SALE NUMBER 1833 ON PUBLIC EXHIBITION FROM SUNDAY, MARCH THIRTIETH IMPORTANT ETCHINGS ORIGINAL DRAWINGS €é? COLOR PRINTS FROM ee CORE ONS AND AN ESTATE __ TO BE SOLD BY AUCTION THURSDAY, FRIDAY EVENINGS APRIL THIRD, FOURTH AT EIGHT-FIFTEEN O CLOCK THE ANDERSON GALLERIES. [MITCHELL KENNERLEY, Present} PARK AVENUE AND FIFTY-NINTH STREET, NEW YORK 1924 oe! ro ka ei Pps “so eee uF. “5 SALE NUMBER 1833 ON PUBLIC EXHIBITION FROM SUNDAY, MARCH THIRTIETH IMPORTANT ETCHINGS ORIGINAL DRAWINGS é? COLOR PRINTS FROM PHkee PRIVATE COLLECTIONS AND AN ESTATE DRAWINGS BY WHISTLER, RODIN, GAUGUIN, VAN GOGH AND CONSTANTIN GUYS ETCHINGS AND LITHOGRAPHS BY MARY CASSATT, STEINLER, PENNELL, ZORN, MATISSE, FORAIN, & OTHER MODERNISTS TO BE SOLD BY AUCTION LAY oSt THURSDAY, FRIDAY EVENINGS APRIL THIRD, FOURTH AT EIGHT-FIFTEEN O'CLOCK THE ANDERSON GALLERIES [MITCHELL KENNERLEY, Presient} PARK AVENUE AND FIFTY“NINTH STREET, NEW YORK 1924 CONDITIONS OF SALE ALL BIDS TO BE PER LOT AS NUMBERED IN THE CATALOGUE. The highest bidder to be the buyer. In all cases of disputed bids the decision of the Auctioneer shall be final. Buyers to give their names and addresses and to make such cash payments on account as may be required, in default of which the lots purchased shall be resold immediately. Purchases to be removed at the buyer’s expense and risk within twenty-four hours from the conclusion of the sale, and the remainder of the purchase money to be paid on or before delivery, in default of which The Anderson Galleries, Incorporated, will not be responsible for any loss or damage whatever, but the lot or lots will be left at the sole risk of the purchaser, and subject to storage charges. All lots will be placed on public exhibition before the date of sale, for examina- tion by intending purchasers, and The Anderson Galleries, Incorporated, will not be responsible for the correctness of the description, authenticity, genuine- ness, or for any defect or fault in or concerning any lot, and make no warranty whatever, but will sell each lot exactly as it is, WITHOUT RECOURSE. If accounts are not paid and purchases removed within twenty-four hours of the — conclusion of the sale, or, in the case of absent buyers, when bills are rendered, any sum deposited as part payment shall be forfeited, and The Anderson Gal- leries, Incorporated, reserve the right to resell the lot or lots by either private or public sale, without further notice, and if any deficiency arises from such resale it shall be made good by the defaulter, together with all expenses in- curred. This condition shall be without prejudice to the right of this Com- pany to enforce the sale contract and collect the amount due without such resale, at its own option. The Anderson Galleries, Incorporated, will afford every facility for the employ- ment of carriers and packers by the purchasers, but will not be responsible for any damage arising from the acts of such carriers and packers. The Anderson Galleries make no charge for executing orders for their cus- tomers and use all bids competitively, buying at the lowest price permitted by other bids. A Priced Copy of this Catalogue may be obtained for One Dollar THE ANDERSON GALLERIES, INC. PARK AVENUE AND FIFTY-NINTH STREET, NEW YORK TELEPHONE PLAZA 9356 CATALOGUES ON REQUEST | SALES CONDUCTED BY MR. F. A. CHAPMAN AND MR. A. N. BADE SALE THURSDAY EVENING, APRIL THIRD; AT 8:15 FIRST SESSION NuMBERS 1-154 HERBERT N. BAER 1 INDIAN MAGPIE Original woodcut printed in color. Signed and numbered proof. CHARLES W. BARTLETT CONTEMPORARY AMERICAN WOOD ENGRAVER 2 TAJ-MAHAL, SUNSET; A VILLAGE TEMPLE, KASHMIR Woodblocks printed in colors in the Japanese manner. Proofs signed by the artist. (2) 8 ENTRANCE TO GOLDEN TEMPLE, AMRITSAR; PRAYERS AT SUNSET Woodblocks printed in colors in the Japanese manner. Proofs signed by the artist. (2) 4 KAMAKURA; KYOTO Woodblocks printed in colors in the Japanese manner. Proofs signed by the artist. (2) 5 IWABUCHI; SHOJI Woodblocks printed in colors in the Japanese manner. Proofs signed by the artist. (2) 6 UDAIPUR; AGRA Woodblocks printed in colors in the Japanese manner. Proofs signed by the artist. (2) 4 BENARES; HAWAIIAN FISHERMAN Woodblocks printed in colors in the Japanese manner. Proofs signed by the artist on Japan paper. (2) 8 AMRITSAR; MADURA; KHYBER Woodblocks printed in colors in the Japanese manner. Proofs signed by the artist. (3) 10 104 108 11 12 PF. BARTOLOZZI VENUS SLEEPING Stipple after Anibal Caracci. GUSTAVE BAUMANN SALT CREEK; THE RIDGE ROAD; IDLE FLEET Linoleum cuts printed in colors. Signed proofs. Editions limited to 100 impressions of each. (3) EUGENE BEJOT LE PONT DES TOURNELLES; CANNES; LA STATION Original painter etchings. Fine impressions printed on hand- made paper. (3) One of 10 impressions. WILLIAM BLAKE > ENGLISH, 17757-1827 THE MARRIAGE OF HEAVEN AND HELL Original pen and water color drawing for one of the plates in “The Marriage of Heaven and Hell”. A charming and charac- teristic example. J. E. BLANCHE PORTRAITS DE FILLETTES Original painter lithographs. Brilliant impressions on papier de Chine. (2) - One of 10 impressions. LOUIS MARIN BONNET 1745-17938 FEMME NUE ASSISE Engraving in crayon manner after Fr. Boucher, L. Bonnet, No. 54. Brilliant impression. Printed in sanguine. With large margin trimmed to the plate-mark. 2 13 14 15 16 1% 18 oe FRANK BRANGWYN BARNARD CASTLE Original etching and aquatint printed in colors. Signed proof. FELIX BRAQUEMON ds LE LIEVRE Original painter etching. Very fine impression before the title. With large margin. In gold frame. (a) VUE DU PONT DES SAINTS PERES _(b) L7;HOMME A LA HOUE after Millet (c) SUR LA TERRASSE Painter etchings, fine impressions. Printed on hand-made paper. (3) ADAM BUCK VENUS Aquatint in colors. Proof before all letters. FELIX BUHOT LES DEUX HIBOUX Original painter lithograph. Fine impression on Japan paper. One of 10 impressions. CREPUSCULE ; Original painter lithograph. Fine impression with symphonique margin. One of 10 impressions. HENRICUS BUQUET NAPOLEON GALLORUM PRIMUS IMPERATOR Stipple, printed in colors. Gilt frame. 3 20 22 23 25 26 ELISABETH CALWELL LA FEMME NUE AUX ROSEAUX Original painter xylography. Printed in colors. Signed in pencil by the artist. LES DEUX FEMMES NUES AUX ROSES Original painter xylography. Printed in colors. Signed in pencil by the artist. D. Y. CAMERON SS A NORMAN VILLAGE Original etching. Rinder, No. 659. Second state. Guilt frame. PERTH BRIDGE; ARRAN Original etchings. Rinder, Nos. 28 and 43. The re-issues of 1906. (2) EUGENE CARRIERE ELISE RIANT Original painter lithograph. L. Delteil, No. 19. printed in bistre on papier de Chine. One of 10 impressions. HARRY J. CASEY — LANDSCAPE Original woodcut printed in color. Signed. MARY CASSATT CONTEMPORARY AMERICAN LA COUTURIERE Rare impression Original etching finished in aquatint. Superb impression. Printed in colors. Signed in pencil by the artist. One of 25 impressions printed by the artist and Mr. Leroy. 4 CASSATT ED BY LEROY BY MARY S PRINT bed LA TASSE DE THE ONE OF TWENTY ee F SEL ARTIST HER HE T SION = NS) FIVE IMPRE MR AND [NuMBER 30 | 27 28 29 30 31 32 33 TENDRESSE MATERNELLE Original painter etching finished in aquatint. Brilliant impres- sion. Printed in colors. Signed by the artist. One of 25 impressions. JEUNE FILLE SE COIFFANT Original painter etching finished in aquatint. Very fine impres- sion. Printed in colors. Signed by the artist. One of 25 impressions printed by the artist herself and Mr. Leroy. LA TOILETTE Original painter etching finished in aquatint. Very fine im- pression. Printed in colors. Signed by the artist. One of 25 impresstons printed by the artist herself and Mr. Leroy. LA TASSE DE THE Original painter etching finished in aquatint. Very fine im- pression. Printed in colors. Signed by the artist. One of 25 impressions printed by the artist herself and Mr. Leroy. [SEE ILLUSTRATION, PAGE 5 | DANS L?OMNIBUS Original painter etching finished in aquatint. Very fine im- pression. Printed in color. Signed by the artist. One of 25 impressions. Printed by the artist herself and Mr. Leroy. LA FEMME A L’EVENTAIL, SOUS LA LAMPE Original painter etching. Very fine impression. Printed in colors. Signed by the artist. One of 25 impressions. Printed by the artist herself and Mr. Leroy. LA CUEILLETTE DU RAISIN Original painter etching. Superb impression. Printed in colors. Signed by the artist. Framed. One of 25 impressions. [SEE ILLUSTRATION | 6 35 SIN E DU RAI ‘LA CUEILLETT 6 TARY CASSATT BY [NUMBER 33] f [age uaawan] UAAGNOO SHIUVHO AT ONIMVAG UOIOOD AUALVAM TIVNIDIUO ; QOIMLVaAINI,T,, :dVAT NVva «93 338A 33B 33c J. C. CAZIN LANDSCAPE Black crayon drawing with touches of pastel. On gray paper. Signed. Gilt frame. Size, 914 x 151% inches CHARLES CONDER ENGLISH, 1868-1909 Charles Conder is the modern master of the fan. His intuitive un- derstanding of Eighteenth Century France, his Goyaesque humor and lightness of fantasy, seem to have suggested the volatile fan as a medium of expression. The sources of Conder’s inspira- tion have been found in the arts of the great draftsmen of two centuries. Names of masters strangely heterogeneous in their tendencies, such as Watteau, Debucourt, Degas, Monet, Toulouse-Lautrec, Monticello, Whistler and Beardsley, have of- ten been quoted as having exerted great influence on Conder’s art. His early life in India and Australia, his affectionate love of Paris and his English soul, sensuous, but not sensual, explain the delicately exalted charm of his drawing. FAN LEAF: “L?7IMPERATRICE” Original water color drawing. Design for a fan. Oval vignette with portrait of the Empress in a landscape with languorous attendants. Signed and dated 1900. Framed. This fan was No. 8 in the Conder Exhibition held by Martin Birnbaum at the Berlin Photographic Companies’ Galleries in New York in 1901 and at Moret’s Galleries in Paris, 1901. [SEE ILLUSTRATION | FAN LEAF: GREEK LANDSCAPE Original water color drawing. Design for a fan. A lady receiv- ing an offering from a modern Naiad. To the right and left are Japonesque floral reserves and a backgr ‘ound of classic temples. Signed. Framed. This fan was No. 3 in the Exhibition held by Martin Birnbaum in New York in December 1911. [SEE ILLUSTRATION, PAGE 10] 5, ai [ogg umawan | * MAANOO SATUVHO AT ONIMVUC UOTIOO WALVA TIVNIDIUO AdVOSGNVI MAAUD :AVAT NVA 34 35 36 37 38 39 JEAN BAPTISTE CAMILLE COROT SOUVENIR D’ITALIE Original etching. Proof impression on Japan paper. Gilt frame. Purchased from Frederick Keppel & Co. PAYSAGE D’ITALIE Original etching. Proof on Japan paper. E. CREBASSA SOUS LA NEIGE, AND SIX OTHERS Original painter lithographs. Brilliant impressions on India and Japan paper. (7) P. DE CHAVANNE ETUDES DE FEMME, AND THREE OTHERS Painter’s lithograph printed in sanguine and three others by Osbert, Danguin and Martin. Printed on India and Japan paper. (4) MATHILDE DE CORDOBA WAITING Original etching printed in color. Signed proof on a cream- colored paper. GILLES DE MARTEAU L’AINE 1722-1776 VENUS ET L’AMOUR ENDORMIE Engraving in crayon manner. L. de Leymarie, No. 522. Very fine impression. Printed in sanguine. Large margin, showing the plate-mark. 11 40 4] 42 43 44 45 46 A7 1! ie ie FEMME NUE COUCHEE Engraving in crayon manner. L. de Leymarie, No. 83. Brilliant impression. Printed in sanguine. Large margin, showing the plate-mark. HENRI DETOUCHE COQ ET POULE AND THREE OTHERS Woodcut and lithographs. Fine impressions on hand-made paper. (4) CARLE-DUPONT CONTEMPORARY FRENCH VOILE BLEU Original etching printed in colors. Signed proof. No. 12 of 100 impressions. LES POINTES Original etching printed in colors. Signed and numbered proof. Edition limited. BACCHANALE Original etching printed in colors. Signed proof. No. 4 of 100 impressions. ALBERT DURER GERMAN, 1471-1528 LA VIERGE, L’ENFANT JESUS ET SAINT JOSEPH Original woodcut. A. Bartsch, No. 102. Fine impression. (From the A. J. Lamme Collection) MELANCHOLIA Etched copy after the original. On old paper. RICHARD EARLOM SENSIBILITY After George Romney. Stipple, printed in colors. Gilt frame. Published by John and Josiah Boydell, London, 1789. 12 48 49 50 51 52 53 54 55 56 oT S. ARLENT-EDWARDS CONTEMPORARY ENGLISH MEZZOTINT ENGRAVER MONNA LISA Mezzotint printed in colors after Leonard da Vinci. Signed proof. Gilt frame. MRS. DRUMMOND SMITH Mezzotint printed in colors after George Romney. Signed proof. Gilt frame. SHEPHERD AND SHEPHERDESS Pastoral scene after Francois Boucher. Mezzotint printed in colors. Signed proof. Gilt frame. LADY ANNE BINGHAM Mezzotint printed in colors after Sir Joshua Reynolds. Signed proof. Gilt frame. LAVINIA, COUNTESS SPENCER Mezzotint printed in colors after Sir Joshua Reynolds. Signed proof. Gilt frame. MRS. BENWELL Mezzotint printed in colors after John Hoppner. Signed proof. Gilt frame. NAPOLEON BONAPARTE Bust size, three-quarter to the front. Mezzotint colored by hand. Signed proof on China paper. Gilt frame. ELIZABETH, COUNTESS OF MEXBOROUGH Mezzotint printed in colors after John Hoppner. Signed proof. Gilt frame. MASTER LAMBTON Mezzotint printed in colors, after Sir Thomas Lawrence. Signed proof. Gilt frame. FRANCOIS II (DAUPHIN OF FRANCE) Mezzotint printed in colors after Frangois Clouet. Signed proof. Gilt frame. 13 58 59 60 61 62 63 64 ETCHINGS LANDSCAPES, PORTRAITS, ETC. Adamus Van Noort and Joannes Breugel, by Van Dyck; Land- scape by Waterloo; Marine by Zeeman; and two others. (6) T. EVERBAY ROSES Original aquatint printed in colors. Signed proof. H. FANTIN-LATOUR FRENCH LITHOGRAPHER, 1849-1904 PASTORALE Original painter lithograph. G. Hediard, No. 127. Very fine impression on mounted India paper, with dedication to Monsieur Clot, signed in pencil by the artist. Gold frame. FINALE DU RHEINGOLD Original painter lithograph. G. Hediard, No. 18. ‘Third state. Brilliant impression, printed on mounted India paper. One of 100 copies printed. LES BRODEUSES Original painter lithograph. G. Hediard, No. 148. Brilliant proof on papier de Chine. One of 10 impressions. LE POETE ET LA MUSE Original painter lithograph. Very rare proof on papier de Chine. One of 10 impressions. FERNAND-A-CREPAUX LADY AND PARROT; THE SECRET MESSAGE Stencil prints in brilliant color. Signed and numbered. (2) 14 TAHITIAN WOMEN BY PAUL GAUGUIN ? [NUMBER 68] 65 66 67 68 69 FERRAGIO ITALIAN PEASANTS | A pair of pastel portraits. Signed. Framed. (2) Size, 25 x 16 inches JEAN LOUIS FORAIN CONTEMPORARY FRENCH FEMME A SA TOILETTE AVEC SA FEMME DE CHAMBRE Original painter lithograph. Guerin, No. 29. Brilliant impres- sion. Painted in bistre on Japan paper. AVOCAT PARLANT AU PREVENU Original painter etching. Guerin, No. 55. Second state. Fine impression, signed by the artist. One of 25 impressions. PAUL GAUGUIN CONTEMPORARY FRENCH TAHITIAN WOMEN Red crayon drawing. Signed. Fine characteristic example. ‘T'wo nude native women in the foreground, while in the typical South Sea background another group is seen. Framed. Size, 1444 x 1114 mcehes Purchased from Scott & Fowles. [sEE ILLUSTRATION, PAGE 15] GAYAC DANSEUSE EN ROSE; DANSEUSE EN JAUNE; DANSEUSE EN VERT Original etchings printed in colors. Signed and numbered proofs, limited to 125 impressions of each. (38) 16 A LADY OF THE SECOND EMPIRE BY CONSTANTIN E. H. GUYS [NuMBER 71 | 70 é1> 72 13 74 re) FRANCISCO GOYA SPANISH, 1746-1828 LA MALHEUREUSE MORT DE PEPE ILLO Original painter etching. L. Delteil, No. 262. Second state. Very fine impression, with margin trimmed nearly to the engraved border. Oak frame. CONSTANTIN E. H. GUYS A LADY OF THE SECOND EMPIRE Original water color drawing. Framed. Size, 914 x 634 inches Purchased from Scott & Fowles. [SEE ILLUSTRATION, PAGE 17] SEYMOUR HADEN (a) TWICKENHAM _ Original etching. H. 107. Published state from “The Portfolio”. (b) BRIG AT ANCHOR 3 Original etching. H. 147. Published state from ‘The Portfolio”. (c) COWDRAY WITH GEESE Electrotype from “The Art Journal”. (3) BRIG AT ANCHOR Original etching. Harrington, No. 147. Published state. Fair impression. COWDRAY CASTLE—WITH GEESE Original etching. Harrington, No. 221. First state. Signed proof. SUNSET ON THE THAMES Original etching. Harrington, No. 93. Published state. Proof on Japan paper. eae 76 V7 78 PS, 80 81 82 83 84 AXEL H. HAIG SWEDISH, 1835-1921 HADDON HALL Original etching. Signed artist’s proof on Japan paper. Framed. THE BASILICA OF ST. GILES, ARLES Original etching. Signed artist’s proof. On tinted paper. Framed. BURGOS CATHEDRAL, EXTERIOR Original etching. Signed artist’s proof. On tinted paper. Framed. BURGOS CATHEDRAL, INTERIOR Original etching. Signed artist’s proof. On tinted paper. Framed. THE PORTALS OF RHEIMS CATHEDRAL Original etching. Signed artist’s proof on Japan paper. Framed. ENTRANCE TO THE MOSQUE OF MOHAMMED BEY, CAIRO Original etching. Signed artist’s proof on Japan paper. Framed. IN RHINELAND Original etching. Signed artist’s proof on Japan paper. Framed. JOHN McCLURE HAMILTON CONTEMPORARY AMERICAN DRAPED MODEL SEATED Original pastel drawing on brown paper. Signed and dated 1919. Gilt frame. Size, 23 x 19 inches W. LEE HANKEY FARM BY MOONLIGHT Aquatint in colors. Printed and signed by the artist. Gilt frame. 19 85 86 87 88 89 90 of. 93 ALFRED HARTLEY LANDSCAPE Original woodcut printed in color. Signed proof. CHILDE HASSAM SWIMMER, MORNING Original etching. Proof signed with initials. J. J. HENNER- NUDE WOMAN RECLINING Original charcoal drawing heightened with white. On brown paper. Gilt frame. Size, 5 x 10 inches HENRI HERAN SALOME Original lithograph printed in colors. Signed and numbered proof. EARL HORTER CONTEMPORARY AMERICAN IN FAIRMONT PARK Original dry-point. Signed proof on thin China paper. OLD BRIG, SCHUYLKILL Original dry-point. Signed proof on old paper. BALCONIES, NEW ORLEANS Original dry-point. Signed artist’s proof on India paper. OLD CURIOSITY SHOP, NANTUCKET | Original dry-point. Signed proof on Japan paper. CHARLES HOUDARD LANDSCAPE WITH SWANS; SUNSET Aquatints printed in colors. Signed and numbered proofs. Limited to 50 impressions of each. (2) | 20 94 95 96 97 98 99 HELEN HYDE THE MOON BRIDGE; CHERRY BLOSSOMS Woodblocks printed in color. Signed proofs on thin Japan paper. Editions limited. (2) LOUIS ICART LA GRENADE Original etching and aquatint printed in colors. Signed proof. One of 100 impressions. AVANT LE BAL; L’AUTOMNE Original etchings printed in colors. Signed and numbered proofs, limited to 100 impressions. (2) FLOR ENCE W. IVINS LE SPECTRE ROSE (Mlle. Pavlova) Original painter woodcut. Brilliant proof printed in colors on Japan paper. This rare print, issued only in very few impressions, is made from four blocks, printed in water color by the old Japanese process of rubbing. The entire work being done by hand, no press work whatever was used in producing this woodcut. F. ERNEST JACKSON LADY HAMILTON Lithograph in two colors, after Sir Thomas Lawrence. Signed proof. One of 50 copies printed on Japan paper. A charming example of modern lithography delicately executed in two colors. JEANNIOT LES VIEILLES FEMMES Original painter etching. Very rare proof. Printed on India paper. One of 10 impressions. 21 100 101 103 104 105 106 107 J. E. LABOUREUR SUBWAY CONSTRUCTION, 42nd STREET, N. Y. Original etching, printed in brown. Gilt frame. ANDRE LAMBERT LES ROI MAGI; LE REVE; LA TOILETTE Aquatints printed in colors. Signed and numbered proofs on Japan paper. (38) MESSALINE; CLEOPATRE; THEODORA ; DIDON Aquatints printed in colors. Signed and numbered proofs, limited to 125 impressions. (4) ‘ LOUIS LEGRAND CONTEMPORARY FRENCH AU CAFE AMERICAIN Original painter etching. Very fine impression. Signed in penci by the artist and countersigned by the publisher. One of 65 impressions. LE MOUTON DE LA PIERRE BLANCHE | Original painter etching. Very fine impression. Signed in pencil by the artist. One of 20 impressions. LES CARESSES DE LA LUNE Original painter etching finished in aquatint. Brilliant impres- sion. Signed in pencil by the artist. One of 20 impressions. LE REVENANT Original painter etching finished in aquatint. Very fine proof. Signed in pencil by the artist. One of 20 impressions. LA TOILETTE Original painter etching. Brilliant proof. Signed in pencil by the artist and countersigned by the publisher. One of 65 impressions. 22 108 109 110 111 112 113 114 115 PRINTEMPS Original painter soft ground etching. Very fine impression. Signed in pencil by the artist. One of 20 impressions. LE PRINCE K... Original painter etching. Very rare proof with the remarque and before the plate was cut down. Signed in pencil by the artist and countersigned by the publisher. One of 10 impressions. AU BORD DE LA MARNE Original painter etching. Very fine impression. Signed in pencil by the artist and countersigned by the publisher. One of 25 impressions. L’APRES MIDI D’UN FAUNE—LES BATEAUX Original painter soft ground etching. Brilliant proof. Signed in pencil by the artist. One of 20 impressions. Companion to No. 124. DIALOGUE Original painter soft ground etching. Very fine impression. Signed in pencil by the artist. One of 20 impressions. OH! LES FLEURS!... Original painter etching. Very rare proof. Signed in pencil by the artist, countersigned and stamped by the publisher. One of 10 impressions. TRAVESTI Original painter etching. Very rare proof. With the remarque. Signed in pencil by the artist. One of 10 impressions. LA FEMME A L’OMBRELLE Original painter etching. Very fine and rare proof. Signed in pencil by the artist and stamped. One of 15 impressions. 23 116 vadeye 118 ES 120: 121 122 123 L°HYMNE A LA BEAUTE Original painter soft ground etching. Fine impression. Signed in pencil by the artist. One of 20 impressions. LA BAIGNEUSE Original painter etching. Very fine impression. Signed in pencil by the artist and stamped by the publisher. One of 50 impressions. CHANSON Original painter soft ground etching. Brilliant impression. Signed in pencil by the artist. One of 20 impressions. CAUCHEMARE Original painter soft ground etching. Very brilliant proof. Signed in pencil by the artist. One of 20 impressions. LES GLANEUSES Original painter etching. Fine impression. Signed in pencil by the artist. One of 20 impressions. LES GUITARISTES Original painter soft ground etching. Brilliant proof. Signed in pencil by the artist. One of 20 impressions. DANS LES NUAGES Original painter soft ground etching. Fine impression. Signed in pencil by the artist. One of 20 impressions. A UNE PASSANTE Original painter soft ground etching. Early impression. Signed in pencil by the artist. One of 20 impressions. 24 124 125 126 127 128 129 130 131 L’APRES MIDI D?UN FAUNE—LE BAIN Original painter soft ground etching. Brilliant proof. Signed in pencil by the artist. One of 20 impressions. Companion to No. 111. SON GOSSE Original painter etching. Very rare proof. Signed in pencil by the artist and stamped by the publisher. One of 50 impressions. L’ATEULE Original painter soft ground etching. Printed in color. Fine impression after the reduction of the copper. Signed in pencil by the artist and countersigned by the publisher. One of 100 impressions. LA COIFFURE Original painter etching. Rare proof. Signed in pencil by the artist and stamped by the publisher. One of 65 impressions. SUR LE BOUT DU BANC . Original painter lithograph. E. Ramiro, No. 112. Very rare proof with the remarque. Printed on papier de Chine. One of 10 impressions. LA PETITE SERVATOIRE Original painter lithograph. EE. Ramiro, No. 111. Very rare — proof. Printed on Japan paper. One of 10 impressions. MATER INVIOLATA Original painter soft ground etching. E. Ramiro, No. 65. Fine impression after the reduction of the copper. Signed in pencil by the artist. ; One of 100 impressions. PROFILS PARISIENS Original painter soft ground etching. Very rare proof. Signed in pencil by the artist and countersigned by the publisher. One of 50 impressions. 25 1382 1338 134 135 136 137 138 LE BEAU SOIR Original painter soft ground etching. Fine impression. Signed in pencil by the artist and countersigned by the publisher. One of 100 impressions. ALPHONSE LEGROS FRENCH, 1837-1911 LE PAYSAGE AU BATEAU Original painter etching. Thibaudeau, No. 106. Very fine im-‘ pression, with large margin. Gold frame. LE BOUQUET D’ARBRES Original painter etching. Brilliant proof, with large margin. Gold frame. L’ORAGE Original painter etching. Thibadeau, No. 288. ‘Third state. Brilliant proof. Signed in pencil by the artist. THE WAYFARER Original etching. Published state. Fine impression. H. LEROLLE DANS UN PARC; LE MOULIN BY CH. DE GRAVESANDS; L’ESPAGNOLE BY J. JACQUEMART; LE BASTION 49 BY M. LALANNE; LANDSCAPE Original painter etchings printed on hand-made paper. (5) BERTHA LUM THE PROCESSION; BAMBOO ROAD; PINES BY THE SEA; SPIRIT OF THE SEA Original woodcuts printed in colors. Signed and dated proofs. (4) 26 139 140 141 142 143 144 JAMES McBEY THE MARCH ON JERUSALEM Original etching. Signed proof. Impression on old paper. Marked by the artist “A 8”. H. MACBE'TH-RAEBURN THE ODDIE CHILDREN Mezzotint printed in colors, after Sir William Beechey. Signed proof. Gilt frame. EK. MANET OLYMPIA Original painter etching. KE. M. Nelaton, No. 17. Fourth state. Very fine impression, with large margin. (From the J. Robeau Collection) F. MARRIOTT CHATEAU GAILLARD BY MOONLIGHT; MORET Aquatints and etching printed in color. Signed proofs. (2) HENRI MATISSE CONTEMPORARY FRENCH ETUDE DE FEMME NUE Original painter lithograph. Very fine proof on Japan paper. Signed with the initials of the artist. One of 25 impressions. REPOS Original painter lithograph. Brilliant impression on papier de Chine. Signed and numbered in ink by the artist. One of 50 impressions. 145 146 147 148 149 150 151 ETUDE DE NU Original painter lithograph. Fine impression on Japan paper. Signed and numbered in pencil by the artist. One of 50 impressions. FEMME NUE Original painter xylograph. Fine impression printed on Dutch paper. Signed in ink by the artist. One of 50 impressions. MAURIN LA TOILETTE Aquatint printed in colors. Signed proof on Japan paper. FOSTER MAYNE LADY HAMILTON (AS ARIADNE) Mezzotint printed in colors after George Romney. Signed proof. Gilt frame. C. MERYON 1821-1868 LE PETIT PONT Original painter etching. L. Delteil, No. 24. Fifth state. Very fine impression on mounted India paper. In a half inch lacquer frame. LA POMPE NOTRE DAME Original painter etching. L. Delteil, No. 31. Seventh state. Superb impression printed on papier de Chine. (a) PASSERELLE DU PONT AU CHANGE APRESS L?INCENDIE DE 1621 (b) TOURELLE RUE DE L’ECOLE DE MEDECINE, 22 (2 copies) Original etchings. Published states. (38) 28 J. F. MILLET 152 SHEPHERDESS KNITTING 153 154 Original etching. Only state. Fine impression printed in brown. Purchased from Frederick Keppel & Co. MAUNIER MILLIENE PREMIERES POINTES Original etching printed in colors. Signed and numbered proof. Edition limited. ALBERT MOORE BATTLEDORE Original charcoal drawing heightened with white. On brown paper. ‘The nude model seen in graceful pose recovering the fallen shuttle. Framed. Size, 6144 x 9 inches Purchased from Scott & Fowles. 29 - / shee : SALE FRIDAY EVENING, APRIL FOURTH, AT 8:15 SECOND SESSION NuMBERS 155-315 JOSEPH PENNELL CONTEMPORARY AMERICAN 155 THE SPIRE AT ROUEN 156 157 158 159 160 161 162 163 164 165 Original etching. Signed proof. ROME Original dry-point. Signed proof. BUILDING THE VICTOR EMMANUEL MONUMENT, ROME Original dry-point. Signed proof. PORCH OF ST. MACLON, ROUEN Original etching. Signed proof. ROUEN Original etching. Signed proof on Japan paper. FALLS STATION, NIAGARA Original etching. Signed proof. WASHINGTON, FROM THE CAPITOL TO THE STATION Original dry-point. Signed proof. LADO BRIDGE, ST. LOUIS Original etching. Signed proof. UNDER THE BRIDGE, ST. LOUIS Original etching. Signed proof. THE CLOCK, GRAND CENTRAL, N. Y. Original dry-point. Signed proof. WAITING ROOM, GRAND CENTRAL, N. Y. Original dry-point. Signed proof. dl 166 WAITING ROOM, PENN TERMINAL 167 168 169 170 171 ree 173 174 175 176 177 178 Original dry-point. Signed proof. TICKET OFFICE, P. R. R., N. Y.. Original dry-point. Signed proof. LAW OF THE LOCOS Original dry-point. Rich impression. Signed proof. THE INCLINE, PITTSBURGH Original etching. Signed proof. BRIDGE LAND Original dry-point. Signed proof. PORTICO, PITTSBURGH © Original dry-point. Signed proof. POWER AND STEAM Original dry-point. Signed proof. FOURTH STREET MEETING Original dry-point. Signed proof on Japan paper. WEEHAWKEN ; MAUCH CHUNK Original dry-points. Signed proofs. (2) THE ALLEY — WIDENER’S AND WANAMAKERS;; BUILDING THE CHURCH Original dry-points. Signed proofs. (2) PHILADELPHIA, FROM LEAGUE ISLAND; THE DRAW BRIDGE, PITTSBURGH Original etchings and dry-points. Signed proofs. (2) RUSH FOUNTAIN; THE CLIFF; LEMON HILL Original etchings. Signed proofs. (3) STANDARD OIL, BAYONNE; ON THE RIVER Original etchings. One signed. (2) 32 Lao 180 181 182 183 184 185 186 MANZANA PISSARRO COQS ET POULES Original painter xylography. Printed in colors and metal tints. Signed in ink by the artist. One of 100 impressions. PAONS DANS LES JARDINS Original painter xylography. Printed in colors and metal tints. Signed in ink by the artist. One of 100 impressions. J. V. RAFFAELLI CONTEMPORARY FRENCH A FARM IN NORMANDY Original etching printed in colors. Signed proof. One of 30 impressions. A VOTRE SANTE! LA MERE BONTEMPS! Original etching printed in colors. Signed and numbered proof on Japan paper. LA NEIGE SOLEIL COUCHANT Original etching printed in colors. Signed and numbered proof on Japan paper. Gilt frame. LA PLACE DU VILLAGE Etching printed in colors. Signed and numbered proof on Japan paper. Gilt frame. REMBRANDT VAN RIJN putcH, 1606-1669 THE DEATH OF THE VIRGIN Original etching. Hind, No. 161. Fourth state. Guilt frame. PEASANT FAMILY ON THE TRAMP Original etching. Hind, No. 259. Later impression. 33 188 189 190 eal 192 193 194 195 196 REMBRANDT IN CAP AND SCARF Etching. Hind, No. 108. Impression from the reworked plate. NEGRESS LYING DOWN Original etching. Hind, No. 299. Fine impression. Third state. JAN SIX Etched copy. Impression on old paper. Bears the stamp of the A. C. de Poggi Collection, which was sold in 1873. LANDSCAPE WITH THREE GABLED COTTAGES Original etching. Hind, No. 246. Third state. Later impression. LOBEL RICHE CONTEMPORARY FRENCH COURONNE D’OR, CONSTANTINOPLE Original aquatint printed in colors. Signed and numbered proof. DANSEUSE AU MIRAGE Original aquatint in colors. Signed and numbered proof. Limited. NAPIERKOWSKA Original aquatint printed in colors. Signed and numbered proof. Limited. PARC DE VERSAILLES Original aquatint printed in colors. Signed and numbered proof. Limited. PARC DE VERSAILLES Original aquatint printed in colors. Signed and numbered proof. Limited. MOSQUE DE KARAOUINE A FEZ Aquatint printed in color. Signed and numbered proof. Limited. 34 LOT. 198 boo 200 201 202 203 204 205 206 207 L’ENFANT Original aquatint printed in colors. Signed and numbered proof. Limited. COUR DE FERME Original aquatint printed in colors. Signed and numbered proof. Limited. ALSACIENNES Original dry-point printed in colors. Signed proof. DANSEUSES DEVANT LA MER; DANSEUSES GRECQUES Original dry-point and aquatint printed in colors. Signed and numbered proofs. Limited. (2) LA FRILEUSE; LA FILLE AU CHIEN Original dry-points printed in colors. Signed and numbered proofs. Limited. (2) REVEUSE; FEMME A LA MANTILLE Original dry-points. Signed and numbered proofs. (2) FEMME AU CHAPEAU; FEMME ESSAYANT EN CORSET Original dry-points. Signed and numbered proofs. (2) LA FEMME AU CHIEN; LA FEMME AU CHAT Original dry-points printed in colors. Signed and numbered proofs. Limited. (2) DANS LA CLAIRIERE; FEMME EN BLANC AU CHIEN Original aquatints printed in colors. Signed and numbered proofs. Limited. (2) UNE FAMILLE BERBERI A FEZ; LE FUMEUR KIF Original aquatints printed in colors. Signed remarque proofs. Limited. (2) LE PSYCHE; L’ATTENTE Original aquatints printed in colors. Signed and numbered proofs. Limited. (2) 35 209 Zu 213 FEMME A LA MANTILLE; LE FAUNE SEDUIT Original dry-points printed in colors. Signed and numbered proofs. Limited. (2) LA FEMME AU CHAT; DANSEUSE SUEDOIS Original dry-points printed in colors. Signed proofs. (2) MANUEL ROBBE LA BIBLIOTHECAIRE; FEMME VUE DE DOS Original etchings printed in colors. Signed and numbered proofs.~ (2) HUBERT ROBERT (?) PAYSAGE ITALIEN Original sanguine drawing signed in ink “Robert”. BOARDMAN ROBINSON AMERICAN ARTIST WALT WHITMAN Original painter lithograph. Brilhant impression on Japan paper. Signed in pencil by the artist. One of 10 impressions. G. ROCHEGROSSE LA FEMME AU LYS And three other lithographs by Helleu, Van Risselbergue, and Dumont. (4) AUGUSTE RODIN FRENCH, 1840-1917 LA FEMME A LA ROSE Original water color and pencil drawing. _ Signed. Gault frame. Size, 1914 x 1214 mches Probably no finer drawing by Rodin exists in this country to-day. Purchased from M. Knoedler & Co. [SEE ILLUSTRATION | 36 eet 2 ie te 6) + . ois “TA FEMME A LA ROSE” BY AUGUSTE RODIN PROBABLY NO FINER DRAWING BY RODIN EXISTS IN THIS COUNTRY TO-DAY [NuMBER 214] 215 216 217 218 221 bo bo bo T. RODOCANACHI PONT ST. REMY; LA SOMME A ABBEVILLE Aquatints printed in colors. Signed proofs. (2) B. ROGER NAPOLEON BONAPARTE Stipple, printed in colors, after J. Guérin. Gilt frame. ERNEST D. ROTH THE WHEELWRIGHT SHOP Original etching. Signed proof on Japan paper. FELICIEN ROPS BELGIAN, 1883-1898 LA LEGENDE D’YPERDAMME Autotype par E. Crété after the artist’s drawing. O. Mascha, No. 304. Fine impression printed in colors. LA FEMME AU TRAPEZE Original painter etching. O. Mascha, No. 485. FE. Ramiro, No. 53. Fine impression before the inscription. Signed by the artist in red pencil. LPARIETTE Original painter etching. O. Mascha, No. 502. E. Ramiro, No. 63. Very fine impression, with the inscription. LA CHASSE AU LIEVRE Original painter etching. O. Mascha, No. 521. E. Ramiro, No. 71. Fine impression after the reduction of the copper. Signed by the artist in red pencil. LA PETITE SORCIERE Original painter etching finished in aquatint. O. Mascha, No. 551. E. Ramiro, No. 79. Very fine impression on Japan paper. 38 bo bo op) bo bo =} 228 229 231 LPOLIVERADE Original painter etching finished with the needle. O. Mascha, No. 592. KE. Ramiro, No. 55. Impression with the inscription. LE MASSAGE Heliogravure retouched with the needle by the artist. O. Mascha, No. 621. KE. Ramiro, No. 351. Fine impression on Japan paper. DANS LA PUSTA. Iid plate. Original painter etching. O. Mascha, No. 633. E. Ramiro, No. 525. First state. Brilhant proof on Japan paper. Signed in pencil by the artist. GRISERIE FLAMANDE Original painter soft ground etching finished with the needle. O. Mascha, No. 701. KE. Ramiro, No. 175. Fine impression, with the inscription. SUFFISANCE Heliogravure after the artist’s original drawing. O. Mascha, No. 747. Early impression printed in colors on Japan paper. One of 100 impressions. LA CHRYSALIDE Original painter etching. O. Mascha, No. 606. E. Ramiro, No. 330. Second state. Brilliant impression. Signed by the artist in red pencil. TETE D?PHOMME AU LARGE CHAPEAU Original painter soft ground etching. O. Mascha, No. 825. Early impression printed on Japan paper. .LES SEPT TETES Original painter soft ground etching. O. Mascha, No. 827. Fine impression on Japan paper. TETE DE FEMME Original painter etching. O. Mascha, No. 831. Very fine im- pression on Japan paper. oo 233 234 235 236 237 238 LE SPHINX Heliogravure after the artist’s original drawing. O. Mascha, No. 845. E. Ramiro, No. 149. Fine impression, with the artist’s signature engraved in red. POESIES DE STEPHANE MALLARME. LA GRANDE LYRE Heliogravure retouched by the artist with the needle. O. Mascha, No. 894. E. Ramiro, No. 636. First state, with all the remarques. Brilliant impression on Japan paper. FLIRT Original painter soft ground etching finished with the needle. O. Mascha, No. 980. E. Ramiro, No. 660. Fine impression, with the inscription. LA MERE AUX SATYRONS Etching printed in colors by A. Bertrand after an original water color by Rops. O. Mascha, No. 993. One of 150 impressions. FEMME NUE COUCHEE Original painter soft ground etching finished with the needle. Very early impression with the remarque. Printed on Japan paper. I. SATTLER PAN Original painter lithograph. Printed in colors. On Japan paper, with untrimmed margin (deckle edges). Signed by the artist. A. W. SEABY SWANS; ROBINS Original woodcuts printed in colors. Signed and numbered proofs. (2) WILD DUCKS; WINTER LANDSCAPE Original woodcuts printed in colors. Signed and numbered proofs. (2) 40 241 243 244 245 246 247 GEORGE P. SENSENY CONTEMPORARY BRIDGE OF SIGHS, VENICE Aquatint printed in colors. Signed and numbered proof on Japan paper. Gilt frame. MILL RIVER Aquatint printed in colors. Signed and numbered proof on Japan paper. THE BIG CLOUD Aquatint printed in colors. Signed and numbered proof on Japan paper. W. A. SHERWOOD CONTEMPORARY THE NEW YORK STOCK EXCHANGE Original aquatint printed in colors. Signed proof on Japan paper. Edition limited. THE SUB-TREASURY, NEW YORK Original aquatint printed in colors. Signed proof on Japan paper. Edition limited. L’YSER Aquatint printed in colors. Signed proof on Japan paper. LE QUAI VERT A BRUGES; L’ANCIENNE RUE DU STEEN—ANVERS Aquatints printed in colors. Signed proofs printed on Japan paper. Editions limited. (2) CHATEAU DE FLANDRES; PORTE DES MARECHAUX A BRUGES Original aquatints printed in colors. Signed proofs on Japan paper. Editions limited. (2) 41 248 249 251 252 253 EVERETT SHINN BALLET DANCER RESTING Original pastel drawing. Signed. Gilt team | Size, 8 x 10 mches JANET SMALLEY (a) STUDY OF A NUDE Oil painting on panel. Framed. Size, 914 x 914 inches WAYMAN ADAMS (b) CHILD AND DOLL Oil painting on panel. Signed. Framed. (2) Size, 4144 x 314 inches J. ANDRE SMITH A VENETIAN BYWAY Original dry-point. Signed proof. DONKEY COURT Original etching. Signed proof on Japan paper. ALEXANDRE T. STEINLEN CONTEMPORARY FRENCH VPORAGE (COURDIMANCHE) Original painter etching finished with dry poimt. Brilliant proof. Signed by the artist. One of 75 impressions. LES GRANDS CHANTEURS DES RUES Original painter etching finished with the needle. KE. de Crauzat, No. 46. Second state after the copperplate has been reduced. Brilliant impression of the trial impression in bistred black. Signed in pencil by the artist. One of 6 impressions. 254 256 257 258 259 260 LA SORTIE DE L’ATELIER Original painter lithograph. Fine impression with remarque on Japan paper. RETOUR DE PERMISSION Painter lithograph. Printed on tinted background. One of 400 impressions. TEMPS D’ORAGE Original painter etching finished with the needle. Second state. Very scarce proof signed in pencil by the artist on the right of the lower margin. With “2e état” in the lower left corner in the artist’s handwriting. LE RETOUR AU LOGIS Original painter lithograph. Brilliant impression. Printed on Japan paper. RACAHOUT DES ARABES Le meilleur aliment des enfants (1905) Original painter lithograph. E. de Crauzat, No. 512. First state, proof before all letters, printed in colors. Signed in pen- cil by the artist in the lower right corner. One of 12 impressions. LA SORTIE DE LA MINE, 1907 Original painter lithograph. E. de Crauzat, No. 269. First state before all letters. Printed in bistre on Japan paper. Signed in pencil by the artist in the lower left corner. VeERy Rake. One of 20 impressions. L’APOTRE (1908) Original painter lithograph. E. de Crauzat, No. 289. Very fine impression on papier de Chine. Signed in pencil by the artist on the right of the lower margin. One of 25 impressions. 43 262 265 266 267 L°ETE, CHAT SUR UNE BALUSTRADE (1909) Original painter lithograph. E. de Crauzat, No. 292. Brilliant impression. Printed in colors. Signed in pencil by the artist on the railing (balustrade). One of 250 impressions. Companion to No. 262. L°’HIVER, CHAT SUR UN COUSIN (1909) Original painter lithograph. E. de Crauzat, No. 293. Brilliant impression. Printed in colors. Signed in pencil by the artist in the lower right corner. Marked in pencil in the artist’s hand- writing “Etat Complet” in the lower left corner. One of 250 impressions. Companion to No. 261. LES DEUX CHATS NOIRS SUR UN MEUBLE (1914) Original painter etching. Very fine impression. Signed in pen- cil by the artist in the lower margin. 3 One of 30 impressions. LA VILLE LOINTAINE (1914) Original painter etching. Brilliant impression. Signed in pen- cil by the artist on the left of the lower margin. One of 30 impressions. LE 2 AOUT 1914, LA MOBILISATION (1915) Original painter soft ground etching. Fine impression. Signed in pencil by the artist on the left of the lower margin. One of 300 impressions. “LA REPUBLIQUE NOUS APPELLE . . .” (1915) Painter lithograph. Brilliant impression with a remarque en- graved on the stone by the artist. One of 400 impressions. CHIENS ERRANTS 1915 Painter lithograph. Printed on tinted background. One of 400 impressions. SERBIE. FEMME ET ENFANTS EN FUITE (1915) Painter lithograph, printed on tinted background. One of 400 impressions. 44, 269 270 271 272 273 274 275 276 277 LES REFUGIES DE LA MEUSE (1915) Painter lithograph. Printed on tinted background. One of 400 impressions. POUR LES FAMILLES DISPERSEES (1915) Painter lithograph. Proof before the text. Printed on tinted background. One of 400 impressions. LE POILU A LA ROSE, [LES DEUX POILUS] (1915) Painter lithograph. Printed on tinted background. One of 400 impressions. SERBIE. Sorur ANNE DE FrRANcE ov pD’ITALIE NE Vols-TU Rien Venir (1916) Painter lithograph. Printed on tinted background. One of 400 impressions. LE POILU A PETAIN (1916) Painter lithograph. Printed on tinted background. One of 400 impressions. VERDUNOIS A LA GARE DE L’EST (1916) Painter lithograph. Printed on tinted background. One of 400 impressions. LE DEVOIR SOCIAL (1918) Painter lithograph printed in two colors on tinted background. HERBERT STODART NAPOLEON BONAPARTE Bust size, profile to the left. Mezzotint printed in colors. Signed proof. Gilt frame. C. E. SWAN CONTEMPORARY ENGLISH WOUNDED TIGER Original water color. Signed. Guilt frame. Size, 12 x 1914 inches 45 279 283 284 285 286 bo ©) ~ TIGER RESTING Original water color. Signed. Gilt frame. Saze; 12 x 1914 inches FRITZ THAULOW DANISH, 1847-1906 PONT DE VERONE Aquatint printed in colors. Signed proof. Edition limited. WINTER IN HOLLAND | Aquatint printed in colors. Signed proof. Edition limited. SUNDAY EVENING—GOING TO CHURCH Aquatint printed in colors. Signed proof. Edition limited. A CANAL SCENE IN HOLLAND | Aquatint printed in colors. Signed proof. Edition limited. A DUTCH WINDMILL Aquatint printed in colors, after Alexandre Thaulow. Proof. Signed by the artist, with the engraver’s signature in the plate. MAREE BASSE—LOW TIDE Aquatint printed in colors. Signed proof. Edition limited. KUGENE. TILY LADY HAMILTON (at the spinning wheel ) Stipple, printed in colors after George Romney. Signed proof. Gilt frame. PORTRAIT OF A LADY (as a Bacchante) Stipple, printed in colors after Sir Henry Raeburn. Signed proof, on vellum. Gilt frame. VAUGHAN TROWBRIDGE PARIS Original etching printed in colors. Signed proof on Japan paper. One of 30 impressions. 46 DUTCH WASHERWOMEN BY VINCENT VAN GOGH [NUMBER 290 | 288 289 290 291 292 293 VENICE Original aquatint printed in colors. Signed proof on Japan paper. Edition limited. AFTER VAN DYCK AND LELY (a) MARCHIONESS OF WHARTON, BY VALENTINE GREEN Mezzotint after Sir Peter Lely. (6) SIR THOMAS WHARTON, BY RICHARD EARLOM Mezzotint after Van Dyck. (2) VINCENT VAN GOGH CONTEMPORARY DUTCH DUTCH WASHERWOMEN Original crayon and ink drawing. Signed “Vincent”. Framed. Size, 18 x 10 inches © Purchased from Scott § Fowles. [SEE ILLUSTRATION, PAGE 47] GEORGE C. WALE =) WHALER CALM; CUTTING IN Original dry-points. Signed proofs. Editions limited. (2) CONSTITUTION AND GUERRIERE; THE WEST INDIE TRADE Original dry-points. Signed proofs. Editions limited. (2) JAMES A. McNEILL WHISTLER a ee AMERICAN, 1834-1903 OLD BATTERSEA BRIDGE Original charcoal drawing. On gray paper. Signed with the butterfly. A splendid example of one of Whistler’s favorite subjects. Guilt frame. Size, 11 x 14 inches [SEE ILLUSTRATION | 48 AAT LSIHM TITIAN OW [e6z aaawan | ‘V SANVE AX O HOCIUeE VASUALL NIMVUd TVOOUVHO TIVNIOIXZO LV& AIO 296 299 300 301 302 STUDIES FOR “TILLIE” Charcoal sketches. Five studies on the same sheet, of the nude model, heightened with slight touches of pastel. On gray paper. A charming and most characteristic group. Gilt frame. Size, 11384 x 734 inches [SEE ILLUSTRATION | BILLINGSGATE Original etching. Mansfield, No. 46. Published state. BIBI VALENTIN Original etching. Mansfield, No. 50. Second state. Guilt frame. VENUS ; Original etching. Mansfield, No. 59. First state. Fine im- pression on old paper. OLD HUNGERFORD BRIDGE Original etching. Mansfield, No. 76. Third state. Fine im: pression. One of the “Sixteen Etchings”’. THE WINGED HAT Lithograph. Way, No. 25. Framed. LES BONNES DU LUXEMBOURG Lithograph. Way, No. 48. Framed. SYDNEY E. WILSON LADY SMITH AND CHILDREN Mezzotint printed in colors, after Reynolds. Signed proof. Gilt frame. MISS CUMBERLAND Stipple, printed in colors after George Romney. Signed proof. Gilt frame. 50 STUDIES FOR “TILLIE”’ CHARCOAL SKETCHES BY JAMES A. MC NEILL WHISTLER [NUMBER 294 | 303 304 305 306 307 308 309 ANDERS. ZORN SWEDIsH, 1860-1920 GIRL WITH CIGARETTE—II | Etching. Asplund, No. 62. First state. Signed artist’s proof. Inscribed: “‘“T'o Miss Hallowell, sowvenir from Zorn.” Brilliant impression. | SEE ILLUSTRATION | EN OMNIBUS Etching. Asplund, No. 72. Third state. Signed artist’s proof. Brilliant impression on Dutch paper. THE TOAST Etching. Asplund, No. 80. Third state. Signed artist’s proof. Fine impression on old paper. Plate destroyed after about 75 proofs were taken. [SEE ILLUSTRATION, PAGE 54 | LA GUITARE OU SOUVENIR Etching. Asplund, No. 95. Only state. Signed artist’s proof. Brilliant impression on brown paper. Gilt frame. VERy Rare. Purchased from M. Knoedler & Co. NANETTE Etching. Asplund, No. 174. Second state. Signed artist’s proof. Brilliant impression. One of 20 impressions. Guilt frame. Rare. Purchased from M. Knoedler & Co. THE TWO MODELS Etching. Asplund, No. 175. Second state. Signed artist’s proof. On Dutch paper. Guilt frame. Purchased from M. Knoedler & Co. ANNA DOING HER HAIR Etching. Asplund, No. 200. Third state. Signed artist’s proof. Fine impression on Dutch paper. Gilt frame. Purchased from M. Knoedler & Co. 52 GIRL WITH CIGARETTE—I[I BY ANDERS ZORN [NUMBER 803 ] THE TOAST ZORN ANDERS BY [NuMBER 305 | 310 oll 312 313 314 B15 SANDHAMN Etching. Asplund, No. 202. Only state. Signed proof. Gilt frame. THE PRECIPICE Etching. Asplund, No. 228. Second state. proof. Impression on Dutch paper. ANOTHER MODEL Etching. Asplund, No. 235. Second state. proof. Fine impression. Gilt frame. Purchased from M. Knoedler & Co. THE FORD Etching. Asplund, No. 249. Second state. Signed Signed Signed proof. Brilliant impression in brown. Gilt frame. BERSECK Etching. Asplund, No. 261. Third state. proof. Fine impression. Guilt frame. Purchased from M. Knoedler & Co. DAL RIVER Etching. Asplund, No. 284. Only state. proof. Fine impression on Dutch paper. Or ou Signed Signed artist’s artist’s artist’s artist’s artist’s -_- ; : on This catalogue designed by The Ai Composition and Press-