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Buyer |
Max Rubin
J.W.Dana
Mr.B.N.Miller
J.H.Metcalf
My s.kE.F.Albee
Mrs.F.M.Moore
Max Rubin
R.Giichrist
kh .Glendenning
A.Rudert,agt.
Mrs.J.Licblang
J.H.Nicholas
Fearon Gal.
J.W.Masters
ol Munger ,Jr.
Je.H.Nicholsas
Mrs.F .Murphy
“.W.Seaman,agt.
The Hayden Co.
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Mrs.F.Murphy
8
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Bhrich Gal.
Me .Nunes
Sake of the James Warren Lane Collection, at the American
Art Galléries, Novemver 20*22, 1924.
Ho. Price Buyer
301 $ 40. John Dugan
802 loo. R,Jo nson
503 30% R Gukcgrust
504 So.. Ginsberg & Levy
505 BBS, A.R.Louis
506 Zoo; "
307 oo. R.Glendenning
508. [Lar A.R,Louis
509 40, "
3{o 35. Mrse.B.J.Barry
O11 70. 8.Glendenning
612 oi. John .Doud
613 45. H.S,Crystal
314 105 B.vright
415 ips Mrs.Bloomingdale
516 6D. * Glendehning
O27 4-80. Mr.C.Weeks
Si8.: SO. R.Gilchrist
ra a PED. J. .Dans
Be a gee Mr.B.N.Miller
th dak 2) BP 175 Mrs.P.J.ELl1iott
ssi Ala fou. Charles of London
“325 140. Ginsberg & Levy
524 2tO, - Wildenstein & Co.
SLO 200. George Mercer
peo 410. Mr.B.N.Viller
Ad § 130. Mr.B.N.Miller
A ae raeetee. E.Hellwig
22g 90. Mrs.8.B.Warner
550. Pell aa W.W.Seaman,agt.
SS. c.L0 . L.S.Owsley
Doms 300. A.C .Goodyear
535 120 Kk Giendenning
554. 200. im.Forstner
S90 « yO Mr.J.W,Masters
456. 200. Cherles of London
Bot 405. Mr.J.W.Masters
ted ai 1,850. "
559. poo. «J. 8.Dana
540. 260. Mrs.Bloomingdale
341. 50. Max. Rubin
348. ZUG. R,Glendenning
543 D2D. 5.ilMunger,Jr.
544. 2,900. W.W.Seaman,agt.
545. 5,000. J .H.Metcalf
346. 150. Mrs.W.G.Nichols
547. 10,700. W.W.Seaman,agt.
348. wi0. H,S.Crystal
549. had R.Gilchrist
ooo « Z 200. A.R.Louis
. ¥
» )
~
ENTIRE CONTENTS OF THE RESIDENCE OF
JAMES WARREN LANE, ESQUIRE
> Af Y/
ih aj 16 20 4A
j
ON FREE PUBLIC VIEW
FROM SATURDAY, NOVEMBER 15, 1924, UNTIL
DATES OF SALE +» FROM 9 A.M. TO 6 P.M.
SUNDAY, NOVEMBER 16, FROM 2TO 5 P.M.
UNRESTRICTED PUBLIC SALE
AFTERNOONS OF NOVEMBER 20, 21 AND 22
AT 2:15 O'CLOCK AND THE
EVENING OF NOVEMBER 21 AT 8:15 O’CLOCK
e
EXHIBITION AND SALE AT THE
(2)
AMERICAN ART GALLERIES
MADISON AVENUE » 56TH to 57TH STREET
NEW YORK
View ofr THE Drawine Room 1n Mr. Lane’s ReEstpENCE
ILLUSTRATED GATALCOGUE OF
Pee yAMES WARREN LANE COLLECTION
FRENCH, ENGLISH AND ITALIAN XVIII CEN-
TURY FURNITURE « IMPORTANT PAINTINGS
of the FOREIGN AND AMERICAN SCHOOLS »
CHINESE PORCELAINS, MING TO. CH’IEN-
eee) FRENCH, ENGLISH AND
MeeeeneotE ven 7 VELVETS » BROCADES «
-EMBROIDERIES » A SUPERB TENIERS TAP-
Pee WERNIFRS OF LILLE ~» CHINESE
AND PERSIAN RUGS AND AN XVIII CEN-
See xt) DUIS SON CARPET
REMOVED FROM 49 EAST 52p STREET, NEW YORK
AND SOLD BY MR. LANE’S ORDER
UNDER THE MANAGEMENT OF THE
PeMERICAN ART ASSOCIATION, INC.
SALES CONDUCTED BY MR. O. BERNET ®& MR. H. H. PARKE
he AMERICAN ART ASSOCIATION, Ine.
“Designs its Catalogues
and “Directs “All “Details of Illustration,
ext and Gypography
THE COLLECTION OF JAMES WARREN LANE
East 52nd Street, New York City, to the Juilliard Musical
Foundation a short while ago, Mr. Lane found himself with-
out a housing for his fine furniture, paintings and works of art, so
he resolved, rather than charge himself with the responsibility of
rehousing them, to dispose of them at public sale. A further reason
was, that his house at St. James, Long Island, was fully complete
~ in its equipment.
The interesting facts about the collection are that it was gath-
ered over a period of twenty-five years and that it was largely acquired
at the famous sales of the American Art Association, including the
Yerkes, Thomas B. Clarke, Duc d’Avaray, Stanford White, M. C. D.
Borden, Garland, Davanzati Palace, the Hood, Catholina Lambert,
and also from the most responsible dealers of Paris.
Mr. Lane displayed his fine taste especially in the simple and
delightful French furniture of the XVIII century, many chairs, fau-
teuils, drawing-room suites, commodes, tables of varied types and pro-
portions, and other examples,. being signed by the greatest French
ébénistes, such as Leleu, Louis Moreau, Dubois, Saunier and Cosson.
There is also English and Italian furniture of interesting and
beautiful quality that gives a charming air and variety to the whole.
The XVII and XVIII century English, French and Italian silver
presents a wealth of fine coupes, tea and coffee services, salvers, fruit-
baskets, candelabra, and among the bowls an unusually fine punch bowl
by Francis Garthorne.
The Chinese porcelains include a number of fine blue and white
hawthorn vases and jars of the K’ang-hsi period and fish bowls of
the Ming period.
The textiles are of great beauty, jardiniére and other velvets
vying with the embroideries and brocades in their lovely colors.
The paintings, which will be sold at an evening session, are notable
for the catholicity of judgment and discernment shown, for amongst
the examples are a fine Gilbert Stuart of John Willet Hood, a Pastoral
by Jean Baptiste Huet, a Blakelock, a Nasmyth, a portrait of Sir
Joshua Reynolds by himself, a Paul Potter, a Cuyp radiant in the
sunlight, a Mabuse, a Beechey, two Panninis, two interesting Tie-
polos, a Weenix of unusual quality, the well-known Guardi, “The
Wes Mr. Vanderbilt sold the palatial apartment at No. 49
Masked Ball,” the Allori “Football in Florence,” a Daubigny and
others of distinction. arias)
Six large room panels of romantic landscapes by the Hollander
Piera must also be mentioned for their decorative quality.
Several tapestries add greatly to the collection by their diate
and include a Teniers by Werniers of Lille.
There are a number of K’ang-hsi carpets and a sapphire-blue
XVIII century Aubusson of great distinction.
Frank H. G. Kreesre.
CONDITIONS OF SALE
I. Rejection of bids: Any bid which is not commensurate with the value of the
article offered, or which is merely a nominal or fractional advance may be rejected by
the auctioneer if in his judgment such bid would be likely to affect the sale injuriously.
II. The buyer: The highest bidder shall be the buyer, and if any dispute arises
between two or more bidders, the auctioneer shall either decide the same or put up for
re-sale the lot so in dispute.
Ill. Identification and devosit by buyer: The name of the buyer of each iot shall
be given immediately on the sale thereof, and when so required, each buyer shall sign a
ecard giving the lot number, amount for which sold, and his or her name and address.
A deposit at the actual time of the sale shall be made of all or such part of the
purchase prices aS may be required.
If the two foregoing conditions are not complied with, the lot or lots so pur-
chased may at the option of the auctioneer be put up again and re-sold.
IV. Risk after purchase: Title passes upon the fall of the auctioneer’s hammer,
and thereafter the property is at the purchasers’ risk, and neither the consignor nor the
Association is responsible for the loss of, or any damage to any article by theft, fire,
breakage, however occasioned, or any other cause whatsoever.
V. Delivery of purchases: Delivery of any purchases will be made only upon
payment of the total amount due for all purchases at the sale.
VI. Receipted bills: Goods will only be delivered on presentation of a receipted
bill. A receipted bill presented by any person will be recognized and honored as an order
by the buyer, directing the delivery to the bearer of the goods described thereon. If a
receipted bill is lost before delivery of the property has been taken, the buyer should
immediately notify the Association of such loss.
VII. Storage in default of prompt payment and calling for goods: Articles not
paid for in full and not called for by the purchaser or agent by noon of the day following
that of the sale may be turned over by the Association to some carter to be earried to
and stored in some warehouse until the time of the delivery therefrom to the purchaser.
and the cost of such cartage and storage and any other charges will be charged against
the purchaser and the risk of loss or damage occasioned by such removal or storage will
be upon the purchaser.
In any instance where the purchase bill has not been paid in full by noon of the
day following that of the sale, the Association and the auctioneer reserve the right, any
other stipulation in these conditions of sale notwithstanding, in respect to any or all lots
included in the purchase bill, at its or his option, either to cancel the sale thereof or to
re-sell the same at public or private sale without further notice for the account of the
buyer and to hold the buyer responsible for any deficiency and all losses and expenses
sustained in so doing.
VIII. Shipping: Shipping, boxing or wrapping of purchases is a business in which
the Association is in no wise engaged, but the Association will, however, afford to pur-
chasers every facility for employing at current and reasonable rates carriers and packers;
doing so, however, without any assumption of responsibility on its part for the acts and
charges of the parties engaged for such service.
IX. Guaranty: The Association exercises great care to catalogue every lot cor-
rectly and endeavors therein and also at the actual time of sale to point out any error,
defect or imperfection, but guaranty is not made either by the owner or the Association
of the correctness of the description, genuineness, authenticity or condition of any lot and
no sale will be set aside on account of any incorrectness, error of cataloging or imper-
fection not noted or pointed out. Every lot is sold “as is” and without recourse.
Bvery lot is on public exhibition one or mcre days prior to its sale, and the Asso-
ciation will give consideration to the opinion of any trustworthy expert to the effect that
any lot has been incorrectly catalogued and in its judgment may thereafter sell the lot
as catalogued or make mention of the opinion of such expert, who thereby will become
responsible for such damage as might result were his opinion without foundation.
X. Records: The records of the Auctioneer and the Association are in all cases to
be considered final and the highest bid shall in all cases be accepted by both buyer and
seller as the value against which all claims for losses or damage shall lie.
XI. Buying on order: Buying or bidding by the Association for responsible
parties on orders transmitted to it by mail, telegraph, or telephone, if conditions permit,
will be faithfully attended to without charge or commission. Any purchases so made
will be subject to the foregoing conditions of sale, except that, in the event of a purchase
of a lot of one or more books by or for a purchaser who has not through himself or his
agent been present at the exhibition or sale, the Association will permit such lot to be
returned within ten days from the date of sale, and the purchase money will be refunded
if the lot differs from its catalogue description.
Orders for execution by the Association should be given with such clearness as
to leave no room for misunderstanding. Not only should the lot number be given,
but also the title, and bids should be stated to be so much for the lot, and when the
lot consists of one or more volumes of books or objects of arts, the bid per volume
or piece should also be stated. If the one transmitting the order is unknown to the Asso-
ciation, a deposit must be sent or reference submitted. Shipping directions should also
be given.
Priced Catalogues: Priced copies of the catalogue, or any session thereof, will be
furnished by the Association at charges commensurate with the duties involved in copy-
ing the necessary information from the records of the Association.
These conditions of sale cannot be altered except by the auctioneer or by an officer
of the Association.
AMERICAN ART ASSOCIATION, INC.,
OTTO BERNET, MANAGERS,
HIRAM H. PARKE,
AUCTIONEERS.
INTELLIGENT APPRAISALS FOR
UNITED STATES ano STATE TAX
INSURANCE AND OTHER PURPOSES AND
CATALOGUES OF PRIVATE COLLECTIONS
cA ppRAISALS AND CATALOGUES. Together
with the increase in exhibition and sales rooms, the
American Art Association, Inc., will expand its serv-
ice of furnishing appraisements, under expert direction,
of art and literary property, jewelry and all personal
effects, in the settlement of estates, for inheritance tax,
insurance and other purposes. It is prepared also to
supplement this work by making catalogues of the
contents of homes or of entire estates, such cata-
logues to be modelled after the finely and intelligently
produced catalogues of the Association’s own Sales.
The Association will furnish at request the names
of many Trust and Insurance Companies, Executors,
Administrators, Trustees, Attorneys and private in-
dividuals for whom the Association has made ap-
praisements which have not only been entirely satis-
factory to them, but have been accepted by the United
States Revenue Department, State Comptroller and
others in interest.
‘he AMERICAN ART ASSOCIATION, Inc.
MADISON AVENUE, 56TH TO 571rm STREET
NEW YORK CITY
FIRST SESSION
THURSDAY, NOVEMBER 20, 1924
AT THE AMERICAN ART GALLERIES
BEGINNING AT 2:15 O’CLOCK
Catalogue Numbers 1 to 147 inclusive
MISCELLANEOUS PORCELAINS AND FAIENCE, BRONZES,
BRASSES AND SCULPTURES
I—Batrersea Enamet Box XVIII Century
Lobed oval body of pink; hinged cover in ivory-white, decorated
in black with two doves, double heart motive, ribbon and inscrip-
tions, ‘The farther apart”; and “Tighter the knot.”
Length, 2 inches.
2—Ivory Miniature French, XVIII Century
MLLE. DE BLoIs. ‘Three-quarter length of a charming young
woman attired in a blue dress, and lace fichu, her curling hair
bearing two circlets of pearls. She holds on her left arm a
basket of fruit. In a black frame.
Diameter, 234 inches.
3—Two Porcetain Mosevt Barts Kutas, XVII Century
Oval; variously decorated in apple-green, plum-color and yellow
with floral motives, rosettes and masks.
Height, 334 inches.
4—Oup STAFFORDSHIRE FIcuRE Late XVIII Century
Reclining cow, in grayish-white glaze. On green base.
Height, 4 inches.
5—CuinesrE Treaxwoop Lisation Cup
HouND. Upper part of body forming the cover. Carved in light
relief with varied key-fret patterns and small inlaid silver band
of similar design. even ts
eight, 4 inches.
Kindly read the Conditions wnder which every item is offered and sold.
They are printed in the forepart of the Catalogue.
6—Curmnese Carvep Wuitrt JADE IncENsE Box Chien Period
A plump little bird seated on the ground; with tail curled down
and head well drawn in, looking wise, contented and undisturbed.
The tail is undercut, and the feathers are carefully carved in
tangible relief. Where the cover lifts off, the outline at breast
and tail is serrated, following the overlapping feathers, the cover
therefore fitting firmly. The interior is more brilliantly finished
than the exterior, and is enriched with a long spray in low relief.
“Length, 41 inches.
From the Yamanaka Collection, American Art Association, 1916.
7—Two Crotsonn&t ENAMELED FicGuRINES Tao-kuang Period
Standing figures of birds with yellow bodies and brilliantly enam-
eled wings.
Height, 5 inches.
8—Carvep AnD Intam Ivory TrietycH
Niirnberg, XVI Century Style
Arched centre and wings displaying in low relief an Emperor
knighting a squire on the battlefield. Portions of the costumes
are inlaid with silver.
Height, 5 inches.
9—Canton ENAMEL SpPice Box Chinese, Late XVIII Century
Cylindrical, in three portions with raised top and recessed,
slightly spreading foot, all outlined in narrow bronze bands.
Sky-blue and apple-green grounds displaying flowers and recur-
ring Chinese characters and reserves, framed in rose with water
birds and flowers. Top depicts a Chinese bazaar.
Height, 51% inches.
10—Errvuscan Trerra-cotrra VaAsE IT Century
Gadrooned urn-shape; with loop handles; terminating in satyr-
masks having a fine black patina.
Height, 6 inches.
First Session
11
11—TuHree Worcester Porcetain Cups anp SAUCERS
: By Flight and Barr, 1789
Fluted and gauffered rims and shaped looped handles. Deco-
rated with gilded floral sprays, husk festoons and deep borders
of shuttle pattern in two shades of blue and with circular medal-
lions having outer borders of gilded and inned borders of blue
and gilded dots. Painted with crest, a rampant lion, within
the Royal Garter bearing its motto “Honi soit qui mal y pense,”
and surmounted by a crown and lion.
Height of cups, 3 inches; diameter of saucers, 5%, inches.
Note: These cups are a portion of the celebrated service made for Prince
William Henry (afterwards King William IV) when he was created Duke of
Clarence in 1789.
(Illustrated)
12—Patace Dow. Japanese, circa 1750
Seated and smiling boy, with hands on knees, wearing a large
silk cap painted in color with brocade pattern, silvered and em-
broidered with gold thread. On silk crepe cushion.
From the Yamanaka Collection, American Art Association, 1916.
18—Patace Dor Japanese, circa 1750
Smiling boy, holding in his arms one of the pet pigeons which
the Japanese train in large numbers to become carriers or homing
pigeons. The bird is gilded and painted in red, green, brown
and two shades of blue. On silk crépe cushion.
From the Yamanaka Collection, American Art Association, 1916.
&
Kindly read the Conditions under which every item is offered and sold.
They are printed in the forepart of the Catalogue.
14—Frencu Faience Ficurine Nevers, Late XVII Century
COUCHANT Lion; on molded rectangular base. Decorated in
polychrome; the base with scrollings.
Height, 4 inches.
From the original Henry Symons Collection, American Art Asso-
ciation, 1915.
15—Two Forcrep Iron Canp.esticks French, XVI Century
Lobed and bossed square top, chiseled with scrollings and having
pricket. Supported on tapering upright legs, having trilobed
feet.
Height, 434 inches.
16—Bow PorcELaIn STATUETTE English, XVIII Century
THE FLOWER SELLER. Figure of a young girl in eighteenth cen-
tury costume with green bodice, purple stomacher, white over-
skirt, pale yellow underskirt and pale purple hat; seated on the
trunk of a tree with a single blossom in her hand and a lamb
at her side. On scrolled base.
Height, 5 inches.
From the origmal Henry Symons Collection, American Art Asso-
ciation, 1915.
17—Lacever Insxranpn MountTep 1n Cutvre Dort Millet, Paris
Shaped stand of black and gold floral lacquer; fitted with old
Imari porcelain well. Mounted in finely chiseled cutvre doré
with scrolled moldings, rims to well and penholder.
18—SrarrorpsuirE Musrarp Por anp Sart SHAKER
7 XVIII Century
Small Toby figures in varicolored costumes; on circular bases.
Mustard pot with removable hat for cover.
Height, 6 inches.
19—Two Potycuromep, CarveED CANDLESTICKS
Italian, XVIII Century
Trilobed liliform bobéche; supported on tripod leaf-scrolled base
with central shell motives. Finished in green and red on old
ivory.
Height, 6 inches,
First Session
20—Raxxka Faience VASE AV Century
Oviform, with incurved lip; of delicate iridescence in tender tones
of silver and blue, with warm tan encrustations.
Height, 6 inches.
21—LacavEer Mirror Persian, XVIII Century
Elongated octagonal case, with inset loose cover; beautifully en-
riched in colors with bouquets of flowers and birds.
Length, 61%, inches.
22—FEarty Sitver Mountep Bouemian Cur Gtass Jar
Gadrooned ruby body, with clear glass base having lobed stellate
foot. Silver cover enriched with vine leaves and grapes.
Height, 6% inches.
23—PotycHrRoMED Tanacra Figurine
Grecian lady; seated on a rock, lacing her sandals. Unusually
fine modeling.
Height, 7 inches.
24—Two Smatt Stvres PorceLain JARDINIERES
Oblong, with scrolled front and straight rear edge; bombé body
with incurvate back face. On a jeweled bleu de Sévres ground
are two reserves outlined in gold scrolling, displaying a bouquet
of naturalistic flowers in delicate colors. Scrolled feet and large
acanthus leaf wings in white and gold. Marked with crossed
L’s, B and A.
Height, 7 inches.
25—CuinEsE Pottery VAsE
Urn-shape, with short collar. Glazed in deep old-yellows.
Height, 7 inches.
26—Ruvusy Cur Guass BotritE ann Couper
Bohemian, XVIII Century
Pear-shaped body with cylindrical neck. Cut in vertical and
hexagonal facetings. Coupe with sloping sides.
Heights, 714 and 24% inches.
From the origmal Henry Symons Collection, 1915.
Kindly read the Conditions under which every item is offered and sold.
They are printed in the forepart of the Catalogue.
27—Potrrery VASE Chinese, Early XVIII Century
Oviform, with small mouth having domed cover and button ter-
minal. Glazed in deep apple green.
Height, 714 inches.
28—PorycHroME ALHAMBRA TERRE-CUITE TILE
| Hispano-Moresque, XV Century
Oblong, with sunk trilobed Gothic arch, scrolled with leaf and
floral motives at centre and spandrels. Executed in fine blue,
apple-green, yellow and brown on ivory grounds. Framed.
( Cracked.)
Height, 44% inches; length, 10% inches.
From the ancient Santacana Collection, Barcelona.
29—Earty Wepewoop Basket witH Cover
Cream-white glaze. Rope edge, pierced sides and applied deco-
ration of floral garlands.
Height, 7 inches; length, 1014 inches.
From the Havemeyer Collection, American Art Association,
1914.
30—Two Frencu F'sience PotycHromep Fruir Baskets
Deep, bowl-shaped baskets on small claw feet; decorated with
flower-sprays in colors, on lemon-yellow ground. Filled with
varied porcelain fruit in naturalistic colors.
Diameter, 84, inches.
31—Ivory anp Goup Iniaip Travertine Mirror
Persian, XVII Century
Semicircular case, with hinged cover. Enriched with finely in-
laid, closely placed minute stellate motives as fields and bandings
on all surfaces; the crown and foot with lobed and ogival medal-
hons having pendants daintily lacquered with flowers. Interior
fitted with mirror and make-up compartment. (Needs slight
restoration. )
Length, 9 inches.
_382—PoLycHROMED, ScuLPpTruRED Watnut FicurinE
Italian, XVII Century
Figure of a devotee, in an attitude of adoration. She wears a
red robe, blue flowing mantle and lawn hood. (Fingers missing.)
Height, 9 inches.
First. Session
33—Two Canton EnamMe. Trays Ch’ien-lung Period
Four-lobed oval. Enriched with Shou marks surrounded by
trailing vines of lotus in harmonious colors on rich blue grounds.
(One chipped.) 7 |
Length, 9%/, inches.
34—Two Ruskin Faience Bowts
Delicately potted deep bowl. Invested with a rare turquoise-
green glaze, interestingly splashed and mottled with very deep
green. (One restored.)
Diameter, 97% inches.
35—JAPANESE Carved Ivory Tusk
Domestic scenes in low relief. Black and gold lacquer stand.
Height, 914, inches.
36—Two SappuHire-BLuE Cur Grass Bowts
| Bristol, Late XVIII Century
Oval, with scalloped rim. Sapphire-blue glass, cut to the clear
with bands of round medallions and diagonally placed flutings.
Length, 1034, inches.
37—Sitver Mepariion witH Carvep Ivory Mountine
On the obverse two seated figures, THE Lovers, pledging their
troth, in a landscape, and inscription “Semper.” Reverse, a
tree and classical figure. Signed; ‘*O, Roty, 1895.”
38—Smatu BattrerseEA ENAMEL SNUFF-BOX
English, XVIII Century
Rose-Pompadour scrolled ground, the lid having a reserve of
white developing a spray of flowers. The underfoot is a re-
cumbent black and white spaniel in high relief.
39—AMBER SHELL CARD-HOLDER Spanish, Late XVIII Century
Oblong; carved and pierced hinged sides with silver mounts ; hold-
ing an ivory tablet and small silver pencil.
From the Havemeyer Collection, American Art Association,
1914.
40—Two Bristot Cur Grass Vases witH Covers
Late XVIII Century
Rich amethyst glass, with domed covers; on square plinths.
Height, 9%, inches.
Kindly read the Conditions under which every item ts offered and sold.
They are printed in the forepart of the Catalogue.
41—Cur Guass BEAKER Bohemian, XVII Century
Clear glass, decorated with intaglo engraved panels, one con-
taining a biblical subject, the other a medallion of cut con-
cavities. The panels are separated by strawberry flowers and
leaves.
42—
Height, 51% inches.
From the original Henry Symons Collection, American Art Asso-
ciation, 1915.
Two PotycHroMep TeErra-coTta Ficurines
French, XVIII Century
(A) A VILLAGE MAIDEN. Standing figure wearing Watteau flow-
ered dress and cap.
(3) THE youNG stonEMASON. He stands with an adze bending
over a slab of stone busily working.
Heights, 8% and 6% inches.
43—BronzE FicuRINE L. G. Gregotre, French
Cupidon standing beside his quiver of arrows, shooting to wound
some unsuspecting heart. On circular base.
Height, 111% inches.
44—FENAMELED Gtuass VASE Nirnberg, 1708
Beaker-shaped; with domed cover, having ball finial and cir-
cular foot. Decorated in colored enamels with an elaborate hunt-
ing subject, a hare, a fox and stags being driven by dogs into
a net under the direction of huntsmen wearing’ eighteenth’ cen-
tury costumes. The cover with scrollings. One of the inscrip-
tions in white reads, “Vivat mein Herr Jager,” and the date
1708 is twice repeated.
Height, 10 inches.
From the original Henry Symons Collection, American Art Asso-
ciation, 1915.
45—Wax Portrait Bust Late Georgian Period
GEORGE Iv. Profile to right; wearing curling hair and a Roman
toga. In original elm-root frame.
Total height, 11 inches; width, 10% inches.
First Session
46—Srr or Six Decorarep Ficurines Chelsea Style
This typical group comprises a pastoral orchestra, after Saxe
models. Four beaux and two belles playing Pan’s pipes, bassoon,
double bass, harmonica, kettle drum and side drum. Painted in
turquoise, vieux-rose, lemon-yellow and gilding. On scrolled
rustic bases. Gold anchor mark.
Height, 11 inches.
K indly read the Conditions under which every item ts offered and sold. |
: They are printed in the forepart of the Catalogue. :
47—Two VerrE. Ectomist Portraits French, XVIII Century
(a) Two Court Lovers stand before an ancient building at
right, showing one another that each has drawn the ace of hearts
from a fortune-teller who stands under a tree at left.
(3) Before a cottage toward Pee a young girl is seated, her
lover standing beside her.
: “Haighe 8 inches; iongth 10 inches.
(Companions to the following)
48—Two VrerRE Ectomist Porrraits French, XVIII Century
Before a country garden two lovers are seen greeting one an-
other. Varied coloring and posing’ in each.
Height, 8 inches; length, 10 inches.
(Companions to preceding)
49—Five CHINESE Soapstone Ficurres oN STAND
Late XVIII Century
Quaint figures of priests and acolytes, in sea-green, maroon and
brown soapstone. Carved rustic stand.
50—APPLE-GREEN Faience VASE Duranti, 1911
Pear-shaped with incurved mouth. Very beautifully glazed in
crackled apple-green of fine even texture.
Height, 11 inches.
51—Frencuw Faience CENTREPIECE
Decorated with scrolls, leaves and flower-sprays in claret and
dull-green, banded in claret and sky-blue. An upper fruit basket
is supported by two green-scaled dolphins, and both scalloped
dishes are filled with a variety of fruits and vine leaves in
naturalistic colors. ,
Height, 12 inches.
52—Guass Pot-pourRi Venetian, XVIII Cavan
Ovular. ribbed, green glass body; ribbed hat-shaped cover sur-
mounted by a lemon in naturalistic color. Knopped stem, cir-
cular base.
Height, 12% inches.
First Session
53—Pair SinveErR SHOE Buck.LeEs French, XVIII Century
Incrusted with rhinestones. In original case.
From the Havemeyer Collection, American Art Association,
1914.
54—LaceuErR Torret SET Venetian, Late XVIII Century
Composed of large box, with scrolled bombé sides and two smaller
similar boxes, pin-cushion and clothes-brush. Decorated with
floral sprays, scrollings and Chinoiserie in gold and mellow toned
lacquers. :
55—Two FairncE ALBARELLI Italian, XVIII Century
Grayish glaze, with naturalistic floral decoration and inscrip-
tions in blue, yellow, pale green and terra-cotta. Brass covers
with knob finials.
Height, 10 inches.
56—ReEpovusst Copper Framep Document Italian, XVIII Century
Flaring cartouche-shape; enriched with mask at crown and
scrolled leafage.
Height, 11 inches.
57—Two Patntep anp Gitpep Mera Urns
English, XVIII Century Style
Vase-shape, with pierced dome cover having pineapple finial.
Decorated with grisaille medallions, floral festoons and sprays in
mellow colors on pale green grounds.
Height, 12%, inches.
58—Burack Sroneware Ficurre or A Monkey Early Ming Period
The animal sits on its haunches. Vigorously modeled and bear-
ing in its front paws a shoe of silver sycee, symbolic of wealth.
The whole body is of dense coal-black glaze with yellow and
burnt-sienna used for base, paws and sycee and malachite-green
for the short tail; the base of turquoise-blue.
Height, 131, inches.
From the A. W. Bahr Collection, American Art Association,
1916.
Kindly read the Conditions under which every item is offered and sold.
They are printed m the forepart of the Catalogue.
59—Two Porcetain CANDELABRA MountTED In Cuivre Dore ©
Louis XV Style
Porcelain central figures of Chinese court ladies holding vases ;
on molded plinths mounted on square cuivre doré bases having
acorn feet, They are surrounded by branches in cutore doré,
supporting leafed bobéches and adorned with porcelain flowers.
Height, 131% inches.
60—Two Earty BoHemian Giass Vases
Bottle-shaped, amber glass; valanced flaring lip, body ornament
or tears and pendent rope knots. Flat, oval base.
Height, 1414 inches.
61—Two Sitver-PLaTeD CHENETS AND Set oF FIRE-TooLs
Louis XVI Style
Chenet with molded oblong top, surmounted by a recumbent
Sphinx ; supported on leaf-scrolled feet centered by shell motives
and panels of lattice.
Four fire-tools, with vase handles in stand having circular tray,
slender shaft and similar terminal to handles of tools.
Chenet, height 101% inches; width, 104% inches.
Fire tools, height, 241, inches.
62—Two Cuivre Dort CHENETS Louis XVI Style
Shaped top, valanced with drapery and tassels supported at ends
with leaf flutings and scrollings; enriched vase-shaped feet ; sup-
porting large central vase, festooned with oak leaves and small
flanking gadrooned and flame motives. Back irons for same.
Heights, 14 inches; widths, 14 inches.
63—Fairnce Orn Jar Arabic, XVI Century
Oviform; the surface with lateral corrugations from lip nearly
to foot, the furrows around the middle of the jar broader than
elsewhere. Mottled apple-green glaze with slight lustre.
; Height, 15 inches.
From the Thomas B. Clarke Collection.
64—Two Iranian Faience JARDINIERES
Yellowish glaze, adorned in high relief with large forms of water
flowers in ochre and green. Ochre rim and base; emerald-green
interior.
Diameter, 15 inches.
First Session
65—Repovussrt Brass PiaaueE Venetian, XVI Century
JOSHUA AND CALEB, WITH THE GRAPES OF ESHCOL. In a central
medallion which is encircled by an inscribed Gothic band, that
being succeeded by a narrow leaf border. Leaf and fleur-de-lis
motives enhance the rim.
Diameter, 16 inches.
From the Clarence Dearden Collection, American Art Associa-
tion, 1914.
66—Bronze Group After Pigalle
LOVE’s MissivE. A winged cupidon reclines over a fountain at
which a dove has settled. The cupidon contemplates a missive
which he holds in his hand. Rich green patina. On oval Siena
marble base.
Height, 17 inches; length, 20% inches.
(Illustrated)
67—CuInEsE Porcetain Lamp XVIII Century
Broad pear-shape, with rimmed lip. Invested with a beautiful
lightly cracked peacock-blue glaze. Fitted for electricity. Silk
shade for same. (Restored.)
Height, 161/, inches.
Kindly read the Conditions under which every item is offered and sold.
, They are printed in the forepart of the Catalogue.
68—Two MarsiEe anp Cuivre Dort Lamps Louis XVI Style
Oviform Campan Vert marble body. Mounted in cutore doré
with scrolled tripod stand having hoof feet and ram’s-head ter-
minals holding pendent flower festoons. Fitted for electricity.
Old-rose silk shades.
is Height, 17 inches.
69—Sitver-PLATED Eectric Lamp Louis XVI Style
Oblong base, adorned with festoons and supporting two fluted
shafts fitted with electric candles and central square shafts bear-
ing adjustable green laqué oval shade.
Height, 20 inches.
70—Two Guiass PENDENT JARDINIERES
Semi-oval baskets with elongated loop handles, having molded
knots at joints. Suspended from black cords and tassels; clear
glass.
Height, 1514, inches.
71—Two Cutvre Dort anp Iron Anpirons
Italian Renaissance Style
Beautiful, balustered shaft, terminated in gadrooned mushroom
finial. Enriched with vertical gadroonings interrupting scrolled
motive. On scrolled iron legs having frontal coat of arms and
button feet in cuivre doré.
Heights, 151%, inches.
72—Framep CoLtorep Frencu Mezzortinr XVIII Century Style
MME. ST. AUBIN. Bust length, wearing gray curling hair and
green and gray drapery; enriched with pearls. Within an oval
carved and gilded scroll-frame. |
Height, 1714, inches; width, 1834, inches.
73—Framep Cotorep Frencn Mezzotinr’ XVIII Century Style
MME. DE FRANCE. Seated, wearing elaborate brocade robes and
holding a music score in her hands.
ae (Arched Panel) / WAY ; U
I] a
Height, 2114, inches; width, 138%4 inches
In the foreground the Holy Virgin, wearing crimson robes and a deep
blue mantle, kneels toward right before the Infant Saviour, who re-
clines on a pallet of straw. Beyond, at right is an edifice; at left
animals are seen before a wattle fence and a landscape beyond.
FRENCH SCHOOL
XVIII Century
322—LA MARQUISE DE VERVIERS
(Pastel) Charter iW Esuhea!
ISO : Height, 21 inches; length, 17 inches
Charming young matron seen at half-length, slightly to right, holding
a music score in her right hand. She wears a coral pink ribbon at
throat and a robe over a lace vest having ruffles at sleeves. A lace cap
is over her curling gray hair.
Kindly read the Conditions under which every item ts offered and sold.
They are printed in the forepart of the Catalogue. .
- WILLEM KLAASZ HEDA
Durcu: 1594—1678
323—STILL LIFE: EAE CAKE
(Panel)
| Uy D. H Le 17 inches; length, 24: inches ;
Ina wane yellow- green light of warm tone, reflected ‘ante an olive: wall a
and seeming to have come through similarly toned glass, a group of me
objects of the refreshment hour are observed on a green-covered table
over which a white serviette has been spread at one end. Here a fruit
cake or pudding is lying in a brass or pewter dish, with a cutting from
it on a smaller dish, together with a round-bowled spoon. ; Height, 21% inches; width, 18 mches
Bust-length of a florid, middle-aged man; wearing long wig curling to
shoulders of his black velvet coat; a lace ruffle and jabot is at his
throat. a :
Haba Obie R.A
Eneuisu:, 1746—18381
f yf}
325—THE SAVOY ARD ieee
Lf 5 0, Height, 29 inches; width, 24 inches
Half-length of a young boy, with long curling black hair covered bya
large black felt hat. He wears an open lawn shirt and yellow-green
vest and is about to ah a Boab 7
Third Session
J. G. BROWN, N.A.
AMERICAN: 1881—19138
: —T) f) /)
326—_THE LITTLE VAGABOND Ws By A. y
a i Ce Height, 24 inches; width, 16 inches
A somewhat thoughtful little lad, shabbily attired and having a large
old-green umbrella under his right arm, stands before a door con-
templating the prospect for good weather.
Signed, CopyricuT, J. G. Brown, N.A.
TO, read Vy. Conditions under which every item is offered and sold.
They are printed in the forepart of the Catalogue.
OTTO PILTZ
German: 1846—
- juin |
327—THE BELFRY INA “Bp. Ue
es
}O0 Height, 24 inches; width, 171% inches 3
Two litle lads, with golden hair, have climbed to the belfry of an an-
cient church and one is tapping a bell and both listen to its wondrous
tone. Beyond through a window opening a vista of the countryside
is seen.
Signed, on wooden bar toward foot, O. Pitz, 1859.
EMIL RAU
Saxontan: 1858—
328--TYROLESE PEASANT SMOKING | e
$ ) : Height, 22 inches; weight, 18 inches
Bust-length of a hearty young man, with blond curling moustache and
hair; wearing a green felt hat, an ivory lawn vest and crimson coat.
He is contentedly smoking his pipe.
Signed at upper right, E. Rav.
FRENCH SCHOOL
XVIII Century
329 PORTRAIT OF MLLE. SOUBISE Ihoud. re 8. |
WO. Height, 25 inches; width, 21 inches
Half-length of a charming young matron, wearing garlands of flowers
over her gray hair and lace trimmed, rose-red dress.
Third Session
JAN VAN MABUSE: né GOSSAERT-GOSSARD
Friemisy: 1472—1541
330—THE VIRGIN ENTHRONED i iL) S me
= | (Panel)
Bi ot Height, 1134 mches; width, 834 inches
The Virgin, draped in a violet-rose mantle of ample folds that cling to
her figure, is seated with her face held close to the Child’s, as He stands"
on her lap. Her elaborate throne is Flemish Renaissance in char-.
acter and rises from a white marble dais to the top of the picture,
where a canopy is crowned with a medallion, enclosing the winged head
of a cherub. Conspicuous features of the carved work are the two
newel posts, surmounted by fleur-de-lys, and two pendants at the
canopy. At back is an opening through which appear the details of
a landscape that extends beyond the throne, showing, on each side, a
house. That at left is backed by wooded hills and craggy mountains;
at right, by water, follow the windings of a precipitous shore line.
From the notable Nicolas Riaboughinsky Collection, American Art
Association, 1916. -KX - $ ILS - OUP Jhesrichn
FRENCH SCHOOL
XVIII Century Manner
331—BROTHER AND SISTER WITH BIRD'S NEST
vy -— (Pastel) la we (Osis
Height, 361% inches; width, 311% inches
A young girl wearing blue and yellow dress, lawn fichu and straw hat,
is seated in close proximity to her brother attired in lavender-blue cos-
tume with ruff about neck; before a woodland. The children hold be-
tween them a nest in which are four fledglings.
Kindly read the Conditions under which every item is offered and sold.
They are printed in the forepart of the Catalogue.
JAN VAN GOYEN
Dutcu: 1596—1666
332—MOUTH OF THE MEUSE 0
(Panel) “o rte
4 or ' Height, 18 inches; length, 2214 wches
Painted almost in monotone, engaging in composition, and of remark-
able quality within its monochromatic range. The broad river occu-
pies the full span of the picture in the foreground, sweeping out to
sea toward the right in the distance, about a long middleground shore
consisting of a low point projecting from the left, where a windmill,
a church and other buildings of the community rise above a mass of
flourishing trees. Relieved against the umbrageous shoreline and its
architectural accents are Dutch fishing vessels, with sails up, and
fishermen in the foreground.
Signed on lobster-pot to right of centre, J. V. G., 16538.
From the collection of Miss Rogers, sister of the poet Samuel Rogers.
From the F. A. G. Hood Collection, American Art Association, 1915.-// ws, ,
Commended by the German critic, Herr Waagen, in his consideration of
England’s national treasures of art.
> ee at | yas Third Session
NARCISSE VIRGILE DIAZ DE LA PENA
Frencu: 1809—1876
333—FOREST OF FONTAINEBLEAU D. et TA peewee 3 f |
Height, 91% inches; length, 141% adhe:
ree
At the Forest’s edge at sunset. The woods at the right with their dense
foliage obscure the sky. The rest of the scene is broken land and wild,
covered with green and russet growths, with here and there a gray
rock. The sky at the left is dark with clouds, while from the centre
come brilliant sunset reflections, which accent lightly the trunks of the
outer forest trees.
Signed at the lower left, Diaz, 1874.
Note: This fine Diaz was originally purchased from the late Daniel Cottier.
From the collection of Ichabod T. Williams, American Art Association,
1915. -¥7/~ ITS- Olle lerxehy
Kindly read the Conditions under which every item is offered and sold.
: - They are printed im the forepart of the Catalogue. oe
VAN BOEKEL ee
DutcH: 1673
334—BIRDS IN FOLIAGE al te
yy . Height, 264% imches:; length, 3314 inches
Various birds are seen, some in bright colon before a dark batherautd |
of a classical landscape with ruins. At the centre, in the foreground,
a pheasant is perched upon the base of a broken column or pedestal,
and a ruffled pigeon rests on the shoulder of an overturned urn above,
while another pigeon is drinking on the right below, nearby a white
chicken. On a withered branch of a tree on the left a tropical bird of
flame-red plumage perches, looking down questioningly at the open-
beaked pheasant.
tw SE ea
From the Painting Collection, American Art Association, January 27,
se #71 - $90 - Oils leone.
Utt.h, Hrttoner bolt (Joo -VEE lage 168
PAULUS MOREELSE
Dutcu: 1571—1688
335—BARTHOLOMEUS VAN SEGWAERT MW, .
SHERIFF OF DORDR W 1607
o pr (Panel)
Height, 2644 mches; width, 204% inches
Half-length figure of a middle-aged man in black and gray dress, and
elaborate white lace collar; brown hair, mustache and chin tuft.
Note: The date of 1623 at the top of the portrait is probably the year of Van
Segwaert’s death.
Acquired from Messrs. Durand-Ruel.
From the Catholina Lambert Collection, American Art Association,
February 21-24, 1916. $289- £500 - Ollg Aeessct.
(Illustrated)
ee Ee ET Oe
ns
STS Al Milt AL IDE
oe
No. 335—Barruotomevs VAN SEGWAERT, SHERIFF OF DorpRECHT,
1607
(By Paulus Moreelse)
Kinaly read the Conditions under which every item is offered and sold.
They are printed in the forepart of the Catalogue.
E. P. THEODORE ROUSSEAU
Frencu: 1812—1867
336—STUDY OF SUNLIT WooDs ( Ce: Lea ie
NAD : Height, 584 inches; length, 734 inches 1
The artist has presented a morceau of delightful attraction; all the big-
ness of a large landscape contained within thumb-box dimensions. The
spot chosen is the edge or entrance of an open wood of tall trees, near
the centre of the composition and well back, the ground around them
a fresh green field or irregular surface with varied herbage. A slant
of bright light from a lowering sun back of the spectator at the left,
strikes upon the foliage, which has begun to show autumn hues and
penetrates the woods a little way, accenting the trunks of trees
within. A figure is suggested in a road between two hummocks in the
middleground.
Note: This fine Rousseau was originally acquired from the late Daniel Cottier.
From the collection of Ichabod T. Williams, American Art Association,
1915.43 - 8 725~ Olt Sbernch.
Third Session
JEAN BAPTISTE HUET -_
Frencnu: 1745—1811
ie eaiey
337—A SHEPHERDESS IN ARCADIA Wy. f! : Ly ff
Caen Height, 2134 inches; width, 18 mches |
An elaborately clad maiden is seated toward left, before an arched
fountain embowered with very beautiful trees and vines. Ad
Kindly read the Conditions under which every item ts offered and sold.
They are printed in the forepart of the Catalogue.
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XV CENTURY ITALIAN OOL
343—THE MARRIAGE OF ST. oA 4
S - (Panel, arched top)
if fy
Height, 1614 inches; width, 11 inches
Small whole-length figure of the Virgin, in red, blue and green draper-
ies, seated in the open, holding the Infant forward toward St. Cather-
ine. Overhead two youthful angels are bearing wreaths.
From the Catholina Lambert Collection, American Art Association,
1916. kK283 — Jf 700 - hn "hesnet
Third Session
DOMENICO PULIGO
FLoRENTINE: 1475—1527
7
{ \
IK) UW. de
344—_MADONNA, CHILD AND ST. JOHN V™!
; Height, 32 imches; width, 25 inches
Youthful Madonna to right, directed to left, in pink, blue and yellow
draperies with brown headdress, supporting the Infant, who is hold-
ing a blue and gold striped ball handed to Him by St. John, whose
staff and red cloak are on the table.
Note: A large and fine specimen of this interesting pupil of del Sarto, who was
also greatly influenced by Ghirlandajo.
From the Blakeslee Galleries Collection, American Art Association,
1915. #9- §30Sb - Ltt fhesrecl
Kindly read the Conditions under which every item is offered and sold.
They are printed in the forepart of the Catalogue.
FRANCESCO GUARDI
VENETIAN: 1712—1793 ot
345—MASKED BALL IN VENICE
K rr Height, 1244 mches; length, 20 iches
The interior of the Venetian Ridotto in the eighteenth century. The
room is of great size, the walls plainly painted in a grayish-green tone,
and the rafters of the high ceiling exposed. In the vast spaces of this
room a masked ball is in progress, the numerous figures: being clothed
either in fancy costumes or in dominoes; the sombre effect of the black
capes relieved by the gaiety of the light-colored dresses beneath, and
more especially by the vivid coloring of a harlequin’s costume in the
near foreground. ge
Note: Among Guardi’s familiar scenes of outdoor Venice this interior, with its
masterly treatment of the figures seen in artificial light, holds a place unique and
entirely its own. (Illustrated in the Catalogue of the Stroganoff Collection.)
From Professor Volpi’s Villa Pia, Florence, and acquired at the Da-
vanzati Palace Collection, American Art Association, 1916. 1009 _ ;
piisoo fh hue
(spipny) oosaouniy hg)
HOINDA NI TIvVG GeUSVJI—CHE “ON
.
& . | a pase tad A ll eal
SS
[gO | Height, 211% inches; length, 38 inches
Kindly read the Conditions under which every item is offered and sold.
They are printed in the forepart of the Catalogue.
BERNARDO BELLOTTO
-Trarian: 1724—1780
346—THE DOGE’S PALACE, VENICE © MANA. Ay
The famous ancient Gothic arcaded Palace is seen amid other edifices,
stretching from right to centre. The esplanade is animated with
numerous personages, and the waters of the canal with many gondolas —
and other vessels. The church of Santa Maria del Salute is at left
distance.
GILBERT STUART
AMERICAN: 1754—1828 | \\. 1) Stl
347—PORTRAIT OF JOHN WILLET HOOD
f 0 | 60: Height, 30 imches; width, 24% mches
The Admiral is portrayed in rich dark blue coat, with broad revers
and buttons of dull gold, its scarlet lined collar turned outward and
bent down upon the shoulder. He wears a white stock and gracefully
arranged jabot and a small gray-white wig. He faces the left, nearly
three-quarters to the front, with fixed, steady gaze straight ahead.
His eyes are blue and his cheeks rosy, and the flesh tones throughout
are in the crisp, fresh rendering characteristic of the painter. With
the light concentrated on the head and dimming as it falls upon the
figure, the subject is seen against a neutral background of olive tones
shading into brown.
Note: John Willet Hood was Rear Admiral of the Red, Vice Admiral of the
Coasts of Devonshire and Cornwall, Lord Warden of the Stannaries.
From the F. A. G. Hood Collection, American Art Association, 1915. —-PK/
(Illustrated) prHis- Olt Cyr
bb eid ahh oi ot epee epedet
wpe Se Gad
No. 347—Portrair oF JoHN WiLLEt Woop
(By Gilbert Stuart)
PTL CaN NTN LON ET IE TTT NO TOL A CIT N II I EL TOELEM NB OBIE RRS A TET OTC ET AE oe ai NA it EA NIE TOILE ERC I Ce a tg ihe AR RO camer mnt Reber ERR A EAETI ONEE
20
Kindly read the Conditions under which every item is offered and sold.
They are printed mm the forepart of the Catalogue.
Vsobeith- RICHARD YEO, R.A.
ENeisH | 1720—1779
“i
348—PORTRAIT OF A-MAN i tees
Height, 291% inches; width, 241% inches
Half-length figure of a middle-aged man seated at a table with draw-
ing board and compass. He wears costume embroidered with gold,
white neckerchief and cuffs and gray wig.
Note: Yeo was a medallist, painter and a scultpor. Foundation member of the
Royal Academy. This portrait was engraved by A. N. Sanders, 1877, on a small
scale. See Graves and Cronin’s “Works of Sir Joshua Reynolds,” 1899, Vol. III.
From the Catholina mbert Collection, American Art Association,
1916. —422- $//§50 - Wills hanch,
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No. 348—Porrrair oF A Man
(By Richard Yeo, R.A.)
Kindly read the Conditions under which every item is offered and sold.
They are printed in the forepart of the Catalogue.
CONSTANT TROYON
Frencu: 1813—1865
349—COWS IN PASTURE Oe.
5 O ‘ Height, 86144 mches; width, 29 inches
Eventide approaches and level meadows of the Netherlands are already
in the dusk of shadows thrown across the grass by the tall trees of a
green and brown wood, which enters the picture in the right fore-—
ground, receding in the distance toward the left. In front of the
woods a slant of late sunlight strikes across the field, brightening the
succulent green flower-dotted grass and throwing into strong relief —
two sleek, well-nourished cows with long coats. One stands athwart,
headed left, a red cow spotted white, with opulent distended udder
brought to view. The other cow is lying down—a white one, spotted
black and brown, with head turned to inspect the observer. In the
shadows of the middle distance at the left a woman is milking another
of the herd, a man bending over her looking on.
Signed at the lower left, C. Troron.
Note: This fine Troyon was originally acquired from the late Daniel Cottier.
From the collection of Ichabod T. Williams, American Art Association,
1915.-F-//3-~ $ 5000- Hho a
IN PASTURE
Cows
No. 349—
Constant Troyon)
(By
Kindly read the Conditions under which every item is offered and sold.
They are printed in the forepart of the Catalogue.
GABRIEL METSU
DutcH: 1630—1667 Qu
350-—-THE TOAST | Oe
AQ. Height, 37 inches; width, 2414 inches
An interior with seven figures, three men, three women and a boy; the
hostess standing, with back to the spectator, wearing white satin dress ©
and pink jacket edged with white fur. The others are seated at a table
and are toasting the health of the lady; a page is bringing in Oe
ments. A guitar is on a sofa at left.
Originally purchased from Sedelmeyer, Paris.
From the Catholing Lambert Collection, American Art Association,
1916.- Kian -$ 2880- gh heron.
No. 350—Tue Toast
(By Gabriel Metsu)
Kindly read the Conditions under which every item is offered and sold.
They are printed in the forepart of the Catalogue. —
JAN VAN HUYSUM
~ Durcu: 1682—1749
351—FLOWERS o WwW.
oy Height, 71 inches; width, 46 inkhes
Large sculptured vase with a massed arrangement of various bril-
liantly colored flowers which occupy nearly the whole canvas.
From the Catholina mbert Collection, American Art Association,
1916._#YS- JB /oZS -~ Olle Sherueh,
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Kindly read the Conditions under which every item is offered and sold.
They are printed in the forepart of the Catalogue.
GEORGES MICHEL
2 | 0, Frencu: 17683—1843
352—A SEAPORT : | WAAL |
Height, 2014 inches; length, 2614 inches
A Beach, with figures in the left foreground. From right to left extend
the waters of an estuary and beyond is the wide expanse of the ocean.
On the right are seen the high walls of a port and the square towers of
a castle, while a fleet of sailing vessels rides at anchor nearby. The
_ sky is of fine, clear blue with masses of vaporous white clouds.
From the Catholina Lambert Collection, American Art Association,
1916. BOF plSb~ Olle Mert,
qayaipy sabsoay fig)
LUOdVAG W—ZGE ‘ON ;
Kindly read the Conditions under which every item is offered and sold.
They are printed in the forepart of the Catalogue.
ccs lly ote
#
PATRICK NASMYTH
Scorcu: 1787—1831 Ns i) Qo
E
353—VIEW FROM HAMPSTEAD OVER T
ii sO: WEALD OF HARROW
Height, 18 inches; length, 24 wmches
In the foreground a rough field road, entering from the right, passes
between a green mound which forms a nearby horizon behind it on the
right, and a pool on the left that is bordered by bushes, beyond which
the road loses itself in the wild lands of hill and valley. At the foot
of the mound is a blasted tree, surrounded by groups of green and
brown brush, while green and brown bushes border the pond, a patch
of whose surface is silvered by reflections from white clouds floating in
o
a
banks of gray in a light blue sky. Near the pond two country folk /
are conversing, and in the distance are further personages. $
Note: Exhibited at the British Institute, 1829, No. 453. 4
From the F. A. G. Hood Collection, American Art Association, 1915. -K£4 - |
pXio- Cleo Shan
co | Third Session
THOMAS SIDNEY COOPER, R.A.
Encuisu: 1808—1902
354—CATTLE AT NOONDAY REST Ama.
' Height, 30 wmches; length, 42 inches
Two brown cows recline, amid long-haired sheep, on a mound overlook-
ing a low-lying river. A magnificent black cow stands-beyond, silhou-
etted to left, against the white clouded blue sky. Other sheep and a
cow at distant right; low hills appear across the sluggish river to
left.
Signed, 'T. Stpney Cooper, R.A., 1871.
Kindly read the Conditions under which every item is offered and sold.
They are printed in the forepart of the Catalogue.
CATHERINE READ
- 6 : EncuisH: Died in 1786 : ) ! a
355—CHILD AND PARROT _ paiee pe
Height, 33 inches; width, 271 inches —
Nearly whole-length figure of a young girl in yellow-patterned dress,
long brown sash and pink: and white lace bonnet, walking in a land-—
scape; a parrot perched on the back of her left hand.
Originally purchased from Messrs. T. Wallis & Son, London.
From the Catholina Lambert Collection, American Art Association,
1916. -#ZM1-~ $000- blts
No. 855—Cnitp anp Parrot
(By Catherine Read)
Kindly read the Conditions under which every item is offered and sold.
They are printed in the forepart of the Catalogue.
NICOLAS DE LARGILLIERE :.
50: Frencu: 1656—1746 : | | ;
ie ere ‘tna ©, 2 beet
356—DUC DE PENTHIEVRE y . Be :
Height, 351% inches; width, 29 imches a
Half-length, about forty years of age, standing, directed to right, head
turned and looking at spectator, wearing deep red patterned robes,
white lace jabot, long flowing curly wig and white lace cuffs. Right
hand extended with ring on last finger; red curtain at right.
Note: Louis Joseph, Duc de Penthiévre and afterwards Duc de Vendome, born
in 1654, entered the French army and distinguished himself in many battles, died at
Tinaroz, Valencia, June 15th, 1712.
From the Fi: Boos. Collection, American Art Association.
1915.-¥#96- B/000— Off focrnel.
eee rE aeeh : ; cit thei Gele\e >, 7s oe ehere)ororrr
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myrpeie pore fe pepege sé aj/eyeeiegete © eb
ee beme vee
bles Leben bsarpole Fat Bet
No. 356—Duc pr PENTHIEVRE
(By Nicolas de Largilliére)
nc ta; S OIOLETE | EOE ALLEL LAGOA LA a y a E> lt OE ae RT Sit Et —s a a —
yo
Kindly read the Conditions under which every item is offered and sold. i 4
_ They are printed in the forepart of the Catalogue.
SCHOOL OF PANNINI
Iratian: XVIII Century
357—AN ELABORATE RUINED PALACE Wd. 1, WM.
Height, 1714 inches; length, 5414 inches
The remains of an Ionic capitaled and columned arcade are at right —
before a series of arched gateways o’ergrown with vines; further varied
arches and an obelisk are at left bordering the edge ah a lake. Many
personages in conversation or promenading are before the arcade.
PAOLO ANTONIO BARBIERI
Irar1an: 16083—1649
4
358—FRUIT AND FLOWERS = WAL
Height, 2544 inches; length, 3514 inches
A crimson-pink covered table is occupied by two huge melons, a plate
of figs and plums, a vase of jonquils and carnations, a dish of cherries
and scattered fruit.
(Companion to following)
PAOLO ANTONIO BARBIERI
Itatian: 1608—1649
FRUIT
Height, 2514 oh ae vont imches
On a deep green covered table are spread apples, a large pear and a
pomegranate before a wicker basket of mixed fruit and a dish of fine
peaches.
359
(Companion to preceding)
Third Session
GIOVANNI BATTISTA TIEPOLO
Iratran: 1696—1770
360—ASCENSION OF ST. Meee Ae
/ Height, 411% inches; length, 4914
aches
Whole-length figure of St. Margaret surrounded by youthful angels,
one of whom holds a crozier. To the left a table with a book and
carved ivory figure of Christ crucified; to right a flower urn.
Note: Purchased directly from the Bishop of York, England.
From the Catholina Lambert Collection, American Art Association,
1916.-¥ 880 — B S00. Df festh.
Kindly read the Conditions under which every item ts offered and sold. :
They are printed in the forepart of the Catalogue. — ;
JUAN CARRENO DE MIRANDA
Srawis: 1614-1685 9 LuLety
361—PORTRAIT OF A SPANISH PRINCESS
3b rad 2 Height, 47 inches; width, 38% inches
Whole-length portrait of a young child, standing, in light blue dress
embroidered with flowers in gold, centre of corsage and sleeves with
pearl ornaments, pearl rope over shoulders; brown hair dressed flat
over forehead and ears; pillar to left, red curtain to right.
Foon the collection of the late Stanford White, American ae Mane
tion, 1911.
From the collection of Catholina Lambert, American Art Association, ~~
1916. -#259__ $ 2500 - Olle eoneh,
No. 361—Porrtrrait oF A SPANISH PRINCESS
iranda)
de M
reno
Juan Car
(By
Kindly read the Conditions under which every item is offered and sold.
They are printed in the forepart of the Catalogue.
GIOVANNI PAOLO PANNINI
Irvatian: Circa 1695—1764
362—ITALIAN RUINS
pees Height, 39 ie length ene
View of the seacoast in Italy, with figures, and numerous boats moored
to a quay; to right is an ancient high gateway partly in ruizis; in the
centre a circular temple, and in the distance a triple triumphal arch.
From the collection of Lord Young, February 29, 1908; CASI Oe
No. 59.
From the Catholina Lambert Collection, American Art Association,
1916. -#/7- $1150 - Otto hacnttl.
(suewung ojovg wuvacy hg)
SNINY NVIIVLJ—Z9e ‘ON
Y (M6 . Height, 49 inches; length,
' Kindly read the Conditions under which every item is offered and sold ‘
They are printed in the forepart of the Catalogue. 4
ALLART VAN EVERDINGEN
DutcH: 1612—1675
363—SNOW IN THE MOUNTAINS io
inches
Winter is come in the Northland but sleighs are not out, nor is water
frozen. Snow whitens the tall mountains which on the right loom high
in the background, their peaks and slopes lessening and receding
toward the left, and snow is sifted in a powderlike coating over tall
evergreens and on the windward side of trees which have long since
shed their leaves. Large buildings are perched high on the slopes. In |
the foreground is a humble home and inn, hollowed out in the face of
a sheer cliff and fronted with a wooden leanto. Here are seen several
peasant maids and children, a man playing a bag-pipe and another
man on horseback drinking. A caleche and two persons walking are
proceeding up a road, and at the side of the inn cattle and sheep # are
drinking at a pool of a mountain stream.
From the McGuire Collection, Howard County, Maryland.
From the Nicholas M. Matthews Collection, American Art Association, 2 “
1914. -F/I2 - $20 - Olle
(uabuiplaagq ung 44nzqp hg)
SNIVLNOOJ[ FHL NI MONG—E9E ‘ON
Kindly read the Conditions under which every item is offered and sold. 4
They are printed in the forepart of the Catalogue. =
SCHOOL OF TITIAN
Venetian: XVI Century
364—THE HOLY FAMILY dq jeeeere Gal
3 Aaa Height, 30 inches; length, 37 inches
The Holy Mother is seated at the right ; wearing rich crimson blue anda
yellow robes adoring the Infant Saviour, who is asleep on her lap.
She is seated before a mountainous and wooded landscape and St. —
Joseph is seen at left pouring over a tome which he holds on his knees.
Note: This richly colored painting is enclosed within a contemporary frame
elaborately enriched with scrollings, masks and fanciful motives.
AELBERT CUYP
Dutcu: 1620—1691
365—CHRIST ON THE roaD ‘To Emmaus ). (Lt)
4 . :
oe (9TLO . Height, 4314 inches; length, 59 inches
Our Lord, in conversation with two disciples, is seen under a clump of
trees sheltering a building at right. About centre on a road winding
from high hills around a lake at left, is a herd of kine followed by a
peasant woman mounted on a white horse, two rustics and a hound.
The scene is bathed in golden sunlight.
From the Sedelmeyer Collection, Paris.
(Illustrated)
SERS ae a
(dfing q4aqey fg)
SAVWWY OL GvOY AHL NO LSIMH)—QG9g “ON
Kindly read the Conditions under which every item ts offered and sold.
They are printed in the forepart of the Catalogue. _
KARL-PIERRE DAUBIGNY
FRENCH: —
366—VIEW OF VILLERVILLE A Naat h 4
1250. | Height, 88 inches; ae 57 inches z
A sluggish stream flows across the foreground, before a low shore at
middle distance, on which a windmill is prominent about centre; wooded
cottages and further windmills are at left and right. The river is
animated by several large fishing vessels. The moody evening
atmosphere is finely depicted.
Signed at lower left, Dausieny, 1872.
From the Charles T., Yerkes age. American Art Association,
1910. ~ #50 - Bisoc 7 ba PS
No. 366—View or VILLERVILLE
(By Karl-Pierre Daubigny)
Kindly rea the Conditions under which every item is offered and sold.
They are printed in the forepart of the Catalogue.
ANTOINE PESNE
Frencu: Circa 1684—1757
367—PORTRAIT OF A LADY
oO Height, 581% mohes width, 45 inches
/
Nearly whole-length portrait of a lady, standing in the open and wear- — a
ing a blue and white embroidered dress with short sleeves trimmed with — i.
lace, a lace collar, powdered hair with white and blue lace cap, lore |
earrings and three-row pearl bracelet. She is holding a black and —
_white toy dog with red neck-ribbon under her right arm.
765
=!
From the Catholina Lambert Collection, American Art Asbestos
1916.—#9K8- 8 joSd - Olle Berucl,
Se RECS Le
we
No. 367—Porrrait oF A Lapy
(By Antoine Pesne)
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They are printed in the forepart of the Catalogue. >
6
SIR WILLIAM BEECHEY, R.A.
EncoutsH: 17538—1839 |
368—ADMIRAL BRIDPORT, K.B. ~\~" |
Ros, Height, 50 ‘inches; width, 40 inches
Three-quarter length, standing to front looking toward sieht wearing “4
naval uniform, blue coat with star of order of Bath, gold chain math
pendant, white waistcoat and breeches and gray hair; a sword 1 in his
right hand. 7
From the Blakeslee Galleries Collection, American Art Associaton,
1915. — #50 - Joo - OLl Mers0f,.
No. 368—ApmiraL Brivvort, K.B.
(By Sir William Beechey, R.A.)
Kindly read the Conditions under which every item is offered and sold.
They are printed in the forepart of the Catalogue.
BRONZINO; né ALLORI (CRISTOFANO)
FLoRENTINE: 1577—1621
369—FOOTBALL IN FLORENCE [yt Fei Q wee { + q
g ® , Height, 451 inches; width, 3314 inches “tid
oa
View of the Piazza Santa Croce with a game of football, or “Giuoco
del Calcio,” in progress. The players, some fifty in number, occupy
the centre of the Piazza. They are divided into three groups of about
ten, with the others disposed in a circle around, and are all dressed in
tight-fitting jerkins, kneebreeches and plumed caps. Around them
in close ranks sit the spectators, at the back, against the walls of Santa
Maria del Novella in a grandstand, while on the right-hand side, ladies
crowd all the windows of the palace facing on the Piazza. In the fore-
ground, on the right, are cavaliers in exaggeratedly decorative suits
Ap classic armor, in their centre are three figures of jesters, while on
the left are seen the halberds of the guards who keep the nea
in order.
From the Davanzati Palace Collection, American Art Asien
1916. manna ARRAS os
fas
((ounfojsw)) woynpy gu fomzuorg fg)
HONGUOTY NI TIV€LOOT—G9E “ON
GIOVANNI PAOLO PANNINI
“te
| 810—EXTERIOR OF A PALACK —~ Ta
a oe - Height, 47 mches; Rei 36 inchem
+.
a
An elaborate palace, with tra massive columns and clone i
- numerous figures. wearing semi-classical costumes. Ct
From the Blakeslee Calleries Collection, American Art i
1916. - 2¥6- P3So-—
(Companion to ‘ollowings
No. 370—ExtTERIor oF A PALACE
(By Giovanni Paolo Pannini)
Kindly read the.Conditions under which every item is offered and sold.
They are printed in the forepart of the Catalogue.
GIOVANNI PAOLO PANNINI >
ITALIAN: EO Ne
371—_INTERIOR OF A PALACE
Soe: Height, 47 inches; width, 386 inches
Evening scene with chief entrance to a palace; exhibiting many figures
in semi-classical costumes, two page boys hold torches at foot of a
flight of steps and two men with musical instruments in a gallery,
probably announce the opening of a ball or reception. |
From the Blakeslee Galleries Collection, American Art Association, —
1916. -#2K7. B38So- Oflo SBesnce
(Companion to preceding)
daydin Co,
eS oe oo 62
INTERIOR OF A PALACE
No. 371
(By Giovanni Paolo Pannint)
) b+) , bridge. Signed. | a
4 A , group of oxen and sheep with a peasant following. At left is
Bf) : traveling across the centre to left, led by a peasant. Beyond is © q
Kindly read the Conditions under which every item is offered and sold. :
They are printed in the forepart of the Catalogue. a
a
The following six Wall Panels by W. Piera, Dutch Painter of the eighteenth century _
are signed toward lower right and dated 1781. Piera was noted for his Paysages,
which are of extremely decorative quality and in excellent condition. These together
with the two following overdoors, a Flower Subject and an exceptionally fine Weenix,
are installed, for exhibition, as originally placed in the Lane apartment within the
panels of a paneled room finished in green laque. Each painting is marked with an
asterisk for identification. The Paneled Room will be sold the afternoon following
this evening’s sale, Saturday, November 22, at about four p. m. .
W. PIERA
Dotcu® ‘Circa, 178d
372— DECORATED WALL ANELS. (Six)
N ; a
*(A) TRAVELERS RESTING: Ai left foreground/is a group of
mounted and unmounted travelers under a huge tree. Toward
right is an old chateau and a stream, spanned by an arched
ie Peat
Height, 9 feet 9 inches; width, 6 feet 8 inches = = ; ‘
(Illustrated) | |
WIA, t
*(B) CATTLE RETURNING HOME. In the foreground is
ruined cenotaph embowered with trees. At right is a romantic ¥ 3
landscape. Signed. =
Height, 9 feet 9 inches; width, 6 feet 8 inches ~ Fe
si ja
*(C) CATTLE GOING TO PASTURAGE. A group of oxen dnd ~ e
sheep is seen debouching from a ruined edifice at right and
a romantic lake, crested by rocks. Signed.
Height, 9 feet 9 inches; width, 6 feet 8 inch-s
ihn rr.
*(A) Traveters Restine
(By W. Prera)
No. 372—DeEcoraATED Wat PANEL
oe.
a x
Kindly read the Conditions under which every item is offered and sold.
They are printed in the forepart of the Catalogue.
: AL
*(D) SHEEP RESTING. In the focespata a) flanked by trom a Be foo
groups of trees, a herd of sheep and their shepherd are restiz ng
4 SA . during the midday heat under the shelter of the trees. At right —
is a peasant group before a ruined Ionic temple. Signed. =a
i .
Height, 9 feet 9 inches; width, 6 feet 10 inches
(Illustrated)
*(E) THE MARKET acon! Waa d cous cart,
two bullocks, is seen traversing a rough road about ce mS
a Om) right is a large statue of Venus, sheltered by trees; at left are —
( larger trees giving a vista of a distant landscape, Signed.
Height, 9 feet 9 mches; width, 5 feet_10 inches
/ i es
*(F) PEASANTS GOING TO THE a About centre, f ¢rossing |
a rough road, is a peasant cart, drawn by two horses, driven a
by a blue-coated man, carrying his wife to the fair. At extreme
(K—A left are two men engaged in conversation, seated under la a7
‘ §ag
trees. Distant view of wooded hills. Signed,
Fgh. 9 feet 9 inches; width, 5 feet 10 inches
(Companions to following)
FRENCH SCHOOL
Lovis XVI ee
4. Wr
Height, 38 inches; width, 3846 inches
313—-DECORATED OVER- DOORS a
|
Draped vases of flowers, enriched with gadroons and rosette motives, __
standing within arches. Painted en camaieu in blue, on ivory grounds.
(Companions to preceding and following)
No. 372—Decoratep Watt Pane: *(D) Sueer Restine
(By W. Piera)
if 6, (Room Panel)
B05)
om
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Kindly read the Conditions under which every item is offered and sold.
They are printed in the forepart of the Catalogue.
DUTCH SCHOOL
XVIII Century
374 —*4 SCULPTURED VASE OF FLOWERS Re
Height, 9 feet 9 inches; width, 8 feet 8Y inches — | ha
A large terra-cotta vase, enriched with bas-relief, ‘*The Flight to a
Egypt,” stands on a small pee in gray, having a central. panel _ 4
depicting the “Annunciation.” The vase is before a dense woodland Sy
and occupied by a large bouquet of very varied flowers. | a
(Companion to preceding and following)
JAN BAPTIST WEENIX
DutcH: 1621—1660
3875 —*STILL LIFE AND LANDSCAPE
Height, 58 inches; width, 51 inches
In the foreground a low stone parapet crosses the canvas, surmounted
at the left by a huge sculptured column. On the ledges of this, white
and red grapes in large bunches are grouped with peaches and purple
and golden plums, an oak branch with green and partly dried leaves
crossing over the group. At the end of the branch a white-breasted
red squirrel on the parapet is attacking it for acorns. On the ground
or terrace below is a profusion of cut flowers and leaves, a butterfly
fluttering over them, which has caught the attention of a small curly-
haired white dog standing near; and at one side is a ripe melon from
which a wedge has been cut. Beyond the parapet is a basin or canal
in a noble garden, surrounded by classical buildings amongst which
tall Italian cypress trees are seen. A painting big and comprehensive,
with a wealth of color, rich but subdued, a brilliant display of technic,
enriched with imaginative and romantic elements.
Signed at the right, midway, J. WEENtx, 1701.
(Companion to preceding)
From the Gilmore Collection, Baltimore. Purchased by Mr. Gilmore
in 1823 from Chevalier Apostool of Amsterdam, who was then
Director of the Amsterdam Museum.
From the Nicholas M. Matthews Collection, American Art Association,
1914. -43- B Ho- Olle Menuet
No. 3875—*Stitt Lire anp LAnpscAre
(By Jan Baptist Weenix)
INDEX OF ARTISTS!|REPRESENTED —
AND THEIR WORKS
PS Fie
BARBIERI, Paoto Antonio >»
Fruit and Flowers ey
Fruit
BEECHEY, Sir Wiriam, R.A,
Admiral Bridport, K.B,
BELLOTTO, Brernarpo
The Doge’s Palace, Venice
BLACKMAN, Watrer
Italian Fisher Girl
* BLAKELOCK, Rate Arsert, N.A.
Sunshine on a Woodland Glade
BONINGTON, Ricnarp ParKrEs
Street Scene |
“Mh,
BOUGHTON, Grorcz H., N.A. BA. Bs
Lake Windermere
BROWN, J. G., N.A.
The Little Vagabond
BRONZINO; né Attort (Cristorano)
Football in Florence
BUNCE, WiuiaMm Gepney, N.A.
Venetian Boats
CARLISLE, Mary Heten
The Knockmeledown Mountains from Castletown
CHEVILLARD, VINCENT JEAN BaptTisTE
Le Vieux Célibataire
COOPER, TxHomas SIDNEY, R.A.
| Cattle at Noonday Rest
CUYP, AELBERT
Christ on the Road to Emmaus
DAUBIGNY, Karu Pierre
: View of Villerville
STagepH PA PENA, Nancisse Vinciue
Forest of Fontainebleau
DE LARGILLIERE, Nicoxas
Duc de Penthiévre
DE MIRANDA, JUAN CaRRENO
Portrait of a Spanish Princess
DE VELDE, Scuoot or vAN
Marine
DUTCH SCHOOL
A Sculptured Vase of Flowers
EVERDINGEN, AuartT van
Snow in the Mountains
FLORENTINE SCHOOL
The Adoration
FRENCH SCHOOL, XVIII Century
La Marquise de Verviers
Brother and Sister with Bird’s Nest
Portrait of Mlle. Soubise
Two Decorated Over-Doors
GOODALL, Freprrickx
The Banks of the Nile
GOYEN, Jan van
The Bridge
Mouth of the Meuse
CATALOGUE
NUMBER
354
365
366
333
356
361
341
874
363
eC —
ae
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a
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ie a CATALOGUE
b= ; aor NU! DLE R
GRUBY, M. : , Ae “ 3 . oceae
ee St. Michael’s Church, Venice | eects. . 30
GUARDI, Francesco
i. Masked Ball in Venice
GUARDI, ScHoou or
my Santa Maria del Salute, Venice
The Plaza of St. Mark’s, Venice
Plaza of St. Mark’s, Venice
The Bridge of Sighs, Venice ~
GUE, Davin J.
; The Open Sea
HEDA, Wittem K1raAasz
Still Life: Fruit Cake
HUET, Jean Baptiste .
A Shepherdess in Arcadia
HUYSUM, Jaw van
Flowers
ITALIAN SCHOOL (XV CENTURY)
The Marriage of St. Catherine
KNELLER, Scoot or Sir Goprrey —
Portrait of William III
MABUSE, Jan van; né GossaErt-GossarpD
The Virgin Enthroned
METSU, Gasrier
The Toast
MICHEL, Gerorcers
A Seaport
MOREELSE, Pauvuvus
Bartholomeus Van Segwaert, Sheriff of Dordrecht, 1607
iy CATALOGUE
NUMBER
NASMYTH, Parricx
View from Hampstead over the Weald of Harrow 353
NORTHCOTE, James, R.A. :
The Savoyard 325
OUDINOT, Acuitte Francois
On the Oise 319
PANNINI, Scuoou or
Venetian Palaces 340
An Elaborate Ruined Palace 357
PANNINI, Giovanni Paoto
Italian Ruins 362
Exterior of a Palace 370
Interior of a Palace 371
PERRONEAU, J eee BaptisTE
_Le Marquis de Ravignac 324
PESNE, ANToINE
Portrait of a Lady 367
PIERA, W.
Six Landscape Panels 372
PILTZ, Orro
The Belfry 327
POTTER, Pavi
Milking Scene | 338
PULIGO, Domenico
Madonna, Child and St. John 344
RAU, Emi.
Tyrolese Peasant Smoking 328
READ, CaTHERINE
Child and Parrot 355
REYNOLDS, Sir Josuva, P.R.A.
Portrait of the Artist 342
ROBERT, Hvuserr
The Coliseum, Rome
ROUSSEAU, E. P. Turopore
Study of Sunlit Woods
SATTERLEE, Watrer
; A Medieval Princess
STUART, Gitserr
' Portrait of John Willet Hood
TIEPOLO, Giovanni Barrista
Holy Family
Ascension of St. Margaret
TITIAN, Scuoou oF
The Holy Family
TROYON, Constant
Cows in Pasture
VAN BOEKEL
Birds in Foliage
WATROUS, Henry W.
The Letter Writer
WEENTX, Jan Baptist
Still Life and Landscape
YEO, Ricuarp, R.A.
Portrait of a Man
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