with head turned to look over his right shoulder. The wide- brimmed hat which shields his face is decorated with flowers. Height, 22 inches; width, 1814, inches. Signed, Barcvue, at the lower left. ADOLPHE MONTICELLI Frencu: 1824—1886 32—THE GRIFFIN BesIvE a garden statue of a griffin a woman and a child are seen, the child holding a bunch of lilacs. Panel: Height, 11 inches; width, 7% mecehes. Signed at the lower left. ADOLPHE MONTICELLI Frencu: 1824—1886 33—THE CAVALCADE A Group of horsemen. On the left a cavalier and a lady are seen look- ing at the riders. The setting for the figures is composed of trees and a sky of blue. Panel: Height, 6% wmches; length, 19 inches. ADOLPHE MONTICELLI Frencu: 1824—1886 34—ON THE TERRACE A Lapy and gentleman are seen, at the right, standing near a balus- trade, ready to greet a lady in a yellow gown, the train of which is held up by two pages, who is approaching from the lett: Panel: Height, 7 inches; width, 19 inches. Signed at the lower left. ADOLPHE MONTICELLI Frencu: 1824—1886 35—FEEDING THE CHICKENS A woman, in blue and white, feeding a flock of chickens. The combs and plumage of the cock and hens give brilliant notes of red, yellow and white in the resonant ensemble. Panel: Height, 14 inches; width, 10% imches. Signed at the lower right. ADOLPHE MONTICELLI Frencu: 1824—1886 36—SAMSON AND DELILAH Tue figure of Samson is seen lying prone in sleep at the right of the composition. On the left is the nude, seated figure of Delilah. Panel: Height, 13 inches; width, 111% inches. Signed with initial, M. GEORGES MICHEL Frencu: 1763—1843 37—LANDSCAPE A. VERY simple motive of rolling country with a hill on the left. Light masses in the foreground, a middle distance in somber tones and a sky of gray, with varied cloud forms, complete a most effective ensemble. Height, 19 inches; length, 24% inches. GEORGES MICHEL Frencu: 1763—18438 38—LANDSCAPE WITH WINDMILL A sxy with storm clouds of dark gray overhangs a diversified land- scape with a windmill, villages and farm lands. Beyond, on the left. is a glimpse of the distant sea. An impressive, dramatic composition. Height, 174% inches; length, 254 wches. GEORGES MICHEL Frencu: 1763—1843 39—LANDSCAPE A very skilfully composed gray landscape. The foreground is cov- ered with a broad shadow and the principal elements of the composi- tion are a group of cottages with white walls and thatched roofs, on the roadside, at the right; in the left center a fine oak, standing alone, and a sky of gray clouds with dark masses, at the right. On the left of the canvas through a rift in the clouds a broad gleam of sun- shine illuminates the white walls of the cottages with fine effect. Height, 19 inches; length, 2514 inches. VICTOR PIERRE HUGUET FRENCH: 1835—1902 40—ORIENTAL SCENE A Group of Arabs, with their white horses, on the shore of a lake. On the right are high, rocky cliffs, crowned with verdure. The sky is of atmospheric blue. Height, 181% inches; width, 241% mches. FREDERIC MONTENARD Frencu: 1849— 41—A VIEW IN THE MIDI THe foreground is occupied by a sandy plain, with rocks and trees. In the distance is a range of mountains. The sky is.of blue with white clouds, and the effect is one of bright sunlight. Height, 1614 inches; length, 271 inches. Signed at the lower right, and dated ’89. ALFRED SISLEY Frencu: 1839—1899 42—ON THE SEINE Ture river Seine is depicted in this landscape at some point between Rouen and Paris, where it winds its way among hills covered with trees in autumn foliage. In the distance, where the river makes a turn around a headland, are some tugs with red smokestacks and nearer the foreground is a skiff, with people in it, crossing in mid- stream. Poplars on the bank, at the right, reach upward in the sky, which shows an expanse of blue with whitish-gray clouds. Height, 1814 inches; length, 2114 mcehes. Signed at the lower left, and dated ’74. CAMILLE PISSARRO Frencu: 18830—1908 43—ON THE HIGHWAY A BROAD roadway extending from the foreground to the middle dis- tance on the left, with a house and a low, tile-roofed building on the right. ‘Trees line the highway on either side and the sky is of gray with some dull white clouds. Height, 16 inches; length, 21 inches. RALPH ALBERT BLAKELOCK, A.N.A, AMERICAN: 1847—— 44—MOON RISE A nicut effect with rich tonality, with the moon rising. In the mid- dle distance is a group of trees. Height, 12% inches; length, 171% inches. Signed at the lower right. RALPH ALBERT BLAKELOCK, A.N.A. AMERICAN: 1847—- 45—LANDSCAPE A poor in the foreground and dark trees showing against a bright sky with clouds in the upper portion. Height, 16 inches; length, 24 inches. Signed at the lower right. RALPH ALBERT BLAKELOCK, A.N.A. AMERICAN: 1847— 46—LANDSCAPE A Brook tumbling through a rocky slope in a forest. The rich autumn foliage of the trees fills the greater part of the canvas and in the upper center there is a glimpse of sky. Height, 16 inches; length, 24 inches. Signed at the right. ADOLPHE MON'TICELLI Frencu: 1824—1886 47—_THREE LADIES A Group of three young women, clad in robes of blue, red and yel- low, seated on a garden bench. The setting for the figures consists of tree foliage, on the right, and on the left is a glimpse of a sky in- tensely blue. Panel: Height, 18 inches; width, 144% wmches. Signed at the lower left. ADOLPHE MONTICELLI Frencu: 1824-1886 48—THE ARRIVAL OF CUPID STANDING in the middle of a group of five ladies in multi-colored robes, and a man at the outer edge of the company, in the background, is the nude figure of Cupid, whose presence seems to evoke keen interest in the members of the party. Height, 15 imches; length, 18 inches. Signed at the lower left. Cut out from a panel of a door in the studio of Diaz the artist. ADOLPHE MONTICELLI Frencu: 1824—1886 49—A LADY'S PORTRAIT THREE-QUARTER length seated figure of a young woman dressed in a frock of yellowish white and wearing a hat of black velvet with crown of light blue. Panel: Height, 19 inches; length, 124 inches. Signed at the right, and dated 1875. ADOLPHE MONTICELLI Frencu: 1824—18&6 50—THE POULTK Y YARD A rock of chickens and ducks in an enclosure with a gateway, open- ing out on a perspective of sea and shore. Panel: Height, 18 inches; length, 19 inches. Signed at the lower left. GEORGES MICHEL Frencu: 1768—1843 S1—LANDSCAPE A CLASSICAL composition showing a group of dark trees on a bank at the left. Other masses of trees appear on the right of the picture and through the middle ground runs a stream. Dark, gray clouds fill the upper part of the sky, and the lower part, nearing the horizon, is brightened by a stronger illumination. Canvas: Height, 20 inches; length, 26 inches. ~~ GEORGES MICHEL Frencu: 1763—1843 52 THE RUINED CHATEAU In the left foreground is a ruined structure, with an archway span- ning the water, and the remains of a massive tower. Beyond are a few trees. On the right, beyond intervening plains, is a hillside, gray- blue in the distance. Overhead are somber masses of cloud forms with the sky gradated, in the upper part, into a simple expanse of gray. Height, 201% inches; length, 26 inches. GEORGES MICHEL Frencu: 1763—1848 53—_LANDSCAPE In the foreground are some great trees which have been partly de- stroyed by wind and weather. Their trunks and branches grow upward in twisted forms. On the right, beyond, is a hill with thick- foliaged trees. The sky is composed of gray clouds. Height, 20 inches; length, 27 inches. ENGLISH SCHOOL 04—_LANDSCAPE A LANDSCAPE with a group of trees in a dell and a gentleman on horseback accompanied by a dog. Pigs in pasture on the left. Height, 20144 imches; length, 29 inches. BENJAMIN WILLIAMS LEADER, R.A. Encuisu: —18381 55—-ENGLISH LANDSCAPE A view of rolling country, showing fields and woods and, in the fore- ground, a stream. Over all is a sky of white and gray clouds with a glimpse of blue at the upper right. Height, 20 inches; length, 80 mches. Signed at the lower left, and dated 1886. WILLIAM H. CROME EncuisH: 1826—1848 56—LANDSCAPE An aged oak tree occupies the center of the view; seated peasant and cart wheel near dilapidated cottage and hills in distance to right. Height, 28 inches; length, 33 inches. GEORGE VINCENT Eneuiso: 1796—1880 57—-LANDSCAPE Lanpscare with cottages and tall overhanging trees; a peasant in red cap and white smock seated on a log to left, pool in foreground; dog, boat and cows. Height, 241% inches; length, 29 inches. JOHANN MARTIN METZ (of Cologne) German: 1780—1800 58—F LOWER PLECE Tuxies, primulas and other flowers loosely arranged on a ledge. Canvas: Height, 28% inches; width, 21 inches. Signed, and dated 1771. Companion piece to No. 59. JOHANN MARTIN METZ (of Cologne) German: 1730—1800 oO9—FLOWER PIECE Tu rps, lilies and other flowers, and bird’s nest with eggs. Height, 281% inches; width, 21 inches. Companion piece to No. 58. GEORGES MICHEL Frencu: 1768—18438 60—LANDSCAPE A HARMONY in grays and sober browns. A road winds into the pic- ture from the immediate foreground; a group of trees is seen on the left, and farther away in the right of the composition there is a single tree, on the roadside, and a cottage nearby. The sky of gray is dark in the lower right, gradating to large masses of tempered white at the left. Height, 21 inches; length, 27 inches. GEORGES MICHEL Frencu: 1768—1843 61—SEACOAST WITH BOATS AND FIGURES A coast view on an estuary of the sea with vessels and, on the shore, groups of fishermen. To the left is seen a tall mast with hoisting ap- paratus for putting up lights at night. The foreground shows a sandy beach and across the water is a line of hills. The sky 1s composed of gray clouds. Height, 20 inches; length, 274% inches. Purchased from Messrs. Durand-Ruel. ALFRED SISLEY Frencu: 1839—1899 62—LOUV ECIENNES A roapway, lined with trees in autumn foliage, leading into a vil- lage. The effect is in sunlight with a sky of gray blue and white clouds. Height, 18 inches; length, 22 inches. Signed at the lower right. On the back of the canvas is a sketch of another winter scene with house and carriage and figures. Both scenes were painted before the war of 1870, when Sisley lived at Louveciennes, close to Marly-le-Roi and Bougival. Nearly all the pretty spots in these districts have been preserved to us in Sisley’s pictures. CLAUDE MONET Frencu: 1840— 63—ON THE COAST OF NORMANDY . THE sea appears, in the foreground, within one of the curious cliff- rock formations on the Normandy Coast near Etretat. Through an irregularly shaped opening in the rocky wall there is a view of the sea and a distant headland and a steeple-like rock. Height, 281% inches; width, 231% inches. Signed, and dated ’80. PIERRE AUGUSTE RENOIR Frencu: 1841— 64—OLIVIERS DE L7ESTAQUE, MARSEILLES AN olive grove on a hill in the foreground which overlooks the waters of the Mediterranean. Beyond is the distant shore of the bay with a range of mountains. Height, 1414 inches; length, 254 inches. Signed, Reno, at the lower right, and dated 82. ALFRED SISLEY Frencu: 1839—1899 65—LANDSCAPE A roapway leads from the right foreground into the middle distance where white cottages are seen and red-tiled roofs. On the left is a group of trees, in shadow, whose tops reach up out of the picture. On the right is a straw stack and a green tree in the sunlight. ‘The sky is of quiet blue with white clouds. Canvas: Height, 231 inches; length, 29 inches. Signed at the lower right, and dated ’84. CLAUDE MONET Frencnu: 1840— 66—THE LAKE A LAKE with overhanging trees reflected in the water. At the left, the gray sky, which is concealed from view by a tree, is reflected, forming contrasts with the greens which predominate in the scheme of color. Height, 221% wmches; length, 301% wmches. Signed at the lower right. CAMILLE PISSARRO Frencu: 1830—19038 67—_THE CARREFOUR Tue foreground consists of an open space with irregular patches of grass and roadway at the top of an eminence. The road drops, in the middle of the picture, into the town. On the right is a white- walled dwelling, with its garden wall, and, beyond, in the town, are seen other houses embowered among the trees. The scene is ani- mated by a number of figures. Over all is a blue sky of fine atmos- pheric depth. Height, 214% inches; length, 851% inches. Signed, C. Pissarro, at the lower right, and dated 1872. FREDERIC MONTENARD Frencu: 1849— 68—ON THE ROAD TO THE MONASTERY A REPRESENTATIVE example of the work of a celebrated French artist who chooses his subjects in the picturesque Midi of France. Here are seen two monks, garbed in white, one standing meditatively in the foreground and the other gathering herbs on the roadside. The strong sunlight of the South lights up a rocky hillside, above a wall, and there is a sky of intense blue. Height, 29 inches; width, 24 inches. Signed at the lower left, Montrenarp, and dated "87. CARLETON WIGGINS, N.A. AMERICAN: 1848— 69—A FROSTY MORNING A crkPUSCULE effect with rosy light in the sky at the horizon. Against these tones rises a mass of trees, placed in the middle dis- tance. In the foreground, consisting of spacious pastures, sheep are seen grazing on the borders of a brook. Height, 211% inches; length, 29Y inches. Signed at lower left, CARLETON Wicerns. FRANK KNOX MORTON REBHN, N.A. AmeERIcAN: 1848—1914 70—MARINE THE wide expanse of the ocean, with breakers rolling in, the waters illuminated by sunlight which falls from a break in the clouded sky from a point above, and outside of, the picture. Height, 22 inches; length, 3514 inches. Signed at the lower left, and dated °96. ALFRED WAHLBERG SwepisH: 1834—1906 71—LANDSCAPE In the foreground the somewhat marshy shores of a lake, with reeds and other herbage. On the right, on a slight eminence, a mass of trees showing against the strong color harmonies of a sunset sky. Effective contrasts are produced by the well-handled opposition and the entire picture is characterized by breadth and unity. Height, 211% inches; length, 34 inches. Signed at the lower left, At. Wautnerc, and dated 1879. RAIMUNDO DE MADRAZO Spaniso: 1841— 72—CONFIDENCES A LADY, in white, seated in her boudoir, is drawing on one of her pink satin slippers. Standing beside her is a lady visitor, wearing a COs- tume of blue and tan color of the mode of the Second Empire. The figure in white is notable as one of the best pieces of painting of a very talented artist of the contemporary French school. The furniture and accessories of the apartment are carefully and simply rendered. Height, 36 inches; width, 281% inches. Signed at the left. FERDINAND ROYBET Frencu: 1840— "13-THE SULTAN’S FAVORITE Tum nude figure of a young woman of brunette type reclining on a leopard skin and draperies, her head supported by a cushion. A negro servant, who is seen behind her, with a large white feather fan, makes an effective foil for the nude body. Among the accessories are a cock- atoo, perched on a table, a guitar and a smoking stand. Height, 281% inches; length, 38 inches. Signed, F. Royset, at the lower left. JEAN RICHARD GOUBIE Frencu: 1842—1899 74—THE RIDE AN equestrian scene in which we see a party consisting of a gentle- man, two ladies and two children, on ponies, riding through a grassy lane, while a flock of white turkeys, alarmed at their approach, are scurrying across in front of the horses to the shelter of the hedges on the right. ‘The landscape is depicted in an agreeable color scheme in which green predominates and the sky of blue with white clouds is veiled with the light vapors characteristic of the summer season in northern and western France. Height, 2614 inches; width, 39 inches. Signed at the lower left, R. Gountr, and dated 1883. te _ . _|) = _ 7 < ‘ . ™ ak . t 7 ’ a eek ) -, ba b + e , ‘ “e G ‘ ; . . . - . * * ‘ , +f ™, . . . s j > \ - . + . %., . a . J p + . a = . * - 4 a ~~ JOSEPH STANNARD Eneuiso: 1797—1830 75—AN OLD MILL, NORWICH View of an old mill on the edge of river, with cottages and overhang- ing trees; in the center is an old man in a boat, a child and dog to right. Canvas: Height, 2514 inches; length, 37 inches. JAN MOLENAER Doutcu: Diep iw 1685 76—THE VILLAGE FETE AN open-air evening scene, with numerous peasants drinking, smok- ing and dancing; houses and trees in the background with inns and canvas tents; church spire in distance to right. Canvas: Height, 28 inches; length, 414 inches. Purchased from Messrs. Durand-Ruel. 9 29 - JOHN BERNAY CROME 7 EnewisoH: 17938—1842 7(/—_VILLAGE ON THE YARE THR, river Yare, with numerous sailing boats on either side, a rough wood jetty with figures in the center of the river; windmills and trees to right and left, church spire and houses in the distance; cloudy sky with moonlight effects. Canvas: Height, 271% inches; length, 39 inches. Purchased from Messrs. Wallis of London. JULIAN RILX American: 1851—19038 78—A DEVONSHIRE FARMHOUSE Tux broad, placid surface of a river fills the foreground and stretches away to the horizon, on the right. On the left of the composition a high bank, with trees, extends in perspective to the middle distance. Amid the trees appears a white-walled house, long and low, with thatched roofs. Height, 24 inches; length, 42 inches. Signed at the lower left. FRANK M. BOGGS American: 1885— 79—IN THE HARBOR In the “basin” of a French fishing port, surrounded by high walls, are two fishing boats. On the quays above appear the houses of the town, old-fashioned and picturesque architecture with high gabled roofs and a multitude of chimneys. Over all is a sky of pearly gray. Height, 311 inches; width, 214% inches. Signed at lower left, Boces. Purchased from the artist. FREDERICK W. KOST, N.A. AmeERIcAN: 1861— 80—MOONRISE A FINE example of the work of a well-known landscape painter. Crossing a stream in the center of the composition is a horse and cart. The horse has stopped to drink and the driver waits till his thirst is quenched. On either side are masses of trees which admirably hold their places in receding distance from the spectator. The effect is at the hour of moonrise in summer, and the moon itself is seen coming up over the hills. The sky vibrates with atmospheric quality. Height, 32 inches; length, 40 inches. Signed at the lower right, Kost. ANCIENT DUTCH SCHOOL 81—INTERIOR OF A CATHEDRAL In a Dutch cathedral numerous figures in seventeenth century cos- tumes are seen, grouped, for the greater part, around the pulpit from which the pastor is preaching his sermon. Height, 39 inches; width, 3414 inches. Purchased from the late H. O. Watson. GEORGE HERBERT McCORD, A.N.A. American: 1848—1909 82—WINDSOR CASTLE Tum massive round towers of the castle on the hill at the right rise high up in the composition, the more distant walls being partly lost in the vaporous atmosphere which is well depicted in the hazy but vibrating sky with great clouds and the sun faintly shining through the mist. In the foreground is the river with the bridge and a sturdily built sailing vessel moored in the quiet water. Height, 601% inches; width, 401% inches. Signed at the lower right. LOUIS RITTER 838—THE VILLA CASTELLANI A PICTURE of springtime in its smiling aspects in sunny Italy. A roadway, garden walls and terraces with trees in fresh, green foliage are the elements of the composition and the ensemble is harmonious and pleasing. | Height, 31% inches; length, 40 inches. Signed at the lower left, Vitua CastTeLuaANnt, BELLAGUARDA, and dated 1888. PIETER NEEFFS Dutcu: circa 1577—1661 84—_INTERIOR OF A CATHEDRAL THE central aisle of a Cathedral (probably Upsala), with elaborate architectural details; to left a celebration with kneeling worshippers, and numerous figures walking to and fro. Height, 281% inches; length, 4414 inches. PROFESSOR KARL HEFFNER German: 1849— 85—LANDSCAPE On the shore, at the right, an ancient church is seen towering above the trees and on the left are the distant banks of a river. The sky is clouded with gray, after the passing of a shower, and a band of light at the horizon indicates clearing weather. Height, 331 inches; length, 47 imches. SCHOOL OF VAN RUYSDAEL 86—LANDSCAPE AND WATERMILL View with tall trees overshading a watermill, a thatched-roof cottage and other houses; two figures approaching to front. Height, 39 inches; length, 47 inches. woe ® we aaa Nas GIOVANNI BATTISTA CIPRI Eneusn: 1727—1785 87—WOMEN BATHING © View in a deep ravine with rocky river s 1r0 7 wooded hills; eight women bathers, some on the the water; a Cupid on the branch of a tree to left, : and in the distance a castle on the top of a hill. — ie Height, 40 inches; Ie Purchased from M. Eugéne Fischhof. ae ee < > . “¢ eS yd ee oe LUCIEN ALPHONSE GROS Frencnu: 1845— (Pupil of Meissonier) 88 THE PERSECUTION OF THE HUGUENOTS A creat assemblage of soldiers and civilians, among the latter a woman with a child clinging to her for protection, in a vast hangar the roof of which is supported by stone pillars. The central group is composed of the Catholic seigneur of the locality before whom the Huguenots are dragged for judgment, a suppliant, on his knees with back bared for the lash, and an officer of the soldiery who holds in his hand a rope, ending in a noose around the prisoner’s neck. Exxcite- ment reigns among the people thus herded together at the command of the seigneur, and their vigorous efforts to shield themselves from the brutality of their captors is in strong contrast to the stern placid- ity of the judge and his entourage of officers and retainers who are grouped around him. Height, 42 inches; length, 55 inches. Signed at the lower left, and dated 1871. ADRIEN MOREAU Frencu: 1843—1906 89—UNE REPETITION DE LA TRAGEDIE “MIRAME”’ CHEZ LE CARDINAL RICHELIEU In arichly furnished apartment, carpeted with red, are a dozen ladies and gentlemen of the court of Louis Treize, who are grouped, some seated, some standing, around the armchair of Cardinal Richelieu. The Cardinal, in his red robes and with his feet resting on a cushion, listens to the great comedian and dramatist, who is reading a new play to his powerful patron. The picture is admirably composed and exhibits the work, in his best period, of a celebrated French painter of historical genre. Height, 46 inches; length, 58 inches. Signed at the lower left, and dated 1879. The author of “Mirame,” 1642, was Desmarets, Seigneur de Saint Sorlin, the writer of a large number of now forgotten plays. He was one of the first forty members who constituted the Académie Francaise at its institution in 1634. SOLOMON VAN RUYSDAEL Dutcu: 1608—1670 90—DORDRECHT View of the Cathedral at Dordrecht and houses, fully rigged sailing boats on the Canal, and numerous figures. Panel: Height, 35 inches; length, 48 inches. Purchased from the late T. J. Blakeslee. ISAAK VAN OSTADE Dutcu: 1621—1649 91—_LANDSCAPE Corracrs and peasants with tall overhanging trees in the center; to right church tower and house; to left houses and trees; evening ef- fects and cloudy sky. Height, 401% inches; length, 554 inches. Purchased from the late T. J. Blakeslee. é] 79 A (t Cheth, Wwe "Y (g yes Sony et rare Caanet- FRANZ XAVER WINTERHALTER GreRMAN: 1806—1873 92—SUSANNAH AND THE ELDERS A. FULL-LENGTH figure of a young woman seated on a couch, with drapery of white and red, and holding up a blue velvet cloak. A pillar and the foliage of a large plant compose the background. The figure is well drawn and modeled and the ensemble is characterized by luminosity of effect. Height, 64 inches; width, 451% imches. Signed at the lower right, and dated 1866. From the A. T'. Stewart Collection, New York, 1887, and the Daniel Powers Collection, New York, 1899. Mentioned in Edward Strahan’s “‘The Art Treasures of America,” 1879, Vol. 1, p. 52. WILHELM VON LINDENSCHMIT German: 1829—1895 93 —_LUTHER AND THE REFORMERS AT | MARBURG, 1529 A. WELL-COMPOSED group of some thirty figures, of whom sixteen are portraits. Martin Luther is depicted, on the left of the composition, standing beside a large table covered with a green cloth, and reading his address to the reformers. Height, 55 inches; length, 79 inches. (With key to the personages.) From the D. W. Powers Collection, January 19, 1899. =~ js ——— ’ > tua s ; \ e : | } aie 2h | . | ; sep * 6 JAN LOOTEN Dutcu: 1618—1681 94--THE SIGN-POS T Broap view of undulating country with ancient oak and other trees on either side; on left two travelers, one mounted on a donkey and reading a sign-post; near them a peasant woman taking a cow to water; a cavalcade of horsemen approaching from the right. Height, 4514 inches; length, 5614 inches. JAN VAN HUYSUM Dutcu: 1682—1749 95—F LOWERS LarcE sculptured vase with a massed arrangement of various bril- liantly colored flowers which occupy nearly the whole canvas. Height, 71 inches; width, 46 inches. ELEUTERIO PAGI iALANO Irauian: 1826—19038 96—NAPOLEON BIDDING FAREWELL TO THE EM- PRESS JOSEPHINE IN THE PALACE OF FON- TAINEBLEAU A FINELY composed group of two figures, near a window in an apart- ment with furnishings of green. 'The Empress, seated, is seen holding her handkerchief to her face, with her elbow resting on a table, while her left hand is held in the affectionate grasp of the Emperor. The Emperor’s military dress, comprising the tints of the tricolor, and the Empress’s elegant gown of white satin, with lace over-dress, are painted with restraint of color and excellent breadth of handling. The head of the Emperor, in half-tone, and the neck and shoulders of the fair Josephine, with light fallmg on them from the window, are cleverly depicted. Height, 8044 inches; width, 50 inches. Signed at the upper left; dated 1880. Echibited at Milan in 1885 and m many places on the continent of Europe and in the United States. Pa Aine” & == "ea went. ‘ art ¥ ® SECOND EVENING’S | TUESDAY, FEBRUARY ‘THE PLAZA — FIFTH AVENUE, 58TH TO 59TH BEGINNING PROMPTLY aT 8 0 = t Mad ss val TAU tenor Wen OYA Be UNKNOWN ARTIST 97—LAST SUPPER A croup of twelve small half-length figures seated at the supper table, with the Saviour in the center; gold background. Panel: Height, 11 inches; length, 16 inches. nv ww, Hea Give KTRreryn Mus (406 VICTOR PIERRE HUGUET Frencu: 1835—1902 98—A PASSING CALL A Moor, mounted on a black Arabian horse, has stopped at the door of an Oriental dwelling to chat with a young woman who is leaning out over the lower half of the door. Sunlight gleams on the upper part of the white walls of the house, while all the foreground of the picture is in cool shadow. Canvas: Height, 18 inches; width, 15 inches. Signed at the lower left. EUGENE LOUIS BOUDIN Frencu: 1824—1898 98A—TROUVILLE A view of the fishing port of Trouville. The sea is at low tide and vessels are seen near the walls of the quay. The sky is of blue with white clouds. Panel: Height, 101% inches; width, 81% inches. Signed at the lower right, E. Boupiy, and Trovvitxe, ’81, at the lower left. Purchased from Messrs. Durand-Ruel. ADOLPHE. MONTICELLI Frencu: 1824—1886 99—_TWO DOGS Two dogs facing each other, nose to nose, as if in conversation in their own language. One wears a collar of red, the other one of tan color. The background is composed of green foliage and blue sky. Panel: Height, 11 inches; length, 144 inches. Signed at the lower right. ADOLPHE MONTICELLI Frencn: 1824—1886 100—GROUP IN A PARK A crour of ladies and courtiers in a park with a great ornamental vase behind them. One of the men, on the left of the group, is costumed in brilliant red and holds a long cane, or wand, in his hand. Another effective color note is produced by the green gown of one of the ladies on the right. Panel: Height, 18 inches; width, 1414 «inches. Signed at the lower right. ADOLPHE MONTICELLI Frencu: 1825—1886 101—M ARRIAGE SCENE A BRILLIANT group of seven figures, all standing. The central point of interest lies in the figures of three young women clad in rich cos- tumes of various hues. The center figure in white forms an effective note amid the luxuriant harmony of reds, tawny yellows, cramoisi and blues. Panel: Height, 18 inches; length, 2414 inches. Signed lower left, MontTicELu. ADOLPHE MONTICELLI Frencu: 1824—1886 102—GROUP OF LADIES A croup of five young women in an open space between buildings, which are seen behind them. 'The costumes are of blue, red, white, yellow and other glowing tints, forming a brilliant bouquet of color. Panel: Height, 181% inches; width, 121% inches. Signed at the lower left. RALPH ALBERT BLAKELOCK, A.N.A. American: 1847— 1083—LANDSCAPE A STREAM occupies the center of the foreground with some tall trees on the left of the picture. Near the center of the middle distance is another tree and at the left another. These trees stretch across the composition with fine effect and the whole is completed by a sky of delicate opalescent tone. An example of Blakelock’s work of much — distinction. Canvas: Height, 16 inches; length, 24 mches. Signed at the lower left, R. A. BLAKELOcK. No. 104 LANDSCAPE BY a RALPH ALBERT BLAKELOCK, A.N.A. RALPH ALBERT BLAKELOCK, A.N.A. AMERICAN: 1847— 104—LANDSCAPE A symMpuHony of delicate autumn color, the whole infused with pearly, misty atmosphere. The foreground shows a brook, its waters divided by a little island, with shrubs and bushes growing amid the rocks on its banks. On the left is a tree, standing alone, its pale foliage tinted with touches of russet pink. The central portion of the composition shows mountain sides, full-timbered and enveloped in the pearly au- tumn haze. Over all is a sky of delicate gray. Canvas: Height, 16 inches; length, 24 inches. . Signed at the lower center. | Naty oeeaer ee eee ee x > alt oq 2 > = | / a 5 oa Via) : ha . z Pies = > _ ¥ : t) .~ ‘ . ae y' wo} ’ 7 ! a : . j * ' s - ’ a - - laa | - ; th ‘ J 7 ] aa * we , .. ul a 7 : : bet * A) ‘ ( a4, _. = U 4) i ' P - 2 ee j _ A A) «2p ‘ * = « o* a ‘ * % < ‘ Pcs - : ) , > ™. . he ’ 4 a aes f ~~ Ae, ad on No. 105 LANDSCAPE | BY RALPH ALBERT BLAKELOCK, A.N.A. RALPH ALBERT BLAKELOCK, A.N.A. American: 1847— 105—LANDSCAPE A LANDSCAPE with a blond color scheme of tender distinction. The foreground shows a field and stream, while trees, admirably placed in the composition, extend across the middle distance. ‘The sky is white and blue of delicate tone. Canvas: Height, 16 inches; length, 24 inches. Signed at the lower right, R. A. BLaKEe.ock. GEORGES MICHEL Frencu: 1763—1843 106—THE OAKS A sanpy road in full light leads from the right of the canvas into the left middle distance. Embowered in a group of great oaks, on the right, is a cottage with high-peaked, thatched roof. Over all is a sky of gray. A notably well-balanced composition. | Canvas: Height, 20 inches; length, 264 inches. GEORGES MICHEL Frencu: 17638—1843 107—A SEAPORT A BEACH, with figures, in the left foreground. From right to left extend the waters of an estuary and beyond is the wide expanse of the ocean. On the right are seen the high walls of the port and the square towers of a castle, while a fleet of sailing vessels rides at anchor nearby. The sky is of fine, clear blue with masses of vaporous white clouds. Canvas: Height, 201% inches; length, 261% inches. , 2% > 7 he ol M ney oe EUGENE LOUIS BOUDIN Frencu: 1825—1908 108—THE SHORE AT PORTRIEUX A MARINE view in gray weather with a glassy sea on which are numer- ous boats. The sky of gray clouds and the similar tone of the water and the beach form a quiet, impressive harmony. Canvas: Height, 151% inches; length, 25% inches. Signed, E. Bounin, *73, at the lower left, and Porrrievux at the lower right. GUSTAVE COURBET Frencu: 1819—1877 109—MARINE Breakers rolling in in the immediate foreground, with the green sea, beyond, meeting at the horizon a stormy sky filled with dark clouds. At the top of the canvas, above the clouds, is a space of blue. Canvas: Height, 17 inches; length, 24 inches. Signed G. CourBet, at the lower left. ADRIAEN VAN DE VELDE Dutcu: circa 1685—1672 110—A SCENE IN THE NETHERLANDS View of a shallow river leading to open sea, with numerous boats rigged; cottages and trees on left, two cows and peasant in fore- ground, village and church to right; moonlight effect. Panel: Height, 12% inches; length, 21 inches. KLAES MOLENAER. Diep 1n 1676 111—DUTCH LANDSCAPE SUMMER scene with cottages, trees and gateway to right, two wind- mills in the distance; in front a river with numerous figures of women washing and spreading clothes to dry; in the foreground peasants in conversation, one in a red coat entering a gateway. Panel: Height, 181% inches; length, 241% inches. Purchased from Messrs. Durand-Ruel. (0€F, 80 CAMILLE PISSARRO FrencH: 1830—1903 112—SCENE D’HIVER A winter landscape showing rising ground with a plowed field and a bare tree near which a peasant is passing with a big bunch of fag- gots on his back. Another figure, a woman, is seen approaching from a distance. The sky, typically wintry with its gray-blue and its strata of white clouds, and the pinks, grays and greens of the fields form a color scheme of distinguished beauty. - Canvas: Height, 15 inches; length, 18 mcehes. Signed at the lower left. ALFRED SISLEY Frencu: 1839—1899 113—LE BARRAGE DE ST. MAMMES A SCENE on a canal with a lock, in France. ee eee ee Mi a PIERRE AUGUSTE RENOIR Frencu: 1841— 114—ROCHERS DE LESTAQUE A BRILLIANT sunlight effect on a hillside of rocks with, here and there, trees and bushes growing among them. Canvas: Height, 12% inches; length, 15% inches. Signed at the lower left. CAMILLE PISSARRO Frencu: 1880—1903 115—PONTOISE A view of the town of Pontoise in gray weather. The foreground shows cultivated fields and the buildings are clustered on rising ground in the middle distance. In the sky, a rift in the clouds discloses a space of blue. Canvas: Height, 15 inches; length, 21% inches. Signed at the lower right, and dated 1872. THEODORE PIERRE ETIENNE ROUSSEAU Frencu: 1812—1867 ?* [ae get 2 me ay, * & ' 116—LANDSCAPE THE composition shows a road winding through a fine forest, the light from the sky illuminating the foliage in the middle distance. A peas- ant woman with a bunch of faggots is seen in the roadway. The man- ner in which the foliage is painted shows a method characteristic of the great landscape painter which he followed, both somewhat ana- lytically, as in this example, and at other times and at a later period, more synthetically. ‘The greens in the foliage are relieved by the dark notes of the trunks of the trees. Panel: Height 9 inches; length, 181% inches. Signed at the lower left, Tu. RovussEau. Purchased from L. Crist Delmonico. PIERRE AUGUSTE RENOIR Frencu: 1841— 117—PORTRAIT OF A CHILD A pictur, in profile, of a little girl whose blond hair falls over her shoulder and down her back. ‘The face is turned to the spectator’s left. A frock of purple-blue and a background of green and brown complete the color effects in which the delicate complexion of the child is the central keynote. | Canvas: Height, 18 inches; width, 15 inches. Signed at the upper left. PHILIPPE ROUSSEAU Frencu: 1816—1888 118—TWO DOGS A parr of hunting dogs on leash, the one black and white, the other white, black and tan, in front of a wall on which is suspended a cor de chasse. An excellent example from the brush of the distinguished French painter of still-life and animals. Canvas: Height, 11 inches; length, 151% inches. Signed at the lower right. CONSTANT TROYON 1810—1865 119—IN PASTURE A. REMARKABLY effective picture with the simplest of subjects. In the -left foreground there is a black and white cow, lying down in the pastures which stretch away to a low horizon. A gleam of sunshine from a darkly clouded sky illumines a wide strip of country in the middle distance, where some cattle and a figure or two are seen in miniature. Panel: Height, 12 inches; length, 18 inches. From the artist’s sale, with the cachet: VEnNtE Troyon. Purchased from Gustave Reichard, New York. JEAN BAPTISTE CAMILLE COROT Frencu: 1796—1875 120—ON THE RIVERSIDE Tare scene is in the outskirts of a town with a stream flowing through meadows and sloping hills on its banks. In the left center is a French willow, its trunk forming the important dark note found in practi- cally all of Corot’s landscapes. The branches, with gray-green foli- age, are not “arranged,” but are depicted with the truth of observa- tion that gives a veracious aspect, and the usual accessory figure, a peasant woman with gray, red, blue and white in her costume, stoop- ing over to gather a wild flower, appears in the immediate foreground. Canvas: Height, 18 inches; length, 18 inches. Signed at the lower left, Corot Purchased from Messrs. Durand-Ruel. CHARLES FRANCOIS DAUBIGN Y Frencu: 1817—1878 121—_LANDSCAPE IN FRANCE A LANDSCAPE with evening effect just after sunset. In the foreground is a stream with sloping green banks on the right, and a church and cottages. The sky is luminous with the slowly fading light of day. Panel: Height, 141% inches; length, 211% inches. Signed at the lower right. Purchased from Messrs. Durand-Ruel. ¢ r i od FRANCOIS MILLET, fils FRENCH: CONTEMPORARY 122- FEEDING THE CHICKENS In the courtyard of a French farmhouse a peasant woman stands, near the kitchen door, looking at her flock of chickens, eating the grain she has just thrown down for them. The grayish-white walls, some green vines, and the green shutters of a window form a pleasing color set- ting for this domestic scene. Pastel: Height, 1714 inches; length, 1914 inches. Signed at the lower right. FERDINAND VICTOR EUGENE DELACROIX Frencu: 1798—1863 123—LION FEEDING A LION devouring a gazelle. Crouching flat, the lion holds his quarry between his strong paws while he tears it in pieces and watchfully en- joys his meal. Beyond are dunes and blue mountains. ‘The sky of broken blue and gray is in happy color contrast to the tawny yellow browns in the coat of the lion and the sandy foreground. Height, 17 inches; length, 271 inches. Signed at the lower right, Kuc. DeLacrorx. Purchased from Messrs. Durand-Ruel. JULES DUPRE Frencu: 1811—1889 124—CAUGHT IN THE STORM A YAwL, with sails lowered, in a tempest, the bow of the boat tilted up high by the force of the storm and masses of spray breaking over it. The tempest-tossed water is forced into high waves and a dark sky over all completes a composition of dramatic power. Canvas: Height, 22 inches; width, 18 inches. Signed at the lower right, JULES Dupre. From the Albert Spencer Collection, New York, February 28, 1888. JEAN BAPTISTE CAMILLE COROT Frencu: 1796—1875 125—EV ENING THE wide expanse of a placid stream fills the right foreground of the picture, while on the left are meadows with two cows and a peas- ant woman, at the edge of the water. Tall trees, growing on the bank of the stream, rise to the upper part of the composition and the whole — landscape is filled with the quiet atmosphere of evening. Vaguely perceived through the mists in the distance appears a glint of light made by the setting sun. Canvas: Height, 211% inches; width, 1714 inches. Signed at the lower left. Purchased from M. George Petit, Paris, 1890. No. 126 THE APPLE ORCHARD BY CHARLES FRANCOIS DAUBIGNY CHARLES FRANCOIS DAUBIGNY Frencu: 1817—1878 126—THE APPLE ORCHARD AN apple orchard in blossom. This picture, like others of similar motives by the great landscape painter, is characterized by sturdy, frank and sober rendering of a charming effect in nature. 'The virile Daubigny greens and one of his atmospheric skies combine in pro- ducing a most pleasing ensemble. Canvas: Height, 19 inches; length, 29% inches. Signed, and dated 1872. Purchased in Paris from M. Munkacsy, the artist. Pr No. 127 é : LANDSCAPE BY = . , JULES DUPRE ; . a "4 ’ 7” = "{ ae iy 5 se —_ _— + os f . > - ; - If \ ’ . . ty ‘* > ‘9 i - < «a Foo - 4 =i 2 7 JULES DUPRE Frencu: 1811—1889 127—LANDSCAPE THE composition shows a mass of trees on the right. In the left fore- ground is a pond with a peasant woman in a punt. The sky is com- posed of white and gray clouds with intervening spaces of somber blue. Canvas: Height, 231% inches; length, 281% inches. Signed at the lower left, Jutes Dupre. Purchased from Messrs. Durand-Ruel. 4 4 yy » 4 a ‘| ‘ me W . \ : 1 . ‘ £ . 6 . ‘y ’ - ‘ ' i ‘ ‘ r = * . ‘ ' ‘ 5 ea ‘ % ’ ’ ’ eT ee ee ee eA. i Oe re) Eee a oe £ P . < ma *; 1 BY x LA BOUTRAYE, COMTESSE RAY- F. V. EUGENE DELACROIX ‘MOND DU TILLET PORTRAIT OF ALEXANDRE JULIE DE FERDINAND VICTOR EUGENE DELACROLX Frencu: 1798—1863 128—PORTRAIT OF ALEXANDRE JULIE DE LA BOUTRAYE, COMTESSE RAYMOND DU TILLET Bust portrait on an oval canvas of a young lady in a white gown with her dark hair dressed in the fashion of 1830. The head is turned to the spectator’s left. From around the neck falls a black necklace with a cross at the end of it which is slipped into her girdle of blue. Canvas: Height, 27% inches; width, 22 inches. Signed, Euc. Devacrorx, at the right. Painted in 1834. Exhibited at the Trocadéro, Paris, 1878, No. 855, by the Comte Raymond du Tillet. Alfred Robaut, “L’GEuvre complet d’Eugéne Delacroia,” 1885, No. 554. With the “médaille commémorative” by Eugéne André Oudiné awarded to the portrait at the Exposition Universelle of 1878. Purchased from Messrs. Durand-Ruel. a ’ ~ - JOHN LEWIS BROWN Frencu: 1829—1890 129—SOLDATS AU BORD DE LA MER (Water Color) A party of cavalrymen of the eighteenth century riding out for exer- cise on the greensward of high ground overlooking the sea. A camp- fire is seen in the left foreground. In the middle distance a carriage and four and other horsemen. Millboard: Height, 151% inches; length, 22 inches. Signed at the lower left, and dated 1878. ADOLPHE MONTICELLI Frencu: 1824—1886 130—IN THE FOREST A. woop interior with a color scheme of delicate neutral tints enlivened by notes of stronger color which add to the beauty of the ensemble. The effect is in the autumn when the leaves are falling and light from the sky drifts through the openings in the forest. Canvas: Height, 22 inches; width, 151% inches. Signed at the lower left, MontTicEL1I. ADOLPHE MONTICELLI Frencu: 1824—1886 131—THE NECKLACE Five female figures in festal garments, in a setting of dark foliage. Three young women, on the right, are examining a necklace while the other two, grouped at the left, are looking at some small object which one of them holds in her hand. The brilliant tints and charac- teristic harmonies of Monticelli are well exemplified in this attractive picture. Panel: Height, 161% inches; length, 26 inches. Signed at the lower right, MonTICcCELLI. ADOLPHE MONTICELLI Frencu: 1824—1886 132—THE CAVALIERS A crov? of cavaliers on high-stepping horses advancing along a road leading out from a forest. On either side of the road, as they pass, are a young man and a young woman, gaily costumed, and a hunts- man in dress of red. The huntsman has a couple of dogs with him, and two other figures, behind him, are furtively disappearing into the forest. Panel: Height, 17 inches; length, 26 inches. Signed at the lower left. ADOLPHE MONTICELLI Frencu: 1824—1886 133—A CASTLE IN RUINS A RUINED castle, overgrown with vines and bushes. In the upper part of the canvas glimpses of blue sky form a contrast to the rich tones of the castle walls and herbage. Two small figures are seen seated on the grass near the ruined doorway. Panel: Height, 111% inches; length, 231 inches. Signature (partly melted into the underlying pigment) at the lower right. Purchased from Messrs. Durand-Ruel. - ¢ : i \ h ’ t rf ‘ : ‘ j 7 ’ . i ‘ . + ( P 7 . : + 7 : ‘ % ‘ j . . ‘ "I , ‘ « 7 . , ‘ ADOLPHE MONTICELLI Frencu: 1824—1886 1384_THE CHATEAU KITCHEN In a spacious room paneled in dark oak and with a floor of stone flagging, two cooks in white and two marmitons are busily engaged in preparing a repast. On the left, in a vast chimney, are seen the fire and the turning-spits where the viands are roasting. ‘The color scheme is soberly harmonious and the picture is attractive in general aspect. Panel: Height, 161% inches; length, 23 inches. Signed at the lower left. This picture has been engraved. CAMILLE PISSARRO Frencu: 18380—1903 135—ENVIRONS OF PONTOISE A HILLSIDE with a house, roofed with red tiles, garden walls and trees. The sky is of blue with white clouds. Canvas: Height, 18 inches; length, 22 inches. Signed at the lower left. CLAUDE MONET Frencu: 1840— 136—VIEW OF ARGENTEUIL THE broad sweep of an avenue occupies the foreground from which leads a cross street turning into the town. Amid the trees in the mid- dle distance are houses with red roofs. Canvas: Height, 19 inches; length, 25 inches. Signed at the lower right. ee : No. 137 - -APRES-MIDI DE MAI A BRY BY ad - ALFRED SISLEY ALFRED SISLEY - - Frency: 1839—1899 137—APRES-MIDI DE MAT A BRY ee’ A LANDSCAPE with rising ground filling the nearest eae ture and a pond, reflecting the blue sky, in the middle a yond are glimpses of a village. Canvas: Height, 191% inches; length Signed at the lower left. . , a CAMILLE PISSARRO Frencu: 1880—1903 138 —THE CHURCH TOWER, ERAGNY, BAZINCOURT (OISE) From the foreground of green meadows, with trees on the right, the view extends over a hillside, at the left, where, in the middle dis- tance, the sculptured tower of a church rises above the roofs of a village. The sky is filled with grayish-white ciouds. Canvas: Height, 25% inches; width, 211% inches. Signed, C. Pissarro, and dated 1885 at the lower right. RALPH ALBERT BLAKELOCK, A.N.A. AMERICAN: 1847— 139—SUNSET In the foreground is a plain and in the middle distance are trees, while the whole landscape is bathed in the rosy light of an evening sky of atmospheric depth. Canvas: Height, 16 inches; length, 24 inches. Signed at the lower left. = ss et aa 2S fd ° No. 140 LANDSCAPE BY < Z, a be Ss } 4 = < a = = H en x : | sn = a rs RALPH ALBERT BLAKELOCK, A.N.A. AMERICAN: 184'7— 140—LANDSCAPE Tuis very charming and characteristic Blakelock shows a lake under the light of the moon which is seen through the boughs of the trees on the right. The surface of the lake comes close to the foreground with an inlet at the right. The sky is composed of broken clouds, truth- fully depicted in the effect of night, with here and there a space of somber blue. Canvas: Height, 16 mches; length, 284% inches. Signed at the lower left, R. A. BLAKELOCK. | No. 141 MARINE BY F. K. M. REHN, N.A. i . is Ey al ee ‘ = _—. BS . i é ee ae re # ’ : re re i ‘ ’ ~~ _ a rf ,* ‘ aime! z y ~ » aN aah Te S ion oe es e oa 7 ae > poe wae SRN ee a i es or { : * Os fh a . a \ rr me % yw 7.) 9 Pa FRANK KNOX MORTON REHN, N.A. AMERICAN: 1848—1914 141—MARINE Tue end of a sunset over a harbor shows the sails of a boat in silhouette against the sky, and a dark mass of shipping and buildings extends from the left of the picture beyond the middle of the canvas. ‘The warm glow of the evening light fills the central part of the composi- tion and clouds in the upper portion of the sky accentuate the effect of nightfall. Canvas: Height, 151% inches; length, 27 inches. Signed at the lower right, F. K. M. Renn. . GEORGE INNESS, N.A. AmERICAN: 1829—1894 142—LANDSCAPE A LANDSCAPE in evening effect. On the banks of a stream, in the fore- ground, are tall elms which frame in a vista of a forest park with the white walls of a house embowered in the foliage. Canvas: Height, 24 inches; width, 20 inches. Signed, G. Inness, at right center, and dated 1850. Purchased from the Richard Halsted sale, New York, 1895. GEORGE H. BOGERT, A.N.A. AMERICAN: 1864— 143—SCENE IN HOLLAND DurtcuH windmills, houses and a group of trees in the middle distance; in the foreground a plain and a pond. Grazing cows and a peasant or two give accents of color. Over all is a sky filled with great cumu- lus clouds. Canvas: Height, 25 inches; length, 36 inches. Signed at the lower left. ARTHUR PARTON, N.A. American: 1842—1914 144—LANDSCAPE AND CATTLE In a landscape on the borders of a stream, with oaks and other trees in early summer foliage, cattle are seen scattered over the green pas- tures while grazing, or standing in the broad shadow of the sturdy oak that with wide-spreading branches occupies the right-hand portion of the composition. Canvas: Height, 26 inches; length, 3614 inches. Signed at the lower left, with “Copyright.” GEORGES MICHEL Frencu: 1763—1843 145—LA NDS CAPE A srRETcH of sandy country with slight eminences on one of at the right, are seen some cottage roofs and the spire of a c Light i is concentrated on the middle foreground and the sky of is accented by dark clouds which roll Upsaed to the right, from center of the composition. Panel: Height, 201% inches; length, 251 tap GEORGES MICHEL Frencu: 1763—1843 146—THE CHURCH ON THE HILL On the left a road leads up a hillside to a church embowered in trees. This portion of the composition, low in tone, relieves effectively a wide break in a dark, gray sky. On the right, a sandy roadway occupies the foreground and a flat stretch of country, bounded by a line of blue hills, appears in the distance. Canvas: Height, 25 inches; length, 314% inches. Signed with initials in lower right-hand corner. GEORGES MICHEL Frencu: 17638—1843 Ll47—THE CASCADE Down a steep hillside at the left of the composition plunges a water- fall the waters of which pour into an estuary, seen in the foreground, where some fishermen are drying their nets. The sky is of warm, light gray with clouds at the right. Canvas: Height, 21 inches; length, 28% inches. Purchased from Messrs. Duranp-RvEL. ae NS No. 148 p THE WATERFALL BY GEORGES MICHEL GEORGES MICHEL Frencn: 1763—1843 148—THE WATERFALL A WATERFALL plunging down a rocky precipice, on the left, forming a tumultuous mass of spray and water at its base. The dark forms of hills appear against a sky of gray with strong contrasts of value in the forms of the clouds. Canvas: Height, 20 inches; length, 2714 inches. ae Sa ‘ > ; La Me ay ’ ft eee | OTe ALFRED SISLEY Frencu: 1839—1899 149—A WINTER DAY A WINTER scene with snow covering the roadways, the tops of the garden walls and the roof of a small chateau. The forest park, in the middle distance, forms an effective foil for the subdued whites and grays of the foreground. Overhead there is a luminous but not too high-keyed sky of blue flecked with white clouds. The work shows a fine reticence in its color scheme. Canvas: Height, 20 inches; length, 26 inches. Signed at the lower right, Sistey, and dated 775. Purchased from Messrs. Durand-Ruel. CLAUDE MONET Frencu: 1840— 150—SEA AND LAND A sEaAsHoRE scene on the French coast. The sea comes in at the base of high cliffs and there is a wide sandbar in the foreground. In the distance is seen a hilly shore. Over all is a sky of gray tinged with an atmospheric blue, that gives to it light and vitality. Canvas: Height, 231% inches; length, 2742 inches. Signed at the lower left, CLlaupe Monet, and dated 82. i y » 7 li f a ‘ = he = ‘ . . r : t tz . ~ . , . $ r ' r ° ° $i = \ i” * 4 w te « . ‘ x * ' - , \ Es ” 4 2 , > ‘ . , \ ‘ « re ’ - ‘ 4 . . , : ‘ , ' ¢ “oie F ie No. 151. WOMAN IN A COURTYARD BY CAMILLE PISSARRO CAMILLE PISSARRO Frencu: 1880—1903 151—WOMAN IN A COURTYARD A. FRENCH peasant woman scouring and cleaning a metal casserole at a tub which stands in front of a water butt in her garden. Holly- hocks and vines, growing on the walls of the house, form a setting for the figure. This picture is marked by a fine sobriety in its color scheme of blues, grays and greens and agreeable accents are given by the flower blossoms. Canvas: Height, 29 inches; width, 231% imches. Signed at the lower left, C. Pissarro, and dated °77. ” ow , ll oo + € » a 7 7 » AP : a) ee No. 152 | GIRL KNITTING BY PIERRE AUGUSTE RENOIR . a, J : “ é " ids ns f ¢ ’ - . % , oy. 7 ~ PIERRE AUGUSTE RENOIR Frencu: 1841— 152—GIRL KNITTING A very important and beautiful example of Renoir. A young girl with luxuriant blond hair, which falls to her waist, is depicted seated, in life-size, three-quarter length. She is engaged in crocheting a bit of filmy, white drapery. The white bodice which droops from her right shoulder, the blue skirt, the blond tints of her golden hair, and the blue wall in the background, with a fine accent of black given by the chimneypiece, combine in producing, with the delightful flesh tones of the shoulder, chest, arm and the hands, a rare harmony of restrained but resonant and ample color. In the face, showing a lovely type of French girlhood, are the same beauty of color and the same fine qualities of envelope and surfaces. Canvas: Height, 29 inches; width, 231 iches. SIR AUGUSTUS W. CALLCOTT, R.A. Enewisu: 1779—1844 153—LANDSCAPE Ricu valley scene with tall overhanging trees and cottage; to left man on horseback in conversation with an old woman, other figures in the foreground, wood bridge over a river. Canvas: Height, 2614 inches; width, 23 inches. y Juz oe tg —Catterrtt etek ’ GEORGE MORLAND Encuisu: 17683—1804 154—GAMEKEEPER AND DOG AUTUMNAL view in a dell, a gamekeeper with pheasant in his coat pocket and holding a gun; two dogs on the scent. Canvas: Height, 24 inches; length, 291% inches. AELBERT CUYP (Attributed to) Dutcu 155—THE GAME OF CARDS InteErI0R of a loft with seven figures of boors smoking and playing cards. Canvas: Height, 32 inches; width, 27 inches. Purchased from the late T. J. Blakeslee. Piesty with peasant vuln at the entrance | ely ete. au Canvas: Height, 2th Purchased from Gustave Reichard, New y is * += ¥ a : , = , + ’ B o . | ier 5 $ 4 oS Pine “Ve TD). Ligaen a - "7 > ” = “ ay No. 157 LA PLAINE DE VERVEUX BY ALFRED SISLEY i ALFRED SISLEY Frencu: 1839—1899 157—LA PLAINE DE VERVEUX Ro née fields and a group of green trees are the elements that com- pose the foreground. In the center of the middle distance stands a full-foliaged tree. Beyond are hills of dark blue. The sky is of veiled, atmospheric blue with some horizontal masses of white clouds. Canvas: Height, 21 inches; length, 281% inches. Signed at the lower right, Sisiry. The No. 158 MARINE BY CLAUDE MONET 7 ¢ . : s ‘ * ¥ i - ‘a at P - ! ri ‘. La F . ' ‘ 7 * 9 ; A - - ; 7 : - - ¥ CLAUDE MONET Frencu: 1840— 158—MARINE A veracious rendering of breakers rolling in, with a shelving beach on the right and, farther away, a jutting cliff of red-tinted rocks. The expanse of ocean beyond is covered by a lowering sky of blue-gray. The color qualities of this picture are eminently frank and virile. Canvas: Height, 231% inches; length, 281% inches. Signed at the left, CLaupE Monet, and dated ’82. " sf . = a * . pi < “ ara ‘ Let 4 ’ ce 4 i i it : ‘ 4 j Al : a , oe ew ‘ i a va : “ oe ms . Din ’ oe He No. 159 THE RIVER BY CLAUDE MONET % CLAUDE MONET Frencu: 1840— 159—THE RIVER THE wide expanse of a river fills the entire foreground and it is seen flowing away in the middle distance near the center of the canvas. The shores are covered with bushes and low masses of shrubbery. Poplars and other trees rise above this undergrowth with fine effect against a sky of clouds which receive a strong light from the left. The reflections in the water denote a careful observation of the facts in nature. Canvas: Height, 231% inches; length, 3114 inches. Signed at the lower left, CLaupE Monet. Sel eR : rs a : _" Q ro) es MN ‘ ; ; i! Bw al 7 Se see ; ee ie - | Ny fy Be 4 ALFRED SISLEY Frencu: 1839—1899 160—LANDSCAPE A LANDSCAPE with motive typically French. The foreground is occu- pied by a field with herbage and at the left are thin-foliaged trees, one of which reaches up to the top of the canvas. In the middle distance is a stretch of country with low-lying hills. The horizon line in this picture is placed low so that the sky is of commanding im- portance. It shows an expanse of blue of fine quality with great masses of white cloud. Canvas: Height, 23 inches; length, 31 inches. Signed at the lower left, Sisury. No. 161 A CONCERT IN THE FOREST BY ADOLPHE MONTICELLI —_— _- ’ ’ ’ : \ - © ° ts “e4 ADOLPHE MONTICELLI Frencu: 1824—1886 161—aA CONCERT IN THE FOREST A party of ladies and gentlemen in gala attire in a clearing in a forest, where they are passing the time with music and singing. The figures are attractively grouped and the composition is marked by the fine tonal qualities characteristic of the celebrated colorist. Panel: Height, 19 inches; length, 80 inches. Signed at the lower right, MontTIcEL1I. LA No. 162 A WOODLAND FETE BY ADOLPHE MONTICELLI ADOLPHE MONTICELLI Frencu: 1824—1886 — 162—A WOODLAND FETE On the right a group of ladies around a fountain in a forest On the left a stream with a passenger punt filled with other merry makers. The general tone of the picture is of a rich, reddish in which the cool notes of blue and pale pink, given by the cost form agreeable accents. | Canvas: Height, 2014 inches; length, 40 i Signed at the lower right, MontTicELtu. Purchased direct from the artist. - No. 163 FLORAL FESTIVAL BY ADOLPHE MONTICELLI ; 4 ADOLPHE MONTICELLI Frencu: 1824—1886 163—FLORAL FESTIVAL Tus picture, showing a group of brilliant-costumed ladies, effec- tively placed in a composition including the high arches of a viaduct and a forest as background, is a notable example of the work of the renowned colorist in that it belongs to a period of his art earlier than his broader style. His usual color qualities, however, are found here in compelling brilliancy and the ensemble is one of unified harmony. Canvas: Height, 201% inches; length, 40 inches. Purchased direct from the artist. . ~~ yo No. 164 AUTUMN BY ADOLPHE MONTICELLI ADOLPHE MONTICELLI Frencu: 1824—1886 164—AUTUMN A viEw in the grounds of a chateau which is seen amid the trees on the right. A roadway through the park leads into the middle dis- tance. On the left is a wall with a statue on a stone pedestal. In the foreground two children with a go-cart are seen at play. This picture is a harmony of delicately tinted autumn foliage with hues of pink, dusky reds, tender, pearly greens and quiet yellows, the en- semble of delightful color being brought into charming effects by the dark masses of pine trees which form its background. Panel: Height, 191% inches; length, 89 inches. Signed at the lower right, MonvIcE.u. Purchased direct from the artist. : 5 q ‘ s a ; j ) = » ° f * <= buy ‘ U t * i ‘* ‘ ~ e . . - \ e “ . re ¥ . , < ‘ «= ~ No. 165 | CUPID'S OFFERING BY ADOLPHE MONTICELLI ADOLPHE MONTICELLI Frencu: 1824—1886 165—CUPID’S OFFERING Tue full-length nude figure of a boy, with curly blond hair, empty- ing roses from a piece of thin, white drapery that he holds out with both hands. One corner of the cloth hangs over his left arm. Three large flowers lie on the ground at his feet. ‘The background is formed by a blue curtain. ) Canvas: Height, 35% inches; width, 231% inches. Signed at the lower left. seh Peat “tes F gh Tes: Sl ec — sre | y 2 \> = A z a CATTLE IN PASTURE BY o EUGENE LOUIS BOUDIN | EUGENE LOUIS BOUDIN Frencu: 1825—1908 166—CATTLE IN PASTURE In the foreground, pastures and a stream, with a herd of cattle, some of them standing in the shallow water near the brink. On the farther shore other cattle are seen grazing, and beyond is rising ground, with houses and trees. Over all is a sky of gray clouds with one or two open spaces of blue. The fine restrained color qualities characteristic of Boudin are admirably exemplified in this picture, and the cattle are drawn with complete knowledge. Canvas: Height, 29 inches; length, 4014 inches. Signed at the lower right, dated ’80. Purchased from Messrs. Durand-Ruel. = al 4 er wa © “ i Ay ra ee 7 > A; P ue i I oe | » md > » % fs ‘ - « =~ @ . | » i ba ’ coe £ i i > : . - i ~’ © 5 Ry u i ? . ‘ ; : ' ' 2 Ad ‘ ‘ * » ‘ , 7 > , i , = ? - + + « , . ? + ‘ X oe . ? r + + ‘ . . 5 H ‘ . ’ PIERRE CECILE PUVIS DE CHAVANNES Frencu: 1825—1898 167—AUTUMN Tu two nude figures in this composition, one holding up a basket of fruits, the other, in the center, her arms reaching upward to a branch of the fruit tree, and the more mature figure in pale violet drapings, seated on the left, are all drawn with fine simplicity and a complete grasp of the value of great lines. The color scheme is in the subdued but impressive style of the master, and the noble composition is imbued with artistic individuality. Canvas: Height, 40 inches; width, 32 inches. Signed at the lower left, P. Puvis DE CHAVANNES. GUSTAVE COURBET Frencu: 1819—1877 168—THE CASTLE OF CHILLON THE Castle is seen on the left, its towers and keep rising amid brown- foliaged trees. The right-hand portion of the picture shows the lake with a boat in its waters, and beyond is the steep, rocky shore. The warmly-tinted sky depicts the effect of evening and the ensemble is one of striking virility. Canvas: Height, 34 inches; length, 411% inches. Signed at the lower left, G. Courner. From Messrs. Durand-Ruel. f 7 } tt a “Mi a 7? gee On, Cia igi { s : Bes aires rT | " : ‘ .e th ¢ 7 - ' ' ’ ; . “a ' ’ ’ . ‘ a , . ' ; IN THE PARK BY DE LA PENA N. V. DIAZ NARCISSE VIRGILE DIAZ DE LA PENA Frencn: 1807—1876 169—IN THE PARK Tue center of interest in this admirably balanced composition is the seated figure of a young woman, of the most gracious type of French femininity, in eighteenth century costume of pink bodice and cream- white skirt. Behind her, leaning forward, is a young man with a dark-hued béret. On her right are two little girls in blue with a spaniel. The group is framed by a background of foliage and there is a sky of subdued blue and white forming a central note behind the figures. Canvas: Height, 35 inches; length, 45 inches. Signed at the lower left, Diaz. Purchased from Messrs. Goupil & Co., Paris. — No. 170 P ‘ LANDSCAPE BY ) GEORGES MICHEL © GEORGES MICHEL Frencu: 1763—1843 170—LANDSCAPE THE composition shows a wide view over diversified country, with gently rolling hills on the right. The landscape is animated by fig- ures, among them being horsemen garbed in red. Canvas: Height, 35 inches; length, 51 inches. This picture was imported into the United States over forty years ago by one of the leading collectors of Boston, and is generally regarded as one of the three finest examples of Michel in this country. Purchased from Messrs. Knoedler & Co. GUSTAVE COURBET Frencu: 1819—1877 171—PARC DES CRETES THE composition shows a great tree in green leaf whose upper branches reach to the top of the canvas. Beyond are masses of trees and a hillside with cottages; and above and beyond lies a range of blue mountains. The sky is of gray and blue with one or two ac- cents of white. Canvas: Height, 32 inches; width, 251 inches. Signed, G. CourseEt, at the lower left. The Chateau des Crétes is near Vevey, in the beautiful village of Clarens, Jean Jacques Rousseau has made historical. This picture of the Parc dates from the time of Courbet’s exile in Switzerland. MARCELLIN GILBERT DESBOUTINS Frencu: 1823—1902 172—L HOMME A L’EPEE Ts, the work of a modern French painter of repute, might be taken for the work of a master of the earlier schools. The black costume and the black hair, framing the brilliantly illuminated head of the subject, give an aspect of sober elegance that is characteristic of the work of some of the masterpieces of the Dutch and Flemish seven- teenth century painters. Canvas: Height, 481% inches; width, 87 inches. Signed at the lower right, M. Dessourins. Purchased from Messrs. Durand-Ruel. . + ¢ + 290) Pele pee te y a 4 ' i] Ware : > ¢ - - * 7 ‘ ; ’ —< - ~ « x 7 ‘ Ghat - - i ~ - . . . . . ¢ % + . i ’ * E . . , i ‘ ' , t 1 f . ‘ ’ . No. 173 ENGLISH LANDSCAPE BY EDWARD CHARLES WILLIAMS AND WILLIAM SHAYER t s , iF r o> ait. hack ts ~~ a Sr. ‘ . tas ee ; i a , oN ‘ I wir Aaa Y DAT | 7 ®| T ~ 1 of oF 7 » ‘ ’ : 1 7 7 7 - . S z é ] i L EDWARD CHARLES WILLIAMS 1865 Eneusu: Exutisirep 1839 AND WILLIAM SHAYER Eneutsu: 1788—1879 173—ENGLISH LANDSCAPE A RURAL scene in summer time. In the left foreground are some tall trees and on the right a farmhouse with thatched roof. In the left center a boy is taking a pair of work horses into a shallow stream to drink. In the middle distance a girl, carrying a pitcher on her head, is seen passing over a bridge that spans the stream. The figures are by W. Shayer. Canvas: Height, 35 inches; length, 481% inches. Artest Signed, EK. C. Wmns., and dated 1856. Painted for L. V. Flatow, a well-known London dealer. Purchased from S. T. Smith of London. ’ R wr A~ SIP . Yarn frre» thee teem om = : 4 . ; ~ = 4 val . _ rd x e x ? = ° : ng ; a4 é . > } d , ‘ . . ' ‘ i ¥ A & E; ' : 4 ~ ’ - fe = 5 v4 ‘ 7 » : 4 i, 7 A . Ai Os * : ‘ r ’ 4 ¢ i. . . 7 ? = 4 4 . . « * 7. Te , = 7 * i at ; , c : ” - ; C 5 ? * ; ‘ ‘ : ‘ f . t , ' — — { t I iy , ® ‘ i , 4 ¥ ra q oe AT No. 174 ITALIAN RUINS BY GIOVANNI PAOLA PANNINI GIOVANNI PAOLO PANNINI ITALIAN: circa 1691—1764 174—ITALIAN RUINS View on the seacoast in Italy, with figures, and numerous boats moored to the quay; to right ancient high gateway partly in ruins; in the center a circular temple, and in distance a triple triumphal arch. Canvas: Height, 39 inches; length, 49 inches. From the collection of Lord Young, February 29, 1908, No. 59. a ma ee a oar be No. 175 LAKE ALBANO AND MONASTERY BY RICHARD WILSON, R.A. ef “& RICHARD WILSON, R.A. Eneuisu: 1714—1782 175—LAKE ALBANO AND MONASTERY Movnrtainovs scene in golden sunlight; the figure of a man standing at the edge of a lake is seen in the distance; seated peasant woman and tall trees to left, rocks and dead trees to right. The dome of St. Peter’s, which is sixteen miles distant, can be seen through the golden glow of an Italian sunset. Canvas: Height, 391% inches; length, 49 inches. Purchased from the late T. J. Blakeslee. > res 4 — vo * a F a SS NS : MORNING, OR She Gotlagers NDIL Ro trys THE COTTAGERS | bs a Sse ee | a THOS. BURKE AFTER W. R. BIGG WILLIAM REDMORE BIGG, R.A. Eneutso: 1755—1828 176—S ATURDAY MORNING; or, FAVORITE CHICKENS GOING TO MARKET Group of five peasants and two donkeys at the door of a red brick cottage overhung with trees and creeping plants. In the center, a seated market-woman with basket of fowls beckons to a reluctant child who holds a rooster in her arms and is evidently unwilling to part with it; two other fowls have taken refuge on the roof of the cottage; distant landscape and church tower to right. Canvas: Height, 37 inches; length, 50 mches. Exhibited at the Royal Academy, 1791, No. 68. Engraved by T. Burke, 181% inches by 23 inches; and printed in colors, January 4, 1797. Purchased from Messrs. Dowdeswell & Dowdeswell. 1 The seat Tha As wereres iv &@ aw a’ y to Wega of Jak 790 JOSEPH MALLORD WILLIAM TURNER, R.A. (In the early style of) ENGLIsH : 1775—1851 177—_CLASSICAL SCENE Traian lake scene with sailing boats, classical temples and buildings on either side; to right a man in red robes receiving visitors who have landed from an official barge or gondola; to left three female figures, in the middle distance a round tower in mid-river, and in the distance a small island. Canvas: Height, 391% imches; length, 591% inches. Purchased from the late H. O. Watson. L “ fi v ¢ Un Le ow RICHARD WILSON, R.A. Eneuisu: 1'7714—1782 178—WATERFALL NEAR TIVOLI View of waterfall near Tivoli, with mountains in the distance; in the middle distance is a rustic wayside cross; waterfall to right with figures on the edge, in the foreground various figures, and a man on horseback disappearing over the bend. Canvas: Height, 38 inches; length, 53 inches. Purchased from the late Benjamin Altman. No. 179 THE DEATH OF THE GRAND- FATHER BY JEAN BAPTISTE GREUZE JEAN BAPTISTE GREUZE Frencu: 1725—1805 179—THE DEATH OF THE GRANDFATHER AN interior with six figures; the aged grandfather lying at length on his bed, his hands outstretched to receive a young girl who is being assisted forward by her mother; a boy in red and blue is at the head of the bed; a nun is seen in the background to the right. Canvas: Height, 451 inches; length, 571% inches. This is stated to be one of four pictures painted by Greuze for the Museum at Lyons, but it was never delivered. It was purchased in that city by Messrs. Durand-Ruel, who sold it to Mr. Lambert. It is evidently the version in oils of the sketch in ink and bistre (in which there are thirteen figures) exhibited by Greuze at the Salon of 1769, No. 160, with the title “La mort d’un Pére de famille regretté par ses enfants,” described in Jean Martin’s “Catalogue Raisonné” of the works of Greuze, 1908, No. 388. ’ . mW mn : wy > ? ; ¢ ’ i ¢ , . ~ = Ae, é : \ + ‘a ‘ Lan “S y < « i i» a “ee Ae Ec ¥ ya Mais a mx ‘ . + « ; ¢ ‘ ~ ve ‘ - at ete ’ / ed ‘ a Mea a ot O08 2 eee No. 180 A GROUP OF LADIES | BY ADOLPHE MONTICELLI ‘ne E . a is : =e : fee P Lew 7 1¢e a +. : * J 7 pa : S ; : A i hs A Aen a ; Fix, r ADOLPHE MON'TICELLI Frencu: 1824—1886 180—4A GROUP OF LADIES OnE of the two pictures in the Catholina Lambert Collection known as “The Empress Panels” (see No. 181). The composition shows a group of five young women, the three nearest figures being seated, one of whom, in a gown of cramoisi, is easily recognized as a portrait of the Empress Eugénie. Two little children, with a kitten, com- plete the group. The background is composed of forest trees. Canvas: Height, 621% inches; width, 37% inches. Signed at the lower left, MontTicEuu. Painted for the Empress Eugénie. No. 181 LADIES AND CHILDREN BY ADOLPHE MONTICELLI ADOLPHE MONTICELLI ~ FRENCH: 1824—1886 . 181—LADIES AND CHILDREN _A croup of four female figures in vari-colored costum children at their feet, in a setting of forest background. 1 are occupied with a white ring-dove which is seen on t to enter a large birdcage. This picture and its comy 180) are known as the “Empress Eugénie Panels, painted by her order for one of the apartments in her in the Palace of the Tuileries. . Canvas: Height, 621 inches; Signed at the lower left, MontTICcELLI. - ao J a of iG ath Mn — -, iv : ‘ ¥ rf = err, 7 hie seins tere E No. 182 pees Me baer Bid MOONLIGHT BY w+ * E * * * “ if _ RALPH ALBERT BLAKELOCK, A.N.A. RALPH ALBERT BLAKELOCK, A.N.A. AMERICAN: 1847— 182 MOONLIGHT THE horizon in this fine composition is placed low, about one-quarter of the total height of the canvas from the bottom of the frame. A pond, or stream, is seen in the immediate foreground with steep banks on either side, while on the farther shore, where a brook tumbles into the main body of water, are several trees and, beyond, a hilly country occupies the distance. From the high bank on the right rise two great trees with foliage reaching to the top of the canvas, and on the left is a smaller tree, farther away from the spectator. The sky, light and pearly in tone in the lower portion, fades into blue and still darker blue as the eye looks upward. High up on the right the full moon is seen, partly obscured by foliage, and its disc is reflected in the water at the bottom of the picture. Canvas: Height, 72 inches; width, 471% wmches. Signed at the lower left. This celebrated picture was hung in the place of honor in the Vanderbilt Gallery at one of the annual exhibitions of the Society of American Artists in New York. Its fine sentiment and poetic conception have long made it known as a masterpiece of the artist and its execution shows the characteristic methods of his best period. No. 182 MOONLIGHT BY g8I VN | : VE . ean | AVA ADOIAWATH TAHEIA HITAH BAL ALBERT BLAKBLOCK, | Aumnrcan: 1847— 182 MOONLIGHT Tue horizon in this fine composition is placed low, about , of the total ei of the canvas from the pottom of the the main body of 1 ag are weidpal) trees and, b “e oceupies the distance. | f ates away Bom the spectator. The ae me in the lower gente fades into blue ane still darker bI of the picture. Signed at the lower left. This celebrated picture was hung in the place of pene Gallery at one of the annual exhibitions of the Pocky, of 4 as a weaeriied of the artist and its execution shows | the methods of his best period. s P. MARCIUS SIMONS American: 1867—1909 183—A DREAM OF YOUTH A FETE in progress with a mise-en-scene of a fountain basin and luxurious couches in the foreground, and a background of various architectural forms including domes, towers and spires. Among the personages the chief figure is a young man, surrounded by a bevy of fair women. While he holds aloft a festal wine cup, musicians and choristers join in a grand chorus. The skeleton-like hands and arms of an armored figure are seen in warning gesture on the right-hand side of the composition. Canvas: Height, 461% inches; length, 66 inches. Signed, P. Marcius Srwons, at the lower left. CHILDE HASSAM, N.A. AMERICAN: 1859— 184—4 ROOF GARDEN THE mise-en-scéne of this notable example of one of the most cele- brated of the American artists is the terrace, or roof garden, of a house in the Montmartre quarter of Paris. On a green bench at the left is seated a young woman in a white gown, and near her stands her companion, also dressed in filmy white. The faces and attitudes of both young women show an air of expectancy as if waiting for the arrival of a visitor. In the right foreground are azaleas, hydrangeas and other flowering plants in pots. Over the low wall which encloses the spacious terrace are seen the buildings, roofs and chimneys of the French capital. The picture was painted in Paris and some fin- ishing touches put on it by the artist in New York in 1898. Canvas: Height, 49 inches; length, 76 inches. HAMILTON HAMILTON AMERICAN: CONTEMPORARY 185—_SUMMERTIME Unper an old apple tree two young women are chatting. One is seated on the grass, while the other leans on a low, bending limb of the tree. At the left are farm buildings and, in the distance, a range of mountains. | Canvas: Height, 48 inches; length, 74 inches. Signed at lower left, Hamitron Hamitron. PUVIS DE CHAVANNES Frencu: 1825—1898 186—THE MEETING OF SAINT GERMAIN AND SAINTE GENEVIEVE, IN HER CHILDHOOD, AT NANTERRE In the year 429 Saint Germain d’Auxerre and Saint Loup de Troyes, traveling to England to combat the heresies of Pelagius, arrive in the suburbs of Nanterre. In the crowd which has assembled at their approach Saint Ger- main notices a child who, to his perception, bears the divine seal, and he pre- dicts to her parents the lofty destiny to which she will be called. This child was Sainte Geneviéve, the patron saint of the city of Paris. THE subject is depicted in three sections, forming one composition. The first shows, in the foreground, fishing boats with oarsmen and sailors drawing up at a landing place, and people carrying the body of a man out of a rustic dwelling. The second shows the holy men in the center of a group of people, with Saint Germain in the act of remarking the child, on whose head he places his right hand. The third depicts, as a balance to the first section, other people of the country- side engaged in their various domestic occupations. The entire com- position is enclosed by a border of bay leaves, with gilt monograms, S. G., and an inscription in French (a translation of which is given above) in the lower center of the second section. Height, 52 inches; length, 102 inches. Signed on the third section, and dated 1879. One of the most notable and representative works of the great French artist in existence outside of his mural paintings permanently incorporated in the decoration of great public buildings. No. 187 FRIEZE BY PUVIS DE CHAVANNES ‘ J ‘ * ¢ - ' ¢ f 7 ¥ * : : ; s 3 y : P » , , <<. a =— . ao i , vie - the ac é i 7 at we, A - iy . ¢ > , : F . " " r me ‘ > = ¢ : ; 7 ‘ 7 : , . r ; ; i uw 7 4, oe) _ ’ ) itt Wal i. @ ts ale 4 is) . . 2 \ PUVIS DE CHAVANNES Frencu: 1825—1898 187—FRIEZE A PROCESSION, proceeding from right to left, of twenty-two full-length figures, all with halos. In the center panel is a winged monster moving along the floor with its tail curled forward. This composi- tion, painted, as was No. 186, as the finished picture for the execu- tion of the artist’s renowned mural painting in the Pantheon, at Paris, belongs to the best period of the master’s work. Border of bay leaves with gilt monograms, S. G. Canvas: Height, 301% inches; length, 351% inches. Signed. eae a en VASILI VASILIEVICH VERESTCHAGIN Russian: 1842—1904 188—THE PEARL MOSQUE AT AGRA THE interior of the Pearl Mosque at Agra. The marble columns and arches, beautiful in line and simplicity of design, form a sumptu- ous setting for two long lines of worshippers, in turbans and long gowns, at prayer. ‘The greater number are clad in white, but here and there a figure in blue, green, yellow or other hues gives a valuable note of color. ; Canvas: Height, 58 inches; length, 78 inches. Exhibited at the Grosvenor Gallery, London, 1887, No. 56a; and at the Ameri- can Art Galleries, New York, where the Verestchagin Collection was sold in 1891. The most famous, if not the greatest Russian artist, and the only one with a world-wide reputation. The son of a rich landowner, he studied at the St. Petersburg Academy of Fine Arts and gained a silver medal in 1862, and in Paris from 1864 under Géréme; exhibited at the Salon in 1866. After travel- ing in Turkestan, India, where he lived for two years, 1874-76, he again returned to Paris; visited India, Syria and Palestine in 1884, and China in 1901. He held public exhibitions of his various series of pictures at different times in England, on the Continent of Europe and in the United States, where they attracted large numbers of visitors. Many examples of his work are in the Tretiakoff Museum at Moscow, and others are in private collections in Europe and America. VASILI VASILIEVICH VERESTCHAGIN Russian: 1842—1904 189—THE KREMLIN, MOSCOW Tue Kremlin viewed from the opposite shore of the river Moskva. In the left foreground appears the quay, or railed embankment, with figures and a blue shadow cast by a building outside of the picture. Across the stream is the line of the quays, with a row of trees. Be- yond, and forming the main body of this impressive composition, are the pink walls and the great buildings of the fortress enclosure with towers and domes gleaming in the sunlight. Over all is the great expanse of a blue sky with white clouds. (With key to the buildings.) Canvas: Height, 89 inches; length, 178 inches. Exhibited at the Grosvenor Gallery, London, 1887; and at the American Art Galleries, New York, where the Verestchagin collection was sold in 1891. Illustrated in Eugen Zabel’s “Wereschtschagin,” 1900, p. 56. 7 Nees | \ (3 gk, ft Kry tro No. 189. 1. The Orujeinaia Palata (Treasury), containing a rare collection of historical treasures. 2. The Great Palace of the Kremlin. 3. The Church of the Conception. This is the private church of former Tsars and Grand Dukes. The Tsarinas attended religious service in its chantry. 4. Terema, or Old Palace of the Tsars. 5. Church of the Archangel. Here are buried the Tsars and Grand Dukes. (In more recent times the Russian Emperors are buried in St. Petersburg.) 6. Church of the Assumption. Here the Metropolitans (as formerly the Patriarchs), of the Russo-Greek Church, are elected and inducted; here, too, the Tsars are crowned, and State ceremonies are solemnized. 7. ‘Tower of Ivan Veliki (John the Great). The largest of its monster bells, named after the Tsar, fell to the ground, where it lay till raised on its present pedestal. 8. Chudof Monastery. 9. Small palace of the Kremlin. 10. Convent. Burial-place of the Tsarinas and Grand Duchesses. 11. Gate of Our Saviour. Every one passing through it must uncover the head. 12. Church of the Blessed St. Basil. 13. Walls of the Kremlin. 14, River Moskva. ra ere + a THIRD EVENING’S SALI WEDNESDAY, FEBRUARY 23, 1916 IN THE GRAND BALLROOM OF THE PLAZA FIFTH AVENUE, 58TH TO 59TH STREET _ BEGINNING PROMPTLY AT 8 O'CLOCK ce SCHOOL OF CIMABUE ITALIAN 191—_MADONNA AND CHILD Satz half-figure of the Virgin seated, in red draperies and head- dress lined with white; Infant in scarlet and blue dress, seated on His mother’s lap; gold background. Any Panel: Height, 10 inches; width, 7% inches. Ni? Pie EARLY ITALIAN SCHOOL hey Me irccRe~ 192_nE4D OF 4 MonK CS. Rerredive) Smat half-figure of an old monk, face seen in profile, white robe and cowl, holding a volume. Panel: Height, 18 inches; width, 13 inches. With an inscription on the back in which the name “Richard di Benedetto” and the date “23 di febbrajo 1447” occur. EARLY FLEMISH 193—THE CRUCIFIXION Tue figure of Christ on the Cross in the center of the composition, the Virgin in blue and white to left, St. John in red to right; at foot of the Cross are a skull and bones; a winding valley, with hills and buildings on either side, forms the background. — Panel: Height, 151% inches; width, 1144 wches. Painted in the manner of Jan Mostaert. RUSSIAN ICON ByzZANTINE PERIOD 194-MADONNA AND CHILD Ha .r-FIGurE of the Madonna, seated, in red and blue draperies, head inclined slightly to left, holding the Infant in red and dark draperies embroidered with gold. His left hand is outstretched and holds a globe; the nimbus in each case of beaten silver with leaf and flower pattern. Panel: Height, 19 inches; width, 15 inches. Purchased from the late H. O. Watson. PIER FRANCESCO BISSOLO Traian: circa 1492-1580 195—_MADONNA AND CHILD Ha.r-LencTH figure of the Virgin in gold-embroidered white dress and blue robe, auburn hair; she is holding the Infant, who is clad in reddish drapery, to her breast. Panel: Height, 22 inches; width, 17 inches. EARLY ITALIAN SCHOOL G Fi ge Pane es * 196—NATIVITY OF CHRIST View near the stable, with the Infant on a yellow cushion, and the Virgin in brown and gold-patterned robe kneeling in adoration; St. Joseph in dark dress; various figures, in ecclesiastical and other cos- tumes, in adoration; two angel figures above, and traveler with staff to right. Panel: Height, 18Y% inches; width, 16 inches. Purchased in Naples. Eki; eae ere Coby ¢ Yor, New Som Lose \ Eten ery, eek ar yw} Ali © ee iin g FRANCIS POURBUS THE YOUNGER Fiemisu: 1569—1622 197—HEAD OF A CHILD SMALL half-figure of a little girl in yellow gold-embroidered dress, auburn hair with pearl bands, pear] necklace, holding a robin in right hand. Milboard: Height, 81% inches; width, 71% inches. From the San Donato Collection of Prince Demidoff. Purchased from Messrs. Durand-Ruel. yo 659 : PIERRE MIGNARD Frencu: 1610—1695 198—PORTRAIT OF A GENTLEMAN Bust of a young gentleman in costume of black, white lace collar and long dark wig. Canvas: Height, 121% inches; length, 181% inches. REMBRANDT SCHOOL 199—WOMAN AT PRAYER (Rembrandt's Mother) SMALL bust of an aged woman with long, black shawl over head and shoulders, jeweled ornaments in corsage; eyes closed, one hand only seen. Panel: Height, 1234 inches; width, 934 inches. Purchased in Moscow by Messrs. Durand-Ruel and sold to Mr. Lambert. Probably derived from the etching by Riedel, reproduced in the “Klassi- ker der Kunst” volume on Rembrandt, p. 519. REMBRANDT SCHOOL 200—AN APOSTLE (Rembrandt’s Father) Heap of a bald, elderly man in dark-colored costume, red beard. Canvas: Height, 17 inches; width, 13Y% inches. Purchased in Moscow by Messrs. Durand-Ruel and sold to Mr. Lambert. Probably a version of the picture at Kassel, Dr. Bode, No. 186, and “Klassiker der Kunst,” “Rembrandt,” p. 115. QUENTIN MATSYS (or METSYS) Friemisu: 1460—1530 201—_VIRGIN AT PRAYER Bust of crowned youthful Virgin, in gray low dress, white head- dress, long auburn hair falling over shoulders; hands joined as in prayer; green background. Panel: Height, 16 inches; width, 111% inches. Purchased from M. C. Sedelmeyer, Paris. From the same model as the “Vierge en Priéres” in the Antwerp Gallery, No. 242, and of which there is a repetition in the National Gallery. MARIOTTO ALBERTINELLI Irauian: 1474—1515 202—HOLY FAMILY Group of four figures. Fair-haired youthful figure of the Virgin in center, in pink and green draperies and green headdress, holding the Infant, who carries a cross and embraces St. John; St. Joseph to right; background conventional mountains. Panel: Height, 24% inches; width, 21 inches. Purchased from the late T. J. Blakeslee. In carved Renaissance frame similar to the Sebastiano del Piombo, No. 208. SEBASTIANO DEL PIOMBO (SEBASTIANO LUCIANI) Irauian: 1485—1547 203—MADONNA AND CHILD THE Madonna seated to front, in yellow dress, yellow-lined green cloak and white headdress, fair hair, holding the nude Infant, whose hands are on His mother’s sleeve; distant hills to right. Panel: Height, 251% inches; width, 20 inches. Purchased from the late T. J. Blakeslee. In carved Renaissance frame similar to the Mariotto Albertinelli, No. 202. 79 @MH 2 77 Ad oOT Peaks CIMA DA CONEGLIANO (GIOVANNI BATTISTA DA CONEGLIANO) Irauian: Diep circa 1517 204A—M ADONNA AND CHILD Hatr-ricure of youthful Virgin seated in the open, in red dress, blue cloak, long white headdress; the Infant in greenish garment, holding rosebud in left hand; conventional trees to right, with castle on the edge of a cliff. Panel: Height, 251% inches; width, 1914 inches. From the collection of the Duke of Marlborough, May 14, 1904, No. 19. Aww Uf { (7 uy dhiyt =a 7) a 4 {> { font cow ) No. 205 HOLY FAMILY BY GIOVANNI BATTISTA TIEPOLO Le LY GIOVANNI BATTISTA TIEPOLO Irauian: 1696—1770 205—HOLY FAMILY Ficure of the Virgin enthroned, in red and yellow draperies, hold- ing the Infant, to whom the elderly St. Joseph is speaking; to right . an angel holding a rosary in left hand and flower in right; Infant St. John asleep. Canvas, arched top: Height, 231% inches; width, 15 inches. From a private collection in Northumberland and purchased in London. 5 OSE TT JAN VAN RAVESTEYN (Attributed to) 1572—1657 206—PORTRAIT OF A GENTLEMAN Heap and shoulders of a young man in dark dress, white and gold- striped sleeves, pink sash across shoulder, white lace collar; brown hair, mustache and chin-tuft. Canvas: Height, 25 inches; width, 20 inches. Purchased from M. C, Sedelmeyer, Paris. FRANCOIS HUBERT DROUAIS (Period of) Frencu: 1727—1775 207—AN AUNT OF KING LOUIS XVI OF FRANCE HAtLr-ricurg, seated, of a young lady, in gray low-neck dress pat- terned with white, short sleeves, flower patterned corsage; powdered hair with flowers; bracelet on left arm with a miniature of an elderly man set with diamonds, fan in hand; bouquet of roses to left. Canvas: Height, 251 mches; width, 21 inches. From the Ralph Bernal Collection, March, 1855, No. "61. FRANCOIS HUBERT DROUAIS (Period of) Frencu: 1727—1775 208—AN AUNT OF KING LOUIS XVI OF FRANCE HALF-FIGURE of a middle-aged lady, seated, in blue low-neck dress covered with floral designs, white lace collar with neckband similar to dress, powdered hair dressed flat; brown curtain to right. Canvas: Height, 2514 inches; width, 2114 inches. From the Ralph Bernal Collection, March, 1855, No. 760. This and the preceding are probably portraits of Madame Adélaide (1782—1800) and Madame Victoire (1733—1799), daughters of Louis XV. AFTER REMBRANDT 209—PORTRAIT OF A LADY Heap and shoulders, in brownish low-neck dress cut square, blue and white patterned corsage, long chain of pearls and precious stones over shoulders, pearl necklace and drop earrings; three-row pearl bracelet on right wrist; dark hair with pearl rope and black feather. Panel: Height, 26 inches, width, 1914 mches. Exhibited at South Kensington im 1891. From the Hope of Deepdene Collection, purchased from Mr. A. Wertheimer of London, who bought the collection en bloc. No. XXIII in the Hope Catalogue of 1898, with plate. SIR GODFREY KNELLER EneuisH: 1646—1723 210—FAMILY GROUP Group of four small three-quarter-length figures, seated in the open near a sculptured bust of a man; the father in green costume, long yellow wig, the mother in yellow low-neck dress, the two children in brown and blue. Canvas: Height, 261 inches; width, 16 inches. FERDINAND BOL Dutcu: 1611—1681 (Pupil of Rembrandt) 211—PORTRAIT OF REMBRANDT Hatr-ricurs of a stout, somewhat elderly man in red robes and black cap, brown hair, slight mustache and chin-tuft. Canvas: Height, 26 inches; width, 22 inches. Purchased in London by H. P. Watson. Ye2. OC Woy lg, (309. BERNARDINO LUINI - Iranian: circa 1460—1530 912—HEAD OF ST. JOHN THE BAPTIST Busr of the Saint with white drapery, auburn hair and beard, hold- ing cross in left hand. Panel: Height, 2614 inches; width, 191% inches. Purchased from Messrs. Dowdeswell & Dowdeswell. GIOVANNI BUSI CARIANI Iranian: circa 1514—1541 2183—HOLY FAMILY THE Virgin in blue and red draperies, seated in a high-backed red chair, holding the Infant, who looks down at the Donor, an elderly man kneeling with his hands joined as in prayer; a female saint on either side. : Panel: Height, 20 inches; length, 29% inches. From the San Donato Collection of Prince Demidoff. SPANISH SCHOOL 214—ST. MARK Ha.r-rictre of the Saint as an old man in red draperies, ‘and with long gray beard, seated at a table writing in a book. Canvas: Height, 2914 inches; width, 23 inches. Purchased from M. C. Sedelmeyer of Paris as by Ribera. GUILIAMO SAMANO ITALIAN ae Weer eee ee ee mee 8 wat oo9e 608 - De Ae A At had id id bad Ni Nil a teed ik al al 215—_VIRGIN AND CHILD Samat half-figure of the Virgin, in red and blue draperies, with yel- low patterned headdress falling over her shoulders. She is holding the nearly nude Infant, who is seated on a white cushion, on her lap, the child’s left foot in her left hand. Panel: Height, 2914 inches; width, 22Y2 imches. Purchased from Messrs. Dowdeswell & Dowdeswell. SIR PETER LELY Eneutsu: 1617—1680 216—PORTRAIT OF A GENTLEMAN Heap and shoulders of a middle-aged man, in dark-colored dress, white lace collar, brown curly wig. Canvas—oval: Height, 29 inches; width, 24 inches. FRANCIS POURBUS THE YOUNGER Friemisu: 1569—1622 217—PORTRAIT OF A YOUNG LADY Hatr-LenetH figure of a young lady, in black gold-embroidered dress, broad white lace collar and cuffs, a string of pearls over her shoulders, pearl necklace with gold and jeweled pendant; auburn curly hair with pearl ornament; black and red cap. Panel: Height, 2914 inches; width, 2414 inches. GEORGE HENRY HARLOW EneusH: 1787—1819 218—PORTRAIT OF JOHN PHILIP KEMBLE The actor, born in 1757, died in 1823. HALF-LENGTH, seated; red dress and dark-colored cloak, white collar, right elbow resting on folio volume, hand against face. Canvas: Height, 291% inches; width, 244% inches. Purchased from the late T. J. Blakeslee. GEORGE ROMNEY Eneutsu: 1734—1802 219—PORTRAIT OF A LADY Ha4tr-LencTH figure of an elderly lady, seated and with head turned to left; gray dress, white fichu, black lace shawl, white headdress with satin ribbon tied in a bow under chin, gold earrings, hands (partly seen) on lap. Canvas: Height, 291% inches; width, 241% inches. Purchased from Messrs. Dowdeswell & Dowdeswell. , ‘ “ Of . €4 aA , - is l fe & PY FHI SD | t yrinarwm tA Fe g SIR JOSHUA REYNOLDS, P.R.A. EneutsH: 1732—1792 221—RICHARD YEO, R.A. Medallist and sculptor. Foundation member of the Royal Academy ; died 1779. Ha.r-Lenctu figure of a middle- aged man seated at a table with drawing board and compass, brown dress embroidered with gold, white neckerchief and cuffs, gray wig. Canvas: Height, 291% inches; width, 2414, inches. Engraved by A. N. Sanders, 1877, on a small scale. Graves and Cronin’s “Works of Sir Joshua Reynolds,” 1899, Vol. LIL ey SIR WILLIAM BEECHEY, R.A. Eneusu: 1753—1839 222—PORTRAIT OF A LADY Hatr-LenerH figure of a young lady in white low-neck dress and white fichu; golden hair, with white lace cap. Canvas: Height, 291% inches; width, 25 inches. From the collection of the Marquess of Normanby. Purchased from the late S. P. Avery. NG ANDREW GEDDES, A.R.A. Eneutsu: 1789—1844 9293HEAD OF AN ELDERLY MAN HIALF-LENGTH figure of an elderly man, in dark dress, brownish felt hat, gray hair and beard; head turned to the right. Canvas: Height, 30 inches; width, 24 inches. Andrew Geddes was a deep student of Rembrandt’s work. He visited Holland in 1839 for the express purpose of studying the Rembrandts there; his etchings also more nearly approach the high quality of those of the great Dutch master than any other modern artist’s work. WILLIAM DOBSON Encuisu: 1610—1646 224— PHILIP, FIFTH EARL OF PEMBROKE Born in 1616; died in 1669. HALFr-LENGTH figure of a young man, seated in red plush chair, look- ing up to right, black dress and white collar, fair hair, mustache and chin-tuft, right elbow resting on back of chair. Canvas: Height, 30 inches; width, 2414 inches. Purchased from the late T. J. Blakeslee. SIR JOSHUA REYNOLDS, P.R.A. Eneusu: 1732—1792 225—PORTRAIT OF HIMSELF Ha.r-LencTH figure, when elderly and wearing spectacles, in green plush suit with high collar and neckerchief, gray wig, lips slightly parted. Canvas: Height, 30 inches; width, 25 inches. SIR THOMAS LAWRENCE, P.R.A. Eneuisu: 1769—1830 226—PORTRAIT OF A GENTLEMAN HA.r-LENGTH figure, seated, of a middle-aged man, dark green coat with high collar, yellow waistcoat and lace handkerchief; striped red and yellow neck-ribbon with pendant of an order, gray hair; yellow background. Canvas: Height, 80 inches; width, 25 inches. The personage described above was President of Dulwich College, London. GEORGE ROMNEY Enewisu: 1784—1802 227—_WILLIAM HERSCHEL, ESQ. Ha.Fr-LENGTH figure of an elderly man, seated in red chair, directed and looking to right, black coat, yellow waistcoat, white neckerchief, gray hair; hands clasped, holding walking stick. Canvas: Height, 80 inches; width, 25 inches. Purchased from Messrs. Dowdeswell & Dowdeswell. Ch mn OP tie > Ma \ (>, EOL Lut Fo, Se §? { prsvebk via )) AA : ‘ . Vo Ltt ff = ya At bat M\ ontin. Jt UA t WG ‘\ A £ r or* GEORGE HENRY HARLOW Eneuiso: 1787—1819 228—PORTRAIT OF A LADY Ha.r-.encru figure of a young woman seated in the open and look- ing upward; low-neck red dress edged with white, short sleeves, dark curly hair falling over forehead; left elbow on arm of chair, hand raised to hair. Canvas: Height, 30 inches; width, 25 inches. Purchased from the late T. J. Blakeslee. WILLIAM DOBSON Encuisu: 1610—1646 929—PORTRAIT OF A GENTLEMAN Heap and shoulders of a full-faced young man looking up to right, dark-colored coat, white shirt, fair curly hair. Canvas: Height, 30 inches; width, 25 ches. This is said to be a portrait of the poet John Milton. SIR HENRY RAEBURN, R.A. (Period of) ENGLISH 230—PORTRAIT OF A LADY HALF-LENGTH figure of a young woman, seated, directed to left, looking at spectator, light green square-neck dress, white collar, black shawl over shoulders, curly hair, green cap. A good early English portrait more resembling Hoppner than Raeburn. Canvas: Height, 30 inches; width, 25 wches. Purchased from 8. T. Smith, London, son of the author of Smith’s “Catalogue Raisonné.”’ EARLY ITALIAN SCHOOL 231—_CHRIST RISING FROM THE SEPULCHRE Tuer figure of Christ, depicted in half-length, assisted from the sepulchre by an angel; Martha and Mary on either side. Panel: Height, 32 inches; width, 28 inches. Purchased from Dr. Paul Mersch of Paris. FRANCISCO ZURBARAN SpanisH: 1598—1662 232—-PORTRAIT OF A SYRIAN BISHOP WHOLE-LENGTH figure, standing, in golden robes, face seen in profile, long gray beard, right hand outstretched. Canvas: Height, 35 inches; width, 21 inches. ELISABETTA SIRANI Iranian: 1638—1665 233—HOLY FAMILY HALF-LENGTH figure of the Virgin, seated, in pink and blue drap- erles, golden hair, holding nude Infant towards St. John the Bap- tist, the two embracing; landscape background. Canvas: Height, 30 inches; length, 35% inches. Purchased from the late T. J. Blakeslee. OL Se dr GW ju Sia Ste eee SCHOOL OF TITIAN ITALIAN 234—THE MARRIAGE OF ST. CATHERINE Tue Virgin in red, yellow and blue draperies, seated to left, hold- ing forward the Infant Christ, who is placing the ring on the finger of St. Catherine; St. John to left. Canvas: Height, 301% inches; length, 87 inches. Ascribed to LODOVICO CARRACCI Iratian: 1555—1619 235—MADONNA AND CHILD THREE-QUARTER-LENGTH figure of the Madonna, seated, in blue and red dress, hands joined as in prayer; she is looking down at the Infant, whose hands are outstretched towards her; on either side a youthful angel. Canvas: Height, 361 inches; width, 30 inches. Purchased from the late T. J. Blakeslee. ITALIAN SCHOOL 236—THE HOLY FAMILY Tue Virgin enthroned, in red, blue and white draperies, holding the Infant to her shoulder; angel head to left, St. Joseph to right. Below the child St. John is holding a cross and is standing on a pedestal in- scribed “S R C D P C V”; on either side a cardinal and a monk. A girl is seen behind the latter. Canvas, arched top: Height, 37 inches; width, 23 inches. BERNARD VAN ORLEY 1491—1542 237—MADONNA AND CHILD THREE-QUARTER-LENGTH figure of the Virgin in green and red gold- embroidered draperies cut to V-shape at neck, close-fitting embroid- ered cap and transparent white veil, holding up nude Infant close to her face; gold background. Carved frame with angels’ heads. Panel: Height, 38 inches; width, 221% inches. . 7) 2 6 MA [or NV or # 7} ANDREA DEL SARTO (Attributed to) (ANDREA D’AGNOLO) Trauian: 1487-1531 238—MADONNA AND CHILD Ha.r-Lencru figure of the Virgin in blue and red draperies and white headdress, seated, and holding the Infant in her lap; St. John to left, holding cross; pillar background. Canvas: Height, 39 inches; width, 3012 inches. book FERDINAND BOL Durcu: 1611—1681 (Pupil of Rembrandt) 239—PORTRAIT OF A LADY Ha.r-LeNcTH figure of a young lady in dark-colored, gold-embroid- ered dress, corsage edged with white, dark hat embroidered with gold; fair hair, pearl earrings and necklace. Canvas: Height, 32 inches; width, 25 inches. Purchased from Edward Brandus. This portrait was presented in 1787 by the Duc d’Orléans to Alexandre Pieyre, tutor to the Duc de Chartres (afterwards Louis Philippe), and came from the Palais Royal Collection. It was afterward the property of Madame de Genlis, the famous authoress. BRON ZINO (CRISTOFANO ALLORI) Trauian: 1577—1621 240-—PORTRAIT OF LEONORA DE TOLEDO Ha.r-Ltenetu figure, in full-front view, brown dress embroidered with gold, pearl rope around shoulders, pearl necklace, brown hair with flat cap adorned with pearls; handkerchief in right hand, left hand just above the waist. Panel: Height, 321% inches; width, 26 inches. A version of the portrait in the Royal Gallery, Berlin. CATHERINE READ Enewisu: Diep 1x 1778 241—CHILD AND PARROT Nerarty whole-length figure of a young girl in yellow-patterned dress, long brown sash and pink and white lace bonnet, walking in a landscape; a parrot perched on the back of her left hand. Canvas: Height, 33 inches; width, 271% inches. Purchased from Messrs. T. Wallis & Son, London. SIR THOMAS LAWRENCE, P.R.A. (School of) ENGLISH 242—-MRS. JULIANA DINE Har-LencTu figure of a middle-aged lady, seated in front view, white dress edged with white lace, yellowish cloak over shoulders, ruby and pearl brooch at center of corsage, two-row pearl necklace, pearl rope earrings, fair hair, white turban; landscape background. Canvas: Height, 36 inches; width, 28 inches. Purchased from Messrs. Arthur Tooth & Son. , q z I otn Je th Ur-~ REMBRANDT SCHOOL 243—PORTRAIT OF A LADY WITH A FAN HAa.Fr-LENGTH figure, in green dress, brown fur cloak, pearl chain, necklace, bracelets and earrings; black cap with brown feather; left hand resting on right and holding fan. Canvas: Height, 364 inches; width, 29 inches. Purchased from Messrs. T. Wallis & Son, London. Probably by Ferdinand Bol (1611-1681). GABRIEL METSU r Durcu: 1630—1667 244 THE TOAST AN interior with seven figures, three men, three women and a boy; the hostess standing, with back to the spectator, in white satin dress and pink jacket edged with white fur; the others are seated at a table and toasting the health of the lady; a page boy is bringing in refresh- ments; guitar on sofa to left. Canvas: Height, 87 inches; width, 241% inches. Purchased from M. C. Sedelmeyer, of Paris. JOHN RUSSELL, R.A. EneuisH: 1745—1806 245—PORTRAIT OF A YOUNG GENTLEMAN THREE-QUARTER length, standing; in brown coat, yellow waistcoat, green breeches, white stock, long, fair hair falling over shoulders; left arm resting on ledge, hand holding gloves, right hand on hip, green background. Canvas: Height, 38 inches; width, 311% inches. Purchased from Messrs. Agnew & Sons, London. REMBRANDT SCHOOL 246—PORTRAIT OF A RABBI Ha.r-Leneru of an elderly man, seated and looking at spectator, in robes of office, with belt and white turban; hands clasped. Canvas: Height, 38 inches; width, 32 inches. A study of the Duke of Devonshire’s picture, described by Dr. Bode, No. 199, and illustrated in the “Klassiker der Kunst” volume on Rembrandt, p. 186. KAREL DU JARDIN Dutcu: 1625—1678 247—PORTRAIT OF A GENTLEMAN Ha.r-Lencru figure of an elderly man, seated, in dark-colored dress and gray robes; long gray curly hair or wig. Canvas: Height, 891 inches; width, 2414 inches. SIR ANTON VAN DYCK (Period of). Fremisu: 1599—1641 248—PORTRAIT OF A GENTLEMAN THREE-QUARTER length of a middle-aged man, in dark green dress, white gauffered ruffle, white cuffs, brown hair, mustache and closely trimmed beard; yellow gloves in right hand; red covered table to right. Canvas: Height, 39 inches; width, 31 imches. CORNELIS DE VOS FuemisH: circa 1585—1651 249-LADY AND CHILD Hatr-ricure of a middle-aged lady, seated, in dark gold-embroidered dress and white gauffered ruff; the child, standing to left, in yellow dress with pendent cross, is holding an apple in her left hand and a toy dagger in the right. Panel: Height, 4014 inches; width, 31 inches. Bought from Messrs. Dowdeswell § Dowdeswell, by the late T. J. Blakeslee. —= °O 4 me fe) 4 je v ? f a¢ % ¢ QAo&a@ 33 ITALIAN SCHOOL 250—PORTRAIT OF POPE JULIUS II THREE-QUARTER length of an elderly man, seated in a red chair, scar- let cape, white gown and white edged cap, gray beard and mustache; arms resting on elbows of chair, a ring on index finger of right, and third finger of left hand. Canvas: Height, 411% inches; width, 311% inches Apparently a version of Raphael’s portrait in the Uffizi, Florence. Purchased from Messrs. Dowdeswell & Dowdeswell. ANDREA PREVITALIL Iranian: 1480—1528 251—THE ANNUNCIATION SMALL whole-length figure of the angel Gabriel, in a flowing gown of white and blue, with richly-brocaded vest and white sleeves; long massed golden hair; he is kneeling on his left knee, his right hand holding an upright lily-branch, his left hand against breast. Canvas: Height, 421% inches; width, 27Y2 inches. Purchased from Professor Lava of Overzo, Italy, 1902. | From the collection of Clement A. Griscom, Esq., Philadelphia. | feta, NX. 26 |] tif igty ( r6) LA? Owe ree GIOVANNI SANTI Traian: circa 1485—1494 (Father of Raphael) 252—HOLY FAMILY Neary whole-length of the Madonna, in blue and red draperies, kneeling in adoration before the fair-haired Child, who reclines on a dark cushion; to left the infant St. John holding cross with scroll inscribed ““Ecce Agnus Dei”; to left, also, shepherd boy with sheep. Panel: Height, 401% inches; width, 251% mches. Purchased from Messrs. Dowdeswell & Dowdeswell. EARLY GERMAN SCHOOL 253—ADORATION OF THE MAGI WHOLE-LENGTH figure of the Virgin, seated in a building with high pillars; the Child seated on her lap, His right hand in the gold casket of coins held towards Him by the kneeling Wise Man; the second of the group is standing and is also holding a casket, and to left an Ethiopian is carrying another. Panel: Height, 41 mches; width, 27 inches. UNKNOWN FLEMISH ARTIST 254—PORTRAIT OF A LADY AS A NUN THREE-QUARTER length of a lady in nun’s dress holding in left hand a Book of Hours, right hand resting on red covered table. Canvas: Height, 431% inches; width, 841% inches. From the Bergamo Museum. ANTONIO PEREZ Spanisu: Diep circa 1580 255—_THE CONSECRATION OF A BISHOP Tue youthful Virgin enthroned to right, in red and blue draperies and with gold crown, holding, with the assistance of an angel, a broad scarlet sash over the head of an ecclesiastic, who is kneeling in prayer; cherubs’ heads above. Panel: Height, 45 inches; width, 351% inches Signed on left. No. 256 THE TRIBUTE MONEY BY GERBRAND VAN DEN EECKHOUT \ ' 1] ‘ ¢ r as a ' \ ) ¥ ae GERBRAND VAN DEN EECKHOUT Dutcu: 1621—1674 256—THE TRIBUTE MONEY INTERIOR with six figures of elderly men and women; Christ in the center, in blue and scarlet robes, his right hand outstretched towards the hand of a man who holds acoin. A fine portrayal of this religious subject. Canvas: Height, 35 dithicn length, 471% mcehes. From the Earl of Dudley’s Collection. LODEWIJK VAN DER HELST Dutcu: 1645—1680 257—PORTRAIT OF A LADY THREE-QUARTER length of a young lady standing by a pillar; in black dress, white plain collar, white cuffs, pearl necklace, large earrings of gold and precious stones, auburn hair with pearl and white ribbon ornaments; left hand resting on collar; green and gold curtain. Canvas: Height, 46 inches; width, 351% inches. GOVAERT FLINCK Dutcu: 1616—1660 258—_KING LEAR THREE-QUARTER length figure of King Lear, in pink and ermine robes and pink skull cap, leaning on a sofa and looking up to right; gray hair and long beard. Canvas: Height, 461% inches; width, 35 imches. Purchased from Messrs. Laurie through the late T. J. Blakeslee. JUAN CARRENO DE MIRANDA SpanisH: 1614—1685 259—PORTRAIT OF A SPANISH PRINCESS WHOLE-LENGTH portrait of a young child, standing, in light blue dress embroidered with flowers in gold, center of corsage and sleeves with pearl ornaments, pearl rope over shoulders; brown hair dressed flat over forehead and ears; pillar to left, red curtain to right. Canvas: Height, 47 inches; width, 331% inches. Purchased from the late Stanford White. NICOLAES MAES Dutcu: 1632—1693 260—PORTRAIT OF A LADY THREE-QUARTER length of an elderly lady, seated; dark green and white dress, white sleeves, gauffered cap and headdress, pink rose held up in right hand; watch with green ribbon chain on red-covered table to right. A strong work of this painter, showing the influence of his master Rembrandt. : Canvas: Height, 48 inches; width, 39 inches. Purchased from Messrs. Dowdeswell & Dowdeswell. SIR GODFREY KNELLER EncusH: 1646—1723 261—PORTRAIT OF A LADY TuREE-QuARTER length of middle-aged woman, standing, in blue low- neck dress, edged with white; dark hair, right arm resting on balus- trade, left holding a spray of flowers. Canvas: Height, 45 inches; width, 3614 inches. FRANCIS COTES, R.A. Encuisu: 1726—1770 262—MARCHIONESS OF ROCKINGHAM Mary, daughter and heiress of Thomas Bright (formerly Liddell) of Badsworth, Co. York; born in August, 1736; married, February 26, 1752, Charles, 2nd and last Marquess of Rockingham, the eminent statesman; died at Hillingdon House, Uxbridge, December 19, 1804. A long account of this accomplished lady was gars in The Gen- tleman’s Magazine of February, 1805. THREE-QUARTER-LENGTH figure, seated, in green low-neck dress edged with brown fur and white shawl, a red rose at center of corsage; dark hair, of which a plait falls over her left shoulder; right arm resting on a table on which are pearls and jewels, pillar and curtain back- ground. Canvas: Height, 441 inches; width, 391% inches. Purchased from S. T. Smith, London, son of the author of Smith’s “Catalogue Raisonné,” as a work by Sir Joshua Reynolds. A ty ve SOF ey i ee rng Ane ie eed OM i oe ¢ ‘ 7 a] ay. iM 7 7 Y ct 7 aay gf * Te - = / ' < ; = * fT om * . ' r +. % : ° s aoe * a . 4 Pa : - e / z -_ a * or) * * - - ‘ ; re \ —_ . : ‘ « i * - BARTOLOMMEO SCHIDON E Irauian: 1560—1616 263—MADONNA AND CHILD THE Madonna seated in red draperies and white loose headdress; holding up with right hand a white robe on which the Infant rests; to right St. Elizabeth and St. John, towards whom the Infant Christ is leaning. Canvas: Height, 451% inches; width, 37Y4 inches. Purchased from the late T. J. Blakeslee. ERCOLE DI ROBERTI GRANDI Irautian: Drep 1 1495 264_THE MARRIAGE OF ST. CATHERINE Tue Virgin seated, in red dress, blue gold-embroidered cloak and white transparent headdress, holding the Infant, who is in the act of placing the ring on the finger of St. Catherine; she is kneeling to right and is dressed in blue and red; behind her a female saint is stand- ing and writing in an open book, and overhead a cherub; to right St. Sebastian with loin cloth and arrows in chest and leg; St. John with cross and scroll inscribed “Ecce Agnus Dei,” and near him St. Joseph; landscape and church tower in the distance. Panel: Height, 43 inches; width, 38Y inches. Purchased from Messrs. Dowdeswell & Dowdeswell. GIOVANNI FRANCESCO BARBIERI (Carte “GUERCINO”) Irauian: 1591—1666 265—THE DOUBTING ST. THOMAS INTERIOR with five figures; in the center half-length life-size figure of Christ, who has drawn back His white robes and is exposing the wound in His side; three elderly disciples in the background. Canvas: Height, 411% inches; width, 491% inches. Purchased from M. C. Sedelmeyer, Paris. TADDEO GADDI SCHOOL ITALIAN 266—TWO SAINTS Two female saints in red, gold-embroidered robes, one holding pen and book and the other a small box; gold background. Panel with double arched top: Height, 554% inches; width, 274% inches. | CF Waterers Parchased from the late Mr. Martm Colnaghs, London. Ber es : h f ' " by . L 7 ¢ -> 1 ¢ La = "A 43 A T\ Mt se Uy |! = ; J id On“ Pz 24 DUTCH SCHOOL 267—ADORATION OF THE MAGI INTERIOR with numerous figures. To left the Virgin in red dress trimmed with white, and flowing blue cloak, is holding the Infant towards the kneeling figure of the venerable-looking leader of the Wise Men; behind him a fair-haired youth and three men, one in red cloak and white turban, the two others in armor; the elderly St. Joseph is seen behind the Virgin. Canvas: Height, 46 inches; length, 501% inches. Purchased from Messrs. Dowdeswell & Dowdeswell. Esteemed by the owner as one of the finest pictures in his collection. ” Pe > a i - * ‘ . « . f 54. % - Jae Somer oa Be hee a Meee fe PAOLO VERONESE (Attributed to) ITALIAN 268—A LADY HOLDING A MINIATURE Ha.r-Ficure of a lady seated, in red low-neck dress, edged with white lace; a jewel case on her lap, and holding in her extended hand a locket with a miniature which seems to awaken tender recollections. Canvas: Height, 501% inches; width, 401% inches. GEORGE HENRY HARLOW Encusnu: 1787—1819 269—MRS. DUDLEY RYDER (née Nesmith) THREE-QUARTER length, age about twenty-five, standing, looking to left, low-neck white dress with rosebuds, pink and white shawl, pearl bracelet and earrings. A male portrait—a companion picture—hangs in the Lille Museum in France. Canvas: Height, 54 inches; width, 44 inches. From the collection of her grand-niece, Miss Farquharson. Purchased from the late S. P. Avery. Sikh MARTIN ARCHER SHEE, P.R.A. Eneuisu: 1764—1850 270—PORTRAIT OF MRS. DILLINGHAM THREE-QUARTER length, standing by a pillar and red curtain, black low-neck dress, with short sleeves; dark hair in ringlets, bound with pearl band, brilliant and ruby brooch at corsage, brilliant bracelet on left arm, white gloves; landscape to left. Canvas: Height, 551% inches; width, 41 inches. [Sea ORD LES ' 3 ol- Cu» CUee Dna SIR PETER PAUL RUBENS Fuemisu: 1577—1640 271—_VIRGIN AND CHILD Tue Virgin, in red dress and flowing white headdress, seated to left holding the Infant on her lap; elderly St. Elizabeth in black dress and white turban, leading St. John seated on a lamb; pillars in back- ground, sky to left. Canvas: Height, 561% inches; width, 431% imches. Purchased from Messrs. Durand-Ruel. 2/@6 4%2S5¢. IL TINTORETTO (JACOPO ROBUSTT) Iranian: circa 1519—1594 RETA He MORONEY ECS ES es 272—THE MARRIAGE OF ST. CATHERINE WHOLE-LENGTH figure of the Virgin, in blue and red draperies and light transparent headdress; she is holding the nearly nude Infant with her left hand; His open right hand, with the ring, is extended towards the young St. Catherine. Panel: Height, 57 inches; width, 451% inches. Purchased from Messrs. Durand-Ruel. ANTONIO PEREDA Spaniso: 1599—1699 273—THE BREAKING OF BREAD INTERIOR with three figures seated at a white carved table. Christ in scarlet cloak, attended by two Disciples, is holding a loaf of bread and invoking a blessing. Canvas: Height, 4414 mches; length, 68Y inches. Purchased from Messrs. Durand-Ruel. No. 274 THE MARRIAGE OF SAINT CATHERINE SCHOOL OF SIR ANTON VAN DYCK SCHOOL OF SIR ANTON VAN DYCK FLEMISH 274—THE MARRIAGE OF ST. CATHERINE WHOLE-LENGTH of the Virgin, seated, to left, in brown and blue draperies; the Infant in white, seated on her lap, placing the ring on the finger of St. Catherine, who is in red and brown draperies with long auburn hair, and is kneeling to right; to left pillar, curtain over- head. Canvas: Height, 57% inches; length, 60 inches. Purchased in London as a Van Dyck by the late T. J. Blakeslee. = 3 . a eee al ee . _ " e | i . a aT? ¢ - W, Warayye Ste a , 7 e ‘ é . ~ . ! r ' + ad s - : f: a ~~ et . - i : ? A . 4 ‘ 5) ‘ . “ - > ‘ 4 No. 275 THE DEAD CHRIST BY TITIAN TITIAN (TIZIANO VECELLI) Circa 1484—1576 275—THE DEAD CHRIST Group of eight life-size figures. The dead Christ at full length with white drapery extended across the whole length of the picture, the crown of thorns on floor to left; the background occupied by seven male and female saints weeping, one to right holding the nails drawn from the body of the Christ. The agony of grief displayed upon the faces of the attendant figures displays the master hand and wonder- ful conception of the artist. Canvas: Height, 551%, inches; length, 781% inches. Purchased from M. Sedelmeyer, Paris. ALLAN RAMSAY Encuisu: 1713—1784 276—GEORGE THE THIRD King of Great Britain and Ireland; born in 1738; succeeded to the Throne in 1760; died in 1820. WHOLE-LENGTH, life-size, standing, looking to left, in state robes with ermine cloak, gold coat and breeches, white stockings and shoes with gold buckles; pillar and pink curtain background. Canvas: Height, 82 inches; width, 52 inches. Of the same provenance as the companion portrait of Queen Charlotte, No. 277. ALLAN RAMSAY Encusu: 1713—1784 277 —QUEEN CHARLOTTE Wife of George the Third, born in 1744, married 1761, died 1818. WHOLE-LENGTH, life size, standing by a pillar, in state robes with ermine cloak, left hand on crown which rests on green cushion to right. In the original carved frame. Canvas: Height, 82 inches; width, 52 inches. Presented to General Lord Hill, a distinguished officer in the Peninsular cam- paign, for bravery. Allan Ramsay, who was Portrait Painter to George III, painted a large number of state portraits of the King and Queen, DANIEL MYTENS Dutcu: —1656 (?) 278—THE MARQUESS OF HUNTLEY George Gordon, second Marquess of Huntley, a firm adherent of Charles I, during the Rebellion, and beheaded in 1649. W HOLE-LENGTH, life size, standing; in steel breastplate, yellow coat with open sleeves and embroidered with silver, white lace collar and cuffs, red breeches embroidered with silver, yellow leather high boots with spurs; left hand holding hilt of sword, baton in right; helmet on table to left; long black hair; pillar and green curtain background. Canvas: Height, 85 inches; width, 50 inches. Purchased from the late T. J. Blakeslee. aw ag ; ae prey: > FOURTH AND LAST EVENIN SALE ae a lle THURSDAY, FEBRUARY %, 916 IN THE GRAND BALLROOM OF THE.PLAZA) ae FIFTH AVENUE, S8rx TO Le ae | JOHN CONSTABLE, R.A. Enewisu: 1776—18387 279—STU DY Open-air study on Hampstead Heath, with trees and stormy cloud effects, and a red-coated man in a boat. Canvas: Height, 201% inches; length, 24 inches. The study described above hung for many years in the studio of Jules Dupré. JAN MIENSE MOLENAER Drep 1n 1668 280—MAN DRINKING Bust of smiling man in brown coat and large hat, holding up a large earthenware jug. Panel: Height, 2614 inches; width, 191% inches. Signed to right. Purchased from Messrs. Dowdeswell § Dowdeswell. JAN VAN GOYEN Dutcu: 1596—1666 281—M ARINE View of seacoast and river, a double tower with spires and other buildings partly in ruins to right, boats and figures at foot; flat land- scape in the distance. Panel: Height, 151% inches; length, 201% inches. Signed with initials on the barrel in center of the river. No. 282 MADONNA AND CHILD BY GIROLAMO DA SANTA CROCE hres. GIROLAMO DA SANTA CROCE Irauian: circa 1519—1549 282-MADONNA AND CHILD SMALL half-figure of the Virgin enthroned, in blue, red and white draperies, nursing the Infant, who rests on a white cushion; to left elderly bearded saint carrying a miniature tower, to right a monk. Panel: Height, 1714 inches; length, 2414 inches. Purchased from the late Mr. Martin Colnaghi, who obtained it from a palace in Rome. i J % { EARLY ITALIAN SCHOOL 283—THE MARRIAGE OF ST. CATHERINE SMALL whole-length figure of the Virgin, in red, blue and green draperies, seated in the open, holding the Infant forward towards St. Catherine, who is in yellow and pink draperies, kneeling and holding a palm branch in left hand; overhead two youthful angels holding wreaths. Panel, arched top: Height, 1614 inches; width, 11 inches. f th |, S00 o f) i (Bent 44) | ; i-t-ya 8 < } , ADRIAAN VAN DER WERFF Dutrcnu: 1659—1703 284—THE INCREDULITY OF ST. THOMAS InTERIOR with numerous highly finished figures smaller than life; Christ standing to right, in white loin drapery and red loose cloak; St. Thomas seated to left, in brown and blue robes, holding a volume in left hand, index finger of right on the wound in the Saviour’s side. Height, 21 inches; width, 18 wches. Exhibited at the British Institution, 1818, No. 17, by H. P. Hope, and at South Kensington Museum, 1891, with the Hope Collection. Catalogue of the Hope of Deepdene Collection, 1898, No. 51, with illustra- tion. Bought from Mr. A. Wertheimer of London, who purchased the Hope Collec- tion en bloc. - a > hog , oe 2? . ACr ‘ > mm a] NA by) Ral“aar Oo. COU, lg Ma t ? a we ¢ RP R_ Ry iy > 4 Kb & 3 IL SASSOFERRATO (GIOVANNI BATTISTA SALVI) Irauian: 1605—1685 285—_MADONNA PRAYING Bust of the Virgin in white and red dress, blue cloak, white head- dress, fair hair; hands joined as in prayer. Canvas: Height, 181% inches; width, 15 inches. GIROLAMO DA TREVISO (GIROLAMO DI PIER-MARIA PENNACCHI) Irauian: 1497—1544 286—HOLY FAMILY SMALL half-figure of the Virgin in red and green robes, white head- dress, standing near a balcony, on which the Infant is seated on white drapery and holding an open book; St. Joseph, in yellow cloak and with staff, is behind the Virgin; overhead a pink curtain; a border of green leaves bound with pink ribbon surrounds the group. Canvas: Height, 24 inches; width, 181% inches. From the collections of the Duke of Roxburghe and Henry Doetsch, sold at Christie’s, June, 1895, No. 70. /7 ( LU on: C view P\EX RANO Ivauian: circa 1480—1521 287—MADONNA AND CHILD Ha .rF-FiGurE of the Madonna in red and blue draperies and with auburn hair, the Infant resting His arms on His Mother’s neck; St. Joseph to right, in red dress and looking over his shoulder at spectator; green curtain background. ‘This picture is noted as the only Madonna whose face bears a resemblance to the features of Christ as portrayed in all schools of art. Panel: Height, 251% inches; width, 20 imches. From the collection of the Marchese Marsiglia of Bologna. ANDREA SALATI Iratian: Born circa 1480 pan IR LVR LID uw KIX Loch HURL ME LIG PU AIRED Gi OUT IS iN Steg t Hence 288—_MADONNA AND CHILD HA.LrF-FIGURE of the Madonna in red and blue draperies, seated and nursing the Infant, whom she holds with both hands. Panel: Height, 251% inches; width, 201% inches. From the collection of the Rev. W. H. Wayne, of Willy Rectory, Broseley, Salop. Exhibited at Burlington House, London, in 1882, No. 200; and at the New VY Gallery in 1894, No. 200 (as by Andrea Solario). PAULUS MOREELSE Dutcu: 1571—16388 289--BARTHOLOMEUS VAN SEGWAERT, SHERIFF OF DORDRECHT, 1607 Hatr-ricure of middle-aged man in black and gray dress, and elab- orate white lace collar; brown hair, mustache and chin-tuft. Panel: Height, 26% imches; width, 201% inches. Purchased from Messrs. Durand-Ruel. The date 1623, at the top of the portrait, is probably the year of van Segwaert’s death. . ~ , — £ ys f rs ro OF ig € SY an A Pre. nth, Skt U able ou. Oe Celt, Ges ohrAR BARTHOLOMEUS VAN DER HELST DutcH: 1611—1670 290—PORTRAIT OF A GENTLEMAN Heap and shoulders in an oval of an elderly man, in black dress, plain white collar with tassels; long black curly hair, slight mustache and chin-tuft. Canvas: Height, 27% inches; width, 2114 inches, Signed to right. CORNELIS JANSSENS VAN KEULEN Dutcu: circa 1590—1662 291—PORTRAIT OF A GENTLEMAN Hatr-ricure of middle-aged man in an oval; black dress, white circular collar, fair hair and mustache. Panel: Height, 281% inches; width, 2314 inches. Signed with initials and dated 1625 in lower right-hand corner. SIR THOMAS LAWRENCE, P.R.A. Eneuisu: 1769—1830 292—THE SISTERS Ha.r-ricures of two golden-haired girls, in gray and white dresses, in a landscape, holding a dove. Canvas: Height, 281% inches; width, 231% inches. Purchased from Messrs. T. Wallis & Son, London. THOMAS BARKER (Known as BARKER OF BATH) Eneutsu: 1769—1847 293—THE OLD MERCHANT Heap and shoulders of an old man with long gray hair and beard, looking at the spectator; dark-colored dress, holding with left hand the leaf of an open volume, apparently a ledger. Canvas: Height, 29 inches; width, 24 inches. Purchased in London through the late T, J. Blakeslee. This is a fine example of the skill with which Barker of Bath so cleverly imitated Rembrandt that some of his pictures have passed as genuine works of the great Dutch master. SIR PETER LELY Encuisu: 1617—1680 294—THE DUCHESS OF LEICESTER Hatr-FicureE of young lady, in an oval, directed to right and looking at spectator; brown and white low-neck dress with short sleeves, gar- nished with pearls and precious stones, pearl necklace; fair curly hair falling over shoulders and bound with pearls. Canvas: Height, 29 inches; width, 24 inches. Purchased from Messrs. Arthur Tooth & Son. JAN VAN RAVESTEYN 1572—1657 295—PORTRAIT OF A LADY/ 4tton] HAL¥-LeENcTH of a young lady of quality, in dark-colored dress em- broidered with gold, large white gauffered collar, four-row pear] neck- lace, white lace cap, pearl earrings; left hand gloved and holding glove of right. Canvas: Height, 291% mches; width, 241% inches. Purchased from M. C, Sedelmeyer, Paris. Urea, prenene we iy (Peter Ue eT). Brurdivetla Cot 20458 - JAMES WARD, R.A. EncuisH: 1769—1859 296—PORTRAIT OF A GENTLEMAN Haxr-Ficure of an elderly, fresh-colored man in green coat with white shirt and front, scant gray hair and side whiskers. Canvas: Height, 291% inches; width, 24% inches. Purchased in London. oe PS a Cre P/- un trhioctt, “4 ~~ AR) 7% L oh: ; ’ SIR THOMAS LAWRENCE, P.R.A. (?) Encuisu: 1760—1830 297—PORTRAIT OF A LADY A FINE and most attractive picture. Half-figure of young woman seated, looking at spectator, in deep red dress cut to V-shape, white collar, dark curiy hair falling over ears, large red hat lmed with white and black feather. Canvas: Height, 291% inches; width, 25 wmches. CORNELIS JANSSENS VAN KEULEN Dutcu: circa 1590—1662 298—PORTRAIT OF A GENTLEMAN Hatr-LenctH of middle-aged man, in gold studded armor, yellow sash, white lace collar; long dark hair, slight mustache and chin-tuft. Canvas: Height, 291% inches; width, 241% inches. Purchased from M. C. Sedelmeyer, Paris. SIR JOHN WATSON GORDON, R.A. Encuisu: 1790—1864 299—PORTRAIT OF A LADY HAtr-Ficure, seated, of a lady about thirty years of age, in red, low-neck dress, trimmed with white, jeweled pendant at center of corsage, blue cloak across shoulders, end held by left hand; straw hat with pink feather, dark hair. Canvas: Height, 291% inches; width, 25 inches. Purchased by Mr. Lambert in Edinburgh. JAN VERSPRONCK Dutcu: 1597—1662 300—PORTRAIT OF MYNHEER TEN EYCK H{AL¥-FIGuRE of an elderly man with rubicund face, seated; in black dress and large black hat, white muslin collar, brown mustache and chin-tuft. Canvas: Height, 291% inches; width, 251% inches. From the T. Humphry Ward Collection. Purchased from Messrs. Dowdeswell & Dowdeswell. £ . “T i e (AL OLY i - Ae (a SIR JOSHUA REYNOLDS, P.R.A. EneusH: 17382—1792 301—PORTRAIT OF MRS. BENNETT Hatr-ricure of elderly lady, white dress, red and gold corsage trimmed with blue ribbon, white crossover, blue ribbon bow at neck, white lace cap, gray hair. Canvas: Height, 30 inches; width, 25 inches. Purchased from Mr. Thomas McLean, London. Painted about 1760, and probably the picture sold with that of Mr. Ben- nett at Greenwood’s auction rooms in London, April 14, 1796, No. 24. = , ¥ i ¥ re é e ? al 4 ; , / 2 + + ; , é 6 . , bs ‘ . : \ t ‘ i - ’ . . “! m “ ' . ’ ' . ‘ . No. 311 GROUP OF WORSHIPPERS EARLY GERMAN SCHOOL - a . > y . ’ Le 4 * + ‘ # ‘ ¥ ‘ + 7 y Pe oe 7 . rt - . : a A 4 , b . gid! ta dj os = @ } * f ‘ A * a e 7 . ¢. ‘ ; } P >J ’ 4 ; 1 ¢ . é a Aa \ ® 1m a t é =) y > * at 7 why ‘ae ay ws ‘ ‘for i EARLY GERMAN SCHOOL 311—GROUP OF WORSHIPPERS A croup? of four figures. Three female saints, one (perhaps St. Bar- bara) in blue and red draperies holding a cross in her right hand, and a miniature carved tower in her left, in conversation with a companion in bluish white dress and red headdress; the third saint, in red and blue, holds an open book; to left a Pope holding a crozier, and point- ing with finger to right; gold background. Panel: Height, 261% inches; length, 30 inches. Purchased from the late H. O. Watson. x u/ Leenut 3 ae - JAN BRUEGHEL FiemisH: 1568—1625 312—THE RAISING OF LAZARUS A cROWDED and animated scene in the open with numerous men and women in brilliant costumes, Christ in scarlet robes appearing from the right and pointing towards Lazarus, who is in loin cloth and white head bandage; evening effects. Panel: Height, 24 inches; length, 39 inches. IL PARMIGIANO (FRANCESCO MAZZUOLA) Travian: 1504—1540 313—HOLY FAMILY Tux Virgin seated in red and blue robes, holding the Infant, who is stretching forth His right hand towards an inscribed scroll held by the child St. John; elderly St. Joseph to right. Panel: Height, 35 inches; width, 26 inches. ALVISE VIVARINI Travian: circa 1446—1502 314—MADONNA AND CHILD SMALL whole-length figure of the Madonna enthroned, in red dress and blue gold-embroidered cloak and headdress, lily branch in right hand; the Infant in yellow dress and blue sash, on her lap; two male saints holding cross and staff, to left; a male and female saint, the former holding sword and book, to right; gold background. Panel, circular top: Height, 33 inches; width, 18 inches. From the Borghese Palace, Rome. lite ot of ef o¢ od wl OF ’ No. 815 ST. FRANCIS OF ASSISI BY EL GRECO ne Bh 0 + Ave EL GRECO Feappnoe (Lac) (DOMENICO 'THEOTOCOPULT) SpANIsH: circa 1548—1614 315—ST. FRANCIS OF ASSISI St. FRANcIs oF Assisi in the costume of his order kneeling and hold- ing a skull with both hands; to left a young monk, also in Franciscan dress, his hands clasped, gazing at the object held by his companion. Canvas: Height, 33 inches; width, 251% inches. Purchased from M. C. Sedelmeyer, Paris. A version of the picture in the Colegio de Doncellas at Toledo, described by Cossio, “El Greco,” 1908, p. 587, and illustrated on Plate 102. a a? " he aa y cot) ’ P Ss , ; - “ , ot i y e bod i ot ™ 4 , im f « ce4 be : . ra x ; “ c , ih ’ ° ‘ ° A , i ‘a ‘ j si @ ¥ ~~ . ( . ' é ' \ © *. } i . . i : ) No. 316 MADONNA AND CHILD BY ANDREA DEL SARTO mae: ae ae! , : ay, AL ive Sal oat d ' a i had Ke a | 7 4 yn | a ; ; 1 € 7 q Ad , : . : } 3 d _ Vere 0 ss 93,40 ANDREA DEL SARTO \0 Ger] (ANDREA D’AGNOLO) Irauian: 1487-—1581 316—MADONNA AND CHILD Ha tr figure of the Virgin in red and blue robes, and brown headdress, supporting the Infant who is seated on table to right; he is smiling at St. John, who, on the left of the composition, is holding a cross; dis- tant landscape. Canvas: Height 351% inches; width, 27 inches. Purchased from the late H. O. Watson. GSS M ? TAA On fey , f & y 4 ot Se bees ions io \e hacen Sd 4 BERNARD VAN ORLEY 1491—1542 317—THE ADORATION OF THE MAGI 4 Tux Virgin seated, holding the Infant, to whom one (Caspar) of the richly attired Wise Men is offering a gold casket, his companions car- rying other presents; the Ethiopian and attendants to right; St. Jo- seph in red in the background; distant landscape seen between pillars. Panel: Height, 36 inches; width, 34 imcehes. Passmore Edwards Collection; seals with coats-of-arms on back of panel. INNOCENZO DA IMOLA (INNOCENZO FRANCACCI) Iranian: 1494—1550 318—VIRGIN AND CHILD WITH SAINTS VirGIn in red draperies and white headdress, seated in center convers- ing with a crowned female saint, and holding the Infant towards St. John, who is standing on a cradle and who holds a cross in his hand; female saint with left hand upraised to right. Panel: Height, 391% inches; width, 311% inches. From the demolished church of the Misercordia Ponta Castiglione, Bologna. Purchased from Mr. Eugeéne Fischhof, Paris. re Ve 2 Bina ie Fedebrrays, SIR THOMAS LAWRENCE, P.R.A.. Eneuisu: 1769—1880 319—PORTRAIT OF MRS. INGLIS ‘THREE-QUARTER length figure of a young lady, seated to front beneath trees, and looking up to right; white low-neck dress with high waist and short sleeves, white lace shawl flowing across shoulders, gold waistband and armlets; curly auburn hair falling over ears and tem- ple; left hand raised to shoulder, right arm hanging down by side (hand not seen). Canvas: Height, 36 inches; width, 27 mches. Purchased from the late S. P. Avery. x ~ . — aw whey Cart & fr rhe Freda MICHEL WOLGEMUT (Attributed to) 1434—1519 320—THE HOLY FAMILY Tur Virgin enthroned on a green patterned and jeweled chair, in green, red and white draperies, and long flowing headdress; she 1s holding an open Missal, and above her is the emblem of the Holy Spirit; to right a female saint (probably St. Elizabeth), in white, green and gold, is holding the Infant; He is reaching up to a red apple held by St. Joseph, who is seated to right, in red and gold dress; beneath, numerous figures of cherubs, one of whom holds a rose and another an apple; to left a soldier; gold background, eastellated build- ing to right. . Panel: Height, 40 inches; width, 22 inches. Purchased from the late H. O. Watson. THOMAS DE KEYSER Dutcu: 1596—1667 321—_THE PARKER FAMILY OF AMSTERDAM Grou? of seven small whole-length figures, the father, mother and five children in the open, near a plaster cast of a classical figure of a man crowned with bay leaves; all in dark-colored dresses and white plain collars, except the youngest child, who is in brown dress and who holds a pail of flowers; trees in background, a brown curtain, form- ing a tent, suspended from the trees. ' Panel: Height, 27 inches; length, 35 inches. Purchased of M. Durand-Ruel, who obtained it direct from the family. Norte: The Parker family was long prominent in Holland, and portraits of a number of them are now in the Rijks Museum at Amsterdam. is te ike SM eee > ee ) BARTHOLOMEUS VAN DER HELST Dutcu: 1611—1670 322—PORTRAIT OF A GENTLEMAN THREE-QUARTER-LENGTH portrait of a stout middle-aged man, seated on a red chair; in dark dress with large white sleeves, white necker- chief; brown hair falling over shoulders, slight mustache; right arm resting on back of chair. Canvas: Height, 441 inches; width, 32% imches. Purchased from M, C. Sedelmeyer, Paris, REMBRANDT HARMENSZ VAN RIJN Dutcu: circa 1603—1669 323—PORTRAIT OF A RABBI 'THREE-QUARTER-LENGTH figure of an elderly man, seated to front looking at spectator full face; dark-colored dress with red sleeves, edged with white fur and trimmed with brown; gold neck-chain, gray hair and beard, flat black hat, the brim throwing a shadow over the upper part of face; right arm resting on elbow of chair, left hand holding edge of cloak. Canvas: Height, 871% inches; width, 30 inches. This very fine portrait is a version of that in the Kaiser Friedrich Museum, Berlin, signed and dated 1645, described by Dr. Bode, No. 297, and illustrated in the “Klassiker der Kunst” volume on Rembrandt, p. 359. Nore: This painting was purchased many years ago by Mr. Lambert from Messrs. Durand-Ruel as a work of the School of Rembrandt. Since then it has been seen by numerous connoisseurs and persons of authority who have judged the picture as being by the great master and many flattering offers for its purchase have been made. Very recently im cleaning the picture the signature and date have appeared. In view of these facts Mr. Lambert feels justified in accepting the picture as an example of Rembrandt, but he does not, however, desire to asswme the position of an infallible expert, and therefore places the picture before the public for it to determine whether or not it is an example of the greatest of Dutch masters. Se 4 lowta CAro, Ren A» LrueonrST f ' (63 2 hn , “4 € Cros oto 4G xu U : No. 323 PORTRAIT OF A RABBI BY REMBRANDT HARMENSZ VAN RIJN VUIA “WAVY SeVAMAAH TOMAHEMA ESE .oA “* \AAKA Kh TO TIAATHOT Ya nes aie! ifs Durcx: circa 1603—1669 323—PORTRAL T OF A RABBI - 'THREE-QUARTER-LENGTH figure of an elderly man, seated looking at spectator full face; dark-colored dress with 1 edged with white fur and trimmed with brown; gold neck- hair and gee an black hat, the brim pia a a holding pate of cloak. Canvas: Height, mY ir lashes mh This very fine Resp is a version | of that in sae Ka pa . ia a ee al > a 2 -_ ae ’ x : tal Oe = a > A a ai + J ae ao - - y} at _ - é a » 2 ‘ aif aa - = - Le a pa y Lt i ie “— = A ' ‘“ x oun wnciaio-c Saas — --e ~ x —- ‘i C3 vara ; ’ = fo . . -— “a x : fe — ~ x z ( le Pe Pv ) Panel: Height, 491% inches; width, 381% iches. 2 ee This exceedingly important picture was acquired by the late Mr. Martin Colnaghi, who intended it for his private collection, which he bequeathed to the National Gallery, London, but he was prevailed upon by Mr. Lambert to sell it. The same model for the Virgin appears in the Budapest group, 1516, and the same model for the St. Elizabeth figures in the Holy Family at Munich, which dates from 1515-1516. The same St. John appears in several of Andrea del Sarto’s pictures of the Holy Family. The smiling Child-Christ is char- acteristic of the Master. (See Frontispiece) at } & 5 ij Ya CA eAy, Q ( hye 0. Ahher Lu) % >. 2 +$0y O4nn No. 329 MADONNA AND CHILD BY SANDRO BOTTICELLI SANDRO BOTTICELLI (ALESSANDRO FILIPEPI) Travian: 144°7—1510 329_MADONNA AND CHILD SMALL three-quarter-length figure of the Virgin, seated to right, in blue, scarlet and white draperies, her head inclined to the left, eyes nearly closed; she holds the Infant on her lap with both hands, His arms are around her neck, and His face is pressed close to hers; He is lightly clad in a red garment and is earnestly gazing at His mother. On the left is a youthful saint, in white robes and red bands and sleeves, and with long hair, holding open towards the Virgin and Child an open volume with the Magnificat; blue and gray back- . ground. Pancel, circle, 37 inches. Purchased by a private collector in Italy, and sold to Messrs. T. Agnew & Sons of London, from whom it was obtained in 1902. The central figures of the Virgin and Child are almost identical with those in the Virgin and Child with St. John and Angels in the Pitti Palace, Florence. Bee Avene 2.890 by Denpla, Hetfred rats a CAVE [eevee Thimmpom , Yon « are. Bee [rn Univer’, Gouevile, Suet - 1, St JAMES'S ROAD, WANDSWORTH COMMON, S. Ww. 19” Way 1915 7 Son bo lilfhone Bas Ur- dag bach You Wire Ounh- . . lige « ws hes Mrieg bor. ik from & pronli brMman , arhe ca Ne-f- bnell- Kecotoss ag & S, ov Ma Cal eee Shen x) eee aad trie, f Ke pies ee lal, No. 829 MADONNA AND CHILD BY SANDRO BOTTICELLI 2 . 0&6 .oN GAWD GUA KVMOCKM Ya IIIHOITTOM OAGKAR (ALN pemionns Friun fae a 7. are, 29 AON AN OR Sau tterwne- FERDINAND BOL Dutcu: 1611—1681 (Pupil of Rembrandt) 33 0—REMBRANDTS MOTHER Haxr-Lenctu of an elderly woman, to front, in deep red dress trimmed with fur, pearl necklace, reading in an open book, hair dressed with flowers and white feather. Canvas: Height, 43 inches; width, 381% mches. Purchased from the late T. J. Blakeslee. ANGELICA KAUFFMANN, R.A. Encuisu: 1741—1807 331—MOTHER AND CHILD HALr-LENGTH figure of a young lady standing in the open, in white and gold low-neck dress, brown hair with white headdress and pearls, pearl necklace, left hand on a child sleeping on a red sofa; circular temple to right. Canvas: Height, 45 inches; width, 331% inches. This has been described as “Queen Catherine Awakening the Spirit of the Arts,” but it is not the picture with a similar title engraved by T. Burke in 1772. When Mr. Lambert purchased the picture the figure of the sleeping child had been painted over. CORNELIS JANSSENS VAN KEULEN Dutcu: circa 1590—1662 3832 —PRINCESS ELIZABETH, QUEEN OF BOHEMIA Eldest daughter of James I. of England; born 1596; married, 1613, Frederick V., Elector Palatine, afterwards King of Bohemia; died 1622. Sma.u whole-length of a child seven or eight years of age, in long green dress embroidered with white, starched white high collar and reflexed cuffs; brown hair with pearls and white feather, fan of white feathers by side, small red-covered volume in right hand. Canvas: Height, 47 mches; width, 34 mches. From the collection of the Duke of Fife, June 7, 1907, No. 60. Purchased from the late Stanford White. MICHAEL MIEREVELT DurcH: 1567—1641 333—PIETER DE SCHILDE, COUNCILOR OF BRABANT (Born 1584) THREE-QUARTER-LENGTH figure of a middle-aged man, seated; in dark fur-lined robes, white gauffered ruff, white cuffs and black skull cap; dark hair, mustache and chin-tuft, hands resting on arms of chair. Coat-of-arms to right. Canvas: Height, 48 mches; width, 35 inches. From the collection of the late Marius Vliierboom Van Hoboken, Amsterdam. A t / Py . i, LOA ¥S SIR THOMAS LAWRENCE, P.R.A. EncuisuH: 1769—18380 334—_MOTHER AND DAUGHTER Tue elder lady seated in red chair to right, in low-neck black dress, short sleeves edged with white, long gold chain and bracelets, dark curly hair, flower in left hand; younger woman standing to left, in white low-neck dress with green cloak, brown curly hair; red curtain background. Canvas: Height, 48 inches; width, 874% mches. Purchased from Messrs. Durand-Ruel. These two figures are said to represent the wife and daughter of a Spanish Ambassador to London. GEORGE HENRY HARLOW Eneusu’: 1787—1819 335—PORTRAIT OF SHERIFF JOHN JOHNSON ‘THREE-QUARTER length, seated in red chair, in robes and chain as Sheriff of London; black hair, white lace cravat and cuffs, right hand holding paper inscribed, “That the thanks of the Corporation be given to John Johnson, Esq. Sheriff of London, 1817.” Canvas: Height, 49 inches; width, 391% inches. Purchased from the late T. J. Blakeslee. ferliagy Mrerolin, oy FAet - THOMAS GAINSBOROUGH, R.A. EneuisH: 1727—1788 336—PORTRAIT OF GENERAL JOHNSTON Probably the Major, afterwards General, “Johnston” of Hawley’s Dragoons, mentioned on p. 270 of Sir Walter Armstrong’s ““Gains- borough,” 1904. THREE-QUARTER-LENGTH figure of an elderly man, seated in red chair, blue dress embroidered with gold, white neckerchief and cuffs; gray wig. Canvas: Height, 49 inches; width, 391% inches. Purchased from Messrs. Arthur Tooth & Son. ~ grt NICOLAES MAES DutrcH: 1632—1693 337—PORTRAIT OF A LADY Porrratr of a lady standing by a pillar; in white satin low-neck dress with short sleeves, edged with gold, blue shawl over shoulder; pear! rope and pendant at corsage, pear! necklace and earrings; gray wig. Canvas: Height, 491 inches; width, 42 inches. Signed at the left and dated 1672. JOHN CROME Encusu: 1769—1821 338—THE OLD WINDMILL AN ancient windmill, with tall spindly trees, a red-capped man seated at foot of bridge: moonlight effects. Canvas: Height, 391% inches; length, 49 inches. Purchased from Messrs. Dowdeswell & Dowdeswell. Ss - } » ') « . mall 7 Ps j M + \ a | 1 ‘ : ‘ = 4 ? \s Fi vs 1 - 4 oo. ‘ , a. , ¥ . . ‘ ' j . PT " = - - ' . ‘ ~ r i r - - ' \ . 2 i | * i i x DUTCH SCHOOL 18TH CentTuRY 338A—SCENE IN HOLLAND A. WELL-WOODED dell with peasants working in a roughly constructed woodshed beneath trees; to right a group of rustics playing cards, to left winding road, windmill, and church in the distance; masses of gray clouds. Panel: Height, 351% inches; length, 52% inches. Purchased from the late H. O. Watson. RICHARD WILSON, R.A. Eneuisy: 1714—1782 339—THE BRIDGE: SCENE NEAR TIVOLI A MOUNTAINOUS scene with stone bridge over a river; boat with fig- ures and trees to left, brushwood to right. Canvas: Height, 38 inches; length, 521% inches. Purchased from the late T. J. Blakeslee. Satie Ps Sera. Nae Sas nm, * 6 a a Sag | FA i . \ é No. 340 LANDSCAPE BY) JAMES STARK JAMES STARK (Norwich School) Enceuisu: 1794—1859 340—LANDSCAPE AN early summer view over a flat, well-wooded landscape, with masses of trees to left, to which a peasant and dog are approaching; cottages and figures in the distance; in the center foreground a road- way, to right trees and rustic cottage with figures; masses of white clouds ‘and blue sky. Canvas: Height, 391% inches; length, 52 inches. Purchased from Messrs. Dowdeswell & Dowdeswell. ‘as fro (Ko-O- OtA.0 ~< QA’ BAAD IAAL = = s PASTORAL SCENE BY DAVID TENIERS, THE ELDER DAVID TENIERS, THE ELDER Friemisu: 1582—1649 341—PASTORAL SCENE Broap view of undulating country, with shepherds guarding flocks of sheep and cattle; cottages on hills to right; masses of overhanging rocks to left; effects of bright sunshine partially obscured by dark clouds. Canvas: Height, 45 inches; length, 58 imches. Purchased from M. Sedelmeyer. ee Re 2 | ; No. 342 ar | ‘ INTERIOR OF A CATHEDRAL -— BY ANTON DELORME ANTON DELORME Dutcu: circa 1681—1666 342—INTERIOR OF A CATHEDRAL THE central aisle of a Cathedral in Flanders, with massive marble pillars and other elaborate architectural details; pulpit to right, and in various niches full-length casts emblematical of Justice and other virtues ; numerous figures passing over the gray and white slated floor, on which may be distinguished two vaults with the names and dates of the personages interred. The figures are by Palamedes. Panel: Height, 46 inches; length, 611% inches. Signed to left, and dated 16381. Purchased from Messrs. Dowdeswell & Dowdeswell. One of the earliest pictures known of this rare master. ‘ot 4 Pao. lane eer ape i ad yy LJ _ a = ‘ - - Fi , 1 ‘4 ‘ 7 are ‘ ¥ ° a - . ‘ 4) . . : a ‘ ’ t “ A * * a in @ is - & A= > ‘ nat : \ F . y ’ j 4 4 - SIR AUGUSTUS W. CALLCOTT, R.A. Encutsu: 1779—1844 343_ENGLISH LANDSCAPE Group of country cottages amid tall trees, numerous cows pasturing and watering; to left a peasant girl in red dress carrying pitcher, and a kneeling boy; the whole of the forepart of the picture is taken up with a lake, with ducks and dead tree; early morning effect. Canvas: Height, 451% inches; length, 601 inches. From the collection of Sir Edwin Landseer, R.A., May 9, 1874, No. 341.9 toss. j- WILLIAM DOBSON Enewtsu: 1610—1646 344—J AMES, FIRST DUKE OF HAMILTON The Royalist, born in 1606, beheaded in 1649. THREE-QUARTER length, standing near a pillar; dark-colored dress, lace collar and cuffs, blue ribbon from which is suspended an Order, Star of the Order of the Garter on shoulder; long brown hair, mus- tache and chin-tuft, right hand hanging down by side. Canvas: Height, 50 inches; width, 40 inches. Purchased from the late T. J. Blakeslee. 4/744 %~ ( Boe aoe J tua- wr Ber —~ oO fro : 76 No. 345 THE LARGILLIERE FAMILY BY NICOLAS DE LARGILLIERE ¥ . ih a * ‘ * > ‘ x? “yi « a, s zx ‘ . i = £ : 7 NICOLAS DE LARGILLIERE Frencu: 1656—1746 345—THE LARGILLIERE FAMILY THREE richly-attired half-length figures of the artist, his wife and son. The artist is seated to the left in pink and white embroidered dress, trimmed with lace, gray long wig, and bluish cloak across his shoul- ders. To right his wife, seated, in pink and white low dress, a blue cloak across her shoulders, and a gray curly wig or powdered hair. Their young son, a youth, is standing in the center, in gold dress with white lace cuffs and collar. Canvas: Height, 4414 inches; length, 57 inches. A group of the artist, himself and their daughter, on a larger canvas (59x79) is in the Louvre, and another group of himself and family, a composi- tion with eight figures, is at Versailles. ANTOINE PESNE FRENCH: circa 1684—1757 348—PORTRAIT OF A LADY Nearty whole-length of a lady, standing in the open, in blue and white embroidered dress with short sleeves trimmed with lace, lace collar; powdered hair with white and blue lace cap, large earrings and three-row pearl bracelet; she is holding a black and white toy dog with red neck-ribbon under her right arm. Canvas: Height, 581% inches; width, 45 inches. FRANCIABIGIO (FRANCESCO BIGI) Iranian: 1482—1525 349—HOLY FAMILY WHOLE-LENGTH figure of kneeling Madonna in bright red dress and brown waistband, fair hair in plaits over neck; she leans towards the Infant St. John and looks down at the Child Christ who is seated on the floor and looks up at His Mother; to left St. Joseph in yel- low dress, kneeling, chin resting on his left arm. Panel: Height, 474% inches; width, 391% inches. Exhibited at Leeds, 1868, by F. W. Cosens, Esq., but apparently too late to be included in the Catalogue. From the collections of the late S. J. Harrison, Esq., of Haughley House, Suffolk, and W. W. Hasler, Esq., of Aldingbourne House, Chichester. Purchased from Messrs. Dowdeswell & Dowdeswell. Riera) of x 25,000 oy © 2stO GIOVANNI BATTISTA TIEPOLO Iratian: 1696—1770 350—ASCENSION OF ST. MARGARET WHOLE-LENGTH figure of St. Margaret surrounded by youthful an- gels, one of whom holds a crozier; to left a table with book and carved ivory figure of Christ crucified, to right a flower urn. Canvas: Height, 411% inches; length, 491% inches. Purchased from the Bishop of York. 7 es oa Py G ' aan | a » ‘wit. - No. 351 4 THE ASCENSION BY ANTONIO PEREDA ANTONIO PEREDA Spaniso: 1599—-1669 301—THE ASCENSION WHOLE-LENGTH of the Virgin standing to front, in pink and blue robes, and with long flowing auburn hair, looking upwards, and hold- ing in her right hand the symbol of the Sacred Heart; she is accom- panied by four angels in pink and blue flowing draperies. Canvas: Height, 581% inches; width, 47 inches. No. 351 THE ASCENSION BY ANTONIO PEREDA oy n 7 ¢ A \ ass a * . 2 ¥ ‘4 ~~ 4 WHOLE-LENGTH of the Virgin standing t robes, and with long flewing auburn hair, lo ing in her right hand the symbol of the Sz panied by four angels in pink and blue JAKOB JORDAENS DutcH: 1598—1678 352—DADALUS FASTENING THE WINGS ON ICARUS Lire-size nearly whole-length figures; Dedalus is fixing the left wing on Icarus; the latter is in red drapery, and occupies the center of the picture; he is holding the other wing in his right hand. Canvas: Height, 62 inches; width, 4614, inches. Purchased in London. The same subject is dealt with by Jordaens in a picture now in the Stuttgart Museum. A; f pe 2 a 2 , 4 - tae 2 I LETTS yp MLAS ST AT A 3 ee BARTOLOME ESTEBAN MURILLO (Attributed to) SpanisH: 1617—1682 353—THE MADONNA WITH THE ROSARY WHoLE-LENGTH Madonna of the dark-haired Spanish type seated to front and looking at spectator, in red and blue draperies, white head- dress or mantilla, rosary in right hand; the fair-haired Child in pink dress holding up in right hand the small cross attached to the rosary with pink ribbon; angels’ heads at top to right and left. Canvas: Height, 63 inches; width, 4414, inches. Murillo painted a number of pictures known as “Our Lady of the Rosary,” the more important examples being in the Prado, Louvre and Dulwich Galleries and in the Northbrook Collection. They all differ in de- tails, and are described by C. B. Curtis in “Velasquez and Murillo,” 1883. Purchased from Messrs. Durand-Ruel. wos — | | f x ; @ . ( » ”* q - . ‘ * . . | ‘ " ¢ . * . 3 4 ’ . . . ‘ . a7 \ - - . . . ‘ : > ] ° 1 ’ i a * ~ v 2 = + toad + ¥ 4 »* j y * - ce 7 > ’ i a : J \ ms No. 354 i _ ASCENSION OF THE VIRGIN BY | FRANCISCO OSORIO MENESES FRANCISCO OSORIO MENESES SpanisH: 1630—1705 (Pupil of Murillo) 354— ASCENSION OF THE VIRGIN Wuo.E-LENGTH of the Virgin on clouds, in white and blue draperies, looking upwards, right hand on breast, left extended; she is sur- rounded by cherubs, one of whom holds a branch of white lilies. Canvas: Height, 631% inches; width, 45 wmches. Purchased from Messrs. Durand-Ruel. No. 355 be ST. JOHN THE BAPTIST CHIDING HEROD BY FERDINAND BOL = FERDINAND BOL Dutcu: 1611—1681 (Pupil of Rembrandt) 355—ST. JOHN THE BAPTIST CHIDING HEROD Group of four figures. In the center Herod, a black-bearded middle- aged man in red dress, white jeweled turban and gold necklace, hold- ing a dagger in his left hand; near him a middle-aged woman in black dress with gold chain, pearl necklace and black jeweled hat, looking towards the partly-draped St. John, who holds a staff and whose right hand is extended; to left the figure of a child is seen; in back- ground a hill and a glimpse of sky at the left. Canvas: Height, 54 inches; length, 67% inches. Purchased from Messrs. Dowdeswell & Dowdeswell. No. 356 ADORATION OF THE MAGI ) . ! BY GERARD VAN HONTHORST GERARD VAN HONTHORST Dutrcu: 1590—1656 356—ADORATION OF THE MAGI Tux Virgin in blue and red robes to left, holding up white drapery on which rests the Child, with long golden curly hair; a richly attired Wise man (Caspar) from the East is kneeling and offering a golden casket to the Child; he is attended by another man (Melchior), and a negro (Balthasar) with red turban; behind the Virgin is a bare-legged Flemish peasant as St. Joseph. Canvas: Height, 58 inches; length, 72 inches. From an anonymous sale at Christie’s, February 1,. 1902, No. 7%; J45% Purchased from Messrs. Dowdeswell & Dowdeswell by the late H. O. Wat- son. ; No. 357 PORTRAIT OF THE DAUGHTER OF VELASQUEZ BY FRANCISCO PACHECO FRANCISCO PACHECO Spaniso: 15'71—1654 357—PORTRAIT OF THE DAUGHTER OF VELASQUEZ Nearty whole-length of a young lady, in pink dress embroidered with white, black and white bows at center of corsage and sleeves, which are lined with white lace, white lace-edged collar, pearl neck- lace, long brown curly hair bound with ribbon; yellow gloves in left hand, right hand on back of chair on which a toy dog is seated; to right pillar and silver flower-urn. Canvas: Height, 60 inches; width, 441% mches. Purchased from Messrs. Dowdeswell & Dowdeswell. V. CA” foet 7 He hea Ot, gq lh 4 “ ; Q A Mernrd « Grell OQ Ma AAO £ U tre i 9 PE arate s . A ' ’ , ; / ae ’ ay : aa a A ad - ie - \ ad ¢ No. 358 LADY ARABELLA STUART BY MARC GEERAERTS THE YOUNGER MARC GEERAERTS THE YOUNGER 17TH CENTURY 358—LADY ARABELLA STUART Daughter of Charles Earl of Lennox, next heir to the English throne after James I.; born in 1575, married secretly to Sir Wil- liam Seymour; died in the Tower of London, 1615. WHOLE-LENGTH figure when young, standing, directed to front; in gray and gold patterned dress garnished with precious stones, pear] necklace, white high collar, white lace headdress; brown hair dressed high, with jeweled ornament; brown curtain. Canvas: Height, 67 inches; width, 37 ches. From the collection of Lady Penelope Gage, Hengrave Hall, Suffolk. Several portraits exist in English collections of this unfortunate lady, mostly by unidentified artists of foreign origin who were working in Eng- land during the Tudor and early Stuart periods. They differ considerably from one another. One of the earliest, which represents her at the age of thirteen, belongs to the Duke of Portland, and was formerly attributed to Zucchero, but that artist was not in England as late as 1589. REMBRANDT SCHOOL Dutcu 359—JOSEPH RELATING HIS DREAM Tue youthful Joseph in gold-patterned dress standing to left relat- ing his dream to his father Jacob, who is seated to right in red robes, white turban and with long gray beard; three brothers in conversation to left, girl in rich dress to right. Canvas: Height, 67 imches; width, 65 inches. Purchased from Messrs. Dowdeswell & Dowdeswell. The above described picture was purchased by Mr. Lambert some fif- teen or twenty years ago from Messrs. Dowdeswell & Dowdeswell of London as a work of Jan Victors, a pupil of Rembrandt. Many English experts have declared the work to be an example of the great master, and Mr. Lambert, after a long study of the picture, is also of the opinion that the work is by Rembrandt. > 4) - 4 ‘ > , ‘ Py ‘ 2 al f erg, Sowd fr? Yue-o OA C ( el SCHOOL OF SIR ANTON VAN DYCK Friemisu: 1599—1641 360—VENUS AND CUPID WHOLE-LENGTH of an unidealized Flemish woman as Venus, stand- ing to front in slight white drapery and a brown fur cloak, jeweled armlet, dark curly hair with pearl rope; by her side, Cupid, with blue draperies, holding her cloak; to left pink high-heeled shoes and carved figure of a lion’s head. Canvas: Height, 69 inches; width, 45 inches. JUAN CARRENO DE MIRANDA Spanisu: 1614—1685 361—THE ASSUMPTION OF THE VIRGIN Wuote-LeNncTH figure of the youthful Virgin on clouds in gold and blue draperies, looking up towards the Dove; hands joined; cherubs’ heads at foot and above. Below is a landscape with the sea in the distance, vessels, coast with buildings, and a castle to right. Canvas, circular top: Height, 70 inches; width, 4615 inches. Purchased from Messrs. Durand-Ruel. FRANCISCO OSORIO MENESES SpanisH: 16380—1705 (Pupil of Murillo) 362—THE ASSUMPTION OF THE VIRGIN Tue Virgin in white, pink and blue draperies, and with long flowing auburn hair, on clouds, surrounded at foot by a group of cherubs, one of whom holds a mirror and another a spray of roses; other cherubs’ heads are distinguishable in the clouds above. Canvas: Height, '70 inches; width, 50 inches. From the collection of Cardinal Antonelli (1806-1876). (ple A eat ee 6/2, /0§ $600 ’ No. 363 THE ELEVATION OF THE HOST BY FRANCISCO DE RIBALTA » = BL gy FRANCISCO DE RIBALTA SpanisH: circa 1550—1628 363—THE ELEVATION OF THE HOST A GRAND altar-piece with numerous candles; two kneeling priests and an attendant, one holding a medallion of the Crucifixion, the nude half-figure of Christ revealed by angels holding white draperies apart; above the figure of Christ are the Dove and the First Person of the Trinity, giving a blessing. Canvas: Height, 74% inches; width, 50 mches. Purchased from Messrs. Durand-Ruel. me 63 : : 5 Ps ‘ ok ‘ . are 5 yo Se Ee = TE : Ate No. B64 ; - 4 te a - - ST. CHRISTOPHER AND THE CHRIST | CH IT ‘LD BY ALONZO CANO 1, ALONZO CANO SpanisH: 1601—1667 364—ST. CHRISTOPHER AND THE CHRIST CHILD WHOLE-LENGTH life-size figure of St. Christopher in richly embroid- ered robes, walking over a flower-strewn floor; staff, crowned by a dove and roses, in left hand, leading with right hand the richly-dressed Christ Child; youthful cherubs above, to right and left. Canvas: Height, 80 inches; width, 58 inches. Signed. Purchased in London from a Danish banker who sold it for a client. No. 364 ST. CHRISTOPHER AND THE CHRIST CHILD ALONZO CANO W wone-newers life-size figure of St. C ered robes, walking over a flower-strewn f nor; ste Christ Child; youthful cherubs above, to decent: nd Purchased in es im No. 365 THE MADONNA ENTHRONED BY BERNARDINO LUINI ‘ r y ‘ a 2 ) ‘ * Fs ’ i ‘ af i i f ) t « 0 & " = ” : " ; + i= in y a $ * , ‘ m= ot ie 2 ae a s : 7 a . f = ¥ ms Ys ‘ = - i] ) . ) ie Fi : " aes eo k y ee AS a ‘. 1 AS 4% iy es * ip * ; ?. - 0, , H = hs : a BERNARDINO LUINI Trauian: circa 1460—1530 365—THE MADONNA ENTHRONED WHOLE-LENGTH figure of the Virgin enthroned on a carved wood and red plush chair; in blue robe and red mantle, holding the Infant who stands on elbow of seat; on either side a youthful angel in blue drapery is playing a guitar; at foot three angels are playing flutes and fife; two angels above. Panel: Height, 94 inches; width, 54 inches. From a private collection in North Cumberland, where it had been for over a century, purchased by Sir William Agnew, who ranked this painting as one of the three greatest Madonnas in the world, the other two being Mr. Morgan’s Raphael and the Blenheim Palace Raphael now in the National Gallery, London. OUoth, mey ty mes 2 Ch UcGoe P24 Carp & e, (202 400 4 SY, (60 Po Lane’) . ’ ¥ we No. 365 THE MADONNA ENTHRONED BY RNARDINO LUINI B08 oN CAVOAHTUA KVMOGAM ART va IMIUI OVIGHANAGA % braman: circa 1460—1580 365~THK MADONNA EB W uore-Lanorn figure of the Virgin enthroneil red plush chair: a ek alle et ee apr speeches tg noo cps is playing a guitar; at foot three angels twe angels above. are | Panel: Height, 9% Freie a private collection in North Cumberteul dina aa & century, Ries ee apt = of the "Raphael ond Madonnas in the . organ’s Raphael and the Blenheim Palace s Ch aths mery bu UE ? Chawla, 201 ey, rey, 50 pene | ty = aoe = No. 366 MOTHER AND CHILD BY CLAUDIO COELLO . * : ~ . ’ . ' aa on ¥ * 4 * ° - ‘ * ‘ rs rE . ® y OD 7 , - 2 i : . b | ae ‘ 4 | i -3 . J : i ‘ @ \ 7 , t * J + i 4 \ a — * 4% . . _ = i A i ! S a > - CLAUDIO COELLO Spaniso: 1621—1693- 366—MOTHER AND CHILD WHOLE-LENGTH figure of a young lady seated to right; in da elaborate white lace collar with pearls, brown hair with ment, pearl earrings; white cuffs, left hand holding book, right on child’s shoulder; to left child in black d ered with silver, white lace collar and cuffs; red curtain — Canvas: Height, 72 inches; width, 44 From the collection of Forster M. Alleyne, Esq., of Porters, I December 12, 1908, No. 129. 3S-fo Purchased from the late T. J. Blakeslee. 330 AP? uy TJ Coes eanjit, Orerapasa) tArncearnn. 0 lip Y Corer ote 4 7 ‘e \ | | A ae “ik o. is VE Cl = ne z « - ‘ . . os ‘ ‘J : No. 367 ABINGDON ON THE THAMES : Ms : , BY GEORGE BURRELL WILLCOCK 7 RPS: ae Se oct a oe baad ; a va — a GEORGE BURRELL WILLCOCK EncuisH: 1811—1852 367—ABINGDON ON THE THAMES WELL-WoopEb view of the Thames, with boats, numerous fis the spire of church and graceful trees to left, towpath in ¢ figures; golden clouds. Purchased in London through the late T. J. Blakeslee. rower rs a No. 868 AT THE OPENING OF THE GATE BY SIR THOMAS LAWRENCE, P.R.A. i * rx; SIR THOMAS LAWRENCE, P.R.A. Encusu: 1769—1830 368—AT THE OPENING OF THE GATE A croup of three whole-length figures of young ladies in a richly wooded park. The eldest, to the right, in gold low dress with brown shawl, is leading a donkey, on which is seated the youngest of the party, in yellow dress and white lace collar; the second sister, to the left, in red low dress, is opening the rustic gate. Canvas: Height, 95 inches; width, 82 wmches. Purchased in London from a picture-restorer who had it in his possession for twenty-five years and who obtained it from the family. It was then stated that the three young ladies were members of a now extinct branch of the Marquess of Londonderry family. This fine and imposing group has been accepted as by Sir Thomas Law- rence, and the fact that he painted a large number of the members of the Londonderry family lends color to that claim. But apart from the question of technique, the whole scheme of the group is not one that Lawrence would have adopted, whilst the unidealized figures are not painted in his manner. No trace has been found to substantiate the Lawrence attribution; and it is quite certain that there would have been some record of a picture of this size and importance if Lawrence had painted it. The extreme probability is that it is the work of Lawrence’s assistant, an extremely able portrait-painter, John Simpson, who exhibited at the Royal Academy from 1807 to 18438, who was for many years employed by Lawrence in painting the accessories of his pic- tures and in making copies, and whose work often comes so close to Lawrence’s manner that it has frequently been mistaken for his. : } a ‘ sail ‘ - 1 \ t hs : ‘ ‘ é t 5 . i ‘ NalS ie f . i . t he! J L A Fi - ' ’ PY, i \ t f i . n Ca f . P, a4: Li hea oe ud 7 P - 7 , ; j 7 i rie NF wae ae: ie aati Wien" ae ; ci % i ia ” MARBLE STATUARY TO BE SOLD AT THE AMERICAN ART GALLERIES ON WEDNESDAY AFTERNOON, FEBRUARY 23, 1916 BEGINNING AT 2.30 O’CLOCK NOTE: The pieces of statuary marked with an asterisk may be in- spected at the Belle Vista Castle, Paterson, N. J. These pieces will be sold under the condition that the purchaser remove the same from the Castle at his risk and expense. UNKNOWN 369—4 SLEEPING CHILD STATUETTE of a little child lying at length asleep. White marble: Height, 151% inches; length, 32 inches. PROFESSOR ULISSE CAMBI 1807—1895 370—WOMAN READING HaAtr-Ficure of a lady in medieval costume with flat cap, holding to her breast a volume lettered “Fiammetta.” White marble, 27 inches high; on pedestal, 31% inches high. FROM THE ANTIQUE 371—CZSAR Bust, with mailed vest carved with a mask. White marble, 31 inches high. ZARAH MALCOLM FREEBORN E 1861—1906 372—_RECLINING VENUS SMALL whole-length figure of Venus, reclining on a bridge over a stream, and holding a bunch of Arum leaves. Dated Fiorence, 1893. White marble, 23 inches high by 31 inches long. ZARAH MALCOLM FREEBORNE 1861—1906 373—DEBORAH SMALL whole-length figure of a woman, seated, in long robe and with flowing headdress. On the side of the seat is a panel with a Hebrew inscription, and at the back an inscription in Latin. Dated Fiorence, 1894. White marble, 31 inches high by 26 inches long. CHAUNCEY B. IVES American: 1810—1894 374—SANS SOUCI WHOLE-LENGTH figure of a child, holding a book in her left hand, seated on the trunk of a tree carved with ivy. White marble, 36 inches high by 22 inches long. - N. BARIZANLI (of Florence) 375—CROUCHING VENUS WHOLE-LENGTH figure, seated on an overturned vase, kneeling on her right knee, her right hand raised. White marble, 34 inches high. G. B. LOMBARDI ITALIAN: CONTEMPORARY 376—SUSANNAH WHOLE-LENGTH crouching figure of Susannah with draperies around her waist, and hair flowing over her back. White marble, 37 inches high; on colored marble pedestal, 35 imches high. (Illustrated) CHAUNCEY B. IVES AmeERriIcAN: 1810—1894 *37(/—_THE JEWISH MAIDEN WHOLE-LENGTH seated figure in classical draperies with turban, and sandalled feet, leaning on a harp. Dated Rog, 1888. White marble, 51 inches high; on green marble pedestal, 80 inches high. (Illustrated) G. B. LOMBARDI IraLtian: ConTEMPORARY 378—_RUTH SMALL whole-length of Ruth, seated, holding a sheaf of corn with both hands. White marble, 37 inches high; on marble pedestal, 35 inches high. This is presumably the “Ruth” once in the collection of Mr. Marshall Woods of Providence, and mentioned in Edward Strachan’s “Art Treasures of America,” Vol. II, p. 97. (Illustrated) UNKNOWN 379—LOUIS XVI Bust, in robes and wig. White marble, 2% inches high; on mottled marble pedestal, 411, imches high. UNKNOWN 380—M ARIE ANTOINETTE Bust, in low dress, pear] band in hair. White marble, 27 inches high; on green marble pedestal, 421, inches high. CHAUNCEY B. IVES AmERIcAN: 1810—1894 381—MODESTY Bust of a partly-draped woman with plaited hair, looking down- wards. Dated 1866. White marble, 20 inches high; on mottled marble pedestal, 46 imches high. CHAUNCEY B. IVES AmeERiIcAn: 1810—1894 382—V ANITY Bust of a smiling woman, partly draped, and wearing a pear! neck- lace; hair elaborately dressed, head inclined over left shoulder. White marble, 31 inches high; on mottled marble pedestal, 46 imches high. LELIO TORELLI ITALIAN: CONTEMPORARY *383—_THE YOUTHFUL TASSO WHOLE-LENGTH life-size figure of a youth standing, his jacket em- broidered with a coat-of-arms, broad collar; partly opened book in right hand, the left resting on a carved column. White marble, 6714 inches high. (Illustrated) 7 PROFESSOR PASQUALE ROMANELLI ITALIAN: CONTEMPORARY 384—A STRUGGLE FOR BREAKFAST Group of a child seated and struggling against the attacks on its plate by a cat on one side and a fowl on the other, his spoon raised in right hand to strike the latter. White marble, 36 mches high; on pedestal, 40 inches high. (Illustrated) UNKNOWN *385—REBECCA AT THE WELL SMALL whole-length figure of Rebecca in Oriental dress, standing, holding a pitcher to which a rope is attached. White marble, 48 inches high; on black and white marble pedestal, 39 inches high. Nore: Little finger on left hand cracked, and pedestal slightly damaged. (Illustrated) = No. 385 No. 884 No. 383 re. VP 4 =ee Nos. 386-387-388 © ILLUSTRATED . , $ . 7 4 ‘ pee ae ‘ 7 ‘ i t 4 .f ' mn + , 4 ) Pe =) n it! Ml . - Fi RP ha B53 ’ \ 4 » ¥ * a ? {: q rd ‘ ‘ ‘* fe ‘ i ae ? A . ter P 4 oa ee eS ‘ * 4 ! . » ’ P ) i an. é mi < ANTONIO TANTARDINI fece Milano, 1867 *386—A GIRL READING SMALL whole-length of young lady, standing, holding dress in left hand and book in right. Dated Miuan, 1867. White marble, 48 inches high; on white marble pedestal carved with festoons of roses. Note: Top of index finger and a portion of the book missing. (Illustrated) PROFESSOR PASQUALE ROMANELLI Iratian: CoNTEMPORARY *387—THE ROSE OF SHARON WHOLE-LENGTH figure, resting on her left knee, with draperies held up by her right hand, shawl over her head, left hand holding rose. Dated FiorEence, 1871. Exhibited at the Paris Exposition of 1878. White marble, 43 inches high; on green marble pedestal carved with flowers, 39 inches high. (Illustrated) GAETANO TRENTANOVE Irauian: CoNTEMPORARY 388—BIANCA CAPELLO SMALL whole-length figure in medieval costume, right hand resting on a pillar carved with ivy leaves. Dated 1880. White marble, 44 inches high; on green marble- pedestal, 31 mches high. (Illustrated) No. 387 No. 388 7 ‘ + 1 ¢ ; 9 \d \ * e . - . 4 o a . F : : | ; . : rs * = 4 1 / = 4 ~ 5 vi = yao i 1 R i : ; ‘ i \ ‘ Poe f* Py e aye if Fo ae, i é Lae ’ ~ = i i fe my a ar : f ° i MA 7 , 1 ; 1 pW Bey .& é nt oe as ee bbe 7 f - ti y . ot he 2 ies or - Yih ae i ot rae ate bt ra oe ‘ a ‘ “er ! 17 r fy Ales are i > hal I Be ar rte Mee Nee Py : r no gite at ms ie ae : i j a a. : i \q? U oe i re) oT 4 ‘” Pay Wn aay ,.* M oereb , 7 Veg tN Ve ‘=> i: au Be a uy eae or v é r aa a ae ted Ms : re May We BS Wy " ry : j 7 Ural i ws We : Gs ing a oe Bo Ret? (4 ae ce isk ame Oe cis ee Cail ale a " mt Mere, Fe a i yee ar ma sal = ae sateen she ‘ >? a We i", 1 7 "eg wag Scans ee ih ioe cea Pane te Nos. 389-390-391-392 ILLUSTRATED - ‘ a a 2 tes ee tbr: [oP Wy UNKNOWN *389—SPRING Bust of female figure, partly draped. White marble, 35 inches high; on yellowish marble pedestal, 51 inches high. (Illustrated) UNKNOWN *390—_SUMMER Bust of a female figure, with roses in her hair. White marble, 36 inches high; on brownish pedestal, 51 inches high. (Illustrated) UNKNOWN *391—_AUTUMN Bust of a female figure, hair entwined with grapes and vine leaves. White marble, 34 inches high; on brownish marble pedestal, 51 inches high. (llustrated) UNKNOWN *392—_WINTER Bust of an old man with long beard, a cloak over his shoulders and head. White marble, 34 inches high; on brownish marble pedestal, 51 inches high. (IUlustrated) - No. 892 UNKNOWN 393—BUST OF A LADY Bust of a lady, her head and shoulders in white marble, bodice in yellowish marble, and spray of roses over left shoulder in white marble. 32 inches high; on mottled marble pedestal, 45 inches high. HIRAM POWERS American: 1805—1878 *3904-HIAW ATH A WHOLE-LENGTH figure, in the attitude of running, dressed in Indian skirt and moccasins, her hair plaited in one strand. White marble, 66 inches high; on white and yellow marble pedes- tal, 25 mches high. Norte: One finger missing. (Illustrated) FROM THE ANTIQUE *395—_CHSAR Bust, with white marble head and flowing robes in brown marble. 42 inches high; on mottled marble pedestal, 54 inches hign. (Illustrated) 394 No, 395 — No. 396 i Nos. 397-898-399 Ihe ILLUSTRATED ‘ante 4 . | ae A ‘a % CHAUNCEY B. IVES American: 1810—1894 *390—_NIGHT WHOLE-LENGTH female figure in slight draperies and with flowing hair, holding a torch in her raised right hand. White marble, 52 inches high; on pedestal, 31 inches high. Nore: Slight damage in fold of dress and left foot. - (Illustrated) A. KE. M. WOLFF *397—_THE YOUNG APOLLO WHOLE-LENGTH figure, standing, slightly draped, holding a torch in his right hand; an overturned ancient jug at foot. Signed, executed in Rome. White marble, 67 inches high; on grained marble pedestal, 31 inches high. (Illustrated) CHAUNCEY B. IVES AMERICAN: 1810—1894 *398—_PANDORA WHOLE-LENGTH nude figure with draperies on her left arm, stand- ing, and holding Pandora’s box in her left hand. Executed in Rome. White marble, 67 inches high; on marble pedestal, 26 mches high. (Illustrated) No. 397 No. 398 No. 399 GIULIO TADOLINI (Borne in Rome in 1849.) *399—CUPID AND PSYCHE W HOLE-LENGTH, standing figure of a winged Psyche, with light drap- eries over her left arm, left hand holding a small bowl, right hand upraised; Cupid seated below with a basket of arrows. White marble, 53 mches high; on pedestal, 38 inches high. Notre: Wing of Psyche damaged. (Illustrated) UNKNOWN *400—DIANA OF THE EPHESIANS Lirt-sizE, whole-length of the traditional figure of the Ephesian Diana, with face, hands and feet of black marble; the body of yel- low marble, banded mummy-wise, and carved with numerous breasts and other symbols, which signify the earth. 67 inches high; the pedestal, 58 inches high, elaborately carved with winged monsters, masks, fruit and flowers. Nore: Finger of right-hand missing and sleeve slightly damaged. The statue of Diana of Ephesus is said to have fallen from heaven. Minucius says it was a wooden statue, but Pliny described it as made of ebony. ‘There are eight or nine antique statues of Diana of Ephesus, all differing somewhat. The present version agrees with those in the Sciarra Collection and at the Earl of Pembroke’s, Wilton House, England. These are respectively figured in La Chasse, “Romanum Museum,” 1746, Vol. II, and in Michaelis, “Ancient Marbles in Great Britain,” 1882. AMERICAN ART ASSOCIATION, MANAGERS. THOMAS E. KIRBY, AUCTIONEER. * _ LIST OF ARTISTS REPRESENTED AND ———s—‘“‘—s—S — "FHEIR WORKS ; ot . » 4 7 . . “ r ‘ i e ? A 7 “ hg of uf ' } » ‘ 1 1 A Ve f i tr) . > c * > ‘ PAA aie) * a Wl due 2 oe Aes . ‘ : ehtin, wiki ae i ' . 7 nil rei Die ‘4 \ ban » « ‘4 ' hye ‘ ‘ j , a ay Ee AN | 7" bi) ya L x é A ' -~, , i , 4 s ie ¥ U ; /- ; i a, if “ " i eet By ¢ ¢ és ioe + : a 4y" a A | pur eee 1 ie Ba f ile \ ay M ; — an LIST OF ARTISTS REPRESENTED AND THEIR WORKS CATALOGUE NUMBER ALBERTINELLI, Marrorro Holy Family 202 ANASTASI, Avucuste Paut CHares Landscape 9 ANCIENT DUTCH SCHOOL Interior of a Cathedral 81 BARBIERI, Gitovannt FrRANcEScCO The Doubting St. Thomas 265 BARGUE, CuHartEs Peasant Boy of the Apennines 31 BARKER, Tuomas (BARKER OF BATH) The Old Merchant 293 BEECHEY, Sir Wuuim, R.A. Portrait of a Lady 222 Portrait of Mrs. Nosworthy 302 BIGG, Wit Repmore, R.A. Saturday Morning; or, Favorite Chickens Going to Market 176 BISSOLO, Prer FRANcEsco Madonna and Child 195 BLAKELOCK, Ratpu Atrpert, A.N.A. Landscape and Moonlight 15 Landscape 16 Moonrise 4A Landscape 45 BLAKELOCK, Raurpu Axpert, 4.N.A. (Cont.) Landscape Landscape Landscape Landscape Sunset Landscape Moonlight BOGERT, Georce H., A.N.A. Scene in Holland BOGGS, Frank M. In the Harbor BOKS, Evert Jan Casus Belli BOL, FrEerpinanp Portrait of Rembrandt Portrait of a Lady Rembrandt’s Mother St. John the Baptist Chiding Herod BOTTICELLI, Sannpro Madonna and Child BOUDIN, Evcernet Louis Trouville The Shore at Portrieux Cattle in Pasture BRONZINO (CRISTOFANO ALLORI) Portrait of Leonora de Toledo BROWN, Joun Lewis Chevaux au Bord de la Mer The Meet La Baignade des Chevaux Soldats au Bord de la Mer CATALOGUE NUMBER 46 103 104 105 139 140 182 143 79 329 98A. 108 166 240 10 21 29 129 BRUEGHEL, Jan The Raising of Lazarus CALLCOTT, Sm Avucustus W., R.A. Landscape English Landscape CANO, AtLonzo St. Christopher and the Christ Child CARIANI, Gtovanni Busi Holy Family CARRACCI, Lopovico (Ascribed to) Madonna and Child CARRENO DE MIRANDA, Juan Portrait of a Spanish Princess The Assumption of the Virgin CESARE DA SESTO Madonna and Child CIMABUE (ScuHoot oF) Madonna and Child CIMA DA CONEGLIANO Madonna and Child CIPRIANI, Giovanni Battista, R.A. Women Bathing COELLO, Criaupio Mother and Child CONSTABLE, Joun, R.A. Study Study CATALOGUE NUMBER 364 213 235 361 191 87 366 COROT, Jean BaprpristE CAMILLE On the Riverside Evening COTES, Francis, R.A. Marchioness of Rockingham The Countess of Mexborough COURBET, Gustave Marine The Castle of Chillon Pare des Crétes CROME, Joun The Old Windmill CROME, Joun BErnay Village on the Yare CROME, Wiruiam H. Landscape CUYP, AxrLsBert (Attributed to) The Game of Cards DAUBIGNY, Cuartes Francois Landscape in France The Apple Orchard DELACROIX, Ferrpinanp Victor EuGENE Lion Feeding Portrait of Alexandre Julie de la Boutraye, Com- tesse Raymond du Tillet DELORME, Anton _ Interior of a Cathedral DESBOUTINS, Marcetitin GILBert L’Homme a l’Epée CATALOGUE 120 125 262 303 109 168 171 338 77 56 155 121 126 123 128 342 172 CATALOGUE ‘ os : NUMBER DIAZ DE LA PENA, NarcissE VirGILE In the Park 169 DOBSON, Wr1iAmM Philip, Fifth Earl of Pembroke 224 Portrait of a Gentleman 229 James, First Duke of Hamilton 344 DROUAIS, Francois Husert (Period of) An Aunt of King Louis XVI of France 207 An Aunt of King Louis XVI of France 208 DU JARDIN, Kazer , : Portrait of a Gentleman 24:7 DUPRE, Jutes Caught in the Storm 124 Landscape 127 DUTCH SCHOOL Adoration of the Magi 267 Scene in Holland 338A. EARLY FLEMISH The Crucifixion 193 EARLY GERMAN SCHOOL Se Adoration of the Magi . 253 Group of Worshippers 311 EARLY ITALIAN SCHOOL Head of a Monk 192 Nativity of Christ — 196 Christ Rising From the Sepulchre 231 The Marriage of St. Catherine SVS EECKHOUT, Gerrpranp VAN DEN The Tribute Money 256 EL GRECO (DOMENICO THEOTOCOPULI) St. Francis of Assisi ENGLISH SCHOOL Landscape FLINCK, GovaErt King Lear FRANCIABIGIO (FRANCESCO BIGI) Holy Family FRANZEN, Aveust, A.N.A. A Vista in France Head of a Girl GADDI, Tavpro (School of) Two Saints GAINSBOROUGH, Tuomas, R.A. Landscape Portrait of General Johnston GEDDES, Anprew, 4.R.A. Head of an Elderly Man GEERAERTS, THE YOUNGER, Marc Lady Kenelm Digby Lady Arabella Stuart GILBERT, Sir Joun, R.A. The Herald of the Tower GIROLAMO DA SANTA CROCE Madonna and Child GIROLAMO DA TREVISO Holy Family GORDON, Sim Joun Watson, R.A. Portrait of a Lady CATALOGUE NUMBER 315 54 258 349 23 28 266 306 336 223 326 358 27 282 286 299 GOUBIE, Jran Ricwarp The Ride GRANDI, Ercoie prt Roserro The Marriage of St. Catherine GREUZE, Jean Baptiste The Death of the Grandfather GROS, Lucien ALPHONSE The Persecution of the Huguenots HAMILTON, Hamitton Summertime HARLOW, Grorct Henry Portrait of John Philip Kemble Portrait of a Lady Mrs. Dudley Ryder (née Nesmith) Portrait of Sheriff John Johnson HASSAM, Curr, N.A. A Roof Garden HEFFNER, Proressor Karu Landscape HELST, BarTrHoLoMEeus VAN DER Portrait of a Gentleman Portrait of a Gentleman HELST, LopEewiskK VAN DER Portrait of a Lady HENRY, Epwarp Lamson, N.A. Uninvited Guests HOGARTH, WituiamM The Price Family CATALOGUE NUMBER 74 264 179 88 185 218 228 269 335 184 85 290 322 257 26 B47 HOPPNER, Joun, R.A. Portrait of a Lady HUGUET, Victor Pierre The Arrival Oriental Scene A Passing Call IL PARMIGIANO (FRANCESCO MAZZUOLA) Holy Family CATALOGUE NUMBER 304 20 40 98 313 IL SASSOFERRATO (GIOVANNI BATTISTA SALVI) Madonna Praying IL TINTORETTO (JACOPO ROBUSTI) The Marriage of St. Catherine INNESS, Georce, N.A. Landscape 285 272 142 INNOCENZO DA IMOLA (INNOCENZO FRANCACCI) Virgin and Child with Saints ITALIAN SCHOOL The Holy Family Portrait of Pope Julius II JORDAENS, Jaxon Dedalus Fastening the Wings on Icarus KAUFFMANN, Ancetica, R.A. Mother and Child KEYSER, Tuomas pr The Parker Family of Amsterdam KNAUS, Proressor Lupwie Landscape and Pigs 318 236 250 352 331 321 KNELLER, Sir Goprrey Family Group Portrait of a Lady KOST, Frepericx W., N.A. Moonrise LARGILLIERE, Nicotas DE The Largilliére Family LAWRENCE, Sir Tuomas, P.R.A. Portrait of a Gentleman The Sisters Portrait of a Lady Portrait of Mrs. Inglis Mother and Daughter At the Opening of the Gate — LAWRENCE, Sir Tuomas, P.R.A. (School of) Mrs. Juliana Dine LEADER, Brensamin Wiu1ams, fA. English Landscape LELY, Sir PETER Portrait of a Gentleman The Duchess of Leicester LEPINE, Svanistas River Scene Moonlight Street Scene LINDENSCHMIT, WILHELM von Luther and the Reformers at Marburg, 1529 LOOTEN, Jan The Sign-Post CATALOGUE NUMBER 210 261 80 345 226 292 297 319 334 368 24.2 55 30 93 94 LUINI, BEernarpIno Head of St. John the Baptist The Madonna Enthroned MADRAZO, Raimunpo DE Confidences MAES, NIco.Lass Portrait of a Lady Portrait of a Lady MATSYS (or METSYS), QuENTIN Virgin at Prayer McCORD, Gerorce Hersert, A.N.A. Windsor Castle MENESES, Francisco Osorio Ascension of the Virgin The Assumption of the Virgin METSU, Gapriei The Toast METZ (of Cologne), Jouann Martin Flower Piece Flower Piece MICHEL, Gerorcss Landscape Landscape with Castle Landscape with Trees Landscape Landscape with Windmill Landscape Landscape The Ruined Chateau Landscape Landscape CATALOGUE NUMBER 212 365 72 260 337 201 82 854 362 24.4 58 59 17 18 19 37 38 39 51 52 53 60 MICHEL, Gerorcss (Cont.) Seacoast with Boats and Figures The Oaks A Seaport Landscape The Church on the Hill The Cascade The Waterfall Landscape MIEREVELT, Micwarr Pieter de Schilde, Councilor of Brabant MIGNARD, Prrerre Portrait of a Gentleman MILLET, Francots, fils Feeding the Chickens MOLENAER, Jan The Village Féte MOLENAER, Jan MIENSE Man Drinking MOLENAER, K1aes Dutch Landscape MONET, CriaubE On the Coast of Normandy The Lake View of Argenteuil Sea and Land Marine The River MONTENARD, FreveEric A View in the Midi On the Road to the Monastery CATALOGUE NUMBER 61 106 107 145 146 147 148 170 333 198 76 280 136 150 158 CATALOGUE NUMBER MONTICELLI, ApoLtepHe Lady with a Fan 11 The Cavalier 12 Faust and Marguerite 13 Flower Piece . 14 The Griffin 32 The Cavalcade 33 On the Terrace 34 Feeding the Chickens 35 Samson and Delilah 36 Three Ladies a A7 The Arrival of Cupid 48 A Lady’s Portrait 49 The Poultry Yard 50 Two Dogs 99 Group in a Park 100 Marriage Scene 101 Group of Ladies 102 In the Forest 130 The Necklace 131 The Cavaliers 132 A Castle in Ruins 133 The Chateau Kitchen 134 A Concert in the Forest 161 A Woodland Féte 162 Floral Festival 163 Autumn 164 Cupid’s Offering 7 165 A Group of Ladies 180 Ladies and Children 181 MOREAU, Anprien Une Répétition de la Tragédie “Mirame” chez le Cardinal Richelieu 89 MOREELSE, Pavutus Bartholomeus van Segwaert, Sheriff of Dordrecht, 1607 ¢ 289 CATALOGUE MORLAND, GrorcE Gamekeeper and Dog «154 Feeding Pigs 156 MURILLO, Barrotomt Esttisan (Attributed to) The Madonna with the Rosary 353 MYTENS, Dante. The Marquess of Huntley 278 NEEFFS, Pieter Interior of a Cathedral 84 OWEN, Wu.am, R.A. Portrait of a Gentleman 805 PACHECO, Francisco Portrait of the Daughter of Velasquez 357 PAGLIANO, ELEvUTERIO Napoleon Bidding Farewell to the Empress Josephine in the Palace of Fontainebleau 96 PANNINI, Gtovanni Paoio Italian Ruins | 174 PARTON, Arruovr, N.A. Landscape and Cattle 144 PEREDA, ANTONIO The Breaking of Bread 273 The Ascension 351 PEREZ, ANTONIO The Consecration of a Bishop 255 PESNE, ANTOINE Charles Alexander of Lorraine 346 Portrait of a Lady 348 PIOMBO, SEBASTIANO DEL Madonna and Child 2038 CATALOGUE NUMBER PISSARRO, CamiILLe é On the Highway 43 The Carrefour 67 Scéne d’Hiver 112 Pontoise 115 Environs of Pontoise 135 The Church Tower, Eragny, Bazincourt (Oise) 138 Woman in a Courtyard 151 POURBUS THE YOUNGER, Francis Head of a Child | 197 Portrait of a Young Lady 217 PREVITALI, ANDREA The Annunciation (251 PUVIS DE CHAVANNKS, Pierre CréciLEe Autumn 167 The Meeting of Saint Germain and Sainte Genevieve, in Her Childhood, at Nanterre 186 Frieze 187 QUARTLEY, Arruvr, N.A. Marine 24 RAEBURN, Sir Henry, R.A. (Period of) Portrait of a Lady 230 RAMSAY, ALLAn George the Third 276 Queen Charlotte 277 READ, CatTHERINE Child and Parrot 241 REHN, Franx Knox Morton, N.A. Landscape 25 Marine 70 Marine 141 REMBRANDT HARMENSZ VAN RIJN Portrait of a Rabbi REMBRANDT (After) Portrait of a Lady REMBRANDT SCHOOL Woman at Prayer (Rembrandt’s Mother) An Apostle (Rembrandt's Father) Portrait of a Lady with a Fan Portrait of a Rabbi Portrait of a Rabbi | Portrait of an Old Gentleman Reading Portrait of a Lady Joseph Relating His Dream RENOIR, Prerre AvucustE ~ Oliviers de l Estaque, Marseilles Rochers de l Estaque Portrait of a Child Girl Knitting REYNOLDS, Str Josuvua, P.R.A. Richard Yeo, R.A. Portrait of Himself Portrait of Mrs. Bennett RIBALTA, FRANCISCO DE The Elevation of the Host RICO, Martin On the Riverside RITTER, Lovis The Villa Castellani RIX, JuLiaAn A Devonshire Farmhouse CATALOGUE NUMBER 323 209 199 200 243 246 324 325 327 359 64 114 117 152 221 225 301 363 83 CATALOGUE NUMBER ROMNEY, GeEorGE Portrait of a Lady 219 William Herschel, Esq. 227 ROUSSEAU, PHILIPPE Two Dogs 118 ROUSSEAU, THEopoRE PIERRE EvrennrE Landscape | 116 ROYBET, FEerpinanp The Sultan’s Favorite 73 RUBENS, Sir PETER Pavut Virgin and Child 271 RUSSELL, Joun, R.A. Portrait of a Young Gentleman 245 RUSSIAN ICON Madonna and Child 194 SALAI, ANDREA Madonna and Child 288 SAMANO, GuILiamMo Virgin and Child 215 SANTI, Giovanni Holy Family 252 SARTO, ANDREA DEL Madonna and Child 316 The Holy Family 328 SARTO, AnprEA DEL (Attributed to) Madonna and Child 238 SCHIDONE, BarroLommE£o Madonna and Child - 263 CATALOGUE NUMBER SHAYER, Witu1am, with Enywarp CHARLES WILLIAMS English Landscape 173 SHEE, Sir Martin Arcuer, P.R.A. Portrait of Mrs. Dillingham 270 SIMONS, P. Marcrvus A Dream of Youth 183 SIRANI, Exisaperra Holy Family 233 SISLEY, ALrrep On the Seine 42 Louveciennes 62 Landscape 65 Le Barrage de St. Mammés 113 Apres-midi de Mai a Bry 137 A Winter Day 149 La Plaine de Verveux 157 Landscape 160 SPANISH SCHOOL St. Mark 214 STANNARD, JosEruH An Old Mill, Norwich ys: STARK, James Landscape 340 TENIERS, Davin (THE ELpER) Pastoral Scene 341 TIEPOLO, Gtovanni BATTISTA Holy Family 205 Ascension of St. Margaret 350 TITIAN (TIZIANO VECELLI) The Dead Christ } 275 TITIAN (ScuHoor oF) The Marriage of St. Catherine TROYON, Constant In Pasture TURNER, Joseph Matiorp WituiaM, R.A. Classical Scene UNKNOWN ARTIST Last Supper UNKNOWN FLEMISH ARTIST Portrait of a Lady as a Nun VAN DER NEER, Arrt Early Morning River Scene VAN DER WERFF, Apriaan The Incredulity of St. Thomas VAN DE VELDE, AnpriAen A Scene in the Netherlands VAN DYCK, Sir Anton’ (Period of) Portrait of a Gentleman Portrait of a Gentleman VAN DYCK, Sm Anton’ (School of) The Marriage of St. Catherine Venus and Cupid VAN GOYEN, Jan Marine On the River VAN HONTHORST, Gerrarp Adoration of the Magi CATALOGUE NUMBER 234 119 177 97 254 284 110 24:7 248 274 360 281 310 356 VAN VAN VAN HUYSUM, Jan F lowers KEULEN, Corneuis JANSSENS Portrait of a Gentleman Portrait of a Gentleman Princess Elizabeth, Queen of Bohemia ORLEY, Brrnarp Madonna and Child _ Virgin and Child VAN VAN VAN VAN VAN VAN The Adoration of the Magi OSTADE, Isaax Landscape RAVESTEYN, Jan Portrait of a Lady RAVESTEYN, Jan (Atiributed to) Portrait of a Gentleman RUYSDAEL, Jaxor Landscape RUYSDAEL, SoLtomon Dordrecht RUYSDAEL, (ScwHootr oF) Landscape and Watermill VERESTCHAGIN, Vasini Vasinrevicu The Cave of Endor The Stable of the Nativity The Pearl Mosque at Agra The Kremlin, Moscow VERONESE, Paoto (Attributed to) A Lady Holding a Miniature CATALOGUE NUMBER 91 206 309 90 86 268 VERSPRONCK, Jan Portrait of Mynheer Ten Eyck VINCENT, GrorcGE Landscape VIVARINI, ALvisE Madonna and Child VOS, CorNELIS DE Lady and Child WAHLBERG, ALFRED Landscape WARD, James, R.A. Portrait of a Gentleman WIGGINS, Carteton, N.A. A Frosty Morning WILLCOCK, Gerorce BurreE.y Abingdon on the Thames WILLIAMS, Epwarp CHar.es, with WILLIAM SHAYER English Landscape WILSON, Ricuarp, R.A. Lake Albano and Monastery Waterfall near Tivoli The Bridge: Scene near Tivoli WINTERHALTER, Franz XAvVER Susannah and the Elders WOLGEMUT, Micuet (Attributed to) The Holy Family ZURBARAN, Francisco Portrait of a Syrian Bishop CATALOGUE NUMBER 300 57 314 249 71 296 69 367 ‘178 175 178 339 92 320 232 MARBLE STATUARY ANTIQUE (FROM THE) Ceesar Ceesar BARIZANLI, N. Crouching Venus CAMBI, Prorrssor ULissz ‘ Woman Reading FREEBORNE, Zaran Matcotm Reclining Venus . Deborah IVES, CuHauncey B. Sans Souci The Jewish Maiden Modesty Vanity Night Pandora LOMBARDI, G. B. Susannah Ruth POWERS, Hiram Hiawatha ROMANELLI, Proressor PasQuaLe A Struggle for Breakfast The Rose of Sharon TADOLINI, Grutio Cupid and Psyche TANTARDINI, Antonio A Girl Reading CATALOGUE NUMBER 371 395 375 370 372 373 374 377 381 382 396 398 376 378 394 384 387 399 386 on CATALOGUE NUMBER TORELLI, Letio The Youthful Tasso TRENTANOVE, Gaetano Bianca Capello UNKNOWN A Sleeping Child Louis XVI : Marie Antoinette > Rebecca at the Well Spring Summer Autumn Winter Bust of a Lady Diana of the Ephesians WOLFYF, A. E. M. The Young Apollo FOR INHERITANCE TAX AND OTHER PURPOSES THE AMERICAN ART ASSOCIATION IS EXCEPTIONALLY WELL EQUIPPED TO FURNISH INTELLIGENT APPRAISEMENTS OF ART AND LITERARY PROPERTY JEWELS AND PERSONAL EFFECTS OF EVERY DESCRIPTION IN CASES WHERE PUBLIC SALES ARE EFFECTED A NOMINAL CHARGE ONLY WILL BE MADE THE AMERICAN ART ASSOCIATION MADISON SQUARE SOUTH NEW YORK TELEPHONE, 3346 GRAMERCY Feo oF AN PRESSWORK AND BINDING BY ee See COMPOSITION ~ — * = ‘ * ‘ \ ’ . if - 4 j 4 = : F i sa M ‘ ny | F : 7 . ‘ice 2 a ry hash Aa wl i A i i oun , a | a iN PT we “3 a) oo ur > oy 2 AMERICAN ART NEWS. 17 “Landscape,” 14x18, J. L. 9$ Van Huysum, J., “Flowers,” 71x46, Ber- FRINK PICTURE LIGHTING || * Escape wih Gada! > 6 Pagano, Naples’ Wiig farewell ii Established 1888 ena yan, of is inion || 1? MER ynegneape ARTS | PRAT ERA Higger, SCHUDT AES C0: We make a specialty of picture and gallery testing: aa ¢ ate, poberber 32s] 28A Tae tke ; Landscape, son Et. aMosern ct an a ea eras Baier 14” Da: tLandscape,’” Hy. Schultheis. 80 fae ruLTon se vasarars H. W. JOHNS-MANVILLE CO. rand-Ruel ‘ 480| 30A Casanova, A., “Head of Monk,” Bernet, New York Abt. ese 120] 88A Brozik, K. V., ols et ga vit oan Pree NCe 4 om ites nce nting: ‘ures an 24 y Bernet, Agt. --.---+sse000% Satvowawes 1, Bronzes and Gill Brothers Co. Parstan Ware. Li te dewes = 400 E F S NEW YORK AND EVERY LARGE CITY 25 cigs Total seeeee ++ $63,385 PICTUR RAME Original designs on hand to select from 47s és - for both Pictures and Mirrors. i tee gent penile ge Ber bgee te acannon apn Na FL 16, Holland Galleries 400} one ost suc stul pi a 28 Franzen, ity “Head Bact + ever held in New York, some 101 Bless CLAUSEN ART ROOMS color), 21}4x13, E, Eldridge. ...-... having been sold for a total of $238,160.| 21 Madison Avenue Near 59th St. a BeoWay, ereelava es eo 260| Ralph A. Blakelock’s large and superb up- right landscape, 72 inches in height by 47% “Uninvited Guest E Morrow 27 Gilbert, J,, “Herald of E. MILCH GALLERY 939 Madison Avenue, New York Between 74th and 75th Sts. AMERICAN PAINTINGS Reve Basia, Mezzotints Printed in Colors, || °° S., “Street Scene,” 22x1 950] ire id itled “Moonlight,” tc.; Artistic Framing, Regilding, Etc. || 31 Bargueu, GC)” See era ay eee inches wide, entitle oonlight, __Tepro- Sy ag mae a1 Bagracy, E.Sbeig joy sk Absa 4), duced in the Ant News of Feb. 5) was pur A ae oe 32 Monticelli, A., “The Griffin,” 11x7%, chased by Mr. Henry Reinhardt for the Rare Engravings, Etchings, Sporting Hugh A. Murray ....cessseensececes 120} Toledo (Ohio) Museum of Art for $20,000 Prints, Regilding and Fine Framin; ° 33 Monticelli, A., “The Cavalcade,” 614x- th d high fi id fo By PE 8 8 oo CA lett 37s|= e secon ighest hgure ever pat r * anle a ery aa ERAS AOR ie renee Te an American picture at auction—a land- Madison Avenue at 46th Street 19, H.’ Somers race, OS 47s) scape by George Inness hewies been sold Opp. Ritz-Carlton Hotel New York 2WEST 47th i 35 Monticelli, A., “Feeding the Chickens, at the Borden sale, Feb. 14-17, 1913, two 7 STREET BP Seer tis ay eae Re Te 250| seasons ago through Miss Lorenz as agent, 13x11, WR. Moellison. <2... 502082 ” a7s| for $25,000. The only Blakelock that ever Tel. Columbus 1365 MODERN PAINTINGS 37 Michel, Landscape,” 19x24, A. approached these figures in any auction sale =r way Pee 375| was another “Moonlight,” 27x37 inches, ALBERT MILCH “17342514, John W. Harding. . ” 4395' which brought $13,900 at the W. T. Evans Lyre? AM 39 Michel, G.,’ “Landscape,” 19x251%4, Ber- sale in 1913. HIGH GRADE ANTIQUE FRAMES THE ESLER DECORATING COMPANY net, ‘agt. .. 2.075| The French i ioni i Re- Special attention paid to artists. 40 Huguet, V. P. The ine _ impressionist painter S Low rates for exhibition work. 47 EAST 49th STREET, N. Y. 2444, S. Birch 4oo|noir's “Girl Knitting” brought, for him, the . A 41 Montenard, F., “View in the record auction price from Scott & Fowles 101 West 57th Street New York ancutrpérs AND DECORATORS IN ALL THE |l| 4) «27 2s0 of $16,200. }___________—_ Sy ap ueliasee a) 2 as i so0|., Again, as at the first session, several of ENGLISH AND CHINESE. Oijels 43 Pissarro, C., “On the Highwa the American pictures “topped” those ob-|116 Rousseau, [Pa By eaantacarey SEO 350 i A a = , M. Knoe sae raiciatarp ne ee male be RSS er er seen 4 1,000 | tained for some of the most noted foreign] 1,7 xenoir, P. A., “Portrait of Child,” 18x Pare aieess : 4a5 | Painters works and old Beg York picture 15, W. W, Seaman, Agt.... a 3,600 45 Blakelock, R. A. uuyers, dealers and art lovers almost P., “Two Dogs,” 11x15 CATHOLINA LAMBERT SALE. M. C, Michael 1,850| gasped to see Blakelock pass Corot and b ieee Bute: ee ae The sale of the art collections formed by | ‘46 Seren ne A _ {even such masters as Monet, and in several da Pastase) 18) Pere aso Me See Lambert was pouciude’ a 7 Monten le 1,323! cases Renoir and Monticelli. Three land- cae : hn eed Cmmpenpeerst ise eae 0 Mrs. s7s|scapes by Blakelock sold respectively to 5.800 est ptures se Leela ars Tee et Se 48 ee William Macbeth and Scott & Fowles for 1,650 ballroom on Thursda y eve. when total of 23. Montes ; 3 B00) 93/300, anid a 1D eno taee pie! Peseens B ay vei a a total o 12%, soo|to Scott & Fowles for $5,600 and still an- 525 i was realized. | is, added to the! 59 Monticell other to Wm. Macbeth for $6,300. 5,100 totals of the four previous sessions, made a | Lorenz, ce Meee es _..... 325! The highest price paid for a Corot was ; grand total for the entire sale of $592,110 Michel, ¢ andscape,” 20x26, Bernet, $6,300, given by Mr. John Levy for “Ev- 900 less $1,690 loss on 11 pictures resold at the ead ening,” while another sold to Mr John R.|!?5 last session, because not claimed, or a cor- ae as s2s|Thompson of Chicago for $3,800. A Dela-| 126 RR aes F 8.500 ne ene —— $590,420. The story of ndscape,* 20x27, SK. |croix, “Lion Feeding,” brought $5,100 from| 2914, M. Knoe C 2,125 he sale follows: f *Landseape,” 20 ?5)Durand-Ruel; a good landscape by Jules|127 Pupré, J., “Landscape,” 2 sae The first session of the sale, Monday 175\Dupre $4,500 from Mr. S. R. Guggenheim;| j25 ee Godaent on a oh es Parise 300. ~ S. R. i] 128 Delacroix, ; evening, brought a large attendance, but : ; English Landscape,’ dave Daubigny, “Apple Orchard,” $2,125 tesse du Tillet,” 274x22, M. Knoedler. 2,100 more largely composed of art lovers and pansies +. 1,150l¢fo9m Knoedler & Co. The highest figure| !2? 5 Soldats au Bord de la curiosity seekers than collectors, as_ the gees ee _aas \(ivenfor anv of the works of the French 1574x22, M. lL. pictures offered, wich the exception of the: WRI pregsionists, outside of the $16,200 for| 130 ae —-——-exampres-of Michel, Monticelli, the Amer- wesceue. 325 }the Renoir, was $7,700 paid by Bernet as seaeeweetsarausgene: 550 is ee eelaek anda sew others, notably a 28x21, 17s {agent for Monet's “The River’) There were)?" onticel A Pits: Necieacs 1614x26, 7 naus, two Monets, epi i Sisley 5 Ree agers . Knoedler & Co.....-- 6 Rieaiete and Pissaro were Se cag eciaiiyank fisea 175 |<, number of examples of Monticelli in the|132 Monticelli, A. “The Cavaliers,” 17x26, The dealers were well fecreeenied but 75 | sale apd some of them brought very high we Se & Co. 675 x ; ; “ ” onticelli did not buy largely, while only two mu- E Boat aad aie Beis fel a NERS Se aves (eouent 23%, Mrs. 800 seums, those of Toledo and Seattle were 20x27, R. Glendening..... 425 1$6,700; the “Floral Festival” by M mG rae a2 ene a 775 purchasers—the first of the late Julian Rix’s S A., “Louveciennes,” 18x22, Du- Ryle f 4 al by Mr. Arthur) 5, pissin, C, “Eavirons of B / Dev : ” rand-Ruel ...- 1075 | Ryle for $6,500; and the “Autumn” by Mr.|19° Pissirny avirons of Pontoi ‘ Devonshire Farmhouse.” for $600, and the| 63 Monet, C Bernet as agent for $7,100 22, Durand-Ruel 1,930, latter of the large nude “Susannah and the 2814x2314, Durand-Ruel ..... 2,000] After Blakelock and Renoir, Puvis d PL a eornet aye 1,300 Elders,” by Winterhalter for $900. 64 Renoir, P. 'A., “Oliviers de L? Ch MBhGhEARe Riehectticeres oiler esl See Midi de Mall Sey = Among the buyers were Joseph Stransky,| ¢; a eascillcs eed iS Beate 3,500 thie wale ati aatectaee BH ele feuree of "1932x2834, M._L. Jellinek. Te eceeeaere. 21080 thé musician, who bough a 2 SUE ped ance eae a, fae Hoe aay ermaine | 13g Pissarro, “Church Tower, Eragny, ee ae be one phi nes ee as a bua asa 1.650 |and Genevieve,” was bought by Mr. F. von Bazincourt. (Oise),” 25%4x21%, K. L. Lindenschmidt’s “Luther and the Re- é Seehise Hellman for $18,000, and his frieze by the iced poe hae an08 c ¢ Ape aiee : ime for $3,300. The Holland Galleries gave 139 Blakelock, formers.” for $500, and Dr. Cadegine, an Durand-Ruel $6,000 for the classical ul Req eee pcue Argentine buyer, who secured “The Perse-| 68 Mfontennrda ak Tu loedhe “elassicel facene) aitributed iro) /tab eBiaueloss Pech aap Penal Cinta tech Sosa Eid urner, but more resembling Claude Lor- Ww pase 6,300 for $950, and “Repetition of Mirame Before| °° W388) % ee Ue oe Gee By metacrreeage 1,000 2 Mee ae : . r at high fig-|142 Inness, G,, “Landscape,” 24x20, Jol Cardinal Richelieu” by Adrien Moreau for] 79 Rehn, F. K. M. ures, “The Pearl Mosque at Agra,” going McFadden Misteait Nels stele 2,300 $1,575. Lorenz, Agt. wcevessoars Ris iecrcan to Bernet as t f 1,500, . BOE) 143 Bogert, G. F Scene ‘The examples of Blakelock sold well, bet-| 71 Wahlberg, A., “Landscape,” 21;4x34, W. pr ee ee ee Oe X36,” Mrs, 700 ter on the whole than those of Monticelli Pea teliaaae 325 | and fine but almost panoramic view of Mos-|144 Parton, A., “Landscape Nahich cclee- aeeunniackel Some (examples of| 72 Dg Madrazo, R ccw, nearly 15 feet in length and 12 feet Miss Lorenz, Agt. 1,250 Michel also brought good prices. 73 $2 Deieht going to Mr. H. Loewenstein for) 145 = 675 The highest figure of the session was! 7, go Ore “BRS Ride) The 146 $3,500 tor Renoir’s “Olive Trees near bes plete bab Satis buyers at the second pas Marseilles.” The total of the session for} 75 session and the bidding was more spirited. | 147 950 100 pictures was $63,385. Hee ane y Second Session Prices. 148 as aie First Session Prices G. K. Morrow. ......+5 97 Unknown Artist, “Last Supper,” 11x16, 149 "The following is a list of the pictures sold a Gromer Mee ane) oe 98 Huguet; VES Fein eb) Monet tS Has ‘Monday evening, with the numbers, artists’| 78 Rix,'J., “Devonshire Mrs. W. S. Gray _......... 330 Dread Ruel os a 1,500 names, titles, sizes in inches, first height Toledo Museum ........++ 98A Boudin, E. L., “Trouvill 151 Pissarro, C., “Woman in C c : BN") 79 Boggs, F. M,, “In th H. A. M Durand 5 and then width, the names of the buyers, oes, FN Chdeneire: Harbor, 550 | 99 Monticelli Maer: ON eo a arand uel ini 1,350 where obtainable, and the prices. 80 oe i 2x40, Dr. Emil J. W. Patten scsssiees rs 275| ; es 16,200 d Verestcherin= ViMe “Cave of Endor,” re One 325 | 100 Monticelli, A., “Group in’ Park,” 18x1414 153 om aa xt Ny UGIRESOR) Wins sn siatien rica’ S| 81 - Knoedler & Co...... anatase q 7 +2 Verestchagin, V.'V.. Stable of the Na | 125 [101 Monticelli, ay “Marriage Scene idxaay, 7° |ase 4 ne pate siens ; M. Vose... 700 25 “Early Morning,” ¥ a aoe 600 | 102 Monticelli, A., “Group of 155 aaa 100} 83 3114x40, A. 12%, Stephen Birch ... 725 360 2 5 ; 110 | 103 Blakelock, R. A., “Landscape,” 16x24, 156 190} 84 ae set peacoat sfeecpeee 3,800 675 ts 300 akelock, R. A., “Landscape 157 380] 85 ariietese “Landscape,” 3314x47, T. 300 | 105 eS ome - 3,300 . Jeune & G0,» 1,600 - _.f _. Sttihwagom ....sneens . tee eeee see a - “ 28) T.’ Baird 300| 86 School of Van Ruysdael,” “Landscape si Scott & Fowles ......... Fees OS 100 a heim, Jeune & Co. ee 1,800 ahs atermill,’”. 39x47, John Fenning. 225 | 106 ‘The Oaks,” 20x26%, T. F. 159 Monet, C., “The r: : 200] 87 7 pees, Bathing,” 40x ays [107 Michel, G.."#A “Seay fata taps Sheen c 700 ma pcm A ga a 7,700 , 5 . 3 ee a de ul 1434), Joseph 1825] 88 Gros, L. A, “The Persecution of the 550 Tce re ROSE RRR een hone 1,600 9. Anastast, A. P. Huguenots,” 42x55, Dr. E. Cadegeire., 950 |108 Boudin, E. 161 Monticelli, A.; “Concert in’ Forest, : ely Wi tw san] 89 “Répétition de ‘Mirame’ 2514, Stephen Birch 1,000 30, R. C. & NM. Vose........ 1,600 “at Eada nat ichelieu,” 46x58, Dr. fics 109 ner G., Marine 162 = ae ee Fé 20%: 90 Van Ruysdael, S., “Dordrecht,” 35x48, " /110 Van de Velde, ‘A; 725 | 163 nti *, “iMloral Festival,” 20%4x40, rae 140 Bernet, 350 124%4x21, T. Brummer ... sa 525 Pee a Brese/steta Snleiate Siataiate 6,500 91 ane 111 Molenaer, bye Landscape, 164 ‘Autumn, 19%4x39, O. 130) oo Winnmlter Se 500.48 $00) omic 475) 6s Mentiveli, A “Cupid's “Offering” ee 270 ers,” 64x45%, Frank Frye, Seattle ‘Durand-Ruel ...-.... 650 2354, Miss Lorenz, Agt.......-5.+.5. 2,025 Museum ..:,-+-.. Se ee Te 900 ]113 Sisley, A., “Barrage de 166 Boudin, FE. L., “Cattle in Pastui 29x pa 310) 93 “a Lindenschmit, W., ther .and Re- 15x22, Durand-Ruel 1,025 40%, Hy. Schultheis... been 2868 formers, Marburg, 1529," 55x79, Jos. 114 Renoir, P. A., “Rochers de 167 De Chavannes, P. C. P., 40x ” 240 mi nee rdeoaE sede ser goSO 12%x15i4, Durand-Ruel -.........2. 1,225 32, Chas. A.’ Platt. «.. ++ 10,000; 3 94 ter , “The Sign-Pos' 4514x5644, 115 Pissarro, C,, “Pontoise,” 15x21, H, 168 Courbet, G., “Castle of CI ernet, agt, -» o. 1,350 Livingston Phelps ......+ eae 400 Loewenstein ...... maleate 18 550 Mrs. Beyer ....eeseeee Vainiale e000) ‘000'Zr Aq S161 JO SyyuOW autU yssy oy) ut ‘Pur QO0'SL Aq PIGL Ut “OOO'SZI 44 parisia sem UOHDIJOI DeYEM 24} ZIG Ul ‘“paysrurw Pp AjjeaiB aaey saouepuayjze ayy “(000 00S'I$) O00'DDEF ynoqe sem ‘g[-cy6] jo SOJCUNSD 9Y} 0} Burpsosoe ‘saisajjes ay} jo daoydn jenuue ayy ‘sjuaunjiedap yuouuss ~AoB Aq pasn oq 0} sB8uipping ay) jo MOTE IPM pue dd1Asas aajde JO} UdUE aseazad [[IM SHYT ‘21qQNd dy} 03 Sa1ia]]e3 pue summasnw [je asoj2 0} papidsap sey jJuamUsIAOZ Ysnug ay} Awouosa ayqnd jo $}S919}UL JY} UT ‘SNNASNW T1V ASOTO OL GNVIDNG SMAN LYY 94) JO a}EUIsa 9Yy} payoear Ajqeqoid savy pynom sainjoid ay} asim -4941Q *st9Anq aanjoid pue ssadjuanboa.ty uoyjone “A "N 0} uMOUH jou asam aweUu sty pue “jG Zz pue Aempeoig je swo0o1 Sty puke “ByIYq wWosy [BAe Mau eB SEM axe yA AaoQuoyone py} yey) JORJ Jayrany ay} pue ‘uornone ay} jo auly ayqeuoseas -un dy} 407 apeuM aq ysni adueEMOTLy "$$ A[UO 40]0919;eM quedM Oy} pue QgTg Ajuo Duryojaj ss9spuey] vy 'Oze$ «JyBno1g = AyUO sBuynured ay) uonone ay} ye uayM uoruido siy ul paure; -sns [Jam sea sjasieidde smMaN 1uy ey] ‘anyea Ou pey 10/09 -sayeM JURA paynqiiize aq} aryM ‘jeyy Jr ‘00S$ AJUO YyI40M seM jsoq ay} 7e pue ‘Ye Ie ystjse yey Aq you Ayqetuinsaid sem sd9spuey Payyes-Os 9y} Jey} ‘WAepYye ue UL payisa} pue ysaq ay? 3® ‘O¢E'Tg JO UONDa]]09 d4qua ay} O} anypea jej}O} e& ACS sasividde siyy ‘sainjoid 34} asieiddesi 0} ‘oD sMaN Ly NVOLUANY 24} JO sasieidde ay} ut pares ‘yt Aq Asessazau apeut xe} auUeWIaYyUT Juanba -uod dy} pure ‘Juowasieidde siyy ym poy “SURSSIP Bulaq ‘sy1FT ssi JO Sar9y ayy ‘000'Z$ ie ‘190s -puvy 0} pajynqiiye ,'yjeQ & BZurpsay Aog,, ‘SBAUED Bie] & pue ‘VOCs Je WURAAA “H “y Aq pousis ‘sojoosazem jews e pasreidde apy “ELO'Sg Je ‘VDuUdIO]y 40 DdIUDA ‘oWOY ‘sajdeN um dn syd 4sisno} uediouy aBe10Ae ay} SB Yyons ‘sysOM URTTe}] Usepow Ayaryd ‘sdurjured gp jo anyea ]e}0} ay, pooejd “‘s99U0NINe 31B Ue dq 07 pres ‘Asuny “f diy “AW B ‘saanjoid syIP{ Sst JO as¥d ayy Uy "y40M Yons 40} payyenb jou way, sAoid sjesieidde asoyM syesieidde jae 103 suosiad Burhojdwa *S9}¥]S9 410} S10jNIOxa pue SkIUI0}}E JO WO} -snd juasaid dy) JO WopsimuN dy} ‘papaou atam = yooid ‘soaoad—saquiadaq = 1st] aR T “ET west up Aq uonone je pros aM juawiasimidde ayz sa9ye “yo1ymM pus ‘uonniysuy yey Aq paurpsap pue wmasnyy ueypodosjayy ay 0} “PIG, ‘saquiezjdasg ut Pop OYM fAPD Sty JO SHIFT “gq opsonsieyy ssijy Aq 4jay saanjoid yo uonda]Jo9 e& jo SAN[PA JaxIEWU dy} 0} se siasterdde om} JO SazBUjsd dy} Ul IdUaIdyIP apm yw ‘AdAdIG SHASIVAddV LAV “ye jo SOM SB HULL aye A]paasasap YoyM szresy -1od Ajiuey apqeanupe Aueut ssojured jenjoer ALY} JO PWp274d ay} OF d410}s04 pue UOIsNyUOD WOIz aNdSo1 [[IM ‘yoseasos daap uo papunoy sistuie Ajsva ay} JO sarydesdoirq oayeys0yy “ne yng BuIyION ‘uolssassod Ajiwiey wosy \W4toy Burwio0d sajdiexs jo aseosut ayy YIM Butseasiout 91e syesjiod ueduoury jive JO SUOINGII 3941109 Buryew yo sayypno “YIP YL ‘“Moue paziseyduia snyy st ‘uing -yoe|q ueYyeUOfL jo Ayjeradsa pue soatievsod -wayuod s,Aajdoy jo suononpoid pue saat ayy uodn iy 31 aiour yo paou ayy, ‘skajdog aq Aewt Ady} Jey wopr 9y2 0} Buiseinos “SIP 94B suoljeIIpur peysodns ayy ‘({;eYS “ABN “AWW JO SsOjsaoue yuasaidas yoy) uosanb ut sainjoid a4} pajured aaey Ae Adjdoy rey Asoayr dy} jodsip Ajosue jou SOOP DdUAPIAD Duyjsixd oy} apryM pure ‘ses -10d pjO Buysoiajur osay} [ye jo yuRyNdaxa atqissod ay se pajsad3ns useq sey using -YPE] 10 uojse]JOM JO puey ayy *(Aajdo5 0} painqiuye A[Zu0iM) syess0d s9iskng 9d S,AJA1DOG [VIMIOISIFZ DYI SB [Jam se ‘Aa] -do> 07 painqisz7e uvaq sey yoryM ‘asdypryg AseW JO BWesIOd s,A191I90G [eINIOISIE] “A “N PYI Sajqtuasas Os]e yeIQs0d suRWIOM oY TL “uOoysog ur AsaypeH dson ayi uoyas “YUMA AsayeT ussy Ainjuag aya ie uMoys ([yuadas syensod yeuojoy auy OMT, “ATIZZNd AATdOD V ‘SLND Ot ‘SAIAOD ATONIS 62 “Gq uado [im ‘yBingsjyg ‘InIWsUT aBousey oy? 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Aq JyBnosq sain3y yRy ayy “ALVIONAddVY SAANLIId MOH ; fy IZ “ON “AIX “TOA SMIN] JAA ULI) ’ A MERICAN ART NEWS 3 169 Diaz, N. V 170 a senten Beh Ee es Gee 5,250 Thi mn eee Se : 191 Ci ird Session Pri Ste BENS wes. 2,050 imabue, (School of), HIGEE: 270 She 2 Desboutins, 162 Basis hair 4, Livin Madonna and ae M. A., “Port =i seas, 950 ely. Uialian "School tigston Phelps. .-;, $200 Ca Nw ait of Mes. ian, eke el 193| Eucly Flemish, K. Towne... of Moni ait Loe, “Virgin aed Child cen aoe andscape ayer, 65014 olde Mts rg the Cruci 3535 Por) atest peace ild, afin, G. P - Teen, Ry Rlad S. Bayer. 57x45, M Marriage of St, Catheri 2,100 175 Wi eerie ath ne 1550 li95 ane Tuttle .. and C 273 Pereda, A., Meinhard. ..; atherine, Wilson, R., “Lake REE ERO ne 1,180 issolo, F. See See eer 274 utes 0. eas of Bread,” ” (ei ae no) and Monae 196 Baty Oo BeBe, Al and Child, poglics aan: Ded el 17 2,000|197 Peccbue tas pehoo|s val a ; a ‘ourbus, F. net, Agt. . 2,000 Child,” 8 the "younger, ee 276 Ramsa 178 é 198 Mignard, RAT I8» Jo a 277 teaming [eS allert is ,000 | 199 noses Gentlema 260 nates be] Pu 2,000 | 2 124x9¥4 chool, “Woman at” ps ert 278 Mytens, enning .... 180 a Pe aprea mes FUL pte par reer 3 Ee a De, “Marquess ae fa] ~ & oe pee ee ee 200 181 ; M. 17x Te 4 =] DN AOE SEal 2 ct 50 nant 624x37%, R. Ladies and C 2,000 | 202 250 teas = | Pe a must i 182 Blakelock, . Cc, & N. MV Fourth seen en 190,715 Tim- ek . M. Vose 2 : Tl rth Sessio rae portant £x oe Tol . “Moon: : 1,700 1, G. D. Dei 360 he fo ne 133 snise Maseum, night,” 72s 203 Dal ‘Pombo, Se iale oF erry concluding session of Ee] the ‘ xposttion of . M., “Dre: siaeuririn 018 2 25 1Ax2 7 ctures sa Pi Su PS fas oe See eae eo eee Beate 185 “ih Root Garden," pon (208 Te ee puceosna end Cite, by aed WAU 2 BE ISS es ca) rt of Promi sees eeila .B., “Holy Fa ayer. .....+ 700 e highest fi paratively quiet F inrnt 186 De. ‘Ch DHE Agt. ‘amily,” 23x15, by pai Salat for, or the gales notatls bal merican Srul Gennes eRe eneN 378 | 207 ecco! sieInabedee: Ga Fe Hee Luini avn es mite es Marc 20th Tt ae von Hell: enevieve s, ONE a a ooklyn M was s u : 187 DecChavannce, Bis eee nite me gsc. | the $27 useum by M ecured for ||KH April praia 18,00 ie Wants vie GE ae Aunt of “ 000 paid fo y Mr. A. A. Healey; 1 3 A 185 Voucnen vy a Ge 0/208 you dE Hered tied eras ae ee Eemyy ete Lame auc caer Sth inclustue soe year BIO. em ai Sosa" ai 7) Ja ne sc pernar ilee a2 |W, W. Sea conpabur bere tea Mc es be) =) et ee reel isl gin, V. V. ete 09 After Rem " = aman rou 122A Plhchart! J “Gil & Butt miMiascaw,* 0" | 210 Jose S7E ae co of Phils wa ane on a Me bel ee bt ee bt al pee irl & Butterfly,” Seaman, 2,550 . he $22,000 4 s the und i (310 Vv. leah Miskclacan oeca ss Seaman, 675 “Madonn ey paid for t er bidder, ‘an Goyen, J., “O : ISA Meta rhe Wk De Bde 382. 2° cell which again es forthe large oval?) Exh Gey “Oe the River” 27338, Fontai ork,” Di +. 1,825 |2 Cilehek 60 b ain we otti- Ric se 143A Lew. Kate H., “In r. E. de La 212 Ichrist uyer through nt to an llega pate H., “Interior” G. K. Mor = ini, B., “Head of S 4 Th ugh Mr. O, B anonymous . PG. aici 250 tist,” 2 of St. seas 82. here . Berne s mee spccoigy pealicl Ce aac pron oy Eielaze: 5} ably, fore a number of sen bi agcat Se “ |214 Spanish School, > ooh aud Maaree Be Cewwasceataett W. Griggs ny A Thi 3 epee 7 chool, “S bach » R. schwarz - Griggs Santo (School of), “Made ea gen ae Session, ais" Samane it. 475 eS ek ead eupect eee) Roe surta (School of), “Madonna and 4325 wee LS, called esionaWy conenee evening, |*"° Lee Gilchrist s new s, G. K. ove W.G Were Mey. : ae to entio f ts “Pp, Eee vase sens ~ BK. inger s Mi J: pe pericelig hd that entionsok the aut ay Be EAldrea”. a Gentleman," 550 oe Be Aiexander, panties mae ie 1.100 . ses” as wa; urbus, F., the young “4 » 4A. AL es: if = ol Pie and Sere attribution (28 ee "S0vgx24v4, Ber “im deeds ie aoe | Giendentie, f e Roe Oana as: and Child ae , which ca he was ab Kemb! “Portrait o net, Agt. rieser d r, J: Bt. Bai a J+ He n Orley, B. et, Agt.... ’ of “Old” Masters, under th Fears eye AI eel nC of jouw PEiip |W and Arthur M. Gar ailey, R. H SE ee eee Ba aoea, “aud “Old asters?" e general tit! ominiey,y (Ge, “Por 4, Bernet, Aj whom were b . Gardn , R. H.|318 Da Imola, Bernet the Magi,” attribution =bSy had been gi itle 244, 'H Portrait of Lat gt. » 800} We z uyers at th ner, most of Imola, _I., wiry BE aie es Z after stud fs jwithaathe eevee tear their |22 “Ke ata ugh A. Murray Eadie eee 3 Th again to the fore he previous sessions, |°!° Pua a a1. and “Child with Bee ete y and research b care and ppnolds, J., “Richard Segoe see 250 e bargain sale o! . awrence, Ts paaancamen : riter and A h by the ‘ | 222 . Bernet, Ay eo," 2954x244 : great ain sale of . 2 x27, Holl, ait of Mrs. zy S00 who compiler, Mr. W nglish art Beechey, Wi, “or Wx24y, ‘surprise wa the session and 30 Warne ok Bein ean fo mae the atsogs Td ere a Shayaid cxamgle” of "Alongs Cano, ee sono e sessi i" ‘ s, A. “Hea isto Alonz ‘eyser, a Seas pean ssion was not as exciti 224 x24, J. E. Head of Elderly on ac pher and the Chris o Cano, “St. | 32 aera aa Parker Family of 2,200 aithough) that ok rocaay cree: in Dobson, W E Carew of its large si t Child,” probably 322, Van Der Hest, 8, “Bor Barat u: age a. i le Ke, Tr. ize, 5 uk peas 4 poiied ‘t na Deouie Rea nice but |?25 Reynolds, J. “Ps H. Woodhou Sree as agent, it suatien $1,250, | $28 pe EY Da Capen a obtained, on d not Hee ital ovicceiwere Late Mts SP értrait of Himself," 200! trait ats Bote k camer si a A, woe wep, “Portrait of Tyee 4900 was realiz vhole. A tot vere | | on2s, Fran lander a endorsed by or- tbe School, “P ihe sie of the carly Uialan, Dv cial of #90718)” Napaey pes See ype ed eee oe | Ribs Hy, Banton fe onse ge nglish scho' jan, Datch, Flemi nters | 228 x23, O. Be was ex Museum, and of whi © one abrir ee! aiercenreacsa. 0 ols—: . Flemish and] Eels pected, sold of which Beeston uiseso M sentleman more than $1,001 an average an 3s . H., “PB iy Wiel ece aie yo olb H.B.B , for onl much | 326 airy atislars ) Mrs. R: OL Si 000 a pi ge of a little |228A 25, Jy, Be. Akt ‘ortrait of Lad . Boston. Tt y $3,200 to M Geeraerts, M sete. Sin: There picture. e | 228A Canale, “Portra red... ady, Rembrandt’ “he other pictures gi r Seraerts am aie Foe siege tats 2) teeta es m Digby,” 40149 nger, 600 Wedne were no. sensati Dobson, W.. patch ee ice ly well 's pupils and his given to Aa 014x34, M y Ken- sday night’ ational feat - x25, K. Gil ortrait of Gentle christ’ 1 . , while th school sold fai 327 Re eS eMS » Mrs. R. O. Ps ures 230 » K. Gilch: ‘entleman,” {0 | of > the lar; oo! sO fair- embri & : Spur iin Rie wares irae lbs easy 30385 ie Pia oe preugnt One Hi gris “Openme: the Gate’ |r, pene et fez of tads® A iam Herschel,” Sa Rcteaiell hon Early Italian § O. Bernet, Ai ortrait of Gard: y $1,925 fro e Gate,” arto, i ae given tel Some: nae astronomer, | 232 7 aepulehres School whist ising from ies ae Fourth m Mr. Arthar M.|* se . * as a Hl aran, F. tie riser ul Ss : oe. 27,00 Sir Fra amount, by th gent, and Mi ., “Syrian Bit 279 ession Pri gee, 37000 ncis Cotes’ e same bu 233 Si: iss Lorenz, A ‘ishop, 175 eae SI rTices. , Pan- Marchi es’ charr ayer, for irani, E., “Ho gt. Hea » “Study,” 207 330 Bernet, y som th » given ool of Titiar pistes . 350 a letter Gees je Kirby vena (235 0:67, et Ee eas oe eon (a2 canvas, st tin rs rt regardin : “Madonna an ery... 282 ! of the late Si ating his belief, a! g this }236 Italia . Bernet Aas and Child 675 ee g eearese nl 1-5 ABE , S., “Madonn aiehe 800 7 Oe ecieaeriel William A s also that atian School, Hl : are fie rade nner sauna 333 47x34, 5 ork isa 1 Agnew and others, |237 V vingston Phel 475 rly Italian Sch el Gerli..... Stops Sean genuine one by Reyn ey 37 Van Orley, B., "M Fon ene erp) earned “3; 700) 334 ie Se} Henry Babe Deere: present ynolds. 239 pol, Fe * Clapp & slang oe ee aaa Peace “700 oe eee es 3 Mr. Th ock, and Mrs. Benj were Mr. Ww. Se “porteeit of Lady” 32x25 285 Il Roreer 218. Beret, ulity of St. x3714, R. H. K r and Daughter,” . Thos. N. McC . Benjamin Th: 240 . Seaman, A of Lady,” 32x25, 575 masctenatay) cm ernet, Agt B Harlow, G. 1., “P riese! ghter, who bought qui cCarter of N aw, Bese cee da 2x25, W. 2 18s4x15,, Eyias Madonus Praying 1,600 Hi, “Portrait of Sheriff John 1,35 t ewark, N 2 , “Leonora : “ 86 Da T manuel Gerli raying,”” 490x391 of Sheriff 1350 Mr. J Ee quite largely, Mr. K . N. J. |2 26, W. W._S de’ Toledo, 950 reviso, G erli_. %. J. E. Al John . J. E, Aldred, ly, Mr. K. Gilchri ‘}241 Read, C, “Child and Agt » 18:4, Bhrich Holy Faniilys” 24%: 325 Portrait of lred ar and Mmes. E , Mr. Hugh hrist, ©. Ber Child and “Barrot?” 33%27 287 De Ses h Galleries y ? Portrait of Gen. Joh 1650 ES B gh A. Murr: CP, sie ernet, Agt ‘arrot,” 33x273 825) sto, C., “Mad . H. Krieser n= and others. The ayer, Spe: Murray, {99° “Sine Bey ease x27, 2 x20, Bern lonna an’ 450 ane 13 . Th pencer, Kell syrenice, Wa corbaol hae 88 Sali, met, Agt. ... 4948 7300 sores and were es denless were not catalees Roreeaaca Ow Bernt pee culls 7009) 989 wi2bsdy Mra. Spence and, Child,” 1,300 180 Lehre a Galleries eee set? extent. | 244 Renee eee with Fan,’ 3634 i000 soa tty (Re Grameen ie 1,950 : ne full-1 Sere Daniel Bowens “The Toast,’ - 290 Van De W” 2634x20%4, I i 650 of the M ength standi niel | 245 ernet, Agt. oast,”” 37x2444, 0. 925 er Helst, B., %, Bernet, A : peut of “3850, A Huntley for es 2 ae 2,800 od Bee eats Mes. too Gente 2,500) 340 Stark, J ¥8x52/4, Jno, W. G i amily,” b: , and the attracti ao 46 Rembrandt Si %, Seaman, A ing Gentle” 2815 x2: ‘eBectealk of ‘centie: 300 Gall “Landscape,” 3914 riggs. - y Carian ctive “Hol Saxse Sat aaah eee 292 Law: 1x23%4, Ehri of Gentle- 341 alleries 391452, Ehri 1,200 ure of $475; ani at an equall: Y |247 x32, Miss E,’ Portrait of rence School, ” rich Galleries Teniers » Ehrich ; while Jot lly low fig- pages Mie Tip Reletumen rence (ebook |, auen aur Re Li) Scene, 1 among other pi ohn Fennin eS 39 ne Portrait Gb Gentlans 293 Bark net, Agt rs,” 2834- 342 cene, ,250 g bought, | 2 3934x244, O. K trait of Ger z er, T., “Old Merchant,” 2 Delors two large pictures at low fi ght,| 248 Period pha cles Kriser ntleman, BobeRoe Mercha 2,00 me an uu Vi (eet 294 bach ae) 000 46x61} 5 $2 and_ his pe dear of "Se 249 De Vos Soest Seriet, Agt <<: ee ae Seaman, ‘Duchess ‘of Leiceste 850 se calle" . « 5 Ae 5 5 1 7 ‘ 25 each. ueen Charlotte for | 250 rperet “y_'Lady and Ria anyeen °° a Van Ravesienn, Hgices a Dee Ge May ee ian School, stare re sen ces ’ 296 4x2414, Be rr 3 Ha famies Eee ake at sone a See ol? war a baat Ben 35 Sis ogee Bae ta s PINE . N. McCarte: 97 L » H. Charles jeman,"” 2934- y iere, “Lar +. 600 2734, Seamai The Anadnciation.” 42345 300 eee De “Bortealt 346 4414x57, R Largilliere ae , Al ion,” 4254 py cenn ere eta Seale ee ees Giendenniin, Santi, G. ea gt. 3 = 298 Van’ W. L. Jon it of 350 Piel Aiegtoder ok Loe 1,200 Phe oly Fa seaveeeese 625 ‘an Keulen, ES. sees 347, Hi 74x47, Ri xander of Lor- Edwar d I Ba Besnas mily," 4014x254, L. a9 ote ae ce “Portrait of Gentle 2,600 ee Nie, 7, Robt. Glendenning = Magi.” Schoo! teeter ese eene n. ee sae ” Sinclair . x62, e ar mer Unknown 41327, C. ‘bimken ie 3] 300 128, Bhsih Gallerie of Loy, woe 600 (Continue ont Page.s): ae 2,700 aos imken jisieeuseey daa ar Ree aes age Chinese Antiques & Interio’ Peres, NERS st, Lady as a 025 | 304 Ree WRicinveere: “Guilt pie 625 ge 8). 5W rs E x35, R, Ke ation of a’ Bisho 225 30 J+, “Portrait Galleries. . est 56th Str Van Der Eeckhour Gt ishop,” an) Eee ESS aioe ace err neat Siar eet Ne 3ox47, inoue Gn. Mpiibite’ Money ae elchey, “Portrait Peres ett, Invites attention to thi w York ie? LE gt ae Bakery 303 Cie Beaman, het. 5 eee) Norworthy, #5 particularly fasci 1 the recent arrival of aie Hoa eh Paes capes Sea ee ee eee Baa roeaa Lee ly fascinating collection of of a FAG eae yy a) as exborough,” n ol A tlcc@acer eee 4634x35, TI 750 ee le eal Poem ie ee f Chinese Jewelle Carreng, J., “Portrait ee 20s Oy peice” iy as, 1IQU = ess,” 47x it 0! " 750 ,_ W., _“Portrait™ ; S Floweri ewelled Macey Ny *Porteait Beer ane ees Pe Cae Portrait “of Gentleman,” 4900 owering Shrub ae EF Moet tye ange, 250 Hine oroug aoe anes ie e the | ubs Sie Portrait of Lady,” 4& set 306a Remolde. W Agt, scape,” 21%4x- oa jeaves and flowers exquisitel Cotes a pea era: jbaayg; 1°? 307" Van Der’ Neer, A. dscape;... 57.2... a,p00 ly_carved 44 5x39 Mae thigdeds GE Mnckiaghin a x32%%, Berne)” “River Scene,” 2034. "250 Schiene 0. ‘Bernet, ok Roeenehasi 425 | 308 Van Bie Re ey gee pee? ose! “inp Madonna sare cay aaty 8100) $09 ees Virgin and ume, adi, E. D, . McCarter. y el, J. “La Pate aL; The collection of ; crine,” 43x3354 Marriage eee 275 33, J. E. 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Mengs, Raphael, ‘“‘Portrait of Lady,” 58% CATHOLINA LAMBERT SALE. 45= Rernet ees Ctaee. ie cicrciels wie celaremerlorers 1,050 Franciabigio, ‘Holy Family,” 474%4x39¥%, Mrs. We pase WISaapaince isietetele ofaie ataiieues 750 Tiepolo, G B., “Ascension of St. Marga- ret,” 4114x4914, Bernet;) Agta. sce 500 Pereda, Aa ihe Recess 58%4x47, BO V ee Arend te ciateraerastetele shemreretel eke 675 Copy after Van Dyck, “Daedalus Fasten- ing Wings on Icarus,” 62x46%, Mrs. ome uewis Wiehe a ctarceite cere oe a enersianerey 550 Murillo, B. E., “Madonna with Rosary,” 63x44%, D. Ga Dery Weihca ae oe 3,500 Meneses, F. O., eR econ of Virgin,” 6334x4550 Elan Charles e raertsieete iirc 700 Bol, F.; “St, John the Baptist Childing Herod, »” 54x67%4, Bernet, Agt........: 850 Van Honthorst, Ga “Adoration of Magi,” 58x72, H. Ciarles fot weGoe ek aces 1,000 Pacheco, F., “Portrait of Daughter of Velasquez,” 60x44%, Bernet, Agt.. 4,400 Geeraerts, M., the younger, “Lady Ara- bella Stuart,” 67x37, Seaman, Agt.. 2,100 Rembrandt School, “Togeph Relating His Dream,” 67x65, ’Kleinberger Galleries. 3,000 School of Van Dyck, “Venus and Cupid, "9 69x45, J. F. Bailey as ce eee meskes 1,025 Carreno, J., “Assumption of the Virgin,” 70x4614, hrich Galleries... .. 5-5. -2-%«- 1,400 Meneses, F. O., py ere of the Vir- gin,’’ 70x50, Schwarzenbach........ 650 De Ribalta, F,, Seri tetlon of the Host,” 7414x50, H. Gharles™ cancotenca cata ses 650 Cano, A., “St. Christopher and Christ Childy? 805585, Bernet eA Stem oi) terials 1,250 Luini, B., “Madonna Enthroned, ” 94x54, A, MA. Healey for Brooklyn Museum. 33,500 Cotllo, ti “Mother and Child,” 792x441, Mrs. PM ep cin ce tote Goan Ole aioe 1,300 Wie G. B., “Abingdon on the Thames, BE Virsa War (an Wie lEers spererretey ers 1,100 Lawrence School, “At the Opening pie the Gate,” 95x82, "Arthur M. Gardner. 1,925 PT Gtal ns Bete were ee ace a eree aio enileRerong. $195,900 Grand Total Less Deductions, $590,420. The following pictures, not claimed by their supposed buyers at the previous ses- sions, were resold at the last session, for $1, 690 less than they had been knocked down for previously: 191 Ciambue (School of), ‘‘Madonna and (Chi eee Revs oie cxosioustet tniels che oseueietey ate : Del Piombo, “Madonna and Child”. eieeinte Havesteyn, “Portrait of Gentleman’. Franzen, AD “Head. of Girl” (watercolor) Michel, “Tandscape” Montenard, “On Road to Monastery” Goubie, “The RACGP Saietetcneqenehiasscere seeoveeshs Hoffner, “Landscape” Monet, (oe SAN CSCAPEC a Hitless cmtasarree sls Michel, Waterfalls ese. coherences tas Morland, ‘‘Feeding Pigs” Sree ee ee ee ey 700 275 Grand Total of Sale Less Deductions.$590,420 ee —y Aa oe ee al THE SCULPTURE SALE. The following is a list of the Lambert sculptures sold Wednesday afternoon, at the American Art Galleries, with the num- bers, sculptors’ names, titles, height in inches, the names of the buyers, where ob- tainable, and the prices: 369 370 371 372 373 374 375 376 3/7 378 3/9 380 381 382 383 384 385 386 387 388 389 390 391 392 393 394 395 396 397 398 399 400 Unknown, “A Sleeping Child,’’ white marble, 15%, Mrs. M. Dewiss eet Cambi, U., “Woman Reading,”’ manwlemea/, Exrarilc, Browse. « otis tects From the Antique, “‘Caesar,’’ white mar- bleysoloe Mr: (Bremer coserecnicec cee Freeborne, Z. M., “Reclining Venus,” white: marble, 23; Mr. Bremer........ Freeborne, Z. M., ‘‘Deborah,’”’? white mar- blexesigeE ranks Canipbelllicjyerce serie) Ives, C. B., “Sans Souci,’”? white marble, SiO ei Witla 85. Rime arate escieteteretnis nie: assis Barinzanli, N., ‘Crouching Venus,”’ white marhlewod,, Wr head gene. aise aici Lombardi, G. B., “‘Susanah,’? white mar- blen 3 74a Minsy oe Arend terse aete ss ives a Cab...) line Jemieh Maiden,”’ white marble, Si, yaa Cad SENe e aeieiecaieteie= Lombardi, a B., “Ruth,” white marble, 37,.Mrs. Jo BeaeArendis.j.0. esi sierene tier Unknown, “Louis XVI,” white marble, 20, Dre i. Cadgetionm cen octe.e concn: Unknown, “Marie Antoinette,’ white marble, ou Mrs. Mi. Lewis's si.ace aus ss.07 Ives, C. B., ‘Modesty,’’ white marble, 20 Mrs: Lie (Pee Arends otras oanvnes Ives, C. B., “Vanity,” white marble, 31, Dr. Ee Cadgveneserim.c crete eet. Torelli, “The | Youthful Tasso,” white Roi: 67%, W W. Seaman, Agt.. Romanelli, “cm Struggle for Break- baste ae marble, 36, Mrs. J. B. Wil- Unknown, “Rebecca at the Well,’’ white marble, "48, W:. W. Seaman, Agt.....-.. Tantardini, AS “A Girl Reading,’ white marble, 48, Mins Nip ale wis set cits cere nie Romanelli, Es “The Rose of Sharon,” marble, 43, Mrs. J. Bi Wilbur..:....-. Trentanove, ‘Gs “Bianca Capello,’”? white marbles, 44.0 Marve bremetrtes ostte alec: Unknown, “Spring,’? white marble, 35, Mee Wilbur. cease ial eo hue eet Unknown, “Summer,” white marble, 36, Miri Wilbur). .cnas cine smacks estates Unknown, “Autumn,” white marble, 34x 5 DeNEr se Wille ar grapecnee sche vei edeis em ciauetate Unknown, ‘‘Winter,’”? white marble, 34, HUE Ne ihote 2 COMBA cree oon So ona Unknown, ‘Bust of a Lady,” 32, Mr. IBYEMET. occas. 2 ae eutedsta =: 5 oes acne cmaede ga Powers, H., “Hiawatha,” white marble, 66, Passed. From the Antique, ‘“‘Caesar,” 42, H. C. WOE WENSLELIN Nl teuieiences sleie ree vsie sere exec Ives, C. B., “Night,” white marble, 52, Passed. Wolff, A. E. M., “The Young Apollo,” white marble, 67, Passed. Ives, C. B., “Pandora,” white marble, Hi, Nilo Ais SEEKERS ITS Sooo siacn one Tadolini, G., “Cupid and Psyche,” white marble, ee Passed. Unknown, “Diana of the Ephesians,”’ 67, Passed. "Total > cz ssa etatetneghe a tesots (aif aussie nies 6 arsr Parke Picture Sale. 190 300 At a two evening sessions sale on Feb. 17 and 18 at the Hiram Parke Galleries, 924 Broadway, $8,760 was realized. At the final session an F, E. Church “Heart of the Andes” fetched $300 and a Thaulow “Dutch Canal” $125, “| pee CIULDREN fed CHICKENS <2 . >. See ES CS Sen SAVORY AY MORNING: G S avOnr ites ING TO VAr lessee ae Ghichais ee BET, >) ¥ 5 Burke. Saturday Morning. (One of set of three plates.) Printed in Colours. See No. 115. a nl ett The Coles Picture Sale. At the first session of the sale of paintings by American and foreign artists from the collections of the late Mrs. Elizabeth U. } Coles, Dr. Russell W. Moore, Mrs. Harriet Fay Potts, Mr. George Stetson, and the es- tates of Joseph F. Daly and Henry B. Pet- tes, on Wednesday night at the Anderson Galleries, eighty-three pictures brought $2,341.50. A landscape with cattle by Friedrich Voltz was secured by the Holland Galleries for $170, the highest figure of the sale. “The Cure’s Pet,” by F. Schlesinger, was purchased by Henry Schultheis for $155, and “La Brodeuse,” by Francois Saint Bon- vin went to C. L. Fliesmars for $130. - D. G. Rohlfs paid $112 for “The Tease,” by L. Vollmar. At the second session of the sale Thursday levening, 79 paintings, including one resold —brought a total of $4,078—which, added to the total of the first session Wednesday evening, makes a grandtotal to date ‘of | $7,419.50. | The highest figure of last evening’s ses- ‘sion was $260, paid by the MacDonough Gal- leries, for an early example of J. Francis Murphy, “An Autumn Sunset.” Mr. Henry Schultheis paid $220 for an early and beau- tiful example of the late John H. Twacht- mann, “Sand Dunes—Coney Island.” Other good prices were $210, paid by Mr. J. Par- ker for the late Henry P. Smith’s “A North- easter;” $155 paid by Mr. S. J. Blum for a Panoramic landscape (XVII century Italian school), and $175 paid by Mr. J. Parker for William Morgan’s “Mother and Children.” _ For a monochrome by George Inness’ “Harlem” $140, while Mr. Schultheis paid $110 for “A Tyrol Interior,” by Emil Rau and the Mac- Donough Galleries gave the same amount ‘for a landscape, “The Bronx River,” by R. ‘W. Van Boskerck. Mr. F. Conway gave $105 ‘for Van Neck’s “Christ at the Temple” and for F. S. Church’s “The Bird’s Nest,” Mr. R. A. Gaston gave $100, and the MacDon- ough Galleries gave the same amount for the late George H. McCord’s “Genesee Valley.” r The result of the third and final session will be given next week. (dated 1879), Mr. F. Conway paid|. Coles Picture Sale. (Continued from Page 8.) 181%, MacDonough Galleries............ 350.00 Bonheur, Marie Rosa, “Deer in Forest; at Twilight,” 2534x321%, F. Conway....... 2,750.00 _| Detti, Cesare, “Landing at Chateau,” 1314x : 22, MacDonough Galleries.............. 140.00 Roybet, F., “Young Cavalier,” 24x19%, MacDonough Galleries ..........0sec00. 405.00 ,;| Corot, ““‘The Moat,” 2814x24, John Levy.... 725.00 Diaz, ‘The Lovers,” 28x22, G. Stonestreet. 135.00 Didier-Pouget, Wm., ‘Heather in Bloom,” SORZITE RIA, EGastOtbn eure sles a ceeees s 435.00 Trouillebert, Paul, ‘“Summer,” 2114x28%, me pebuthess hen ahy Sia Ae eae 150.00 ogert, George, “Coming Storm,” 181%4x25%, ER ES" Cae, AR RRRTN Siig ae ak ae 102.50 Inness, George, “On the Delaware,” 26x36, Tepe md GASTON gest Saye trie veers Sis.s ale d doses Dies 700.00 Murphy, J. Francis, “Near Stockbridge,” 18x14, MacDonough Galleries .......... 375.00: Blakelock, Ralph, “The Meeting” (Panel). i se UA (SREY heled a Us ak hee ots ee a A es Pe 110.00 Murphy, J. Francis, “After the Storm, Dela- ware Diver,” 16x24, John Levy.........- 800.00 | Dearth, Henry G., “A Hot Summer Eve- Hing 20x30, 0H. | Schultheiges.: ats. cox’ 100.00 i Cabanel, A., “Queen Vashti Refuses to Come at the Command of King Abasuerus,” 5134x381%4, MacDonouglh Galleries........ 400.00 Diaz, “Forest of Fontainebleau,” 18x14% Clapp rocGranamieet cas sfesdicrete.e cia sie e/atee oles 1,600.00 Meissonier, Jean, “Man Reading” (Panel), OTEX636 5 Ge TL Story tes debe sc else kes 700.00 Dupre, Jules, “Summer,” 6%4x11%, M. ENNOGMICHS ee COnc dete toelek! sitetemieieasicl ass 750.00 Fantin-Latour, Henri, ““A Summer Dream,” ZIAX17 4%, C. GL. Eliermans, Jr...26%./5<< 225.00 naus, L., ‘““Head of Young Girl’ (Panel), DIX fae SCHUltheis... occ. oe sic. sv ene c's 575.00 POCA Mere aie cra eyace aks ole Sie S ia walt. aisle ashes $21,719.50 Total first and second sessions...... 6,419.50. Grramiue total oo cwasvaetew ite ts a gustetia cle eee $28,139.00 a SS een es ea > = GERMAN ‘ART AT MUSEUM An article, entitled “Unmasking the Mu- seum Conspirators,” by William B. Mc- Cormick, associate editor of the Army and Navy Journal, formerly art critic of the -N. Y. Press. describes how the Reisinger ‘fund of $50,000 left to the Metropolitan Mu- ‘seum for the purchase of German paintings ‘and sculpture operates to maintain German -influence in the United States. 73 -fo¢’ . Mr. McCormick, to a N. Y. Sun reportér, .added to his published statement the expla- nation that persons of influence in this coun- ‘try had been made the victims of German effort to foist German art upon the Amer- ican public. The Reisinger fund can be used only for the purchase of German art objects, and Mr. McCormick said it was unfortunate that under the present direction of the mu- ‘seum worthless modern productions were ‘obtained, whereas it was necessary to go ‘back at least as far as Durer to find any ‘German.art of value. — ' The magazine article relates how Hugo ‘Reisinger came to the U.ited States, made ‘a fortune in the coal business in New York City, married: a Busch heiress of St. Louis ‘and left the fund bv which German artists ‘were to nrofit by American dollars. The ‘writer points out that Josef Stransky, con- ductor of the Philharmonic Orchestra, who is an Austrian subject, has recently profited -by disposing of German paintings to the museum. He records also the fact that Director Robinson studied at the University of Berlin, is a member of the Imperial Ger- man Archeological Institute and a knight of the Prussian Order of the Red Eagle, third class. 2 ; In conclusion, referring to the abolish- ment of German opera, the writer declares “it is time that our greatest. art museum put German pictorial art in its cellar so that it shall never be a blot and a stain before the eyes of the American people.” ‘Edward Robinson, Director, when told of the article, said that it was evidently “sen- ‘sational” and that he wished to make no reply or comment regarding it. COLES PICTURE SALE. (Concluded from last week) The third and final session of old : modern paintings from the collections Mrs. Elizabeth Coles, Dr. Russell Moore, Mrs. Harriett Fay Potts, Geo W. Stetson, the estate of Joseph F. D: and the estate of Henry B. Peters, of } ford, Conn., and others, was held at the / | derson Galleries, Mar. 9. The total for ; | night was $21,719.50. The total for the « Samuel B. F. Morse’s “Springtime,” | “Summer,” tire sale was $28,139. There was spirited bidding through 1 last Session as several fine examples American and European schools were fered. A replica of his Channing portrait George Washington, by Gilbert Stuart, s« to Mr..C, Harris for $3,100. To M. Knox }ier & Co. went a nortrait of George Col by Thomas Sully, and Rosa Bonheu “Deer in the Forest” went to a priv: buver, through an agent, for $2,750. The MacDonough Galleries were the pl chasers of several good examples amo them “The Young Cavalier” by Royb “The Moorish Minstrel,” by E. Richt “Portrait of a Ma by Defaux and “Landsca Chateau,” by Detti. The Knoedlers boug y Jules Dupre, for $750, and Clapp and Graham went a fine Diaz f $1,600 The following is a list of the pictures sc at the third session, Mar. 9, with the nu bers, artists’ names, titles and_ sizes inches, first height and then width, t .|names of the buyers, where obtainable, a the prices, when $100 or over: Huntington, Daniel, “Portrait of Mrs. Eliza- beth U. Coles,” 55x38, H. A. Coster..... 120 De Bock, Theophile, “The Wooded Pool,” Axles a ohne Levymn oe. aie tine e. 150 Brissot, Felix, “Sheep at Eventide,” 2534x 36,. MacDonough Galleries .............. 130. Chelmonski, Jozef, “Wedding Dance,”? 28x Ie IPAr kei genase wii ee cae ro 310 Blashfield, Edwin H., “Pandora’s Box,” 48x a pom VWValsOne ene ert tama 170. Hohenberg, R., “Motherly Happiness,”’ 49x JS a seA pw otonestreet ees Sc) nec hs wes wos Morse, Samuel B., “Portrait of a Man” (Panel), 30x241%4, MacDonough Galleries. 250. Stuart, Chas. Gilbert, “George Washington” Chanel) ee / eel yee Hartisa.. anh ohne a. 3,100. Van Der Velde, “The Storm,” 25x30 R. A. ASCO TEMA eieNR Nes eiclevsvndcoe, Se eins wialauaie Bie wine wiees 260. Sully, Thomas, “Portrait of George Coles,” 30x25, M. Knoedler Oise crete Aenean ties 950. Victoors, Jan, “Landscape with Market Carty er81x404) Sjae Parkerac.c. «2 bce cate 235. Van Ravesteyn, Jan, “Portrait of a Burgo- master” (Panel), 4014x30, J. Parker.... 385. Rosa, Salvator, “Italian Landscape,” 25x37, Gale. Blandy 4. .0e eters She sak wisvacahoslaiie ab 8 225.: Morland, George, “A Kentish Shepherd,” Z1xl7, Ry Bdesheimer .....5.0.0s0cecees 325: Morland, George, - “Pigs,” 17x21, H. H NI IRLOT DC reins cc alae Moeie wioks ohio ors claw evalaraedis 140. Becker, Carl, “Emperor Maximilian Receiv- ing the Venetian Embassy,” 6114x94, ED De Gr we O MLL See voto eval e ahs Siarebcieace's sales 600.( Defaux, Alexaandre, “Springtime,” 4914x78, MacDonough Galleries: ckcsiisiccnt sacks 210.( Merle, Hugues, ‘The Spinner,” 52x35, N. A. ei BME te Be ore thas uyieiel s, eale tiea quaniers Ki Desgoffe, Blaise, “Still Life,” 39x32, Mrac- Monodghie Galleries: S.oe0. asa aacisles scc.s 200.( Artz, David, “The First Step,” 41x58%, RPL IerMMAN Ss IT sesss « wixis eisicbe-oleenneow eas 180.( .| De La Pena, Diaz, “The Forest of Fontaine- Bleau” (Panel), 13x17, R. astone ay 400.( | (Continued on Page 9.) Ai Iu INA UA IN eee William M. Chase Sale. At the first session of the sale of the pictures painted by the late William M. Chase, and of others by his fellow con- temporary foreign and American artists at the American Art Galleries, Monday eve- ning, a total of $3,295 for 67 examples of other painters and 35 by Chase himself, or 101 in all, was realized. There was a good attendance of artists, collectors and a few dealers, but prices as a rule were low and many bargains were obtained. Some of the foreign and Ameri- can pictures sold, while small, were full of quality. The highest figure of the sale, $390, Mr. A. Strolem gave for a small panel portrait of a man, of exceeding qual- ity, but while of the Rembrandt school, of unknown authorship. Other better prices were as follows: No. 26—Sorolla, ‘“‘Marine Sketch;! W. W. Sea- {man, agent, $80. } No. 35—Myers, Jerome, “Night Concert,” J. W. Young, $120. N AA, o, 38—Akrenger, Healy, $70. ¢ Ne. 50—Lever, Haley, “Marine,” J. W. Young, 37.50. N Elizabeth, “In the o. 51—Sparhawk-Jones, Spring,” J. W. Young, $250. No. 52—Oberteuffer, Geo., ““Notre Dame de Paris,” James B. Townsend, $57.50. “Dutch Landscape,” No. 54—Unknown, “Portrait of a Man,” A. Strolein, $390. No. 60—Van Goyen (Attributed), “Dutch Coast Scene,” W. Michel, $210 No. 67—Unknown, ‘Low Tide,” Holland Gal- leries, $77.50. No. 93—Chase, W. W._T. Palmer, $70. No. 99—Chase, W. M., W. Young, $250. The first afternoon session of the sale of Mr. Chase’s effects on Tuesday aft., brought a total of $1,483.50. Many specimens of Spanish, Italian and Chinese potteries, and pieces of antique brass, copper and other netals. objects used by the artist for his still- life painting were offered. For two Spanish pottery plates, cream-white glaze, and deep centers with lobed rims, Miss R. H. Lorenz, agent, paid $34, the highest figure. At the second session Tuesday night, a total of $6,472.50 was realized. There was a good attendance, and while prices ruled higher than on the previous evening, many bargains were obtained. “A Florentine Palace,” of the early French school was purchased by Mrs. M. J. “Autumn Still Life,” J. Riker for $410, the top price of the evening. Other sales with titles of pictures, names of buyers, and prices follow: ANL IND WD. HEDSON . aiicsislanaices Wisjarem viele a Re resatoeia oes 310 247—Ullman, Eugene P., “Copy of Frahz Hals,” . Baca PE CORE ital ae eS 240 250—School of Rembrandt, “Corner of the Stu- dio,” “W.. Seaman, Agent) 2.00. sce. eco 460 252—De Heem, J. D., “Still vite,” C. Bacaflor.. 115 255—Ferdinand * Bol (attributed), “Portrait of Man,’* ‘Weston: (Galleries...) ningah ies eakic 100 256—Guardi, F., “‘Venice,”” Bernet, agent........ 200 260—Rembrandt School, “Interior with Figures,” Weston Galleries ........ g. sla erergieteia layelat ete 120 261—Early Spanish School, “Portrait Noble Lady,” Sired. (Rose: ».4 s0s:./cmisw peg date shaw staan 100 266—“‘The Yellow Gown” (pastel), Alfred Rose.. 130 271—“Still_ Life,” Thomas 276—“At Shinnecock,” 282—“Dieudonne,” Leroy Ireland .............. 180 283—Landscape, “A Shinnecock Veil,” R. Hosea. 205 284—“Still Life” (metals and vegetables), Mrs. Sis. Lamport: uppers ates s- 295 285—“Twilight in the Studio,” Henry R. Rit- tenbergegs'ss.c.sis.<.0.s he Ee ee 50 287—“The Golden Lady,” Symmers............. 100 288—“In Italy,” E.,. ,SaVawe veyaw nae enero 310 289—“October,”” Knoedler & Co................ 230 290—‘‘The Music Lesson,” M. F. Savage........ 630 291—“‘The Feather Fan,” Knoedler & Co........ 250 292—“Battle Scene,” E. Gramercy.............. 180 At the second aft’n session Wednesday, a total of $9,047.50 was netted. For a Ren- aissance verdure tapestry with a garden scene, birds and figures, Mr. J. M. Fry paid $720, the highest price of the sale. Other sales were: No. 581—XVII_ century Aubusson verdure tapes- try. “Diana and Her Nymphs,” Ginsburg & Levy, $700 No. 582—XVII century Brussels tapestry, “Roman Triumph,” George L. M. McElroy, $675. No. 583—XVII century verdure tapestry panel, Mrs, H. I. Riker, $525. No. 701—Old_ Chinese six-fold screen, carved brown lacquer (K’ang-hsi), Miss Maynard, $360, The fourth and concluding session of the picture sale, Thursday eve., brought $28,105, which made a grand total for the entire sale of $60,151.50. The highest figure paid for an example of Chase himself was $1,625, given by the Mac- beth Galleries, for the large sketch “The Tenth St. Studio,” scene of the famous but now forgotten “Girl in the Pie” dinner which made such a sensation 20 years ago. There were several bargains, notably the beautiful example of Thomas Sully, secured by the Macbeth Galleries for only $390, and the large and the finest example of Michel ever sold here, which only brought $325 from Mr. Horatio S. Rubens. A fine Boldini S80 snapped up by Knoedler & Co. for only The pictures which sold Thurs. eve. for $100 or over, with artists names, titles, buy- ers’ names and prices were as follows: 209—-Boudin, E., sie «$270 | 298—Ribot. A. T., rin bidding was good, most of the works start- ing at $100. Mr. M. F. Savage paid $630, ‘| the highest figure, for “The Music Lesson,” “a 295—Blum, Robert F., “The Fisherman,” Sea- ierelets $16 “La ‘Fluxion,” Ehrich Gal- ie hifer Ray: ae ‘4 . re ee | 129—“F, Yard,” Antoine Vollen, J. W. Young 100 ; Phifer ...... ee et ” H 131——“Lady in Black,” F. Roybet, Scott & Fowles 100 ted gine pets “Portrait of Sip sa 22 % i ington, | #. Knoedier & CO.....--scesesereeves rh j 139— ae s sereine, Georges Washington, 100 | 302—Roybet, F.. “Portrait Artist’s Daughter, i “Dutch City Houses,’ * George H.” Breitner, Pog Th aRixer erence Wes daeiekts ecco AY: | a ig od core Googe Tepe, 400 307—Stuart, ag sree oh “Washing B. “Sti ife— » J. Frank Curr! ier, J. W. ton,” - Rubens. ....-.-.seaee rae ear Lprellepon late Meiers ph Lk 150 312—Mettling, L., “Head of Man,” F. A. 148—“‘Boat Houses,” Ernest Lawson, L. Ireland. 140 1) ec penta 149—Dutch Bottles and Jug,” Dines Carlsen, B13—Vollon, Ax In Low Countries,” W. T 22 Emil Carlgen Wirsins ene rie ete seceyeecceras O80] Palmer ... lege ea oy pt tgget 156—“‘Winter in Holland.” Attributed to Van de 314—Vollon, A., “The Stable Yard, Miss A Velde; Waa Michell 2 inciatienileaccianeeiie sina 11 Content hart Dey eee 4 ; 162—*Still Life,” Early Dutch see) t carnas 120 alee oaeeelt, A., “Sunny puceerpe, Fie ie 1? ioe pane Wee ae 317—Twachtman, J. "HL, “Sailboats,” Ehrich hen Me eee Pictures Sold were BY: 515 rawson, Ernest, ‘River’ Landscape,” AL William M. Chase: impson oils Wirgenemeaaee nptegecsie cee : 5 170—“Shinnecock Bay,” W. W. Seaman, agent. .$100 | 320—Lie, onas, “Winter Idyl,” Knoedler “4p 172—*Cosy,” a pastel, Wm. Macbeth... - 300 Os bazaars aeees seeah also» wieineie vie win Brg 173—“October,” anel, J. W. Young. cscccc. 5 323—Cornoyer, Paul, “Madison Square, e 184—“‘Near the Sea,” pastel, Scott & Fowles... 140 Ww. oe prise cee regy tess * be 7 185—“‘October,” ge eel hs Bored agent.. 190] 324—Vollon, A., “Portrait of Man,” Miss C. sf —‘‘Portrait of E d Everett Hale,” Augus- GhNGON saohe sc sack ewes ses Sowabee é eas ite Pp AV hOniah a gee ecdierglanwreciate 5 are 110 Pe cra G., “Landscape,” Mr. Alberts. . 45 187—“‘Artist’s Daughter,” Wm. Macbeth..... +++ 105] 326—Sully, Thomas, “Guitar Player,’’ Mac- a0 188—“Portrait of Thomas Moran,’ McDonough beth Gallery ......... een pe eens nea 9 Galleries ..... i wien erate ential ‘; 2 igtai ere ave 268 327—Lawson, rmpmet “Sparkling River, Arl- a 194—“Shinnecock Dunes,” H, Williams eee ington Gallery 22.2 ..-.-e+scseeegeees 197—“The- Tenth Street’ Studio,” Emil Carlsen. 210 oe ae ie “In the Outskirts, 5 At the third session Wednesday eve. | 55, pivencto Fo Portrait,” WH. Schulihels. 1,30 total of $11,060 was obtained for 94 Pictures, | 332—Stevens, Alfred, “Les Amies,” Knoedler ! i r Se eer ee iptieh cute arate ats aero § nae ee, SMe Seg tere eae ie 333—Twachtman, J. H., “Landscape,” Weston painters. allery) Shas arate base ais pidisie ats eG ten 18 The audience was a large one and the 335 Hakine Thess “fdyii Leroy Ireland, 22! 17 336—Isabey, E. L., “Color Composition,” A. 23 O80 soe wes te 337—Michel, G., “Landscape,” H. S. Rubens. . 32 338—Boldini, “Portrait of a Lady,’’ Knoedler Os) (n}<:57m stale ia a resatavals ols Sin loleiciv a-eh)s's: 18 The “pictures which sold for $100 and Foe ip tgmdll Gilead ae cee 2 200-Stevens, se mer eo Ss 1 Fa, lee acces eons tO | tO agen tte Does 20 heat eee tense ant 110 | 344—Van Gover, “Men ‘of “ihe Seay?” Kicin- 208-—Gerome, J. L., “Le Roi Candule,” Carlo 345—Heda. T., egal 17 Badaflor 170 “Lo Tide,” Ehrich Galleries... 150 217—Vollon, A., ‘‘Landscape,’’ Holland Gal- levies Sir 50. men Gtete: thane: 110 244—Currier, J. Frank, ““Meadows under Stormy “Sky,” a Way Manny. Neenah neil betiasatie, 20 245—Eakins, Thos., “Sailing,” W. Alexander 347—Raeburn, ard Henry (attributed), Sea- - pagent 60.600 nels ers 348—Gainsborough, “Portrait of She dan,” 6 i TIES «0-2 eee eee se eee taccee 2,69 ao tee Peter (attributed), F. S. Hicks 15 350—Van Dyck (attributed), . ortrait of a xe Magistrate . Hicks. ,...--+++2+% 351—Lawrence, Sir i eo of a Lady ie etc icks.... 352—Cotes, ‘Sir, Francis, “Portrait of 3° , alleries ....csessseeeee ‘ 353—Hanrleman, A., “Lady Dorothy North,” x H.-J. Riker jicies-leinee cs ese peepeens sb4—Nets Pieter, “Cathedral Interior,” A , Mayer ..ccescsersece eect ese esnenee 355—Lely,. Sir Peter (attributed), ss 7 tl Reseed Nah BERS eciaiti ek thetena ocareze : 356—"Descent for fe Ficcgiae (copy of Ti- ‘ tian). F. S. Hicks .........-+.-- sear The following pictures were by Willia: M. Chase: ; 357—“‘Road to the Sea,” M. H. Marling..... 1 358—“Orangerie, Chase Villa Florence,” A. impson, JK. occ c.cieicsie cies slsivitivsies ss 359—“Late. ere: Macbeth Gallery... 2 361—“The Big speenees Ey ta em Coss 3 62—“Portrait y other, 5 mae 2 363_—"Portrait, My Father,” A. Rose.... 2 (Veet * EF Crow mbes ead rancho 366—“Summer at Shinnecock \ Hills,” " Scott ee one Gs Op eben eee Bicia 38 y6/— e ive ” Seta) sive: 3 s68—“Stil Lite” Crish), J. W, SBens--- 35 RCA Oi Sr ie ieteiowe-a ee - eee ween ce a a erniige [ate otete, 53 spe ptt oon ee Row" Ricedier “Portrait Mrs. Phili in agieip eis v Ble\sics Pent prtiends,” H joe A. Rose. 12 —The Beach,” Walter R. D ee ' s74—"My (Little Daughter Dorothy,” Macbeth! OLY alcare anal nie 375—"The Wacky ieee He teenie, 60 Gabriel Weis Teakfast Outdoors, 377—"An Afternoon Stroll,” Macbeth’ Gallery P33. FA or eae 14: g__opecy in Black,” F. A. Lawlor........ c 380—“At PI. von ake a 381— My Knoedler 382—“Portrait of 70 383—“Portrait Roland D: Gan? Eee ifs Gikas hie ie ce 3a4 ey Oo Book," Kacedics #7 eisai Reeruere 270 385—“Girl in Red,” Knoedient See 360 386—' os Miss D.,” J. E, McCarthy ‘of PEDECR Mas chic Oe eee ee ee a Daughter Alice,” cen wi “ 4 as RECARO "0 ales wretch : 388— yo of Holland,” MacDonough Gal: ed 389g ey rete ma aievete Sigttee: cen A nee 210 Toet 27d Shadow, Knoedler & Co.! 600 ere ce trees eee. $28,015 Grand Tota] a™. ate w on © = 2) 3 o mw N i *” on f____________} ———— ee sr ——— ——————— ————— ————— —— SSS ss ——— —— ———— a Se }— Lu Ke > = 12) = a Oo c < wi “ Lu ao > {= = Lu 6 RP oes ae eS er ee