Sogeme Pie ied eee fs eta ' A TROYON BRINGS $7,000. $46,240 Realized at Sale of Oehme and Ti... Ehrich Collections. 7 ‘There was a large crowd at the Fifth Avenue Art Galleries last evening at the Oehme and Ebrich sale of paintings. Sev- enty-six paintings were sold, bringing $46,240. ‘‘ Return of the Flock, Evening,” Troyon, broug. t the highest price of the sale, going to Alexander Barrie for $7,000. This is a list of pictures bringing the high- est prices, the artists, and buyers: Students of Music, Kaemmerer; Alexander - Is Pep IO tps Wis tence ne od Cais hers eee pea $4 The Sultana’s Coffee, Fabres; R. C. Vose, Bost MATES ie dw mach Sel bible wrens see oe 6 sue e 6 Bees Oe eee 460 Lady in Gray Satin, Sir Peter Lely; L. IMEOTEy civ tree Albee wa ce Oke Hes ede ay obit 475 The Sentinel Trees, Harpignie; R..C. “Vose, MNCMM CRE ete a s-6 awa kia Wien ereeldie es slop viene Wwe ela Por mat of Van Loo, et Holland Art Meee ER RCN 2 gai da ig 0d nies oo 8 ee bis Cojo so SLSR 1,100 Portrait Milton ‘in Youth, Dobson; Hol- Ri MA eA PEC ROLIOS ch sedative da ee as oma bee 575 Voorburg, Holland, Gruppe; R ¢. vee "BYE SM OS CLEA eee RES Ba ae DD a a a 4 Moonrise, Driesten; Ww. ‘H, “‘Woddin..... oe 425 Plonde and Brune, or the Music Score, Kiesel; Alexander Barrie......<......... 700 Gipsey Camp, Moreland; Holland Art Gal- — NGM iris card ach fe ccf Stes 6 oo BOs. 6 4. 4a Sele Yew hese 4T3 Kemble as. Hamlet, Sir aTORas Lawrence; pes Rte DOTS ects Saas: oe Raia es sguve te ven ee Roe 825 Portrait - Lady le Clere, unknown artist; PEE CDPOD ath 9 BS oe Ae Ie ep ae rg ie ea 610 Home Lite in Holland, Kever; R. C. Vose, Peeper Tee seen reaper ta sara wi ak ety sie foe wb oS a age 1,300 ‘Portrait George IV., Sir Thomas Law- ; rence; J. L. Newborg . Bist iat are ee aes 475 Bridge at Oudenard, Thaulow: John D. Re PIDEMRELTI Saale fataca cul tino 9 aisiecs o.s.66d-0 ow 6 8 sce eb 950 Hivening Calm, Holland, Jongkind; H. A. Men ede ite ie Seco Sich Sd ate tar So Se cece coo SU 1,750 Return of Baptismal ene Schmutzler; Vere te CPOLELIC DY aisry dip dislaeis wos Gre ¥ ecw ees Fee 950 Summer Time, Albert Lynch; ” Saward Blu- PERSIE INCCE tiie gen uted sii Capac gw teuy Sa bows vee 625 Portrait of Neil Gow, Scottish Fiddler; Meee DUE a esc ascwe succes dee ete Wicceiele pusisiavere Return of Flock, Evening, “Troyon: Alex- UAT OPO TILES ince hd a foe hv otetals abo aie betas Me Portrait Vicomitesse d’Hmonville, Largil-_ Riera cous AN LANL NIGM 5 vo) 22S v's eceves belt we 1,100 Vironcourt in the Vosges, Monchablon; W. ie Aa OEILS Oe aS yO) os SeOR PE La weiss aoe 725 Opening Grand Canal, “Venice; Ziem; un- ; (WG). 6 Oe ei he a e Ses SEU Ra eGo 5,500 Sir John Reade and Brother, Salnsher: ough-Dupont; G. D. Heucken.........0- La Fermiere, Julian Dupre; R, C. one. . 825 eee Wood Cart, Anton Mauve; H. A DA ON ares Wd cues Siete Vado. Sowa EE Ree Cavalier, | “Louis XV., _Roybet; “Alexander * EUS vet ciphieiy sats dad bebe esd wea eS io Our Daily Bread, Pieters: W. W. Fuller, .1,000 eading the Talmud, Israele; J. W. Clark.1, ys ‘easant. Trip, Wallachia; Kowalski SS $7,000 FOR TROVON'S ~ "RETURN OF THE Seventy-Six Old: and Medea : ures Sell at Auction for Bree ras. - $46,240, - Modern paintings from the gallerles ¢ Julius: Oehme and “Old Masters” of the Ehrich Galleries, seventy-six in all, were sold last night in the Fifth Avenue | Art Galleries by James P. Silo for $46,240. The modern pictures seemed to find more adia 4 and brought the highest prices, “The Troyon, represeniting “The Return of the Flock, Hvening,’ started with - “a bid of $1,000 and was finally disposed of for: $7,000 to Mr. Alexander Barri. Felix Ziem’s “Opening of the Grand Canal’ was sold for $5,500 to a. ‘purchaser who withheld his name. Mr. Robert C. ose, of Boston, a dealer, made several — portant purchases, among which were ren tonio Fabre’s..‘“‘The Sultana’s Coffee, =) $460; Harpignies’ The Central Trees,” $900: ,Dupré’s ‘‘La Bermilére,’? $825. Rigaud’s portrait of his contemporary Van Loo was bought by the Holland Art Galleries for $1,100 and the same firm ac- quired George Morland’s “Gipsy Camp” for $475, and Nicolas Maes’ “Portrait of a iGentleman’’ for $425. Mr, Gcorge Crocker paid $825 for ‘phe Red Shawl,” by Henner, and-Mr, G. L. Newborg $475 for the portrait: of George IV. by Sir Thomas Lawrence. An illus- tration of the high regard in which the works of Anton Mauve are held was re- vealed when a small water. color by that artist was pole for $1,300. to Mir EA, Cass. PAINTINGS From the Collections of meet US OEFKFHME and The EHRICH GALLERIES PUBLIC SALE ON Thursday Evening, March 12th, 1908 Beginning Promptly at 8.15 o'clock At the FIFTH AVENUE ART GALLERIES FIFTH AVENUE, Corner or 45TH STREET NEW YORK ets ~~ ON FREE VIEW FROM Monday, March 9th, Until Evening of Sale AT THE FIFTH AVENUE ART GALLERIES FROM 9 A.M. TO 10 P.M. DAILY The Trow Press New York — a i ts GG ‘ON ansdoeze9 | | NOAOUL INVISNOO { Me YOY 947 fo uungay z eee FIFTH AVENUE gaa is One door North of Fortieth Street bier | Bee -To be sold AT “ABSOLUTE. PUBLIC ‘SALE | THURSDAY EVENING March 12th, 1908 Pee SALE WILL BE CONDUCTED by JAMES P. SILO, of the FIFTH AVENUE ART GALLERIES 546 FIFTH AVENUE, Corner 45th Street, NEW YORK 4 Conditions of Sale | 1. The highest bidder to be the buyer, and if any dispute arise between two or more bidders, the lot so in dispute shall be immedi- ately put up again and resold. 2. The purchasers to give their names and addresses and to pay down a cash deposit, or the whole of the purchase money, if required, in default of which the lot or lots so purchased to be imme- diately put up again and resold. 3. The lots to be taken away at the buyer’s expense and risk upon the conclusion of the sale and the remainder of the purchase money to be absolutely paid or otherwise settled for to the satisfac- tion of the auctioneer, on or before delivery; in default of which the undersigned will not hold himself responsible if the lots be lost, dam- aged, or destroyed, but they will be left at the sole risk of the pur- chaser. 4. The lots to be taken away and paid for, whether genuine and authentic or not, with all faults and errors of description, at the buyer’s expense and risk, within Two Days from the sale; THE Firta AvenvE Arr GaLueries not being responsible for the cor- rect description, genuineness, or authenticity of, or any fault or defect in any lot, and making no warranty whatever. 5. To prevent inaccuracy in delivery, and inconvenience in set- tlement of the purchases, no lot can on any account be removed dur- ing the sale. 6. If, for any cause, an article purchased cannot be delivered in as good condition as the same may have been at the time of its sale, or should any article purchased thereafter be stolen or misdelivered, or lost, the undersigned is not to be held liable in any greater amount than the price bid by the purchaser. 7. Upon failure to comply with the above conditions, the money deposited in part payment shall be forfeited, all lots uncleared within the time aforesaid shall be resold by public or private sale, without further notice, and the deficiency, if any, attending such resale shall be made good by the defaulter at this sale, together with all charges attending the same. This condition is without prejudice to the right of the Auctioneer to enforce the contract made at this sale, without such resale if he thinks fit. THE FIFTH AVENUE ART GALLERIES are in no ways responsible for the charges or manner of delivery of goods purchased at their sale. JAMES P. SILO, Auctioneer. Artists Represented ARTIST TITLE Avicpor, RENE Lady in Directoire Costume Barker, THOMAS | Boy Blowing Bubble BERKHEYDEN, GERRIT View of Canal, Haarlem Bourcain, Gustave Hercules and Omphale CarrENo (DE Miranpa) Portrait of a Spanish Boy Creperstrom, THire von The Literary Prelate Crovet, Francois (ScHoou oF) A French Nobleman Corot, CAMILLE Tialian Landscape Cotrs, FRANCIS A Gentleman Unmasked Cores, FRANCIS A Lady in White Silk Couxtaup, Martin Evening at the Farm De Bock, THEoOPHILE Silver Birches in Summer Dosson, WILLIAM Portrait of Milton in His Youth Drissten, A. J. Van Moonrise Durprt, JULIEN La Fermiére Fasrers, ANTONIO The Sultan's Coffee CATALOGUE NUMBER No. No. No. No. 11 44 66 ARTIST TITLE GAINSBOROUGH-DuUPONT Sir John Reade and Brother GaissER, Max Cavalier Trymg a New Song Gruppr, CHartEs PETER View at Voorburg, Holland Guyon, MaximMiItiennE Café au Latt HANNEMAN, ADRIAEN Portrait of Lady Erle Haritow, GrorcE HENRY Portrait of the Duke of Wellington Harpienies, Henri The Sentinel Trees HENNER, JEAN JACQUES The Red Shawl HENNER, JEAN JACQUES Thusnelda InsKIPP, JAMES Portrait of a Lady IsRaAELS, JOSEF Readmg m the Talmud JONGKIND, J. B. Evening Calm, Holland KarmMERreER, F. H. Students of Music Kerver, J. H. S. Home Life in Holland KirsEL, CoNRAD Blonde and Brune KNELLER, Sir GopFREY Portrait of the Countess of Clarendon Kowatski, A. Wirerus von Start of the Pleasure Trip LARGILLIERE, NICOLAS DE : Portrait of Vicomtesse d’Emonville LAWRENCE, Sir THomAS Kemble as Hamlet LAWRENCE, Sir THomas Portrait of King George IV CATALOGUE NUMBER No. No. 60 3 me | . 49 - 20 oid . 15 . 29 . AY . 4 . 69 . 43 «9 Or » 25 . 22 ye! . 56 . 28 208 4 er CATALOGUE NUMBER 46 | aga im Gray Satin Gown os No. 14 ~ ey PErer 7 7 - Portrait of the Lady Palatine No. 64 iL: ae. . Rest for the Very No. 31 ALBERT | | ; Summer Time — No. 51 a AES, Nicozaas , | ee py: ~—s Portrait of a Gentleman No. 48 of | Masrawazozs, JoHan Henprick vAN vy. Winter Morning at the Lock | No. 73 ‘ Mave, ANTON © : Seu ic) | The Wood Cart | No. 63 | Mazo, Juan B. M. DE ‘ Ps Portrait of a Man : No. 12 _ Meyer, Emm | The Fe Loting Cardinal , No. 39 _ Moncuastoy, JAN : | 7 View of Vironcourt in the Vosges No. 57 - Moraxzs, Luis DE | Madonna and Christ-Child No. 10 Morzranp, GEorcE | Summer Afternoon No. 58 Mortanp, Grorce . ue Gipsy Camp No. 26 _ --- OrFrrMans, Tony | . ae | The Farm Hand No. 35 pedi Pauma, Jacoro (It Grovine) : ee Madonna and Child No. 74 Bi PEsNE, ANTOINE Lady in Brown Cloak No. 36 oe Preters, Evert 2 « } Our Daily Bread | y No. 67 i -Preters, Evert M The Longshore Fisherman No. 19 4 Piot, ADOLPHE Tea Roses No. 27 Ramsay, ALLAN | Portrait of Lord Chesterfield Reyno.ps, Sir JosHua (ScHoot OF) — } ab gaa The Two Cupids rea ae sO bs Ricavp, HyYacinTHE 7 “ 3 Portrait of Van Loo Rosa, SALVATOR In the Mountams RoysBet, FERDINAND Cavalier, Louis XV RussEvit, ‘THOMAS Off to the Gorton Scumurzier, LEOPOLD Return of the Bore: Party SHURTLEFF, R. M. . June m the Adirondacks THauLow, Fritz The Bridge at Oudenard Troyon, ConsTANT | aa ae Return of the Flock . i Turner, Davip Old London Bridge Unknown oe Portrait of a Lady «5 2 a - Varotari, ALESSANDRO (in TOAD), Muse of Music Van DEN Tempet, A. Dutch Burgher Lady Van Somer, Pavt Portrait of a Young Man Van Strriz, ABRAHAM Cattle by the River WatTeau, ANTOINE (ScHooL oF) Mimuet on the Green Wittcocr, G. B. Mill on the Teign, Devonshire ZiEM, FELIX Opening of the Grand Canal, Venice List of Illustrations | CATALOGUE ARTIST TITLE NUMBER Troyon, Constant Return of the Flock at Evening (Frontispiece) No. 55 Harprienres, HEnz1 ) a The Sentinel Trees No. 15 Ricaup, HyacintTue Portrait of Van Loo No. 16 HanNEMAN, ADRIAEN Portrait of Lady Erle No. 20 KNELLER, Sir GopFrey Portrait of Countess of Clarendon No. 22 Mor1Lann, GEORGE The Gipsy Camp : No. 26 Kever, J. S. H. Home Life in Holland No. 37 LawrENcE, Sir THomas Portrait of George IV No. 38 Tuavutow, Frirz The Bridge at Oudenard No. 41 Ramsay, ALLAN Portrait of Lord Chesterfield No. 42 ARTIST TITLE ScHMUTZLER, LEOPOLD Return of the Baptismal Party LAWRENCE, Sir THomas Portrait of Lady Blessington Mars, Niconaas Portrait of a Gentleman RaAEBURN, Sir HENRY Portrait of Neil Gow, the Fiddler LARGILLIERE, NicoLas DE Portrait of Vicomtesse d’Emonville MoncHABLON, JAN View of Vironcourt m the Vosges ZiemM, FELIX Opening of the Grand Canal, Venice GAINSBOROUGH-DUPONT Portrait of Sir John. Reade and Brother Duprt, JULIEN La Fermiére Mauve, Anton The Wood Cart Ley, Sir PETER Portrait of the Lady Palatine Royspet, FERDINAND Cavalier, Louis XV IsRAELS, JOSEF Reading m the Talmud CATALOGUE NUMBER No. No. No. No. No. No. 45 . 46 . 48 . 54 56 57 . 59 60 61 . 63 . 64 . 65 69 No. 1 M. COULAUD PARIS EVENING AT THE FARM Jad A pupil of Charles Jacques, this painter has had a distin- guished career in France, though he is little known as yet in the United States. Forms of animals and men are well defined in the gathering darkness after sundown. Signature at bottom to left. On canvas; height, 16 inches; width, 24 inches. Owned by JuLius OEHME. eo i No. 2 | oe” . ) E, 4 DAVID TURNER ENGLISH SCHOOL About 1800 tectural paintings sth engravings. 2 Academy in the years immediately before and aft the subject of his paintings being mostly taken from L and from the river Thames. His work has lately beg be more adequately appreciated. ae ea 2 OLD LONDON BRIDGE Whistler. Among those who found subjects in the fags of Lon- don was the engraver and painter, David Turner. In this view of London Bridge, the old Custom House appears on the right. ‘The figures on the quay and all the details are excellent, but the great oe: beauty of this picture lies in the sky, which is worthy of the later and more famous Turner. " On canvas, height, 19} inches; width, 262 wee Owned by Tur Enrich Gat.Eries. No. 3 MAX GAISSER ~*~ MUNICH CAVALIER TRYING A NEW SONG A gentleman of the seventeenth century in a white satin body coat, big white ruff, and pale gray felt hat examines a piece of music and holds a mandolin in his hand. Solid intelligent brushwork, excellent textures and still life. Signed in right upper corner. Painted on panel; height, 104 inches; width, 8 inches. Owned by JuLius OEHME. No. 4 70 ~ JAMES INSKIPP ENGLISH SCHOOL 1790-1868 Inskipp was a man of parts and intellectual attainments who exhibited at the Royal Academy from 1820 to 1845 and at the Society of British Artists from 1825 to 1885. In 1838 he published “ Studies of Heads from Nature.” PORTRAIT OF A LADY Bust of young woman in low-necked scarlet corsage with a tea rose at her breast. She wears a broad brown beaver hat with old- rose ribbons. The hat shades the downcast eyes. Sumptuous soft brushwork full of color and rich quality. On canvas, height, 24 inches; width, 20 inches. Owned by THe Enrico GALLERIES. No. 5 R. M. SHURTLEFF 4“ NEW YORK JUNE IN THE ADIRONDACKS Interior of forest with sunlight filtering through the glade in the background. A doe feeds in the shady fore- ground. Effect of the intense stillness of the American forest. Signature at bottom to the right. | On canvas; height, 20 inches; width, 25 inches. Owned by Jutius OEHME. 90 JUAN CARRENO DE MIRANDA SPANISH SCHOOL \ 1614-1685 as Carrefio soon won recognition by his talents, and | was % ; specially patronized by Philip LV, who employed him in ‘a several important fresco works, and nominated him as his — Be court painter. ‘“ His coloring was, in tenderness and suavity, perhaps superior to that of any painter of his country pos ek Ne Murillo.” 3 as PORTRAIT OF A SPANISH BOY A youth painted with a devout expression of indifference to : a0 worldly things is shown with hands brought together in prayer, a : face very pale and long black tresses falling over his black and ~ ioe loosely fitting jacket. A severe white linen collar relieves the dark- | ness of the costume; it seems to be the oils collar introduced by tee King Philip. aces On canvas; height, 23 inches; wilth, 18 inches. Purchased in Seville, Spain. eth Owned by THE Enrico GALLERIES. Se No. 7 0 ~« QGQUSTAVE BOURGAIN PARIS HERCULES AND OMPHALE On the balcony-loggia of a house sits a young officer in the dress of Napoleon’s dragoons before a spinning wheel. His brass helmet with horsehair plume rests on the balustrade. To one side stands a blooming maiden laughing at the young man’s awkwardness. A jovial and well-painted genre pic- ture representing a modern Hercules disarmed and enslaved by his love and beguiled into woman’s work by his enslaver. Signature at bottom to lejt. On canvas; height, 18 inches; width, 15 inches. Owned by Jutius OEHME. | /go- © B. WILLCOCK ENGLISH SCHOOL 1820-1852 Of this ries an example of whose work the ‘Nationa | Gallery of London has lately bought, little i is known. He — exhibited twelve paintings in the Royal Academy between 1840 and 1851. His death was caused by a cold, caught while painting on Hampstead Heath. A writer has said of him: “ His work is so like that of Constable that it is very possible that unscrupulous persons have often removed his _ signature and sold his pictures as those of the greater : master.” MILL ON THE TEIGN, DEVONSHIRE Landscape with watermill to the left, a sloping hill to the ian: and a stream rippling over rocks in the centre. To the right on higher ground a group of fishermen. In the distance a bridge and cabins. There is an atmosphere about this picture which is personal _ and attractive. Fine tonal quality sugg geeng Constable. Signature, lower right. On canvas; height, 15 inches; width, 24 inches. Owned by THr Enrico GALLERIES. No. 9 F. H. KAEMMERER “% /~~ PARIS 3 y 4 STUDENTS OF MUSIC Keyanter Jenne In the garden of the Luxembourg Palace, Paris, a young girl and her chaperon are walking from their music lessons, carrying their instruments and talking to one another. They pretend not to see a youth who follows them. The dress is that of about 1830. Landscape and figures in gay, light tones. Signature at bottom to left. 5 apts On canvas, height, 32 inches; width, 22 inches. Owned by JuLiIus OEHME. No. 10 Y »)- LUIS DE MORALES SPANISH SCHOOL 1509-1586 Morales was called “ El Divino ” because he confuet his talents to paintings of Christ and the Virgin, and also be- a cause of his fine execution. His larger works are principally =» — in the churches, and even his smaller pamtings are rarely seen out of Spain. “In his second period we find brilliancy of © ech but with an over-delicacy of feature, and melancholy grace.” MADONNA AND SLEEPING CHRIST-CHILD The slightly inclined head of the Madonna and the type of her face show the influence of Raphael. Original is the sleeping face of the holy child, His small head, delicate limbs, and rosy knees. A peculiar Spanish crispness of handiwork which gives an original touch to the well-worn theme. On canvas; height, 242 inches; width, 184 inches. Purchased in Madrid, Spain. NY Owned by Tur Enrico GALLERIES. No. 11 RENE AVIGDOR 2 /~ PARIS LADY IN DIRECTOIRE COSTUME Bust figure of a graceful woman dressed in a gown of the French Revolution. Firm lines, strong color, and skil- ful modeling. Signature at top to left. On canvas ; height, 25 inches ; width, 21 inches. Owned by JuLius OEHME. / “ p0o- 1610-1687 No. 12 JUAN B. M. DEL MAZO SPANISH SCHOOL Mazo, born at Madrid, entered the studio of Velasquez and became his son-in-law. He followed closely in his mas- ter’s footsteps. “ Mazo was an admirable portrait painter; his pictures resemble very closely those of Velasquez—the i same rich color and fine treatment.” At the death of Velas- ie ; : quez Mazo was made painter-in-ordinary to King On Be 4 Ae ust he also ae under Charles IT. PORTRAIT OF A MAN A half smile on his lips the unknown gentleman, who bears a de- cided resemblance to Velasquez, glances to his left as if he had just said something pointed, if not malicious. He wears upturned mous- tache and “ moschetta ” or small goatee. His coat is black and the collar is of that severe type for which King Philip set the fashion — in order to encourage his court to be economical. Warm flesh tones, big masses. > On canvas; height, 18 inches; width, 15 inches. Owned by THE Enrico GALLERIES. No. 138 ANTONIO FABRES PARIS apis: THE SULTANA’S COFFEE = (as Pe Cee A half-grown slave girl in a single bright-red garment, showing breast and shoulders and looped up to the knee, car- ries a brass tray with small coffee | cups on filagree stands, ‘a coffee pot, etc. She wears an enameled head-dress and gold bangles of different shapes on bare ankles and arms. Antonio Fabrés is a Spaniard who made a name in Paris, where he studied painting. At present he is the Director of the Academy of Fine Arts in Mexico City. Signature at bottom to right. On canvas; height, 29 inches; width, 24 inches.. Owned by Jutius OEHME. oben No. 14 SIR PETER LELY 1975 * ENGLISH SCHOOL | 1617-1680 Lely was born in Germany, studied in Holland, and came to England at the age of twenty-four—one year after the death of Van Dyck, whose style he followed. He painted the portrait of Charles I and of Cromwell as well. Charles II appointed him his court painter and conferred on him the honor of knighthood. “He gained great reputation and encouragement, and for many years was the most emi- nent painter in England. His works are characterized by a beautiful and permanent coloring, and by the graceful attitudes of his subjects.” . LADY IN GRAY SATIN GOWN One of the fair ladies of the Court of Charles I clad in the sober yet rich gown the fashion for which was introduced by Queen Hen- rietta Maria. Like Van Dyck whose place he took, Sir Peter was very happy in giving the shimmer of silk and satin. Sam. Pepys has recorded the pomp, circumstance and great popularity of this Westphalian, who was a favorite under two English kings and the Protector Cromwell also. On canvas; height, 403 inches; width, 343 inches. Collection: James Wa.LKER, Scotland. Exhibited at the Aberdeen Art Exhibition. Owned by THe Enrich GALLERIES. The Sentinel Trees 3 | . HENRI HARPIGNIES : - Catalogue No. 15 ] C No. 15 HENRI HARPIGNIES | ‘as ; PARIS en oe, i a THE SENTINEL TREES" Quiet landscape. and sky view a en the ele and Cf Lip through the branches of old chestnut trees. . The month is a July, and the sun throws short shadows from a high posi- tion on the left. Leaves are finely indicated against a quiet even-toned sky. Beyond is a thoroughly. cultivated land with rolling hills, very characteristic of northern and central France. } Signature at bottom to Weft hn Aa A | ee = rip 4 f ‘On canvas; bila. 18 ‘inches; width, Liss inches. Owned by JuLius OFHME. i ’ ae ) - i a No. en HY ACINTHE roe FRENCH SCHOOL — : ae tape 1659-17 43, Born of a family of artists, Rigaud mene his i: ee under local artists, first at Montpelier and then i in the a J Ae ms eon = ee eee RIGHT . HONORABLE COUNTESS OF CLARENDON _ ~ Handsome lady with sloping shoulders clad in a dark-blue over- garment which she holds elegantly with her left hand at her bosom. Her natural wavy hair comes down in one long curl over the right shoulder. She rests her right hand on the red drapery over a table. Pensive look, rich full lips, slender and beautiful hands. A stately and distinguished person. : On canvas; height, 484 inches; width, 38 suey A picture of Lapy CLARENDON is supposed to be at Hampton Court Palace, but is missing. |4 Owned by THE EnricH GALLERIES. Lady Clarendon SIR GODFREY KNELLER 1646-1723 Catalogue No. 22 Meehan 'h bik phe 1 be sa LS ht i sok 2m te ay 4 a iY =< «eo - * Se ae > * No. 23 A. J. VAN DRIESTEN THE HAGUE MOONRISE A. good specimen of one of the younger members of the Ji ile ohare Dutch School of modern landscapists. The brushwork dif- fers greatly from that of the old Dutch painters of moon- light like Van per Nerr. Excellent atmospheric effects. Signature at bottom to the right. On canvas; height, 24 inches; width, 36 inches. Owned by Juttus OrHMeE. eae eg F< Lge :. we Ob , YY x y ' J) OUR ee ee eae . eS Oy ne ee No. oA SALVATOR ROSA ITALIAN SCHOOL 2 ss 1615-1678 | eo) Rosa was born in Italy, and spent his life largely in ae : Naples, Rome, and Florence. After great struggles with sh poverty and neglect, he finally achieved the very highest dis- _ : tinction. ‘“ The brightest era of landscape painting is said to have been in the time of Pope Urban VIII, when flour- ished Claude Lorraine, Gaspard Poussin, and Salvator Rosa. Of these Salvator was the most distinguished.” Sir J oshua Reynolds said: ‘“‘ What is most to be admired in the works © of Salvator Rosa is the perfect correspondence which he ob- served between the subjects which he chose and his manner of treating them.” ee A Lage Gee Sere Be ae ee gee IN THE MOUNTAINS A rugged mountain scene. Probably one of the haunts in which Salvator Rosa passed much of his life. A rapid stream flows at the foot of the mountains and breaks in a succession of cascades. Several groups of individuals. The party in the foreground seem- ingly on a picnic excursion; one of them is evidently endeavoring to catch fish for the approaching meal. Strong painting of trees in Salvator’s manner. Great masses of color, well-lit sky. A fine ex- ample of this great early landscapist. | On canvas; height, 38 inches; width, 46 inches. Owned by THe Enricu GALLERIES, No. 25 | : CONRAD KIESEL PROFESSOR OF PAINTING, BERLIN FAN = BLONDE AND BRUNE; OR, THE MUSIC SCORE ; pray ee re Group of two pretty girls who are contrasts in coloring. (EAL ek They are about to sing from a musical score in front of them. | They represent ideals of German beauty; the brune sug- gesting Bavaria and the blonde Saxony. Signature at top to left. 7 On canvas; height, 27 inches; width, 24 inches. Owned by Jutius OEHME. No. 26 GEORGE, MORLAND | ENGLISH SCHOOL HI? % 1768-1804 His Seo Siem ; rural scenes and personages, have a charm. of. their an individuality | which distinguishes them from works. With exception of a brief visit to ‘France, : discriminating collectors. life was is spent in Race Jo i “trite OPS Ue Gao Sree tee Game (on aa SG A family of gipsies have reed a Beit shetie tent near | magnificent oaks and kindled a fire, near which stands an old wom By her side sits a younger woman with two children. In the middle distance a man approaches with fagots. To the left is a donkey lying down. Rich color effects to which woodland and d figures ¢ con- ae ‘tribute their share. +) me «Vie Gee oe me Signed lower left “GrorGE Mor.anp.” iS Pe ee oe ee ee On canvas; height, 25 inches; width, 35 inches. : Fron the Spispy Rectory, Lincolnshire, England. Owned by THE EHRICH GALLERIES. 93 ON eNnSolez"O VOST-S9LT GQNV’THOW WOUOUWD No. 27 ADOLPHE PIOT PARIS TEA ROSES A pretty woman, with hair the color of ripe grain, and proud of her pretty hands, which she displays with care, has dressed herself for a costume ball. She carries a basket of tea roses to offer to the admirers whom she is sure to meet. Signed in centre to right. On canvas; height, 26 inches; width, 20 inches. Owned by Jutius OEHME. No. 28 — SIR THOMAS LAWRENCE ENGLISH SCHOOL | ee as a es 1769-1880 ae =o en: The speedy success of Lawrence after his arrival i in 538 don and his early and constant patronage by the king n a / Mert ck berg the aristocracy of Europe evidence the appreciation w I - marked his career. All the celebrities of his time were to have themselves immortalized by his brush, and his traits of the members of the Kemble family, copes Mrs. Siddons, are well known. KEMBLE AS HAMLET Soe a The famous actor stands by Yorick’s grave with the skull in a ; his hand. He wears a long dark cloak which is lighted from beneath — by the gravedigger’s lantern, showing the red lining. This is a : smaller replica of the painting in the National Gallery, London. __ On canvas; height, 33 inches; width, 22 ‘inches. wn Owned by 'THE EnRICH GALLERIES. No. 29 JEAN JACQUES HENNER PARIS (he ct Peay dey ae oe Py Adee THE RED SHAWL {cm A pensive pale-faced girl gazes mysteriously from the canvas. A wrap of a brilliant red color is round her shoul- ders. ‘The expression is hopelessly sad, like that of a Beatrice Cenci. Signature to the lejt at top. On canvas; height, 15 inches; width, 11 inches. Owned by Jutius OEHME. No. 30 PAUL VAN SOMER FLEMISH SCHOOL: 1576-1621 great success. About 1605 he visited England, es great majority of his works are now to be foun = painted portraits of many of the English ca i ing that of James I. eS be PORTRAIT OF A YOUNG MAN : and benevolence which is very pleasmg. A broad linen olla Sue | with openwork lace covers the shoulders. The color scheme i 1s rich | ; and. attractive. en Be: Owned by THE Enrico (GALLERIES. No. 31 HENRI LEROLLE PARIS REST FOR THE WEARY Twilight has come and a peasant woman, tired with her labor in the fields, has seated herself on the ground near a big haystack. A careful painting, probably for a figure in some larger picture. Fine tones in clouds and a masterly brushwork, easy and virile in the painting of the fields. Signature to right at bottom. On canvas; height, 26 inches; width, 23 inches. Owned by JuLius OEFHME. No. 32 | JOHN RUSSELL ENGLISH SCHOOL Lf G0" 745-1806 Russell received his first art education from Franci: a Cotes. After a number of years of difficulty and despond- : ency; he began to win success, and in 1792 he was called : a “painter to the King and Prince of Wales, and also to the a Duke of York.” Subsequently he received commissions to _ 3 execute the portrait of the Princess of Wales with the infant _ 4 Princess Charlotte on her knees. His portraits of children are particularly admired. Most of his work was done in __ pastel, but occasionally he used the oil medium. Splendid | ‘examples of Russell’s work are exhibited in the palace ate LEP AAA TE ait naa ais Hampton Court. OFF TO THE GARDEN A sweet-faced girl is depicted by the popular British portrait — painter in the act of running out into the garden for flowers. She carries a brown flat basket and seems to have stopped suddenly to gaze at some one with the frank direct stare of childhood. Her big brown eyes are inquiring but fearless. Delightful tones in curly locks and the dull pink sash. | . On canvas; height, 30 inches; width, 25 inches. Collection: Executors of Squirr Eyre, Manor House, Newbury, Berkshire, England. Owned by THE Enrich GALLERIES. No. 33 vA UNKNOWN ARTIST pA of PORTRAIT OF A LADY LE CLERC uy i¢ A young noblewoman, a black velvet cap on the back of her head, a transparent big ruff round her neck, holds a red i oe prayer-book in her hand. Her name and age are given on the canvas: “ Philippe Le Clerc aagée de XVI ans, 1590.” Her arms are to the right. On a gold shield a crowned lion gules. In chief three besants gold. On canvas; height, 39 inches; width, 28 inches. Owned by Jutius OEHME. No. 34 FRANCIS COTES ENGLISH SCHOOL eS Maes Mi 1726-1770 Cotes was a popular portrait painter of London, and his work may be found in many public institutions. He was one of the first members of the Royal Academy and also a member of the Incorporated Society of Artists. THE GENTLEMAN UNMASKED A handsome young gentleman in a blue velvet cloak lined with ermine and a beautiful body-coat of white satin, girt with a blue and gold belt, has removed his paper half-mask and stands leaning his arm on a table. ‘The golden hilt of his sword peeps from under the ermine. Pale, clean-shaven face, raven black hair. Strongly marked personality. Perhaps an actor. On canvas; height, 50 inches; width, 40 inches. Owned by THE Enrich GALLERIES. No. 35 TONY OFFERMANS THE FARM HAND Pe’ With his mattock over his shoulder, his black hat on his head, and a clay pipe in his mouth a Dutch farm hand or small farmer trudges across the moor. In a basket on his arm he carries a yellow cock, which he has bought in the market for his poultry yard. Warm tones and strong char- acter feeling. Signature to the right at bottom. en se tat On canvas; height,'23 inches; width, 17 inches. Owned by Juuius OEHME. a - # yy ™ No. 36 ANTOINE PESNE FRENCH SCHOOL fF g 9 1683-1757 Son of Thomas Pesne, a naneat painter, and prothe of Jean, a French engraver of note; studied under his father, enjoyed a sojourn in Venice, became a member of the Paris — i Academy, but finally settled in Berlin, where he rose to be court painter to Frederick the Great, and a Director of the Berlin Academy. He painted history and portraits and his ee works were much admired by the connoisseurs of the court. z ae The galleries of the Berlin Schloss and those of Sans-souci_ ; > in Potsdam contain many of his works. Gaia LADY IN BROWN CLOAK ie , Portrait by a Frenchman who became court painter to Frederick _ } the Great, and died in Prussia, a Director of the Academy. Straight- forward style, delicate modeling and sweet light tones, like those so much admired in Fragonard and Greuze. The blues of feather : and ribands are charmingly set against the blue of the background. — The browns of felt hat, lace and cloak form another harmony. — i On canvas; height, 233 inches; width, 20 inches. Owned by THE Enrich GALLERIES. optee . ort; ‘ nee ne x An ee ee ee ee ae ae ae . 3 UHAAM “S ‘H ‘EL me ON eT puvjyjoyT wt afvy awoyT No. 37 ue. . ENGLISH SCHOOL Se os At the age of eighteen he first went i > onda when Joshua Reynolds, then near the end of his career, gave h valuable advice. At the age of. twenty-one the King who had already patronized him, insisted upon his being made : an extra associate of the Royal Academy, and. the following e year on the death of Reynolds he was appointed painter-in- it ordinary | to his Ma jesty. . Lawrence painted nearly all the Ee oa crowned heads of Europe and all the celebrities of his time. Bets * PORTRAIT OF KING GEORGE Vv ie ihe eal standing likeness of “the greatest eaten of \ Europe” in his robes of state, done with the brilliant brushwork of ; Sir Thomas. ‘The crown is on the table Nees him. He wears the orders of the Golden Fleece, of St. George and others, on chains. round his neck and breast; at his left knee the order of the Garter. FG Although in some respects like the large full length in the Lateran | at Rome this replica is carried out further in minor ‘particulars such as the crown on the table. On canvas; height, 464 inches; width, 32} aes Collection: Executors, ALEXANDER Topp, Esa., South Hi: ampton, England. . 3 Owned by THE EnrRicH GALLERIES. George IV SIR THOMAS LAWRENCE 1769-1830 Catalogue No No. 39 EMIL MEYER PARIS THE FLOWER-LOVING CARDINAL Y2s A pupil of Vibert, this artist followed the famous genre painter in the subjects as well as the methods of his brush. The Cardinal is a jovial personality, but he is engaged very seriously in his hobby, so he carefully selects the flowers that please him best. Signature to the left at bottom. On panel; height, 18 inches; width, 16 inches. Owned by Jutius OEHME. ABRAHAM VAN DEN TEMPEL DUTCH SCHOOL ge | 1622-1672 der Helst.” Especially good examples of his work ¢ are in be the Museum of Rotterdam. | he es erik DUTCH BURGHER LADY a The quarter length of a married lady in kerchief and fine aden! ae veil, clad in a black corsage with short sleeves, a brownish skirt and linen apron. A gold chain is round her neck. She wears bracelets | and rings on both hands. In her left she carries a single carnation of a lilac tone. Firmly modeled, rather severe face. Excellent draw- ing of features, neck and hands. A distinguished painting. a On copper; height, 314 inches; width, 234 inches. — 3 Owned by THe Enrico GALLERIES. d ) Pat ew de , SA, pA GS 9061-LP8T | LIF “ON ansoreze9 MOTOVAL ZCI PLDUIPNGE 3D IePUg IUD No. 41 FRITZ THAULOW m be _ PARIS 1847-1906 . THE BRIDGE AT OUDENARD Typical example of this famous Scandinavian painter, who passed his life in France. The water of the river comes toward the spectator and bends to the right with a swirling movement beautifully caught by the artist. In the rear are the red-tiled roofs and the two-arched bridge of the Belgian town. eh 7 sia aati male Signature to the right at bottom. ' a On canvas; height, 21 inches; width, 27 inches. Owned by Juxtus Orne. No. 42 “ALLAN RAMSAY — aaa es 29° se | | | ENGLISH ‘SCHOOL | : = - Ly, 13-17 84 | Bae born in Edinburgh, first studied int Lon and then in Italy.’ On his return from Italy he first « es lished himself in Edinburgh. In 1762 he settled i in Le where he painted the portrait of George III, whos patronage he enjoyed for many years. Being a go ! guist and an accomplished writer, he was in touch wi fhe literary men of his time and painted their portraits with: considerable abil: ANY a na ‘ * Pia Le a Re oT ea ea ae yi Pe Fe Te rae ea To ey « J » i - | Peat ¥ a oe hake Aa PORTRAIT OF. LORD CHESTERFIELD : The Earl of Chesterfield was more of a state than coe au- Suk 4 thor, but during the intervals of his political career he cultivated the Muses”? in the somewhat condescending way of nobles. in his” time. In this portrait the Scottish painter Ramsay has depicted ‘the famous ambassador to Holland and Lord Leftenant of Ireland in his character as writer. It is an honestly painted, rather stately portrait, remarkable for the handsome way in which the cloak is. ag managed, recalling the manner of Hogarth rather than Reynolds. On canvas; height, 50 inches; width, 40 inches. Owned by THE Enrico GALLERIES. Catalogue No. 42 Hiss) = oS > = o ore) S ~ cS a ~~ ne) O re S _ 5 ALLAN RAMSAY No. 43 J. B. JONGKIND THE HAGUE s ) v4 1819-1891 | EVENING CALM, HOLLAND /¢ $0 To the right is a mass of houses and trees with a series of three windmills beyond them, all against a bright western sky. ‘To the left is a peasant woman washing clothes by the edge of the canal. Opposite, in the dark shadow of the houses and trees, are canalboats moored, and farther to the right in the foreground a slender young tree. Yellowish cloudlets are in the sky. Mystery and quiet are expressed in no violent colors. | Signature at bottom to lejt. On canvas; height, 13 inches; width, 18 inches. Owned by Jutius OEHME. No. 44 THOMAS BARKER ENGLISH SCHOOL | 1769-1847 citizen of his ee town, studied in Rome, but witost instruction from any artist; and then for nearly a half cen- — tury sent examples of his best work year after year to the ~ Royal Academy and British Institution. His paintings had | ee so great a vogue in his lifetime that they were copied upon le almost every available material that would admit of decora- : tion: Staffordshire pottery, Worcester china, Manchester cottons and Glasgow linens. Rustic figures, rural scenes and simple life of the English home life were depicted by his prolific brush. ‘Two of his paintings ¢ are shown in the National Gallery. BOY BLOWING BUBBLES > The boy, who stands in profile holding an oyster shell in one hand and a pipestem, from which he has just forced a bubble, in the other, | has a personal charm that indicates a portrait rather than a fancy picture. cockatoo: : to his brother. A decided difference in the coloring of hel brothers. | - i Sweet, rounded features and i ingenuous expressions. ery :e On canvas; height, 55 inches; width, 45 Inchon. ae From the sale of the READE Fami.y, Shipton Court, Oxfordshire, England. cep ih A Owned by THE Enrico GALLERIES. Sir John Reade and Brother —DUPONT GAINSBOROUGH 1767-1797 _ 40 No Catalooue No. 61 be ULIEN DUPRE PARIS LA FERMIERE — §2 25° ~ = sed, eee French peasant woman is shown 2 4 | er. nis and sheep placing her hand on a cow which Fie ing from the pool. Julien Dupré is particularly his bucolic scenes. He has the knack of making his _ On canvas; height, 22 inches; width, 32 inches. No. 62 SCHOOL OF JEAN ANTOINE WATTEAU | FRENCH SCHOOL 1684-1721 Watteau, whose work created a revolution in the con- ception of art, was followed by a number of imitators, some of whom approached him very closely. The composition of this example greatly resembles the graceful conceptions of Watteau, and the painting strongly reminds one of his bril- liant color and charm. MINUET ON THE GREEN Near a shady tree grouped on a stand is a crowd of gentlefolk and musicians watching a lady and gentleman going through the slow movements of the minuet, a dance that began with one pair of dancers. Opposite sits another smaller group of spectators. Near the tree, a white hound, in front of the lower tier of ladies on the left, two King Charles spaniels. The audience is partly engaged in conversation, partly absorbed in following the couple of dancers who evidently move to very slow music. On canvas; height, 27 inches; width, 33% inches. From the collection of Lorp Norru, near Bath, Somersetshire, England, where it was attributed to Watteau. Owned by THr Enrich GALLERIES. ee 888I-8EésI 69 ‘ON ansoyeye9 HAOQVIN NOINV HD) POOM I4D BeYY No. 68 V7 ANTON. MAUVE / LAREN, HOLLAND 1838-1888 1200 THE WOOD CART | A charming little water-color by the late master of land- MS tle scape in Holland. It has more sentiment than some of the large paintings by Mauve which have brought sensational prices at picture sales. Signature at bottom to the right. ey ae Se AS, 13331832352 a MS Gt Water-color; height, 84 inches; width, 12} inches. -_-aA4A™ Owned by Jutius OEFHME. ENGLISH SCHOOL vie ue, 1617-1680 Sir Peter Lely, whose real name was Pieter ve Faes, was born in Westphalia. After two years’ stuc y at Haarlem, he decided to visit England, where he arriv r the age of twenty-three. Imitating the style of Van he soon sprang into favor, and. at the marriage of : i of Orange with the Princess Mary in 1648 he was p _ to Charles I and received orders to paint his portr: those of various members of his family. Although | _remained in England during the Commonwealth, and evel painted. the portrait of Cromwell, Charles II none the. less made: him his principal painter and honored him with as e Fe baronetcy. His success in life was unbroken, and he died a: at the age of sixty-two, blessed with wealth and honors. — a THE LADY PALATINE A portrait of Elizabeth, daughter of James I, married to Fred- erick V, Elector Palatine and King of Bohemia, driven from his eh throne by the Austrians. This sister of Charles I is shown stand- | ing. She wears the white satin gown which was in fashion at the BG time. At her ears hang enormous pear-shaped pearls. Through an opening in the rear a fleet of ships may indicate the assistance that James I attempted to afford his son-in-law and daughter in order to regain the lost electorate. aie On canvas; height, 453 inches; width, 294 inches. ; Pr From the collection of HumpHry Warp, Esq., London, England. Owned by THe Enrich GALLERIES. The Lady Palatine SIR PETER LELY 1617-1680 Catalogue No. 64 cateeoeame ie ae No. 65 FERDINAND ROYBET PARIS CAVALIER, LOUIS XV Roybet’s brush has a vivid robust quality that no other Moy ae by- living painter can equal. Face or costume he paints with a (Furr pure love of painting. The canvas is a characteristic exam- ple of his power of showing the texture of garments along with a distinction rarely surpassed. Signature to left at top. On canvas; height, 32 inches; width, 26 inches. Owned by Jutius OEHME. No. 66 GERRIT BERKHEYDEN DUTCH SCHOOL 1638-1698 Encouraged by the success of his elder brother Job to become a painter, he entered the guild of St. Luke in 1660. He painted in Cologne, Heidelberg, Haarlem and Amster- dam, and his works are faithful representations of the prin- cipal towns of Holland and Germany. | VIEW OF CANAL, HAARLEM Characteristic scene in Haarlam, Holland, toward the end of the seventeenth century. The tallish, gray-stone building to the left is a public weighhouse. Burgher houses with gables overlooking canal and Gracht, near which boats are moored. In the foreground a small fruit and vegetable market, burghers bargaining with coun- try people, dogs, heaps of produce, etc. On panel; height, 19 inches; width, 25 inches. Owned by THE EHRICH GALLERIES. FERDINAND ROYBET Te) © x) vu =| an io) | on fav a ins] 0 No. 67 EVERT PIETERS KATWYK-AN-ZEE, HOLLAND SetRe DAILY BREAD”. . . ./O60? 7 . Charming domestic scene by one of the most successful of the younger painters of Holland who work in the vein of Israels, Neuhuys and Blommers. In a simple room before a rude table sits the mother with a loaf pressed against her bosom as she cuts a slice for the little girl who stands at her knee. The light falls through white curtains on this group and on the blond head of a small boy seated on a bench. be- tween table and window. Note the beautiful tones in wall hanging and green kerchief of the mother, also her pale lilac waist and apron-skirt of faded blue. A chapter from the humble homes of Brabant. Pieters isan Antwerp artist who has taken gold medals in Paris and Barcelona. Signature at bottom to right. Owned by Juiius OEHME. On canvas; height, 364 inches; width, 314 inches. No. 68 FRANCIS COTES Hh 5 0 ENGLISH SCHOOL 1726-1770 A distinctly English portrait artist, much in vogue in London during his lifetime. He was one of the first mem- bers of the Royal Academy, and a member of the Incor- porated Society of Artists. Portraits by him are found in many noble English families and public institutions. LADY IN WHITE SILK Portrait of a slender young woman with roses in her powdered hair, and a chip-straw hat with blue ribbon perched above. The low-cut corsage trimmed with white ribbons in knots is lightened with a few old-rose bowknots. In her left hand she holds a slender, long walking cane; her right hand points away, as she turns her fan to the right, as if conversing. Large, dark-blue eyes and cupid’s-bow mouth. : On canvas; height, 49 inches; width, 35 inches. Collection the Hon. Mrs. SHEFFINGTON SMYTHE, Bushbridge Hall, Godalining, England. Owned by THE EHRICH GALLERIES. a ee ee Se ee oe eT eee ‘ the Talmud , mg im JOSEF ISRAELS Read ra 3 ( L ( ~ ( a ( C No. 69 Nv | iy JOSEF ISRAELS THE HAGUE Us 1814— Dace READING IN THE TALMUD /00¢ A small water-color into which the Dean of Dutch paint- UT Clam ers has put his delicacy and his strength. The old Rabbi — is absorbed in reading the Scriptures. Simple, direct and masterly painting without an attempt to force details. Signature at bottom to right. 7 Water-color; height, 13} inches; width, 9} inches. From the Staats Forsss collection. Owned by Jutius OEHME. GEORGE HENRY HARLOW ENGLISH SCHOOL ‘ : SS “1787-1819 Harlow was a pupil of Sir Thomas me re : EQUESTRIAN PORTRAIT OF THE DUKE OF WELLINGTON (AFTER mae. raising his chapeau as a salute to troops. He wears a eae blac j cloak over his black uniform and sits his steed with much grace. q This is in great contrast to the portraits of the Iron Duke made i in ; his old age. On panel; height, 66 inches; width, 43 ms 5 Collection of the late BARON DE Te!sst&ER, of Brunswick Terrace, Brighton England. Owned by Tur Enrico GALLERIES. ened i — a oa eee ssi , | | 19 ‘ON ansoeyzeg ' be A ua ca AudnAd NAIIOL ee aaa i DIU OT B74 as UL oF SJ B14 EL iN No. 71 A. WIERUS VON KOWALSKI : MUNICH START OF THE PLEASANT TRIP, WALLACHIA On a brilliant day in autumn a party of young people set out on a drive. The procession starts with two buxom Wal- lachian girls in a cart pulled by a lively horse. They are in great spirits, seeming to anticipate a jolly time. The Polish painter excelled in the drawing of horses. Signature at bottom to left. On canvas; height, 19 inches; width, 24 inches. Owned by Jutius OEHME, — ALESSANDRO VAROTARI ee PADO a ITALIAN SCHOOL 1 | : } 1590-1650 ieee HESS Padovanino, « little ‘Paduan,” “which under the best traditions of Venetian art. “ His c color rich and full of Venetian splendor; there is a quality o: : | lence within his brush-work, and his flesh tints seem to- reca b something of the lost golden coloring of Titian.” Examp] | of his work are found in the Academy at Me) in the sy Louvre and the National Gallery. MUSE OF MUSIC Seated nymph with back to observer but head turned profile, the face in half shadow. She holds a tambourine in her lap which she presses with one hand. Dark-blue drapery leaving one shoulder bare. Some simple white beads in golden hair and red beads se wrist. | On canvas; height, 29 ee wile 19¢ inches, ee Collection: Count Panctatict, Florence, Italy. Owned by THE Enrico GALLERIES. No. 73 JOHAN HENDRICK VAN MASTENBROEK ' ROTTERDAM WINTER MORNING AT THE LOCK Mastenbroek is one of the younger painters of Holland, and makes Rotterdam serve as his place for subjects. He gives the feeling of damp cold in his atmosphere and invests a canal lock with a tragic intensity that surprises. This is an extraordinary picture in many ways. It recalls the magic brush of Jacob Maris, but it is entirely individual. Signature to the left at bottom. On canvas; height, 16 inches; width, 24 inches. Owned by Jutius OEHME. No. 74 JACOPO PALMA (IL GIOVINE) ITALIAN SCHOOL ae ~ ws ae 1544-1628 Palma, after studying under his father Antonio, nephew of Palma Vecchio, was taken by the Duke of Urbino to Rome. While his best paintings are found in the Palace of the Doges, interesting examples of his work may be seen in the museums of Dresden, Munich, Florence, Vienna and Venice. THE MADONNA AND CHILD WITH GLOBE Lovely example of the charm in Venetian coloring. Palma Gio- vine kept some of the old conventions as to draperies and attributes. The Christ-child has one foot on a globe signifying the world and holds up two fingers in the traditional way. Both mother and child are looking down to the right as if St. John were there. Exquisite tones of dull gold, of flesh color, and of old rose. On canvas; height, 193 inches; width, 192 inches. Purchased in Bergamo, Italy. Owned by THE EnricH GALLERIES. No. 75 THEOPHILE DE BOCK ¥, | re - = “AMSTERDAM ; W : 1851-1906 SILVER BIRCHES IN SUMMER 7b: Landscape by one of Holland’s best artists, recently deceased. ‘The water-color has all of De Bock’s quiet distinc- tion and faithful interpretation of nature. Signature at bottom to right. Water-color; height, 104 inches; width, 16 inches. Owned by Juuius OEHME. No. 76 SCHOOL OF FRANCOIS CLOUET FRENCH SCHOOL XVI CENTURY The artist of this painting, like all the work of Clouet, shows traces of Flemish origin. None the less they possess a French element which is observable in their elegance and their insight into the moral and physical character of the person represented. YOUNG NOBLEMAN A rather severe-looking youth in big white ruff, his brown hair short, and depicted with his coat of arms to the left and the word ** Cloudt ” underneath it. The shield is gules with a silver bend. To the right is “ Anno, 1580.” On canvas; height, 30 inches; width, 25 inches. Owned by THE EnRiIcH GALLERIES. 2 Ee { : Ps F a iis TTY RESEARCH INSTITUTE War : Cs . ' 7 c : oY « 3 31 - ol 662 871 7 Fete fasts ee a ececi, ret ee er ty, ae ete Perth a nts platted ; 5 ; % f z ‘, aaieits Pera 48 c i? war och ae A AS hse 4 stip! 7 4 ; ? Ase tele teSiecet 2 ee, if ey ¥ ry ety sar tay : ; aur rite, is ; AM eh , ks : ie she Set : : ee e 7, Agi ; ses 5G F ited re oF Ble eos cae hace x Past ue oe a Arco tT F: aie) ; : - . f 3 $ £ f fret tet fig . : : +) ers , f SAEs: f iid AAS terse GF tar chad ea ; ee aS Se Pees oe ier