vt Valuable Oil Paintings 
 
 BY GREAT MASTERS OF THE 
 AMERICAN AND FOREIGN SCHOOLS 
 
 From the Collections of 
 
 MR. WILLIAM S. ELLIS MR. E. M. MOHRMAN 
 Bryn Mawr, Pa. Cleveland, Ohio 
 
 Also by order of 
 
 THE FIDELITY-PHILADELPHIA TRUST CO. 
 
 UNDER THE MANAGEMENT OF 
 SAMUEL T. FREEMAN & CO. 
 ESTABLISHED NOVEMBER 12, 1805 
 
 AUCTIONEERS 
 
 1808-10 CHESTNUT STREET 80 FEDERAL STREET 
 PHILADELPHIA. PA. BOSTON. MAss. 
 
LIBRARY 
 
 ; M.Knoedler & Co. 
 | 14 East 57th St. 
 New York 
 
SAMUEL T. FREEMAN & CO., Auctioneers 
 
 take pleasure in announcing an exceedingly 
 important public sale of 
 
 Valuable Oil Paintings 
 
 By Great Masters of the 
 American and Foreign Schools 
 
 From the Collections of 
 Mr. Witiiam S. Ettis Mr. E. M. MourMan 
 Bryn Mawr, Pa. Cleveland, Ohio 
 
 and by order of 
 Tue FipeLtiry-PHILADELPHIA TRusT Co. 
 
 Wednesday and Thursday, April 27 and 28, 1927 
 at 2.30 P. M. each day 
 IN OUR ART GALLERIES 
 
 The Collection will be on view from Saturday, April 23, 
 until the day of sale. 
 
 SAMUEL T. FREEMAN & CO. 
 
 Auctioneers 
 1808-10 Chestnut Street 80 Federal Street 
 
 Philadelphia, Pa. Boston, Mass. 
 
(= Owing to the great demand for Catalogues, it is urgently re- 
 quested that this Catalogue be retained for use at the sale. 
 
 THIS CATALOGUE 
 
 Designed, Compiled and Issued by 
 
 Samuel T. Freeman and Company 
 PHILADELPHIA AND BOSTON 
 
Terms and Conditions of Sale of Personal Property. 
 SPECIAL NOTICE—No employee is authorized to alter these terms. 
 
 Take notice: All persons acknowledge to have full knowledge of these terms and agree 
 to be bound thereby. Bidders shall be held liable under these Terms and Conditions 
 of sale for every article knocked down to them. 
 
 The Auctioneers reserve the right to add one or more to the following Terms and Con- 
 ditions of Sale. 
 
 1 DISPUTE BETWEEN BIDDERS.—The highest bidder to be the buyer, 
 subject to the terms of sale, and if any dispute arises between two or more bidders, 
 the Auctioneers shall either decide the same or the lot so in dispute shall be im- 
 mediately put up again and re-sold. The Auctioneer’s decision shall be absolute. 
 
 2 NOMINAL OR FRACTIONAL BIDS.—Any bid which is merely a nominal 
 or fractional advance may be rejected by the Auctioneer if in his judgment such 
 bid would be likely to affect the sale injuriously. 
 
 38 METHOD.—AII lots catalogued by weight, count, measure or unit will be 
 sold in like units as catalogued unless specifically changed by announcement by the 
 Auctioneer. When in one lot there is a large quantity of like material, the Auc- 
 tioneer reserves the right to sell in such units or groups thereof as he deems most 
 expedient. Lots will not be subdivided nor grouped unless specific announcement is 
 made. Whenever Court order requires it or when in the judgment of the Auctioneer 
 the best interest of the seller will be served, the property herein listed may be offered 
 first as an entirety and then in separate lots. 
 
 4 DEPOSIT AND IDENTIFICATION.—Purchasers shall give names and 
 addresses and make a deposit of 25 per cent. of the bid, or so much more (up to the 
 full amount bid) as the Auctioneers may require. In default of such deposit being 
 made, the lot may be immediately put up again and re-sold. 
 
 5 APPLICATION OF DEPOSITS.—AII deposits made are applicable to any 
 or all purchases either at this sale or at any previous sale. 
 
 6 CONDITION OF ARTICLES SOLD.—tThe lots shall be taken away and 
 paid for at the buyer’s risk and expense within the time announced by the Auctioneer, 
 the Auctioneer not being responsible for the correct description, genuineness, authen- 
 ticity or defect in any lot, and making no warranty in connection therewith. No 
 sale will be set aside nor allowance made on account of any incorrectness, error in 
 cataloguing, or any imperfection not noted. No deduction on damaged articles, all 
 goods are exposed for public exhibition, and sold ‘‘as is’ and without recourse. 
 Purchases will be delivered only upon presentation of receipted bill therefor. 
 
 7 REMOVAL, EXAMINATION AND PAYMENT.—No lot can on any ac- 
 count be removed during the sale; and the full purchase money on all lots sold to 
 the same buyer must absolutely be paid within the time fixed and before the ex- 
 amination or removal of the goods. 
 
 8 TIME ALLOWED FOR PAYMENT AND REMOVAL.—The time allowed 
 for payment of bills and removal of goods is either printed in the catalogue or an- 
 nounced by the Auctioneer and can always be obtained from the office of the Auc- 
 tioneers. It is the duty of all purchasers to inform themselves thereof and no re- 
 sponsibility shall rest upon the Auctioneer by reason of the purchaser’s ignorance 
 thereof. The Auctioneer shall have the right and option, but shall be under no obliga- 
 tion, to remove and store, at purchaser’s expense and risk, any article not paid for and 
 removed by the purchaser within the time allowed, pending final disposition thereof. 
 
 9 PURCHASER’S RISK.—AII] purchases made at this sale are at the pur- 
 chaser’s risk as soon as they are struck off and deposit made; the Auctioneers and 
 their principal not being responsible if all or any part of such purchases be lost, 
 stolen, damaged or destroyed. 
 
 10 CLAIMS.—AII claims must be made before the removal of the goods. 
 
 11 CLAIMS ON ESTIMATED WEIGHTS, COUNTS AND MEASURES.— 
 In case of purchases for which settlement is required by estimated or actual weights, 
 counts or measures, no adjustments will be made after the time allowed by the Auc- 
 fone for the removal of the purchases. No adjustment made on items sold by 
 the lot. 
 
 12 RECORDS.—The record kept by the clerk of the sale, together with the 
 marked catalogue of the Auctioneers, shall in all cases be accepted by the buyers as 
 final when any question arises. 
 
 13 COMPLIANCE WITH TERMS.—In addition to any other remedies given 
 by law to the seller and to the Auctioneer, it is agreed that in case of failure by the 
 purchasers to comply with these terms, all money received as deposit or otherwise, 
 may be retained by the Auctioneers, and that lots not paid for and removed within 
 the time allowed under the terms, may be re-sold at public or private sale without 
 further notice. Any deficiency attending such re-sale shall be paid to the Auctioneers 
 by the purchasers at this sale, together with all charges and expenses incurred by 
 reason of such re-sale. 
 
14 RESPONSIBILITY FOR NON-DELIVERY.—The Auctioneers shall not 
 in any event be liable for non-delivery or for any other thing to any purchaser of any 
 lot other than for the return to the purchaser of the deposit or sum paid on said lot. 
 
 15 LIABILITY.—The Auctioneers shall not be liable to any person, by or be- 
 ous of any defect in or the condition of the premises upon which the sale shall be 
 eld. 
 
 16 RESERVE.—In case of lots upen which there is a reserve, the Auctioneers 
 shall have the right to bid on behalf of the seller 
 
 17 COURT CONFIRMATION.—AIl sales made by order of the Court are 
 subject to the confirmation of the Cou:t ordering the sale. The Auctioneers reserve 
 the right to reject any or all bids. 
 
 18 DEPOSITS AND CREDIT THEREFOR.—Deposits must be paid in cash 
 or in certified check. Deposit receipts must be returned to the Auctioneers at time 
 and place of payment of bill or no credit can be allowed therefor. 
 
 19 SALE BY ESTIMATED WEIGHT, COUNT OR MEASURE.—In cases 
 where items are sold by estimated weight, count or measure, the purchaser will be 
 billed for and required to pay for the estimated weight, count or measure. If any 
 shortage be shown upon delivery the purchaser will be rebated therefor at the rate 
 of purchase. If there be an excess over the estimated weight, count or measure, 
 the purchaser shall be required to take such excess at the rate of purchase. 
 
 20 RISK TO PERSON OR OF PROPERTY.—Persons attending during ex- 
 hibition, sale of and removal of goods assume all risks of damage of or loss to person 
 or property and specifically relieve the Auctioneers from liability therefer 
 
 21 SAMPLES.—In every case where samples of the lots are shown, these 
 samp'es to the best of our belief are true and fair, but bidders are cautioned that 
 they must make examination of lots before the sale and no allowance will be made 
 on account of any difference between the sample and the lot. The location of every 
 lot is obtainable from the Auctioneers and it is the duty of purchasers to make ex- 
 amination before the sale. In cases of lots sold by description, the information has 
 been obtained from reliable sources and is believed to be correct, but cannot be 
 guaranteed. 
 
 22 DRAYAGE AND CARTING.—The Auctioneers are in no manner connected 
 with the business of the cartage or packing and shipping of purchases and will not 
 be responsible for the acts or charges of the parties engaged for such services. Pur- 
 chasers, during the period allowed for the removal of goods must comply with 
 reasonable regulations imposed by the Auctioneers. 
 
 23 ADDITION TO OR WITHDRAWAL FROM SALE.—The Auctioneers re- 
 serve the right to withdraw from sale any of the property herein listed or to sell at 
 this sale property not herein listed, and also reserve the right to group one or more 
 lots into one or more selling lots or to subdivide lots into two or more selling lots. 
 
 24 AGENCY.—The Auctioneers are acting as agents only and are not re- 
 sponsible for the acts of their principals. The name and address of the person placing 
 any property with us for sale will be given to the purchaser upon request. 
 
 25 PAYMENT.—Payment must be made in cash or in certified check, drawn 
 to the order of the Auctioneers. 
 
 NOTE.—The Auctioneers, while not incorporating the following in the Terms 
 of Sale, desire to state that they will be glad to receive commissions to purchase 
 which will be executed by them without charge in the interest of the bidder, the 
 same as if he was present. Such purchases, however, are made subject to the Terms 
 of Sale. Every reasonable effort will be made by the Auctioneers to take all usual 
 precautions for the care and protection of the gouds during the time allowed for the 
 removal thereof. It is the usual practice of the Auctioneers to have present at the 
 sales, several riggers with whom purchasers may make arrangements for the removal 
 and shipment of their purchases. 
 
CATALOGUE 
 FIRST SESSION 
 WEDNESDAY, APRIL 27, 1927, AT 2 P. M. 
 
 Moran, EDWARD (American) 
 1—Landscape with Water Falls. Canvas 27x22 Inches. 
 
 TENKATE, HERMAN 
 2—Studio Interior. Panel 1014x13 Inches. 
 
 ARTIST UNKNOWN 
 
 3—-Madonna and Child. Canvas 12x17 Inches. 
 
 ITALIAN SCHOOL 
 
 4—Mountain Landscape. Canvas 15x17% Inches. 
 
 Doucuty, THOMAS 
 5—View on the Hudson River, New York. 
 Canvas 24x16 Inches. 
 
 Artist UNKNOWN 
 
 6—Classical Subject. Canvas 20x20 Inches. 
 
 Artist UNKNOWN 
 
 7—Portrait of a Man in Armor. Canvas 14x17% Inches. 
 
 . De France, M. Ife 
 
 8—Meditation. Canvas 20x24 Inches. 
 
ae s1 
 
 ZO 
 
 Foe 
 
 — ViceEE, LE BRuN 
 
 Artist UNKNOWN 
 o—Lady in Red Robe. 
 
 OBEpykKoss, H. C. 
 1o—Russian Cossacks. 
 
 INMAN, HENRY 
 11—Landscape and Bridge. 
 
 SuLLy, THOMAS 
 12— Massacre of the Innocents. 
 
 PRATERE, EpM. DE 
 13—Landscape and Horses. 
 
 Canvas 20x25 Inches. 
 
 Panel 9!4x12 Inches. 
 
 Canvas 1114xo9 Inches. 
 
 Canvas 15x19%4 Inches. 
 
 Canvas 36x74 Inches. 
 
 Exposition Belge Des Beaux-Arts, 188o. 
 
 Artist UNKNOWN 
 14—Roman Figures, 
 
 15—Portrait of Lady in Blue Dress. 
 
 Henwoop, F. DE 
 16—View of Capri. 
 
 SOMMERS, OTTO 
 17— The Forgers. 
 
 KitcHELt, H. M. 
 18—Indian Encampment. 
 
 THYSEN, E. J. 
 19—Maternal Cares. 
 
 Canvas 3714x50 Inches. 
 
 Canvas 23x29 Inches. 
 
 Canvas 48x37 Inches. 
 
 (New York, 1866) 
 
 Canvas 30x44 Inches. 
 
 Canvas 24x16 Inches. 
 
 Canvas 18x22 Inches. 
 
n= 
 f) VA 
 
 POOLE wae 
 20—Summer. Canvas 20x14 Inches. 
 
 ALDRIEN, G. AMES 
 
 21—Hbolland Canals. Canvas 30x24 Inches. 
 
 WoopwELlL, JosepH R. 
 22—Hay Stacks. Canvas 9x6% Inches. 
 
 Poo, JE, A. 
 
 23—-Blossom Time. Canvas 36x24 Inches. 
 
 SuLLy, THOMAS 
 24—Female Head. Canvas 15%¢x1914 Inches. 
 
 GRupPE, C. P. 
 25—Children on the Shore. (Water Color.) Size 13x18 Inches. 
 
 CRABBE, R. M. 
 26—Woman and Child. (Water Color.) Size 13x19 Inches. 
 
 VAN DE WEELE, H. 
 27—Landscape and Sheep. (Water Color.) Size 2534x109 Inches. 
 
 MITCHELL, — 
 
 28—Marine. (Water Color.) Size 29%x121% Inches. 
 
 VAUTIER, BENJAMIN 
 
 29—Figures in the Garden. Canvas 2614x20 Inches, 
 
 DELOoRT, CHARLES EDOUARD 
 
 30—The Stolen Kiss, Canvas 21x29 Inches, 
 
CAMBURINI, T. 
 
 31—In the Wine Cellar. Canvas 16x19 Inches. 
 Mion, L. 
 32—The Garden Window. Canvas 25x41 Inches. 
 
 VILLEGAS, JOSE 
 33—Spanish lady in Garden. Canvas 33x25 Inches. 
 
 Dau, Haus 
 
 34—Landing the Ferryman. Canvas 56x32!4 Inches. 
 — Bripomay, F. A. (American, 1847) 
 35—An Oriental Interior. Canvas 18x22 Inches. 
 
 Von BREMEN, MEYER 
 36—Reading to Mother. Canvas 161%x19 Inches. 
 Signed at lower left—1872. 
 
 STREET, F. R. (1858) 
 
 37—Portrait of George Washington. Canvas 47x33! Inches. 
 
 A copy of the famous Lansdowne portrait of George Washington, 
 
 by Gilbert Stuart. Framed in original gold frame, with eagle 
 decoration. Only three copies extant. 
 
 WASHINGTON, GEORGES 
 38— Bedouins on the March. Canvas 19x24 Inches. 
 Signed at lower right. 
 
 RicHarps, WittiAM T., N. A. (American) 
 
 39— The Breakers, New Jersey Coast. Canvas 18x30 Inches. 
 Signed at lower right. 
 
 PARTON, ARTHUR (American) 
 40—Spring Landscape. Canvas 16x24 Inches. 
 
1/0 
 
 BONNINGTON, RICHARD PARKES (English, 1801-1828) 
 
 41—Landscape. Canvas 18x24 Inches. 
 Brown, J. G., N. A. (American, 1831-1913) 
 42—Crossing the Brook. Canvas 30x20 Inches. 
 Bripeman, F. A. (American, 1847) 
 43—Algerian Women. Canvas 11x Inches. 
 
 Signed at lower left. 
 
 BURLINGAME, — (Contemporary American, 1860) 
 44—Autumn in Vermont. Canvas 30x35 Inches. 
 Signed at lower left. 
 Member Salamagundi Club, N. Y. 
 
 ENGLISH SCHOOL (Eighteenth Century) 
 45—Portrait of a Gentleman in White Waistcoat. 
 
 ENGLISH SCHOOL (Eighteenth Century) 
 46—Portrait of Man in Black Coat. Canvas 30x25 Inches. 
 LAIRESSE, GERARD DE (Dutch School) 
 47—The Race of Atlanta. Canvas 26x3314 Inches. 
 
 Sometimes called the Dutch Poussin Lairesse; 1s famous for hts 
 historical and Genre painting; worked successfully in Holland 
 and became blind in 1660. 
 
 BEACH, THOMAS (English, 1738-1806) 
 48—Portrait of Lady in White Dress. Canvas 48x4o Inches. 
 Thomas Beach, born Milton Abbas, was a pupil of Reynolds. 
 
 De HEEM, CorNELIUS (Dutch School) 
 49—Still Life. Size 14x12 Inches. 
 
 This famous patnter of Still Life was the son and pupil of Davis 
 de Heem and many of bis works are attributed to his father. 
 Master of Antwerp Guild in 1635. 
 
SPREADBANK, — (English School) 
 50—Portrait of Sir J. Madjoribanks. Canvas 30x2414 Inches. 
 From Burdett Collection. 
 
 RuBens, Peter Paut (Studio of) 
 51—St. Laurencois. Size 37x29 Inches. 
 Executed on copper. 
 
 DEL SARTO, ANDREA (School of) 
 52—Holy Family. Canvas 37x28 Inches. 
 An important example of the Renaissance period. 
 
 FRENCH SCHOOL (Sixteenth Century) 
 53—Nuns in Supplication before Madonna and Child. 
 Canvas 25x22 Inches. 
 An exquisite example of the period. 
 
 MarRATTA, CARLO (Italian School, 1625-1713) 
 54—Decorative Portrait of a Lady. Canvas 30x24 Inches. 
 Favorite pupil of Andre Sacchi Maratta; famous for his decora- 
 
 tions in churches in Rome. 
 
 Cuyp, A. (Dutch School) 
 55—Landscape with Blacksmith Shop. Canvas 30x40 Inches. 
 
 Van Loo, — 
 
 56—Juno, with Cupids. Canvas 40x50 Inches. 
 A strikingly decorative canvas. 
 
 Rosa, SALVATOR (Italian School) 
 57—Landscape, with Ravine and Figures. | Canvas 33x24 Inches. 
 
 RosALBA, — (Italian School) 
 58—An Ideal Portrait. Canvas 25x20 Inches. 
 
50d 
 
 Tad) 
 
 gs 2 
 
 Dupre, JULES 
 58a—A Road through the Woods. Panel 15x174 Inches. 
 Signed on lower left. 
 
 Diaz, — 
 588—Woodland Landscape. Panel 1414x20 Inches. 
 Signed on lower right. 
 RuysDALE, SOLOMON (Dutch School, 1616-1670) 
 59—Landscape. Canvas 38x56 Inches. 
 An important panel by one of the greatest Dutch masters. 
 ~ Van Der Vuret, WILLEM (Dutch School, 1586-1644) 
 
 60—Portrait of Man with Ruching Collar. 
 Canvas 25x19 Inches 
 Represented im the galleries of Brussels, Vienna and National 
 Gallery, London. 
 
 Hocartu, WILLIAM, R. A. (English, 1697-1764) 
 61—David and George Garrick. Canvas 12x16 Inches. 
 Purchased at Christie’s. 
 
 Oupry, J. B. (French, 1686-1755) 
 62—Dog and Game. Canvas 33x44 Inches. 
 Court painter to Louis XV, Member of French Academy, 1717. 
 
 CoRNELIus, JANSSENS VAN CEULEN 
 63—Portrait of a Lady. Canvas 25x19 Inches 
 
HANNEMAN, ADRIAN 
 64—Portrait of a Lady. 
 
 Canvas 2144x18 Inches. 
 
 With the purchase of this painting goes a certificate of Hofstede 
 
 de Groot. 
 
 Van Huysem (Attributed to) 
 65—Floral Still Life. 
 
 CARLSEN, Emit, N. A. 
 66—A Jar of Violets. 
 Signed at lower left. 
 
 PERRIER, SANCHEZ 
 
 67—A Venetian Palace. 
 Signed at lower right. 
 
 BELLECOuR, BERNE E. P. 
 68—The Attack. 
 Signed at lower left. 
 
 LeEonarRD, GEo. H., JR. 
 69—Landscape. 
 Signed at lower left. 
 
 “WAGNER, FRED 
 
 70—Philadelphia, from Gloucester. 
 
 Linrorp, CHARLES 
 71—Woodland Stream. 
 
 Minor, R. C. 
 
 72—Portrait of Mrs. John Parker. 
 
 Illustrated. 
 
 (Dutch, Seventeenth Century) 
 
 Canvas 37x28 Inches. 
 
 Canvas 14x10 Inches. 
 
 (Spanish, Nineteenth Century) 
 Canvas 14x10 Inches. 
 
 Canvas 16x21 Inches. 
 
 Canvas 16x221% Inches. 
 
 Canvas 24x20 Inches. 
 
 Canvas 30x43 Inches. 
 
 (1840) 
 Canvas 20x24 Inches. 
 
64 
 
 No. 
 
Minor, R. C. (1840) 
 73—Portrait of Dr. John Parker. Canvas 20x24 Inches. 
 
 Minor, R. C. (1840) 
 74—Portrait of Mr. Foster. Canvas 25x30 Inches. 
 
 INMAN, HENRY 
 75—Portrait of Col. D. Perkins. Canvas 25x30 Inches. 
 
 FREGO, JONATHAN 
 75A—Portrait of Mrs. Philip Maignan. 
 Oval Canvas 24x20 Inches. 
 
 HAMILTON, JOHN McCLuRE 
 758—Bust Portrait of a Gentleman. Canvas 20x24 Inches. 
 
 MatTuon, E. 
 75c—Church Street in Villa Franche due Mer. 
 Canvas 18x24 Inches. 
 
SECOND SESSION 
 THURSDAY, APRIL 28, 1927, AT 2 P. M. 
 
 CARLSEN, Emit, N. A. 
 76—Venetian Marine. Canvas 20x24 Inches. 
 Signed at lower left. 
 Exhibited at the Ohio State Fair, purchased direct from the artist. 
 
 PERRAULT, LEON (Nineteenth Century, French) 
 70s— Tambourine Girl. Canvas 33x23 Inches. 
 Purchased from Goupil & Co. 
 
 RosBinson, THEODORE, N. A. 
 77—In the Sunlight. Canvas 22x17 Inches. 
 Signed at lower right. 
 Purchased through the Ferrargil Galleries. 
 
 GIFFORD, BEAL 
 78—Summer Landscape. Canvas 24x30 Inches. 
 Signed at lower right. 
 Purchased from the Ferrargil Galleries. 
 
 MontTIcELLi, ADOLPHE (French, 1824-1886) 
 78a— The Group. Panel 26x19 Inches. 
 A characteristic and authentic example. 
 
 GROLL, ALBERT, N. A. 
 79—Arizona Desert. Canvas 12x16 Inches. 
 A typical western landscape. 
 Purchased from the artist. 
 Signed at lower left. 
 
i¢sx 
 
 VERNET, JOSEPH (French, Eighteenth Century) 
 80—Harbor Scene. Canvas 28x42 Inches. 
 
 RANGER, Henry W.,N. A. 
 81—On Long Island Sound. Canvas 12x16 Inches. 
 Signed at lower left. 
 Purchased from the Ranger Estate. 
 
 Davies, ARTHUR B. 
 82—Autumn Festival. Canvas 16x21 Inches. 
 Signed at lower left. 
 A typical Davies in his finest style. 
 
 RyperR, CHAUNCEY F. 
 83—Early April. Canvas 32x40 Inches. 
 Signed at lower right. 
 Purchased from the Macbeth Galleries. 
 
 SPENCER, ROBERT (Contemporary American) 
 84—On the Delaware Near New Hope. Canvas 32x40 Inches. 
 Signed at lower left. 
 A characteristic example. 
 
 Wyant, A. H., N. A. 
 85—On Long Island. Canvas 12x17 Inches. 
 Signed at lower left. 
 Purchased at the Wyant Sale, 1894, at the American Art Galleries. 
 
 Ryper, ALBERT P., N. A. 
 86—Pond by Moonlight. Canvas 12x20 Inches. 
 Purchased from the A. P. Ryder Estate. 
 Exhibited at the Sesqui-Centennial, 1926. 
 
 ae Martin, Homer D., N. A. 
 
 87—Lake George. Canvas 12x20 Inches. 
 Signed at lower right. 
 Purchased from the Stillman Collection. 
 
XS 
 
 Murpny, J. FRANCIS 
 88—Mid-July. Canvas 12x16 Inches. 
 Signed at lower left. 
 Purchased from the J. Francis Murphy Sale at the American 
 Art Galleries. 
 
 . WEIR, J. ALDEN, P. N. A. 
 
 89—The Hill Top. Canvas 11x23 Inches. 
 Signed at lower right. 
 Exhibited at the Sesqui-Centennial Exhibition, Philadelphia, 1926. 
 
 = SARGENT, JOHN SincER, N. A., R.A. 
 
 9o—Study for Figure in the Boston Library. 
 Canvas 16x20 Inches. 
 Purchased from the Sargent Sale at Christie's, London. 
 Signed on back (seal). 
 
 THAYER, ABBOTT 
 91—Child’s Head. (Daughter of the Artist). 
 Canvas 15x13 Inches. 
 Signed at lower left. 
 Purchased from the Macbeth Galleries. 
 
 BLAKELOCK, Ratpu A., N. A. 
 92— The Indian Hunter. Canvas 8x6 Inches. 
 Signed at lower left. 
 A typical example. 
 
 JACQUE, CHARLES EMILE 
 93—Sheep and Landscape. Canvas 914x61% Inches. 
 Signed. 
 From the Collection of John Starr. 
 
 SCOUGALL, J. 
 94—Portrait of Miss Anne Hume. Canvas 30x25 Inches. 
 Daughter of the Earl of Marchmont. 
 Signed at right. 
 Purchased from the Marchmont Sale, London. 
 
Murpny, J. FRANCIS 
 95—Autumn Hillside. Canvas 16x22 Inches. 
 Signed at lower left. 
 Purchased from the J. Francis Murphy Estate. 
 
 Gi ~ Weir, J. ALDEN 
 : 96—Rabbits, Still Life. (Water Color.) Size 21x28 Inches. 
 Signed at lower left. 
 
 / CaRLson, JOHN F. 
 97—Snowy Waters. Canvas 12x16 Inches. 
 Signed at lower left. 
 A characteristic example. 
 
 ‘TROYON, CONSTANT 
 98— The Coming Shower. Canvas 2114x25% Inches. 
 Signed at lower left. 
 From Adolph Borie Collection. 
 Illustrated. 
 
No. 98 
 
MoncHABLON, J. (1889) 
 98A—The Road to the Village. Canvas 10x14 Inches. 
 Signed at lower right. 
 
 TENIERS, DAVID 
 98Bs—Old Man Smoking Pipe. Panel 434x5 Inches. 
 
 VANDERDOES, S. 
 98c—The Shepherd Boy. Canvas 161x13 Inches. 
 Signed lower left and dated 1697. 
 
 CHAsE, WILLIAM M.,N. A. 
 99—The Bloom Thistle. Canvas 10x16 Inches. 
 A typical Long Island landscape. 
 Signed at lower right. 
 
 Murpny, J. Francis, N. A. 
 1oo—Autumn Landscape. Canvas 19x14 Inches. 
 Purchased from the J. Francis Murphy Estate at the American 
 Art Galleries. 
 
 Lawson, ERNEST, N. A. 
 101—The Bathers. Canvas 20x24 Inches. 
 Purchased from the Macbeth Galleries. 
 Signed at lower left. 
 
 Cazin, JEAN CHARLES 
 102—Sunset Glow Over Pond. Canyas 22x18 Inches. 
 Signed at lower left. 
 Purchased in 1893 from Boussod Valadon & Co. 
 Illustrated. 
 
ZOL “ON 
 
BOUGUEREAU, WILLIAM ADOLPHE 
 103—The Twins. Canvas 141x21% Inches. 
 Signed on pillow. 
 
 Henry, E. L., N. A. 
 104—The Village Store. Canvas 7144x1034 Inches. 
 Signed at lower left. 
 
 Van Marcke, EMILE 
 105—Cattle in Pool. Canvas 24x19 Inches. 
 Signed on lower left. 
 Purchased from Boussod, Valadon & Co. 
 Illustrated. 
 
No. 105 
 
LAWSON, ERNEST, N. A. 
 1o6—Winter. Canvas 16x20 Inches. 
 Reproduced in the International Studto, in the article on Lawson, 
 
 by F. Newlin Price. 
 
 Signed at lower left. 
 
 RyDER, CHARLEs F. 
 107—Pines in the Valley. Canvas 32x40 Inches. 
 A splendid example. 
 Signed on lower left. 
 
 Jacque, CHARLES EMILE 
 108—Sheep at the Watering Place. Canvas 26x32 Inches. 
 Signed at lower left. 
 
 Corot, JEAN BAPTISTE CAMILLE (Attributed to) 
 109—The Morning Hour. Canvas 28x25 Inches. 
 Signed at lower left. 
 
 SARTAIN, WILLIAM M. 
 110—The Arab. Canvas 18x16 Inches. 
 Signed at lower right. 
 
 CONSTABLE, JOHN 
 111—Valley of the Stour. Canvas 29x25 Inches. 
 
 A very characteristic example of this great English master. 
 Illustrated. 
 
No. 111 
 
Wyant, A. H. 
 112—Evening in the Catskills. Canvas 10x18 Inches. 
 Purchased from the MacMellon Sale. 
 Signed at lower right. 
 
 CHASE, HARRY 
 113—Fishing Fleet. Canvas 16x24 Inches. 
 Signed at lower right. 
 
 DAUGHERTY, PAUL (Contemporary American) 
 114—Noon-day Marine. Canvas 26x37 Inches. 
 Signed at lower right. 
 
 D1aAz, NARCISSE VIRGILE 
 115—Sunset. Panel 13x17% Inches. 
 Signed on lower left. 
 Illustrated. 
 
No. 115 
 
Martin, Homer D., N. A. 
 116—Sunset—Lake George. Canvas 13x16 Inches. 
 Signed at lower right. 
 
 DIETERLE, MARIE 
 117—Cattle and Landscape. Canvas 17x24 Inches. 
 Signed at lower right. 
 From the Scott and Fowles Collection. 
 
 RAVESTYN, JAN VAN 
 118—Portrait of a Lady with White Collar. 
 Panel 43x33 Inches. 
 
 Coat-of-Arms in Background. 
 Marked at upper left: Aetatis 36 Anno 1610. 
 From the collection of Count Mnizech, Paris. 
 
 Illustrated. 
 
No. 118 
 
LeLy, Sir PETER 
 119—Portrait of Sir Edward Montague. 
 Canvas 30x25 Inches. 
 
 Made First Earl of Sandwich by Charles II, Lord High Ad- 
 muiral of England. 
 Purchased at Christes, No. 379 D. W’. 
 
 Illustrated. 
 
119 
 
 No. 
 
DAuBIGNy, CHARLES FRANCOIS 
 120—Landscape and Cattle. Canvas 34x58% Inches. 
 Signed with initials, C. D. 
 
 MiLais, Sir JoHN E., P..R. A. (English) 
 121—The Lady of the Manor. Canvas 29x19% Inches. 
 
 Signed at lower left. 
 From the Old English Art Galleries, London. 
 
 PyNACKER, ADAM (Dutch School) 
 122—Italian Lake and Mountains. Canvas 42x50 Inches. 
 DAuBIGNY, CHARLES FRANCOIS (French, 1819-1878) 
 
 123—Sand Dunes. 
 Signed at lower left. 
 Autograph authentication on back of canvas, “Ce tableau est. 
 de Mon. pere,” signed Karl Daubigny. 
 From the Scott and Fowles Collection. 
 
 Corot, JEAN BAPTISTE CAMILLE 
 124—Ville D’Avray. Canvas 26x32 Inches. 
 Illustrated in M. Alfred Robaut. 
 “From the d’Ennery Collection, to the right is the Garden of 
 Corot,” from the label on back of Canvas. 
 Signed at lower left. 
 Illustrated. 
 
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JACQUE, CHARLES EMILE 
 125—Woodland and Cattle. Canvas 20x30 Inches 
 Signed at lower left. 
 
 RuysDALF, JAcosp VAN 
 126—Landscape—Sunny Autumn. Canvas 25x30 Inches. 
 Signed with Monogram at lower left. 
 With this painting goes a certificate by Hofstede de Groot. 
 
 Crays, PAUL JEAN CHARLES (1819-1900) 
 127—A Calm Day on the Scheldt. 
 Canvas 18x24% Inches 
 
 Signed at lower left. 
 Purchased from M. Knoedler & Co., 1891, by the late General 
 James S. Clarkson. 
 
 Illustrated. 
 
No. 127 
 
Masuse, JAN G. VAN 
 128—Danal and the Golden Rain. Panel 45x35% Inches. 
 Certificate of authenticity by Dr. Max Friedlander of Berlin, 
 
 and Maurice Goldblatt of Chicago. 
 
 FROMENTRU, EUGENE (French, 1820-1876) 
 129— The Falconer. Canvas 914x1514 Inches. 
 
 Signed at lower right. 
 
 CHATEIGNON, FE. (French Contemporary) 
 130—Les Glaneuse. Canvas 1214x22 Inches. 
 Signed at lower left. 
 
 CourRBET, GUSTAVE (French, 1819-1877) 
 131—Winter Landscape. Canvas 24x20 Inches. 
 Signed at lower right. 
 
 GreuzeE, J. B. (French, 1725-1805) 
 132—Contemplation. Canvas 20x14% Inches. 
 From the Earl of Meath Collection. 
 
 RusBens, PETER PAUL 
 133—Entombment of Christ. Canvas 1514x2244 Inches. 
 Engraved by Widtouch, exhibited at the International Exhibition 
 at Tourcoing, France, 1900. 
 
 Illustrated. 
 
MORELAND, GEORGE (English, 1763-1804) 
 134—Smugglers on the Isle of Wight. 
 
 HAMILTON, Str WiLtiAM, R. A. 
 135—Mrs. Siddons as Euphrasia. Canvas 26034x18% Inches. 
 From the collection of Daniel W. Patterson. 
 
 BLAKELACK, R. A. (American, 1847-1919) 
 136—Tenting on the Old Camp Ground. 
 Canvas 10x16 Inches. 
 Signed at lower right. 
 
 SCHREYER, ADOLPHE (1828-1899) 
 137—Arabian Horsemen. Canvas 47x34 Inches. 
 Signed at lower right: Ad Schreyer. 
 A characteristic and authentic example of this great master. 
 Illustrated. 
 
No. 137 
 
MILLET, JEAN FRANCOIS 
 138—Girl with Kid. 
 
 BonHEuR, Rosa 
 139— The Grey Horse. 
 Signed at lower left. 
 
 WILLIAMS, F. BALLARD, N. A. 
 140—Emerald of Love. 
 Signed at lower right. 
 
 BAUFFE, CHR. 
 141—Sheep Returning to the Fold. 
 
 CouseE, E. Irvine, N. A. 
 142—The Drinking Pool. 
 Signed at lower left. 
 
 RICHARDS, WILLIAM T. 
 143—Coast Scene, Newport, R. I. 
 Signed at lower left, dated 1884. 
 
 WILKIE, Sir Davip, R. A. 
 144—The Country School. 
 From the King Collection, London. 
 
 GREEN, FRANK RusseELL, A. N. A. 
 145—Landscape and Cattle. 
 Signed at lower right. 
 
 Tours, E. 
 146—Still Life—Chrysanthemums. 
 
 (French, 1814-1875) 
 Canvas 1744x1114 Inches. 
 
 (French, 1822-1899) 
 Canvas 18x22 Inches. 
 
 Canvas 16x24 Inches. 
 
 (Dutch School) 
 Canvas 25x30 Inches. 
 
 Canvas 24x29 Inches. 
 
 (American, 1833-1905) 
 Canvas 34x60 Inches. 
 
 (English, 1785-1841) 
 Canvas 25x30 Inches. 
 
 Canvas 20x30 Inches. 
 
 (French Contemporary) 
 Canvas 2214x20 Inches. 
 
Mitet, J. F. (French, 1814-1875) 
 147—Girl Holding Chicken. Size 10%x8 Inches. 
 Sepia Water Color. 
 Signed at lower right. 
 
 DELACROIX, EUGENE (French, Eighteenth Century) 
 148—Alceste and Heracles. Canvas 26x35 Inches. 
 From the collection of Arthur B. Davies. 
 
 TWACHTMAN, JOHN H., N. A. 
 149—New Bedford Canvas 14x18 Inches. 
 A typical wharf scene, near the artist's Connecticut home. 
 Signed at lower right. 
 
 HassAM, CHILDE 
 150—Near the Madellene. Canvas 24x18 Inches. 
 Signed. 
 
 CRANE, BRUCE 
 15 1—Summer. Canvas 14x20 Inches. 
 Signed at lower right. 
 Purchased from Clapp & Graham. 
 
 DESPAGNET, — (Contemporary French) 
 152—Girl Reading. Canvas 20x24 Inches. 
 Signed at lower right. 
 Purchased from Durand Ruel. 
 
 HarpPIGNIEs, HENRI 
 153—On the Border of the Loire. Canvas 10x15 Inches. 
 Signed at lower left. 
 
 Ben, FosTER 
 154—The Church at Dedham Canvas 20x18 Inches. 
 Signed at lower right. 
 
HowELts, FeLicie WaLpo, A. N. A. 
 155—By the Square, Manchester. Canvas 14x12 Inches. 
 Purchased from the Macbeth Galleries. 
 Signed. 
 
 Minor, Rosperr C. 
 156—Misty Lake. Water Color, 12x22 Inches. 
 Signed at lower right. 
 
 Ramsey, ALLAN (English Eighteenth Century) 
 157—Lord Admiral Keith. Canvas 30x25 Inches. 
 Purchased from the Leger Galleries, Buckingham Row, London. 
 
 RAMSEY, ALLAN 
 158—Lady Admiral Keith. Canvas 30x25 Inches. 
 Companion to preceding lot. 
 
 Zwort, DE WILLIAM 
 1590—The Farm Yard. Water Color, 10x13 Inches. 
 Signed at lower right. 
 
 DAMoyE, PIERRE E. (French, 1847-1900) 
 160—Wheat Field, Normandy. Canvas 13x24 Inches. 
 Signed at lower right. 
 
 Rosen, CHARLES, N. A. 
 161—Canal at New Hope, Pennsylvania. 
 
 CoRNOYER, PAUL 
 162—Spring Landscape. Canvas 12x16 Inches. 
 Signed at lower right. 
 
 PASCAL, PAUL 
 163— The Fisherman’s Return. Canvas 20x25 Inches, 
 Signed at lower left. 
 
VERBOECKHOVEN, EUGENE 
 164—Sheep. Panel 7x1014 Inches. 
 Certificate of authenticity on back of panel. 
 
 DeECock, XAVIER 
 
 165—Landscape and Sheep. Panel 1414x23 Inches. 
 ad — How anp, A. C. 
 2S, 166—Woman’s Head. Canvas 34x22% Inches. 
 
 Musin, AUGUSTE 
 1607—Dutch Fishing Boats. Canvas 2214x8% Inches. 
 Signed at lower right. 
 
 7 Aecu Cin! 
 
MEMORANDUM 
 
MEMORANDUM 
 
MEMORANDUM, 
 
ESTABLISHED NOVEMBER 12, 1805 
 
 SAMUEL T. FREEMAN & Co. 
 AUCTIONEERS 
 
 1808-10 CHESTNUT STREET 80 FEDERAL STREET 
 PHILADELPHIA, PA. BOSTON, MASS. 
 
 PRESS OF 
 WILLIAM H. PILE'S SONS 
 422 WALNUT STREET 
 PHILADELPHIA