2 Np Seana
siete poesia
sa cafenoney
cseey e
adiatiagey ty”
sn sw ig Sip
alge yg tase
iAP Gy
ely
<8
Fine
ition
SA Sse it habbit
Pe ievaieury
Biter ta fay
4 faite
Be
ifysiat see i
y a
|
agit ity
i eA
Ura
“
ne
Heat
uy master; F ; Fie¢itmann.......
Pe a ae Cis, Porttait of Py “Girl:
Kies Hare, as “Tnfaney": i : aig Sold: :
; » ©. Issia aa .
Jameson NET Ea ens ee Dae > 4,600} RR, ‘Ab @ si Jean B. B. Detaille:
TALeE Ole 2 v OF a 0 480 -& 6 2. 50 0a 0 gia 0 pcbla «6
ily ceeanesae, 20,0004 UNEE, agen ae
‘Portrait of storal,!” ts aie’ Latour: ef iaes
Seaman, PRPC ay Cee hi ty Or aa Pe AS
PL UEDA GRU ek AEE ESE 5,800 fiiscape, > Trheapite de” Bock; A,
148 Sit Vents ‘Reynolds, - Portrait of Re A nein gre ei te Susan
nee Robert, : Second Duke of Lein- att bets ice ta fl Alberto Pasint: Joseph
ster; ’ 5 att net hiblbc ee #18 Nae ielg ale & ’ ‘allachi se Be R ag Lae: ofS ale eid ’
tide aa bet Portrait of a Cava- ae nhalta f Mca ‘Station, ae A ae
i; ler’; oO dN ad 0 ie Ep as APRA HS She eae ESE A ’ le ity Girl,’’? L. Kn aus? Mrs. oo,
+ | 150—Thomas Gainsborough, Portrait of ans Le Jardin,” A Hicnticel 2
ak pe Thomas Cornwall, R. N.; cepetnes Rachie’ siya ovate y GoM
» WwW. Seaman, BOO G i', oene dn rns xa cies 2,100
eo i. B. Baliw: CH a Wy ante geplleh faa hee : 4,200
152—Sir Thomas Lawrence, Portrait of
meester iehaemeuael W. W. Seaman,
18 #80 8s 28-8 96m O00 6 & soa 6 6.0» 2.4 £16 0 bao ble
o
fen Ledi,*’? D. Y, Cameron; s. FF. Kraushar
sa of Fontainebleau,’ ioe Bs Munger;
eeeere see oe w
ome eee Heese sere ee este eeresasee
ae 2 Ww Weni Marie: Scott & Fowles. Fi
omasked, "> Don R. de Madrazo; Knoets
sont ant ” Willard. IL Metealf: Miich —
alleries Chea ae eee ie oe
Butthels Afternoon,’’ J, Prantig ‘Murphy:.
ultheis Gaterss: ice 6b alele chen ee ee
4 A E { te me t [kr Cay oh Child bt H. russell 2,500
S i ree omney, ortrai fe) ir
“eh XCM ye - Archibald Campbell, K. B., of Inver-
Men Hreedion 6 Coli. i. ices vate ce 4,550
i 156—Sir Joshua Reynolds, Portrait of
i the Misses Paine; W. W. Seaman,
Pe dee aot Gk ee Nee, yh s as de 15,900
nin" 166--Canaletio (Antonio Canale), Piazza Olestt 2. do ee ee
immer Tadeoiae with Figures,” ‘Gonna
aness, Os Le. ebpalseVinwee ceeioe mE
ishing - Party,’’ Martin Rico; N. O. Noom
--of Venice from San Marco; Ehrich
eee peters rast night ” PP ULG cy See et Set as ig ae Ct 1,000
1aZa ‘ballroom, conducted by, 1| 167-—-Giovanni Antonio Canaletto, View
Art Association, proceeded on the Grand Canal, Venice; 0. Ber-
i aepherd ‘and Flock,’? L. A. ULhermitte:
tee ; a net, agent,...... es Geeta sa singe acaion west 3,100 | ‘oward: Young... ...5) ¢ieekee wy aes
calm fashion, in marke | The total for the evening was $165,885, Be a eEee Trees,” Willem Maris; J. B.
‘to the scenes ‘of excitement of making a grand total for the two nights | gndscape ‘at Sunset,”’ H, Harpignies: 0.
cht | ec Some excellent prices | sale of $542,010. This is BBG record ‘for |) Palsey..,. “7ay, commu ae. ieee oe
but. Meike to eclipse the the season to date,
eae
2 94 98 ooo selene sie @ & | Sets. w 6 0) a0) 6) alesse ee
Bs
rance of PREL is cehis esd dob hbal Cea e ee ate
Paani, Moors at a iis $1,000 ftrait of BR: A. Yronside,?’ Sir iiinte
Rena S ciaie sy ete 6 ?
‘ EA RE ee SR NP ieburn; Otto Bernet...0..2..6..
dge Maitland, *? Sir Henry Raeburn; ‘Otto
‘Maitland; 0. Bornet, agen “500! 7 way perald
an Micrevolt Morne of a Burgo- gee ‘ Ail b Al
/ «pd Tobias,” Jean F. Millett; Knocdler
oshua Reynolds, Portrait of | hid] Garden.” “Winstow’ Homer: Miich
8
ndsecape bee Cows, ” Jean B. C. Corot;
‘nry Schultheis for a < [oedier & C a its Lite Greene
c ol- arm en S e, oR an Marcke
- mp oreneh alee ts 85 Ac Baton: jae eee ee
i inin a Red Hat,” Francois Clouet; Otto
$43
a
5,110 |
pe du Douwbs,’’ ‘&: Courbet; “Knoednier ee
2,000
i, o iurk, * R. P. Bonington; “Beott &
1 for the Renoir, loctioh Rpg IES se eet aha ee 500.
; nself as 1ers See. Hin,’ ie }
tee, pisuare eolleet : nps; caine pecumuat e 525 |
herries” led off last net at at ie “-|nai Knoedier & Cay. jaa eae net 1,000 —
1e to a buyer represented te ee 7 N. ¥. D. DeoLa Pena; ae |
&. Wowlessskipd pnce tee eae Be
rnet. W. W. Seaman, agent, Close of Day,’’ Jules Dupre; Louis
for Sir Joshua Reynolds's PRMAND se asinine key Palen eee en eee a. |
shy Ses f Rae- jndscane,” Jean B. ©. Corot; Otte aa
$e ne,” and $15,300 for trnet, agent 2s di sence be ae
2's “Lady ce eee bas isiteaar ys . _ [apherdess.”* C. ‘Oi Jacque; 0. L, Halsey 2,600
Ave 100 for a Daubigny land- ase on the Oise ; aubigny;
i Asha by J. Francis Srurphy | toed ler Bo COS ine eas Pet ae ea ee 9,160
egal
8
a bb este one ne oe ee Se hee ee ee ee ee 7
“A Boy wai Cherries ‘Comat M3. Van" Miereveiti
rtrait of a. Girl,’ Aelbert Cuyp: Ro
He! Price at:Gon- DY WVOGU. ale ne apa Mate h ates a Ok on aaa 6,000
mands Top ; aster Hare’s ed aie > Sir . Joshua :
srnolds S.C) 1a Meson. ss a sei saha anes Ri
cluding Session. Boy with Cherries,’ Sir Henry Rae-
bre Otto! Bernese ses LA od eae ere 20;
| EY. pprirat of ein Broughton,’’? Sir Henry
6 eburn; W. if please 6 8H 46 ae .15, 300
irtrait "of Wi liam obert,’’ £ oshua
: eee ere eT ROR Ey ee eer 7m st eybolds; M. H. Goldblatt. 2veas ns aie 4,400
of PEE DHS [night of the sale of works by French im-~.Cavatier,’? Nicholas Mues; Leo Klwya,. 4,1
2,600 | iptain Thomas Cornwall,?’ ‘Gainsborough:
ess, ee i fa asonpe ’ ipressionists, early Elngligh portraits, Amer-’, WW, Seaman... Pe ho pater | 2,100
iT ' dele
fet day Fialney...-. +++ <7 +s 1400 ican and other paintings at the Plazaqs: if. B. Schwab. i..ieceseceereeesnes 1,200
BS bemitie, Shepherd 1,150 Hotel under the auspices of the American aster Ee ae ie pe priate rife
oward Young......-++++++:
n tine The Three Trees and 1,499 Art Association, Mr, Thomas EH. Kirby, ts. St. George and Child,’? George, Rom- i
b cle) 000
THarnignies, Landscape at Sun: ‘id auctioneer, the .total was $165, 885, This, ¢ Archibard € Ga ripheul dd ‘George ‘Romiehs pie
E Gouriet, Bonds du Doubs: HS added to the receipts of Wednesday night, NOCMe S Ce. ss ning’ Wun Santvoonds snl
ee ere 2 Oe: >" aftién “notable / worlts by, the” modern ye Misves Paine, SIP Tishndd Waites
Dias Herame et ers sani gic’ 1.000 Frenchmen were sold, brought the grand:, Seaman...... Bras Fo oO 1000
Wanita ns aye Dy | ag t Bernet, tong total up to $642,010. ode Soule i We ii ae ae ie 450
es Emile Jacque, Shepherd and | The top price of the night was $20,000, soca, ai) Chik: Se Sota pei 4 200
in Bye ‘s D alton Sale nada 2.0 \Which was paid by Otto Bernet, agent, fOr nea of Venice,” id Caysletto; Hartel ey: xi
Oise; Knoedier *& Co fee heen es 9.100 Sir Henry Raeburn’s “‘A Boy with Cher-rand ‘Ganal, Venice,’ G. A, Canaletto; 3,100
ie a J int ves cet, 8,400 ries.” This picture was from the estate of ea ta De Ribera? Kleinberger Gale > | oD
arn eather Me Aanias: 18 ae fe ee a ag Biowenea” $e" awa HO
ir Henry Raeburn, Portrait of . Raeburn sale at @Ghristie’s in 187t. Another anasecr: CG. Lagemann... se.
A
ens? Raeburn. Portrait os ion,’ fetched: $15,200.
The pictures that brought more than y prancis Murphy, which was kno
| $200, the artists, the buyers and the. prices gy for $%,300 and the “Moonlight
| paid in that order were: ‘ard’ Metealf, which went for $1,59
Ae: here were
yctuone Pen uneeeAse: P we f Lady Brough-t was the SbeneUe that t
| ae maT ibe Saale : : ‘eral distinet bagains in the sale, among
m being “The September Afternoon,
ckhed
Bid
A. Recdtd
Monets in “vvllection of
Modern French Artists. |
A RENOIR BRINGS $28,000
Monet’s “La Tamlse” Fetches |.
$14,100, and His “Devant La
Psyche” $12,400.
There was sold at the Plaza Hotel
under the auspices of the American Art
‘made ‘Individual breaks
Association last evening the finest col-
lection. of the work of the modern
French artists, Monet, Renoir, Manet,
and Sisley, that has ever been put up for
public sale. There was a wonderful col-
lection of Monets, @wenty-seven in all,
nineteen in the Arthur B. Hmmons col-
lection alone, nine Renoirs, with three
Manets, and one Sisley. it was a record-
breaking sale of Monets, taking the col-
tection as a whole,
two of. thein
bringing, respectively, $27, 000 and $28,-
000. The collection of ninety pictures
of the évening sale brought $326,125, the
bulk of the money going for the work of
the Hrench artists. There was much
enthusiasm shown by the big audience
at the sale as the favorites were shown ,
and applause as the bids mountéd.,
The collection of pictures of which the.
modern paintings were sold last eve-
hing belong to different private collect-
ors and estates, the collection of Arthur;
B. Emmons of Newport having the bulk}
of the work of the French painters, with
others from the estate of Thatcher M.
Adams, the collections of the late Henry.
Sayles and the late Harris B. Dick, and
the private’ collection of Joseph F.
Flanagan of Boston.
The Renoirs bringing «the top prices
were ‘Dans Ja Prairie,’’ two. yveoung
girls sitting in the foreground of a land-
scape with their backs to the audience,
which went to the Durand-Ruel Gal-
leries for $28,000, and a gay, colorful
boating scene, *‘ Canotiers a Chaton,’’
which went to Knoedler & Co. for $27,- «5
000. The first bid on the latter pic-
ture was $15,000 and the second $20,000.
The lowest price for a Monet’ was
$3,500 and they ran up*’to $14,100, the
highest price, paid by Knoedler & Co.
for a beautiful soft blue misty picture of
the Thames showing the towers of West-
minster Palace, ‘‘ la Tamise: Le Parlia-~-
ment: Effet de Soleil,” A eharming
Renoir in the softes. of pastel shades,
“Femme et Enfant,’’ went to Scott &
lrewles for $16,000.
A letter was read from Mr. Emmons
Saying that the charm of his collec-
tion of Monets was\not due to chance,
but that in making ‘the collection dur-
ing the past ten to fifteen years it had
been understood in New York ané@’Paris
that he would not hesitate to pay the
best prices for the work of these two
artists, and he believed he had obtained
the cream of the market:
The sale of his .pictures follows the
sale of his house in New York, which he
ie Re oe to leave on account of his
1eA. As
J over $200, with the names of ‘artists, |
and the Renoirs) ft
Following is a list of piotures: Sihpine
prices, and names of buyers, acre
given,
Sty apsonpe and Wigures—Hendrick
Dirk Atay leg Vah. Elten; R. O. .
Haywa rR oe ae
ig Pigura yin “Sunshine—Aifred ‘Stevens;
Scott & Fowles....+
17—Portrait of a Girl "of “the: ‘District
Near Moscow; Age 15 Years—Vassill
Verestchagin; Herman Lowenstein...
18—Loch Linnhe—David . Young Cam-
eron; Scott & Mowles...-ces sense esnes
°0—Le Havre-Lotis Eugene Boudin;
Bérnet, agent oc. ..se-- ES s-
21—Broad Harbor View-—David- Senne
Cameren; Bernet, agent areca
23—The /Wise Men--Adolphe. Monticelli;
Seaman; agent ..-:.6..
24—-Maison et Canards--Claude "Monet :
Drand: MUeSh ois hoes wigietew ere aes eae
2h-—Automne sur la Seine—Claude
enet; Mrs. R. H. Lorenz, agent.... 9,
Tua Debacle; Serie des ‘Glacons; a
aa ave Monet; Durand one 10,900
27—Sentier dans Wile St. Martin, .
Vetheuil—Claude Monet; Durand Ruel. 7,000
98—Sentier dans I’Ile St. Martin a Ve-
theuik-Claude Monet; Knoedler & Co. 5,700
29--Le Matin, Temps brumeux, Pour-
ville—Claude Monet; Durand Ruel... 3,500
210
450
300
6.100
30—Falaise aux Petites Dalles—Claude
Monet; Knoedler & Co... sss. ..eee ese s 8, i
31—Champ de -Coquelieots; BHnvirons
de Giverny—Clatide Monet; Durand
ych5(-) SORE Gea he Oy y ua Mee Seek ee AQTOD
s2—Champ'.< d’ ‘Avoine—Claude — ‘Monet;
Purand sve! cvs ers ewes wows Cee SOM
$3--La Tamise, Effet ‘de Soleil : Water-
loo Bridge—Claude Monet; Knoedier
& Co Pe ee ee op eee eh eeeee ?
34—La Tamise, Hifet de “Soletl; Water- : |
Waterloo eheusdaaterk
ARON. Ts weg eed eee. chy
Pont. de Chari |
Gross—Claude Monet; E. R. Gaaoenelt: 9,600:
8t—La Tamise: Lé Parlement; Effet de...
Soleil—_Claude Monet; Knoedler & Co.14,100
57—-Le Soleil dans Je Brouillard, Lon- |
dres: Waterloo Bridge—Claude Mo-
net; ‘Seaman, agents... .eccesavee te he 8,100)
Pk—Les, Nympheas: Paysage d’Hau— '
Claude. Monet; Scott & Fowles........ 8,500
39—Venise: Palais da bse aes:
Monet; Durand Ruel. 6,300 |
40-—-V enisé: Palais Ducal--Claude " Mo- t
AS EROBICY 2) sik ss pon riagier +» 9,100
Palais Dueal, vu de San
net; A.
Gorglo—Claude Monet; Knoedler &
loo Fumees:
Monet; Seaman,
$5—Lai Tamise: Au
4{—-Venise:
CO Ais a asta bes 9
49-—Venise: Le Palais Datio--Claude
Monet?) DUPAHEe Ruel bias week ene Dy
48—Environs de Pourvillé—Pierre Aw-
guste Renoir; Durand Ruel........-.. 3,900
44a Seine a ky. aipelaiomaness Du-
Prnd Riek ernie segment te oleccutn care .11,700
Pe Conover sur la Seine a Bougival—
Ren ol} WDWrAyMEMENel cee Pace we ees ,600
ja Prairle—Renolr ;
RTO] on tei d Caatees Mialnsas eres
47-—Canotiers a Chaton--Renoir; Knoed-
ler & COST Nag eas ke Pala eres wrens 27,000
48--Printenips—Claude Monet; Durand
46—Dans
cen eer ee
the Hotel P
BRUGES 5 ics 5 etere WR nail O12 Si otatatalie Lyle Soe ecw ,500 |
49—Bords de la, Seine. a Vernoi—Claude
Monety) Durand Rueliws 6 cose ta ces «0 'D, 300) |
50-—Peupliers en Automne a “Giverny—
Claude Monet: Knoedtér & Co........ 6,000 }
51—Pemme et Enfant—Renoir; Scott & }
Aa RYT DESH gee Sais se Re eek tao ee 000
—Jeune Femme assise—Renoir; Du-
Band RUC a ios eee Shia aaah e Oe
538—Les Deux Soeur s—Renolr: Durand
FEEFEL: oS olaoa tess Meat viralie -d bie hole lege BU Rear ee 7,000
54--Femme a YOmbrellé “Renoir; “Scott
v& BOWES, 6 ce eect te ee . 6,200
55--lInondations a Moved itred: Sisley ;
3 Hedley 5M s Hiehitae vee ieaies + 6,300
56—-Pommiers en Fleurs: Temps gris—
Camille Pissarro; Lorenz, agent...... 8,700
$7—-Femme .sortant du Bain—Degas;
pastel) Durand Ruel o20. an ea aGate alee 6,700 |
5b¥—Danseuses Hoses—Degas; pastel; C,
Fla HAWS Se Sy aaa ae ae « 6,800
50—Matinee sur la Seiné—Claude Monet;
DUAR. Riel oe eu ee eee 9,000 |
6(—-La Tamise a Londres: ‘Les Ponts ‘de )
Charing Cross et de Weatminster—
Claude “Monet; Knoedler & ©o......:.. - t, 000
6i—-La Tamise a Londres: Le Pont de
Charing Whe aMed ahah Monet; Bernet,
agent
62--Les Nympheas;
orn geee
yee 8 ore ,
"Paysage a’ Eau—
Claude Monet; J. POMC ee heey on 1,100
(3-—-Bois d’Oliviers, gf SEH pees;
Mone.} Durand ‘Ruel... 5.6022). te ces, 8,000 |
64—Femme Decolletee (portrait de “Mme.
du Paty), pastel—Edouard Manet; Lo-
TANZ, -ABENt veel we aN ea - 4,500
65-—Devant la Psyche--Edouard “Manet:
Durand Ruel .
Sienna
names h
chases. ae sale will be ep:
be sold includ
masters, Sat
5
’
DE RhoA ps ea Ana S
bind pat Reka
ce. WAS large oné, inelud-
ae in the social wot d
both for the appear-
blade pietures and for
J Hitered when, Degas's
the Bath” appeared under
ights, but their smiles
‘to respect when it was
wn for $6,700. Renoir’s
_Chaton’’ sold to Knoedler
or $27,000 and Durand-
2400 for Monet's “Devant
pictures that ne for $200
s follo ws:
Bite; daistaaipe and
: ee ptiee Varga! Aig! 450
; stchagin. ‘Portrait of a
the District: Near Moscow; |
tein Cee ee a 200
ang Cameron, Loch Linnhe: ie
n Le “Havre; Otto, ‘a
(DCRR BIE. AChE AAA HEE teas
| ang Cameron. Broad ‘Har-
lew; Otto Bernet. Ngee: DS dan coy 500 |
olphe Monticelli, The Wise Men;
ey tay BRON ht Phin mdse oe B00
ae “Maison et Canards;
“Automne sur “la ;
4 R. H, Lorenz, agent...... 9,000
Bande Monet, La Debacle: Serie des |
' Glacons\a Vetheuil: Durand-Ruel..,,..:16,900
mC Naude Monet, Sentier dang |’lle St.
_ Martin, Vetheuil; Durand-Ruel......... G00
-
|e
Chaton: faced: & Co
art experts. There was |?
Some newcomers
cost ee esses seep eeees tee enero eeee
“@ Avoine
edler me.
fonet, ‘ta Baie “iia
Fumees, Waterloo.
. Seaman, agent........
. La Tamise, Au Pont
} ; BE.R: Cam ybell. ...4
eet, La Waviae. arle-
de Soleil; Knosdler & wee
Monet, Le Soleil dans le
Londres: Waterloo Bridge;
a ee ee)
nd-Rue
it Monst, Veni: Palais Ducal;
\ . Healey.. iS At EyasbigikuGiglt Oil tm wee eeane
ude Monet, ‘Venise, Palais Dueal,
de San Giorgio; Knoedler & Co....
spr pag ee Yeni se, Le Palais
MERIC ei ai oes he hres
ste Renoir, Environs de
arand-Ruel abet eh ued Jee
ste Renoir, La Seine ‘a:
Durand-Ruel ssa Neteais lariahat Ea d ane ew treed
uguste Renoir, ‘Canotlene a
iat laude Monet, Printemps: . Durana-
RIBS Al ade fie i sam meee Aha Can ant, ie gies
49—Claude Monet, Bords de la Seine a
Vernoi; Durand-Ruel..... SMe aad pie ee
| 50—Claude- Monet, Peupliers en Au-
tomne a Giverny; Knoedler & Co......
) 51—Pierre Auguste Renoir, Poesd hi
_ enfant; Scott and: Fowles sn eae,
5t—Pierre eauith Renoir, Femme a
lOmbrelle; Scott and Fowles......... Ep
55—Aifred’ Sisley, Inondations a Moret ;
GAT Stag & UTNE GRR pa HR ay eR SR HC NO ADR Eas
56—Camille Pissarro, Pommiers en Fleuws :
Temps gris; Miss RH. Lorenz, agent.
o7—Hdgar Degas, Vemme sortant du
PAE Sc LY UPI ERIE ess H's BREE So ailoua te wis
58—-Hdgar Degas, Lh nada Troses; C. H,
FEROS 50251 te diy seating st dis gata vee vod atelaa More (05 Pipes a
53—Claude Monet, Matinee sur i Seine;
Maran Rare sips 4a aes bee saat so eae co wha
60—Claude Monet, La Tamise a Eendres
Les Ponts de Charing Cross et de
Westminster; Knoedler & Co...... vet
61—Claude Monet, La Tamise a Londres :
Le Pont de Charing Cross; Otto Bernet,
ROT Veit ra Lou bia cer ale the wales Be ee eRe
62—-Claude Monet, Les Nympheas: Paysage
Gat sayy Bs SP OMCR 129 oH a nacre hs wie ieee
63-—Clande Monet, Boise ‘a’ Oliviers, Bor-
dighéra ; Duranda- PRE Lass val een ee Wicewiecs
64—Edouard Manet, Femme decollettee
(Portrait de Mime. dy Paty); Miss FR.
EEC Lioree’ agent ecg oc ocho ss ee eatoe
“66—Edouard Manet, Devant la Psyche;
PUP AT IRUCH si vale Cea hes ba ou lay coun ng 3
66-—Hdouard Manet, Portrait d’Homme¢;
APT AOE IO bil) 5 ns sas ale etd o alee lean bio Pe
67--Henri Harpignies, Boat, Stream and
Shore: Scott and Fowles \:.....0...).5..
68—-Theophile de Bock, Pool and Distant
Church; @, Bernet, agent.....0..665.5.5.
69-——-Hrederi¢k J. Wiley, Landscape with
PUaned th) CHIDDATA S 2ieisacserehaaeeaet
70—Jean Jacques Henner, Tete de Femme 3
Nc Ra IRE. ae Neat Soc AU S27 ge ARUN a ge mr PI A ee Oe
7i--Jean Gustave Jacquet, The Amateur
PIE Wer MOLE inca lNiid caw nilibsed: eae
72-—-Georges Michel, Landscape; T. E.
EDO ees Ana Retr cu meu a Ulery nue wikis tee ppg Wiedertheine
73—Gilbert Munger, On the Seite; Ar-
Liston) GALETIE Sas ee ones chloe tem iclod wih > Sa
76¢—Christoffel. Bisschop, Saying Grace;
FLOWEY y SOR ULSTER As tis eS iidhe Oa Nie wis deo oes
78—-Gustave Loiséau, Les Bords§ de
Eure: Le Matin; Durand-Ruel........
79—Jules. Worms, Spanish Dancers; M.
TS TOP TRULIA A ishien s eit ctolh wa Rees Gc eee as
8)--Maxime Maufra. Coin de Piage: 0.
Berrie. Ow Alii a les hol vacipey chee teleides Gus
82—Gilbert Munger. The Two Brothers:
Commoddére Art Gallery. 2 yess
$3--Thomas Moran, Venice; T. E. Hodg-
NSB ea Pe Met gh, vo edie eae edi dale die
$4—-Eugene Ver boeekhoven, The Dead
Lamb: I Berryman. 20.0... AP hae, Oe Biaetege
s9—¥rits Thaulow, La Seine en Novem-
bres: Oc Berebeliny ay Y.io sey ne tae by tae ses
hen EG he SOs a as ey Pe Aes
erate iiiet
rand- Ruel Puen ee iv basieele 11
anes
7,700
9,000
14,100
8,100
3,500
6,306
9,100
28,006
6,000
16,000
» 7,500
7,000
6,200
7,2
7,100
6,000
4,900)
12,406
1,606
eh A et ee. al
ee eee
aes St eae ected 2 tk :
u ee ee ee eee
; intemp i
“Bors ‘de la goines” M
ees en Automne,’ “
“come” Ot “Enfant,” “Renoir:
oe Femme Assise,” I :
wet eee
o¢
R, H, Doten SO ee ; ‘
eee eietan a ain. ‘fiiiaire
a urand-
tu ieee " dtale” Degas; pen
Pat USaaus Tees eas oe
4 uel webiesteessceecvnee ne ian Ee
aa me de Westintster)”
- Knoedler & -Co. ‘
i et ai RS "Londres,’” "Monet
The AGENT} sco k ho hacia ee eee
Nympheas,’’ Monct; B. Jones.
“Bois d'Gliviers, x Monet: Dintue hee
ae “Decolietee,”’ Manet; Miss R.
‘Peyent 1a Psyche,” “Manet: ’ Durand-Rhel - i
‘Portrait d? Homme,” Manet Durand-Ruel 1,€
“Boat, oe pus Shore,’ H peerrlenere i vr
Scott BWIOB i dina is eee a sige
“Poo) and Church,’ T. De ‘Boek Otto _
Bernet (agent) ...... Stu laTe & ares
‘"lete de Femme, iS Jean iT: “Henaer: “Hol-
a held, took, place in. th
far a erand. total ae Ssate 125.
biddin was very spirited. . There wa
land: Galleries ..:.... De aes OA pe
*“*“Amateur Abbe xa Jean G. "Jaequet; we
Burnett er eee ere eee eae eseoeee eee ee ewes
‘‘Gandseape,’? - Georges | “Michel: G. E..
Sra oO; 66 - Hotehkiss re ee ae ee 2 ee ea
rt B ne of these Ders. la Paaek . “On the Seine,’ Gilbert Munger; Adiogeaee
‘mocked down to the Durand-Ruel| G2 1eUe8 occa: gt Bisschobi’ WH." Sebi
{ot $28,000, while another went tol fl yszac*ae* pure 6.” Tahaan
ler & Co. for $27, “ DPurind-Buel..k. eee ett eaee Mi
* $27,000. The Femme ‘Spanish Dancers, Fules Worn rants MM
nfant fetched $16,000, which was paid eanenbaum ..... rae 6) ath
y Scott. Fowles, Gee aay ee
! i ‘
je een competition ror ene “Aria: i Sine
works of Claude Monet, especially for the “Venice,” Thomas Moran; T. E, Hotch-_
Fe kiss .
: examples of the ‘London group.” Of the | “The Dead Lamb,” BL " Verboeckhoven: he
i oe ie ifshest! price was paid for “as Seine én Novembre," i Frits “‘Thadlow!
; a a 'sye ce elsheim, ...... :
i vené, & painting of a pee large was the attendance that “for ‘the
Cope The same artist’s
pastels were.
also. exceedingly popular. (A Sisley, -“In-
_ Undations a: Moret,” fetched $6,300, ane
greater part of the sale persons ‘were
standing up on all sides of the.room. —
i g 2. The predictions that had been Gad
| Phan, Sania Bod OF wie about .the high prices which would be)
ete ‘bolight dor 1, rat of the canvases fetched by the Renoirs were fully justified.
Uae and-Minneapots ne museums in Boston As for the Monets, the figures showed}
Ee NEA! pietares a : that the competition for his work is bound}.
* + Reta Bie he brought more than to. increase rapidly in the future. His]
a4) irs S, the buyers and the prices London picture of the House. of. Parlia-|
eee at order, were:— ment, a study of sunlight, brought’ $14, 100,
NYS “Tandscay e,”’ A.D. K. Van Elten; R. O, tbe highest price’ of a painting by|
“Figure ah So crea a ee $215 douard Manet was $12,400, for “‘Devant
Pe Seott & Fowles. Alfred’ “Stevens; Ns Je, Psyche.”
ae Girl,’? “y.” Verestchaginy” Tit 450| . The sale will “be continued ‘tomorrow
hy el saaltatie, Py eae : eat py é | 300 | evening in the same place. . bs ’
Se TN vate acid
“Broad nots > “Dp, BO vnvosmaces iad $56)
oN ag agent . , ie: ! Cae ‘ee 500 .
: ES ey ine ei thant in ae Ia » re |
kemotnagighe A Montieeili We ye,
es intchg eon et Canards, 9 Monet: os Darana- 500
ar pate ea
ee kine la’ Seine 2 | Mone ie ian 6,100
“te Depa ne eth Dees: ++ 9,000
2 urand-R
agentier St. Martin,” Monet; a Ruel nies "Zeon
ae er a -Vetheuil, ah Monet; Knoedler
é fii, th
BORA Ais eas ceee z 7 VW
ie Matin, * Sope': pepe ye reese d bw (6
Cos
Nan euaeee Rew les ole
at Wie RP. ONS lesa eid gs ping dio
.
PRG NEL pO DRO 10,7
ae ; ip d’ Avoine, “Monet: Doses Ruel, 30,70
ee ea Shas
i , Tamise, Effet de ‘Soleii,>* ‘xgore is WI
1a Pamise, de" Chasing “Oro05,08 Migags 7270
Ta ee aes SERRE RIO oak s+.. 9,000
Khoedier &'Cor®,, Parlement." stonet; 1"?
Ay
ON FREE PUBLIC VIEW
FROM 9 A.M. UNTIL 6 P. M.
AT THE AMERICAN ART GALLERIES
MADISON SQUARE SOUTH, NEW YORK
BEGINNING FRIDAY, JANUARY 9th, 1920
AND CONTINUING UNTIL THE DAY OF THE SALE
HIGHLY VALUABLE PAINTINGS
OF STERLING ARTISTIC DISTINCTION
BELONGING TO PRIVATE COLLECTORS AND TO
SEVERAL ESTATES
TO BE SOLD AT UNRESTRICTED PUBLIC SALE
IN THE GRAND BALLROOM OF
THE HOTEL PLAZA
FIFTH AVENUE, 58th TO 59th STREET
ON WEDNESDAY AND THURSDAY EVENINGS
JANUARY 14th AND 15th, 1920
BEGINNING PROMPTLY AT’8.15 O'CLOCK
ILLUSTRATED CATALOGUE
OF HIGHLY IMPORTANT
OLD AND MODERN PAINTINGS
OF STERLING ARTISTIC DISTINCTION
BELONGING TO
MR. ARTHUR B. EMMONS, Newport
TO THE ESTATE OF THE LATE
THATCHER M. ADAMS, New York
TO THE PRIVATE COLLECTOR
MR. JOSEPH | F. FLANAGAN, Boston
COLLECTIONS OF THE LATE
MR. HENRY SAYLES ann MR. HARRIS B. DICK
BOSTON NEW YORK
AND OTHER ESTATES AND PRIVATE OWNERS
but Span ee, ™ x? Wie of
TO BE SOLD AT UNRESTRICTED PUBLIC SALE
IN THE GRAND BALLROOM OF
THE HOTEL PLAZA
ON THE EVENINGS HEREIN STATED
THE SALE TO BE CONDUCTED BY
MR. THOMAS E. KIRBY AND HIS ASSISTANT, MR. OTTO BERNET, OF THE
AMERICAN ART ASSOCIATION, MANAGERS
MADISON SQUARE SOUTH, NEW YORK
oe! Ree Te ee ce
. oS ae,
pS i
a < Faia
THE AMERICAN ART ASSOC
ALL DETAILS OF ILLUSTR
TEXT AND TYPOGRAPHY
1610
CONDITIONS OF SALE
1. Any bid which is merely a nominal or fractional advance may
be rejected by the auctioneer, if, in his judgment, such bid would be
likely to affect the sale injuriously. %
2. The highest bidder shall be the buyer, and if any dispute arise
between two or more bidders, the auctioneer shall either decide the same
or put up for re-sale the lot so in dispute.
8. Payment shall be made of all or such part of the purchase
money as may be required, and the names and addresses of the pur-
chasers shall be given immediately on the sale of every lot, in default
of which the lot so purchased shall be immediately put up again and
re-sold.
Payment of that part of the purchase money not made at the
time of sale shall be made within ten days thereafter, in default of
which the undersigned may either continue to hold the lots at the
risk of the purchaser and take such action as may be necessary for
the enforcement of the sale, or may at public or private sale, and
without other than this notice, re-sell the lots for the benefit of such
purchaser, and the deficiency (if any) arising from such re-sale shall
be a charge against such purchaser.
4, Delivery of any purchase will be made only upon payment
of the total amount due for all purchases at the sale.
Deliveries will be made on sales days between the hours of 9
A. M. and 1 P. M., and on other days—except holidays—between the
hours of 9 A. M. and 5 P. M.
Delivery of any purchase will be made only at the American Art
Galleries, or other place of sale, as the case may be, and only on pre-
senting the bill of purchase.
Delivery may be made, at the discretion of the Association, of
any purchase during the session of the sale at which it was sold.
5. Shipping, boxing or wrapping of purchases is a business in
which the Association is in no wise engaged, and will not be performed
by the Association for purchasers. The Association will, however,
afford to purchasers every facility for employing at current and
reasonable rates carriers and packers; doing so, however, without any
assumption of responsibility on its part for the acts and charges of
the parties engaged for such service.
6. Storage of any purchase shall be at the sole risk of the pur-
chaser. ‘Title passes upon the fall of the auctioneer’s hammer, and
thereafter, while the Association will exercise due caution in caring
for and delivering such purchase, it will not hold itself responsible if
such purchase be lost, stolen, damaged or destroyed.
Storage charges will be made upon all purchases not removed
within ten days from the date of the sale thereof.
7. Guarantee is not made either by the owner or the Association
of the correctness of the description, genuineness or authenticity of any
lot, and no sale will be set aside on account of any incorrectness,
error of cataloguing, or any imperfection not noted. Every lot is
on public exhibition one or more days prior to its sale,-after which
it is sold “as is” and without recourse.
The Association exercises great care to catalogue every lot cor-
rectly, and will give consideration to the opinion of any trustworthy
expert to the effect that any lot has been incorrectly catalogued, and,
in its judgment, may either sell the lot as catalogued or make mention
of the opinion of such expert, who thereby would become responsible
for such damage as might result were his opinion without proper
foundation.
AMERICAN ART ASSOCIATION,
American Art Galleries,
Madison Square South,
New York City.
i a ll cco a adil) sel Te Li pe Toe
i
P
FIRST EVENING’S SALE
eee oer JANUARY 14, 1920
IN THE GRAND BALLROOM
OF THE PLAZA
BEGINNING PROMPTLY AT 8.15 O'CLOCK
WATER COLORS AND PASTELS
GEORGE HENRY BOUGHTON, N.A., R.A.
AmeERiIcAan: 18384—1905 / / ;
1—RIP VAN WINKLE
Hoe (Water Color) LK. bi, Ze
Height, 1334 wches; width, 934 imches
Rip after his sleep, with long white hair and beard, clothing in tatters,
gun-stock falling to decay. Im fields on the outskirts of his village he
approaches two frightened little girls who flee with their dolls to the
arms of a young Dutch woman—she herself bewildered by his appear-
ance and questionings. Pine forests and the Catskills in the back-
ground.
Signed both at lower right and lower left, G. H. Boucutron.
From the collection of the late H. B. Dicx, New York.
LOUIS JIMENEZ
SpANIsH: 1845—
2 THE READER
(Water Color)
Vi Height, 1314 inches; width, 9 inches haber be Salle
An elderly and bewigged man of florid countenance is seated in a red-
upholstered wooden armchair, facing the front but turned slightly, as
he leans with his left elbow upon the chair-arm, reading a large book
which he holds in both hands. Plum-color breeches and a pale yellow
gown with brilliant floral embroideries.
Signed at the lower left, Louis JimENEz, Paris.
From the collection of the late H. B. Dicx, New York.
ALBERT HERTER
AMERICAN: 1871—
3—CLEOPATRA
xo & (Water Color) y, Wh. %. Vy, /
RIES 12 wches; width, 6 inches
Tue Egyptian in a more or less modern presentment, holding herself
with regal hauteur, is seated, entwined in gauzy garments of soft col-
oring, upon an exalted throne. A green asp circling her bare shoulder
mounts above her red hair, and at her feet are two black cats beside
a crystal sphere.
Signed at the lower left, Atpert Herter, 791.
From the collection of the late H. B. Dicx, New York. |
| ) -
GEORGE HENRY BOUGHTON, N.A., R.A.
: American: 1884—1905
4—“ICHABOD PRIDED HIMSELF UPON
HIS DANCING’—Legend of Sleepy Hollow
Vee (Water Color) Ah, Za Sp bbe :
Height, 181% inches; length, 17 inches
“Nor a fibre about him was idle * * * you would have thought St.
Vitus himself was figuring before you in person.” In a grayish room
of a spacious old house with plain wood floor and beamed ceiling—belike,
Van Tassel’s—a considerable company of young folk in Dutch Colonial
costume are gathered for a dance, to the strains of a colored violinist
with gleaming ivories. At the centre the black-clad Yankee school-
teacher trips the light fantastic with the belle of the evening, to the
disgruntlement of his florid rival, who clenches his fist behind him.
Signed at the lower right, G. H. Boucuton.
From the collection of the late H. B. Dicx, New York.
ery x
| CY \) F. HOPKINSON SMITH
AmeErRIcAn: 18388—1915
(Water Color) Mb tetth, digewh
Height, 131% mches; length, 2414 inches
5—VENICE
/GO 7
One of the famous ecclesiastical buildings of the Queen of the Adriatic
stands at the left, its palatial portal graced by statuary and blossom-
ing flowers, and peopled by a varied throng. Before a neighboring
palace gondolas, and back of it a campanile. Pale robin’s-egg blue
canal mirroring many soft hues.
Signed at. the lower left, F. Hopkinson SMITH.
From the collection of the late H. B. Dick, New York.
THOMAS MORAN, N.A.
American: 18387—
6-—VENICE
/b6-
Tux spectator looks up the Canal San Marco and the Grand Canal,
with the Prigioni, the Ducal Palace and the Campanile in soft coloring
and a diffused brilliance of lighting, on the right, the Salute group in
soft silhouette on the left. Before either shore, gondolas and sailing
craft, with canvas of rich color.
(Water Color) | ,
Height, 1444 mches; length, 24 inches O44 Py,
Signed at the lower left, T. Moran, N.A., 1889.
From the collection of the late H. B. Dicx, New York.
WILLIAM T. RICHARDS
| (, O Axrmnican) 1888-20008
"—ROCKY COAST
(Water Color) :
/, ut
60 t Height, 16 inches; length, 25 inches laaegel J
Ar left a deep blue sea and a flat horizon, under the darkening gray of
a stormy sky. In the foreground waves breaking and rolling in white
foam up a beach broken by rock shelves, and at right a great rock wall
which projects tall cliffs into the sea, white spume striking high against
them.
Signed at the lower left, Wm. T. Ricwarps.
From the collection of the late H. B. Dicx, New York.
HENDRICK DIRK KRUSEMAN VAN ELTEN, N.A.
e AMERICAN: 1829—1904
ra
8—LANDSCAPE AND FIGURES
(Water Color)
fot O-7v Height, 184% inches; length, 30 inches Ad . 0)
Tue fall air is raw, frosty the surface of rocks and tree-trunks; low-
hovering clouds seem ready rather to release snow than rain. Up a
hill road on the right a farmer drives his team and laden wagon, while
a wayfarer on foot holds converse with him. At left a stream and brush.
Signed at the lower right, KrusEMAN VAN ELTEN.
From the collection of the late H. B. Dicx, New York.
.; OIL PAINTINGS
las
—
} on
aw
—_—~
| a THEODORE CEDERSTROM
' | SwepisH: 1845—
9—A TIGHT CORK
(Panel)
Monen
IA So sd Height, 914 inches; width, 7 mches A MacocdGe/ A is
In a bright light which shines upon a white interior wall, a rosy monk in
brown habit is observed at three-quarters length, drawing the resistant
cork from a bottle of wine. He wears a blue apron and bends to his work
with grim purpose. Beside him a brilliant copper bowl stands upon a
carved wood chair which is within his shadow.
Signed at the upper right, Tur. CeperstromM, MUNCHEN.
From the Mary J. Morgan Collection, New York, 1886; No. 46. PGE
Property of Mrs. E. W. Bass, New York. J Vv U6 / (*)
7 ney WILLIAM BLISS BAKER
A | | J American: 1859—1889
10—THE WINDING STREAM: A HAZE
70 4 Height, 9 wches; length, 12 inches v4 : dnuadtleck
Into the angle made by a bend in a wandering creek a point of land pro-
jects from the right, bordered by trees that are all but leafless, and low
brush that shows some color above the shaded green of the grass at
its foot. A haze is in the air and before the sky, back of the trees is
a rough clearing, and the water surface shows various reflections.
Signed at the lower left, W. B. B. in monogram.
From the William Bliss Baker Sale. 9/p Cac*envied y 3 bec dé ée)
Property of Mrs. E. W. Bass, New York. ,
LEON RICHET
& Frencu: 1847—1907
\
| \* 11-LANDSCAPE WITH POOL
JOO7 ane AM lblubhines |
Height, 7% inches; length, 10% inches
In the foreground a blue stream spreading eccentrically within marshy
lands, colored with reflections of a variously clouded sky and of mas- :
sive and bushy trees standing on its farther verge. Leafage of the |
trees is warmed and enlivened by slants of sunshine which also lighten
fields of roughage beyond them, and near the edge of the water a
woman is standing, on the right, a red shoulder-scarf setting off her |
white peasant’s cap. :
Signed at the lower right, Lton RicHer.
From the collection of the late H. B. Dicx, New York.
‘
it O JOSE WEISS
; a BritisH: 1859—
12—LANDSCAPE
(Panel)
/KO + Height, 10 inches; length, 15 inches Al Abayuaed.
From high on the left a green hill falls away to a wandering stream,
which comes with some vigor of flow down through the centre of the
composition—here and there white, as the water tumbles over miniature
falls. The green bank at the foot of the hill is of rough land, a
single small tree grows on it in the middle distance, and in the right
of the foreground a larger tree bends its struggling trunk over the
stream.
| Signed at the lower right, JosE WEIss.
Purchased from Scott & Fowles Company, New York.
From the collection of the late H. B. Dicx, New York.
OO WILLIAM MORRIS HUNT ie
AMERICAN: 1824-1879
13—AN ANGLE OF SAN REMO Ay. fucbeamsre
S007 Height, 1234 inches; length, 14 inches
A sTREET scene without figures; an arched passage where daylight is
dim leads back to a narrow transverse street where sunshine mellows
the creamy walls which cross the line of the passage. There benches
with commodities stand at either side of a low doorway. Within the
passage the building walls are in low tones, reddish, brown and green.
From the collection of the late Henry Sayurs, Boston.
ANTOINE EMILE PLASSAN
Frencu: 1817—1903
14—PARENTAL PRIDE
I$0 x (Panel) OE ey |
Height, 105% inches; width, 83 inches
In a high-back winged armchair of carved wood, with red upholstery,
a young and buxom mother with blond hair and rosy cheeks is seated
facing the spectator, and looking down at the plump and partly nude
infant asleep against her breast. Leaning over the wing of her chair
the father looks on with placid concern. He is in black velvet with
white lawn and lace collar, and the mother is in a loose white waist and
blue flowing skirt, over which is spread a white drapery on which the
child rests.
From the private collection of the late ALBERT SPENCER, New York.
Signed at the lower left, PLassan.
Pye
ike
ha? ALS ALFRED STEVENS
Betcian: 1828—1906
\y 15—FIGURE IN SUNSHINE
4 NSO 7 Height, 111, inches; width, 81 inches Jette ie
HatF-LeneTH portrait of a blue-eyed young woman with reddish-blond
hair, standing in a porch doorway at the corner of a red brick house,
sunshine streaming down on her from the left and the green trees of a
garden or orchard back of her. She is in a rose-white waist striped
lightly in blue, and holds at her waist a bouquet of freshly gathered
flowers.
Signed at the lower right, AS (in monogram).
Accompanied by a certificate from the artist’s son.
From the collection of the late Henry Sayuezs, Boston.
HENRY A. FERGUSSON, A.N.A.
AMERICAN: 1842—1911
16—CHURCH INTERIOR
tor Height, 1514 inches; width, 1284 inches” LE, ttttbehies
SECTIONAL view of an interior of a church of rounded arches and bal-
conied clerestory, with square-based round columns having Corinthian
capitals, and a rich mosaic floor. An aisle leads straightway toward
a chapel with the effigies of saints over the entrance, gleams of golden
sunlight touching the walls, and at left is a glimpse of the nave. A
woman kneels before a crucifix, and two other worshippers appear.
Signed at the lower left, Henry A. Fercusson, 1875.
Property of Mrs. E. W. Bass, New York.
VAS SILI VERESTCHAGIN
Russian: 1842—1904
17—PORTRAIT OF A GIRL OF THE DISTRICT
NEAR MOSCOW ; AGE, 15 YEARS
fh 300 7 (Oval) A Loewtuctin
Height, 1414 inches; width, 1214 inches
Heap and shoulders portrait of a rosy-cheeked girl, her dark hair
parted in the centre, straggling over her ears and brought in a braid
over her left shoulder, as she faces the spectator with direct gaze. She
is in a light waist low at the breast, and her neck is encircled first by
a necklet of pearls, then by a heavy necklace of three strands of large
and brilliant red beads, the lower line intermingled with beads of green
and black, while a second strand of black and white pearls is inter-
polated. A further necklace of variegated jewels overlies her corsage.
On the back, stamp of the Verestchagin Collection.
From the public sale of the bee Collection, New York, 1891.
Catalogue No. 60. Wu haw me Celils gine
Property of Mrs. E. W. Bass, New York.
oH DAVID YOUNG CAMERON NN
BritisH: 1865—
18—LOCH LINNHE
LHO7 Height, 16 inches; width, 18 inches fight, Aro,
From the right, close in the foreground, projects a gray,-forbidding
cliff—at its foot a bit of green herbage and of light grayish be Ch in
the background, bare-topped mountains diminish in perspective, as they
cross the picture from left to right, beneath a grayish sky. And within,
between the mountain background and the jutting foreground shore,
the Loch lies—its great sea stretch a soft blue-gray and white, and
embracing in the middle distance a large island.
Signed at the lower right, D. Y. C.; also on the back:
Locu Liynug, D. Y. CamMEron.
From the collection of the late H. B. Dicx, New York.
KO JOHN ROLLIN TILTON, N.A.
AMERICAN: 1833—
(Panel) 7 ee hu. wer
Height, 11 inches; length, 181% inches
19—VENICE
Jo-+
Tue spectator looks toward the city’s centre from the water, with a_
group of sailboats blocking out the Piazzetta. Above the tops of the
sails towers the Campanile, and to right of them appear the domes of St.
Mark’s over the roof of the Ducal Palace, and below, the corner of the
Prigione comes into the picture. The sails of the boats lying in mid-
stream are rich but soft in color, pale red and yellow, with white and
neutral tones. Figures are seen aboard the boats, others ashore, and
at the left are gondolas.
Property of a Private Collector.
LOUIS EUGENE BOUDIN 1
Frencu: 1824—1898
| 20—LE HAVRE 0. bstouth,
NJ ZL Sb ¥ Height, 914 inches; length, 18 inches
A ass of shipping is depicted in the port, in part illumined by sunshine
coming through rifts in gray clouds before a blue sky, part in relative
shadow. Tall masts of square-riggers with sails furled rise high and
in places seem to present almost a tangle, above hulls white and black
and with touches of red and of cream. In the background the dark in-
determinate line of the shore.
Signed at the lower right, E. Boupty.
From the collection of the late Henry Sayurs, Boston.
_
DAVID YOUNG CAMERON |
Britisu: 1865—
21—BROAD HARBOR VIEW
Se (Panel)
OO 7
af Height, 13 inches; length, 16 inches 1 une, Lywk
From the left the sea sweeps in broadly and with placid majesty, mauve-
gray at eventide, matching the sky, between a narrow and low green
foreshore and a long, low point which puts out from the right in the
distance. A solitary yawl is seen far away. In the foreground, through
a break in the shore, the water pushes in pulsing wavelets: which ee
varying hues, relieved by the bubbling white of encircling foam.
Signed at the lower left, D. Y. Cameron.
From the collection of the late H. B. Dicx, New York.
LOUIS LATOUCHE
Frencu: 1829—1884
22—MARINE WITH FIGURES !
7, ip O-7 Height, 15 inches; length, 157 inches 1 /bt01th ? Agumh
A BLUE-GREEN sea, under a breeze but in slight motion, lightens its hue
in the shallows, and sends in choppy wavelets that break white on the
sandy foreground shore. Here a fishing-boat lies in a pool on the
sands, at low tide, a figure is seen aboard, and another approaches
from the right. In the offing are more fishing-boats, seen against a
pale sunset sky.
Signed at the lower right, L. LatoucHe.
From the collection of the late Henry Sayuxs, Boston.
i
=
ADOLPHE MONTICELLI /”
FreNcH: 1824—1886 | ae
23—THE WISE MEN
S007 Height, 15 inches; length, 18 inches Vis Heaearn legen
A croup of seven turbaned figures in costumes of splendor, variously
engaged. One on the right, in golden-yellow, faces the spectator, look-
ing across the shoulders of a companion in red and white who bends
forward and is seen in profile. Two near them are in conversation, one
wearing dark green and his interlocutor deep crimson and gold, and
beyond them at the left two others are examining a golden ewer, while
still another stands above them all, his back to the observer but looking
over his shoulder.
Signed at the lower left, MonrTicELu1.
From the collection of the late Henry Sayers, Boston.
A NOTEWORTHY COLLECTION OF WORKS BY THE
FRENCH MASTERS OF IMPRESSIONISM
CLAUDE MONET AND THE LATE
PIERRE AUGUSTE RENOIR
Being the Collection formed by
MR. ARTHUR B. EMMONS, OF NEWPORT,
RHODE ISLAND 4 :
CLAUDE MONET
FRENCH: 1840— RUN me
24—M AISON ET CANARDS
6/00 ine Height, 211% inches; length, 251% mches \
Parnrep in 1873. In the background a rambling farmhouse of spacious —
proportions, its cream-gray walls all but hidden from view by foliage, |
above which the warm reddish-orange roof stands out against an azure
sky, which is flecked with soft tufts of white cloud. In the foreground
a reach of a rippling stream—a liquid, chromatic mirror of foliage and
sky, with touches of the warmer color of the house roof. And at right
and left, in the water, ducks both white and of colored plumage. |
Signed at the lower right, CLaupE Monet, 73.
Property of Mr. Arruur B. Emmons, Newport, R. I.
CLAUDE MONET
Frencu: 1840— ( .
23—AUTOMNE SUR LA SEINE | y
Go00 = Height, 211/, inches; length, 283, inches v
Parntep in 1874. From left and right wooded shores converge in the
middle distance, narrowing the course of the silvery Seine, which is
whitened by reflections of all-pervading fleecy clouds-about the sky.
On the right, feathery trees, bushes and the grass are still green; on
the left, the woods bordering the stream are golden-yellow and flushed —
with pink. At both banks of the river, boats are drawn up, and in the
distance, where the stream broadens again beyond the converging
shores, the buildings of man in his settled civilization appear mistily,
on the farther bank, in a gray autumn haze. ,
Signed at the lower right, CLauDE Monet, 774.
Property of Mr. Arruur B. Emmons, Newport, R. I. —
e
al
Bi. AMOR AEDs
se
CLAUDE me A yw i |
Frencu: 1840— S
2>—LA DEBACLE: SERIE DES GLACONS,
A VETHEUIL
LO Goo : Me
nerd Height, 2334 inches; length, 839Y4 inches Z,
PainTED in 1880. From the right a range of hills recedes in perspec-
, tive, in the background, diminishing towards the left, the hillsides snow-
ve covered and streaked with bluish shadows, beneath a grayish winter sky.
ae A broad river forms the foreground, its cold, greenish-gray water dotted
(,0 with snow-covered ice-cakes drifting lazily, as the ice-sheet breaks up.
A 3 At the shore line tall poplars rise above russet underbrush, their green
@ spires mounting in some instances above the hilltops; and their lines in
o reflection accent the clear reaches of water in the river, between the
i \ov’ patches of broken ice.
\
Signed at the lower right, CLAUDE Monet, ’80.
Property of Mr. Arruur B. Emmons, Newport, R. I.
aed v
a fas ENR ee ge gn Al NY Sl ee (A en EE I OS TL LL. OL ELLOS i a I BR a A ER a
af ay
CLAUDE MONET we Ps 3
Frencu: 1840— WS ye
o7-SENTIER DANS L’ILE ST. MARTIN,
VETHEUIL
700 OST, Height, 3114 inches; width, 231 inches Mutand VET 4
Parntep in 1880. An early summer day of brilliant atmosphere, with
white and creamy cloud billows afloat in a turquoise sky ‘and banking
along a far horizon, beyond a range of verdant hills circling in from >
the left to the distance—the distance on the right blocked from view
by slender trees of fresh green foliage, which range mildly forward from
the right middle ground. In front, a green foreground warmed by
scarlet and crimson poppies in prodigal numbers, and the vestige of an
overgrown path through it. Beyond the poppy field, a middle distance
village in a valley, the village dominated by its rapa church. |
Signed at the lower left, 1880 CLAupE Mover.
Pravin of Mr. AxtHur B. Emmons, Newport, R. I.
Mow 2[, (9ol de S5l eee
CLAUDE MONET x,
Frencu: 1840— \ ob V
298 SENTIER DANS L’7ILE ST. MARTIN iS |
A VETHEUIL
F700 7 Height, 2834 inches; width, 2334 inches Jy, Ayocn/»
Parnrep in 1881. Poppies flourish at either side of a footpath winding
through a grain field, their rich red in relief against varied greens in the
4 foreground and enlivening golden expanses of ripened grain in the
UY middle distance. In the background, beyond an interrupted screen of
poplars rich in their foliage, a village and its dominating church, in a
valley bounded by agricultural fields, beneath a summer sky of gray
and creamy clouds in turquoise ether.
The composition is substantially the same as that of the preceding lot, of similar
title (No. 27), the present canvas depicting a day further advanced in the season,
and having been painted a year later than its predecessor. REY
Signed at the lower left, CiauvE Monet, ’81.
Property of Mr. Artuur B. Emmons, Newport, R. I. |
A Le p wl Mf bree al
CLAUDE - Yo ye
Frencu: 1840—
299—-LE MATIN, TEMPS BRUMEUX, POURVILLE —
25007
Painrep in 1882. On the left are tall chalk cliffs, imposingly sculp-
tured by Nature through the slow ages, and rich in soft colors as their
varied surfaces refract the sunshine, which itself is sifted and reduced
in the hazy air that overhangs the French coast of La Manche on a
summer morning. The cliff colors include greens and blues and golden
yellows, dulled, in the dimly vaporous atmosphere, to the soft, restful
hues of some of the precious and semi-precious stones. The cliffs put
out to a point, in the middle distance, and the in-curve of the shore to
the foreground reveals, in place of cliffs, shelves and low reaches of warm
reddish-yellow sand, while to right, from shore to gray-veiled horizon,
the Channel rolls lazily, a moderately troubled, emerald sea, with blue
shadows in the foreground mingling with sunlight reece of BE
ish-gold.
Signed at the lower left, CuaupE Nets 82.
Property of Mx. Arrnur B. Emmons, Newport, R. I.
Height, 2314 inches; length, 28%4 mches Nurand VI 4
CLAUDE MONET if
Frencu: 1840— A 3
30—FALAISE AUX PETITES DALLES | x
6006 - Height, 231% inches; length, 28°24 inches Nn. Sgocdli «
PainTeD in 1884. From the left an emerald sea in gentle motion puts
in to an open bight, and in the middle distance washes the foot of pre-
cipitous chalk cliffs which in their top conformation are almost archi-
tectural, presenting the appearance of a group of series of ridge-roofed
buildings. In the foreground the green water turns to blue, with silvery
washes, as it rolls in between small boulders to a flat, sandy beach which
itself 1s bounded on the right by more of the tall cliffs, their face a
wealth of variegated color. The flanks of the further cliffs, appearing
in sunshine, are rich and warm in colorful vegetation.
Signed at the lower left, CLaupE Monet, ’84.
Property of Mr. ArtHur B. Emmons, Newport, R. I.
-
‘
“
»
“eer
eh:
CLAUDE MONET
Frencu: 1840—
31—_CHAMP DE COQUELICOTS:
| ENVIRONS DE GIVERNY
10.7004
Height, 25% inches; length, 32 inches. llitand VIN4 |
Painrep in 1885. 4
Height, 32 inches; length, 364 siadias” Ny, Me) Eo i'w Ooi
Painted in 1903. Out of a foreground of blue water, dappled with
pale green, in the play of a subdued and struggling light upon its
ruffled surface, the towered mass of Westminster Palace rises in blue
and purple silhouette against a mauve and yellow-gray sky. Detail,
of this architecturally rich home of the “Mother of Parliaments,” is
lost, and only mass and low-keyed color stand forth in a dense, heavy
and dark atmosphere, which is broken high on the right by an arc of
a radiant sunburst, whose reflections of red and gold glorify, in con-
trast, a patch of the sluggish but moving river at the edge of the co
ground beneath.
Signed at the lower left, CLauDE Monet, 1903.
Property of Mr. Arruur B. Emmons, Newport, R. I.
CLAUDE 7 4 ve
Frencuo: 1840— w iy | ;
37—_LE SOLEIL DANS LE BROUILLARD,
LONDRES: WATERLOO BRIDGE .
d, VA 00 ez Height, 28°4 inches; length, 361% inches . j
9 denacas eel
PainTeEp in 1904. One of London’s great fogs, dense, deep, hangs over
the Thames, enshrouding this bridge which fascinated Monet as it has
fascinated other artists, French, English, American. ‘The bridge, its
traffic proceeding despite the fog, crosses the line of vision midway of
the picture—seeming almost a mighty, imponderable shadow, rather
than a formidable structure—its character made clear only by the
pale light reflected beneath its arches from the fog-obscured sun over-
head. The sun, bursting through the bluish fog, throws a broad streak
of weird light—a hot and strange, fiery yellow—upon the water in
the foreground; and to left of the light-path a waterman appears in
the obscurity of the fog, standing in his boat and peering forward.
Signed at the lower right, CLAuDE Monet, 1904.
Prope of Mr. Arruvur B. Emmons, Newport, R. I.
CLAUDE MONET |
Frencu: 1840— he
38—LES NYMPHEAS: PAYSAGE DEAU Vy
L500 oy Height, 38614 inches; width, 35 inches dell Z a
_ Parstep in 1907. In a pearl-gray stream, and amid soft grasses of
rich and delicate green, lie circular patches of the beautiful aquatic
plants, one of the several species of water-lilies, their numerous blos-
soms of rose and scarlet and white, and of rich purple, lying upon
spreading pads of their thick green leaves. Intermediately, mauve
shadows vary and relieve the soft and delicate, and also the richer,
colors, and blend the liquidity of the whole with the atmosphere and
with the more solid properties of the environment.
Signed at the lower right, CLAuDE Monet, 1907.
Property of Mr. ArrHur B. Emmons, Newport, R. I.
CLAUDE MONET
KY Frencu: 1840—
40-—VENISE: PALAIS DUCAL
Height, 82 inches; length, 8914 inches | rh es
F. /. OO 7 ug g Y > : : A
PartnTEpD in 1908. The Ducal Palace has the composition substantiall¥
to itself, the Prigioni appearing as an incidental detail on the right,
as the Palace is observed from the water off the Molo, with a part of
the Palace’s nearer, Piazzetta side, coming into view. The palace mass
is a soft old-rose and cream, aloft, the loggia and portico below appear-
ing as series of greenish and bluish shadowed recesses, the arcade being
illuminated at the ground level by golden flashes of sunlight. The sun-
shine turns again to gold and rose on the broad bluish-green water-
foreground, whose ruffled surface mirrors the palace reflection, beneath
a pale blue, nebulous sky. |
Signed at the lower right, CLAUDE NOSE 1908.
fone, of Mr. ArrHur B. PONS Newport, R. I.
eS eee
RES tn
guste Renoir from the Arthur B. Emmons collection stir
The works of Pierre Au
Above—“Canotiers a Chaton,” a Renoir, which brou
the most spirited bidding.
Photos by Murray Kendall Keves. courtesy American Art Association
This wonderful example of the work of Giovanni Antonio Canaletto, en-
titled “View on the Grand Canal, Venice” was knocked down for only $3,100.
It came from the Thatcher B. Adams collection
“La Seine a Argenteuil,” another picture by Renoir, was sold for $11,700. This was one of several :
by the same master in the Emmons collection.
Nicolas Maes was well
Tepresented in the sale
by this “Portrait of a
Cavalier,” which was
sold for $4,100.
Highest priced picture of the sale:
la Prairie,” by Renoir, sold for $28,000 to a pri-
vate collector.
From the Adams colleetion came this “Portrait of Sir
Archibald Campbell, K. B., of Inverneil,”
painted by George
Romney and sold for $4,55
The works of Pierre Auguste Renorr from the Arthur B. Emmons collection stirred
the most spirited bidding. Above—“Canotiers. a Chaton,” a Renoir, which brought
$27,000. , :
‘ Photos hy Murray Kendall Keves, sourtesy American Art Association
This wonderful example of the work of Giovanni Antonio Canaletto, en- t | ; age Highest priced picture of the sale: “Dans
titled “View on the Grand Canal, Venice” was knocked down for Only $3,100. ie ig la Prairie,” by Renoir, sold for $28,000 to a pri-
It came from the Thatcher B. Adams collection - al ree 7 vate collector.
; © C7
ns ete
Nicolas Maes was well
represented in the sale
by this “Portrait of a
Cavalier,” which _was
sold for $4,100.
_ © * ee
,700. This was one of Several
“La Seine a Argenteuil,” another picture by Renoir, was sold for $11
by the same master in the Emmons collection. .
: Archibald Campbell, K. B.,-of Inverneil,” painted by George
Romney and sold for $4,550.
From the Adams collection came this “Portrait of Sir
CLAUDE MONET /
iV ae
Frexcx: 1840— \ ere
NISE: PALAIS DUCAL,
VU DE SAN GIORGIO
Height, 251% inches; length, 8614 inches Wi Lytoe Liver
PaintTED in 1908. Across water shimmering with soft color beyond a
blue-shadowed foreground, the Palace of the Doges raises its full fagade
in pale rose toward a humid, misty, greenish sky, the architectural de-
tails being lost in the hazy atmosphere. At either side the Campanile —
and the Prigioni and neighboring buildings appear, but appear still.
further lost in chromatic atmospheric obscurity—the warmer colors
_ embraced within an envelopment of violet; and all, with the sky, con-
tribute with their subtle hues to the reflections playing upon the gently
moving surface of the water. .
Signed at the lower right, CLAuDE Monet, 1908.
Property of Mr. ArrHur B. Emmons, Newport, R. I.
CLAUDE MONET
Frencu: 1840— af \
42-VENISE: LE PALAIS DARIO aes
So oO Height, 26 inches; length, 82 meg .
Parntep in 1908. In the foreground the blue water of the Grand
Canal, its dapple surface turned gray and green with reflections of a
gray-white, clouded sky and the swamp-green of vine-clad and mossy
walls along the small off-shooting canal at one side. At centre and
left, in the background, closing out the sky, two palaces, the central
one of the title a creamy-gray, and its neighbor an old-rose, with win-
dow recesses and loggia showing purplish shadows. At the door of the
Dario a gondola. To right—across the small canal—the lower roof
of the neighboring building yields above it a glimpse of the sky.
Signed at the lower left, CLAaupE Monet, 1908.
Property of Mr. Artuur B. Emmons, Newport, R. I.
PIERRE AUGUSTE RENOIR ~ Bd
| J yy
FRENCH: 184119 7
: vy
43—ENVIRONS DE POURVILLE | iS |
7700 - Height, 18 inches; length, 21%4 eee, | Z, a
ParnTeEp in 1878. A landscape of the deep, rolling country behind the
cliffs of the charming Channel resort, Pourville—where English, whether
of Anglican or American accent, is in the summertime current with the
native tongue. At the left, high, green-clad, rounding hills, their flanks
sloping toward the right and forward, and their verdure thickening, and
becoming denser, in the descent. In the middleground, near the foot
of the slopes, cottages are almost buried within encompassing trees, and
in the foreground the trees and shrubs and vines become a very tangle
of luxuriant greenery.
Signed at the lower left, Reno, 778.
peasy of Mr. ARTHUR B. Emmons, Newport, R. 8
/ igh 1 an), Lh . a, 1 ah
/1.7004 Height, 2114 inches; length, 251% wy
PIERRE AUGUSTE RENOIR : V
Frencu: 184121919 ;
44—LLA SEINE A ARGENTEUIL \ .
PainTED in 1888. ‘Two young ladies out for a row on the river, in a
boat painted a vivid red, are passing a landing stage which projects
from the left foreground—a black poodle standing at the edge of it,
tail erect. The young ladies are in bright summer attire; one wears
a white hat, that of her companion is trimmed in scarlet. Beyond them
a black sloop with yellow spars lies at anchor in mid-stream, and on
the farther bank the red roofs and creamy-white walls of houses appear
amid trees gala with foliage of garden coloring. The surface of the
stream glistens in brilliant sunshine with polychromatic ripples upon a
bed of rich, deep blue, and the herbage of the farther bank contributes
further richness and variety to a color revel of effulgent atmospheric
quality.
Signed at the lower right, Renorr, 88.
Property of Mr. Arruur B. Emmons, Newport, R. I.
ag
PIERRE AUGUSTE RENOIR (2 y
Frencu: 1841—1919
45—CANOTIERS SUR LA SEINE A BOUGIVAL
PainTED in 1891. On the right in the middle distance a rude, informal
fence of brown slats, characteristic of French countrysides, runs down
transversely to the border of the river and comes to an end against a
pollarded willow standing at the water’s edge. In front of the willow,
seated in a heavy-ribbed brown rowboat lying against the deep, wild
grasses and reeds—green, yellow, bluish and brown—in the foreground,
a young woman turns her head from the spectator to look at other
people who are boating on the river, at figures in an orange-red row-
boat in mid-stream, paddling away through a cross-streak of pale gold
illumining a ruffled water-surface of deep azure dappled in silvery-
white. On the farther bank, in yellow-green grass between blue-green
flags and green trees and distant blue forests, are to be seen a figure,
and a creamy-gray country house with roof of red tiling.
Signed at the lower right, Renorr.
EGperey of Mr. ArrHur B. Emmons, Newport, R. I.
X
1000-7 Height, 21 inches; length, 251 nee Xe, L WA
£
PIERRE AUGUSTE RENOIR’ | or ma
Frencu: 1841—191
16—DANS LA PRAIRIE\ Qy ik
_ Height, 32 inches; dene 2534 inches
4 $e00-, : Nucaud
- Parntep in 1890. Two young girls in the heowae age, their hair hang-
ing down their backs,—the tresses of one golden, those of her chum
dark chestnut with golden lights—are seated on the soft and rich,
varied and luxuriant herbage of a rolling meadow, in the foreground,
facing a vista of upland country saturated with color and bucolic
charm. She of the golden tresses is in white, with a blue sash, and is.
seen profil perdu to the left, as she bunches some plucked daisies. Her
companion, nearer the spectator, is in a rose-pink frock, and is seated
with back to the observer. In the distance is a sheltered farmhouse,
and two figures are seen nearer at hand, in the meadows.
Signed at the lower one Reon
Bieniee of Mr. Arruur B. Emmons, Newport, R. I.
sigsemmnen ania
op ae or renee pena
4 foo Or Height, 821, inches; length, 8971/2 en |
AUGUSTE RENOIRN
| FRENCH: 1841—1919 (r
47—CANOTIERS A CHATON \
PIER
In the foreground the low, flat bank of the river, and standing there
in the deep yellow-green grass and the deeper blue- -green flags of the
water’s edge, two men and a young woman ready to go boating. — A
third young man has just thrust the pointed prow of his long, slender,
red skiff up among the reeds at the feet of the waiting trio, and rest-
ing on his long oars turns his face toward the bank and toward the
spectator. Out on the sparkling river, its rich azure silvered and
whitened in the broad and lively ripples of a breezy summer day, other
pleasure-seekers are exercising with the sculls, a working boat under
sail heads away to the left, and beyond her is a large cargo barge with
crew aboard, near the farther shore. Over there, creamy-white build- —
ings wath red roofs enliven the sunny background. | a
This is. probably one of Rengle s most important pictures; it was a favorite with
the artist, and he parted with it only in omy, recent years.
Signed at the lower right, Reson, 19
Prope of Mr. Waitara B. pees. Newport, R. I.
Ki Io “WORKS BY THE FRENCH MASTERS
> HF “ON IMPRESSIONISM
MONET, RENOIR, MANET, DEGAS, PISSARRO
AND SISLEY
The Property of MR. JOSEPH F. FLANAGAN, of Boston,
a Private Owner of New York, and from the Collection
of the late HENRY SAYLES, fee a
CLAUDE MONET wh
Frencu: 1840— re
b* f
48—PRINTEMPS \r |
2500 q Height, 26 inches; length, 321% inches
Aw expression of the vernal season in terms of delicate color and the
lines of grace, in an atmosphere balmy, fresh, and sweet with the re-
newal of vegetation, the fragrance of new growths on trees and ground,
all enriched by the energy and imparted vigor of a life-giving neighbor-
ing stream. The stream crosses the foreground, which it supplies on
the canvas, its surface dappled with soft lights from a morning sky
and with the colors of the bank which its waters gently lap. The bank —
is low and flat, as it traverses the picture, and is rich in lush grass green
and deep, and at the water’s edge grow two pollarded trees, outposts
of a grove of saplings which forms a screen across the middleground,
the open spaces between the slender, grayish trunks revealing a green
and brown hillside which encircles the composition in the background,
topped by distant bluish woods. Aloft the saplings’ foliage and that
of the pollards in front of them veil the sky, without excluding the
delicate light of a slightly hazy day.
Signed at the lower right, CLaupE Monet, ’86.
Purchased direct from the artist in 1888. 2
Property of a Private Owner.
CLAUDE MONET - gy
-FRrencu: 1840— : pag |
49—BORDS DE LA SEINE A VERNOI N ‘yr Z
£8007 Height, 231% inches; length, 32 inchs uF oe: ‘
Gauens in green, wild field, color in oad color on hillside and color in le
sky and water—an atmosphere shimmering in color, which enfolds all —
details of the composition. The sun is not visible, but his refracted
light splits upon the autumn foliage of dense wildwood at right and left —
of a sinuous river, marks blue daylight-shadows upon the slope of a_
, background hill, before which the chromatic woods project from cee
side toward the stream, and makes the stream’s surface rich as its wood- _
land borders, with its lighter reaches more delicately tinted by the
- faint ‘reflections of an iridescent sky. The plenitude of varying color |
is relieved by the full, rich green of the low bank of the river occupying
the left creeds
7 Signed at the lower left, Cuavpe Mover.
"Purchased from Messrs: Durand-Ruel.
From the collection of the late Henry Sayurs, Boston.
CLAUDE MONET
Frencu: 1840—_
50--PEUPLIERS EN AUTOMNE A | GIVERNY jes
Porxar trees, a bit of brush, a stream an the sky—and the cals of.
a garden of brilliant flowers. The tall, slender poplars, with tufts of
green and bluish foliage along their trunks, seem rather to flower than _ ,
to put forth leafage at their tops, where gold and rose and scarlet fi a a
sparkle in the sunshine, relieved by green and blue against a sky of.
mauve. At their foot the herbage is deep, with emerald tenes and blue a %
shadows, and notes of purple, and trees and brush and their polychro- ‘a
matic dress are repeated 1 in reflection in the river, which ee ay ss
forground. .
60004 Height, 391, Wl width, 25%) inches
Signed at the lower right, Criven Moxey, ‘91. =
Purchased from Messrs. Durand-Ruel. aa
~
From the collection of the late Henry Sayuxs, Boston.
PIERRE AUGUSTE RENOIR’ : sn
Frencu> 18411949
-51-FEMME ET ENFANT I oe
Height, 28/4 inches; width, “le nt oa
On a summer day brilliant with color, but with the He veiled and pee ie 3 2
fused by a soft haze and a fleecy gray sky, a young French mother, —
blue-eyed and very plump, is seen nursing her chubby baby under a
large tree beside a cottage. She is seated in a house chair placed on_ 4
the grass, and faces the left, with head turned toward the observer, and
_ she wears a blue skirt and a loose orange coat, and a yellow straw ba .
shaped hat. The child is in white, and with one hand grasps its small -
iPr foot. On the ground in front, a egies amuses itself.
Signed at the lower bets Reon, 86, .
| Purchased from Me essrs. Durand-Ruel. | | es
From the collection oF the late Henry Saytes, Dee )
PIERRE AUGUSTE RENOIR we ns
FRENCH: 1841—1919 a“ eae
52—JEUNE FEMME ASSISE
[00 4 Height, 2514 inches; width, 21 inches
A younc woman in whose red fee the sun’s radiance brings out golden
lights is seen at full length, seated and facing the left, en déshabillé.
Eneaged at some operation of the toilette, her head is inclined as she
directs her attention to the work, held before her breast. The intimate
garments of the boudoir, or the dressing-room of a stage, reveal arm > |
and shoulder and a portion of her well modeled back nude, and her — y %
limbs encased in rose, knees crossed and one foot resting on:a soft’ a
canary-colored cushion. Neutral background of bluish and creamy-
white wall and orange floor.
Signed at the lower right, enor |
Purchased from Messrs. Durand-Ruel.
Property of Mr. Josrru F. Fuanacan, Boston.
PIERRE AUGUSTE. RENOIR
58—LES DEUX S@URS 5
1000+ . ‘Height, 1814 unciea length, 24s ele eg
_ Porrrarrs of two plump and rosy- -cheeked young ‘Preneh girls, happy
and content, dressed for outdoors in the bland summertime and seen in "
a subdued sunlight. One sister is observed head and shoulders, her face \ am
in profile to the right and partly shadowed by the drooping rim of her
scarlet-trimmed white lace hat. The mass of her golden hair, caught
with a pink ribbon, falls back of her creamy waist which is adorned —
with floral sprays. She looks toward her sister, who faces the spec- _
tator and is seen at half-length, in a maroon frock and wearing a |
Leghorn hat enwound with mauve. Her abundant brown hair is decked
with a rose. | rl , Nahe gy
g Signed at the lower left, Renorr.
Piiniad in 1894, . Gare
Purchased from M essrs. Durand-Ruel.
Property of Mr. Joseru F. Frianacan, Boston.
/Frencu: 1841—1919 oF iw ee
ae
- an — a ee
PIERRE AUGUSTE RENOIR
Frenca: 1841—1919° aa
54 FEMME A L’OMBRELLE 'N
\ a
b6hoo-
Bust portrait of a young French woman with chestnut hair, and eyes
that almost match it, who faces the spectator from a sunny back-
ground of shrubbery, her eyes directed slightly downward and toward
her left. She is bare-headed, and carries a small black parasol lined
with white, which at the moment does not shelter her but rests, open,
across her left shoulder, the hand holding it adorned with rings. She
wears a light waist of creamy-white, vertically striped in delicate gray,
open at the throat, with the back-folding collar tied with a rose-pink
bow. }
Signed at the lower right, Renorr, 773.
Purchased from Messrs. Durand-Ruel.
Property of Mr. Josery F. Fianacan, Boston.
Height, 1814 inches; width, 15 inches fig. Iomteo
.
| as ALFRED SISLEY /
Frencu: 1840—1899 |
55—INONDATIONS A MORET po YA
ae Height, 211, mches; length, 29 2 a. 4. te j
(er Own the right in the foreground an earth road mounts a green bank a
the edge of a blue river, and follows along the line of the stream ath
a bend toward the left in the background, the course of the road taking
it along the foot of a hill. Creamy and gray houses with red roofs line
the water side of the road, in the middle distance, and others stand out
from distant woods. The usually placid Loing has risen in a freshet,
threatening to undermine buildings, near Sisley’s home town, and al-
ready submerging the roots of trees which spread bare limbs before a
windy blue sky swept by creamy-white clouds.
Signed at the lower right, Stsury.
pale 3%? |
Property of Mr. Joseru F. Fianacan, Boston. |, ‘ X gt Na
VAASN.
Painted in 1878.
Purchased from Messrs. Durand-Ruel.
Mensa
CAMILLE PISSARRO - 3
" Frencw: 1830—1908 s
PONMIERS EN FLEURS: TEMPS GRIS lye AY
F700 4 Height, 2334 inches; length, 29 inches iof U.K
re ;
On a gray, moist day of springtime an orchard of young apple trees
is depicted, their branches burdened with abundance of blossoms and
some of them leaning until they almost touch the deep, soft herbage
of rich and fresh green which surrounds them. They stand in a val-
} ley which occupies foreground and middle distance, and in the middle
| distance displays a plowed field, while in the background are outlines
| of a hill beneath the light grayish sky. Near the right foreground a
| peasant woman, standing.
Signed at the lower right, C. Pissarro, ’97.
Purchased from Messrs. Durand-Ruel.
Property of Mr. Joseru F. Fianacan, Boston.
HILAIRE GERMAIN EDGAR —
Frencu: 1834—1917 ©
57—FEMME SORTANT DU BAIN ; | ‘b Gs “
| OCP asteD)
$700; - Height 2914 inches; length, 30 inches flue . oy
A YOUNG ora rotund without pelne heavy is withdrawing from the
bath and observed in rear and lateral view, one foot on the floor and
body inclined so that the shoulder conceals her face, as she supports
herself with one hand resting on a neighboring chair-back. The figure
in its supple modeling and flesh tones varying with the light. is studied
with attentive eloquence. Bluish’ and white draperies overhang the
chair, a neighboring cushion is in golden amber ; variegated background.
Done in 1890.
Purchased from Messrs. Durand-Ruel. a a
Or
Property of Mr. Josery F. Fianacan, Boston.
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HILAIRE GERMAIN EDGAR DEGAS: ;
- Frencat: 1884—1917 ANN a
/' 58 DANSEUSES ROSES
\\ C Pastel )
S Be O01 °&Height, 331% cher width, 2314 Uses | a :
CH =
Four young women of the ballet in traditional costume are portrayed
engaging in a group manceuvre, lightly stepping, moving away from the
spectator and toward the left, all with hands raised high. The faces of
the rear two are seen in profile. The lithe figures are full of Action
while retaining assured poise. In the costumes. red: predominates, re-
lieved by soft tones of gold, and the very light takes reddish a *
strong. relief being furnished by a greenish drapery.
3 sie! at De lower left Deas.
Purchased from Messrs. Durand-Ruel.
Property of Mr. Josepu F. Fianacan, Boston.
/0000 - -_ . Height, 35 a length, 36Y%4 ey,
CLAUDE MONET N
Frencu: 1840— }
59-MATINEE SUR LA SEINE
Gretelete tre dense and tall, wilelt fp there upper branches ‘above 3
the limits of the picture; high up, as they thin a little, glimpses of a a
sky of deep azure are to be had through rifts in the leafage and in the
banks of white morning clouds screening the blue. At the foot of. the aa
trees the winding Seine, a mirror of the marvelous coloring which the ; i
painter’s eye saw in the foliage, these deep notes of- purple, green and
blue intensified by the white reflections of the clouds. On the be of
the river the trees of the left are repeated in| the distance. | te. fs ;
Signed at the lower left, Gate Moses, 1896, |
, a
Pipohnaea from Messrs. Durand-Ruel. :
Property of Mr. Josery F. Franacan, Boston.
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seg AO HN ca ID INTE OE! ON LL AY NEE ELE E NET OER LLL OILE SN OM OO II ALLO IE I CECT
! CLAUDE MONET | op A
FRENCH: 1840— 7 Ve "?
60—LA TAMISE A LONDRES: LES PONTS
DE CHARING CROSS ET DE WESTMINSTE
—@
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T0007 Height, 29 inches; length, 391% inches WM. Boo. _
Tue spectator looks up the Thames from a point in the stream below
Charing Cross bridge, which spans the composition in the middle dis-
tance, its shore ends not coming into view. Beyond it the arches of
Westminster Bridge are descried in a murky distance, with the towers
of the Parliament buildings discernible at the right, all but lost in
grayish vagueness. Through the darkening haze or fog which over- ;
lies the scene there radiates. by reflection from the river a lurid light,
strange, and except close to the water absorbed in the foggy blanket.
Within the range of its brighter Bh Es on the stream, river craft
may be made out.
Signed at the lower right, Cine Monet, 1904.
Property of Mr. Josrepyu F. Fianacan, Boston.
CLAUDE MONET |
Ma
‘Frencu: 1840—
61—LA TAMISE 4 LONDRES: LE PONT V
DE CHARING CROSS
< $2001 Height, 25°24 wmches; length, 40 wnches C btinth, A Y,
One of the artist’s English series in which the several bridges of Lon-
don figure prominently, one and another of them luring him to spread
upon canvas their fascination in the varying lights of London fogs.
Here the Thames occupies all the foreground, one might say all the
picture, scarcely the indication of a shore or buildings being made out
at left and none elsewhere. In the middle distance the span of Charing
Cross bridge in purple-gray silhouette makes a line of demarcation be-
tween a ruffled river gleaming with sunset lights and an obscure sky dark
with variants of mauve. Trains are crossing, and the smoke of their en-
gines adds still other color to the atmospheric vapor. On the river
three boats may be discerned.
Signed at the lower right, CLauDE Monet, 1894.
(bo Purchased from Messrs. Durand-Ruel.
Property of Mr. Josepu F. Franacan, Boston.
a ak eae ey oo Et RE
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CLAUDE MONET
Frencu: 1840— { “
e
ere ri af
62—LES NYMPHEAS: PAYSAGE D’EAU
\ 3 Ue O07 Height, 28% inches; length, 4134 inches J by Ki ,_ YOHCd
\ Tue entire picture is given to a portion of the surface of a pond or ¥
stream, and in the background its green-bordered edge, the roots of :
the dense grasses there limiting the composition, which is without di-
rectly visible sky. Instead, the celestial blue is reflected in the water,
: making there a cerulean ground whereon are reflected also the greens
| of surrounding grasses and unseen foliage. The water and its reflec-
tions are interrupted at intervals by pads of the beautiful aquatic .
plants of the title, their pink, yellow and white blossoms lying upon
leaves of pale green.
Signed at the lower left, CLaupDE Monet, 1905,
Purchased from Messrs. Durand-Ruel.
Property of Mr. Joseru F. Fuanacan, Boston.
Lea
Frencu: 1840— Vg ge
68— BOIS DOLIVIERS, BORDIGHERA
”y) O00O-1 Height, 26 inches; length, 32 inches VAP fa
LirERALLY a wood of olive trees, whose foliage reaches beyond all the
confines of the picture, which shows no sky but only the mystic green
: of the leafage penetrated by sunshine, the foil of the brown trunks sup-
; porting it, and a foreground of earth made beautiful by a varied
herbage and the eccentricity of the penetrating light falling upon it.
The foreground is low and shelving, with a dip toward the right and an
abrupt bank rising on the left, at the foot of which a broad path winds
into the wood. On the earth the play of light is warm and brilliant,
within the ever-varying foliage cool and warming by turns, in a fasci-
nating variance. |
Signed at the lower right, CLaupE Monet, 84.
| | Purchased from Messrs. Durand-Ruel.
: Property of Mr. Josepu F, Fuanacan, Boston.
Frencu: 1882—1883
SDOUARD MANET Zz Cie
\{ ry,
E DECOLLETEE
(PORTRAIT DE MME. D PATY
AKSOO at | (Pastel)
ot \ et] Height, 22 inches; width, 1314 inches Nit tt, Abecers igen
Busr portrait of a woman young yet mature, figure to the front and
Nae head turned slightly toward her left, in which direction her dark
ae hazel eyes are bent, her features expressing nervous vivacity, the
‘expression of her eyes contemplative. Her dark hair, loosely done,
falls well over her forehead. One side of her face is within a clear,
transparent shadow, the other in a high light which is shared by her
breast. Grayish bodice, edged and supported over the shoulders in
~ floral notes.
Signed at the lower right, MANET.
Purchased from Messrs. Durand-Ruel.
Property of Mr. JosEPH F. Franacan, Boston.
‘DOUARD MANET
Frencu: 1832—1883 ©
65—DEVANT LA PSYCHE s
Vd. KOO-+1 Hagia: 361% inches; width, 22 imches ha Va a
_ 'THREE-QUARTER length figure of a lady standing before a aretha mir-
ror and observed in back view. Her yellow-blond hair is wound about
her head, which her height causes to appear just below the arched top
of the mirror, which is framed in mahogany with ormolu mounts. The
creamy flesh of arms and shoulders appears above a pale blue corset,
which overlies a white underskirt, and the figure is seen in a strong” yet
soft light. Background a studied confusion of rich coloring,
When the canvas was purchased by the present owner from the Messrs. Durand-
Ruel, New York, the American Art News in noting the purchase said: “The picture
was painted in 1877, about the same time that Manet painted ‘Nana’, the heroine of
Emile Zola’s novel. The work is similar in composition, although the ‘Girl before the
Mirror’ is superior in color. The ‘Nana’ is in the Brussels Museum. ‘Devant la
Beye was originally in a noted collection in Paris, and has been exhibited in that
city.”
Signed at the lower right! Manet.
_ Property of Mr. Josepu F. Fuanacan, Boston.
# ¥DOUARD MANET ei wh
Frencu: 1832—1883 \ ee)
66—PORTRAIT DHOMME (“L-HOMME BLON D”)
( Pastel)
/b007 Height, 2134 inches; width, 1334 inches hw oe yf C 7
Heap and shoulders portrait of a youngish man with a somewhat
marked pursing of the mouth and rather retreating chin, looking to-
ward the left, his face seen a little more than in profile. He is of the
blond type, with pink cheeks and blue eyes, and light sandy-brown hair
which is matched by a beard of which he makes the most and a moustache
fully encouraged. He wears a black coat and a broad, loosely tied blue-
black cravat. Gray background.
Stgned at the lower right, Manet. |
Purchased from Messrs. Durand-Ruel.
Property of Mr. Josery F. Fuanacan, Boston.
PAINTINGS BY MODERN FRENCH, DUTCH, ENGLISH
AND AMERICAN ARTISTS
HENRI HARPIGNIES
Frencu: 1819—1916
67—BOAT, STREAM AND SHORE
ane Height, 12 inches; length, 17% inches ett, yo :
A ¥FLAT-BoaT with two deck-houses is moored, in the middle distance,
beside a yellow-gray shore, which broadly fills the foreground and
glistens in the sunshine of an all but cloudless day. 'The blue river in
which she lies courses between this barren reach of rough foreground
and a kindly farther shore, whose varied banks are green and wooded;
they show, too, the abodes of industry.
Signed at the lower left, H. Harvicenises, 792.
From the collection of the late H. B. Dicx, New York.
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a : THEOPHILE DE BOCK
] / DutcH: 1850—1904
| a 68—POOL AND DISTANT CHURCH ,
ba : ( Panel)
pa
Height, 1034 mches; length, 2114 mches Ohbeeuch, ti leper
ey us
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rp GREEN
.
MarsHuanp waters of the foreground are rich with reflections of their
bordering bank, crossing low in the middle distance, its colors con-
trasting with the light reflections of a clouded sky. The bank is green
and brown, and at the left is the edge of a low and dense grove, beyond
zs which in the distance a church raises its steeple above a low, confused
landscape. On the back an inscription in Dutch, in calligraphic let-—
tering, dated =v. 3, 1896.
| ; | From the es of the late H. B. Dick, New York.
* W722 - Uncteh, fore 4. fh. brill, be 908 ~
oF SOLA ~ Mee! 17.3.5 BAXKK
ag ; FREDERICK “ys WILEY
AMERICAN: CONTEMPORARY z
a -69—LANDSCAPE WITH FIGURES
| ~ by 5D 2 Height, 17 mches; length, 21 wches Ho ‘ thibud
_ Ar right in the foreground a single detached tree stands brown against
a turquoise sky which is heavily banked with white, creamy and gray-
ish clouds. At the tree’s foot, red-brown shrubbery raises its entangle-
ments above the coarse green herbage surrounding a white pool, at the
left of which stand two trees. Near them two figures are seen. Beyond
a middle-distance of velvet verdure, a cluster of farm buildings about a
brown-roofed house.
Signed at the lower right, WiLEy. é
From the collection of the late H. B. Dicx, New York.
JEAN JACQUES HENNER
Frencu: 1829—1905
70—TETE DE FEMME
JAFO ra Height, 22 inches; width, 15 mches Aotlaud baller " a
Busr portrait of a Magdalen creamy-white of skin, with the painted
touch of color in her cheeks, with rich lips and deep hazel eyes, and
blond hair variable in key according to the light and deepening to a
mahogany-red. She faces the spectator squarely, with the slightest
turn of figure towards the left, but with head slightly inclined, and
thoughtful gaze directed soberly downward. ‘The light is full on her
face and breast and her blue décolleté waist, and plays upon the edges ;
of her loosely flowing hair, which is brought forward over her shoulders
out of the dark neutral background. :
Signed midway at the left, J. J. HENNER.
Property of Mrs. Anna J. SCHOELKOPF.
ae
\O JEAN GUSTAVE JACQUET
Frencu: 1846—1909
71_THH AMATEUR ARTIST
tC J/O-7 Height, 29 inches; width, 23 inches hil faurndl-
A wavy of rotund features and full, liquid eyes, with a pink flower
tucked into her golden-brown hair, is seated in a high-backed chair up-
holstered in red and ornately decorated, beside a pedestal on which
stands a many-colored vase. She faces the spectator, her chair drawn
up to a red-covered table, and turns her head to look off toward her
left, while she holds open a sketching book in which two heads appear
and poises her pencil in her right hand. She wears a blue décolleté
waist and golden-yellow girdle, and a fur-trimmed jacket.
Signed at the lower left, G. JACQUET.
Property of a Private Owner.
We
GEORGES MICHEL
Frencu: 1763—1843
7 2—LA NDSCAPE
BaP Height, Lie chess length, 2394, chen Ab heli.
On a low frownd near the one of the composition, lok antl crooked
trees with dense foliage stand out against a gray-white sky, and curv-
_ ing around the mound a yellow-sandy field roads cuts it off from slightly
higher land on the right, where woods enclose a thatched cottage. In
the right qeroung the felled trunk of an aged birch comes into view.
Exhibited at the Boston Museum sor Fane Abe
From the collection of the late Henry SayLEs, Boston.
& STRICTED PUBLIC SALE
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\S AMERICAN: 1837—19038
73—ON THE SEINE
At O74 Height, 1734 inches; length, 254, inches a y
A COMPREHENSIVE landscape at once pastoral and sylvan, in’ sunshine
and shadow, with nature encompassing the abodes of men, man in pur-
suit of the occupation of his. existence, and animals thus support man.
The Seine, silvery in summer sunlight winds between shores of fields and
woods, passes a hamlet of white walls and brown-thatch roofs on the
left, and in the distance passes under the several arches of a white
masonry bridge. In the cool shade of the foreground a cowherd rests
against a tree, watching two cattle moving toward the river, and out in
the stream a fisherman is busy in his punt.
Signed at the lower left, GiLBERT MuNGER.
Property of a Private Collector.
WILLEM ROELOFS
DutcH: 1822—1897
74A—LANDSCAPE AND CATTLE
y, 1S 4
From the foreground a shallow stream or inlet indents green meadows
with marshy borders, the water surface a soft white with reflections
of a white and gray clouded sky, and at one edge of the stream lies
a flat-bottomed boat. Straight ahead in the middle distance a large
farmhouse with red-tiled roof lies beyond a hedge and within the pro-
tection of flourishing trees. To right are cows, with more of them
seen in farther fields, and in the hazy distance are towers of a Dutch
city.
Signed at the lower right, W. Rortors.
By order of the Executors of the late THarcHrer M. Apams, New York.
Height, 174% wmches; length, 264 inches tuiey Ill
JULES DIDIER
Frencu: 1831—
75—LANDSCAPE AND CATTLE:
ROMAN CAMPAGNA
LO af Height, 18%4 inches; length, 27734 inches He CLL
Fiexps of wild land, green, yellowish and brown, lie in a broad cloud
: shadow in the foreground, while distant fields appear golden in sunshine
~ in a valley bounded by hazy mountains. On a mound of the nearer
: middle distance are two gray cattle, and in the foreground a bird of
prey has just pounced upon a hare.
Signed at the lower left, Jutes Divrer.
From the collection of the late Henry Sayurss, Boston.
HRISTOFFEL BISSCHOP
ie Dutcu: 1828—1904
KC 76—SAVING GRACE
vA S0 Height, 2134 inches; length, 27 inches he fe g “fe f
In a household of piety an aged woman in black, seated aWa frugal
table, clasps her hands in prayer, and a younger woman facing her
pauses in her bread-cutting, lowering her eyelids. She is in quiet
colors, and a close white lace cap enfolds her light hair; at her feet 1s
a cradle. From a window at the left a filtered light warms the soft
colors of the room.
Signed at the lower right, C. BisscHopr.
From the collection of the late Henry Sayuxs, Boston.
CHARLES CARYL COLEMAN, A.N.A.
AMERICAN: 1840—
77—STUDIO INTERIOR: STILL LIFE
me ie Height, 21 mches; length, 314 inches bobs BK
Gray studio walls at either side embrace a broad window recess the
window woodwork dark brown, and through the many panes the eye
sees white and creamy clouds overspreading an azure sky. On the
window ledge and on a table before it are vases and musical instru-
ments,’and whole branches of brilliant blossoms from the vases extend
over the entire span of the window embrasure. At right the figure of a
young woman holding a ewer, posed in:garments of soft rose and blue.
Signed at the lower right, C C C (in monogram), Srupto, Capri, 1897.
From the collection of the late Henry Sayuezs, Boston. -
= AN dei DeehBin 7 ae Ee _— es
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LP GUSTAVE LOIshs a
: Frencu: ConTEMPORARY
\ '78-LES BORDS DE L’EURE: LE MATIN
; — LOO 1 Height, 26 inches; length, 82 wmches yi) A VID a
A sort morning light illumines a sylvan landscape which is itself soft-
ened by a placidly winding stream, a faint auroral pink still lingers in
and colors softly a pale robin’s-egg sky. The air vibrates gently with
delicate color, intercepted by darkening shadows. ‘The river enters
the picture at the left and passes out in the foreground, winding about
a small, low, grassy point. ‘The rounded elbow of its farther bank is
massed with trees, the foliage of those towards the left light green in
the sunlight, while in those towards the right the leafage shares the
light with variable shadows. Notes of color spring from the under-
brush and shrubbery, and add their variations to the reflections on the
water.
Signed at the lower left, G. Lotsrav, with a date not readily
decipherable (19097).
Property of a Private Collector.
= JULES WORMS
Frencu: 1832—1881
a ron ads}
1} 79-SPANISH DANCERS
Height, 23 inches; length, 31 inch -,
JOC 2 eg inches; leng inches 4. dt
A MERRY company, male and female, are gathered in a Spanish court-
yard, and are entertaining themselves with music and dancing and song.
In the background the gray wall of an inn, with projecting wooden
balcony and an arched doorway, and on the right a mass of creeping
and depending greenery, of vines in blossom. On a table in front of
these, with the sunlight falling upon her, a short-skirted girl in blue
dances lightly, while her comrades in costumes of varying color, crowd-
ing in doorway and against the wall and on the ground, seated and
standing, help joy along by smile or song or castanets, or by the music
of tambourine, mandolin or guitar.
Signed at the lower right, J. Worms.
From the late Henry Hilton Sale, 1900. KiKi. BHi00 7 teagh f Jtank
Property of a Private Owner.
MAXIME MAUFRA
~Frencu: 1861—1918 |
In 1895 he was made a chevalier de la légion Whonneur. His
work is represented in the Luxembourg, Musée de la Ville “f
Paris, Nantes and Rheims, Manchester (England), Chicago Art
Institute and numerous private collections. \
80—COIN DE PLAGE: BELLE-ILE EN MER ‘ |
LES ROCHERS DES KORIGANS, DINAN |
L004 Height, 26 inches; length, 32 inches O. husth, a
On the left massive rocks project into a greenish-turquoise sea whose
ruffled surface laps their base gently. Their sides respond to the action
of the elements in velvety tones of soft and varied color, and as they
approach the foreground rise in abrupt walls above the picture limits;
here and there on the steep walls bits of green vegetation have taken
hold. In the foreground the green wavelets break on a beach of warm
yellow sand, and in the distance the sea loses itself in violet-gray to
meet a clouded horizon, above which is a tint of rose.
Signed at the lower right, Maurra, 1905.
Property of a Private Collector.
J. FOXCROFT COLE
AMERICAN: 183'77—1892
81—_VENICE (After Ziem)
ISO 4 Height, 244% wmches; length, 3614 inches
ae
A copy of a Ziem composition in which sailboats with canvas of mellow
colors lie at right and left in the foreground, with the city spread out
beyond them, the Ducal Palace and the Campanile seen in the central
distance, the domes of the Salute far away at the left. Aboard the
boats are figures in colorful costume, and nets are hauled up for drying.
Signed on the back, J. Coin.
From the collection of the late Henry SAYLEs, Boston.
J
Se
YN
; GILBERT MUNGER
AMERICAN: 1837—1903
82—THE TWO BROTHERS:
FOREST OF FONTAINEBLEAU
4107
Height, 24 inches; length, 3314 GAY 5 Z y) (GY
Cuose in the foreground and standing at right and left of a shallow |
brooklet are two sturdy trees of similar proportions, except that the
one on the left projects some bare and blighted limbs skyward, while
all the branches of the other have their full of foliage. The trees stand
in a cloud shadow, their autumn leafage dark toward the spectator
against a creamy and hazy sky, which meets a flat horizon far away.
A mild autumn haze overhangs all the broad intervening fields of the
great Barbizon plain, distant village buildings and trees are seen here
and there, and occasional cattle, and in the middle distance stands a
white cottage, while before it a farmer and his dog are crossing the
brook.
Signed at the lower left, GiLnERT MuNGER.
Property of a Private Collector.
yo S) THOMAS MORAN, N.A.
AMERICAN: 18387—
838—VENICE
L004 Height, 22 inches; length, 37 inches Mb Adddbier
In the distance on the right the Doge’s Palace and the Campanile, and
opposite, the domes of the Salute, with a sunset sky beyond and the
buildings largely in shadow. In the Laguna, in the central foreground
a gondola crossing toward the right, and back of it a large number of
boats closely bunched, their sails a rich mass of color. Above them the
pale new moon.
Signed at the lower right, T M (in monogram, with a device).
By order of the Executors of the late TuHarcuer M. Apams, New York.
EUGENE VERBOECKHOVEN
Bewician: 1799—1881 —
84—_THE DEAD LAMB
Ge Height, 35 wmches; ‘width, 31 inches 1» XAlagman
In a BaGintancus country, with high rounded Les)! in the background
on the right, and lowering clouds over and beyond them, a horned sheep
is depicted in the rocky foreground, standing over the body of a dead
lamb. The sheep raises its head, and with mouth open is bleating sky-
ward. With background dark and middleground in a gloaming light,
a ray of sunshine falls upon sheep and lamb.
Signed at the lower right, EvcENE VERBOECKHOVEN, 1875.
Purchased by the late owner direct from the artist.
By order of the Executors of the late THatcurer M. Apams, New York.
JULES HEREAU
Frencu: 1880—1879
85—_FARM WORKERS RESTING : , 0 4
130 i Height, 2624 inches; length, 364 inches 0. eS: LAMAN
Frencu fields in summer sunshine reach back to the distance, cut along
the right by a line of trees which bends into the foreground and throws
it into shadow. Here in the cooling shade a shepherdess sits at the
foot of a tree, her flock gathered about her, and a. farmer sits on the
grass chatting with her, his team also sharing in the shade and one of
the horses nibbling at a branch of the tree. To right, haystacks and
the outskirts of a hamlet.
Signed at the lower right, JuLEs HEREAUv, 66.
Exhibited at the Boston Museum of Fme Arts.
From the collection of the late Henry Sayues, Boston.
GILBERT MUNGER
AMERICAN: 1837—19038
86—_WOODS AT CHEVY CHASE,
WASHINGTON, D. C.
Sbor7
wus 0
Height, 26 mches; length, 3614 inches Mp. LY, 4
Vi,
On the right, crowning a hillside which slopes leftward and toward the
foreground, dense trees at the corner of a wood raise rounded tops of
deep green leafage toward a blue sky laden with gray clouds. ‘Tops
catch the sunshine, which spots the grassy foreground in front of shad-
ows of the lower, nearer trees. Here two figures are standing, and in
the lower foreground the edge of a pool comes into view. At left, dis-
tant rolling hills in sunshine.
Signed at the lower left, GirBERT MunceER.
Property of a Private Collector.
L. LEE ROBBINS
CONTEMPORARY
87—_PORTRAIT OF A LADY
VL ad Height, 434 inches; width, 25 eee fA Ma
‘THREE-QUARTER length standing figure of a blue-eyed young lady with
Titian hair, facing the front, turned slightly toward the left. She
wears an enormous black hat, with widely flaring and turned back
rim, fluted and irregular of outline, and a long black cape clasped over
a décolleté waist, with a pink rose at the corsage. Below, her skirt
of rich blue comes to view, and in her ungloved hand she carries a book.
Signed at the upper right, L. Ler-Roxgsrys, 1894.
By order of the Executors of the late THatcHER M. Apams, New York.
JOSEPH AMES, N.A.
AMERICAN: 1816—1872
88—_THE MARSHES
170 “ Height, 2814 inches; length, 44 inches tb, berle
SuUNsHINE and low drifting masses of thin gray cloud vapor give a
broadly mottled effect to the flat surface of expansive lowlands, which
reach to a far horizon, bordered in the distant right by low dark green
woods. Meadows and marsh lands and a plowed field are golden, green
and brown, cows are here and there, and at right a farmhouse nestles
among trees.
Signed at the lower right, J. Ames, 1869.
- From the collection of the late Henry Sayuxs, Boston.
FRITS THAULOW
Norwecian: 1847—1906
89 LA SEINE EN NOVEMBRE
Lh Height, 29 inches; length, 46 inches able
A Broan view of the river with its swirls and eddies carefully studied,
in the gray afternoon of a hazy fall day. Green and white and with
sundry varied hues, the water fills more than two-thirds of the picture.
In the background city buildings come to view in the haze, and lights
appear in them and along the quays—along one of which are seen trees
in autumn foliage—and the lights continue across a bridge which spans
the middle distance. In the foreground a river steamer filled with
people.
Signed at the lower left, Frirs THautow, 92. Signed also
with date and title on stretcher.
From the collection of the late Henry Sayuss, Boston.
FREDERICK J. WILEY
AMERICAN: CONTEMPORARY
90—WOODLAND LANDSCAPE:
SUNSHINE AND SHADOW
if 70 q ‘ :
Height, 30 inches; length, 40 inches tat Ipclecr
SUNSHINE and shade, woodland and clearing, in the deep coloring and
the brilliance of autumn. Woods are at either side of the picture, deep
green at left, lightened on the right, and within the shadowed foreground
of lush herbage and brown lies a dark pool with a single light reflection.
- At either side in front of the woods are tall detached oaks with leafage
brown and yellow. In the central distance, more trees in golden sun-
shine, and a figure where shade and sunlight meet.
Signed at the lower right, WiLEy.
From the collection of the late H. B. Dicx, New York.
SECOND EVENING’S SALE
ete PANUARY 15, 1920
IN THE GRAND BALLROOM
OF THE PLAZA
BEGINNING PROMPTLY AT 8.15 O'CLOCK
ALEXANDRE GABRIEL DECAMPS
Frencu: 18038—1860
91-_THE HUNTER
FS (Gouache Drawing) K Maaguean
Height, 74% inches; width, 5 imches
A nunTER homeward bound is portrayed in a wild country, toward
evening. He comes forward at a swinging gait, his two dogs in leash
trotting at his side, gun slung within his elbow, an intent expression
on his rugged features. Done in black crayon, with fixative, on a
sepia ground, and with touches of white. a
GERMAN: 1828—i1899 \ :
1083—W ALLACHIAN POST STATION
(Panel) > J, /
/KOO 7 Height, 81/, inches; width, 61/4 inches A A
Tue corner of a rude but firmly built rustic cabin with thatch roof pro-
jects from the right, receding to a fence which encloses its door-yard.
Snow clings to the roof, and covering the ground blows toward the foot
of a single, solid wooden door which is closed. A lone horseman, swarthy
of hue and heavily clad, mounted on a short sorrel stallion, has ridden
to the door and raps on it with the butt of his whip.
Signed at the lower right, Av. ScHREYER.
Purchased from the late William Schaus.
From the Mary J. Morgan Collection, New York, 1866; No. 60. BIIS04
Property of Mrs. E. W. Bass, New York.
LUDWIG KNAUS \/
GERMAN: 1829—1910
10A—THE CITY GIRL
/ ISO 1 (Panel ) Step Ft.
“Height, 10 inches; width, 71% inches
Bust portrait of an affable young lady of full development, figure
slightly to the right and face turned toward the left, observed in a soft
and diffused light before a neutral olive background. Her light chest-
nut hair is fluffy in front, and wound in a braid over the back of her
head. Her cheeks are rosy, and their dimples and the Cupid-bow lips
and blue eyes present a gracious smile. Plum-colored décolletté waist in
flowered pattern, with corsage edged in white.
Signed at the upper right, L. Knaus, ’77.
Painted to order for the late Samuel P. Avery of New York.
From the Whitney Collection, New York, 1885; No. 212. Yo few 1“ OF
Property of Mrs. E. W. Bass, New York. Catalogue
ttn OUAS
‘ ‘
ADOLPHE MONTICELLI
Frencu: 1824—1886
105—DANS LE JARDIN :
P 1
WEA ae
Height, 884 mches; width, 584 ma
In a clear and sunny spot in a great park, four ladies are assembled in
afternoon conversation, casually engaged, and are observed against a
background of brownish woods; glimpses of a blue sky are obtained
above sturdy branches and through clefts in the dense foliage. Of the ‘
ladies, who are all standing, two face the observer, their features appear-
ing in sunshine and dappled with shadows, one lady is seen in profile to
the left and one in rear view. Their costumes are scarlet and gold, with
a foil of dark neutral tones. Beside the group, at right, is an urn of
blossoming flowers. (On the back of the panel is a lively sketch of sev-
eral figures, by the same artist.)
a a ee
thei ae
Signed at the lower right, MontTICcEL4.. —
From the collection of the late H. B. Dicx, New York.
WILLIAM MORRIS HUNT
AMERICAN: 1824-1879
106—OUT IN THE COLD
Hh b O77 Height, 121% mches; length, 1414 inches ik boo feu/
A LIGHT snow covers a sloping field, with the green suggestion of the
covered grass retained, and at the head of the slope, at the right, the
brown trunks of a group of trees stand out against the red of a winter
sunset. In the foreground a small boy well muffled up drags homeward
branches of firewood.
Signed at the lower right, Wm. M. Hunt, 1864.
From the collection of the late Henry Sayurs, Boston.
DAVID YOUNG CAMERON
Britisu: 1865—
107—_MOUNT AINS
| (Panel)
HO 7 Height, 13 inches; length, 16 inches pal; ae
PEAKED mountains with jagged inclines rise bleak and barren on either
hand, their slopes appearing brown and purplish against a sky veiled in
light vaporous clouds. In the middle distance, as the eyes look up a bit
of a drear, unfriendly valley, a rough and low outpost of rock gleams,
light gray and white in sunlight, and at its foot in the foreground comes
to view the only bits of verdure the landscape presents—rough patches
of green grass.
Signed at the lower left, D. Y. CAMERON.
From the collection of the late H. B. Dicx, New York.
LEON AUGUSTIN LHERMITTE
Frencu: 1844— 7
108—LANDSCAPE WITH SHEPHERD,
| : FLOCK AND WINDMILL
Yoo Tt (Pastel) vam
Height, 13814 HE: length, 1714 mches v
a
Grazine fields and fields of Seeing! land, rolling, low kb He Ss,
reach to a village of clustering red roofs, and its dominant church. The
_ foreground is within a cloud-shadow, and here a shepherd is at the
head of his flock, and at left a gray windmill stands in imposing isola-
tion. Sunshine illumines the farther fields and a haystack there, and
the village beyond.
Signed at the lower left, LuERMirre.
From the collection of the late H. B. Dicx, New York.
JIN 10 Baugh furres lirur0ed Saladin, bo fa ay Se
Sold. hifch £27 1908 ~ BAAKK =
a hie Ge ; ee. eee, S.C eA a ay ep ee ee
HENRI HARPIGNIES-
FRENCH: —1819—1916
109 LANDSCAPE e
— (Water Color)
[00-7 a Height, 652 inches; length, 1014 inches a Leaglak |
AT oa Fl left. and in the distance are creamy and gray farm build- |
: ings with red tile roofs, and in a rough, climbing road between them, with a
| verdure at either side, are two small peasant figures and some Nomndeang ;
chickens.
Signed at the lower left, H. Harrientes.
From the collection of the late Henry SayLEs, Bogen
ELIHU VEDDER, N.A.
AMERICAN: 1836—
110—CONSPIRACY OR CONFIDENCES?
/$0- Height, 1534 inches; width, 1014 inches Be fbuegwcan f
Portrait figures of two men, at three-quarters length, a group segre-
gated from a larger composition. ‘The men are in the rich and colorful
apparel of the days of ruffs and slashed sleeves, and are in earnest con-
versation. One, a dark, bearded man with brows knit, faces the observer
and listens dubiously but intently to a ruddy and sandy comrade of
Falstaffian figure, who is seen a little less than in profile facing the left.
Conventional background of architecture and landscape.
Signed at the right, midway, on the pillar, E. VeppER.
From the collection of the late Henry Sayues, Boston.
WILLIAM P. BABCOCK
AMERICAN: CONTEMPORARY
111—AT THE MIRROR
Go a” é Height, 1734 inches; width, 18 inches te Mee i ii
THREE-QUARTER length figure of a plump, rosy-cheeked and red-haired
young peasant girl, standing in profile to the left before a small mirror
which reveals her full face. She wears a red and green plaid dress and
a red shawl.
Signed at the upper right, W. Bascock, °57.
From the collection of the late Henry Sayuxrs, Boston.
FOOT
DAVID YOUNG CAMERON i
Britiso: 1865— tS,
112—BEN LEDI: SUNSET
Mounrarns rise dark and in sharp outline against a light creamy sky—
a sunset sky of pale canary or of palest gold with the slightest sugges-
tion of green. Aloft a single dark streak accents the gold, and at left is
a tinge of mauve. In the flat valley of the foreground a few trees and
shrubs appear dimly, in their modest share of the reduced light reflected
from the sky. :
Signed at the lower right, D. Y. C.
From the collection of the late H. B. Dicx, New York.
GILBERT MUNGER
AMERICAN: 1837—1903
1183—FOREST OF FONTAINEBLEAU
(Panel) :
oJ / O- Height, 15 inches; length, 18 inches ff y, : Sool,
Across a foreground of green herbage, dark in forest shadows and en-
circling a small and silvery pool, the visitor looks through a broad
umbrageous arch which is also deep green in its own shadow, to an area
of the forest land flooded with sunshine, and on to a vaporous turquoise
sky tinged with soft cream-white and delicate mauve. Out in the
sunny area are lines of short trees in the colors of the early autumn,
with a clear vista down the centre of the plain in which they stand, and
at the edges of the shaded arch bright shafts of light accent the silver
trunks of birches. Two women in the sun are binding up fagots, and
a third is resting in the shadow of a tree.
Signed at the lower left, GrrnERT MuNGER.
Property of a Private Collector.
Height, 13 inches; length, 16 wa fF Abawaheaus)
AUGUSTIN THEODULE RIBOT
Frencu: 1823—1891 ;
a
114—THE YOUNG CELLARER
at
/b60 4 Height, 18 inches; width, 1434 inches dy h de y ;
In dim and spacious caves, with high round arches in which the shadows
are deep, a blond and stout young man in loose white shirt and blue
apron stands facing the observer, and holding up to the light a wine -
bottle, another bottle in his other hand held at his side. More bottles
are on the floor, and in the background, behind a vat, an assistant is seen ’
with another bottle. 2 :
Signed at the lower right, Risot (with date 1868?).
From the collection of the iate Henry Sayues, Boston. i
y
JOSEF ISRAELS
Dutcu: 1824—1911
115_IN THE GLOAMING
: (Panel)
ZA 150 as Height, 18 inches; width, 1484 inches M4. M b- Jehuwab-
Tue last tinges of sunset linger in a clouded sky, against which are seen
the slowly darkening trees about a Holland farmhouse and its outbuild-
ings. In front of these a fenced-off green lot shows a spot of color in
a mound or two of hay at the left, and in the foreground two peasants,
a youth and a maiden, lean against the heavy rail fence, edging together
in sympathetic twilight proximity and peace after the individual labors
of the day. He is in his shirt sleeves, and both are in sabots; she wears
a white Dutch cap and her arms are folded.
Signed at the lower right, JosEF IsRaELs.
Property of Mrs. E. W. Bass, New York.
WILLEM MARIS aa
Dutcu: 1844—1910
116—DUCKS .
/1004 Height, 14 inches; width, 10 inches Loot. -Siible ;
Ducks on the wing and ducks placidly swimming, their plumage glisten-
ing in the soft and diffused light of a slightly hazy day. ‘They are seen
above and on a silvery stream which from the foreground courses almost
straight back to a hazy distance where gray windmills are descried. To
left of the stream leaning willows line its bank, and to right of it are
lush green meadows.
Signed at the lower left, Wittem Maris.
Purchased from Messrs. Knoedler & Co. .
From the collection of the late H. B. Dicx, New York.
!/ 753, hsedeh po Ip. heott Lhurbe) db-typgog, BARKX *
SNA, ja A & Man den av b/ig bs BASKK
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DON RAIMUNDO DE MADRAZO
SPANISH: 1841—
117—_UNMASKED
(Panel )
a? 75- + Height, 29 inches; width, 1614, inches KU Npyoctllev ms Vi
FuLL-LENGTH portrait of a complacent beauty with easy smile, décolleté
waist with shoulder sleeves, and short skirts, carelessly seated upon the
arm of a carved gilt settee, and glancing dreamily over her left shoulder
as she faces the spectator. Throat and hair banded in red, she wears a
dark velvet bodice, buff-brown skirt, and underskirt striped in brilliant
red and edged with lace flounces. She is pleasantly fatigued, and on
her lap rests the black face-screen from a bal masqué.
Property of Mrs. E.,W. Bass, New York.
\
WILLARD LEROY METCALF
AMERICAN: 1858—
118—_MOON LIGHT
¢
I SEO 7 Height, 26 inches; length, 29 inches ELLA
Bacx of a white rail fence which stands on the far side of a roughly
broken country road a tall and roomy farmhouse looms against a star-
lit sky, and its white face is traced with the shadow-branches of a grace-
ful tree standing in front of it, outside the fence, the whole landscape
being bathed in soft moonlight. In a corner of the house sheltered by
bushes the mellow glow of an interior light appears.
Signed at the lower right, W. L. Mercatr, 1906.
From the collection of the late Henry Sayuxrs, Boston.
J. FRANCIS MURPHY, N.A.
; eee ee 1500— -
119—SEPTEMBER AFTERN OON
S000 3 Height, 14 inches; length, 19 neh th Ww
A Broap green meadow spans he foreground, dotted with/notes of field
flowers and the hint of a silvery rill. At the left is the dark edge of a
green wood, with a line of slender saplings standing as sentinels before __ 4
it. In the distance are agricultural fields, and farm buildings, and at the 4
right is a low, bush-covered hillside, the whole under a sky aoe with
the drifting clouds of September showers. |
"Signed at the lower left, J. FRANCIs Mase. 99.
From the collection of the late H. B. Dick, New York.
JOHN SINGER SARGENT, N.AJ RAG aes
ree GNnee hice 1856— ee a
~ q
120--SKETCH OF A LABORER
yr g Ae Height, 3014 inches; width, 25 inches
*. THREE-QUARTER length figure of a man of an type, daly Fouled 4
a black hair overhanging his brows, standing with his back to a light gray
wall and facing the left, three-quarters front, with his head thrown well
back. His eyes are narrowed and leveled, as though scrutinizing some
piece of work with judgment and care. A brown cloak hanging on his
right shoulder falls away from the left shoulder, and is brought around
under the left armpit, leaving the left shoulder and breast nude. The
flesh is creamy and supple, in‘a broad, warm and variable light. With
bare arm akimbo, the left hand rests upon his hip; (the right arm and
hand not visible). On a wall-shelf and wall beyond eat a plate and
classical pottery pitchers, gray and blue and ereen.
| From the collection of the late H. B. ‘Dicx, ven York.
W966 4 Boughh Armes taguat crack VE hei fa Tare tal 5.
NSA te fo. bik ME PEOS 1
Theo pectin. wae cnh hrs bec to J. S$. b: nk
falon and re Tos SH! 7 4 j
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GEORGE INNESS, NAL
AMERICAN: 1825—1894 |
121—SUMMER LANDSCAPE WITH FIGURES
J/KOO 7 - Height, 10 inches; length, 14 inches 4 re,
Ar right on the edge of a green clearing are handsome birches of noble”
proportions, and seated in the sunlight near them, at a large log, are
two persons in conversation. The foreground is in shadow, and herea
turn of a brook comes into view. At the distant left a load of hay is
being driven down a road vane amid finely flourishing green trees.
Exhibited at the Roo Museum of Fine Arts.
From the collection of the late Henry Sayizs, Boston.
MARTIN RICO
SpanisH: 1850—1908
122—FISHING PARTY: THE RIVER SEINE
LO 7 Height, 15 inches; length, 2244 snchen 4. O. Loos
In the foreground the placid river mirrors its farther bank of grasses,
shrubbery and trees, the fleecy clouds in a robin’s-egg sky, and the
inverted images of a fishing party in three rowboats drawn up at the
edge of the bank. In one boat are two men, one man has a boat to him-
self, and in the other boat are a man and a woman. In the background
is a varied rural landscape of vague charm.
Signed on the central boat, Rico.
Property of Mrs. E. W. Bass, New York.
LEON AUGUSTIN LHERMITTE
Frencu: 1844— | [', ye
( pve
d
123—_SHEPHERD AND FLOCK
(Pastel)
/1E0O 4 Height, 20 inches; length, 23 inches by Li
Pate yellow and rose tinge a sunset sky, visible at left over far-off’cobalt
hills and at right above the tops of near-by tall haystacks, between
which rays of the waning light brighten an earth carpet of fresh green
grass. A diagonal line of aged pollard willows forms an angle with the
' line of the haystacks, and within the angle there comes forward a stout
shepherd wrapped in his greatcoat, at the head of his close-following
flock.
Signed at the lower left, L. LHERMITTE.
Property of Mrs. E. W. Bass, New York.
WILLEM MARIS
Dutcu: 1844—1910
124 THE THREE TREES AND THE D ee
JKOO Height, 16142 inches; width, 124% mches ¥\\
Two ducks are in the water of a marshy stream, which run m the
ro : ,
foreground back to a hazy and indefinite distance. The water surface
is silvery with cloud reflections, and interrupted by yellow and brown
and green notes of grasses and weeds that grow up through the shallows.
Three more ducks are in flight above the stream, at whose edge on the
right some brown bushes line a bank of soft green. Above these rise
conspicuously three slender trees, whose wispy foliage holds the sombre
hues of autumn. |
Signed at the lower right, WittEM Manis.
From the collection of the late H. B. Dicx, New York. .
[19% 4 Brughir La! Hbag we. Dek 51909 JLTRRI
Sotd . ot. i. OStclas her1271909., Box OV +
Sold. 76. 7. Mek LKisgve 7 POAXx 4
HENRI HARPIGNIES
, Penner: 1819—1916
} i 125—LANDSCAPE AT SUNSET
a KLO0 7 ; Ue 251, inches ; width, 23 mches
Tw a: wild part aE fair France the eye ‘looks westward ao a Xe 7
vale with trees at either side, across a wandering river and a low em-
bankment, toward the westering sun rapidly sinking in crimson below
the horizon, which shows a soft glow of gold. Toward the zenith the
sky is still a pale turquoise blue. The low land of the foreground 1s
gray with tufts of brown and green, and on a rise at either side the a
vegetation thickens: At left silvery trunks of slender trees are picked _ a
out below a dense expanse of green foliage which stands dark against
the sky, while on the right a line of feathery trees catches a slant of
light from the sunset, bhehienigg and gilding their leafage.
Signed at the ieee left, H. Harricnigs, 1907.
Property of Mrs. Anna J. SCHOELKOPF. MAE Sis coe.
GUSTAVE COURBET Ss
FRENCH: 1g TO 1B a
126—BORDS DU DOUBS: EFFET D'AUTOMN
KOOOz +» Height, 82 inches; width, 26 arhens Mee 3
A strep hillside coming into view high a on the left in the middle distance :
slopes to the foreground and toward the right, its deep. green grass
turning to yellowish- green near at hand, and the slope enriched and
brightened by. the red and rich yellow of shrubbery and brush, this 4 4
warm coloring further heightened by the autumn foliage of a tree tower-
ing over a great rock whose base is swept by a dark greenish-blue river.
Above the stream, which appears only in the right’ foreground, moun- —
tains rise abruptly, to rearward, and in their higher altitudes. snow lies
white within their cradling blue summits.
Signed at the lower left. G. Govmnen 6G:
From the Pel ecUe’ of the late HENRY SAYLES, Boston
RICHARD PARKES BONINGTON
EncusuH: 1821—1828
127—THE TURK
P00 1 Height, 1814 inches; length, 16144 ious
| | f; twee
A swartuy turk with thick black moustache is seated on the floor, with
back against the wall, surrounded by cushions and in the shadow of a
rich cardinal drapery. With one hand raised to his turbaned head, he
holds with the other his very long, straight stemmed, glowing pipe. He
faces the spectator, with dreamy eyes cast down.
From the collection of the late Henry Sayues, Boston.
2
ALEXANDRE GABRIEL DECAMPS
| Frencu: 1803—1860
e
‘ 1283—HIMSELF AS OTHERS SEE HIM
“(| LE Ae Height, 12° inches; length, 15% pate Malena
A portTrayAL of a large and very sapient-looking simian, brown of coat
and gray of face, who after regarding himself in a hand-mirror turns to
look at the spectator keenly, with eye ready for a challenge.» He is
seated on a light brownish floor, facing the left, and the dark brown of
his coat is relieved and enriched by a dark crimson drapery gathered
about his knees, his upper body being seen against a grayish-white wall
brightened by sunlight.
On. the back, the initials D. C.
Exhibited at the Boston Museum of Fine Arts.
From the collection of the late Henry Sayutxs, Boston.
|
th
NARCISSE VIRGILE DIAZ DE LA PENA
x Frencu: 1807—1876_
129—FEMME ET LAMOUR 7
S000 7 Height, 1114 inches; width, 684 O° Mp 4, : bo
Acarnst a dark woodland background the figure group is seen in sun-
shine and shadow, the high light falling broadly uopn the flesh of Venus
and her draperies, as she stands leaning, half-sitting, against a grass-
covered rocky mound. Her draperies of white and rose fall to her
waist, clinging by loops to her arms. With figure three-quarters to the
front she faces the left, her face being seen in profile as she looks down
at Cupid, and she extends her right hand over his head while supporting
herself with her left against the mound.
ee ee
Fa a
Signed at right, on the mound, N. Dtaz.
Purchased from the French expert, M. Georges Petit, Paris.
e ° a, } f f od) ¥
From the late Mr. ALBERT SPENCER’s private collection. Wh sm ed Caley
Sameer semanas Pare Maen oe NOIRE ES EE Og tee See
if
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NARCISSE VIRGILE DIAZ DE LA PENA “a
Frencu: 1807—1876
130—AN APOTHEOSIS
| (Panel)
bn 5O i: Height, 1814 inches; width, 104% inches NGO OLE
Aw allegorical female figure painted in the nude, in the attitude of an
ascension into space, a remarkably fine bit of painting, in construction,
surfaces and values. The figure seems to be rising among tenuous clouds
in a turquoise sky, headed toward the right and away from the observer,
and about to go free of draperies slipping from the knees. Her face is
turned away and a mass of Titian hair to view, and the right hand is
extended lightly before the breast. The body is in sinuous posture and
the play of transparent shadow about the muscles most deftly managed.
< Signed at the lower right, N. Diaz.
Purchased from the late Adolf Kohn, New York.
From the late Mr. ALBERT SPENCER’s private collection. (> O«, Méle ee
JULES DUPRE
Frencu: 1812—1889
131—AT CLOSE OF DAY ORs
N50 4 Height, 916 inches; width, 7% inches [A : tb
Frevps of wild land, pastures, with stubble and brush, rocks and occa-
sional trees, are receding from detailed view in the gloaming, and shad-
ows deepen in the middle distance. In a confused and windy sky a
white-edged cloud-bank near the horizon catches a creamy light from
the departed sun, and reflects it upon the foreground, gilding the figures
of cows recumbent near a pool.
Signature on the back, J. Dupre.
Eahibited at the Boston Museum of Fine Arts.
From the collection of the late Henry Sayuzs, Boston.
|
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:
i
.
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bitte «michal
JEAN BAPTISTE CAMILLE COROT
Frencu: 1796—1875 ney ;
Nv
1382—LANDSCAPE »
(Panel )
; POO + Height, 14 inches; width, 101% inches O Meenth, Aigeh
A Brook gray and silvery, and with a hint of blue, issues from beyond
a blunt and rough point of land on the right of the foreground, and
curling forward about the point, purls out of view with the limits of the
picture on the right. Seated in the soft and deep green grass on the
left of the stream, a peasant girl in a red cap watches her goats, which
may be seen in the middle distance, where the ravine of the brook yields
to hills. At right and left grow feathery Corot trees, and a distant hill
is crowned by buildings, beneath a turquoise sky of many clouds.
Signed at the lower left, Coror.
From the collection of the late H. B. Dicx, New York. fo
OM. 42.58, Argh ugllamans Mev iste, fotKx |e
Sd. Ullearue tboaitt Gb 1893 1 BMSK* # 7377
; Sota. €.&. ackem fr hor 3of-g0b, B OSXX 4
47! flianen 9 1909, aud Sole 6.03. Mrek fteo- 19.29 Bisee ns
ON
CHARLES EMILE JACQUE
Frencu: 1813—1894
133-SHEPHERDESS AND FLOCK IN FOREST
fs a pagel
7, det ea
Height, 134% inches; aaaite 101% inches OK Hala
Brotuer monarchs of the forest, two great trees aged and gnarled,
stand at the right, on the border of their green and dense domain, in a
green clearing at the edge of a pond. Their gray trunks reflect silvery
rays of light, and their upper branches range above and beyond the
picture. At the foot of the larger tree a young shepherdess in pink and
gray and blue and white stands leaning against the sturdy trunk, watch-
ing her flock of sheep that have come to the water to drink. The sun-
light that glints from the fungus-grown tree-trunks also silvers the noses
BP the Shee and the unctuous surfaces of their fleece.
Signed at the lower right, Cu. Tacave.
From the eclleaizon of the late H. B. Dicx, New York.
| CHARLES FRANCOIS DAUBIGNY
| Frencu: 1817—1878
134. VILLAGE ON THE OISE Wy w
+ : 4100 7 Height, 15 inches ; length, 2616 inc yy. Mba Me + ba ,
A section of the village comes into view at the left, on the top i a
green bank which rolls gently down to the placid, silvery river, which
occupies all the foreground and in the middle distance loses itself amid
wooded shores softly luminous in the first tints of autumn. The shadows
of the trees mottle the water, two punts are drawn up at the end of the
bank, and at the foot of a gray path down the slope a laundress accom-
~ panied by a small boy is doing the linge. 'The village houses are creamy,
under dense roofs of brown thatch, and the garden walls are creamy
and gray.
Signed at the lower left, Dausicny, 1863.
Eahibited at the Boston Museum of Fine Arts, 1886. ae
From the collection of the late Henry Sayues, Boston.
F htat a
JEAN BAPTISTE CAMILLE COROT /
Frencu: 1796—1875
135—LANDSCAPE WITH COWS im \\ te
tHoo-+ Height, 15% inches; length, 235% ee é y te.
Hazy in the far distance are low hills, above whose AC an orange glow
suffuses the horizon, and the sky of white clouds above lightens a silvery
reach of water that comes between two points of land in the middle
distance and spreads out in the foreground, where it laps lazily a shore
of grasses, reeds and blossoming wild plants. The point of land on
the left. rises in a steep slope, and large and small trees on it spread
their leafage before the sky and throw the nearby foreground into
transparent shadow. Beyond them houses are seen on the slope. On
the right the point of land is low and lightly wooded, and an indefinite
structure appears at its tip. In the foreground shallows two red cows
stand knee deep.
Signed at the lower Sat Coror.
Exhibited at the Roston Museum of Fine Arts.
From the collection of the late Henry Saytzs, Boston.
ro ey PN ee EN Pee ee er ee ee
y x Pa Sey i”
ADOLF SCHREYER a
German: 1828—1899
136—A WALLACHIAN TEAM
Oth. - Height, 314% inches; length, 59 inches
NIGHTFALL approaches in a wild and lightly wooded country, with scat-
tered trees at the foot of a mound on the left and the edge of a wood on
a higher hillock on the right. Through the hollow between these emi-
nences a deeply rutted road runs, winding off toward the left, and in it
in the foreground is a heavily loaded cart drawn by a numerous team of
straining horses. Led by one man in the saddle, they are urged with
the whip by another man riding a wheeler. The last rays of-the setting —
sun brighten their glistening backs, and in the shadow of the hill, escap- »
ing the sunlight, is a third mounted man, accompanying the convoy as
guard or director.
Signed at the lower right, Ap. ScHREYER.
Originally purchased from Flic late William Schaus. f fa
From the Henry T. Cox Collection, New York, 1902.~ aan _
Property of a Private Owner.
We 6 OO 7 “EL eight, me inches; length, 8234 inches
EMILE VAN MARCKE
Recon 1827—1890 Py
137—THE FARM AND ITS LIFE 4 : q
CoTrTaGES me ate buildings, flocks and herds, and their ald be 2
both human and animal, and the wide-reaching fields, all are brought
together by the artist and concentrated in a profound study of appre-
ciation and sentiment, one of the painter’s most eloquent efforts and
without the drawback of the great scale of some of his comprehensive
canvases. Here are clustered on the left a hamlet group of cottages,
gray, yellow and reddish-brown, with thick roofs of warm brown thatch;
the nearer roofs reach above the picture and over the ridge of their
next neighbor project the taller branches of friendly trees. Turning the
angle of a narrow street and coming forward, a farmer is following his
animals, a black cow in shadow and some sheep in front of: her and in
-front of them a calf, while leading all are two cows, a white-faced red
cow and a white cow, well forward in the sunshine—in their shadow at
the side a black shepherd dog. At right more sheep are nibbling beside
a cottage, at the edge of the fields. Essentially placid, the entire com-
position is rendered with an animated sympathy supporting sureness of
technical accomplishment.
Signed at the lower left, Em. van Marcxe.
From the Henry -T.. Cox Collection, New York, 1902,.~X45 oe bS.: M
The property of a Private Owner.
fio 4
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FREDERICK J. WILEY
AMERICAN: CONTEMPORARY
138—OAK IN AUTUMN
/b0 7 Height, 24 inches; length, 32 "6
On the right the edge of a green wood under a Mads darssig La sky,
and before it in the foreground a detached tree, an oak leaning slightly,
at the edge of a spring-pool. The gray bark gleams white in a slant of ©
light, the foliage is autumn-brown with touches of red. Surrounding ©
the pool, green grass and weeds, enlivened by wild flowers, and at the —
border of the pool a figure.
Signed at th lower right, WILEY.
From the collection of the late H. B. Dicx, New York.
FRANCOIS CLOUET |
(ATTRIBUTED TO) vA
Frencu: 1510(?)—1572 \
A 5° 4 | Height, 12%4 inches; width, 8% inches yy WJ ‘ :
SMALL figure, bust length, turned three-quarters to the left. Ina gold
brown slashed doublet, linen collar and flat red cap. A small beard and
moustache. He holds a carnation in his right hand. Green background.
The name of Clouet is today regarded as generic rather than as signifying any
clearly defined individual. Jehan Clouet seems to have been of Flemish extraction;
and, although his son Francois Clouet was court painter to Henri II, he worked
under northern influence. This portrait was bought by Mr. Adams in Paris, with an
attribution to Clouet. |
139—PORTRAIT OF A MAN WITH A RED HAT
|
. |
.
By order of the Executors of the late TuHarcuer M. Apams, New York.
ENGLISH SCHOOL 1
Earzty NINETEENTH CENTURY
140—CHILDREN BLOWING BUBBLES 4 i
Oe». Height, 25 inches; width, 191% inches Wh ogee |
A urtLe girl in low cut blue dress is seated on the left. She looks up
at the large soap bubble which has just been blown by the boy, who, in a
a brown coat and white waistcoat, is on the right; he holds a dish of a
soapy water in his extended right hand.
In composition and general style, this recalls certain pictures by John Opie
(1761-1807). When acquired by Mr. Adams, it passed under the name of “Le
Main.”
By order of the Executors of the late Tuarcuer M. Apams, New York. }
SIR HENRY. RAEBURN, RAS
Score: 1756—1823 R
be ake
? 141 PORTRAIT OF FR nat RONSIDE cong
4 sath ne OF TANNOCKSIDE a
| $5007 om “Height, 30 inches; width, 25 inches VE iy
Ta -LENGTH, trek -quarters to the Higli the face to the ante i a
dark blue coat, buttoned across the chest, white stock. Wearing side
whiskers. Neutral Seneca ral ae oe Ee eee oe
Purchased from W allis & Sah London.
From. the ee of the late Hewry = Boston. ; | ee
hohe i / 99% [Wel (a fons) 4 My. 19.0 Yodi ae
nt £5 1906 epg) 07% 8 ! Ot. (50 es
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buttons, lary ge white muffler.
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Purchased from Wallis & SoH London.
From the collection of the late Heyny Savixs
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MICHIEL JANSZ VAN MIEREVELT oy ie
~ Dutcu: 1567—1641 , :
143—PORTRAIT OF A BURGOMASTER
/007 Height, 29 inches; width, 24 inches Vee
Hatr- -LENGTH, three-quarters to the right. In a black brocaded aah
let, flat collar with lace strings, soft black felt hat. The features re- |
fined and strong; the eyes blue and the expression serious; an eet ine
and moustache. |
4)
{
~ Signed half way down on the right with the artist’s monogram, inseribed “aet.
suae, 42,” and dated 1639. And so one of his very latest works.
Formerly in Hie collection of Mrs. Clarence, M. Hyde, sold February
20, 1912, No. 147. 82/00 4 M ve darcy MH.
o=
By order of the Executors of the late Tuarcuer M. fey New Vou
r Se OE . —_ ees “ee
a tee a ae —S — SSS SS
AELBERT CUYP
— Durcu: 1620—1691
144—PORTH AIT OF A GIRL
bo000% : eieghs, 42 inches; width, 81 inches , i ee C
SMALL full- -length figure of a are aged about twelve, in a grey tage a
with stiff skirt; short sleeves embroidered with gold; pink bow; large —
lace collar and cuffs; a cap, trimmed with gold braid, and having a
yellow and pink tassel; fair hair and earrings. She stands slightly -
toward the right on a paved floor. With her left fingers she.touchesa .
bunch of grapes, which, together with a peach, black grapes andalemon, =
is in a dish on the table on the right. Curtain backgroune: ) |
Purchased from Sir Charles Robinson by the late Thatcher M. done
mm 1911.
By order of the Executors of the late Tuarcuer M. Apvams, New York.
V/
ASOO 4 Height, 29 inches; width, 24 ee 4
SIR JOSHUA REYNOLDS, P.R.A.
Enewiso: 1728—1792
145—PORTRAIT OF MASTER HAR a .
AS “INFANCY”
Smauy three-quarter length figure. In a white, low-cut Sum
and puce sash, turned toward the left and pointing at some distant and
unseen object. A tree above and to the right in full autumn foliage.
Master Francis George Hare was the eldest son of Francis Hare, or Hare-
Naylor, of Hurst-Monceux, the associate of Charles James Fox. He sat for “Infancy”
in 1788 and 1789. The picture, which was exhibited at the British Institution in
1845 and at the Royal Academy in 1872, was painted for his aunt, Lady Jones, wife
of Sir William Jones. It passed to Miss Shipley, Marcus Theodore Hare, Julius |
Charles Hare and Augustus J. C. Hare. It was the subject of a lawsuit at
Westminster Hall, London, in 1869. (Graves and Cronin: “Works of Reynolds,” =_—
1899, Vol. II, p. 435.) It was engraved by R. Thew and S. W. Reynolds. Since 1906
it has been in the Metropolitan Museum (No. 248).
Another version of the same subject is “the picture of unquestioned authen-
ticity and great charm, the “Portrait of Master Hare” (No. 1818B), by Sir Joshua
Reynolds, who in this, as in other similar pieces, proved himself the painter par —
excellence of childhood in all its innocence and ingenuousness, even though this
picture is by no means impeccable as regards draughtsmanship. It was bequeathed
to the Louvre by Baron Alphonse de Rothschild in 1905. (“The Louvre: Fifty
Plates in Colour,” 1910, p. 305.)
This, a third, version of the subject was. for some time the property of Thomas
Hoade Woods, for upward of forty years a partner in the firm of Christie, Manson -.
& Woods, and was sold at his sale at Christie’s May 26, 1906, No. 74. £/959, 00 Me reo d
F. C. Lewis engraved the “Portrait of Master Hare,” after J. Slater’s picture
painted in the “Grillion’s Club.”
-O’Donoghue: “Engraved British Portraits in the British Museum,” 1910, Vol.
Il, p. 443.
A. L. A. “Portrait Index,” p. 654.
Hare: “Story of My Life,” 1901, Vol. III, p. 10.
Reynolds: “Engravings by S. W. Reynolds,” Vol. II, plate, 49.
By order of the Executors of the late THatcHer M. Apams, New York.
_
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SIR HENRY RAEBURN, R.A.
Scortisu: 1756—1823
146—4A BOY WITH CHERRIES a
ho.b60 Tes Height, 29 inches ; a 24 inches OA k Apenk
SMALL; nearly full length: to the front. Fair-haired, blue- -eyed, rasyet fe
ae cheeked, in white shirt, sitting on a hillock. His left hand is raised and — |
holds cherries ; his right grasps the handle of the basket on the ground a
atk by his side.
F Hie eae in the possession of the family of the artist, and by them exhibited —
V at Edinburgh, 1876, No. 89. Included in the Raeburn sale at Christie’s May 5
1877. Subsequently in the collection of Captain Gaskell. Sold at Christie’s, March ©
17, 1888, No. 80. Later in the collection of Sir William Cunliffe Brooks (died 1900) —
and disposed of at Christie’s in June, 1901. Three years later it was in the possession
of Major Oswald Ames, in London. . eeee.
/ W. R. Andrew: “Raeburn,” 1894, p. 105.
“Year's Art,’ 1902, p. 278.
val Armstrong: “Raeburn,” 1901, p. 115.
Graves: “Century of Loan Exhibition,” 1914, Vol. III, p. 975.
By order of the Executors of the late THatcurer M. Apams, New York.
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SIR HENRY RAEBURN, R.A.
ScorrisH : 1756—1828 BF
147—-PORTRAIT OF LADY BROUGHTON , # ? Pode i
Q [8 300+ | Height, 35 inches; width, 24 inches WH Li is a
oe THREE-QUARTER length; three quarters to the fett seated. In a ni 2
dress of muslin, black sash; a blue wrap lying across her arms. Dark — 4
blue and gold ribbon in her dark hair. Her left arm rests on a pedestal. —
Sky background. al
‘Elizabeth, eldest daughter of Philip Egerton and sister of Sir John eden of
Fulton Park, married, June 5, 1792, Sir John Delves Broughton, 7th Bart. ‘24 A
John succeeded his father in 1818, and d. s. p. Aug. 9, 1847. Lad Broughton bes re
at Hoole House, Cheshire, Jan. 27, 1857, aged 86. a
The Lady Broughton painted by Sir Joshua Reynolds was the mother-inelaw i.
of Elizabeth, Lady Broughton, here painted. eit ‘
The family of Delves were out of genealogical consideration for centuries, but
their ancestor, Sir Henry Delves, had fought in the French wars under Edward,
the Black Prince. The fourth Baronet assumed the name of Delves. .
oa Le
i &
By order of the Executors of the late 'THaTcHER M. gue mt: York.
| Peabo Qe £ 1Z.O~ 10. O. 0 a
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/ SIR JOSHUA REYNOLDS, P.R.A. wh
EneusH: 1723—1792 NY ye"
148—PORTRAIT OF WILLIAM ROBERT, )
SECOND DUKE OF LEINSTER
/HOO at, Height, 27% inches; length, 35 inches , YG Md
6° Sxarep in high-backed chair; half length; as a young man. Ina (a
drab vest and breeches, and marabou, fur-lined coat. Lace cuffs and 4
cravat. His right hand rests on a document in the left foreground. His
left rests on the arm of the chair, with his fingers against his waist.
William Robert (Fitzgerald), 2nd Duke of Leinster, was born March 13, 1749;
he succeeded to the peerage, November 19, 1773; was a supporter of the Union. He
died in Ireland, October 20, 1804, and was buried in Kildare Abbey. It is his son
and heir, the 3rd Duke of Leinster, who is alluded to in Barham’s pep dehy
Legends” sub “Mr. Barney Maguire’s Account of the Coronation.”
This portrait was purchased from General Bulwer, of Heydon Hall, Norwich.
Such was the social standing of the Duke, that there are at least three other
portraits of him, who was painted by Reynolds in 1775. (1) The Duke of Leinster
at Carton, Maynooth, possesses the three-quarter length (49 in. by.39 in.) which
was exhibited at the Royal Academy in 1775, No. 234, as “A Nobleman” and again
in 1879, No. 44. It was engraved by J. Dixon and by S. W. Reynolds. (2) The
Duke also owns, at Kilkea Castle, a three-quarter length (50 in. by 40 in.), identical
Revo. sents | in composition but with an inscription on the paper; it formerly belonged to
hn Drwrdvovwg,ieeven \_A, Beauclere, of Ardglass. (3) A head (30 in. by 25 in.), replica of a portion of the |
. I. (30--. ‘two previously mentioned pictures, belonged to the late Rev. Sir Talbot Baker in is
1899. 7
The Duke sat to other painters also. Martin Archer Shee painted his portrait _
standing by a table and wearing a riband and star. It was engraved by C. Turner
and by J. Heath. Gilbert Stuart also painted his portrait, holding a paper. It was
engraved by C. H. Hodges.
Sir Jonah Barrington: “Hist. Memoirs of Ireland,” 1835, Vol. 1 p.18l.
Leslie and T. Taylor: “Reynolds,” 1865, Vol. II, p. 128.
Reynolds: “Engravings by S. W. Reynolds,” Vol. II, plate 8. ar
Graves and Cronin: “Works of Reynolds,” 1899, Vol. II, p. 574. vr
Armstrong: “Reynolds,” 1900, p. 217. ‘
A. L. A. Portrait Index, 1906, p. 856. . 7 a
O’Donoghue: “Engraved British Portraits,” 1912, Vol. III, p. 44.
By order of the Ewecutors of the late THarcHer M. Apams, New York.
a ie oe ee ee ee oe - OE eee es oo eee ee a RO ee ey ee es re a ne
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| : NICOLAS MAES
: DoutcH: tO a
149—PORTRAIT OF 4 CAVALIER Nea
ao" K/OO as Height, 4714 wmches; width, 37 inches oe x
LencorH, in full face. Weare a black doublet and ample cloak; fine :
lace collar, with strings. Very small moustache; long curly hair falling gs.
on his shoulders. The fingers of the right hand touch a stone pedestal, oe: a
his left is held eases before his waist. eee background. ~~
Paintedeabeut 1670, a date which marks the best pee of the painter. cf Poe
Formerly in the collection of the 1st Marquess of Dufferin (died 1902), \— a
and sold at Christie’s Jan. 28, 1905, No. 93, as the “Portrait of a ee
Gentleman.” é K SKO + Kawecy a .
vA Exhibited at the Hudson Fulton Exhibition, Metropolitan Museum of
‘Art, New York, 1909, No. 61. (fe ijie:) ) |
ws Hofstede de Groot’s Edition of Smith's “Catalogue Raisonné,” 0
Vol. VI, No. 399s. [Pp 569) |
By order or the Executors os the late ‘THATCHER M. Pen: Nee York.
t
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THOMAS GAINSBOROUGH, A
ENGLISH: 17271788
150—POR TRAIL T OF
ae Sete CAPTAIN THOMAS CORNWALL, RN. a
nd i “ | aa
ra 41007 Height, 50 renee width, 40 inc “"U. f, Oe A
Teer -QUARTER length; three quarters to the left. In dark blue naval a:
uniform, with white silk facings and gold buttons; white silk waist; coat
edged with gold braid, as also are the pockets; lace cuffs; white stock; —
in a wig. The right hand tucked into the waistcoat; the left presses his . a
cocked hat to his side and grasps the hilt of his sword. .In the right =
~,
background i is a high rock; in the left a distant view of the sea Bc By.
man-o’-war and: other shipping. ante =
J
Originally in the collection at Delbury Hall, near Ludlow, Salop, the seat of the
Cornewall family who afterward changed their name to Cornwall. Sold out of
that collection at-Christie’s, July 8, 1905, No. 123. N4O1 botnaghis *Q@c
Photographed by Mr. Braun Clément et Cie as “Captain Cornwall.” i
By order of the Executors of the late THarcHer M. Apams, New York. |
oy ot he Seay A Meu ml Hee
hotel gave de Sig CE fr Sa eA BP tan Ya J ie / a.
SIR JOSHUA REYNOLDS, P.R. a
Eneuisu: 17238—1792 : ry
a pen
151—PORTRAIT OF FRANCIS,
TENTH EARL OF HUNTINGDON, E.R.S.
O Hei iG 50 Kae width, 40 wches
Elen 4s 6 db dehe
THREE-QUARTER iehee- three papers to the right; standing in blue
ornamented coat with deep cuffs and waistcoat edged with black. A
small wig, with black ribbons hanging down behind, black necktie, and
wrist-frills. He holds his hat in his right hand before him; his left is"
on his hip. Red curtain in the left background; architectural setting
on the right. The title inscribed above, to the right.
Francis, tenth Earl of Huntingdon and Lord Hastings de Hastings, was born —
March 13, 1729. Master of the Horse, Nov., 1756, and Groom of the Stole, he carried
the third sword of State at the Coronation of George III, Sept. 22, 1761. He suc-
ceeded to the Earldom, Oct. 13, 1745. He died suddenly, Oct. 2, 1789, aged sixty,
while sitting at table in the house of his nephew, Lord Rawdon. Walpole tells us
he travelled in Italy, and was a friend of Warren Hastings. As he d. s. p., the
ancient barony of Hastings and other honors devolved upon his eldest sister and
heir general, Countess of Moira, and were carried, by her into the Rawdon family;
they are now possessed by the Earl of Loudoun.
Sat to Reynolds in 1754. The portrait paid for, July, 1754, £21. The frame
(six guineas) sent to Ireland.
Engraved by R. B. Parkes, 1874, 514 in. by 414 in. in “Works of Reynolds. aE Mele ae: iid
‘Formerly in the collection of the Marquess of Hastings, at Donington Castle; jt a
from him it passed to his sister, Edith Maud, Countess of Loudoun, who still owned
it at her death in 1874. It was afterward bought from the family by McLean, the Ms
picture dealer, who sold it to C. Sedelmeyer, of Paris. (It is reproduced in his A
“Catalogue,” 1897, No. 92.) It next passed to the late M. Ed. André, of Paris.
Eventually it was acquired by Mr. Thatcher M. Adams in 1909. a
Lord Huntingdon and Lord’ Stormont sat together to Reynolds, for a whole z
length, in 1758-1754.
“There are new young lords, fresh and fresh, two of them are much in vogue,
Lord Huntingdon and Lord Stormont. I supped with them tother night at Lady
Caroline Petersham’s. The latter is most cried up; the other is very lively and a
agreeable.”—Walpole to Montagu, Dec. 6, 1753. :
Gentleman’s Magazine, 1789, p. 961. 4
“The young Lords Huntingdon and Stormont, just arrived from their travels, Sr
sat to Reynolds for two whole lengths on one canvas; and here his merit in drawing :
complete figures and setting them well on their legs, in the attitude most natural
to them, was equally conspicuous.”—Leslie and Tom Taylor: “Reynolds,” 1865, Vol.
I, p. 109.
VY Graves and Cronin: “Works of Reynolds,” 1899, Vol. II, p. 499.
“ W. Armstrong: “Reynolds,” 1900, p. 213.
Toynbee: “Walpole’s Letters,” Vol. VIII, p. 8; Vol. XIII, p. 287.
By order of the Executors of the late THarcHer M. Apams, New York.
STR THOMAS LAWRENCE, P.R.A.
ENGLISH: Baer
152—PORTRAIT OF MASTER ARBUTHN T
2/007 Height, 531 inches; ae 39 mene UM be y
Gi
Sma, full-length figure of a young “hone the body to the front; the - a
6 head turned to the left. He is dressed in a dark velvet costume, trimmed — 7
( with lace at the neck, and a broad belt. His long fair hair falls on to his
shoulders. - In his left hand, which rests on his hip, he holds his hat. His —
right rests on the head of a large brown, long-haired dog with white
chest, which is sitting on its haunches with its mouth wide open. The
two figures are on rising ground under a tree on the left; in the right
distance the sun is setting across the valley under a cloudy sky. = |
The boy here seen was a son of the Rt. Hon. Charles Arbuthnot, M.P. (1767-1850).
Lawrence made a black and chalk drawing of this boy and his brother under the
title of the “Two Sons of the Rt. Hon. Charles Arbuthnot.” Lawrence also painted
the portrait of Mrs. Harriet Arbuthnot, this boy’s mother. ,
Formerly in the collection of Mr. White Webbs, Enfield, near London. Sanven enue
/ in the possession of CG Sedelmeyer, of Paris, and illustrated in his “Catalogue of
ad Twelfth Hundred of Paintings,” 19138, p. 180, No. 83.
By order of the Executors of the late 'THatcHEeR M. Apams, New York.
GEORGE ROMNEY
Exenise: 1734—1802
153—PORTRAIT OF
25 | MRS. ST. GEORGE AND CHILD
ve, J00+
Hei eight, 57 inches; width, 43 inches Lb
Wrote lengths ; the mother sitting, in a vehi muslin dress anid a Bleck
grey shawl, the ends of which cross over her lap; her head swathed in
white; she is seated on a bank and looks out at the spectator. The child
stands by her side, on the right, nude; he leans his arms against his
mother’s knees. Landscape setting.
Anne Stepney, of Durrow, married Richard St. George Mansergh St. George, of :
Headford Castle, Co. Galway. The child is Richard James Mansergh St. George .
Ges -1857).
» Sittings were given in July and August, 1791; paid for, 200 guineas, July 18, 17 91.
Mrs. St. George died shortly after the picture was pale it was sent over to
the family seat, Headford Castle, where it hung until about 1888, when it came into |
‘Exhibited at the Grafton Galleries (Fair Children), 1895, No. 145, by Mr. E. ae ‘
the possession of Mrs. Winn, granddaughter of the lady here represented.
Included in a sale at Christie’s, May 6, 1893, No. 66, and bought in by the owner.
Winn..
t— Ward & Roberts: “Romney”, 1904, Vol. II, p. 138.
u” A, B. Chamberlain: “Romney”, 1910, p. 170.
By order of the Executors of the late TuHarcuer M. Apams, New York.
arlene ES ein RE Te Nn pies “ See ‘- ~ Snake: potengeee
ee = : oe ih es Ce nae SO ee ES
GEORGE ROMNEY
Eneuisu: 1734—1802 : ' i
1 Os OF SIR ARCHIBALD | ve je
os CAMPBELL, K.B., OF ee
KEEO 4
Height, 60 Hes width, 49 inches yy ye
a
, ie
us THREE-QUARTER length, standing three quarters to the left. In uniform,
scarlet coat with dark blue facings, with gold braid and one epaulet, —
Star of the Order of the Bath, lace cravat; wearing a wig. His clasped
hands rest upon his stick and clasp his cocked hat. Stormy clouds in
the right background. Mb
SdenrttmMtetV
£00 a! Height, 151% inches; width, 111% inches an
On a gold ground the Madonna is depicted in robes of green and deep
crimson, with gold ornamentation. Liaw
MEYER VON BREMEN, Jonann GEORG is
Blindman’s Buff | 95
MICHEL, Gerorcers
Landscape cae 72
CATALOGUE
NUMBER
MILLET, Jean Francois
Blind ‘Tobias 93
MONET, CLaupE
Maison et Canards 24
Automne sur la Seine 25
La Débacle: Série des Glacons, a Vétheuil 26
Sentier dans I’Ile St. Martin, Vétheuil 27
Sentier dans I’He St. Martin a Vétheuil 28
Le Matin, Temps brumeux, Pourville 29
Falaise aux Petites Dalles 30
Champ de Coquelicots: Environs de Giverny = 31
Champ d’Avoine 32
La Tamise, Effet de Soleil: Waterloo Bridge 33
La Tamise, Effet de Soleil avec Fumeées:
Waterloo Bridge 34
La Tamise: Au Pont de Charing Cross 35
La Tamise: Le Parlement; Effet de Soleil 36
Le Soleil dans le Brouillard, Londres:
Waterloo Bridge 37
Les Nymphéas: Paysage d’Kau 38
Venise: Palais da Mula 39
Venise: Palais Ducal 40
Venise: Palais Ducal, vu de San Giorgio 41
Venise: Le Palais Dario 42
Printemps 3 48
Bords de la Seine a Vernoi 49
Peupliers en Automne a Giverny 50
Matinée sur la Seine 59
La Tamise 4 Londres: Les Ponts de Char-
ing Cross et de Westminster 60
La Tamise 4 Londres: Le Pont de Charing
Cross 61
Les Nymphéas: Paysage d’ Kau 62
Bois d’Oliviers, Bordighera 63
ad
, -
cavatee
NUMBER |
MONTICELLI, ApoLrHeE © ‘Pye
The Wise Men
Dans le Jardin
MORAN! Divousc Ned.
Venice
Venice
MUNGER, GILBERT
On the Seine
The Two Brothers, Forest of Fontainebleam ;
Woods at Chevy Chase, Washington, D. C.
Forest of Fontainebleau
MURPHY, J. Francis, N.A.
September Afternoon
PASINI, ALBERTO
Moors at Entrance of Mosque
PISSARRO, CamiILie
Pommiers en Fleurs: Temps gris |
PLASSAN, Anrornrt EMILE
. Parental Pride
RAEBURN, Sir Henry, R.A.
Portrait of R. A. Ironside of 'Tannockside
Portrait of Judge Maitland
A Boy with Cherries
Portrait of Lady Broughton
REMBRANDT (SCHOOL OF)
Christ before the Judgment Seat
une
RENOIR, Pierre AvGuste
Environs de Pourville 43
La Seine a Argenteuil 44
Canotiers sur la Seine a Bougival 4S
Dans la Prairie 46
Canotiers a Chaton A7
Femme et Enfant 51
Jeune Femme assise 52
Les Deux Sceurs 53
Femme a lOmbrelle 54
REYNOLDS, Sir Josuva, P.R.A. ,
Portrait of Master Hare, as “Infancy” 145
Portrait of William Robert, Second Duke of
Leinster 148
Portrait of Francis, Tenth Earl of Hunting-
don, F'.R.S. 151
Portrait of the Misses Paine 156
RIBERA, Juserrt pE (Attributed to)
Charity 168
RIBOT, Avecustin 'THEODULE
The Young Cellarer 114
RICHARDS, Wuu1am T.
Rocky Coast ri
@
RICHET, Lrton
‘Landscape with Pool 11
RICO, Martin
Fishing Party: The River Seine 122
—
°*
7
ROBBINS, L. Lee
Portrait of a Lady
ROELOFS, WitL—EM
7 Landscape and Cattle
ROMNEY, GerorcE
Portrait of Mrs. St. George and Child
Portrait of. Sir Archibald Campbell, K.B.,
of Inverneil
SARGENT, Joun SIncer, N.A., R.A.
Sketch of a Laborer
SCHOOL OF PARMA
Madonna and Child
SCHREYER, Apo.r
Wallachian Post Station
A. Wallachian Team
SISLEY, Aurrep |
~ Inondations a Moret
SMITH, F. Hopxinson ~ |
Venice
STEVENS, Atrrep
Figure in Sunshine
THAULOW, Farts
La Seine en Novembre
Venice
TILTON, Joun Ro.tin, N.A.
CATALOGUE
“NUMBER
a P se
74
120
164
103
136
55
15
89
19
a7
CATALOGUE
NUMBER
UNKNOWN MASTER
Madonna and Child, with Angels 159
VAN MARCKE, Ente
| The Farm and Its Life . 137
VAN MIEREVELT, Micurer Jansz
Portrait of a Burgomaster | 143
VAN POELENBURG, Corne tis
The Goatherd | 157
VAN SANTVOORD, Dirk
Portrait of a Dutch Gentleman 3 155
VEDDER, Enruvu, N.A.
Conspiracy or Confidences? 110
-VERBOECKHOVEN, Evcrne
| The Dead Lamb 4.
VERESTCHAGIN, Vassi1i |
Portrait of a Girl of the District near Mos-
cow; Age, 15 Years 17
WEISS, José
Landscape 12
WILEY, eitebick sie
Landscape with Figures 69
Woodland Landscape: Sunshine and Shadow 90
Oak in Autumn 138
WORMS, JULeEs
Spanish Dancers 79
i
EPS tt Ve EI tel
ae
5
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is
} eae, : COMPOSITION, PRESSWORK |
gee 7 : , AND BINDING BY
ee
fede eee esa ae ee 8,
; tts ge)’ an
ey Me mnaats Sai iay
A, ae Vronstae ee raet : :
ak Ng aie ide ee Me 3,500
Fase ‘Maitland Sik é
ernet, agent.../.. 7,200.
a. Burgomastéer—V. BTR oo
p Heitmann eae 1,800
abl Aelbert sOuUyD 3. se
nen sane eee 6,000 |
it of Master Hare as ‘“‘In-° 7 4
Sir J shua Reynolds; 1. CG. 5.
. Jameson IR TP tially i" 4,
AGA Boy Wi Gherriés—Sir ASD
‘Raeburn; Bernet, agent..... vada 20,000 |
7—Portrait sof Lady Broughton—Sir ;
enry Raeburn: Seaman; agent......15,300
on Dy rait of William Robert; Sec-
ke of Leinster—Sir Joshua ?
ie olds; ME 9 Fe Goldblatt. Ce a eee 1,400 |
He 449--Portrait of a. Cavalier—Nicolas= |
. Maes; Leo OWT 2 He hen te cists setceoama ea 4, 100 |
150 Portrait. of Captain Thomas: Corn- |
aval, KR. N.—Th omas_ _ Gainsborough; |
| “Seaman, agent edie emote Wiemihrt eile die dies MOD i
6153-—Portrait of Teenie. “Peath Bark ot 7".
i
j
‘
H
|
Huntington, Bea R. S.—Sir Joshua
,Reynolds; MH, B. Schwab.........4.. 1,200);
Portrait of Master Arbuthnot—
ir Thomas Lawrence; Seaman,
~ BE ent Sey isuha i pled inh oy ee | ame Se 100,
1he—Vortrait of Mrs. St. George and
Child—George Romney; T. H. Rus- |
pel] Re es hy ets BG
Wy pu Portrait of Sir Archibald’ Camp- i
yell, K. B., of Inverneil—George Rom- _ i
Agey; Mnoadler & Co. ciiiuesioaneccs> 4,550 |
| . ; Portrait of a, Dutch eh, ;
1
#
rk Van Santvoord; T. OUTER a ah tero
~Portrait of the Mhigsee ‘Paine—Sir | ;
Joshua Reynolds; Seamam, agent.....16,000
168-—-Wooded ‘Landscepe—John (Old) hie)
Crome; Seaman, agent...,...--.-... . 450
159—Madonna and Child with Angels—
Unknown Master; T. Brunmer......... 260
166—Piazza of Venice from San Marco
“—-Canaletto (Antonio Canale): @hrich
CPoemud Sot LEOMOR: . puis Gace Sye sec Oe
197--View | of the Grand Cana!, Venice—
‘Giovanni Ar tonio Ganaletto; Bernet, i
[Pipe Bea tiaty var ohana ae. hd RO punateaeis vig oma dhe ve
/168—Charity- usepe de. Rivera (at- .
tributed tr” Neinberger Galleriés... 350
169—Alexar. 2. and Diogenes—Sir Kd-
| win H. Landseer; C. Lageman.