RARE AND EXTREMELY CHOICE COLLECTION FORMED BY THE WIDELY KNOWN CONNOISSEUR Mr. LOUIS GUERINEAU MYERS OF NEW YORK FIRST AFTERNOON’S SALE THURSDAY, FEBRUARY 24tu, 1921 CONDITIONS OF SALE 1. Any bid which is merely a nominal or fractional advance may be rejected by the auctioneer, if, in his judgment, such bid ‘would be likely to affect the sale injuriously. 2. The highest bidder shall be the buyer, and if any dispute arise between two or more bidders, the auctioneer shall either de- cide the same or put up for re-sale the lot so in dispute. 3. Payment shall be made of all or such part of the pur- chase money as may be required, and the names and addresses of the purchasers shall be given immediately on the sale of every lot, in default of which the lot so purchased shall be immediately put up again and re-sold. Payment of that part of the purchase money not made at the time of sale shall be made within ten days thereafter, in de- fault of which the undersigned may either continue to hold the lots at the risk of the purchaser and take such action as may be necessary for the enforcement of the sale, or may at public or private sale, and without other than this notice, re-sell the lots for the benefit of such purchaser, and the deficiency (if any) aris- ing from such re-sale shall be a charge against such purchaser. 4. Delivery of any purchase will be made only upon pay- ment of the total amount due for all purchases at the sale. © Deliveries will be made on sales days between the hours of 9 A. M. and 1 P. M., and on other days—except holidays— between the hours of 9 A. M. and 5 P. M. Delivery of any purchase will be made only at the American Art Galleries, or other place of sale, as the case may be, and only on presenting the bill of purchase. Delivery may be made, at the discretion of the Association, of any purchase during the session of the sale at which it was sold. 5. Shipping, boxing or wrapping of purchases is a business in which the Association is in no wise engaged, and will not be performed by the Association for purchasers. The Association will, however, afford to purchasers every facility for employing at current and reasonable rates carriers and packers; doing so, however, without any assumption of responsibility on its part for the acts and charges of the parties engaged for such service. 6. Storage of any purchase shall be at the sole risk of the purchaser. Title passes upon the fall of the auctioneer’s hammer, and thereafter, while the Association will exercise due caution in caring for and delivering such purchase, it will not hold itself responsible if such purchase be lost, stolen, damaged or destroyed. Storage charges will be made upon all purchases not removed within ten days from the date of the sale thereof. 7. Guarantee is not made either by the owner or the Asso- ciation of the correctness of the description, genuineness or au- thenticity of any lot, and no sale will be set aside on account of any incorrectness, error of cataloguing, or any imperfection not noted. Every lot is on public exhibition one or more days prior to its sale, after which it is sold “as is” and without recourse. The Association exercises great care to catalogue every lot correctly, and will give consideration to the opinion of any trust- worthy expert to the effect that any lot has been incorrectly cata- logued, and, in its judgment, may either sell the lot as catalogued or make mention of the opinion of such expert, who thereby would become responsible for such damage as might result were his opinion without proper foundation. AMERICAN ART ASSOCIATION, American Art Galleries, Madison Square South. THE AMERICAN ART ASSOCIATION MANAGERS SALE AT THE AMERICAN ART GALLERIES Collection of MR. LOUIS GUERINEAU MYERS Afternoons of Thursday to Saturday (inclusive) February 24 to 26, 1921 To save time and to prevent mistakes each Purchaser will oblige the Managers by filling in this slip and handing it to the Record Clerk or Sales Attendant on making the first purchase. Purchaser’s Name Address in Full Amount of Deposit FIRST AFTERNOON’S SALE THURSDAY, FEBRUARY 24, 1921 AT THE AMERICAN ART GALLERIES BEGINNING AT 2 O CLOCK BATTERSEA ENAMELS OF THE EIGHTEENTH CENTURY 1—Parr oF BarrerseEA EnamMet Mirror Kwnops Decorated with head of man wearing a flaring brimmed hat and a woman with lace cap. Period, late eighteenth cen- tury. 2—Pair or Batrers—EA Enamet Mirror Knoss Decorated with head and shoulders of a woman wearing a large hat. In black and gray. Period, late eighteenth century. 3—Batrersea ENamet Mirror Knos Seated figure of a girl with dog. Period, late eighteenth century. 4—Parr or BatrrerseEA Enamet Mrrror Knorgs Landscapes painted in colors. Period, late eighteenth cen- tury. First Afternoon 5—Parr oF BatrersEA ENAMEL Mirror Kwnors Decorated with head and shoulders of a girl with flowing hair, feeding an eagle. Period, late eighteenth century. 6—BatTTersEA EnamMet Mirror Kno Gray-blue border. The center is of pink enamel on which is painted a black urn with raised white ornamentation. Period, late eighteenth century. Y—BatTrerRsEA Enamet Mirror Knops French gray enamel. Decorated with an urn. Period, late eighteenth century. S—BatTTrERsSEA EnAamMEL Patcuo Box Oblong form. The body is corrugated and covered with a French gray enamel. The cover is white enamel and deco- rated with a view’of Weymouth in purplish tones. Period, late eighteenth century. | 9—BaTTERSEA ENAMEL PatcuH Box In the form of a bird, enameled in blue, green and yellow. The lid is of- white enamel, inscribed, “‘Always the same.” Period, late eighteenth century. 10—BatTTrERsEA ENAMEL Patcuo Box Oval shape, with corrugated body in French gray enamel. Decorated with a female figure, leaning against an anchor. “We live in hope” is inscribed. Period, late eighteenth century. 11—BatrersEA ENAMEL Patcu Box Round form. The body is slightly corrugated, covered with a white enamel and decorated with occasional floral sprays in dull red. The lid is ornamented with a landscape in vari- ous colors. Period, late eighteenth century. 12—BatTrEersEA ENAMEL Historicat Parco Box Oval. The body is a rich dark blue enamel. The white enamel cover has a colored transfer picture of Paul Jones. Period, late eighteenth century. First Afternoon 13—BatTrersEA EnamMet Historica, Patcu Box Oval shape. The body is a rich green enamel. On the cover is the head and bust of Major-General Gates. The flesh tones are natural, the stock white and the coat a drab blue with yellow trimmings. Exceedingly rare. Period, late eighteenth century. 14—BarrersEA Enamet Patcu Box Oblong in form. A delicate canary yellow enamel covers the whole box. On the lid is the inscription, ‘‘Love the giver,” surrounded with a lacy scroll design. All executed in black enamel. Canary enamel is rare. Period, late eighteenth century. 15—BatTrersEA Enamet Box Oblong in form, elaborately decorated on a white ground with painted views on the sides and flower sprays at the ends. All are enclosed in panels formed by raised gilt scrolls. The cover has a delicately tinted view of two fig- ures seated on a bank. A lake and distant landscape form the background. Period, late eighteenth century. 16—Correr SnurF Box Oblong in form. The cover is ornamented with the head and bust of a man, painted on enamel, evidently a portrait. The white wig, ruffled stock, crimson and gold square col- lared coat all suggest an early period. Period, about 1760. EIGHTEENTH CENTURY CONTINENTAL PORCELAINS 17—FvERSTENBERG CUP Floral decoration in colors. Mark: “F.” Late eighteenth century. 18—Tovurnar Cup Floral decoration in underglaze blue. Mark: Crossed swords, with four crosses and numerals resembling 1780, which is about the period of its manufacture. Height, 214 inches. First Afternoon 19—VENETIAN CuP Decoration in red and gold. Mark: Anchor. Cozzia period, late eighteenth century.. 20—DreEespEN Cup AND SAUCER Flower decoration. Mark: Crossed swords. Late eight- eenth century. 21—Earty Capo pit Monte Cur anp SAUCER Pink glaze, with painted decoration of peasant woman and children, palm trees, etc. Early mark of crude fleur-de-lis. Period, 1750. 22—DreEspEN Cuina VasE Inverted pear shape with flaring rim, the whole resting on four scroll feet. Covered with a white glaze. The body is paneled and decorated with floral sprays in natural colors and fern-like reliefs in light blue glaze. Mark: Crossed Swords of the Marcolini period. Height, 614 inches. 23—Crei_ PLATE Octagonal form, covered with a white glaze. Mark: ‘“‘Creil” impressed. Late eighteenth century. Diameter, 8 inches. : 24—C1icNaAncourT PorcreLain Custarp Cup Bulbous shape and looped handle. Covered with a white glaze and decorated on body and cover with vines and ribbon designs in green, red and gold and dark blue. Factory mark of about 1780. Height, 3 inches. 25—Earzty Minton Cup anp Saucer Covered with an ivory-white glaze and decorated with land- scapes and Oriental figures. Period, 1820. 26—Crown Derzpy Cur anp SAUCER Finely painted with flowers in panels, somewhat in the Jap- anese manner. Mark: Crowned D, in red. Period, 1785. First Afternoon 27—Tovurnar OvaL PuatE on SMALL PLATTER Ivory-white paste and glaze, under which is painted, in dark blue, sprays of flowers and insects. An embossed wave de- sign decorates the rim, which is fluted and finished with a narrow blue border. Mark: Crossed swords and four crosses, together with decorator’s initials in blue. Period, 1780. Size, 81/4 by 614 inches. 28—Tovurnat Rounp Puate From the same service as the foregoing, in this case not marked. Period, 1780. Diameter, 714, inches. 29—Parr Oup Beruin VASsEs Urn-shaped, with circular foot on square base, and with elaborate covers. Invested with an ivory-white glaze. The body and foot are covered with a beautiful robin’s-egg blue glaze and further decorated with garlands of leaves in dull gold which are looped on the sides to suggest handles. On the front and back are oval reserves containing figures and landscapes in brilliant colors. The covers are pierced and decorated with the garlands of leaves in gold. Mark of the factory in blue. Period, about 1785. Extreme height, 11 inches. 30—Wepewoop Cur anp SaucER AND CoFFEE Can Decorated, in alternating blue and white fan-shaped panels, with flowers and sprays in red, green, gold and pink in the Japanese manner. Mark: ‘‘Wedgwood.” Period, 1810. Note: Although the paste is very like porcelain in texture and appearance it is not true porcelain. 31—CuHELSEA Tra Cup AND SAUCER Covered with an ivory-white glaze and decorated with bands of King’s blue, gold tracing and a graceful vine-like design in old rose and green tones. Both cup and saucer have im- pressed in the paste a petal-like pattern painted in the same deep blue and outlined in gold. Gold anchor mark. Period, 1775. First Afternoon 32—Set oF THree Miniature Rockrncuam VAsEs Flattened pear-shaped with flaring rim and foot. The body and cover are decorated with a rare apple-green glaze. Re- serves of white are filled with finely painted flowers in nat- ural colors. Period, 1835. Extreme height of large vase, 414 inches. Extreme height of two small vases, 314 inches. 33—SaLoPian Cup anp SAvucER Fluted form with scalloped rim. Decorated in early willow pattern, transfer printed in underglaze blue, with gold bor- ders. Mark: “SS” in blue. Period, 1785. 34—Savopian PickitE LEAF Underglaze transfer print of willow pattern in blue. Period, 1780. 314% by 3% inches. 35—New Hartt Treaprot Quadrilateral body with indented sides and looped handle. Covered with a white glaze and ornamented with landscape and figures in bright colors in the Chinese manner. Period, 1800. Height, 51% inches. 36—CneEtsEA-Dersy Bourton Cup anp Saucer The cup is bell-shaped, with graceful looped handles. The saucer is deep, with moulded flaring rim. Covered with an ivory-white glaze and decorated with gold edges and gar- lands of flowers in green. Marked with the interlaced C and D. (Handle of cover has been repaired.) Period, 1775. Height, 4 inches. 37—SALOPIAN Cappy TrRAy Oval scalloped form of the period, with the willow pat- tern transfer printed in underglaze blue, and with borders of gold. Mark: ‘S” in dark blue. Period, 1780. 61, by 3% inches First Afternoon 38—Crown Derspy PLate Covered with an ivory-white glaze and decorated with vines and scroll-like border in gold. Period, 1790. Diameter, 9 inches. 39—LarRGE SWANSEA PLATE Covered with an ivory-white glaze. A diaper pattern is impressed in the paste over the whole surface of the plate. Sprays of flowers in natural colors ornament the rim and central medallion. Period, 1810. Diameter, 10 inches. 40—CuetseEa Fruit Disu Deep dish on low foot with irregularly scalloped rim. Cov- ered with a white glaze and ornamented with sprays of grape leaves and fruit in relief and painted green, red and brown. Mark: Anchor in red. Period, 1760. Length, 10 inches; width, 8 inches. 41—CuHELSEA GROUP “Psyche Punishing Cupid.” Gold anchor mark. (Re- paired.) Period, 1775. Height, 71% inches. 42—-Pair Crown Dersy VASES Urn-shaped with flaring rim and circular foot. Covered with an ivory-white glaze. The foot, bowl and neck are decorated with a dark blue glaze and further ornamented with gold bands and scrolls. On the neck is a shield-like reserve containing a bunch of flowers painted in natural colors. The handles are twisted serpents, gilded. Period, 1805. Height, 642 inches. First Afternoon POTTERY OF THE WEDGWOOD SCHOOL 43—JasPER Ware Cup AnD SAUCER Relief decoration in white. Probably by Adams. Period, 1775. 44—Briack Basauttres TEAcuP Decorated with cupids at play in relief. Mark: “Wedg- wood.” Period, 1780. 45—WEDGWOOD SAUCER Cane color with incised fluted decoration. Mark: ‘“‘Wedg- wood.” Period, 1780. 46—Larce Werpcewoop Mue Body and handle of white biscuit with a beautiful eggshell finish. Around the edge is a Sheffield rim; below this, a narrow band of dark brown glaze. Wide flutings ornament the bottom of the mug, and above these are groups of figures and trees in relief. Period, 1800. Mark: *‘Wedgwood,” ( Illustrated) Height, 6 inches. 47—LarcE TurneER Ware TEApPOT 2 Irregular octagonal form. White, with mythological scenes gi ee in panels in relief and fret borders. Hinged lid. A beau- L\ tiful piece. Period, about 1785. Height, 61, inches. ( Illustrated) 48—HeERcULANEUM PircHEeR oF Wuite Biscuit Oval, curved floriated spout and angular handle. The neck 4 is covered with a fine horizontal reeding. ‘The junction of = the neck and body is enriched with a border of vine and fruit. The central portion is covered with trees and figures in high relief, the decoration at the front depicting a drink- ing scene, and in the rear, Amorini at play. Below is a beau- tifully modeled border of acanthus leaves. In fine condition. Mark: ‘*Herculaneum,” impressed. Period, about 1805. ( Illustrated) Height, 9 inches. 49—HerrcuLaNneuM Pircuer or Wuitet Biscuit Very similar to the foregoing, but smaller. Height, 7 inches. No. 46—Larcrt Wepawoop Muea ; No. 47—Larcre Turner WarE TEAPOT No. 48—Hercutaneum Pitcuer or Wuite Biscuit First Afternoon 50—CastLEForD WARE Sucar Bowu _ Oblong, panelled body, with leaf-shaped handles. Covered , 27 with awhite glaze. The panels are outlined with a dark blue op line and the American eagle is in relief on one side. Period, 1810. Extreme height, 6 inches. 51—Ripeway Ware Juc Globular body with long cylindrical neck, pewter cover and looped handle. Dark blue ground with relief pattern in white. Period, 1840. Height, 8 inches. 52—Mericu Ware PitrcHer Antes Corrugated, pear-shaped body with indented rim, round t | ) spout and looped handle. The soft eggshell finish, gray- blue color and applied white design suggest the Wedgwood ware. Period, 1835. (Defective as to the rim.) | Height, 6 inches. 53—Wepewoop TErapot anp Tray Boat-shaped body with curved spout and looped handle. Covered with an ivory-white glaze and decorated on tray, 9,9 teapot and cover with the Chinese “Dog Foo” in various attitudes. The rich green used in the pattern is very effective, while gold bands and a delicate leafy design on the spout make a pleasing contrast. Period, 1805. Note: As Wedgwood porcelain was made but a short time early in the nineteenth century, it is now rarely found. Unlike a previously described cup and saucer, this is true soft-paste porcelain. ~ ©) 54—Brack Basattes TEapor f \ Oval form without foot. Decoration of Flaxman’s *“Danc- : ing Hours” in relief. Mark: “Wedgwood.” Period, 1780. 55—Buacx Basautres VasE sy J. NEALE A rare and beautiful urn-shaped vase decorated with gar- lands of bell flowers and acanthus leaves. Rudimentary & / handles in the form of female heads. Neale worked alone 5 v only from 1776 to 1778, so this piece must have been pro- duced during those years. Mark: “J. Neale, Hanley.” Height, 101% inches. First Afternoon ENGLISH SOFT-PASTE PORCELAIN By Josiah Spode, 2nd. 56—Sropr Cur anp SAvucEr ae oe Decorated in the so-called Hizen colorings and gilt. Mark: / i “Spode” in red. Period, early nineteenth century. 57—SPpovE SAUCER ae All-over decoration in gold. Mark: “Spode” in red. Period, is early nineteenth century. Diameter, 544 inches. 58—Spopvr Sauce Boat, Cover anv Tray Around the rim of each piece is a broad band of rich blue which is imposed upon an incised basket pattern. These 67 bands are broken into panels by longitudinal and trans- | he re verse borders of gilt. The white reserves are beautifully |} j decorated with flowers painted in naturalistic colors. ‘The — gilded handles to boat and cover are in the form of conven- tionalized dolphins. (The tray has been mended.) Mark: “Spode,” in red. Period, early nineteenth century. Length of tray, 91% inches; of boat, exclusive of handles, 6 inches. 59—Larce SpopE PiatTrer The wide rim of this piece is decorated in light blue, broken by sprays of flowers in white relief. In the center is a large - floral design. 66—WorcEsTER BuuE anp Wuitre Cup anp SAUCER OF THE Watt PERIop Small cup without handle. Decorated with floral sprays and borders painted in underglaze blue. Crescent mark in blue. 67—-Parr Worcester Cups AND SAUCERS OF THE WALL PERIOD ; / Decorated, on a white ground, with a fish scale pattern in } V dark blue. In white reserves are fanciful birds and insects painted in colors. Square mark. : SASVA AdOdg GqauH [T, 10 LAS—€9 ‘ON First Afternoon » 68—WorcrstEer Cup or THE Watt PErtop } Beautifully decorated in the Chinese manner with flowers in pinks, purples and greens. A diapered border of purple surrounds the lip. A rare little specimen. Say ee 69—WorcestErR Cup or THE Watt PERIOD Fluted cylindrical form, decorated with blue and gilt bor- ‘g / ders and panels of landscape, fruit and foliage. A gilded |» metal. stand accompanies this specimen, which is worth treasuring because of its rare form of decoration. Mark: Crescent, in blue. Height, 214 inches. 7TO—W orcESTER CuP AND SAUCER OF THE Watt PERIOD A) Fluted, with scalloped rims. The chief decoration consists ~) of a broad meander border of apple-green, which in turn is bordered on the inner side with gold scrolls. The white reserves are decorated with sprays of flowers. A rare speci- men. (Cup has slight repair at rim.) 71—WorcestTER Cup AnD SAucER oF THE Watt PeERiop Diapered border and scalloped rim, greenish gray with irregular reserves of cream color. Period, 1780. — — First Afternoon 157—Rare Wuretpon TorrotsE-sHELL TuREEN Oval form, on three feet, each composed of a lion’s head and foot. The body and lid are covered by a moulded basket and diaper pattern. The handles are in the form of vines finished by large leaves in relief. The exterior is covered by a beau- tifully blended mottling of early colored glazes in greens, grays and browns. The interior has the cream-colored glaze of the period. An early and possibly unique specimen. Period, 1'765. Length, 111% inches; width, 8% inches; height, 9 inches. 158—Parr MantTEeEL ORNAMENTS Whieldon style. Three children rest on a flowery bank, each blowing a trumpet. The whole rests a high foot. (Dam- aged.) Height, 61% inches. 159—RatpeH Woop, JR., FicurE Seated figure of a cobbler mending a shoe, resting on a square base. Colored purple, gray and black. Period, 1780. First Afternoon 160—SraTuETTE BY RatpH Woop Subject: “The Lost Sheep.” Decorated in the beautiful colored glazes of the early period. The coat is ivory in “ color, the waistcoat is yellow, the breeches gray and the Vv hat and shoes brown. The rococo base is colored green and greenish gray. The sheep is white. Period, 1760. Height, 81% inches. 161—RatreH Woop Ficurr or BrirANNIA Conventional helmeted and mailed figure of a woman in € a flowing robes. The colored glazes are here used as in all v + early specimens. The robe is light blue, faced with green. In the left hand is a mask. The well-modelled owl in light brown perches on a rococo base. The right hand is extended to support a trident, which is missing. (Slight repair to fingers of right hand.) Period, 1760. Height, 12 inches. 162—RatutrH Woop, Jr., Tony Jue Finely modelled seated figure of a man, in eighteenth cen- tury costume, holding a jug. The coat is a beautiful shade ¢ of blue,’ the breeches and waistcoat yellow and the hat "| brown. ‘The mottled base has the word “Toby” painted on the front, an exceedingly rare feature. The color and glaze are of the early period. For color and character this piece is practically unique. (Slight repair to hat.) Period, 1780. Height, 91% inches. 163—RatreyH Woop, Jr., STATUETTE OF Dr. FRANKLIN The figure is posed in oratorical position standing with one y hand outstretched and the other clasping a book. The coat is covered with a rich blue glaze, the breeches have a yellow ) ground with a gold sprig pattern. White stockings, black | shoes and a white cloak lined with a deep rose, thrown over the shoulders, complete the costume. A pedestal marked “Dr. Franklin” supports the figure. Early colors and glaze. Period, 1785. (Slight repair to hand.) Extreme height, 1314, inches. 1638 161 STATUETTES AND PiTcHER BY RALPH Woop First Afternoon 164—RatrH Woop StTaTuEtTE id) Subject: “The Lost Sheep.” Another example of precisely aye the same model as No. 160. In this case the coat is greenish 4 v gray, the waistcoat white and breeches green. Otherwise | the coloring is similar to the above. (The base has been repaired.) Period, 1760. 165—RatreH Woop StTATuETTE _ Subject: “The Lost Coin.” This is of the same series as the ey foregoing examples. The coloring here is mostly a beau- tiful green, with white, yellow and gray. (The left arm is restored.) Period, 1760. 166—RautrepH Woop Ficure or a Ram “ / lying on a grassy mound. Covered with a mottled white, q.” green and yellow glaze. Period, 1770. EARLY AMERICAN POTTERY 167—SmatuL Hovunv-HANDLED~ PITCHER A Pear-shaped body, indented rim, round spout. Deep yellow 5 glaze splashed with dark green. Decorated in relief with J frightened deer pursued by a dog. Probably Bennington. Period, about 1845. Height, 5 inches. 168—Porrery Fruit Disu . Covered with a rich yellow glaze and ornamented with 4 4 - sprays of acorns and flowers in relief. Period, about 1840. 9 inches by 71% inches. 169—Bennincton Botrrrue hat, and carrying a mug. Covered with a mottled brown S ii In the form of a man wearing a cape-like coat with large by | and tan glaze. Period, 1847. Height, 101% inches. First Afternoon 170—Larcet Jersey Ciry Potrrery PITCHER Bulbous body, cylindrical neck, curved spout and looped handle. Covered with a very thin ivory glaze. Around the body is a hunting scene with trees, dogs, horses and men, in relief. On the foot is impressed, ‘‘Henderson’s Flint Stone Ware Factory, Jersey City.” Period, about 1820. Very rare. Height, 734, inches. 171—American Wuirr Porcenain PITCHER Uneven cylindrical body with merely a suggestion of a neck, the broad spout and looped handle rising high above the rim. The body is completely covered with a moulded decoration of ripening corn. This pitcher and the following number were made at the Jersey City Pottery Company, about 1845. The paste has a very soft appearance, but is found to be quite hard when tested with a file. The crackled glaze is ivory white, of beautiful texture. Height, 9 inches. 172—AmERICAN WuitE PorcELAIN PITCHER In the same pattern as the preceding number, but of slightly smaller size. Period, 1845. Height, 81% inches. First Afternoon 173—Pair oF BrennincTon Docs “Right and Left,” in the usual form of a partly clipped ky ( / poodle. Yellow glaze, mottled with brown. (One has been he , IV repaired.) Period, 1847. (Illustrated) No. 178—Pair or BENNINGTON Doas First Afternoon 174—Pair or Uniaue Wuitrt Guazep Does “Right and Left,” in the form of a partly clipped poodle. Re Sf The model and glaze are Bennington. ‘They were made ) ) , , “© from the Bennington moulds, after the closing of that fac- Ae ie tory, by a Bennington potter by the name of Dow, from h fv whose family they were purchased. Period, 1859. PA (Illustrated) STAFFORDSHIRE LUSTRE WARE OF THE EARLY NINETEENTH CENTURY 175—STAFFORDSHIRE CANARY AND Coprer Lustre Grrr Cup ( 0 The inscription, in a wreath-like pattern, decorates the cup. Dy Period, early nineteenth century. Height, 214 inches. 176—STAFFORDSHIRE SILVER LustrE Muce ae Flaring rim and base and looped handle. Period, early | ) ei nineteenth century. Height, 4 inches. 177—Pair oF STAFFORDSHIRE LustrE Mues The straight, flarmg body has a broad blue band upon ee (7 which is sketched a floral pattern in lustre. Period, early I), J nineteenth century. y Ta Height, 4 inches. 178—STAFFORDSHIRE SILVER LustrE CrEAM PITCHER X © Oblong body, round spout and angular handle. On the nh « body is a reeded pattern in relief. Period, early nineteenth y century. Height, 4 inches. 179—STAFFORDSHIRE SucAaR Bowu Silver lustre. The cover and body are decorated with a ai 4 veeded pattern. (Cracked.) Period, early nineteenth cen- 4 UJ aot) tury. Re Height, 41% inches. 1 z | : : S90(Q] GHZVIQ)H ALIH AA ANDINA AO AIVG—FLT ‘ON First Afternoon 180—SraFFoRDSHIRE Srttver Resist PIrcHER “PD Pear-shaped body, curved spout and conventional handle. Os On each side is a panel of white ground in which is printed a 6) See landscape in sepia. The remainder of the body is decorated ii in floral forms. Period, early nineteenth century. Height, 414%, inches. (Illustrated) 181—STarrorpsHIRE Sitver Resist Lustre PircHer Pear-shaped, paneled body, with irregular cylindrical neck, : curved spout and angular handle. The entire groundwork ye ra is of silver lustre. On the neck is a garland of roses and 5 ss leaves in white relief, below which is a beading of lustre. The body is finely reeded except where circular panels on front, back and sides are introduced. These contain a con- ventionalized chrysanthemum in white reserve. Period, early nineteenth century. Height, 41/, inches. (Illustrated) 182—STAFFORDSHIRE SILVER Resist Lustre Lovine Cup Inverted bell-shaped body with graceful looped handles; / body on delicate circular foot. The body is decorated in () ) silver resist with a conventionalized floral design on a fish 4 scale background. The foot has a silver band and vine of : the white reserve. A charming example, in fine condition. Period, early nineteenth century. Height, 4°, inches. (Illustrated) 183—Pair STAFFORDSHIRE SinveR Resist Lustre PircHers / Flattened pear-shaped body with rounded spout and straight c by he looped handle. Decorated in relief with carved flutings, .» mask on either side in colors and silver resist festoons, f ¢ rosettes and leaves. Period, early nineteenth century. ag Be Height, 5 inches. (Illustrated) 181 180 183 STAFFORDSHIRE SitveR Resist Lustre Pircuers aNnp Loving Cup First Afternoon 184—-REMARKABLE STAFFORD- SHIRE Pink LwvusTRE PITCHER Flattened pear-shaped body, short oval neck and curved handle. The body is prac- tically covered with an apple-green glaze, broken, however, by white reserves which take the form of a garland of leaves and grapes th . ) | ) at the neck and landscapes with setter and pointer dogs, all ye r| ey in relief. These reliefs are partly decorated in pink and Crest purple lustre and partly left white. There is a narrow moulded border at rim which is decorated with pink lustre, as is the handle. In the writer’s experience this example is unique. Period, early nineteenth century. Height, 434, inches. 185—SrarrorpsHirE Gotp Lustre PircHer «<’D____ Low bulbous body, cylindrical neck, round spout and looped Ay handle. Body of the jug is ornamented in applied relief - designs in white. Period, early nineteenth century. Height, 41% inches. 186—STaAFFORDSHIRE Copper Resist Lustre GosBLet rd Bulbous bowl on high balustered foot. A vertical reeding ~ covers the lower part of the bowl and a band of pink resist tid 8. with vines and tendrils decorates the top portion. Period, early nineteenth century. Height, 41%, inches. 187—STAFFORDSHIRE CoprreR Lustre GOBLET a Pear-shaped bowl on high foot. The body of the bowl is Y¥ covered with a greenish-gray glaze, on which are applied ~ designs in bright colors. Period, early nineteenth century. Height, 414, inches. First Afternoon 188—STAFFORDSHIRE Pe TaN Tc Lustre PiItrcHer Inverted pear-shaped body, cylindrical neck and curved handle. The neck is decorated with a wide key pattern in lustre while the body is_ practically covered with landscapes in lustre. The use of the key pattern in the decora- tion of this ware was very infrequent. Period, early nineteenth century. Height, 5 inches. 189—SrTaFFORDSHIRE SitverR Resist Lustre PircHEer Pear-shaped body, with rounded spout and straight looped handle. Decorated, in silver resist, with detached trefoil leaves and scroll. Period, early nineteenth century. Height, 5 inches. 190—STAFFORDSHIRE SILVER LustrE GOBLET Cylindrical bow! on high foot. Period, early nineteenth century. Height, 51/4, inches. 191—STAFFORDSHIRE Pink Resist Lustre PircHer Pear-shaped, with rounded spout and looped handle. Dec- orated, in pink resist, with leaves and flowers. Period, early nineteenth century. Height, 5 inches. First Afternoon eee oe, 192—STAFFORDSHIRE SILVER : Resist Jue Flattened bulbous body, curved spout and looped handle. The body is di- vided into convex and con- cave panels, the former having bold flutings, which run into narrower flutings at the bottom. Grape-vines and fruits in relief decorate the neck and fall into the concave panels. The reliefs are in white glaze and the background is in sil- ver. Very rare. Period, early nineteenth century. Height, 51% inches. 193—Pam OF STAFFORDSHIRE Goup Lustre PiTrcHERS A) Vase shape, with a band of yellow about the body and a ond smaller one about the neck. ‘These bands have painted o *\ ' . 4A upon them conventionalized leaves in lustre, which on this Ve | WY ground of course becomes pink. The lustre is very fine and a even. Period, early nineteenth century. (One handle slightly repaired.) oe eight, 514 inches. 194—SrarrorpsHirRE Goutp Resist Lustre PircHEer Short, bulbous body, cylindrical neck, curved spout and looped handle. The white glaze is practically covered with the gold lustre. Around the neck is a vine with grapes and ata leaves in white relief. The body is decorated with Wedg- a ee wood groups in white relief. Period, early nineteenth cen- ‘ tury. Height, 514 inches. First Afternoon 195—STAFFORDSHIRE LUSTRE Pottery PircHer Pear-shaped, with elongated cylindrical neck, curved spout and angular handle. Invested with a white glaze. The rim is decorated with a purple lustre edge, below which is a garland of grapes and leaves in purple lustre, and green. On one side are three ships in relief in pink lustre, placed on a green band to suggest the sea. The reverse side has, in relief, children at play with a ram. Ship decoration on this ware is very rare. Period, early nineteenth century. Height, 514 inches. 196—StTaFForDsHIRE PurPLE Lustre PircHEeR Oval, pear-shaped body with cylindrical neck, curved spout and looped handle. Invested with a white glaze and dec- orated, in colors and purple lustre, in relief, with a hunting subject of men and dogs and with a band of vine leaves and grapes. Period, early nineteenth century. Height, 51% inches. 197—STAFFORDSHIRE CorAaL Resist PITCHER Globular body, cylindrical neck, round spout and angular handle. A broad coral band decorates the body. On this, in resist, is the figure of a bird in a tree. Period, early nineteenth century. Height, 514, in ches. First Afternoon 198—STAFFORDSHIRE Pink Lustre PITcHER Oval, pear-shaped body, curved spout and looped handle; / # covered with a brownish glaze. Panels are used to decorate ") >" the body. On the sides are houses sketched impression- ey, istically in the pink lustre. The other two panels contain floral sprays with the flutings covered by pink lustre. Around the neck are garlands of flowers and leaves in pink lustre and apple green. Period, early nineteenth century. Height, 51% inches. 199—STAFFORDSHIRE Pinx Lustre PitrcHerR Practically the same as the foregoing number and very likely from the same mould. In this example, however, the dec- oration is wholly in lustre, the green having been omitted. Period, early nineteenth century. a te € oS lien Height, 514 inches. 200—STAFFORDSHIRE Tospacco JAR ve ) Cylindrical-shaped, with flaring foot and cover. Gray pot- A = tery decorated with silver lustre design in relief. Period, \ | early nineteenth century. \ Height, 514 inches. 201—Sra¥FForDsHIRE Sitver Resist PircHer , Pear-shaped body, curved spout and conventional handle. | “ 4 | Decorated ona white ground with birds and foliage in silver LY resist. Period, early nineteenth century. Height, 51% inches. First Afternoon 202—STaFForRDSHIRE Pink Lustre PiTcHER Oval, pear-shaped body with cylindrical neck, curved spout and looped handle. Invested with a white glaze and deco- rated, in relief, with a band of basket-work, a band of oak leaves and tendrils in purple lustre, and with a fox-hunting scene with huntsmen, horses, hounds and trees in green, pink and purple lustre. A perfect example of this rare type. Period, early nineteenth century. : Height, 6 inches. 203—Pair oF STAFFORDSHIRE CoprerR Lustre PitcHERS Pear-shaped body with cylindrical neck, curved spout and looped handle. A band of pink decorates the body. On this band is painted a lacy design in the copper lustre. Beau- tiful in color and glaze. Period, early nineteenth century. Height, 51% inches. 204—STAFFORDSHIRE Copper Lustre PircHEeR Pear-shaped body with lustre neck, spout and handle. The decoration is in lustre stencilled on a blue ground. Of beau- tiful glaze and color. Period, early nineteenth century. Height, 534, inches. A bce On te f / First Afternoon 205—STAFFORDSHIRE PURPLE Lustre PircHEeR Pear-shaped body with cyl- indrical neck, curved spout and straight looped handle. Invested with a white glaze and decorated, as to the rim, with a band of leaves, in re- lief and purple lustre, and as to the body, with a group of vine leaves, grapes and ten- drils in purple lustre. For softness of texture and lightness coupled with a very rare form of decoration, this example is practically unique. Period, early nineteenth century. Height, 61% inches. 206—STAFFORDSHIRE Lustre Potrrrery PITCHER Paneled body with elongated cylindrical neck, curved spout and looped handle. Invested with a white glaze. The rim v a4 is decorated with a purple lustre edge, and on the neck are 4 garlands of leaves and grapes in red, green and purple b lustre. On the sides of the body are cottages painted in pink lustre. Period, early nineteenth century. Height, 6 inches. 207—STAFFORDSHIRE CopreR Lustre PircHER Pear-shaped body, cylindrical neck, curved spout and looped vA handle. The copper lustre covers the neck inside and out D as well as the foot. A band of rich deep blue forms the ra) body, and on this are printed rural scenes of figures and , trees in reddish brown. Period, early nineteenth century. Height, 6 inches. First Afternoon 208—RarESTAFFORDSHIRE PITCHER Bulbous body, with cylindri- cal neck and usual form of handle and spout. On one side is a finely engraved transfer in black of a naval engagement, entitled, ‘The Constitution in close action with the Guerriere.” On the reverse is another battle — scene, entitled, “Second view of Com. Perry’s Victory.” Under each engraving is the inscription: “Bentley, Wear & Bourne, Engravers and Printers, Shelton, Staffordshire.” There are borders of pink lustre at neck, foot and handle. Probably a unique specimen. Period, early nineteenth cen- tury. (Small chip repaired.) Height, 7%, inches. 209—SrarrorpDsHIRE Lustre Porrery PircHErR Pear-shaped, with elongated cylindrical neck, curved spout and looped handle. Invested with a white glaze. The rim is ornamented with a purple lustre band. The body is entirely covered with a decoration of vines in relief in purple lustre and green enamel. Period, early nineteenth century. Height, 61% inches. 210—Two oF a SET OF STAFFORDSHIRE PurPLE Lustre PircHers Oval, pear-shaped body with curved spout and looped handle. Invested with a white glaze and decorated, in relief, with bands of C-scrolls and imbrications, and with Teniers groups of peasants carousing; all painted with purple lustre. Period, early nineteenth century. Heights, 64% and 5% inches. First Afternoon 211—STAFFORDSHIRE Copper Lustre “CorNwAuus” PircHER Se Bulbous body, flaring neck, curved spout and looped handle. 2, ‘) ~— Around the body is a broad band of canary yellow, broken a by reserves in white, in one of which is a black print of Corn- wallis surrendering his sword at Yorktown. On the opposite side is a portrait of Lafayette. Period, early nineteenth century. Height, 6 inches. 212—SrarFrorpsHIRE Copper Lustre PircHER Body with flaring, straight sides, cylindrical neck, curved spout and angular handle. The copper lustre covers the Ve shoulder, neck and spout, inside and out. Around the body ge is a broad yellow band, on which are two printed Swiss scenes in delicate colors. Period, early nineteenth century. Height, 61% inches. 213—Pair or STAFFORDSHIRE Copper Lustre PitcHERs AD Vase-shaped, with angular handles. About the body runs 2 a canary colored band, with large reserves in white on either 4 ' i” side, in which are prints of mother and child in rose, brown, 1) , fi” blue and green.. Within a small reserve in front is a bunch , of fruit. (One handle has been repaired.) Period, early nineteenth century. Height, 65% inches. 214—STaFFoRDsHIRE Copper Lustre PircHER Body with flaring straight sides, cylindrical neck, curved /) spout and angular handle. The body is practically covered ~ /“, with a broad apple-green band, in which large reserves in oie white enclose the figures of a woman and child in Directoire > ) - costumes of old rose and yellow. Not a rare shape nor are the decorations unusual, but the apple-green applied to this type is unique in the writer’s experience. Period, early nineteenth century. Height, 61/, inches. 215—STAFFORDSHIRE Pink Lustre Bown Invested with a white glaze and painted on the outside with +, x, trees and houses in a beautiful pink lustre. Bands of the ‘ . yA . ° . . . } oe pink lustre ornament the inside. Period, early nineteenth D century. Diameter, 6%, inches; height, 34% inches. First Afternoon 216—Pair oF StTarrorpsHrreE Pink Resist Lustre Bowts a )) i Invested with a white glaze. A band of lustre ornaments U)} l the rim inside and out, while the body of the bowl is prac- Lo Ape tically covered with a wide band of pink lustre broken by JY” white reserves. In these are painted conventionalized flow- ers with green centers and large clover leaves in the same brilliant green. A beautiful pair. Period, early nineteenth century. Diameter, 6 inches; height, 3 inches. 217—STAFFORDSHIRE SILVER Resist Lustre Masonic PircHer Pear-shaped body with cylindrical neck, curved spout and ee angular handle. ‘The entire groundwork is in the silver a d lustre, the body being decorated with Masonic emblems and the foot and neck banded in white reserve. Period, early nineteenth century. | Height, 634, inches. 218—Pair oF STAFFORDSHIRE CoprPpeR LustrE FLOWER-POTS AND STANDS Cylindrical, with flaring rim and foot. The pot is entirely covered with the lustre except for a band of king’s blue, which ornaments the middle. On this band are placed two i a sprays of flowers, in relief, painted deep rose and copper lustre. The handles are suggested by lions’ heads, in high relief, holding rings in their mouths. The stands are cov- ered with copper lustre, and have the corresponding king’s blue band. Period, early nineteenth century. Height, 6 inches. First. Afternoon 219—Wepewoop Lustre PircHEr si Pear-shaped, with rounded spout and looped handle. Cov- (Se / ered with a marbled pink lustre. Wedgwood pitchers with | this form of decoration are extremely rare. Mark: “Wedg- wood,” impressed. Period, early nineteenth century. Height, 6%4 inches. 220—STAFFORDSHIRE CoprpER Lustre PITCHER Globular body with cylindrical neck, curved spout and looped handle. The neck, spout, handles and foot are coy- Phe. ered with the copper lustre. The body is covered with a , 5 blue-white glaze and ornamented with exotic birds and flow- ers in brilliant colors after the Chinese manner. This rare piece is illustrated in Bosanko’s little book on lustred ware, and is there attributed to the Spode factory. Period, early nineteenth century. Height, 6 inches. 221—STAFFORDSHIRE CANARY AND LustrRE PITCHER Pear-shaped body, cylindrical neck, curved spout and angu- h / lar handle. Covered with a beautiful canary glaze and orna- ) ~ mented with bands of silver on neck, spout, handle and foot. - A band of it also encircles the large black transfer prints of rural scenes which decorate both sides of the pitcher. A beautiful specimen. Period, early nineteenth century. Height, 6 inches. oe Fe First Afternoon 222—Unteuk STAFFORDSHIRE PircHEeR InN PINK REsIsT Globular body, cylindrical neck and angular handle. ‘The hunting scenes which the lustre has left in reserve are in underglaze blue transfer prints. The neck is decorated with a floral pattern in underglaze blue without lustre. The rim is marked by a band of lustre. The handle is decorated in lustre and blue. Underneath the foot is the letter S, done with a brush. It is probably the initial of Scott of Sunder- land. Combinations of silver resist with blue and other colors are occasionally found, but the writer has yet to learn of another specimen of blue and pink. (Very slight repair to handle.) Period, early nineteenth century. Height, 71% inches. 222,1—STAFFORDSHIRE Pink Resist PITCHER Pear-shaped body, curved spout. and scrolled handle. The body is covered with the pink lustre, with a vine and tendril decoration in the underlying white glaze. The neck is simi- larly treated. Period, early nineteenth century. (Chips restored. ) Height, 51% inches. J Oe First Afternoon 223—LarcE STAFFORDSHIRE SILVER AND BuivueE Resist PITCHER Pear-shaped body, curved spout and angular handle. Dec- 7 orated on a white ground, in silver resist and blue, with Q G 0 huntsmen, horse, dogs and landscape. The figures are well drawn and the quality and condition are excellent through- out. This is the largest and finest specimen of this rare type that has come to the writer’s notice. Period, early nineteenth century. , Height, 7 inches; diameter of body, 7 inches. 224—Parr oF LARGE STAFFORDSHIRE CopPpEeR LustRE PITCHERS Pear-shaped, with a collar of copper lustre, below which is a Ape seee band of gray-blue about five inches wide. The foot and of | , _ bottom are of copper lustre, as are the handle and spout. A Dp (A“ rare pair, in fine condition. Period, early nineteenth iy century. Height, 7% inches. 225—STAFFORDSHIRE Coprer Lustre PircHEeR Pear-shaped body, cylindrical neck, round spout and looped iS y handle. ‘The body and neck are covered with a marbled | glaze in white, blue, brown and yellow. Period, early nine- teenth century. . Height, 514 inches. First Afternoon 226—STAFFORDSHIRE CoprpER Resist PITCHER Pear-shaped body with lustre neck, spout and handle. From the neck to the foot the ground color is blue; over this the o) (ye oat copper lustre takes on a lilac shade and is broken by resist floral designs, which are of course in blue. A very rare form of decoration. Period, early nineteenth century. Height, 6 inches. 227—STAFFORDSHIRE Pink Lustre PircHER Inverted pear-shaped body with curved spout, waved rim to the neck and angular handle. Invested with a white glaze and decorated on the body in panels. Four panels framed by reedings enclose Masonic emblems, printed in black. — i) —— Around the neck is a garland of roses and leaves in relief ~ and painted in pink lustre. The alternate use of white and pink in the reeded panel frames is very effective. (Chips repaired.) Period, early nineteenth century. Height, 7 inches. 228—STAFFORDSHIRE Pink Lustre PiIrcHER Inverted pear-shaped body, curved spout, waved rim and angular handle; suggesting the preceding pitcher, though smaller and with a little different treatment as to the lustre. ~) OU <2 The decoration in the panels, however, is a conventionalized ~ flower in pink lustre. Period, early nineteenth century. Height, 5%, inches. First Afternoon 229—STAFFORDSHIRE SILvER Lustre CoFFEE-POT Tall body in broken barrel form; long, fluted spout and 0 ~“ handle composed of large and small C-scrolls. The body has two bands of waved reedings and there is another on the cover. The lustre is of fine quality and in remarkable condition. Period, early nineteenth century. — Height of body, 814 inches; extreme height, 1114 inches. 230—SrTaFrorpDsHIRE Pink Lustre Tra Set Of fine porcelain, beautifully decorated with landscapes. 0) / These are among the best specimens of porcelain in pink / ye lustre that have come under the writer’s observation. There are nineteen pieces, consisting of teapot and cover, sugar bowl and cover, creamer and six cups and saucers. Period, early nineteenth century. 231—STAFFORDSHIRE Pink Lustre Tra Ser Of fine porcelain and fair decoration. The set consists of we ig teapot and cover, sugar bowl and cover, creamer, slop bow! and nine cups and saucers. Twenty-five pieces in all. o f) Period, early nineteenth century. First Afternoon 232—STAFFORDSHIRE Pink Lustre PircHEer Bulbous body and conventional spout and handle; light brown glaze. Decorated at the neck and foot with borders and lines of pink lustre. On either side is a finely executed transfer print, in black, of allegorical scenes. Period, early nineteenth century. Height, 714, inches. STAFFORDSHIRE AND OTHER ENGLISH POTTERY OF THE EIGHTEENTH AND EARLY , NINETEENTH CENTURIES 233—STAFFORDSHIRE Muvc Brown paste decorated with white slip. Period, 1800. 234—STAFFORDSHIRE CuP AND SAUCER Covered with a deep ivory glaze and decorated with a red vine and sprays of flowers in a soft gray color. Period, 1810. 235—Buack JACKFIELD 'TEAPOT Globular body, rustic spout and handle. Covered with a black glaze. Period, 1760. Height, 31%, inches. 236—STarrorDsHIRE CrEAM PITCHER Oval form, round spout and looped handle. The body has fluting and panels impressed in the paste. It is covered with a white glaze and decorated with leaves and grasses in green and yellow. Period, 1795. Height, 41% inches. 2937—STAFFORDSHIRE CREAM PITCHER Light brown glaze. Decoration in relief of eagle’s head, wings, etc. Transfer printed in brown on both sides. Period, 1810. 238—Smautu LEEDS SWiter Boat Paneled body. » L First Afternoon 239—STAFFORDSHIRE CREAM PITCHER A) Globular body, cylindrical neck, masked spout and looped 4 if handle. The body has basket-like decoration surmounted "| ' by a rope edge impressed in the paste. Colored blue, yellow / and brown. Period, 1805. Height, 51% inches. 240—Darxk Buiur STAFrForDSHIRE SucaR Bow. cv “McDonough’s Victory.” Beautiful color and glaze. Period, hy 1825. “A Height, 7 inches. 241—STAFFORDSHIRE ‘T'EAPOT Paneled body and looped handle. On the sides in relief are y eagles with branches in their beaks. Around the neck of “ the pot is a garland of poppies and leaves. Orange, green and dark blue glazes are used in these designs. Period, 1810. cs Height, 6 inches. 242—BristoL DetFr SHAvING Bown < Grayish-white glaze with floral design in blue. Period, 1? 7 about 1750. Diameter, 9 inches. 243—Darx Biur STAFFORDSHIRE PITCHER wv “Landing of Lafayette,” by Clews. Fine color and glaze. eat Period, 1825. oD, ; Height, 7 inches. 244—Dark BLuE STAFFORDSHIRE PITCHER sd Arms of United States on front. Fine color and glaze. 1 Period, 1825. Height, 7 inches. 245—Mason Ware PitrcHer | Paneled pear-shaped body and neck, pewter cover and looped a handle covered with a greenish-gray glaze. Marked: / *“Mason’s Patent Ironstone China.” Period, 1830. 1, | Height, 61% inches. i First Afternoon 246—STaFFoRDSHIRE “LANDING OF THE Piuerims” PircHER Pear-shaped body, curved spout and angular handle. ‘The body is covered with the minute pattern known in connection with early gilt works as “gesso.” This is broken in three large reserves of white glaze. Those on the sides are bor- dered in twisted ribbons inscribed, “Landing of the Fathers at Plymouth,” and contain views printed in blue of the land- ing of the Pilgrims at Plymouth Rock. The reserve at the front is bordered in laurel branches and inscribed, “‘Carver, Bradford, Winslow, Standish & Brewster, Plymouth, Dec. 22, 1620.” Period, 1820. Height, 71, inches. 24°7—STAFFORDSHIRE WasH Bow. anv PITCHER Light blue Staffordshire. Landscape decoration. Period, 1835. 248—SrarrorpsHIRE Wasn Bowt anv Pircuer Light blue Staffordshire. Landscape decoration. Period, 1835. . 249—“LanpING oF LaFAYETTE” PLATE Fine dark blue color and glaze. Period, 1825. Height, 7 inches. First Afternoon 2?50—-Bristot Dretrr PLATE s Bluish-gray glaze with floral designs in panels painted in _~ blue under the glaze. In the center appear the initials / eM. Do andidates: Liguy Diameter, 834 inches. 251—Larcr STAFFORDSHIRE PITCHER ES. Barrel-shaped body, round spout and looped handle. Cov- » 4 ered with a brown glaze. The body is decorated with bands — / v of green, yellow and gray, upon which are painted twining ropes of shelis. Period, 1795. Height, 8 inches. 252—STAFFORDSHIRE STATUETTE } () — “Uncle Tom and Eva.” Very late, of course, but rare. / 2524—STAFFORDSHIRE WasH Bown AND. PITCHER Dark blue, with “Landing of Lafayette” pictured on either — side of pitcher and in bowl. 90 253—STAFFORDSHIRE STATUETTE Black glaze. (Repaired.) Mark: “Wood & Caldwell.” MISCELLANEOUS OBJECTS IN COPPER, BRASS AND OTHER METALS eo 254—AMERICAN CoprprEeR SAUCEPAN 4) ae ee Of eighteenth century workmanship. Height, 41, inches. Se 255—AmERIcAN Copper KETTLE A) Of cylindrical form and eighteenth century workmanship. + Height, 7 inches. 256—Brass Tra Kerrie of, h Found at Bruges, Belgium, in 1900. Eighteenth century. Height, 71/, inches. First Afternoon 257—F ive Smauyt Pieces EicgoTeentuH Century Prewrer (4) ee Queen Anne hot-water urn. 7 ty ee (ps) Skillet with moulded decoration. ht N (c) Gourd-shaped ladle. / (>) Small porringer. (x) Cream jug with bow legs and splay feet. 258—AMERICAN CoprerR Hot-watEerR Borrie Kighteenth century. Length, 13 inches. Ode Meyay. PLatE WARMER Japanned metal with painted flowers on door. Bandy legs and paw feet. Period, 1840. 260—Empossep Brass TRAY AND STAND Of eighteenth century East Indian workmanship, with fig- ures and characters in high relief. The rim is raised and moulded. It rests upon a turned, collapsible stand. Diameter, 261%, inches. 960a—Earty American Warmine Pan Brass, with engraved cover. Early turned handle. 261—Paintep Tra Tray Metal with wide piecrust rim. Period, 1825. Length, 29 inches; width, 23 inches. -262—HepriewnitEe Parwtep Metat Tray Oval form with pierced gallery and decorated around the edge with a key pattern. In the center is a group of figures, well executed, in richly colored costumes mellowed with age. Period, 1790. 30 by 24 inches. Ee ae | First Afternoon TEXTILES vis 263—AMERICAN SAMPLER pa Signed, “Jane Wood, 1782.” & 104%, by 12% inches. nO 2 Y 264—AmeErican SaMPLER <] v Signed, ““Martha Miers 1803.” 4 : 174% by 12% inches. a 265—AMERICAN SAMPLER — a Signed, “Jane Maria Roberts, New York, 1837.” joe 15 by 15 inches. _266—SamPLeRr = - Unsigned. “~) “) v 17 by 17 inches. ” 267—AMERICAN SAMPLER Pre tne Signed, “Matilda Anne Cullin 1840.” a es eee 18 by 18 inches. \ 4 268—ENcLisH SAMPLER ‘C “© Worked on silk of various colors, depicting a house, wind- oe mills, trees, potted plants, etc., all surrounded by a floral a / border. Signed, “Elizabeth Atherton 1823.” Original Ap frame, 17 by 12 inches. 269—NeEEDLEWoRK Map or Encianp A eg Done on silk with symbolic scenes in the corners. Original / ( frame. Period, 1790. 22 by 201%, inches. 270—AMERICAN SAMPLER aye es Signed, “Mary Matilda Carson.” f Dee 20, by 201% inches. x 271—Larcr Homespun Brpspreap Dark blue with conventional floral design in white. Period, “ 1850. 20 First Afternoon 272—Homerspun BEpspreap Dark blue and white with geometrical pattern and border. Period, 1840. 273—HomeEspun BeEpspreap Dark blue and white with a geometrical pattern and border. Period, 1840. 274—PatcHwork Brpspreap Very large and of good design and coloring. Period, 1830. 275—Fine Larcrt Hooxrep Rue The design suggests the Oriental. It has a deep border of vertical stripes in variegated colors with an inside border of conventionalized leaves. The whole center is covered with a diaper pattern in soft, rich colors. Period, 1850. Size, 10 feet by 6 feet 81% inches. 276—Pair AmeERicAN Brass ANDIRONS Slender form, of the Adam period, with urn-shaped finials, cabriole legs and flattened circular feet. American. Period, 1790. Height, 211%, inches. 277—Pam or American Brass ANDIRONS AND FirE SET TO Matcu “Right and Left,” with urn-shaped top and hexagonal base. The legs are cabriole and end in ball feet. Period, 1790. Height, 241, inches. 278—Parr AmeERicAN STEEPLE Top Anpirons Aanp ‘Tones The irons are in the form of a hexagonal and balustered column which is surmounted by the hexagonal cone-shaped “Steeple.” Cabriole legs and ball feet. Period, 1780. Height, 24 inches. ¢ 0, ¢) j . a) . ; a .