Paltt syste ‘ t ; i paca Hana tain a peteastan eater ete Sea re Setpistaoen tiated arte pg au ae # a Bi i ‘4 tight * arewases porereesereteees i party if Mera ae art, i ae rt He 7 set Seapets bs = elit feitt tte Beatty 556-8 Fifth Ae New York |THE HUGO REISINGER SALE. oe art event of the week has been the e of the oils, watercolors and etchings, ed by the late Hugo Reisinger, a 4 & 7 Plaza ballroom on Tuesday and Wednes- ‘Thursday evening. __ The grand total ofthe three sessions, al- lowing for a deduction of some $320, due _to the reselling on Thursday evening of sion at the American Art Galleries on | and not taken by the customer—and which resale fell short of the original one to this amount—was $217,925. The best figures were obtained from the oils of the mod- ern American-French schools at the first | session, or $139,335. The modern German pictures, sold on Wednesday evening, as had been anticipated, while the auctioneers stated that they brought within 5% of their cost to Mr. Reisinger—only really reached the sum of some $50,000 for some 65 ex- amples—the remainder of that evening’s sale total of $68,625 or some $18,000 hav- Ing been obtained for 22 examples of the modern Dutch masters, of the five English and Scotch painters, A. John, Lavery, Greg- ory, Grosvenor Thomas and Sauter, one of the Italian Mancini and one, and a good one, of the Spaniard Sorolla. The watercolors and etchings, save for 28 etchings by Zorn, a few by Pennell and one each by von Menzel and Seymour Ha- den—not a remarkable lot—stilf sold well, and some, notably the Pennells and the Zorns, brought American auction record prices, the total for 86 numbers having been | $10,285. | The modern Americans really bore off | the honors of the sale and held their own |} well with the French pictures. When Twachtmanns bring $4,350 and $3,330 from dealers, a Weir, $3,000, a Murphy $4,950, a| | Chase still life, $1,550 from a Museum, a Waugh $1,200, and a Bellows $1,075, at auc- tion, they take commercial as well as artistic rank with the best modern foreign works, long so popular with American collectors, and have at last and-belated, “come into their own.” Story of First Session. | At_the first session for 84 nos. by mod- | ern Foreign and American artists in the | Catalog, all oils, save three or four examples in watercolor and pastel, the good total of | $139,335 was obtained. _This made an average of some $1,500 a picture, and while the bidding, save for an example here and there, was not spirited, on the whole it did not lag. There were | several American art auction records brok- | en, both for native and foreign works, and the prices, as arule, were higher than those) | paid by Mr. Reisinger. i _The American pictures at this first ses- sion held their own well. One of the two ex- amples of the late John H. Twachtmann Wild Cherry Tree” brought the record auc- tion figure for his work of $4,350, and an-| other example brought $3,300. J. Alden Weir’s “Midday” also broke his auction rec-| ord at $3,000, while a late example of ia. a a ‘ti< a ; o< day evenings, and the third and final oe . 3 iad ah _|*Dogwood Blossoms,” and George Bellows’ | -|“Morning Snow” brought $1,075. | On the other hand two good Hudson} three pictures bought on Tuesday evening | a Murphy almost reached his record , and a Winslow Homer watercolor , laine Coast” made a record for his water- | colors at $1,600. A typical panel by Dewing | 7 besept $3,400 and a Chase still life of} | tea 1S , ed. | $1,550. Childe Hassam’s “Leda and the as told below, have been disposed ei of in three evening sessions, two in the _ } record price for his still lifes) of Swan’ brought $2,000, and his ‘Brooklyn Bridge in Winter,” $2,225. tor Beatty, $1,200 for Willard Metcalf’s| | River vistas by Leon Dabo only brought - |$375 and $425 respectively, and Carl Marr’s | | good portrait of Prince Luipold of Bavaria | ; | fetched $475, about a quarter of the figure; — lit wotid kave reached if sold in Munich. | The high figure of the sale was $10,200, | paid by Mrs. Hugo Reisinger for a good | “silvery” Corot. | $1,700 and a larger example $2,300, a Renoir | — $4,950, a Pissaro $1,850, a small pastel by L’Hermitte $1,950, a Claude Monet, one of the “Thames series,” $9,300, a record for America; a fine Boudin “Beach at Etretat” $400, and Zorn’s “The Bather” $7,000, also | an American record. seen by their purchases and Durand-Ruel | the French Impressionists. There were few new collectors who bought. The large number of purchases by a Mr. Charles were credited to Mrs. Charles B. Alexander, who | was present. First Session. ; The following is a list of the pictures sold f | Tuesday eve., with the numbers, artists’ | where obtainable, and the prices: tel), 104x6%,> Ralph'’H. Booth. .. 2.4. 260 2—Dewing, T. W., “Girl Playing the Lute” (Pastel), 10%x7, Mrs. Hugh Murray.. 300 | 3—Horton, D, S., “Whitby Sancs” (Pastel), 14%x18, Robert Glendenning ....... 40 | 4—Davies, A. B., “At. the Waterfall,” 17x22, Aj CEES ATGGeE) ET es serventrat Se ercue baie coe wads, Sine leugile 560 5—Dearyih, H. G., “Flecks of Fvam,”’ 18x21, Rey (ae) RELL Viselaahe 8 Sa Stoel owen pia 6—Haseam, C., “Dryads,” 1334x1614, M. 'L. F MING Le Uemae nn Roa wieeiee 1+ © siehb Gores tersiate * «2% 625 | | 7—Hitehcock, G., ‘‘Flowering Holland,” 17x- Pee eae A co 1) OPES OLS Firs). avenstaderets Abate Wuweahare 225 | 8—Weir, J. A., “Moonlight,” 24x20, A. A. PRR ohe note «reais tess TeOen PL Ree 825 | 9—Robinson, T., “In the Orchard,” 20x16%, pre /10—Dewing, T. W., “Lady in Black and Rose,” PIS Viel) MORALES ws ecules aes Besos ole ® 450 11—Hassam, C., “Sunset,” 22x20, John W. ESR CEVoRE eo 6 fle asa ius Tecate oe Saye hes tiete.# 8a sere 3,400 | '12—Hormer, W., “Rocky Coast” (Watercolor), 19621 AL ASUS BOIS 6 0, fs cee ve Vets 625 '13—Fronberg, L., ‘Ballet Girl in Pink’’ (Pas- Pye . teaky, (24e1034,-1). Charles W,. . . one Oe 1,600 '14—Hassam, C., “Morning, Seville,” 251%4x18, A§ TCS A TOCIMEY sures acc Nh Geuawis ae aan oe" Ola 625 '15—Frieseke, F. C., ‘‘In the Doorway,” 3134x- Ps Fave. Wea MMidcbeth! 1.5). 0.5. Pra tuy tees 575 \16—Browne, G. E., ‘Silver Mist,” 21%4x26, iy Miss Helen Curtis ....... Fda eternal 5° 400 '17—Lawson, E., “‘Abandoned Graveyard in P Spring,’ 25x30, Chas. Daniel.......... 225 | 18—Meteéalf, W. L., “Dogwood Blossoms,” 29- ) | mapao, John W, ‘Beatty......... stesbee 1,200 | 19—Dougherty, P, “The Cleft,’? 30x25, Hol- i TRG GIICTICS Coy aces ence eas verre sana 425 '20—Horton, W. S., “Aigue-Marine,” 25x30, . RONG enNING i ces oto e ee es te eeee 125 '21—Reid, R., “Meditation,’’ 30x25, D. Charles 500 22—Hassam, C., ‘“‘Leda and the Swan,” 25x30, , SSD he US ee a ee oe ee eee 2,000 23—Weis; J, A., “Willimantic Thread Fac- tay,” 2414x33%4, A. A. Healy........ 725 24—Twachtman, J. H., “Water Fall, Yellow- | stone Park,” 30x30, Knoedler & Co.... 3,300 b OT —_— — 9 The Carnegie | Institute of Pittsburgh paid, through Direc- | A small Cazin brought} The dealers were out in force, as will be| j names, titles and sizes in inches, first height _ |}and then width, the names. of the buyers. . he 1—Dewing, T. W., “The Musician” (Pas- fe Pes, | bought at good figures the best examples of| | 30—Dabi bu iP x io ee leries te) Palisades, Eeedoon River,”’ Co. | 41—Har ignies, H., @French Landscape”’ if (Watercolor), 8%x12, Rudert, Agent.. Ah eae ne, 5 E., “Le pert D’Anderine,” 9%x13%, Seaman, Agent |43—Fantin. Latour, H 2 Aurora,’ 1134- Lorenz, Agent | 44—Deg ciara ef G. E., “Ballet rls Dressing” (Pastel), 7x9, Knoedler & C | teat eG fe. SMan Driving Cows,” 4x6, it harles | Fong isaac, C., -Emtants a Pabte.” 1134x16%, Glendenning | 47—Fantin- Eapour,) H. J-.T.; “The yee ues ~ Women in a Wood,” "1034x14%, C Kraushaar | #8—Tsabey, loa oe “After the Storm,” 15x- mr tien, Holland Galleries | 49—Stevens, A., “Vue De Treport,” 1334x- 10%, Knoedler & Co - 50—Fromentin, E., “Algerian Washerwomen,” 1014x1334, Hugo A. Koehler.. aaa J “The Harvesters,” a4%9%4, 4 i we Fillmore. j53—1a Touche, G, “The oneyawons: 1534x- 1334, Rudert, Agent | 54 Ia Touche, G., «Petit Souper,” 1534x13%, j Rudert, Agent +55—Renoir, F. A., “Baigneuse,” 16x1234, M L jell inek _|56—Fantin-Latour, H. J. T., “Still Life: ers, 3 eats Knoedler & Co -57—Corot, 4. -C., “Environs de Beauvais,” 18x eran Hugo Reisinger |58—Boudin, a E., ‘“‘Le Port de Saint Valery, gi Basse, 18x14%, Mrs. Hugh Mur- |59—Thasilow, Flow- ; “Scene in Venice,” 184%, O Bernet, Agent - 60—Stevens, A., “In Deep Thought,” 18%4x23, Knoedler & Co. ee enoir, BE A., “Young Girl’ (Pastel), 18Y%x23%, Durand-Ruel : _ |62—Pissarro, C., ‘“fPlace de la Republique, Rouen: Effet de Pluie,” 1814x2134, Du- rand- Ruel e3—Degas, FH. “Danseuses: Jaunes,”’ raisxi8, Durand-Ruel /64—Sisley, A., “Noyer A Veneux-Nadon,” 19Y%4x25%, Durand-Ruel 65—L’Hermitte, L. A., “Harvesting” (Pastel), 2134 xt/, O. Bernet, Agent |66—Boudin, LL. E.; “Cherbourg,” Seaman, Agent 167—Cazin, J. C., “Octroi D’Issy,”’ A. F. Pillsbury 68—Raffaelli, J. F., “Bain de Mer, Treport,”’ j 21x24, M, L. Jellinek BY 69—Courbet, :. “Landscape,” Du Bois 170—Dupré, J., “The Storm,” 214%x25%, Hol- land Galleries A, | WHR) aN Pa Girl: Kesti,”’ 27x20%, O . Bernet, Agent |72—Delvaille, Mo Gees yeune ~ Kemme Toilette,” 29x24, Louis Lazard _ |73—Moret, «., “Etretat: Sunset,” Durand-Ruel |74—Pissarro, C., ““Femme 4 la Chévre,”’ 32x- ecuien ees Ruel a ae 1834x24, on the Hudson,” ae 1,000 1,200 1,050 1,850 6,300 ~ 2,000 1,900 1,100 77-2 Monet, ee. ag Wis |81—Ménard, R., nie W. V. is - |82—Boudin, L. E., | 83—Stevens, 4 y 78—Zorn, _|79—Zorn, A. a example of Lenbach, scene by the Spaniard, Sorolla; for $3,300. Wed. 75—Thaulow, F., “Winter Scene, _ 25%4x32, goaee S. Phillips '76—Rafiael lli, S BBG ““A Cathedral: _. France,’ 32x26, D. Charles “Waterloo Bridge: Gris, > 26x36. Mr. Ralph "Ad ieee he Bather,” 39x27, Mrs. Hugo Reisinger “Nude at the Shore,” 111%4x- Peo) MG L. Jellinek 80—Claus, Ba “on L’Ombre,” 2372x3634, Jos. Breck “Dryades”’ (Pastel), 28x35%5, Kramer “Beach at: Etretat,” 31x43, os. ite Breck “Jour de Régates, Menton,” 32 x26, eel Agent 84—Liljefors, B. A.,° “Heath Grouse Out in ss Frost, fe 8534x41, Lorenz, nan Norway,” 2,100 1,250 9,300 | 7,000, 425 | 425 1,025 | 4,100 | 825 | 800 i $139, 335 Second Session. At the second session, Wed. eve., a total} of $68,625 was obtained for some 88 works—| _ one, a copy of an old master, having been withdrawn, modern school with a few modern English and Scotch pictures, and one example of Sorolla. This total, session, is accounted for by the fact that mod- ern German art and painters, with a few ex- ceptions, such as Bocklin, Lenbach, Leibl and Stuck, are not’ known to nor appreci- ated by American collectors and art lovers,| while the prevalent prejudice Germany and its productions, undoubt- edly also affected the sale. This prejudice unquestionably affected the attendance, which was not nearly as large as that of | mostly oils of the German| against | about half ‘that of the first jae Tuesday evening, had few representative A dealers or collectors and no modish people and was almost entirely composed of Ger- mans or Germans born in America. The comparatively low figures for which most of the pictures sold, however, are said} 4 by the auctioneers to have been only about|— Reisinger} — in Ger-| — 5% below that at which Mr. purchased them. Of the dealers many, Heinemann of Munich alone bought under his own name. It must be said} that several of the examples of noted| German artists were not truly representa-| | tive, and it seemed evident that Mr. Reis-| inger had purchased these for names rather ee than quality. The highest figure of the sale, $8,200, was | a paid, as she paid the highest figure at Tues-| day’s sale, for the Corot, by Mrs. Reisinger, for Arnold Bocklin’s good, but not truly representative, “At the Spring.” The one} again not typical, “Ecstasy,” was bought for $2,700 by Mr. A. Chatain, the former “Expert” & Co., now resident in Chicago. Knoedler & Co. secured the fine and typical beach Joseph Stransky, the music director, bought some $12,000 of the German pictures. The following is a list of the pictures sold | evening, with the numbers, artists’, name, titles end sizes in inches, first height | ‘and then width, the names of the buyers, | where obtainable, and the prices: 85—van Mastenbroek, J. H.,. “In Holland’’ (Watercolor), 84x10, Joseph Hueber. 86—Valkenburg, H., “ bees Scene” (Water- color), 134%x19¥%, C, Seyfarth 87—van Mastenbroek, 1 ae “Summer After- noon in Rotterdam” (Watercolor), 10x14, PT) PTO cw dein occisners edhe ine me tiene : 88—Jongkind, J. “Marine,” 9%x123, D. Charles 1 m -$ 125 130 of Glaenzer| — ‘3 > (Watercolor), ote eee ysen, ‘‘Landscape: Ke ow” (Watercolor), “Alone™ feWiatercalor), 18x13, Tarn, ake ce Sue Le ol wilels.@ siglm &.0 » 6.0 6 6 ee ate “ae tee Landscape at Tealletng BS: ncrcutk 13%4x19 ie Kleinberger. . _ 93—Maris, f., “Youn yaee ha? ae BY, Knoedler ae sadist Ess “Landscape” (Watercolor), "4x22, D. Charles “ole —Israels, 6 To e ey —van M: stenbroek, J. H., “Harbor of pow ; erdam,”’ (Watercolor), 20x29, Raws. 96M esda W., “Marine,” 304x194, C Du Beis I Rg ot oie cocks ¢ « ws 97—Mesda van Houten, Mme. GA “In Gel- derland”’ (Watercolor), 24x32, ’Dudensing 98—John, A. E., “Girl on Welsh Mountain,” shia he Mitioedlen 0s .einte le)... 0 99—Lavery ., “Afternoon in the Woods, Tanger, cre, wr ashaal et aes 100—Gregory, 'R , “Landscape,” 24x36, T. Ed- 101—Sauter, G : “‘prost and Fog?” 2454x32, Seaman, A aa ie Ce ear ied Ste os 102—Brangwyn, F., “Venice,” 3734x39%, Lor- RS a | Oe 2 Pe ee WG2- | Bean Gy “Eandscape,” .28x36,.C. Du eee ewe eee eee tere ee eee ewr eee Oereeereese ois 104—Mancini, F. G., “Prof. M. with Halo” : (Watercolor and Pastel), 241%4x18%, De- (Eicoy is ° 1, OUSCE CG i ee a 105—Larsen, C. F. E., ‘Girl Reading’ (Water- x color), 201%4x28%, Bosedais/ SOS ge | 107—Sorolla_ BY eek arg 5 “Water Joy,” 32x- F 414, Kuoed Ps chs bn RSs asses /108—Kuehl, G., “View Through Window,” 9%- x53, we oo ke os ks | 109—von Gerhardt, K. F. E., “Head of Young y Womar.,”’ 15x13, Baba. Aen sacle «ares | 110—Meissner, E. Ae, *“Ram’s Head,” 11%4x- Bet ame ew Antihe ve Os. fas cs ise os 2 es |} 111—von Keller, A., “Nude,” 1534x733, O. 1 LOSE EO? ARs PR ae a a Senta a }112—von Menzel, Adolf, “Man Reading” ‘ (Gouacne), 11x8%, Josef Stransky....... - 113—Reinicke, P. ., -Cathedral in Seefeld’’ it (Watereolor), 14x113%4, R. Lorenz, Agent / 114—von Bartels, H., “On Way to Market” a (Watercolor), taxis, O. C. Seyfarth..... ¢ 115—Piltz, -O;, “Ol d Woman Drinking Coffee,” BORG, Je HuCbEer - 6 es. ee ee... 116—de Munkacsy, M., “Study of Head,’’ 13x10, LUE yon “a2 ere | 0 ae er | 117—Liebermann, aie “Polospiel,” 1134x18%, I Peo. av ne be vs as 118—Harburger, E., ‘ “Divine Drink,” 13x16¥%, “py cue) HG 2 5.5 kee ans pale a 119—Looschen, Prof, H., “Die Blaue Uhr,” EG Salis ce 1S eS) yc ob en 120—von Hofmann, L., ““Nude in Open Air” Measteerizni7. b. (edwards... ...5o. 2.65% Br Mt asent C., “Surprised,” 17x11%, Adolf Lt 122—Sperl, J.. ““Mountain Landscape”’ (Water- - say color), 19x14, Maurice Dehnhof......... 123—Jank, A., “Horse Race,” 144%4x1934, H. F. Ce EE ee ar ae a | 124—Ostermayer, E. L., soley ae Musician”’ (Pastel), 1934x1134, F Marburg..... | 125—Kuehl, G., “Salon Boke,” 21x3534;* + D. “es ee SR Ra aan 126—von Stuck, Franz, ‘Teasing,’ 18%x19¥Y, Sale a aS C 127—Kampf, a., eB. A‘lbert ee es € 6 2 06 ss 00 we 6 6 wee 6 fee oe ee ve) oP. E, “Landscape,” 18x20%, Te Kifncer, Prof. M., “‘Landscape,” ©1934x19; ee NE ALIS Gi eS a). Ze se cee soe sis 00 piel ; 130—Scho6nleber, G., ‘‘Colmar Landscape,” 18- ie OTE PISTOL Melee a0 sc ¢ ecaveoe a v's vies 06 131—Klinger, Prof. M., “Landscape,” 20%x18™%, RRR en CRED. Cie! fb syaris.e alerele ais 6 Leis 132—Schramm-Zittau, Prof. R., “Ducks,” 1334- x233%, M. L. Tellinek 8 at ee ae are ~133—Oppler, §&., “Tennis eer at Ostend,” ee 3 - Seaman, PNG ET «oats cee. 2 28s 134—Leibl, “Actor, “ Sye17, E Stransky. | 135—von thae’ nw aS H., “Girl Reading,” 3334- 2 xi, J. Stransky Ce eee. he | 136—von Hofinann, Pan Dance Gir 25x19, Meet Mircctland)......:.-.sas0s--.-ee 137—Liebermann, M., in Bathing” (Watercolor), 1914x254 O. Dressler. . 138—Feudel, C., “Madonna, Child and St. John: a Madonna of Chair,” 28%x28%, With- drawn Lwithoeawe) {eS oy Pee ae i _ «.. 1,000 fatercolor), 14x ‘ oe politan Araceae AR ORaey Ice te oe ee 1,100 © +} 146—Schuer, G., “Still Life: Fruit,” oe re 260 Be Strans o SOEUR Tene ee pees see ee wes clenss 3,100 _ | 147—Putz, L., “Japanese Still Life,” 25x30 250° va Jelinek’ Rites fra eves Pahesenels Sete Comme ae es 400 148—Osswald, F.}°“Still. Life: Pinks,” ae ae SB. Meiedtacte Week « ui Justxnn. wove 170 80 Pip Heeb; O.,. “Bathing Scene,” 22x32, Jel- ; PEM ah ATTIC Le tetas fates. «5 Sig MIMAIRIE GuSTaTh «) wee R ane OaeTe 300 1,050 © »)|150—Fleischer, i “Nude: Study of Boy,” ee 344x214, Fuchs, in ace eit oe eee 100 625 |151—Arntzenius, F, “Old poe at Hooven” (Watercolor), 1714x25, O. C. Seyfarth... 180 125 152—Zugel, H. J., “Cattle at. Pool,” 22x34, D. har lesmanyccuk ss «am cee aie eae re ere ie 950 200 153—Thoma, H., ““Noon Hour,” 2634x3234, D Heinemaii -..'0.0 toad soe ivi lowes 1,000 | — ,150 (154—Ziigel, H. J., ““Oxen,” 21x3134, Knoedler. 1,000 | Fr 155—Liebermann, M., «At Seashore: Terrace __ 700 on Elbe, near Hamburg,’ Ms 27x32, Wal- | pete ate Pi We oc < Sent tO Se A ae SA 1,200 |156-—Zugel, H . J., “Country Folk Coins from 750 Market,” 22x34, Seaman, ‘Arent 2. , Francis vA" Caller’ (Water- R. Erderheimer Seroct Scene,” 19%4x- ‘thei pre panes Pe aR, * color), 16%4x17%, 186—Arntzenius, H. P., 15, Seyfarth 187—Simoni, a Boy: aN Jester’? (Water- color), 1414x20%, F -188—Reinicke, Re “Tn Diaz igh (Water- =) yeolor); 21x15 34, R. Erderheimer 189—Van der indt; -(C., ‘Barn .--House” PWetctcolon): 16%4x26%, O.. CG.» Sey- | farth /190—Gorter, A. M., 1814x25, es ‘Englehart ia Feel, A. “Moonlight in Katw land’’ (Watercolor), Eeeeey ” Min- neapolis =e / | 192—Reinicke Disagreement’’ P 3 fase ce oe 234x194, O. Gerdau & fe) é 14092 -Arnicentus. oe eart and —Horse” ; (Watercolor), "21x25 %, T.. Wallerstein... } 194-— Laing, in ., - The Storm at Seda: 24x- - 20, Minneapolis Museum Etchings and Color Prints. | 196—Brangwyn, F., “Gate of Naples,” Carne- gie Institute 497—Brangwyn, F., “Inn of Parrot, Dixmn- den,”’ Carnegie Institute i ei Eeeerrs F,, ‘Rialto, Venice,” oan tr ae 199—Haden, Sir F. ae 5 “Sunset in Ireland, ah | | 1S So Ee ey ee Sa iF 200-—Hokkei, U., “Falcon on Perch,” D. Kep- ne A 204—Liebermann, Schultheis 205—-Liebermann, 4 Boys Bathing,” Eneleherh ..-2.----2 ener ey eerste 206—Liebermann, M., “Mending Nets,” Schultheis 207—Liebermann, “Potato Harvest,” i REE SLCUAGR Rite ciicd cee Ses ow ee ele eis woe eee, H., “Portrait of Thomas A. Edi- Pike Kegereiss 209—Lund, He, “Portrait of Theodore Roose- velt,” D: (Charles \ 210—Menzel, ‘A. y., “Das Letzte,” F. Draz. 211—Meid, + “Unter den Linden, Berlin,” Miss P. ‘Cohen 212- Mallets Ji F., eed -213—Millet, ee Bis row,’ * Otto. Gerdau Co -214-—Munch E., ‘““Head of Girl,’’ D. Charles. . _|215-—Rennell J., “London from My Window,” R. Lorenz, Agent (es peta f.8 7 Land Trinity We. PAV omar Churning,” Building,” at ary 4 ae vennel Z N. ee Lorenz, Agent , J», “Palisades and Palaces,” Se SL a a aa ; Church from River,” Shiels a ew a a eee ee ug Lorenz, PROCITE cs we one 2 oops se ele ns flamers ie ien Square,” Mrs. J. Abraham ene aay Sigal > iene (223—Rembrandt, ‘‘Negress Lying Down,” W. Teehiiney ....- serene eee serene 3 224—-Schinnerer, as “Ter Teich Bethesda, eee WISECHIG Gas 6 Glee sw ais vee ‘225—Slevost, “Georgiritter Attending Mass,” ae Retilaea Eaten ete 6. pono 0! om 226—Slevogt, M., “L’ Andrade as Don Juan,” Wm. Kindermeister Ls Ay 7 ats Biss ew pres, sve be 8S : sf 2302-Whistler, es ~ | 233—Zorn, A, L., 227—Struck, Ei, “‘Jeeishe Rabpiee B,. Erders ee hei 228—Struek, , “New York from East River,”’ W. Fitzgerald ‘| 229—Struck, H., ‘“‘Schierke in Winter,” O. Gor- au. © ; a eann Drouet,” Gs Ly Baldwin 231—Whistler, J. A. M., win 232—Zorn, bus,” ; ., ‘Interior Parisian Omni- David Keppel “Toast,’’ David Keppel 234—Zorn, A. L., “Sunday Morning in Dal- arne,” David Keppel -235—Zorn, “Night Effect, Rouillier Rarisee 237—Zorn, A. L., ““Hon. Grover Seaman, Agent 238—Zorn, A. L., “Zorn and His Model,” Sea- man, Agent 239—Zorn, Cleveland,”’ 243—Zorn, ost “ida 1). Charles | 244—Zorn, A. L., ‘““Mending,” D. Keppel }245—Zorn, A. L., “Auguste Rodin,” enz, A'gent | 246— Zorn, Ns Ey “Sandiamn.” A. Rowillier.- ”“Cercles d’ Kau,” R. Lorenz, 247 ZL Ofte An) We, Agent 248—Zorn, A. L., “Edo,’”’ R. Lorenz, Agent. . “Precipice,” D. Keppel... “Two Bathers,’” M. L. 249—_Zorn, A. L., 250—Zorn, A. L., linek 251—Zorn, A. L., “Wet,” R. Lorenz, Agent.. st 252—Zorn, A. Ie, “Dagmar,’ 18a Lorenz, ses oes 150.00 | 253—Zorn, A. i Ser “Frightened, aR: Agent Lei; Az L., “Girl’ With Flair Ribbon,” W. Fitzgerald A. L., “Vallkulla,’ F. S. Oppen- | 254— | | 255—Zorn, Peking? IR. oretiz, Agent. 4 , “Seaward Skerries,” “The Letter,’’ Edwin cn hed 250.00 oat lve > Ve Se ee - 110.00 | 967 Zorn’ | glehart 258—Zotn, A. L., 259— Zorn, A. we $ 10,285.00 | 139,335.00 | | 2nd Sessi 68,625.00 $218,245.00 320.00 | $217,925.00 tome Loss on 3 pictures resold Final Grand Total re + —* ma : r E ‘6 $109,585 on inst NIGHT “ ae pees Rectiteaees art sale which ‘began last night in the ballroom of the Plaza Hotel under the ‘auspices of the’ n Art Association crowded that to the limit with all the art en-. ists: in town and many who came. ‘0 a distant cities; ~~ at was the first such sale of the. ‘and the partisan) audience, as poll increasingly evident each year, betrayed much interest inthe pictures. “by Americans. A Corot landscape last hight brought $10,200, and a Monet | sold for $9,300, and a Zorn. for $7, 000, ! ‘put after an American picture sold for ,000 or more Mr, Kirby always had to | rap for order before the sale could pro-| S-eeed,. The Twachtman landscapes sold to) ‘Knoedier & Co, for $4,350 and $3,300, which indicates that this excellent. vAmerican impressionist is looming head; a J. Alden Weir aban i rought $2,000, a Childe Hassam $2,2 adJ. Francis Murphy $4,950 and a esha ing $3,400. it is understood that Dewing’s “Lady in Black and Rose’’ went to the Pitts-— urg Institute, since it was purchased Director Beatty of that institution. rt. Beatty also gave $1,200 for the W. L. Métcalf landscape and $1,550 for W. . Chase’s big fish picture. Joseph Breck of Minneapolis bought the large: . udin painting of sea and cliffs for 4100, and A. Augustus Healy of the. | ooklyn Museum got an Alden Weir | ‘landscape for $725. The total for the eighty-four pictures ' was $139,335. | The list of pictures with names of ‘artists. and buyers and prices follows: | “4I—Thomas W. Dewing, ‘‘The Mu- ' i Ga f Ve sician,’ Ralph H. Booth..... $260 | fe 2—Thomas W. Dewing, “Girl Play- oe: aad the Lute,’’ Mrs, Hugh Mur- ee ; | OME coin tad bh wisn a fim ose Ale g wisi de ow | | 4—Arthur B. Davies, “At the Water- | ; ; pe (ges. Ca Bener: ar ks YS enn Ta 560 | | ea Dearth, ‘‘flecks of Foam,’’ } EB. Pts CTH OUIG... « SS e tee ieia $75 | €-Childe Hassam, “Dryads,” Myla: i i POT IAMUO ne he ep alan aa ia aiig-ivie ie fv! 625 ) %—-George Hitchcock, ‘‘Flowering ; Stotiand.?? “6. Dubois, esos... 225 | §8—J, Alden Weir, ‘‘Moonlight,” aA. , Bes SAGAS Pye he aida es < xis Sain een | 9—Theodore Robinson, ‘‘In the Or- \ Pastis, D. CHaPles 7.2 tatvag esa e 450 | 310—T. W, Dewing. ‘Lady in Black lara and Rose,’ Jno. W. Beatty.... 3,400)! baie—Ohilde Hassam, ‘“‘Sunset,” |C. | { RPTL SOAS a 0 555g Weyer 4 bm ctntele,s Pee §25 « | 12—-Winslow Homer, ‘‘Rocky~ Coast,”’ rey SR eae pry es) Ty tae) |e) «Je aida oleae 6 (ee ala 1,600 13—Louis Kronberg, “Ballet Girl in iat ee, CHGPIOS 6p. 2 aos alata $75 '44—Childe HMassam, “Morning: Se- i Mai SEES own, coe ee ote 625 \35—F. Cc. Frieseke, ‘in the Door- \ wav.” William Macbeth....... 575 f, fo Seite Blake ey 4 wl Dougherty, ae ie ide Holland Galleries......5.0.0.2% ey 0) * P2106 RFs ale ie er aie” 6 Sie, ee! e. Alps ee “Leda andthe “Swan,” ne Dubois Bar ss: sul ese eats 2,000 iloalt Pa eae 125 24a. a, Twachtman, “Water Fall, Bid) Yellowstone .Park,’’ M, Knoed- POTS PRC UCOE Yay ee Vix ake side A 3,300 85—Childe Hassam, ‘‘Brooklyn Bridge... / ed Winter,” Mr, Rudert, ca k Mera Url Mere ary rere Mal WA eA art RE 2.225 2627, “aapa Weir, “Midday,” ‘AS, tf age TN OLS [et ta! S Patine 3,000. sier. Francis Murphy, “Tandseape, * Charles Lansing Baldwin..,... 4,950 28—J. Henry "Pwachtman, — “Wiid Cherry — Tree,” M. Knoedler, 4 BS OOS ch] OER RV. erg RES te a 4,850 | 29-——-Allen Tucker, “Corn Stacks,” D. | CHEPIES htt oe Bod ae. ee ee 200 80——Leon Dabo, “Hvening on the Hud- | son,’’ Holland Galleries... .2 0. 875) $i—Leon Dabo, ‘The Palisades, Hud- son River,” A. Barton Hep- } 8 08 2s a ere ays frees ARs NO Wea pints aay 2s 425 $2—Richard FE. Miller. “Summer Reverie,” Detroit Museum. .... 875 | $8--W. M. Chase; ‘English Cod,” Ona We WB eeita yin ay Ge eee 1,550 | 84---W.. EH, Schofield, “A. Pennsylvania | BKarm,”’. D. Charles wnt Sais Ror as 476 85—Prof. Carl von Marr: ‘‘Portrait- of Prince Luitpold of Barvaria,’’ Oe DUD GISH alee ala ere ees eens 475 &6—IF'rederick Jp Waugh, “Sea ; and Foam,” Miss R.’°H:. Lorenz, HALO TAB it piel se aoa oe eae Caen ras 1,200 87—hH. W. Redfield, “December,’’ | D7 SCM Arles) 2icaeare se ee eae tes 750 | $8—-Ernest Lawson,’ ‘Road at the ‘Palisades,”’ Knoedler: & Co. V25 3a3-—George W. Bellows, “A Morning Snow,’” Dy Charles. 04405 a ia iL OD |} 49-—Alfred Stevens, Ca cab M. | . Knoedler’ & CoO. ares 500 | 41—-+H: Harpignies, “Rrench Dand- { | scape,” A. Rudert, agent...... 200 | 42—-Bdouard Lepine, “Le Port | WAnderine,’ W. W. Seaman, 7 heat y 1) MeO ARIAL Hae crease) SAAD i Seoe $25) (48 —Henri Fantin-Latour, “Aurora,” tee R. H. Lorenz, ABONt. «ee. eee 500 44--Hdgar Degas, “Ballet” Girls Dressing,’ Knoedler, & Co... 900) 146—c. EH. Jacque, “Man Driving Caws Dei Charles's gi wwe sr ates 500 46—Camille _ Pissarro, ‘Wnfants -a © ge Table,”’. Robert Glendenning... 664 | 47—Henri F: faune Latour, ‘‘The Chat: ; Tivo Women in a Wood,” CNN | Kraven aar aise cer ve cas ere eos 700 48—Eugene. L. Isabey, ‘“‘After the Storm,’ Holland Galleries. ...) . 376 1 49—Alfred Stevens, “‘Vue de Treport,”’ “Knoedler &)-Co ov. ahs eee hee 450 | 60—Eugene Fromentin, “Algerian | Washerwomen,” Hugo A, BOOMER OSL bea asin srerne «he nna ra Thi 7715 | lJ; Cc. Cazin, ‘4a*he* Harvesters,’’ y WW amore ae eee 1,700 52-—-N. V. Diaz, “Enfant au Chien,’’ W. W.. Seaman, agent........, 1,526 | §8—Gaston La Touche, “The Honey- moon,’ A. Rudert, agent..... - 7,760 | §4—-Gaston La Touche, “Petit Souper,”” A, Rudert, agent..... 1,100 | §5-—Pierre Auguste Renoir, ‘Baig- neuse,’”’ M. kL, Fellineir piso. hake 4,950 66—Henri Fantin-Latour, “Still, Life: Flowers,’’ Knoedler & Co..u... «850 67—J. Bi .C.. Corot, “Environs ~ de Beauvais,’ Mrs. Hugo Reisinger.10,200 68—Eugene Boudin, ‘‘Le Port de chen Valery,” Mrs. Hugh Mur- EY wen ho decane, AAS le, ANd go ele 875 59-—Frits Thaulow, “Scene in Vens ice,’’ O, Bernet, agent Se A ‘ait 1,000, | 60—Alsred Stevens, “Tn Deep Thought,’ Knoedler & Co..... 1,200 61—Pierre Auguste Renoir, “Young Gish? Durand HRuey ssc 1,050 62—Camille Pissaro, “Place de la Re- publique, Rouen,”’ Durand- Peep ah ys hak ws as GS 1,850! 638—-H. G. Edgar Degas, “Danseuses: Robes jaunes,’” Durand-Ruel.. 6,300! ( 64-—Alfred Sisley, “Noyer a Veneux- ay Nadon.,”’ Durand-Ruel a ex Ws Bo hag 2.000 65—-Leon L’Hermitte, “‘Harvesting,”’ Ss BRernet, agent.c1 --- ssaesowe 1,900 ' 66—Eugene Boudin, “Cherbourg,” : W. W. Seaman, agent.......2 1,100 | kee sar fale Peewee a ts oD; ee ~ Mrs. Hhigo “Roisin ig: Rig - 5 3 Pt 1 POU eK Fo, ae eh Ponts. aS oseph. ia coat ‘“Dryades,” : Wo We be nae + . f : | Philharmonic Conductor a tive Bidder on German | Art Works. : $8,200 18 LEADING PRICE Reisinger art sale, conducted last night by the American Art Association in the | ballroom of the Hotel Plaza, brought for- ‘ward the German works that Mr. had intended selling in Berlin, ‘and also English and Dutch paintings. There was a great deal of curiosity jin advance as to the outcome, because | most of the artists were only slightly , ‘known here, and almost none of them | had auction records. The Boecklin “Girl at the Spring” was purchased by Mrs. Hugo Reisinger for $8,200, the leading | price of the evening. | Josef Stransky, the leader of the Philharmonic Orchestra, and a noted! jamateur of German art. was one of the rincipal buyers, getting the “Actor” by | 1 for $4,100, a still life by Schuch | | for $3,100 and Lieberman’s “Polo Play- ers’ for $1,250. There were other good prices, but upon | ithe whole there was nothing like the| Velectricity in the air that occurred dur- ing the previous evening when the Amer- . ican pictures were disposed of. The total for the evening was $68,625, making the grand total $207,960. Of this total, the sixty-four paintings that were to have been sold in Berlin brought $50,280. | | . { The second session of the Hugo | en meee en ‘the landscape by Wilhelm Trubner, for | which. ‘tne alse paid $1,100, was in violent greens and might almost be classed as “modern art.” The list of pictures with titles, narnes jof buyers and prices follows: 35—J. Ae shi ee eee “In of and,” Jose OL gx hone 86—-Hendrick Valkenburg, Oetosgia ‘a y Scene,’’ L) ¥ t +n oe 20 8%—J. H. van Siaptenbrock, “Sum - ' a Afternoon in Rotterdam,” \ tall ie ye ps ee aoe ee Cd Sa eD 4 $8--J. B. Jongkind, “Marine,” D. | Cig kins woke seg Oe Charles oF es Maris, “Ducks,” ‘Knoedler ‘| 80—Anton Mauve, “Bleaching,” D. ; ; PROS his Satake, oP adie dled oe aoe 1,700) $1—H. Van de Sande-Bakhuysen, _ “Landseape; Leading Home the Cow,” C. ica rey oe 91A— Jozef Israels, erties x gs | Wacker ; Flieryets ee | 92-—Theophile de Bock, “Landscape at Twilight,” F. Kleinberger.. 160 i 93-—Jacob Maris, “The Young’ Artist,’’ Knoedler & Co...... 2,5 00! $4—Jan van Essen, hg. wick see Dy? guide (ip tia Ow ai ated PO tee 3 i $§—J. H, van Mastenbroek, “Harbor : of Rotterdam,’’ Alfred Rau. 250 | 96—H, W. Mesdag, ‘Marine,’ C. Dubois SAW ig OS Ae Lows 40 67—Mme, S&S. Mesdag van Houten, “In Gelderland,’ R. Duden- Bing: G27 ORs aan Scie ere ea 80 98—-A, I. John, “Girl on Welsh Mountain,’ dsnoedler & Co... 1,050 $9-—-John Lavery, Young Woman,’ W. W. Sea- “Afternoon in the : Woods, ¢Tangiers,” oC. 0 OW. ( EYAUBV aay i iG, a veneer aleans ike 625 '} 100—Robert Gregory, ‘‘Landscape,”’ T. | MO Wards. 155.0 's'x.9 suas ae 126] i Rae ere Sauter, ‘Frost and Fog,’’ | W. Seaman, agent BTS NG 200 i 102-—-Frank. Brangwyn, “Venice,” R. H Hy Leven’, “ee ent Poeun an 2,150 | ! 403—Grosvenor Thomas, ‘‘Landscape,”’ if Ge Sabo ley cy ee ea er ae 700 i 104—-Antonio Mancino, “Prof, M. i with Halo,’ Detroit Museum,. 750 105—Carl Larsoon, “Girl Reading,”’ Seymour Rosedale,........5.. 226 | 167—Joaquin Sorolla, “Water Joy,” Kinoedien ee: Ge ore sae 3,300 108~—-Gotthard Kuehl, “View Through a Window,” D. Charles....... 130 109—Karl von Gebhardt, “Head of a | | THON: HABSNG yale tise ase a Fey aiesaaah ap 199 '1 110—Ernest Adolph Meissner, ““Ram’s i Head,” 0. C. Seyfarth 4 oars gare 60 || 111—-Albert von Keller, ‘“Nude,’’ Oscar DTessier jis eee Sak ky eee ee 170 112—-Adolf von Menzel, “Man Read- | ing,’ Joseph Stransky ... 44... 700 | 118—-Paul Rene Reinicke, ‘Cathedral in’ Seefeld,” R. °-H. Lorenz, | BODES sienik 6s oN wep le ATER ed Ren 375 114—-Hans von Barteis, “On the Way i to Mara&et,” ©. C. Seyfarth. 275 | 115—Otto Piltz, “Old Woman Drink- } ing Coffee,” Joseph Huber. 150 116—Mihaly de Munkacsy, Ve Study of a Head,” FU Kleinberger.. 380 117—Max Liebermann, “Polospiel,”’ Joseph Stransky Py trate She aie 1,250 118—Edmund Harburger, “A Divine Drink,’’ Gustave L. Herz..... 150) 119—-Prof. Hans Looschen, “Die Blaue: Up, AR Bteehr eee, 110 120—Prof. L. von Hoffman, ‘Nude in . Open Air,” T. Hdwards. 100 4794——-Carl Holiman, “Surprised, ° A GOD NM ay Si. i565 s'5.y seweee tos 5 1422—Johann Sperl, ““Mountain, Land- | scape,’ M. Denhory. evn 280 128—Angelo Jank, “Horse Race,” H. BW HATBOMC es. ae bees we 300 '424——bh, L. Ostermayer, “The Oriental Musician,’ F. N. Marburg.. TO} ia96—Gotthard Kuehl, “Salon Beke," DS VESTA i bie ba glen Be Bi 426 l49¢—Franz von Stuck, “Teasing,” C. TrPpOle iio sb on bes Cea oe Se 950 io7—Prof. Arthur Kampf, Spanish Dancer,” H. FY Alpert... oo 130 128—Felix P. Bracht, ‘‘Landscape,”’ PAO TRIE NEQAD «550 Be din fala. ef ky er ailareeale 3.25 129-——Prof. Max Klinger, ‘‘Landscape,”’ PPRAGL SEPAUSS 6. ae ee ab oe ee ace 210 180—Gustay Schonleber, “Colmar Taamdscape,’’ Maurice Denhof, 600 wee tesee WO Fes Slates ne? Wr + es > + ane her, = a of ay "olds t ere eee a Se ae ee ee ee Lee 3 aepde - Ban's re -¥ ; 33 na Bs | aaaset Terrace es "on the Elbe, Ae haar “Hamburg,” T. Waller- eh Johann Bibel, Country Coming from Market,” ee © wees 166-1 ee sheese srr tem eae ew ee ae oe ee ee A! 1a alther Taliticow. ? “Danish uf ndscape,” hats Stransky. les ‘Landscape,’”’ see ewe hore eee es . BE. Stoehr 162— f. Adolf Munzer, “Girl with p A. Deutsc ‘164—with thelm rubner, “Castle Heims- bach,” Maurice Denhof...... pital tt Crodel, “Mountain Village in Winter,”’ Minneapolis Rrngeum of Art... 3. cess ee-—vine Hubner, “Marine,” M. L. 461—al tea” "Stone SA RS RT Se hrbutter, “Nude,” Dr. Sn Aas ood von +4 ee wweane EEA Oa RoC Habermann, “In the Studio,’ Metropolitan ; See ORE «) 2 6 of a es anlar am /169—Prof. ranz von Lenbach, “In t _ wcnaries West...... \470-—Heinrich Johnonn Zugel, “Sheep Homeward Bound,” H. £. MRS A eked Ship ad ns Acd\a) aber d wise 171—-Heinrich Johonn Zugel, “Sheep eee " reer es’ H. &E. ee i | ie 1 hann eaigei “Oxen,” $950 PAID FOR ZORN WORK! last night, the water colors and etchings: | The final session of the sale of the; Hugo Reisinger art collection was con- | ducted by the American Art Associa-{ tion in their galleries on Madison Square | béing offered. “The audience was a large one and, as before, many dealers and connoisseurs | from out of town attended. The bid- | ding was brisk and the prices were good, ; though net particularly sensational. The! Zorn etchings were the feature of this division: of the sale, and one called the | "The Toast,” a brilliant impression from this well known plate, brought the best ; price of the evening, selling to David} Keppell for $950. Joseph Breck, of the |. Minneapolis Institute of Art mind seve eral i ie pe # Wehinh ‘halen a grand total for the inger collections of $218,690. It§ remembered as one of the most int ing art sales of the winter. * The list of art works sold last. with buyers and prices, follows: ; WATER COLORS. } 180—Gustay Schoenleber, ‘Autumn,’ i phe Wallersteen. Pi lget 4 ho Re Le $160.) 184--G, Kuehl, “Augustus Bridge in Dresden, ” Henry Schultheis. 180 486-—F., Arntzenius, “Street Scene,” OC. Bevgarth. /\cueraaoes 110) 187—S. Simoni, ‘Cavalier and Jester,” Pranois®. Drag ova eee 13¢ 189--C, Van der Windt, ‘Farm j House,” Q. C...Seyfarth..... 119 A190—Arnold Mare Gorter, ‘‘Novem- ber,” Charles Bngelhart...... 13 “Ag3--F,. Arntgenius. Haase and Horse,” T..” Wallersteen, Sd En 194—James G, Laing, *The storm at Sea,”’ Joseph ‘Breck. ...5..3 4% 130 i HWTCHINGS. | °199—-Sir Francis Seymour Hayden, i “Sunset in Ireland,’ . Albert } Pec hed ui cic le dw asanetaeeea ale 425 '16—Joseph Pennell, ‘London from { My Window, » Miss R.. He i Lorenz, agente ys ai demas 110 $31—w histler, “The Forge,” Charles te Baldwin HOLDS vere ape mr gn yah Me 200} “ 232-——-Zorn, “interior of a Parisian | 3 Omnibus,” D, Keppell....... 600} 233—~Zorn, “The Toast,’ D. Keppell.. 950; e84--Zorn, “Sunday Morning in Dalarne,’ D. Keppell san sete 175 235-——-Zorn, . ‘Night Effect, Paris, Albert Rouiilier PEAT EAL SABER 124: 160 936-—-Zorn, ‘Augustus Saint-Gaudens,’”’ } Dd. Charles ARAVA MLL: Sera A age, 15) '287—Zorn, “Hon. Grover . Cleve- land,” W. W. Seaman, agent, . 120 meer aces “Jorn and His Model,’’ Lie WW SRC TIA. Thy ROME oi 4 re nella 385 N THE GA ‘oS or¥ . 2 .s Ele REIN C . Mavspired mi oe “th - sh bi igs i Wilts FL ; ie wr ft 7" al _* » Fa, 4 ae Oy > ‘ ! » 2% ee Vache © He r e Fixx > e i f 7 waving B4.ts0o. Th . 4 Mwachiman’s YW at ; : Landscape, 3 1». Prapcie® 3 7 Pe B4:0%0 to Charles | “ity rat ie a eter ga rt, | “4 * A > o, 4 % PPE PESC | rave ALG t¥ = ; ¢ PEASsi i rd mf » i . a ee 7% i é “ 4 4 ; a rey 2 peers - 7 4 : F 4 j ; i : Pie ‘ : ; ' - % . y - z - p R 4 y “y we 4 hy 4 ’ - : iva b 7G ‘ 7 y 5 5 na 4 : ’ at : va ea ?* ‘ 4 - ‘ ' 4 . . ee a > - A ae Sis se We NotHInG so far in the art season has transpired of such interest as the dispersal of the Hugo Reisinger collection. A feature of the sale was the high prices paid for the American pictures. J. H. Twachtman’s Wild Cherry Tree brought a record auction price for works by that artist, M. Knoedler & Co. paying $4,350. The same firm paid $3,300 for | Twachtman’s Water Fall, Yellowstone Park. Landscape, by J. Francis Murphy, went for $4,950 to Charles Lansing Baldwin. A collector represented by M. Rudert paid $3,225 for Childe Hassam’s Brooklyn Bridge in Winter. victoire pour l’art francais. On ‘a juger par les détails que voici: ait représenté par un tableau, Jes le Beauvais, qui, a la vente de l’ate- aitre, en 1877, avait fait 1,850 francs... 0, le tableau montait 4 8,050 francs ; sndu en 1907 pour la somme de 20,000 fr., , été autre jour adjugé $1,000 francs. laude Monet figurait avec deux tableaux : @ Etretat, adjugé 37,000 francs, et Wa- - ? Bridge par temps gris qui, acheté . aa eae 1907, fut adjugeé 46,500 francs. — b 6,000 francs en 1806, ; - La femme a la cheore, de Pissarro : payée | _§,000 francs, en 1907 : adjugée, 25,000 francs ; ; Les Danseuses en robe jaune, de Degas, 20,000 ° rancs. Et parmi les autres tableaux francais: Etretat, par Boudin, 20,500 francs; Le port. de Saint-Valéry, étude par le méme, 3,375. francs; Cherbourg, par le méme, 5,500 francs. . | | Fleurs, par Fantin-Latour, 4,250 fr.; Petit. : | Souper, pat La Touche, 5,500 tr.; Jeune fille,- | petit tableau, par Renoir, 5,250 fr.; Place de | la République, a Rouen, par Pissarro, 9,250 francs ; Bords du Loing, 20 Sisley, 10,000 fr.; la Mozsson, pastel de Lhermitte, 9,500 fr. ; V’Octroi @’/ssy, par Cazin, 11,500 fr.; les _Moissonneurs, par le méme, 8,500 fr.; Le Tréport, par Raffaélli, 18,125 fr.; une Cathe- drale, par le méme, 6,250 fr.; Ja Tempéte, par Jules Dupré, 9,500 fr.; /es Dryades, pastel, de René Ménard, 5,125 fr.5 Je Port, par Lépine; 4,125 fr.; un Ballet, pastel, par Degas, 4,750 francs ; un Enfant au chien, par Diaz, 7,725. francs, etc. wah “tg i ; : : i ~ Renoir fut fété avec sa Baigneuse qui,, _achetée 10,000 francs en 1907, tut adjugée 5 Be Une autre Baigneuse, de Ziem celle-la, eut cag he a 35,000 francs, apres avoir fait” ee en 1909; ala vente Reisinger, 31,000 * ! ed dec abicaus 7" presque vide; un seul’ ullemand était venu de Munich, 1 présence fut impuissante A galvani- t les enchéres, ainsi qu'on en va juger :’ wer, de Menzel, acquis en 1907, a7 fort, pour 20,000. francs, adjugé 45200 | En extase, de Lembach, le peintre. é de Bismarck, acheté en 1905, a Mu- 0,000 francs, adjugé 13,500 francs ; yleau d’Alfred Mohrbutter, payé 10,000 ; dans une exposition officielle dart. Berlin, adjugé goo francs. caer i Et Max Liebermann, que les Francais ont, un temps, et qui ne craignit pas dese. éshonorer en signant l’infame et sot mani- des intellectuels boches! ses Joneurs’ Polo, achetés 30,000 francs a Berlin, ad- gés 6,250 francs ; son tableau, Aw bord de la mer, payé en 1912, a Munich, 40;000 francs, | jugé 6,800 francs. ; es . ; Sst tableau de Munkacsy, morcéau de son. Dernier jour dun condamné, payé en 1890 / 30,000 francs, adjugé 2,000 francs pour le compte dun marchand autrichien. On en’ pourrait citer d’autres encore: mais, ainsi’ “quil apparait nettement, chez les Boches, il n’y a pas que le mark qui subisse des fléchis- psements, — De cette vente qui fut, je le répéte, une -yictoire pour l’art frangais, et d’autres. ventes dont nous n’avons pas la place de nous entretenir ici, il faut que H Com- pagnie des Commissaires-priseurs retienne un enseignement, ou quelle y puise un regain d’émulation. Certes, tout le monde gait — demandez-le donc aux courtiers as- sermentés —- que le marché de Paris est. loin d’étre endormi: ce qu’on y vend ‘se yend trés bien, Alors, il conviendrait peut-étre de faire montre d’un zéle plus ardent, pour neé pas étre submergé ie une besogne, 1m ossible a accomplir, lorsque la paix sera‘vente. wee Valemont. ~~ urent pouyait se mé-— hysionomie toute | oh ; } Yok ae ae 1 ea ; | ce i. ee Rats 8 aT és jet A OM og , haere a z ie i oil a ee ee 7 1¥ ia ON FREE PUBLIC VIEW FROM 9 A.M. UNTIL 6 P.M. AT THE AMERICAN ART GALLERIES MADISON SQUARE. SOUTH, NEW YORK FROM THURSDAY, JANUARY 1[3th, 1916 | UNTIL THE. MORNING OF THE DATE OF SALE INCLUSIVE THE PRIVATE COLLECTION OF THE LATE HUGO REISINGER OF NEW YORK CITY TO BE SOLD AT UNRESTRICTED PUBLIC SALE ON TUESDAY AND WEDNESDAY EVENINGS JANUARY 18th AND 19th IN THE GRAND BALLROOM OF THE PLAZA FIFTH AVENUE, 58th TO 59th STREET AND CONCLUDING ON THURSDAY EVENING JANUARY 20th AT THE AMERICAN ART GALLERIES ~ BEGINNING EACH EVENING AT 8 O’CLOCK ILLUSTRATED CATALOGUE OF THE VALUABLE PICTURE BY FOREIGN AND AMERICAN MASTERS COLLECTED BY THE LATE HUGO REISINGER TO BE SOLD AT UNRESTRICTED PUBLIC SALE ON THE EVENINGS AND AT THE PLACES HEREIN STATED BY DIRECTION OF KUNO FRANCKE AND FREDERICK DESSIN, EXECUTORS PURSUANT TO ORDER OF SURROGATE COHALAN MESSRS. WETMORE & JENNER ATTORNEYS FOR THE EXECUTORS THE SALE WILL BE CONDUCTED BY MR. THOMAS E. KIRBY AND HIS ASSISTANT, MR. OTTO BERNET, OF THE AMERICAN ART ASSOCIATION, MANAGERS MADISON SQUARE SOUTH, NEW YORK 1916 THE AMERICAN ART ASSOCIATION DESIGNS ITS CATALOGUES AND DIRECTS ALL DETAILS OF ILLUSTRATION TEXT AND TYPOGRAPHY CONDITIONS OF SALE 1. Any bid which is merely a nominal or fractional advance may be rejected by the auctioneer, if, in his judgment, such bid would be likely to affect the sale injuriously. 2. The highest bidder shall be the buyer, and if any dis- pute arise between two or more bidders, the auctioneer shall either decide the same or put up for re-sale the lot so in dispute. 3. Payment shall be made of all or such part of the pur- chase money as may be required, and the names and addresses of the purchasers shall be given immediately on the sale of every lot, in default of which the lot so purchased shall be immediately put up again and re-sold. Payment of that part of the purchase money not made at the time of sale shall be made within ten days thereafter, in default of which the undersigned may either continue to hold the lots at the risk of the purchaser and take such action as may be necessary for the enforcement of the sale, or may at public or private sale, and without other than this notice, re-sell the lots for the benefit of such purchaser, and the deficiency (if any) arising from such re-sale shall be a charge against such purchaser. 4. Delivery of any purchase will be made only upon pay- ment of the total amount due for all purchases at the sale. Deliveries will be made on sales days between the hours of 9 A. M. and 1 P. M., and on other days—except holidays—between the hours of 9 A. M. and 5 P. M. Delivery of any purchase will be made only at the American Art Galleries, or other place of sale, as the case may be, and only on presenting the bill of purchase. Delivery may be made, at the discretion of the Association, of any purchase during the session of the sale at which it was sold. 5. Shipping, boxing or wrapping of purchases is a business in which the Association is in no wise engaged, and will not be performed by the Association for purchasers. The Association will, however, afford to purchasers every facility for employing at current and reasonable rates carriers and packers; doing so, however, without any assumption of responsibility on its part for the acts and charges of the parties engaged for such service. 6. Storage of any purchase shall be at the sole risk of the purchaser. Title passes upon the fall of the auctioneer’s hammer, and thereafter, while the Association will exercise due caution in caring for and delivering such purchase, it will not hold itself responsible if such purchase be lost, stolen, damaged or destroyed. Storage charges will be made upon all purchases not removed within ten days from the date of the sale thereof. 7. Guarantee is not made either by the owner or the Asso- ciation of the correctness of the description, genuineness or authenticity of any lot, and no sale will be set aside on account’ of any incorrectness, error of cataloguing, or any imperfection not noted. Every lot is on public exhibition one or more days prior to its sale, after which it is sold “as is” and without recourse. The Association exercises great care to catalogue every lot correctly, and will give consideration to the opinion of any trust- worthy expert to the effect that any lot has been incorrectly catalogued, and, in its judgment, may either sell the lot as cata- logued or make mention of the opinion of such expert, who thereby would become responsible for such damage as might result were his opinion without proper foundation. SPECIAL NOTICE. Buying or bidding by the Association for responsible parties on orders transmitted to it by mail, telegraph or telephone, will be faithfully attended to without charge or commission. Any purchase so made will be subject to the above Conditions of Sale, which cannot in any manner be modified. The Association, how- ever, in the event of making a purchase of a lot consisting of one or more books for a purchaser who has not, through himself or his agent, been present at the exhibition or sale, will permit such lot to be returned within ten days from the date of sale, and the purchase money will be returned, if the lot in any material manner differs from its catalogue description. Orders for execution by the Association should be written and given with such plainness as to leave no room for misunder- standing. Not only should the lot number be given, but also the title, and bids should be stated to be so much for the lot, and when the lot consists of one or more volumes of books or objects of art, the bid per volume or piece should also be stated. If the one transmitting the order is unknown to the Association, a deposit should be sent or reference submitted. Shipping directions should also be given. Priced copies of the catalogue of any sale, or any session thereof, will be furnished by the Association at a reasonable charge. AMERICAN ART ASSOCIATION, American Art Galleries, Madison Square South, New York City. ie fy 2 ‘ FIRST EVENING’S SALE TUESDAY, JANUARY 18, 1916 IN THE GRAND BALLROOM OF THE PLAZA FIFTH AVENUE, 58rx ro 59rx STREET BEGINNING AT EIGHT O’CLOCK AMERICAN ARTISTS ob” Thomas W. Dewing, N.A. AMERICAN: 1851— 1—THE MUSICIAN 2 es (Pastel) Malfth 4. Kitt, mn Height, 1014 inches; width, 6% inches ~ Ow the end of a narrow window seat, a tall young lady with dark hair inclining to red is seated with her back to the spectator. She has turned her head to her right and studies a piece of music held at arm’s length, her face being in profile, and her left hand supports the neck of her ’cello. Signed at the lower left, T. W. Dewina. Purchased from N. E. Montross, New York, 1909. Vat - OIKX =- SK 30° Thomas W. Dewing, N.A. AMERICAN: 1851— 2—GIRL PLAYING THE LUTE I00 7 (Pastel) Yas ie Peep Height, 1014 inches; width, 7 inches SEATED on a piano bench, her music spread on a spindle — rack before her, a young lady in a bluish-green dress, dé- colleté, is lightly fingering a lute. She has a mass of warm red hair and appears in profile to the left, in a soft, diffused light. Signed at the lower right, T. W. Dewina. Purchased from the artist. (nt. JIx- GuXyF- William Samuel Horton AMERICAN: 1865— 3—WHITBY SANDS ( Pastel) hi A a pas 6 KI. Height, 1414 inches; length, 18 inches Me : F Brown sands in broad stretches reach from the fore- ground out into the North Sea, which in the distance lies seemingly flat and quiet, under a high horizon, while in the middleground it breaks in a low white surf along the beach. The beach is filled with merrymakers and idlers, many of them watching a group of the pier- rots performing on a stand. Signed at the lower right, W. S. Horton. Purchased from Messrs. Bernheim jeune & Cie, Paris, 1914. Ay? ' Arthur B. Davies 5 AMERICAN: 1862— 4—AT THE WATERFALL PbO Height, 17 inches; length, 22 inches 4.2 bgnw Povurine over a ledge of rock high on the right, and close to the spectator, a waterfall comes tumbling in white foam which fills most of the picture. On a shelf of rock beside it, in the immediate right foreground, a red-haired woman, nude, is seated on her heels, with elbows on knees and chin in hand, looking out thought- fully across the fall. Signed at bottom to left of center, A. B. Davies. Purchased from William Macbeth, New York, 1910. Vat. AXK ae Henry Golden Dearth 3 AMERICAN: 1863— 5—FLECKS OF FOAM F775" Height, 18 inches; length, 2114 inches a G O A tow, rambling, rocky coast is brilliant with spots of color—blue, red, yellow, green, black, pink, brown—on a gorgeous summer day, and a woman in white, sheltered under a red parasol, is seated on a rock shelf looking over a sea that all but laps her feet. The spent waves circling among outlying boulders are foam-flecked ; far- ther away are emerald shallows; and the distant sea is blue under a horizon of faint rose. Signed at the lower right, Dearru. Purchased from M. Knoedler & Co., New York, 1908.42 ~ —_ J ‘y Childe Hassam, N.A. AMERICAN: 1859— : 6—DRY ADS A G x Soe Ses Height, 1814 inches; length, see WEY, uh LicHTty the leaves rustle on delicate ae of slender trees, swayed by soft zephyrs of Nature’s kindly season, and two young women have gone back to the days of the nymphs, and in the freedom of the nude sport among the trees along the bank of a turquoise river. They are climbing out of the water to a low green and yellow bank, and loosened leaves of varied light colors flutter in the air about them. | Signed at the lower left, Cuitpze Hassam, 1906. Purchased from N. E. Montross, New York, 1906. Va&. WAKA tact SX A. ae fone 1 p George Hitchcock AMERICAN: 1850— 7—FLOWERING HOLLAND , Height, 17 inches; length, 22 inches G, Lv l.46 i A euimpse of Holland in April, when even the soft gray skies of the humid Low Countries cannot lessen or lower the gorgeous golden-yellow, the vigorous réds and orange, the varied pinks and full-flushed white of the great tulip beds, or the luscious green of the succulent grasses in the meadows about them. Here, in the fore- ground, the tulips are white, in the middle distance they are golden, the blazing gold encompassed within beds of orange, crimson, pinks and varied yellows, beyond which are flat green meadows dotted with brown wind- mills. Signed at the lower right, G. Hircwcock. ' Purchased from M. Knoedler & Co., New York, 1907. -GRIM 4 AENXX pA J. Alden Weir, P.N.A. | AMERICAN: 1852— 8S—MOONLIGHT ih wh bf ? Height, 24 inches; width, 20 inches (6.00. Tue full moon, well up in the sky, is visible near the upper right-hand corner of the picture, through the branches of a spreading tree, which, with those of a neighbor, throw a leafy screen across the heavens. ‘The trees grow just within a corner, and on the farther side, of a tall fence, or palisade, in the middle distance, and trees of denser foliage are in silhouette beyond them. A silvery greenish mist shimmers in the atmosphere and gives the landscape a vague, mysterious charm. Signed at the lower left, J. Atp—EN WER. Purchased from N. E. Montross, New York, 1908. Vel wry > ae Coacf anxy - Vel wryKX- Theodore Robinson, S.A.A. AMERICAN: 1852—1896 9—IN THE ORCHARD : KO “1 Height, 20 inches; width, 161, inches y tart Bricut sunlight beats upon the blooming trees of an orchard in springtime and percolates among the blos- soms and tender green leaves, the tangle of arboreal flowers and twisted trunks and branches forming a back- ground that fills the upper part of the picture. In the foreground below, patched with sunshine and shadow and flecked with color, a ‘young mother, in white waist and pale blue skirt, is looking down upon a small girl in : a white cap who looks up at her. Signed at the lower left, Tu. Rosrnson. Y ; ’ a fj Shown at Inaugural Exhibition, The Memorial Gallery, 1918. teclaatin Bey. Thomas W. Dewing, N.A. AMERICAN: 1851— 10—LADY IN BLACK AND ROSE (Panel) AXKOO 7 Height, 20 inches; width, 15%; chet ee Kall A TALL young woman is seated at a light mahogany table, with her back to the observer, turned slightly © toward the right. She has been reading, but has looked up from her book and straightened in her chair, turning her head to the right so that her face is in profile. One hand rests on the open book and the other drops to the chair, which is a straight-back Windsor with spreading legs, painted a delicate green. She wears a black dé- | colleté bodice and a skirt of soft rose hue; the lght from the left and above falls broadly on her exposed shoulders, while her face is shadowed by her abundant dark hair. She is seen against a neutral background of pale olive hue above vague shadews where hints of color lurk. Signed at the lower left, T. W. Dewina. Shown at the American Art Exhibitions at the Royal Academy of Arts, Berlin, and the Royal Art Society, Munich, 1910. Purchased from N. E. Montross, New York, 1909. Vge. Cy xA oxi ttt HASSAM, N.A. CHILDE kd Childe Hassam, N. A. _ AMERICAN: 1859— Ae, — ae 11—SUNSET ~, | Height, 22 inbhes-widih, eee b28 37 4 Zt. Lw kyow A ROSEATE hue from a pale red sunset sky seems to per- vade the atmosphere and suffuse the face of the land- scape. In the background low hills or rolling fields, green and mottled, extend to the horizon, and at their foot in the middle distance a river crosses the view. On its farther bank, at the left, is a group of slender trees, just at the water’s edge, and on the nearer bank, in the right foreground, a similar cluster of saplings rises, one or two of the ambitious tops reaching up out of the picture. Their sparse foliage is in autumn colors and the haze of the season is in the air. Just beyond the tree clump a flat-bottomed boat is drawn up at the bank, long oars protruding over the stern. p) Signed at the lower right, CuitpE Hassam, 1903. Purchased from N. E. Montross, New York, 1906. Val WAKK BP Cr ros a ole 4 Fs 2 7 = : Ae pa " . ie, r NrAS ne aie ay E - 4 : sid “ | iar Winslow Homer, N.A. AMERICAN: 1886—1910 12—ROCKY COAST (Water Color) / Z, 00-4 Height, 14 inches; length, 2144 inches A Ly letto Tue rocky coast of Maine speaks forth with all the force of its own rugged vigor, and the full volume of the Homeric interpretation. The rocks, gray and brown and speckled, patched with pink and black and tinged with green, slope irregularly from the left down to the ocean, which comes into view only at their foot in the right foreground. Its blue waters break lightly there in a low white surf, and extend to a far white hori- zon, against which are seen the sails of distant ships. The sky aloft is filled with swiftly moving storm-clouds, blue-black and gray, and on top of the rocks is to be seen a fisherman or sailor, in oilskins, boots and sou?- wester, who has come down to the coast, and, steadying himself against a projecting rock, peers out to sea. Signed at the lower left, Homer, 1894. Purchased from M. Knoedler & Co., New York, 1908. Lb 1908 $ O8K- ™~ , 2 é “ ‘eS ag SA ’ poe ae i we 4 f a - oe “a 54 Fe Ar oe evt aes ” a fa a 2 -. i ‘ a J 7 as Z _ ok —_— a a m > ee ‘ oe fois rf: — : ay 1€ LOUIS KRONBERG te = ue Louis Kronberg AMERICAN: 1871— 13—BALLET GIRL IN PINK S78 (Pastel) y) Uy, , Height, 24 inches; width, 1934 inches A BALLET girl in the customary costume of tight bodice, cut low, and diaphanous skirts, the whole costume in a delicate purplish pink, is portrayed in a dressing room, seated and completing or readjusting her attire. She is facing the spectator, turned slightly to her left, and leans forward to tie about her left ankle the pink rib- bons that hold her dancing slippers. Signed at the lower left, Louis Kronsere; and at the lower right is: Paris, 1912. /W13 - Purchased from M. Knoedler & Co., New York, ‘Soe. Ab» b YUXX- Childe Hassam, N.A. AMERICAN: 1859— 14—MORNING: SEVILLE Ld) Weanles W 4 aC Height, 251, inches; width, 18 inches Tue point of view is high above a winding street, down _and into which the eye travels to find numerous people sauntering or gossiping in the. shade, the sunlight strik- ing down from the left and defining the shadows of the houses on that side upon the faces of those opposite. On both sides the buildings are of several stories, and the facades are full of color, pink, pale blue, light green, red and yellow. Signed at the bottom, center, Cu1rtpE Hassan, 1906. Purchased from N. E. Montross, New York, 1911. Vuk. wr) xk: | g vy, fr ao UxK CH, XA * tae Frederick C. Frieseke AMERICAN: CONTEMPORARY .15—--IN THE DOORWAY SIS- Height, 31%, inches; width, 2542 inches 4. Iuathlls FuLi-LencTH figure of a round-faced young woman in an outdoor costume of solid blue, wearing a deep bowl- shaped hat of a darker, deeper blue. She stands at the threshold of a doorway leading to a garden, holding out before her at shoulder height a cage with a green bird, and out through the doorway the spectator looks upon a garden vibrating with light and color. Signed at the lower left, F. C. Frresexe. Purchased from William Macbeth, New York, 1918. Val U.ex- ce ee sale ‘ ' 7 AMERICAN: 1871— 4 () O George Elmer Browne y 16—SILVER MIST ALOO Height, 211% inches; length, 26 inches Yyyy bz, iy iS Z ’ Two groups of three or four very tall and slender trees, each, grow at either side of a road through a green clearing bordering a woodland. Their location in the center of the composition, with their branches just meet- ing high aloft, gives the aspect of a tall arched gate- way, through which the spectator looks to a full, white moon. ben . MILLER, ANAL RICHARD E aC ie at rd ee a i ARE ee, A i A NE IE CG A A aan aM Fics ha bea , Richard E. Miller, A.N.A. AMERICAN: 1875— 82—SUMMER REVERIE fy 7 yy y ( 4 STE q Height, 36 inches; width, 2834 inches (| ™ A BEAUTIFUL young woman in light and filmy summer garments is seated on the ground at the foot of a slender tree, beside a pond encircled by green trees and blossoming shrubbery. Her figure is turned toward — the right, three-quarters front, and her face is almost -in profile. Dark wavy hair frames a shapely head, her cheeks are a delicate rose, and with partly closed eyes she looks into space and dreams. Behind her is her white parasol, beside her her straw hat trimmed with green. Her white lace skirt seems to borrow an ethereal green from the arboreal surroundings and their reflec- tions in the water, and across it is tied with a pink rib- bon her short-sleeved, décolleté overdress, of mauve and lavender tones. One hand lies languidly across her lap, — the other dangles a colored fan at her side. Signed at the lower right, M1uER. Purchased from William Macbeth, New York, 1912. Vuk AK, eS Se eS? Gus cop By aoe ot William Merritt Chase,N.A. American: 1849— . ae -883—ENGLISH COD S350 Heght, 29 inches; length, 36 inches ha or THREE fine cod, freshly caught—hig fellows, with plenty of flesh—are lying on a brownish table, and are seen’ against a dark brown background. One is lying partly on a large platter, of decorated china, and on him and on his nearest neighbor the light is concentrated, while the third fish is in transparent shadow. The texture of the fish, the moist, glistening aspect of the scales, the rare tints of delicate green, pale rose, gray and brown, ~ in numerous variants, are rendered with the artist’s — inimitable paar: and show forth his consistent faith-— fulness to ‘ “quality” in his characteristic treatment and handling of color in still-life painting. Signed at the lower right, Wm. M. CHase. Exhibited at the American Art Exhibitions, Royal Academy of Arts, Berlin, and at the Royal Art Society, Munich, 1910. "neh Walter Elmer Schofield AmeERIcAN: 1867— 34—A PENNSYLVANIA FARM - AIRE Height, 30 inches; length, 88 inches y, I) Se ye , A TRANSVERSE stone fence, runnng diagonally, separates a rolling field of the foreground from the farmyard of lower land just beyond it, where a high, grayish-yellow farmhouse stands on the left. 'The house has dormer windows and a porch with a reddish-brown roof. A little away in the middle distance is the brown wagon shed, and in the background stands a large white barn, with a wing and steep brown roof. In the intervening _ land and along the stone wall in front are numerous trees, which are stripped of their leaves and stand gray and bare in the bleakness of winter. In depressions in the ground, and along inclines, the yellow-green grass is striped and banked in white with soft snow. Signed at the lower right, ScHoFIELb. Purchased from Louis Katz, New York, 1912. O! enemeee tte b | i | Carl Marr AMERICAN: 1858— 35—PORTRAIT OF PRINCE LUITPOLD OF BAVARIA K Vike A sTERLING portrait of a sturdy man, the famous Re- gent, observed at a little more than half-length, stand- _ ing and facing the left, three-quarters front. His left hand _ rests on his hip, the elbow bent, and his right hand on a table or shelf at his side. He is in dark clothes, and the light is concentrated on his noble head. The gray hair is sparse over his high forehead, and he wears -a gray beard and mustache. His face is heavily seamed with the years, but his gray-blue eyes are calm and keen. He wears a white ruff, and the decoration of an order of honor hangs from a gold chain about his shoulders. — Dark brown background. Signed at the lower right, Cant Marr. Purchased from the artist, 1913. pee 371, inches; width, 871/, inches — ZS. Ty fas a E iw te DERICK J. WAUGH © E . Se Frederick J. Waugh American: 1861— 36—SEA AND FOAM u/, A 4) O-+7 Height, 36 inches; length, 47 i 6. 3 Z, a ledge 7 Micuty billows heave themselves against a huge of rocks which extends across the picture. Over the crest of the ledge but little of a dull blue sky can be — seen. One great wave breaking on the ragged land tosses its mounting spray high out of the canvas; its recoiling mass tumbles forward into the turbulence of — smashed and retreating predecessors, which is aug- mented by new oncomers. The rocks are purple and brown and yellowish-gray, the waters a deep rich green, passing through lighter and yellowish-green tones to the white of the dashing spray, in an interesting play of dif- _ fused light. Signed at the lower right, Wavuex. From the sale of the collection of William T. Evans, New York, £70- F700 1918, who purchased the canvas from the artist. . r ae I Dat op Viti ieee a L 4 Nfs + Ss My ARD WILLIS DW e 4 E p> ale on 20s: ai em ey A, Ca li cs Wats Se $a oe mn Edward Willis Redfield AMERICAN: 1868— | 37—DECEMBER JE0 be Height, 36 inches; length, 50 inches y,) btearlo | a A SPARKLING stream crosses the picture, beyond a nar- row foreground where brown weeds or bushes raise en- tangled stems at the water’s edge, above a light blanket of snow. Across the river, the farther bank rises higher. Twisted trees grow at intervals on its slope, and far- ther back an orchard partly screens a white house and various farm buildings. The trees all are brown, in the bleak season of the year, and their shadows mark the snow-covered ground, cast long by a setting sun which is _ going down behind the spectator. Signed at the lower right, E. W. Repriexp. Purchased from the artist, 1908. TAN Ave > AWSON ol # EST L ERN Ernest Lawson, A.N.A. AMERICAN: 1873— cae. 388—ROAD AT THE PALISADES 3 _ Height, 401, inches; length, £014 inches Ys, Yotoca Sy a Tao x4 5 Aaa SE ‘a A ¥Farrzy scintillating landscape of kaleidoscopic color oa —refracted sunlight vibrating from land and water, am from rocks, trees and sky. The spectator looks upon a precipitous face of the Palisades in a season and at an = hour of chromatic glory, the cliff mwunting out of the <— Be picture high above the foreground on the left, and os declining to the river bank in the middle distance. Along — the foot of it runs a road, sharing in its brilliant color and crossing a stone bridge above many-hued rocks. The river is a mirror of a robin’s-egg sky alive with white cloud strata, and the iridescence of road, rocks and steep incline is emphasized by leafless, slender trees, which bring the brilliant landscape more intimately home. _ Signed at the lower left, E. Lawson. Purchased from the artist, 1911. SR we. cit ee GEORGE BELLOWS = aes. 2 9 | George Bellows AMERICAN: 1882— 39—A MORNING SNOW SOTE” Height, 441/, inches; length, 631% inches uh thay | A portion of the Riverside section, New York, comes under view on a morning when there has been a con- siderable fall of snow. The air is fresh, crisp and a little moist, and the sun is out early, dappling the snow with bluish shadows. A man and a boy, well muffled, are trudging along a park path, where a laborer is clearing away the snow; down near the water level people are going to work near a spile driver, and to right, under the ledge of a hill, the smoke and steam of a locomotive curl upward, rising above the picture beyond a group of trees. At the left a schooner is tied to a wharf, while in the center of the composition the eye roams over the broad river, partly snow and ice covered but blue out in the channel, where tug boats are already busy, and on to the high Palisades shore with its factories at the water edge and houses on the heights. Signed at the lower left, Gro. Brtiows. Purchased from the artist, 1910. » BELGIAN AND SCANDINAVIAN ARTISTS lfred Stevens Beucian: 1828—1906 Ot Height, 91, inches; width, 13 inches ‘Srraicut and far before the eye reaches a gently- moving greenish-turquoise sea, the ruffled wavelets, oc- casionally white-tipped, coming directly toward the spectator, and the water shallowing, but with no land - visible. In the sky, filled with a misty vapor, is a pale _ greenish light, and one large puff of cloud is a warm rose-cream. Several sailboats are within the range of vision, as are a single steamer and a small boat pro- pelled by oars. Signed at the lower left, A. Stevens. Purchased from the Berlin Photographic Co., New York, 1907. Henri Harpignies PO” Frencu: 1819— 41—FRENCH LANDSCAPE Tuis is a view across an open valley, broken by a road- way and by irregular pools of water, extending to dis- tant tree-covered slopes. On the left, irregular masses of foliage are in strong silhouette against a luminous sky; and on the right, rounded trees crown the steep declivity of a low hill. Near the foreground a few slender poplars grow on a low bank, between a sandy road and a pool of water which reflects the light of the sky at the zenith. From the A. Augustus Healy Collection, New York, 1907. #q- 3 220 4 Signed at the lower left, H. Harvianis. $2 st (Panel) G. fittoe ty, ¢ a (Water Color) . | 4004 Height, 81/4, inches; length, 12 inches re Sperlang Stanislas Victor Edouard Lepine Frencu: 1836—1892 42—LE PORT D’ANDERINE L454 Height, 94 inches; length, 13814 inches A SHELTERED harbor is pictured when the sun is low. Water and sky are of a dull, soft blue, the sky lightly strewn with faint gray clouds and the water mottled with grayish-white reflections of buildings of the town, which les at the left. Single-masted boats are lined up at the waterfront, and the bow of a square-rigger enters the picture on the right. In the background are low green hills. Signed at the lower left, S. Lupine. ria BYE ew a ~ < . Ae wana os 5 1 we 2 a nena LIA im © tae ene 2 Purchased fs Henri J. T. Fantin-Latour Frencu: 1836— 43—AURORA S004 Height, i inches; width, 6 inches sae ates | y 4 | AvRORA comes trip- ping blithely along, in the direction of the spectator, over a landscape whose fea- tures are indefinite in its as yet incomplete emergence from the depths of night. She comes, a fair nude figure, with subtle grace and undulant motion, her head thrown back, and arms behind her head, holding lightly a rose mantle which floats half-length at her back. Her figure is mysterious in the half-light, and = far away at the horizon vaporous cloud stra- ta, just discernible : in the dark sky, are tinged a faint pink by the dawn she heralds. Signed at the lower right. a Purchased fromeiéesst—Tapardheet§—Gere, New York, 1910. Vet IG. abe Ay Ton fle~ acKXx Sa SS as Hilaire Germain Edgar Deg. y Al Frencn: 1834— 44—BALLET GIRLS DRESSING 1D! (Pastel) ; ty KS SEO. Height, 7 inches; length, 914 inches 4. Ite led + h FA sais spectator, admitted to the.stage dressing rooms, : finds two of the professional entertainers completing their toilets. One, in gray, yellow and brown, seen at S Aalt-length, is standing before her mirror arranging eA ‘her headdress. Ina room beyond, a companion in white tA 1 A / ballet costume more or less complete is seen against red walls. PP /, Signed at the upper right, Dreas. : nf ’ y "A : f % Ps ¥, From the Cottier Collection, New York, 1909.- #/8- BI3O- fh / ih bags | ap Charles Emile Jacque . Frencu: 1813—1894 en : -45—MAN DRIVING.COWS wr (Panel) () S004 Height, 4 inches; length, 6 inches y A suMMER sky is graying with approaching shower- clouds, but the sun is still shining, casting upon the grass of rolling fields the shadow of a capering dog which runs to join a farmer driving his cows home. The man is bent, and carries a stick over his shoul- der, as he trudges laboriously behind the small herd of red, brown and white cows, some of which would lin- ger to graze some more. Signed at the lower left, Cu. Jacque. Purchased from William M. Chase, N.A., 1910. % rg Camille Pissarro Frencu: 1831— h we 46—ENFANTS A TABLE (Gouache) Ly Aullnek F/O Height, 11%, inches™™tength, 16%, inches Two French children are pictured in a typical, and humble French interior, in a corner of a room that is ee ly flooded with sunlight. In a window embrasure at the ~ \y 'W) left a woman’s knitting has been laid aside, beside a ee vacant chair which stands by the end of a heavy long ~ N table on which are a wine bottle and water pitcher and . | some cups. In front of the table are the children, one a small girl in green and blue wearing a white cap, who sits with back to the spectator, busily amusing herself. The other child, older, stands at her left and is seen in profile, with long brown hair falling over red jacketed shoulders. | Signed at the lower left, C. Pissarro, ’89. 4 . ae Purchased of James P. Silo, New York, 1908. So- 4 100; Lett bens backs pr OF nlf ] ij > | | . | \ Ae 4g Henri J. T. Fantin-Latour Frencu: 1836— sux a # 47—THE CHAT: TWO WOMEN IN A WOOD ‘700 4 Height, 1034 inches; length, 1414 inches D. BMeauofean Tue spectator is within the shelter of the corner of a wood, a road of exit leading from the right foreground back through the central middle distance to wild, roll- ing fields in soft sunlight. At either side the foliage is a rich, deep emerald, denser leafage at the left cast- ing a delicate shadow over a dark-haired young woman in a crimson gown reclining at the foot of a tree. She turns her head to converse with a fair-haired sister who lies almost nude on the grass, where she has spread a rose mantle, looking out toward the sunshine, and lean- ing on her elbows, her head on her hand. Signed at the lower left, Fanrtin. Purchased ae Se een New York, | 1910. / walt! Vepre fay, WUAKK ae ~ 375% Height, 15 inches; width, 1114 nie Ly bo . . ~ \ K> Va < (p Pas Eugene Louis Gabriel Isabey Frencu: 1834—1886 48—AFTER THE STORM Moorep to a pier is a rude bluff-bowed vessel, and alongside is a boat with several men who are appar- ently taking the cargo from her. Her mast is broken short off, her canvas is in disorder and her bowsprit is gone. Jagged clouds in the sky suggest further the effect of a severe gale. Signed at the lower right, E. Isasey. From the Alexander Blumenstiel Collection, New York, 1906. #SS— B320 : Alfred Stevens yo” Beician: 1828—1906 49—VUE DE TREPORT Height, 1354 inches; width, 1014 inches On Mb. dowel A FOREGROUND of dry sand and short seashore herbage, silvery-drab and flecked with brown and various low colors, extends to a narrow strip of tide-marked sand where a single figure stands. Four others are disport- ing themselves in shallow water near by. A two-masted fishing smack with brown sails is among several craft seen farther away, and there is a fiery sky toward the right. Signed at the lower left, A. Stevens. a From the Peter A. Schemm Collection, New York, 1911.- 4/7 plto. 40, bs beh on j “s | BUGENE FROMENTIN, "eee neal Nal en re tn | ce Eugene Fromentin Frencu: 1820—1876 50—ALGERIAN WASHERWOMEN (Panel) W 7, VASE Height, 101% inches; length, 13°34 inches J On the left is the corner of a wood, its feathery but thick foliage rising out of the picture, beyond- some dark, athletic women, two of whom bear bundles of linen on their backs, while a third is seated on the ground, - though at work. Toward the right, two more stout- limbed women, one in red and one in blue, are treading white garments in a shallow stream of the foreground, and one of them, with her seated sister on the bank, is regarding the spectator. Signed at the lower left, E. Froment1n | balunble landing Salo - | _ From the Thomas Hitchcock Collection, Néw York, 1914,-#85~ PISO - ‘a - ve = PSR SSK eS ae =, Ss oe Jean Charles Cazin ' Frencu: 1840—1901 51—THE HARVESTERS yh SY poss / TO0- Height, 12%, inches; width, 914 inches | Some distance back in a stubble field a man in a blue | blouse stands on a ladder, putting the finishing touches | to a haystack. At the right of it is another stack, ) and a man is at work on top of it while a fellow laborer | unloads a wagon alongside. A white horse is standing by. At the left of the foreground a man is carrying | a sheaf in each hand and at the right three other fig- | ures are busy with sheaves. | Signed at the lower left, J. C. Cazrn. From the Peter A. Schemm Collection, New York, 1911. Cie ate PIOS- Bd. | » N. V. Diaz de la Pena Frencu: 1807—1876 52—ENFANT AU CHIEN (Panel) YL. Jaman, Agen No heen Height, 13°34 inches; width, 1014 inches A sMALL girl is seated on the ground at the edge of a wood, holding in her lap a white, shaggy-haired pet dog. She is dressed in a loose and flowing pink frock, short-sleeved and trimmed with black ribbons and white lace, and her long golden hair falls about her shoul- ders. The light plays full upon her and the dense foliage of the wood behind her is dark, with a patch of sky visible at one corner. Signed at the lower left, N. Draz. Purchased from Messrs. Durand-Ruel, Paris, 1896. From the J. W. Kauffmann Collection, New York, 1905.-#/9- $/0¢0 ~ Gaston la Touche FRENCH: CONTEMPORARY 53—_THE HONEYMOON (Panel) TSO “{ Height, 15%, inches; width, 18%% inches y ony Utwtiard b Aw old-fashioned coach, green trimmed with gold, with red wheels and red-upholstered interior, and driven by a bewigged coachman in a brown coat, is making rough way in a road through brown and yellow woods. With- in, a bridegroom rests his head on his bride’s white shoulder, and seated on the springs in the rear a nude Pan with a green chaplet pipes his merry lay. Signed at the lower left, Gaston ta ToucHe. Purchased at the Jubilee Exhibition, Mannheim, 1907. \ Gaston la Touche Frencyo: CONTEMPORARY 54—PETIT SOUPER Height, 1534 inches; width, 13°, inches “i © ‘“ Tue evening of a brilliant entertainment in a great » ©. ‘~ house is depicted, the elaborately decorated walls and a ee Neeiling of a French mansion being brought out in the RE eae rich color and surfaces characteristic of the artist. The ‘prismatic lights of crystal chandeliers aloft, the fo ht of sconces and table lamps below, but par- illumine a large company of men and women Signed at the lower right, Gaston ta ToucHE. Purchased at the Jubilee Exhibition, Mannheim, 1907. J/00 4 (Panel) — Muntandlh. : | Firmin-Auguste Renoir ve. Frencu: 1841— d | yt 55—BAIGNEUSE | : Height, 16 inches; width, 1234 inches | AGSO- Md fellanck | | A PLUMP young woman with rosy cheeks and lips afd Titian hair, is seated, nude, on white and scarlet drap- | : eries in a sequestered retreat in a wood, or the shady ! corner of a garden, engaged at her bath. Her warm hair falls loosely down her back, which is in the cool shadow of the feathery foliage about her. She is seated back to the observer and turned toward the left, at the | moment bathing her left arm, and her face is in profile. \| 9 Y Sy Bs at the lower right, Renorr. ay Purchased from JeiuimQshereW ew York, 1907. Tas. O%KK © eh, taplaxn : Henri J.T. Fantin-Latour FrenNcH: 18386— \ 56—STILL LIFE: FLOWERS In a square glass jar of greenish hue, standing on the corner of a brownish table, is a closely bunched bou- quet of flowers from a modest garden, in which one seems to detect asters and marigolds, in their soft colors of rich quality. Yellow, brown, creamy white and deep J reddish purple blossoms, flowering above rich green, | come out in a softened light against a neutral brown wall. Signed at the upper left, Fantin; and at the upper right is the date, 1861. Purchased from A. Preyer, The Hague, Holland. S§O+ Height, 17 inches; width, 14 inches 4 Muocttly) bo f GS Jean Baptiste Camille Coa Frencu: 1796—1875 Wwe En 57—ENVIRONS DE BEAUVAIS, VERS MARIS- SEL; LE RUISSEAU A L’ARBRE 10h /OKAOOA Height, 18 inches; Be 13 inche One of the beautiful, silvery, Corot ae es, of ‘eng water, figures, atmosphere and clouds, each and all speaking in the soft, sympathetic voice of the poet-art- ist, and each emphasizing the charm of its neighbors, rather than its own. On the left, a clump of tall, slen- der trees, their trunks vagrant and twisted until they are well up in the free air aloft, stand as an outpost of an open forest, at the edge of a gray, white and silver brook. On the bank of a pool, in the brook, in the foreground, a figure is. seated, and other figures are perceived in the distance on the right, near another group or wavering line of young, tall trees with feath- ery tops. Through the trees the sunlight from a gray- white sky comes down, streaking the water of the brook with white, and emphasizing the oiey shadows of the _ nearer tree trunks. Signed at the lower left, Corot. Recorded and reproduced in “L’Giuvre de Corot, par Alfred Ro- baut and Etienne Moreau-Nélaton,’ Vol. IT, No. 1005. Painted between 1855 and 1865. From the Oppenheim sale, Paris, 1877.-¥F.. Gp. (30 De From the Oppenheim sale, Paris, 1890. #6-&e SOS ~ From M. Bernheim, jeune, Paris. Purchased from Messrs. Durand-Ruel & Sons, New York, 1907. rn ee Se a Louis Eugéne Boudin Frencu: 1824—1898 58—LE PORT DE SAINT VALERY, ; MAREE BASSE | G Vik (Panel) Yo thagle yD Height, 18 inches; width, 1414 inches On the left a fore-shore slopes from green woods to a silver-gray stream, a white sandy path descending it to the water just in front of a wooden pier on which some figures are seen. The tide is low. Beyond the pier the brown roofs of buildings come into view below the green woods, and in the stream some square-rigged vessels are tied up at the shore line. Signed at the lower left, E. Bouptn, Sr. Vatery. From the A. Augustus Healy Collection, 1907. ¥ $F. C25", , VALE Faghh fl Setusmenh (fully 1h 98 «40a SSX- Sola. - 4.Q. Zo taly hee 18994 8 OX - Fritz Thaulow Norwecian: 184'7— 59-—-SCENE IN VENICE Wh ba : | # /000 md Height, 214, inches; width, 1814 inches ‘ ty a Tue foreground is taken up with a canal which extends half way back through the picture and turns at an ab- rupt angle about a red brick wall on heavy stone foun- ; dations at the right. The water is rippled and is a > mirror of pink and white reflections shimmering on its BA green bosom. The buildings reflected occupy the back- ; ground, churches of the characteristic Venetian archi- 2 tecture, and a religious procession is passing from one 4 building to another. = ia Signed at the lower right, Frrrz THavutow. Purchased from Messrs. Fischel, Adler & Schwartz, New York, btly 1903.—- KZ 4 BIS0 2 Alfred Stevens Bewcian: 1828—1906 60—IN DEEP THOUGHT 100~ Height, 181, inches; length, 23 inches In Stnoctly + by SEATED at a small round table in a corner of a garden overlooking the sea, a young woman in a rose-gray out- . door habit is gazing abstractedly into space, lost in her thoughts. Her straw hat and her gloves lie on the table before her, and a pet dog squats on its haunches at her feet. At her back is a dense mass of dark green foliage, with the new shoots of pollards visible at the edge, and out on the blue-green sea a black steamer shows a white “bone in its teeth.” Signed at the lower right, A. Stevens, ’81; and on the back inscribed, Atrrep STEvENS, Havre, 1881, Srp- Qs TEMBRE. ) Purchased from D. Heinemann, Munich, 1907. | wg VOSO- Firmin-Auguste Renoir FRENCH: 1841— At yh 61—YOUNG GIRL (Pastel) A youne French girl is portrayed before a background of such chromatic luxuriance that she seems embowered in the greenery and blossoms and sunshine of a sum- mer garden. She is observed head and shoulders, in- deed nearly at half-length, in a sitting posture, leaning forward on her elbows. Figure turned to the right, her face is toward the spectator, and her left hand is raised to support her head. Arms and ‘shoulders are bare, a thin gown or light drapery falling about them, and she wears a yellow hat trimmed with blue. Signed at the upper right, Reno. Purchased from Julius Oehme, New York, 1906. Height, 181% inches; length, 23%, inches f A tial a Re Aen EE A ELE ES SEIDEL OIE TOE AAA ¥ T DE PLUIE : 62—PLACE DE LA REPUBLIQUE, ROUEN: Camille Pissarro i ot? Frencu: 1831— Jou EFFET DE PLUIE | 1450-4 Height, 1814 inches; length, 21% inches Mutant th | P Ir is a showery day when the sunlight is still strong enough to mark shadows of cab wheeis and pedestrians on the glistening pavement, and the air, while moist, is _ clear. In the place men and women with umbrellas up— are walking, or standing beside kiosks. In the mid- dle distance the river crosses the scene, gray-white with reflections of the lightly clouded sky, and its waters gently ruffled. Long black freight boats are near its farther bank, and beyond rise the gray, creamy, pinkish and brown buildings of the city, with slate-gray and red roofs; and near the bridge, which © crosses at the left, is a group of flourishing green trees. Signed at the lower left, C. Pissarro, 1888. Purchased from Messrs. Durand-Ruel & Sons, New York, 1909. ft axgn. ph bg om tl i tt te r a LO a ae fae! yr em ra ; S: RO ox < S we e BES JAUNES BY Pe H. G. E. DEGAS os. tant Hilaire Germain Edgar Degas _ FRENCH: 1834— aes We 683—DANSEUSES: ROBES JAUNES abe (Pastel) bs F004 Height, 241, inches; width, 19 inches hie At Turee members of the ballet are pictured, putting the final touches to their toilets. They are seen at three-— quarter length, standing, grouped in intimacy of work and gossip, without the suggestion of pose. Not one © a is revealed in ‘all her features, yet each is wholly ex- = pressed, with the characteristic truth, vigor and deft- 3 ness of modeling of the artist. One girl is turned to the | front and facing the right, a hand raised to her corsage; another in front of her, with back to the spectator, is adjusting her black hair, both hands up; the third girl is seen back of and between the other two, in pro- file, with an animated expression. Green skirts and purple waists contrast with a fused background of red, brown and blue. Signed at the upper left, Drcas. Purchased from Messrs. Durand-Ruel & Sons, New York, 1909. Wd sk, cae pe. by eo ON A VENEUX-NAD BY = . \ » 2 ALFRED SISLEY ¥ oS Lia 2 Bae ecc2 oN Se ern Alfred Sisley Frencu: 1840— 64--_NOYER A VENEUX-NADON ve. 0004 Height, 1914 inches; length, 251, inches peed Trees for the most part bare of leaves, with branches some of which take the lines almost of swirls in their eccentric courses, mark out boldly odd patterns against the sky. To left the sky is still bright with sunset lights, while on the right the gray of evening is set- ting in. In the afterglow of the sunset a man comes forward through lush green grass, from the direction of a group of cottages, the deep grass picked out with bits of color and bordered by dense flowery growths of purplish hue. He is seen near the principal tree of the composition, a walnut that has yielded its fruit. About the borders of the farmyard, or garden, slight trees, closely set, form an enclosure, with the farm — buildings which extend irregularly across the back- ground. | Signed at the lower right, Ststry. Purchased from Messrs. Durand-Ruel & Sons, New York, 1907. f re ofty- ptt. joy? ourfh * eo ee ee eee ee ee 4 =a , } Leon Augustin L’Hermitte Frencu: 1844—_ ce 65—HARVESTING SA (Pastel) ” i a ‘ /. 00-7 Height, 21%, inches; width, 17 1 noua a A HaARVEsT field, rich brown and golden yellow—yel- ~ lowed where the sunshine strikes upon it—is partly © reaped. In the foreground, in the delicate shadow of | a cloud, a peasant woman is seated on the ground among the sheaves, a basket beside her, attending to some work of her own, and a vigorous young man has paused momentarily at his task and looks down upon her, leaning upon his scythe. In the background a pond is visible at the foot of a hill, its waters brilliant with reflections of colorful herbage and foliage, sun- illumined and relieved by grateful shade, which abound on its shores. | so Ng Signed at the lower right, L. L’Hermirre. Purchased from Julius Oehme, New York, 1907. NASR Se eon pods corks Sah, 2, 1QSO, IN - > SW ‘CHERBOURG BY = LOUIS EUGENE BOU eer See eee ee eee ee / 1h O O =| Height, 161/ inches; length, ap inch 66—-CHERBOURG riggers so thick that their masts and spars seem.aln a tangle in the perspective, and fore-and-afters | sails up adding to the lively nautical composition. background of tall hills is green with summer at their foot thickly clustered buildings showing left with red, green and brown tiled roofs of shapes. The water reflects the hues of shore and | cumulus clouds that roll majestically across me sky. Signed at the right, E. Bor 983, Cx From the Frederic Bonner Collection, New Tork 1912,- OCTROI D'ISs BY JEAN CHARLES CAZIN “ Jean Charles Cazin Frencu: 1840—1901 67—OCTROI D'ISSY 4004 Height, 18% inches; length, 24 neg Se AN engaging, inviting bit of the French landscape, which happens to be at the octrot barrier of Issy, as a | sign post at the roadside proclaims. The road, a moist gray, runs straight away from the spectator, to van- ish over the crest of a low hill against a creamy-gray sky that seems resistant to a pinkish flush. At either side of the way, on the gentle incline, are green fields, beyond gray walls or dilapidated fences, and on the right, in the foreground, are a gateway and a gray — wall, a pollarded tree, and.the sign which announces that here one halts for the octrot formalities. Wild flowers with warm yellow blossoms bloom by the road- side, and the atmosphere is of that delightfully mys- terious quality which leads the artist’s admirers to pre- liminary debate as to whether it is the sunlight of late afternoon, or early-moonlight, or a commingling of both—with a yale yellow orb gleaming at the disputants in the languor of the hour. : Signed at the lower left, J. C. Cazin. From the Julius Oehme Collection, New York, 1911. tha f2000.boduh ot eh Sale 1909 4 py «£82004 “ » m es _ JEAN FRANCOIS RAFFAELLI POE ae & — iia ae i ‘ 5 4 = i —_— . Ti a e ns . sea A - Te 7's = 7 Aa te: Sen 7 "y Jean Francois Raffaelli Frencu: 1850— 68—BAIN DE MER, TREPORT (Panel) 62S Height, 21 inches; length, 24, why y Lfillich fleecy A misty day on the Channel, with little win clouds all but obscuring the blue of a summer sky; off- shore a sailing ship or two, moving lazily. In the shal- lows within the life-lines of the bathing grounds, bath- ers are dipping and frolicking, their colored suits add- ing brightness to the scene. Along the beach are more people, and boats and the bathing tents; high above them a great bluff of the foreground gives a stretch of sober green from which to overlook the fair prospect below. Here under the tricolor less eager sojourners by the sea lean out and watch the bathers. Signed at the lower right, J. F. RarraE.ti. From the Tadamasa Hayashi Collection, New York, 1913. “#139. $iloo. On the back of the panel is the inscription: “Bain de mer, Le Tréport, France. Chez M. Raffaélli (Jean Francois), né a Paris 1850, dans son nouvelle atelier, de la rue de Courcelles, 202, Paris, Samedi, 26 Mars, 1892. (Signed) T. Hayashi.” ? eos es wf ay, a | ’ Bx; ~, we GUSTAVE COURBET Gustave Courbet Frencu: 1819—-1877 69—LANDSCAPE Df , Height, 20 inches; length, 2381/2 note ot fn “ Sunsutxe falls from the left upon a field or bank in the middle distance which slopes gently to the right. Beyond the slant of light, yellowing the open field, a hillside of dense woods is deep green in shadow. On the nearer edge of the field detached trees with thick foliage, brown in the warm note of autumn, stand out against the light, a short declivity below them reveal- ing rocky ledges of soft gray tone and banks of mossy green hue, all in transparent shadow. Below, in the foreground, the sunshine comes again, illumining a blue and silvery brook wandering between boggy, grassy borders. Signed at the lower right, G. CourBeEt. | 4 Purchased from Messrs. Hermes & Co., Frankfort, 1903. 4 sa ad a han Aue Nite hw g a i No. 70 = RS Oo as H RY se B BY 4 a an pu =) ea n = = =) ar) “—" Abd, fit, ae. P qo” 70—THE STORM Jules Dupre Frencu: 1812—1889 Height, 211% inches; length, 2514 inches Lj SGOO 7 OR ae A rocxy headland projects from the right, its rug a 7 . . and broken nose slanting irregularly and abruptly into a sea darkened by an ominous storm cloud. The cloud _ lies black and heavy, low over the ocean on the right, and behind the bluff. In front of the bluff a large work- ing sloop has been driven upon a sand bar which puts y: Ae out and crosses the middle distance. It is dotted with rocks, and a low surf is breaking on it, while on its — hither side, in the foreground, is a quiet cove. Out at iy sea on the left some sail are careening in the breeze, anu the sky over all is turbulent, with light clouds seen above those of the storm, their light reflected on the oc pire ee bar. ; Signed at the lower right, Jures Dupré. / “HALL-KESTI” NT GIRL BY J A PEASA ANDERS L. ZORN J Anders Leonhard Zorn — Sau 1860— | 71—A PEASANT GIRL: “HALL-KESTI” nae - : et | ¥ » aw F & . & yp * & ‘ a - ‘ “- J : ae an a a> Vs tee Ey ‘ — a a ’ ev igo B “t : if of ~ q i q : = = we 4 . << b on i= > r _ ' ee 1 : + . i) . 2 ce J 1 . y 7 ee LST | nent Ye Anders Leonhard Zorn SweEpisH: 1860— 79—NUDE AT THE SHORE CAREFULLY studied in a fascinating play of light, a female figure is observed in the partial shade of low- branching green trees at the seashore—a glimpse of pearl-gray water at the right, between a brown rocky foreground and a farther sandy shore crowned by yel- low-green leafage and herbage. The figure, in the fore- ground left of center, is observed in back view, reclin- ing on the right elbow, with limbs disappearing beneath an opened sun umbrella placed on the ground, on which are soft gray shadows of leafage. In the background at the left appears the reverse of a canvas on an easel; it appears to be a noontide resting hour. Signed at the lower right, Zorn. Purchased in London, 1911. re Le Height, 1114 inches; length, 39 inches KL. x feliuch ed Pa ts ea Ss A ed “qt /) = p- es ie 6 ee 4) 4 BW Se as Sat ae, Se a a ne! . Emile Claus Beucian: 1849— 80—A L’OMBRE GA b% Height, 231% inches; length, 36%, inches Two women still young, in summer attire, are seated in the shade of a huge tree at the side of a broad, wind- ing garden path leading to a red house trimmed in green. In front of the house and in the immediate fore- . ground the sunshine is bright, while through the cen- ter of the vista the ground is only dappled with the — light as it percolates among the leaves and glints from the shoulder of the woman in blue, who is seated on the ground and turned three-quarters from the spec- tator. Her companion, in white, is sitting on a log or stone, her face resting on her hand and turned forward. Signed at the lower right, Em1re Cravs. Exhibited at the Carnegie Institute, Pittsburgh, 1909. No. 81 DRY ADES BY RENE MENARD he a ee le SN DN RL pal yen Rene Menard Frencu: 1895-— 81—DRYADES | (Pastel) 1048 Height, 28 inches; length, B51/, inches 4 f- - @ #* & ey, Two gracile nymphs of the woods are reclining in the shade on the grassy bank of a forest pool, one ex- tended at length upon the sward, an arm under her head and one knee raised, her white discarded drapery - on the ground beside her. She seems in slumbrous rey- erie; while her yellow-haired companion, resting on the bank at her head, watches over her and lays an affec- ee tionate hand upon her shoulder. The slender figure of — the watcher is seen in back view, her head being in pro- file to the left; and the folds of a brown mantle are about her limbs. Beyond the pool the woods are a wonderfully rich, warm, deep-toned red-brown, with ac- cents of dark green. a Signed at the lower right, E. R. Méwarp. Purchased from iiitrean ermeemn srt fs | New York, 1913. . ir Shem Say: OK Lae 7 LOUIS EUGENE BOUDIN| mt “a 8 res, Cs: A TR NT Sagi ~~ Zz Pips are ee’ = —— ae ) aa x Pe ee on eo ae. Louis Eugene Boudin Frencu: 1824—1898 82—BEACH AT ETRETAT K/O O- Height, 31 inches; length, 43 inches Numerous small fishing boats are rangéd alongside each other on a broad flat beach of white and gray and creamy sand, which here and there is tinged a faint green. The beach, filling the foreground, is strewn with nets, traps and other fishermen’s apparatus, the boats are in soft, old colors—weathered red, brown and blue, - and touched with yellow—and their sails are for the most part lying within them, folded around their un- stepped masts. Beside one, two aged fishermen are at work. Out on the gently moving blue sea, touched with low white-caps, a sail or two may be seen, and pro- jecting far out across the background are the creamy- white chalk cliffs of the coast, topped with green grass and the characteristic church. FS7t Signed at the lower right, E. Bovuptn, ’91; and in- scribed at the lower left, Errerat. From the J. W. Kauffmann Collection, New York, 1905. IN -« $800. Ymvdv bacha es Canis 18 9b ihe deo 1960 i= = No. 83 JOUR DE REGATES, MENTON BY ALFRED STEVENS Alfred Stevens Beucian: 1828—1906 83—JOUR DE REGATES, MENTON oe oe Height, 32 cnohee width, 26 ys Ib. Our on a pale turquoise-blue sea, which afar melts into a hazy sky of greenish-turquoise hue, are seen numer- ous white sail over black hulls, and their reflections in the water of a listless bay. On a promontory in the foreground a blond woman in white, with a pink sash, is seated on a blue-gray rock, her dog beside her. She — is looking out over the scene, and across the bay to the group of city buildings occupying a point in the mid- dle distance. Far away are green hills, and moun- tains obscured in a violet haze. Signed at the lower left, A. Stevens, Menton, ’04; and on the back the artist has inscribed the title, with the date, Aprit, 1894, and the point of view from which he worked. q yo uc "Lian | BRUNO ANDREAS LILJEFORS SwEDIsH: 1860— 84HEATH GROUSE OUT IN THE FROST 5 _ Height, 8514, inches; width, 41 inches 400 WNioh 4. PERCHED in the top and upper branches of thick bushes are several of the heath grouse, seemingly not at ‘all ee uncomfortable in the cold, but quite content. One is a warm reddish-brown, one a darker brown, and two are oe black, and the foliage ground against which they : are y seen is of a pinkish hue, under a cold greenish-blue sky. | f. ae ky Signed at the lower right, Bruno Lease 1898. ; Purchased from Fritz Gurliit, Berlin, 1907. SECOND EVENING’S SALE WEDNESDAY, JANUARY 19, 1916 IN THE GRAND BALLROOM OF THE PLAZA FIFTH AVENUE, 58ru ro 59rH STREET BEGINNING AT EIGHT O’CLOCK MODERN DUTCH MASTERS ee J.H. van Mastenbroek Dutcu: ConTEMPORARY 85—_IN HOLLAND (Water Color) ob - Height, 8%, inches; length, 10 inches fr pout Late afternoon lights, reflected from yellowish-white clouds near the horizon, below rolling masses of pur- plish-gray clouds, gleam on the waters of a river or canal running straight back from the foreground to a lock. On either bank are trees and houses, and snow covers lightly the roofs, and also the decks of boats lying against the right bank of the stream. Signed at the lower right, J. H. v. Mastenproeck, 1905. Purchased of Boussod, Valadon § Co., The Hague, 1905. Hendrick Valkenburg © / pore Durcu: 1826—1896 3 86—GARDEN SCENE (Water Color) JiO-7 Height, 1314 inches; length, 191% "DG. ay In a green garden beyond a muddy-gray foregro peasant in blue and brown is digging, with a measure and a bushel basket beside him. Beyond him a broad thatched cottage almost fills the background, some trees rising over it before a blue sky. a Signed at the lower right, Hrxzez, 85, H. VALKENBURG. /30- : (Water Color) A Py, V So Height, 10 inches; length, 14 inches 7 ye J.H. van Mastenbroek — | | / jo | Dutrcu: ConTEMPORARY F . 4 | v4 87—SUMMER AFTERNOON IN ROTTERDAM e = Lone shadows cast across a gray roadway—shadows of trees, and of carts and men attending them—tell ss that the sun is setting, off to the left. The road runs back along a green canal, and brown, gray and rose- hued buildings line the banks. The summer sky is a hazy blue aloft, and lower down is filled with soft, fleecy white clouds. Signed at the lower right, J. H. v. MasTensroek, 1905. Purchased from Messrs. Boussod, Valadon & Co., The Hague, 1905. an Berthold Jongkind Dutcu: 1819—1891 88—MARINE /100+4 Height, 91 inches; length, 12%, inches yy) ty y y, 2 On the left in the middle distance appear indefinite fea- tures of a seaport town, the shoreline projected into the distance. In the water before it are several sailing vessels, some out in the stream, some against the shore. There is little air stirring, and while some canvas is up there is little movement, and one boat is being worked by sweeps. In the foreground are men in small-boats. A pale blue sky is spread with white clouds and the water is lightly dappled with reflections. Signed at the lower right, Joncx1nn, 1866. Purchased from Mr. William Chase, N.A., New York, 1910. J { OF —— Willem Maris DutcH: 1844— 89—DUCKS (Water Color) Varyine greens of grass and overhanging foliage, in sunlight and shadow at the border of a pond, are re- flected with delicate gradations, intermingled with re- flections of unseen gray clouds and blue sky, on the gently agitated surface of the water. Near the fore- ground an old white duck, head stretched forward, is /swimming toward the shadows, a slant of sunshine il- lumining her broad back, and a brood of pale-golden fuzzy ducklings are paddling after. Signed at the lower left, Wir1em Maris. Purchased from Frank, Buffa & Zonen, Amsterdam, 1907. B.E.ME2 + Manghh fm hh. faye AbiH/1gob-~ Je OUXKK- Lol. “A huffa : Linew Gott 30/1907 4 Lea SAKK- o. y we SY’ Anton Mauve DutcH: 18388—1888 90—BLE ACHING (Water Color) In the corner of a field of soft pale green grass, like that of the sand dunes by the seaside, a peasant woman in white waist, cap and apron, and dark skirt, is hang- ing out white linen to dry on a line, while other pieces are bleaching on the grass beside her blue tub. Be- yond her on the left a bunch of short and taller green trees at the corner of a low and open wood relieve with the delicate play of light and shadow in their foliage a gray sunlit sky. Signed at the lower right, A. Mavve. Purchased from Messrs. Boussod, Valadon § Co., The Hague, 1907. ey, PG CTs Pa I, OO ¢ é ff 700- Height, 14 inches; length, 10 inches 4) Mebtarts H. van de Sande-Bakhuysen Dutcu: 1795—1860 91—LANDSCAPE: LEADING HOME THE COW (Water Color) ¢ AfO 7 Height, 19 inches; width, 1514 inches 6. kw ltw BriLuiant sunshine illumines a flat landscape of green meadows, characteristic of the Low Countries, and light clouds float in a pale blue sky. A broad irregu- lar road rambles along the edge of the meadows, lead- ing from the foreground and winding to the left in the middle distance about the corner of a wood which throws its shadow forward. In the road a woman in a white jacket and brown skirt is leading a white cow. Signed at the lower left, Sanpe-BaAKHUYSEN. ee ee Jozef Israels Dutcu: 1824—1911 J (Water Color) Y; L504 Height, 18 inches; width, 13 inches vote Z 91A—ALONE J O,— A uumste Dutch interior painted in the chafacteristic | 1 manner of the master. Seated in a rush-bottomed chair, an old woman leans forward and extends her hands toward a fire burning on the hearth. On the wall hangs an:old Dutch clock. The prevailing colors are brown and gray. [ Signed at the lower left, Jozer Israrts. (7 wes Theophile de Bock Durcu: 1850—1904 92—LANDSCAPE AT TWILIGHT (Water Color) ? 7. 60 4 Height, 131 inches; length, 1914 west Mituber ge At the right of a pool of water in the foreground some A yo D> silver birch trees rise, bending over the pond and out- te lined against a background of green woodland. The figure of a woman is seen, walking through the meadow, the meadow being starred with flowers; to the left a single tree stands forth. It is the evening hour and the sky is filled with primrose light. Signed at the lower right, Tutorur1e ve Bock. From the Cottier Collection, New York, 1909. #9 $YHO 4q Jacob Maris DutcH: 18387— 983—THE YOUNG ARTIST | (Water Color) ; 4500 4 Height, 171% inches; length, 191% inches 3 Aocdlead bb. OxssERVED in a softened light, which falls full upon his head and face and upon the work before him, a small boy with a luxuriant growth of light brown hair, which hangs about his collar and shoulders, is busily en- gaged at painting in water color. He faces the right and is seen in profile. He is seated on a blue-cushioned stool and leaning over a broad table on which a large white book of pictures for him to fill in with color is spread open, his color box resting on top of it. The background is a partly darkened interior in neutral tones of brown and bluish-green. Signed at the lower right, J. Marts. Purchased from Messrs. Boussod, Valadon & Co., The Hague, 1907. G : oO _ cho 4 ee. es =! J: ~ van Essen 3 Doren: 1854— (Water Color) hi oo t + Height 14 inches; length, 22 inches : the riglt 3 in the middle distance a grove of brown and partly bare trees stands on the crest of a low hill, giving an autumn silhouette against a light gray oe sky. On the left, opposite, is an all but barren knoll. o _ Threading an irregular way up rising land between be : ns of them i is a road from the foreground leading to a soli- _ tary red-roofed building, and a woman in dark garb : and white cap is coming slowly down it. ‘ Signed at the lower left, Jan van Essen. Purchased from Messrs. Boussod, Valadon & Co., The Hague. renepinnen | } i] | | | | ees ees 7 . Ce &. bhedeles J.H. van Mastenbroek 0 2 DutcH: CoNTEMPORARY hd ~ ag 95—HARBOR OF ROTTERDAM (Water Color) é GIO qT : Claw Height, 20 inches; length, 29 inches WuarvVEs in the background come into view on the left, and small buildings. Across the rest of the picture the wharves are obscured by part of a huge freight steam- ship which is tied up alongside, projected into view from the right. She is unloading into canal barges and harbor boats which crowd up against her in the fore- ground. Men are busy about the decks and clouds of steam curl about. The sluggish but moving water is filled with reflections of soft colors. Signed at the lower left, J. H. v. Masrensroex, 1904. Purchased from Messrs. Boussod, Valadon & Co., The Hague, 1905. Pe oo Pietidy rough shallow water, dark under the ~ ag owering sky, and the wash of the waves is brightened __ intermittently with reflections of the lighter clouds. The ‘hearer boats can be seen dragging their nets down the wind, their canvas flapping, and men are on the decks, . oe others are wading in the shallows, line in hand. 7 =a : Signed at the lower left, H. W. Mespac. Purchased at the Miinchener Kiinstler Genossenschaft, Munich, 1903. \ Mme. S. Mesdag van Houten ov DutcH: CoNTEMPORARY 97—IN GELDERLAND 3 ‘ ~~, (Water Color) A b04 Height, 24 inches; length, 32 inches ff 4 : a THE spectator is looking upon sheepfold, farmyard and humble cottages at once, in a low, flat country. The atmosphere is moist, the day is gray and drawing to -~ ~ an end, and a couple of young peasants are driving to the fold a flock of gray sheep. The sheep approach between the irregularly grouped thatched buildings, tak- ing a last nibble at the grass before entering the sheep- cote, and wandering chickens are pecking at the ground around them. Signed at the lower left, S. Mespac van HovrTen. Purchased at the St. Louis Exposition, Holland Fine Art Depart- ment, 1904. we ISH, SCOTCH AND CONTEMPO- RANEOUS ARTISTS A. E. John ScotcH: CoNTEMPORARY & 98—GIR¥Y ON WELSH MOUNTAIN ot + 10. Or Height, 173, inches; width, 1434 inches 4. Acct ley + by HE mountain is broad of flank, and rugged, and its top is high in the left of the picture, the rocky sides sloping to right and forward. The sky above is violet- ray and a light turquoise. About the top of the moun- dark drown notes appear, while lower down the puuplish-brown rocks interrupt a soft carpet of green. Infthe foreground, against the rocks, a woman of se- e type, in an emerald-green dress and with a pink tle about shoulder and arms, pauses in solitary re- flection with eyes bent upon the ground. Signed at the lower right, Joun. Purchased from Charles Chenil & Co., Ltd., London, 1914. John Lavery, A.R.A. —— EncusH: 1856— 99—AFTERNOON IN THE WOODS, TANGIERS ) Wece « Height, 25 inches; length, 80 inches 4M. Alt) In the interior of an open wood, rich green in partial shadow and brightened by flashes of sunshine which touch tree trunks and grass, a woman in brown is seated with her book at the foot of a tall tree. A little girl in red stands near her. Beyond the wood the land falls away in glowing sunlight to a deep blue sea, and across the water a mountainous coast looms vaguely in a soft purplish-brown. Signed at the lower right, J. Lavery. Purchased from C. W. Kraushaar, 1912. Ce Robert Gregory 4, a ° EncuisH: CONTEMPORARY Sez aeary 100—-LANDSCAPE Tagon Height, 24 inches; length, 36 inches Oo btwartl, Brown, twisted trunks of pine trees rise at either side of the immediate foreground, from among green grass and sandstone rocks, all in partial shadow. In the middleground, thatched cottages and farm buildings placed close together are seen on two sides of a sunny green field, which hes along the border of blue water, and beyond the water are distant hills. In a cottage doorway a figure is seen. Signed at the lower right, R. Grecory, 1914. Purchased from Chas. Chenil & Co., Ltd., London, 1914. ; George Sauter Af oO EneutsH: 1866— 101—FROST AND FOG Height, 241, inches; length, 32 inches 400 7 f 4b lb, Scanian, From an eminence not included in the picture the spec- tator looks over and through the tops of trees, which retain their light, feathery foliage, to a curving road on which a team and wagon are moving, and on, across a depression, to sundry buildings of a city—the whole seen vaguely, through misty, frosty air under a dull, fog-ridden sky. > Signed at the lower right, G. Sauvrer, 1907. Exhibition Secession, Berlin. BRANGWYN, A.R.A iy ; Frank Brangwyn, A.R.A. ENGLISH: CONTEMPORARY 102—VENICE and close at hand, is lying at a quay, her huge bow- sprit mounting high overhead and a rich brown lateen st partly hoisted behind it. Beyond her are other vessels, with rich red and brown canvas hanging idly “1 3 Atom the yards, and along the shore are pink and gray Venetian walls. The agitated water is deep blue, splashed by sunshine a light green. Aboard the sail- ing vessels and in various market boats plying about, — — figures are numerous, and a goodly company are to be seen on the neighboring quay. Signed at the lower right, F. Branewyn, 1910. Purchased from Mr. C. L. Hinds, London, 1910. x ares 41804 Height, 3734, inches; length, 391, KA. ws Ya HEAVY Sailing vessel of the old type, 4:7: « bone ' be a A 4 i F is 2 ae ee te - 7 te 7.) ” re a s x Grosvenor Thomas AUSTRALIAN: 1856— 108—LANDSCAPE ¢ OO Height, 28 inches; length, 36 inches vA y,) . ho Vi. q YM be O69 / In soft, liquid colors of rare delicacy and silvery bril- Hsu 4 hance, an ancient mill, well kept up, and its pond and ‘Ss } U Ps surrounding landscape, are pictured in a manner sug- tf gestive, in the feathery foliage and leaf-spots, of Corot. ? te A foreground of fuzzy grass, pale green, melts into the (Gouache) Height, 11 inches; width, 8% inches Hau¥F-LencruH portrait of a man of middle age, lean- - ing over a table, reading. He faces the left and is seen a little more than in profile, his arms resting on the table and holding up a long white book. His long bowed gold spectacles lie beside him, light striking them and his ruddy face. He wears a brown coat with broad lapels and a white stock. Signed at the lower right, AM (in monogram), ’86. Purchased from Messrs. Hermes & Co., Frankfort, 1907. Across the picture, in front of the head, is written Erinnerung —‘In remembrance.” y ! (io Wh eee WUD = ia gy, . fe Ac: is ‘oon Ms 2 rT oe Be oie 4 ‘s Kg 5 nad 2 Na ) 3 Paul Rene Reinicke GERMAN: 1860— 118-—-CATHEDRAL IN SEEFELD (Water Color) Wit A. Acie / Ly ty Height, 14 inches; width, 1134 inches Ar an elaborate wrought-iron screen protecting a gilded altar, ablaze with color and light, which enters from a stained glass window on the right, are half a dozen worshippers, standing, seated or kneeling. They are in the dress of humble folk; one woman carries a bouquet. On the grayish-pink cathedral walls are numerous sacred pictures. Signed at bottom, to left af center, René Reinicke, M’cHeENn, ’06. Purchased at Miinchener Kiinstler Genossenschaft, Munich, 1907. Hans von Bartels GERMAN: 1856— 114—ON THE WAY TO MARKET yo (Water Color) | D PA L Height, 13 inches; length, 18 inches In a heavy market boat a pretty and buxom peasant girl is beheld seated in the bow, facing the spectator, while a sturdy man followed by his faithful dog tows the boat away by a line attached to a fixed project- ing oar. ‘The boat is in a canal bordered by luxuriant herbage and rolling dunes, and its water is brilliant with color reflections. The girl, dreamily pensive and with a listless smile, in a pretty costume and charac- teristic headdress is seated amongst a wealth of shin- ing brass milk cans and other receptacles, with a red neckyoke and new white sabots lying at one side. Signed at the lower left, Hans Barrets. Purchased from D. Heinemann, Munich, 1907. -_- /JO Otto Piltz d 4 a _e-. - German: 1846— 115—OLD WOMAN DRINKING COFFEE ; (Panel) 10 Height, 10 inches; width, 8 inches oe OJ Muby Aw aged woman, heavy but shrunken and bent, is seated on a low wooden bench against a dark and shadowed background, facing the daylight. She is dressed in black, with a coarse white cap, and holds on one knee a deep coffee cup, while with the other hand she raises to her lips a large saucer of the steaming coffee, over which she is blowing, to cool it some. Signed at the upper right, O. Pirrz. From the D. W. Powers Coliection, New York, 1899.-#Z0Z 1J 350 4 FLO 4 Mihaly de Munkacsy Hunearian: 1846—1900 116—STUDY OF A HEAD (Panel) Tue head is the study of type and expression for the principal figure in the large picture, “The Last Mo- _@ ments of a Condemned Man,” which was probably the chef d@cuvre of this artist. The panel is a head and shoulders portrait of a sharp-featured, vigorous man, facing directly to the front and looking downward with hard, concentrated gaze, his brows knit. His single rough garment may be a well-worn sheepskin, with the fleece inward. Dark background. Signed at the lower right, M. pE MunKAcsy. Purchased from F. A. Ackerman, Munich, 1890. From the J. W. Kauffmann Collection, New York, 1905.-® 35 MISO £S. Height, 13 inches; width, 10 inches Aillhabages - Max Liebermann aes 3 ~ German: 1849— 117—POLOSPIEL : (Panel) S250 4 Height, 11%; inches; length, 181/, inches . Tue artist has depicted in a bold and sketchy way, with a free swing, his impressions of a game of polo on a light green field bordered by dark green woods. The players and their mounts are in active motion, the players in white and red uniforms, the ponies brown, _ white, black and bay or sorrel; and the leading players ‘with arms and sticks extended are maneeuvring about the ball. The day is sunny under a light gray sky. Signed at the lower right, M. LieserMann. Purchased from Paul Cassirer, Berlin, 1908. U- ee q 4 ( % > /$0- /10 7 | r Edmund Harburger German: 1846— 118—A DIVINE DRINK Height, 13 inches; length, 161, inches Heap and shoulders presentation of a heavy-necked, bald-headed man of German type, a fringe of gray hair circling the lower part of his head, who clearly has en- joyed the good things of life and is observed in the act of continuing to do so. A chaplet of leaves hung on his head, he raises to welcoming lips a white shell cup, which he holds up in both hands as he takes a long, well considered and relished drink. He is loosely robed in white. Signed at the lower right, E. H. Purchased at the Miinchener Kimstler Genossenschaft, Munich, 1907. Prof. Hans Looschen German: 1859— 119—DIE BLAUE UHR A PORCELAIN clock of glowing blue, with trimmings of gold and white and panels of flowers, stands upon a mahogany colored base in front of a mass of ribbons and flowers. Beside it, on a table, a black-haired little Japanese doll dressed in gay colors is leaning with her head against it. Signed at the lower right, Hans LooscHen. Exhibited at the Exhibition of Modern German Art at the Metro- politan Museum of Art, New York, 1908-09. (Panel) 4; os ‘¢ Height, 1614 inches; width, 14 inches $212 ee eee va i E “(sae 7-1 Ludwig von Hofmann German: 1861— 120—NUDE IN OPEN AIR (Pastel) VA Z / OO a Height, 17 inches; width, 17 inches j ' Tue artist presents a carefully drawn and modeled nude figure of a young woman, against a background partly in neutral gray and in part highly colored, showing warm yellow, vermilion reds, and various blues and intermingled greens. She is seated on the green of a rich sward, turned toward the left, with left foot doubled under and right knee raised, and her face is turned from view. Much is made of the effect of full daylight in the open upon the supple flesh, and the contrast of rose hues with the green. Signed at the lower right, L. v. Hormann. Purchased from the artist, 1910. Carl Hollman GERMAN: CONTEMPORARY 121—SURPRISED A ¥Fanrastic conception in which a bacchante and a satyr figure in a composition of rich color. The nymph, with eager roving eye and far-flying red hair, is within the satyr’s grasp, and his swarthy body is seen pong her flowing crimson robe. Signed at the lower right, Cant Hotiman. Purchased at the International Art Exhibition, Munich, 1902. Height, 17 inches; width, 111, inches dunt PT Johann Sperl GERMAN: 1840— 122—-MOUNTAIN LANDSCAPE (Water Color) 7 4 ; ° : (J ' i) CKO ct J Height, 19 inches; width, 14 inches Luillbite, 4 L; {% Far in the distance the snow-capped peaks of a great — mountain range rise high under a mixed sky of gray | and white clouds with glimpses of blue. Nearer by, | 0 l/ the lesser summits are a deep blue, while the flanks cradle small snow masses. Below, at the foot of the p range, the red roofs of a village appear in the middle Sf distance, and a gray brook comes forward through green meadows and vanishes in the right foreground, where it makes a bend about a pollard willow. Signed at the lower right, J. Spreru, ’96. Purchased from Fritz Gurlitt, Berlin, 1906. Angelo Jank German: 1868— 123—HORSE RACE F004 Height, 1414, inches; length, 19°84 inches 4D Ullah Ir is a race on the turf, and four horses are coming down the green pretty well bunched, their jockies in aA tog yellow, orange and blue. In the foreground a thin line Ahh) ff of spectators are looking on over the rail, and beyond Uf the turf track the crowd of spectators are indicated in front of a background of green hills or woods. Signed at the lower right, A. Janx. Purchased from Joseph Franz Brakl, Berlin, 1913. 4 tp >» i oes E. L. Ostermayer GERMAN: CONTEMPORARY 124—THE ORIENTAL MUSICIAN 4) Pastel a ee OV Height, 1934 inches; width, 1134 inches A BLACK-BEARDED dark-faced man in a yellow jacket and loose, dark, baggy trousers and a festively colored turban, stands in the middle of an unpaved Oriental street, playing—or at an interval in playing — a stringed instrument on the order of the sarinda. In front of bazaars which line the street in the background, a turbaned company of small merchants and idlers ap- pear as pleased as the musician himself with what he has been playing. Signed at the lower left, KE. L. Osrermayer. Gotthard Kuehl German: 1851—1914. 125—SALON ECKE ds .s KioS4 Height, 21 inches; width, 1514 inches , bhuwle In the corner of a salon the sculptured bust of a woman looks out from a tall pedestal over comfortable settees y) >) o° upholstered in red, with harmonious cushions, and over ; -- a round mahogany table which supports, on a green coverlet, a jardiniére of rich yellow, holding an ex- pansive bouquet of delicate blossoms. Paintings and elaborately framed mirrors are among the further adornments of an interior abounding in color. Signed at the lower left, GorrHarp KvEHL. Verein Bildender Kiinstler, Munich, 1907. Franz von Stuck j GERMAN: 1863— 126—TEASING G50 Height, 1814 inches; length, 1914 inches a. bvbauam 1 ¢} { Aur scene is the border of an ancient wood, and the 4 \v ' # green of the low-hanging foliage and of the moss on .\ ~~ the trunk of a huge tree near the center is of a beauti- fo fully rich and luscious quality, while the ground around Sf is dappled with patches of golden sunlight percolating through the leafage. The sinewy figure of a satyr is back to the spectator, as, standing astride a root of the big tree, he seeks to divine which side to go to get the golden-haired nymph whose provocatively smiling face peeks out from the opposite side. Signed at the lower right, Franz Stuck, MUNcHEN. Reproduced in the volume on Stuck by Otto Julius Bierbaum, in the “Kiinstlers Monographien.” Purchased from D. Heinemann, Munich, 1909. Arthur Kampf a GERMAN: 1864— | eo fe: 127—SPANISH DANCER JO 7 Height, 1714 inches; width, 131% inches Gz ber, FULL-LENGTH figure of a young woman of one of the Spanish types, engaged in a characteristic dance. She has emerged into view from the right, with a swinging step, and at the moment is balanced on her left foot, the other being raised lightly before her, while with left hand on her hip and the right hand raised gaily to her light, broad-brimmed hat, she flings a glance back over her shoulder. She is dressed in flame-color and white, and has a red bow in her dark hair. Signed at the lower right, A. Kamer. Purchased from the artist, Berlin, 1906. Felix Prosper Eugen Bracht GERMAN: 1842— 128—LANDSCAPE 137 Be Height, 18 inches; length, 2014 inches TOG 4 | Woops yellow and brown in autumn coloring, before their leaves have begun to drop, fill the greater part of the picture, extending back from the left foreground | / toward the right. until only a glimpse of sunset sky is tA visible. At their base a river reflects their shadow, and | r~ two people in a boat are fishing. 3 “ee Signed at the lower right, Eucen Bracur. From the International Art Exhibition, Berlin, 1900. — Prof. Max Klinger German: 1857— 129—LANDSCAPE SA SO 4 Height, 19%; inches; width, 19 inches Yu dh ~ BeweatuH a sloping, irregular bank are white-capped /\ \ © blue waves, and rolling waters reflecting many colors. : The bank, which rises out of the picture, is pale sand- color and rich, fresh green, and at its foot are russet boulders. Signed at the upper left, M. K. Purchased from Fritz Gurlitt, Berlin, 1908. Gustav Schonleber , ; German: 1851— v, fe | $ 130—COLMAR LANDSCAPE 3 iy, 00 4 Height, 18 inches; length, 21 inches Julie y,' :, a ‘ ANcIENT houses line the bank of a stream, their mass Ov i entering the picture at the left and receding until in the distance the last building is overtopped by two green poplar trees. Gray and yellow walls and high- ~ a gabled brown roofs, mellowed by time and weather, | give the note of charm to the prospect, and mottle the oe water with their shadows. Ducks swim in the stream, ig and an old woman stoops to dip into it some cloths. Signed at the lower left, G. ScHoOntEBER, 1881. Purchased at the Grosse Berliner Kunstausstellung, Berlin, 1906. Prof. Max Klinger GERMAN: 1857— 1381—_LANDSCAPE TiS Height, 201, inches; width, 181, inches ie - Trees on the farther slope of a hilly field project their . tops above the crest, and one tree rises out of the pic- ie Ce NX ture. Below the field is a broad blue stream, with white-capped waves; iron-red and spotted rocks, ris- ing out of it in huge ledges, fill the foreground. Signed at the lower right, M. K. Purchased from Fritz Gurlitt, Berlin, 1908. Prof. Rudolf Schramm-Zittau | GERMAN: 1874— 132—DUCKS J (Panel) ff 5604 Height, 13%, inches; length, 231 inches ee Lisette Ducks are having a fine time hunting their food on l&nd and in water, and their spots of color add engaging notes to a homely, sunshiny country landscape. Or- chard trees beyond a rickety picket fence project their branches to the right across the fence and over a nar- row stream that runs along at its foot. Here the ducks are just waddling in or swimming, and golden sunshine and cool shadows make the landscape live. Signed at the upper left, Ruvotry ScHRAMM-ZITTAv. Purchased at the German Art Exhibition, New York, 1907. . Ernst Oppler 2 |e ae: German: 1867— 7B 1383—TENNIS TOURNEY AT OSTEND W/O ‘4 Height, 18 inches; length, 21% mene W Ly ; J, ke Deep, broad sand dunes form a slightly rolling sky | line high across the background, beyond which the ob- server feels the presence of the ocean beneath a soft ¥ ; gray sky traced with white clouds. In front of the dunes tennis courts are laid out, and fenced in with high protective nettings, and a gaily dressed company of summer sojourners at the famous resort are gathered on all sides watching the contestants in a game. Signed at the lower right, E. Oppter, ’09. Purchased from the artist, 1913. Wilhelm Leibl GERMAN: 1844— 134—THE ACTOR XN/0O 4 Height, 28 inches; width, 17 inches : A TALL young man of serious face, clean-shaven and with strongly marked features, is portrayed at full length, engaged in a lone rehearsal. He is seated in a high and heavy, leather-covered, winged armchair, fac- ing toward the left and seen two-thirds front. With left hand on the arm of the chair, and seated well back in it, he extends his right hand at arm’s length, the fingers spread and inclined downward, whither his steady gaze is directed, as though he were addressing a company below him in declaratory speech. A strong hight falls upon him. He wears red tights and a sleeve- less gray jacket, revealing the shoulder-sleeves of his white shirt, his sinewy arms being bare, and he is seen against a background of neutral tones, running from a warm mahogany-brown to deep green. Signed at the lower right, W. Lets, 1867. \ — Reproduced in “Wilhelm Leibl; eine Darstellung seiner Kunst Gesamptverzeichnis seiner Gemdlde,’ von Emil Waldmann. Purchased from Fritz Gurlitt, Berlin, 1906. The canvas was a study for a composition, “Don Quixote, den Balsam des Fierabras brauend.” LZ hye ~ 3 tre re one Pa NARS EE EGE SOIREE BY ~ . — * . ‘FRITZ K. H. VON UHDE A) . a high- -back chair reading 1 in a ae bogies a Genay: : 1848—1911 1385—GIRL READI N G ) 50) Height, 233), sahee: width, 19 14 3 “inches / ‘te 750 4 Se A pLump and fair little German maiden, . Cola ained yellowish-blond hair falling over her fo 1 and stopping short at the back of her neck is sea blue wall and soft red portiere and a olen = yond the sun-bright window. | Signed at the lower pha Purchased from the late Herman Schaus, New 4 aa 1905. a TS AT ee a > ee ee oe ee ee ee le Ludwig von Hofmann GERMAN: 1861— 1386—DANCING GIRL eS Ys, KOO 4 Height, 25 inches; width, 19 inches A TALL young woman of free and strong build is pic- tured going through dancing steps on the green turf of a wooded point beside a body of blue water. She is partly nude, screened only by filmy green draperies which swirl with the motions of her arms and body, and her head is crowned with abundant reddish-brown hair. In the sunshine beyond some bathers are seen. Signed at the lower right, L. v. Hormann. Purchased from Messrs. Hermes & Co., Frankfort, 1908. + 4 ‘be & “ 4 Tm, Max Liebermann GERMAN: 1849— 187—BOYS IN BATHING (Water Color) F OO yf Height, 191% inches; length, 251, inches 0d ucts) Eicut young boys have gone down to a river for a swim. Three of them are nude in the water, which is dark blue on the right, and the others are on a low green bank on the left, partly or wholly unclad, near a line of bushy willows. Signed at the lower left, M. LieperMaNnn. Purchased from Fritz Gurlitt, Munich, 1906. 4507 Height, 131%, inches; length, 234, inch Constantine Feudel GERMAN: CONTEMPORARY 188—MADONNA, CHILD AND ST. JOHN: THE MADONNA OF THE CHAIR Height, 281, inches; width, 281, inches et A copy of the Madonna de la Sedia in the Pitti Pal- ace, Florence. The Madonna, of beautiful young—face and warm complexion, is seated in a chair upholstered™ ) in red, facing the right and with head turned to the eee front and bent over the head of the Child, whom she % holds on her knee. She appears at three-quarter length and is robed in green and rose; the Child has a single garment of soft yellow. The infant St. John, with hands clasped on the Mother’s knee, looks up at the Child in adoration. Signed by the artist on the back, with a statement of the subject, and dated at Fuiorence, 1897. Purchased from the artist, 1897. Prof. Rudolf Schramm-Zittau GERMAN: 1874— 189—DUCKS : ( Panel) Yo : rE Ducks and ducklings, black, brown and yellow, are ae sporting in a shallow stream or pond that is brilliant / with color in myriad reflections. They themselves add color and light as the bright sunshine flashes upon them. In the background are green bushes and a sandy bank. Signed at the lower left, Rupotr ScurammM-Zitrav. Purchased at the German Art Exhibition, New York, 1909. Leo Putz GERMAN: 1869— 140—MARA Wawa. Height, 22 inches; width, 18 inches . 1420 4 Mk fullinch Heap and shoulders portrait of a young womafi of un- usual type, bust turned toward the right and face al- most full to the front, with eyes directed over her right shoulder. She has black and peculiar eyebrows, and a — | 10 strong light from overhead throws shadows below the E ign el as ena eyes. She wears a broad white collar, and a loose waist with wide blue and white stripes. Tapestry background of blue, brown and yellow. Signed at the upper right, Leo Purz, 12. Purchased from Joseph Franz Brakl, Munich, 1912. Max Slevogt GerMAN: 1868— _ 141—LANDSCAPE G () ISO 4 Height, 25 inches; length, 30 inches y,) bfurleo 4 A mass of greenery in a luxuriant garden fills the pic- ture, the foliage of trees and shrubbery in varying shades crossing the view as a screen and permitting glimpses of sunlight and of more verdure beyond. In front of the screen, in the foregrourd, a garden path winds about a serpentine pond in which a single jet of water plays. Signed at the lower right, Stevoer, ’09. Purchased at the Caspari Galleries, Munich, 1913. THE YELLOW BODICE BY a > . ___- HANS VON BARTELS Hans von Bartels GERMAN: 1856— }} l) 0 142—THE YELLOW BODICE (Water Sine NOO 7 Paghin 30 inches; width, 24 me gy Hh, ee y THREE-QUARTER length figure of a buxom, heavy-hipped young peasant woman, standing, in a field covered with | : light verdure. She wears a waist of marvellously bril- \ liant yellow, with white dots centered with bright red, and a bright blue checked skirt. She stands facing the spectator, with figure turned slightly to the right and head a little to the left, her blue eyes directed over her right shoulder. Her bright, florid face is framed in an elaborate white headdress, trimmed with blue and set off by brilliant yellow metal ornaments. Beyond her a stolid peasant is ambling away, smoking. © Signed at the lower left, Hans Barrets, 08. Purchased from Fritz Gurlitt, Berlin, 1910. 2% ’ ie ahs Dek Prof. Rudolf Schramm-Zittau GERMAN: 1874— 143—PARROTS A B 0 KLO-y Height, 2134 inches; length, 3114 inches Lo hw hw Har a dozen parrots, apparently part of the popula- tion of a large open-air cage at a zoological garden, are depicted in a bright light in various attitudes. A pink one and a white one with pink head are seated side by side at the end of a perch, looking down with the unblinking dignity of owls, and below them is seen the red head of a “Punch and Judy” sort of a parrot, looking scornfully wicked. On neighboring perches three white birds with yellow crests appear, alert while at rest, and all are seen against a background of pale green of neutral quality. Signed at the upper right, RuvotF ScHramM-ZirTav. Purchased at the Verein Bildender Kiinstler, Munich, 1907. ———e——e—e—ee—eee——eEeEeE—EEEe—EaeEe id _ ARNOLD BOCKLIN 6) aed a =a Arnold Boecklin Swiss: 1827—1901 144—AT THE SPRING 0 bi004 Height, 21 inches; length, 3034 inche 40 A GOLDEN-HAIRED young woman is cooling herself in a stream that is fed by a trickling rill, which comes down a steep wall of gray rock to join it. She stands r ankle-deep in the water, nude, with figure turned slightly toward the right and face seen in profile. Her golden hair is done high on her head, and she leans e with one hand against the rocky wall and extends the ‘ other to catch the falling water of the rill. At the water’s edge are lying a white drapery, a red cloak, a sword, breastplate and shield, and a helmet with red, ‘ blue and white plumes. A tree in blossom rises behind her against the dark rock wall, both tree and wall mounting out of the picture, while at the left in the background are pale blue-green willows and other trees, blue water of the stream, and white wild flowers grow- ing in deep green grass. Signed at the lower left, A. B. Painted in 1879. } Shown at the Exhibition of Modern German Art, Metropolitan Museum of Art, New York, 1909. Reproduced in the volume on Boecklin, by Fritz von Ostini, in the “Kiinstlers Monographien.” Purchased from Messrs. Hermes & Co., Frankfort, 1907. emi US Se ee ee Wilhelm Trubner GERMAN: 1851— J }d O 145—LANDSCAPE 7 7, ‘0 ¥9) A Height, 30 inches; width, 25 inches LA Masses of foliage thick on the left and oC out 3 toward the right form the background, partly screen- ing the corner of a garden from the brilliant sunshine, which paints the shadow of a green fence on a broad sandy path. Climbing over and through the fence are brilliant red flowers massed on its farther side. Signed at the lower right, W. 'Trusner, 1910. Purchased from the Oscar Hermes Gallerie, Munich, 1918. Charles Schuch GERMAN: CONTEMPORARY 146—STILL LIFE: FRUIT bya dee Jd 40 100 oe, SOO 4 Height, 291, inches; width, 22Yy inches OssERVED against a dark background, half a dozen ripe, mellow apples are pictured as they lie appetizingly in ~the sunlight on the loose folds of a grayish-white table covering. They are red and yellow and luscious look- ing, and one is freshly peeled, the curling skin and an ivory handled knife lying beside it on the table. Be- yond the apples is a covered metal pot. Signed at the lower left, C. Scnucn. Purchased from Edward Schulte, Berlin, 1907. Leo Putz | b GERMAN: 1869— 147—JAPANESE STILL LIFE 00 4 Height, 25 inches; length, 30 inches I. 6 An interior, vaguely lighted, with more or les%a sense of Oriental mystery, in which are pictured some Jap- anese ornaments on a partly covered onyx table stand- ing before a mirror. One of the ornaments, a figure q in green and black robes, riding on a gray toad, stands ee just beyond a mildly opalescent conch shell, while to SS the left is a statuette of a man, reflected in the mirror. Signed. at the lower right, Lxo Putz. Purchased from Messrs. Brakl & Thannhauser, Munich, 1908. Fritz Osswald / GERMAN: CONTEMPORARY . 5 9 148—STILL LIFE: PINKS ; S/O Height, 30 inches; width, 25 inches Wipe Leutith In a room bright with sunshine a white-covered table stands against a light wall just tinted with neutral stripes. On the table a tall, tapering, glass vase holds a large bouquet of pink and white carnations. The vase stands beside a brilliant brass tea-set, which is on a brass salver, and the play of golden lights contrasts with and emphasizes the hues of the flowers. Signed at the upper right, Frirrz Osswatp, 708. Purchased from Messrs. Brakl & Thannhauser, Munich, 1908. ks Kopp 30 GERMAN: CONTEMPORARY Ws 149—BATHING SCENE ’ ZOO Height, 22 inches; length, 32 inches ree A DOZEN or more women and girls have come down to the seashore for an informal bath, and are observed on a green and sandy foreground, the majority of them nude and some in a state of partial dress. Beyond them a placid bay shines white, and the sun is “draw- ing water” through murky masses of rolling gray vapor. Signed at the lower right, Orro Kopp, ’11. Verein Bildender Kiinstler, Munich, 1913. Max Fleischer /0 0 German: 1841— 150—NUDE: STUDY OF A BOY JOO A Height, 341, inches; width, 214% inches Ef: J FuLuL-LeneTtH figure of a boy with his back to the ob- server, turned somewhat toward the right and his face _turned three-quarters away. He is standing, nude, with arms folded and left hand clasped about his right shoul- der. He faces the sunshine, his eyes protected by a blue cap, and his back is seen in luminous shadow against a background of green woods, the sunlight flashing from his shoulder tips and the edge of arm and _leg. Signed at the lower right, Max FLetscuer. Purchased of A. Preyer, The Hague. 7 Geng ” sd og : +4) z F. Arntzenius DutcH: CONTEMPORARY 151—_OLD HOUSES AT HOOVEN (Water Color) : a / J O at | Height, 1714 inches; length, 25 inches D2 VA ify nif, Art the left in the middle distance an old gray windwi stands at the head of a line of houses which extends forward toward the right foreground, along the bor- der of some shallow water. The houses are low and ancient, but not ramshackle, and in their varied notes of brown and gray and the picturesque jumble of their gables form an attractive picture, their low colors be- ing reflected in the water. Signed at the lower right, F. Arnrzentvs. Purchased at the Holland Fine Art Department, World’s Fair, St. Louis, 1904. Se ad at THE POOL i ; : I JOHANN ZiUGEL Heinrich Johann Zugel F504 Height, 22 inches; length, 34 inches Two of the familiar brand of black and white cattle, , small but chunky beasts with small heads, and. horn- | less, are brought down close to the spectator and are seen knee-deep in a pool or eddy of a stream whose waters their clumsy progress has churned up. ‘They face to the right, three-quarters front, the nearer one partly obscuring its companion’s body. The disturbed water is gray, black and brown with their reflections, and behind them is observed the figure of an attendant, while the background is formed of the bed of the stream, which winds in irregular blue-gray streaks among brown rocks that here and there have a covering of green. Signed at the lower right, H. Ztcrr, 1903. Purchased at the Verein Bildender Kiinstler, Munich, 1906. Baur. | GERMAN: 1850— 152—CATTLE AT THE POOL y ol : bt FE Fie oe ‘HANS THOMA 0 6) Hans Thoma [ () GERMAN: 1839— 153—NOON HOUR | a /OOO 1 Height, 26%, inches; length, 3234 inches T. Dusan : Unver a sky of deep, intense blue in which a single patch of light gray cloud floats, in the upper right hand corner, a bold landscape stands out in the bril- A liant light of the noonday sun. The shadows of some chickens pecking in a roadway in the foreground are almost directly beneath the birds. The road leads to a long, low, brown farmhouse, and winds about trees of dense foliage and hillocks of green grass; at a bend, in the middle distance, is the figure of a woman in blue, with a red cap. Mounting high above the treetops is a broad, round-topped hill, whose fields have been reaped, and show a warm sunny yellow beneath the sky’s strong blue. : Signed at the lower right, HT (in monogram), 1907. Purchased from E. P. Schneider, Frankfort, 1907. oir Aree ll t $ } és “% ] ai y A + Heinrich Johann Zugel German: 1850— 154—-OX EN SOOO 4 Height, 21 inches; length, 31%, inches SVjb- ptocttliy » In the cool shadows of an open forest a boy is leading forward a pair of black and white oxen, the group ap- pearing in the near foreground at a bend in a brown and winding road. Bright sunlight of a summer day percolates amid the leafage, mottling the broad backs of the animals, dappling the roadway, and touching “bits of the roadside growths to a fair, light green, in sharp contrast to the dense green of the shadows. Signed at the lower right, H. Ztcerr, 1903. Purchased from D. Heinemann, Munich, 1905. oo Craw Amd nm - Max Liebermann GERMAN: 1849— 155—AT THE SEASHORE: TERRACE ON THE ELBE, NEAR HAMBURG /, 4 00 af. Height, 27 inches; length, 321, inches 8S On the right a high green hill enters the picture, slop- ing to a broad expanse of grayish water which from the left foreground extends to the horizon where it meets a grayish-white sky. Part way down the hill, on the right, a terrace is arranged for visitors, and a woman seated at a table decorated with flowers has turned toward the protecting balustrade and looks seaward. Signed at the lower right, M. Lirsermann. Purchased from Hugo Helbing, Munich, 1912. UATE PGR DE ea hae j ee i ihe ES in M0041 Heinrich Johann Zugel 5 5a German: 1850— A call y a 156—COUNTRY FOLK COMING FROM MARKET THE scene is a broad dusty road along rough open fields. On the right a boy in a market cart is com- ing forward, driving a white horse at a heavy trot and passing a boy on foot who is attending a couple of the artist’s favorite black and white cattle. Bright sunshine glistens on the backs of the beasts and throws their shadows ahead of them. Behind the cart comes a heavy wagon drawn by an ox team and holding a man and two women, and back of that is another wagon with a single figure. Signed at bottom to left of center, H. Zicer, 1907. Purchased from the artist, Munich, 1907. Cre ct ee 10° Height, 22 inches; asthe 34 inches Db. 4 Zt A é Arthur Kampf German: 1864— rh 157—MAN AT WORK 2 Lan sible 4 Height, 35 inches; width, 25 inches 4 THREE-QUARTER length figure of a laborer, walking, ~— with a load on his shoulder. He is within a partly com- pleted building and seems to be carrying mortar; a tub in which something has been mixed stands in front of him and some brick are seen near a ladder beyond a doorway. He is in blue overalls and nude above the waist, and with his face in shadow the hard muscles of arm and back are studied in a light from above. — Signed at the lower right, A. Kampr. Purchased from the artist, Berlin, 1906. - Max Liebermann GERMAN: 1849— a ‘a 158—NORDWIJK S F f 1000 7 Height, 28 inches; length, 351/, inches : thule 4 A BROAD sweep of sandy shore leads to a wide stretch of placid blue water, under a light gray sky. The day is warm and sunny, and women and children amuse 4 themselves or rest among the mellow-toned sands of the dunes, which are dotted with covered beach chairs and bright-colored banners. Signed at the lower left, M. LirpermMann. Purchased from H. Thannhauser, Munich, 1912. jo S00, ‘oc | Ludwig Dill GERMAN: 1848— 159—LANDSCAPE: ABEND IM MOOR — Height, 28°, inches; length, 3614, inches Lorry trees growing alone or in groups of two and more are viewed near at hand at the close of a sunny day. Their trunks, more or less bunched, form some- thing of an open-work screen across the picture, their commingled foliage aloft shutting out the sky, which below is filled with light cloud billows, the sun having but just gone. A stream wanders and winds through flat, brownish-green meadows plenteously dotted with yellow wild flowers. Purchased at the Deutsche Kunst Verband, 1905. Signed at the lower right, W. Dru. ie ha Franz Skarbina GERMAN: 1849—1910 160—DAS ROTE SERVICE WO Height, 38°34 inches; width, om inches ne Db. Basile A RED china set, of tray, teapot, cup and other pieces, P which gives its title to the picture, is being carried or ¢ my,” () held by a tall young woman who stands very straight b before a carved mantel. She faces the left and is seen in profile, and wears a short-sleeved gown whose sur- faces reflect mauve, and pale grayish-blue and pinkish- brown hues. Chinese and Buddhistic ornaments and statuettes adorn the mantel. The service is a deep vermilion red. Signed at the lower right, F. Skarpina. Purchased at the Grosse Berliner Kunstausstellung, Berlin, 1907. ¥ ANISH LANDSCAPE 7 ; z f Ly a aa rege Ly eS ps7 OZSG ge hee 29% inches; sa a0, 4 ‘nel oe 7 of trees. They nearly fl the pick <7 Walther Leist iko Grams 1865— 161—DANI SH LAN DSCAPE an extensive landscape. Rigid and Ree leaves. om : Purchased from the artist, 1906. Charles Schuch GERMAN: CONTEMPORARY 162—LANDSCAPE yor Sto J00 % Height, 83 inches; width, 21 inches Au in shadow, a section of a rocky land is pictured for the pleasure of studying the subtle variations of light and color to be noted under this restricted lumi- -nosity. [s _167—NUDE | behind her a white coverlet falls over the eee foot tee or ey ia Alfeed. Mohrbutter German: ConTeMrorary — : (Pastel) ee has taken up a cup or other similar sbiee ae she is examining intently. She faces the Sperta es Her discarded white drapery cushions her chines ae yield a dark background with colorful suggestions in low, rich tones. - rs ss : T fA. ‘su Al - 5 Wieck 7 HUGO VON HABERMANN. P Hugo ‘168—IN THE STUDIO - “\] ae e TEO q Height, 393, inches; width, 37 4 i inches THE spectator looks into a roomy tadion artist is at work from a young woman mod seated high in a large armchair, on crumple his head being concealed by the canvas on 1 at work. The model, in green-blue skirt and gée waist, stands in careless pose, leaning ag shelf, with hands on hips. She faces the sp with her head turned toward the pees at the high window, screened below with a green, cu one looks at a gray-white sky. Rea Signed at the lower right, HABERMANN, Purchased from D. Heinemann, Munich, 1907. oe A hs a Signed at the lower right, Arpert STERNER. Purchased from the Berlin Photographic Company, New York, 1911. ie. « “ } ee = ~ — = si - : ‘ . = , ~ al — _ =. 2 ih =i a haha ee a ee “2 ia a % Paul René Reinicke FE German: 1860— 3 ze 1883—THE ARTISTIC TEMPERAMENT | B (Gouache) Z OA Height, 16%/, inches; width, 181% inches WUaMCCI eH In a studio bedecked with sketches and infantile lingerie, ge an artist mother with disheveled hair and racked fi countenance is trying to fix upon canvas the fea- | tures of a youngster unwillingly posed and bawling. Father, a violinist with rare raven locks, instrument and portfolio in hand, is about to leave sweet home in spiritual distraction. “Can one play... ?” “Sha’n’t one paint . . . ?” And the child of united genius goes on bawling. Signed at the lower right, René Reinicke. From the Exhibition of Modern German Art, New York, 1909. Gotthard Kuehl German: 1851—1914 184-—AUGUSTUS BRIDGE IN DRESDEN (Gouache) et J40 cat f Height, 131 inches; length, 181, inches Usine various media with mingled water color and pas- tel effect, the artist has produced a pleasing ensemble of color in presenting a many-arched stone bridge across a broad river, in winter time when street and house roofs are lightly covered with snow. Sunlight reflected from a yellow building spots the water amid the shadows of the arches, and there is color in the stream of traffic crossing the bridge. Signed at the lower left, GorrHarp KueEunt, 2/1, ’06. From the Modern Kunsthandlung, Munich, 1907. Paul René Reinicke GERMAN: 1860-— 185—A CALLER (Water Color) 2 AS] Height, 1614 inches; length, 1114, inches Uf. Wy In a studio ante-room a smiling lady in a house gown, seated beside a refreshment table, looks gleefully in the direction of the spectator, doubtless at the painter. In an armchair, looking across the table most seri- ously at the hostess, a large woman in black street attire seems weighted with something solemn to say. Signed at the lower left, René Retnicxe, 93. , Exhibited at the German Art Exhibition, New York, 1909. H. Paul Arntzenius GERMAN: CONTEMPORARY 186—STREET SCENE {On Height, 1914 inches; width, 15 inches D. D : Narrow streets are filled with foot passengers, their numbers including Parisians of various sort, from a baker’s boy with a large basket to a silk-hatted man accompanied by a young woman; the motive was found probably in the Latin Quarter or Montmartre. Signed at the lower right, HP (in monogram) ArNTZENIUS. _ From the Alexander Blumenstiel Collection, New York, 1906. -#/6 +£/504 S. Simoni Iranian: ConTEMPORARY 187—_CAVALIER AND JESTER (Water Color) wy 4 LB /3 O- Height, 141%, inches; length, 201, inches 7 y, SEATED on a heavily carved cassone, in a great hall flooded with sunlight, a lithe jester all in red is sing- ing for the benefit of a gaily clad cavalier, and strum- - ming his own accompaniment. He is leaning back against a delicately colored grand tapestry which pic- tures a combat of horsemen. Signed at the lower right, S. Stmon1, Roma, 1879. From the D. W. Powers Collection, New York, 1899. PEMD. f/O5. Paul René Reinicke German: 1860— 188—IN THE STUDIO (Water Color) — 4. en Height, 2114 inches; width, 15%, inches ; A woman artist, independent in dressing her person and her hair, in green striped and checked gown and black painter’s apron, has turned from her easel to- ward the spectator. She looks over her left shoulder, with an equivocal smile, in greeting to a young man, who has just entered. Signed at the lower right, René Rernicxe, ’06. Evhibited at the German Art Exhibition, New York, 1909. C. Van der Windt Dutcu: ConTEMPORARY 189—FARM HOUSE aire - (Water Color) /104 0b. Height, 161, inches; length, 2614, inches Back in a yard where grass and weeds grow wild and green, and chickens hunt their food, and linen lies bleaching, stands a rambling gray farmhouse with steeply sloping roof and ragged lean-tos. A bent old woman in a white cap is entering its door, and to left of it the corner of a wood comes into view. Signed at the lower left, C. v. d. Wrnopt. Purchased from Boussod, Valadon & Co., The Hague, 1905. Arnold Mare Gorter DutcH: CoNnTEMPORARY 190—NOVEMBER (Water Color) _— FO Height, 181% inches; length, 25 inches ° ie _ A narrow river comes straight forward through a flat country, between two lines of bare trees—only here and there a yellow leaf clinging to a branch. In the distance are more trees, denuded of their foliage, and on the left is a lone house. Signed at the lower right, A. M. Gorter. From the Holland Fine Arts Department, World’s Fair, St. Louis, F 1904. | Arthur Feudel GERMAN: 1857— 1 _ 191—MOONLIGHT IN KATWIJK, HOLLAND (Water Color) lb uck GO rf 251/, inches Height, 181/, inches; length, In the depths of a dark blue sky are brilliant stars, seen _ over the red-tile roofs of a group of ancient Dutch dwellings. The buildings are low and of numerous gables, and their walls are a soft gray white in the di- rect light of a bright moon. A light burns in the nearer cottage, and a man and woman are talking at a doorway. Signed at the lower left, ArTHUR FrevupeL, Katwisk. Paul Rene Reinicke GERMAN: 1860-— 192—THE DISAGREEMENT (Water Color) Ki $0 Height, 2314 inches; width, 19%, inches GA Sodan b A mAN and woman in evening dress, she prepared to go out, with a black boa drooping from her shoul- ders, are at odds in their purposes. Seated at the left, her fan in his hand and an elbow on her fauteuil, he glares in displeasure and she gazes ponderingly at the floor. Signed at the lower right, René Reinicke, 1904. Exhibited at the German Art Exhibition, New York, 1909. a H. Paul Arntzenius Dutrcu: CoNTEMPORARY 193—CART AND HORSE (Water Color) _f-: Height, 21 inches; length, 251% inches Tue trunks and all-but-barren branches of a group of trees at the end of a wood form the background; a cool, sunless gray sky, as of a “raw” day, is visible between them. In a road in front of them a dark horse drawing a load of sand is halted, the breath coming gray from his nostrils in the crisp air, and his blue-bloused driver is busy at the back of the wagon. Signed at the lower right, P. ARNTzENTIUs. Purchased from Boussod, Valadon & Co., The Hague, 1905. James G. Laing, R.S.W. | ScorrisH: CoNTEMPORARY (1944-THE STORM AT SEA | 4 Sneha S50 4 Height, 24 inches; width, 20 inches Sea UWzee fp Jf Tue day is gray and somewhat misty, but with strong light pervading the haze, and grayish vaporous clouds eve driven across the sky. In the foreground on the left, in the lee of an old hulk lying on the sands, a group of Dutch peasants and fisherfolk are gazing out over a tossing gray-white sea at two sailing boats under way, and beyond the dark hulk which is their shelter may be seen a smother of spray. ~ —™ Signed at the lower right, James G. Laine. From the International Art Exhibition, Munich, 1902. ETCHINGS AND COLOR PRINTS eo. , Auelilile BRANGWYN, FRANK (Enexisu ) 196—A Gate or Naples Original etching. Fine Arts Catalogue No. 170. Signed proof in slightly varied tints on Whatman paper. Extremely fine. Framed in 1-inch bronzed composition. BRANGWYN, FRANK (Encus) By 197—Tue Inn oF THE Parrot, DixmupENn — Original etching. Fine Arts Catalogue No. 65% 131. Signed proof on Whatman paper. : The plate has been destroyed. Large Folio. Framed in l-inch bronzed composition. BRANGWYN, FRANK ME uk 198—Tue Riarto, VENICE Original etching. Fine a No. 7. a /. vA shit proof on Whatman paper, limited to 150 im- 7 pressions and the plate destroyed. Folio. Framed in %-inch gilt composition. Lek halla HADEN, SIR FRANCIS SEYMOUR (EneutsH) 199—SunseEt 1n IrEtanp. 18638. Original Drypoint. H. N. Harrington No. XN, GE So 51. Second state. Signed proof on Japa-_ nese Paper. Framed in 34-inch gilt chest-_ nut. : ie eal HOKKEI, UWOYA. 1780—1859 ( JAPANESE) Hokusai’s best pupil. —~ 200—Fatcon on a PERCH Color print. Framed in 1l-inch bronzed Ahr composition. HOKUSAI, KATSUSHIKA. 1760—1849 0 fe ity APANESE) 201—Trers, Rocks anp a Heap y at Color print. Framed in 1-inch bronzed — 4 . composition. btn.b K, leildeene ISRAELS, JOZEF | (Durcn) 202—Tue Cuitp or THE Sra (Dutch girl with 3 basket, seated on the beach) J On Original etching. Signed proof on Japa- nese paper. Framed in %-inch bronzed chestnut. ISRAELS, JOZEF (DutcH) 203—Saitine THE Boat (Dutch children on the beach) /10 4 Original etching. Signed proof on Dutch paper. Framed in %@-inch bronzed chest- nut. LIEBERMANN, MAX y ( Grmaas ) 204—A BrEERGARDEN Original etching. Signed proof on Dutch 70 1 paper. Framed in 8¢-inch gilt composition. LIEBERMANN, MAX ; es 205—Boys Batutne a Original etching. Proof on Dutch paper. J5% Framed in %-inch og es LIEBERMANN, MAX beitiy stohatl thee (GERMAN) 206—Mennpine THE NETs a Original etching. Proof on Dutch paper. df. O-7 Framed in 5g-inch bronzed chestnut. TMsllnitiinr. LIEBERMANN, MAX (GERMAN) 207—Potato Harvest Original etching. Signed proof on Dutch AhO-t paper. Framed in %¢-inch gilt chestnut. LUND, HENRICK (NorWeEcian) © 208—Portrair or THomas A. Enpison JO Original lithograph. Signed proof No. — © 12. Framed in 3/,-inch ebony. LUND, HENRICK ‘(Norwectan) 209—Porrrairt oF THEODORE RoosEVELT Original lithograph. Signed proof No. 12. Kee 4 Dedicated to Mr. Hugo Reisinger. Framed in 34-inch ebony. Janes 3 MENZEL, ADOLF VON CE, | 210—‘Das Letzte” (Taking the last piece to the pawnbroker) /NSG Proof on India paper. Framed in 34-inch bronzed chestnut. MEID, HANS $itte e rERMAN 211—Unrer pen Linpen, BEruw SO Original etching. Signed proof No. 10. On fe I Je Dutch paper. Framed in %-inch bronzed “ chestnut. F } MILLET, JEAN FRANCOIS (Frencn) a 212—A Woman CuvuRNING . Original etching. Lebrun No. 11. Second Es state, with Delatre’s address. Proof on | 4 Dutch paper. A tear in the right margin, starting from the platemark. Framed in 34-inch gilt chestnut. MILLET, JEAN FRANCOIS (Frencnw) ( 213—PerasanT WITH A WHEELBARROW Original etching. Lebrun No. 12. Second . /00 + state, with Delatre’s address. Proof on Dutch paper. Framed in 84-inch gilt chest- nut. MUNCH, EDWARD (NorweEcian) 214—Heap or a Giri Lb ft Original lithograph printed in colors. Signed 4 proof. Framed in 184-inches bronzed wood. PENNELL, JOSEPH Z Le bene: dig -215—Lonpon From My Winpow Original mezzotint. Signed proof on old 4 104 Dutch paper. Framed in 34-inch gilt chest- oe 4.2 leek PENNELL, JOSEPH (American) 16—Tue “L” ann tHE Trinity Buritpine g Original etching. Signed proof on Dutch paper. Framed in %-inch gilt chestnut. fiw AF. PENNELL, JOSEPH (AMERICAN ) 217—Mitus, OLtp ann New Original etching. Signed proof on old Dutch MO + paper. Framed in %-inch gilt chestnut. PENNELL, JOSEPH (AmERIC 218—TuHe New RuIne RA $2 Originaletching. Signed proof on old Dutch ~~ paper. Framed in 34-inch gilt chestnut. : Yio Gf. é PENNELL, JOSEPH (AMERICAN) 219—New YorK FROM THE STANDARD Ort Co.’s Works, Bercen Pornt, N. J. 65% Original etching. Signed proof on Dutch paper. Framed in %-inch gilt chestnut. a a PENNELL, JOSEPH (AMERICAN) 220—PatisapES AND PaLAcEs Original etching. Signed proof on old Dutch $0 ‘{ paper. Framed in 3-inch gilt chestnut. Win ACK PENNELL, JOSEPH ( AMERIC | 221. —Triniry CHURCH FROM THE RIVER O q Original etching. Signed proof on Japanese paper. Framed in %-inch gilt chestnut. PENNELL, JOSEPH 4itee foo helhiteeeo 222—Union Square gt Original etching. Signed proof on old Dutch Z q paper. Framed in %-inch gilt chestnut, REMBRANDT VAN RIJN 1 Lb. OICH 223—Nercress Lyrine Down 1658. Original etching. Bartsch No. 205. Second state, showing the white spaces along AO the upper edge, where the acid failed to t bite. Fine. A small piece of paper has been replaced in the |. lower corner. Framed in 14-inch gilt composition. | SCHINNERER, ADOLF Keer, 224—Der Trico Betuespa (The Pool of Beth- _esda ) A set of ten original etchings on Japanese oh O- paper signed by the artist, in original cloth- covered portfolio with a design by the etcher. This set is No.. 112. ‘SLEVOGT, MAX Yo . Sing reseeepe 225—GrorcirITTER ATTENDING Mass Original etching. Signed proof on What- SS man paper. Framed in %-inch bronzed chestnut. : Sua el SLEVOGT, MAX (German) 226—L’AnprapE as Don Juan Original etching. Signed proof on Dutch S Gee paper. Framed in %-inch bronzed chest- nut. STRUCK, HERMANN (GERMAN) , 227—A JewisH Rass (Bust) : y 4 Original etching. Signed proof on Dutch t paper. Framed in %-inch gilt chestnut. STRUCK, HERMANN 4. ERMAN 228—New York From THE East River Original etching. Signed proof on Japanese KO am Dare Dedicated to Mr. Hugo Reisinger, 2 April 8, 1918. Framed in 54-inch gilt chest- nut. STRUCK, HERMANN (Gyuwan) _ 229—ScurerKxe 1n WINTER ZZ) Luda Lo. 1912. Original etching. Signed proof on Z Dutch paper. Framed in 34-inch bronzed O-4 ! chestnut. WHISTLER, JAMES ABBOTT McNEILL ae: nN) : 230—Tuer Scurtpror Drovet 3 Wield Soe 1859. Original etching. Kennedy No. 55. | [s- Third state. Fine proof on Dutch paper. Framed in 14-inch gilt composition. WHISTLER, JAMES ABBOTT McNEILL (AMERICAN ) 231—Tue Force @ « * 1861. Original drypoint. Kennedy No. 68. Third state, before the small white spot be- hind the smith’s head was darkened. Ex- : tremely rare; probably not more than a 3 KOO -dozen printed in this state. One of the _ “Sixteen Etchings.” Superb early impres- sion on thin Japanese paper. Framed in 84-inch gilt chestnut. ZORN, ANDERS LEONHARD (SwepisH) 232—Inrerior oF A Paristan Omnizsus 1891. L. Delteil No. 71. Third state; with © horizontal lines crossing the verticals on the SG OO-., face of the woman in the background to the a. left. Signed proof in a brownish black ink on light creamish Whatman paper. Very rare. Framed in ®4-inch bronzed chestnut, ZORN, ANDERS LEONHARD y, VEDISH ) a 233—TuE Toast 1898. L. Delteil No. 80. Fourth state; there Ke is additional work on the face. Signed proof q O J in black ink on light creamish Whatman paper. Very brilliant impression and rare. Framed in 1-inch bronzed chestnut. ZORN, ANDERS LEONHARD (SwepIsH ; 234—Sunpay Mornine 1n Daarne ; Se 1894. L. Delteil No. 85. Second sta bs y, AG showing delicate crosslines on the shirt of = < 7 ? the woman in the foreground. Signed proof i in a brownish ink on creamish Whatman paper. Rare; only twenty-five impressions were pulled. Framed in 3@-inch gilt chest- nut. ZORN, ANDERS LEONHARD WEDIS 2 235—Nicutr Errect, Paris c Second plate. 1897. L. Delteil No. 109. . Second state; the plate edges are beveled. J; 5, O 4 Signed proof in black ink on light creamish Whatman paper. Framed in 34-inch bronzed chestnut. ZORN, ANDERS LEONHARD (Swepisn) | | (236—Aveustus Sarnt-GAUDENS yi lopeanhe 1897. L. Delteil No. 112. Second state; /30+4 there are crosshatchings on the cloak of statue. Signed proof in brownish ink on a bluish white Dutch paper. Framed in 3e-inch gilt chestnut. ZORN, ANDERS LEONHARD UU Se 237—Hon. Grover CLEVELAND Son ae y Mire First plate. 1899. L. Delteil No. 141. Sec- ond state; the plate_is finished. Signed J, eae proof in black ink on creamish Whatman paper. Very rare; only twenty impressions having been taken. Framed in %4-inch gilt composition. ZORN, ANDERS LEONHARD (SwepisH ) 238—Zorn anv His Moper 4H. Kt, Nee natae tipo Second plate. 1899. L. Delteil No. 148. Sixth state; with the retouch on the mus- wo5 tache. Signed proof in a deep black ink on white Dutch paper. Very fine. Framed in 34-inch gilt chestnut. | ZORN, ANDERS LEONHARD (SwepisH) 239—A SwepisH Maponna Ao tb Jat l, 7 | 1900. L. Delteil No. 150. Second ee before the third line in the contour of the 490 1 left sleeve. Signed proof, in a deep black ink on white Dutch paper. Very fine. Framed in 34-inch gilt chestnut. : In-S. an ZORN, ANDERS LEONHARD (SwepisH) — - 240—Ar THE Piano (Miss Anna Burnett) 1900. L. Delteil No. 159. Second state; a y, oO the left shoulder is completely shaded. 7 ~~ Signed proof in black ink on a greenish white Dutch paper. Framed in 34-inch gilt chest- nut. ZORN, ANDERS LEONHARD (SwepisH) 241—Awnwna, a Girt or Mora 5 19038. L. Delteil No. 170. First state; YO with the three horizontal lines defining the 7 lower lip. Signed proof in black ink on creamish Whatman paper. Extremely rare. Framed in 34-inch gilt composition. 242—BetTty Nansen 1905. lL. Delteil No. 189. Fourth state; the plate is finished. Signed proof in a 704 slightly greenish ink on creamish Whatman paper. Framed in %-inch bronzed chest- ZORN, ANDERS LEONHARD ison a nut. | ; ZORN, ANDERS LEONHARD (Sweviso) - “2 243—Ipa 2, ri 1906. L. Delteil No. 195. Second state; the a J y/ 14) foreground is finished. Signed proof in a ty 7 greenish black ink on old Dutch paper. Su- - perb impression—early printing. Framed in - 3/,-inch bronzed chestnut. ZORN, ANDERS LEONHARD (SwepisH) k 24.4—MENDING 7 1906. L. Delteil No. 198. Only one state. a b. Jt Signed proof in brownish black ink on cream- 1 ish Whatman paper. A rich impression. Framed in 34-inch bronzed composition. ZORN, ANDERS LEONHARD Min 4. 245—AvucustE Ropin 1906. L. Delteil No. 2038. Mio F- ee 1004 showing the row of dots defining the right temple. Signed proof in black ink on cream- ish Whatman paper. Framed in 34-inch bronzed chestnut. ZORN, ANDERS LEONHARD (SwepisH) 246—A SanpHamMn (liith Ulla 1906. L. Delteil No. 207. Only one state. JO Signed proof in greenish black ink on cream- ish Whatman paper. Framed in 34-inch gilt chestnut. XQ * ZORN, ANDERS LEONHARD ~ Mette 247 oO Crercies D’ Kau 1907. L. Delteil No. 212. one one 7h. (4 Meu Signed proof in black ink on light creamish | Whatman paper. Framed in 34-inch bronzed chestnut. ZORN, ANDERS LEONHARD ee 248—Epo “a on 6 L/0 4 1907. L. Delteil No. 218. Only one fe Signed proof in black ink on creamish What- man paper. A small imperfection in the paper covered with chalk. Framed in %4- inch bronzed chestnut. ZORN, ANDERS LEONHARD (SwepisH) 249—TueE PrEcIPICcE Pe Mifificl 1910. Not in L. Delteil’s catalogue. Signed Ala proof in black ink on creamish Whatman paper. Very fine. Framed in 14-inch bronzed composition. ZORN, ANDERS LEONHARD (Swrftso) © 250—Two BatTuHers 1910. Not in L. Delteil’s Catalogue. Signed — J. KO proof in brownish ink on a light gray old | t Dutch paper. Framed in %-inch gilt chest- nut. ; ZORN, ANDERS LEONHARD Var EDISH ) 251—Wert Min Ch dtocony Le 1911. Not in L. Delteil’s Catalogue. /GO Signed proof in a brownish ink on cream- -~ ish Whatman paper. Framed in %-inch bronzed chestnut. ZORN, ANDERS LEONHARD (SwepisH ) 252—DacMmar a a a 1912. Notin L. Delteil’s Catalogue. Signed J OO q proof in a warm brownish ink on creamish Whatman paper. Framed in 14-inch bronzed composition. ZORN, ANDERS LEONHARD (Swepisn) i 253—FrIGHTENED : Q. 4 + 1912. Not in L. Delteil’s Catalogue. Signed ¥ 2 / O proof in a warm brownish ink on creamish | ae ( Whatman paper. Framed in 55-inch hi bronzed chestnut. ZORN, ANDERS LEONHARD (Swepisx ) 4 254—Girt with Hair Rippon z | 1912. Not in L. Delteil’s Catalogue. ned. a proof in brownish ink on creamish What- , Uf Or man paper. Framed in 3%4-inch bronzed chestnut. | } ZORN, ANDERS LEONHARD (Swepisn) 255—VALLKULLA Jittk RA 1912. Not in L. Delteil’s Catalo Signed J 4LO~ proof in a brownish ink on creamish What- man paper. Framed in 34-inch bronzed composition. ZORN, ANDERS LEONHARD (SwenpisH) 256—E in Yew A cS tigen 1913. Not in L. Delteil’s Catalogue. Signed)” V4) proof in brownish ink on creamish What- TF man paper. Very fine. Framed in 34-inch bronzed chestnut. ZORN, ANDERS LEONHARD (SwepisH) 257—SEAWARD SKERRIES 19138. Not in L. Delteil’s Catalogue.“Signed /b0 A proof in a brownish ink on creamish What- man paper. Framed in %-inch bronzed chestnut. ZORN, ANDERS LEONHARD (SwepisH ) 258—Tue Lerrer ' 1913. Not in L. Delteil’s Catalogue. Sign LS proof in a warm brown ink on creamish © Whatman paper. Framed in %&-inch bronzed composition. ZORN, ANDERS LEONHARD (SwepisH) 259—Ear Ly DB. ag, 1914. Not in L. Delteil’s Catalogue. Signed proof in brownish ink on creamish What- L104 man paper. A very fine impression. Framed in 84-inch bronzed chestnut. AMERICAN ART ASSOCIATION, MANAGERS. THOMAS E. KIRBY, AUCTIONEER. ST OF ARTISTS REPRESENTED _ _ AND THEIR WORKS 5 LIST OF ARTISTS REPRESENTED AND THEIR WORKS CATALOGUE NUMBER ALTHAUS, Frirz Scene in Devonshire by ges Market Place in Village 179 ARNTZENIUS, F. Old Houses at Hooven 151 ARNTZENIUS, H. Pavr Street Scene 186 Cart and Horse | 193 BARTELS, Hans von On the Way to Market 114 The Yellow Bodice 142 Fish Market at Concarneau 181 BELLOWS, GerorceE A Morning Snow 39 BOCK, THrornILE DE Landscape at Twilight 92 “BOCKLIN, ARNOLD At the Spring 14.4 BOUDIN, Louis Evcine Le Port de Saint Valery, Marée basse 58 Cherbourg 66 Beach at Etretat 82 BRACHT, Fe.ix Peoeer Evcen a = Landscape | BRANGWYN, Frank, 4.R.A. — Venice @ | A Gate of Naples i ig am The Inn of the Parrot, Dixmuden The Rialto, Venice BROWNE, Georce Eimer Silver Mist ' CAZIN, Jean CHARLES The Harvesters Octroi d’Issy CHASE, Wituiam Merrirt, N.A. English Cod CLAUS, Eire a A Ombre ET COROT, Jean Baptiste CAMILLE Environs de Beauvais vers Marissel; le Rui seau a l’Arbre tordu COURBET, Gustave Landscape | 69 CRODEL, Pavut : Mountain Village in Winter —-:165 -DABO, Lxox Evening on the Hudson The Palisades, Hudson River DAVIES, Arruvr B. At the Waterfall DEARTH, Henry Gorpen Flecks of Foam - DEGAS, Hizvarre Germain Enpcar Ballet Girls Dressing Danseuses: Robes jaunes DELVAILLE, H. Caro Jeune Femme a la Toilette DEWING, Tuomas W., N.A. The Musician Girl Playing the Lute Lady in Black and Rose DIAZ DE LA PENA, N. V. Enfant au Chien DILL, Lupwic Landscape: Abend im Moor DOUGHERTY, Paut, N.A. The Cleft. DUPRE, JULES The Storm CATALOGUE NUMBER 30 31 63 12 52 159 19 70 ESSEN, Jan van bls Pie — | Landscape c aa FANTIN-LATOUR, Henzi J. T. Aurora The Chat: Two Women in a Wood Still Life: Flowers Z FEUDEL, Artruur Moonlight in Katwijk, Holland FEUDEL, ConstantTINE wee Madonna, Child and St. John: The Madonna eee | of the Chair na FLEISCHER, Max Nude: Study of a Boy FRIESEKE, Frepericx C. In the Doorway FROMENTIN, Evcene Algerian Washerwomen ~ GEBHARDT, Karu Franz Epvarp von Head of a Young Woman GORTER, Arnoup Marc November GREGORY, Roserr Landscape HABERMANN, Huvco von In the Studio | HADEN, Sir Francis Srymour Sunset in Ireland HARBURGER, Epvmunp A Divine Drink HARPIGNIES, Henri French Landscape HASSAM, Cuzz, N.A. Dryads Sunset Morning: Seville Leda and the Swan Brooklyn Bridge in Winter HITCHCOCK, Gerorce Flowering Holland HOFMANN, Lupwic von Nude in Open Air Dancing Girl HOKKEI, Uwoya Falcon on a Perch HHOKUSAI, Karsusuika Trees, Rocks and a Head HOLLMAN, Car. Surprised HOMER, Winstow, N.A. Rocky Coast CATALOGUE NUMBER 199 118 40 200 201 121 12 HORTON, Witiuiam SaMvuEL Whitby Sands Aigue-marine HUBN ER, Unies Marine ISABEY, Evctne Louis Gaprien After the Storm ISRAELS, Jozer Alone The Child of the Sea (Dutch girl with bas- ket, seated on the beach) Sailing the Boat (Dutch children on the beach) JACQUE, CuHar es Emite Man Driving Cows JANK, ANGELO Horse Race JOHN, A. E. Girl on Welsh Mundie JONGKIND, Jean Berruorp Marine KAMPF, Arruur Spanish Dancer Man at Work KELLER, Arzsertr von Nude KLINGER, Pror. Max Landscape ° Landscape KOPP, Orro Bathing Scene KRONBERG, Louts Ballet Girl in Pink KUEHL, Gorruarp View through a Window Salon Ecke ~ Augustus Bridge in Dresden LAING, James G., R.S.W. Storm at Sea LARSEN, Cari Freprix EMANUEL Girl Reading , LAVERY, Joun, 4.R.A. Afternoon in the Woods, Tangiers LAWSON, Ernest, A.N.A. Abandoned Graveyard in Spring Road at the Palisades LEIBL, WitHELM The Actor CATALOGUE NUMBER Ep 129 131 149 13 108 125 184 194 105 99 17 38 134 CATALOGUE NUMBER LEISTIKOW, Waturuer Danish Landscape 161 LENBACH, Pror. Franz von In Ecstasy | ee . 169 — LEPINE, Sranisuas Victor Epovarp Le Port d’Anderine | 42 L’HERMITTE, Lton Aveustin Harvesting 65 LIEBERMANN, Max Polospiel ; LB Me Boys in Bathing - 187 At the Seashore: Terrace on the Elbe, near Hamburg 155 Nordwijk 158 A Beergarden 204 Boys Bathing : 205 Mending the Nets 206 Potato Harvest — 207 LILJEFORS, Bruno Anpreas Heath Grouse out in the Frost 84 LOOSCHEN, Pror. Hans Die Blaue Uhr 119 LUND, Hewricx Portrait of Thomas A. Edison 208 Portrait of Theodore Roosevelt 209 MANCINI, Francesco Giovanni Prof. M. with Halo MARIS, Jacos The Young Artist MARIS, Witiem Ducks | MARR, Caru Portrait of Prince Luitpold of Bavaria MASTENBROEK, J. H. van In Holland Summer Afternoon in Rotterdam Harbor of Rotterdam MAUVE, Anton Bleaching MEID, Hans Unter den Linden, Berlin MEISSNER, Ernst Apvo.ru Ram’s Head MENARD, Revé Dryades CATALOGUE NUMBER 104 93 89 35 85 87 95 90 211 110 81 | NUMBER ;: CATALOGUE MENZEL, Apo.tF von aa Man Reading | ~ AS “Das Letzte” (Taking the last piece to the 7 pawnbroker ) — 210 MESDAG, Henprix WILLEM Marine 7 | 96 _MESDAG VAN HOUTEN, Mme. S. In Gelderland | 97 METCALF, Wixiuarp Leroy Dogwood Blossoms a ie MILLER, Ricuarp E., A.N.A. Summer Reverie 32 MILLET, Jean Francois A Woman Churning 212 Peasant with a Wheelbarrow 213 MOHRBUTTER, Atrrep Nude 167 MONET, Cravupe Etretat: Sunset | ., 7 Waterloo Bridge: Temps gris 77 MOSAIC PAINTING (A) Roman Ruins. 175 CATALOGUE NUMBER MUNCH, Epwarp Head of a Girl 214 MUNKACSY, MInHALY DE Study of a Head 116 MUNZER, Avo.r Girl with Puppet 163 MURPHY, J. Francis, N.A. Landscape 27 OPPLER, Ernst Tennis Tourney at Ostend 133 OSSWALD, Frirz Still Life: Pinks 148 OSTERMAYER, E. L. The Oriental Musician 124 PENNELL, Josreru London from My Window 215 The “L” and the Trinity Building 216 Mills, Old and New 217 The New Rhine 218 New York from the Standard Oil Co.’s Works, Bergen Point, N. J. 219 Palisades and Palaces 220. Trinity Church from the River 221 Union Square 222 PILTZ, Orrto Old Woman Drinking Coffee PISSARRO, CamiLue Enfants a Table 46. - Place de la République, Rouen: Effet de Pluie 62 a Femme a la Chévre Tae PUTZ, Lro peie Mara f- 140 Japanese Still Life j 147— Hochsommer 172 RAFFAELLI, Jean Francois | Bain de Mer, Tréport ~—6«668 A Cathedral: Northern France : —%6 REDFIELD, Epwarp Wi111s . December 37 REID, Rosert, N.A. Meditation Abe 3 REINICKE, Paurt René Cathedral in Seefeld 113 On the Terrace . 178 The Artistic Temperament, 183 A Caller 185 In the Studio 188 The Disagreement 192 REMBRANDT VAN RIJN _ Negress Lying Down 223 - CATALOGUE NUMBER RENOIR, Firmin-Aveuste Baigneuse 55 Young Girl 61 ROBINSON, Tueoporr, §.4.A. In the Orchard 9 SANDE-BAKHUYSEN, H. vaw vx Landscape: Leading Home the Cow 91 SAUTER, Grorcr Frost and Fog 101 SCHINNERER, Avotr Der Teich Bethesda (The Pool of Bethesda) 224 SCHOFIELD, Watrer Extmer A Pennsylvania Farm 34 SCHONLEBER, Gustav Colmar Landscape 130 Autumn 180 SCHRAMM-ZITTAU, Pror. Rupour Ducks 132 Ducks 139 Parrots 143, SCHUCH, Cuartes Still Life: Fruit 146 Landscape 162 SIMONI, S. Cavalier and Jester 187 SISLEY, Arrrep Noyer a Veneux-Nadon ~ SKARBINA, Franz Das Rote Service SLEVOGT, Max Landscape Georgiritter Attending Mass L’ Andrade as Don Juan SOROLLA Y BASTIDA, Joaquin Water Joy SPERL, JoHann Mountain Landscape STERNER, Axserr The Echo STEVENS, Atrrep Marine Vue de Tréport In Deep Thought Jour de Régates, Menton STRUCK, Hermann A Jewish Rabbi (Bust) New York from the East River Schierke in Winter STUCK, Franz von Teasing — ~a “aot a a! : a tl 2 af a 2g f CATALOGUE NUMBER 64 141 225 226 107 122 182 40 49 60 83 227 228 229 126 2 v CATALOGUE NUMBER TESSAVI, V. Shepherdess i 176 THAULOW, Fairz Scene in Venice 59 Winter Scene, Norway 75 THOMA, Hans Noon Hour 1538 THOMAS, Grosvenor Landscape 103 TOUCHE, Gastron 1a . The Honeymoon 53 Petit Souper 54 TRUBNER, WILHELM Landscape 145 Castle Heimsbach 164 © TUCKER, ALLEN Corn Stacks 29 TWACHTMAN, Joun HEnNry Water Fall, Yellowstone Park 24 Wild Cherry Tree 28 ‘ UHDE, Frirz Kart Hermann von Girl Reading 135 VALKENBURG, Henpricx | Garden Scene 86 _——S- ao VAN DER WINDT, C. Farm House WAUGH, Frepericx J. Sea and Foam WEIR, Jurtian ApEn, P.N.A. ~ Moonlight Willimantic Thread Factory Midday WHISTLER, James Aszsotr McNEILu The Sculptor Drouet The Forge WILLIAMS, Georcre ALFrep Fascination The Aura ZORN, Anvers Leonyarp A Peasant Girl: “Hall-Kesti’” - The Batier _ Nude at the Shore Interior of a Parisian Omnibus The Toast Sunday Morning in Dalarne Night Effect, Paris Augustus Saint-Gaudens Hon. Grover Cleveland Zorn and His Model A Swedish Madonna At the Piano (Miss Anna Burnett) Anna, a Girl of Mora Betty Nansen CATALOGUE > NUMBER — r j “i 7) F a! 189 igi 7 —6(B6 230 231 1738 174 gi 78 719 232 233 234 235 236 237 238 239 240 241 | 242 : ; CATALOGUE ZORN, Anpvers Leonnarp—Continued NUMBER Ida 243 Mending 24:4 Auguste Rodin 245 A Sandhamn 246 Cercles d’Eau 247 Edo 248 The Precipice 249 Two Bathers 250 Wet 251 Dagmar 252 Frightened 253 Girl with Hair Ribbon 254 Vallkulla 255 Elin 256 Seaward Skerries 257 The Letter 258 Early . 259 ZUGEL, Hertnricu JOHANN Cattle at the Pool 152 Oxen 154 Country Folk Coming from Market 156 Sheep Homeward Bound 170 Sheep Going to Pasture 171 FOR INHERITANCE TAX AND OTHER PURPOSES THE AMERICAN ART ASSOCIATION IS EXCEPTIONALLY WELL EQUIPPED TO FURNISH INTELLIGENT APPRAISEMENTS OF ART AND LITERARY PROPERTY JEWELS AND PERSONAL EFFECTS OF EVERY DESCRIPTION IN CASES WHERE PUBLIC SALES ARE EFFECTED A NOMINAL CHARGE ONLY WILL BE MADE THE AMERICAN ART ASSOCIATION MADISON SQUARE SOUTH _ NEW YORK TELEPHONE, 3346 GRAMERCY K COMPOSITION, PRESSWOR e a? i ye oe eS _ ' at) Se Sih ee. er ee ees gat es ie nas nek 5 a a ee = A ee e Pe oe Mr NeW che GETTY RESEARCH INSTITUTE | | a | WMA A : 4 NIN | 3 3125 01663 1372 rhage)? okt ey erases He aera st +2: seeeses er EEtI =i 3 farsegteres settee psstes SLES Litiinh EuRY ’ Pe Niet ete ee: eed Bs