Om - WY HOG, FEeNDoM. Bring’ a Second S Tola Now $117, 340 for 442 Paint. | x ings—An Inness Brings pee A V Hes ph? of Evening. ’ “With a’ total of $60, 185. fo eel | ‘pictures and a grand total, so far, of| $117,540 for 142 pictures, the second session} of tthe sale of Mr, William T. Evans’ eollection of American paintings was held Nast night in the ballroom of the Plaza | Hotel, under the auspices of the American Art Association, Mr. Thomas E. Kirby | presiding as auctioneer. The rest of the paintings will jbe sold to-night ~and | to-morrow evening. Mr. Evans’ collec- ition of prints will be sold at auction at ithe American Art Galleries, No, 6 Madison {square south. Oiesyves Inness’ “Warly Autumn—Mont- clair”? brought the highest price last night, going to an anonymous buyer for $3,850. This painting shows a view from a field lof long grass on a hilltop over a plain of diversified landscape. Trees are at the |right. Mr. J. Francis Murphy’s ‘‘Morn- jing” went to Mr. Arthur Lehman for $3,550. {Mr. Thomas W. Dewing’s “The Lute” | brou sht the third highest price, going to Mr. G. L. Andrews for $3,500. Alexander ei. Wyant's “An. Adirondack Vista’ was sold to Mr. G. S. Palmer for $3,025. | Mr. George A. Hearn bought two ipict- lures, Mr. Henry Oliver Walker’s “A |Morning Vision’? for $1,550 and the late Louis Loeb’s ‘‘Miranda’’ for $700. Other | pictures: bringing $500 or more, with the jartist’s name first, then the title, the buyer’ $s name and price paid, were as fol- Hlowsi— |d, Francis Murphy, ‘‘September;’? Messrs. Heeraneby hE ATA Wigs ANETTA UTS 84215. exis s' oe aleiaim ciao acavaie hseccronapaage Hy Wyant, ‘A Cloudy Sunset ;’” Peet ioe Gate NIE a cas ghattce ao Glare wii’ 825 | Wyant, “Mystic Rays;”’ Mr. Henry de HaREPOUESD -a\s,clglative tcibapinn nk gens waive be 4 ch 9 9'4ien 925 orge de Forest ireh, “Leda and the | Swan;’?) anonymous buyer... RSENS ioe asks ate 1,300. kwyant, “Sunset in the Woods;’? Mr, Will-. Parte UNEAe ELM: Wo Kiso soe a kms witaeramaeectot 725 [Wzant, “a Cloudy Evening;’’ Mr. L.. EB. iJ Uremaet D. Martin, ‘Autumn; Mr, William Macheth Se OER SORT SES RSH ORE Nore SE 715 I: | Winslow Homer, ne the Trail; 3”? Messrs. SoM: Knoedler & Co. . AS SS ARE Peo 700 Tyrant. ‘September’ >” Holland: Gallery... - 825 omer Martin, “October; ue Mr, George ‘ H. ‘Ainslee BAW et, aes eka ier ANY ANNI, 650 J. Francis Murphy, “Marly Autumn;’ Messrs, Abraham & Straus... ........55% A a0p Winslow Homer, ‘‘A Good One;’’ Messrs. M. Knoedler & GOR itis re orola Datura cee 1,100 Inness, ‘Durham, Connecticutt, “"y880;” Messrs. Abrabam & Straus............- 876 Homer D, Martin, ‘‘Low Tide—Villerville: 2 SUES V IORI 0 santas ty Kurata Ne st Olus telat See atane 2,200 | William Gedney Bunce, ‘‘Watch Hill, Rhode Island;’’ Mr. George H. Ainslee... 58 Blakelock,» ‘‘A Pool in the TForest;’’ SHOVING Me Fy cae ya cle pea eake bce nt pu cw 750 | Wyant, “A Gray Day;’’ Mr. Ralph King.. 1,850 D. W. ‘Tryon, ‘‘Autumn lEyening;’’ Mr. Ratha tA DATE WS 50.8, yo: ol kibjniah o) SRE ALM EGR cai 1,725 Blakelock, “The Mountain Brook;’’ WUAUTAY LN OALES rae ananasly a iate ow pero: oh) cide OBS tue seeie Ar OLS! 800 | J. Alden Weir, ‘Lengthening Shadows;’” Mr, William Macbeth.......2..scesss00- 1,100 | J. H. Twachtman, ‘Old Holly House, Cos Cob—Winter;’’ Messrs. M. Knoedler’ & GSC a RU gs -o 4 SEWN Sc stata aM ek be din ei a oncie pa ge vi 800 Inness, ‘‘Spring Blossoms—Montelair, 1885;”" | Messrs. Moulton & Ricketts......0.00.. 06 1,500 Willard L, Metealf, ‘““The Bower;’’ Messrs, Mo Roedler 88 Ooo. sos wales ove e cones 700. | Childe Hassam, “‘Leda and the Swan;'’ Mr, ERNIE O ROCMSEIL DOT Vive tiaveg, +s Stele veyacsy ac cheat eath 1,300 \J. H. Dwaehtman, “A Spring Morning;’’ hi Wiliam: Mime betes oo 552 shoe aetna 1,250 Benry Wey Ranger, ‘*Willowss"’) Mr. Will- jam: Matbeta. 7. es casi eee ee eae rad bert ae OO J, H. Lwachtman, “The Bridge in Win- | ter;’” Messrs. M. Knoedler & Go........-- 1,450 ‘Robert Reid, “The Brown Veil;’? Mr.. N, MSRM aiathe Geib aelmiateie pis ehakeie Hota ets Sale Bi 660 Louis Paul Dessar, ‘‘The Wood Cart—Eatly Morning;’’ Mr, Henry Schultheis........ . 1,450 Henry W. Ranger, ‘‘The Swamp Pool;’ MSA TA SE, SHONOKS coe wisi Satria oe icles elie 1,400 \J. H. Twachtman, ‘Meadow Flowers; an : Colonel | Wood wards es hives caelea lems 700 Lilian M. Genth, “Spring Blossom:"* Dr. VAMOS DIY WI slisid s d'e.4, Lol toe as Sie ea aieiR ee IRC Cote |Hugo Ballin, “An Brening Song;’" anony- MOGI F4 win sul ecto inariocmedewie ialeiue ti patina peukee BaD. |\C, M. Dewey, ‘‘Drifting;’* anonymous..-.., 560 To-night Mr. D. W. Tryon’s ‘‘Daybreak,’’ |'Wyant’s ‘Morning at Neversink,”’ Blake- \lock’s ‘Moonlight’ and Homer D. Mar- tin’s “The Mussel Gatherers,’’ large and limportant canvases, will be sold, ” ag 3 an : — i a =e? ihe ee ee = REPRESENTATIVE AMERICAN PAINTINGS THE PRIVATE COLLECTION ~ OF THE WIDELY KNOWN AMATEUR WILLIAM T. EVANS, ESQ. OF NEW YORK TO BE SOLD UNDER THE MANAGEMENT OF THE AMERICAN ART ASSOCIATION MADISON SQUARE SOUTH NEW YORK ; Ee Pek rt te om Ew dee e < 2 y \ 4 ‘ ¥ my %, " ° ~ “Ht ; é ae: > z - ts \ \, ute) : ON FREE PUBLIC VIEW AT THE AMERICAN ART GALLERIES MADISON SQUARE SOUTH, NEW YORK BEGINNING WEDNESDAY, MARCH 26tTn, 1913 AND CONTINUING UNTIL THE MORNING OF THE DATE OF SALE, INCLUSIVE THE PRIVATE COLLECTION OF AMERICAN PAINTINGS FORMED BY THE WIDELY KNOWN AMATEUR WILLIAM T. EVANS, ESQ. OF NEW YORK UNRESTRICTED PUBLIC SALE IN THE GRAND BALLROOM OF THE PLAZA HOTEL FIFTH AVENUE, 58TH TO 59TH STREETS, NEW YORK ON MONDAY, TUESDAY AND WEDNESDAY EVENINGS MARCH 31st, AND APRIL 1st AND 2npD BEGINNING EACH EVENING AT 8.15 O’CLOCK = ILLUSTRATED CATALOGUE OF THE COLLECTION OF AMERICAN PAINTINGS FORMED BY THE WIDELY KNOWN AMATEUR WILLIAM T. EVANS, ESQ. OF NEW YORK TO BE SOLD AT UNRESTRICTED PUBLIC SALE IN THE GRAND BALLROOM OF THE PLAZA HOTEL ON THE DATES HEREIN STATED PAINTINGS DESCRIBED BY MR. DANA H. CARROLL THE SALE WILL BE CONDUCTED BY MR. THOMAS E. KIRBY, OF THE AMERICAN ART ASSOCIATION, MANAGERS NEW YORK 1913 CONDITIONS OF SALE 1. The highest bidder to be the Buyer, and if any dispute arises between two or more Bidders, the Lot so in dispute shall be immediately put up again and re-sold. 2. The Auctioneer reserves the right to reject any bid which is merely a nominal or fractional advance, and therefore, in his judgment, likely to affect the Sale injuriously. 3. The Purchasers to give their names and addresses, and to pay down a cash deposit, or the whole of the Purchase-money, if required, in default of which the Lot or Lots so purchased to be immediately put ‘up again and re-sold. 4. The Lots to be taken cway at the Buyer’s Expense and Risk within twenty-four hours from the conclusion of the Sale, unless other- wise specified by the Auctioneer or Managers previous to or at the time of Sale, and the remainder of the Purchase-money to be absolutely paid, or otherwise settled for to the satisfaction of the Auctioneer, on or before delivery; in default of which the undersigned will not hold them- selves responsible if the lots be lost, stolen, damaged, or destroyed, but they will be left at the sole risk of the purchaser. _§. While the undersigned will not hold themselves responsible for the correctness of the description, genuineness, or authenticity of, or any fault or defect in, any Lot, and make no Warranty whatever, they will, upon receiving previous to date of Sale trustworthy expert opinion in writing that any Painting or other Work of Art is not what it is rep- resented to be, use every effort on their part to furnish proof to the contrary ; failing in which, the object or objects in question will be sold subject to the declaration of the aforesaid expert, he being liable to the Owner or Owners thereof for damage or injury occasioned thereby. 6. To prevent inaccuracy in delivery and inconvenience in the settlement of the Purchases, no Lot can, on any account, be removed during the Sale. 7. Upon failure to comply with the above conditions, the money deposited in part payment shall be forfeited; all Lots uncleared within one day from conclusion of Sale (unless otherwise specified as above) shall be re-sold by public or private sale, without further notice, and the deficiency (if any) attending such re-sale shall be made good by the de- faulter at this Sale, together with all charges attending the same. This Condition is without prejudice to the right of the Auctioneer to enforce the contract made at this Sale, without such re-sale, if he thinks fit. 8. The Undersigned are in no manner connected with the busi- ness of the cartage or packing and shipping of purchases, and although they will afford to purchasers every facility for employing careful carriers and packers, they will not hold themselves responsible for the acts and charges of the parties engaged for such services. Tur AMERICAN ART ASSOCIATION, Manacers. THOMAS E. KIRBY, AvcTIoneEEr. — : \TALOGUE FIRST EVENING’S SALE MONDAY, MARCH 31, 1913 IN THE GRAND BALLROOM OF THE PLAZA FirtH AVENUE, 58TH TO 59TH STREETS BEGINNING AT 8.15 O'CLOCK No. 1 WILLIAM MERRITT CHASE, N.A. AMERICAN 1849— NEAR BAY RIDGE Height, 10 inches; length, 1434 inches THE water of the Narrows is a silvery gray and blue, reflect- ing the pale blue sky and thin white clouds, which are tinged with a fleeting pink. Along the shore are factories and dwellings, with a patch of lawn visible and smoke blown from tall chimneys. In the stream are many sloops and schooners, at anchor or tied up to wharves, their tall poles rising sky- ward and topsails bunched above the crosstrees. Signed at the lower right, Wm. M. Cuase. Purchased from the Holland Galleries. B se. ane Memp-Hregg No. 2 CHARLES C. CURRAN, N.A. American 1861— BUTTERFLIES (Water Color) Diameter, 1214 inches AGainstT a solid circular background of grayish-blue, and against the light, a nude and red-haired maiden is portrayed at three-quarter length, seated on a bank of flowering greenery with her back three-quarters to the spectator, her face in pro- file. She looks down at a vivid green and blue butterfly, and other butterflies flutter about. Signed at the lower right, Cuas. C. Curran, 1904, with the title. Purchased at Salmagundi Club sale. S ss. aif a No. 3 RALPH ALBERT BLAKELOCK AMERICAN 1847— PEGASUS Height, 9 inches; length, 1234 inches From a low green spot in a wild and rocky landscape a white steed rears upon his hind legs and points his nose skyward, a small rider in pale blue clinging to his neck. The group is seen against a broad black tree trunk and clump of brush, before a sky of swirling white clouds. /G 0. AyorClon > Ine hoteg No. 4 SAMUEL COLMAN, N.A. American 1833— MOONRISE AT VENICE Height, 101% inches; length, 18% wches Ir is dim twilight, and the lands and the waters are seen as within a gray veil, against a low background of thick, slaty- blue horizon haze. Out of the haze the pale, full moon is rising, reflecting a white pathway on the broad water which makes up the foreground. Here a dark gondola or two, with a light under the baldacchino, and one or two sail are seen on the canals, and beyond them in misty distance domes and cam- paniles above low masses of indistinct buildings. Signed at the lower right, SamuEL CoLMAN. From the Colman sale, American Art Association. f2b0o, \Talfek Jing No. 5 FREDERICK BALLARD WILLIAMS, N.A. American 1871— THE BATHER Height, 11%4 inches; length, 1434 inches A YOUNG woman with reddish-yellow hair is seated, nude, upon a dark green drapery thrown over a ledge of rock in a sequestered nook by the side of a rushing brook. Her back is toward the spectator but she turns her head to look over her left shoulder so that her face is seen three-quarters front, as she sits with her right foot crossed over her left knee, her left hand resting on it. The rocks are yellowish-brown and dull green, and the tumbling light green water of the stream is further lightened by the foam churned up in its swift flight among the small boulders in its course. Signed at the lower right, Frep’k Batitarp WILuraMs. Foss. Probl Vice hates No. 6 WILLIAM A. COFFIN, N.A. AMERICAN 1855— A RAINY DAY Height, 14 inches; length, 20 inches LusH meadows and cultivated fields divided by bush-hedges and trees cover a broad hillside and hollow. A road crosses diagonally, leading in the direction of groves and buildings on a distant ridge along the horizon, all but obscured in the dimness of a dark day and still-descending rain. The gray rain-clouds become darker toward the left, where the force of the storm is seen; all the landscape is wet, and the still foliage droops. Signed at the lower right, Wm. A. CorrFin. No. 7 RICHARD PAULI American 1855—1892 EVENING Height, 1834 inches; length, 22 inches Day has hardly gone, but the crescent moon is showing her pale yellow form in the sky, and two bright planets appear above her, unobscured by the plentiful nebulous clouds, still tinged with sunset colors, which lightly veil the visible heavens. The landscape is low and flat, with gentle undulations that in the sunset hour almost spell a lullaby, and a shallow lagoon or inlet sweeps across the picture, a clump of trees on its farther shore interposing their shadows between the lighter re- flections of the distant sky. Signed at the lower right, Ricuarp Pavtt. Purchased from A. Ludwig. No. 8 EASTMAN JOHNSON, N.A. American 1824—1906 CORN HUSKING Height, 8 inches; length, 27 inches A soyous picture with all the life of a sketch at one go, pre- senting a company of neighbors at a husking bee in a field ad- joining a farmyard and large barn. The gathering—their numbers indicating an out-turning of the whole neighboring countryside—produces a scene of abounding life, good cheer, fellowship and industry in a bucolic America that is passing away. Near the big barn, huge rounded stacks are piled, the green field before them, where the busy company is as- sembled in varicolored costume, being almost wholly covered with the yellow discarded husks of the garnered maize. - Signed at the lower left, E. J., Ocr. 28, °75. From the Johnson sale, American Art Association. No. 9 FREDERICK S. CHURCH, N.A. AMERICAN 1842— THE VISITOR Height, 22 inches; width, 16 inches A FAIR young girl in a simple filmy white dress, sleeveless and décolleté, with pale yellowish tones, banded about the waist with a wide sash of the same material, is portrayed as a shep- herdess coming through thick and tall green grass, a sheep by her side which nestles up to her, and a flower-entwined crook in her hand. Her abundant light hair is decked with a white rose. She is shown at nearly full length before a light green wood, and she smiles gently as a white dove with outspread wings alights on her extended right hand. Signed at the lower right, Coprricut By F. S. Cuurcn, 1901. Purchased from the artist. £360. Cobuccr rowan No. 10 RALPH ALBERT BLAKELOCK American 184'7— EARLY EVENING Height, 15%4 inches; length, 2334 inches AN expanse of blue water in the foreground, extending across the picture—blue with reflections of the sky and distant mountains—is mottled with further reflections of lavender- brown clouds, the shadows of bushes on its bank, and the light of the full moon, which, though high in the heavens, is still white as though the daylight had not wholly departed. The bank, across the picture, is low and brown, and sugges- tions of dwellings come out of the obscurity, while in the dis- tance under the still light sky a range of mountains, dim and blue, bounds the scene. Signed at the lower right, R. A. BLaxetock. Purchased from William Macbeth. No. 11 THEODORE ROBINSON American’ 1854—1896 A NEW ENGLAND BROOK Height, 18 inches; length, 22 inches GREEN branches of trees whose trunks are unseen overhang a grass-covered bank sloping from the left, and a small gray tree, some of whose limbs are dead, or bare of leaves, grows near its foot at the edge of a broad brook which curves into the fore- ground. The foliage and a green hillside that forms the back- ground all but shut out the sky, which is glimpsed through leafy apertures. The brook is green with reflections of its surroundings, and gray-blue and white where it mirrors the sky, and small rocks rising in its shallow water form at one point a “bridge” or crossing. The light is diffused and the spot inviting, with suggestions of field flowers and freedom to roam. Signed at the lower left, Tu. Rosinson. Purchased from S. S. Dustin. pars Ablow. PY onlin : No. 12 JOHN HENRY TWACHTMAN American 1853—1902 AN EARLY WINTER Height, 17 inches; width, 14 inches OveER a low, uneven countryside the grass is still a fresh green in a meadow where the hollows have been filled with an early drifting snow. Across the background a ridge of high hills, wooded and dark for the most part, reveals one broad field on a steep slope, which is snow-covered, with patches of its green grass coat appearing here and there. In front of the hill is a group of gray buildings with snow on their roofs, from the chimney of one of them a line of smoke curling sky- ward in the wind. Before them two trees retain a few of their leaves. The air is filled with a fine drifting snow. Purchased from William J. Baer. Mad. FAG Fie No. 138 LOUIS LOEB, N.A. AmERICAN 1866—1909 THE DREAMER (Water Color) Height, 22 inches; width, 1734 inches A TALL young woman gowned soberly in a green so dark it is nearly black is depicted at three-quarter length, seated and facing the right, three-quarters front. Her hands rest idly in an open book in her lap, and she gazes blankly into far-off space, dreaming. The light falls broadly on her bright red hair and exposed shoulder, and she wears a violet-blue and green corsage bouquet. Signed at the upper right, Louts Lorn, with date. Jo250. In? Sprenger No. 14 WILLIAM GEDNEY BUNCH, N.A. AMERICAN 1840— SUNSET—MOUNT DESERT (Panel) Height, 1434 inches; length, 25 inches ONE looks over a rolling crest toward the western sky. In the fading light details of the landscape are merging and the place looks lonely and deserted, though the roofs of dwejlings appear beyond the crest, standing out against the sky, and on the right is a cottage with a long sloping Dutch roof, from whose chimney a column of black smoke is rising straight in the still air. The Mount slopes to the right, and the fore- ground is an undulating field of green grass with brown patches. Little light remains in the sky, which shows green- ish-yellow and deep orange tones. Signed at the lower left, W. G. Bunce. On the back: “Sunset, Mount Desert, Maine, 1880; Wm. Gedney Bunce.” Purchased from Cottier & Co., New York. No. 15 WILLIAM SARTAIN, A.N.A. American 1843— NEAR ENGLEWOOD, NEW JERSEY Height, 15 inches; length, 22 inches t A GREEN and level meadow with luxuriant velvety grass lies between a moderately high bank on the left and a dense mass of woodland growth in the distance on the right, like a verdant river confined by umbrageous shores. ‘The bank on the left in the foreground is abloom with red, pink, yellow and white flowers amongst its herbage, and overtopped by a spreading, tree-like bush which raises a huge umbrella of dark foliage against a light blue sky with a horizon band of white cumulus clouds. Signed at the lower right, W. Sarratn. $326. Arn Goacheth No. 16 HUGO BALLIN, A.N.A. AMERICAN, CONTEMPORARY THE DOVE (Panel) Height, 21 inches; width, 17 inches A. DECORATIVE composition full of rich but subdued color. A young woman is shown at half-length, facing the spectator, before an idealized background. Her left hand is extended before her breast and a white dove with a green sprig in its beak has alighted on the index finger, and with wings still expanded holds up the green toward her face. She wears garments of many colors, and jewels. There is a noticeable quality in the dove’s plumage. Signed at the lower left, Hueco Bain, ’08. X20. FT ee Nonw-l? J. CARROLL BECKWITH, N.A. AMERICAN 1852— APPLE BLOSSOMS Height, 2534 inches; width, 171% inches A ropust blond young woman, her golden hair bound in light blue fillets and her features drawn into a musing smile, is seated in a bower of luxuriant pink blossoms among the dark brown branches of a sturdy tree, only the crotch of whose trunk is visible. About her is wrapped a canary-yellow and pink-white filmy drapery which leaves an arm and her chest exposed, and over her lap is spread a broad and open book, at a page of which she gazes with interest, the back of one wrist against her thigh. Signed at the lower left, CaRRoLL BeckwirTH. Reproduced in Lippincott’s “American Figure Painters.” Purchased at the Beckwith sale, American Art Association. P30. py? prance No. 18 THOMAS W. DEWING, N.A. AMERICAN 1851— MORNING Height, 314% inches; width, 10 inches MornIn¢ is represented in the figure of a woman, tall, fair and erect, who stands with elbows raised and hands clasped be- hind her head, turned slightly to the left. She is gowned in a classic drapery of white, tinged with a faint pink and a cool, bluish-green, which leaves her arms bare, and although stand- ing, she seems not yet wholly awake, her face seen in a half- light. Vaporous background of blue and green tones. Signed at the lower left, T. W. Dewine. Purchased from S. S. Dustin. Pyco. /y SOAP No. 19 ALFRED CORNELIUS HOWLAND, N.A. American 1838—1909 AT THE MILL, WALPOLE, NEW HAMPSHIRE Height, 14 inches; length, 1634 inches BEsIpE a clump of slender trees in the foreground, on the nearer, grassy edge of a curving stream, an old flat-bottomed skiff is tied up. On the farther bank appears at the left a group of red and gray frame buildings, in the shelter of trees and a hill, and at the right another ancient gray building is seen obscurely, a road passing downhill between it and its neighbors on the left. In the blue sky are cream-white and smoky-gray clouds. Signed at the lower right, A. C. Howxianp. A paster on the back describes the painting as a “bit of old-time facts in the birthplace of the artist.” Purchased at the Howland sale, American Art Association. Boro. in’? Notha~ Bier No. 20 OTTO WALTER BECK AmeERIcAN 1864— THE SHEPHERD Height, 15 inches; width, 144% inches THE head of a man of spiritual countenance, with long, flowing blond hair and light, yellowish-brown beard, of a type often used in representing The Christ, is shown against a strong crimson drapery beyond which appears a landscape with sheep. He wears a garment of white with a blue string at the neck, and against one shoulder is leaning the head of a boy, who wears his yellow-brown hair long and holds in his hand a shep- herd’s crook. He is clad in a blue tunic. Purchased from the artist. Geo, YO Wanda No. 21 WILLIAM L. LATHROP, N.A. AMERICAN 1859— TWILIGHT IN CONNECTICUT (Water Color) Height, 1334 inches; length, 15% inches Down a steep and characteristic Connecticut hill which mounts high on the left, crossed and cut by gray stone fences, a wind- ing narrow road makes its way to the foreground, passing at the foot of the hill an old gray barn, an open window of which discloses the haymow within. On the right at the base of the hill is a grove of bare brown trees, a similar grove sur- mounting the hill, and a blue brook crosses the road near the barn. Daylight has not gone, and the full moon is coming up, a pale white disk, above the hill. Signed at the lower left, W. Laturop. Recevved the Evans prize for the most meritorious water color in the exhibition, painted in this country by an American artist, at the exhibition of the American Water Color Society, 1896. Brys. hy, kmoecllee x C2 No. 22 WALTER SHIRLAW, N.A. American 1838—1909 TONING OF THE BELL (Study for the large picture) Height, 131% inches; width, 1014 inches In the gray and brown interior of a foundry or the sheltered corner of its court, a monk or professor in skull-cap and black robe is sounding the note on his violin while a sturdy founder is at work with his implements on a huge golden-bronze bell lying shored up on its side. A dog squats before the bell, listening, and three small children and a girl carrying a baby look on from a doorway at the right. Signed at the lower left, W. Surruaw. Endorsed on the back: ‘‘Original sketch of ‘Toning the Bell’; Walter Shir- law, N.A.” Purchased from the artist. $160 CIT2) Sh orrptor No. 23 GEORGE FULLER, A.N.A. AMERICAN 1822—1884 A CHILD OF THE FOREST Height, 11 inches; width, 9 inches AGatnsT a dark background as of the depths of a forest—a slender tree-trunk or two seen on the edge at the right, where a glimpse of the sky may be had—a sturdy child is pictured, nude but holding a crumpled garment against his chest. He is round-faced, with thick and tousled golden hair, and his cheeks and the flesh of his body show a rose-pink hue, his suspended garment being a pearl-gray. A low-toned canvas of curiously attractive quality. Signed at the lower right, G. FuLier. Purchased from Louis Katz. : B25. hanrtor Mant pole No. 24 LOUIS PAUL DESSAR, N.A. American 1867— THE EVENING STAR Height, 10 inches; length, 12 inches DayLicHT is departing, a few shadows may still be seen in the deepening dusk, and the evening star shines brightly in the blue sky, below white cloud masses that have become gray in the gloaming. In the foreground, in a green field marked at the right by a few scraggly trees and posts, and bounded in the distance by indefinite chaparral, a shepherd whose outline is dimly seen is leading his sheep to the fold. They are approach- ing a thatch-roofed low white building in the middle distance— its thatch a mossy greenish-yellow and brown. Signed at the lower left, Dessar. Purchased from the artist. Pigo Italph Home No. 25 WALTER SHIRLAW, N.A. AMERICAN 1838—1909 THE KISS (Panel) Height, 121% inches; width, 11 mches HALF-LENGTH portrait of an angular woman with large, dreamy features and bright red hair, seated facing the right and turned slightly forward. She wears a shoulder-sleeved décolleté gown with a sheen of old gold, and is seen against a dark green and blue conventional landscape background, as a gray dove alights on her shoulder and approaches its beak to her parted lips. Signed at the upper left, W. Suiriaw. Purchased from the artist. $/30 J: ae No. 26 LUCIA FAIRCHILD FULLER, A.N.A. AMERICAN, CONTEMPORARY THE ROSE GOWN (Miniature on ivory) Height, 714 inches; width, 414 inches AGAINST a rose-pink background a tall, graceful brown-haired young woman stands in bare feet and a négligée lavender-rose gown, which is lace trimmed and carelessly open down the front, disclosing the white undergarment. She turns her head slightly to her right and holds her right hand lightly up to her chest. At her left, hanging on the wall, appears a delicate .J apanese painting of a charming color quality. Signed at the lower right, L. F. Futter, 1907. Purchased from the artist. $360. SES af Bias Tp No. 27 RALPH ALBERT BLAKELOCK American 1847— GOLDEN EVENING Height, 634 inches; length, 814 inches GOLDEN evening it is, on the great American plains, while still the Red Man had his home there. His encampment is seen in two large, amber- and topaz-tinted tepees, set up at the right before a group of tall trees whose shimmering leafage rises dark against the light of the sky. In the foreground and to the left a level plain, amber and pale olive, extends far back to broad hills under a sky blazing in molten gold, touched with crimson and malachite-green, the whole landscape suffused with the brilliant glow. Indians are seen in many-colored garments. Signed at the lower right, R. A. BuaKeLock. No. 28 ALBERT P. RYDER, N.A. American 184'7— AUTUMN (Panel) Height, 6 inches; length, 934 inches Broap flat fields, brown and sere, extend with scarcely an inter- ruption to a distant low horizon, the herbage brown, with lingering suggestions of green, in the evening of an autumn day. A mass of white clouds gathering and reflecting some ~ light of the departed sun make one relatively light spot above the horizon, and against this is seen a spreading tree with dark branches, in the left middle-ground. On the right appears the edge of a tree with massed foliage, quite dark in shadow. Purchased from A. Ludwig. GD) [50 Bo EZ No. 29 ROBERT C. MINOR, N.A. American’ 1840—1904 TWILIGHT Height, 8 inches; length, 10 inches Two figures, one in a white cap and one in a red one, are descried in the transparent shadow of some thick brush at the — right, at whose edge grow a tall poplar and a shorter, bushy tree. The shadow is lightened by a small pool, near which the two persons are gathering fagots. Beyond them and the trees the land opens to a broad, undulating green field, relatively brilliant in the reflected light of lingering yellow sunset clouds, and bordered by wooded land. Signed at the lower right, Minor. paso. CC Cotas No. 30 J. FRANCIS MURPHY, N.A. American 18538— AUTUMN Height, 8 inches; length, 10 inches GREEN fields or meadows, with red and brown patches in the wild grass, surround a foreground pool reflecting the gray clouds in a mottled and confused sky. The light is weak toward the end of day. At the right is vague, indefinite distance. From the left an angle of a grove projects, the trees brown and dark, with the foliage of some of them a bright autumn red as after a first frost in a return of warmer weather. Signed at the lower left, J. Francis Murpuy, 1903. No. 381 RALPH ALBERT BLAKELOCK AMERICAN 1847— SUNDOWN (Panel) Height, 814 inches; length, 121% imches THE sun has passed below the horizon, and a sky full of light clouds is turned to gray and yellow where it is seen between heavy dark masses of foliage which darken and almost over- arch the foreground. In the middle distance a lake or river, seen below the leaves, catches a reflection of the yellowed clouds, the rest of its surface reflecting the red brown of buildings on the far shore which appear in the tone of sard. $ 960, i No. 32 ALEXANDER H. WYANT, N.A. AMERICAN 1836—1892 A CLOUDY DAY IN THE ADIRONDACKS Height, 9 inches; length, 154% inches Dro specters of broad, round-capped mountains appear in the distance, veiled by strata of dull, brownish-gray clouds which render them all but invisible. Lower down the undulating slopes heavier, tumbling masses of lighter-colored, grayish- white clouds roll over the land above green-wooded foothills, and the tones of the brown and the gray clouds are echoed in a shallow, spreading stream of the foreground. WHere in the twilight is seen the figure of a woman in a white waist, and a lone white cow browses in the grass of the hillside near a humble cottage. Signed at the lower right, A. H. Wyant. Purchased from A. Ludwig. JOO . oe [Te eo No. 33 WINSLOW HOMER, N.A. Amertcan 1836—1910 THE DEAD DEER (Water Color) Height, 1334 inches; length, 1934 inches THE gray trunk of a dead tree lies across the picture, on the farther bank of a dark stream that forms the foreground, in a deep wood. A doe has been shot and tumbled across the log, her nose and one fore foot dipping into the shallow water. Light from the right colors the water with reflections of the surrounding underbrush. | Signed at the lower right, Homer, with date. Purchased from M. Knoedler & Co. Bsoo. 1. tr.v Meee No. 34 ALEXANDER H. WYANT, N.A. AMERICAN 1836—1892 IN THE CATSKILLS Height, 14 inches; length, 17 inches In the foreground the land rises on either side of a brook of sinuous course, green bushes growing down to the water’s edge on the right, and on the left a slender and nearly leafless tree rooted in a stony soil whose herbage is a brownish-green. Beyond a brown, indefinite middle distance rises the deep blue ridge of the mountains, with peaked and rounded summits, under a sky full of white and darkening gray clouds. Signed at the lower left, A. H. Wyant. From the A. H. Wyant sale, 1894. Paro. A oo, No. 35 GEORGE INNESS, N.A. American 1825—1894 LANDSCAPE AND CATTLE Height, 12 inches; length, 18 inches Tau trees of sound age and full foliage grow at the left in groups of two and more, at the border of a flat green pasture where a herd of cows are grazing. The tree-tops pass out of the picture. Across the background to the right a thick grove of trees bounds the pasture, over them being seen a blue sky with smoky-gray clouds overhead and billowing white cumuli rolling along nearer the horizon. Some coarse grass and scragely roots vary the immediate foreground, and the whole of the foreground is in semi-shadow. Bright sunlight falls on the middle-ground and the grazing herd—cows red, white, black and brown—and the softly rustling foliage and the sturdy gray trunks of the bordering trees. The air is clear and there is an atmosphere of freshness over the green and sunny countryside. Signed at the lower left, G. INNEss. Purchased of J. H. Strauss. fe x00. (ban her. ~ Coe No. 36 ROBERT C. MINOR, N.A. AMERICAN 1840—1904 SUNDOWN Height, 16 inches; width, 13 inches THROUGH a vista between tall birches and pines and shorter, thicker trees, one looks past the green foreground, across blue water, and afar to yellow, green and red fields, sloping to the water’s edge and golden in the late rays of the sinking sun slanting across them from the right. ‘The foreground, in shadow, as are the trees bordering it, is in the form of a slight ravine, and the grassy sides of its gentle slopes have a velvety, moss-green texture. At the foot of the ravine a bit of brown sandy beach appears, with low blue waves approaching, and combing in white foam-crests as the water shallows. The sky is blue, with light nebulous and smoky-gray clouds. Signed at the lower right, Minor. From the Kirkpatrick sale, American Art Association. No. 387 ALEXANDER H. WYANT, N.A. American 1836—1892 A LOWERY DAY (Water Color) Height, 11 inches; length, 141% inches A ROLLING meadow threaded by a winding brook is dark and heavy with the moisture and dullness of a day of lowering gray clouds. The grass is a deep green in the shadow of trees, lighter but yet subdued under the lighter parts of the sky. Vegetation is dank about the brook, and the murky distance melts into the low clouds. Signed at the lower right, A. H. Wyant. Purchased from the Montross Galleries. Bo00. %, Aneedhr vCEe o No. 88 ALBERT P. RYDER, N.A. AmeERIcAN 1847— “WITH SLOPING MAST AND DIPPING PROW” Height, 12 inches; width, 1114 inches Wir# sheets free a small sloop-rigged open boat of heavy build is bowling along in a rolling but somewhat choppy sea, headed toward the right. It is night but the full moon, well above the horizon, in the center, illumines the sea and sky with a yellow-white radiance which is diffused by fleecy clouds and reflected by the dancing waters. Against the light the boat and her sails rise in silhouette, and besides the helmsman an- other figure is discerned in the boat, both occupants peering astern. The sea is a deep, dark green. A canvas of color- richness and charm, rather than nautical exactitude. Signed at the lower left, A. P. Ryprr. Purchased from Cottier & Co. f > O80. Goo. S Taber No. 39 WINSLOW HOMER, N.A. American 1836—1910 A FISHERMAN’S DAY (Water Color) Height, 121% inches; length, 191% shone ON a mountain lake or stream whose clear water is gray under the gray clouds that are kind to fishermen, two enthusiasts are out for some sport in their gray canoe. ‘They are working along a light green shore, back of which tall conifers rise dark under the deep shadow of a rain-cloud, with a broad moun- tain in the distance high over all, its summit among the clouds. The bow fisher has had a fine strike and is about to use the net, while the stern paddler guides and steadies the canoe. Signed at the lower left, Homer, ’89. Purchased from Gustav Reichard. No. 40 ALEXANDER H. WYANT, N.A. AmeERIcAn 1836—1892 MOONLIGHT Height, 10 inches; length, 16 inches A POETIC landscape, with the sentiment of the hour—a vast moorland, apparently, whose details are indistinguishable in the darkness which is just being dispelled by the rising lunar orb, not yet wholly above distant low-horizon hills. The haze of the earth’s atmosphere still partly obscures it, but the clouds—thick and tenebrous overhead—are scattered and dis- persed about the brilliant disk, and its light brings the land- scape into being, as it were, and makes a gray, metallic mirror of a stream intersecting the middle-ground. Signed at the lower left, A. H. Wyant. Purchased at the Wyant sale, 1894. B00 43, Yhar ptore No. 41 HOMER D. MARTIN, N.A. American 1836—1897 LAKE GEORGE Height, 13 mches; length, 20 inches THE low green foreground, broken by grayish-white rocks, is tinged as are the trees—a detached one toward the left, a mass of them on the right—with autumnal brown and suggestions of dull red. The Horicon, beyond, is a blend of gray-white and pale blue, reflecting the sky, which throughout bears these tones of summer above the landscape marked by advancing fall. The farther shore is visible toward the left. Signed at the lower right, H. D. Martin, 1884. Purchased from the artist. Boys. Wy. Arcelor v2 No. 42 FREDERICK 8S. CHURCH, N.A. American 1842— THE WITCH'S DAUGHTER (Water Color) Height, 2114 inches; width, 13 inches THE witch’s daughter is a fair and seductive young woman, and she sits comfortably in the deep crescent moon, looking down at a wide-eyed owl perched beside her. He is brown, and she wears a sleeveless pale green gown of flimsy material, which trails below as they float through the clouds. Signed at the lower left, F. S. Cuurcu, N. Y., 1881, copyricnr. Purchased from the artist. Etched by Mr. Church for “L’ Art,” Paris. J ooo. Gh 6G Bea: No. 48 JOHN LA FARGE, N.A. American 1835—1910 MOUNT TOHIVEA (Water Color) Height, 1544 inches; length, 21% inches A MOUNTAINOUS landscape in sunshine and partial shadow, in many tones of green, from tending toward blue to the lightest of green on the far, high mountain, which is in direct sunshine. In the immediate foreground are seen the tops of palms and tropical vegetation. The robin’s-egg sky has many mottlings, on both its blue and green trends, and white clouds, with other clouds tinged as with reflections of the greens below, in lieu of the sunset tones of other climes. Mr. La Farge regarded this work as one of his best. It was done in two hours from his window. From the La Farge sale, American Art Association. fozs 7 ES No. 44 HOMER D. MARTIN, N.A. AmeERicaAn 1836—1897 ON THE SEINE Height, 1214, inches; length, 2234 inches THE peaceful Seine flows about a bend or angle of land which forms the foreground, green with tangled grass and some wild brush growths where bits of color mingle. Here, too, is a short line of tall and slender trees, devoid of leaves or branches, save that each has a small tuft of foliage at its high top. Across the river a group of industrial buildings lines the low, flat bank, back of which is a wooded mound in a line of hills, with a church spire rising over one of them, its shadow re- flected in the stream near a laden sloop with yellow sails, which is also reflected in the water. The sky is filled with white and gray clouds, save for one long streak of turquoise. Signed at the lower right, H. D. Martin, Purchased from Wm. Schaus. fz 100. : ¢ A torr TID No. 45 ALEXANDER H. WYANT, N.A. American 1836—1892 EARLY MORNING Height, 15 inches; length, 22 inches’ THERE is a bright white sky of early morn, with mists or tenu- ous clouds sometimes hanging low over a line of hills which forms an almost level horizon, with peaks toward the right. A stream reflects the light sky, on the left, and near a bare, all but dead, birch on its bank a figure with a gun or stick is seen. The land of the middle distance and foreground is a broken pasturage of yellow-brown and green fields, with black and brown rocks, where red, black and white cows are grazing. Signed at the lower right, A. H. Wyant. Purchased at the Wyant sale, 1894. Exhibited at Berlin and Munich, 1910. $ 1,528. {op ae No. 46 RALPH ALBERT BLAKELOCK AmeERIcAN 184'7— THE INDIAN HUNTER’S CAMP Height, 1534 inches; length, 2334 inches £\ CLEARING at the edge of a wood, well cluttered with under- growth, is partly green and sunlit but shows brownish and red patches and dark shadows, about its uneven surface. Hedging it in the middle distance are irregular trees, singly and in clumps, forming something of an arboreal screen through openings in which distant blue mountains forming the skyline are seen under grayish-white clouds which become darker overhead. At the left an Indian hunter has raised his tepee and sits before it, squatted on the ground in his blanket, his squaw standing to one side, a red garment over her shoulders and her papoose at her knee. The light is lessen- ing toward the close of day. Signed at the lower right, R. A. Buaxetock. Purchased from S. S. Dustin. $ 6.20. SL ID No. 47 JOHN HENRY TWACHTMAN American 1853—1902 NEW YORK HARBOR Height, 14 inches; length, 241% inches A COMPREHENSIVE view of a modest stretch of the waterfront of busy and varied New York a few years ago. Vessels of moderate size and many types are lined up along the shore, which extends back on the left and across the picture. In the foreground on the left, before a red-roofed wharf building, a black schooner is tied to the pier, unloading, her heavy main- sail up, and jibs and fore-staysail merely stopped-down but not furled, in the quiet air. Tugs, lighters, scows and steamers make up the mixed company at the wharves, occasion- ally a tall factory building rising over them above the lower buildings of the waterfront, and at the right in the distance a warship is indicated by her white fighting-tops. The water is gray and mottled, and a white sail and one or two small boats are seen on it under a gray sky with faint traces of blue. Signed, but the signature not wholly decipherable, at the lower left. Purchased from William J. Baer. $650. haf, Show pio No. 48 LOUISE COX, A.N.A. (Mrs. Kenyon Cox) LITTLE MISS MUFFET Height, 24 inches; width, 2034 inches Tus little miss is seated cross-legged on a crimson cushion on the library floor, with her back very straight, and looking straight in front of her toward the spectator, her hands clasped in the lap of her white, pink-flowered dress. 'The short dress has short, puffed sleeves, and her arms and lower legs are bare. Her loosened brown tresses hang over her shoulders, and she wears white shoes. The background is shelves of books, and a screen with blue ground and golden-brown ornament. Signed at the lower right, Loutst Cox, 1906. In the last exhibition of the Society of American Artists. Purchased from the artist. . i Se Go Me eee No. 49 R. SWAIN GIFFORD, N.A. American 1840—1905 SUMMER Height, 1734 mches; length, 2534 inches A BROAD meadow is spread out before the eye, dark green in transparent cloud-shadow, a spot of the foreground lightened by a gray note of barren earth, or water. In the middle dis- tance two low and leaning trees grow close together, and oc- casional bushes dot the meadow, still within the shadow; while to the right, extending to the distance, fields of rising land are yellowing in the sunshine. The sky is filled with violet-gray clouds that part in places for the sunlight to come through, and in the distance is suggested the sea or a bay, the sunshine lighting a cliff or bank of its shore. Signed at the lower right, R. Swain Girrorp, ’88. From the R. Swain Gifford sale, American Art Association. Purchased from Louis Katz. £ ogo. obra Copter No. 50 DWIGHT WILLIAM TRYON, N.A. American 1849— SPRINGTIME Height, 20 inches; length, 241% inches Tue grass of a flat field or pasture is green and full across the foreground, and in the middle distance is interrupted by an extended patch of the brown, upturned earth, where a farmer is plowing. He is engaged in opening a furrow on the nearer edge of the plowed patch and is working to the left behind a gray horse. On the farther edge of the plowed land a fire of fagots has been lighted, and a figure is dis- cerned near the rising blue smoke. On a low but steep acclivity in the distance slender trees grow thickly and are putting forth their new foliage, the whole seen in a veil of mist or haze of a spring day. Signed at the lower right, D. W. Tryon, 1897-9. Purchased from the artist. $1 se. C.C."Dooms No. 51 CHILDE HASSAM, N.A. AMERICAN 1859— AT THE PIANO Height, 24 inches; length, 26 inches AGAINST a pale olive wall, a young lady with luxuriant hair almost as dark as her carved rosewood piano is seen in profile to the left as she sits practising at the instrument, one hand on the ivory keys, the other steadying her music. She is clad in an unadorned white dress with dove-gray and lavender- rose tints and elbow sleeves. On the piano is a bouquet of pink roses, and on the brown wood floor at the side a flourish- ing green bush in a blue jardiniére. A mahogany table be- hind the player holds other cut flowers and a metal candle- stick. : Signed at the lower right, Cuitpe Hassam, 1908. Purchased from the artist. $2050. aN he No. 52 JOHN HENRY TWACHTMAN AmeERIcAN 1853—1892 THE LITTLE BRIDGE Height, 25 inches; width, 25 inches UNDER a low gray wooden footbridge the blue sparkling waters of a brook are mottled with sandy-brown reflections, and are flecked with white where sunlight touches the dancing ripples farther on. In the center the bridge is roofed over in the form of an open summer-house, in the midst of a light but luxuriant wood—an isolated retreat above the cooling stream, the foliage growing to the water’s edge exhibiting many notes of green in its midsummer abundance. Signed at the lower right, J. H. TwacuTman. Purchased from S. S. Dustin. $e, Asn Tacheth No. 53 CHARLES MELVILLE DEWEY, N.A. AMERICAN. 1851— EVENTIDE Height, 22 wmches; length, 30 inches SHEEP are at pasture in a hillside field where the grass is deep and green, streaked with yellow weed. DWIGHT WILLIAM TRYON, N.A. | American 1849— a AN AUTUMN EVENING Height, 16 inches; length, 24 inches GREEN grass and brown bush, and an open heath with a a sprinkling of trees. The wild land is flat and far-extending, 4 ‘= and the scattered groups of trees, mounting out of the evenng shadows against the gray light of the sky, would be in silhouette but that the light percolates amongst their thinning leafage and leaves them but half-darkened sentinels over the heath. _ The evening sky is one of cool, low tones, with striated clouds, _ ; and some of those near the horizon reflecting still the light of the departed sun. | Signed at the lower left, D. W. Tryon, 1908. Purchased from the Montross Galleries. $i yas 1 ue Omd ress No. 114 RALPH ALBERT BLAKELOCK AMERICAN 1847— THE MOUNTAIN BROOK Height, 154% inches; length, Q31/, wnches THERE is the sense of being high in the world, and of the distant lands descending. ‘Trees of dark trunks and green foliage form a partial screen across the picture—those at the left largely in shadow, as the sunlight strikes forward from the right—a narrow opening toward the right giving a vista of indefinite distance over an irregular landscape. The brook appears among rocks at the bases of the trees, and forms a pool in the foreground whose surface is mottled with opaque shadows, and with reflections of the brown rocks and the creamy-brown clouds which float in a sky whose blue is barely visible below dark smoky clouds that overspread it higher up. Signed at the lower right, R. A. BLAKELock. Purchased from the late Senator Frederick S. Gibbs. Exhibited at Berlin and Munich, 1910. es mG, BererBarg No. 115 ALEXANDER H. WYANT, N.AL American 1836—1892 °* AN ADIRONDACK VISTA Height, 241% inches; width, 18% inches clouds. $3 026 Gon: S. Poe yen aaa spstcnner ination ix No. 116 ROBERT FREDERICK BLUM, N.A. ; American’ 1857—1904 CASA D ORO, VENICE Height, 26 inches; width, 18 inches THE canal which forms the foreground is a rippling mirror of many-hued reflections from the variegated buildings, plants and bushes of its shore, which crosses the picture. Pink and orange and gray are the walls and roofs, and blue, green, yellow and brown the details and decorations, while a green and flowering garden behind an elaborate iron grill adds its brightening notes—the whole seen in a scintillant atmosphere under a bright azure sky. Some boys are having a dip in the canal and undressing on a stair, and two gondolas, each attended, are made fast at the bank. Purchased from Otto H. Bacher, who obtained the painting from the artist in Venice. $u5O. ete ee ed. No. 117 ARTHUR T. HILL AMERICAN, CONTEMPORARY LATE AFTERNOON, GARDINER’S BAY Height, 20 inches; length, 2414 inches In the background and extending forward toward the left appears a line of the tall, grass-covered sandbanks of Eastern Long Island, bordering blue water in the distance and flat- tening out to a broad foreground of low, broken dunes and — beach grass. In the left of the foreground is seen the double trunk of a seragely and half-bare beach cedar tree. The blue — sky is all but covered by bands of white cloud along the horizon — and darker, purplish-gray clouds mingled with yellowish- whites ones in the higher strata. a Signed .at the lower right, ArrHur T. Hrxz, 1909-11. On the back: “Gardiner’s Bay, 1909; Arthur T. Hill, East Hampton, L. I.” - i Purchased from the artist. Fano. No. 118 J. ALDEN WEIR, N.A. _ American 1852— LENGTHENING SHADOWS Height, 211% inches; length, 251% inches A HIGH green hill with rounded top and undulating slope rises _ before the spectator, making a high horizon against a brilliant _ sky of clear blue—with a few white cirrus clouds extended in nebulous patches or trailing veils by the upper aerial currents. The hill is dotted with varied trees—tall and slender, _ and short and bushy ones; fruit trees and trees of conical form __ —and a winding road climbs the slope, a brown curve amid the © a green. The nearer and lower part of the incline is in trans- parent shadow with the sun descending behind the spectator, and trees project their shadows up the sward, while the hilltop is alight and the sunshine accentuates the lower trunks of trees on the crest, and the roof and red chimneys of a white farm- house, part of which is seen over one of the undulations. — Signed at the lower left, J. ALDEN Weir, 1887. Purchased from Cottier & Co. $1) 100. Asm Machete No. 119 JOHN HENRY TWACHTMAN American 1853—1902 OLD HOLLY HOUSE, COS COB—WINTER Height, 25 inches; width, 25 inches HERE is true winter faithfully rendered, with charm of color, line and atmosphere, and the quality that this artist was so successful in putting into his interpretations of Nature’s many moods and aspects. ‘The long, low body of the house, paralleled by its veranda, extends across the picture from the left, unit- ing at the right with a taller double structure with high- peaked gable roofs, each roof having one long slope. The roofs are covered with snow, which lies deep in drifts in the yard, completely obliterating paths and blown even up to the doorway sheltered under the piazza roof. It is lodged in crotches of a bare-limbed tree on the right of the door path, lies in patches on the foliage of an evergreen at the left, and has the effect of filling the air. Patches of dull red appear about the house door, and the sky is a pale, cold, whitened blue. Signed at the lower left, J. H. Twacutman. Purchased from S. S. Dustin. face. In. freeoller % Ons No. 120 GEORGE INNESS, N. A. American 1825—1894 SPRING BLOSSOMS, MONTCLAIR, NEW JER- 4 SEY, 1885 Height, 20 inches; length, 30 inches Tue grass is long, loose and green in an open apple orchard _ of short trees with small trunks, taller non-fruit-bearing trees growing behind them at the right as though to act as a shelter. — Two of the fruit trees in the middle distance toward the right > are covered with pinkish-white blossoms which seem to melt into each other and the sympathetic foliage, as though blown by mild breezes. At the left a house or farm building appears among other short trees, over which a cobalt sky is filled with swirling, nebulous, gray-brown clouds, held more or less together in a scrolling, thread-like formation. A figure in — red and black is suggested in the foreground at one side, and back under the tall trees at the right a rail fence or gate appears. The composition is probably from Inness’s own place, which so often furnished him with motives which his genius enriched in their pictorial presentation. Signed at the lower right, G. InNEss. From the Inness sale, 1895. Purchased from George H. Ainslie. L100. Mor Lton Pc byt = SS No. 121 HENRY BROWN FULLER, A.N.A. AMERICAN, CONTEMPORARY MOTHER AND CHILD Height, 24 inches; width, 24 inches THE mother, of a refined peasant type, and wearing a pale dull- green dress with a gray shawl or blanket over her head and draped about her, is seated on a purplish-gray rock on a green uneven hillside where the rock outcrops in many places. She is shown at three-quarter length, facing the left. On her right arm she holds, seated, her nude infant, a golden-haired child who looks gravely at the spectator, with chubby arms ex- tended toward either side in an inclusive gesture, almost in the act of blessing. On distant hilltops are leafless trees. Signed at the lower right, H. B. Futuer. Purchased from M. Knoedler & Co. 6 fase. 4G. WanderLQefo No. 122 LOUIS LOEB, N.A. American 1866—1909 MIRANDA | Height, 28 inches; width, 24 inches a A YOUNG woman with sensitive features and a wealth of rich — brown hair is portrayed at three-quarter length, seated and facing the right, her head turned in the direction of the spec- tator but her thoughtful, half-smiling glance bent upon the floor or something below at her side. She wears a loose, sleeve- a less, low-cut white garment, girdled in brown. As she leans slightly forward with her right elbow resting on her thigh, her right hand is raised to reach the rich tresses which the left has drawn forward over her left shoulder, revealing the well- modeled neck and a modest expanse of shoulder. As she is seated, across the canvas, her back is seen in nearly full view, her hips appear below the girdle, and the right leg as far as the knee, where it crosses its companion. a Signed at the upper right, Copyricut, 1906, Louts Logs. ® From the Frederic Bonner Collection, 1912. $4 00. Gop. oS. Aeon No. 123 WILLARD L. METCALF AMERICAN THE BOWER Height, 26 inches; length, 29 mches THICKLY clustered but slender trees, apparently the border of a wood, grow at the right and throw into transparent shadow a wild green field of the foreground, beyond which a narrow bright blue river crosses the scene, a high hill at its farther bank. The green and grassy foreground is splashed with sunlight, which illumines also various white and purple blossoms among the bushes of the bordering undergrowth. ‘Toward the left, under tall, slender trees of the middle distance, two figures are seated on the ground in the shade. Signed at the lower right, W. L. Mercatr, 1907. Purchased from the Montross Galleries. $uoo. Th. Breeden s €°. No. 124 CHILDE HASSAM, N.A. | American 1859— LEDA AND THE SWAN Height, 25 inches; length, 30 inches Lepa, nude on the bank of a turquoise river dappled with white in its rippling course in the sunshine, reclines with her back a ‘s She leans back on her right sibar her left arm extended along n. her body, her feet being below the bank. Her face is seen in © profile as she gazes down at the swan, who is swimming up a from the left with curious head inquiringly projected. Across — the river are grassy and cultivated fields, which with the fore- — ground bank are bright in the sunshine that illumines also the damsel and the bird. Signed at the lower right, CHILDE Haag 1902. Purchased from the artist. $ aco. | Huge Raveena en eee eee No. 125 J OHN HENRY TWACHTMAN AMERICAN 1853—1902 A SPRING MORNING Height, 25 inches; length, 30 inches THE end of a pond, or small meadow lake, filling the fore- ground of the picture, extends back between low converging hills to a blunted angle at the base of a transverse upland. The surface of the water is wholly given to reflections of the grayish-white sky, with a pink tinge of early morning—and of the green banks and bordering hillsides, and the shadows of thick green trees which surmount them—all filling the water with a varied range of delicate and of deep color. The air is moist and fresh, with a suggestion in this small enclosed valley of the light haze overhanging the general landscape on warm spring mornings. Signed at the right, below center, J. H. TwacutmMan. Purchased from Mrs. Twachtman. $ [QSO. Lis Macketh No. 126 . J. FRANCIS MURPHY, N.A. American 1853— MORNING Height, 241% inches; length, 33 inches. A BroaD green hillside sloping gently forward is lined by hag fi a appear to be distant stone fences dividing fields, and is marked “i nearer by by yellow patches of field growths rising above the green of the De grass. A few sparse trees are seen in the ia scape is vague in the peatee of a gray dawn. What appear - to be woods in the distance on the left are still in shadow, their — ; top-line uncertainly defined against a light band of coming. day along the horizon. Nature is calm and still, slow to reveal her charms. Signed at the lower right, J. Francis Murpuy, 1901.9 No. 127 HENRY OLIVER WALKER, N.A. AMERICAN, CONTEMPORARY A MORNING VISION Height, 28 inches; length, 3014 inches. AN idealized allegorical picture, of refined sentiment, present- ing five figures among flowers within a garden wall, against a classical background of vague mountains and green valleys. At the right a fair and dreamy-eyed young mother in a yellow- ish-purple robe, with a green drapery back of her, is seen at three-quarter length, standing, with one arm folded across her breast and the other supporting her small boy, who stands nude on a pedestal or balustrade at her side. One of the child’s arms encircles her neck, the other is extended before him in the direction in which he gazes fixedly, like his mother, far out into space. On the left and below, their vision is materialized in a group of three winged figures of young women in varied draperies, with eyes of far-off expression as though of another world. Signed at the lower right, H. O. Wavxer, 1895. Received the Thomas B. Clarke prize, National Academy of Design exhibition, 1895. $ 1580. erga ea “Ste saee No. 128. ALBERT P. LUCAS AMERICAN, CONTEMPORARY THE NIGHT WATCH Height, 25 inches; length, 30 inches Aux is stillness and gloom, though it is a night of mbonligaal and the stars are out. The landscape in the mysterious half- _ darkness seems a waste, and deserted save for a solitary figure 4 seen in silhouette above the low horizon, looking over the broad, — irregular lands where evening mists settling in the hollows | reflect the moonlight and offer the only light spots on the — earth’s plane. In the sky the moon struggling to appear — illumines a tangle of nebulous clouds, and in the SH: blue — appear a few stars. Signed at the lower left, ALBERT P. Lucas, 1902. — Purchased from the artist. (acon Violen = TCeem No. 129 CULLEN YATES, A.N.A. AMERICAN, CONTEMPORARY THE FIRST SNOW Height, 25 inches; length, 32 inches Snow covers a stubble-field in the foreground, here and there tufts of green projecting above the white mantle, and more often the red and brown herbage of tougher growth which lingers from the fall days. In the middle distance yellowed sheaves of corn-stalks stand like small tepees—snow-covered — only on the windward side. At left and right a few trees retain vestiges of their red and brown foliage, at the left two — tall evergreens raise their conical forms skyward, and in the _ distance, beyond more snow-covered, rolling fields, one looks — : into purplish-brown woods, their fastnesses seemingly made __ penetrable by reflected light from the snow fallen amongst : them in their leafless condition. a Signed at the lower right, CULLEN Yates. taco. dy of: the romania No. 130 PNY We RANGER, N.A. American 1858— WILLOWS Height, 28 inches; length, 35°4 inches. AN aged willow of sturdy and rugged trunk and straggling branches grows at the right on the edge of a pond or spring pool, its topmost branches mounting above the picture. Slender trees grow at either side of it and across the pond at the left, their graceful bodies seeming to bend in a breeze. The big willow and the pond are in a foreground shadow, while beyond, and extending to the far distance, the sunshine lights green fields of irregular surface, and low hills, under a blue and white summer sky with cream-yellow touches. On the right the fields are bordered by a line of thick woods, near which in the middle distance two persons are seen conversing. Signed at the lower left, H. W. Rancer. Purchased from the artist. No. 131 JOHN HENRY TWACHTMAN AMERICAN 1853—1902 THE BRIDGE IN WINTER Height, 30 inches; width, 30 inches In the foreground a line of tall, straggling bushes crosses the a picture, a few leaves remaining on their topmost stems. Beyond them is a basin or stream of water partly open and partly ice- covered, its open water dark and cold and the ice snow-covered, as is all the surrounding landscape. The air is filled with snow, — and beyond the basin a long red factory building with its tall chimney is seen through a close white veil, with snow-drifts — i piled up about it. Across a road at the left a large frame — dwelling with snow-laden roof is still less clearly seen through — the driving snow, and in the left foreground the road crosses the water by a low bridge. Signed at the lower left, J. H. TwacuTMan. Purchased from S. S. Dustin. Eahibited at Berlin and Munich, 1910. $i uso. | in Wreeclfon » Ce No. 132 ROBERT REID, N.A. AMERICAN 1863— THE BROWN VEIL Height, 36 inches; width, 23% inches THE three-quarter length figure of a young woman with red- dish-brown hair, in a light, filmy, short-sleeved dress, with a long diaphanous brown veil binding her broad-brimmed hat to her head and floating airily about her body. She seems to have been walking and to have momentarily arrested her prog- ress to look calmly in the spectator’s direction. She is in a green field near the wildwood, and has plucked some flowers which she holds lightly before her as though arranging them in a bouquet, and the sunshine plays on her veil, on a part of her face and dress, and on the yellowish-green of the field. Signed at the lower left, R. Retp. Purchased from the artist. federal $ G60. No. 133 LOUIS PAUL DESSAR, N.A. American 1867— THE WOOD CART—EARLY MORNING H OAs 28 inches; length, 36 inches A SILVERY morning of mist, with rose tint and the mystery of = the hour in the distance as of things half-revealed, half-con- - cealed. Nearer by, a woodman has come with his cart to load ‘ cord-wood, and has got an early start, his cart being already _ well-laden. It is backed up toward the left just within the border of a light wood of second growth, the edges of which _ appear at either side of the opening into which the cart is — driven. The yoked oxen drawing it front the spectator with broad, wise, white faces—one ox red, its mate of golden-yellow 4 coat. The foreground and surroundings are a gray-green, — with dew sparkling on foliage and herbage, and the indefinite nebulous distance blends into the gray of the sky. The figure of the old woodman is seen bent over at work on his load, and there is a noticeable quality in the rendering of the sawn logs. Signed at the lower right, Dessar, 1912. Purchased from the artist. Gis — pl uso. . No. 134 HENRY W. RANGER, N.A. . AmeERIcAn 1858— THE SWAMP POOL Height, 36 inches; width, 28 inches THE pool appears in the foreground, bordered by blue-gray boulders whose rough surfaces are patched with various colors in marsh-growths and incrustations. Beyond it a stretch of swamp land extends into the distance, bounded on the left by a wooded upland. At the beginning of the wood, on the border of the pool, the sunlight plays upon the light bark and scraggly trunk of a tree whose green foliage is tinged with yellow—the yellow note running more or less through the landscape and the lower sky. It is a showery day, and the clouds aloft are dark. Numerous birds in flight appear in black silhouette against the sky, and near the pool two figures are seen standing near a small tree. Signed at the lower left, H. W. Rancer, 1907. Purchased from the artist. $1 “co: y120 Q. iP Eliwoce. No. 135 JOHN HENRY TWACHTMAN AMERICAN 1853—1902 MEADOW FLOWERS Height, 33 inches; width, 22 inches A. VERITABLE bit of flowering meadow brought intimately home, . with the beholder seated down among the grasses, and the far-off blue sky grayed over rather by atmosphere and earthy vapors than by clouds. The flowers are lavender and purple, and dark blue and white, and green and pink and golden a yellow, and the small segregated profusion of them shown fills the picture to the top—with a corner given for a glimpse of _ the sky. Signed at the lower left, J. H. TwacuTMaAn. — : Purchased from Mrs. Twachtman. “a a a - oe er No. 136 LILLIAN MATHILDE GENTH, A.N.A. — AMERICAN, CONTEMPORARY SPRING BLOSSOMS Height, 39 inches; width, 30 inches green and sunny orchard, and in the freedom of the days before _ the Fall. She stands on the soft green turf, one knee bent as for the next step, facing the spectator but with her head bent _ toward her right shoulder. Her upraised right arm reaches — a limb over her head, and in her left hand at her side she has. caught a slender branch full of the abundant blossoms. The turning of her head puts her face in a partial, transparent shadow, while the sunshine through the leaves plays upon her body. In the distance two of her companions, also nude, appear dancing with a long festoon of blossoms under another —_ tree in the sun. f Signed at the lower left, L. M. Gentu. Purchased from the artist. ¢ 5.25. fer Rrewr = = sisal tb RS INow 187 HUGO BALLIN, A.N.A. AMERICAN, CONTEMPORARY AN EVENING SONG Height, 3934 inches; width, 2934 inches A. YOUNG woman in a loose, bluish-green gown which is low about the neck is seated in a stone window embrasure playing a lute, and facing slightly to the right. She wears an elaborate jeweled pendant at her breast, a necklace of blue beads strung on a red cord, and a pearl and sapphire ring, and her reddish- yellow hair is wreathed in colors. A conventional landscape is visible through the window, and bright flowers and green vines are used within and without the casement in the production of an effective decorative composition. She has a reposeful, meditative expression, with downcast eyes beneath drooping lids. Purchased from the artist. e525. 4 a No. 138 CHARLES MELVILLE DEWEY, N.A. ~ AmeERIcAN 1851— : DRIFTING—A NEW ENGLAND SCENE, NEAR ESSEX, MASSACHUSETTS Height, 30 inches; length, 40 inches _ $ Two men have been gathering hay from the salt meadows, and _ with a load of it heaped high on a brown flat-boat or scow, in iz an inlet, are idly adrift, ready to go homeward. One has his _ long sweep in the shallow, rippling water, as a rudder, as he _ sits at the stern, and his companion is standing beside the = mound of hay, holding upright his sweep, which reaches high XQ 3 above it. Beyond is a narrow stream of water crossing the picture, and at the left a bit of the green sea is seen, with a white lighthouse on the coast. In the distance at the right are green-covered hills or dunes, under an iridescent sky. Ya Signed at the lower left, CHartes Metvitte Dewey. Purchased from the artist. 4 soo. uz A forngnr No. 139 FREDERICK BALLARD WILLIAMS, N.A. AmERIcAN 1871— THE BROAD, GREEN VALLEY Height, 28 inches; length, 36 inches 4A BROAD prospect in a mountainous country is opened before the spectator. In the foreground is the broad, green valley of the title, the hillsides sloping from either hand toward the center and descending toward the foreground. The sunlight is bright on parts of the slopes, and elsewhere grass and trees are in the shadow of heavy gray clouds with which the sky is burdened. ‘The mountain sides in the middle distance are green, and beyond these rise other peaks blue in the. dis- tance. Far away along the valley dwellings are indicated. Signed at the lower left, Frep’k BaLuarpv Wiuams, ’08. Purchased from the artist. Puso. ( Maxi No. 140 GEORGE INNESS, N.A. American 1825—1894 — EARLY AUTUMN—MONTCLAIR Height, 294 inches; length, 45 mches THE spectator stands in a field of long grass on a broad h top, looking out over a vast plain of diversified landsca] quite possibly a view from Inness’s own property at M clair, looking toward New York, which on clear days co be seen from there. Some of the green surface growths i field have begun to turn yellow, as has some of the fo in a group of trees at the border of a wood on the right, ¢ : the fusion of colors has given to the near-by landscape a pleas- ing olive note, verging upon yellow. In the distant landscape a blue notes are seen, as the spectator looks toward it over the = tops of thick green trees which grow farther down the slope _ of his mountainous perch. aa Signed at the lower right, G. Inness. On the back is the title, and the date 1894. From the Inness sale, 1895. fa €50. O. Stoherg No. 141 THOMAS W. DEWING, N.A. AMERICAN 1851— THE LUTE = (Panel) Height, 36 inches; length, 48 inches OvrT on a rich emerald sward where the soft grass is deep, four young women in evening gowns—sleeveless and décolleté, their hues of green, lavender and olive-brown blending and _ har- monizing with the verdant surroundings—have gathered in the half-light in a quiet hour, one of them to play her lute. She is seated on the ground at the right, with the instrument across her lap. Of her companions, two are seated on a semicir- cular stone garden bench at the left, looking toward her, while the third stands between them with her back to the onlooker and her head turned to look to her right, so that she, too, is seen in profile. The green of the ground, where one or two white flowers appear, merges with a nebulous, deeper green background. Signed at the lower right, T. W. Dewtne. Purchased from the Montross Galleries. No. 142. FREDERICK S. CHURCH, N.A. AMERICAN 1842— REFUGE Height, 45 inches; width, 830% inches girl in a blue dress has brought some sheep to the partial shelter of a rustic shrine and has taken her seat beneath the larg crucifix. She holds a lamb in her arms, and her long golde 1 curls—she is hatless—fall over her shoulder as she touches hei face to the lamb, toward which one of the sheep reaches up _ its nose. On bare branches about the crucifix many blue birds a with red breasts have sought shelter and huddle together. The 3 grass is green and the foliage remains on the brush, but the = thin, drifting snow is driven by the wind as the me of cold = 4 veils across the landscape. a Signed at the lower de F. S. Cuurcs, N. vee 1912, 4 CopyricHt. aa From the Spring Exhibition of the National Academy of Design, 1912. Purchased from the artist. ee a qi No. 143 CHARLES P. GRUPPE AMERICAN 1860— ALONG A CONNECTICUT ROAD Height, 33 inches; length, 48 inches AN irregularly shelving rocky cliff, with trees, bushes and grasses growing at its crest and base, and wherever they can. find lodgment on its slopes, rises on the right hand, its nearer part reaching almost to the top of the picture. At its base is seen a brown earth road, between wide borders of green grass strewn with scattered autumn leaves, as it makes a curve to vanish about a low point of the cliff in the middle distance. A black and white cow is grazing on the right, while chickens peck near her, and other cows are at pasture farther on, in a field on the other side of the road. Stone fences separate the road from the fields and the cliff’s base, and gray clouds with mauve tints float in a pale but bright blue sky sifted over with the thinnest of white fleece. Signed at the lower right, Cuartes P. Grupre. Purchased from the artist. $ x60. ty, acess No. 144 FREDERICK J. WAUGH, N.A. - AmeERIcAN 1861— EAST COAST, BAILEYS ISLAND Height, 30%4 inches; length, 45 inches THE deep blue sea comes up in slow-moving, heavy waves, breaks in blue-white foam over outstanding jagged rocks little above the sea’s level, and over some of their shelves waves slide but partly broken, their color lightening to green streaked with whitish foam. Nor sky nor craft nor is in the picture, naught but the changing sea and its rocks and — foam, and the sunlight which reveals their colors and oe action. oe Signed at the lower nee Wavex. S Evhibited at the National Academy of Design. oi : : Purchased from the artist. Paso, fot clowg a q CONCLUDING EVENING’S SALE OF PAINTINGS WEDNESDAY, APRIL 2, 1913 IN THE GRAND BALLROOM OF THE PLAZA FirtH AVENUE, 58TH To 59TH STREETS BEGINNING AT 8.15 O°CLOCK . “ No. 145 WORTHINGTON WHITTREDGE, N.A. AMERICAN 1820—1910 A GRAY DAY IN THE VALLEY Height, 1134 inches; length, 15°4 inches A narrow brook winds a shallow and tortuous course through a moist, flat and grassy meadow in which a grove of slender trees occupies the middle-ground, the silvery trunks of two leaning birches with black patches being conspicuous before it at the right. The valley meadow is bounded by rising land over whose crest are seen the rounded tops of green trees, against a gray sky whose color-note is reflected in the wander- ing brook. Signed at the lower right, W. Wuittrenveg, N. Y. From the Stanford White Collection. Yigo. foo. Logan No. 146 JOHN HENRY TWACHTMAN American 1853—1902 THE CAMPANILE, LATE AFTERNOON ( Panel) Height, 1614 inches; width, 1014 inches A RICHLY colored painting of deep, sonorous tones, colorful buildings rising on each side of a narrow canal, that on the right mounting above the picture, the varied pile on the left outlining its roofs against a gray sky with brownish-pink touches. At the far end of the canal the red Campanile raises its point skyward, its wavering reflection mingling in the mottled water of the canal with those of the polychrome bor- dering buildings. Purchased from William J. Baer. Cee (Wee a See SO Tee No. 147 FREDERICK BALLARD WILLIAMS, N.A. American 1871— THE SEA NYMPHS Height, 10 inches; length, 1444 inches ON a soft green grass-patch between rounded, reddish-brown rocks, on the shore of the ocean, four nymphs with red hair are disporting, partly draped, and swinging their curling dra- peries as they trip and dance. The draperies are bright yellow, pale orange, mahogany-red and green. One nymph whose filmy garment has dropped to her waist seems to be strumming a lyre. Beyond them the sea is blue and green, under a sky full of light and dark rolling clouds. Signed at the lower left, Frep’k BaLttarp WILLIAMS. Purchased from the artist. No. 148 ROBERT LAYTON NEWMAN American 1827—-1912 MADONNA AND CHILD H eight, 13 inches; width, 9 mches AGAINST a dark background revealing olive-brown tones and a suggestion of the ethereal blue, the Madonna is pictured—a young woman with dark hair done up about her head—stand- ing facing toward the left, her features partly screened by the — head of the Child who leans against her. He is perched upon her arm, one arm encircling the Mother’s neck, the other ex- tended in the air. His hair is reddish-blond and crowned by a golden nimbus. The Madonna wears a pearl-gray waist and blue mantle and a rich red skirt, and is bare-foot. Signed at the lower left, R. L. Newman. Purchased from the artist. fiao. 4.0, ker No. 149 ALEXANDER H. WYANT, N.A. ‘AMERICAN 1836—1892 AN OCTOBER LANDSCAPE Height, 104 inches; width, 84 inches AL SLENDER tree of gray trunk at the left of the foreground rises out of the picture, its foliage brown, with green sugges- tions, in the dark shadow that hangs over the foreground from a heavy and ominous-looking cloud which is partly seen. To the right, on the verge of the shadow in the middle distance, a short, wide-branching fruit tree is seen, and beyond a green field in the sunlight the eye wanders to gray-white farm build-. ings with sloping brown roofs, and on to the distant sky which shows faintly blue among dull gray clouds. Signed at the lower right, A. H. Wyant. Purchased from the Noé gallery. oe, Leo. H. Wo kee No. 150 HOMER D. MARTIN, N.A. American 1836—1897 A BROOK IN CONNECTICUT (Water Color) Height, 7 inches; length, 10 inches TuE base of a huge tree, distorted through the accidents of early growth, or by design as in the case of those ancient “‘tree- fences” now fast disappearing from this country, is seen grow- ing on the left, at the edge of a brook. Younger trees of slender trunk are growing up about it, with some brush at the right, the whole landscape-nook in the shadow of green foliage, beneath which is an outlook to the distant sky. On the back is the title, with this inscription: “This sketch was made for me in 1878 by Homer Martin. E. M. Hamilton.” Purchased from Maj. E. M. Hamilton, who obtained the drawing from the artist. a ee a. a ee ee eee No. 151 ALEXANDER H. WYANT,IN.A. AMERICAN 1836—1892 AN ADIRONDACK HILLSIDE Height, 9Y4 inches; width, 734 inches Far off the foothills of the mountains are partly obscured by low-hanging masses of white mist, the sky above them being heavy with white and smoky-gray clouds which entirely shut out the blue. As the lower hills emerge from the mist in the middle distance they appear a dull yellowish-green, with dark, shadowy fissures, or patches of woodland, the whole seen in the half-light of a dark or waning day. The foreground landscape is barren and rough, and borders a dull blue pond or stream. Signed at the lower left, A. H. Wyant. No. 152 RALPH ALBERT BLAKELOCK : American 1847— A WOODLAND GLEN Height, 1014 inches; length, 134% inches Ricu and beautiful color—as of gems made to flow, and then | fixed in their liquid brilliance. The glen and the woodland are poetical conceptions, which matter not in the enchanting chromatic arrangement. There seems to have been in mind a glen or grotto in the woods, with brown trees rising at either side and overspreading it, incrusted rocks of iron-rust hue its | structure, and a stream running past, sparkling where a stray light ray struck its fluent surface. The tones are of malachite _ and lapis, amber and red and pearl and rich mahogany. Signed at the bottom, at right of center, R. A. BLaKELOocK. Purchased from William Macbeth. $ iso. dlelland Salts WENGE TS fret ae pe ga ne } _ LADY OF SHALOTT 7 ax > T j val ae Soy ) | ; Sen =i) fF ed . ‘ J . { . 6 . * — ~ ‘ 2 Tr a cae . ; 3 ; 3 r ; x Ly in * a ves 0K Ae * ‘ V ¢ r 8 . it fetta 4 Ga ] , : “4 5 ry a. rye + 3 5) 4 a. . xa j . 7 ed 4 + 4 ao é * * ; . . : s Asie 4 =v 4 ; s] x: ef TIT }: . ay 4 OD Ut a3 Oat eB . le — i ‘ No. 153 JOHN LA FARGE, N.A. AMERICAN 18385—1910 LADY OF SHALOTT Height, 9 inches; length, 1434 inches Bryonp the water of the foreground, which spreads well back into the middle distance, a mountain or hillside sloping from the left and forward toward the water meets on the right of the background a dense wood. All of the landscape is a dark brown in the dusk, the foliage of the thick wood in deep tones, and the water is a dark green. The light of departed day shows in a streak or broad spot over the mountain tops, below dark clouds of the upper sky, and its reflection lightens a spot on the water beyond the boat in the foreground—the floating bier of the enchanted lady—and also slightly on the lady herself, “robed in snowy white,” in her calm sleep. ‘And at the closing of the day She loosed the chain, and down she lay; The broad stream bore her far away, The Lady of Shalott.” Signed on back. Purchased from the artist. | Jays Ty * Aprimcin * "s No. 154 WINSLOW HOMER, N.1A. American 1836—1910 CASTING FOR A RISE (Water Color) Height, 914 inches; length, 191% inches A PLACID stream or stretch of a lake crossing the picture and occupying the foreground is a dark mirror of the deep woods of its bordering bank, and of the slightly lighter edge of grass before them. Here, in the somber stillness and alone, is a fisherman in a grayish-blue skiff, casting a long, long line. Signed at the lower left, Homer, 89. Purchased from Gustav Reichard. $525. Ih, Weedon a Ce No. 155 RALPH ALBERT BLAKELOCK AmERIcAN 1847— THE POWWOW Height, 64 inches; length, 18 inches A score of figures of Indians are seen gathered about a camp- fire which burns low, in the central foreground. Most of them are standing, a few squat on the ground, and they are clad in yellow, red and green—mainly in yellow, as of leather, with touches of the other colors. The powwow is held within the border of a wood, where all is dark save for the fire’s glow. Through an opening in the trees a distant flickering light from the past sunset is seen along a part of the horizon. An im- portant figure, perhaps a chief, beside the fire, is the most con- spicuous of the gathering. Signed at the lower left, R. A. BLaKELOcK. Purchased from Col. William P. Roome. Bous. ‘ do, Ktianohang —— No. 156 GEORGE INNESS, N.A. American 1825—1894 WOODS NEAR MILTON Height, 11 inches; length, 15 inches Woops of ancient trees, some dead, some dying, surround a clearing of green pasture land which is dark in the foreground in the shadow of the trees, and light in the middle distance where the sun strikes it. There cows graze or lie down, and some figures are seen among them—while at the left a figure in red is driving away on a loaded wagon through a farm or field road that vanishes over a gentle rise as it is about to enter the woods again in the distance. The sky is a dull blue in the light, which is fading, with brownish-gray cloud-billows near the horizon. A slant of light from the left emphasizes the smooth and exposed spots of the tree-trunks. Signed at the lower left, G. InnEss. No. 157 ALEXANDER H. WYANT, N.A. AMERICAN 1836—-1892 HAYING TIME Height, 1114, inches; length, 144% inches AN interesting landscape of hill, woods and vale is shown under an attractive sky of summer. A broad-topped hill at the left slopes toward the right and forward, its lower reaches screened by woods which cross the picture in the middle dis- tance, bounding an irregular field in the valley clearing of the foreground. Here a hay wagon, standing well back toward the wood, is being loaded, an aged white horse standing patiently before it with his head lowered. All the landscape is green, the foreground field light, the woods and the hillside darker, and the line of the woods below the hill darker still with the deep shadows of the trees. The sky is gray, with white clouds, and streaks and spots of blue. Signed at the lower left, A. H. Wyant. Ewhibited at Venice, 1910. : No. 158 ROBERT C. MINOR, N.A. AMERICAN 1840—1904 EVENTIDE Height, 12 inches; length, 16 inches THE sun has set and the foreground is in the shadow of a wood whose edge appears at the right, heralded by an outpost group of five straight and leaning trees standing like sentinels or guards beside a small pool. The grass, which here is dark emerald, in the middle distance becomes a yellow-green in the after-sunset radiance, in a meadow beyond which appears an- other wood. Coming across the lea, two old women in white caps, making their slow way homeward, are just entering the shadow of the approaching evening. Signed at the lower right, Mrvor. No. 159 WINSLOW HOMER, N.A. American 1836—1910 A QUIET NOOK ON A SUNNY DAY (Water Color) Height, 1234 inches; length, 1934 inches BLvuE water of a mountain lake, placid in its undisturbed re- moteness, becomes white as it mirrors the fleecy summer clouds and gray reflections of the mountain shadows. Near the bank at the left a lone enthusiastic fisherman in blue shirt and over- alls, seated in his white punt, is at his favorite pursuit, and his light rod in his left hand bends as he trails his fly. Pine trees are seen beyond the border of the water, and in the distance the flank of a mountain shuts out most of the sky. Signed at the lower right, Winstow Homer, 1889. Purchased from Gustav Reichard. $) QQS. Morlto~ teckotts ae . = ee oS Fie ery ee Apahnong. No. 160 ALEXANDER H. WYANT, N.A. AMERICAN 1836—1892 THE LONELY FARMHOUSE Height, 1414 inches; length, 2014 inches Bryonp a shadowed foreground the lonely white farmhouse is seen in a middle distance bright in yellow sunlight. It has a lean-to attachment and but for its chimney might in its remoteness be taken for an ancient barn, exposed to the full sunlight but with neighboring trees, the vegetation about show- ing both green and yellow coloring. The foreground in the shadow is a dark green with yellowish-brown spots or patches. A small tree rising out of underbrush at the left is green, but it, too, is somewhat yellowed, and the ground is lightened by a bit of a pool. In a green-blue sky there is a smoky cloud- bank aloft, the blue appearing behind it and yellow-touched clouds before and below it. . Signed at the lower right, A. H. Wyant. From the Wyant sale, 1894. Purchased from Louis Katz. $asoo. ESS lise Lo be No. 161 CHARLES MELVILLE DEWEY, N.A. AMERICAN 1851— A GRAY DAY IN SHROPSHIRE Height, 19 inches; length, 24 inches A RAMBLING footpath skirting the edge of a shallow stream or marshland winds along at the right past a group or line of trees whose thin foliage is for the most part a light green. Most of them are slender, but in the midst a sturdy oak, short of trunk but plentiful in branches, extends its longer limbs over the moist land in the center and toward the left, where among the sundry green surface-growths are spires of brown and dots of white. In the distance green and blue hills dis- close an occasional building on their flanks. Shadows are few and the air and stillness of a gray day are over the coun- tryside. Signed at the bottom, at right of center, CHartes Met- VILLE Dewey. Purchased from the artist. No. 162 “WILL H. LOW, N.A. AMERICAN 1853— A DEBUTANTE Height, 28 inches; width, 14 inches A. HIGHLY decorative portrait of a young woman at full length and seen almost in full face, turned very slightly to the right. She stands on a pale salmon-pink floor between square fluted columns against a brilliant imperial yellow or gilded wall. She is gowned in pearl-gray silk, the skirt full and ‘plain, the décolleté waist with an inserted lace front, and the lace-trimmed shoulder-sleeves are surmounted by large bows of silk ribbon. A green and white floral festoon draped between the columns passes back of her head; she wears a white rose in her chestnut- brown hair, and carries in her gloved hands a loose bouquet of yellow and white roses with leaves and long stems. Signed at the lower left, Wit. H. Low, 1897. Purchased from the artist. a Moe ase No. 163 ALEXANDER H. WYANT, N.A. AmeERIcAN 1836—1892 SUNSET Height, 12 inches; length, 20 inches In a valley bounded by an undulating line of low-horizon hills, which on either side seem to extend forward as protecting arms, a shallow pool or meandering stream is seen, in the center of the foreground, and all around the land is wild. Throughout the entire prospect the herbage of natural growths is of mahogany-red and brown tones, with occasional sugges- tions of brownish-green, at the hour of a cloudy sunset. The sun is Just sinking beyond the hills in a mass of drab clouds whose edges it turns to fiery red, while farther back the clouds are a cream-yellow. Over the rest of the heavens they are dark, or touched with light and turned to the brown and red tones of the landscape below. A canvas with a Rousseau quality. Signed at the lower right, A. H. Wyant. Purchased from Gustav Reichard, who obtained the painting from Mrs. Wyant. $éas. ello Salle = No. 164 WILLIAM SARTAIN, A.N.A. AMERICAN 1843— THE MEADOW BROOK Height, 12 inches; length, 24 imches A MEADOW of grayish-green aspect, with touches of brown in its short herbage, presents its broad and flat surface, a little dark in the dwindling light of fading day, beneath a pale sky lined above the horizon with heavy white clouds touched by a low yellow band. The land is open and deserted and seems cold in the gloaming, and a single dark clump of high bushes stands above the plain, in the middle distance. Before it the brook courses in curious winds and turns, spreading somewhat as it approaches the foreground and reflecting the brown of its borders and the white of the clouds. Signed at the lower right, W. SartTatn. Purchased from William Macbeth. Foye. Aiea Wy ackhxh, No. 165 : WALTER SHIRLAW, N.A. AMERICAN 1838—1909 AUTUMN : Height, 201% inches; width, 15 inches WirxH yellowish lights showing in her abundant red hair a buxom woman is reclining, nude, on an emerald-green drapery which is almost of the hue of the velvety grass, in the secluded and darkening glen which she has made her retreat, and where she is desultorily casting brown autumn leaves into a limpid pool at her feet. She is facing the spectator as she sits on the green bank, looking down at the pool which reflects her ankles, but leaning back against the rising bank and supporting her- self with her left hand as she inclines in that direction. ‘The flesh tones are warm and mellowed. Her face is partly in transparent shadow as her head is inclined forward. The lower trunks of large trees are seen in the background, between them a bit of the sky being visible above the high bordering bank of the glen. Signed at the lower left, W. Suir aw. Purchased from the artist. No. 166 CHARLES H. MILLER, N.A. AMERICAN 1842— AN EARLY SETTLER, LONG ISLAND Height, 18 inches; length, 221%, inches SomE large, substantial buildings and lesser structures have been erected in’ a remote recess or partial clearing in the woods on the banks of a stream, the buildings being located on high land at the right and in the middle distance, while the fore- ground is low. The trees are of thick foliage and partly in shadow, while the sunlight whitens bits of the buildings and falls upon an ox-team in the foreground hauling a heavy wagon in which two figures are seated. The whole landscape is in mellow tones of green and yellow, and the green-blue sky is almost hidden by thick white and smoky-gray clouds. Signed at the lower left, Cuas. H. Mriuer. Purchased from the artist. $2.0. Cte Aseinhory a a a No. 167 THOMAS W. DEWING, N. A. AMERICAN 1851— WOMAN IN PURPLE AND GREEN Height, 20 inches; width, 1534 inches A DIGNIFIED and stately young-woman is seated in a round- backed and open-armed chair, turned toward the right, facing three-quarters front, and looking directly at the spectator. She sits very straight and upright, yet at dignified ease, and her hands are lightly clasped in her lap, her elbows just touching the chair-arms. She wears a décolleté gown of gray-green with a purple bodice, the cut leaving the long neck and shoul- ders bare and exposing the low bust. Her reddish-brown hair is loosely done up, and is parted. The light falls from the left, putting one side in shadow. Signed at the lower left, 'T. W. Dewine. From the Montross Galleries. No. 168 ALEXANDER H. WYANT, N.A. AMERICAN 1836—1892 BIRCH WOODS IN THE ADIRONDACKS Height, 16 inches; length, 20 inches A patcH of characteristic Adirondack scenery presented under conditions fascinating to the artist. The foreground is rela- tively dark in partial or transparent shadow, the land green, gray and brown beneath the trees, and strewn with rocks. A clearing in the middle distance is yellowed in bright sunlight, although a patch of the sky visible over a distant part of the forest shows the blue cerulean there to be all but screened by gray, fluffy clouds. All about the clearing the sunshine falls upon the silvery bark of the slender birches and upon their wispy and now pale yellowish-green foliage, while the shadowed foliage of the foreground trees, just visible at the top of the picture, is a yellow-brown. Signed at the lower right, A. H. Wyant. $1260. Hella nct Sale? No. 169 THEODORE ROBINSON AMERICAN 1854—1896 DAY DREAMS Height, 2134 inches; width, 18 inches IN the green grass about an apple tree the windfalls are lying on the ground. Seated beneath the tree is a young woman of the country, her hands folded languidly in her lap, her pur- plish-brown basket beside her with but a few apples in it as she has paused at their gathering to give herself to dreams. She wears a rose-pink skirt, and her pearl-gray and white bodice is moderately low at the neck and short sleeved. ‘The healthy color of the country is in her cheeks but she is of pensive expression. In the middle distance appears the brown earth of a tilled field. Signed at the lower left, Tu. Roxinson. Exhibited at Berlin and Munich, 1910. No. 170 HOMER D. MARTIN, N.A. American 1836—1897 THE MEADOW BROOK Height, 1414 inches; length, 24 inches Less than a dozen slender trees, with trunks more or less scraggly and little foliage, make a group of pictorial interest in the middle distance, near the center of a green meadow. Running along the meadow before them the brook—a narrow one—is in places invisible below the grass of its flat banks, and again it reflects the light notes of gray clouds which over- spread the blue sky. Beyond the trees, farm buildings are indicated, streaks of brown run through the meadow herbage, and trees make a solid dark mass along a line of high, even- topped hills. Signed at the lower right, Martin, 1887. From the Stanford White Collection. $3 260. Lv MackheIr i i hab ade Bi Dicen wlohe | No. 171 RALPH ALBERT BLAKELOCK AmERicAn 1847— SUNSET AT SEA (Panel) Height, 1514 inches; length, 24 inches THE canvas entire is a picture of sea and sky, with a low horizon and naught visible on the face of the waters, which is dark, save the shimmering reflection of the setting sun that cuts through the center toward the spectator in tortoise-shell tones. The sky, fantastically clouded, is ablaze in yellow and sard or chestnut-red hues of mottled marble or onyx. Signed at the lower left, R. A. BLaKELock. Purchased from Col. William P. Roome. $ Se és OF. femme No. 172 JOHN HENRY TWACHTMAN. American 1853—1902 FREIGHT BOATS ON THE SEINE Height, 141% inches; length, 22 inches THE river, which fills the right of the picture, is here passing through an open country, the irregular bank at the left starting midway of the foreground and extending first back toward the left and then out toward the right again in a wooded point projecting into the river. The stream is gray, tinged with blue, under a gray sky. Freight boats of the type which ply the Seine are moored near the bank in the foreground, the dull brown hulls seen against the light, which casts wabbly reflec- tions astern, toward the spectator. A figure appears on one of the boats. The atmosphere is clear though the sky is gray, and there are suggestions of distant smoke. The bank and a road traversing it are a sandy-brown, with green patches, and the fields before the dark woods are a moist green, while here and there are suggestions of sundry buildings. Signed at the lower left, J. H. TwacHTMAn. From the Cottier sale. fp 5235, CD, no PENG No. 1738 J. FRANCIS MURPHY, N.A. . AMERICAN 1853— GRAY HILLS Height, 16 inches; length, 22 inches _AuTUMN has come and the remaining foliage on two trees near the left foreground is reddish-brown. The sun, setting far over hills at the right, brightens spots of the trunks and casts slight shadows on the ground. The broad, gently sloping hillside fields are yellow and brown, with a little green, as they rise toward the back and the right under a sky of warm, or pinkish, gray clouds, patched with white, a pale blue spot appearing over the hilltops. Beyond the trees at the left a barn is seen, with a haystack near it, and a path or road is suggested, straggling unevenly over the nearer part of the field. Signed at the lower right, J. Francis Murpuy, 1903. No. 174 HENRY W. RANGER, N.A. AMERICAN 1858— A NOCTURNE Height, 18 inches; length, 251% inches Across the picture runs a broad river, its water green in the moonlight under a malachite sky. On the nearer bank two — bushy trees grow at the left, and at the right is an ancient > gabled building with a short chimney, in front of which a figure on horseback and another figure standing behind the horse are seen in the bright moonlight. Across the stream are green — fields and occasional trees, and the full moon has risen over | the hillside in a clear sky—though heavy clouds hang aloft— — its light whitening the river. Throughout there is a brilliant atmosphere. : Signed at the lower left, H. W. Ranesr, 93. Purchased from the artist. - oot 2th, No. 175 DWIGHT WILLIAM TRYON, N.A. AMERICAN 1849— DAYBREAK Height, 18 inches; length, 2934 inches A BroaD river of slow current, occupying the full foreground, is mystically mottled in the early morning light with reflections —Just a little lower in tone—of the rich and brightening sky. Along the shore all the way across the picture are the buildings ~ of a populous port, the square tower of a church and an obelisk rising above the confusion of roofs against the lightening horizon. ‘The buildings are yet in half-shadow, and against them are seen the black hulls of tall-masted sloops at their moorings, still carrying their riding lights, and other occasional lights appear along the shoreline. ‘The sky glows in light yellow, pale flame-color, pink, and notes of purple and green, — overspread as it is by clouds of varying density and form. Signed at the lower right, D. W. Tryon, 1885. Gold Medal of Honor, awarded by the American Art Association of the City of New York, at the Second Prize Fund Exhibition, 1886. From the collection of the late Frederic Bonner, New York, 1912. F aieee (edo tulsa Cheat jee | 7: No. 176 ALEXANDER H. WYANT, N.A. AMERICAN 1836—1892 MORNING AT NEVERSINK Height, 18 inches; length, 30 inches Broad vistas of moorland, valleys, streams and hills, plains, trees and bush, are spread before the eye under a gray sky brightened by a few white clouds. Sunlight falls upon a foreground glade, of wild land, green with grass and dappled with lighter spots of field growths or exposed earth. Beside a path near a shelf of gray rock, a girl in a white waist and blue skirt is gathering wild flowers or fagots. Across the center of the picture a stream and bordering woods are in the deep shadow of a cloud, while the varied green landscape beyond is again in bright sunshine, and another water-course appears, sharing in the light. To the right a jet of steam or light smoke is rising near a tall pine tree. Signed at the lower right, A. H. Wyanr. $10, too. Comate. O30 .Vark No. 177 FREDERICK S. CHURCH, N.A. AMERICAN 1842— MOONRISE (Oval) Height, 2534, inches; width, 2134 inches A FAIR young woman, nude, of full figure, her rich dark hair — s exhibiting reddish tones, is rising in the white crescent moon out of rolling waves which are combing gently in an opalescent sea. A single star is in view in the sky, its light reflected in the foam-strewn surface of the waters. Bluish tones through- out are cooled by a tendency to green, the colors melting into ~ one another, with pale yellows and faint pinks included in the chromatic shimmer. The maiden’s hair streams down her back. So delicately colorful is the whole that it has the effect of an — aquatic efflorescence. Signed at the lower right, Copyricut By F. §. Cuurcnu, N. Y., 1905. Purchased from the artist. foas. Geo. O. eee ie ss levies Ree No. 178 CHILDE HASSAM, N.A. AMERICAN 1859— THE BUTTERFLY Height, 27 inches; width, 20 inches THE nude and pliant figure of a tall young woman, with a wealth of yellow hair which is done in large puffs about her head and in the shadows presents reddish tints. She is seated on a flowery green, yellow and blue bank, facing the left, with the nearer knee slightly below the other as her feet are curled back toward the right. While sitting erect, she bends her head sharply down to gaze at a yellow butterfly, fluttering below about her blossoming bank. The sunlight from above at the right illumines her hair and figure, and the floral seat and fore- ground, throwing into transparent semi-shadow her rosy, down- bent face and a part of the dappled background of malachite and yellow leafage against which she is seen. Signed at the lower right, Cuitpe Hassam, 1912. From the Winter Exhibition of the National Academy of Design, 1912. Purchased from the artist. ine. N&, Motes No. 179 ALEXANDER T. VAN LAER, N.A. AMERICAN, CONTEMPORARY OCTOBER NEAR LITCHFIELD Height, 20 inches; length, 27 inches AN interesting American landscape spreads before the eye, the land rolling gently, and ground and trees displaying the colors of fall—the trees already shorn of many of their leaves. The foreground is a green and yellow meadow watered by a winding rill, and separated in the middle distance by a stone fence from green fields and a brown plowed field. Behind a clump of trees a white farmhouse and yellow barn are seen against distant dark brown woods. The sky is filled with dull gray clouds, with an occasional touch of faint pink, and has one large billow of grayish-white. Over the landscape is a slight haze of the somber season. Signed at the lower right, A. T. Van Laer. Purchased from the artist. faco. | fo Se q No. 180 JOHN HENRY TWACHTMAN American 1853—1902 THE HIDDEN POOL Height, 22 inches; length, 27 inches Just without the border of a luxuriant green wood—its mass of foliage a dark, rich emerald hue—the sunshine breaks upon a riotous bloom of flowering grasses, massed golden-rod, and gray, rounded boulders with multicolored lucent incrustations, all in a brilliant light and shimmering atmosphere. High banks slope down and give away in the foreground to the general level of the land. Between them, beyond the boulders and under the edge of the wood, an unsuspected pool is revealed, with ‘suggestions of small, brownish rocks around its circular border. Stamped on the lower right: TwacHTMAN SALE. Purchased from S. S, Dustin. From the Twachtman sale, American Art Association, 1903. No. 181 ROBERT ©. MINOR, N. A. American 1840—1904 ~NOONMARK BY MOONLIGHT Height, 2134 inches; length, 2934 inches THE broadly conical mountain peak, a bluish-green in the night-light, mounts high in the distance in the center of the canvas, toward a sky filled everywhere with clouds. To right and left they are dark, while above the mountain they are lightened by the beams of the rising full moon, whose edge has just projected itself exactly over the peak. Its radiance brightens the nearer side of the mountain and is reflected ina __ strip of water at the foot of the slope. The green clearing of | 7 the foreground shares dimly in the coming light. In the — middle distance is a dark mass of trees on the right, while on the left more open trees permit the moon’s rays to penetrate to their branches and outline their forms against the clouds. Signed at the lower right, Minor. . From the Robert C. Minor sale, American Art Association, 1905. fies. CO. Some | No. 182 GEORGE GLENN NEWELL AMERICAN 1870— LATE AFTERNOON Height, 22 inches; length, 28 inches In the late hours of the day the foreground in the deep shadow of trees of dense foliage reveals itself as a marshy bank of a languid river, with cows and their calves standing in the grass and water, one looking toward the spectator, others giving attention elsewhere. Across the gray and dappled river the opposite bank is a gently rising hillside, green and yellow in the late afternoon light, and beyond it the sky is gray—with a suggestion of the underlying blue—with a white cloud-mass just appearing over the hilltop. Signed at the lower right, G. GLENN NEWELL. Purchased from the artist. Laeo. Tes h. MF Canter No. 183 FREDERICK J. WAUGH, N.A. American 1861— EARLY MOONRISE Height, 2024 inches; length, 3034 inches Ir is moonrise over the sea and rocks, and the moon is not _ visible, but her light is shining and turns the greenish-blue i expanse into a broad, shimmering radiance, subdued at either __ side by the deeper tones of the water and rocks where the _ direct rays are not reflected. The sky is a solid, dull, grayish- blue, lighted at the top-center of the canvas by the rays of the unseen moon higher up. The level line of the sea makes the horizon, from the center of which the radiant reflections spread __ toward the spectator. In the middle distance jutting rocks of irregular conformation, coming into the picture from the right, break up the seas that come slowly in, smashing them into foam and turbulent swirls, and on the outermost rocks a billow of spume is tossed high in the air. Signed at the lower right, Waveu. Purchased from the artist. No. 184 ROBERT REID, N. A. AMERICAN 1863— THE VIOLET KIMONO Height, 29 inches; width, 2534 inches Tue full-length portrait of a young lady with a mass of yellow hair revealing reddish tinges, seated and turned to the left at her dressing table. Her head is turned from the spectator and her face is seen three-quarters full in the oval mirror over her table. Her cheeks are pink, her lips are red, and she wears a thoughtful or dreamy expression as she looks abstractedly at a glass bowl of violets which she is languidly arranging before the mirror. She is clad in a violet kimono which gives various tones of purple in the strong light, with bits of green in its ornament, and the tones are taken up again in the curtains at either side, while her kimono falling open over her lap dis- closes a white lace skirt. Signed at the lower right, Ropert Rep. Purchased from the artist. $ 500. ps tprenser No. 185 BENJAMIN RUTHERFORD FITZ American 1855—-1891 ream THE REFLECTION Height, 2934, inches; width, 25 inches A MAIDEN of plump but graceful figure, having divested her self of her garments in a neighboring wood which appears’ or the left, has come forward to the water’s edge in the foregrounc and is just stepping in, bending away some tall flags with one extended arm, her other arm held lightly away from her side BS also, in easy attitude. Her dark hair falls naturally about her head and back of one shoulder, to well below the waist, its loosened strands throwing part of her face into shadow as she e inclines her head slightly forward, glancing modestly down to where her reflection appears in the smooth water, the light — a falling from above at the left full upon her upper figure. She faces the right, three-quarters front. At one corner is seen a a patch of pale blue sky with white clouds. Signed at the lower left, B. R. Frrz, °90. Purchased from the artist. been tt(‘(‘é es No. 186 CHILDE HASSAM, N.A. American 1859— OCTOBER HAZE, MANHATTAN Height, 25 inches; length, 30 inches THE North River, its ceaseless ripples colored by cloud reflec- tions of the sunset hour, forms the foreground of the picture, and beyond the obscured and undefined Manhattan shoreline the towering buildings of the city rise in irregular and imposing mass and outline. All is tinged, as is the eastern sky, with sympathetic, rosy reflections of a crimson sunset. The red light of the sinking sun glints from high windows above the land, and a lone ferryboat in the river repeats the red glare. Signed at the lower right, CuitpE Hassam, 1910. Purchased from the artist. $ ;/soo. Lin WMoelsek sh No. 187 JOHN HENRY TWACHTMAN AmERIcAN 1853—1902 | NIAGARA IN WINTER Height, 30 inches; width, 25 inched A sEGMENT of the Horseshoe Fall is pictured, the green and white water pouring in volume down the face of the rocks and boiling into steaming foam at the foot of the chasm, where its _ turbulent billows in places reflect a purple light. At the lef the spray rises high above the falls and seems to mingle with and disperse in the white fleece of the clouds, as the spectator looks upward, while at the extreme right a patch of the purple- brown rocky wall of the gorge is visible. Below it again, active volumes of the swirling, foam-churned white waters are dashing high above the cool marble-green of the river current. Signed at the lower left, J. H. Twacutman. i: From. the Twachtman sale, American Art Association. $1 625. : Aven Fock eh. a) No. 188 FREDERICK BALLARD WILLIAMS, N.A. American 1871— . THE GOLDEN HOUR Height, 2734 inches; length, 3534 inches A SCENE and canvas of Monticellian color and conception. A company of seven young women in décolleté costumes of gor- geous hues, hatless and carrying various musical instruments and bouquets of bright-colored flowers, are gathered in an idealized retreat amid precipitous rocks on the border of a blue, blue sea. ‘The huge rocks are colorful with mosses and incrustations and the hues of disintegration—while the color- picture is enhanced by the glowing splendor of the rich gowns of the ladies, who are seated, standing, and moving about on their rocky shelves. Gulls hover over the sea, and white and smoky-gray clouds float in the sky. Signed at the lower left, Frep’k BaLtarp Wi..iaMs, ’08. Purchased from the artist. Bisse. AO. Ne metanQifc No. 189 HENRY W. RANGER, N.A. American 1858—_ EARLY MORNING—NOANK Height, 28 inches; length, 36 inches AN edge of the waterfront of the picturesque old Yankee town o:, is shown on the left, looking up the river. Some ways appear in the foreground with the stern of a small boat visible, and _ beyond extends the line of jutting piers and wharf buildings, gray, brown, red and yellow in their weathered beauty—the — : masts of sailboats tied up to the pier-ends rising above the roof- — e lines, a tangle of small boats in a basin, and a jet of steam ; ' lending its white note and wavy line to the polychrome and | polyform mass. In the center of the picture, over the water, — the sun is just rising, and bursting forth in blazing yellow splendor through a horizon haze colors the thickly strewn clouds above, and fills the green waters with brilliant reflections. Sails _ are going up on the working boats out in the stream, and tl: Br. workers are stirring in the craft along the shore. Signed at the lower right, H. W. Rancer, 1907. Purchased from the artist. eae. M4 Fenghcok a s 4 s 4 : e z val aca nomen Ae S NE Ce No. 190 LOUIS PAUL DESSAR, N. A. AMERICAN 1867— A PASTORAL Height, 28 inches; length, 36 inches A Low, broad, forsaken hill slopes gently forward, its almost even topline giving a low horizon against a bright sky com- pletely filled with mottled gray, white and yellow-tinged clouds. At either side purple and brown vegetation grows amongst irregular boulders whose tops are green with moss and in- erustations. Through the center is a broad open tract, or track, irregular and rutted, and sprinkled with stones and grassy patches. Along this way a youthful shepherd is driving a goodly flock of sheep toward the foreground. They are closely bunched and the light is reflected—a yellowish-gray— from their backs, while the shadows are dark about their feet. Signed at the lower right, Dessar, 1911. Purchased from the artist. Bijioo. B.S. Taker No. 191 JOHN HENRY TWACHTMAN _ AmERIcAN 1853—1902 eget THE WHITE BRIDGE Height, 30 inches; width, 80 inches In the midst of a green landscape a narrow river entering t scene from the left foreground winds partly across the pictur and back toward a low hill, where its course is lost in a p fusion of foliage in the central distance. A slender, croo and feathery tree on the nearer low bank in the foregroun: a light, yellowish-green, and a darker, cone-shaped evergr tree grows near it at the foot of a higher, steep part of th bank. The grass of the entire bank is of a similar pale yellow- ish-green in the sunshine to the foliage of the slender tree, and — ‘of other trees which toward the top of the picture obscure the sky. From the high bank a graceful white footbridge of gentle arch crosses the stream, which is filled with gray and purplish- brown reflections. The bridge is ornamented with an overhead arch, protecting its promenade. Fa: Signed at the lower right, J. H. TwacHTMAN. ee a Purchased from S. S. Dustin. Sa ig ee OA NY aoe RS eae rie No. 192 RALPH ALBERT BLAKELOCK bee ee 1847— MOONLIGHT Height, 27 inches; length, 37 inches THE full moon, white in a haze of cloud vapor, is well above the horizon on a night which is bright notwithstanding the presence of many tenuous clouds in the sky. The moonlight brightens the surface of an arm of water which reaches irregu- larly over low, flat lands in the center of the canvas, the land rising slightly on the right, and everywhere save in the fore- ground being covered with indefinable herbage or brush growths in brown and green tones. In the foreground are indications of rocks, and a few slender trees of lace-like foliage are to be seen against the light of the sky. Purchased from the artist. Ewhibited at Berlin and Munich, 1910. ff 1d, q (og oe LPR te OG Roark No. 193 HENRY W. RANGER, 'N. fr = American 1858— | SKY, DUNES AND SEA Height, 28 inches; length, 36 inches THE dunes, which are high at the left and caren wit Litt coarse, gray-green grass of the seaside, have given way | inroads of the tides in the foreground, and become low, I mocky sand-patches, with a bit of struggling green here there. At the right the sea, a deep blue on a bright day, c ) up in gentle motion. The light blue sky is all but filled masses of grayish-white cumuli, whose edges are tinged witl faint cream-yellow. MR eis Signed at the lower left, H. W. Rind om Purchased from the artist. Nee fi uso. Airon acbeth os » No. 194 ROBERT REID, N. A. American 1863— THE YELLOW FLOWER Height, 37 inches; width, 30 inches A YOUNG woman slender and fair, her hair a reddish-yellow and her cheeks a delicate pink, is seated in the sunlight among greenery and flowers. She is shown at three-quarter length, facing the left, turned slightly toward the front, and her face is seen in profile. She wears a short-sleeved gown of light material, moderately low at the neck, and a bright yellow scarf or veil curls about her waist, having been allowed to fall from her shoulders, and she is hatless. She has plucked a yellow flower from the many in the field around her and leans forward to examine it in her right hand, while her left falls easily against her side and the loose folds of her dress. Signed at the lower left, Ropert Rep, 08. Purchased from the artist. No. 195 CULLEN YATES, A.N.A. | - AMERICAN, CONTEMPORARY UPLAND PASTURES Height, 30 inches; length, 40 inches Massive hills with rolling surfaces, divided here and there into — a fields by dark fences or lines of trees, are spread out broadly a before the observer, rising mound on mound to a far distance — and a high horizon. They are green pastures, but the grasses are turning with the trees, which in the foreground are bright — in red and yellow autumn tones and elsewhere show their — a colors less brilliantly. The whole landscape is in sunlight, _ under a pale turquoise sky enlivened by white cloud patches Ss ‘touched with pink and yellow. Blue, scattered rocks appear _ in the foreground, and a glistening white rill crosses it between rich green banks in a bit of a valley or hollow. Signed at the lower right, Cutten YateEs. 3 : a Purchased from the artist. $aso. AW, Lherfooo™ No. 196 FREDERICK 8. CHURCH, N.A. AMERICAN 1842— UNDINE Height, 4114 inches; width, 25 inches SHE appears as a pale blond nymph with the lightest of yellow-blond hair, standing facing the spectator, and is shown almost at full length, nude amongst green water reeds, her fair pink flesh seen through a transparent and prismatic curtain of fallmg water. Behind her as a background is a cavern of dark green rock—a bit of a green-blue sky with white clouds seen at one corner, above. The sunlight strikes from the left and above on her strange, bright hair, which falls down her back, and she raises her right hand to screen her pale blue eyes —behind their misty veil—as she looks directly at the spectator. In her left hand, hanging at her side, she holds a flower. Signed at the lower right, Copyricut sy F. 8. Cuurcn, N. Y., 1902. Purchased from the artist. $o2s. CO. Seren No. 197 GEORGE INNESS, N. A. AMERICAN 1825—1894 SUNSHINE AND CLOUDS Height, 274 inches; length, 42 inches A. FAR-EXTENDING plain is presented to view on a summer or early autumn day when the heavens are filled with swift- moving clouds, which intercept the sunshine intermittently and mark a brilliant landscape with their faint shadows. Here the whole foreground is in a broad, transparent shadow. It is a ground of fields at the right and marshlands toward the left about a central pool or shallow stream, and the field stubble and the marsh growths are a yellowish-brown, with green and red tinges. In the middle distance all the land is in sunshine, with a bright green meadow in the center and various buildings suggested across the distance, while to the right, beyond a bunch of green trees, a jet of steam or gray smoke is seen rising from a locomotive which is running in a hollow. The skyful of clouds of many forms and differing densities is most varied, and its assemblage of vaporous tones and colors full of interest. Signed at the lower right, G. Inness, 1883. Reproduced in “American Masters of Painting,” by Charles H. Caffin. Exhibited at Berlin and Munich, 1910. £6 us0. List Wefan No. 198 HOMER D. MARTIN, N.A. AMERICAN 1836—1897 THE MUSSEL GATHERERS Height, 281% inches; length, 4614 inches THE tide is out, and a broad, flat, greenish-brown and stony beach of a European coast is pictured, filling the foreground, at the approach of twilight on a day of clouds. From the left, meandering streamlets still percolate among the stones and the marine growths attached to them, and elsewhere occasional puddles of water linger imprisoned. Strolling across the beach, their brown baskets strapped to their shoulders, three peasant women of the fisherfolk are seeking mussels, one of them intent in her search, while her two companions are engaged, as they ‘walk, in a gossiping argument. Their figures are dark in the half-light, and their garments are brown, blue, black and red, and each wears a white headdress. A steep shore, with green grass and brown bushes on its crown, sweeps across the back- ground, and some light clouds streak the dull gray and blue of the sky. Signed at the lower right, H. D. Martin, 1886. Purchased from Franklin L. Gunther. Fq,coo. I). Hreeddor a ee No. 199 WILL H. LOW, N. A. AMERICAN 1853— The following twenty paintings (Nos. 199 to 218) by Will H. Low, N.A., are the artist’s studies for his mural decorations in the ballroom of the Waldorf-Astoria. They were purchased from Mr. Low. MUSIC OF THE SEA (Lunette) Height, 22 inches; length, 3534 inches Nympus of the sea, in and out of their liquid element, are making and listening to the mysterious music of the deep and its circeumambient atmosphere.. On the right, one demi-nue is seated on a huge rock which projects above the water, a yellow gauze drapery over her limbs, the waves and spray breaking about her. At her ear she holds a green shell, listening dreamily. At the left her blond sister, enwrapped in pink drapery, is stepping out of the water, moving eagerly forward and blowing a long shell horn. In the foreground a nymph with red hair, nude to the waist, with green gauze drapery below, reclines on rocky shelves over which the tumbling waters toss and roll, and she also is sounding her green conch. oe. Iqq & 26 Pers ra STAT: ¢ ©, 30D a to Lor. Sg a ee ry No. 200 WILL H. LOW, N.A. AMERICAN 1853— MUSIC OF THE WooDS (Lunette) Height, 22 inches; length, 3612 inches A DRYAD with mauve gauze drapery about her limbs is floating through the air, over the tree-tops in a wood, leaning as on her back, her red locks loosely blowing. Her hands are raised to her mouth, as though calling back or sounding the music of her seductive world to two youths who would pursue from the rocks and brush of their environment. One, half-clad in a pelt, with one knee on a rock, gazes toward her; the other, a flying blue drapery over his thighs, reaches after her with both arms, his rapt gaze directed far above her. No. 201 WILL H. LOW, N.A. AMERICAN 1853— MUSIC OF PEACE (Lunette) Height, 21 inches; length, 36 inches Ow an idyllic hillside of green grass and rocks, with trees and plants in blossom as a part of the background, a nude youth— __ his loins enwrapped in a skin—pipes while a yellow-haired, _ white-robed maiden places a chaplet of laurel on the brow of another with reddish hair, who reclines at full length on the = turf before her in a single, clinging, semi-transparent garment of pale mauve. At the left, a shepherd in green is seated below a young mother in a salmon-pink gown who suckles her nude infant. No. 202 WILL H. LOW, N.A. AMERICAN 1853— MUSIC OF WAR (Lunette) Height, 21 inches; length, 36 inches ON the right, youths in loin-cloths blow brazen trumpets, while lusty men with pikes crowd on them and press forward, follow- ing two sturdy pikemen who toward the left are kneeling on rocky ledges, bending and gazing down to regions unrevealed. There is a background of suggested trees and a brilliant multi- colored sky. No. 203 WILL H. LOW, N.A. AMERICAN 1853— THE DANCE (Lunette) Height, 22 inches; length, 36 imches A TALL and robust maiden, in a bright, golden-yellow, diaph- anous drapery suspended from her shoulders, is engaged in a step of the dance on the greensward, amid brightly flowering _ . shrubs and plants. She is poised on the ball of one foot, her arms gracefully extended, one down her side, the other bent _ toward her laurel-bound golden hair. About her at either side, standing, seated on rocks or lying on the ground, five other __ figures make up her admiring group—one with the lyre of Terpsichore, one with pipes, another holding a mask—their _ costumes or draperies green, mauve and salmon-color. No. 204 WILL H. LOW, N. A. AMERICAN 1853— THE DRAMA (Lunette) Height, 22 inches; length, 3534 inches Drama in a bright, reddish-pink classical robe, draped from the shoulders, stands at full length in the center of a group of five figures, a laurel circlet about her head, her right arm raised commanding attention, a yellow mask in her left hand. Seated at her right, an aged man, looking up—a white robe over shoulder and loins—holds a lyre; at her left a half-nude maiden with yellowish-red drapery writes on a tablet; while back of her a seated maiden in pale yellow and a reclining one in clinging mauve hold respectively the scroll and the ball and compass. Conventional surroundings of foliage and shrubbery. No. 205 WILL H. LOW, N.A. AMERICAN 1853— AMERICA—SONG (Oval) Height, 21 inches; width, 1234 inches CoLUMBIA in a wreathed crown of oak leaves is seated upon a coping facing squarely to the front, with head thrown back, lips lightly parted and eyes uplifted, hearing a gentle song of peace and praise. Her plain white drapery is enriched by the Stars and Stripes, thrown over her left shoulder and knee, and she holds extended before her a partly unrolled scroll. Her deep and rich red hair enwreathes her head within the circlet of leaves, against a pale turquoise sky which blends into a vague background. Signed at the lower left, Witt H. Low. ; 4 ‘ No. 206 WILL H. LOW, N.A. AMERICAN 1853— ENGLAND—THE HARPSICHORD (Oval) Height, 21 inches; width, 1234 inches THE white keyboard of an old-fashioned harpsichord of green- ish color extends across the picture—the instrument standing before a low green trellis beyond which pink flowers raise their heads amid pale splashes of yellow. A young woman of warm red hair and mature charms is seated at the harpsichord but turned to the left, her face more than half to the front, holding music in her left hand while her right is sounding notes on the instrument. She wears a décolleté gown of varied mauve tones, and a heavy drapery of bright yellow with white and red orna- mentation enfolds her lower figure. No. 207 WILL H. LOW, N.A. AmERIcCAN 1853— EGYPT—THE CURVED HARP (Oval) Height, 21 inches; width, 1234 inches On a stone seat Egypt as a woman sits facing the right, three- quarters front, the curved harp between her knees extending its red crescent from the floor to above her head. The stone of the seat is a reddish brown, a female figure at the left leans over the parapet behind the player, and in the background two tall pyramids—a purplish-gray below and _ yellow-capped—rise toward a green-turquoise sky. Egypt’s figure is clad in bril- liant, glowing yellow and malachite-green, with notes of red. =. at, eel eat Wie 6 No. 208 WILL H. LOW, N.A. AMERICAN 1853— FRANCE—THE DRUM (Oval) Height, 21 inches; width, 1234 inches Martiau France is figured hearing the music of drum and cannon. A brunette young woman of settled features, capped in pink and laurel-crowned, sits in tricolored drapery leaning against a bronze-green cannon of huge size. Her profile is clear against a griseous sky, as she looks to the mght with upturned gaze. Slung from her shoulder is a snare-drum that lies against her hip, and she steadies it with her right hand, which clasps the sticks. A cannon-ball is suggested at her feet. No. 209 WILL H. LOW, N.A. AMERICAN 1853— GERMANY—THE ORGAN (Oval) Height, 21 inches; width, 1234 inches A Saxon maiden with long, Marguerite braids of her deep ~ yellow hair hanging to her waist, is seated on the bench before an organ, in the act of playing. She faces the left and is seen in profile, the fingers of her left hand touching the keys and her right hand poised for its next movement. ‘The organ is mahogany-color, its curtained pipes of light yellow tone. The player’s eyes are directed upward, and her attitude is that of listening to the notes of the instrument. Her waist is a mauve- gray and her voluminous skirt of magenta, with sundry tones — of dull red and yellow. nw ne BS i TE le es i eS So Se ee a a ee No. 210 WILL H. LOW, N.A. AMERICAN 1853— GREECE—THE LYRE (Oval) Height, 203, inches; width, 1234, inches FIGURATIVE Greece is seated in an embrasure of a marble pergola, clad in a filmy chiton of canary color which leaves arms and chest exposed, a rich drapery of blue over waist and knees, laurel-crowned, and sounding the notes of a golden lyre. The gold is repeated in a broad band that frames the composition. Greece looks toward the right, facing three-quarters front, and is seen against a background of trees, shrubbery, and grayish- white clouds in a blue sky. No. 211 WILL H. LOW, N.A. AMERICAN 1853—_ HOLLAND—THE LUTE (Oval) Height, 2034 inches; width, 12% inches AGAINST a deep azure sky a Dutch house built of brick, with a step-gable roof, rises on the left, with suggestions of a grass- bank and growing plants before it, the whole as background for a robust, fair-haired woman who is playing a lute. She sits in a mahogany chair turned to the left, but faces the front with the lute across her knee, and her lips are parted as though singing softly to herself. Her décolleté gown is of a broad, flowered pattern, the ornamentation pink, yellow and green on a white ground. At her feet is a line of yellow tulips of the tulip-growing Lowlands, and a suggestion of water. = o|* a _ —-- - ——— aa No. 212 WILL H. LOW, N.A. AMERICAN 1853— HUNGARY—THE VIOLIN (Oval) Height, 21 inches; width, 1234 inches Huneary is possessed of the spirit of her music, as she sits on a green and brown bank in the open—field plants and grasses growing near her, a creamy-white conical tent rising behind her—and holding her beloved violin pressed beneath her chin with her left hand, while her right hand holds the bow away to her right. She is facing forward, slightly turned toward the right, and the sky above her has a filmy veil of white over its robin’s-egg blue. Her hair is bound with strands of coral and bright coins, her loosely draped waist of soft material is of orange tone, and the ample skirt that covers her spread knees is almost iridescent in varied notes of green and yellow. She smiles, and her eyes are fixed in a far-away vision. No. 218 WILL H. LOW, N. A. AmeERIcAN 1853— IRELAND—THE CELTIC HARP (Oval) Height, 21 inches; width, 124% inches A YOUNG woman with broad face, blue eyes, and features of Irish type, is seated on a blue-gray rock—one of many jutting out from a green hillside—and rests one foot on another of the rocks below, while its mate on the ground is all but laved by the blue sea on whose border the maiden sits dreaming. She faces the left, three-quarters front, a Celtic harp between her knees, on which she leans forward, resting an elbow on its top and supporting her head by her hand. Her head is thrown back and she gazes with rapt and distant expression upward and afar. Her loose hair, blown by the wind, streams out against a blue sky overspread by a white fleecy veil. She is clad in a light green drapery which leaves her arms and feet and one side of the torso exposed. No. 214 WILL H. LOW, N.A. AMERICAN 1853— ITALY—THE °CELLO (Oval) Height, 21 inches; width, 1234 inches SEATED on a balcony with a pale but bright blue sky for back- ground, a vigorous yet dreamy young woman with Titian hair is playing the ’cello, with emotion. Her drapery of indefinite coloring leaves her bust nude, and is carried in a swirl back of and to one side of her. Her figure is three-quarters toward the front, but as she leans over her instrument, playing, her face is seen in profile to the left, her large eyes directed toward infinite distance. No. 215 WILL H. LOW, N.A. AMERICAN 1853— JAPAN—THE SAMISEN (Oval) Height, 21 inches; width, 12% inches A LITTLE lady of the Orient is seated on a red lacquer stool before a low grill railing, a dwarf tree growing in a deep blue pot at her feet and a pinkish-yellow, ovoid paper lantern suspended before her. She faces the right and is seen in profile, giving close attention to her samisen’s curious notes. Her black hair is done up with long pins, and adorned with a yellow and green flower, and her loosely flowing kimono, which falls away from her neck, displays varying tones of red, blue, yellow and pearl-gray. en Se eee ent cai ‘i wf No. 216 WILL H. LOW, N.A. American 1853— RUSSIA—THE BELLS (Oval) Height, 21 inches; width, 1234 inches A. SINGLE-SEATED Russian sleigh headed toward the right is pic- tured against white banks of snow, under a sky of a cold blue. The heavily ornamented sleigh is green and brown and gilded, and in it is seated a fair young woman of quiet and determined expression who has turned toward the spectator, her head in- clined forward but her eyes raised. She is clad in a long, loose gown or velvet robe of pale red, with white lace at the short, open, flowing sleeves, and with hands raised—one over her head, one at shoulder-level—she swings a string of jingling sleigh-bells. No. 217 WILL H. LOW, N.A. AMERICAN 1853— SCOTLAND—THE BAGPIPES (Oval) Height, 21 inches; width, 1234 inches BuirHE of aspect, a Highland lass is perched upon a gray rock on the slope of a green and yellow heath, tootling the national pipe with abstracted air. Her short skirt of burnt- orange hue leaves a sturdy leg a bit exposed as she sits with one foot doubled under her, facing the right. Her yellow-blond hair is wrapped loosely about her head, which is inclined for- ward as she looks down the hill, her profile sharp against the thin white clouds screening a light blue sky. No. 218 WILL H. LOW, N.A. AMERICAN 1853— SPAIN—THE CASTANETS (Oval) Height, 2034 inches; width, 124% inches A DARK and supple beauty of the Southland is seated upon a coping or balustrade in the full sunshine of a bright day, beneath a whitish-blue sky. Filmy and transparent pink drapery leaves bust and torso unconcealed, while over her knees is loosely drawn a robe of Spanish red and yellow. A black lace mantilla floats from her dark hair, ripening oranges grow among green branches which rise above the wall of her seat, and her arms are raised in swinging abandon—one above her head—as she clacks the castanets. AMERICAN ART ASSOCIATION, MANAGERS. THOMAS E. KIRBY, AUCTIONEER. be I >¥ i \o [hare LIST OF ARTISTS REPRESENTED AND THEIR WORKS BALLIN, Hueco, A.N.A. The Dove An Evening Song BECK, Orro WALTER The Shepherd The Child Mary BECKWITH, J. Carroiu, N.A. Apple Blossoms BLAKELOCK, RatpH ALBERT Pegasus Early Evening Golden Evening Sundown The Indian Hunter’s Camp Autumn An Indian Camp in the Woods In the Catskills A Pool in the Forest The Mountain Brook A Woodland Glen The Powwow Sunset at Sea Moonlight BLUM, Roserr Frepericxk, N.A. Casa d’Oro, Venice CATALOGUE NUMBER 16 137 20 90 17 BRUSH, Gerorce De Forest, N.A. Leda and the Swan BUNCE, Witutam GeEpney, N.A. Sunset—Mount Desert Evening at Venice Morning in Venice Sunset Watch Hill, Rhode Island CHASE, Wiuu1am Merritt, N.A. Near Bay Ridge CHURCH, Frepverick S., N.A. The Visitor The Witch’s Daughter Una and the Lion Refuge Moonrise Undine COFFIN, Wuiuu1M A., N.A. A Rainy Day COLMAN, SamuEt, N.A. Moonrise at Venice Moonlight near Rome COX, Lovuist, A.N.A. (Mrs. Kenyon Cox.) Little Miss Muffet CURRAN, Cuartes C., N.A. Butterflies CATALOGUE NUMBER 87 85 48 CATALOGUE , NUMBER DERRICK, Witiiam Rowe. Early Morning—Squam Lake, New Hampshire 58 DESSAR, Louis Paut, N.A. The Evening Star 24 The Wood Cart—Early Morning 133 A. Pastoral 190 DEWEY, Cuarites MeEtviiiez, N.A. Eventide 53 Homeward 59 Drifting—A New England Scene, near Essex, Massachusetts 138 A Gray Day in Shropshire 161 DEWING, THomas W., N.A. Morning 18 The Lute 141 Woman in Purple and Green 167 DIELMAN, Frepericx, P.N.A. Magnolias 91 ‘FITZ, BenzgamMiIn RUTHERFORD Gathering the Last Sheaves 105 The Reflection 185 FULLER, Gerorce, A.N.A. A Child of the Forest 23 FULLER, Henry Brown, A.N.A. Mother and Child 121 FULLER, Lucia Fatrcutup, A.N.A. The Rose Gown 26 GENTH, Livtian Marnie, A.N.A. Spring Blossoms GIFFORD, Rosert Swany, N.A. Summer Near Buzzards Bay GRUPPE, CuHarites Pau Summer—Caledonia Creek Along a Connecticut Road HAMILTON, Enpcar ScuppER Andromeda HASSAM, Cuirpe, N.A. At the Piano Isles of Shoals Leda and the Swan The Butterfly October Haze, Manhattan HILL, Artuur T. Late Afternoon, Gardiner’s Bay HOMER, Winsvow, N.A. The Dead Deer A Fisherman’s Day On the Trail A Good One Casting for a Rise A Quiet Nook on a Sunny Day HOWLAND, Atrrep Cornetius, N.A. At the Mill, Walpole, New Hampshire CATALOGUE NUMBER 136 49 81 104 143 73 51 54 124 178 186 117 33 39 96 102 154 159 19 CATALOGUE NUMBER INNESS, Georce, N.A. Landscape and Cattle 35 The Farmhouse 64 Durham, Connecticut, 1880 106 . Spring Blossoms—Montclair, New Jersey, 1885 120 Early Autumn, Montclair 140 Woods near Milton 156 Sunshine and Clouds 197 JOHNSON, Eastman, N.A. Corn Husking 8 LA FARGHE, Joun, N.A. Mount Tohivea 43 - The Ascension 95 Lady of Shalott 153 LATHROP, Wuuiam L., N.A. Twilight in Connecticut 21 LOEB, Lovuts, N.A. The Dreamer 13 Miranda 122 LOW, Wu. H., N.A. A Débutante 162 Music of the Sea 199 Music of the Woods 200 Music of Peace 201 Music of War 202 The Dance 203 The Drama 204 America—Song 205 England—the Harpsichord 206 Egypt—the Curved Harp France—the Drum Germany—the Organ Greece—the Lyre Holland—the Lute Hungary—the Violin Ireland—the Celtic Harp Italy—the ’Cello Japan—the Samisen Russia—the Bells Scotland—the Bagpipes Spain—the Castanets LUCAS, ALpBert P. The Night Watch MARSHALL, Witiiam Epcar On the Seine Martin, Homer D., N.A. Lake George On the Seine Autumn October Low Tide—Villerville A Brook in Connecticut The Meadow Brook The Mussel Gatherers METCALF, Wittarp L. The Bower MILLER, Cuarrtres Henry, N.A. Evening An Early Settler, Long Island CATALOGUE NUMBER 207 208 209 210 211 212 213 214 215 216 217 218 128 79 41 44 93 98 107 150 170 198 123 74 166 ne a oY | MINOR, Roserr C., N.A. Twilight Sundown After Sunset Eventide Noonmark by Moonlight MURPHY, J. Francis, N.A. Autumn A Hillside Farm September Early Autumn Morning Gray Hills NEWELL, Grorct GLENN The Toilers Late Afternoon NEWMAN, Rosert Layton The Letter Madonna and Child O'DONOVAN, Wurm R., A.N.A. The Bathers PAULI, RicHarp Evening RANGER, Henry W., N.A. Sunset at Berthier Spring Pastures The Spring-hole, Haley’s Woods Willows CATALOGUE NUMBER 101 126 173 67 182 89 148 86 130 CATALOGUE NUMBER The Swamp Pool 134 A Nocturne © 174 Early Morning—Noank 189 Sky, Dunes and Sea 193 REID, Rosert, N.A. The Violet Gown 55 The Pool 60 The Brown Veil 132 The Violet Kimono 184 The Yellow Flower 194 ROBINSON, THEODORE A New England Brook 11 Afternoon Shadows 110 Day Dreams 169 RYDER, ALBert P., N.A. Autumn 28 “With Sloping Mast and Dipping Prow” 38 Evening Glow—the Old Red Cow 78 SARTAIN, Wim, 4.N.A. Near Englewood, New Jersey 15 The Meadow Brook 164 SHIRLAW, Watter, N.A. Toning of the Bell 22 The Kiss 25 Autumn 165 TRYON, Dwicsat Wii, N.2A. Springtime 50 An Autumn Evening 113 Daybreak 175 TWACHTMAN, Joun Henry VAN An Early Winter New York Harbor The Little Bridge Street Scene, Limburg, Germany Near Bridgeport, Connecticut Old Holly House, Cos Cob—Winter A Spring Morning The Bridge in Winter Meadow Flowers The Campanile, Late Afternoon Freight Boats on the Seine The Hidden Pool Niagara in Winter The White Bridge LAER, ALExanperR T., N.A. October near Litchfield WALKER, Henry Otiver, N.A. Boy and Dove A Morning Vision WAUGH, Freperick J., N.A. A Misty Day, Monhegan From Giant’s Stairway, Bailey’s Island Sea and Foam East Coast, Bailey’s Island Early Moonrise WEIR, J. Avpen, N.A. Midday Lengthening Shadows WILES, Irvine Ramsay, N.A. The Purple Shawl CATALOGUE NUMBER 12 AT 52 72 99 | 119 125 131 135 146 172 180 187 191 179 69 cmareare WHITTREDGE, Wortuinerton, N.A. : A Gray Day in the Valley 145 WILLIAMS, FreprErick Bauuarp, N.A. ; The Bather 5 The Broad, Green Valley 139 The Sea Nymphs 147 The Golden Hour 188 WYANT, ALEXANDER H., N.A. A Cloudy Day in the Adirondacks 32 In the Catskills 34 A Lowery Day 37 Moonlight 40 Early Morning 45 A Wet Afternoon | 63 A Cloudy Sunset (ul Mystic Rays 82 Sunset in the Woods 88 A Cloudy Evening | 92 September 97 A Gray Day 112 An Adirondack Vista 115 An October Landscape 149 An Adirondack Hillside 151 Haying Time 157 The Lonely Farmhouse 160 Sunset 163 Birch Woods in the Adirondacks 168 Morning at Neversink 176 YATES, Cutten, 4.N.A. The First Snow 129 Upland Pastures 195 _ me et een 3 wna, 7. BVANS, SQ. 4 . ’ ea fa FR Rn ee " ' ABLE PRICE, BUYER. | "ser eas Merritt Chase > $155. “Ae Oe Humphreys * ag ae Q. ‘Curran | 55. G. A ueskatl a 3 Siaph Albert Blakelock 190. deuhten & Ricketts stoned Colman 260. Ralph King Fredortot Ballard Williams 235. | Moulton & Ricketts ae. Wiliam A. Coffin 120. W. Kemsen ne ‘chara Paula. 210. We Ames we eatin Joimson 210. W. Ames 8 Proderick S. Church 380. Hawin Mayer felph : Albert Plakeloc% 1,200. ‘Wf. B. Thompson Taoodove Robinson 475. Alex. Morten Som ein fwachtman 425. Ralph King Laake Loeb | " 250. Mr. Springer “Willan sekiny Bunce 300. G. H. Talcott Willian Sartain 325. Yim. Macbeth Hugo Baliin 220. %. Henry ‘ds Carroll Beckwith 130. ur. Springer Thomas W. Dewing 700. M. Knoedler & Co. Alfred Cornelius Howiesd 210. Mrs. Nathan Bijur Otto Welter Beck 130. F. A. Vancoriape | William i,. Lathrop 175. - M. Knoedler & Go. Yielter Shirlaw 160. W. Be Thompson George Fuller 25 Burton Mans?ieid agit Paul basses — 190. | Relph King Walter Shirlaw : 130. ?. Henry Lucia Fairchild Fuller 360. ) Geo. H. Ainsiie Ralph Albert Blakelock 400. Ww. Remeen Albert P. Ryder 150. Geo. & Falmer Robert ©. Minor 350.4 A. H. Cosden J. Francis Murphy 640. Abraham & Straus Ralph Albert Blakelock 280. T. Henry eoah a . ar t cabwest ¢ ehaiy ee Peony f i $V, ks « EL ef] * . + at $ , “eae? } ; were tet had se OW ED a) 2 , P ‘? gill ahi : oh te ti aw RA HIE % 4? o f ay 2 4 4 Se ke *se “9 re + oe a Oe OA ola pa te ee 4a . ** eS ps ha el teh he: sake yee " buy «7 : + lee ok = ee ¥ ;§ OOo he tf teal AEXOR ow 2 * P ’ soy? ete ihe @ * / rar 4 | eS ad elie oes T o at ' ‘ S tee @\ ow was 9 x “4 2 Pa : f ¥ Aaa” * i Rt f ae Ad % ; ¥ ne * * n LU Saws at. 008, £. cs 7 woe oo aif teloaest Lowe ‘ O08 geritwet sy aan ef: - »OL8 baalwel eelLormma ‘bowel de Bae oe ; + = ait ote Ws j one en = yey O8L wood % eg tal! oFtO EYE qomwsal wf me nbs ee ” t We fu.£te | 7 bas i * “tol ty % £85900 we “1588 etl ‘iad (eked a * ; 08L . ; watnine satiaw: Od sol fis Pesca cua shoud, OC inolovald sued A ig Lat “i ~{ SredLA ; : a © te’ te oH. Wyant “ova Homer — es. = Re, CS aetna H. Wyant _ “Weeieree Inness Wied 8o stir Rlexander He Wy + Abert . Ryder . — etew Homer Rexander™ H. Wyant Oly ae ee ae Homer D. Martin ~ Prederick S. Church ~~ John La Farge ~ Homer D. Martin ~ Alexander H. ‘yent “Ralph Albert Blakelock ~ Jom Henry ‘fwachtman Louise Cox R. Swain Gifford Dwight William Tryon “Childe Hassam “Jom Henry Twachtman Charles Melville Dewey Childe Hassan Robert Keid i aiden Weir Frederick J . Waugh William Rowell Derrick Charles Meiville Dewey Robert Reid Henry W. Ranger J. Francis Murphy Alexander Hi. Wyant George Inness 1,500. 250. BUYER Henry Reinhardt Moulton & Ricketts f. Henry Abraham & Straus W. B. Thompson We? WuBedyer”a co. Geo. S. Palmer” CG. L. Andrews — W. B. Thompson Ue. Knoedler & Co. Geo. H. Ainslic T. Henry ¥. 8. Smithers G. 5. Palmer G. 5. Palmer W. B. Thompson Geo. H. Ainslie W. B. Thompson C. C. Boory W. B. Thompson Wim. Macbeth Abraham & Streus Yim. Macbeth Ralph King Huge Reisinger ure springer " Martin Joost Hn. &. OG, inasmy vr. Springer Abraham & Straus CG. L. Baldwin Geo. H. Ainslie ". Henry — 5 “vofboont Be OGRE obients ca ?- “cuit. on suadiiedl 8 ms “temtst .8 pio foaqmoty .a .W eife neal a aed Oe ot mY .8 JW heh: apes x, abe f r so % - et Fa. . PO 3) i oe : Mae Hoc vetin he 27 wf te, Saseemee™ . 7 ar M gaool atirta Oat Anza Lfewok ee P 4 * * aie ai hits % ae: Se ea ee me - WORT aD een etasd (ewe! efifiviet ¢e Sune o- Pe ee # ; res * 4 - “ toyntiqe .% OSS biehk vedo coe y 3 Awey nn et : matte fi «OV tego .W ytreH ea Piya o cut t " Sieh [ > eeelpeerestfl 4 bia i dae ehh wae GOO. Yr Thi2G ets iG t 4 mH olfanta .H . oe e002 ,€ tansy’ .H tebsmxeLlAa r? : Waly . uw ee ae eae oe ee me wet } , 7 Mes b hae ya q hy. FR > ! prt oY st Me 5 Pa ok ; 7 * aa e ¥ 4 Frederick J. Waugh $ 950. ’ Y George Glenn Newoll 160 . , Henry W. Ranger “1,650. Irving Rensay Wiles 7150. "Frederick Je Waugh — | 700. | Willian Gedney Bunce 2,000. * Jol Henry Twachtman , 165. | “Rdgar Soudder Hamilton 0. “Chorles Henry tiller 105. ie Ralph Albert Binkelock 250. se Francis Murphy 850. | Meeaider He tiyant $25. Albert P. Ryder 325. “Walden Edgar Marshall 50. Ralph Albert Blakelock 320. Robert Swain Gifford 200. Alexander H. Wyant — . 925, & Ralph Albert Blakelock 375. Ca “Robert C. Minor 220. 85 6 Samuel Colman 150. 86 William KR. 0'Denovan 60. ar George De Forest Brush 1,300. 88 . Alexander H. Wyant 725. 9 Robert Layton Newman 100. 90 3 otto telter Beck | 90. ou Frederick Dielman 290. 92 Alexander H. Wyant 1,025. a | Homer D. Martin 115 94 Willies Gedney Bunce 425. 98) Jom La ¥arge 130. 96 Winslow Homer 100. Alexander H. Wyant 825. K. Re Bromley W. B. Thompson — iH. Me. Clark | Wm. Macbeth | Charles Ae Platt Hago Reisinger Mre. G. Cs — HE. Grant John J. Souney L. Bs Ellis Abraham & Straus G. S. Palmer Gol. Woodward Mr. Springer Geo. He. Ainslis Be Pe Karle Henvy De Forrest W. Stursberg Le His Groat We Stursderg Yim. Macbeth Otto Bernet, Agent Vira. Liacbeth J. K. Andrews Holt-tén & Ricketts James Brown L. Be BYLis Wr. Macbeth Wm. Macbeth M. Knoedler & Co. M. Knoedler & Co. Holland Galleries so eda ea oS taelsteda a ae “buaboot .fo0- seganbeaa J ip aera ue eg OiaNEA «A 160d ; ied tet ‘ 3 ea — % ‘eek sasTio% OC Vine Grodetta |’. W ‘ : $r, wr , FRG eM aad Sede wilt spk :. yredeice .e wake Pie ae oe ” ISRO Rt st gn A”, domed ofTO 4 4 po) fe a Foe) ey » ¢& 7 = bie tee Hieda at vi % * ft B23 ve ee W § 2 By AS LPP hE | eR ” e . a a 4 © fete Oa ie St ee ee i a es ie ary —) f < es on , crane ME ‘fo e wr yi” autit rane a «| pw ae ‘oon yerhe eased: | 2. gent iat “Halot : rome woLigake ‘ ‘ comyW . Sebamxela + tn Me MF ART CY 2 ‘ tite 9 400 al i 2 » a roe sep tr King a _ a . oe wnt ien mer D. Martin ” “Henry Oliver Walker Charles ‘Paul Gruppe te “Homer D. Martin 8 = WAIdam Gedney Bunce a “Ralph Albert Blakelock 5 Prdhiesddré Hovinsen Frederick 8. Church “Mlexander Hi. Wyant Dwight Willian Tryon * Raloh Albert Blakelock "Alexander H. Wyant Robert Frederick Blum \Arther 7. Hall ho oJ. Alden Weir John Henry Twachtman 120 . George Inness De, 1921 -- Henry Brown Fuller 322 Louis Loeb 123 Wallard L. Metealf 4% Childe Hassan 125 Jom Henry ‘twachtnan J. Francis Murphy Henry Oliver Walker Albert P. Lucas Gullen Yates ““Benjenin Rutherford Fits RICH... $650. (425. 160. - 1,400. 1,200.> LBS 160. 210. 875. 2,200. 530. 1,500. 230. $00. WO. - 1,300. 1,250. 3,550. 1,580. 13¢). 360. Geo. H. Ainslie C. W. Kraushaar® Thomas 1. "Manson Abrahan & Straus Ms Knoedler & Co. T. Henry” James Brown M. Tanenbaum Abraham & Straus Miss A, 8. Jennings Geo. H. Ainslie Mies A. B. Jonnings Mrs. EB. G. Radeke Jol ¥. Harris Ralph King 6. Le. Andrews Mr, A. Sisenberg Geo. 5. Palmer Cols Hosdward Dr. J. R. Paxton Vim. Macbeth M. Knoedler & Co. Moulton & Ricketts ¥. As Vandsrlip Gso. A. Hearn MM. Knoedler & Go. Hugo Reisinger Ya. Macbeth Arthur Lehman Goo. A. Hearn Moulton & Ricketts HesryL. De Forrest a agadanel «7 a: s ' ‘oile nia’ .Hy. 9). « J —agnidacek 58 «A wedi odobst WD 6a ate. abril a gute sigiad » gill hs a ewe thnk ¥ 2g 7 ah | <8 vemtet-.6 >. 980: oGhQ,8 rare try aa eh buco adap. ORB cul Agerebevt I 3 Rod noe LE 008. doo leseke > rote it ae: OR SAP Paras fl ! COLL. : | tial! : 00 © ‘we iheondt: G68: . aed dow sti 9 cod azeh! 008, 2 lek easel agtte he abr igh of sOGER < ral fel cowo'tet yee ¥ : aOR yee dla ia. 008 .of 4 tefboot i 00" 2. tLeoseu” vognketed ‘oul S006 f' aneess eblitd) i ; } : ‘ 4) serie el 4k, poi, ont Ane Mee of é . sg tel vy cote apes |< ee i So vere idecd eo a" ait ; _ ‘Ato aa , p i Fe A Vs Pvt : ¥v SMGEE Ae ‘ > y r BATS . bi hows ese at al tm sty Bae F tart ‘ we. ow nth phe YR aloe € Loe a § et pny P \ 5 ve oe “belt yet ai fall yevifd vinell Be nt TV ESR ow fh ise? ww LASa Wey oh SOR 150 peo! ALLDEE r 2 e ce attedoli 4 agtisom 4062 asoul .i frad{a- or. oe cate l't wh ie ax Ay Stiied sak ee aeruy ret luo _- Lallien Mathilde centh w Hugo Ballin Charles Melville Dewey “Frederick Baltard Wiliians | Whi Ws Dewtng _ Frederick 8. Church Charles P. Gruppe ‘Frederick J. Waugh Worthington Whittredge Jom Henry Twachtman Frederick Ballard Williams ‘Robert Layton Newman “Alexander H. Wyant ‘Homer D. Martin Alexander H. Wyant ‘Ralph Albert Blakelock Jom La Farge Winslow Homer ‘Ralph Albert Blakelock — George Inness— Alexander H. Wyant Robert C. Minor Winslow Homer Alexander H. Wyant Charles Melville Dewey Will H. Low wien $2,000. 1,450. 660, 1,450. 1,400. 700. 525, 525. 560. 480, 3,850. 3,500. 300, 360. 350. 190, Wm. Macbeth Me Knoedler & Co. ON. Snead Henry Schultheis Miss A. R. Knox Cél. Woodward James Brown T. Henry Mr. Springer N. Snead A. Eisenberg C. L. Andrews John J. Souney Me. Tanenbaum John Levy James Logan A. M. Hudnut We Stursberg H. CG. Parker Geo. H. Ainslie Le M. Grout Burton Mansfield Holland Galleries Myr. Springer M. Knoedier & Co. W. Stursberg Holland Galleries Wim. Macbeth Abraham & Straus Moulton & Ricketts Senator W. A. Clark EK. Grant fT. Henry tient a qrlaniie oh awerr > ok: ) ieee cui 6 CS pwadreusT .M yved fot Meg ol somet tucbholt MA , “vie m@ 74 o bs ee Ad BESO RINT a st * £ : + 2 (etme 2D of Pt eae f tis ee 200 2 talbeenm if oy te SF a yey pf A Borsa & PALIT hy . oy ob ol om fe aT e rps rake a AO a0 3 MOT LIO ’ ry i ~ a mf ee: i. Bone ted ers evi Tay rs Seasyy H rtebusx yowsd oLtivielt bia Ky 4 wid -H Loa Alexander H. Wyant Willian Sartain Walter Shirlaw Charles H, Miller ~ Thomas W. Dewing : # Alexander H. Wyant Theodore Robinson Ralph Albert Blakelock Jom Henry Twachtman J. Francis Murphy Henry W. Ran ger Dwight William Tryon Aloxandor H. Wyant Frederick A; Gharéh Childe asiiine AYexander T. Van Laer John Henry Twachtman Robert C. Minor George GlennNewell Frederick J. Waugh Robert Reid Benjamin Rutherford Fitz Childe Hasam John Henry Twachtman — Frederick Ballard Williams Henry W. Hanger Louis Peul Besser Jom Henry Twachtman Ralph Albert Blakelock Henry W. Ranger Robert Reid Cullen Yates Frederick S. Church weefjan PRICK. $825. 375. 180. 310. 2,000. 1,260. 800. 3,200. 375. 535. 1,400. 175. 3,000. 10,100. 625. 1,000. 380. 550. 675. 200. 620. 520. 2,600. 1,500. 1,825. 1,550. 2,050. 1,100. 2,125. 13,900. 1,450. 600. BUYER. ashen heaeenetaaseantntneiaeeiieineen inane Holland Galleries Moulton & Ricketts Chas. Weinberg Henry Reinhardt Holland Galleries Yim. Macbeth Wine Macbeth 0. A. Jamison C. W. Kraushaar FP. A. Vanderlip Wm. Macbeth Rhode ¥sland School of Design Senator W. A. Clark Geo. A. Hearn N. E. Montross John D. Carberry Wm. Macbeth C. A. Jamison Thomas N. MeCarter Dr. Fred Whiting Mr. Springer Geo. $. Palmer Wm. Macheth Wm. Macbeth F. A. Vanderlip H. F. English G. S&. Palmer Yim. Macbeth Senator VW. A. Glark Yin. Macbeth Win. Macbeth W. B. Thompson C. A. Jamison * qtdptonst ot tee “% brebnet oA AX * sbadllie an - mgeeod te toolfde bnated shoril tala sik “W ethaned Wiha VA ea ers ol mM wried ras 3G ciel a sey $9 ot Hii, wre eh ye 2a ot te Aw FS, 4 a ¥e Re rt cf &% » f oy pa ee Hee a se “ttl Ra ae TT 4K bop yepior wp deg LE a ned COS HTK wage * mk hee P ott a Bled *) ats tye 5 GP tbe oh: 4y sea Aeee Pees Fibs ofa Ot Fe eat pad ante a wT en a a P ¢ ey ne pe & Kean oy eats st Git SOD «ho & ¥ “f ne > et a wy peat } : fem J & 4 oe aa wed — % ry Tey eed 3 - , 7 i# « . ay wh em 5 mi asa Finca sth Om, ae ae ee Ka Po i ae » ea a Wk Be os 4. ! & SA Gs LR Be 8 a eft in rs 5 ie% 42 Pas Sine ie - : | | soho ho aint ore oF. te ? 0 Gao a , ee * i 3 @) * cs » COOL 2 £ ‘ten nal .¥ biel dredoH nota rm “sy a Ane a , : e Si a i 4 sii ~/ a \ - re K: Z P 4 = ms: " =/ -_ . ole? - 1 ; ao » Fy , rte ‘ Sea f — a é wm ; % A Ws " ee Lf _ ¢ a7 ‘" rhs : fs e ‘ } oN p é 7 ant A 45a ih am 4 ea.) ' ¥ be’. 1“ ~~ rn an, aa sd \ A Pie A <" 4 . Z ew. if j 3 a cr hak x's ” i . ae wo a , (s nore we Ne 1 : Paria Be iy 2 thas 5 “ie ; ‘ ; : , . u“ Sar, nt ta Pui Ce F i ” ~=--0 00000000000———— (199 Will H. Low (199 to 218 inclusive) 5,800. i ¢ Hk fi nile ~ ty } Oe 1g ie oo O09009 Oe sate is ‘j 2 ' | a | { | | _— eo