LIBRARY M. KNOEDLER & CO. 556-8 FIFTH AVE. NEW YORK CATALOGUE OF THE INTERESTING AND VALUABLE COLLECTION OIL PAINTINGS, WATER-COLORS AND ENGRAVINGS FORMED BY THE LATE Hohn M1. Falconer (BROOKLYN, N. Y.) CONSISTING OF Oil Paintings by Harpignies, Thomas Cole, J. F. Kensett, J. F. Cropsey, G. H. Boughton, S. J. Guy, J. T. Peele, and other noted Artists; Fine Engravings in Mezzotint, Line, etc. Water-Colors by Vibert, Samuel Prout, etc., and including the Falconer Paintings of Historic Sites in New York, Philadelphia and Boston Te FOR SALE AT AUCTION THURSDAY AND FRIDAY, APRIL 28 AND 29 1904 eit BY Che Anderson Auction Company 5 West 20TH STREET, NEW YORK SALES BEGIN EACH VG es Aerie hs O'CLOCK N. B.—BIDS ARE UNDERSTOOD TO BE AT SO MUCH PER PIECE Douglas Taylor & Co. ~ . Hew Work Conditions of Sale. 1—The highest bidder to be the Buyer; in all cases of disputed bids, the lot shall be immediately re-sold. 2—Books are sold per volume, other articles per piece, unless otherwise stated in Catalogue, and bids must be made accordingly. 3—Books are presumed to be perfect, unless otherwise stated. To pur- chasers who have had opportunity for examination, they are sold as they are. On mail orders, an intelligent discretion will be used as to purchase. Imperfect books (not so described) may be returned within three days. 4—To prevent confusion and inaccuracy, goods will not be delivered dur- ing the sale. 5—Terms Cash. Bills to be paid before delivery of goods. om Bids will be faithfully executed by the Anderson Auction Co., without charge. 5d Order of Sale. Thursday Evening, April 28th, beginning at 7.30 o'clock, (Lots 1 to 376 inclusive, Engravings, etc.) Friday Evening, April 29th, beginning at 7.30 o’clock, (Lots 377 to 669 inclusive, Oil Paintings and Water-Colors. ) This Sale will be conducted by Mr. George D. Morse 39 — < me LEngravings, Etchings, Etc. om Le DAM (VICTOR), Cuartet, Erc. Motifs Algeriéns; Les Ex- trémes se touchent; Military subjects, and others. Lithographs. Folio. (17 pieces, some in poor condition, as a lot.) ADAMS (JOHN). Bust. Engraved by B. Tanner. gto. Scarce Original impression. 3 ALLEN (D.) Tike Scottish Hogarth. A Scottish Highland Marriage. Stipple engraving by R. Scott, after Allen. Partly colored. Edin- burgh, 1815. Framed and glazed. 23% in. x 20% in. 4 AMERICAN ANNUALS. Etchings, mezzotints, line engravings, etc., from various Annuals, mostly American. (About 100 pieces, as a lot.) 5 AMERICAN ETCHERS. Proof etchings by F. S. Church, Wm. Hart, J. C. Nicoll, R. Swain Gifford, and others. Mostly views. 4to. (16 pieces.) 6 AMERICAN PAINTERS. Original photographs of G. H. Bough- ton, T. and E. Moran, Paul Weber, and others, some with auto- graphs. 4to. Mostly mounted in mats. (9 pieces.) * This and the following lots of photographs of American Painters form a valuable NO and scarce collection. 7 Another similar lot, including Thomas Sully, T. Buchanan Read, P. F. Rothermel, and others. (9 pieces.) 8 Another similar lot, including Rembrandt Peale, Henry L. Stephens, J. B. Ord, and others. (13 pieces.) 9 Original carte-de-visite photographs of James Hart, Thomas Moran, C. P. Cranch, Launt Thompson, and others. (20 pieces.) IO Another lot, including J. D. Smillie, W. H. Beard, F. O. C. Darley, S. R. Gifford, J. F. Cropsey, and others. (20 pieces.) II mMuotherlot, including, Fy By Carpenter, |. (McEnteey laa Kensett, P. P. Duggan, G. H. Boughton and Mrs. Boughton, and others. (20 pieces.) * Several with autographs. The Anderson Auction Co. 12 AMERICAN PAINTERS. Another lot, including W. S. Mount, D. Huntington, Eastman Johnson, S. V. Hunt, Thomas Nash, J. T. Peele, and others. (25 pieces.) An Album containing 30 carte-de-visite photographs, mostly with the autographs, also of famous American Painters. The col- lection includes S. Cheney, D. Huntington, S. J. Guy, G. A. Baker, W. Hart, A. B. Durand, J. G. Brown, S. F. B. Morse, R. W. Weir, J. F. Cropsey, W. H. Beard, F. O. C. Darley, S. R. Gifford, ete. Square 12mo, embossed leather. 13 An Album of carefully selected drawings in water-colors, pen- and-ink and pencil by noted American Painters and forming an in- teresting volume representative of American Art. Theartists include Thomas Moran, Wm. Hart, J. H. Hill, J. F. Cropsey, Christopher Pearce Cranch, Alfred Jones, S. R. Gifford, Edwin White, T. H. Matteson, J. T. Peele, Charles Lanman, and others. The drawings are mostly small, but are excellently executed, and number 61, in- cluding a few that are not by American artists. In a small 4to volume, bound in full morocco, with watered-silk end papers. 15 AMERICAN PORTRAITS. Col. Richard M. Johnston, of Ken- tucky. (Killed Tecumseh.) Engraved by C. Harrison. 8vo. Proof. John Howard Payne, by G. R. Hall, india proof; J. F. Kensett, by F. Halpin, proof before all letters, signed; A. B. Durand, proof before all letters. Folio. (3 pieces.) - 16 ay Michael Paff, the Earliest Picture Dealer in New York City, etching by J. M. Falconer; Rufus W. Griswold, by C. Burt, india proof, signed; C. W. Frederickson, by the same, private plate, india proof; C. S. Bradley. Large 4to. (4 pieces.) 18 Henry Rutgers, by Samuel Maverick; Commodore Perry, by Pekenino; Commodore David Porter, by Edwin; Daniel D. Tomp- kins, by W. R. Jones; Rev. Samuel Seabury, by Gimbrede; and others. Early and original impressions. 8vo. (9 pieces.) : Washington, by Lewis Delnoce, india proof before all letters, signed, 16mo; Washington, after Peale, proof before all letters, 1z2mo; C. Brockden Brown, by Forrest; Philip Schuyler, by Kelly; ~ and others. (14 pieces.) 20 Rev. Francis Asbury, by B. Tanner (late impression); Elias Boudinot, by Paradise, on india paper; L. Gaylord Clark, by Cheney; and others. Varioussizes. (34 pieces, as a lot.) 6 a pe Se The Anderson Auction Co. 2t AMERICAN SCENERY. Niagara Falls, by S. V. Hunt; Sioux Village, after A. Bierstadt; Sugar Bush, Ottawa; and others. 4to. Proofs on india paper. (6 pieces.) 22. The Ruins at Fort Hale; Early Morning, Mt. Desert; and others. Line engravings by W. Wellstood. 4to. India proofs. (5 pieces.) Adirondack Mountains, by A. B, Durand; Hoosatonic Valley, after J. Halpin; Schroon Lake, after Thos. Cole; and others. 4to. Fine impressions. (12 pieces.) Near Berthier, on the St. Lawrence, by Peter Maverick; Early View of Quebec, stipple, printed in brown; 10 views of the neigh- borhood of Bridgehampton and Sag Harbor, L. I., by W. H. Roberts; Mt. Vernon, lithograph, by P. Haas; Niagara Falls, 1831; and other American Views. Various sizes. (50 pieces, as a lot.) 25 Etchings by J. M. Falconer. Various statesof the plates, dupli- cates, etc. (About 100 pieces, as a lot.) 26 ARTISTS. Original etched portrait by Hubert Herkomer (ticket of invitation to G. H. Boughton); Portraits of Jacques Callot, by Ferdinand, beautiful impression; Murillo, by Scriven; Benjamin West, by Edwin; Nollekens, by Holl; and others. Various sizes. (20 pieces.) 27 AUTOGRAPHS. A. L’s. S., by Daniel Huntington, Seymour J. Soeiai), J. alden Weir, J. F. Cropsey, Alex. Vattemare: (signa- ture), Jared Sparks, Sam. F. B. Morse, J. G. Chapman (signature), and P. T. Barnum, also certificate of the N. A. of Design, signed by D. Huntington. (20 pieces.) 28 ARRY (JAMES, R.A.)? Fine unfinished proof of a portion of his great painting of Elysium, introducing portraits of Sir Joshua Reynolds, Francis I., Charles I., and other noted personages, Luci- fer and another angel in the foreground. Large folio. faerie OLOZZI! (F;) “A St. Giles Beauty,” engraved after J. H. Benwell. 4to. Fine original proof before inscription, with full margin. Lond. 1783. 30 — Cherubins, after M. Bovi, printed in brown; Autumn, and Rinaldo, after Cipriani; Il Mercurio Italico. 4toand 8vo. (4 pieces.) Three engravings after Guercino, printed in brown; Atalanta and Hippomanes, after Luti; Wilkes’ Ball Ticket (poor condition). (5 pieces. ) 31 We The Anderson Auction Co. 32 BENTLEY (J. T.) Painter. A French Cathedral, exterior view. Etched by T. C. Dibdin, 1883. Folio. Unfinished proof, signed by Jil Bentley. View of another French Cathedral (Bourges?). Etched by T. C. Dibdin, 1883. Large folio. Proof before all letters, signed by J. T. Bentley, with wide margin. A finely etched study. 34 BIERSTADT (ALBERT). Mountain Scenery. Fine reproductive engraving by S. V. Hunt of an American scene, a lake in the fore- 33 ground, and snow-topped mountain in the background. Large folio, wide margin. Brilliant india proof before all letters, signed by the engraver. | 35 BOTH (JAN). Five original etchings—landscapes—by this famous Flemish artist. 4to. (5 pieces.) 36 BOUGHTON (GEORGE H.) ‘‘ The Waning of the Honeymoon.” Etched by V. L’huillier. Brilliant original india proof before all letters, with presentation inscription (signed) by G. H. Boughton. Folio, 37 BRANDARD (ROBERT). Scraps of nature. Etchings. (Off Dover, Near Hastings, Herne Bay, Gipsy’s Tent, etc.) India proofs on Large Paper. 17 etchings in awrapper. 4to. (Asa lot.) 38 BRUNET-DEBAINES. Woted French Etcher. Fountain Abbey, Yorkshire. Two different etchings. .4to. Proofs. 39 BURNET (JOHN). Woted English Painter and Engraver, author of books on painting. ‘*The Young Bird.” Painted and engraved by John Burnet. Folio. Fine impression, full margin. London, 1812. 40 ‘* The Escape of the Mouse.” Painted and engraved by John Burnet. Folio. Fine original impression. London, 1822. AI Scene from the Vicar of Wakefield, after G. S. Newton. Folio. Original open letter proof, with wide margin. London, 1830. 42 BURNS (ROBERT). Portrait at the age of 27. Half length, seated, facing front. Engraved by J. Horsburgh, 1830, after Peter Taylor, 1786. Folio. ae original impression, with large untrimmed margin. * Scarce portrait of Burns. Full length, seated at a table, writing. Line engraving by J. Burnet, 1838, on india paper (slightly foxed). Framed and glazed, 32 in. x 24% in. 8 ; a ey ee re, see te ee ed 5 2 < a ~ 4 44 45 46 47 48 49 50° 52 53 54 ao The Anderson Auction Co. BURT (CHARLES). WNoted American Engraver. ‘‘Sir Walter Raleigh parting with his Wife,” after E. Leutze. Folio, wide mar- gin. Open letter proof. New York, 1347. Seis (J. Gi Famous Italian Etcher and Painter. The Entry into Noah’s Ark; Landscape, with cattle; and two heads. (4 pieces.) CHARLES EDWARD (PRINCE). ‘‘ Bonnie Prince Charley.” Half length in armor. Mezzotint by T. Hodgetts and Son. 4to, wide margin. Brilliant impression. Edinburgh, 1828. CINCINNATI. Bird’s-eye view from Newport, Ky. Clever sepia drawing by D. C. Hitchcock, circa 1840-50. Oval, 834 in. x 7 in. CLAUDE LORRAINE. ‘“ Zhe Dancing Shepherds,” engraved by W. Lowry. Fine landscape, with figures. Folio. London, 1784. COLE (THOMAS). Two Landscapes, after Cole, etched by J. M. Falconer. Proof before all Letters. Framed and glazed, 24 in. x Brain: (2 pieces. ) In the Catskills, and Moonlight. Both etched by J. M. Fal- Coner, Proofs. Framed and glazed, 18 in. x 15% and 16 in. x Taay (2) DIECeS. ) COUSINS (SAMUEL). ‘ Pops Pius VII.” FuLt Lenctu, sEATED, FACING FRONT, MEZZOTINT, AFTER SIR THOMAS LAWRENCE, LARGE FOLIO, WITH WIDE UNTRIMMED MARGIN. London, 1829. * A splendid original proof before inscription, in perfect condition of this fine mez- zotint, the largest and one of the best works of the noted engraver. Shortly after the plate was re-engraved and reduced in size, the state in which it is usually met with. ‘©The Sunshine of Love,” after J. Raoux. Folio. Brilliant . impression, wide margin. London, 1837. CRAIG (WILLIAM MARSHALL). WNoted English Miniature Painter, and famous book-illustrator. Original water-color painting, four figures. Allegorical subject. Painted on card, 8% in. x 5% in. 1° BOISSIEU (J. J.) Portrait of an old man with hands crossed, after Teniers; The Almsgiver; Studies, etc. (9 pieces.) DEBUCOURT (P. L.) Famous French Engraver. ‘‘ Souvenirs de Jeunesse,’ after John Burnet. Mezzotint. 4to. * This engraver’s works is now much sought for in France, and fine examples com- mand a very high price. 9 56 57 58 a 63 64 65 66 67 68 The Anderson Auction Co. DELAROCHE (PAUL). ‘The Earl of Strafford going to Execu- tion,” engraved in mezzotint by G. Sanders. Folio, with wide mar- gin. Brilliant open letter proof of this famous painting. London, 1840. Napoléon. Half length, standing in uniform, Fine line en- graving by Aristide Louis of this famous portrait. Folio, wide margin. Open letter proof. Paris, 1841, ‘“ St. Vincent de Paule, préchant devant la Cour de Louis XIII,” engraved by Z. Prévost. Folio, with widemargin, Brilliant open letter proof. ‘‘ Charles I. a prisoner ‘derided by his captors,” engraved by Achille Martinet. Folio. Fine open letter proof, with wide margin. DE LAUNAY (N). WMoted 18th Century French Engraver. ‘‘Qu’en dit Abbé?” Engraved after Lavereince. Folio. ‘* Le Billet Doux,”’ after Lavereince. Folio. DOGS. ‘‘Pincher.” Fine engraving of the head of a dog. Painted by A. Cooper, engraved by J. Scott. Folio. Brilliant impression. London, 1830. Thoroughbreds Running for the Derby, aquatint printed in colors; Deer Stalkers, after Landseer; Rat Hunters, after Wilkie; and others. Folio. (6 pieces.) The Shooting Pony and Dogs, after A, Cooper, brilliant im- pression, 1827; Rover, after J. Ward; The Lame Leading the Blind (dogs); and others. Folio. (6 pieces.) DOW (GERARD). ‘‘ The Travelling Physician.” Line engraving, after Gerard Dow. Folio. Brilliant original impression, cut close. DRAMATIC PHOTOGRAPHS. Carte-de-Visites of Edwin Booth, Fanny Davenport, Pauline Markham, Isabella Allen, Mrs. D. P. Bowers, and others. (50 pieces.) DRAMATIC PORTAITS. ‘Mrs Wignell,” the early New York Actress. Engraved by D. Edwin, after W. Dunlap. rzmo. SCARCE. Fanny Kemble, after Lawrence, india proof before all letters; G. F. Cooke, by Leney; Mrs. Twistleton by W. Hinton; Master Burke; G. F. Cooke as Richard III.; the Siddons Family, five portraits on a sheet, after Lawrence; Talma. Various sizes. (7 pieces. ) 10 The Anderson Auction Co. 69 DURAND (A. B.) ‘‘American Eclipse” (the famous race horse). 70 —— ede § 72 73 en ik 76 10 Oe erwees 78 79 80 Engraved after A, Fisher. 4to. Original impression, with full margin. 1824, * Rare. , ‘fARIADNE,” AFTER J. VANDERLYN. LARGE FOLIO. PROOF ON INDIA PAPER BEFORE INSCRIPTION, WITH WIDE MARGIN. * One of the masterpieces of Durand and of American engraving. Brilliant impression of the original plate as printed by A. King, the first printer of it. ‘*Musipora.” DESIGNED AND ENGRAVED BY HIMSELF. 4TO. New York, 1825. * BRILLIANT ORIGINAL OPEN LETTER PROOF, This beautiful engraving—a com- panion to the Ariadne—has been, by some authorities, considered as probably the finest refined study of the nude, either painted or engraved, in America. It is remarkable as well as not being copied from a painting, but being designed entirely by the engraver. —_ ‘“‘John M. Mason, D.D.” Full bust. Engraved after J. W. Jarvis. 4to (top margin slightly damaged). 1822. — ‘‘Rev. John Summerfield.”” Full bust. Engraved after Waldo and Jewett. 4to, full margin. 1822. ‘*Elias Boudinot.” Half length. Engraved after Waldo and Jewett. 4to, full margin. MHartford, 1825. — ‘‘Gardiner Spring, D.D.” Full bust. Engraved after H. Inman. 4to. Fine impression. 1825. ‘General Andrew Jackson,” full length, with battle scene in background, Engraved by Durand, after John Vanderlyn. Large 4to. Fine original impression, but slightly stained. New York, 1828, avid Crockett.’ Bust, Engraved after Av L.. de-Rose With facsimile signature. 4to. * Presentation copy, signed by Durand with his autograph, and date ‘‘ South Orange, N. J. June 8th, 1872.” Portrait of Anna Brathwaite. Early American Authoress. En- graved after Dunlap. 4to. Fine impression. ‘William Fuller.” Full length, in pugilistic attitude in the prize ring. Engraved by Durand, after C. Ingham. Folio. Fine original impression: (Neatly repaired.) —— ‘‘W. H. Crawford.” Bust. Engraved after J. W. Jarvis. 4to.. Original impression (small repair), full margin, 11 81 82 83 84 85 86 87 88 89 go 95 The Anderson Auction Co. DURAND (A. 8B.) ‘Cadwallader D. Colden.” Bust. Engraved after Waldo and Jewett. 4to, Fine impression of the second state of the plate; full margin. Another copy of the same, full margin. ‘*The Honorable Philip Hone.” Bust. Engraved after Peale. 4to. Fine impression, full margin. ‘‘Judge Platt.” Nearly half length. Engraved after John Trumbull. 4to. Open letter proof on india paper. * A presentation proof from John Trumbull, with his autograph, ‘‘Joseph Octave Plessis, Catholic Bishop of Quebec.” Full length, in canonical robes. Engraved after James. Folio. Fine impression, full margin. ‘* Rev. Sylvester Larned.” Nearly half length. Engraved after E. Metcalf. Folio, Fine impression, wide margin. ‘General Lafayette.” Fulllength. Miniature engraving, after Ary Scheffer. India proof before all letters. Portraits of Iturbide; Thos. Cooper, Garret Furman, and De Witt Clinton, india proofs; and others. Various sizes. (6 pieces.) Portraits of Macready as Macbeth; Mrs. Barnes as Isabella; - Mr. Hilson as Tyke; George Jones; and other dramatic portraits. Various sizes. (7 pieces.) | | Portraits of Morgan Lewis (india paper); Jacob Brown; Isaac Shelby; James Monroe; and others. 8vo. Fine impressions. (10 pieces. ) Annual Caledonian Ball Tickets, two different (these were designed by John Allan, the well-known N. Y. bibliophile); National Academy of Arts Certificate (signed by Sam. F. B. Morse and J. L. Morton); Bible Society Certificate; Apollo (four copies); and three others. (11 pieces.) Portraits of, The Independent Beggar (proof on glazed paper) ; Rev. J. M. Matthews; Wm. Swaim; Rev. Nathan Bangs (india proof); and others. Various sizes. (12 pieces.) Portraits of Joseph Mountjoy Mannérs (the basest of men); George Jones (with F. S. Agate’s autograph); and others. Various Sizes. (18 pieces.) ; 12 “ . —. < The Anderson Auction Co. 94 DURAND (A. B.) ‘ William Cullen Bryant.” 4to, on folio paper. India proof of the second state of the plate, with the Century Co.’s stamp. Brilliant impression. * The last plate engraved by Durand. He painted the portrait, Charles Burt, Alfred Jones, and Stephen A. Schoff, etched the plate and Durand gave the finishing touches. With pencil autograph of Durand. 95 The Engraved Business Card of Durand & Co., 26 Wall St., Pepe tinted on glazed card. 694 in. x 8 in. 96 Portrait of A. B. Durand in Early Life, engraved by M. Pekin- ino, after Waldo and Jewett. 4to. Brilliant open letter proof. 1820. 97 fee Gaptire of Major André.” Painted’ by Durand, engraved by Jones, Smillie, and Hinshelwood. Large folio. Fine impression, with wide margin. New York, 1846. 98 Two Soldiers, after Salvator Rosa. Engraved by John Durand (brother to A. B. Durand), at the age of 22, his first attempt. Let- tering by S. P. Avery. 4to. New York, 1841. 99 A small 16mo Scrap Book, containing over seventy vignette Engravings, mostly by A. B. Durand, and forming an exceptional Collection of Specimens of his small and delicate work in Bank Note Engraving, Miniature Portraits, Decorative Designs, etc. Among the Portraits are three Washingtons, a Franklin and a Put- nam. The other subjects include Allegorical Figures, the Arts, the Laocoon, Hercules and the Hydra, etc., etc. Nearly all proofs. 100 DUSART (CORNELIUS). Dutch Painter and Engraver, pupil of Ostade. ‘‘De Vermaarde Schoenmaaker.” Rare original impres- sion. Small gto. tor DUTCH SCHOOL. Canal of Dort, and Fishing under the Ice (india proof), after Cuyp, by Fittler; and 2 others. 4to and folio. (4 pieces. ) Forge,” after Joseph Wright. Folio. Fine impression. (One corner creased. ) to3,ENGLISH 18TH CENTURY STIPPLE ENGRAVERS. A charming picture of a girl standing on the seashore waving a handkerchief to some departing ships. Engraved by R. S. Mar- cuard, pupilof Bartolozzi. Large 8vo, printed in carmine. 13 102 ee (R.) Famous English Mezzotint Engraver. ‘* An Iron The Anderson Auction Co. 104 ENGLISH 18TH CENTURY STIPPLE ENGRAVERS. ‘‘La Belle Francaise returning from Shooting,” after Wheatley, 1789; ‘‘ Faith,” by W. W. Ryland, after Angelica Kauffmann, 1776; ‘‘The Waggon,” by James Fittler (etching). Pretty scenes. 4to. (3 pieces.) Set of four stipple engravings, by C. G. Playter, after S. Shelley, illustrating Allan Ramsay’s Gentle Shepherd. Pretty rural scenes, two printed in brown tint. 4to. 1786. (4 pieces.) 106 ENGLISH PAINTERS. Original carte-de-visite photographs of E. M. Ward, Cruikshank, Mulready, T. C. Hook, Stanfield, Birket Foster, John Leech, Holman Hunt, and others. Scarce lot. (20 pieces.) 105 Another lot, including David Cox, E. W. Cooke, Maclise, Millais, Webster, David Roberts, and others. Scarce lot. (20 pieces.) 108 ENGLISH SCHOOL. A Scrap-Book containing a number of vignette engravings—mostly from keepsakes or annuals—of paint- ings by Lawrence, Landseer, Bonnington, Smirke, Westall, and others. The scrap-book formed of various colored leaves, many having a pretty decorative pattern embossed on them. 4to, half roan. 107 Spanish Peasant Girl, lithograph by J. F. Lewis, 1836; The Errand Boy, by Raimbach, after Wilkie. Line. Folio. Brilliant impressions. (2 pieces.) The Attack and The Defeat, by Fox and Finden, after W. Hunt; The Widow, by Bell, after Allan. Open letter proof. Line engravings. Folio. Fine impressions, with full margins. (3 pieces.) 109 IIo IIil Fishing Boats off Calais, by Davidson, after Turner, mezzo- tint (cut close); Sunset at Sea after a Storm, by Miller, after Danby, line engraving, Lond. 1849; The Fall of Napoleon, by Zobel, after Wallis, mezzotint, Lond. 1837. Folio. Fine impressions. (3 pieces.) T12 Baalbec, by J. Pye, after Roberts, 1849; The Ruins of Carthage, by Willmore, after Linton, Lond. 1838; The Battle of Trafalgar, by Miller, after Stanfield, 1845. Line engravings. Folio. Fine impres- sions, with full margins. (3 pieces.) 113 Escape of Carrara, by Bacon, after Eastlake, 1845; Returning from Market, by Finden, after Callcott, 1845; The Morning after the Wreck, by Cousen, after Stanfield, 1847. Line engravings. Folio, Fine impressions, with full margins. (3 pieces.) 14 The Anderson Auction Co. 114 ENGLISH SCHOOL. The Harvest Waggon, by Finden, after Gainsborough, 1843; Sickness and Health, by Finden, after Webster; Carthage, by Appleton, after Linton. India proof. Line engravings. Folio. Fine impressions, with full margins. (3 pieces.) Rustic Hospitality, by Outrim, after Collins, 1842; Anne Page and Slender (Merry Wives of Windsor), by Bacon, after Callcott, 1840; The Reduced Gentleman’s Daughter, by Hatfield, after Red- grave, Lond. 1842. Line engravings. Folio. Fine impressions, with full margins. (3 pieces.) Trent in the Tyrol, by Ailen, after Callcott, 1840; The Death of the Red Deer, by Lightfoot, after Wilkie, 1843; Preparing Moses for the Fair, by Stocks, after Maclise, 1845. Line engravings. Folio. Fine impressions, with full margins. (3 pieces.) 115 116 Returning from Market, by Finden, after Callcott, 1840; The Procession to the Christening, by Stocks, after Williams, india proof; Scene from The Beggar’s Opera, by Finden, after Newton, 1838. Line engravings. Folio. Fine impressions, full margins. (3 pieces.) 117 118 Going to the Graving Dock, by Papprill, after Walters, stipple, Lond.; Minna Troil, by Doo, after Drummond, line, 1840; The First Ear-Ring, by Chevalier, after Wilkie, line, Lond. 1838. Folio. Fine impressions, with full margins. (3 pieces.) A Day’s Sport in the Highlands, by Shenton, after Cooper, 1840; The Procession to the Christening, by Stocks, after Williams, 1839; Rustic Hospitality, by Outrim, after Collins, 1842. Line en- gravings. Folio. Fine impressions, full margins. (3 pieces.) 119 I20 Happy as a King, by Finden, after Collins, 1839; A Contadina Family—Prisoners with Banditti, by Smith, after Eastlake, 1840; View on the River Stour, near Dedham, by Smith, after Constable, 1840. Line engravings. Folio. All open letter proofs on india paper. Full margins. (3 pieces.) Interior of a Highlander’s Cottage, by Finden, after Landseer, india proof, 1839; John Proclaiming the Messiah, by Outrim, after Uwins, 1847; The Ferry, by Goodall, after Lee, 1847. Line engrav- ings. Folio, Fine impressions, with full margins. (3 pieces.) Le? Fh ie Neapolitan Peasants, by Sangster, after Uwins, india proof; Scene from the Taming of the Shrew, by Rolls, after Leslie, 1838 (slightly soiled); The Lovers’ Quarrel, by Heath, after Newton, open letter proof, 1831. Line engravings. Folio. Fine impres- sions, full margins. (3 pieces.) 16 122 The Anderson Auction Co. 123 ENGLISH SCHOOL. The Praver of Innocence, by Sangster, after Uwins, Lond. 1838; The Saints’ Day, by Chevalier, after Knight; The Blind Fiddler, after Wilkie (torn). Large folio. All line engrav- ings. (3 pieces.) Scene from the Taming of the Shrew, by Rolls, after Leslie, 1838; Scene from the Beggar’s Opera, by Finden, after Newton, 1838; Greek Fugitives, by Goodyear, after Eastlake, 1838. Folio. Fine impressions, full margins. (3 pieces.) 124 A Gipsey Party, by Scott, after Jones, mezzotint, Lond.; The Consequence of Driving Things Off, by Rolls, after Chalon, line, 1835; The Wooden Walls of Old England, by Rolls, after Buss, line, 1836. Folio. Fine impressions. (3 pieces.) [25 126 |The Dutch Girl, by Doo, after Newton, 1831; The Deserted, by Sangster, after Newton, 1836; Landscape, by J. Roberts, after Wilson. Line engravings. Folio. Fine impressions, with full Margins. (3 pieces.) 127 Landscape, after Richard Wilson; Cattle, after Sidney Cooper; and two others. Folio. (4 pieces.) 128 -- The Blue Stocking, by Rolls, after Buss, open letter proof, 1840; Scene from The Merchant of Venice, by Doo, after Newton, 1833 (bottom margin stained); The Peep o’ Day Boy’s Cabin, by Sharpe, after Wilkie, india paper; Reading the News, by Taylor, after Wlikie, india paper. Line engravings. Folio. Fine impres- sions. (4.pieces.) 129 The Gentle Shepherd, by Stewart, after Wilkie, open letter proof, 1828; The Blunt Razor, by Meyer, after Bristol, open letter proof, 1829; Tartar Banditti Dividing Spoil, by Stewart, after Allan, open letter proof, 1810; Indulging, by Watt, after Kidd, 1837. Line engravings. Folio, Fine impressions, with full margins. (4 pieces. ) 130 Greek Fugitives, by Goodyear, after Eastlake, 1838 (slightly soiled); Lear and Cordelia, by Hatfield, after Newton, 1840; The Clubbist, by Raddon, after Wilkie, 1832; The Smuggler’s Intrusion, by Bacon, after Wilkie, india proof; Sheep Washing, by Finden, after Wilkie, india proof. Line engravings. Folio. Fine impres- sions, full margins. (5 pieces.) 16 The Anderson Auction Co. 131 ENGLISH SCHOOL. The Timely Rescue, by Scott, after Stoth- 132 133 135 1 36 137 138 139 140 141 ard, mezzotint, 1832; The Empty Wallet, by Giller, after Inskipp, mezzotint, 1831; The Spanish Mother, by Raimbach, after Wilkie, line, 1836; The Parish Beadle, by Raimbach, after Wilkie, line, Lond. 1834; The Blind Fiddler, by Vizetelly, after Wilkie, wood engraving, Lond. 1844. Folio. (5 pieces.) Scene from the ‘‘ Twelfth Night,” by Fittler, after Hamilton; Scene from ‘‘ Measure for Measure,’’ by Wilson, after Smirke; The Young. Recruit, by Duncan, after Thom, open letter proof, 1825; The Dancing Dolls, by Burnet, 1822; Gulliver in Brobdignag, by Mollison, after Redgrave, open letter proof, Lond. Line engrav- ings. Fine impressions, with full margins. (5 pieces.) Studies—Gipsies, Fishermen, Hastings, a Highland Reel, Welsh Peasants, Welsh Harper, etc. Fine studies from life, litho- graphed by G. B. Campion. Folio. (Foxed.) (12 pieces, as a lot.) Various line engravings, after Landseer, Frith, Wilkie, Law- rence, and others. 4to and smaller. (14 pieces, as a lot.) Sixteen line engravings of landscapes, etc. Mostly 12mo, mounted on folio sheets. (As a lot.) Robinetta, after Reynolds, by Stocks; Two scenes from the ‘¢Midsummer Night’s Dream,” after Fuseli; Three pretty stipple engravings of Cupids, by W. M. Craig; and others, miscellaneous. Various sizes. (25 pieces, as a lot.) ENGLISH VIEWS. Miscellaneous Engraved Views. Various sizes. (25 pieces, as a lot.) ETCHINGS. The Cut Finger, painter etching by S. J. Guy, signed proof; Edinburgh Scene, after P. P. Ryder, by J. M. Falconer. Folios, in frames. (2 pieces.) ‘“On the English Coast,” proof; Ricketty Bridge, Catskill Creek, proof; and two other etchings by J. M. Falconer. Folio and smaller. Framed. (4 pieces.) Scheveningen, Holland, after G. H. Boughton; Various views by Appian, Litoux, and others. Folio. (10 pieces.) Romeo et Juliette, par Lefort; Les Délaissées, par Geoffroy ; Entré 4 Breslau, par Duvivier; and others. 8vo. (17 pieces.) 17 142 143 144 145 146 147 148 149 I50 Ist 152 153 The Anderson Auction Co. ETCHINGS. Girl with a Muff, after Reynolds, by La Guillermie; The Wayfarer, by Legros; An Episcopal Visit, by L’Hermitte; Return of the Flock, by Amand Durand; and others. 4to. (17 pieces. ) Three Landscapes, by Weirotter, fine original impressions; Study of a Horse, etched by Paul De Laer; and others. Various sizes. (19 pieces.) Etchings by J. M. Falconer. Views, American and English, Various states, and Studies, etchings after paintings, etc., etc. duplicates. (About 120 pieces, as a lot.) ALCONER (J. M.) ‘At Ringwood, N. J.,” clever etching. Signed proof, In neat frame, 1734 in. x 1334 in. Kitchen, Fort Hamilton; Kitchen, Gravesend. In neat oblong frame, 29% in. x 13% in. In the Birthplace of the Author of ‘‘Home, Sweet Home”; Three etchings. The Original Copper Plates of J. M. Falconer’s etchings— over roo in number—and including the plates for his views of old buildings in New York, Boston, and Philadelphia, after paintings, (As a lot.) and for original designs of his own. FLAMENG (LEOPOLD). Celebrated French Etcher. La Salpé- triére (Cour des agitées); La Morgue. ato. Scarce. (2 pieces.) Original impressions. La Californie [Barriére Montparnasse] 1859; Les Medaillés de Ste. Hélene, 1859. 4to. Original impressions. Scarce. (2 pieces.) 4to. (2 pieces.) Le Cabaret de la Mére Marie, original impression, 1859, rare; La fin de la journée, after Jules Breton. 4to. (2 pieces.) La Halte, after Meissonier; The Blue Boy, after Gainsborough. FLEMISH SCHOOL. Le Retour Imprévu by Lucas, and l’Apreés- Dinée Flamande by Gaucher, both after Egidius van Tilborch; les Vrais Flamands, by Basan, after Brouwer. Folio. (3 pieces?) FOREIGN PAINTERS. Original carte-de-visite photographs of Vibert, Knauss, Bouguereau, Delacroix, Rosa Bonheur, Gérome, Daubigny, Kaulbach, Theodore Rousseau, and others. Scarce lot. (30 pieces. ) 18 154 155: 156 7 158 159 160 161 162 163 164 The Anderson Auction Co. FOREIGN PAINTERS. Another lot, including Diaz, Jules Breton, Bonnat, Fortuné, Chaplin, Cabanel, Corot, Troyon, Meissonier, Tissot, and others. Scarce lot. (30 pieces.) FRAMED ENGRAVING. ‘‘Infancy.” Curious old colored engraving in the style of Lancret, affixed to glass and painted as a transparency. 4to, in old frame. ‘*Greenwich Pensioners Commemorating the Battle of Tra- falgar,” painted and engraved by John Burnet, open letter proof; Highland Courtship, engraved in stipple by F. Meyer, after F. W. Topham. Large folio, in old glazed frames, (2 pieces.) Sir Walter Scott, by John Burnet, after W. Allan, proof; The Chief’s Return, after Landseer; St. Cecilia, after Delaroche. In old glazedframes. (3 pieces.) — Sir Roger de Coverley and the Gypsies, after Leslie; Deliver- ance of St. Peter, after W. Hilton; The Loan of a Bite, after Mul- ready. Large 4to, in old glazed frames. (3 pieces.) — Highland Cottage, with a woman spinning, engraved by F. Holl; Portrait of Titian, engraved by Mandel; Tragedy, by A. W. Warren; Playing at Draughts, painted and engraved by John Burnet. - 4to, in old glazed frames. (4 pieces.) — The Old Block House, L. I.; Portrait of Gilbert Stuart; Kinloss Castle; and others. Etched by J. M, Falconer. Framed and glazed, various sizes. (5 pieces.) Srovies ot Olden Times; By the Sea: Etching, after G: H: Boughton; and others. All etched by J. M. Falconer. Framed and glazed, various sizes. (6 pieces.) FRANCESCO BOLOGNESE. Woted Jtalian Painter, real name Francesco Grimaldi, Castel Gandolfo, engraved by Vivares and Chatelin. Folio, full margin. London, 1769. * A Brilliant Original Impression of a bold and striking landscape, extending to the Roman Campagna, FRANKLIN (BENJAMIN). Half length, seated, with pen in right hand. Engraved in stipple by W. Haines, after Chamberlin. 4to. Brilliant original impression. Phila. 1804. Full length, seated, facing to front, spectacles in left hand, compasses in right. Mezzotint by H. S. Sadd, after T. H. Matte- son, Large folio. Wide margin. New York, 1847. * Fine open letter proof, a presentation copy from T, H. Matteson, with his auto- graph. i 165 166 167 168 169 170, 172 173 174 175 176 The Anderson Auction Co. FRANKLIN (BENJAMIN). Full bust of Franklin, in metal, on pedestal. Finely made. Height 12% in. FRENCH LITHOGRAPHS, after Millet, Corot, Troyon, Diaz, and others, by Mouilleron, Lamy, etc. Mostly printed in brown tint. Folio and 4to. (16 pieces.) Ruines de Abbaye de Saint Maur, by Weirotter, after J. G. Willé; Fontaine pres de Meulan, by the same; Landing of A‘neas, and Roman Landscape, after Claude. Folio. (4 pieces.) Le Triomphe de Siléne, by Lempereur, after Vanloo; Cupid standing, after the same, by Sir Robert Strange; La Mére de Fam- ille, after Fragonard, Dy Romanet; and three others. Folio. (6 pcs.) ‘‘La Prison,” by Romanet, after De Loutherbourg; Les Premiérs Pas de l’Enfance, by Duflos; Correction Maternelle, by De Longueil, after Aubry; and others. Folio, etc. (10 pieces.) EORGIA. Washing Morning, Down South, Georgia. Etching by J. M. Falconer, 1883. Signed proof, on satin. In frame, 23% in. x 19% in. GRANT (GEN. U.S.) Woodcut portrait, colored. In handsome gilt frame. 11% in. x 13% in. GREUZE. ‘‘Le Gateau des Rois.” Engraved by J. J. Flipart, 1777. Fine genré picture, with many figures. Large folio. Original impression. GWYNNE (NELL). Scene in a tavern, with Charles II. and party at a table; Nell Gwynne as an orange girl, standing beside it. Engraved by L. Stock, after Chas. Landseer. Folio. Fine impres- sion, with wide margin. London, 1846. AINZELMAN (E.) German Engraver, pupil of Poilly, The Virgin, washing linen, with the Child Jesus, after Sebastien Bourdon. Folio. Proof before letters, with wide untrimmed margin. HARPIGNIES (H.) ‘‘ Environs pe Roisin.” ETCHING. 4TO. ORIGINAL PROOF BEFORE LETTERS, SIGNED BY HARPIGNIES. * VERY RARE, . HARVEY (SIRGEORGE). ‘‘ First Reading of the Bible in the Crypt of St, Paul’s.” Engraved by Robert Graves, Large folio. Original proof, signed by the painter. In old gilt frame. 20 180 181 182 183 184 185 186 187 188 The Anderson Auction Co. HAYTER (SIR GEORGE). Thirteen etchings (portraits, etc.) On thick Large Paper. Folio, in portfolio. (As a lot.) HENRIIV. Fine engraved portrait by Forster, after Lancrenon. India proof, with stamp. Large 4to. HIGHLAND INTERIOR. Fine line engraving (after Landseer?). Proof before all letters. Large folio, with wide margin. HILL (J.) arly Engraver. ‘* Washington’s Sepulchre, Mount Ver. non;” Burning of Savannah; View by Moonlight near Fayetteville- Aquatints after J. Shaw. Large 4to. (3 pieces.) MiothORIC SITES. Etchings by J. M. Falconer. Old Block House, L. I., built about 1750; Old Houses in Boston; Birthplace of Benjamin West; Independence Hall; and others. Folio and smaller. (15 pieces.) HISTORICAL PORTRAITS. Paul Jones, engraved by Carl Guttenberg (cut down); Andreas Doria, india proof; Bonaparte, by Fontaine, miniature; Duke of Reichstadt, after Isabey, fine impres- sion; Duke of Alva, india proof; and others. Mostly 8vo. (17 pcs.) HOOGLAND (WILLIAM). Zarly American Engraver. ‘* William E. Channing,” half-length portrait, after Chester Harding. Folio. Proof on india paper. New York, 1829. HUNTINGTON (DANIEL). ‘A Sibyl,” engraved by J. W. Casilear, 1847. 4to. Engraver’s unfinished proof on india paper. ’ ‘‘Signing the Death Warrant of Lady Jane Grey,” engraved by Charles Burt. Open letter proof, large folio, with wide margin. New York, 1848. TALIAN SCHOOL. The Magdalen, after Guido; Roman Ruins, by Piranesi; Les Blanchisseuses Italiennes, by Le Vas- seur, after Gambarini; and others. Folio. (9 pieces.) scape with Cattle, after Berghem; Marine View, after Van Goyen; Interior of a Shed, after W. Kalf. Proofs on india paper. 4to, on folio sheets. (3 pieces.) | eee (JULES). Famous French Etcher. Land- ENILWORTH CASTLE. Fine line engraved view of the K ruins, by Vivares, after T. Smith. Folio. London, 1769. 21 189 Igo IQ! 192 m3 197 198 19 200 201 The Anderson Auction Co. AIRESSE (GERARD DE). The Golden Age; Feast of Bac- chanals; and another. Etchings by Nicolas Visscher and Blooteling. Folio. (3 pieces.) PANDSCARES: Etchings by Weirotter, Dietricy, and others. Ato. (14 pieces.) LANDSEER (THOMAS). Fine Etchings of a Barbary Lion, Elk, Bengal Tigers, etc. Large 4to. Brilliant original impressions. (6 pieces.) London, 1829-31. LANDSEER (SIR EDWIN). ‘Horses at the Fountain.” Engraved by J. H. Watt. Large folio. Brilliant impression on thick paper, with broad-untrimmed margin. London, 1847. ‘‘ All that remains of the Glory of William Smith.” Engraved by John Pye. 4to. Original remarque proof. London, 1836. ‘‘The Angler’s Daughter,’ engraved by W. Finden. Folio, wide margin. ‘‘The Falconer’s Son,” engraved by W. Chevalier. Folio, wide margin. ‘© A Distinguished Member of the Royal Humane Society. ’ Engraved by H. S. Beckwith. 4to. Proof before all letters on india paper, signed by the engraver. . LAWRENCE (SIR THOMAS). ‘ Nature,” engraved by G. T. Doo, 1832. Folio. Fine impression, with wide margin. ‘Benjamin West.” Full-length portrait, engraved in line by C. Rolls. Large folio, wide margin.’ Brilliant proof before inscrip- tion on india paper. New York, 1842. LEITCH (W.L.) Woted English Painter. ‘‘The Villa of Lucullus at Misenum,”’ engraved by J. T. Willmore. Large folio, with wide margin. Open letter proof. London, 1851. * A fine Italian landscape in the manner of Turner. LESLIE (C.R.) ‘‘May Day in the Reign of Queen Elizabeth,” engraved by J. H. Watt. Folio, full margin. Fine open letter proof. * A Maypole with dancers round it, ;the May Queen sitting close beside; mummers, ladies in ruffs, men in costumes of the period, and many other ei make a graphic scene of life and animation. ‘‘Anne Page, Slender, and Shallow’”’ (Merry Wives of Wind- sor), engraved by Charles Burt. Folio. Fine impression, with full margin. London, 1851. 22 The Anderson Auction Co. 202 LINE ENGRAVINGS, by James Smillie, S. V. Hunt, and others. Proofs, three signed by the engraver. 4to. (14 pieces.) 203 LITERARY PORTRAITS. Cervantes, by Peter Maverick; Sir Walter Scott, by R. J. Lane, on india; W. C. Bryant, by Parker, on india; George Buchanan, by Van der Gucht, 1715; Fitz-Greene Halleck; and others, Various sizes. (18 pieces.) 204 LUCAS (DAVID). famous English Mezzotint, Engraver, ‘‘ THE Lock,” AFTER JOHN CONSTABLE. LARGE FOLIO, WITH WIDE MARGIN, BRILLIANT IMPRESSION. London, 1834. : * One of the most famous of the 19th Century mezzotint engravers, and the greatest expounder of the art of John Constable, the English landscape painter. ‘‘ In his treatment of the effects of light and shade in the original paintings—not adhering strictly to the letter of the copyist—he unfailingly succeeded in giving atmospheric effects in his engravings that were to a certaint extent only hinted at by Constable.” 205 ——— ‘‘ THE CORNFIELD,” AFTER JOHN CONSTABLE. LARGE FOLIO, WITH WIDE MARGIN. BRILLIANT IMPRESSION. London, 1834. * Another equally beautiful mezzotint of one of the most famous of Constable’s paintings. Constable said of his engravings that it had ‘‘beautiful feeling and execution.” 206 -——— ‘‘ The Corsair’s Isle,” mezzotint, after J. D. Harding. Large folio, with wide margin. Brilliant open letter proof (margin on one side stained, but the engraving not touched). London, 1835. * A fine example of Lucas’ work. 207 BO ristoat in (CHARLES). French Etcher. Rural Scenes. Original impressions. Proofs. (6 pieces.) 208 MARSEILLES. Entrance to the Port, lithograph by Sabatier and Lauvergne. Folio, with wide margin. Fine impression of a finely- drawn view. 209 MARTIN (JOHN). ‘‘ The Eve of the Deluge.” Mezzotint by the Painter. Large folio, wide margin. 210 MARY QUEEN OF SCOTS. Half length. Mezzotint by T. Hodgetts and Son, after Farino. 4to, wide untrimmed margin. Brilliant impression. Edinburgh, 1828. 211 MAVERICK (PETER). Zarly American Engraver. Andrew Jack- son, half length in uniform, after Waldo. 4to. Original impression, with full margin. N. Y. 1819. 212 MEISSONIER. A Cavalier, etched by Charles Blanc, 1866. Proof. T2105 Scarce. 23 The Anderson Auction Co. 213 MEZZOTINT. Landscape with Cattle, engraved by T. Lupton, after Cuyp. 4to. Brilliant proof before inscription on india paper. ‘‘The Idle Servant,’ engraved by T. Lupton, after Nicholas Maes. Folio. Original impression, with wide margin. Lond. 1829. 214 ‘Anne Page and Slender,” by S. W. Reynoldsaitersies. Bonnington. Small 4to. Original impression with Bonnington’s stamp. Lond. 1829. ‘¢The Opening of the Sixth Seal,” engraved by G. H. Phillips, after F. Danby. Graphic scene, with numerous figures, lightning rending the mountains, a conflagration, etc. Large folio, full mar- gin (one margin stained). Lond. 1836. ais 216 217 ——— ‘' The Cottage Child,” engraved by TD) Hodgente sean. Pocock. Folio. Proof, inscription in script, wide margin. 218 Gainsborough’s Shepherd Boy in a Storm, proof before all letters, 8vo; A Brown Study, by F. J. Havell, proof, 1829; The Beggar’s Petition, by W. Owen, proof, 1834; The Ruined Gamester, by G. H. Every. Folio and smaller. (4 pieces.) 219 MIERIS (FRANZ VAN). Die Wahrsagerin (The Fortune Teller), lithograph, the same size as the original painting drawn by F. Haufstaengl. Brilliant impression on india paper. Folio. 220 MISCELLANEOUS. ‘A Greenwich Pensioner as Commodore Trunnion,”’ by F. C. Lewis, after Wilkie, 1826, folio, stamped proof; The Stirrup Cup, line engraving, proof, small folio, framed. (2 pieces. ) 221 Raphael, after himself, engraved by Felsing, beautiful impres- sion; Madonna and Child, after the same, by G. T. Doo; Joseph and the Christ-Child, after Sasso-Ferrato, by Lehmann; and one other. Folio (one 4to). (4 pieces.) 222 Tinted Lithograph—landscape—drawn by J. F. Cropsey; Don Quixote, after Leslie, engraved by Danforth: Photograph of a Woman; and two oil paintings—figure studies—on stretchers. (5 pieces. ) 223 Vandyck’s Children of Charles I., engraved by Cooper, late impression; La Belle Chocolatiére, par Liotard, tinted lithograph; Notre Dame des Sept Douleurs, fine lithograph on india paper, after Guido Caulassé; and others. Folio. (7 pieces. ) 24 224 225 226 227 228 9 230 231 232 The Anderson Auction Co. MISCELLANEOUS. Ugolino, after Reynolds, by Raimbach, india proof; Apollo, by A. B. Durand; Infant Christ, after Caracci, by W. Sharp, india proof; St. Gregory Refusing the Pontificate, by Moles, after Carle Vanloo, proof; and others. 4to and folio. (10 pieces.) The Reprimand, etched by W. Shirlaw, india proof before all letters; Certificate of the Brooklyn Sanitary Fair, 1864, containing full-length portrait of Washington; The Escape of Capt. Wharton (from Cooper’s Spy), after T. F. Hoppin; Youth, after Thos. Cole, by Jas. Smillie, fine impression; Sparking, by Alfred Jones, fine impression; and others. Folio. (10 pieces.) eevveck of the Frederic,’ mezzotint, after C. Mozin; Fine early original etching of a Bull; Venus, by Claude Mellan; Etch- ings by Chardin; and others. Folio and smaller. (12 pieces.) Velasquez’s Infanta, fine mezzotint, by Luderitz, 1832; Proofs feeinnaskaper of J:G. Brown's ‘*On the Dock”; W. H. Miller’s Svaks, and F. Weicher’s ‘In the Land of Promise’; and others. Ato. (i2 pieces.) Iris and Echo, fine proof engravings by Folo, 1814; Les Precieuses Ridicules, by Gauci, after A. E. Chalon; The Image Breaker, by Alfred Jones, after Leutze. Folio. (12 pieces.) Bargaining for a Horse, by C. Burt, after W. S. Mount; Gar- den of Eden, by James Smillie, after Thomas Cole, india proof; The Card Players, by C. Burt, after R. C. Woodville; A Sibyl, by J. W. Casilear, after Daniel Huntington; and others. Folio. (12 pieces.) 3 Tour du Nesle, and St. Sebastian, after Callot; Salut des Arabes, after Fragonard; L’Air, by Edelinck; and others. 8vo and 4to. (30 pieces, as a lot.) Various steel engravings, woodcuts, etchings, portraits, views, caricatures. Fine specimens of wood engravings, etc., etc. Vari- oussizes. (About 100 pieces, asa lot.) A collection of about 150 Engravings after Stanfield, Liver- sedge, Teniers, etc. Mostly 12mo. (Asa lot.) ———— Fine specimens of engravings on wood and in color after great paintings issued by various publications ; some color prints, woodcut portraits, studies, and other miscellaneous scraps, (About 300 ieces, as a lot. p ; ) re The Anderson Auction Co. 234 MISCELLANEOUS VIEWS. Gap of Dunlon, Killarney, etched by John Pye, 1814, india proof; Chatham, after Stanfield, fine aqua- tint; Forest in the Island of Sitka; and others. Folio and 4to. (7 pieces. ) 235 MORLAND (GEORGE). A folio sheet containing four studies, drawn on stone by Morland himself. The subjects are a full-length figure of a shepherdess, a pig, a child riding on the back of another child, and a country cottage. All finely drawn in Morland’s char- acteristic style. Folio. Genuine original impression (small repair in margin). London, 1804. 2 36 EW YORK CITY. The business card of the well-known art dealer and collector Samuel P. Avery when he was situated at the corner of Nassau and Ann Streets. Printed on glazed card, with a decorative woodcut design, Rare and interesting. View of the East River and Brooklyn Bridge. Etched by J. M. Falconer. Proof before all letters. Framed and glazed, 23% in, x 17% in. Brooklyn Bridge. Three proof etchings from drawings made during its construction. In white enamelled frames. 10 in. x gin. (3 pieces. ) Bourne's Views. City Hotel, Broadway; Park Theatre and Park Row; Washington Hotel, Broadway; Grace and Trinity Churches; St. Thomas’ Church; Junction of Broadway and Bowery. 16mo. SCARCE. (6 pieces.) 237 238 240 St. Paul’s, Broadway, and Trinity Churches, from the N. Y. Mirror; Old City Hall in 1789, after Diedrich Knickerbocker; New York Bay from Staten Island; and others. Various sizes. (15 pieces.) EtcHINnGs By J. M. Fatconer. Portrait of M. Paff, earliest picture-dealer in N. Y. City; First Methodist Loft; Demolition of the North Dutch Church, 1875; Where Salmagundi was published; and others. Various sizes. (Duplicates.) (30 pieces.) 241 242 An interesting Album of carefully drawn Pen-and-Ink Sketches, by J. M. Falconer, of Types of New Yorkers, many of them Por- traits. The subjects include: ‘‘Old Hays, the N. Y. High Con- _ Stable,” ‘Peter Funkan, Chatham St. Auctioneer,” ‘‘N. Y. Gamb- 26 The Anderson Auction Co. ieee |Ustice’ Elopson, N. Y.. Police,” ‘©Corn, Girl,” ‘!N. Y. Newsboy,” ‘‘ Theatrical Manager,” ‘‘ Soap-lock Lawyer,” ‘‘ Belle of the Bowery,” etc., etc., the sketches numbering 25, and made in 1840-41. In oblong small 4to half calf volume. 243. NEW YORK, ETC. Etched Views of Bay Ridge, Palisades of the Hudson, etc. By J. D. Smillie and others. 4to. India proofs. (14 pieces.) 244 LD ENGRAVINGS. Discord and Harmony, by Crispin de Passe, after Martin de Vos, 1589 (margins cut, rare); Biblical Subject, by John Sadeler, after Martin de Vos; Banquetting Scene, by Joost Pieters; and other old engravings. Various sizes. 245 OLD MASTERS. The Bather, by Rembrandt; The Cartoon of Pisa, by Schiavonetti, after Michael Angelo; Return of the Prodi- gal, by J. Stewart, after Caravagio; Engraving, after Correggio, by Surngue; and others. Various sizes. (15 pieces.) 246 OSSIAN. ‘Ossian with his Harp charming up the subject of his Songs.” Engraved by John Godefroy—noted French engraver, pupil of Le Bas—after Gerard. Fine engraving, with full-length figures of Ossian, Fingal, and other characters of the poem. Original proof before inscription, with full margin. 247 OSTADE (A. VAN). ‘Danse au Cabaret.” qto Early impression. 248 ASTORAL LANDSCAPES, after Berghem and others. Old copper engravings. 4to and folio. (12 pieces.) 249 PEELE (JOHN T.) WNoted American Painter. ‘‘A Prayer for Health.’ One of the children-pictures for which he was celebrated. Engraved by R. Parkes. Large folio. Open letter proof, with wide margin. London, 1872. * Presentation copy from J. T. Peele, with his autograph. 250 PERELLE (GABRIEL). Woted French Landscape Engraver. Orig- inal and early Etchings of Landscapes. Small 4to. (25 pieces.) 251 PHILADELPHIA. Independence Hall (where Jefferson wrote the Declaration of Independence), Etched View, by J. M. Falconer. Framed and glazed, 23% in. x 19% in. ‘“The House where Robert Fulton Served his Apprentice- ship.” Etching by J. M. Falconer. Signed proof, in frame, 13% in. x 20% in. 252 27 253 254 258 - 259 262 263 264 The Anderson Auction Co. PHOTOGRAPHS. French and Swiss Views; photographs from paintings by J. F. Kensett, Meissonier, Cropsey, Raphael, and others; and various other photographs. Mounted, Folio. (25 pieces. ) Photographs of Landscapes and Paintings. 4to. Mounted. (40 pieces.) Another lot. (40 pieces.) Views: English, French, and American. Large 4to. Mounted. (50 pieces.) Miscellaneous Photographs, cabinet size; reproductions of painted plaques of Shakespeare’s birthplace, portrait of Washing- ton, cabinet photos of Longfellow, Lehmann’s portraits of Barry Cornwall and Theodore Martin, and various others, mostly dupli- cates. (45 pieces, as a lot.) Photographs of paintings by G. H. Boughton (with his auto- graph), and by other noted painters. Mounted. 4to. (55 pieces.) Cartes-de-Visite of paintings by the old masters, views, cos- tumes, portraits, etc. (About 140, as a lot.) Views of places, copies of paintings, etc. About 100 pieces, unmounted, (Asa lot.) PICART (B.) Culs-de-lampe, headpieces, and decorative designs with centre figures and ornamental borders. Pretty and neat designs. Small 4to. (21 pieces.) PORTRAITS. Photographs direct from the original paintings in the University of Oxford, famous English private collections, etc., of famous characters: Peter Martyr, Carew and Killigrew, Prince Rupert, Sir Henry Vane, Oliver Cromwell, Holbein, Milton, Chaucer, Anne Boleyn, Suckling, Vandyck, Charles I., etc., elco: the original paintings by Holbein, Vandyck, and other masters. Small 4to. Mounted. (66 pieces.) POUSSIN (GASPAR AND NICOLAS). Seventeen of the scenes in the Life of the Virgin, by Mochetti, after Nicolas Poussin; allegorical painting after the same, by Castellus; three landscapes after Gaspar Poussin, by Mason and Vivares. 4to. (21 pieces.) ‘‘ Jonah,” engraved by Vivares. Large folio. 28 The Anderson Auction Co. 265 PROUT (SAMUEL). Famous English Landscape Painter. ‘'The City of Venice,” engraved by Henry Le Keux (Engraver, noted for his architectural drawings). Folio, full margin. Fine impression. London, 1834. * A fine view, taken from the Grand Canal opposite St. Mark’s Plaza, and showing the Ducal Palace, the Campanile, the Bridge of Sighs, etc. 266 ‘‘East Porch of Chartres Cathedral,” engraved in mezzotint by J. Egan. Large folio. Fine impression of a carefully executed architectural study. London, 1836. 267 European Views, engraved after Prout. Antwerp, Ghent, Nuremberg, Dresden, etc. 8vo, views on folio sheets. India proofs. (13 pieces.) 268 ARE ETCHINGS. The Savant, by Van Vliet; and other etchings by Ostade, Hollar, Denon, etc. Various sizes. (12 pieces.) 269 REMBRANDT. Portrait of Nicholas Berghem, the Painter, en- graved in mezzotint by Chas. Turner. Fine open letter proof. Folio. Christ Healing the Sick. (The too Gulder Piece.) Fine etching, printed in brown, and signed T. W., 1758. to. 270 ‘‘Rembrandt’s Marriage.” Mezzotint by S. W. Reynolds, after Rembrandt. Folio. Fine open letter proof, with margin. London, 1811. The Shipbuilder and his Wife, mezzotint by J. P. Quilley, fine impression (margin foxed); The Gold Weigher, etching; Christ in the Storm, engraved by Fittler; The Salutation, engraved by John Pnimet. “4to. (4 pieces.) 271 272 Woman sitting before a stove; Head of a man with fur tur- ban; Man drawing at a window; The Crucifixion, and head of an old woman; and Abraham Fransz. Early impressions. (6 pieces.) 273 Beggars; etc. Modern impressions, on 4to paper. (10 pieces.) 274. 275 RIDINGER (J. E.) Woted German Engraver of Wild Animals. A. series of 34 fine engravings of deer, wild boar, chamois, bears, badgers, and other wild animals. Brilliant original impressions. Holic, (34 pieces.) 276 RUBENS. Death of Hippolytus, by Anker Smith, india proof; The Woman taken in Adultery, by W. Bromley; Coronation of Mary de Medicis, fine folio line engraving. (3 pieces.) 29 The Anderson Auction Co. 7 T. MEMIN PORTRAITS. Two St. Memin portraits, orig- inal impressions. (One bears the inscription for Mrs. Cornelia Lawrence, and is possibly a portrait of Cornelius Lawrence, but is damaged by pin holes and soiled; the other in good condition.) (2 pieces. ) 278 SANDBY (PAUL). Woted English Painter and Engraver. Ruins of Constantine’s Arch at Fano, Aquatint by P. Sandby. Polio; fine impression, printed in brown. London, 1778. Rinaldo at the Enchanted River; Incantation scene; and two others. (Illustrating Tasso.) Painted by J. Collins, engraved by Sandby and E. Rooker. Folio. (4 pieces.) 3 280 SCHEFFER (ARY). ‘Dante seeing Paolo and Francesca in Pur- gatory.”’ Engraved by Calamatta. Brilliant proof before letters, with both the engraver’s and publisher’s stamp. Folio, wide mar- ain. Paris, +1843: 279 281 ‘*Faust seeing Marguerite leaving Church,” Engraved by Adolphe Caron. Folio, fine proof before letters, on india paper, with stamp, wide margin. 282 — Mignon, and another subject. Engraved by Aristide Louis. Folio, proofs on india paper. (2 pieces.) 283 SCHOFF (STEPHEN A.) Early American Engraver. ‘‘ Caius Marius on the Ruins of Carthage,” after Vanderlyn. Folio, orig- inal open letter proof, with wide margin. New York, 1842. 284 SCOTLAND. West Bow, Edinburgh, with soldiers in armor, marching; Moray House, Canongate, with armed conflict, after Nash; Roslin Castle, after Harding; Edinburgh Castle, after Leitch; and others. Fine folio lithographs. (6 pieces.) 285 SCRAP BOOK. Containing about 150 engravings, etchings, mezzo- tints, etc., after noted artists, in all subjects. Mostly r2mo size. Small 4to, half roan. 286 Containing over 200 octavo and smaller engravings after famous paintings, some old etchings, and a few mezzotints and original drawings. Small 4to, half roan. 287 SHARP (WILLIAM). Woted English Engraver. ‘'The Sortie made by the Garrison of Gibraltar, Dec., 1781,” after John Trum- bull. Large folio, with large untrimmed margin. London, 1799 * A brilliant early impression of this famous painting, in a fine state. It is per- haps not generally known that the dying Spanish officer in the foreground is a por- trait of Sir Thomas Lawrence, he sitting to Trumbull for that purpose. 30 ee ne ee ee ee, ee The Anderson Auction Co. 288 SHARP (WILLIAM). ‘‘Interview of Charles I. with his Chil- dren.” Engraved after S. Woodford. Fine engraving, with full- length figures of Charles I., Cromwell, Henrietta Maria, etc. Large folio. London, 1821. 289 ‘* King Charles II. landing on the Beach at Dover.” Engraved by Sharp and Woollett, after Benjamin West. Folio. 290 SKIRMISH IN A RAVINE between French Cavalry and English Infantry. [Napoleonic period.] Engraved by W. R. Smith after Sir Robert Ker Porter. Graphicscene. Folio. India proof before letters with wide margin. 291 SMITH (J. R.) WMoted English Mezzotint Engraver. Portrait of Sir John Smith, after Opie. 4to. Brilliant original impression. 292 STANFIELD (CLARKSON). “ The Castle of Ischia.” Engraved by E. Goodall. Large folio, proof on india paper, with title in- scription. Wide margin. * A fine characteristic marine view by this great painter. *S WRECKERS OFF ForRT ROUGE, CALAIS IN THE DISTANCE.”’ ENGRAVED By J. P. QUILLEY. LARGE FOLIO, WIDE MARGIN. * BRILLIANTLY PRINTED IN COLORS. ORIGINAL IMPRESSION. RARE IN THIS STATE. 294 STEREOSCOPE, with about 200 views, including some trans- parencies. (As a lot.) aoS 295 STOTHARD (THOMAS). ‘John Gilpin.” Engraved by W. H. Worthington. Oblong 4to. Fine original open letter proof onindia paper. Lond.: Pickering, 1825. 296 STRANGE (SIR ROBERT). Woted English Engraver. ‘‘ The Apotheosis of the Princes Alfred and Octavius” (children of George III.), after West. Folio. Original impression with large margin. 1786. ‘*Dane,” after Titian. Folio. Original impression, wide margin. 298 STUART (GILBERT). Copper-plate etched by J. M. Falconer. Facsimile of Gilbert Stuart’s pen-and-ink portrait of himself. 201 299 ENIERS anv OSTADE. Le Jeu de Cochonet, by Moitte, early engraving; Tric-Trac, by W. Raddon; Depart pour and Arrivé au Sabat, by Aliamet; Boors Drinking, after Ostade, by J. B. Michel, and three others after the same. Folio and 4to. 8 pieces. (3 p ) ee The Anderson Auction Co. 300 TIVOLI. ‘‘ Villa d’Este in Tivoli.” Drawn and engraved by C. Frommel, Landscape, with Italian peasants dancing, and other figures. Folio. Original impression, with stamp. TURNER (CHARLES). Noted Mezzotint Engraver. ‘*St. Luke,” after Guercino. 4to. Brilliant original impression, printed in colors, with wide margin. Scarce inthis state. London, 1814. 302 TURNER (J.M. W.) ‘‘Ancient Carthage.” Engraved by Daniel Wilson. Large folio with wide margin (margin a little foxed). London, 1842. * A very fine impression of one of Turner’s masterpieces, and an original. For some unaccountable reason the earlier engravings of the works of Turner have been for some years almost entirely neglected by the collector, but within the last two years a distinct revival has taken place in England, and the early impressions are now being eagerly sought for at rapidly advancing prices. — 30 323 ‘‘ Richmond Castle and Town.” Engraved by J. Archer. 4to. Fine original impression. Colored. London, 1820. 304 Ivy Bridge, Devonshire. Line engraving by Allen, 1821. Proof, framed and glazed, 20% in. x 17 in, 395 “Moss Dale Fall.” Engraved by S. Middiman. 4to. Fine Original impression. Colored. London, 1822. 306 ‘Kirby Lonsdale Churchyard.” Engraved by C. Heath. 4to. Fine original impression. Colored. London, 1824. 307 “Mercury and Argus.” Engraved by J. T. Willmore, Large folio with wide margin. Brilliant proof. London, 1841. 308 ‘““Nemi.” Engraved by R. Wallis. Folio, wide margin. London, 1842. 399 ‘“Oberwesel.” Engraved by J. T. Willmore. Folio. Fine impression, wide margin. London, 1842. 310 ‘“The Town and Castle of Heidelberg.” Engraved by T. A. Prior. Large folio with wide margin (margin slightly foxed)., * Brilliant original impression. Git ‘‘The Eddystone Lighthouse.” Engraved in mezzotint by T. Lupton. Small 8vo on a 4to sheet. Fine artist’s proof. 312 Lulworth Castle, engraved by G. Cooke, 1821; Aysgarth Fort, by J. Scott, india proof, 1820. 4to. (2 pieces. ) 313 Rochester, mezzotint by Lupton, 1824: Straits of Dover, by W. Miller; and another. 4to. Original impressions. (3 pieces. ) 32 ee pee ee et 314 315 316 317 318 ano 320 B22 The Anderson Auction Co. ANDYCK. Charles I., three half lengths (profiles and full face), engraved by W. Sharp, original impression, 1815; Gentlemen of the Court of Charles I., by C. Heath, open letter proof; Charles I., full length, in armor, by Peter Van Gunst. Folio. (3 pieces. ) VANLOO (CARLE). Worted Painter. Three fine figure studies, engraved by Demarteau, and printed in red. Folio. (3 pieces.) VERNET (CARLE). Studies of Horses—a Cossack, English Hunter, English Race-horse, etc. Lithographs by Jeantet. 4to. (f1 pieces.) VIEWS. Various engraved views, mostly European. (About 4o pieces, as a lot.) ETCHINGS By J, M. Fatconer. American and English views, old historic buildings. Various states of the plates and duplicates. (About 80 pieces, as a lot.) VIEWS BY AMERICAN ARTISTS. Views in the Catskills; New Jersey; Rock-Bridge, Va.; Highlands, N. Y.; and others. After Cropsey, Kensett, Weir, etc. 4to, proofs on india paper. (7 pieces. ) Ruins of Fort Hale; Lake George in the Olden Times, after J. S. Cropsey; Schroon Lake, after Thomas Cole; Dover Plain, after Durand; Mt. Washington, after J. S. Kensett; and others. 4to. Proofs. (10 pieces.) VIEWS PRINTED IN COLOR. The House of Rembrandt; Trinity, near Edinburgh, 1833; At Verona; At Venice; etc. 4to. (10 pieces.) ARD (WILLIAM). famous Mezzotint Engraver. ‘‘ A Dutcu SCHOOL,” AFTER JAN STEEN. Folio. BRILLIANT OPEN LETTER PROOF, WITH LARGE UNTRIMMED MARGIN. London, 1821. * An exceptionally beautiful original impression printed in brown, combining in the one engraving the work both of one of the greatest English engravers and of one of the greatest of the Dutch School of painting. The numerous figures, with their various attitudes and expressions, have been seldom equalled in any other of this class of painting, and the absence of vulgarity—so common in the Dutch School—is strikingly absent. 323 WARREN (A. W.) Correspondent during the Civil War. Original pencil sketches made by him of military incidents—turning a rebel earthwork at the front during an engagement, and other interest- ing sketches, with signed explanatory notes on the back. (14 pieces.) 33 The Anderson Auction Coa. 324 WASHINGTON (GEORGE). ‘‘Commemoration of Washing- ton’ Full-length figure of Washington rising from the tomb sup- ported by Time. Drawn and engraved by J. J. Barralet. Folio. (Margin cut close.) Phila-, 1816. 325 WATERLOO (ANTONY). Celebrated Painter and Etcher. Six landscapes. Original impressions. Scarce. (6 pieces.) 326 WEST (BENJAMIN). Portrait of the painter, engraved in stip- ple by Caroline Watson, after G. Stuart. Small gto. Very beauti- ful impression. 327 WILKIE (SIR DAVID). ‘‘ Village Politicians.” Engraved by A. Raimbach. Large folio.. Fine original impression, with full mar- gin. London, 1814. 328 ‘The Piper.” Engraved by E. Smith. 4to. Brilliant orig- inal open letter proof, with full margin. London, 1824. 329 ‘Duncan Gray.” Engraved by F. Englehart. Folio. Brilliant open letter proof. Published by Wilkie, London, 1828. 330 John Knox preaching before the Court of Mary Queen of Scots. Line engraving by George T. Doo, 1836. Proof before inscription, on india paper. Framed and glazed, 36 in. x 2g in. 9310- ‘Columbus propounding his theory of a New World.” En- graved by H. T. Ryall. Large folio, wide margin. London, 1843. * Brilliant open letter proof of this famous portrait of Columbus, and the best engraving of it made. Original impression. cee ‘‘ The Highlander’s Return.” Engraved by W. Finden. Large folio, with wide margin. Brilliant impression. London, 1845. 333 “The School.” Engraved by John Burnet. Large folio. Brilliant open letter proof, with wide margin, Original impression. London, 1845. : 334 ‘** Napoleon and the Pope.” Engraved by J. H. Robinson. Large folio. Brilliant original open letter proof, with wide margin. London, 1848. . 335 ‘* Alfred in the Neatherd’s Cottage.” Engraved by J. Mitchell, Large folio, full margin. Fine impression. 336 ‘“Guess My Name.” Engraved by E. Smith. Folio. Open letter proof, with full margin. 34 The Anderson Auction Co. : 337 WILKIE (SIR DAVID). ‘Old Mortality.” Original pen-and-ink drawing, by Sir David Wilkie, to illustrate Sir Walter Scott’s novel. 6% in. x 6 in. 83802 Guess My Name, line engraving by Edw. Smith, London, 1829 (foxed); Village Recruits, line engraving by Chas. Fox, Lon- don, 1838. Both framed and glazed. 26 in. x 20 in. and 29% in. x 24% in. (2 pieces.) 339 WITHERINGTON (WILLIAM F.) Znglish Painter. ‘‘The Dancing Bear.”” Engraved by Henry Meyer. Large folio, with full margin. Brilliant open letter proof. London, 1828. 340 WOODVILLE (R. C.) American Painter. ‘‘Mexican News.” Engraved by Alfred Jones. Folio. Fine open letter proof, with full margin. New York, 1853. * A characteristic American country scene, with figures. 341 WOOLLETT (WILLIAM). One of the 18th Century Masters of En- ; graving. ‘‘The Death of General Wolfe,” after Benjamin West. Large folio, with half-inch margin. * Original impressions of this masterpiece of Woollett’s are rare. After the comple- tion of the plate by the engraver, and a few copies being taken, the plate was ma- liciously damaged by someone in the printer’s employ. It was consequently necessary to re-engrave the plate, from which most of the copies that occur were made. ‘*The Landing of Mentor and Telemachus on the Island of Calypso,” after Benjamin West. Fine impression on india paper. Large folio, with wide margin. London, 1824. 342 elie Battle at La Hague,” after Benjamin West, Folio: Fine impression. 343 ’ ‘Apollo and the Seasons,” after R. Wilson and Mortimer. 344 Folio. * Fine engraver’s proof, before the cleaning of the edges of the plate. ric=a=Brac, Paintings on China, 345 346 347 348 349 35° 30! shed 303 354 355 i=) 35 Sculpture, tc. om BRONZE, BY KARL MULLER. Full-length figure of a black- smith, standing, lighting his pipe, anvil behind him, tools at his feet. Height, 10% in, . Bronze figure of a dog, sitting. By Karl Muller. Height, 6 in. Japanese Bronze. Grotesque full-length figure of a man with a cloak around him, and bare legs. CHINESE BOWL, red and gold, decorative ornamentation, con- taining figures, scenes and inscriptions. With maker’s mark. (Re- paired and slightly damaged.) BLUE CHINA PLATE. Large size, with decorative design of birds and flowers. BLUE CHINA BOWL, with centre figure of a boy and lamb, and broad floral decoration round margin. (Repaired and slightly dam- aged.) CHINA PLATE, with colored painting, by J. M. Falconer, of Washington’s Headquarters at Tappan, N. Y. Diameter, 13% in. CHINA PLATE, with colored painting of the ruins of ‘‘ Old St. Ann’s, Brooklyn,” on May 5, 1880, Diameter, 13% in. CHINA PLATE, with colored painting of the Beverley Robinson House, the Highlands, N. Y., from which Benedict Arnold escaped. Diameter, 17 in. CHINA PLATE, with colored painting of the Stone House, Tap- pan, N. Y. (the place of imprisonment of Major André). Diameter, 17 in: CHINA PLATES, one with a colored painting of Snake Hill, N. J., the other with a view of Rhode Island. In frames. (2 pieces. ) CHINA PLATES, with colored paintings of views in New York, Long Island, etc. (8 pieces.) 36 357 358 359 360 361 362 363 _ 364 365 366 367 368 369 a7° 371 The Anderson Auction Co. CHINA PLATES, with colored paintings of fruits, flowers, etc. (15 pieces. ) FALCONER (J. M.) Flowers from Bay Ridge, L. I. Painted on _ tiles. In frame, 1434 in, x 1034 in. FLOWER BOWLS, with original painted designs. Earthenware. (3 pieces.) MEDALS. Louis XVIII., head engraved by Andrieux; on the re- verse a full-length Venus of Milo, with Egyptian Sphinxes, and in- scription. Finely designed and made. Queen Victoria’s Coronation, bronze; John Mathews, bronze; English Reform Bill, 1832, lead; A stamped bust; and two impres- sions in metal from ancient seals (Jupiter and Leda, and Bacchanals). (6 pieces.) MEDALLIONS. A.sert THoRWALDsEN. Sculptor. Head, profile to right. Circular medallion in white cement. Diameter, 234 in. Lorp Byron. Profile, in white cement. In frame. g in. square. SIR WALTER ScoTT. Profile, in white cement. In frame, 9 in, square. MISCELLANEOUS. Plaster Medallion of Queen Victoria; Plate in Etruscan ware; a Miniature; Painters’ Palettes; and other scraps. (As a lot.) PLASTER CASTS. The Three Graces, height 32 in. (damaged) ; Bust of a youth, 13 in.; and other subjects in plaster (two dam- aged). (7 pieces, as a lot, sold as not returnable.) SCULPTURES. ‘‘Hot.” Marble bust of a young girl in a sun- bonnet. By Karl Muller. Height, 9% in. Finely executed marble bust of a young boy, bareheaded. No name of sculptor. Height, 10 in. Another somewhat similar, but smaller in size. Height, 8% in. STATUETTES IN TERRA-COTTA. Full-length figure of a beggar; Bust of a Zouave (slightly damaged); Bust of a man. Cleverly designed by L. Desbordes. (3 pieces.) STATUETTES IN MODELLING CLAY. 13 humorous figures, very cleverly modelled by L. Desbordes, in modelling clay. (Sold as not returnable, most of the figures being somewhat dam- aged.) (Asa lot.) 37 The Anderson Auction Co. 372 VASES. 2 in terra-cotta, and 3 in Etruscan ware. Various shapes. (5 pieces. ) 373 Vases of various sizes and shapes, in terra-cotta and black (all somewhat damaged). (10 pieces, as a lot.) 374 Metal Vase, thin stem, with broad, flat bowl, decorative work, with an Egyptian head on base. Height, 5% in. 375 TIN-TYPES, with Portraits of Washington, after Stuart; Paintings, etc. (About 35 pieces, as a lot.) 376 DOVE. A Dove, finely executed, in white composition. 6 in. long. SECOND’ SESSION. Paintings in Oil and Water=Colors. (All are Owl Patntings unless otherwise stated. The measure- ments as given include the frames.) eS 377 DIRONDACKS (THE). Two original oil paintings, unsigned. On stretchers. 20in. x 14 in. (2 pieces.) 378 ALLSTON (WASHINGTON). Distinguished early American Painter, ‘Mother and Child,” pen-and-ink drawing. The orig- inal sketch drawn for the painting. From the collection of Henry Inman, N.A. In maple frame, 13% in. x 12% in. 379 AMERICAN VIEWS. Studies from Nature, views of places, etc. Original drawings in oil on millboard by J. M. Falconer. (About 35 pieces, as a lot.) / 380 ANDRE (MAJOR JOHN). Water-color drawing, by J. M. Fal- coner, of the ‘‘Stone House,” Tappan, in which André was imprisoned. Folio. 38 381 The Anderson Auction Co. EARD (W. H.) American Painter, Member of the National Academy, etc. ‘* Puss Hunting.”” (The original of the well- known engraving by S. V. Hunt.) In gilt frame, 15% in. x 17% in. 382 BENSON (EUGENE). Woted American Painter, Associate of the Soa — National Academy, Exhibitor at the Royal Academy (London), National Academy (N.Y.), the Parts and Philadelphia Expositions, etc. Finely executed oil painting of a girl in black, seated, with letter beneath her hands; on the back of the chair is thrown a striped blanket. In gilt frame, 2334 in. x 19% in. ‘“On the Merrimack River, 1866.” Carefully executed. In frame, 15 in. x 11 in. 384 BLAUVELT (CHARLES F.) American Painter, Member of the National Academy, Professor of Drawing at U. S. Naval Academy, 1878, Exhibitor at many Exhibitions. May Day, 1861.” Cleverly executed oil painting of a family just moving into a new dwelling ; full-length figures of a woman, child and boy. In neat gilt frame, reitie x! 27° in: 385 BOSTON. Old House in Boston, built 1680. Water-color by J. 386 ———— 387 M. Falconer, 1859. In gilt frame, 16 in. x 12% in. Old House in Cross St., Boston, built when that city was in British possession. Water-color by J. M. Falconer, 1880. In frame, I5in. x 2232 in. Another copy of the same, but in a mat (not framed). 388 BOUGHTON (GEORGE H). ‘A Tremenpous Hirt, 1852.” LP) leans Humorous water-color drawing of a boy being snowballed. In gilt PiaMme.t232 in, x 1354 in. ‘‘THe Lost Hunter, 1858.” A HUNTER, SITTING IN DESPAIR ON THE SNOWY GROUND, WITH HIS GUN ACROSS HIS KNEE; FIR BUSHES AND ROCKS TO RIGHT AND LEFT, SNOWY MIST IN THE AIR, VERY FINELY PAINTED, AND A CHARMING SPECIMEN OF THIS NOTED PAINTER. In gilt frame, 18 in. x 12 in. ‘* AUTUMN ON THE HupDSON RIVER.” CHARMING OIL PAINTING BY THIS FAMOUS PAINTER OF A MISTY AUTUMN MORNING, THE RIVER PLACID, WITH SAILING BARGES DRIFTING, THE TOP OF THE HILLS ON THE FURTHER BANK, RED WITH AUTUMN FOLIAGE, SHOWING THROUGH THE MIsT. In handsome gold frame, 13% in. x g in. * A presentation work for J. M. Falconer, executed by G. H. Boughton on the morning he came from Albany to New York to settle in this city, with his inscription on the back. 89 The Anderson Auction Co. 391 BOUGHTON (GEORGE H.) ‘‘A HAnpFut oF BLACKBERRIES.” Charcoal drawing, in maple frame, 18% in. x 14 in. ‘¢ THe HELPING Hann, STUDY MADE AT ECOUEN, 1861.”’ Pretty 392 painting of a little child shovelling snow with a fire shovel, In gilt frame, 8 in. x 10 in. 393 ‘¢THe Rest By THE Way.” Full-length figure of a French peasant girl standing beside a stone wall in the act ofresting. Care- fully executed. In gilt frame, 15 in. x 19% in. 394 BROOKLYN. Capt. Seeley’s Boat House, foot of Hicks Street. Painted on millboard .,by J. M. Falconer, 1876) 12 1m) 2ueem (Back view.) 395 Another view, taken from the water front. © Painted by J. M. Falconer, on card 13% in. x 9% in. 396 The De Hart House, view of the whole of the old building. Painted by J. M. Falconer. 16 in. x. 11% in. 397 The De Hart House, Brooklyn, built 1646, pulled down 1886. Water-color by J. M. Falconer, painted on the last morning of its demolition. In gilt frame, 24% in. x 19% in. 398 ‘‘The Last Evening of the De Hart House, 1886.” Water- color by J. M. Falconer. In gilt frame, 25 in. x 21 in. 399 AT THE FOOT OF Hicks St., BRookiyn, L. I. INTERESTING AND SKILLFULLY-EXECUTED OIL PAINTING, REPRESENTING THE SHORE, OLD BUILDINGS, AN OLD HOUSE BOAT, ETC. Painted 1877. In hand- some gold frame, 3434 in. x 25% in. 400 BROOKLYN AND CONEY ISLAND. Various paintings on millboard by J. M. Falconer. (25 pieces.) 401 BROWN (JAMES). Five original water-color drawings. (5 pieces.) 402 BROWN (J. G.) One of the most celebrated of the later American genré painters. ‘‘ CHILDHOOD, 1860.” Painting of a young curly-headed child, blue dress, In frame, 11 in. x-fo in. 403 ‘AN OLD Woman KnitTING, 1862.” Carefully-executed study. [neg ili rate wren ox 1 iin, 404 ASTELLI. ‘Who is the Tallest?” Very prettily painted water-color. Two figures,a man and a woman in carnival costumes, standing back to back, with trees in the background. In frame, I5 in. x 18 in. 40 The Anderson Auction Co. 405 CATSKILLS (THE). South Mountain, from the Hill, 1862. Painted by J. M. Falconer. In gilt frame, 1oin. x 7% in. 406 CIVIL WAR. Union Volunteers’ Refreshment Saloon of Philadel- phia (first ofits kind). Colored lithograph. Procession of soldiers, cheering citizens, etc. Large folio. Phila,: T. Sinclair, 1861. * With stamp of the Committee. 407 COLE (THOMAS). ‘‘Tue Titan’s Goset, 1833.” A REMARK- a = 409 410 ABLE SYMBOLIC PAINTING BY THE DISTINGUISHED AMERICAN PAINTER, IN- FLUENCED BY THE NORSE LEGEND OF THE TREE OF LIFE. RUGGED MOUNTAINS CATCHING THE DEPARTING GLEAMS OF THE SETTING SUN FORM THE BACKGROUND FOR A GIGANTIC CUP PLACED ON THE PROJECT- ING POINT OF A ROCKY HEADLAND JUTTING INTO A SEA, ON THE SHORE OF WHICH IS SEEN AN EASTERN CITY, IN,THE IMMEDIATE FOREGROUND VERDURE-CLAD CLIFFS GLOWING IN THE SETTING SUN, AN EXTENSIVE LANDSCAPE SPREADING OUT TO THE LEFT. THESPIRITUALIDEA IN THE CENTRE OF THE PAINTING, CONVEYING THE BEAUTIFUL NORSE THEORY THAT LIFE AND THE WORLD IS BUT AS A TREE WITH RAMIFYING BRANCHES, IS CAREFULLY CARRIED OUT BY THE PAINTER, THE STEM OF THE GOBLET BEING A MASSIVE TREE-TRUNK, THE BRANCHES OF WHICH SPREAD OUT AND HOLD BETWEEN THEM AN OCEAN DOTTED WITH SAILS, SURROUNDED BY DENSE FORESTS AND PLAINS, IN WHICH APPEAR GREEK RUINS AND A MODERN ITALIAN BUILDING, TYPICAL OF ANCIENT AND MopERN CIVILIZATION. THE PAINTING HAS BEEN EXHIBITED AT THE Penn. ACADEMY OF FINE ARTS, 1842, AND MANY LATER EXHIBITIONS. In handsome gilt frame, 25 in. x 28 in. Franconia, N. H.-A mountain pool surrounded by high rocks. In gilt frame, 19% in. x 23% in. ‘¢The Good Shepherd.” Drawing in charcoal, 1847. In gilt frame, 171n. x 13% in. ®* The original drawing for the last picture he "painted—the Good Shepherd— executed for Mr. Gideon Lee, N. Y. ‘¢ Salvator Rosa sketching Banditti.”” A wild rocky ravine, in a cavern by the side of a brook, banditti camped, Salvator Rosa on the opposite side sketching them, a ruined tower on the height of the cliffs to the centre. In gilt frame, 17% in. x 14% in. ‘‘In the Wilderness, N. Y.” Painted about 1827. Study, painted in brown and white, of a torrent rushing between cliffs. In frame, 18% in. x 15% in. 41 The Anderson Auction Co. 412 COLE (THOMAS.) ‘From Nature, near Pittsburgh.” Painted about 1824. Study, in water-color, of a gnarled tree trunk. In maple frame, 14 inl. x 11% in. ‘* Study from Nature in the Catskills.” From the C. M. Leupp 413 collection. Landscape, autumnal foliage on the trees. In old gilt frame, 16 in. x 11¥% in. 414 Original charcoal and pencil sketches (25); also three draw- ings by J. M. Falconer of Cole’s first studio. (28 pieces.) 415 Copy, by Miss Sarah Cole, 1852, of Thomas Cole’s painting, ‘* Genevieve.” A landscape with the sea in the background, ruined castle to right in the foreground, with two figures below. In gilt frame, Ig in. X I5 in. 416 The Palette used by Thomas Cole, dated 1833. 417 Thomas Cole’s First Studio at Catskill, 1836-1846. Painted from Nature on millboard by J. M. Falconer. Two views from dif- ferent sides. (2 pieces.) 418 COLOR PRINTING. Fine aquatint of a Wreck at Sea. Very beautifully printed in colors. Large 4to. 419 COMEGYS (G. H.) American Painter. ‘*The Man of Nature, 1836.” Bust, painted on panel. In old frame, 17% in. x 15 in. 420 CROME (W. H.) ‘‘Lee Church, Blackheath, Kent” (England). Pretty English rural scene, with bright spring foliage (the painting requires a little touching up). In gilt frame, 19 in. x 14%. 421 CROPSEY (JASPER F.) Woted American Painter. ‘‘ AvE Maria, 1852." ITALIAN WOODLAND SCENE, A CROSS BY THE WAYSIDE, HEAVY MASSES OF FOLIAGE AROUND, A RUDDY SETTING SUN LURIDLY LIGHTING UP THE CROSS, A DISTANT VILLAGE, AND THE MOUNTAIN BACKGROUND. In handsome gilt frame, 27 in. x 20% in. 422 Panel painting of, apparently, an Irish scene. Mountain scenery, with a rustic stone bridge spanning a brook, a peasant woman in a red jacket and aboy inthe foreground. 16% in. x 11 in. 423 ‘*MELLOW AUTUMN, 1855.” A FINE EXAMPLE OF SKILLFUL TREATMENT OF RUGGED MOUNTAIN SCENERY, WITH DEEP SHADOWS AND A SILENT, SOMBRE POOL IN A HOLLOW IN THE FOREGROUND, A GOLDEN AUTUMNAL SKY THROWING A FAINT GLOW ON THE MOUNTAIN SIDE. In handsome gilt frame, 28 in. x 2034 in. 42 The Anderson Auction Co. 424 CROPSEY (JASPER F). ‘Forest Scene, 1854.” Clever painting ‘25. ———— 426 ———— 427 ——— 428 ———— 0 AS ere Oe 432 ——— Sears 434 435 436 of trees and rocks, with a small rivulet trickling over stones. In gilt frame, 1334 in. x 11% in. ** Solitude, 1845.”” Another autumnal study, of a deserted lake, mountains closing the background. In gilt frame, 14 in. x 11% in. **Near William’s Bridge.” Autumnal woodland scene, with birch trees and a winding brook. In handsome gilt frame, Ti in, X 1234 in. 7 ‘*DouNnE CAsTLe, 1848,” FINELY PAINTED LANDSCAPE, THE CASTLE IN RUINS ON A HILL TO THE LEFT, A LANDSCAPE BEHIND STRETCHING TO A FAR DISTANCE, THE HEAVY CUMULUS CLOUDS, PERSPECTIVE, AND EFFECTS OF LIGHT AND SHADE BEAUTIFULLY EXE- CUTED. A VERY CHARMING EXAMPLE OF HIS BEST WORK. In hand- some gilt frame, 2734 in. x 20% in. ’ ‘‘Ttalian Scenery,1850.”’ Landscape. An Italian village in the middle distance, hills in the background. In handsome gilt frame, 24 in, x 18% in. ‘‘Passing Away.” oe he y \ J et +o" 4 * ¢ é —s [Bho ‘ , > M Volk h ete ; wh, + Yi * i th rete ¥ i i « § se he: ‘ oS i Z a hd MOE Sh : “A i ; Se a. } ey rs ve : ore a. i “s r ‘ y | - a , nde, Re? 2 ee * : cr “ar * «ft < ae * a? a re ¥ 5 hs “ f be i are ay a o iy hy ' d \ tue i v 7 ri A ; =o ’ ‘. Ps 4 A % S 2 1 +“ , i : ,