necpan new serrewee eee 
 
 =o = = — = S| 
 
Digitized by the Internet Archive — 
 in 2024 with funding from 
 Getty Research Institute 
 
 https://archive.org/details/architecturaldetOOmack_0 
 
ese kT 
 are aes 
 
 S 
 
 a a = ee ee ee ee 
 
Joavis LW s/uors 
 
 1630 
 
PRONDT TS Planer 
 
 nf 
 
 bbb Haha 
 Peo gb MA Bh ees 
 
 #5 
 
 RONDA 
 A MONDRAC 
 
 Z 
 
 ON 
 
 J 
 
 CAS 
 
 PNIEUO 
 
ARCHITECTURAL DETAILS 
 OF SOUTHERN SPAIN 
 
 ONE HUNDRED 
 MEASURED DRAWINGS 
 ONE HUNDRED AND THIRTEEN 
 PHOTOGRAPHS 
 
 Bye 
 GCERSTLE MACK 
 AND 
 THOMAS GIBSON 
 
 WILLIAM HELBURN INC 
 15 EAST 55™ STREET NEW YORK 
 
«” « r- 
 - * 
 ‘ . L 
 r 
 ' a , 
 i a : ”~ 
 r 
 ' 
 ? , 
 cz 4 £ ¥ 
 . P . 
 Lens 1 i 
 ak A 
 . . = 
 - ; ; z 
 - 
 “ sd ‘ 
 ° 
 r . 
 : : — CopyricHT 1928 
 : 
 ’, . < t-9 Tea vee Toe ’ o6 
 ' Wittram He surn, Inc. 
 . 1 iq * S  «e 
 "| 
 ' 
 = hs 
 - \ } 
 2 te 
 *. ‘ + 
 in 
 ; , . 
 . 
 : 
 z ’ 3 + 
 + * a = 
 ; 7 
 1 ra # 
 ‘ oa @ 
 . = 4 i 
 ' 2 ‘ : 4 
 - ca 
 E A 
 ’ Pi - 
 bi 
 ; 
 4 
 é 
 ‘ 
 i . i x os 7 
 > 
 rhe . P 
 } + a ot e 
 a at i 
 * 4 
 - , ” a + 7) 
 { F 
 ; . > or 
 ao - a} _ 
 . Ly ‘ : a ‘ 
 4 
 ’ ’ - ns ' 
 i 4 s, 
 ; P : fa 2 - a 
 7 ds 7 
 ; 7 
 7s t ¥ : * * - OF sad 
 | : fala ‘ ¥ Nees 7 - 
 ie . : rm? = 
 
 a 
 
 Garamond Press, Inc. 
 
IO ISUIIETC IOQRUAME, IDE IOVOES) | Ou 
 SOUTHERN SPAIN 
 
 HE details selected for presentation 
 in this book were chosen primarily 
 from the point of view of their util- 
 : ity to the architect who under- 
 ¥} takes to design modern buildings 
 R| based on Spanish prototypes. The 
 Renaissance,covering thesixteenth, 
 seventeenth and eighteenth cen- 
 turies, produced in Spain a succes- 
 sion of architectural styles which 
 
 have been found suitable for adaptation to modern require- 
 ments, especially in those parts of the New World in which 
 similarities of climate and topography have combined with 
 the tradition of Spanish settlement to bring about almost 
 inevitably the importation of Spanish architectural forms. 
 On the other hand neither the Moorish nor the magnificent 
 Gothic architecture of Spain has, as yet, shown itself capable 
 of graceful adaptation to modern use; hence these two styles 
 lie outside the scope of this work. 
 
 x xy ry 
 
 Renaissance architecture was introduced into Spain from 
 Italy at the beginning of the sixteenth century. The earliest 
 Renaissance style is known as Plateresque, from platero, a 
 silversmith, because the extreme delicacy of the sculptured 
 ornament rivals that of silversmiths’ work. About 1560 this 
 phase began to merge into the second or Classic period, dom1- 
 nated by the somber temperament of Philip I] and the austere 
 taste of his chief architect Juan de Herrera. After a century 
 of popularity the Classic in turn was replaced by the Baroque 
 and Rococo styles, characterized by florid curves and fantas- 
 tic outlines, whose principal exponent was the architect Chur- 
 riguera. 
 
 y rf 7 
 
 For a number of years after the appearance of Renais- 
 sance architecture in Spain, the Gothic tradition persisted 
 side by side with the new style. Gothic and Plateresque mo- 
 tives were frequently combined in the same building, as in the 
 Casa de las Torres in Ubeda (pages 20-22) and the Palace of 
 the Marqués de la Fuensanta in Cordova (pages 28, 31-32). 
 While the influence of Italy was always predominant during 
 the Renaissance, the Spanish style soon developed certain 1m- 
 portant characteristics of its own. Spanish architects were far 
 less concerned with refinement of proportion and unity of 
 scale than their Italian contemporaries. Except in the very 
 finest Plateresque work, the execution of the sculptural orna- 
 ment does not compare with that of the corresponding period 
 in Italy, and the profiles and moldings seldom achieve the re- 
 
 finement to be found even in mediocre Italian work. But it is 
 just this comparative freedom of execution that gives to 
 Spanish Renaissance architecture much of its individuality. 
 In this book the moldings and other details have been drawn 
 to very large scales in order to bring out their essentially 
 Spanish characteristics and to facilitate a comparison be- 
 tween them and their Italian prototypes. 
 
 of of ty 
 
 The Moorish occupation, which lasted eight centuries, nat- 
 urally left its mark on the Spanish Renaissance architecture 
 whose beginnings coincided so closely with the completion of 
 the Reconquest of Spain from the Moors in 1492. After the 
 Reconquest many Moors were converted to Christianity; as 
 Christians they were permitted to remain in Spain until the 
 final expulsion of the Moriscos or converted Moors in 1609. 
 Among the Moriscos were a number of builders and other 
 craftsmen who, long after the Renaissance was well estab- 
 lished, continued to employ Moorish methods of construction 
 and Moorish decorative forms in buildings erected for their 
 Spanish conquerors. The style thus evolved is known as 
 Mudejar. No examples of this style are included in this book, 
 but the patio of the Casa Mondragon in Ronda (Frontispiece 
 and pages 1-5) exhibits certain Mudéjar characteristics. The 
 features in later Spanish architecture which show Moorish in- 
 fluence most obviously are the enclosed court or patio, at 
 least partly derived from the Oriental custom of providing a 
 secluded area within the walls of the house in which the 
 women might enjoy the fresh air without being seen from the 
 street; the iron window grille or reja, also designed for the 
 protection and seclusion of the women; the use of geometric 
 patterns for decoration; the very characteristic coftered 
 wooden ceilings known as artesonados; and the common use 
 of polychrome tile for walls, pavements, and fountains. 
 
 nf bf of 
 
 On account of the difficulties of communication in a 
 mountainous country three or four centuries ago—even today 
 in many localities these difficulties have not entirely dis- 
 appeared—Spanish architecture frequently exhibits interest- 
 ing local variations from one town to the next. The high nar- 
 row doorways of Ecija (pages 39-40), the broad low arches 
 and flanking twisted colonnettes of Ubeda (pages 58-63), and 
 the “‘wafHe” decoration of Cordova (pages 28, 31-32, 133- 
 134), are all examples of architectural features each of which 
 is peculiar to a single district. We have endeavored through- 
 out the book to present the greatest possible number of these 
 well-defined local types. 
 
ARCHITECTURAL DETAIUS OlsSOU TREK NESEA IN 
 
 The major part of the work is devoted to domestic archi- 
 tecture. During the sixteenth and seventeenth centuries an 
 enormous increase in wealth followed the Spanish conquests 
 in America; the nobles built magnificent palaces and a gen- 
 eral improvement took place in the standards of domestic 
 comfort. Details from several of these great houses are illus- 
 trated here, as well as a number of examples from simpler 
 village dwellings. Public buildings and museums were drawn 
 upon for certain details, and churches, monasteries, and hos- 
 pitals furnished the rest; but only those ecclesiastical details 
 
 were chosen which might conceivably be adapted to secular 
 use. 
 re y Y 
 
 Each subject is illustrated by photographs as well as by 
 drawings, so that all of the character and charm of the old 
 work—its irregularities and its frequently accidental varia- 
 tions—are presented side by side with the accurately meas- 
 ured and carefully drawn details. For the convenience of the 
 designer, all drawings are reproduced at true and commonly 
 used architectural scales. 
 
 of y of 
 
 Many of the buildings illustrated are in a lamentable state 
 of dilapidation. After centuries of neglect and abuse, some of 
 
 the finest examples are literally crumbling away, and certain 
 of the most beautiful old palaces have been so disfigured by 
 conversion into casas de vecinos, or tenements, that their 
 former glories can only be guessed at. Where restoration has 
 been attempted the results are frequently even more unfor- 
 tunate. It is our sincere hope that this book, besides fulfilling 
 its main function as a source book of Spanish details, will also 
 serve as a partial record of this fast disappearing architecture. 
 
 ot Se y 
 
 We are deeply indebted to Miss Margaret Palmer and Mr. 
 and Mrs. Arthur Byne, of Madrid, for invaluable advice and 
 assistance; to the Ilmo. Sr. D. Armando de Soto Morilla de 
 Quirés for permission to photograph and measure his splendid 
 collection of panelled doors and wrought iron in the Casa de 
 Santa Teresa in Seville; to Sr. D. Gustavo Bacarisas, Sr. D. 
 Alfonso Grosso, Sr. D. Santiago Martinez, Sr. D. Juan Lafita, 
 and Sr. D. Alfonso Lasso de la Vega, for calling to our atten- 
 tion a number of valuable subjects in and near Seville; to 
 Miss Helen Macgregor and Mr. Francis Bruguiere for many 
 helpful suggestions in the field of photography; and to all of 
 the householders and custodians of ecclesiastical and public 
 buildings whose perfect courtesy made it possible for us to 
 secure the material presented in this volume. 
 
7 JEdte dE COU OL AN IPI SS = 
 
 mh i eC wR SDETALLSSOR “SOUTHERN SEA LN 
 
 ees 
 
 Frontispiece. Ronda, Casa Mondragén (Photograph) 
 
 Pines NW 
 
 PLATE 
 PLATE 
 PLATE 
 PLATE 
 PLATE 
 PLATE 
 
 PLATE 
 
 Ney kee) Sf en (ag ES eo |S) 
 
 PAGE 
 
 [Prairie 1S) 
 
 PAE 14. 
 
 Panis 1S, 
 
 Puare: 16, 
 PATE, lik 
 PLATE 138; 
 PLATE 19, 
 
 Piaaria. 2 
 |PrNanies 2 
 2 
 
 Aan. 
 
 |Pryaanrs 23), 
 
 PLATE | 
 
 PLATE | 
 
 Praia: 27 
 
 RATE 3. 
 iPrcaavis, 29). 
 \Pivavaria. SX0). 
 
 [PL ANITIE: Des. 
 
 2 
 Pincers; DE, 
 2 
 
 . Arcos de la Frontera, Church of Santa Maria 
 
 Ronda, Casa Mondragén (Photograph) 
 
 . Ronda, Casa Mondragén (Photographs) 
 . Ronda, Casa Mondragén (Drawing) 
 . Ronda, Casa Mondragén (Drawing) 
 
 . Ronda, Casa Mondragén (Drawing) 
 
 . Jerez de la Frontera, La Cartuja (Photograph) 
 
 . Jerez de la Frontera, La Cartuja (Drawing) 
 
 . Jerez de la Frontera, La Cartuja (Drawing) 
 
 . Seville, Calle de las Dos Hermanas 3 (Photographs) 
 Piare 10; 
 Pras] |: 
 
 AGIs 
 
 l 
 Seville, Calle de las Dos Hermanas 3 (Drawing) 
 Seville, Calle de las Dos Hermanas 3 (Drawing) 
 Seville, Hospicio de los Venerables Sacerdotes 
 (Photographs) 
 Seville, Hospicio de los Venerables Sacerdotes 
 (Photographs) 
 Seville, Hospicio de los Venerables Sacerdotes 
 (Drawing) 
 Seville, Hospicio de los Venerables Sacerdotes 
 (Drawing) 
 Ubeda, Church of San Salvador (Photograph) 
 Ubeda, Church of San Salvador (Drawing) 
 Ubeda, Church of San Salvador (Drawing) 
 beda, Church of San Salvador (Drawing) 
 beda, Casa de las Torres (Photographs) 
 beda, Casa de las Torres (Drawing) 
 
 ey Gses SS 
 
 beda, Casa de las Torres (Drawing) 
 
 DOORWAYS 
 
 Andujar, Plaza Comandante Franco 15 (Photo- 
 graph) 
 
 . Anddjar, Plaza Comandante Franco 15 (Drawing) 
 
 Andujar, Plaza Comandante Franco 15 (Drawing) 
 
 (Photograph) 
 
 Arcos de la Frontera, Church of Santa Maria 
 (Drawing) 
 
 Carmona, Convent of Santa Clara (Photograph) 
 Carmona, Convent of Santa Clara (Drawing) 
 Carmona, Convent of Santa Clara (Drawing) 
 Cordova, Palace of the Marqués de la Fuensanta 
 
 (Photograph) 
 
 POUATE oi, 
 
 Prare. 32: 
 
 Prats 33: 
 PLaTE 34. 
 PEATE Sos 
 PLATE 36. 
 PLATE 37. 
 PLaTE 38. 
 PLATE 39. 
 Pate 40. 
 PuiateE 41. 
 PuateE 42. 
 Piate 43. 
 Piate 41. 
 
 PLATE 44, 
 
 |Prngaers 255. 
 
 Puate 46. 
 
 Prare 47. 
 
 Puate 48. 
 
 PLate 49. 
 PLATE 50, 
 PLATE, 51. 
 PEATE, 52: 
 PEATE S: 
 Piate 54. 
 UNS, 65) 
 PLATE 56. 
 PRATE 7. 
 PLATE, 58. 
 
 Puate 59. 
 
 Prams, 5B. 
 Puate 60. 
 PLATE 61. 
 
 Cordova, Palace of the Marqués de la Fuensanta 
 (Drawing) 
 
 Cordova, Palace of the Marqués de la Fuensanta 
 (Drawing) 
 
 Ecija, Hospital de la Concepcién (Photograph) 
 Ecija, Hospital de la Concepceién (Drawing) 
 Ecija, Hospital de la Concepcién (Drawing) 
 Ecija, Church of San Francisco (Photograph) 
 Ecija, Church of San Francisco (Drawing) 
 
 Feija, Church of San Francisco (Drawing) 
 
 Ecija, Calle Garcilaso 5 (Photographs) 
 
 Ecija, Calle Garcilaso 5 (Drawing) 
 
 Granada, Convent of Zafra (Photograph) 
 Granada, Convent of Zafra (Drawing) 
 
 Granada, Convent of Zafra (Drawing) 
 
 Jerez de la Frontera, Plaza de la Encarnacién 3 
 (Photograph) 
 
 Jerez de la Frontera, Plaza de la Encarnacién 3 
 (Drawing) 
 
 Jerez de la Frontera, Plaza de la Encarnacién 3 
 (Drawing) 
 
 Jerez de la Frontera, Calle Empedrada 2 (Photo- 
 graph) 
 
 Jerez de la Frontera, Calle Empedrada 2 (Draw- 
 ing) 
 
 Jerez de la Frontera, Calle Empedrada 2 (Draw- 
 ing) 
 
 Osuna, La Colegiata (Photograph) 
 
 Osuna, La Colegiata (Drawing) 
 
 Osuna, La Colegiata (Drawing) 
 
 Ronda, Calle Marqués de Paradas (Photograph) 
 Ronda, Calle Marqués de Paradas (Drawing) 
 Ronda, Casa Mondragén (Photograph) 
 
 Ronda, Casa Mondragén (Photographs) 
 
 Ronda, Casa Mondragén (Drawing) 
 
 Ronda, Casa Mondragén (Drawing) 
 
 Ubeda, Calle del Condestable DAvalos 17 (Photo- 
 graph) 
 
 Ubeda, Calle del Condestable Davalos 17 (Draw- 
 ing) 
 
 Ubeda, Calle Hernan Crespo 3 (Photograph) 
 Ubeda, Calle Hern4n Crespo 3 (Drawing) 
 
 Ubeda, Church of Santo Domingo (Photograph) 
 
PLATE 
 
 PLATE 
 
 PLATE 
 
 PiAan 
 
 Ppsare 
 PLATE 
 PLATE 
 PLATE 
 PLATE 
 PLATE 
 
 AGE 
 
 Pie, 7/ 
 
 PLATE 
 |PANaIS 
 PLATE 
 PLATE 
 PLATE 
 PLATE 
 Prare 
 PLATE 
 PLATE 
 PLATE 
 PLATE 
 PLATE 
 PLATE 
 PLATE 
 PLATE 
 PLATE 
 PLATE 
 
 AGS 
 
 PLATE § 
 
 PLATE 
 PLATE 
 PrATE 
 PLATE 
 PLATE 
 PLATE 
 EPrATE 
 PLATE 
 
 JEAL/ANans 
 
 . Seville, Casa de 
 . Seville, Casa de 
 . Seville, Casa de 
 . Seville, Casa de 
 . Seville, Casa de 
 . Seville, Casa de 
 . Seville, Casa de 
 . Seville, Casa de 
 . Seville, Casa de 
 . Seville, Casa de 
 . Seville, Casa de 
 ). Seville, Casa de 
 . Seville, Casa de 
 . Seville, Casa de 
 . Seville, Casa de 
 . Seville, Casa de 
 . Seville, Casa de 
 . Seville, Casa de 
 . Seville, Casa de 
 
 . Seville, Casa de 
 
 i Poet 
 
 Ubeda, Church of Santo Domingo (Drawing) 
 
 Ubeda, Church of Santo Domingo (Drawing) 
 
 WOOD DOORS 
 
 Feija, Palace of the Marqués de Pefiaflor (Photo- 
 
 graph) 
 
 : Ecija, Palace of the Marqués de Pefiaflor (Draw- 
 
 ing) 
 
 : Ecija, Calle Serrano Carmona 6 (Photograph) 
 
 . Ecija, Calle Serrano Carmona 6 (Drawing) 
 
 : Ecija, Calle CAnovas del Castillo 14 (Photograph) 
 . Ecija, Calle Cénovas del Castillo 14 (Drawing) 
 
 . Ronda, Church of Santa Cecilia (Photograph) 
 
 . Ronda, Church of Santa Cecilia (Drawing) 
 
 Santa Teresa (Photographs) 
 Santa Teresa (Drawings) 
 Santa Teresa (Drawings) 
 Santa Teresa (Photographs) 
 Santa Teresa (Drawings) 
 Santa Teresa (Drawings) 
 Santa Teresa (Photographs) 
 Santa Teresa (Drawing) 
 Santa Teresa (Drawing) 
 Santa Teresa (Drawing) 
 Santa Teresa (Drawing) 
 Santa Teresa (Photographs) 
 Santa Teresa (Drawings) 
 Santa Teresa (Drawings) 
 Santa Teresa (Photographs) 
 Santa Teresa (Drawings) 
 Santa Teresa (Drawing) 
 Santa Teresa (Drawing) 
 Santa Teresa (Photographs) 
 
 Santa Teresa (Drawing) 
 
 . Seville, Casa de Santa Teresa (Drawing) 
 
 . Seville, Casa de Santa Teresa (Drawing) 
 
 . Seville, Casa de Santa Teresa (Drawing) 
 
 2. Seville, Casa de Santa Teresa (Photographs) 
 . Seville, Casa de Santa Teresa (Drawings) 
 
 . Seville, Town Hall (Photographs) 
 
 . Seville, Town Hall (Drawing) 
 
 . Seville, Town Hall (Photographs) 
 
 . Seville, Town Hall Drawing) 
 
 ( 
 8. Seville, Town Hall (Drawing) 
 
 OF 
 
 [eed bg Od RD ERS 
 
 Prats 99. Seville, Museum of Fine Arts (Photographs) 
 
 Pirars 
 AGI 
 | AAvania 
 
 PLATE 
 
 PLATE 
 
 Pa AGnE 
 
 PLATE 
 
 Pranre 
 
 PLATE 
 
 PLATE 
 
 PLATE 
 PLATS 
 PLATE 
 PLATE 
 
 PLATE 
 
 Acne 
 
 PLATE 
 
 [Pu /Nanis 
 
 IPAs 
 
 Pw aaris 
 
 RrATre 
 
 Pvc 
 
 PLATE 
 PLATE 
 PLATE 
 Prats 
 PEATE 
 PLATE 
 PLATE 
 
 PLATE 
 
 100. 
 
 LO: 
 
 102. 
 
 103. 
 
 104. 
 
 105. 
 
 104. 
 
 106. 
 
 104. 
 
 LOx 
 
 108. 
 
 102: 
 
 108. 
 TO: 
 108. 
 
 gee 
 
 108. 
 
 12: 
 bel 3e 
 
 114. 
 
 Nats 
 
 DiS: 
 
 116. 
 ji ie 
 IG: 
 L138. 
 119: 
 (20: 
 11; 
 120. 
 
 Seville, Museum of Fine Arts (Drawings) 
 Seville, Museum of Fine Arts (Drawings) 
 Seville, Museum of Fine Arts (Photographs) 
 Seville, Museum of Fine Arts (Drawing) 
 
 IRONWORK 
 
 Andujar, Calle Altosano la Marquésa 8, Reja 
 (Photograph) 
 
 Andujar, Calle Altosano la Marquésa 8, Reja 
 (Drawing) 
 
 Baeza, Calle San Andrés 22, Balcony (Photo- 
 graph) 
 
 Baeza, Calle San Andrés 22, Balcony (Drawing) 
 Ecija, Calle Evaristo Espinosa 5, Balcony(PAoto- 
 graph) 
 
 Ecija, Calle Evaristo Espinosa 5, Balcony (Draw- 
 ing) 
 
 Ecija, Calle Rejano 30, Reja (Photograph) 
 Ecija, Calle Rejano 30, Reja (Drawing) 
 
 Ecija, Calle Caza 5, Reja (Photograph) 
 
 Fcija, Calle Caza 5, Reja (Drawing) 
 
 Ecija, Palace of the Marqués de Pefaflor, Stair 
 Rail (Photograph) 
 
 Ecija, Palace of the Marqués de Pefaflor, Stair 
 Rail (Drawing) 
 
 Granada, Church of San Pedro, Grille (Pho‘o- 
 graph) 
 
 Granada, Church of San Pedro, Grille (Drawing) 
 Jerez de la Frontera, Calle Benavente 4, Window 
 and Reja (Photograph) 
 
 Jerez de la Frontera, Calle Benavente 4, Window 
 and Reja (Drawing) 
 
 Osuna, Calle Martos 9, Window and Reja (Photo- 
 graph) 
 
 Osuna, Calle Martos 9, Window and Reja (Draw- 
 ing) 
 
 Osuna, La Colegiata, Gate (Photograph) 
 Osuna, La Colegiata, Gate (Drawing) 
 
 Osuna, La Colegiata, Gate (Photograph) 
 Osuna, La Colegiata, Gate (Drawing) 
 
 Osuna, La Colegiata, Gate (Drawing) 
 
 Ronda, Calle Santa Cecilia 68, Reja (Photograph) 
 Ronda, Calle Santa Cecilia 68, Reja (Drawing) 
 Ronda, Calle Mendez Nunez 45, Reja (Photo- 
 graph) 
 
Prare 122. 
 
 Pia 120). 
 
 Pinavins sk 
 
 Plage 124. 
 Pate 125. 
 
 Prarr 124, 
 
 Brare 126. 
 
 Piate 104. 
 Prete. 107, 
 Pirate 124. 
 Boare: 127, 
 
 Prare 124. 
 
 Prats. 128. 
 
 Pratrest29. 
 
 Brave £30! 
 Piare 131; 
 Prearech32: 
 
 Peatrre 133. 
 
 JemAses 116Mee 
 
 ese 
 
 Ronda, Calle Mendez Nunez 45, Reja (Drawing) 
 Ronda, Calle Pi y Margall 43, Reja (Photograph) 
 Ronda, Calle Pi y Margall 43, Reja (Drawing) 
 
 Seville, Museum of Fine Arts, Reja (Photograph) 
 
 Seville, Casa de Santa Teresa, Reja (Photograph) 
 Seville, Casa de Santa Teresa, Reja (Drawing) 
 Seville, Casa de Santa Teresa, Gate (Photograph) 
 Seville, Casa de Santa Teresa, Gate (Photographs) 
 Seville, Casa de Santa Teresa, Gate (Drawing) 
 
 Seville, Casa de Santa Teresa, Gate (Drawing) 
 ig 
 
 WINDOW 
 
 Cordova, Calle Agustin Moreno 140 (Photo- 
 graph) 
 Cordova, Calle Agustin Moreno 140 (Drawing) 
 
 Oe 
 
 aI A ENS: 
 
 PUATECL OS: 
 Pines, 1 2X6. 
 IPvavivis. 11)5;, 
 
 Pinas: 8s7, 
 
 Paar 13h. 
 PLiate 139; 
 Prats 140: 
 
 Prare lay, 
 Pyare I483 
 Pinarys, 1449). 
 
 FOUNTAINS 
 
 Cordova, Plaza del Potro (Photographs) 
 Cordova, Plaza del Potro (Drawing) 
 
 Ecija, Palace of the Marqués de Peftaflor (Photo- 
 graph) 
 
 Ecija, Palace of the Marqués de Pefaflor (Draw- 
 ing) 
 
 Martos, La Fuente Nueva (Photographs) 
 Martos, La Fuente Nueva (Drawing) 
 
 Martos, La Fuente Nueva (Drawing) 
 
 CEILINGS 
 
 . Cordova, Museum of Fine Arts (Photograph) 
 . Cordova, Museum of Fine Arts (Drawing) 
 
 . Ronda, Casa Mondragén (Photographs) 
 
 . Ronda, Casa Mondragén (Drawing) 
 
 . Seville, Museum of Fine Arts (Photographs) 
 . Seville, Museum of Fine Arts (Drawing) 
 
 FACADE 
 
 Baeza, Calle San Pablo 22 (Photograph) 
 Baeza, Calle San Pablo 22 (Drawing) 
 Baeza, Calle San Pablo 22 (Drawing) 
 
a 
 
 > 
 
ARNCHIGE GT URAL DETAILS-OF SOULHERN SPAIN 
 
 PLATE 1 
 
 | 
 i 
 / 
 ' 
 
 . 
 i 
 | 
 
 RONDA | 
 CASA MONDRAGON 
 PATIO 
 
 A FINE SIXTEENTH CENTURY PATIO. THE COLUMNS ARE MARBLE, THE ARCHES AND CORNICE MOLDED 
 BRICK, THE SPANDRELS AND FRIEZE POLYCHROME TILE, AND THE PAVEMENT PARTLY BRICK 
 AND TILE AND PARTLY PLAIN RED TILE. 
 
ARCHITECTURAL; DE RATUS OF SOU TEERINES PAIN 
 
 DETAIL OF WOODEN BALCONY DETAIL OF WROUGHT IRON RAILING 
 
 ON ONE SIDE THE ARCADE IS REPLACED BY A WOODEN BALCONY SUPPORTED ON CURIOUSLY SHAPED 
 AND PAINTED BRACKETS. THE ENTIRE PATIO IS COVERED BY TRELLISED GRAPEVINES., 
 
 RONDA 
 CASA MONDRAGON 
 PATIO 
 
ARCHITECTURAL DETAILS OF SOUTHERN SPAIN 
 
 PyAnpeo 
 
 | WROUGHT, IRON Ff 
 
 Hit 
 
 UE 
 
 Lae : 
 SECTION LOOKING NORTHEAST 
 
 " 
 tric Aid 
 AND 185) BONS 
 
 (me, 
 
 IB I 
 
 PLAN OF GROUND FLOOR 
 
 ST 
 
 D 
 
 al AAA AAA inimialAlA mialdialas 
 sae BSA eR Sa ae pant 
 = =i SSS ae 
 
 ( a 
 TT IRON RAILING i 
 
 as 
 
 LOOKING NORTHWEST 
 
 Se RONDA 
 — —>= == —S— 
 
 Se ee 
 SCALE FOR SECTIONS ~- g 1a 
 
 Se erent tees CASA MONDRAGON 
 eto PATIO 
 
 Yg-1O" 
 
 fe 
 
 SCALE FOR PLANS 
 
ARCHITECTURAL DETAILS’ OF SOU LHERNSPALN 
 
 | MODERN TILE 
 
 | FACING ~ 
 
 | \ 
 | 
 
 | BRICK ~__ 
 
 r of 
 
 POLYCHROME TILE—~ 
 
 BRICK —~ 
 
 POLYCHROME TILE~_ 
 
 BRICK —~ 
 
 SECTION A-A—~ 
 
 Le. AG 
 
 MODERN TILE FACING~, 
 
 PLAN OF CEILING 
 
 Gi 
 
 Brick ~__} 
 
 ———— 
 
 POLYCHROME TILE“ 
 
 —— om — ——————————— 
 ———————— 
 
 Lie alle 
 
 ie ee a el 
 eS ce: 
 = ae = Vs 
 re 
 ay, 
 
 PLAN OF SOFFIT 
 
 RONDA _ 
 CASA MONDRAGON 
 PATIO 
 
 \wooo 
 = iA ; 
 VE 
 s = =e ee 1 be 14 Al 
 . MODERN TILE FACING 
 | BRICK 
 We 
 "\_ STONE | G2 Q 
 BRICK— |" . 
 = aes u 
 2% = 
 r 
 5 arian 
 Zp 2% 
 Seeley : 
 y, yy WL 2) 
 ay, 24 4 A% 22 y, My 
 BUS SECTION B-B 
 -saas ae = 
 4 ; 2% 
 ie T 
 ect — 4 
 A% G _/POLYCHROME TILE 
 WOOD —~ | 
 Gace 
 ah G2 a (Aw. | 
 1% 
 Vy 
 Gea = = 
 BRICK —] BRICK 
 “SECTION D-D ; 
 (24 £ 
 8 Ai, |. 9% y 
 “SECTION C-C 
 2345 67 8 9 12 INCHES ares 
 Jee ceed bel —faned hed 5 
 147-10 3% 
 Ps Poe eee al eee 
 
ARCHITECTURAL DETAILS OF SOUTHERN SPAIN 
 
 Prater 5 
 
 Gye 
 AVERAGE 
 
 AVERAGE 
 
 BRICK FLOOR 
 
 PAINTED 
 
 INS 
 
 G 
 
 Se 
 
 { 
 
 SECTION THROUGH WOOD BALCONY(E) 
 
 RONDA 
 CASA MONDRAGON 
 
 ELEVATION OF WOOD BALCONY (E) 
 
 , 
 
 PATIO 
 
 12 INCHES 
 j 
 = 
 
OLLVd 
 V{ALUVO VI 
 VUALNOW WI Ad Zawal 
 
 “pati rosin 
 ON ERAN OD 
 
 9 ALV Id 
 
 NIVadseNvan nos 1O-stlLy LAG vt Loa Ino a v 
 
ARCHIVE CTUR AL DETAILS OF SOUTHERN SPAIN 
 
 Prare 7 
 
 Y ee 
 
 =f 
 
 | 
 
 =e lll 
 
 - HEMISPHER 
 
 . 
 \ COVERED Fe BI 
 Cs on Ey 
 4 J, ae eee 
 os WY a 
 ee 
 / 
 Y/ 
 
 WHITE MARBLE ~< 
 
 SECTION THROUGH 
 TERNATE METOPES- 
 
 — d 
 
 HALF ELEVATION 
 
 {SERA RP tet 
 
 ae 
 a= 
 
 per ay 
 
 | -STONE SECTION THROUGH 
 TERNATE PANELS~_ 
 
 ° is 2 3 5 6 7 8 FEET 
 bertecebertest— == —= <> ed 
 SCALE FOR . ELEVATION - “- 
 
 s, O12 > 49 6 789 OK PD MK INES 
 ) beret — —— Ro 
 
 SCALE FOR DETAILS + 17-10 
 
 JEREZ DE LA FRONTERA 
 
 LA CARTUJA 
 
 rave ‘| PATIO SECTION A-A 
 
Pate 8 
 
 ARCHITECT URAL, DETAILS OF SOU THERNES EAU 
 
 HALF PLAN OF CEILING 
 
 © 1 3 mS 4 ia G a, ® FEET 
 etre 4 —— = —=+ he = 
 SCALE FOR SECTIONS AND CEILING « Y, -10° 
 912345 6 7 8 9 1@ tf 2 INCHES 
 4 
 
 ee 
 SCALE FOR DETAILS OF REJA + 112-10 
 JEREZ DE LA FRONTERA 
 LA CARTUJA 
 PATIO 
 
 A% 4s 
 DETAILS OF REJA 
 
 Be} 
 
 = i 
 
UVIS GALNIOd-LHOIA NV ANIT GAdVHS SI OLLVd AHL AO UALNAO AHL NI 
 NIVINNOd ATLL AHL ‘SAITINVA ALYOA YO ALYIHL SNISQOH LNAWANAL V OLNI GALYAANOD MON “AOVIVd UAWNUOA ¥ 
 
 OLLVd 
 € SVNVYWUYAH SOd SVT Ad ATIVO 
 GIGUINGS 
 
 Pele Tal] 
 
 4 
 
 6 ALVId 
 
 NIVdS NYYHLNOS AO STIVLAG IVYOLOALINOUV 
 
ARCHITECTURAL DETAILS OF SOUTHERN SPAIN 
 
 PLaTe 10 
 
 | = 15 8% = 
 | 
 
 Melo LL U 
 
 BRKK 
 
 FLOOR} 
 
 ( 
 — BRICK SURBY 
 
 28 
 
 8 
 
 2 
 
 SECTION 
 
 SEVILLE 
 
 Pp. pRIHION a 
 a5 if er Alar 
 
 if 
 
 PLAN OF GROUND FLOOR 
 
 oO 1 2 3 4 5 S Hf 
 
 RE | 
 
 8 FEET 
 
 bectratarsct \ 4 4 fet: 
 een ar Paya - YWe-i1o 
 
 6 2 44 16 18 22 FEET 
 ne 2 F, ez ae fest ft heat bot toad 
 SCALE FOR PLANS + '%-10 
 
 CALLE DE LAS DOS HERMANAS 3 
 
ARCH ECL EATS Ob, SOULHERN SPAIN 
 
 |eaue Name 11 
 
 Bi 
 
 Ne 
 bs 
 
 \S— 
 
 Ss 
 
 =— Ny 
 
 iN) 
 
 SECTION B-B 
 
 LOWER PART SIMILAR 
 TO SECTION A-A 
 
 SECTION A-A. 
 
 409— 
 
 ai 
 (CAPITALS OF CORNER 
 4 COLUMNS 
 
 NOTE 
 
 THE CAPITALS AND BASES OF THE 
 UPPER ARCADE ARE SIMILAR. 
 
 WROUGHT IRON RAILING 
 ©) 
 
 oA 
 
 3 
 te Ve | 
 A A 
 ONS 
 » pi 
 ‘ VAN SN 
 \_- BASES OF CORNER 
 
 \e COLUMNS QUARTER PLAN OF FOUNTAIN 
 
 COLOR SCHEME OF TILES 
 
 S A 7 L_] PLAIN WHITE 
 a EZ] PLAIN DARK BLUE 
 
 7 8 9 © 4 1 INCHES Ej BLUE AND WHITE FIGURED 
 berets — bt at Se = CALLE DE LAS DOS HERMANAS 3 EZ PorrcHROME FIGURED 
 SCALE FOR DETAILS + 143-10 
 
 oO 1 A > FEET 
 esata teeter} ee ae — ——| PATIO 
 
 SCALE FOR FOUNTAIN 
 
8061 NI GHYOLSAY ATHAISNALXA ) 
 SVM LI ‘VONRNSIA AG OGNVNUAA LOALIHOUV AHL AO NOILOAUMIG AHL YAGNN 8691 NI GHLA Td 
 -WOO CNV 9291 NI NOS SVM ONIGTING AHL ‘VYIATA VNOd AG TVYNOO Ta GATIVD XINOWWOO FUXLVaHL 
 
 dToO NV HO ALIS HHL NO ONYYVZVN sasaf HO GOOHYAHLOYWA AHL AP GHANNOA SVM SLSHTYd GAOV YON WOTASV SIH 
 
 OILVd 
 SHLOGUHOVS SHTAVYANAA SOT Ad OIDIdSOH 
 
 A TTATS 
 
 Coal 
 iter 
 
 ZI ALVId 
 
 NIVdS NYA LOOS 4O:STIV LAG TV a Loan av 
 
| ALVId 
 
 UHLNAO AHL NI TOOd NHAXNNS AHL NI GNV SdH.LS HO SLHSITA LYOHS YNOA 
 dHL NI SLSIXH THLS NYOMATIL GTO TOXILAVAd AHL LAG UALSIOION AYLLNA AHL SGNNOUWUNS SATIL 
 : NaYaqdOW GaYyO IO) ATACNYO AO OGVd V “LSVYLNOO GIAIA NI LAO AGNVLS SONIGTOW HOUV ANV ‘STHUANVdS 
 SUALSW1Id “SHOINUOD GALNIVd-Gau AHL “SNINTIOO ATAUVWN GNV STIVM GHHSVYMALIHM AO GNOOYOMOVEA AHL LSNIVOY 
 
 OILLVd 
 SHLOGUYHOVS SHTAVYANAA SOT Ad OIOIdSOH 
 a TATAAS 
 
 ‘ula 
 
 | 
 * 
 
 NIVdS NYAHLAOS10 STIVEAd TVaNLOeLinowy 
 
 “er 
 
PLAN AT STEPS 
 
 SECTION THROUGH STEPS 
 
 aii 
 
 IRON RAILING ), 
 
 | 
 
 ta) 
 
 | 
 
 ARCHITECTURAL DETAILS OF SOUTHERN SPAIN 
 
 FLOOR 4 
 
 BRICK 
 
 PLATE 14 
 
 TILE WAINSCOT) 
 
 lL opeRN 
 
 © 
 
 PLAN OF SUNKEN POOL , 
 
 Gite ——I 
 SUNKEN POOL 
 
 SECTION THROUGH _/ 
 
 es 
 
 PATIO 
 
 jo 2% 
 
 10123) 
 SEVILLE 
 HOSPICIO DE LOS VENERABLES SACERDOTES 
 
 SECTION 
 
 t = = 
 BRICK PAVEMENT 
 
 Cc 
 
 — 
 
 GD 
 
 STONE FLOOR) 
 
ARGHITECLUR AI DETAIUS OF SOUTHER NS PALN 
 
 Prana 
 = 
 Ws % 
 a | f : ee 
 7 hy 
 gp TILE~_ ay a 
 ze 
 ne 
 5 1% i 
 1 he wy 
 se i ip 
 ¥ 1A 2 As 
 Suey i) We 
 
 { a ; 
 
 5 ie 
 : : A ao 
 {== Ve a: 
 Ye a 1% 
 \% “SECTION A-A Ne va 
 te pe eae 1A 
 | ; 15 iy 
 | 4 | S 
 
 1 
 
 1 kN 
 
 Ta 
 SECTION C-C 
 
 Sx 
 
 SECTION wile 
 
 = 06 
 
 6 
 e 
 
 BRICK AND TILE >» 
 SUNKEN POOL — 
 
 67 It" Al 
 
 SEVILLE SE 
 
 HOSPICUO DE LOS VENERABLES SACERDOTES 
 o1235 4 3 6 7 & 9 10 I $2 INCHES © 24 G6 & I 14 16 % 9 FEET 
 heb —— bea —— bed —— bd ATI heal tat at tet fet tt teat ted 
 SCALE FOR DETAILS + 143-10 zs 2 SCALE FOR PLAN + %¢-1O 
 
ARCHITECTURAL DETAES OF SOUTHERNSPEALN 
 
 UBEDA 
 CHURCH OF SAN SALVADOR 
 PATIO 
 
 THIS PATIO, PROBABLY ORIGINALLY THE CLOISTER OF CERTAIN MONASTIC BUILDINGS CONNECTED WITH THE 
 NEIGHBORING CHURCH, SHOWS UNMISTAKABLE ITALIAN INFLUENCE, ESPECIALLY IN THE PSEUDO- 
 PALLADIAN ARCHES OF THE UPPER FLOOR, IT BEARS THE DATE 1581, THE CHURCH JIS ATTRIBUTED, TO 
 ANDRES DE VANDELVIRA, BUT WHETHER OR NOT THE CLOISTER IS: THE WORK OF THE SAME ARCHITECT 
 IS NOT KNOWN. ONLY TWO SIDES OF THE CLOISTER REMAIN TODAY: THE 
 EXISTING FRAGMENT IS IN A RUINOUS STATE. 
 
ARCHITEGTURAM DETAILS OF SOUTHERN SPAIN 
 
 Pa Naersy 17 
 
 ~—WooD BEAM— 
 
 “~WooD BEAM—~ 
 
 PLAN 
 THE NORTH AND WEST SIDES 
 OF THE PATIO HAVE BREEN 
 DESTROYED. 
 © i 1 3 4 5 
 fortresses ——— st eS ee 
 SCALE FOR SECTION + ‘'4-1'O° 
 ©1214 6 & 12 4% & 18 10 FEET 
 ae ee ee ee se! 
 SCALE FOR PLAN + {-1'O" 
 
 C 79 is go ———___ 
 
 SECTION LOOKING EAST 
 
 UBEDA 
 CHURCH OF SAN SALVADOR 
 PATIO 
 
ARCHITECTURAL DETAILS OF SOUTHERN SPAIN 
 
 PuiateE 18 
 
 5 
 G 
 G 
 
 ——WoO0D BEAM ——~ {2% 
 
 — WOOD BEAM—~ 
 
 : 
 21% 
 
 = ( —n Zs = 
 V4 Wh Yf Zi 
 \ Mp & 
 : ® 
 Z 
 i . 
 i} ’ 
 "ay 
 {3 
 @ 
 - = B10%4- TS fete) 
 SECTION LOOKING SOUTH 
 oO 1 a J Se) 4 5 6 1" ® FEET 
 Ciao aS ee 
 bg 
 UBEDA 
 
 CHURCH OF SAN SALVADOR 
 PATIO 
 
BRCM EGLURAL DE VAIS OF SOULHERN SPAIN 
 
 PLATE 19 
 
 XSECTION B-B 
 
 SECTION C-C~, 
 
 _-SECTION A-A 
 
 , 
 Q 4 2: 3 4 5 6 T & INCHES y) 
 eat SG Sek Peer cee fe ea UBEDA 
 
 CHURCH OF SAN SALVADOR 
 PATIO 
 
ARCHITEG TURAL DETAIESOR SOULBE RINSE .kN 
 
 PLATE 20 
 UBEDA 
 CASA DE LAS TORRES 
 PATIO 
 THIS OLD PALACE, NOW A TENEMENT, WAS BUILT ABOUT 1540 B 
 THE 
 
 Y THE CONDESTABLE RUIZ LOPEZ DAVALOS. 
 PIERCED STONE BALUSTRADE AROUND THE SECOND STORY IS NOW ONLY VISIBLE ON ONE SIDE OF 
 
 THE PATIO; EVEN HERE THE OPENINGS HAVE BEEN FILLED IN AND MOST OF THE SECOND STORY ARCHES 
 WALLED UP SO THAT THE ORIGINAL APPEARANCE OF THE PATIO CAN ONLY BE GUESSED AT. THE INTER- 
 LACED ARCH MOLDINGS, THE RICHLY CARVED CAPITALS, AND THE RELIEFS IN THE SPANDRELS OF THE 
 UPPER STORY, ARE WORTHY OF NOTE. THE GARGOYLES ILLUSTRATE THE CURIOUS PERSISTENCE OF GOTHIC 
 FORMS IN SPANISH ARCHITECTURE LONG AFTER THE RENAISSANCE WAS WELL ESTABLISHED. 
 
ARCHITECTURAL DETAILS OF SOUTHERN SPAIN 
 
 Jeri Aas, Dl 
 
 “woop BEAM~_, 
 
 UBEDA 
 CASA DE LAS TORRES 
 
 PATIO 
 
 10 
 
 SCALE 
 
ARCHITECTURAL 
 
 PAE 
 
 SECTION A-A T 
 
 DETAILS OF SOUTHERN SPAIN 
 
 6% 
 HALF ELEVATION 
 OF FRONT —__]| 
 
 /-HALF ELEVATION 
 “ OF SIDES AND REAR 
 
 (E) 
 
 0 5 Oo 10 20 30 40 30 FEET 
 bps — = = + = 
 SCALE FOR PLAN + %3)-1'o° 
 9123 4 5 © T 8 9 1@ f 12 INCHES 
 fee eal bt fad fet ————— | 
 1 
 
 SCALE. FOR DETAILS “y-10° 
 
 UBEDA 
 CASA DE LAS TORRES 
 PATIO 
 
 SECTION B-B 
 
 1% ae 
 
 y 
 
 SECTION C-C 
 
 ABACUS OF CORNER COLUMN 
 
 HALF ELEVATION 
 OF FRONT 
 
 77 HALF ELEVATION 
 \ oF SIDES, AND REAR 
 
ARCHITECTUKAIZDETAILS OF SOUTHERN SPAIN 
 
 PpArne 3S 
 
 pee a 0 naa CER: Ry 
 
 psi 
 
 the Pes BRS pe 
 
 se Nand EB 
 
 ANDUJAR 
 PLAZA COMANDANTE FRANCO 15 
 DOORWAY 
 
PLatTe 24 
 
 ARCHITECTURAL DETAILS OF SOUTHERN SPAIN 
 
 PoP DOF PE 
 
 | | 
 
 ox 
 
 ee 
 
 : 
 
 If 9% 
 aN 
 | aS 
 | | 
 ell! | je 
 I |} 
 | \ | 
 = PS At it) | 
 Le LI = 
 ll 
 ELEVATION 
 ale 
 io 
 ———— ] ae 
 PROJECTION |!2) INS ae PLAN 
 ee a i 
 SCALE FOR DOORWAY - Ye-1o 
 Oo 1 2 3 4 5 e af 8 INCHES 
 Se — en = 
 
 SCALE FOR DETAILS + 3°=10° 
 
 ANDUJAR 
 
 PLAZA COMANDANTE FRANCO 15 
 
 DOORWAY 
 
 Shs 
 
 as) 
 SY 
 
 — 
 
ARCHITECTURAIZ DETAILS OF SOUTHERN SPALN 
 
 PLATE 25 
 
 Ne wothor BAR TWISTED IN 1% RouND 7 
 
 - © ——— 
 
 SECTION B-B 
 
 em 
 HITCHING RING (F) 
 
 Wh 
 
 SECTION A-A 
 
 SECTION C-C 
 
 eae e |) ee ; 
 4 z (eas 5 6 T & INCHES AN D UJ) AR _ 
 Se Se aes ILO) Je 
 
 Rents PLAZA COMANDANTE FRANCO 15 
 DOORWAY 
 
ARCHITECTURAL DETAILS OF SOUTHERN SPAIN 
 
 PLATE 26 
 
 gt 
 o "sate: ber 
 PE. ell 
 
 AR COS DESUASKRON TERA 
 CHURCH OF SANTA MARIA 
 DOORWAY 
 
 A SMALL EIGHTEENTH CENTURY BAROQUE DOORWAY. 
 
ARCHITECTURAL DETAILS OF SOUTHERN SPAIN 
 
 PEATE 2 
 
 |) SECTION ON 
 {4 CENTER LINE 
 AT (B) es 
 
 ' 
 4 
 at. 
 
 NS TONE IES) 
 
 =e) 
 
 ELEVATION 
 
 o fl 
 a 
 SCALE FOR DOORWAY - {44 
 
 i 
 
 Le as 
 SCALE FOR DETAILS 
 
 SECTION C-C 
 
 ARCOS DE LA FRONTERA 
 CHURCH OF SANTA MARIA 
 DOORWAY 
 
NOILLIGGVY NYAGOW V SI MOGNIM HHL GNNOYV OOON.LS 
 NIVId JO GNVd AHL tel ADVd NO GHLVULSOTIL SI NYALLVd SIAL 
 dO LNVIYVA YAHLONV “ONINAdO YOOd AHL ANNOUV NYaLivd 
 «ATSAVM,, AHL SI VAOGYOO OL YVIINOYd ANOLVad SNOTHND V 
 ‘CaALNOAXA ATAGNUS SI LAOOHDNOUHL WV LAG AHL “ANOSAMALV Td 
 ATALINIAAG SI MOGNIM HHL AUHM WALOVAVHO SIHLOS AHL 
 NIVLAY LUVd YWAMOT AHL AO SONIGTIOW FHL AONVSSIVNAY AHL 
 OL GOMdAd OIHLOD AHL WOW NOILISNVUL FHL tO WIdNVXd NV 
 
 AYNLNAOD HLINYYLXIS E 
 HHL HO AVMUOOd ATNOd GHNOLLYOdOUd ATANIA ATdINIS V 
 
 AVMUOOd AVMUYOOd 
 VINVSNANA VI Ad SANOUVW AHL AO AOVIVd VuaViID VINVS HO LNHANOD 
 VAOGYOD VNOWUVO 
 
 8o ALVId 
 
 NIVdS NYdHUoOS 40 SHV LAG TV an Lod Tino y 
 
ARCHITECTURAL DETAINS OF SOUTHERN SPAIN 
 
 O 2 4 6 8 © 2 FEET 
 Sie a ee 
 SCALE FOR SMALL ELEVATION 
 
 ELEVATION 
 
 yy Mi WZ 
 i V, IK 
 WW 
 — Wp SK. ROUGH STONE 9 
 tac 
 
 a 
 
 81% 
 Oy STEP RESTORED 4 oe ll 
 HALF ELEVATION 
 ae ee ee CARMONA 
 SCALE FOR HALF ELEVATION AND SECTION - Yo—1o° 
 
 CONVENT OF SANTA CLARA 
 DOUBLE DOORWAY 
 
 Pirate 29 
 
 SECTION 
 
ARCHITECTURAL DETAILS OF SOUTHERN SPAIN 
 
 PLATE 30 
 
 SECTION D-D 
 
 LL Yt rte: SECTION A- Z 
 SECTION B-B Sei 
 
 SECTION C-C 
 
 oe i 2 3 4 5 | %. & INCHES 
 = j 
 
 CARMONA 
 CONVENT OF SANTA CLARA 
 DOUBLE DOORWAY 
 
ARGHITECTURAL DETAILS:OF SOUTHERN-SPAIN 
 
 tA 
 we = : 
 ree 
 fo | fal [Bric ee = 
 s 7e = 
 | & = D! 
 {44 
 ACh ‘ AS trewtert 
 | 
 @ 
 Ae 
 {3 irl rn 
 &O A 
 MODERN BALCONY 9 { 
 as i i= 
 eS 
 eee l 
 ANNOY MODERN RECONSTRUCTION | [ Co 
 iS | 
 2s . Me yi 
 V4 1H == 
 Gaenoageoapagugugneagulagagata: ath 
 | ey aCe eae eeu Det CegiagaCorma rat 
 Ach | eal epeeaes a a@aQageQsgnyapalapayE 
 | (sGaQntme a, DO aCeQaemeroayeoeagalay 
 }|\| | 22 4 jmOagROUORODOROEO ZEROED ROR OEOROEOZOS| 
 HN | |S HCE ieOagagagneapayalegsd | t 
 | il secs ii | = 5 Al al = 
 = Oc @ngnea jeQaQnoEpe 
 fe 4) Se Vevncevat 
 | WOES | Ent Sea 
 || PAC A eHaQatm 
 | s(t oo Bl Je 
 ksHalaveuat el 
 | Wet 2  )) 1 
 | MaOeGa aE | 
 Sud) |) |[5]}}) [A ooo llc 
 To Woe St II 
 | S Sa Sa 4 
 | JERR 
 1peezenezen 13.0'4 ll, 
 Wi ieOaOngal ant (COARSE YELLOw |} | | | 
 ani Wot IE jae || SANDSTONE 
 LULL UU Ie yt oe ct LP | ‘yj 
 4 UI al poe . | re oe 
 i : 
 A Renky SIAR > 
 Us 
 30 a 
 4 G 7 &® FEET 
 jet eae 2 es 
 
 CORDOVA 
 PALACE, OF THE MARQUES DE LA FUENSANTE 
 DOORWAY 
 
 PLATE oil 
 
Pievaeis, Si) 
 
 ARCHITECTURAL DETATES OF SOULHE RIN SEAM 
 
 SECTION D-D~— 
 
 SECTION F-F 
 
 E> 
 
 CORDOVA 
 
 > KAADS Ime ar A 
 * MARQUES DE LA 
 
 DOORWAY 
 
 SECTION C-C 
 
 SECTION A-A 
 
 SECTION B-B 
 
 SS 
 
 SN 
 
ARCH PEGTURAINDE RATES OF SOUTHERN SPALN 
 
 PLATE 33 
 
 ECIJA ; 
 HOSPITAL DE LA CONCEPCION 
 DOORWAY 
 
 “THIS HOSPITAL WAS ORDERED TO BE BUILT, IN HIS DEVOTION, TO 
 THE GLORY AND HONOR OF THE IMMACULATE CONCEPTION OF OUR LADY, BY THE HONORABLE 
 CAVALIER JUAN FERNAN DE GALINDO DE RIVERA, GRANDSON OF JUAN FERNAN DE GALINDO, CAPTAIN 
 GENERAL OF KING HENRY AND [A MEMBER] OF HIS COUNCIL AND OF THOSE OF LOUIS AND CHARLES, 
 KINGS OF FRANCE, AND OF THE ECCLESIASTICAL TRIBUNAL; MAYOR OF MADRID, CORDOVA, AND JAEN. 
 IT WAS CONSTRUCTED BY THE VERY HONORABLE CAVALIER DON PEDRO DE GALINDO, 
 HIS NEPHEW, PATRON, AND SUCCESSOR (Ms) TEARS) 1AMOMUSHS, 4 5 4 oc HIN) APNG, NABEMRE Wee Bi 
 
 ACCORDING TO THE INSCRIPTION, 
 
ARCHITECTURAL DETDAIES OF SOUTHERN SPALN 
 
 PLATE 34 
 
 sty 
 
 iw) 
 s 
 
 ial ee el et eee ee 
 
 = 
 
 yh “i 
 
 = 
 itt 
 x 
 
 bt tt 
 
 {| STONE STEP) 
 a 
 ; % 
 ELEVATION 
 T 
 4 
 — Na 25 
 PLAN NG 
 Ao) 1 2 3 4 3 6 Tf 6 FEET 
 Se 4 + ———— 
 SCALE FOR DOORWAY + 1/4- 10° 
 o 1 2 5 6 7 8 INCHES 
 
 3 4 
 ees a ar ECUDA 
 HOSPITAL DE LA CONCEPCION 
 BRICK DOORWAY 
 
ARCHIPECDURAL DE GAILS-OF SOUTHERN SPAIN 
 
 PraArE 35 
 
 SECTION C-C 
 
 — 
 
 s 
 USEYSTON Ey 
 
 SECTION 
 
 SECTION E-E 
 
 ECUA 
 
 pik 42 3 SS HOSPITAL DE LA CONCEPCION | 
 LAL R EC TION: - 3S-IC0° TAY” Z. ea ee 
 et Be ae se8 akig INCHES BRICK DOORWA\ eed cea Ke) 
 SCALE FOR COAT OF ARMS 147-10 
 
ARCHITECTURAL DE TATES OF SOULE ERIN SEALN 
 
 ECIJA 
 CHURCH OF SAN FRANCISCO 
 DOORWAY 
 
 THIS STONE DOORWAY, PAINTED TO IMITATE A REDDISH-YELLOW MARBLE, IS DATED 1630 
 
ARCHITECTURAL DETAIES OF SOUTHERN SPAIN 
 
 Pin aaeis, Sy) 
 
 MCDERN P 
 SATE.) 54 
 
 | f Is 
 
 STONE. STEP} 
 
 oe A we 3 a 5. he FEET f 
 SCALE FOR DOORWAY “Gh a ag - ECI ] A. 
 © rT 2 3 4 5 (6 INCHES 4 | 
 takes <i e CHURCH OF SAN FRANCISCO 
 DOORWAY 
 
 ae 
 
ARCHITECTURAL DETAILS OF SOUTHERN SPAIN 
 PLATE 38 
 
 poo 
 
 | | ; 
 
 SECTION A-A SECTION B-B 
 
 “7% on: +| 
 
 raid | || at 1% 
 MEG eo j | 
 
 -- {h—-— 8 Smee ee t/a 
 
 Pp 2 yb — to} 1p py hye dg Th Ty 
 
 ~ ECUA 
 
 weft 2? 3 tt ects ~=— CHURCH OF SAN FRANCISCO 
 SCALE 3=1T0 
 
 DOORWAY 
 
ARCHITEGTURAL DETAILS OF SOUTHERN SPAIN 
 PLATE 39 
 
 3 
 z 
 4 
 S 
 
 eo 
 
 ECIJA 
 CALLE GARCILASO 5 
 DOORWAY 
 
 E ELABORATE CARVINGS ARE CHARACTERISTIC OF THIS 
 
 THE HIGH NARROW PROPORTIONS AND TH ; 
 DOORWAY, WHICH IS PECULIAR TO ECIJA. 
 
 INTERESTING LOCAL TYPE OF 
 
ARGHITEGTURAL DETAILS OF SOULRERN SPAIN 
 
 Piate 40 
 
 4 (yj; val 
 
 toMepERN WINDOW) 
 lolalelelaielel | 
 YAS ote oa alla . 
 2 
 SEES 
 cz 4: = a "il 
 {7 RIAD Un Nae S 
 ¢ Socks y 
 f - 
 PSs 
 ee 
 Ke) 
 IPRA) 
 ie ~I\| 
 Id) 
 Wese2 
 | 
 \75 HW 
 Re 
 | 
 a 72% Oe 
 ao ————____} 
 20 
 | es fe 
 ELEVATION 
 eh 
 
 EDGE OF CORNICE . op Ax, 5x _ 
 PLAN AT C-C WROUGHT IRON BALCONY 
 
 SSCTSCTSCSCTGTSCSE SE 
 
 °o fl 2 3 4 5 6 FEET 
 backretscbert ee | 
 SCALE FOR DOORWAY - 4'4-I'O" 
 
 oOo 1 & 5S 4 5 6 7 8 9 © i 122 INCHES Z 
 Fa a il i if ff —— et ECUA 
 SCALE FOR BALCONY + 1/7'-1'0" m 
 SHE: 
 as DEE 2 srcdlebesl id he CALLE GARCILASO 5 
 SCALE FOR SECTIONS = 3-10° 
 DOORWAY 
 
 SECTION B-B 
 
VEN GUIEAGE “GING 
 Suvadd AVMYOOd AHL ZIGYO AO HONIAOUd AHL NI 
 AYOLOALIBOUVY ANOOUVA AWOLNAD HLNAALHOIA HO TWOIdAL 
 Hav ONINHdO-xYOOd AHL GNNOUV SONIGIONW NAMOUd GINO AHL 
 
 AV MUYOOC 
 € NOIOVNUVONA VI Ad VZV Td 
 
 VUALNOW WI ad Zauwal 
 
 ae Pe 
 iat eae 
 
 If ILV1g 
 
 ‘SHHAMOONA GNV SGVAHH TVN AZNOUE 
 ANI HLIM GHLNHNVNYO AYV SYOOd NAGOOM AHL 
 ‘GHNIARA ATIVASOND AUV ONIAUVO ANV SONIC TOW AHL «07ST UVAA 
 AHL NI GaLaTd NOS SVM LI “AdIM SIH “SHUMOL AG WONOAT YNNOG 
 GNV SONIMN OIIOHLVO AHL AO AUVLAMOUS © 
 
 VaHVZ Ad OGNVNYAH 
 AG LING GAXYAdCUYO SVM LNHANOD SIHL,, ‘SGVHU NOILdUIYOSNI AHL 
 
 AV MUOOCd 
 VuaAVZ AO LNHANOD 
 
 VaAVNVaoO 
 
 NivVdS Nia H OOS tO SIV Lag “lV ao Loa tinouy 
 
ARCHITECTURAL DETAIVS OF SOUTH ERIN Ss BALIN 
 
 PLATE 42 
 
 3 ey 
 Hy 
 & 
 7) Be = 
 Ze 
 
 = 
 
 ES|TEMONE|[STERIO MANDAR 
 
 ATOLICOS Y|DONNA LEOQNOR DE TORRES SV MVIER ?ACABOSE-ANNO |M-D-XL 
 
 SIG® 
 
 ) MISSING, ( 
 INS 
 
 ( 1@) Oye ) 
 SS 
 
 ae at ( CY 
 
 ws 
 
 ie MIU) 2) |} 
 
 STONE STEPS} 
 
 oO 1 2h 3 a G FEET 
 ' —— 
 
 frerecetssret = eset 4: =—— 
 SCALE FOR DOORWAY + 147-10 
 
 ° 5 © INCHES 
 sd 
 
 1 = 
 SCALE FOR DETAILS + 3-10" 
 
 GRANADA 
 CONVENT OF ZAFRA 
 
ARCHITECTURAL DETAILS OF SOUTHERN SPAIN 
 
 PLATE 43 
 
 \ | 1% 
 HE 
 
 4314 
 
 SECTION C-C 
 
 SECTION A-A 
 
 SECTION E-E 
 
 “BRON ZF. 
 
 ( LU ) 
 
 KNOCKER 
 
 BRONZE Y 
 NAIL, HEAD 
 
 DY, [5+ fk -+ 24 —+-—fh—-e DA —.—{Z—+-— 12 
 
 eet ae ee et ea 8 INCHES CONVENT OF ZAFRA 
 ee  —— + == + —s = ————— t a — 
 SCALE b-10 DOORWAY 
 
ARGHITEGTURAL DE EALLS OF SOUTH E RNS EALN 
 
 PLate 44 
 
 Cot Re od bak Goris cs ote et Se tS 
 
 fej ate} po Sf. —3—] 
 
 oar 
 [x] 
 eo 
 Z.3 
 oF 
 Pe 
 <i Z 
 & 
 <8 
 IA 
 fly 
 Aa 
 Nx 
 Ll < 
 ; Fe iy 
 5 [x] 
 P| aN 
 ye 
 2 a ry 
 al ol 
 ei 
 x |. 
 a ae 
 ae 
 ea iz 
 he dg 
 
ARCHITECTURAL DETAILS OF SOUTHERN SPAIN 
 
 Pirate 45 
 
 SECTION €-C¢ 
 
 SECTION A-A 
 
 SECTION B-B 
 
 bt+—2—fvboclgh yxy 
 
 SECTION D-D 
 
 ay 
 
 4% 2% 4% 2%, ae 3 a > 5" Ws yt 1% | | _ 2 | 
 oo JEREZ DE LA FRONTERA 
 
 PLAZA DE LA ENCARNACION 3 
 DOORWAY 
 
ARCHITECTURAL DETAILS OF SOUTHERN Sali 
 
 PLATE 46 
 
 JEREZSDEVEA PRON TERA 
 CALLE EMPEDRADA 2 
 DOORWAY 
 
 ANOTHER EXAMPLE OF A BAROQUE DOORWAY WITH CHARACTERISTIC BROKEN MOLDINGS. THE COLUMNS 
 ARE OF RED MARBLE AND THE REST OF THE DOORWAY OF GRAY MARBLE. A SINGULARLY 
 EFFECTIVE COMBINATION. 
 
ARCHITECTURAL DETAILS OF SOUTHERN SPAIN 
 
 PLATE 47 
 
 TILE FLOOR 
 OF 
 
 F BALCOR 
 
 {54 ties lew, [> 
 | SS cas a Se _ 
 i= === a = yan ae 
 (low , <= SS i 
 i aay 2K 
 {BA 
 hot 
 | z, ae 
 ) 
 G6\ M7 BI) 
 | ImMoDERN WINDOW 
 | St H\ WY 
 | 4\ || {% 
 | | —\\ | a 
 Ce 
 8&6 e 
 ——— = os 
 ie 
 LINE OF 
 MODERN BALCOW 
 : I 
 | af 
 % 
 Ba 
 
 | 
 | 
 Sat al eo 
 
 NOTE 
 THE DOORWAY 1S OF 
 GRAY MARBLE EXCEPT LoS 
 THE COLUMNS WHICH (F) 
 ARE OF RED MARBLE. 
 
 STONE STEP 71 
 
 ELEVATION 
 
 PLAN 
 
 JEREZ DE LA FRONTERA 
 
 5S FEET 
 pn et” CALLE EMPEDRADA 2 
 SCALE FOR DOORWAY -10 i 
 oO a a 3 at A) & INCHES DOORWAY 
 
 eo —  ———  ——< 
 SCALE. FOR DETAILS ee h'O: 
 
ARCHITECTURAL DETAILS OF SOUTHERN SPAIN 
 
 PLATE 48 
 
 SECTION C-C- 
 
 { 256 ; 
 SECTION B-B 
 
 AN 
 
 a 
 
 SECTION A-A 
 
 SECTION D-D 
 
 | 
 
 SECTION E-E 
 
 JEREZ DE LA FRONTERA 
 ie 2 ee eens CALLE EMPEDRADA 2. 
 SCALE RE a as ——l : DOORWAY 
 
ARGHULECTURAL DE CAILS.OF SOUTHERN SPATN 
 
 PLaTE 49 
 
 OSUNA 
 LA COLEGIATA 
 DOORWAY 
 
 THE COLLEGIATE CHURCH ON THE HILL BACK OF OSUNA WAS FOUNDED BY JUAN TELLEZ GIRON, FOURTH 
 
 COUNT OF URENA, WHOSE ARMS APPEAR ABOVE THE CORNICE ON THE LEFT; THOSE OF HIS WIFE, DONA 
 
 MARIA DE LA CUEVA, ARE ON THE RIGHT. VARIOUS DATES BETWEEN 1534 AND 1548 HAVE BEEN ASSIGNED 
 
 TO THE CHURCH BY DIFFERENT AUTHORITIES. THIS DOORWAY IS ONE OF A PAIR ON THE WEST FRONT 
 
 WHICH ORIGINALLY OPENED INTO THE SIDE AISLES OF THE CHURCH. THEY ARE NOW WALLED UP. THE 
 CAPITALS AND ORNAMENT ARE CARVED WITH THE GREATEST REFINEMENT. 
 
Piate 50 
 
 ARCHITECTURAL DETAILS OF SOUTHERN SPAIN 
 
 S'032) 
 
 Noening WALLED Ma 
 
 De) 
 e} 
 
 et 
 
 ine 
 OQ 
 So 
 
 WAY © 
 
 STONE STEP im) 
 
 2 = J 4 5 FEET 
 = 
 
 OSUNA 
 LA COLEGIATA 
 DOORWAY 
 
ARGHPIECIURAT DETAILS OF SOUTHE KN SPAIN 
 
 SECTION 
 
 B-B- 
 
 SECTION C-C 
 
 SECTION 
 
 D-D 
 
 OSUNA. 
 LA COLEGIATA 
 
 DOORWAY 
 
 + Ss - =o 
 
ARCHITEC TURAITZ DE PATES OF SOU TERERIN S PALIN 
 
 RONDA 
 CALLE MARQUES DE PARADAS 
 DOORWAY 
 
 A TRANSITIONAL DOORWAY IN WHICH THE MOLDINGS STILL RETAIN THEIR GOTHIC PROFILES. 
 
ACHR CURALSADE TAILS OR SOUL ERIN. SPAIN 
 
 PLatTe 53 
 
 a 
 
 t 
 | 
 
 | 
 COPENING WALLED pea 
 
 ELEVATION 
 
 | ; lay | y | y | Z 7 Via y* 7 
 37% ttt 37% 13+ 33+ 14-+-—3—| 6% se SA 
 SECTION B-B SECTION A-A 
 ce { 2 3 4 5. FEET 
 
 ———EE——————E so : SS ee | 
 
 SCALE FOR DOORWAY -_ 42 =10" 
 
 ; oO 2 4 6 a 10 12 INCHES 
 
 — +--+ ee 
 
 SCALE FOR DETAILS -_ 2-10 ee RONDA 
 
 CALLE MARQUES DE PARADAS 
 DOORWAY 
 
ARCHITECTURAL DEALS OF SOULHERINS ALN 
 
 Pirate 54 
 
 RONDA _ 
 CASA MONDRAGON 
 DOORWAY 
 
 THIS MONUMENTAL TWO-STORY ENTRANCE IS THE ONLY DECORATIVE FEATURE IN AN OTHERWISE UN- 
 
 ADORNED FACADE. ALTHOUGH THE DATE IS NO LONGER DECIPHERABLE, THERE CAN BE LITTLE DOUBT 
 
 THAT THE DOORWAY WAS ERECTED BETWEEN 1570 AND 1600. THE COAT OF ARMS ILLUSTRATED ON 
 PAGE 55 IS EVIDENCE THAT IT COULD NOT HAVE BEEN BUILT BEFORE 1569. 
 
‘SGVAH SYOOW AANHL ANV ‘WHNNV 
 V ONI@IOH GNVH CGaTVIN V SINYV SIA OL Gdv OL LHS AHL WIR GHaLNVaS ‘69st “Ll WHAINAOAC 
 GaLVG AAUOAC V NI TI dITIHd LIOTdXa SIHL AO NOLLINDOOTY NI WANNVA NANTIS MIHHL GNV SUOOW AAYHL 
 ONIYALdIVO ‘VONOU UVAN ONISIYdN HSIMOOW V GASSHaUddAS NODVUGNOW AG YOHOTAW NIVLdV9 ‘6951 ‘AUVANVE NI 
 
 AVMUOOd 
 NOOVUGNOW VSV) 
 
 VaNO"U 
 
 ¢¢ SLVIg 
 
 NIVdS Naan LOS OS LV La TY fh Cea VIO ky 
 
PLATE 56 
 
 ARCHITECTURAL DEPAILS OF SOUTHERN SPAIN 
 
 I- 
 
 ‘28% 
 
 On 
 
 We 
 
 ET. PROTERIT.TIBI 
 MAGIS.QVAM.A/IR 
 
 | ECLES.C.Z. 
 
 cS 
 
 18% 
 —- 
 POVE .THESAVRVM| 
 ve TWM.IN PECER| ] 
 ie) TISAITISSIMILE, | 
 529% 
 =f : ae 
 —Tse3] > { (OX N 
 N53 Tee Senne SiG 40 
 292 Es sy [DEFACED [o s Bcf 
 x S| 
 = at G Cais ) =e 
 AMOR. OMNIA .VINEIT. 5) Z G VERITAS . ESD, LIB.3.C.3. 
 8s =e AS 
 B 
 HATA 
 WW AA AV 
 | | | | | 
 7 1% | | aan 
 J AT ml 
 I iW ii) | 
 | war 
 l i | 
 Th IE 
 7 
 Se y aa 
 20% |i 
 AMO Sek Sr 6 
 W WU 
 Oe 
 1 @)/3 
 a ES eee 
 ELEVATION 
 5a 
 N 
 ee l HAAN y) oer 
 \ Jaw i 
 — — PLAN 
 
 Ls =e rN Peat Ry 5 
 
 RONDA 
 
 CASA MONDRAGON 
 
 DOORWAY 
 
ARCHITECTURAL DETAILS OF SOUTHERN SPAIN 
 
 Pau akans: SH 
 
 ou 
 
 Bae See 
 
 o 
 
 ig 
 
 va ; 
 yy ay 
 Ay 
 37 
 7 
 : = 
 Vv 9% 
 4 
 —- 
 
 Ls ae ue 
 
 {. 
 
 45 
 
 ROUND BAR ~ 
 
 | 
 secon 
 | 
 
 1 SQUARE BAR ~ | 
 
 —_ aN HE aE 
 WROUGHT IRON BALCONY 
 SECTION A-A SECTION B-B 
 
 RONDA 
 
 CASA MONDRAGON 
 1 2 4 le | 6 a f & INCHES 
 
 Co) t 
 SS = ——= = 2 es a oor ———| DOORWAY 
 
‘dOWMad AHL tO YUOMNOAL OLLSHINOG 
 HHL JO AITdNVXA ONINUVHO V SI ‘NOLLISOdINOD AHL 
 AO LYVd TVYDALNI NV SINUWOA HOIHM “ATID MOGNIM YO 
 Vlau NOU LHONOUM SBHL 709 ALVG HHL SYVAH AVMUOOd AHL 
 
 vide GNVY AYMYOOd 
 € OdSAYO NYNYAH ATIVO 
 VdHdn 
 
 “HOTH SHTYO.LS 
 AqYHL YO OML ATIVNIOIYO SVM HOIHM ACVOVA 
 V dO SNIVNAY LVHL TIV SI LNHWSVeA SIL Vaddn 
 CQNNOUV LOTALSIG AHL NI SAVMUYOOd HO OLLSTAA.LOVAVHO 
 auv SNAOIOD GALNTA ATSNOIWND GNV HOUV ACIM MOT HHL 
 
 AVMUYOOd 
 LI SOTVAVG ATAV.LSHANOD THA HTIVOD 
 
 Vaada 
 
 gg ALVIg 
 
 NivdS NYUgHUoOS 40 SaivVrdG@ 1TVuoToOs Ina y 
 
ARCHIE OLGRAR DETAILS OF SOULHERN SPAIN 
 
 PLate 59 
 
 a | H 
 es Sal 
 
 JA SZ A SZ A SZ 
 
 ELEVATION 
 
 Le tte 
 
 SORE ret pocmwa Usa re , 
 anes eet UBEDA. 
 CALLE DEL CONDESTABLE DAVALOS 17 
 DOORWAY 
 
ARGHITECTURAL, DE TPATESFOR s© Wi TEKIN > Pvt 
 
 PLATE 60 
 
 i 
 
 : 
 
 a 
 
 s 
 
 WROUGHT IRON 
 REJA, 
 [psoas 
 
 11 
 ate 
 ® 
 
 i 
 
 i 
 
 17H 
 
 STONE STEP} 
 rt 
 
 Oy 
 4 
 
 ELEVATION 
 
 t = 
 
 inns aa ee CALLE HERNAN CRESPO 3 
 
 co tf zta3s4356 7 8&8 9 0 tf 12 INCHES 
 
 eA Lee eee DOORWAY AND REJA 
 
 tt tote to 
 SCALE FOR DETAMIS - {!7=—1'0' 
 
ARCHITECTURAL DETAILS OF SOUTHERN SPAIN 
 
 PrATEG1 
 
 UBEDA 
 CHURCH OF SANTO DOMINGO 
 DOORWAY 
 
em 
 
 2% 
 1% 
 
 ¢ 
 
 LT TAX 
 
 a 
 
 = 2S ~ 3 _ Aa 
 | a = sileic SsS=— = u 
 = — 
 
 A IXY S\\ // VV | 
 
 pi x = 
 Ce Gi ay) 
 (ea ———) GAs f 
 \ [ | 
 — : 
 C q ff “N = 
 5 \ SS 
 Z NS A 
 Cre J y) IN 
 
 Fa ; —}|| Wee NS ae WS 
 oA (> ae 
 aia r 1 Wi \ 7 \ 
 ts i = | WS XX 
 
 { — a —= \ \ | 
 
 2 = yj \ 
 
 (A Ir /\ } 
 
 i : ims 
 S — eSNS 4 — 
 Va [ sl} Le Lf SS = 
 “ = t, = 
 C}) = 
 
 SSS 
 
 ARCHITECTURAL DE TALESIOR SOU ELE RIN Ea iN 
 
 PLATE 62 
 
 LER EPL RES 
 
 = 
 + K-10 
 1 
 
 & 
 oy 
 
 ee = es pest 
 SCALE FOR BETAILS - 14-1'o° 
 
 DOORWAY 
 
 UBEDA 
 
 CHURCH OF SANTO DOMINGO 
 
 — 
 
 et et £ 
 SCALE FOR DOORWAY 
 iy 53 re ek eat 
 
 PLAN 
 
 ELEVATION 
 
 STONE STEP 
 
 {oh 
 
 60% 
 
ARGHITEGTURAL DETAILS OF SOUTHERN SPAIN 
 
 PLATE 63 
 z - (Sy at 
 | \y, 
 2 a 
 oi ot ee ee ee a ee 6 
 i si 
 it 
 ONG O | 
 
 CUAL TL AURAL UAL 
 
 ot 
 IN 
 
 S) 
 ‘a 
 nel 
 
 = 
 
 ea 
 
 Se 
 
 CL re NG) 
 
 ie t 
 
 Ng 
 
 we 
 
 ELEVATION 
 OF CAPITAL 
 
 (fr 
 a ) 
 
 INCHES UBEDA 
 CHURCH OF SANTO DOMINGO 
 DOORWAY 
 
ARCHDLDTER CT URAL DE DAIUS‘OR SOLE Rivas 2k 
 
 PLATE 64 
 
 ECIJA ECIJA 
 PALACE OF THE MARQUES DE PENAFLOR CALLE SERRANO CARMONA 6 
 WOOD DOOR WOOD DOOR 
 EARLY ‘EIGHTEENTH CENTURY EIGHTEENTH CENTURY 
 
 ME CIA RONDA 
 CALLE CANOVAS DEE VGASTLEOm 4: CHURCH OF SANTA CECILIA 
 WOOD DOOR WOOD DOOR 
 
 THE RAILS AND STILES ARE PAINTED ROBINS’ 
 EGG BLUE; THE MOLDINGS AND PANELS 
 ARE GOLD PICKED OUT WITH BLACK, 
 
ARCHITECTURAL DETAILS OF SOUTHERN SPAIN 
 
 Pate 65 
 
 a an 
 SECTION A-A 
 
 Red ateal ee aneol ies 59) 8 9 OH OMe] « 
 SORT ES TS 
 
 kaepel drehistse paepne fs 
 =o 
 
 2 FEET 
 
 —— 
 
 SCALE FOR DOOR 
 o 
 SCALE FOR DETAILS 
 
 PENAFLOR 
 
 S DE 
 
 E 
 
 OOD DCOR 
 
 J 
 
 QU 
 
 OF THE MAR 
 
 PALACE 
 
 Ww 
 
ARCHITECTURAL DE TAILS OF SOU LHERINGSP Ali 
 
 Sass 
 fa Eerie — pee tot 
 
 UN ia 
 
 Si — fa) he] Bot ye pee ef 
 Proeer 
 
 ‘ 
 
 Pou 
 
 AIO 
 
 =] 
 
 4 INCHES 
 
 oO 
 ee 
 SCALE FOR DOOR « 1-10 
 
 I : 
 
 ECHUA 
 CALLE DEL SERRANO CARMONA 6 
 
 OD POOR 
 
 wo 
 
Pyro 
 
 ARCHIE ClO Reka ea DS Obs OU ELE RINE SPAIN 
 
 4 
 ee 
 SECTION A-A 
 
 sae LS ES LS] 
 
 x 
 (Ss) 
 a 
 a 
 oe 
 (ep) 
 < 
 =) 
 Ba 
 “CE 
 — 
 Sle 
 BIS $ 
 : 2 
 Beran ie | : 
 Pad 
 ni 
 A a 
 I pf 
 T 6 ia 
 ae 
 : BE 
 3 {3 
 13 18 
 
ARGHITEGLURAL-DE TALS OF SOUTHER NGSE ALN 
 
 PLATE 68 
 
 vy" 
 
 aes 742—} 26+ 
 
 —_— = GO%* 
 7X + 24+ $7 $12 
 
 ‘are . 
 alfa ere 
 Wis 
 Vo Y¢ 
 Se a Se = FEZ 
 Re PE ees SESS 
 
 Waly \ 
 GA V_Y 
 ao A) 2 
 == Y 
 
 fe} 
 
 )s20 
 
 Ce} 1 2 FEET 
 beast ht td tpt hat — tel — oe - | 
 SCALE FOR DOORS + 1-10" 
 Le) a 2 3 4 INCHES 
 —t a 
 
 Ha Se 
 SCALE FOR DETAILS - 6-10" 
 
 RONDA 
 
 CHURCH OF SANTA CECILIA. 
 
 WOOD 
 
 DOORS 
 
 He | 
 28 | Bar [MA 
 Vv] Ya") AVA FES 62} ACK <> 
 “EE (ES) 5) [3] | 
 Jel Ie! [el |e a] [a 
 24 N/B\ 2 I : 
 LAs — 
 asalk oa 
 Gl | 6 
 | 
 | Wa AD aS Dy 
 3] | (2) (| | 
 Kee wa 5% a 
 ne AC] | AGH) | be 
 OG 16 OG OG 
 | O O O 
 1 Bs 
 
 1 
 
 COLOR 
 
 {el on 
 
 SECTION A-A 
 
 RAILS AND STILES ARE PAINTED 
 
 ROBINS - EGG BLUE. 
 MOLDINGS AND 
 
 THE 
 
 PANELS ARE 
 
 GOLD PICKED QUT WITH BLACK 
 
ARCOLTRECTURAY DETAILS OF SOUTHERN SPAIN 
 
 PLATE 69 
 
 4 
 ad 
 
 SEVILLE 
 CASA DE SANTA TERESA 
 WOOD DOORS 
 THESE DOORS, AS WELL AS THE OTHER EXAMPLES FROM THE SAME HOUSE WHICH ARE PRESENTED ON 
 SUCCEEDING PAGES, WERE COLLECTED IN VARIOUS PARTS OF THE PROVINCES OF SEVILLE AND CADIZ 
 4ND INSTALLED IN THE CASA DE SANTA TERESA—SO CALLED BECAUSE OF THE TRADITION THAT SANTA 
 rERESA LIVED THERE DURING HER SOJOURN IN SEVILLE IN 1575-1576—BY THE PRESENT OWNER, SR. D. 
 4RMANDO DE SOTO. THE DOORS, EXCEPT FOR ONE FARLIER EXAMPLE, DATE FROM THE SIXTEENTH 
 CENTURY. IN MOST CASES THE RAILS AND STILES ARE OF PINE AND THE PANELS OF CEDAR. THE 
 FRAMES, WITH TWO EXCEPTIONS WHICH WILL BE NOTED, ARE MODERN, AS ARE 
 4.SO THE HINGES, BOLTS, AND OTHER METALWORK. 
 
ARGHITECTURAL DETAILS OF SOUTHERN SPAIN 
 PEA rE 
 
 =e 
 
 | 
 sp — 
 
 pI HS — op 
 SECTION B-B 
 
 Po — HALA ee 
 
 fh pt: itis eet 
 SCALE FOR DOORS + f-!10" 
 SECTION A-A 2 : 
 
 L r pie ee is 4 INCHES 
 SEVILLE SCALE FOR DETAILS Z 6 -1o° = 
 CASA DE SANTA TERESA 
 WOOD DOORS 
 
ARCHITEC UWA DETAIUS OF SOUTHERN SPAIN 
 
 as 
 TR 
 
 | Hh He 4H) HL | 
 i ——— SSSS—N ————" Se 
 (o} | 
 ij —t TT ——) iT ——— 4 
 | | | 1 | | il Il| Is 
 | I 1 | | I | 
 | | +) | | e 
 | | | NII I || | i it 
 (|| Ihe Il] | | 
 =| "| —_= ——— 
 ——— a —— —— =| 
 If —|| SSS IM 
 iT vl | | 
 ( | 
 | 
 1) 
 
 | 
 =>) in = 
 
 bs sl | 
 
 ai [a 
 7& 
 iS 
 TS 
 5% 
 
 = 
 
 ay Th 
 ; % 
 : 
 x tT 
 va ma THs * 
 Hit Sel Sie " | 
 ” SECTION ACA en beret be 2% | 
 — : = a : 2 ; + 
 FOR DOORS : ee SEVIL k SECTION B-B 
 ae eh ees 2 ee ee CASA DE SANIA TERESA 
 SCALE FOR DETAILS + 6-10 WOOD DOORS 
 
 ee eee ed 
 
ARGHTTECTURAL DEDAILS OF SOUTHERN) SPaADN 
 
 IPAs: 72 
 
 SEY Tice 
 CASA DE SANTA TERESA 
 WOOD DOORS 
 
 THE FRONT AND BACK OF THE SAME DOOR ARE ILLUSTRATED IN THE TWO LOWER PHOTOGRAPHS. 
 
Poot Gd tt 
 
 ARCHITECTURAL DETAIES OF SOULHERN SPAIN 
 
 Songs: 310% 
 PEt —S'% SK — SAY 
 
 > 
 
 Lys TY el et et [%,—+ 
 SECTION A-A 
 
 ay 
 | 
 
 CASA DE SANTA TERESA 
 WOOD DOORS 
 
 U 
 
 Loch L-ag-baut—ay 
 
 ee ee 
 
 SECTION B-B 
 
 7 
 
 PAu 7/3) 
 
ARCHITECTURAL DE FAILS OF SOUTHERN SPAIN 
 
 PLatTeE 74 
 
 2be— Ts —ali 
 
 SEES 
 #LS, 
 \ 4 , 4 > } S77 
 
 ( AB RADIUS oy 
 
 . 
 FRONT BACK 
 3 
 7, 
 (S ita OZ 
 ll. 
 2 72 ks 
 at (aa 
 A 
 — r 
 | y- NEE Aine 
 r 2% sg Me 16 Te" %e 
 SECTION A-A 
 : o i 2 FEET 
 a — = —= ===> 
 SCALE FOR DOORS, * r=Te 
 oO 4 2 5 4 INCHES If 
 ay gr ond pare aay CASA DE SANTA TERESA 
 
 WooD DOOR 
 
ARGHILECTURA DETAILS OF SOUTHERN SPAIN 
 
 eo 
 
 SEVILLE 
 CASA DE SANTA TERESA 
 WOOD DOORS 
 
ARCHIE EGRURAL DE EAILUS OF SOU PHERNISPAIN 
 
 (oc 
 
— 
 
 ~ 
 & $+—Q—+-— 9+ —2—_ B+ StB-K < 
 
 ATK 
 ts 
 | 
 | 
 | 
 | 
 | 
 | 
 | 
 
 Mrtettsetoet 
 
 SCALE FOR ] fs CALE FOR 
 DETAILS | Ff #£=DOORS 
 e-to | Ls 
 | | 
 I 
 I 
 1 i) 
 | 
 a} 
 | 
 \ 
 A | 
 4 INCHES | 
 
ARCHITECTURAL“ DETAIUS OF SOUTHERN SPAIN 
 
 OE oe ee 
 
 [Se betas tied kee] 
 oro Soro 
 
 iF a PSC “PHOT RS FARTS Tie Pet 
 
 a 
 es 
 Z 
 6 
 
 PS 
 
 a 
 2) 
 ky 
 a) 
 
 =al 
 4 INCHES 
 
 SCALE FOR DETAILS 6 = 10 
 
 SEVILLE 
 
 CASA DE SANTA TERESA 
 
 WOOD DOORS 
 
ARCHITEC UURAI DEDAILS OF SOUTHERN SPAIN 
 
 PLATE 79 
 
 Be eg 
 
 +N 
 
 & FEET DETAIL OF CENTER PANEL 
 
 4 INCHES SEVILLE 
 
 eicnes CASA DE SANTA TERESA 
 
 = 
 
 oe —- 
 SCALE FOR DOORS > i -10 
 i 
 
 es 
 SCALE FOR SECTION -: 
 1 
 
 bee et ane at t= — 
 SCALE FOR DETAIL OF CENTER PANEL - 4-1'C0 WOOD DOORS 
 
ARCHITEGTIURAL DETAILS OR SOUTHERN SP ALN 
 
 PLATE 80 
 
 Sy LEC 
 CASA DE SANTA TERESA 
 WOOD DOORS 
 
ARCHITECTURAL DETAILS OF SOULHERN SPAIN 
 
 Prare 81 
 
 E Se 
 Heh et, 
 
 y* } 
 — i] + 
 = = 1 
 yy —— -== 
 . tS = rT = 
 ha | al L 
 Vs = A = 
 Saal lite x = = 
 | = | 
 | 
 7, 
 | 
 | | 
 
 DH | 
 
 : LD 
 oie 
 
 l= 
 
 = (¢ et 
 bas paspat— se 
 
 os 
 a % 
 | ye 
 
 Coe \ ye 
 | ; P 
 ae 4 
 aha: 
 
 7 E ee Me SECTION B-B 
 pK BAS 4 E48 
 SECTION A-A 
 1 2 FE 
 
 hor ——————————— ———————————— 
 
 cE FOR, “DOORS * -10 red \ TT 
 
 Sa i Se eis SEVILLE 
 
 SCALE FOR DETAI LS + @-10 CASA DE SANTA TERESA 
 
 WOOD DOORS 
 
ARCHITECTURAL. DETAILS OF SOUTMERINGs EArIN 
 
 PrArec2 
 
 2 10% 
 
 12 t— Glo 42-+— Cle +24 
 
 364 
 Si 
 
 in G6—+54'-1— 8's 
 
 eee 
 
 \ 
 
 Eyl 
 
 Sane ; : : : a te Bt) bo OS 
 A +8-+-— ++ = +5 +5 —4, = Las Lg 2 
 
 s 
 
 SECTION B-B 
 
 2 FEET 
 
 el 
 4 INCHES 
 
 5 
 
 oO 
 
 tH Be — H—d 
 
 Ext 
 
 SCALE FOR DOORS 
 
 ° 
 i 
 re) 
 ik 
 é 
 my) 
 a 
 + 
 \2 
 lf < 
 4 ea 
 (24 
 r.) 4 
 eae 
 _ 
 2% & 
 uw) 
 a 
 < 
 A 
 < 
 1] 
 “ 
 < 
 Za 
 g 
 i=) 
 ro) 
 [23] 
 A 
 
 WOOD DOORS 
 
DETAILS OF SOU LHE KN SPAIN 
 
 CH hE GTA 
 
 PLATE 83 
 
 SEVILLE 
 CASAWD EF SANDTAS TERESA 
 WOOD DOORS 
 
ARCHITFEGFURAL DETAILS OF SOUTHERN SPAIN 
 
 PLATE 84 
 
 2 14 
 , $54 
 
 Loci 2a Lo 12 
 er Sapa — $— Rio 
 ia me ; oo 
 
 —— |% AQ} 649+ ot % 4— yh SECTION B-B 
 
 SECTION A-A 
 
 oO 1 2 FEET 
 bene er ee a — eat —— — - — | 
 SCALE FOR DOORS - f- 910 
 fe) 4 3 4 INCHES 
 ———SS = — eee! CVI Te 
 SCALE FOR DETAILS + 6 -!0 )) Vv I ede 
 
 CASA DE SANTA TERESA 
 WOOD DOORS 
 
ARCHITECTURAL DETAILS OF SOUTHERN'SPAIN 
 
 PLATE 85 
 
 ih — 7240 Se 
 
 dade 
 
 ae 
 
 te 
 
 cts Oe 
 
 aE et —% ra ee 
 
 SECTION A-A 
 
 Sey 
 
 i ON 
 
 r 
 
 Cao 
 
 | 
 
 (| (mim 
 
 Toll. 
 HII | 
 
 a oy ee [ey ee 
 sae Se I, 
 SEVILLE 
 CASA DE SANTA TERESA 
 WOOD DOOR 
 
 2b 2%1 106 ——_4.- 5) 
 : Gig 
 
ARGHITECTURSE DETALLES OF SOUP REIN’ Sain) 
 
 PLATE 86 
 
 310% : . 
 
 ee See 
 SECTION A-A 
 
 co} 1 2 FEET 
 ee a —- — = = 
 SCALE FOR DOORS + 1-10 
 a 1 Ds 5 4 iNCHES 
 ee —_—— {-— te —— a 
 SCALE FOR DETAILS -~ 6-1‘ 
 
 SEVILLE 
 CASA DE SANTA TERESA 
 WOOD DOORS 
 
ARCO RC LUA re ALiS-OF SOUTEE RIN SPALN 
 
 PLATE 8/7 
 
 Ye 
 
 ay 
 
 Mae 
 Ft 
 
 ae 
 
 SE VITEE 
 CASA DE SANTA TERESA 
 WOOD DOORS 
 
ARCHITECTURAL DETAILS OF SOUTHERN SPAIN 
 
 PLATE 88 
 
 H 
 WRY >? 
 LE 
 
 iG) 
 
 mcabate( al =) ata afeal at ail 
 
 Sa ase 
 
 Page (aaa eee) 
 
 AN IG 
 TT BT BT TT OT TET ETT BOTT EIT ET IT 
 
 P| A 
 
 Caita( =) Stat at alatatat at atatat ata(e rat statatatatatai 
 
 x aaa oa (a 
 
 ik Mee 
 
 Tata 
 
 £3) 
 
 a 
 
 = 
 
 8 
 
 + 
 
 Pe 
 
 o 1 2 FEET iS) 
 
 cr rt prt ef — pt = a! 5 
 
 SCALE FOR DOORS - 1-10 Xx 
 
 @ fl 2 3 4 INCHES a 
 
 SS += = + = 
 
 SCALE FOR DETAILS - G=1'O° SECTION AcsA 
 
 CASA DE SANTA TERESA 
 
 WOOD DOORS 
 
 SI-VILLIE y 
 
ARCH ECHR AT DECATES OF SOUTHERN SPAIN 
 
 PLATE 89 
 
 Ly 1 2% | r 7 es een pears as 
 L— 74 Avtset 4% — 
 
 x 
 1% 
 Ws 
 % 
 % 
 +> 
 % 
 Se 
 uD 
 iy 
 =. 
 % 
 cciee 
 4.6 
 32 
 == » we 
 Yt J2 mB) 
 eRe ons | 6? 
 Bar aT 4674 
 Yo 
 SECTION A-A 
 oO 1 
 SE : = 
 SCALE FOR DOORS * r-190 
 (6) i ey 3 4 INCHES 
 re et =t —— ————— 
 SCALE FOR DETAILS - 6-10 
 | 
 a ee eS 
 
 b2%ee— 8% va 
 
 L 3O4 z 
 
 SEVILLE 
 CASA DE SANTA TERESA 
 WOOD DOOR 
 
PLATE 90 
 
 ARCHITECTURAL DETATES«Ob SOUT EUS Rives. AN 
 
 L 
 
 hee) 
 
 : 
 
 Cl 
 (pene 
 
 oO 
 et 
 
 FOR DOORS 
 oO 
 
 4 - 2 FEET 
 —— — —— a | 
 1-10 
 2 ~) 4 INCHES 
 
 ees — | ———o 
 SCALE FOR SECTION - @- 10 
 
 0) t 2 3 A. 5 6 INCHES 
 —————— | = = —— —4 
 SCALE FOR DETAILS OF PANELS + 4-10 
 
 SEVILLE 
 CASA DE SANTA TERESA 
 WOOD DOORS 
 
ACEP aL DE DALES OF sOUTEE RIN SPALN 
 
 |B ary ON 
 
 Ae 
 
 SECTION A-A 
 
 CASA DE SANTA TERESA 
 WOOD DOORS 
 
“IVNISINO SI ANVaA AHL 
 
 LANIGVO TIVM OL YOOd YUALLOHS COOM 
 VSHYAL VINVS Ad VSVO VSHYAL VINVS Hd VSVO 
 ATILAYS CELA S 
 
 C6 ALVId 
 
 NIVdS NUde LOS TOS LIVLAG Ty ail poe. Eto vy 
 
ARGHELE GLU RALADETAIES OF SOU DIE RIN. SPAIN 
 
 PLATE 93 
 
 a 26 
 -+— 64 —}--54--+-— G2 
 
 Bh 244 be 4 
 
 = 
 
 ehh Bt Meh %-| 
 Vo 
 SECTION B-B 
 
 PAIR OF WINDOW SHUTTERS 
 
 WooD 
 
 ig s 
 
 8, == 
 
 ; 
 
 5 % 
 
 ve + 
 
 fo eae ae ae ay eee ere ie 
 ins, 4 
 
 a . + ~| \G 
 in 1% Sa a ee ee a SECTION C-C 
 
 SECTION A-A 
 
 oO 1 2 FEET 
 hoo a a —— = = ==== ~ 
 SCALE FOR DOOR AND SHUTTERS - {-10 
 
 oO 2 3 4 INCHES 
 —— 4. — 
 
 ——— — = 
 SCALE FOR DETAILS + 6 - 10 
 
 SEVILLE 
 
 CASA DE SANTA TERESA 
 
DETAILS OF SOUTHERN SPAIN 
 
 AR CEL OE Ch has 
 
 94 
 
 PLATE 
 
 AVG BI el 
 4 4 
 
 SI 
 
 TOWN 
 
 UWL); 
 
 WOOD DOOT 
 
 ) 
 \ 
 
 DIEGO DE 
 
 ARCH IIE C I 
 
 (GEE 
 
 i] sein 
 
 c 
 
 | 
 
 LATERES( 
 
 IN IN 
 
 BEGI 
 
 MASTERPIECES OF |] 
 
 AND 
 
 SECTION OCCUPIED: BY 
 
 WAS 
 
 SEVILLE 
 
 AYUNTAMIENTO OF 
 
 OR 
 
 HALL 
 
 AND IS CONSIDERED ONE 
 
 DOOR ILLUSTRATED ON 
 
 TOWN 
 BUILDING 
 
 RIANO 
 
 THE 
 
 IN SPAIN. 
 
 ARCHITECTURE 
 
 JUE 
 
 ~ 
 
 > 
 
 Ok 
 THIS PAGE 
 
 ~~ tS 
 ~ xO 
 a 
 =<~— 
 aS) 
 A 
 A 
 OV 
 ors 
 OG 
 (capes) 
 AO 
 pO 
 Lr 
 Za, 
 Fa 
 =—— 
 Oo eH 
 on 
 SA 
 ee 
 Seret 
 os, 
 in 
 — 
 z= 
 a 
 S) 
 es 
 = 
 
 ONE 
 
 THE 
 
 TELE: 
 
 IN 
 
 TH 
 TH 
 
 LOH 
 
 COMPLETED BEFORE 
 
 ROOMS WERE 
 
 THESE 
 
ARGH Gil hAk DE LTALLS OF SOUTLRERN SPALIN 
 
 PLATE 95 
 
 aif 
 
 Roary aaee: 
 
 4°25 
 Ve 
 4p 
 
 AS 
 
 \ 
 \ 
 | 
 
 | © rr c 
 . af ; \, 
 Sry PYG “( ee me Ge 
 HS | 
 
 VARIATION 
 FOR SMALL 
 \ PANEL 5 
 
 | 
 
 SECTION AcAn 
 
 WROUGHT IRON 
 
 { A 
 4 
 » FLET 
 ioe — set — det set —— ees — Peet = 
 SCALE FOR DOORS - 1-10 
 ay i] a 4 $ INCIIES 
 
 z x 4 4 t , 2 2 2 is 
 SCALE POR DETAILG - G- 10 Si 
 
 SEVILLE, 
 TOWN HALL 
 
 WOOD DOORS 
 
RINGS PAIN 
 
 50 UM ELE 
 
 = 
 Ly 
 
 ARCHITECTURAL DE TAS Ol 
 
 PLATE 96 
 
 emg 
 
 EL ON BACK OF DOOR 
 
 PAN 
 
 PANEL ON BACK OF DOOR 
 
 LE 
 
 V 
 DOWENSELAIEIS 
 
 W 
 
 LE 
 
 \ 
 i 
 
 fk 
 OOD DOOR 
 
 S 
 
 7 
 
ARGHITEGTUWRALADELALLS*OFR SOUTHERN SPAIN 
 PLATE 97 
 
 to 
 nr 
 ee 
 
 Refs a x 
 
 ae 
 
 ow. 
 
 ~y 
 \ 
 
 Ipc. 
 
 1 1G 
 
 Th dad ded ANCE 
 
 a | 
 iG 
 
 Dies 
 
 a 
 
 Z 
 
 (ae 
 
 PES 
 
 SEGTION AA 
 
 74 
 ce 
 FRONT ELEVATION 
 [e} 1 4, FEEL 
 SSS — a —— 3 — = et — == ——————— j= = =f 
 Be a ee ee SEVILDE 
 
 EE = 
 ‘SCALE FoR DETAILS - 6-10 TOWN HALL 
 WOOD DOORS 
 
ARCHITEGCTURALSDETALES OF SOU LHERKNES Alin 
 
 = 
 1 
 + 
 DB 
 ® 
 es me 
 A. 
 Ag 
 x 
 yee 
 can 
 13 
 ug 
 es 
 ee 
 SY. 
 y 
 coh ior 
 
 Rema 
 
 SECTION ACA 
 
 PLATE 98 
 
 DS 
 
 SAME AS UPPER 
 LEFT HAND PANEL 
 ee 
 
 REAR ELEVATION 
 
 5. FEET 
 
 =e a SS = = —— = 
 
 SCALE FOR DOORS - If y SIEN TTI, | IE. 
 oO Q 2 4 INCHES 
 
 ee = + —4 —t 
 
 SCALE FOR DETAILS - 6-10 TOWN HALL 
 WOOD DOORS 
 
ARCHUTECECTURAL DETAILS OF 50UT HERN SPAIN 
 
 PLaTE 99 
 
 SEVILLE 
 MUSEUM OF FINE ARTS 
 WOOD DOORS 
 
 THE MUSEUM OF FINE ARTS WAS FORMERLY THE CONVENT DE LA MERCED, ERECTED BY THE ARCHI- 
 TECT JUAN DE OVIEDO AND FINISHED IN 1612. IT WAS SERIOUSLY DAMAGED BY FIRE IN 1810 DURING 
 THE FRENCH OCCUPATION; RESTORED IN 1815-1818, THE CONVENT WAS SECULARIZED AND CONVERTED 
 INTO A MUSEUM IN 1839. THE THREE SMALLER DOORS ON THIS PAGE ARE BUILT UP OF 
 THE SAME MOLDINGS ARRANGED IN DIFFERENT PATTERNS, 
 
WROTE CT URAL DE Ati s OF SO PR GEEE hi NG sna 
 
 LATE 100 
 
 ies : 2% 
 i = L 
 7s ij = = =" 
 : ae 
 | | | 
 
 | 1% 1g 
 
 a = 
 5 i} I Df, lay 
 
 lj VW \ A \ 
 
 ie ae | yj J ‘ \ \ Sue 
 
 | Tey | ¥T 
 : 5 
 
 |Pee at 
 | Te Al 
 
 | = 4 
 Mie ake 
 Te ral 
 B 5 
 
 ) a LE 
 he i 
 
 | [6 
 
 G i 
 
 — 
 
 ie cue ae ah. Gb EHR SH 
 paies oo A-A 
 THE SAME CUR ON BOTH DOORS 
 SEVILLE, 
 MUSEUM OF FINE ARTS 
 WOOD DOORS 
 
ARGCHUTEGUURALAD RL ATIS OF SOUTHERN SPALN 
 
 Prats, 101 
 
 aoe 
 
 Os, 
 
 (Og aa aes 
 
 vse, 
 
 fj > \ 
 ¢ i sor io 
 d y 
 =| ( 
 “ ad / 
 \ Nie 
 \\ 
 \\ 
 a \ 
 E INDICATES EBON INLAY\\ 
 WOO! 
 
 L INDICATES LIGH D\\\ 
 
 INLAY 
 
 oy, 
 
 \ 
 OTHER PANELS 
 
 UNIETTERED PORTIONS ARE 
 CF CEDAR LIKE 
 
 OF PANEL ©) 
 2 8% - a —+ 
 
 DETAIL 
 
 VIL Wn a ¥ y 
 lat S6—4-— Ste ——_f- 
 
 ae ir 
 
 1 
 ee a 
 SCALE FOR DOORS s+ vy=1oO 
 oO tl 3 
 ———— Se ee 
 SECTION A-A SCALE FOR DETAILS - 6'-{'O SECTION B-B 
 
 SEVILLE 
 MUSEUM OF FINE ARTS 
 WOOD DCORS 
 
ARCHITECTURAL DETAILS OF SOULEER Ness ALN 
 
 Prare 102 
 
 URL 
 
 dl, 
 S 
 
 SEVILLE 
 MUSEUM OF FINE ARTS 
 WOOD DOOR 
 
 A BEAUTIFULLY CARVED OAK DOOR. THE FRAME IS MODERN. 
 
ARO EP GtUKe Wr ATLS OF SOULBAERN SPAIN 
 
 PLaTe 103 
 
 SECTION AA 
 
 [mera anaes meee 
 
 ib ¢ 
 
 EseBeh be 
 
 2 FEET 
 
 ——s 
 
 Ss 
 
 SCALE FOR DOORS - 1-10 
 
 SS 
 
 4 INCHES 
 
 u 
 
 — a 
 
 Oo 
 
 —= 
 
 7a) 
 hs 
 < 
 i) op 
 E 
 S, fe 
 are 
 We 3 
 fz 
 Y} 
 = 
 al 
 
 = 
 
 <= 
 
 SCALE FOR DETAILS - 6-10 
 
ARCHITEGIURAW DETAILS OF SOUTHERN Sra 
 
 Piate 104 
 
 ie e El 
 
 ANDUJAR ; 
 CALLE ALTOSANO LA MARQUESA 8 
 WROUGHT IRON REJA 
 
 | PARADOR S" MARIA 
 
 ECIJA 
 CALLE EVARISTO ESPINOSA 5 
 WROUGHT IRON BALCONY 
 
 SEVILLE 
 CASA DE SANTA TERESA 
 WROUGHT IRON REJA 
 
 BAEZA 
 CALLE SAN ANDRES 22 
 WROUGHT IRON BALCONY 
 
ARGCHEPEGLrURAL DETALLS OF SOUTHERN SPAIN 
 
 PLATE. 105 
 aL 52 : 
 roe 47+ 44-+- 464 
 1-0 y 
 3 ic 
 Sy 
 846 = 1 
 x 
 
 { SQUARE BAR 
 at 
 
 3(= 
 
 ELEVATION 
 o 1 2 PLEL 
 Se pt er et ~ == 
 SCALE FOR REJA + i=!o0 
 0 : té @ INCHES 
 
 o a 1 a 1 
 SCALE FOR DETAILS «+ 3-10 ANDUJAR 
 LTOSANO MARQUESA 6 
 WROUGHT IRON REJA 
 
ARCHITECTURAL DETAILS OF SOULEE RIN SPAR 
 
 Pirate 106 
 
 - : . oe. 
 3 l y 
 pels mat het er | 
 nat 
 © 
 10 
 ah LU > 
 3 3 S C33) || 3 : 3 a)\ 
 a) Ds oO fo} fo} 
 if 
 —j— aS 6 
 () 
 9 
 A, 
 te | 
 6 | 
 f 
 145 - 
 : Al 
 ci FRONT ELEVATION 
 (6 
 of] fie 
 ©) 
 {|" 
 =I) 
 S}) Toh Jo 
 jail 
 es: =! 
 & = 
 ( af bes ee 
 SCALE FOR BALCONY . I-[o 7 at SECTION ACA I B) 
 ra) J 2 2 ete poms 4 8& INCHES ESI (B 
 SCALE FOR DETAILS + 3-10 is v ez 
 14 
 
 BAEZA. 
 CALLE SAN ANDREAS 2.2. 
 WROUGHT IRON BALCONY 
 
ARCHER CLURAL DETAILS OF SOUTHERN Ss PALN 
 
 Piate 107 
 
 ] 
 -;- 
 | 
 Ay 
 oe 
 os 
 FRONT ELEVATION ; 2. cca ‘ ! 
 {s) 1 by B) 4 FEET cae eee 64 + 4h 6 
 ————— a | — | ait 
 SCALE FOR BALCONY + 14-10 | 
 oO 0 oh ad 4 3 G ® INCHES le | 
 tisrost oe AN | 
 SCALE FOR DETAIL + 3-1to ECUDA 
 CALLE EVARISTO ESPINOSA. 5 
 WROUGHT IRON BALCONY we 
 6 
 SIDE aa 
 ELEVATION 
 e), 
 A 
 7 ie | 
 = 
 LA . 
 LINE OF WALL Sah 
 
 SIDE ELEVATION 
 
 FRONT ELEVATION 
 
 ® 1 2 > 4 > o v4 & INCHES 
 es —— = bea et Cr 
 CALE FOR REJA 3-1o i) Nees e 
 
 CASA DE SANTA TERESA 
 WROUGHT IRON REJA 
 
ARCHITECTURAL DETAILS OF SOUTHERN SPAIN 
 
 PLATE 108 
 
 ECIJA ECIJA 
 CALLE REJANO 30 CALLER CAZASS 
 WROUGHT IRON REJA WROUGHT TRON REJA 
 
 z 
 i ff 
 
 ECIJA | GRANADA 
 PALACE OF THE MARQUES DE PENAFLOR CHURCH OF SAN PEDRO 
 WROUGHT IRON STAIR RAIL WROUGHT [RON GRILLE 
 
ARCHITECTURAL DETAILS OF SOUTHERN SPAIN 
 
 Puate 109 
 
 (C) 
 
 \; 
 /2, SQUARE BAR/| 
 TWISTED _/ 
 
 y SQUARE BAR 
 
 ip 
 (SO TWISTED | 
 
 B 
 
 SECTION A-A 
 55+ 7 b2at-4 
 ——— Big _ coe W/o 
 SIDE 
 ELEVATION 
 
 pert Se ee ee —s — — — 
 SCALE FOR HEJA «+ I'- é 
 o z 
 
 “OCR TC arena ay eemcmacmeamea at ECUA 
 CALLE REJANO 50 
 VVROUGHT IRON REJA 
 
ARCHITECTURAL DE PFAIES OF SOUTHERN SEALN 
 
 PLate 110 
 
 36 SN 
 
 Pssasssté fs =e Ess 
 
 =<\ 
 
 rO+ 
 | 
 
 4. SO 
 
 + 
 
 ie 
 
 Z 
 
 i) 
 
 < 
 
 a: 
 
 = 
 
 < ; 
 
 ake ie) 
 
 SN & 
 
 Wr) fy 
 ate 
 =<) 
 1) 
 
 2 FEET 
 
 oe 
 
 Mee INCHES 
 
 ee 
 
 beret 
 
 SCALE FOR REJA 
 
 ECUA 
 CALLE CAZA 5 
 
 WROUGHT 
 
 3 
 =e 
 
 aneiemneest 
 -~ @-1tO 
 
 oO 
 re L 
 SCALE FOR DETAILS 
 
 REJA 
 
 IRON 
 
PLATE 111 
 
 DE CATES OF SO GU ELESIN ss? Ai 
 
 ARCHITECTURAL 
 
 » XO 
 S 
 
 a | NN 
 a “~) a =< 
 
 SS 
 
 YS 
 
 oY So 
 
 SECTION AcA 
 STAIR RAIL 
 
 cocoa 
 
 =i ae Y [ES 
 
 THE MARQUES DE PENAFLOR 
 
 WROUGHT IRON 
 
 Or 
 
 INCHES 
 
 & 
 PALACE 
 
 fia O Glass 
 ga ie¢ ed 
 
 eae 
 
 es 
 x= Vo” 
 
 FOR STALR RAIL 
 t] a 
 —————— 
 STALE FOR DETAILS ke. ¥ 
 
 re 
 
 f : A= |} > —_ ft > 
 [LL Ess Se 
 
 V4 
 VA 
 
 aa. 
 {) 
 
 [.-—}-—S REESE 
 
 4 
 
 » 
 
 oa 
 
 SCALE 
 
ARCHITECTURAL DETAILS OF SOUIEE RINGS Pali 
 
 [Pryans, WHY 
 
 Nh N0480 
 
 WROUGHT IRON GRILLE 
 
 o) 
 A 
 a: 
 as 
 Qc x 
 Ox 
 is 
 9g 
 
 ELEVATION 
 
 1o” 
 5 
 
 ino 
 
 — 
 
 E FOR GRILLE + 
 t} vd re) 
 
 $e 
 
 SECTION ATA 
 
c8St LOOUVY WITAYd ZANON ANOTOLAVE AM LUNA SVM ASNOH AHL 
 Vfaud GNV MOCNIM 
 Vfau GNV MOCNIA 
 6 SOLUVWN ATIVO * ALNAAVNAG ATIVO 
 VNOSO VUALNOUW WI Ad ZAI 
 
 Cl] ALVid 
 
 NIVdS NYAHLNOS AO SIV LAG Vd LOALIBN Oy 
 
ARCHITEGTURAL DE VATLS OF SOUTBERN SPAIN 
 
 Plate 114 
 
 ] ’ f 
 ony tse 
 1) a! 
 q 
 ny Mi 
 11 53 
 toy 
 ree iz 
 T fe 
 y ” 
 Di 
 1) a 
 5 54 bo 
 7 
 | Af 
 4 a 
 | aes 
 | 
 net 
 105 oe SECTION ACA 
 eat = 
 FRONT 
 ELEVATION 
 SCALE FOR f Dera FOR 
 WINDOW DETAILS 
 \- Ses Oma 
 \\ is I 14-10 
 P22 
 O | 3 
 y 4 
 ee ")2 INCHES 
 \ 
 is cI 
 ! VA 8 
 | z 
 116 
 | 
 | 
 ee 
 
 JEREZ. DE LA FRONTERA 
 PLAZA BENEVENTE 
 WINDOW AND REJA 
 
ARCHED EDUR AL De DATS OF SOUTHERN SPAN 
 
 Pranm l5 
 
 (C2o\ i 
 AIK ae, J | = | 
 
 ~ SECTION ACA 
 
 -— 494 Aa ( 
 MbavetiON A WU 
 nO Se 
 
 | 
 ) 
 | 
 FSS 
 — 
 | 
 early 
 
 PLAN 
 
 4 FEET 
 
 hetereter tert — —— 
 SCALE FOR WiInDow - 4% 
 v 2 INCHES 
 
 ee — 
 SCALE FOR DETAILS = 
 
 OSUNA 
 CALLE MARTOS 9 
 WINDOYW AND REJA 
 
UVLTV HOIK ABL HLVANAG Ld V NI Garand AAV YNOSO AO SANNAd AHL 
 “8hST ANV F€S51 NHAMLAG VNAUN AO LNNOD HLYNOA “NOQOUWID ZATIAL Nvoal Ad GAGNNOA SVM HOUNHO ALVIDATIOO AHL 
 
 VNOSO dO SANNd AHL AO SAWOL OL SHALVD NOU] LHDNOUM 
 VALS aOOR Val 
 
 VNOSO 
 
 eM ig 
 
 . 
 
 ‘ 
 
 OTT ILVvId 
 
 NIVds Nuh DNOs tO Salty CAG Tyan bo roa 
 
OF SOUTHERN SPAIN 
 
 ARCHITECTURAL DETAILS 
 
 Prare 117 
 
 —S$\ > —_- SS Ear 
 
 fi $— 
 
 SS | 
 Sf a aa 
 
 as —= 
 
 \ 
 Se ee eee a . 
 a i ———_{} | & 
 e 
 ~ tii 
 SS ——~—_— ——_——7] 
 | PIE A a . 
 
 as © ‘ an ae _ rT 
 
 FP BE PDP a ee lit: 
 
 ie Ee 
 
 = 
 
 G 
 
 SE eee 
 
 + iP¢—_——_—— Sat a FP aE a ———>—_ ——_ —~_ —_—— el 
 
 SE SS eg 
 
 eee. 
 
 Se ae Fer ain 
 
 MAY 
 id 
 
 oe 
 yy 
 
 a 
 oY, 
 oe 
 
 PF 
 
 e = 
 
 =~ ox 
 9 
 ) 
 
 ~ 
 
 OSUINA, 
 
 LA COLEGIATA 
 
 s 2 
 SCALE FOR DETAILS - ‘=f 
 
 CRYPT 
 
 GATE TO 
 
 GHiiY LRON 
 
 WROU 
 
ete ACiuEvalulecy 
 
 ARCHITECTURALZ DE TAILS OF SOU PH ELUN® oP ATiN 
 
 — 
 a 
 
 + —— 
 e——7 = 
 @ 
 
 : 
 
 SS = — 
 SCALE FOR GATE - L =1'o" 
 
 oa 0 2 
 = s —= 
 SCALE FOR DETAILS . 
 
 OSUNA 
 LA COLEGIATA 
 WROUGHT IRON GATE 
 
ARCHITECTURAL DETAILS OF SOUTHERN SPAIN 
 
 PLATE 119 
 
 é a Ay 
 ie7. f = BS us Jy 
 pier EPs Y (1 : { €/ (( : 
 “AT (C23 oe 5 SCSAZ mer soy Cae ee a ¢ 37 ax OY Os sayz 
 U ak amt 205 Sia! 20 SSS we pines ots way 3g 
 = Ff, 
 asia esis) 13 DO ERG lalamatate egele vata siia S$ 
 z 
 Es 
 
 (OT TRY Ab 
 DIDI LSD 
 - ROT FReIAT 
 
 > A 
 ys “ A A 
 Moss WIRD as 
 
 ate ate ey ee a 
 VWVROUGHT IRON Ax 
 
PLATE 120 
 
 CALLE SANTA GH GILIANGS 
 WROUGHT IRON REJA 
 
 ARCHITECLURAD DEES 1CS OF SO@iH Eb hiNes AlN 
 
 = 
 
 a 
 ae 
 
 % 
 
 % 
 
 RANGE. | 
 
 AL 5 ciate ote A 
 seh x «. 
 
 we 
 
 RONDA 
 CALLE MENDEZ NUNEZ 45 
 WROUGHT IRON REJA 
 
 "9 M 
 ir 
 4 
 ae | 
 3 
 Ye 
 YF 
 
 (y 
 
 RONDA 
 CALLE PI Y MARGALL 43 
 WROUGHT IRON REJA 
 
 THREE CHARACTERISTIC REJAS OF THE SIMPLE DOMESTIC TYPE, 
 
ASE SUK ALe Dr ais- OF SOWLTERERIN SPAIN 
 
 PrAnret? 
 
 SECTION AA 
 
 = fe D, = 
 SIDE 
 ELEVATION 
 
 So 
 SCALE FOR REJA (2 ES Eat 
 ® 1 2 2 4 5 ¢ 7 _~ INCHES 
 SCALE =o DETAILS : aE io = r RONDA 
 CALLE SANTA CECILIA 68 
 
 WROUGHT IRON REJA 
 
ARCHITECTURAL DETAILS OF SOUTHERN SPAIN 
 
 [Pic /Navisy 122) 
 
 © 
 CLL 
 
 Le a  —— 
 
 ee 
 
 SECTION AA 
 
 SIDE 
 ELEVATION 
 
 e_ os. ee go 5 | 
 7 Se EN 
 
 See PH 
 
 RONDA. 
 CALLE MENDEZ NUNEZ 45 
 WROUGHT [RON REJA 
 
ACEC TO RAT DE TAILS OF SOUTHERN SPAIN 
 
 PLave 123 
 
 S/sQuARE 
 SQUARE 
 BAR 
 
 | q q 
 : 5 N 5 
 
 2) ) 
 
 vA ; : : 
 : ; : 
 
 12) 
 
 yes poor. 
 
 Ge 
 
 SECTION AA 
 
 434 Uy Sa aS BK Son 
 www 
 
 FRONT ELEVATION ELEVATION 
 
 e RED TILE 
 
 = 
 
 SCALE FOR REJA 
 
 o 1 G2 5 4 > eo 7 8 INCHES 
 
 2 —EE——EE—__——EE Ee 
 
 SCALE FOR DETAILS - 3-10 RONDA 
 CALLE PI Y MARGALL 43 
 WROUGHT IRON REJA 
 
ARCHITECTURAL DE PAIS ORsSOD DEAE RINGS EAN 
 
 Piate 124 
 
 gp a ee ZyeeNeee 
 
 i 
 
 * & a a 
 
 SEVIEEE 
 CASA DE SANTA TERESA 
 WROUGHT IRON REJA 
 
 SEVILEE 
 CASA DE SANTA TERESA 
 WROUGHT IRON REJA 
 
 SYMBOLS OF THE SUN, MOON, AND STARS ARE 
 WORKED INTO THE CRESTING. 
 
 RW RSL EAL VE YE YU 4 
 # 4 é 7 S z 
 % H r i 
 
 “4 
 
 AAU 
 Re 
 DETER 
 
 aT 
 VY 
 ety 
 
 £ 
 2 
 
 Fore 
 ; oy 
 for ee 
 
 is 
 (ACY 
 IOGAR 
 eG) 5 
 ae? 
 
 SM 
 
 VOOM 
 ARS 
 
 SEVICEE SEVILLE 
 MUSEUM OF FINE ARTS MUSEUM OF FINE ARTS 
 WROUGHT IRON REJA WROUGHT IRON REJA 
 
ANGHTCPGTURAL DETAILS OF SOULDHERN SPAIN 
 
 Prams 12/5 
 
 a 
 Hee OG 
 
 *) 
 WAR: 
 aaa IC 
 
 /\ 
 Ne 
 
 Ry, 
 22 UARE BAR 
 
 SECTION A-A 
 
 FRONT ELEVATION 
 
 i ore 
 
 = — ——EEe 
 
 SCALE FOR REJA - [-!1o 
 
 ee ee ee ee ae Ub fee hee 
 
 SCALE FOR DETAILS + 3-10 SEVILLE 
 
 MUSEUM OF FINE ARTS 
 WROUGHT IRON REJA 
 
ARCHULE GITWRAL-D E PALES OK>s OFF ELE RINGS Pauling 
 
 PLaTe 126 
 
 i aa ATG ee 
 le ont y" ins S) 94 
 Met—da—t- 544 
 
 a Ga a: 
 
 DN. 
 
 $ 
 SEVILLE 
 MUSEUM OF FINE ARTS 
 VWVROUGHT IRON REJA 
 
ARCHITECTURAL DETAILS OF SOUTHERN SPAIN 
 
 JeapyNanioy W927) 
 
 eee De 
 =e) 
 B = 
 ++ 
 ¥ Il 
 © 
 ms) 
 
 ‘ = aN G y = 
 410". C0. 9) 
 = (a — 
 | SECTION ACA 
 ©) 
 ie 
 || ew (Al 
 | \ ! 
 b- 54 —-+ 44 -+ A444 Se 
 k a a9 : 
 FRONT ELEVATION 
 ELEVATION 
 Oo t 2 FEET 
 Seer feet pt — fy peed ¥ — 
 SC ALE aK REJA s egies P =! SINCE 
 2 © 7 CHES 
 t ot ee) ———— fed ent TX 
 SCALE ron DETAILS + 3-10 SEVILLE 
 
 CASA DE SANTA TERESA 
 
 WROUGHT IRON REJA 
 
ARCHITECTURAL DEGAILES OF SOUTHERN > Pal 
 
 me 
 K/ 
 C 
 
 Se 
 
 PORE Rode 
 
 3 4 INCHES 
 SEVILLE 
 CASA DE SANTA TERESA 
 
 WROUGHT IRON REJA 
 
RN SE ALN 
 
 , 
 er 
 
 UTE 
 
 SO 
 
 CIVURAl DETAILS OF 
 
 \ 
 
 ARGHELE 
 
 Pisin 29 
 
 <7 <a is 
 
 Sc 
 
 ese 
 
 LSS tSa 
 
 B esaewesse 3) 
 Esewese 
 Sveae4e3 
 
 Le XK Se] 
 Se Nes LN SE) 
 
 Peel 
 
 eS aa ae 
 GB RES ES | 
 
 Y, Voy : 
 (3 Kes XSS tS5) 
 
 SE VILE 
 
 SA 
 
 URE 
 
 AR IRE 
 
 CASA DE SANT 
 ROUGHT IRON (¢ 
 
 sATE 
 
 y 
 i 
 
 WAY 
 
ARCHITEC TURAL. D EAs. © BS 0) Gar GR IN@s eae 
 
 PLATE 130 
 
 SEVILLE 
 CASA DE SANTA TERESA 
 
 WROUGHT IRON GATE 
 
Pavan 13 
 
 ARCHITECTURAL DETAILS OF SOUTHERN SPAIN 
 
 <I hte: 
 SS i Bd R 
 
 4 
 ) 
 
 a eae 
 © 4 
 —— = 
 
 0 é 
 Ww 
 
 GATE 
 
 SEVILLE 
 CASA DE SANTA TERESA 
 
 WROUGHT IRON 
 
 - @©-10 
 
 + 
 
 as 
 SCALE FOR DETAILS 
 
 FOR GATE = ¥ 
 > 0 
 
 een 
 SCALE 
 
 i= 
 
ARCHITECTURAL DETAIES OF SOUTHERN EAN 
 
 SCALE FOR] 
 DETAILS A Bi) 
 
 e-10 4 
 
 4 INCHES 
 
 ' 
 14 
 ait : 
 SC. ) OL 
 sere, 3 
 ir 9 So 
 l Ae 
 2 BASS 
 } 
 [Ts 2 
 L a7 ou 
 YA 
 ls im 
 b 
 i 7 
 
 . ® ISCHES 
 
 CASA DE SANTA TERESA 
 
 WROUGHT IRON GATE 
 
‘MOGNIM HHL WHAO TANVd V NI SUVAddV OST ALVG AHL 8¢ ADVd NO GHLVALSNTIH LVHL WOW 
 INAYAANIG LYVHMAWNOS NYALLVd .ATHAVM, V SI ONINAdO dO GATIVM AHL GNNOUV SNIVNAY MOGNIM HHL 
 XINO ‘GaAOULSAG ATALAIMNOO NAY SVH AGVOVA SIHL AO LUVd YAMOT AHL GANAXOA AONO LVHL AVMUOOd AHL 
 MOCUNIM 
 OFT ONHYOW NILSNOV ATIVO 
 VAOCYO)O 
 
 EEOC 
 
 ? 
 
 c€l IVIg 
 
 NIVdS NYG Laos tO STIVIAO Ivan LOuLInO ay 
 
ARCHITE CLURAL DE TRALLS OF SOUTHERN S BAnN 
 
 PLaTeE 134 
 
 t opENING WALLED we) 
 
 cd 
 
 Wi 
 
 “SECTION F-F 
 
 -+—_N —=—at+ 
 
 SECTION A-A? 
 
 SECTION C-C 
 
 CORDOVA. 
 
 CALLE AGUSTIN MORENO 140 
 
 SECTION E-E 
 
 SECTION D-D 
 
An CHET ECIURAL DET AliES OF SOUTHERN SPAIN 
 
 ECIJA 
 PALACE OF EEE MARQUES DE PENAFLOR 
 FOUNTAIN 
 A BAROQUE WALL FOUNTAIN OF THE EARLY 
 EIGHTEENTH CENTURY. 
 
 a 
 
 CORDOVA CORDOVA 
 PLAZA DEL POTRO PLAZA DEL POTRO 
 FOUNTAIN FOUNTAIN 
 THE FUENTE DEL POTRO, OR FOUNTAIN OF THE COLT DETAIL OF UPPER PART. 
 
 IS MENTIONED IN DON QUIXOTE. 
 
 Pa Avaris: 13 
 
 tn 
 
ARCHITECTURAL, DETAILS OF SOUTHERN SPAIN 
 
 PLATE 136 
 
 MARBLE BASIN 
 
 QUARTER PLAN 
 
 66 at Dray se 
 
 | WATER LEVEL 
 | = 
 \ / 
 ( 
 Tees ee 
 | Bee) 
 2.64 | | 
 | | 
 | | 
 | 
 ae FINK GRANITE 
 GUTTER STEPS 
 | See lL oe Tn an 
 9) 
 =, 
 ayes 
 ELEVATION 
 ® a 3 4 FEET 
 beter fy pe pep — - WN ss ait 
 SCALE FOR ELEVATION + 4-10 
 ®D 0 2: £3) 4 s G v ® FEET 
 —— = — : + 
 
 Specs eter eg} at —— 
 SCALE FOR PLAN V4e=- 10 
 
 CORDOVA. 
 PLAZA DEL POTRO 
 FOUNTAIN 
 
ARCHITECTURAL, DE TAILS*OR SOUBHERN:SPAIN 
 
 PRATER. Los 
 
 ELEVATION SECTION 
 oO 2 FELT 
 ——— + —— 
 SCALE - 1-10 
 - 
 ECUA 
 
 PALACE OF THE MARQUES DE PENAFLOR 
 FOUNTAIN 
 
‘v8Sl NI GHLHYTdNOD ANV 08ST 
 NI NOOYd SVM LI NOLLdUIMOSNI 4HL OL ONIGUYOOOV 'NIVINOOA V NVHL MAHLVY ONIGTING V AO ACVIVA AHL 
 SLSADSNS LI LWHL TVLNAWONOW OS “AYNLONULS DISSWIO ONISOdWI NV SI ‘NIVLNOOA MAN YO VASHON ALNANA AHL 
 
 NIV.INNOA 
 SOLUVIN 
 
 Soh sivid 
 
 NIV SeN Go EROS 1 OCs Lv a Ld ibe a ord v 
 
SOUTHERN sPAIN 
 
 ARCHITECTURAL DETAILS.OF 
 
 PLATE 139 
 
 P-D-EREDIA: 
 
 SEL 
 
 E 
 
 a 
 
 TGLORIA] 
 LR DO FELIPE SE 
 A Ls 
 
 OHONOR 
 PANAMCRS D 
 
 D 
 
 ly 
 HI 
 Y 
 | I | SOL] 
 || | REYNAN! 
 
 @ 
 re) 
 
 FOUNTAIN 
 
 MARTO 
 
ARCHITECTURAL DETATES OF SOUTHERN SPAULN 
 PLATE 140 
 
 - 
 
 a t 2 3 4 5 6 FEET 
 C—O Set — —— + 
 SCALE FOR SIDE ELEVATION ~« 14-10 
 
 @ 1 2 
 
 345 6 T &® 9 10 ff 12 FEET 
 eee 
 
 i 
 SCALE FOR PLAN + 4-10" 
 o 
 
 7 t 2 3 4 5 6 INGLES 
 SIDE ELEVATICH CA 7 
 
 == — = it — rel 
 MARTOS SCALE FOR DETAILS a 3-10 
 
 FOUNTAIN 
 
ARCHITECIURAT DETAILS OF SOUTHERN SPAIN 
 
 Prare 141 
 
 CORDOVA 
 MUSEUM OF FINE ARTS 
 WOOD CEILING 
 
 THE CEILING IS CONSTRUCTED OF SOFT REDDISH PINE, UNPAINTED. 
 
ARCHITECTURAL. DE AIMS OF SOUEUR INTs EauuN 
 
 142 
 
 wee a gz ie sa nietaee 
 GERI ESE ES AO LOVGe I Ga OG OE GS 
 +] tel BA. t iil ae ey ie 
 
 BCDC DCDCDC DDD 
 
 < 
 
 eae 
 
 a 
 
 Pe Peele Ee) 
 OGCDP OG Ga 
 
 — 
 
 \/N/N/NININ 
 INININININ 
 
 Vx GENERAL Pl 
 Wy LOOKING UP 
 Yh 
 
 \, 
 
 CORDOVA SECTION A-A 
 MUSEUM OF FINE ARTS 
 a 3 4 3 6 FEET WOOD CEILING 
 sextet cot $$ ——— —— 
 LE FO ERAL PLAN - Y-to 
 o 5) 3 4 5 6 NCHE 
 = ee ————r meal 
 FOR mS . S= 
 
ARGH TECEURALADELAIES OF SOUTHERN SPALN 
 
 Piate 143 
 
 RONDA . 
 CASA MONDRAGON 
 WOOD CEILING 
 
 A SIXTEENTH CENTURY CEILING COVERING THE ZAGUAN OR ENTRANCE VESTIBULE. 
 
ARCHITECTURAIZDE TAINS OF SOUP RINGSEALN 
 
 Piatrer 144 
 
 COV 
 
 ee ee Na Ne 
 
 GENERAL PLAN 
 
 LOOKING UP 
 
 1% 
 + an’ 
 | SP L 7 a 
 KOAL_In FL 
 ‘i LI] | | 
 wie 
 PLAN 
 OR de Ma tae Me ds NE eh de 8: 
 SCALE FOR GENERAL PAN Ee ie to 
 OLIN? Buk Ceo iCenes so MM _f INCHES 
 Se AnE ES ron DETAILS - a4 - 10 : 
 
 RONDA . 
 CASA MONDRAGON 
 WOOD CEILING 
 
cpl ILvIg 
 
 “ONITIAO AYLLNA AHL NI SHAWIL Mad V XINO GCAaLVadda SI THNVd HOVA LVHL GHledvaA 
 OS AUV SNOISAC AHL -AaHITAU MOT NI SNUALLVd OLYLANOAS HLIM GALNANVNUO AUV STANVd 
 AHL ‘NOILLOUSYALNI WVHd HOVA LV LNVGONdd YO SSOd GHdCTIS AHL YOA LddOXY GALNIVdNN SI LI 
 ‘SYUHLSIOTIO WANUNOA AHL SHHAOO ADVd SIHL NO GHLVULSNTH ONIWAHOS AHL 6t8l NI WOHSOWN V OLNI G4LydA 
 -NOO ANY GHZINVINOUS SVM ‘OGHIAO AG NVAL LOALIHOUV AHL AP 7191 NI GHLOANA “GHOUAW WI AC LNAANOO HHL 
 
 ONITHS GOOM 
 SLYUV ANIA AO WOHSNWN 
 
 ATUAAS 
 
 NIVd SN a FEE NOSIH OS Vea Ty ah a EO Vi 
 
ARCHITECTURAL DIALS OR SOUTER RINGSiZa.0 
 
 PLATE 146 
 
 MH S454 
 
 1 ee 
 
 — 1152 
 
 SECTION A-A 
 
 PLAN LOOKING UP 
 
 fe 
 : 
 bx 
 Sp) 
 
 A 
 e 
 & 
 < 
 fz] 
 Z 
 by 
 i, 
 © 
 2 
 a 
 Ww 
 = 
 
 Q 
 Z 
 a 
 al 
 9g 
 Qa 
 3 
 2 
 
 SCALE FOR DETAILS * 
 
AR GHEE GEGRAL DETAILS OF SOUTHERN SPAIN 
 
 PLATE 147 
 
 STAs acasih es 
 
 Ee 
 F 
 = 
 
 BAEZA 
 CALLE SAN PABLO 22 
 FACADE 
 
ARCHITECTURAP DETAIUS OF SOUTHERN SEAIN 
 
 PuiaTte 148 
 
 Poti tebe 
 
 ELEVATION 
 i 
 Ul Ww 
 | PLAN i 1% 1th (NM 1% 
 y L 
 V2 
 o 1 2 » 4 4} ° ‘iS 6 FEET 
 ec ee ee a 
 SCALE FOR FACADE + 4<10" 4 
 o- e el e Se e BAEZA | IL 
 SCALE FOR DETAILS - 3-10 
 CALLE SAN PABLO 22 
 FACADE, Cate) CE, 
 
ARGHIVECTURAL-DE TAILS OF SOUTHBERN SPAIN 
 
 SECTION E.-E 
 
 SECTION A-A 
 
 SECTION B-B 
 
 (bb + 
 
 a ey yey 
 
 SECTION C-C 
 
 SECTION DD 
 
 BAEZA 
 
 te mM 
 CALLE SAN PABLO 2.2. 
 o 3 
 Zi FACADE eel cae ie : re 7 : ie INCHES 
 STALE 3-10 
 
2ST 
 
 See 
 
 ae SS Ee 
 pie nnede tense saree car 
 tierra crass “i