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 SUPERB EXAMPLES BY 
 
 J.A.McN.WHISTLER ||pe4,o 
 
 AND OTHER MASTERS 
 FROM THE COLLECTION OF 
 
 HERBERT L. ROTHCHILD 
 
 OF SAN FRANCISCO 
 RARE FRENCH AND ENGLISH 
 
 COLOUR PRINTS 
 
 IN MEZZOTINT, AQUATINT AND STIPPLE 
 *FROM THE COLLECTIONS OF THE LATE 
 JULIAN LE ROY WHITE, oF BALtTImMorE 
 at D OF THE LATE ° 
 
 JAMES A. GARLAND, oF Boston 
 
 TO BE SOLD ON THE EVENINGS OF TUESDAY, WEDNES- 
 DAY AND THURSDAY, MARCH 25TH, 26TH AND 
 27TH, 1924 
 
 AMERICAN ART ASSOCIATION, Inc. 
 
 MADISON AVENUE, 50TH TO 57TH STREET 
 
 ENTRANCE 30 EAST 57TH STREET, NEW YORK 
 
JAMES ABBOTT McNEILL WHISTLER 
 NocrurnE PALaces 
 [No. 447] a 
 
ETCHINGS AND ENGRAVINGS 
 
 SUPERB EXAMPLES BY 
 
 J. A. McN. WHISTLER Us 
 
 AND OTHER MASTERS 
 
 INCLUDING MUIRHEAD BONE, BUHOT, LEPERE, SEYMOUR HADEN,! 
 
 ae, 
 
 DURER, PENNELL, ZORN, McBEY, REMBRANDT, 
 CAMERON, MERYON, &c. 
 
 FROM THE COLLECTION OF 
 
 Popa RE LL. ROTHCHILD 
 
 OF SAN FRANCISCO 
 
 Peewee FRENCH AND ENGLISH 
 
 COLOUR PRINTS 
 
 IN MEZZOTINT, AQUATINT AND STIPPLE 
 
 FROM THE COLLECTIONS OF THE LATE 
 
 JULIAN LE ROY WHITE, of Baltimore 
 Sold by Order of His Estate 
 AND OF THE LATE 
 JAMES A. GARLAND, of Boston 
 
 Sold by Direction of the Trustees, 
 Messrs. James A. Parker, ArtHuR D, Hitt ann James A. GARLAND 
 
 WITH OTHER PROPERTIES 
 MADISON AVENUE, 50TH TO 57TH STREET 
 
 ENTRANCE 30 EAST 57TH STREET, NEW YORK 
 Telephone: PLAZA 1270 
 
 {ttt <y 
 
 AMERICAN ART ASSOCIATION, Inc. LAU 
 
 : wv \ 
 , 
 
On Free Public Exhibition— 
 
 Commencing Thursday, March 2oth, and 
 Continuing until date of the sale 
 
 Unrestricted Public Sale— 
 
 Tuesday, Wednesday and Thursday evenings, 
 March 25th, 26th and 27th, 1924 yap 
 
 o’clock 
 
 Exhibition and Sale at the— 
 AMERICAN ART GALLERIES 
 
 MADISON AVENUE, 56TH TO 57TH STREET 
 ENTRANCE 30 EAST 57TH STREET, NEW YORK 
 
 Telephone: PLAZA 1270 
 
af 7” 7 ~ «& 
 
 <—_ 
 
Conditions of Sale 
 
 1. Rejection of Bids. Any bid which is not commensurate with the value of the article offered 
 or which is merely a nominal or fractional advance may be rejected by the auctioneer if in his judg- 
 ment such bid would be likely to affect the sale injuriously. 
 
 2. The Buyer. The highest bidder shall be the buyer, and if any dispute arises between two or 
 more bidders, the auctioneer shall either decide the same or put up for re-sale the lot so in dispute. 
 
 3. Identification and Deposit by Buyer. Thename of the buyer of each lot shall be given 
 immediately on the sale thereof, and when so required, each buyer shall sign a card giving the lot 
 number, amount for which sold, and his or her name and address. 
 
 A deposit at the actual time of the sale shall be made of all or such part of the purchase prices as 
 may be required. 
 
 If the two foregoing conditions are not complied with, the lot or lots so purchased may at the option 
 of the auctioneer be put up again and re-sold. 
 
 4. Risk after Purchase. Title passes upon the fall of the auctioneer’s hammer, and thereafter 
 neither the consignor nor the Association is responsible for the loss or any damage to any article occa- 
 sioned by theft, fire, breakage or any other cause. 
 
 5. Delivery of Purchases. Delivery of any purchases will be made only upon payment of the 
 total amount due for all purchases at the sale. 
 
 6. Receipted Bills. Goods will be delivered only upon presentation of a receipted bill. A re- 
 ceipted bill presented by any person will be recognized and honored as an order by the buyer, directing 
 the delivery to the bearer of the goods described thereon. If a receipted bill is lost before delivery of 
 the property has been made, the buyer should immediately notify the Association of such loss. 
 
 7. Storage in Default of Prompt Payment and Calling for Goods. Articles not paid 
 for in full and not called for by the purchaser or agent by noon of the day following that of the sale 
 may be turned over by the Association to some carter to be carried to and stored in some warehouse 
 until the time of the delivery therefrom to the purchaser, and the cost of such cartage and storage and 
 any other charges will be charged against the purchaser and the risk of loss or damage occasioned by 
 such removal or storage will be upon the purchaser. 
 
 In any instance where the purchase bill has not been paid in full by noon of the day following that 
 of the sale, the Association reserves the right, any other stipulation in these conditions of sale not- 
 withstanding, in respect to any or all of lots so purchased to cancel the sale thereof or to re-sell the 
 same at public or private sale without further notice for the account of the buyer and to hold the buyer 
 responsible for any losses and costs sustained in so doing. 
 
 8. Shipping. Shipping, boxing or wrapping of purchases is a business in which the Association 
 is in no wise engaged, but the Association will, however, afford to purchasers every facility for em- 
 ploying at current and reasonable rates carriers and packers; doing so, however, without any assump- 
 tion of responsibility on its part for the acts and charges of the parties engaged for such service. 
 
 9. Guaranty. The Association exercises great care to catalogue every lot correctly and endeavors 
 therein and also at the actual time of sale to point out any error, defect or imperfection, but guaranty 
 is not made either by the owner or the Association of the correctness of the description, genuineness, 
 authenticity or condition of any lot and no sale will be set aside on account of any incorrectness, error 
 of cataloguing or imperfection not noted or pointed out. Every lot is sold ‘‘as is” and without recourse. 
 
 Every lot is on public exhibition one or more days prior to its.sale, and the Association will give 
 consideration to the opinion of any trustworthy expert to the effect that any lot has been incorrectly 
 catalogued and in its judgment may thereafter sell the lot as catalogued or make mention of the opinion 
 of such expert, who thereby will become responsible for such damage as might result were his opinion 
 without foundation. 
 
 10. Records. The records of the auctioneer and the Association are in all cases to be considered 
 final and the highest bid shall in all cases be accepted by both buyer and seller as the value against 
 which all claims for losses or damage shall lie. 
 
 11. Buying on Order. Buying or bidding by the Association for responsible parties on orders 
 transmitted to it by mail, telegraph, or telephone will be faithfully attended to without charge or 
 commission. Any purchases so made will be subject to the foregoing conditions of sale, except that, 
 in the event of a purchase of a lot of one or more books by or for a purchaser who has not through 
 himself or his agent been present at the exhibition or sale, the Association will permit such lot to be 
 returned within ten days from the date of sale, and the purchase money will be tefunded if the lot in 
 any manner differs from its catalogue description. 
 
 Orders for execution by the Association should be given with such clearness as to leave no room for 
 misunderstanding. Not only should the lot number be given, but also the title, and bids should be 
 stated to be so much for the lot, and when the lot consists of one or more volumes of books or objects 
 of art, the bid per volume or piece should also be stated. If the one transmitting the order is unknown 
 to the Association, a deposit must be sent or reference submitted. Shipping directions should also be 
 given. 
 
 Priced Catalogues. Priced copies of the catalogue, or any session thereof, will be furnished by 
 the Association at charges commensurate with the duties involved in copying the necessary informa- 
 tion from the records of the Association. 
 
 No person other than the auctioneer or an official of the Association is authorized to arrange condi- 
 tions of sale different in any way from those herein contained. 
 
 AMERICAN ART ASSOCIATION, Inc., MANAGERS, 
 DEPARTMENT OF BOOKS AND PRINTS 
 OTTO BERNET anp HIRAM H. PARKE, ARTHUR SWANN, Director 
 AUCTIONEERS 
 
First Session, Numbers 1 to 158, inclusive 
 
 TUESDAY EVENING, MARCH 25TH, AT 8:15 O’CLOCK 
 
 PIERRE MICHEL ALIX 
 
 Alix was a pupil of Descamps and Ph. Le Bas and one of the most suc- 
 cessful men who practiced color printing. Born in 1762; died in 1817. 
 
 Pee ee LEK RE MICHEL, 
 
 Ts 
 
 BENJAMIN FRANKLIN. Engraving in gouache manner. 
 Portalis et Beraldi, No. 93. After Vanloo. Brilliant impression 
 with the address of Drouhin; printed in colors. With large mar- 
 gins trimmed to the plate-mark. 
 
 ALIX, PIERRE MICHEL 
 2. CostuME Hampourceors. Aquatint, printed in colors. 
 
 Le Blanc, No. too. Proof with coat-of-arms and with the artist’s 
 names only,—Lespinay, pinxt,—P. M. Alix sculpt. Supers Im- 
 PRESSION, showing register-marks, in perfect condition. Outer 
 margins trimmed to plate-mark. 
 
 Costume Hameourceois. Aquatint, printed in colors. 
 
 Le Blanc, No. ror. Proof with coat-of-arms, the artist’s names,— 
 Lespinay, pinxt,—P. M. Alix, sculpt. and imprime par Bassand. 
 SUPERB IMPRESSION. showing register-marks, in perfect condition. 
 Outer margins trimmed to plate-mark. 
 
 Together, 2 pieces (pair). 
 
 Extremely rare and two of the most beautiful examples of French color printing. 
 [See Illustrations] 
 
 pis PIERRE MICHEL 
 3. Portrait or JEAN Racine. Aquatint, printed in colors. 
 
 Peint par J. B. Santerre,—Grave par P. M. Alix,—Published in 
 Paris. Fine Impression, with inscription. Margins. 
 
 ALIX, PIERRE MICHEL 
 4. Portrait oF Montesouieu, French Authority on Jurisprudence. 
 
 Aquatint, printed in colors. 
 Peint par Garnerey,—Grave par P. M. Alix,—Published in Paris. 
 Fine Impression, with inscription. Margins. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 . ee 
 SF eB 
 
 ALIX, PIERRE MICHEL 
 5. VOLTAIRE (FRANCOIS MarigE AROUET DE), in Fur Coat. Dedié a 
 Belle et Bonne fille adoptive de Voltaire. Engraving in gouache 
 
 manner. 
 Portalis et Beraldi, No. 39. After J. F. Garnerey. Very FINE 
 
 IMpRESSION, with Drouhin’s address, printed in colors. With very 
 large margins but lacking the plate-mark. 
 
 JOSEPH BARNEY 
 
 English painter and engraver, of the latter part of the Eighteenth 
 Century. 
 
 BARNEY, JOSEPH 
 6. SitviA AND Her Dyinc Fawn. Stipple, printed in colors. | 
 Josh. Barney, pinxt, et sculpt.—London, Oct. 2oth, 1805. Published 
 by Darling and Thompson. Goop Impression, with inscription. 
 Stained, repaired and mounted on thin board. 
 
First Session, Tuesday Evening, March 25th 
 
 FRANCESCO BARTOLOZZI 
 
 Celebrated engraver, born in Florence, 1725; died in Lisbon, nea h ale 
 
 Bek OLOZZI, FRANCESCO 
 
 7. ApoTHEosis. Stipple, printed in colors. 
 Painted by Wm. Hamilton,—Engraved by F. Bartolozzi,—Published 
 in 1709, by W. Dickinson. Fine Impression, with inscription. 
 Margins trimmed to engraved surface. 
 
 BARTOLOZZI, FRANCESCO 
 
 8. A St. Gites Beauty: A Sr. James’s Beauty. Stipples, colored by hand. 
 J. H. Benwell, pinxt..—F. Bartolozzi, sculpt.,—Published in Sept. 
 1783, by E. M. Diemar. Goop Impressions, with inscriptions. 
 Together, 2 pieces (pair). 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 BARTOLOZZI, FRANCESCO 
 
 9. CoUNTESS OF HARRINGTON AND CHILDREN. Stipple. 
 Painted by Sir Joshua Reynolds,—Engraved by F. Bartolozzi, R. A. 
 FINE IMpRESSION, with inscription. Margins trimmed inside plate- 
 mark, 
 
 BARTOLOZZI, FRANCESCO 
 
 10. ELoPEMENT : Remorse. Stipples, printed in colors. 
 Engraved by Bartolozzi. Fine Impressions, margins trimmed to 
 engraved surface. 
 Together, 2 pieces. 
 
 BARTOLOZZI, FRANCESCO 
 
 11. Honsie. Mr. Leicester STANHOPE. Stipple, printed in colors. 
 Painted by Sir Joshua Reynolds,—Engraved by F. Bartolozzi, R. A., 
 Published June, 1789, by F. Bartolozzi & Co., No. 81 Great Titch- 
 field Street. Very Fine Impression, with inscriptions. Margins 
 trimmed inside plate-mark. 
 
 BARTOLOZZLSRRANGESCO 
 
 12. JEaLousy : THE Dance. Stipple Engravings. 
 H. Bunbury, Esq., Delint., and W. Harding, Invt..—Engraved by 
 F. Bartolozzi. Fine Impressions, trimmed inside plate-marks. 
 Together, 2 pieces. 
 
 BARTOLOZZI, FRANCESCO 
 
 13. Lavinia. Stipple, printed in colors. 
 Gainsborough R. A. Pinxt.—F. Bartolozzi, Engraver,—London, 
 Published Jan. 5th, 1790, by Thos. Macklin. Very Fine Impres- 
 SION, with inscription. Margins trimmed to plate-mark. 
 
 BARTOLOZZIVFRANCESGO 
 
 14. NymMpus Batuinc : Nympus AFTer BatHINnG. Stipples, printed in 
 colors. 
 G. B. Cipriani Invt..—Gravé d’aprés Bartolozzi. Goop IMPRESSIONS, 
 with inscriptions. Full margins, slightly stained and folded. 
 Together, 2 pieces (pair). 
 
 BARTOLOZZI, FRANCESCO 
 
 15. THE AFFECTIONATE BroTHeERS. Stipple Engraving. 
 Sir Joshua Reynolds, pinxt. R.A.—F. Bartolozzi, Sculpt. R.A.— 
 Published as the Act Directs March 30th, 1791, by M. Benedetti. 
 Very Fine Impression, with inscription. Margins trimmed to 
 plate-mark. 
 
 SCOTT, EDMUND 
 THE CHILDREN IN THE Woop. Stipple Engraving. 
 Designed by Thomas Stothard,—Engraved by Edmund Scott. Fine 
 IMPRESSION, With inscription. Trimmed inside plate-mark. 
 Together, 2 pieces. 
 
First Session, Tuesday Evening, March 25th 
 
 Pam POLOZZI, FRANCESCO 
 16. THe Farr Morarist AND Her Pupiu. Stipple. 
 R. Cosway, delin..—F. Bartolozzi, sculpt.—London, Published Feb. 
 2oth, 1787, by W. Dickinson. Finer Impression, with inscription. 
 Small margins. 
 
 BARTOLOZZI, FRANCESCO 
 17. THE GiRL AND KitTEN. Stipple, printed in colors. 
 Engraved by F. Bartolozzi, after the painting by Reynolds. Fine 
 IMPRESSION. Good margin but trimmed inside plate-mark, other- 
 wise in perfect condition. 
 
 Ber vOulOZ7Z!, FRANCESCO 
 18. THE HonourasLte Miss BincHam. Stipple, touched in colors. 
 Painted by Sir Joshua Reynolds,—Engraved by F. Bartolozzi, R.A. 
 Goop Impression, with inscription. Torn and repaired in lower 
 margin. 
 
 PIERRE ANTOINE BAUDOUIN 
 
 Miniature painter, pupil of F. Boucher and Greuze. Born in 1723; 
 died in 1769. 
 
 BAUDOUIN, PIERRE ANTOINE 
 19. Le PoktE ANacrEon. Etching. 
 L. Bocher, No. 37. Etching finished with the graver by N. de 
 Launay. Third state, Macniricent Impression, with the inscrip- 
 tion but before Morel’s address. With untrimmed margin (deckle 
 edges). 
 
 BAUDOUIN, PIERRE ANTOINE 
 
 20. Les Deux Amants. Stipple. 
 Engraved by A. M. De Gouy. Brittiant Impression, trimmed to 
 the engraved border.’ Charming little engraving made in the 
 XVIlIth Century for top of boxes. 
 
 NOEL FRANCOIS BERTRAND 
 
 French engraver, born in 1784; died in 1852. 
 
 BERTRAND, NOEL FRANCOIS 
 
 21. Louis XVII Ror pe France et DE Navarre. Stipple. 
 
 After a drawing of A. Laby. Fine Impression, with the inscrip- 
 tion, printed in colors. The blue tint has been applied with the 
 brush. With small margin trimmed inside the plate-mark. 
 Mounted on drawing paper. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 WILLIAM REDMORE BIGG 
 
 Celebrated English painter, born in 1755; died in London, in 1828. 
 
 BIGG, WILLIAM REDMORE 
 
 22. Dutce Domum, or the Return from School. Meszzotint, printed in 
 colors. 
 Painted by W. R. Bigg, A..—Engraved by J. Jones,—Published Dec. 
 I, 1790, by W. R. Bigg, Gate St. Lincoln’s Inn Fields. Very 
 Fine Impression, with inscription, slightly stained around edges, 
 otherwise in perfect condition. Small margins. 
 
 [No. 22] 
 
 Brack Monpay, or the Departure for School. Mezzotint, printed in 
 colors. 
 
 Painted by W. R. Bigg, A.,—Engraved by John Jones,—Published 
 Devi tyi700/ebyaw oR, Bigg, Gate St. Lincoln’s Inn Fields. Very 
 FINE IMPRESSION, with inscription, slightly stained around edges, 
 otherwise in perfect condition. Small margins. 
 
 Together, 2 pieces (pair). - 
 
 [See Illustrations] 
 
First Session, Tuesday Evening, March 25th 
 
 TER 
 
 BIGG, WILLIAM REDMORE 
 
 23. SaTurDAY Morning, or The Cottager’s Merchandise. Stipple, printed 
 in colors. 
 
 Painted by W. R. Bigg, A.—Engraved by Burke,—London, Pub- 
 lished Jan. 4th, 1797, by J. Brydon, Charing Cross. Very Fine 
 
 IMPRESSION, with inscription. Good margins but trimmed. to 
 plate-mark. 
 
 SATURDAY Eventnc, THe HussanpMAn’s RETURN FROM L 
 Stipple, printed in colors. 
 
 Painted by W. R. Bigg, A.,—Engraved by W. Nutter,—London, 
 
 Published Jan. 31st, 1795, by J. Brydon, Charing Cross. Very 
 
 Fine Impression, with inscription. Good margins but trimmed 
 to plate-mark. 
 
 Together, 2 pieces (pair). 
 
 ABOUR. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 BIGG, WILLIAM REDMORE 
 24. Tue Soxprer’s Wipow. Meszotint, printed in colors. 
 Painted by W. R. Bigg, A.R.A..—Engraved by R. Dunkarton,— 
 Published 2d, August 1800, by W. R. Bigg, Gate Street Lincoln’s 
 Inn Fields, London. Supers Impression, with full inscription. 
 In perfect condition. 
 
 [No. 24] 
 
 Tue Sarvor’s OrPpHANS. Mezgzotint, printed in colors. 
 
 Painted by W. R. Bigg, A.R.A..—Engraved by W. Ward,—Pub- 
 lished 1st, June, 1800, by W. R. Bigg, Gate Street Lincoln’s Inn 
 Fields, London. Supers Impression, with full inscription. Few 
 small holes repaired. : 
 
 Together, 2 pieces (pair). 
 
 [See Illustrations] 
 
First Session, Tuesday Evening, March 25th 
 oe EE TO a Re ae 
 
 BIGG, WILLIAM REDMORE 
 
 25. Dutce Domum, or the Return from School. Mezzotint, printed in 
 colors. 
 Painted by W. R. Bigg,—Engraved by John Jones,—Published as 
 the Act directs Dec. Ist, 1790, by W. R. Bigg. Very Goop Im- 
 PRESSION, With inscription. Slightly stained, surface repaired in 
 few places, small margins. 
 
 Biack Monpay, or the Departure for School. Mezzotint, printed in 
 colors. 
 
 Painted by W. R. Bigg,—Engraved by John Jones,—Published Dec. 
 Ist, 1790, by W. R. Bigg. Very Goop Impression, with inscrip- 
 tion. Slightly stained, surface repaired in few places, small 
 Margins. 
 
 Together, 2 pieces (pair). 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 BIGG, WILLIAM REDMORE 
 
 26. Tue Stormy Nicut. Meszotint, printed in colors. 
 Painted by W. R. Bigg, —Engraved by W. Ward, “pyplened by 
 W.R. Bigg, Gate St. London, March, 1798. FINE IMPRESSION, 
 with inscription. Margins repaired. 
 
 MorniNG AFTER THE STORM. Mezzotint, printed im colors. 
 
 Painted by W. R. Bigg,—Engraved by W. Ward,—Published by 
 W.R. Bigg, Gate St. London, March, 1798. Finer Impression, 
 with inscription. Repaired along plate-mark, on upper and right 
 margins. 
 
 Together, 2 pieces (pair). 
 
 BIGG, WILLIAM REDMORE 
 
 27. SaTuRDAY Morninc Goinc To Market: THe Citizens. RETREAT. 
 Stipples, printed in colors. 
 
 Painted by W. R. Bigg,—and J. Ward,—Engraved by Thouvenin,— 
 London, Published by Tessari & Can Pall Mall. Good impres- 
 sions, with inscriptions. Margins trimmed to plate-mark. 
 
 Together, 2 pieces. 
 
 BIGG, WILLIAM REDMORE 
 28. Tue Stormy Nicut. Mezzotint, pr inted in colors. 
 Painted by W. R. Bigg,—Engr aved by W. Ward,—Published March, 
 1798, by W. R. Bigg, Gate Street, Lincoln’s Inn Fields, London. 
 Good impression, with inscription. Repaired. 
 
 MorninG AFTER THE StoRM. Mezzotint, printed in colors. 
 
 Painted by W. R. Bigg,—Engraved by W. Ward,—Published March, 
 1798, by W. R. Bigg, Gate Street, Lincoln’s Inn Fields, London. 
 Good impression, with inscription. Repaired. 
 
 Together, 2 pieces (pair). 
 
 BIGG, WILLIAM REDMORE 
 
 29. Tue Stray’ Favorite Restorep. Stipple, printed in colors. 
 Painted by W. R. Bigg, A.R.A.,—Engraved by T. Hellyer,—Printed 
 in colours by P. Gaugain, —Published April, 1798, by W. R. Bigg, 
 Gate St. Lincoln’s Inn Fields. Very Five IMPRESSION, with 
 inscription. Good margins but trimmed inside plate-mark. 
 [See Illustration] 
 
 BIGG, WILLIAM REDMORE 
 
 30. WetLcome Home, or The Harvestman’s Return. Mezszotint, m colors. 
 W. R. Bigg, pinx.—R. Dunkarton, sculp. Good impression, with 
 inscription. Trimmed to engraved surface. 
 
 LOUIS LEOPOLD BOILLY 
 
 Celebrated French painter and engraver, born in 1761; died in Paris 
 in 1845 
 BOILLY, LOUIS LEOPOLD 
 31. L’Optigue. Stipple, printed in colors. 
 Peint par L. Boilly—Grave par F. Cazenave. FINE IMPRESSION, 
 with inscription. Margins trimmed inside plate-mark. 
 
First Session, Tuesday Evening, March 25th 
 
 [No. 29] 
 
 Peeeiy, LOUIS LEOPOLD 
 
 32. La Soxitupe. Stipple, printed in colors. 
 L. Boilly, pinxit,—S. Tresca, sculpt.—A Paris chez, l’Auteur Rue 
 des Matburins, No. 12. Supers Proor, with inscription, in perfect 
 condition. 
 
 WILLIAM -BOND 
 English engraver of the Eighteenth Century. 
 
 BOND, WILLIAM 
 
 33. Lapy HaAmMILTon, As Saint CeciLia. Stipple, printed in colors. 
 After the painting by J. Russell—Engraved by W. Bond,—Pub- 
 lished in 1795, by W. Bond. Fine Impression, with inscription. 
 Margins trimmed inside plate-mark. 
 
 LOUIS MARIN BONNET 
 Celebrated French engraver, born in Paris in 1743: died in 1793. 
 
 BONNET, LOUIS MARIN 
 
 34. Les Soins Marernets. Engraving. 
 J. B. Huet, del.—L. M. Bonnet, sculp. Frne Impression, with in- 
 scription, small margins, with slight repair in upper. 
 From the F. R. Halsey collection. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 FRANCOIS BOUCHER 
 
 The most celebrated French painter of the middle of the XVIIIth Cen- 
 tury, whose work dominated the artistic tendencies of the period; 
 born in 1703; died in 1790. 
 
 BOUCHER, FRANCOIS 
 35. FEMME NUE ET L’Amour. Engraving. 
 L. de Leymarie, No. 21. Engraved in crayon manner by G. De- 
 marteau lainé. Very FinE Impression, printed in sanguine. 
 With large margin showing the plate-mark. 
 
 BOUCHER, FRANCOIS 
 36. CHEvRES ET Moutons. Engraving. 
 L. de Leymarie, No. 56. Engraved in crayon-manner by G. De- 
 marteau l’ainé. VERY FINE Impression, printed in sanguine. 
 With very large margin showing the plate-mark. A slight crease 
 carefully ironed out. 
 
 MovutTons ET CuHevres. Engraving. 
 
 LL. de Leymarie, No. 57. Engraved in crayon-manner by G. 
 Demarteau l’ainé. VeERy FINE Impression, printed in sanguine. 
 With small margin trimmed to the engraved border. 
 
 Together, 2 pieces. 
 
 BOUCHER, FRANCOIS 
 37. Petit MENAGE. Engraving. 
 
 L. de Leymarie, No. 58 Engraved in crayon-manner by G. 
 Demarteau I’ainé. Impression printed in sanguine. With small 
 margin trimmed to the engraved border. Slightly torn on the 
 right side and carefully repaired. 
 
 Les Praisirs INNocENS. Engraving. 
 
 L. de Leymarie, No. 174. Engraved in crayon-manner by G. 
 Demarteau l’ainé. Impression printed in sanguine. With margin 
 trimmed quarter of an inch of the inside engraved border. 
 
 Together, 2 pieces. 
 
 BOUCHER, FRANCOIS 
 38. La PAYSANNE A LA CRUCHE. Engraving. 
 L. de Leymarie, No. 78. Engraved in crayon-manner by G. 
 Demarteau l’ainé. Impression printed in sanguine. With margin 
 trimmed inside the engraved border. 
 
 JEUNE FEMME A L’AMPHORE. Engraving. 
 
 L. de Leymarie, No. 123. Engraved in crayon-manner by G. 
 Demarteau l’ainé. Impression printed in sanguine. With margin 
 trimmed inside the engraved border. 
 
 Together, 2 pieces. 
 
 BOUCHER, FRANCOIS 
 39. TETE DE FEMME. Engraving. 
 L. de Leymarie, No. 289. Engraved in crayon-manner by G. 
 Demarteau l’ainé. Impression printed in sanguine. With the 
 margin trimmed inside the engraved border. 
 
 Pe ee 
 
First Session, Tuesday Evening, March 25th 
 eS eee iE nee ee a 
 
 BOUCHER, FRANCOIS 
 40. Les PLaisirs INNOCENS. Engraving. 
 L. de Leymarie, No. 433. Engraved in crayon-manner by G. 
 Demarteau l’ainé. Fine IMPRESSION, printed in sanguine. With 
 margin trimmed to the engraved border. 
 
 BOUCHER, FRANCOIS 
 41. La JarpinrerE (Mmr. Favarr). Engraving. 
 L. de Leymarie, No. 470. Engraved’ in crayon-manner by G. 
 Demarteau l’ainé. BritLtrant IMPRESSION, printed in sanguine. 
 With margin trimmed to the engraved border. 
 
 BOUCHER, FRANCOIS 
 42. Femme Nvue ETeENDUE. Engraving. 
 L. de Leymarie, No. 552. - Engraved: in crayon-manner by G., 
 Demarteau l’ainé. Supers Impression, printed in two colors. 
 With margin trimmed to the engraved border. 
 One of the finest engravings of G. Demarteau. 
 
 BOUCHER, FRANCOIS 
 
 43. BatusHeBa. Engraving. 
 Engraved in crayon-manner by W. W. Ryland, 1764. Very FIne 
 IMPRESSION, printed in sanguine. With large margin showing 
 the plate-mark. 
 
 BOUCHER, FRANCOIS 
 
 44. L’Amour ET LA Cotomse. Engraving. 
 Engraved in crayon-manner by G. Demarteau l’ainé. Charming 
 Impression, printed in two colors. With small margin trimmed 
 outside of the engraved border. 
 
 BOUCHER, FRANCOIS 
 
 45. Venus ALA TorLette. Engraving. 
 Engraved in crayon-manner by L. M. Bonnet. Brittiant Impres- 
 SION, printed in two colors. With margin trimmed to the en- 
 graved border. A slight tear in the face of the cupid carefully 
 repaired. 
 
 The above engraving has been reproduced in chromo lithography by G. W. Thorn- 
 ley in “Le Bulletin des Beaux Arts, rst year.” 
 
 PIERRE BOUILLON 
 
 French painter, born in 1776; died in 1831. 
 
 BOUILLON, PIERRE 
 
 46. JOURNEE DU 20 JUIN 1792, Au Chateau des Tuileries. Stipple, printed 
 in. colors. 
 Bouillon, delt, 1794,—Verité Sculpt.—Fine IMPRESSION, with in- 
 scription. Small margins. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 BERNARD BOUTET DE MONVEL 
 
 Modern French illustrator. 
 
 BOUTET DE MONVEL, BERNARD 
 464. Parts Race Scene. Wash drawing. 
 
 THOMAS SHOTTER BOYS 
 
 English landscape painter and lithographer. Boys was the first to use 
 chromolithography in England. 
 
 BOY Ss sCHOMAS Ss BOL TEE 
 
 47. Eeiise St. LAurent A Rouen. Original lithograph. 
 BRILLIANT IMPRESSION, printed in colors. With untrimmed margins. 
 ANCIEN HoTEL DE LA TREMOUILLE, rue des Bourdonnais a Paris. 
 Original lithograph. 
 BRILLIANT IMPRESSION, printed in colors. With untrimmed margins. 
 Together, 2 spreces, 
 
 The two above lithographs are some of the earliest specimens of color printing 
 in lithography. 
 
 SIR EDWARD BURNE-JONES 
 
 English painter and illustrator, born in 1833; died in 1808. 
 
 BURNE-JONES, SIR EDWARD 
 47A. STUDIES OF ArMoR. Pencil and chalk drawing. 
 DRAWING OF A HELMET. Pen and watercolor drawing. 
 Drawings for Sir Henry Irving’s production of King Arthur. 
 Together, 2 pieces. 
 
 CARICATURES 
 
 CARICATURE 
 48. FRENCHMEN IN NoveMBER : ENGLISH MEN 1N NovemBer : A Trip TO 
 SCARBOROUGH : Les EFFETS DU FANATISME. Etchings, and En- 
 graving, in colors. 
 Published by R. Rowlandson,—J. Bretherton, and French publica- 
 tion. Good impressions, with inscriptions. 
 Together, 4 pieces. 
 
 CARICATURE 
 49. JoHN GILPIN’s ReTuRN To Lonpon. Aquatint and Etching, printed 
 in colors. 
 
 Designed and Etched by H. Wigstead,—The Aquatinto by J. Jukes, 
 —London, Published May 14th, 1785, by J. R. Smith. Fine Im- 
 PRESSION, with inscription. Margins trimmed to etched surface, 
 and lower right and left corners repaired. 
 
First Session, Tuesday Evening, March 25th 
 
 CARICATURE 
 
 50. Les Dames AnciAtses Apres Dini, Scénes Anglaises dessinées a 
 Londres par un frangais prisonnier de Guerre. Line engraving, 
 colored by hand. 
 
 With large margins showing the plate-mark. Published by Martinet 
 circa 1812. Very amusing caricature of the period of the First 
 Empire. 
 
 FRANCOIS CAZENAVE 
 
 French engraver of the early Nineteenth Century. 
 
 CAZENAVE, FRANCOIS 
 
 51. Le Biritet-Dovux. Stipple, printed in colors. 
 Cazenave, sculpt. Verry Fine Proor, with artist’s name only. Large 
 margins, but trimmed inside plate-mark. 
 From the F. R. Halsey collection. 
 
 NICOLAS COLIBERT 
 
 Painter and engraver, born in Paris in 1750; died in 1806. Worked 
 mostly in dotted manner. 
 
 COLIBERT, NICOLAS 
 
 52. L’Amour Couronne La Beauté Qui Lur Sourit. Stipple, printed 
 in colors. 
 Colibert, pinxt,—Colibert, sculp. Fine Impression, with inscription, 
 Margins trimmed to plate-mark. 
 
 PoOripeRT, NICOLAS 
 53. PARADISE Lost. Stipple engravings. 
 
 By N. Colibert, A. L. Clement, Cazenave after N. Monsiau. 
 SUPERB ImpREssioNs, proof before all letters but with the artists’ 
 names traced with the needle, printed in colors. With very large 
 margin trimmed to the plate-mark. 
 
 Set of five plates for the illustration of Milton’s “Paradise Lost,” 
 published by de Maisonneuve. 
 
 ROBERT COOPER 
 
 English engraver of the latter part of the Eighteenth Century, 
 
 COOPER, ROBERT 
 
 54. Love Wounpvep: Love Heatep. Stipples, printed in colors. 
 S. Shelley, inv.—Robt. Cooper, sculpt.—London, March 14th, 1798. 
 Published by J. Young. Fine Impressions, with inscriptions. 
 Small margins. 
 Together, 2 pieces (pair). 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 RICHARD COSWAY 
 Celebrated English painter, born in 1742; died in 1821. 
 
 COSWAY, RICHARD 
 
 55. SPORTIVE INNOCENCE. Stipple, printed in colors. 
 Painted by R. Cosway, R. A..—Engraved by E. Scriven,—Published 
 Aug. Ist, 1802, by Clay & Scriven, London. Fine Impression, 
 with inscription. In perfect condition, large margins. 
 
 JOHN DEAN 
 
 English Mezzotint engraver of the latter part of the Eighteenth Century. 
 
 DEAN, JOHN 
 
 56. CAROLINE DE LiTcHFIELD. Megzotint. 
 Painted by J. Hoppner,—Engraved by J. Dean,—Published Dec. 
 14th, 1786, by J. Dean, Bentinck St. Soho. Good impression, 
 surface rubbed and touched in a few places. 
 
 PHILIBERT LOUIS DEBUCOURT 
 
 Celebrated French engraver and color printer; born in Paris in r75s: 
 died there in 1832. , 
 
 DEBUCOURT PHVB ik hyeOuls 
 
 57. PaysaGe, Errer pE N&ice. Aquatint, printed in colors. 
 
 Fenaille, No. 255. Engraved after the engraver’s own design. 
 Fine Inwpression, in perfect condition. Margins trimmed to 
 plate-mark. 
 
 From the F. R. Halsey collection. 
 
 DEBUCOURTOCCPHIDIERE Decor. 
 
 58. La FLramBeEE pu Cocuon, Erret p—E N&IcE. Aquatint, printed m Paes 
 
 Fenaille, No. 257. Engraved after the engraver’s own design. 
 
 Fine ImMprESSION, in perfect condition. Marsins trimmed to 
 plate-mark. 
 
 CHARLES MELCHIOR DESCOURTIS 
 
 Born in 1753; died in 1820. “He was a pupil of Janinet and in every 
 way worthy of his master. All his technical skill and his charming 
 sense of colour he put in the translation of Taunay and Schall’s 
 designs.” ——-M. C. SaLaMan. 
 
 DESCOURTIS, CHARLES: MELCHIC3§ 
 59. Les Espigcies. Aquatint in gouache-manner. 
 
 Portalis et Beraldi, No. 36. After F. J. Schall. Fine Impression, 
 with the’ inscription, beautifully printed in colors. With large 
 margin trimmed to the plate-mark on top and sides but showing 
 the name at the bottom. 
 
 “This with ‘L’Amant Surpris’ is perhaps the best attempt at ceRnCane the deli- 
 cate features of a gouache.”—SaALaMAN. 
 
 [See Illustration] 
 
First Session, Tuesday Evening, March 25th 
 
 [No. 59] 
 
 HONORE DAUMIER 
 
 Celebrated French lithographer, born at Marseilles, 1808; died 1879. 
 
 DAUMIER, HONORE 
 59A. StTuDY oF A Heap. Pen-and-ink drawing. 
 
 RICHARD EARLOM 
 
 Celebrated English mezzotint engraver, born in 1743; died in 1822. 
 
 FARLOM, RICHARD 
 
 60. GEORGE THE THIRD AND Famity. Megzzotint. 
 Zoffany, pinxit, 1770,—Rd. Earlom, sculpsit, London, Oct. 29th, 
 1770. Published as the Act directs Ist, Jany. 1771. Fine Im- 
 PRESSION, with full inscription. Margins trimmed to plate-mark. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 eee eee 
 
 EARLOM, RICHARD 
 
 61. Toe Witcu. Mezzotint. 
 Peniers, pinxt.—Rich. Earlom, Sculpsit.,—Pub. Jan. 2, 1786, by 
 Boydell. Good impression, with inscription. Slightly stained. 
 
 S. ARLENT EDWARDS 
 
 Contemporary mezzotint engraver... Revived the art of color printing 
 from a mezzotint plate—done in one printing and without any re- 
 touching, as it was practiced a hundred years ago by the English 
 engravers. His work has great depth and brillianey of tone. 
 
 EDWARDS, S. ARLENT 
 62. DuKE anp DucHEss oF CUMBERLAND, Mezzotint, printed in colors. 
 After the painting by Gainsborough. Signed Artist’s Proof. Finer 
 IMPRESSION, in perfect condition. Edition limited to 225 proofs. 
 Hand-carved gilt frame. 
 
 EDWARDS, S. ARLENT 
 63. Exrvira (Called The Unknown Lady). Meszotint, printed in colors. 
 After the painting by P. Della Francesca. Signed Artist’s Proof. 
 FINE IMPRESSION, in perfect condition. Edition limited to 225 
 proofs. Framed. 
 
 EDWARDS, S. ARLENT 
 64. Francois II, (Dauphin of France). Mezzotint, printed in colors. 
 After the painting by Clouet. Signed Artist’s Proof Fine Im- 
 PRESSION, in perfect condition. Edition limited to 225 proofs. 
 Framed. 
 
 BDW AKDS) 5 ARLENA 
 65. GrorGE WasHINGTON. Mezzotint, printed in colors. 
 After the painting by Savage. Signed Artist’s Proof. Very Fine 
 IMPRESSION, in perfect condition. Ebony and gold frame. 
 
 EDWARDS, S. ARLENT 
 66. Jor JEFFERSON. Mezzotint, printed in colors. 
 Signed Artist’s Proof. Fine Impression. Also Stipple Engrav- 
 ings, printed in colors: Miss DuNcAN, by Cardon, after Barber; 
 [and] VeNus anv Aponis, by Nutter, after Cosway. 
 Together, 3 pieces. 
 
 EDWARDS, S. ARLENT 
 67. Lapy Betty. Mezzotint, printed in colors. . 
 After the painting by Romney. Signed Artist’s Proof. Fine Im- 
 PRESSION, in perfect condition. Framed. 
 
 EDWARDS, S. ARLENT 
 68. Lupovica Tornasuoni. Meszotint, printed in colors. 
 After the painting by Ghirlandaio. Signed Artist’s Proof. Very 
 FINE Impression. Edition limited to 175 copies. Framed. 
 
 er ee 
 
First Session, Tuesday Evening, March 25th 
 
 EDWARDS, S. ARLENT 
 
 69. MapaMe ADELAIDE, AS Diana. Mezzotint, printed in colors. 
 After the painting by Nattier. Signed Artist’s Proof. Fine Im- 
 PRESSION, in perfect condition. Edition limited to 175 proofs. 
 Ornamented gilt frame. 
 
 EDWARDS, S. ARLENT 
 70. Mrs. Davenport. Mezzotint, printed in colors. 
 After the painting by George Romney. Signed Artist’s Proof. 
 
 FINE Impression, in perfect condition. Edition limited to 175 
 proofs. Ornamented gilt frame. 
 
 POWARDS (>. ARLENT 
 71. Mrs. Hamitton oF Kames. Mezzotint, printed in colors. 
 After the painting by Raeburn. Signed Artist’s Proof. Fine In- 
 PRESSION, in perfect condition. Edition, limited to 225 proofs. 
 
 EDWARDS, S. ARLENT 
 72. Mrs. Luoyp. Mezzotint, printed in colors. 
 After the painting by Reynolds. Signed Artist’s Proof. Fine 
 
 IMPRESSION, in perfect condition. Edition limited to 225 proofs. 
 Hand carved gilt frame. 
 
 BDWARDS, S. ARLENT 
 73. Mrs. Wetts. Mezzotint, printed in colors. 
 After the painting by George Romney. Signed Artist’s Proof. 
 
 Fine ImpREsSION, in perfect condition. Edition limited to 135 
 proofs. Gilt frame. 
 
 EDWARDS, S. ARLENT 
 
 74. SIMONETTA VeEspuccia. Mezzotint, printed in colors. 
 After the painting by Pierro di Cosimo. Signed Artist’s Proof. 
 Fine IMpRESSION, in perfect condition. Framed. 
 
 EDWARDS, S. ARLENT 
 
 75. SLEEPING SHEPHERDESS. Mezzotint, printed in colors. 
 After the painting by Boucher. Signed Artist’s Proof. Fine Im- 
 PRESSION, in perfect condition. Edition limited to 225 proofs. 
 
 EDWARDS, S. ARLENT 
 
 76. THe Gypsy’s Warninc. Mezzotint, printed in colors. 
 After the painting by Peters. Signed Artist’s Proof. Fine Im- 
 PRESSION, in perfect condition. Edition limited to 125 proofs. 
 Framed. 
 
 JOHN FABER 
 Dutch engraver, born in 1684; died in 1756. 
 FABER, JOHN 
 
 77- Music. Mezzotint. 
 After the painting by Mercier. Verry FINE IMPRESSION, with full 
 inscription. Published March 2sth, 1744. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 EDWARD FISHER 
 
 Celebrated English mezzotint engraver, born in 1730; died in London, 
 in 1785. 
 
 FISHER, EDWARD 
 
 78. YORKE, THE LapiEs AMABEL AND Mary Jemima. Megzotint. 
 J.C. Smith, No. 61. First State Proof before all letters. Painted 
 by Sir Joshua Reynolds;—Engraved by E, Fisher. Fine Im- 
 PRESSION, margins trimmed inside plate-mark. Rebacked. 
 
 JEAN HONORE FRAGONARD 
 
 With Boucher and Watteau one of the most popular French painters of 
 the XVIIIth century; born in 1732; died in 1806, 
 
 FRAGONARD, HONORE 
 
 79. L’Epucation Fait Tout. Etching. 
 Portalis et Beraldi, No. 19. Finished with the graver by Nicolas de 
 Launay. Impression with the inscription. With margin trimmed 
 to the plate-mark. 
 
 THOMAS GAUGAIN 
 
 English stipple engraver, born in Abbeville, France, in 1748; died in 1805. 
 
 GAUGAIN, THOMAS 
 
 80. THe Wire or BatH : JANUARY AND May. Stipple, colored by hand. 
 Thos. Gaugain, fecit.—Pubd. Oct. 1783, and March 1782; by T. 
 Gaugain, London. Good impressions, with inscriptions. 
 Together, 2 pieces. 
 
 GAUGAIN, THOMAS 
 
 81. THe Woop Boy. Stipple, printed in colors. 
 Painted by B. Barker,—Engraved by T. Gaugain. Goop Impression, 
 with inscription. Slightly rubbed. Framed in gold frame with 
 black and gold mount. 
 
 Avis DEYGOIs 
 
 GOUN Ase 
 82. Cou-Cov. Stipple engraving. 
 After W. Regnault. Brittranr Impression, with the inscription. 
 With untrimmed margin (deckle edges). 
 
 VALENTINE GREEN 
 
 Celebrated English mezzotint engraver, born in 1739; died in 1813. 
 
 GREEN, VALENTINE 
 83. WricHt Famity. Megzotint 
 J. C. Smith, No. 141. Jos. Wright, pinxit,—Val. Green fea 
 Fine Impression, Proor Brerore THE INSCRIPTION, margins re- 
 paired. 
 
First Session, Tuesday Evening, March 25th 
 
 GREEN, VALENTINE 
 64. HENRY Laurens Esqg., President of the American Congress, 1778. 
 Mezzotint. 
 temoniiny ol. 2, No, $0. Painted by J. S. Copley, R. A. and 
 Engraved by V. Green,—Published Oct. Ist, 1782, by J. Stockdale, 
 Piccadilly, London. Fine Impression, with inscription. Margins 
 trimmed to engraved surface, repaired and mounted. 
 
 GREEN, VALENTINE 
 
 85. GEORGE WASHINGTON. Megzotint. 
 J. C. Smith, Vol. 2, No. 135. Second State of two. Painted by 
 J. Trumbull, Esq. of Connecticut 1780,—Engraved by V. Green, 
 Mezzotinto Engraver to his Majesty & to the Elector Palatine,— 
 Published by Appointmt. of M. DeNeufville Janry. 15th, 1781, 
 by V. Green, N. 29 Newman Street, Oxford Street, London. 
 FINE IMpREsSSION, with inscription. Lower left corner repaired. 
 
 ELIZABETH GULLAND 
 
 Contemporary English mezzotint engraver. 
 
 mw REAND, ELIZABETH 
 
 86. Lirtte Miss Crewe. Mezzotint, printed in colors. 
 After the painting by Reynolds. Signed Artist’s Proof. Fine 
 IMPRESSION, on Dutch paper, in perfect condition. 
 
 Perla ELIZABETH 
 
 87. Miss Fitzpatrick. Mezgzotint. 
 After the painting by Reynolds. Signed Artist’s Proof. Fine 
 IMPRESSION, on India paper, in perfect condition. This subject 
 has not been issued in colors. 
 
 KARL ERNST CHRISTOPH HESS 
 
 German engraver, born in 1755: died in 1828. 
 
 Pease ak ERNST CHRISTOPH 
 
 88. RusBens AND His First Wire. Stipple, printed in colors. 
 Painted by Rubens,—Engraved by Charles Hess,—Published July 
 Ist, 1797, by T. Phillipe. Very good impression, trimmed to 
 plate-mark. 
 
 HOKUSAI 
 
 Japanese artist. 
 
 HOKUSAI 
 88a. Otp Man With Rake. Brush and ink. 
 
 From the Francis Lathrop collection. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 eS 
 
 JEAN BAPTISTE HUET 
 
 Celebrated landscape and animal painter, pupil of J. B. Leprince. He 
 also made a few portraits which are highly appreciated by the 
 collectors. Born in 1745; died in 1811. 
 
 HUET, JEAN BAPTISTE 
 
 89. La Bercére. Engraving. 
 L. de Leymarie, No. 471. Engraved in crayon-manner by G. Demar- 
 teau l’ainé. Britt1ant Impression, printed in two colours. With 
 margin trimmed to the inside engraved border. 
 
 HUET; JEAN BAPTISTE 
 
 90. Busre bE JEUNE Femme. Engraving. 
 L. de Leymarie, No. 587. Engraved in crayon-manner by G. De- 
 marteau l’ainé. Britttant Impression, printed in three colors. 
 With small margins trimmed to the engraved border, but showing 
 
 the artists’ names at the bottom. 
 
 HUET, [EAN BAPDISTE 
 91. BasTIENNE. Engraving. 
 L. Bonnet, No. 753. Engraved in crayon-manner by L. M. Bonnet. 
 Fine Impression, printed in sanguine. With very large margin 
 showing the plate-mark. 
 
 Woman’s Heap. Engraving. 
 
 Engraved in crayon-manner by Basset. BRILLIANT IMPRESSION, 
 printed in sanguine. With very large margin showing the plate- 
 mark. 
 
 Together, 2 pieces. 
 
 HUET, JEAN BAPTISTE 
 
 92. La PEINTURE. Engraving. 
 Bonnet, No. 1065. Engraving in pastel manner by J. B. Mallet. 
 Very FINE Impression, with the inscription, printed in colors. 
 With very large margin showing the plate-mark. Mounted on 
 bristol board. 
 
 INCROYABLES ET MERVEILLEUSES 
 93. ARISTIDE ET BrisE ScELLE. Stipple engraving, colored by hand. 
 By Darcis after Carle Vernet. Brituiant IMPRESSION, with the 
 inscription. With large margin showing the plate-mark. 
 
 INCROYABLES ET MERVEILLEUSES 
 94. Borur a La Mone. Stipple and line engraving, colored by hand. 
 By Leclerc after Lancon. Fine Impression, with the inscription. 
 With large margin trimmed to the plate-mark. 
 
 INCROYABLES ET MERVEILLEUSES 
 95. La Foxie pu Jour. Stipple engraving, colored by hand. 
 By S. Tresca after L. Boilly. Very Fine Impression. With large 
 margins showing the plate-mark at the top and sides. 
 
First Session, Tuesday Evening, March 25th 
 
 INCROYABLES ET MERVEILLEUSES 
 96. L’ANGLOMANE. Stipple and line engraving, colored by hand. 
 By Darcis after Carle Vernet. Very Fine IMpREsSION, with the 
 inscription. With very large margin showing the plate-mark. 
 
 PC ROY ABLES ET MERVEILLEUSES 
 
 97. La RENCONTRE DES INcROYABLES. Stipple and line engraving, printed 
 in colors. 
 By Ruotte after H. Bunbury. Supers [vpression, with the in- 
 scription. With small margin lacking the plate-mark. 
 
 INCROYABLES ET MERVEILLEUSES 
 98. Les IncroyarLes. Stipple and line engraving. 
 By Darcis after Carle Vernet. Fine ImPpREssIoN. With small 
 margin lacking the plate-mark; a part of the title has been 
 trimmed off. 
 
 INCROYABLES ET MERVEILLEUSES 
 99. L’INCONVENIENT DES PerruQues. Stipple engraving, colored by hand. 
 By Darcis after the drawing of Carle Vernet. VERY Fine In- 
 PRESSION, with the inscription. With very large margin showing 
 the plate-mark. 
 
 INCROYABLES ET MERVEILLEUSES 
 
 100. Pauvre RentreR RuriNE—MERLAN A FRrire-A-Frire. Stipple and line 
 engraving, colored by hand. 
 By J. L. Julien after Carle Vernet. Supers IMPRESSION, with the 
 inscription. With untrimmed margin (deckle edges). 
 
 JEAN DOMINIQUE INGRES 
 
 French artist, born in 1780; died in 1867. 
 
 INGRES, JEAN DOMINIQUE 
 100A. Roman Woman. Pencil drawing. 
 Full-length study. Signed and dated. 
 With stamp of the Degas sale. 
 
 FRANCOIS JANINET 
 
 Born in 1752: died in 1813. ‘He seems to have introduced color print- 
 ing into France. His work is almost entirely reproductive, and 
 embraces a multitude of subjects, from landscape and genre 
 to portrait.”—HInp. 
 
 JANINET, FRANCOIS 
 
 iol. L’Acreaste Néciictk. Engraving in. gouache manner, printed im 
 colors. 
 Portalis et Beraldi, No. 1; E. Bocher, No. 28. After P. A. Baudoin. 
 Fine Impression, with the engraver’s and painter’s name. With 
 small margin lacking the inscription. The engraving has been 
 cleaned but is otherwise in fine condition. 
 Companion to No. 104, “L’Aimable Paysanne.” 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 ee ee 
 
 JANINET, FRANCOIS 
 102. Les Nourrices. Aquatint, printed in’ bistre: 
 Portalis et Beraldi, No. 4. After F. Boucher. Britiianr IMPRES- 
 
 SION, treated in watercolor manner. With small margin trimmed 
 to the engraved border. 
 
 JANINET, FRANCOIS 
 
 103. Lr BerGer Couronne. Engraving, printed in colors. 
 Portalis et Beraldi, No. 6. Engraving in pastel manner after TP. 
 Caresme. Supers Impression. With large margin, lacking the 
 plate mark and the address. 
 
 JANINET, FRANCOIS 
 104. ‘L’AIMABLE Paysanne. Engraving in gouache-manner, printed in 
 colors. 
 Portalis et Beraldi, No. 50. After Saint Quentin. : Second state; 
 impression with the inscription but before the change of address. 
 With large margins showing the plate-mark at the bottom only. 
 Has been cleaned but? is otherwise in perfect condition. 
 Companion to No, tor, “L’Agreable Négligé.” 
 
 JANINET, FRANCOIS 
 
 105. AUBERGE FLAMANDE. Engraving in gouache-manner, printed in colors. 
 Portalis et Beraldi, No. 76. After a drawing by A. Van Ostade. 
 With margins trimmed to the engraved border, mounted on board. 
 
 JANINET, FRANCOIS 
 
 106. PAssacE D’un Rutsseau DEVANT LES VIEUX REMPARTS D’UN VILLAGE. 
 Aquatint in imitation of water color. 
 
 Portalis et Beraldi, No. 03. After}. Ls Hoek Impression printed 
 in Bistre. With margin trimmed to engraved border. The plate 
 has been folded and ironed down and a small tear in the lower 
 part carefully repaired. 
 
 JANINET, FRANCOIS 
 
 107. Henri IV. Engraving in gouache-manner, printed in colors. 
 Portalis et Beraldi, No. 128a. After P. P. Rubens. VERY FINE 
 Impression. Trimmed to the oval. 
 
 JANINET, FRANCOIS 
 
 108. BENJAMIN FRANKLIN. Aquatint, printed in colors. 
 
 F’. Janinet, sculpt., 1789. Good impression, with inscription. Rubbed 
 and stained. Small margins. 
 
 ANGELICA KAUFFMAN 
 
 Celebrated painter. Born in Coire in 1740; died in Rome in 1807. 
 
 KAUFFMAN, ANGELICA 
 
 109. Cupmp AsLerp : Cupip Bounp. Stipple engravings in Sepia. 
 Angelica Kauffman, pinxt.—G. W. Ryland, sculpt. Good impres- 
 sions, with inscriptions. Repaired. 
 Together, 2 pieces. 
 
 Taba Nn 124... 
 
 oa 
 
First Session, Tuesday Evening, March 25th 
 
 CHARLES LEVACHEZ 
 
 Celebrated French engraver in aquatint. Work in the latter part of the 
 Eighteenth Century. 
 
 LEVACHEZ, CHARLES 
 
 110. NaApoLeoN Bonaparte. Aquatint, printed in colors. 
 Robert Lefévre, Pinxit.—DLevachez, Sculpsit. Vrry Goop ImprEs- 
 SION, with the inscription. 
 
 A very scarce portrait printed during the “Hundred Days” and distributed in 
 England. Levachez, afraid of the return of the Bourbons, reversed his name 
 in signing the plate. 
 
 LEVACHEZ, CHARLES 
 
 tir. NApoLEON PREMIER EMPEREUR’DES FrANGcAIS, Roi d'Italie et Protec- 
 teur de la Confédération du Rhin. Aquatint, printed in colors. 
 
 Carle Vernet del.,—Levachez, sculp., Auber, ex., Published in Paris. 
 
 Frne Impression, with inscription. Remargined and rebacked. 
 
 A. LUDOVICI 
 Contemporary English artist, pupil of Whistler. 
 
 BUDO VICI, A. 
 I1t1A. THE Beacu. Watercolor. 
 
 G. MAILE 
 
 MAILE, G. 
 112. Herena, THE Seconp Wire or Rusens. Mezzotint, printed in colors. 
 Rubens, pinxt,—Goubaud, delt..—G. Maile, sculpt. Good impres- 
 sion, surface rubbed and repaired, margins trimmed inside plate- 
 mark. 
 
 MAILE, G. 
 
 113. Wuinpsor Castre. Stipple, printed in brown and sepia. 
 Drawn by I. Barrow,—Engraved by G. Maile,—London, Published 
 June ist, 1821, by I. Barrow, Weston Place, St. Pancras. Good 
 impression, with inscription. Margins trimmed inside plate-mark. 
 
 MISS E. E. MILNER 
 
 Modern English mezzotint engraver. 
 
 MILNER, MISS E. E. 
 
 114. Epwarp, Lorp Darniry. Mezzotint, printed in colors. 
 After the painting by Hoppner. Signed Artist’s Proot; FINE 
 ImpressIoN, in perfect condition. Edition limited to 250 Proofs. 
 
 MILNER, MISS E.-E. 
 115. Master TroMAs BRADDYL. Mezzotint, printed in colors. 
 After the painting by Reynolds. Signed Artist’s Proof. FINE 
 ImprEssION, in perfect condition. Edition limited to 375 proofs. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 RS Nea SEARLES REE SELES 
 
 MILNER, MISS E. E. 
 116. Str Ronatp Fercuson, G. C. B. Mezgzotint, printed in colors: 
 After the painting by Raeburn. Signed Artist’s:.Proof. Fine 
 IMPRESSION, in perfect condition. Ps 
 
 GEORGE MORLAND 
 
 Celebrated English painter, born in London in 17263° died there in 1804. 
 
 MORLAND, GEORGE ist : 
 117. A VisIT TO THE BOARDING ScHooL : A VisiT TO THE CHILD AT NursE. 
 Drawings. . ; 
 
 After the paintings by George Morland. Brautirut DrawINcs IN 
 Water-CoLors AND INDIA WasH, in gouache manner. Original 
 mounts, with small margins. Attributed to some unknown French 
 artist of the Eighteenth Century. Framed in old English gilt 
 frames, with Empire mounts. 
 
 Together, 2 pieces (pair). 
 
 MORLAND, GEORGE 
 118. CHILDREN GATHERING BLAcK-Berrizs. Mezzotint, printed in colors 
 amd touched by hand. 
 Painted by G. Morland,—Engraved by P. Dawe,—London, Pub- 
 lished Dec. 20th, 1788, by W. Dickinson. Fair impression, mar- 
 gins rubbed and lower plate-mark cracked. 
 
 MORLAND, GEORGE 
 119. INSIDE oF A CountRY ALE House. Mezgzotint, printed in colors. 
 Painted by G. Morland,—Engraved by W. Ward,—Published March 
 I, 1797, by W. Ward, Delancey Place, Hampstead Road. Very 
 Fine IMPRESSION, with inscription. Slight repair on surface at 
 left side, otherwise in perfect condition. Small margins. 
 [See Illustration] 
 
 MORLAND, GEORGE 
 120. L’ArricAIn Hospitavier. Stipple, printed in colors, and touched by 
 hand. 
 Painted by G. Morland,—Gravé par la Citne. Rollet. Fine Im- 
 PRESSION, with the inscription, in perfect condition. 
 From the F. R. Halsey collection. 
 
 MORLAND, GEORGE 
 121. PEASANT AND Pics. Megzgzotint. 
 Painted by George Morland,—Engraved by J. R. Smith,—London, 
 published by J. R. Smith, June ist, 1805. Good impression, with 
 inscription. Margins trimmed to engraved surface. 
 
 MORLAND, GEORGE 
 122. SELLING THE CaLF: THE Stasie. Mezzotints, in colors. 
 Engraved by Ward after the paintings by Morland. Good imp-es- 
 sions, laid down and varnished. 
 Together, 2 pieces (pair). 
 
First Session, Tuesday Evening, March 25th 
 
 [No. 119] 
 
 JEAN BAPTISTE MORRET 
 
 Engraver who worked at the end of the XVIIIth century. His most 
 celebrated plates are the Coffee House and Napoleon’s Portrait. 
 
 Monee), JEAN BAPTISTE 
 123. CAFFEE [sic] pEs Patriotes—A Patriot’s Corree House. Engrav- 
 ing in gouache-manner, printed in colors. 
 Portalis et Beraldi, III, p. 207. Aiter J. F. J. Swebach des Fon- 
 taines. First state, with Morret’s address and before the “bonnets 
 a poil” of the two soldiers to the left were replaced by a helmet 
 and a phrygian cap respectively. Very Fine Impression. With 
 large margin lacking the plate-mark. Slight repairs in the lower 
 margin. 
 
 The Café des Patriotes was a famous political resort in 1792 situated in the Rue 
 Saint Honore near the Avenue de l’Opera of today. 
 
 PETER NEWELL 
 
 American illustrator. 
 
 miWweLL, PETER 
 124. THe CARPENTER AND THE WALRUuS. Drawing. 
 Original wash drawing in watercolors. Signed in lower left cor- 
 ner,—Peter Newell. Framed in gold. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 NOEL LE JEUNE 
 
 NOEL LE JEUNE 
 125. GUILLAUME TELL. Stipple Engravings, printed in colors, and touched 
 with brush. 
 
 Dessine par Chasselat,—Grave par Noel Jne. Set of four com- 
 positions,—Tell shooting the Apple from his son’s head; Gessler 
 sending Tell to Prison; Tell escaping from Gessler’s soldiers; 
 Tell kills the tyrant Gessler. Good impressions, stained and re- 
 paired. 
 
 Together, 4 pieces. (set). 
 
 REVEREND MATTHEW WILLIAM PETERS 
 Celebrated English painter who died in 1814. 
 
 PETERS, REVEREND- MATTHEW WILEIAM 
 
 126. SopHiIA. Stipple. 
 Painted by the Revd. Mr. Peters R. A.—Engraved by Jas. Hogg. 
 FINE IMPRESSION, printed in brown ink, with inscription. Small 
 margins, 
 
 ROBERT POLLARD 
 Celebrated English painter, born in 1755; died in 1838. 
 
 POLLARD, ROBERT 
 
 127. EUPHROSYNE: THALIA. Megzotints, printed in colors. 
 London, Published May Ist, 1787, by R. Pollard. Vrry Goon Im- 
 PRESSIONS, with inscription, slightly stained and one repaired. 
 Together, 2 pieces. 
 
 POLLARD, ROBERT 
 
 128. CoACHING SCENE. Aquatint, printed in colors. 
 Engraved by Pollard. Fine Impression, margins trimmed to en- 
 graved surface. Mounted on heavy board. 
 
 NICOLAS FRANCOIS REGNAULT 
 
 French engraver of the Eighteenth Century. 
 
 REGNAULT, NICOLAS FRANCOIS 
 
 129. Le Baiser A LA DEROBEE. Stipple. 
 Gravé par N. F. Regnault d’aprés le Tableau d’H. Fragonard 
 Peintre du Roi. Fine Impresston, with inscription. Surface 
 slightly scratched, margins trimmed to plate-mark. 
 
 SIR JOSHUA REYNOLDS 
 
 Celebrated English portrait painter, born in 1723; died in 1792. 
 
 REYNOLDS, -SIR- [Osis 
 130. Fevina. Stipple, printed in colors. 
 [Continued 
 
First Session, Tuesday Evening, March 25th 
 
 Painted by Sir Joshua Reynolds, R. A..—Engraved by Joseph 
 Collyer, A..—London, Published March Ist, 1790, by W. Dicken- 
 son. Fine Impression, with full inscription. Margins trimmed 
 to plate-mark. 
 
 REYNOLDS, SIR JOSHUA 
 
 131. THe Honovuraste Miss Bincuam. Stipple. 
 Painted by Sir Joshua Reynolds,—Engraved by F. Bonnefoy,— 
 London, Published Dec., 1786, by E. M. Diemar. Good impres- 
 
 sion, with inscription, and small margins. 
 
 MARCHIONESS OF HERTFORD. Stipple. 
 
 Painted by Sir Joshua Reynolds,—Engraved by W. Nutter,—Lon- 
 don, Published July, 1797, by R. Cribb. Good impression, with 
 inscription, and large margins. 
 
 Together, 2 pieces. 
 
 SAMUEL WILLIAM REYNOLDS 
 
 Celebrated English mezzotint engraver, born in 1773; died in 1835. 
 
 REYNOLDS, SAMUEL WILLIAM 
 
 132. Her Grace THE DucHess or Beprorp. Mezzotint. 
 Painted by J. Hoppner, R. A.—Engraved by S. W. Reynolds,— 
 Published by S. W. Reynolds, 47 Poland Street, London, 1803. 
 Fine Impression, with inscription. Margins trimmed to plate- 
 mark. 
 
 LUCIUS ROSSI 
 neool, LUCIUS 
 
 133. L’InpiscreT: L’Orace: Les FemMMrEs Savantes: THE GREETING: 
 On THE Hitusipe. Photogravures in colors. 
 Peint par L. Rossi,—Photogravure Goupil & Cie. Fine Prints, 
 in perfect condition. Also two figure pieces, after Madrazo; 
 [and] When the Heart is Young, after Goodman. 
 Together, 8 pieces. 
 
 THOMAS ROWLANDSON 
 
 Celebrated caricaturist and engraver. Born in London, in 1756; died 
 there in 1827. 
 
 ROWLANDSON, THOMAS 
 
 134. Tue Toast. Etching and Aquatint, printed in. colors. 
 Fine IMPRESSION, in perfect condition. Small margins. 
 
 ROWLANDSON, THOMAS 
 
 135. Vaux-Hati. Aquatint, printed in colors. 
 Drawn by T. Rowlandson,—Aquatinto by F. Jukes,—Engraved by 
 R. Pollard,—London, Published June, 1785, by J. R. Smith, No. 83 
 Oxford St. Verry Goop Impression, with inscription, in perfect 
 condition. Small margins. 
 [See Illustration] 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 [No. 135] 
 
 THOMAS RYDER 
 
 ‘English stipple engraver, born in 1746. 
 
 RYDER, THOMAS 
 136. YoutH : Love. Stipple Engravings. 
 
 O. Humphry and R. Cosway, delt., T. Ryder, sculpt. Fine In- 
 PRESSIONS, with inscriptions. Also engraving, portrait of a 
 (Little Girl, with Bird), marked Sketched by Humphry and 
 Spoiled by Gillray, with the following inscription,—Dedicated to 
 all Lovers of your bold masterly touches, and Published Nov. rst, 
 1781, by J. Gillray, to show the bad effect of Cobbling & Altering, 
 —"“Fool that I was, thus to Cobble my Shoe.’ 
 
 Together, 3 pieces. 
 
 LOUIS SAILLIAR 
 
 French engraver, born in Paris 1748; died in London in 1795. 
 
 BAILLIAR LOUIS 
 
 137. WitiiAMm II oF Nassau. Stipple. 
 After the painting by Honthurst,—L. Sailliar, sculpt..—Published 
 in 1781. Fine Impression, with the inscription. Margins 
 trimmed inside plate-mark. : 
 
First Session, Tuesday Evening, March 25th 
 
 ROBERT SAYER 
 
 SAYER, ROBERT. 
 
 138. THE CONTEMPLATIVE CHARMER: SwEET EcHo. Mezzotints. 
 London, Printed for Robert Sayer, July, 1786. Good impressions, 
 with inscriptions. 
 Together, 2 pieces. 
 
 ANTOINE FRANCOIS SERGENT 
 
 Well-known painter and engraver, brother-in-law of Generai Marceau; 
 born in 1751; died in 1847. 
 
 SERGENT, ANTOINE FRANCOIS 
 139. Louis Hector, Duc pe Vitrars. Engraving in gouache manner, 
 printed in colors. 
 Baré, No. 242. By L. Roger. MacNniFicent Impression, with the 
 letter. With large margin showing the plate-mark. 
 
 JOHN KEYSE SHERWIN 
 
 English engraver, born in 1751; died in 1790. 
 
 SHERWIN, JOHN KEYSE 
 140. THe Dance. Stipple. 
 Designed and engraved by J. K. Sherwin. Very FINE IMpREssION, 
 small margins trimmed inside plate-mark. 
 
 PETER SIMON 
 
 French engraver, born in 1769. 
 
 SIMON, PETER 
 141. SHAKSPEARE, (As you like it, Act V, Scene IV). Stipple, colored by 
 hand. 
 Painted by Wm. Hamilton—Engraved by Peter Simon—Published 
 Sept. 29, 1791, by John Boydell. Good impression, slightly 
 stained. 
 
 JOHN RAPHAEL SMITH 
 
 Celebrated English painter and engraver. Born in Derby in 1752; died 
 miter: 
 
 SMITH, JOHN RAPHAEL 
 142. Tue Ricut Hon. Lavy ErizasetH Compton. Meszotint. 
 J.C. Smith, No. 45. Fourth State of four. Painted by Wm. Peters, 
 R. A.—Engraved by J. R. Smith. Very Goop IMpREssIoNn, 
 in perfect condition. Large margins. 
 
 SMITH, JOHN RAPHAEL 
 
 143. A Visit To GRANDMOTHER. Mezzotint, colored by hand. 
 Painted by J. Northcote——Engraved by J. R. Smith,—Published 
 May, 1785, by J. R. Smith. Fair impression, with inscription. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 SMITH, JOHN RAPHAEL 
 
 144. SopHIA WESTERN. Mezzotint. 
 Painted by J. Hoppner,—Engraved by J. R. Smith. Fine Impres- 
 SION, with inscription. Margins trimmed inside plate-mark. 
 
 SPORTING PRINT 
 
 145. Fox Huntine Scene (The Death). Mezzotint, in colors. 
 Fine old English hunting view. Laid down and varnished. 
 
 JOSEPH C. STADLER 
 
 German engraver who worked in London from 1780 to 1812. 
 
 STADLER, JOSEPH C. 
 
 146. A View or THE Horse Guarps, FROM WHITEHALL. Aquatint, printed 
 in colors. 
 T. H. Shepherd, delt.—J. C. Stadler, sculpt. Fixe Impression, 
 with inscription, in perfect condition. Margins trimmed to plate- 
 mark. 
 
 THOMAS STOTHARD 
 Celebrated English painter, born in London in 1755; died in 1834. 
 
 SLOLTHARDATHOMAS 
 
 147. Run Away Love. Stipple. 
 T. Stothard, pinxt..—C. Knight, sculpt. Frne Impression, with 
 inscription. Margins trimmed inside plate-mark. 
 
 SINGLETON, H. 
 
 Love RetTurNED. Stipple. 
 H. Singleton, pinxt.—W. Bond: sculpt. Frne Impression, with 
 inscription. Margins trimmed inside plate-mark. 
 Together, 2 Ba (pair). 
 
 PIERRE ALEXANDRE TARDIEU 
 
 French engraver, born in 1756; died in 1844. 
 
 TARDIEU, PIERRE ALEXANDRE 
 
 148. L’Espoir pu Retour. Etching finished with the graver. 
 Portalis et Beraldi, III, p. 587. After Kimli. Proof before letter 
 with the artists’ names only. With large margin. 
 
 PELTRO WILLIAM TOMKINS 
 
 Celebrated English stipple engraver, pupil of Bartolozzi, born in 1760; 
 died in 1840. 
 
 TOMKINS, PELTRO WILLIAM 
 
 149. Hospinot & GANDERETTA. Stipple, printed in colors, 
 T. Gainsborough, R.A., pinxt.—P. W. Tomkins, sculpt.—lLondon, 
 Published Jan. 2oth, 1790, by T. Macklin. Fine Impresston, 
 with inscription. Margins trimmed to plate-mark. 
 
First Session, Tuesday Evening, March 25th 
 
 TOMKINS, PELTRO WILLIAM 
 
 150. Hosppinot & GANDERETTA. Stipple. 
 After the painting by Gainsborough,—Engraved by P. W. Tom- 
 kins,—Published Jan. 20th, 1790. Fine Impression, with the 
 inscription. Margins trimmed to plate-mark. 
 
 WILLIAM WARD 
 
 Celebrated English mezzotint engraver, born in 1766; died in 1826. 
 
 WARD, WILLIAM 
 
 1st. Ourtsipe oF A Country ALEHOoUSE. Mezzotint, printed in colors. 
 Painted by J. Ward,—Engraved by W. Ward,—Published March 
 ist, 1797, by W. Ward, Delancy Place, Hampstead Road. VeERy 
 Fine Impression, with inscription. Surface scratched and re- 
 paired, on left side and toward center. Small margins. 
 
 WARD, WILLIAM 
 152. THE Sotitoguy. Stipple. 
 Painted by W. Ward,—Engraved by W. Ward,—London, Published 
 Oct., 1787, by W. Dickinson. Frne Impression, with inscription. 
 Small margins. 
 
 BENJAMIN WEST 
 
 Celebrated American painter, born in Pennsylvania in 1738; died in 1820. 
 
 WEST, BENJAMIN 
 153. Mr. West AND Famity. Stipple, printed in colors. 
 
 Painted by Benj. West,—Engraved by Grant,—London, Published 
 as the act Dircts. by Smith in Oxford St. Very Briti1ant Proor, 
 with inscription, in perfect condition. Margins trimmed to plate- 
 mark. 
 
 FRANCIS WHEATLEY 
 
 Celebrated English painter, born in 1747; died in 18or. 
 
 WHEATLEY, FRANCIS 
 1s4. THE FisHeRMAN GoINnG Out. Stipple Engraving. 
 F. Wheatley, R.A., pinxt..—J. Barney, sculpt..—London, Published 
 by Thos. Macklin Poets Gallery, Fleet Ste Marcha ith 763: 
 Fine Impression, with inscription. Margins trimmed to plate- 
 mark. 
 
 WHEATLEY, FRANCIS 
 
 155. Rustic EMpLoyMENT : THE Happy FamiIty. Stipples, printed in 
 colors. 
 Wheatley, pinxt..—Thouvenin, sculpt..—London, Published by 
 Tassari & Co., Pall Mall. Fine Impressions, with inscriptions. 
 Margins trimmed to plate-mark. 
 Together, 2 pieces (pair). 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 eee EE 
 
 WHEATLEY, FRANCIS 
 
 156. THE Swine. Stipple, printed in colors. 
 
 After the painting by Wheatley,—Engraved by Thouvenin. FIne 
 Impression. Margins trimmed to engraved surface. 
 
 WHEATLEY, FRANCIS 
 
 157. THE Cries oF Lonvon. Stipples, printed in colors. 
 Set of thirteen plates, engraved by Schiavonetti, Cardon, Vendra- 
 mini and Gaugain. Modern impressions, with inscriptions. 
 
 Framed in ebony and gold frames, with black and gold mounts. 
 Together, 13 pieces. | 
 
 JOHN YOUNG 
 
 Celebrated English mezzotint engraver, born in 1755; died in 1825. 
 
 YOUNG, JOHN 
 
 158. Inrant Vanity. Meszzotint, printed in colors. . | 
 Painted by John Hoppner,—Engraved by John Young,—Published 
 March Ist, 1789, by Walker & Lynam, London. Berautirut Ricu 
 
 Proor, with inscription. In perfect condition. Small margins. 
 
 no “KD 
 
 — 
 
Second Session, Numbers 159 to 329, inclusive 
 
 WEDNESDAY EVENING, MARCH 26TH, AT 8:15 O’CLOCK 
 
 LOREN R. BARTON 
 Contemporary American etcher. 
 
 BARTON, LOREN R. 
 
 159. CHINATOWN Market, SAN FRANCISCO. Etching. 
 Signed in pencil,—Loren Barton. Fine Impression, on Japan paper, 
 in perfect condition. 
 
 HANS SEBALD BEHAM 
 
 Born in Nuremburg in 1500; died in Frankfort in 1550. 
 
 BEHAM, HANS SEBALD 
 
 160. St. BarTHOLOMAUs. Engraving. 
 Bartsch, No. 48. Signed in the plate, with the monogram, ASB. 
 Frne Impression, upper right corner, repaired outside plate-mark, 
 otherwise in perfect condition. 
 
 BEHAM, HANS SEBALD 
 
 161. L’ALtpHABET Romain. Engraving. 
 Bartsch, No. 229. Signed in the plate, with the monogram, HS 
 Fine IMPRESSION, in perfect condition. 
 
 BEHAM, HANS SEBALD 
 
 162. THr PENITENCE OF SAINT JoHN Curysostom. Engraving. 
 Bartsch, No. 245. Good impression, in perfect condition. 
 From the Davidsohn collection. 
 
 EUGENE BEJOT 
 
 Contemporary French etcher, born in Paris in 1865. 
 
 BEJOT, EUGENE 
 163. Dinarp. Etching. 
 
 Signed in pencil,—Eug. Bejot. Fine IMPRESSION, in perfect condi- 
 tion. 
 
 BEJOT, EUGENE 
 164. La GRANDE Porte St. Maro. Etching. 
 
 Signed in pencil,—Eug. Bejot. Fine IMPRESSION, in perfect condi- 
 tion. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 BEJOT, EUGENE 
 165. St. SERvEIN. Etching. 
 
 Signed in pencil,—Eug. Bejot. Fine Impression, in perfect condi- 
 tion. 
 
 [No. 171] 
 GEORGE BELLOWS 
 
 Celebrated American painter and lithographer. 
 
 BELLOWS, GEORGE 
 
 1654. Murpder or EpitH Cavett: Artists’ Eveninc. Lithographs. 
 Signed proofs. 
 Together, 2 pieces. 
 
Second Session, Wednesday Evening, March 26th 
 
 FRANK W. BENSON 
 
 Contemporary American etcher, 
 
 BENSON, FRANK W. 
 166. Wiip Geese Restinc. Drypoint. 
 
 Paff, No. 56. Signed in pencil,—Frank W. Benson, 23/75. VERY 
 Fine IMPRESSION, in perfect condition. 
 
 BENSON, FRANK W. 
 167. YELLOowLEGS No. 2. Drypoint. 
 
 Paff, No. 162. Signed in pencil—Frank W. Benson. Very FINE 
 IMPRESSION, On Japan paper, in perfect condition. 
 
 BENSON, FRANK W. 
 168. BLACKBIRDS AND RusHEs. Drypoint. 
 
 Paff, No. 170. Signed in pencil—Frank W. Benson. Supers Im- 
 PRESSION, on Japan paper, in perfect condition. 
 
 BENSON, FRANK W. 
 169. Rrpprinc Water. Etching. 
 
 Paff, No. 174. Signed in pencil,—Frank WV. Benson. Fine Impres- 
 SION, in perfect condition. 
 
 WILLIAM BLAKE 
 
 Celebrated English painter and engraver, born in London, in 1757; 
 died in 1827. 
 
 BLAKE, WILLIAM 
 
 170. Jos AND His Daucuters. Drawing. 
 Fine original water-color drawing, in perfect condition. Together 
 
 with engraving of same subject and frontispiece to “The Book 
 Gite |ob:” 
 Together, 3 pieces. 
 
 MUIRHEAD BONE 
 
 Contemporary Scotch etcher, born in 1876, near Glasgow; living in 
 London. : 
 
 BONE, MUIRHEAD 
 
 171. DEMOLITION oF St. James Hatt, InteERIoR. Drypoint. 
 Dodgson, No. 196. Signed in pencil,—Muirhead Bone. VeERy FINE 
 IMPRESSION, On Japan paper, in perfect condition. 
 [See Illustration] 
 
 BONE, MUIRHEAD 
 
 172, Liperty Crock. Drypoint. 
 Not described in Dodgson. Signed in pencil,—Muirhead Bone, FINE 
 
 IMPRESSION, on Japan paper. Margins around plate-mark slightly 
 rubbed. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 eee ee 
 
 BONE, MUIRHEAD 
 
 173. THE FISHMARKET, VENICE. Drypoint. 
 Signed in pencil,—Muirhead Bone. FInE IMPRESSION, on Japan 
 
 paper, in perfect condition. 
 
 BONE, MUIRHEAD 
 
 174. THE SOLENT. Drypoint. 
 Not described in Dodgson. Signed in pencil,—Muirhead Bone. FINE 
 
 IMPRESSION, on Japan paper, in perfect condition. 
 
 BONE, MUIRHEAD 
 
 175; On THe CLlypE1917-18. Lithographs. 
 Set of six original lithographs, signed in pencil,— Muirhead Bone. 
 
 Fine Impressions, on heavy Japan paper, in perfect condition. 
 In original folder. 
 Together, 6 pieces and folder (set). 
 
 BONE, MUIRHEAD 
 
 176. SHEPHERDS BusH. Drawing. 
 Original and characteristic study, done in pen-and-ink, signed in 
 
 lower right corner,—M. Bone. 
 
 FELIX BRACQUEMOND 
 
 Modern French etcher. 
 
 BRACQUEMOND, FELIX 
 
 177. GEESE IN A Storm. Etching. 
 Signed in pencil,—Bracquemond. FINE IMPRESSION, in perfect con- 
 
 dition. 
 
 BRACQUEMOND, FELIX 
 
 178. LAPWING AND TEAL. Etching. 
 Signed in pencil,—Bracquemond. Fine IMPRESSION, on Green paper, 
 
 in perfect condition. 
 
 BRACQUEMOND, FELIX 
 
 179. Treat. Etching. 
 Signed in pencil,—Bracquemond. Fine IMPRESSION, on Green paper, 
 
 in perfect condition. 
 
 FRANK BRANGWYN 
 
 Contemporary English painter and etcher, born in London in 1867, © 
 
 BRANGWYN, FRANK 
 
 180, Market Furnes. Etching. 
 Signed in pencil,—Frank Brangwyn. Fine IMPRESSION, in perfect 
 
 condition. 
 
Second Session, Wednesday Evening, March 26th 
 
 Seles 
 
 RES PSS 
 
 & 
 
 Ras 
 
 ey 
 
 = 
 
 SE 
 
 NOVG Od ANUAAV, 
 DLOHNA XVI 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 ee 
 
 FELIX BUHOT 
 Celebrated French etcher, born at Valognes, 1847; died in Paris, 18098. 
 
 BUHOT, FELIX 
 181. Un Grain A Trovuvitte. Etching. 
 Bourcard, No, 122. First State of four. Signed in the plate,—Buhot 
 (in reverse). Fine Impression, in perfect condition. 
 
 BUHOT, FELIX 
 182. L’Hiver A Paris ou LA Neice A Paris. Etching and Aquatint. 
 Bourcard, No, 128. Second State of five. Signed in the plate,— 
 Felix Buhot. Fine Impression, on Dutch paper, in perfect con- 
 dition. 
 
 BUHOT, FELIX 
 183. L’Hiver A Parts ou ra Neice A Paris. Etching and Aquatint. 
 Bourcard, No, 128. Third State of five. Signed in the plate,— 
 Felix Buhot. Very Fine Impression, on Dutch paper, in perfect 
 condition. 
 
 BUHOT, FELIX 
 184. La TRaversée. Etching and Aquatint. 
 Bourcard, No. 143. Second State of two. Signed with the red 
 Owl stamp. Very Fine Impression, on Japan paper, in perfect 
 condition. 
 
 BUHOT, FELIX 
 185. La DaME Aux Cyenes. Etching. 
 Bourcard, No, 144. Signed in the plate, and with the red Owl stamp. 
 FINE ImpREsSION, in perfect condition. 
 
 BUHOT, FELIX 
 186. Crock Tower, WESTMINSTER. Etching and Drypoint. 
 Bourcard, No. 156. Fourth State of six. Very Fine Earty In- 
 PRESSION, on Dutch paper, in perfect condition. 
 
 BUHOT, FELIX 
 187. Le Hisov. Etching. 
 Bourcard, No. 161, Fine Earty Impression, on Japan paper, in 
 perfect condition. 
 
 BUHOT, FELIX 
 188, TAvERNE pu Bacne. Etching and Drypoint. 
 Bourcard, No. 163. Signed in the plate-—Felix Buhot, and with the 
 red Owl stamp. Very Fine Impressron, on Dutch paper, in per- 
 fect condition. 
 
 [See Illustration] 
 
 BUHOT, FELIX 
 189. Les O1rs. Etching and Aquatint. 
 Bourcard, No. 166. Early Trial Proof. Very Fine IMPRESSION, 
 on French paper, in perfect condition. 
 
Second Session, Wednesday Evening, March 26th 
 
 DAVID YOUNG CAMERON 
 
 Celebrated English painter-etcher, born in Glasgow in 186s. 
 
 CAMERON, DAVID YOUNG 
 190. A VENETIAN CONVENT. Fitching. 
 Rinder, No. 207. Only State. Signed in pencil_—D. Y. Cameron. 
 VerRY FINE IMPRESSION, in perfect condition. Framed. 
 
 CAMERON, DAVID YOUNG 
 191. MitEestones : ON THE Wye aT Happon. Etchings. 
 Rinder, Nos. 249 and 350. Signed in the plate-—D. Y. Cameron. 
 Good impressions. 
 Together, 2 pieces. 
 
 CAMERON, DAVID YOUNG 
 192. Montivittiers. Etching and Drypoint. 
 
 Rinder, No. 355. Third State of three. Signed in pencil,—D. Y. 
 Cameron. VERY FINE IMPRESSION, in perfect condition. 
 
 CAMERON, DAVID YOUNG 
 193. Oxp Bripce, WuHitBy. Drypoint. ; 
 hinder, No. 403. Vhird State of three. Signed in pencil,—D. Y. 
 Cameron. VERY FINE IMPRESSION, on Japan paper, in perfect 
 condition. Twenty-one proofs in all three States. 
 
 CAMERON, DAVID YOUNG 
 194. ARRAN Peaks. Drypoint. 
 Not described in Rinder. Second State of two, the plate cut down. 
 
 Signed in pencil,—D. Y. Cameron. FINE Impression, on French 
 paper, in perfect condition. 
 
 CAMERON, DAVID YOUNG 
 195. KerRRERA, No. 2. Drypoint. 
 Not described in Rinder. Signed in pencil,—D. Y. Cameron. Fine 
 IMPRESSION, on Japan paper, in perfect condition. 
 
 CAMERON, DAVID YOUNG 
 
 196. St. A1icnon. Etching and Drypoint. 
 Not described in Rinder. Signed in pencil,—D. Y. Cameron. Very 
 FINE IMPRESSION, on Japan paper, has small hole in sky, otherwise 
 in perfect condition. 
 
 KATE CAMERON 
 
 Contemporary English etcher. 
 
 CAMERON, KATE 
 
 197. GRAss OF Parnassus. Etching. 
 Signed in pencil—K. Cameron. BrAuTIFUL IMPRESSION, on Japan 
 paper, in perfect condition. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 CANALETTO 
 
 Venetian painter, born in 1697; died in’ 1768. 
 
 CANALETTO 
 
 197A. Martson.A L’INscripTion. Etching. 
 FINE IMPRESSION, with good margins. 
 
 MARY CASSATT 
 
 Celebrated American painter and etcher, born at Pittsburgh, 1845; lives 
 in Paris. 
 
 CASSA LE NAR Y 
 
 198. WomMAN Piayinc MANbDotin. Drypotnt. 
 Very Fine Impression, on Greenish paper, stamped in lower right 
 corner, with Artist personal monogram stamp. 
 
 ROLAND CLARK 
 
 Contemporary American etcher. 
 
 CLARK, ROLAND 
 
 199. Broap Britt Droppine In. Etching. 
 Signed in pencil_—Roland Clark. F1INe ImpREssIon, on Japan paper, 
 in perfect condition. Edition limited to 66 impressions. 
 
 CLARK ROLAND 
 
 200. Jacks. Drypoint. 
 Signed in pencil—Roland Clark. Fine Impression, on Japan paper, 
 in perfect condition. Edition limited to 70 impressions. 
 
 CLARK, ROLAND 
 201. SeveEN A.M. Drypoint. 
 Signed in pencil,—Roland Clark. Fine Impression, in perfect con- 
 dition. Edition limited to 75 impressions, 
 
 CLARK, ROLAND 
 202. WiLp Geese. Drypoint. 
 Signed in pencil,—Roland Clark. FINE ImpREssION, in perfect con- 
 dition. Edition limited to 75 impressions. 
 
 TIMOTHY COLE 
 
 Contemporary American wood engraver. 
 
 (OLE, CIMOTia 
 
 203. LanpscaPe. Wood-engraving. 
 After the painting by J. Francis Murphy. Signed Artist’s ona 
 Also, Landscape etching by J. L. Harlow, and lithograph, by 
 Whistler. All framed. 
 Together, 3 pieces. 
 
Second Session, Wednesday Evening, March 26th 
 
 JEAN BAPTISTE CAMILLE COROT 
 
 Celebrated French painter and etcher, born at Paris in 1796; died in 1875. 
 
 2ORO THAN BAPTISTE CAMILLE 
 204. SOUVENIR D’ ITaLty. Etching. 
 Delteil, No. 5. Third State of three. Fine Impression, in perfect 
 condition. 
 
 CORO ea. BAPTISTE CAMILLE 
 205. ENvirons DE Rome. Etching. 
 Delieil, No. 6. Third State of three. Signed in the plate,—Corot. 
 FINE IMPRESSION, in perfect condition. 
 
 ALBRECHT DURER 
 
 Celebrated German engraver, born at Niirnberg in 1471; died there 
 in Ts20. 
 
 DURER, ALBRECHT 
 206. Curist oN Mount oF Otives. Etching. 
 Bartsch, No. 19. Signed and dated in the plate,——AD, 1515. Good 
 impression, repaired along margins. , 
 From the Hoffman collection. 
 
 DURER, ALBRECHT 
 
 207. THE PropicaL Son. Engraving. 
 Bartsch, No. 28. Signed in the plate, with the monogram AD. 
 Good impression, slightly skinned at back in three places behind 
 trees, and few stains. 
 Duplicate from the Budapest Museum, and from the Elischer, and Artaria 
 collections, 
 
 DURER-ALBRECHT 
 208. THE VIRGIN WITH CROWN OF STARS, STANDING UPoN A CRESCENT. 
 Engraving. 
 Bartsch, No. 31. Signed in the plate, with the monogram,—AD. 
 1508. Good impression, small tear in left side repaired. 
 From the Samuel Sybolt collection. 
 
 DURER, ALBRECHT 
 
 209. THE VIRGIN CROWNED By Two ANGELS. Engraving. 
 Bartsch, No. 39. Signed in the plate, with the monogram,—AD. 
 1518, Fine Impression, in perfect condition. 
 
 DURER, ALBRECHT 
 210. THE VIRGIN SEATED OUTSIDE THE CiTY WaLL. Engraving. 
 Bartsch, No. 40. Signed in the plate, with the monogram,—AD. 
 1514. Good impression, small tear at top repaired, and weak spot 
 on right margin. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 DURER, ALBRECHT 
 211. St. JEROME IN His Cetr. Engraving. 
 Bartsch, No, 60. Signed in the plate, with the monogram,—AD. 
 1514. Good impression, in good condition. 
 
 DURER, ALBRECHT 
 212, THE SATYR Famity. Engraving. 
 Bartsch, No. 69. Signed in the plate, with the monogram,—AD. 
 1505. Fine Impresstion, slightly stained. 
 From the Baldinger collection. 
 
 DURER, ALBRECHT 
 
 213. THe Litre Courter. Engraving. 
 Bartsch, No. 80. Signed in the plate, with the monogram,—AD. 
 Fine Impression, slightly skinned at back on left margin. 
 
 DURER, ALBRECHT 
 
 214. THE STANDARD BEARER. Engraving. 
 Bartsch, No. 87. Signed in the plate, with the monogram,—AD. 
 
 FINE IMPRESSION, upper corners, repaired. 
 From the E. Levy collection. 
 
 DURER, ALBRECHT 
 215. THE PRoMENADE. Engraving. 
 Bartsch, No. 94. Signed in the plate, with the monogram,—AD. 
 Good impression, in good condition. 
 
 DURER, ALBRECHT 
 216. CoAT oF ARMS WITH A SKULL. Engraving. 
 Bartsch, No. ror. Signed in the plate, with the monogram,—AD. 
 Good impression, in good condition. 
 
 DURER, ALBRECHT 
 217. ALBERT OF BRANDENBURG. Engraving. 
 
 Bartsch, No. 103. Signed in the plate, with the monogram,—AD. 
 Good impression, in good condition. 
 
 DURER, ALBRECHT 
 218. Puitip MeLaNcHTHoNn. Engraving. 
 Bartsch, No. 105. Signed in the plate, with the monogram,—AD. 
 Good impression, in good condition. 
 
 DURER, ALBRECHT 
 219. THE ENTOMBMENT. Woodcut. 
 Bartsch, No. 13. Signed in the block, with the monogram,—AD. 
 Good impression, with text at back. 
 Duplicate from the Museum of Fine Arts, Boston. 
 
 DURER, ALBRECHT 
 220. THE Four Rivers oF THE APOCALYPSE. Woodcut. . 
 Bartsch, No. 64. Signed in the block, with the’ monogram,—AD. 
 Good impression, with text at back, in perfect condition. 
 
Second Session, Wednesday Evening, March 26th 
 
 DURER, ALBRECHT 
 
 221. ST. JEROME IN His Ceti. Woodcut. 
 Bartsch, No. 114. Signed and dated in the block,—AD. 1511. Good 
 impression, in good condition. 
 Duplicate from the Museum of Fine Arts, Boston. 
 
 DURER, ALBRECHT 
 
 222. BEHEADING OF ST. JoHN. Woodcut. 
 Bartsch, No. 125. Signed in the block, with the monogram,—AD, 
 7510. Fine Earty Impression, in perfect condition. 
 
 DURER, ALBRECHT 
 223. Heropias Recretvinc HEAD or JOHN THE Baptist. Woodcut. 
 Bartsch, No. 126. Signed in the block, with the monogram,—AD, 
 I5TI. FINE IMPRESSION, on paper, with the “High Crown.” 
 Slightly stained. 
 
 DURER, ALBRECHT 
 
 224. St. THoMAS AND Curist. Woodcut. 
 Signed in the block with the monogram,—AD. Good impression, 
 
 repaired. Framed. 
 
 HEDLEY FITTON 
 
 Contemporary English etcher. 
 
 PEevONe HEDLEY 
 
 225. Dumrrigs. Etching. 
 Signed in pencil—Hedley Fitton. Fine Impression, in perfect 
 condition. 
 
 SEARS GALLAGHER 
 
 Contemporary American etcher. 
 
 GAeECAGHER, SEARS 
 
 226. CHRISTIAN SCIENCE CHuRCH. Etching. 
 Signed in pencil—Sears Gallagher. Good impression, © slightly 
 rubbed. 
 
 GALLAGHER, SEARS 
 
 227, THE VILLAGE CENsor. Etching. 
 Signed in pencil,—Sears Gallagher. Fine Impression, in perfect 
 
 condition. 
 
 GALLAGHER, SEARS 
 
 228. Toi. Etching. 
 Signed in pencil,—Sears Gallagher. Fine Impression, in perfect 
 - condition. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 eS eles ERIE 
 
 GALLAGHER, SEARS 
 
 229. UNDER THE Bripce. Etching. 
 Signed in pencil—Sears Gallagher. Fine Impression, on Japan 
 paper, in perfect condition. 
 
 PERCIVAL GASKELL 
 
 Contemporary English etcher. 
 
 GASKELL, PERCIVAL 
 
 230. A THames Backwater, Earty Mornine. Mezzotine. 
 Signed in pencil_—Percival Gaskell. Fine Impression, on India 
 paper, in perfect condition. 
 
 R. SWAIN GIFFORD 
 
 Modern American painter and etcher. 
 
 GIFFORD, R. SWAIN 
 231. NEAR THE Coast. Etching. 
 Signed Artist’s Proof. Fine Impression. Also Etchings, Morning 
 on the St. Johns, by Thomas Moran, and Chichester Canal, by 
 A. Gaucherel. 
 Together, 3 pieces. 
 
 SIR FRANCIS SEYMOUR HADEN 
 
 Celebrated English etcher, born in London September, 1818; died in 1910. 
 
 HADEN, SIR FRANCIS SEYMOUR 
 232. KENSINGTON GARDENS (Small Plate). Eéching. 
 Harrington, No. 12. Third State of three. Signed in the plate,— 
 Seymour Haden. Good impression, in perfect condition. 
 
 HADEN, SIR FRANCIS SEYMOUR 
 233. Ecuam Lock. Etching. 
 Harrington, No. 16. First Published State of three. Signed in the 
 plate,—Seymour Haden. Frne Impression, in perfect condition. 
 
 HADEN, SIR FRANCIS SEYMOUR 
 234. ON THE Test. Etching and Drypoint. 
 Harrington, No. 20. Only Published State. Signed in pencil,— 
 Seymour Haden. Good impression, in perfect condition. 
 
 HADEN, SIR FRANCIS SEYMOUR 
 235. KernsincTron GarpvENs (Large Plate). Etching. | | 
 Harrington, No. 28. Second Published State of two. Signed in the 
 plate-—Seymour Haden. Very Fine Impression, on India paper, 
 in perfect condition. 
 
Second Session, Wednesday Evening, March 26th 
 
 [No. 239] 
 
 HADEN, SIR FRANCIS SEYMOUR 
 236. SHERE Mitt Ponp (Small Plate). Etching. 
 
 Harrington, No. 37. Only Published State. Signed in pencil,— 
 Seymour Haden. Fine Impression, has small rust mark by sig- 
 nature, otherwise in perfect condition. Framed. 
 
 From the Bullivant collection. 
 
 HADEN, SIR FRANCIS SEYMOUR 
 
 237. AMSTELODAMUM. Etching. 
 Harrington, No. 43. Second State of two. Signed in pencil,— 
 Seymour Haden. Fine Impression, in perfect condition. 
 
 HADEN, SIK FRANCIS SEYMOUR 
 
 238. A River’s Bank. Etching. 
 Harrington, No. 49. Second State of two. Signed in the plate,— 
 Seymour Haden. Good impression, on India paper. 
 
 HADEN) SIR FRANCIS SEYMOUR 
 
 239. SUNSET IN IRELAND. Drypoint. 
 Harrington, No. 51. Second Published State of two. Signed in 
 pencil— Seymour Haden. Very Fine Impression, on French. 
 
 paper, in perfect condition. 
 
 [See Illustration] 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 HADEN, SIR FRANCIS SEYMOUR 
 240. BaATTERSEA REAcH. Etching. 
 Harrington, No. 52. First Published State of two. Signed in the 
 plate,—S. Haden. Fine Impression, in perfect condition. 
 
 HADEN, SIR FRANCIS SEYMOUR 
 241, NEWCASTLE IN EMtyn. Etching. 
 Harrington, No. 62. Only Published State. Signed in pencil,— 
 Seymour Haden. Fine Impression, in perfect condition. 
 
 From the Lotz-Brissonneau collection. 
 
 HADEN, SIR FRANCIS SEYMOUR 
 
 242. NEWCASTLE IN EMtyn. Etching. 
 Harrington, No. 62. Only Published State. Signed in pencil,— 
 Seymour Haden. Fine Impression, in perfect condition. 
 
 HADEN, SIR FRANCIS SEYMOUR 
 
 243. House oF THE SmitH. Etching. 
 Harrington, No. 63. Second Published State of two. Signed in 
 pencil,—Seymour Haden. Fine Impression, in perfect condition. 
 
 From the Beurdeley collection. 
 HADEN, SIR FRANCIS SEYMOUR 
 
 244. CARDIGAN Bripce. Etching. 
 Harrington, No. 67. Second Published State of two. Fine Im- 
 PRESSION, in perfect condition. 
 
 HADEN, SIR FRANCIS SEYMOUR 
 245. Penton Hoox. Etching. 
 Harrington, No. 70. Only Published State. Fine Impressron, on 
 Japan paper, margins slightly rubbed. 
 From the Seymour Haden, Jr., collection. 
 
 HADEN, SIR FRANCIS SEYMOUR 
 245A. THAMES DITTON WITH A SAIL. Etching. 
 Harrington, No. 73. First Published State of two. Very Fine 
 IMPRESSION, margins trimmed to plate-mark, and few small stains. 
 
 HADEN, SIR FRANCIS SEYMOUR 
 
 246. Raitway ENCROACHMENT. Etching. 
 Harrington, No. 74. Only Published State. Signed in pencil,— 
 Seymour Haden. Very Frne Impression, in perfect condition. 
 
 THHADEN, SIR FRANCIS SEYMOUR 
 247. RAILWAY ENCROACHMENT. Etching. 
 Harrington, No. 74. Only Published State. Signed in the plate — 
 Kew, 1864. Finer Impression, in perfect condition. 
 
Second Session, Wednesday Evening, March 26th 
 ne ee ee 
 
 HADEN, SIR FRANCIS SEYMOUR 
 248. TWICKENHAM CuHurRCH. Etching. 
 Harrington, No. 107. Only Published State. Signed in the plate,— 
 S. Haden, 1861. Fixe Impression, in perfect condition. 
 
 HADEN, SIR FRANCIS SEYMOUR 
 249. A RiversipE, Devon. Etching. 
 
 Harrington, No. 130. Only Published State. Signed in pencil,— 
 Seymour Haden. Fine Earty IMPRESSION, on Dutch paper, in 
 perfect condition. 
 
 From the Seymour Haden, Jr., collection. 
 
 HADEN, SIR FRANCIS SEYMOUR 
 250. Two SHEEP. Etching. 
 Harrington, No. 144. Only Published State. Signed in pencil,— 
 Seymour Haden. Good impression, slightly stained. 
 
 HADEN, SIR FRANCIS SEYMOUR 
 251. WinpmiLt Hitt No. 2. Drypoint. 
 Harrington, No. 164. Second State of two. Signed in pencil,— 
 Seymour Haden. Very FINE IMPRESSION, on French paper, in 
 perfect condition. 
 
 HADEN, SIR FRANCIS SEYMOUR 
 252, WinpMiLu Hitt, No. 2. Drypoint. ee 
 Harrington, No. 164. Second State of two. Signed in the plate, 
 Seymour Haden. Fine Earty Proor, on old French paper, in 
 perfect condition. Framed. 
 From the Seymour Haden, Jr., collection. 
 
 HADEN, SIR FRANCIS SEYMOUR 
 
 253. Ye ComMpLeTe ANGLER. Etching. 
 Harrington, No. 166. Only Published State. Signed in pencil,— 
 Seymour Haden. Fine IMpREssION, on Japan paper, in perfect 
 condition. : 
 
 HADEN, SIR FRANCIS SEYMOUR 
 254. Newton Manor. Drypoint. 
 
 ty. Harrington, No. 174. Only Published State. Signed in pencil,— 
 Seymour Haden. Fine IMPRESSION, on French paper, slightly 
 stained. 
 
 HADEN, SIR FRANCIS SEYMOUR 
 2ss. CHattow Farm. Drypoint. 
 Harrington, No. 175. Only Published State. Signed in pencil,— 
 Seymour Haden. Good impression, perfect condition. 
 
 HADEN, SIR FRANCIS SEYMOUR 
 256. Cuattow Farm. Drypoint. 
 Harrington, No. 175. Only Published State. Signed in pencil,— 
 Seymour Haden. BrautiruL IMPRESSION, on old French paper, 
 in perfect condition. Framed. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 HADEN, SIR FRANCIS SEYMOUR 
 257. Tue Litrte Boat House. Drypoint. 
 Harrington, No. 177. First Published State of three. Signed in 
 pencil,—Seyvmour Haden. Very Fine Impression, in perfect con- 
 dition. 
 
 HADEN, SIR FRANCIS SEYMOUR 
 258. HaArLecH CastLe. Megzotint. 
 Harrington, No. 212. Only Published State. Signed in pencil,— 
 Seymour Haden. Fine Impression, in perfect condition. 
 
 HADEN, SIR FRANCIS SEYMOUR 
 259. THE Four Cows. Etching. 
 Harrington, No. 223. Trial Proof A. Signed in pencil,— Seymour 
 Haden. Very Frne Impression, on French paper, in perfect con- 
 dition. , 
 
 HADEN, SIR FRANCIS SEYMOUR 
 
 260. SALMON River. Mezzotint. 
 Harrington, No. 226. First State of two. Signed in pencil,— 
 _ Seymour Haden. Fine Impression, in perfect condition. 
 
 HADEN, SIR FRANCIS SEYMOUR 
 261. THe Littte Lone Parrisn. Drypoint. 
 Harrington, No. 236. Only State. Signed in pencil,— Seymour 
 Haden. Very Fine Impression, on French paper, slightly 
 stained. 
 
 HADEN, SIR FRANCIS SEYMOUR 
 
 262. GRAYLING FisHinc. Mezzotint. 
 Harrington, No. 241. Only Published State. Signed in pencil,— 
 Seymour Haden. Fine Impression, in perfect condition. 
 
 AXEL HERMAN HAIG 
 
 Noted Swedish etcher, born on the Island of Gotland, in the Baltic. 
 
 HAIG, AXEL HERMAN 
 263. WINpbsor CastLe. Aquatint and Etching. 
 Armstrong, No. 139. Signed Artist’s Proof. Also Lithograph, by 
 Thomas R. Way, The Guild Hall, London, Signed Artist’s Proof. 
 Together, 2 pieces. 
 
 HAIG, AXEL HERMAN 
 264. ToLepo CaTHEDRAL, INTERIOR. Etching and Aquatint. 
 Armstrong, No. 66. Signed in pencil—A. H. Haig. Fine Im- 
 PRESSION, On heavy Dutch paper. Edition limited to 350 proofs. 
 
 HAIG, AXEL HERMAN , 
 205. Portats or Ruerms CatHeprav. Etching. . 
 Armstrong, No. 94. Signed in pencil,— A rel H. Haig. Very FINE 
 IMPRESSION, on Japan paper. Edition limited to 325 proofs. 
 
Second Session, Wednesday Evening, March 26th 
 a ae Us I a a 
 
 ERNEST HASKELL 
 
 Contemporary American etcher. 
 
 PAS kKELL, ERNEST 
 
 266. AMELIA. Etching. 
 Signed in pencil,—Ernest Haskell. Very Fine IMPRESSION, on 
 Japan paper, in perfect condition. Proof, dedicated to Thomas C. 
 Dawson. 
 
 MASKELL, ERNEST 
 267, IN THE Woops. Etching. 
 Signed in pencil,—Ernest Haskell. Fine Impression, 
 condition. Proof, dedicated to Thos. C. Dawson. 
 
 i périect 
 
 ry 
 
 BASKELL, ERNEST 
 268. THE Cove. Etching. 
 Signed in pencil—Ernest Haskell. Fine Impression, 
 condition. Proof, dedicated to Thos. C. Dawson. 
 
 te 
 
 n perfect 
 
 HASKELL, ERNEST 
 
 269. Tse Tipe Bripce : Meapow Tress. Etchings. 
 Signed in pencil,—Ernest Haskell. Fine Impressions, in perfect 
 condition. Proofs, dedicated to Thos. C. Dawson. 
 Together, 2 pieces. 
 
 Dashes ERNEST 
 270. THE RIVER SANcTuaARY. Etching. 
 Signed in pencil,—Ernest Haskell. Fine Impression, in perfect 
 condition. Proof, dedicated to Thos. C. Dawson. 
 
 eaSke LL, ERNEST 
 271. THE Roap. Etching. 
 Signed in pencil—Ernest Haskell. Fine Impression, in perfect 
 condition. Proof, dedicated to Thos. C. Dawson. | 
 
 Hook Pol ERNEST 
 272. THE SNow Farm. Etching. 
 Signed in pencil,—Ernest Haskell. Fine Impression, in perfect 
 condition. Proof, dedicated to Thos. C. Dawson. 
 
 Peel. HRNEST 
 273. PuHippspurG, Maine. Etching. 
 Signed in pencil,—Ernest Haskell. Fine Impression, in perfect 
 condition. Proof, dedicated to Thos. C. Dawson. 
 
 TASK ELL, ERNEST 
 274. Witiows. Etching. 
 Signed in pencil_—Ernest Haskell. Fine Impression, in perfect 
 condition. Proof, dedicated to Thos. C. Dawson. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 a a ee ea ee 
 
 CHILDE HASSAM 
 
 Contemporary American painter and etcher. 
 
 HASSAM, CHILDE 
 
 275. BittBoarps. Etching. 
 Signed in pencil,_-CH. imp. Fine Impressron, in perfect condition. 
 
 ALBANY E. HOWARTH 
 
 Contemporary English etcher. 
 
 HOWARTH, ALBANY “E. 
 
 276. GouRocK; Corre CastTLe, No. 2. Etchings. 
 Signed in pencil,—Albany E. Howarth. Fine Impressions, in per- 
 fect condition, 
 Together, 2 pieces. 
 
 HOWARTH, ALBANY E. 
 
 277, THe LanpeaTE, Rye, Sussex. Etching. 
 Signed in pencil,—Albany E. Howarth. Fine IMpREssION, in per- 
 fect condition. 
 
 AUGUSTUS JOHN 
 
 Contemporary English artist. 
 
 JOHN, AUGUSTUS 
 
 2774. THE Dawn. Lithograph. 
 Signed proof. 
 
 MARGUERITE KIRMSE 
 
 Contemporary American etcher. 
 
 KIRMSE,. MARGUERITE 
 
 278. At Opps. Etching. 
 Signed in pencil—Marguerite Kirmse. Fine Impresston, in pertect 
 condition. Edition limited to 50 proofs. 
 
 MAXIME LALANNE 
 
 Modern French etcher. 
 
 LALANNE, MAXIME 
 279. A BorpEAUX, VUE GENERAL. Etching. 
 Signed in the plate,—Lalanne. Fine Impression, on French paper, 
 in perfect condition. 
 
 LALANNE, MAXIME 
 280. Pont St. Micuer. Etching. 
 Signed in the plate,—Lalanne. Fine Impression, on French paper, 
 in perfect condition. 
 
Second Session, Wednesday Evening, March 26th 
 
 AUGUSTE LEPERE 
 
 AMIENS CATHEDRAL 
 
 [No. 286] 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 a a 
 
 LALANNE, MAXIME 
 281. RicuMonD; Tour DE MonTALBAN, AMSTERDAM. Etchings. 
 Signed in the plate——Lalanne. Good impressions, in perfect con- 
 dition. 
 Together, 2 pieces. 
 
 ALPHONSE LEGROS 
 
 Celebrated French etcher, born in Dijon in 1837; died in 1911, 
 
 LEGROS, ALPHONSE 
 
 282. Le Lavorr. Etching. 
 Sgined in pencil,—A. Legros. Fine IMpREssION, on Dutch paper, 
 
 in perfect condition. 
 
 WILLIAM LEE-HANKEY 
 
 Contemporary English etcher. 
 
 LEE-HANKEY, WILLIAM 
 
 283. THe Poot. Aquatint. 
 Hardie, No. 32. Signed in pencil,—W.~Lee-Hankey. FINE Im- 
 
 PRESSION, in perfect condition. 
 
 LEE-HANKEY, WILLIAM 
 
 284. Tue Hitisiwe. Etching. 
 Hardie, No. 57. Signed in pencil—W. Lee-Hankey. Good im- 
 
 pression, in perfect condition. 
 
 AUGUSTE LEPERE 
 
 Celebrated French etcher and wood engraver, born in Paris, 1849; died 
 at Damme in 1918. 
 
 LEPERE, AUGUSTE 
 
 28s. CARRIERES D AMERIQUE PRES PaRIs. Etching. 
 Lote-Brissonneau, No. 108. Signed in pencil—A. Lepere. SUPERB 
 IMPRESSION, on Japan paper, lower margin slightly rubbed, other- 
 wise in perfect condition. Framed. 
 
 From the Bullivant collection. 
 
 LEPERE, AUGUSTE 
 
 286, AMIENS CATHEDRAL. Etching. 
 Signed in pencil—A. Lepére. Very FINE IMPRESSION, on Japan 
 
 paper, in perfect condition. 
 [See Illustration] 
 
 LEPERE, AUGUSTE 
 
 287. CoucHeErR pu SoLem. Etching. 
 Signed in pencil,—A. Lepére. FINE ImpREsSION, On Dutch paper, in 
 perfect condition. 
 
Second Session, Wednesday Evening, March 26th 
 
 LEPERE, AUGUSTE 
 288. EGLisE bE VerpeLtor. Etching. 
 Signed in pencil, by Mme. Lepére, and with his red stamp. Fine 
 Impression, on Dutch paper, in perfect condition. Proof No. 30 
 of 50 printed. 
 
 LEPERE, AUGUSTE 
 289. L’ ArrivéeE au Moun. Etching. 
 Signed in pencil—A. Lepére, 2nd Etat. tUn. Very Fine Impres- 
 SION, in perfect condition. Marked unique, the only proof in the 
 second state. 
 
 LEPERE, AUGUSTE 
 290. La Crorx pu Bots Macon. Etching. 
 Signed in pencil,—A. Lepere, 42/50. Fine Impression, on Japan 
 paper, in perfect condition. 
 
 LEPERE, AUGUSTE 
 291. La VirILLE PAssereLte. Etching. 
 Signed in pencil,—A. Lepére, rst, Et 3/9. Very Fine Impression, 
 on Japan paper, in perfect condition. There were only 9 impres- 
 sions, in this state. 
 
 LEPERE, AUGUSTE 
 
 292. Le Mar bE Cocacne. Etching. 
 Signed in pencil—A. Lepére. Fine Impression, on Dutch paper, 
 in perfect condition. 
 
 LEPERE, AUGUSTE 
 
 293. Le Pont bE St. CLoup. Etching. 
 Signed in pencil,—A. Lepére. Fine Impression, on Dutch paper, 
 in perfect condition. 
 
 LEPERE, AUGUSTE 
 
 2904. Le Petir Pont. Etching. 
 Signed in pencil—A. Lepére. Frne Impression, on Dutch paper, 
 in perfect condition. Proof, No. 20 of 50 printed. 
 
 LEPERE, AUGUSTE 
 
 295. Les Bateaux Lavorrs. Etching. 
 Signed in pencil—A, Lepére. Frne Impression, on Japan paper, 
 in pertect condition. 
 
 LEPERE, AUGUSTE 
 
 296. Route dE Bituiancourt. Etching. 
 Lotz-Brissonneau, No. 87. Signed in pencil,—A. Lepére, No. 1, 
 Tir. 35 Ep. Fine Impression, in perfect condition. Framed. 
 
 From the Jules Gerbeau, and Bullivant collections. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 EDOUARD MANET 
 
 Celebrated French painter and etcher, born in 1832; died in 1883. 
 
 MANET, EDOUARD 
 
 297. Fireux Exotigure. Etching. 
 Signed in the plate-——Manet. Fine Impression, on Dutch paper, 
 in perfect condition. 
 
 DONALD SHAW MacLAUGHLAN 
 
 Contemporary American etcher, born in Canada in 1876; living abroad. 
 
 MacLAUGHLAN, DONALD SHAW 
 
 298. Sonc From Venice, No. 1. Etching. 
 Signed in pencil,—D. Shaw MacLaughlan. SupPreRB IMPRESSION, on 
 Dutch paper, in perfect condition. 
 
 MacLAUGHLAN, DONALD SHAW 
 
 299. SonGc From Venice, No. 2. Etching. 
 Signed in pencil—D. S. MacLaughlan. Frine Impression, repaired 
 in lower right corner. 
 
 MacLAUGHLAN, DONALD SHAW 
 
 300. La Porte GayoLe. Etching. 
 Signed in pencil—D. Shaw MacLaughlan. Finer IMPRESSION, on 
 Japan paper, in perfect condition. 
 
 MacLAUGHLAN, DONALD SHAW | 
 
 301. River Sonc, No. 2. Etching. 
 Signed in pencil,—D. S. MacLaughlan. Fine IMPRESSION, in per- 
 fect condition. 
 
 FRANK H. MASON 
 
 Contemporary English etcher. 
 
 MASON, FRANK H. 
 
 302. Torpepo Boats. Drypoint. 
 Signed Artist’s Proof. Also Etchings, The Fisherman, by Appian, 
 and Pond of St. Firmin by Fonce. 
 Together, 3 pieces. 
 
 TOM MAXWELL 
 
 Contemporary English etcher. 
 
 MAXWELL, TOM 
 303. Doune Castie. Etching. 
 Signed in pencil—Tom Maxwell. Fine Iwpression, on Japan 
 paper, in perfect condition. 
 
Second Session, Wednesday Evening, March 26th 
 
 MAXWELL, TOM 
 
 304. THE Broomietaw, GLascow. Drypoint. 
 Signed in pencil—Tom Maxwell. Fine Impression, in perfect 
 condition. 
 
 JAMES McBEY 
 
 Contemporary English etcher. 
 
 McBEY, JAMES 
 305. “1588.” Etching. 
 Signed in ink,—James McBey. Very Fine Impression, on French 
 paper, in perfect condition. Proof dedicated in ink, to James 
 Grey, Nov. 1912. 
 
 McBEY, JAMES 
 
 306. FoveraAN Burn. Etching. 
 Signed in ink,—James McBey. Fine Impression, in perfect con- 
 dition. Proof, marked XIX. 
 
 McBEY, JAMES 
 
 307. Francais INconnvu. Etching. 
 Signed in ink,—James McBey. Frne Impresston, on French paper, 
 in perfect condition. Proof, marked 415. 
 
 McBEY, JAMES 
 
 308. THe Crucirix, Boutocne. Etching. 
 Signed in ink—James McBey. Supers Impression, on French 
 paper, in perfect condition. Proof, marked A 3. 
 
 MORTIMER MENPES 
 
 Contemporary English etcher. 
 
 MENPES, MORTIMER 
 309. Dorcuester. Etching. 
 Signed in pencil,—Mortimer Menpes, imp. Fine Impression, in 
 perfect condition. 
 
 MENPES, MORTIMER 
 310. Eartry Morninc, Rotrerpam. Etching. 
 Signed in pencil—Mortimer Menpes, imp. Very Fine Impression, 
 in perfect condition. 
 
 MENPES, MORTIMER 
 311. River Scene, JAPAN. Etching. 
 Signed in pencil—Mortimer Menpes, imp. Fine Impression, in 
 perfect condition. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 MENPES, MORTIMER 
 
 312. Winpsor Castie. Etching. 
 Signed in pencil,—Mortimer Menpes, imp. Frne Impression, in 
 perfect condition. 
 
 MENPES, MORTIMER 
 
 313. WATERLOO, Lonpon; WarEHouses: Custom Housz Wuarr. Etchings. 
 Signed in pencil,—Menpes, imp. Good impressions, in perfect 
 condition. 
 Together, 3 pieces. 
 
 CHARLES MERYON 
 
 Celebrated French etcher. Born in Paris in 1821; died there in, 1868. 
 
 MERYON, CHARLES 
 
 314. Le Petit Pont. Etching. 
 Delteil, No. 24. Third State of six. Signed in the plate, with the 
 monogram,—CM. Fine Impression, in brown ink, on Dutch 
 paper, in perfect condition. 
 
 MERYON, CHARLES 
 
 315. La Tour pve L’Hortoce. Etching. 
 Delteil, No. 28. Eighth State of eight. Good impression, on yellow 
 India paper, in perfect condition. 
 
 MERYON, CHARLES 
 
 316. Rue pe LA TIXERANDERIE. Etching. 
 Delteil, No. 29. Third State of three. Signed in the plate, with 
 the monogram,—CM. Good impression, slightly stained. Framed. 
 
 MERYON, CHARLES 
 
 317. L’Apsipe bE Notre Dame. Etching. 
 Delteil, No. 38. Eighth State of eight. Signed in the plate,—C. 
 Meryon, del. sculp. Fair impression, in perfect condition. 
 
 MERYON, CHARLES 
 
 318. La Rue pes CHantres, Paris. Etching. 
 Delteil, No. 42. Fifth State of five. Very Fine Impression, on 
 French paper, in perfect condition. 
 
 From the M. Theil Thibaudeau and MacGeorge collections. 
 
 MERYON, CHARLES 
 319. CoLLEGE oF Henri IV ov Lycee Napotron. Etching. 
 Delteil, No. 43. Eighth State of eight. Fine Impression, on French 
 paper, in perfect condition. 
 
 MERYON, CHARLES 
 320. MINISTERE DE LA Marine. Etching. 
 Delteil, No. 45. Fifth State of six. Signed in plate, with mono- 
 gram,—CM. Fine Impression, in perfect condition. 
 
Second Session, Wednesday Evening, March 26th 
 
 MERYON, CHARLES 
 321. Kine Louis XI, ReceIvinc A PRINTER. Etching. 
 Delteil, No. 94. Fourth State of four. Signed in the plate, with 
 the monogram,—CM. Finer Impression, on Japan paper, in per- 
 fect condition. 
 
 CHARLES F. W. MIELATZ 
 
 Modern American etcher. 
 
 Poem eATZ CHARLES F. W. 
 322. Custom Houssz, WALL Sr. 1905. Etching. 
 Signed in pencil,—Mielatz, imp. Fine Impression, on Japan paper, 
 in perfect condition. 
 
 Perc AT ZZ, CHARLES F.-W. 
 323. Near SoutH Ferry, 1904. Etching. 
 Signed in pencil,—Mielatz, imp. Fine Impression, on Japan paper, 
 in perfect condition. 
 
 JEAN FRANCOIS MILLET 
 
 Born in the little village of Gruchy, on the Norman coast, October 4, 
 1814. Died at Barbizon, January 20, 1875. “A man who had given his 
 whole life to etching only, who had never thought of painting, and had 
 never cared for those effects proper to painting and not to etching, could 
 not have been more truly and markedly a born etcher than Millet.”—Mrs, 
 SCHUYLER VAN RENSSELAER, Millet as an Etcher. 
 
 MILLET, JEAN FRANCOIS 
 
 324. THE Woot Carper. Etching. 
 Delteil, No. 15. Only State. Fine Impression, on old French 
 paper, in perfect condition. 
 
 MILLET, JEAN FRANCOIS 
 
 325. SHEPHERDESS Knittinc. Etching. 
 Delteil, No. 18. Only State. Signed in the plate,—J. F. Millet. 
 Very Fine Impression, on Japan paper, in perfect condition. 
 
 MILLET, JEAN FRANCOIS 
 
 326. Gornc To Work. Etching. 
 Delted, No. 19. Seventh State of seven. Signed in the plate,— 
 J. F, Millet. Fine Impresston, on old French paper, in perfect 
 condition. 
 
 ROBERT NANTEUIL 
 
 Celebrated French engraver, born in Rheims, in 1632; died in Paris in 1678. 
 
 NANTEUIL, ROBERT 
 327. GEORGE DE ScCuDERY. Engraving. 
 Robert Dumesnil, No. 221. Signed in the plate,—Robertus Nanteuil. 
 FINE IMPRESSION, in perfect condition. 
 From the Francis Bullard collection. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 pain Pai at at a a Se 
 POWER O'MALLEY 
 
 Contemporary American etcher. 
 
 O'MALLEY, POWER 
 328. Across THE Door. Etching. 
 
 Signed Artist’s Proof. Also Portrait of Charles Dickens, by John- 
 
 son. Signed Artist’s Proof. 
 Together, 2 pieces. 
 
 CHARLES PEARS 
 
 Contemporary English artist, painter of naval subjects. 
 
 PEARS, CHARLES 
 328A. MAINTAINING OversEA Forces. Lithograph. 
 Signed proof. 
 
 GEORGE PENCZ 
 
 Early German engraver, born in 1500; died in 1550. 
 
 PENCZ, GEORGE 
 329. THEBIS TURNS ACHILLES OVER TO CHIRON. Engraving. 
 
 Bartsch, No. 90. Signed and dated in the plate-——PG. 1543. 
 
 impression, in good condition. . 
 
 Good 
 
Third Session, Numbers 330 to 499, inclusive 
 
 THURSDAY EVENING, MARCH 27TH, AT 8:15 O’CLOCK 
 
 JOSEPH PENNELL 
 
 Celebrated American illustrator, etcher and lithographer, born in Phila- 
 
 delphia, 1860; lives in New 
 
 PENNELL, JOSEPH 
 
 330. CALLOWHILL STREET BripGe, PHILA. 
 Signed in pencil,—Joseph Pennell. 
 
 York. 
 
 Etching. 
 
 FINE IMPRESSION, 
 
 on Japan 
 
 paper, in perfect condition. Also print of Chestnut St. Bridge, 
 
 Phila, 
 Together, 2 pieces. 
 
 PENNELL, JOSEPH 
 
 331. WATER STREET STAIRS, PHILADELPHIA. 
 
 Signed in pencil,—Joseph Pennell. 
 paper, in perfect condition. 
 
 PENNELL, JOSEPH 
 
 332. CHEAPSIDE. Etching. 
 Signed in pencil—J. Pennell, imp. 
 condition. 
 
 Penne LL, JOSEPH 
 
 333. CxiirForp’s Inn, Lonpon. Etching. 
 Signed in pencil,—J. Pennell, imp. 
 condition. 
 
 SeeNNELL, JOSEPH | 
 334. GREENWICH Park, No. 2. Etching. 
 
 Signed in pencil,—J. Pennell, tmp. 
 
 condition. 
 
 BENNELL, JOSEPH 
 335. Hays Wuarr, Lonpon. Etching. 
 Signed in pencil,—J. Pennell, imp. 
 condition. 
 
 PENNELL, JOSEPH 
 336. LamsBerH. Etching. 
 
 Signed in pencil,—/. Pennell, imp. 
 
 paper. Has small hole repaired. 
 
 Etching. 
 FINE IMPRESSION, 
 
 FINE IMPRESSION, 
 
 FINE IMPRESSION, 
 
 FINE IMPRESSION, 
 
 FINE IMPRESSION, 
 
 FINE IMPRESSION, 
 
 on Japan 
 
 in perfect 
 
 in perfect 
 
 in perfect 
 
 in perfect 
 
 on Japan 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 ee eee 
 
 PENNELL, JOSEPH 
 
 337. Lupcate Hin. Etching. 
 Signed in pencil,—J. Pennell, imp. Very Fine IMPRESSION, 1n per- 
 fect condition. 
 
 PENNELL, JOSEPH 
 
 338. Str. Paut’s From THE EMBANKMENT. Etching. 
 Signed in pencil—J. Pennell, imp. Frne Impression, in perfect 
 condition. 
 
 PENN ELIS OSS? i 
 
 339. THe Dock, Lereps. Etching. 
 Signed in pencil,—J. Pennell, ump. Fine IMPRESSION, in perfect 
 condition. . 
 
 PENNELL, JOSEPH 
 340. THe Guitp Harr, Lonpon. Etching. . 
 Signed in pencil—J. Pennell, amp. Fine IMPRESSION, in perfect 
 condition. 
 
 PENNELL JOSErE 
 
 341. Tue THaMes From RICHMOND Hitt: eich 
 Signed in pencil,—J. Pennell, imp. FINE IMPRESSION, in perfect 
 condition. 
 
 PENNELL, JOSEEE 
 342. THe Turn or THE Tipe. Etching. . 
 Signed in pencil,—J. Pennell, imp. Fine IMPRESSION, in perfect 
 condition. 
 
 PENNELLS JOSEPH 
 343. THE SHot Tower. — Eiching. 
 Signed in pencil,—J. Pennell, imp. VERY FINE IMPRESSION, on 
 Japan paper, in perfect condition. 
 
 PENNELL, JOSEPH 
 344. APPROACH TO THE GRAND CENTRAL. Etching. 
 Signed in pencil,—J. Pennell, imp. Fine Impression, on old paper, 
 in perfect condition. 
 
 PENNELL, JOSEPH 
 345. Hore IN THE Ground. Etching. ? 
 Signed in pencil—J. Pennell. Fine Impression, on Japan paper, 
 in perfect condition. 
 
 PENNELL, JOSEPH 
 346. PALISADES AND PALACES. Etching. 
 de Signed in pencil—J. Pennell, imp. FINE IMPRESSION, in perfect 
 condition. 
 
 PENNELL, JOSEPH 
 
 347. Up to tHE WootwortH. Etching. ; 
 Signed in pencil,—J. Pennell, imp. Fine Impression, on Japan 
 paper, margins slightly rubbed. 
 
Third Session, Thursday Evening, March 27th 
 
 mew hl JOSEPH 
 PeowotbauLs, N.Y. Eiching. 
 Signed in pencil—J. Pennell, imp. Fine Earty IMprREssIoNn, in 
 brown ink, on old French paper, has few small rust marks, other- 
 wise in perfect condition. 
 
 PENNELL, JOSEPH 
 349. Tue Ferry House. Etching. 
 Signed in pencil,—J. Pennell, imp. Fine Impression, in perfect 
 condition. 
 
 FENN IcL, JOSEPH 
 350. Up To THE WooLtwortH. Etching.’ 
 Signed in pencil,—J. Pennell, imp. Fine Impression, in perfect 
 condition. — 
 
 Pio JOSEPH 
 351. RoveN From Bon- Secours. Etching. 
 Signed in pencil,—J. Pennell, imp. Fine Impression, in perfect 
 condition. 
 
 PON NEI JOSEPH 
 352. From THE FairMonT—SEA Foc Comine In. Etching. 
 Signed in pencil,—/J. Pennell, imp. Fine Impression, in perfect 
 condition. 
 
 Pell JOSEPH 
 353. SEAL Rocks. Etching. 
 Signed in pencil,—/J. Pennell, imp. Fine Impression, in perfect 
 condition. 
 
 PENNWELL, JOSEPH 
 354. IsLEs oF THE Bay, ANGEL IsLAND From Hype Srreer. Etching. 
 Signed in pencil,—J. Pennell, imp. Fine Impression, in perfect 
 condition. 
 
 Peel JOSEPH 
 355. Russta Hitt. Etching. 
 Signed in pencil,—J. Pennell, imp. Beautirut Trrat Proor, in 
 perfect condition. 
 
 EeNNELL, JOSEPH 
 356. Down anv Up Ca.irorniA STREET. Etching. 
 Signed in pencil—J. Pennell, imp. Fine Impression, in perfect 
 condition. 
 
 FEN NELL, JOSEPH 
 357. CHINATOWN, SAN Francisco. Etching. 
 Signed in pencil—-J, Pennell, imp. Fine Impression, in perfect 
 condition. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 aie a nian tac i a a 
 
 PENNELL, JOSEPH 
 
 358. THE QuaARRY AT PENTILCON. Etching. 
 Signed in pencil,—J. Pennell, imp. FINE IMPRESSION, in perfect 
 condition. 
 
 PENNELL, JOSEPH 
 
 359. SCENE AT TAoRMINA. Etching. 
 Signed in pencil,—J. Pennell, imp. FINE EarLy TRIAL PROOF, on 
 Japan paper, in perfect condition. 
 
 PENNELL, JOSEPH 
 
 360. Coat, In THE MaHoNEY VALLEY. Etching. 
 Signed in pencil,—J. Pennell, imp. FINE IMPRESSION, in perfect 
 condition. 3 
 
 PENNELL, JOSEPH 
 361. Stock Yarps, Cuicaco. Etching. 
 
 Signed in pencil,—J. Pennell, amp. Very Frne IMPRESSION, in 
 perfect condition. 
 
 PENNELL] JOSEPH 
 
 362. Timber Mitts, ZAANDAM. Lithograph. 
 Signed in pencil—Josepl Pennell, 1898. VERY Fine IMPRESSION, 
 in perfect condition. 
 
 PENNELL OSEEH 
 362A. War Suies. Lithograph. 
 
 PENNELL, JOSEPH 
 363. A WinpMILL, ScHiepAM. Lithograph. 
 Signed in pencil,—Joseph Pennell, 1898. VERY FINE IMPRESSION, 
 in perfect condition. 
 
 JEAN FRANCOIS RAFFAELLI 
 Modern French artist. 
 
 RAFFAELLI, JEAN FRANCOIS 
 363A.LUXEMBOURG GARDENS. Lithograph. 
 
 JOSEPH RAPHAEL 
 
 Contemporary American etcher. 
 
 RAPHAEL, JOSEPH 
 
 364. CanaLt Boats; THe Emma M. Etchings. 
 Signed in ink,—Jos. Raphael. Fine IMpREssIoNns, on Dutch paper, 
 in perfect condition. 
 Together, 2 pieces. 
 
Third Session, Thursday Evening, March 27th 
 
 RoareArL JOSEPH 
 365. Circus Clowns; WINDMILL; ON THE BracH. Etchings. 
 Signed in ink,—Jos. Raphael. Fr1ne Impressions, on Dutch paper, 
 in perfect condition. 
 Together, 3 pieces. 
 
 RAPHALL, JOSEPH 
 366. Marxket Piace; Roor Tors. Etchings. 
 Signed in ink,—Jos. Raphael. Fine Impressions, on Dutch paper, 
 in perfect condition. 
 Together, 2 pieces. 
 
 RAPHAEL, JOSEPH 
 367. STREET SCENE AT NiGHT : ON THE.CANAL. Etchings. 
 Signed in ink,—Jos. Raphael. Fine Impressions, on Dutch paper, 
 in perfect condition. 
 Together, 2 pieces. 
 
 RAPA s}OSEPH 
 368. THE Patace: UNLoapiInc. Fichings. 
 Signed in ink.—Jos. Raphael. Fine Impressions, on Dutch paper, 
 in perfect condition. 
 Together, 2 pieces. 
 
 REMBRANDT VAN RIJN 
 
 Born, Leyden, 1607; died, Amsterdam, 1669. Pupil of Swanenburch and 
 Pieter Lastman. “The opinion among etchers which enthrones Rem- 
 brandt as the King of his craft is the most recent instance of perfect 
 unanimity among people of all nationalities. As we all say Phidias was 
 the greatest sculptor, Homer the greatest epic poet, and Shakespeare the 
 greatest dramatist, so we are all agreed on the world-wide supremacy of 
 Rembrandt. In his own lines of work there is no one in all history to 
 be compared with Rembrandt; in artistic influence he has one equal en- 
 tirely unlike himself, and that is Raphael. They are the two most 
 influential graphic artists of all time.”—-P. G. HAMERTON. 
 
 REMBRANDT VAN RIJN 
 
 369. JosEPH AND PotipHar’s Wire. Etching. 
 Bartsch, No. 39. Signed in the plate,—Rembrandt, 1634. Good 
 
 impression, in good condition. 3 
 
 REMBRANDT VAN RIJN 
 
 370. Topsit Buinp. Eiching. 
 Bartsch, No. 42. Signed in the plate—Rembrandt. Good impres- 
 
 sion, in perfect condition. 
 
 REMBRANDT VAN RIJN 
 
 371. CHRIST AND THE WOMAN OF SAMARIA. Etching. 
 Bartsch, No. 70. Signed in the plate—Rembrandt, 1658. VERY 
 Fine Impression, in perfect condition. 
 
 REMBRANDT VAN RIJN 
 
 372. CHRIST AND THE WoMAN oF SAMARIA: AMONG Ruins. Etchin: 
 Bartsch, No. 71. Signed in the plate-——Rembrandt, 1634. Good im- 
 pression, in good condition. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 REMBRANDT VAN RIJN 
 
 373. RESURRECTION OF Lazarus. Etching. 
 Bartsch, No. 72. Signed in the plate,—Rembrandt, 1646. FINE 
 IMPRESSION, in perfect condition. 
 
 REMBRANDT VAN RIJN 
 374. Curist Heatinc THE Sick (The Hundred Guilder Print). Etching. 
 Bartsch, No. 74. Good impression, from the reworked plate by 
 Capt. Baillie. In good condition. 
 
 REMBRANDT VAN RIJN 
 
 375. Ecce Homo—Curtst Berore Pivate. Etching. 
 Bartsch, No. 77. Good impression, in good condition. 
 
 REMBRANDT VAN RIJN 
 
 376. THe Descent From THE Cross (By Torchlight). Etching. 
 Bartsch, No. 83. Signed in the plate—Rembrandt, 1654. Fair 
 impression, in good condition. | 
 
 REMBRANDT VAN RIJN 
 
 377, RETURN OF THE PropiGAL Son. Etching. 
 Bartsch, No. 91. Signed in the plate——Rembrandt, 1636. FINE 
 IMPRESSION, in perfect condition, has small margins. 
 
 REMBRANDT VAN RIJN 
 
 378. STONING OF ST. STEPHEN. Eiching. 
 Bartsch, No. 97. Signed in the plate,—Rembrandt, 1635. Good 
 impression, in good condition. 
 
 REMBRANDT VAN RIJN 
 379. St. JEROME IN A DARK CHAMBER. Etching. 
 Bartsch, No. 105. Signed in the plate—Rembrandt, 1642. Very 
 good impression, in perfect condition. 
 
 REMBRANDT VAN RIJN 
 
 380. St. Francis Prayine. Etching. 
 Bartsch, No. 107. Signed in the plate—Rembrandt. Good im- 
 pression, slightly stained, and repaired. 
 
 REMBRANDT VAN RIJN 
 381. THe Star or THE Kines (A Christmas ceremony in Amsterdam). 
 Etching. 
 Bartsch, No. 113. Etched about 1652. Fine Impression, slightly 
 stained at back. 
 
 REMBRANDT VAN RIJN 
 
 382. BrcGARS AT THE Door oF A House. Etching. 
 Bartsch, No. 176. Signed in the plate,—Rembrandt, 1648. Good 
 impression, repaired in upper right corner. ; 
 
Third Session, Thursday Evening, March 27th 
 
 REMBRANDT VAN RIJN 
 
 383. OLp Man Wita Divipep Fur Cap. Etching. 
 Bartsch, No.. 265. Signed in the plate-—Rembrandt, 1640. FINE 
 IMPRESSION, in perfect condition. 
 
 REMBRANDT VAN RIJN 
 
 384. Dr. Faustus. Etching. 
 Bartsch, No. 270. Good impression, in good condition. 
 
 REMBRANDT VAN RIJN 
 
 385. RENIER ANsLoo. Etching. 
 Bartsch, No. 271. Signed in the plate,—Rembrandt. Fair impres- 
 sion, in good condition. 
 
 REMBRANDT VAN RIJN 
 
 386. CLEMENT DE JoNGHE. Etching. 
 Bartsch, No. 272. Signed in the plate,—Rembrandt. Good im- 
 pression, in good condition. 
 
 REMBRANDT VAN RIJN 
 387. ABRAHAM FRANz. Etching. 
 Bartsch, No. 273. Fine Impression, in perfect condition. Has 
 one half inch margins. 
 From the Cambridge University Library, Fitz William Museum. 
 
 REMBRANDT VAN RIJN 
 
 388. Jan Lutma. Etching. 
 Bartsch, No. 276. Signed in the plate-—Rembrandt, 1656. Good 
 impression, 1n good condition. 
 
 REMBRANDT VAN RIJN 
 389. Man WitH Broad BriMMED HaT AND RurFrF. Etching. 
 Bartsch, No. 311. Signed in the plate——Rt. 1630. Good impression, 
 in good condition. } 
 
 WILLIAM P. ROBINS 
 
 Contemporary English etcher. 
 
 moeCiNs, WILLIAM P. 
 390. THE BARN BY THE STREAM. Fiching. 
 Signed in pencil—Wm. P. Robins. Fine Impression, in perfect 
 condition. Proof, No. 4 of an edition of 30. 
 
 FREDERICK ROBBINS 
 
 Contemporary American etcher. 
 
 ROBBINS, FREDERICK 
 391. MARKET STREET, SAN Francisco. Etching. 
 Signed in pencil—Frederick Robbins. Fine ImMprREssiIoNn, on Japan 
 paper, in perfect condition. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 AUGUSTE RODIN 
 
 Modern French sculptor. 
 
 RODIN, AUGUSTE 
 391A. PortrAIT OF Victor Huco. Drypoint. 
 
 ERNEST ROTH 
 
 Contemporary American painter and etcher. 
 
 ROTH, ERNEST 
 
 392. AMIENS CATHEDRAL. Etching. 
 Signed in pencil,—Ernest D. Roth. Very Fine IMpREssIon, on 
 Japan paper, in perfect condition. | 
 
 ROTH, ERNEST 
 
 393. CiirrF DweLiers, Cuenca. Etching. 
 Signed in pencil,—Ernest D. Roth, 1921. Fine Impression, on 
 Japan paper, in perfect condition. 
 
 WILLIAM ROTHENSTEIN 
 Contemporary English artist. 
 
 ROTHENSTEIN, WILLIAM 
 
 3934. PLoucHine. Lithograph. 
 Signed proof. : 
 
 FREDERICK SCHMUTZER 
 
 Contemporary German etcher. © 
 
 SCHMUIZER TE REDERICK 
 
 394. WoMAN FerepineG GEEsE. Etching. 
 Signed in pencil,—F. Schmutzer. Fine Impression, in perfect 
 condition. 
 
 MARTIN SCHONGAUER 
 
 Celebrated German engraver, born at Colmar in 1445; died in 1499. 
 
 SCHONGAUVER, MARTIN 
 395. THE Crown or THorns. Engraving. 
 Bartsch, No. 13. Signed in the plate, with the monogram,—MS, 
 Fair impression, torn and repaired, through centre and along 
 margins. ; 
 Duplicate from the Museum of Fine Arts, Boston, and from the Peoli collection. 
 
Third Session, Thursday Evening, March 27th 
 
 T. FRANCOIS SIMON 
 
 Contemporary Bohemian etcher, born at Prague in 1877. 
 
 SIMON, T. FRANCOIS 
 
 396. First CoMMUNION. Etching. 
 Signed in pencil,—T. F. Simon. Finer Impression, on Dutch paper, 
 in perfect condition. 
 
 CHARLES H. SHANNON 
 Contemporary English lithographer. 
 
 SHASINON, CHARLES H. 
 
 396A. PoRTRAIT OF ALPHONSE LeGros. Lithograph. 
 One of 50 proofs, printed and signed by Shannon. 
 
 FRANK SHORT 
 
 Contemporary English etcher and mezzotinter. Born at London in 1857. 
 
 SHORT, FRANK 
 
 397. DIANA AND EnpyMion. Mezzotint. 
 After the painting by Watts. Signed Artist’s Proof. Fine Im- 
 PRESSION, in perfect condition. 
 
 SHORT, FRANK 
 
 398. Dinner Time, oN Boarp A TimMBER Barce. Etching. 
 Signed in pencil,—Frank Short. Fine IMPRESSION, in perfect con- 
 dition. 
 
 SHORT, FRANK 
 
 399. WeNsLeY Date, YorKSHIRE. Mezzotint. 
 Signed in pencil,—Frank Short. Very FINE Impression, on Japan 
 paper, in perfect condition. 
 
 SHORT, FRANK 
 
 400. WroucuT Naits. Etching. 
 Signed in pencil—Frank Short. Fine Impression, in perfect 
 condition. 
 
 ALBERT STERNER 
 
 Contemporary American painter and lithographer. 
 
 STERNER, ALBERT 
 4o1. Amour Mort. Lithograph. 
 Signed in pencil,—Albert Sterner, 78/100, Fine IMpREssIoN, in 
 perfect condition. Edition limited to 100 proofs. 
 
Kindly read Conditions of Sale in forepart of Catalogue ~ 
 
 IAN STRANG 
 
 Contemporary English etcher. 
 
 STRANG, IAN 
 
 402. ARCHWAY, ST. PETER’s, Rome. Etching. 
 Signed in pencil,—/an Strang, torr. Very Fine IMpRESSION, on 
 Japan paper, in perfect condition. 
 
 STRANG, IAN 
 
 03. Op STREET, Orvieto. Etching. 
 ib g 
 Signed in pencil,—/an Strang. Fine Impression, on Japan paper, 
 perfect condition. 
 
 JOHN H. TWACHTMAN 
 
 Celebrated American painter and etcher., 
 
 TWACHTMAN, JOHN H. 
 
 404. QUAI AT HARFLEUR. Etching. 
 Signed in pencil—JHT. per AT. Fine Impression, in perfect con- 
 dition. Framed. 
 
 LUCAS VAN LEYDEN 
 
 Early German engraver, born at Leyden, in 1494; died in 1533. 
 
 VAN LEYDEN, LUCAS 
 
 405. ABRAHAM DiIsMIssING Hacar. Engraving. 
 Bartsch, No. 18. Signed in the plate, with the monogram,—L. 
 Fine Impression, slightly stained. 
 
 VAN LEYDEN, LUCAS 
 
 406. JosEPH RELATING His DREAM. Engraving. 
 Bartsch, No. 23. Signed in the plate,—with the monogram,—L. 
 FINE ImprEssIoN, in perfect condition. 
 From the Baron Von Lanna collection. 
 
 VAN -LEY DEN =LUCAS 
 
 407. Baptism oF Curist. Engraving. 
 Bartsch, No. 40. Signed in the plate, with the monogram,—L. 
 Good impression, in perfect condition. 
 
 ADRIAEN VAN OSTADE 
 
 Celebrated Dutch painter and etcher, born at Haarlem in 1610; died 
 there in 1685. 
 
 VAN OSTADE, ADRIAEN 
 408. MAN LEANING oN A House Door. Etching. 
 Dutuit, No. 9. Signed in the plate-——V. Ostade. Fine ImprEssion, 
 in perfect condition. 
 
Third Session, Thursday Evening, March 27th 
 
 VAN OSTADE, ADRIAEN 
 
 409. THe FIsHERMAN. Etching. 
 Dutuit, No. 24. Fine Impression, in perfect condition. 
 
 VAN OSTADE, ADRIAEN 
 
 410. Woman Spinninc: THE CHILD AND THE Dott. Etchings. 
 Signed in the plates—AVlV Ostade. Good impressions. 
 Together, 2 pieces. 
 
 WILLIAM WALKER 
 
 Contemporary English etcher. 
 
 WALKER, WILLIAM 
 411. Earty Mornine. Etching. 
 Signed in pencil—William Walker. Fine Impression, in perfect 
 condition. Framed. 
 
 HERMAN A. WEBSTER 
 
 Contemporary American etcher. 
 
 WEBSTER, HERMAN A. 
 412, CORTLANDT STREET. Etching. 
 
 Signed in pencil,—Herman A. Webster. Very Fine Impression, 
 on old French paper, in perfect condition. 
 
 WEBSTER, HERMAN A. 
 
 413. La Matson MEttne, Paris. Eéching. 
 Signed in pencil—Herman A. Webster. Fine Impression, in per- 
 fect condition. 
 
 WEBSTER, HERMAN A. 
 
 414. Le Pont Neur, Parts... Etching. 
 Signed in pencil—Herman A. Webster. Very Fine Impression, 
 on old French paper, in perfect condition. 
 
 WEBSTER, HERMAN A. 
 
 415. O_p Houses oN THE Quart. Etching. 
 Signed in pencil—Herman A. Webster. Fine ImpRESSION, in per- 
 fect condition. 
 
 WEBSTER, HERMAN A. 
 
 416. Rue FroMENTAL. Etching. | 
 Signed in pencil—Herman A. Webster. Fine Impression, in per- 
 - fect condition. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 JAMES ABBOTT McNEILL WHISTLER 
 
 Celebrated American painter and etcher. Born at Lowell, Mass., in 
 1834; died at London in 1903. 
 
 “With the master-etchers of the world—Meryon’s equal in some respects 
 and, in some respects, Rembrandt’s—there stands James Whistler. Con- 
 noisseurs in France and England, in America, Holland, Bavaria, concede 
 this now.”—FREDERICK WEDMORE. 
 
 “All his work is alike perfect. It has only been produced under different 
 circumstances and is an attempt to render different effects or situations. 
 Therefore the methods vary, but the results are always the same—great. 
 The greatest, most perfect, as a whole, that any etcher has ever accom- 
 plished.” —Jos—EPpH PENNELL. 
 
 WHISTLER, JAMES ABBOTT McNEILL 
 417. Littte ArtHur. Etching. 
 Kennedy, No. 9. Fifth State of five. Signed in the plate— 
 Whistler. Fine IMPRESSION, on Japan paper, in perfect condition. 
 
 WHISTLER, JAMES ABBOTT McNEILL 
 
 418. Fumette. Etching. 
 Kennedy, No. 13. Fourth State of four. Signed in the plate, 
 Whistler. Fixe Impression, on old French paper, in_ perfect 
 condition. 
 
 WHISTLER, JAMES ABBOTT McNEILL 
 
 419. FumettTr. Etching. 
 Kennedy, No. 13. Fourth State of four. Signed in the plate,— 
 Whistler. Good impression, on Japan paper, in perfect.condition. 
 
 WHISTLER, JAMES ABBOTT McNEILL 
 420. La Vre1LLE Aux Logues. Etching. 
 Kennedy, No. 21. Second State of three. Signed in the plate,— 
 Whistler. Fine Impression, in brown ink, on French paper, 
 “in perfect condition. | 
 
 WHISTLER, JAMES ABBOTT McNEILL 
 42t. La VireLtE Aux Logues. Etching. 
 Kennedy, No. 21. Third State of three. Signed in the plate,— 
 
 Whistler. Fine Impression, on old French paper, in perfect 
 condition. 
 
 WHISTLER, JAMES ABBOTT McNEILL 
 422. Lirtte Rac GATHERERS. Etching. 
 Kennedy, No. 23. Fifth State of five. Signed in the  plate,— 
 Whistler, 1858. Fine Impression, in perfect condition. = 
 
 WHISTLER, JAMES ABBOTT McNEILL 
 423. LitTLe Rac GATHERERS. Etching. 
 Kennedy, No. 23. Fifth State of five. Signed in the plate—— _ 
 Whistler. Fine Impression, on French paper, in perfect. 
 condition. 
 
Third Session, Thursday Evening, March 27th 
 
 WHISTLER, JAMES ABBOTT McNEILL 
 424. THAMES Po.ice. Etching. 
 Kennedy, No. 44. Third State of three. Signed in the plate,— 
 
 Whistler, 1859. Good impression, has a few printers’ folds. 
 Framed. 
 
 WHISTLER, JAMES ABBOTT McNEILL 
 425. Bist VALENTIN. Etching. 
 | Kennedy, No. 50. Second State of two. Signed in the plate,— 
 
 Whistler, 1859. Fine Impression, has slight fold from top on 
 left side. 
 
 WASTER JAMES ABBOTT McNEILL 
 426. Brecqguet. Etching. 
 Kennedy, No. 52. Fourth State of four. Frne Impression, on 
 Japan paper, in perfect condition. One of the “Thames Set.’ 
 
 ie eek) ES ABBOTT McNEILL 
 427. PoRTRAIT OF DrovueTt. Etching. 
 Kennedy, No. 55. Second State of two. Signed in the plate,— 
 Whistler, 1859. NERY Fine IMpreEssIon, on Japan paper, in 
 perfect condition. 
 
 WHISTLER, JAMES ABBOTT McNEILL 
 428. Venus. Etching. 
 Kennedy, No. 59. Second State of two. Signed in the plate,— 
 Whistler, 1850. Very Fine Impression, in perfect condition. 
 From the F. Nazby Harrington collection. 
 
 WHISTLER, JAMES ABBOTT McNEILL 
 429. ROTHERHITHE. Etching, and Drypoint. 
 Kennedy, No. 66. Third State of three. Signed in the plate,— 
 Whistler, 1560. Very FINE Impression, in rich black ink, on 
 French paper, in perfect condition. One of the “Thames Set.” 
 
 Win eek. JAMES ABBOTT McNEILL 
 
 430. THE Force. Drypornt. 
 Kennedy, No. 68. Fourth State of four. Signed in the plate,— 
 Whistler, t861. FINE IMPRESSION, in perfect condition. 
 
 Weis tLER, JAMES ABBOTT McNEILE 
 431. St. JAMES STREET. - Etching. 
 Kennedy, No. 169. Fourth State of four. Signed in the plate, with 
 
 the Butterfly. Fine IMpREssIoN, in brown ink, on French paper, 
 in perfect condition. 
 
 Wiisteek, JAMES ABBOTT McNEILL 
 432. St. JAMEs STREET. Etching. 
 Kennedy, No. 169. Fourth State of four. Signed in the plate, 
 with the Butterfly. Fine Impression, in perfect condition. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 eon atin 
 
 “te 
 
 &». 
 
 [No. 438] 
 
 WHISTLER, JAMES ABBOTT McNEILL 
 
 433. THe ApAM AND Eve Tavern. Etching. 
 Kennedy, No. 175. Second State of two. . Signed in the plate, 
 with the Butterfly. BrautiruL Ricu Impression, on French 
 
 paper, in perfect condition. 
 
 WHISTLER, JAMES ABBOTT McNEILL 
 
 434. Putney Bripce. Etching. 
 Kennedy, No. 178. Fourth State of four. Signed in pencil, with 
 
 the Butterfly, imp. Fine Impression, in perfect condition. 
 
 WHISTLER, JAMES ABBOTT McNEILL 
 
 435. Lirrte Putney. Liching. 
 Kennedy, No. 179. Third State of three. Signed in the plate, wie , 
 the Butterfly. Frne Impression, on French paper, in padiect | 
 
 condition. 
 
 WHISTLER, JAMES ABBOTT McNEILL 
 
 436. HurtincHam. Etching. 
 Kennedy, No. 181. Third State of three. Signed in the plate, with 
 the Butterfly. Fine Impression, on French paper, in perfect 
 
 condition. 
 
Third Session, Thursday Evening, March 27th 
 a ll Sareea rae ot mated 
 
 [No. 439 ] 
 
 WHISTLER, JAMES ABBOTT McNEILL 
 
 437. HurtincHam. Etching. 
 Kennedy, No. 181. Third State of three. Signed in the plate, with 
 the Butterfly. Fine Impression, on French paper, in perfect 
 condition. 
 
 WHISTLER, JAMES ABBOTT McNEILL 
 
 438. Littte Venice. Etching. 
 >. Kennedy, No. 183. Only State. Signed in pencil, with the 
 _— Butterfly, imp. BEAvuTIFUL Proor, in perfect condition. 
 
 [See Illustration] 
 
 WHISTLER, JAMES ABBOTT McNEILL 
 439. THe Pavaces. Etching. 
 Kennedy, No. 187. Second State of three. Signed in pencil, with 
 the Butterfly, imp. Brautirut Ricw Proor, in perfect condition. 
 
 . [See Illustration] 
 
Kindly read. Conditions of Sale in forepart of Catalogue 
 I 
 
 WHISTLER, JAMES ABBOTT McNEILL 
 440. THE Doorway. Etching. 
 Kennedy, No. 188. Second State of seven. Signed in pencil, with 
 the Butterfly, imp. Fine IMPRESSION, on old French paper, in 
 perfect condition. 
 
 WHISTLER, JAMES ABBOTT McNEILL 
 441, THE Doorway. Etching. 
 Kennedy, No. 188. Sixth State of seven. Signed in pencil, with 
 the Butterfly, imp. Fine IMPRESSION, has four small pin holes, 
 and repaired in lower right and left corners. 
 
 WHISTLER, JAMES ABBOTT McNEILL 
 442. THe TracHeEtTTo, No. 2. Etching. 
 Kennedy, No. ror. Fourth State of six. Signed in pencil, with 
 the Butterfly, imp. Fine Impression, has small hole in lower 
 right, and mounted down solid on thin board. 
 
 WHISTLER, JAMES ABBOTT McNEILL 
 443. Two Doorways. Etching. 
 Kennedy, No. 193. Fourth State of six. Signed in pencil, with 
 the Butterfly, imp. Fine IMPRESSION, has small hole in lower 
 right corner, otherwise in perfect condition. 
 
 WHISTLER, JAMES ABBOTT McNEILL 
 
 444. Tue Beccars. Etching. 
 Kennedy, No. 194. Seventh State of nine, before the Butterfly, was 
 re-etched in the plate. Fine IMPRESSION, in perfect condition. 
 
 WHISTLER, JAMES ABBOTT McNEILL 
 
 445. THE BEAD STRINGERS. Etching. 
 Kennedy, No. 198. Eighth State of eight. Signed in pencil, with 
 the Butterfly, imp. Very FINE IMPRESSION, in perfect condition. 
 
 WHISTLER, JAMES ABBOTT McNEILL 
 
 446. Fruit Stary. Etching. 
 Kennedy, No. 200. Sixth State of seven. Signed in the plate, with 
 the Butterfly. BrautiruL Proor, in perfect condition. 
 
 WHISTLER, JAMES ABBOTT McNEILL 
 
 447. NocTURNE PALACES. Etching. - 
 Kennedy, No. 202. Sixth State of nine. Signed in pencil, with 
 the Butterfly imp. Very Fine Proor. In perfect condition. 
 
 [See Frontispiece for Illustration] 
 
 WHISTLER, JAMES ABBOTT McNEILL 
 448. Lone Lacoon. Etching. 
 Kennedy, No. 203. Second State of two. Signed in pencil, with 
 the Butterfly, imp. Fine Impresston, in perfect condition. 
 
Third Session, Thursday Evening, March 27th 
 SS eal 
 
 WHISTLER, JAMES ABBOTT McNEILL 
 449. THe Bringer. Etching. 
 Kennedy, No. 204. Eighth State of eight. Signed in pencil, with 
 the Butterfly, imp. Very Fine Impression, in perfect condition. 
 
 WHISTLER, JAMES ABBOTT McNEILL 
 450. THE Riva, No. 2. Etching. 
 Kennedy, No. 206. First State of two. Signed in pencil, with the 
 Butterfly, imp. Frxe Impression, in perfect condition. 
 
 WHISTLER, JAMES ABBOTT McNEILL 
 451. La Saute: Dawn. Etching. 
 Kennedy, No. 215. Fourth State of four. Signed in pencil, with 
 the Butterfly, imp. FIne Impression, in perfect condition. 
 
 WiStlCER, JAMES ABBOTT McNEILL 
 452. Lacoon Noon. Etching. 
 
 ) Kennedy, No. 216. Third State of three. Signed in pencil, with 
 the Butterfly, imp. Fine Impresston, has few small tears on 
 upper margin, otherwise in perfect condition. 
 
 From the Howard Mansfield collection. 
 
 Peo ER, JAMES ABBOTT McNEILL 
 453. THe WHEELwRIGHT. Etching. 
 Kennedy, No. 233. Fifth State of five. Signed in pencil, with the 
 Butterfly, imp. Brautirut Proor, in perfect condition. 
 
 Mite llek, JAMES ABBOTT McNEILL 
 454. SWAN AND Iris. Etching. 
 Kennedy, No. 241. Second State of two. Fine Impression, in per- 
 fect condition. 
 
 Wristeek, JAMES ABBOTT McNEILL 
 455- A STREET IN Lonpon. Etching. 
 
 Signed in the plate, with the Butterfly. Fine Impression, on Japan 
 paper. Also etching by Menpes, Portrait of Whistler, signed in 
 pencil. 
 
 Together, 2 picces. 
 
 PWHISTLER, JAMES ABBOTT McNEILL 
 456, Earty Mornine, THE THAMES aT BaTrersea. Lithotint. 
 Way, No. 7. Signed in the stone, with the Butterfly. Fine Im- 
 PRESSION, in perfect condition. 
 
 Wet>l Eek, JAMES,ABBOTT McNEILL 
 
 457. THE Wincep Hat. Lithograph. 
 Way, No. 25. Signed in pencil, with the Butterfly. Very Fine 
 Proor, in perfect condition. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 putin Ak totes peniepir seit Cae eee 
 
 WHISTLER, JAMES ABBOTT McNEILL 
 
 457A. OLD BATTERSEA BRIDGE : READING. Lithographs. 
 Way, Nos. 12 and 13. 100 proofs of each. 
 
 WHISTLER, JAMES ABBOTT McNEILL 
 458. Gants pu SuepE : THE WINGED Hat. Lithographs. 
 Way, Nos. 26 and 25. Signed on the stones, with the Butterfly. 
 Good impressions, in perfect condition. 
 Together, 2 pieces. 
 
 WHISTLER, JAMES ABBOTT McNEILL 
 4s9. Nupe Mover Reapine. Lithograph. 
 Way, No. 29. Signed on the stone, with the Butterfly. Fine Im- 
 PRESSION, slightly stained. 
 
 WHISTLER, JAMES ABBOTT McNEILL 
 460. THe Dancine Girt. Lithograph. 
 Way, No. 30. Signed on the stone, with the Butterfly. Fine Im- 
 PRESSION, in perfect condition. Pencil dedication—To F. Gould- 
 ing,—R. Birme Philip. 
 
 From the F. Goulding collection. 
 
 WHISTLER, JAMES ABBOTT McNEILL 
 461. La Rose Rovuce: Savoy PIGEONS : THe SmitHs Yarp: BaBy 
 LeLtaNnp. Lithographs. 
 Way, Nos. 68, 118, 88, 110. Signed on the stones, with the Butterfly. 
 Impressions from “The Studio.” 
 Together, 4 pieces. 
 
 WHISTLER, JAMES ABBOTT McNEILL 
 
 462. MorHer AND Cuixp, No. 1. Lithograph. 
 Way, No. 80. Signed on the stone, with the Butterfly. Very FINE 
 IMPRESSION, in perfect condition. 
 
 WHISTLER, JAMES ABBOTT McNEILL 
 
 463. Girt witH A Bow. Lithograph. 
 Way, No. 82. Signed on the stone, with the Butterfly. Fine Im- 
 PRESSION, on Japan paper, in perfect condition. 
 
 WHISTLER, JAMES ABBOTT McNEILL 
 464. Stupy, No, 2. Lithograph. 
 
 Ain 
 Way, No. 1o8. Signed on the stone, with the Butterfly. _FINe 
 
 IMPRESSION, in perfect condition. 
 From the Thomas R. Way collection. é 
 
 a 
 
 WHISTLER, JAMES ABBOTT McNEILL 
 465. Lirrte EveLyN : SAvoy Picrons. Lithographs. | 
 Way, Nos. 110 and 118. Signed on the stones, with the Butterfly. 
 Good impressions, in perfect condition. 
 Together, 2 pieces. 
 
 om 
 
Third Session, Thursday Evening, March 27th 
 
 WHISTLER, JAMES ABBOTT McNEILL 
 466. St. Gites CHurcu. Lithograph. 
 
 Way, No..129. Signed on the stone, with the Butterfly. Fine 
 IMPRESSION, in perfect condition. 
 
 WHISTLER, JAMES ABBOTT McNEILL 
 467. THE SHOEMAKER : THE Docror. Lithographs. 
 Way, Nos. 151 and 78. Signed in the stones, with the Butterfly, 
 Good impressions, in perfect condition. 
 Together, 2 pieces. 
 
 MAHONRI YOUNG 
 
 Contemporary American sculptor and painter, 
 
 YOUNG, MAHONRI 
 
 467A. THE SAnp Pit. Drypoint. 
 One of 13 impressions. 
 
 ANDERS ZORN 
 
 Swedish painter and etcher. Born at Mora in Dalecarlia in 1860. “But 
 it is in his etchings that the art of Anders Zorn is seen in its highest 
 vigor, creativeness and sureness of hand, whether these etchings be done 
 directly from nature or are transcriptions of his masterly paintings. 
 Lines apparently scribbled at random, and which might seem to harshly 
 gash the copper-plate, result in a whole, which is strong, clear, and 
 vivid, and the etchings present pictures expressing the most delicate and 
 fleeting phases of expression and gesture.”—-HENRI MaArcet. 
 
 ZORN, ANDERS 
 468. THE Wattz. Etching. 
 Asplund, No. 54. Third State of three. Signed in pencil,—Zorn. 
 FInE Impression, on Dutch paper. Slightly stained, otherwise 
 in perfect condition. 
 [See Ilustration] 
 
 ZORN, ANDERS 
 469. MapameE Simon. Etching. 
 Asplund, No. 67. Fourth State of four. Signed in pencil,—Zorn. 
 FINE IMPRESSION, on Japan paper, in perfect condition. One of 
 the 37 proofs printed on large size Japan paper, before edition 
 was printed for publication in Pan. 
 
 i... 
 
 ZORN, ANDERS 
 
 470. En Omnisus. Etching. 
 _ Asplund, No. 72. Third State of three. Signed in pencil,—Zorn. 
 FINE Impression, on Dutch paper, in perfect condition. 
 
 ZORN, ANDERS 
 
 471. Renan. Etching: 
 Asplund, No. 73. ‘Fourth State of five. Signed in pencil.—Zorn. 
 Very Fine Impression, on Dutch paper, in perfect condition. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 pec el sii rR el he a 
 
 [No. 468] 
 ZORN, ANDERS > 
 472. Orca B. Etching. Le 
 
 Asplund, No. 74. Second State of two. Signed in pencil,—Zorn. 
 Fine Ivpression, on Dutch paper, in perfect condition. Pi 
 
 From the Buckingham collection. at 
 
 ZORN, ANDERS 
 
 473. St. GAUDENS AND MopEL. Etching. 
 Asplund, No. 114. Only State. Signed in pencil,—Zorn. VERY 
 
 Fixe Impression, on Dutch paper, in perfect condition. 
 
Third Session, Thursday Evening, March 27th 
 
 ZORN, ANDERS 
 474. Otp Batiap. Etching. 
 Asplund, No, 128. Only State. Signed in pencil_—Zorn. Very 
 Fine Impression, on Dutch paper, in perfect condition. 
 
 ZORN, ANDERS 
 475. Biiiiarps. Etching. 
 Asplund, No. 137, Only State. Signed in pencil;—Zorn. Fine 
 Impression, on Dutch paper, in perfect condition. 
 
 ZORN, ANDERS 
 
 476. GROVER CLEVELAND. Etching. 
 Asplund, No. 144. Fourth State of four. Signed in pencil,—Zorn. 
 BrauTiruL Impression, on Dutch paper, in perfect condition. 
 
 ZORN, ANDERS 
 
 477. CIRCLES D’ Eau (First Plate). Etching. 
 Asplund, No. 212. Second State of two. Signed in pencil,—Zorn. 
 Good impression, on French paper, in perfect condition. Very 
 Rare. 
 
 ZORN, ANDERS 
 478. Epo. Etching. 
 Asplund, No. 214. Third State of three. Signed in pencil,—Zorn. 
 Fine Impression, on French paper, in perfect condition. 
 
 ZORN, ANDERS 
 479. Epo. Etching. 
 Asplund, No. 214. Third State of three. Signed in pencil,—Zorn. 
 Good impression, on Dutch paper, torn and repaired in lower left 
 corner. 
 
 ZORN, ANDERS 
 480. QUEEN SOPHIA OF SWEDEN. Etching. 
 Asplund, No. 223. Second State of two. Signed in pencil,—Zorn. 
 Very Fine Impressron, on Dutch paper, in perfect condition. 
 
 ™.ZORN, ANDERS 
 481. THree Graces. Etching. 
 \, Asplund, No. 236. Second State of two. Signed in pencil,—Zorn. 
 _ Very Fine Impressron, on Green paper, in perfect condition. 
 
 ZORN, ANDERS 
 482. Wet. Etching. 
 ‘ Asplund, No. 240. Third State of three. Signed in pencil,—Zorn. 
 FINE IMpREsSION, on Dutch paper, in perfect condition. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 ee ee 
 
 ZORN, ANDERS 
 
 483. FRIGHTENED. Etching. : 
 Asplund, No. 248. Second State of two. Signed in pencil,—Zorn. 
 Fine Impression, on Dutch paper, in perfect condition. 
 
 ZORN, ANDERS 
 484. THe Forp. Etching. 
 Asplund, No. 249. Second State of two. Signed in pencil,—Zorn. 
 Very FINE Impression, on Dutch paper, in perfect condition. 
 
 ZORN, ANDERS 
 485. Pitot. Etching. 
 Asplund, No. 285. Only State. Signed in pencil—Zorn. VERY 
 Fine IMPRESSION, on Dutch paper, in perfect condition. 
 
 ZORN, ANDERS 
 
 486. THE FENCE. Etching. 
 Asplund, No. 257. Second State of two. Signed in pencil,—Zorn. 
 Fine ImpRESSION, on Dutch paper, in perfect condition. 
 
 ZORN, ANDERS 
 487. THREE SISTERS. Etching. 
 Asplund, No. 258. Third State of three. Signed in pencil,—Zorn. ° 
 Fine Impression, on Dutch paper, in perfect condition. 
 
 ZORN, ANDERS 
 
 488. Evin. Etching. 
 Asplund, No. 260. Fiith State of five. Signed in pencil,—Zorn. 
 FINE Impression, on Dutch paper, in perfect condition. 
 
 ZORN, ANDERS 
 489. My Mopets. Etching. 
 Asplund, No. 273. Second State of two. Signed in pencil,—Zorn, 
 Fine Impression, on Dutch paper, in perfect condition. 
 
 ZORN, ANDERS 
 490. On Hemso IsLanp. Etching. 
 Asplund, No. 276. Second State of two. Signed in pencil,—Zorn. 
 Fine Impression, on Dutch paper, in perfect condition. 
 
 ZORN, ANDERS 
 491. Axper. Etching. 
 Asplund, No. 277. Third State of three. Signed in pencil,— 
 Very FINE Impression, on Dutch paper, in perfects ndition. 
 
 > 
 
 ZORN, ANDERS P. 
 
 492. THE CABIN. Etching. : 
 Asplund, No. 279. Third State of three. Signed in pencil,—Z orn. 
 Very Frne Impression, on Dutch paper, in perfect condition. 
 
 ® 
 
Third Session, Thursday Evening, March 27th 
 
 ZORN, ANDERS 
 
 493. Vicki. Etching. 
 Asplund, No. 281. Fourth State of four. Signed in pencil,—Zorn. 
 Very Fine Impression, on Dutch paper, in perfect condition. 
 
 ZORN, ANDERS 
 
 494. Dau River. Etching. 
 Asplund, No. 284. Only State. Signed in pencil,—Zorn. Very 
 Fine Impression, on Dutch paper, in perfect condition. 
 
 ZORN, ANDERS 
 
 495. Tue Hair Rippon. Etching. 
 Asplund, No. 253. Third State of three. Signed in pencil,—Zorn. 
 Fine Impression, on Dutch paper, in perfect condition. 
 
 ZORN, ANDERS 
 
 496. Pitot. Etching. 
 Asplund, No. 285. Only State. Signed in pencil,—Zorn. Fine 
 IMPRESSION, on Dutch paper, in perfect condition. 
 
 ZORN, ANDERS 
 
 497. Pivot. Etching. 
 Asplund, No. 285. Only State. Signed in pencil,—Zorn. Fine 
 Impression, on Dutch paper, in perfect condition. 
 
 ZORN, ANDERS 
 
 498. Ors Maria. Etching. 
 Asplund, No. 286. Second State of two. Signed in pencil,—Zorn. 
 FINE Impression, on Dutch paper, in perfect condition. 
 
 ZORN, ANDERS 
 
 499. BALANCE. Etching. 
 Asplund, No. 287. Only State. Signed in pencil—Zorn. Very 
 Fine Impresston, on Dutch paper, in perfect condition. 
 
 AMERICAN ART ASSOCIATION, Inc., 
 DEPARTMENT OF Books AND PRINTS, 
 ARTHUR SWANN, DIRECTOR. 
 
 OTTO BERNET anp HIRAM H. PARKE, 
 AUCTIONEERS. 
 
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INTELLIGENT APPRAISALS 
 
 FOR 
 
 ENTIPED STATES AND STATE TAX 
 INSURANCE AND OTHER PURPOSES 
 
 AND 
 
 CATALOGUES OF PRIVATE COLLECTIONS 
 
 APPRAISALS AND CATALOGUES. Together with the increase 
 in its exhibition and sales rooms, the American Art Association, Inc., 
 will expand its service of furnishing appraisements, under expert direc- 
 tion, of art and literary property, jewelry and all personal effects, in the 
 settlement of estates, for inheritance tax, insurance and other purposes. 
 It is prepared also to supplement this work by making catalogues of the 
 contents of homes or of entire estates, such catalogues to be modeled 
 after the finely and intelligently produced catalogues of the Association’s 
 own Sales. 
 
 The Association will furnish at request the names of many Trust and 
 Insurance Companies, Executors, Administrators, Trustees, Attorneys and 
 private individuals for whom the Association has made appraisements 
 which have not only been entirely satisfactory to them, but have been 
 accepted by the United States Revenue Department, State Comptroller 
 and others in interest. 
 
 AMERICAN ART ASSOCIATION, Inc. 
 AT ITS NEW 
 % AMERICAN ART GALLERIES 
 MADISON AVENUE, s6ru to s7ra STREET 
 ENTRANCE 30 EAST s7ra STREET. NEW YORK 
 
 Telephone: PLAZA 1270 
 
THE AMERICAN ART ASSOCIATION, Inc. 
 
 DESIGNS ITS CATALOGUES AND DIRECTS 
 ALL DETAILS OF ILLUSTRATION 
 TEXT AND TYPOGRAPHY 
 
 PRESS OF J. J. LITTLE & IVES CO., NEW YORK 
 
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| 
 
 ETCFINGS AND DNGRAVINGS 
 TH COLTECTION OF 
 HERBERT I. ROTHCHILD 
 AND OTHER PROPERTIES 
 SOLD MARCE 25th,26tn,27th, 1924 
 
 UNDER THE MANAGEMENT OF THB AMERICAN ART ASSOCIATION, INC.NEW 
 
 ), JULIAN LE ROY WHITE, JAMES A. GARLAND 
 
 & 550,00 
 
 YORK cri 
 
 LIST OF PRICES GRAND TOTAI ---(3 38, 310,00 
 $9 $ 100.00 4656 25.00 96 & 60.00, 12%q 8 %ebUe tye 
 2 100.00 46a 5.00 £87 27.50 128 55,00° 172 
 3 15.00 47 37.50 £88 7.50 129 BeOOm 17 
 4. 15,00 474 5000 “BGs ~ 268,000 140 55.00 174 
 5 38.00 48 30.00 89 35.00 131 Sa40 5 1975 
 6 10.00 49 35.00. 90 B= 10.00. 196 
 7 10.00 50 a op came t * 5,00 133 Tor,Gl +48 
 8 45,00 51 205000 92 42,50 134 17350 178 
 9 7.50 52 10.00 93 1O<000 1367 12@a0G5 173 
 10 15.00 53 12250 94 "2500 136 5.00 180 
 im 45.00 54 12350 5 7,50 137 5,00 181 
 12 5.00 55 25,00 96 55,00 138 7.50; 162 
 13 25,00 56 750, 87 12450) 139 Peo Lee 
 14 10.00 57 22.50 98 2200) 140 5,00 184 
 15 25.00 58 10,00 99 40900) 14%: 6,00 185 
 16 5.00 59 60,00 B00 Tey5a) i242 124505) L6G 
 ay 15.00 59a 20.00 200a 65,00) 143 VebO« Lby 
 18 TOYOO 69 #3200. 2 40200) 22 7.50 188 
 19 5,00 62 BOC? "aoe 10,00 145 72,50. LB? 
 20 4.00 62 70,00" YDS  SsSl00. 1a6 35,00 189a 
 Ey 2.50 63 60,002) 02 BB ,007 147 12,00 189b 
 22 4700.00 64 50.00 -105 5,00 148 5,00) “lee 
 ae 800,00 65 60.00 106 5,00 149 80,00) 1D 
 24 2050.00 66 Ts,00 207 WROO 150 20,00 192 
 85 150,00 67 40,00) GOB 20.00) 36 250.00) ios 
 26 950.00 68 120.00 109 %.50 £52 7.50 194 
 eY 140,00 69 .100,00 -209a.. 15.00 155 20,00 195 
 28 B5e00. “70, | S80v00). REO. » SOc 00inked 12050 196 
 A a oda Sg ca S0c00°° LEL  26c50 Loo <OMewu: xeT 
 30 10,00 72 75,00 30a %s50 BOS 17.50 19a 
 31 BO.00 73 20,00 ‘Lire be0O LS 25.00 198 
 32 29.00 96 35,00 ATS 7.50 158 40.00 199 
 33 25.00 75 45.00 114 95.00 159 10.00 200 
 34 35.00 76 60,00 115 90,00 160 12.50 201 
 35 BNO "Vhn 40-00 6 159.00 161 12250 202 
 36 20.00 "6b 12956 AT? $90.00 162 20,00 203 
 37 Les50 977 3,00 718 27.50 162 5.00 204 
 38 5.00 78 10.00 PS 506.060 164 6.00 205 
 39 5.00 79 3,00 212 15,00 165 5200 206 
 an 32,50 80 7.50 121 15.00 165a 10.00 207 
 Al 5.00 81 "250. Ores 40,00 266 70.00 208 
 42 12.50 “62 8,06 (452- 32.50 267 80,00 209 
 63 7.50 83 85,00 8884 16.00 3446 77,80 <BEO 
 bof S6700 ~84 220:06 “225. 89.90 169 60.60 247 
 45 13.00 85 35,00 126 5.0. 40 iam” BES 
 
 430.00 
 Lissoo 
 135.00 
 30.00 
 ov 50 
 tH TOS 
 Ps 
 yee, 
 9,00 
 10,00 
 $2050 
 30, 00 
 35200 
 la OM 
 55.00 
 15.00 
 65.00 
 430, 00 
 25,00 
 £0, 00 
 435, 00 
 25400 
 
- 
 
 213 & 45.00 266 $10.00 320 $15.00 372 § 12.50 424 § 45,00 
 214 15.00 267) oot 5.00 373 42.50 425 HOOD 
 215 60.00 268) 7.50 322 8.00 374 50.00 426 185.00 
 216 35.00 269) 323 8.00 375 #£----- 427 17 yO 
 217 eaego. 290} 27.50 324 52.50 376 AHSOO. Aes 45.00 
 218 60800. 271) 325 ZO 20Ge (572 30.00 489 320.00 
 219 20700, 272) 17.50 326 45,00 378 7.500 400 65.00 
 220 Be e00! *2'73) 327 5.00 379 67.50 431 L2¢50 
 221 50.00 274) 32.50. 626 10.00 380 55.00 432 32.50 
 
 Ree wee tere 25.00 328a yO aa 32e590 435 100. 00 
 225 10.00 276 Lee 00) O29 Peeps G0 102.50 434 350.00 
 
 224 Teo 27 15,00? 3330 20.00 383 beegoU 200° > tee0U 
 225 WB Lg a Le he BN Bl eee, 17.50 384 2.05 ¢O0eeABS 25.00 
 226 Le bOmr2a7 eS i Sao aA prcrmennO JS ALS wy ©) Ommmmin SIS) 45.00 437 35.00 
 eA Lee 50 279 Y2.60- 7333 12.50 386 85.00 438 800.00 
 228 5.00 280 19.00 334 12.50 387 250.00 439 1600.00 
 229 12,50 -26) 7,50) "S95 T2250) Sag 50.00 440 1300.00 
 P30 hy OW eG LE SOG. 1356 POSOO. “See 20.00 441 650,00 
 OL 10200205 20.00 337 20.00 S390 2.50 442 500.00 
 Con 555.00. 264 Te0O0) “S56 28.00 391 7.50 443 850, 00 
 
 235 Poy asd 8 et 1s 2100.00, “3352 10.00 Sola 17.50 444 600.00 
 254 30.00 286 190.00 340 20,00 S92 30.00 445 120.00 
 £35 £05.00 2e7 20.00 S341 10.00 ~ B95 20.00 446 325.00 
 256 35.00 288 18.00) (342 37.50 390a se ecm ALE 2700.00 
 2o7 10.00 289 80,00 345 20200 B94 10.00 448 300. 00 
 258 Lpx00.- 290 70,00 344 BOP00. 325 10.00 449 475.00 
 
 239 525.00 291 50.00 345 20.00 396 --- 450 825.00 
 240 17250 £92 25.00 346 20.00 396a 37.50 452 275.00 
 241 7.50 2953 15.00 347 15-00 397) 452 S50 
 242 10,00" 294 17.50 348 42.50 398) 5.00 453 90.00 
 243 10.00 295 15,00 349 35.00 399 20.00 454 
 244 5.00 296 15.00 350 20,.005 2400 7450. 455 
 
 245 7450. 297 15.00 351 25.00 401 7.50 456 
 
 245a 5.00 298 37,50 352 20.00 402 5.00 457 
 
 246 10.00 299 7.50 353 22.50 403 10.00 457a 
 
 247 7.50 300 5.00 354 30.00 404 15.00 458 
 
 247a 15.00. 301 10.00 355 22,50 405 30.00 459 
 
 248 7.50 302 10.00 356 17.50 406 27.50 460 
 
 249 17.50 303 %.00 357 22.50- AO? S7e50. 45k 
 
 250 5.00 304 6.00 358 10.00 408 1,501 460 
 
 251 17.50 305 55.00 359 12.50 409 15.00 463 
 
 252 15.00 306 50.00 3460 "250° 470 10.00 464 
 
 253 30.00 307 25.00 362 E7250 4k 5.00 465 
 
 254 15.00 308 115.00 5362 16.00 423 17.50 466 
 
 255 37.50 309) 36za "2.50 413 15.00 467 
 
 256 65.00 310) 17.50 36% 15,00 414 20.00 46%a 
 
 257 cy ieee Ome ie 3638 eh . 435 17.50 466 
 
 258 15,00 Sle 5.00 364 7.50 436 22.50 469 
 
 259 27,50. Svs 7.50 5E5 FeO ae 12250" #70 
 
 260 55.00 314 90.00 366) 418 LeU eee ga 
 
 261 7.50 315 20.00 367) 17.50.4395 20.00 «472 
 
 262 72.30 316 32.50 368) 220. 250500, ae 
 
 263 20400) OL7 120,00. 369 15.00: 421 60.00 474 
 264 90,00 318 Soe UO ore 25.00 422 bisaw, (ETS 
 66 200,00 319 20.00 dtd 55.00 423 20.00 476 
 
Be 
 
 477 $ 45,00 
 
 478 
 479 
 480 
 481 
 
 110.00 
 50.00 
 30, 00 
 40,00 
 
 &82 
 483 
 4€4 
 485 
 486 
 
 ie Les 8 
 3 .0C 
 30.00 
 2500 
 30.00 
 
 487 
 488 
 489 
 4 OQ 
 49), 
 
 oe 
 
 50,00 
 60. OO 
 30.00 
 30, 00 
 35.00 
 
 192 % 30.00 
 493 “115,00 
 494 70.00 
 406) | Be 050 
 496 37.50 
 
 497 & 32.50 
 498 “100,00 
 £99" 25000 
 500 $0.00 
 
—— 
 
 ‘eS ae 
 aa 
 
 OF SAN FRANCISCO) 
 
 RARE FRENCH AND ENGLISH — 
 
 COLOUR PRIN T S 
 
 FROM THE COLLECTIONS OF THE LATE. aes 
 
 JULIAN LE ROY WHITE, or BALTIMORE 
 AND OF THE LATE. 
 
 JAMES A. GARLAND, oF wostoN 
 
 MARCH 25rx, 26TH anp 27TH, 1924 
 
 AMERICAN ART ASSOCIAT ION, ie 
 MADISON AVENUE, 56TH TO 57TH STREE1 
 
 ENTRANCE 30 EAST 57TH STREET, NEW YORK 
 
 1a ee ole ri 
 3 Mae ori gt