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eo Art Collectton 
 — 
 
 ‘ of the late 
 
 Jordan Hackson Rollins, Esq. 
 
 of JXew Bork 
 
 and 
 
 Old and Modern Paintings 
 
 e 
 
 Che Anderson Gallertes 
 Madison Avenue at fortieth Street 
 Pew Pork 
 
me 
 
 ae on D 
 
oe Cee 
 
 i binain Rollins, Esq. 
 
 SOLD AT UNRESERVED PUBLIC SALE BY ORDER 
 vas THE EXECUTORS 
 
 “PHILIP ASHTON ROLLINS 
 
 AND A COLLECTION OF 
 
 — Ol and $odern paintings 
 
 CONSIGNED BY SEVERAL OWNERS 
 ALSO 
 
 A REMARKABLE COLLECTION OF 
 
 Chinese Silk and Wool tugs 
 
 BROUGHT FROM PEKIN BY MR. A. W. BASH 
 
 TO BE SOLD ON 
 
 - WEDNESDAY EVENING AND 
 IRSDAY AFTERNOON AND EVENING 
 MAY 15 AND 16, 1912 
 
 at 2:30 anv 8:15 o’cLock 
 
 On Pustic Exuipirion rrom Tnurspay, May 9 
 
 The Anderson Galleries 
 
 Mapison Avenue av FortieTu STREET 
 
 New York 
 
good faith of all bin iee and his decision shall be final. He also — 
 the right to reject any fractional or nominal bid which in his judg 
 may delay or injuriously affect the sale. 
 
 3. Buyers to give their names and addresses and to make such cash 
 payments on account as may be required, in default of which the lots pure 
 chased to be immediately resold. 
 
 4. The lots to be taken away at the buyer’s expense arid risk withing 
 twenty-four hours from the conclusion of the sale, and the remainder of 
 the purchase money to be absolutely paid on or before delivery, in default 
 of which the Anderson Auction Company will not be responsible if the ’ 
 lot or lots be lost, stolen, damaged, or destroyed, but they will be left at 
 the sole risk of the purchaser, and subject to storage charges. 
 
 5. To prevent inaccuracy in delivery, and inconvenience in the settle: 
 ment of purchases, no lot will be delivered during the sale. 
 
 6. All lots will be exposed for public exhibition in our Galleries 
 before the date of sale, for examination by intending purchasers, and the 
 Anderson Auction Company will not be responsible for the correctness of” 
 the description, authenticity, genuineness, or for any defect or fault in or 
 concerning any lot, and make no warranty whatever, but will sell each lot 
 exactly as it is, without recourse,. But upon receiving before the — 
 date of sale expert opinion in writing that any lot is not as represented, 
 the Anderson Auction Company will use every effort to furnish proof to 
 the contrary, and in default of such proof the lot will be sold subject to 
 the declaration of the aforesaid expert, he being liable to the owner or 
 owners thereof for damage or injury occasioned by such declaration. 
 
 7. Terms Cash. Upon failure to comply with the above conditions 
 any sum deposited as part payment shall be forfeited, and all such lotsas — 
 remain uncleared after twenty-four hours from the conclusion of the sale, 
 will be re-sold by either private or public sale at such time as the Ander- 
 son Auction Company shall determine, without further notice, and if any 
 deficiency arises from such re-sale it shall be made good by the defaulter 
 at this sale together with all the expenses incurred thereby. 'This con- 
 dition shall be without prejudice to the right of the Anderson Auction 
 Company to enforce the contract with the buyer, without such re-sale. 
 
 8. The Anderson Auction Company will afford every facility for the 
 employment of carriers and packers by the purchasers, but will not be 
 responsible for any damage arising from the acts of such carriers and 
 packers. 
 
 THE ANDERSON AUCTION COMPANY, 
 
 Mapison AVENUE AT FortierH STREET, 
 NEw York. 
 
 Priced Copy of this Catalogue may be secured for $1.50. 
 
. 831, 340, 847, 
 358, 861, 366 
 
 . 3851 
 
 v : 344, 350. 45%, oe 360, 364, 
 369, 874, 877, 379, 381 
 
 ue Vos, Riparie). uk. .s.:.: 376 
 
 6 
 $ 
 j ACs tees. e eee ss 307 
 SBS Aen 349 
 eorseecoonm Bo. ....... 312 
 
 Mignard, School of........... 
 INURARCOW Sie Bunce gx teen feiss 371 
 
 Roos, Philip (called Rosa da 
 
 BDA VOLD) eeeetcteerceansn ae aia ns 356 
 Rosenberg, HoM 0. ct. 5% 329 
 Russell, John (attributed)... 309 
 Stanfield, W. Clarkson....... 367 
 Steelink,-Wilm Ji. coos es. aa 348 
 
 me LeMierswsChoololee.... 2. cate. 384 
 Trevisani, Francesco Cavaliere 339 
 Unknown Painter....... 308, 320, 
 
 335, 348 
 Wane Goy Ome salsa dates oeheee Bayo) 
 Van Leemputten, C.......... 317 
 Van Mastenbroeck, J. H...... 842 
 Van Mierevelt, Michel J. (after) 368 
 GEO! Sauls 25 = acre tater 333 
 Von der Beek, Theodore...... 334 
 Von Wile ohritz.s. tc 3s 380 
 WardlétAstnubetasnat owen <x 313 
 Wey] Maeerarewse so ncae 825, 355 
 Wickenden, Robert J........ 316 
 Wiggins, Carleton........... 336 
 IW ollbers plleaGe acter. dot tne os 346 
 
by order of James, Schell & Elkus, 170 Bromeaye 
 
 orneys for trustee in bankruptcy of Lathrop, Haskins 
 
 ~S 
 
 The old Paintings from the Collection of Dr. Conrad 
 
 Gora, of Baltimore, havé been submitted by him to various 
 
 i 
 
 ‘experts and their attribution confirmed. 
 
Wed ns: Evening, May 15, at 8:15 o’clock. 
 
 and ‘Modern Etchings, €ngrabings, Color 
 pt ints, Water-Color Drawings, and Prints 
 BY 
 
 4 oo W VHISTLER, HADEN, HEDLEY FITTON, BUHOT, 
 ape? ‘MIBLATZ, AND PENNELL 
 
 > 
 
 = 
 a AUDRAN (JEAN) 
 
 RTRAIT OF NOEL COYPEL. Engraved in 1708, 
 after Coypel. Brilliant impression, Black and Gold 
 )> frame, 
 
 -BACHER (OTTO H.) 
 
 fe “ENTRANCE TO THE GRAND CANAL. Signed artist’s 
 Seeeeeproot, Oak frame. 
 
 THE CANAL, VENICE. Signed artist’s proof, in brown 
 ; ie ee ink. An unusually fine impression. Gold frame. 
 
 i 2 VENICE—SHIPPING AND THE DUCAL PALACE. 
 Proof on Japan paper. Oak frame. 
 
 a TWO SHIPS. Fine impression in rich brown ink. Oak 
 frame. 
 
 a VENETIAN SCENE. ie proof etching. Folio, oak 
 frame. 
 
8 MOTHER AND CHILDREN WITH Sara After 
 
 9 ELOISA WEEPING ON THE TOMB OF ABEL. 2D. 
 Engraved in stipple by Challiou in the manner of : 
 Bartolozzi, but after his own design. Brilliant im- 
 
 10 
 
 1h 
 
 12 
 
 13 
 
 14 
 
 Gold frame. 
 
 Cipriani. Printed in red. Gold frame. 
 
 cd 
 
 pression printed i in red. Gold frame. 
 
 BEHAM (HANS SEBALD) 
 
 MELANCHOLIA. Bartsch No. 144. Engraved in 1539, a 
 
 Fine impression in excellent condition. ee 
 
 THE CRUCIFIXION, by Beham, and PORTRAIT aes 
 PHILIP MELANCHTON, by Louis Cranach, and } 
 
 Four ErcuHines, various, by Dietricy. (6 pieces.) 
 
 BELLOWS (A. F.—New England Artist) 
 
 THE VILLAGE ELMS. The:Common, Yale College at 
 New Haven. Engraved by J. Duthrie. 
 
 BLOOTELING (ABRAHAM) _ 
 
 JEROME VAN BEVERNINCK. After B. Vaillant. 
 
 Engraved in 1679. Superb impression of this mas- 
 
 terly portrait. 
 
 BORGLUM (GUTZON) 
 
 OLD MAN’S HEAD. Drawing in black-and-white on 
 brown paper. With signed presentation inscription. 
 Small folio. Oak frame. 
 
 8 
 
pple Pee ings are part of the series issued in 
 are, in- their way, the most interesting of Shake- 
 
 | NG HENRY THE SIXTH (Act II, Scene 3), The 
 a ~ Countess of Auvergne’s Castle. Oak frame. 
 
 16 TEMPEST (Act I, Seene 2), The Enchanted Island: 
 i .. before the Cell of Prospero. Oak frame. 
 
 We ‘MEASURE FOR MEASURE (Act V, Scene 1). Duke 
 a . _in a Friar’s habit, Varrius, Lords, ete. Oak frame. 
 
 18 KING LEAR (Act III, Scene 4). King Lear in a Storm. 
 
 Oak frame. 
 
 im ROMEO AND JULIET (Act I, Scene 5). Oak frame. 
 20 HAMLET (Act I, Scene 4). The Platform before the 
 
 eZ Palace of Elsineur. Oak frame. 
 
 ior: MUCH ADO ABOUT NOTHING (Act III, Scene 1). 
 ‘a Hero, Ursula ant Beatrice listening. Oak frame. 
 
 22 SHAKESPEARE. Nursed by Tragedy and Comedy. 
 Oak frame. 
 
 BRACQUEMOND (FELIX) 
 
 SEA GULLS. Signed proof etching. One of the artist’s 
 most famous plates. Folio, gilt frame. 
 
 BRITON-RIVIERE 
 
 ij 24 LIONS AMONG THE RUINS, engraved by F. Stac- 
 ie poole. Large folio. Fine proof, signed by painter 
 ee and engraver, Gilt frame. 
 4 
 
 BUHOT (FELIX) 
 
 _ 25 WESTMINSTER BRIDGE. Unusually fine impression 
 ee of this masterpiece. Printed in two tones of ink. In 
 7 ‘*Whistler’s Gold’’ frame. 
 
 26 COUNTRY NEIGHBORS. Signed remarque proof with 
 : the artist’s red stamp. Small 4to, gilt frame. 
 
 A. F. BUNNER 
 i: 27 DUTCH WINDMILL NEAR KISSENDAM, HOL- 
 LAND. Water-Color. Signed. 11x 9 inches. Un- 
 
 framed. 
 9 
 
29 
 
 30 
 
 31 
 
 32 
 
 33 
 
 34 
 
 30 
 
 sion with margins, Two panies ole 1s to 
 Otherwise in excellent condition. ; 
 
 CARBON PRINTS 
 
 Chaigneau; The Seine, Paris, by Moonlight. ‘ 
 (2 pieces.) 
 
 THE TAILOR, by Moroni; Head of a Nunes Indi Y 
 Scout (de The Folio. 3 pieces, framed, se 
 CARPENTER (L.) 
 
 GUAYAQUIL FROM THE SEA. And another South - 
 American Scene. Water-Color Drawings. Signed. 2 
 Small 4to, gilt frames. (2 pieces.) ka. 
 
 CIVIL WAR 
 
 BROADSIDE printed in red ink, in Canandaigua, N. en ik 
 April 10, 1865, in celebration of the close of the Civil i 
 War. Royal 8vo. Framed. Scarce. 
 
 ENGRAVINGS PRINTED IN COLOR 
 
 SMYTHE (RICHARD) 
 
 KITTY FISHER (THE GIRL WITH THE DOVES). 
 After Reynolds. Beautiful print in colors with full 
 margins. Carved gilded wood frame. 
 
 STEVENSON (F. G.) 
 
 SASKIA. After Rembrandt. Signed artist’s proof. 
 Beautiful impression. Antique gold frame. 
 
 . 
 
 SENSENEY (GEORGE) 
 
 THE SILENCE OF NIGHT. Original etching printed 
 in colors. Signed artist’s proof on Japan paper. 
 Proof No. 15. Wood and Gilt frame. 
 
 10 
 
a on he paper. Proof No. 9. 
 
 R RISE. Hioican etching printed in colors. Signed 
 artist’ s proof on Japan paper. Proof No. 44. Gray 
 Oak frame. 
 
 38 ‘sT¢ ORM PAST. Original etching printed in colors. 
 Signed artist’s proof on Japan paper. Proof No. 23. 
 Antique gold frame. 
 
 39 ‘EVENING IN NORMANDY. Original etching printed 
 : mi in colors. Signed artist’s proof on Japan paper. 
 ‘Proof No, 24. Antique Gold frame. 
 
 WEBB (JOHN C.) 
 
 Pest 
 
 40 PORTRAIT OF MRS. ANGELO TAYLOR, AS 
 
 MIRANDA. Mezzotint printed in colors. Orna- 
 mental Carved Gold frame. 
 
 GAINSBOROUGH . (THOMAS) 
 
 ‘y a GEORGINA, DUCHESS OF DEVONSHIRE. En- 
 i graved in stipple by J. Jackson, and colored by hand. 
 Bef Mounted in a frame with an Autograph Letter 
 Signed from the Duchess of Devonshire in French. 
 Folio, gilt frame. 
 
 COUSINS (SAMUEL) 
 
 42 WILLIAM SHAKESPEARE. Proof on India paper, 
 from the Chandos portrait. 
 
 DAUTREY (LUCIEN) 
 
 | 
 438 LA GLANEUSE. After the painting by Jules Breton 
 | in the Luxembourg Gallery. Remarque proof on 
 Japan paper signed by painter and etcher. Very 
 ' rare in this state. 
 : 11 
 | 
 | 
 
DECORATIVE PANELS rs 
 
 44 DUTCH CHILDREN. Colored prints. _ Lom: 
 folio. Framed. (2 pieces.) . 
 
 45 FRANCOIS DE BOURBON, PRINCE DE CONT 
 Robert Dumesnil No. 348. Only state. oe 
 Hoe collection. With margins. 
 
 DESNOYERS (AUGUST BOUCHER) 
 
 46 MADONNA DI SAN SISTO. Proof before letters, with q 
 presentation inscription from M. Desnoyers to M. i 
 Vallot. (Foxed.) S 
 
 EDELINCK (GERARD) 
 
 47 THE VIRGIN SEWING. Clearly printed impression, — 
 with margins. There is a small discolored spot near 
 the Virgin’s right hand. Together with ‘‘THE 
 RETURN FROM MARKET,”’ engraved by Sir 
 Robert Strange in 1750, after the painting by 
 Wouvermans, and ‘‘THE FINDING OF MOSES” — 
 engraved by Baron after the painting by Le Suerer. — 
 (3 pieces. ) a 
 
 FAGAN (JAMES) 
 
 48 GENERAL U. 8. GRANT. Remarque pro on vellum, 
 signed by the etcher. 
 
 FICQUET (ESTIENNE) 
 
 49 MADAME DE MAINTENON. Engraved in 1759, from 
 the painting by Mignard. An unusually fine impres- 
 sion of this little masterpiece on old paper with full 
 margins. Together with PORTRAIT OF DAVID 
 HOLT, mezzotint by S. W. Reynolds, after Duval. 
 (2 pieces. ) 
 
 12 
 
be sie r 
 a: 2a oles ‘eG « 
 ON (HEDLEY) 
 
 ASTLE, Signed artist’s proof etch- 
 
 om ed foe 
 ( NB IDGE. Picking. Signed artist’s proof, 
 
 G ilt frame. 
 
 ST. BI hENNE LIMOGES. Signed artist’s Pyo0e Gold . 
 ss Ns Se 
 
 IBNNE BEAUVAIS, Signed artist’s proof. 
 
 oie 
 
 ” 
 
 ing, signed artist’s Bor from the collection of 
 a _ Philip Burty, together with EIGHTEEN ETCHINGS by 
 oe _ Jules Jacquemart of various subjects. 
 
 a DUTCH FISHING BOATS, original etching, by Av- 
 -_ gustus Koopman, signed artist’s proof, and sIx 
 OTHER PIECES, by various artists. (26 pieces.) 
 
 FORTUNY 
 2 ae THE DEAD KABYLE. Fine impression with large 
 a a a i margins. 
 - ‘ TWO ARABS. Proof on India paper, and 
 a _ HE DEATH MASK. (3 pieces.) 
 
 So 
 adi 
 
 FULLWOOD (JOHN) 
 
 ass LANDSCAPE WITH RIVER. Etching. Siagnep PrRoor. 
 i eee Gilt irame. 
 
 ig -GEROME (J. L.) 
 
 87 CONFIDENCES. Defaced copper-plate of the photo. 
 gravure made by Goupil from the Panne. Ato, 
 elaborate bronze frame. 
 
 og 13 
 
-GOLTZIUS (HEINRICH) 
 
 58 JAN BOLL. Bartsch No, 161. Dated 1593, ‘Superb 
 impression in perfect condition, Pea 
 
 59 NICQUET. Bartsch No. 177. Fine impre 
 
 slightly stained at the bottom. a a pee 
 
 60 JOHANNES ZURENUS. Bartsch No, 189. re exceed . 
 ingly fine i impression of this beautiful little port i 
 
 GRAVESANDE (CHARLES STORM VAN’S) 
 
 61 VILLAGE OF ZANDVOORT. Fine impression on | 
 Dutch paper. Gold frame. . aM ay q 
 
 62 ON THE MAAS. Proof on Japan paper of this little 
 masterpiece. Gold frame. 
 
 63 ON THE VECHT. Signed artist’s proof on “Holland | q 
 paper. Brown wood frame. q 
 
 64 ZEEBURG. Signed artist’s proof. One of the artist’s 2 innate | 
 charming small plates, together with THE SHEEP- — 
 
 FOLD by Braequemond, after Brendel, proof from — | 
 the collection of Philippe Burty, and NEAR STONE- | 
 
 LEIGH, WARWICKSHIRE, etched by J. G. Strutt, 7 
 SCENE BY MARLBOROUGH FOREST, etched by | 
 Strutt, GROUP OF ABELES, BANKS OF THE 
 
 THAMES, by Strutt. (5 pieces.) a | 
 
 ORIGINAL DRAWING BY GRAVESANDE | 
 65 ON THE VECHT. This superb chareoal drawing, evi- | 
 
 dently a study for the dry-point, is signed in full in 
 the lower left corner. It is rarely that original draw- — 
 ings by this eminent artist come into the market... 
 
 Oak frame. 
 
 GREATBACH (WILLIAM) 
 
 66 THE READER. Line engraving, after painting by 
 Gerard Dow. Proof before all letters on India paper. 
 Rosewood and Gilt frame. 
 
 14 
 
H [AD EN (SIR F, SEYMOUR) 
 
 67 MYTTO! N “HALL, Heid): A hospitable open doorway 
 seen at the end of a shady avenue of old yew trees. 
 Stenep Proor on JAPAN Paper. Framed. 
 _ *Plate destroyed. Mytton Hall was an old Henry VII. 
 ~ house in Lancashire, Wedmore says the print is characterized 
 A, the breadth of treatment so much a part of Haden’s work. 
 68 ‘KE eRe GARDENS. (The larger plate.) H. 28. 
 _ An old tree divides into two main branches, with the 
 light concentrated on the upper branches and the 
 _ distance closed in by numerous trees. Framed. 
 
 yon Plate destroyed. Considered one of the best etchings of 
 _ free branch and stem drawing. 
 
 ay WATER MEADOW. H. 21. A meadow fringed with 
 % trees, to the right open water and reeds, and an old 
 wooden sluice overgrown with rushes. 
 
 ae * Seymour Haden said of this etching: ‘‘I like this plate— 
 which is saying a La deal.’’ : 
 
 7 EGHAM LOCK. H. 15. Early proof of second state. 
 he signature is removed but the sky is not yet made 
 perfectly white. Signed artist’s proof. 
 
 aa A WATER MEADOW. H. 21. First state, on ribbed 
 paper. Gold frame. 
 
 72 TWICKENHAM CHURCH. H. 107. First state. Proof 
 hie on Japan paper. Gold frame 
 
 HANDS ETCHING. H. 94. Second state. The subject 
 of the plate now shaded. — 
 
 HAIG (AXEL HERMAN) 
 
 ie 74 GOSLAR. Signed artist’s proof. Title is written by the 
 
 ie) artist in pencil in the lower left corner. Wood and 
 = Gold frame. 
 
 | 75 BURGOS CATHEDRAL, THE EXTERIOR. Signed 
 
 i artist’s proof. Wood and Gold frame. 
 
 HELLEU (PAUL) 
 
 76 CRAYON DRAWING. Figure of a woman three-quarter 
 length, seen from the back. Folio. Signed. 
 
 77 MEDITATION. Original dry-point. Signed artist’s 
 proof. Imitation mahogany frame. 
 15 
 
78 
 
 Noe 
 
 80 
 
 81 
 
 82 
 
 83 
 
 84 
 
 85 
 
 86 
 
 es 
 Say 
 lai. 
 
 HERKOMER (HUBERT) 
 ALFRED LORD TENNYSON, 
 
 HOPFER a o 
 
 ler, and THE BETROTHAL, engraved by ai é 
 (5 pieces. ) wa. 
 
 HOLLAR (WENCELAS) 
 
 A VIEW OF MASBACH., Characteristic and beaut 
 little plate. “ 
 
 JACQUE (CHARLES) 
 
 THE COW TENDER. Original dry-point. Proof on © 
 Japan paper. Oak frame. : | 
 
 THE FARM WITH A BIG TREE. Proof on Hallaeda 
 paper. Black and Gilt frame. 
 
 A CORNER OF THE FARM YARD. One of the | 
 Jacque’s prettiest plates. Black frame. Fi 
 
 a 
 
 Pra 
 
 Ve i 
 
 JAZINSKI (FELIX) (eae 
 
 SPRING. After the painting by Boticelli, Remarque | 
 proof on vellum, signed by the etcher. ; a || 
 
 JEAURAT (E.) me. | 
 
 NICOLAS VLEUGHELS. After Antoine Pesne. En- ~ 
 eraved in 1725, Fine impression and in perfeet con- 
 dition. ; 
 
 JOHNSON (T.) 
 
 ABRAHAM LINCOLN. Remarque proof on vellum, | 
 signed by the etcher. | 
 16 
 
ie si fea artist’s proof on India paper. 
 ig poe in perfect condition. 
 
 a 
 
 LECTION OF LAFAYETTE PORTRAITS 
 
 AYETTE (MARQUIS DE). Mezzotint portrait en- 
 raved by Haid; oe by Duplessis- era es 
 
 > old engraving ; ; eiansved portrait by Endner. (5) 
 
 ci _ * This and the following lots of portraits of the Marquis de 
 ; Lafayette form a very remarkable and complete collection, in- 
 eluding many in proof and first state. 
 
 a, LAFAYETTE, Stipple engraving by T. Clarke of Phila- 
 oe __ delphia; aquatint printed in brown; unsigned; stipple 
 = = pel engraving by Kobell in both first and second states; 
 ind engraver’s proof (probably American) of a line por- 
 
 * " 
 
 : Aiea “trait; ete, (8) 
 
 i A 
 
 ! 90° ee cert Portraits engraved by Freeman, Fores- 
 i a tier, Varin, Endner, Lefebure, etc. (40) 
 
 { 
 1 LAFAYETTE. Portraits engraved by Duchemin, Ruck, 
 l 1 Massard, Fiesinger, Verité, ete. (40) 
 
 i“ 92 LAFAYETTE. Portraits engraved by Massard, Boudron, 
 z vie: es Girardet, Annin & Smith, ete. (40) 
 
 LITHOGRAPHS 
 
 az -BONHEUR (ROSA) 
 
 : 93 BERGERIE. Original lithograph on India paper. Full 
 ia margins. 
 
 a 7 
 
 i BONINGTON (R. P.) 
 
 94 EGLISE ST. SAUVEUR, CAEN. On India paper. One 
 of the artist’s most esteemed lithographs, 
 
 CALAME (A.) 
 
 95 THE UAKE: SUNSET Original lithograph on India 
 ie BRC, ete. Black frame. (7 pieces.) 
 
 - 17 
 
LION DEVOURING A HORSE, and 
 PIECES by various artists (Jacque, ‘Haz 
 Jones, Wickenden, etc.). Ci pieces.) 
 
 he 
 
 HUET (PAUL) 
 
 97 VUE DE CHATEAU GAILLARD and THREE “OTHER 
 PIECES. (4 pieces.) 
 
 RAFFET (AUGUSTE) 
 
 98 CATALANS. On India paper. Proof from the collec- —| 
 tion of P. Demidoff. Fivr PrEcEs, various, togeth T 
 with EicHT LirHograPHs by Horace Vernet, and Owe 
 by Charlet. (14 pieces.) 
 
 FOUR LITHOGRAPHS IN COLOR 
 
 99 DOGS, by Walther Klemm. BIRCHES, by Carl Thie- — 
 mann, THE COUNTRY ROAD, by Alois Hanisch. — 
 THE PALACE ON THE ROCK, by the same. Ings 
 the original wrapper. (4 pieces.) im 
 
 LALANNE (MAXIME) es E | 
 
 100 THE SEINE NEAR ARGENTEUIL. Black and Gold 
 frame. 
 
 101 FRIBOURG, SWITZERLAND. The plate reduced in 
 size. One of the artist’s most exquisite plates. To- 
 gether with ST. SEBASTIEN, engraved by Gaillard 
 from his painting in the Luxembourg, and LH |. 
 MEUNIER SON FILS ET L’ ANE, soft ground etch- 
 ing after Decamps. On India paper. (3 pieces.) 
 
 LE MIRE (NOEL) 
 
 102 GENERAL WASHINGTON. After the painting by 
 L. le Paon. Engraved from a fictitious picture, the 
 head alone after Peale. On a stretcher. 
 
 18 
 
el BOYD. After the painting by 
 . Fine original i impression. Black and Gold 
 
 MELLAN (CLAUDE) 
 
 MARY, ST. JOSEPH, ST. JAMES and ST. 
 a. Fine impression, slightly foxed with 
 
 ‘ MERYON (CHARLES) 
 i LA MORGUE: Delteil No. 36. 6th of 7 states. 
 
 ¥ * Very clearly printed impression with Meryon’s monogram 
 in the upper left corner. 
 
 MEISSONIER (J. L. E.) 
 
 India paper with full margins. Fine impression in 
 perfect condition of one of Meissonier’s finest plates. 
 
 MILLET (J. F.) 
 
 4 106 WOMAN HANGIN G OUT CLOTHES. Lebrun No. 2. 
 = Upon the same plate with A PEASANT RESTING 
 if a Lebrun No. 3, and A PEASANT SEATED, Lebrun 
 : No. z 
 
 He . *<<Ten impressions taken on old vergé paper.’’—Alfred 
 | a Lebrun. 
 
 MUELLER (JOHANN FRIEDRICH WILHELM) 
 
 _ 107 MADONNA DI SAN SISTO. After the painting by 
 # : Raphael, in the Dresden Gallery. 
 
 MORAN (THOMAS) 
 
 a 108 HARBOR OF VERA CRUZ. Remarque proof on vel- 
 hy lum, signed by the etcher. 
 19 
 
MORGHEN (RAPHAEL) ~ 
 
 109 THE TRANSFIGURATION. After the nies, by os 
 Raphael in the Vatican. Open letter proof. tu per-. @ 
 
 fect condition with full margins. 
 
 110 THE MADONNA OF THE CHAIR. Fine original —|} 
 impression. Black and Gold frame, I 
 
 NANTEUIL (ROBERT) 
 
 111 JEAN LORET. Robert. Dumesnil No. 150. Third 
 state, with the comma after the word ‘‘Loret’’ in the 
 first line of the verse beneath. Excellent and clearly 
 printed impression of this masterpiece of portrait 
 engraving, One of Nanteuil’s finest plates. 
 
 112 PIERRE DE CAMBOUT, CARDINAL DE COISLIN, 
 BISHOP OF ORLEANS. Robert Dumesnil Appen- 
 dix No. 3. The only state. Has been Ba in the 
 extreme lower left corner. 
 
 113 FREDERIC-MAURICE DE LA TOUR D’AU-- 
 VERGNE, DUC DE BOUILLON. Robert Dumesnil 
 No. 49. The elder brother of the great Turenne. Fine 
 impression of this superb portrait, one of the most 
 esteemed of Nanteuil’s plates. Full margins, shghtly 
 foxed, but otherwise in perfect condition. Rare of 
 such quality. 
 
 NAPOLEON I. 
 
 114 ETCHED PORTRAIT, by Gianol after Delaroche. 
 Remarque proof printed on satin, the remarques rep- 
 resenting scenes in Napoleon’s life. Folio, orna- 
 mental frame. 
 
 NEW YORK CITY 
 
 115 LANDING OF GEN, LAFAYETTE at Castle Garden, 
 New York, 16th August, 1824. Engraved by 8. 
 Maverick, after Imbert. 12mo. Inlaid to 4to size. 
 
 * A Rare New York view, showing the old battery connected 
 with the mainland by a bridge, the steamer ‘‘Livingston,’” 
 the old buildings on the Green, the tower, ete. 
 
 20 
 
C.F. W. MIELATZ 
 Contemporary American Etcher. © 
 NEW YORK VIEWS: ETCHINGS PRINTED IN COLOR 
 
 - ae  by*the Artist. S1GNED Proors issued in very 
 aba limited editions. 
 
 1 L154 BOWLING GREEN. Old buildings, Nos. 1 to 11 
 Broadway, and a corner of the park. Proof number 
 ee. MON, 
 
 115s NUMBER SEVEN STATE STREET. Proof number 
 22. 1908. 
 
 BALCONY IN PELL STREET. Chinese quarter. 
 Proof number 23. 1908. 
 
 THE DOOR. ST. BARTHOLOMEW’S. Madison 
 Avenue and 44th Street, showing bronze sculpture by 
 Saint Gaudens. Proof number 23, 1909. 
 
 | 115 COENTIES SLIP, showing wharf and _ shipping. 
 i” Proof number |23. 1909. 
 
 115F ST. JOHN’S CHURCH; VARICK SQUARE. Proof 
 - mumper co... L909. - 
 
 © 115¢ ERICSSON’S HOUSE; BEACH STREET. Proof 
 e number 27. 1908. 
 
 - 15x WASHINGTON SQUARE. Proof number 26. 1908. 
 
 -1151- GOVERNOR CLINTON’S HOUSE, foot of East 64th 
 Street. Proof number 23. 1908. 
 
 1153 TYSON’S BUTCHER SHOP, and the old. Willow 
 Tavern. Proof number 4. 1910. 
 
 Neel 
 ~y 
 
 NORDHEIM (JOHANN GEORG) 
 
 116 MADONNA DI SAN SISTO. Open letter proof on 
 India paper. 
 
 PASTEL 
 
 117 PASTEL PORTRAIT OF THE HON. MISS BING 
 HAM. Unsigned, but probably a contemporary por- 
 trait. A most interesting and beautiful example of 
 portrait work in this medium. Black and Gilt frame 
 (frame somewhat damaged). 
 
 21 
 
120 
 
 121 
 122 
 
 123 
 
 124 
 
 125 
 
 126 
 
 127 
 
 128 
 
 ¥ 
 Meri NOSIS Seat artist’s — eS 
 paper. (An early impression before the p. 
 cut at both sides.) Black frame. oe 
 
 THE TOWER OF IRON. Original pen evs pa draw- 
 ing, One of the series of illustrations for the Alham- J 
 bra. Black frame. i 
 
 ZAANDAM NO. 3. Original lithoeeeene 
 
 THE GREAT GATE, LINCOLN’S INN. Signed proot 
 etching. Plate destroyed, Oak frame. ; a 
 
 PETERSON (H. L.) 
 
 MADONNA OF THE CHAIR. After Raphael. Re- — 
 marque proof before all letters. 
 
 PHOTOGRAPHS 
 
 A MOUNTAIN PASS; Path through Deep Woods; 
 Whitby Harbor by Moonlight; Giant Iceberg at Sea. . 
 Folio. Framed. (4 pieces.) 
 
 FIRST LAW SCHOOL IN.\AMERICA. Litchfield, 4 
 Conn., founded by Judge Tappan Reeve in 1784. 
 Photograph taken in 1900. MORLAND’S ASS, ~— 
 print in colors, by Jenkins after Morland. Small 4to, 
 framed. (2 pieces.) oe | 
 
 BENGAL TIGER RESTING.  Life-size “photograph 
 (by Bolton). Large folio, oak frame. 
 
 THE SWITCHBACK on Pistishi; Ideal Head of a Girl; 
 Moonlight on the Beach (in colors) ; Statue of Grant; 
 Pharaoh; Madonna and Child (Del Sarto) ; 2 Photo- 
 graphs of Yachts; Meadow Landscape; Gerome’s 
 Lion by the Sea; with a lithograph of Washington’s 
 Carriage, and a facsimile of an old English stipple en- 
 graving in a brocade frame. Small folio and smaller. 
 (12 pieces. ) 
 
 CUPID AND PSYCHE. After Bates. Three panels 
 in one frame. Hollyer platinotype photograph. Gray 
 Architectural frame. 
 
 22 
 
—Bs has PORTRAITS: 
 
 ty IBERG, of Mentz. Engraved by R. Gay- 
 
 — From the Holden collection. Together with 
 ‘PORTRAIT OF SAMUEL P. AVERY, etched by 
 Leopold Flameng, and EIGHTEEN OTHER PORTRAITS, 
 various. (20 pigecs: 
 
 | RISSE (L.) 
 CI ES. Signed artist’s proof. 
 ae A A LONELY ROAD—SUNSET. Printed in color, and 
 ve FOUR OTHER PIECES, various. All signed artist’ s 
 op re 2 a 3 on one sheet. (5 pieces.) 
 
 ROUSSEAU (THEODORE—Attributed) 
 
 5 32 THE PARK nee Pencil drawing signed TH. R. A 
 “tg = fine example. 
 
 _ 
 
 SLOCOMBE (EDWARD) 
 
 133 CATHEDRAL AT RHEIMS. Remarque proof on 
 Japan paper, signed by the etcher. 
 
 PIRANESI (GIOVANNI BATTISTA) 
 
 ARCH OF TITUS. Fine original impression before the 
 number. Black frame. 
 
 a SCHMIDT (GEORG FRIEDRICH) 
 1 
 
 135 THE PRESENTATION OF THE VIRGIN IN THE 
 [> * TEMPLE. lIine-engraving after the painting by 
 Pietro Testa, together with L’AIR, line-engraving by 
 5 Dupris (1718) after the painting by Louis de Boul- 
 4 longle, and UN BON PRINCE EST LE SALUT DU 
 i; ; PEUPLE, line-engraving by Dupris after the paint- 
 ing by Coypel. (3 pieces. ) 
 
 — SPORTING PRINT 
 
 136 THE EXETER ROAD: THE WHITE HART AT 
 HOOK. Color print by C. Laidin. Folio, framed. 
 
 23 
 
137 
 
 138 
 
 139 
 
 140 
 
 141 
 
 142 
 
 143 
 
 144 
 
 STRANG (WILLIAM) 
 
 THE PRODIGAL SON. Original etching, together — 
 with STILL LIFE, etched by Jacquemart, after — 
 Cuyp, and A JAPANESE PLATE, etched by Jacque- 
 mart, from the Lalanne collection, and the INTE- 
 RIOR OF THE STUDIO, original etalon by Sir 
 George Reed. (4 pieces.) 
 
 TISSOT (JAMES J.) 
 
 MAVOURNEEN. Signed artist’s proof, also bearing 
 red stamp of the artist. ‘‘Morceau Sa do 
 l’ceuvre.’’—Beraldi. Gold. frame. 
 
 OCTOBER. Signed artist’s proof, also bearing red 
 stamp of the artist. This magnificent plate disputes 
 with ‘‘Mavourneen’’ the honor of being Tissot’s 
 finest work. 
 
 TURNER (J. M. W.) 
 
 AESACUS AND HESPERIE. Drawn, etched and 
 mezzotinted by J. M. W. Turner. From the Turner 
 collection. Gold frame. 
 
 VAN DYCK (ANTHONY) 
 
 GUILLAME DE VOS. Wiberal No. 15. The head 
 etched by Van Dyck himself, and the plate finished 
 by Bolswert. Fine impression. Antique gold frame. 
 
 VAN MUYDEN (EVERT) 
 
 LION ON A ROCK. Signed artist’s proof. One of Van 
 Muyden’s best wild animal plates. Gold frame. 
 
 WARD (WILLIAM) 
 
 THE FRUITS OF INDUSTRY AND CGCONOMY. 
 After the painting by George Morland, This fine 
 mezzotint, published in 1794, is a companion of the 
 following: 
 
 THE EFFECTS OF EXTRAVAGANCE AND IDLE- 
 NESS. After the painting by George Morland. 
 (2 lots.) 
 
 24 
 
_ WATSON (CHARLES J.) 
 
 aw) 
 
 CH 
 > CH EYNE WALK, CHELSEA, 1889. Signed artist’s 
 
 vi proof, This plate i is rare. 
 
 ie YORK MINSTER, Signed artist’s proof. One of 
 é Pee s most characteristic and beautiful plates. 
 
 WEBSTER (HERMAN A.) 
 
 “a ay STREBT IN A FRENCH CITY. Signed proof etching, 
 a Black frame. 
 
 WHISTLER (JAMES A. McNEILL) 
 
 / 148 MILLBANK. Wedmore No. 67. The Thames at Mill- 
 ‘ey bank at Low tide. One of the “‘Sixteen Etchings.’’ 
 ! Fine impression, Gold frame. 
 
 im 149 FULHAM. Wedmore No. 148. With the butterfly low 
 a to the right. Fine original impression, Guilt frame. 
 
 | 150 BECQURT. Wedmore No. 48. Warmly and not too 
 heavily printed. Gilt frame. 
 
 | 151 STREET AT SAVERNE. Wedmore No. 11. Fine 
 - impression on Japanese paper. Gold frame. 
 
 152 BIBI VALENTIN. Wedmore No. 28. Unusually fine 
 impression on thin Japan paper. Gold frame. 
 
 153 THAMES POLICE. Wedmore No. 42. Brilliant im- 
 pression on toned Japan paper. One of the Thames 
 set. Gold frame. 
 
 154 THE FORGE. Wedmore No. 63. Proof on Japan 
 paper. One of the Thames set. Gold frame. 
 
 155 TINY POOL. Wedmore No. 73. Proof on ribbed paper. 
 Gold frame. 
 
 156 OLD HUNGERFORD BRIDGE. Wedmore No. 80. 
 Fine and clearly printed impression. One of the 
 Thames set. Gold frame. 
 
 157 FLORENCE LEYLAND. Wedmore No. 96. Proof on 
 ribbed paper. Gold frame. 
 25 
 
 aie ad 
 
ADAM AND EVE TAVERN, OLD 
 
 more No. 144. Brilliant impre 
 paper. Gold frame. | ne 
 
 159 LOBSTER POTS. Wedmore No, 174. 
 proof before the margins were trim 
 cepting the small tag which was to be 
 signature. One of the twenty-six etchings 
 
 thirty sets only were issued. Gold frame. 
 
 (160 THE LONG GALLERY, LOUVRE. Way No. 52, 
 
 161 THE SMITH’S YARD. “Way No. 88. Clearly printed 
 impression. 
 
 WOOLLETT (WILLIAM) Ea 
 
 162 THE BATTLE OF LA HOGUEH, After bag paint 
 by Benjamin West. 
 
 WOOD ENGRAVINGS 
 
 KINGSLEY (ELBRIDGE) is 
 
 One of the most eminent of the American School of wood ee a | 
 163 NEW ENGLAND ELMS. First state, on rice paper. 4 
 Rare. ce | 
 
 164 LANDSCAPE WITH A HAYSTACK: _MOONRISE. ora : 
 After the painting by D. W. Tryon. Proof on rice 3 
 
 paper. 
 
 165 APPLE BLOSSOMS. After the painting by D. Wass 
 Tryon. Proof on rice paper. 
 
 26 
 
L171 
 
 SECOND SESSION 
 
 Thursday Afternoon, May 16, at 2:30 o’clock 
 
 ated 
 
 66 OVAL SHAVING MIRROR. Adjustable wall bracket. 
 
 SMALL BRONZE LAMP WITH FAVRILE GLASS 
 SHADE. Fitted for electricity. 
 FOLDING CARD TABLE OF OAK. 
 
 PAIR OF BRONZE BOOK RACKS. Pierced in an 
 arabesque design. 
 
 SET OF FOLDING STEPS, ae four carpeted 
 
 treads. Height, 42 inches. 
 
 BRASS GOOSENECK READING LIGHT WITH 
 REFLECTOR, fitted for electricity. 
 
 BRONZE READING LAMP WITH FLUTED GREEN 
 GLASS SHADE, fitted for electricity. 
 
 BRONZE JEWEL BOX. Gothic relief decoration; 
 
 fitted with key. 
 
 MINIATURE CARVED WOOD TOTEM POLE. 
 
 INDIAN BASKET WORK, consisting of three baskets 
 in graduated sizes, and three small round covered 
 baskets. (9 pieces.) 
 
 BRASS BOWL of Hast Indian workmanship; incised 
 decoration. 
 
 SOAPSTONE OIG VESSEL WITH SERPENT 
 HANDLE (repaired). 
 
 TORTOISE-SHELL PAPER CUTTER, with sterling 
 silver handle in repoussé decoration. 
 
 BRASS PHOTOGRAPH FRAME, with picture on 
 ivory, signed Sabatier. 
 
 DECORATED BURNT WOOD OVAL TRAY AND 
 PAPER HOLDER. 
 
 STANDING FAHRENHEIT THERMOMETER. 
 
 DESK SHEARS OF BRASS in a seabbard. (Tip of 
 shears broken.) 
 
 WHITE ONYX PAPER WEIGHT. 
 
 SOUVENIR PEN TRAY OF PORCELAIN. 
 
 MINIATURE TOTEM OF SOAPSTONE. 
 
 27 
 
172 
 
 173 
 
 174 
 
 175 
 
 176 
 
 ay 
 phy - " As 
 
 cae 
 
 BRONZE PAPER WEIGHT—_TWO COILED 1 Te) 
 ARDS. i Py As ny 
 
 BRONZE ORNAMENT—CUPID DRIVING A TOR- 
 TOISE. ay 
 
 AUTOMATIC PENCIL SHARPENER. a i 
 
 DESK GALENDAR OF BLACK LEATHER. 
 
 HANDY DESK BOX OF PEWTER. 
 
 BRASS INKSTAND AND LETTER RACK COM. | 
 BINED. | 
 
 CIRCULAR EASEL MIRROR. Bevel glass in a carved 
 wood frame. (Frame chipped.) 
 
 PEWTER BOWL WITH COVER. Decorated with 
 silver inlay in a floral pattern. Diameter, 644 | 
 inches. | 
 
 BRONZE LETTER RACK. 
 
 BEAR AND CACTUS INKSTAND OF METAL. 
 
 BRONZE WASTE BASKET resting on three sere | 
 feet. (Damaged.) | 
 
 BRONZE PAPER CLIP—SHAPED AS A FOWL’S 4] 
 HEAD. 
 
 BRONZE ELECTRIC DESK BELL—SHAPED AS A §} 
 BLACK COCK. 
 
 BRONZE LETTER OPENER.- | 
 BRONZE PAPER WEIGHT—WINGED LION OF : 
 ST. MARK. 
 
 CANDLESTICK OF BRONZE AND FAVRILE 
 GLASS in a leaf and flower design. Height, 1144 — 
 inches. 
 
 MECHANICAL CIGARETTE BOX OF MAHOG- | 
 ANY. 
 
 MINIATURE ITALIAN WEDDING COFFER. 
 
 CARVED. WOOD BOOK RACK. (One support. 
 cracked. ) 
 
 TWO AGATE SPECIMENS, ONE ENGRAVED. 
 
 LETTER OPENER AND SHEARS, with gilt handles ; 
 in a leather seabbard. 
 
 MAGNIFYING GLASS. (Chipped.) 
 LETTER SAND BOX OF BOXWOOD. 
 28 
 
179 
 
 | 180 
 
 185 
 
 bal as WOOD CARVING. An oval tray in the 
 
 _ ASH TRAY OF COPPER AND BRASS. Ornamented 
 
 form of an alligator; with ivory and pearl inlays. 
 
 with a reclining female figure. 
 
 MINIATURE CHAFING DISH OF COPPER, COM- 
 PLETE WITH LAMP. 
 
 ANTIQUE OAK TABOURETTE, CARVED IN RE- 
 LIEF. 
 
 ASH TRAY OF GLASS WITH SILVER RIM. 
 BRASS PIN TRAY. 
 SHELL PAPER CUTTER. 
 
 TABLE MAT OF PERSIAN EMBROIDERY (worn). 
 Size, 18 x 16 inches. 
 
 USHABTI, or Servant of the Deceased. Small figure 
 from the tomb of Sakkarah of Psametik. 520 B. C. 
 Guaranteed genuine with seal by R. H. Blanchard, 
 Cairo, Egypt. Length, 4 inches. 
 
 LARGE BLUE AND WHITE VASE AND THAK- 
 WOOD STAND. Hawthorne Blossoms in ascend- 
 ing and descending branches on a blue ground. 
 Height, 16 inches. 
 
 BLUE AND WHITE PILGRIM BOTTLE VASH. 
 Decoration of Dragons and conventional chrysanthe- 
 mums on giant crackle ground. Height, 10 inches. 
 
 BRONZE DESK SET OF SEVEN PIECES.  Consist- 
 ing of a letter case, pen tray, clip, file, two covered 
 boxes and blotter, in bronze with relief decoration 
 of signs of the zodiac: From the Tiffany Studios. 
 
 BRONZE FIGURE OF AN ELEPHANT. (One tusk 
 broken.) Height, 414 inches. 
 
 PORCELAIN FLOWER VASE. _ Peacock feather 
 decoration. 
 
 TWO BOOK RACKS. One of brocade, the other em- 
 broidered. 
 
 WASTE BASKET. Of velour and gilt brocade. 
 (4 pieces.) 
 
 NARROW PANEL MIRROR. In a gilt frame with 
 decorative Romney print set in the top. Height, 
 20 inches. 
 
 29 
 
186 
 
 187 
 
 188 
 
 189 
 
 190 
 
 191 
 
 192 
 
 SIX METAL ASH RECEIVERS. 
 JAPANNED CRUMB TRAY. 
 
 PAIR OF MARINE GLASSES. In a Teather ease 
 LeMaire, Paris, maker. ee ae 
 
 BRASS YACHT CLOCK. With gong that chimes the 
 watches. Seth Thomas, maker. 
 
 BRONZE PAPER HOLDER, with silver Rite in ae 
 strap pattern. 
 
 GREEN WICKER WASTE BASKET. 
 THREE METAL ASH RECEIVERS. 
 
 PAIR OF MARINE GLASSES. Ovington Bros, | 
 makers. (In a worn leather case.) a 
 
 PAIR OF THERMOS BOTTLES. In a leather case. 
 CLOISONNE BOTTLE HOLDER. 
 
 TALL METLACH STEIN WITH FIGURE DECO- | 
 RATION. 
 
 GERMAN STEIN WITH METAL COVER AND 4} 
 BASE. 
 
 TWO SINGLE PORTIERES. One blue, the other red. #| 
 
 DOWN SOFA PILLOW. Blue velvet with medallion 7 
 of Chinese embroidery. 
 
 HOT-WATER KETTLE WITH SPIRIT LAMP. 
 
 GREEN GLAZED TEAPOT WITH WICKER 
 HANDLE. 
 
 BRASS BOWL with relief decoration. 
 THREE ALASKAN BRACELETS. 
 PAIR OF FIELD GLASSES mounted in aluminum. 
 
 SILVER CUP decorated in repoussé in a flower and 
 leaf pattern. 
 
 SILVER-PLATED COCKTAIL SHAKBR AND CUP. 
 SILVER VASE with emblem in relief. 
 
 WOOD TRAY with glass bottom covering an embroid- 
 ery representing a gamecock on a holly branch. 
 
 OBLONG SILVER-PLATED TRAY with beaded edge. 
 
 COVERED TOBACCO JAR OF POTTERY shaped 
 as a melon with figure of a negro boy seated. 
 
 FLASK covered with Indian woven work. 
 30 
 
: Ae es children. 
 8 | PEWTER ALE MUG marked Simpson’s, Cornhill. 
 ROUND SILVER-PLATED MIRROR TRAY with two 
 handles. Diameter, 11 inches. 
 
 ROOKWOOD PITCHER-JUG. Indian corn decora- 
 Reo we tior. 
 
 4 BRIDGE OUTFIT. In a red leather case with gilt 
 ‘- mountings. Cross, maker. 
 SILVER SOAP BOX decorated in repoussé in a flower 
 . ; and leaf pattern. _ 
 THREE BOTTLES WITH SILVER TOPS in a travel- 
 ling ease of brown leather. 
 SILVER OVAL PHOTOGRAPH FRAME. 
 
 195 COCKTAIL SET consisting of mahogany tray, glass 
 lined, with horn handles; eight metal supports for 
 as many glasses; silver shaker and cup. 
 
 TWO TRAVELLING WALLETS AND A CIGAR 
 CASE. ‘The cigar case and one wallet of tan leather, 
 the other of black leather. 
 
 CUT GLASS CIGAR BOX with gilt mountings and 
 gilt decoration on the hinged cover. 
 
 _ THERMOMETER IN THE FORM OF A LARGE 
 BRASS KEY. 
 
 4 
 Je) 
 lop) 
 
 197 WOOD AND LEATHER JEWEL BOX silk-lined. 
 | 
 
 PAIR OF FIELD GLASSES in a travelling case of 
 tan leather. Carl Hess, Jena, maker. 
 
 HAT BRUSH in a travelling case of red morocco. 
 
 i SILVER POCKET CARD CASH, chased in a scroll 
 pattern. 
 
 198 SILVER PEPPER GRINDER. Tiffany & Co., makers. 
 SILVER PAPER FILE. 
 SILVER WINE FUNNEL. 
 
 CARVED IVORY MINIATURE ' PHOTOGRAPH 
 FRAME. Oval (cracked). 
 IMITATION TORTOISE-SHELL FAN in the form of 
 a windwill. 
 31 
 
199 
 
 200 
 
 201 
 
 202 
 
 203 
 
 204 
 
 205 
 
 METAL LETTER OPENER. = 
 MINIATURE CHINESE SILVER FIGURE with ca 
 
 MINIATURE METAL FIGURE OF THE MADONNA ' 
 AND CHILD. 
 
 IVORY CRIBBAGE MARKER in the form of a seat 
 
 SILVER-PLATED DRINKING CUP (slightly bat-— 
 tered). 
 
 SMALL STEEL DAGGER WITH BRASS HILT AND 
 SHEATH. 
 
 BRASS BOX WITH HINGED COVER. 
 
 LEATHER MUG WITH HANDLE. 
 
 CUT GLASS POCKET FLASK with silver cup cover ; 
 in a tan leather case. 
 
 SILVER TWINE BALL HOLDER. Black, Starr & 
 Frost, makers. 
 SILVER PHOTOGRAPH FRAME. Oval; ceed : 
 (No glass. ) 
 
 SILVER POCKET FLASK chased in a shell and leaf 
 pattern. 
 
 SIX APOSTLE SPOONS. 
 ONE PICKLE FORK. 
 
 SILVER PHOTOGRAPH FRAME. Square. Marcus — 
 & Co., makers. | 
 
 CHIROPODIST SET with ivory handles; in a black 
 morocco case. 
 
 TRAVELLING CLOCK. Repeater; in a green mo- 
 rocco case. 
 
 PAIR OF OPERA GLASSES in a black leather case. 
 Callaghan, London, maker. 
 
 SILVER PHOTOGRAPH FRAME. Oblong. Marcus 
 & Co., makers. 
 
 SILVER BOTTLE OPENER. 
 
 LARGE CUT-GLASS BOTTLE with cut glass and 
 silver top fitted with silver padlock and key. 
 
 CUT-GLASS DECANTER with gilt decoration in a 
 vine and scroll pattern. 
 
 SILVER PHOTOGRAPH FRAME. Tiffany & Co., 
 makers. 
 LARGE SILVER PHOTOGRAPH FRAME. Marcus 
 & Co., makers. 
 82 
 
206 CUT -GLASS FLOWER VASE resting in a sterling 
 bok silver base pierced in a geometrical pattern. 
 
 ‘CUT: GLASS PERFUME BOTTLE. Etched decora- 
 & tion ; ornamental silver i Marked going 
 ee : > Silver, France.’ 
 
 207° LARGE METAL PHOTOGRAPH FRAME. Oval; 
 a decorated in a repoussé pattern of fruits and flow- 
 ers. 
 
 ___-' TWIN PHOTOGRAPH HOLDER of Silver decorated 
 in repoussé in a rococo pattern. 
 
 TALL PERFUME BOTTLE with green glass ribs. 
 (Top chipped.) 
 
 TWELVE ROSE LEAF SPOONS. - 
 - CUT GLASS BITTERS BOTTLE. 
 COPPER COFFEE PERCOLATOR. 
 | _ WASTE BASKET COVERED IN TAPESTRY AND 
 ps __ VELVET. 
 | 209 TWELVE CUT-GLASS WHISKEY GLASSES. 
 . SIXTEEN COCKTAIL GLASSES (assorted). 
 ; SEVEN ETCHED WATER GLASSES. 
 pa TEN LIQUEUR GLASSES (assorted). 
 TWO VICHY GLASSES. (47 pieces.) 
 
 | 210 TWELVE NUT PICKS. 
 TWELVE AFTER DINNER COFFEE SPOONS. 
 i SIX DECANTER MARKERS. Two of sterling silver. 
 
 a. 
 
 211 CUT-GLASS COLOGNE BOTTLE, etched; with silver 
 mountings. 
 
 METAL CIGARETTE BOX, chased in a pictorial de- 
 sign representing Shakespeare at the Court of Eliza- 
 beth, England. 
 
 HOLOSTERIC BAROMETER, with thermometers 
 according to Fahrenheit and Centigrade; brass 
 mounting; in a morocco plush lined case. Gall & 
 Lembke, makers. 
 
 © 212 SILVER TROPHY CUP WITH THREE HANDLES. 
 Height, 10 inches. 
 
 | 2138 PAIR OF CUT-GLASS BOTTLES WITH SILVER 
 1 TOPS. 
 a 33 
 
 7 r 
 15, RR oc: Ys eee 
 
214 
 
 215 
 
 216 
 
 217 
 
 218 
 
 219 
 
 220 
 
 221 
 
 222 
 
 223 
 
 224 
 
 226 
 
 227 
 
 FROG AND TOAD OF BRONZE. ° 
 COILED RATTLESNAKE OF BRONZE. 
 
 WROUGHT IRON PAPER WEIGHT, in the form of ‘ 
 ' a grotesque dog. (4 pieces.) : 
 
 BRONZE INDIAN HUNTER. By C. Kavsa. Signed. | 
 Height, 914 inches. 
 
 BRONZE FIGURE OF AN AFRICAN DONKEY. By . 
 Cain. Signed. Height, 534 inches. 
 
 BRONZE HEAD OF BLIND HOMER. Life size; 
 resting on a marble base. Height, 19 inches. 
 
 ELECTROLIER: BRONZE FIGURE OF A KNEEL- 
 ING FAUN holding two lghts fitted with red silk 
 shades. On a circular base of green marble. 
 Height, 21 inches. 
 
 BRONZE FIGURE OF A FISHERMAN, SEATED. 
 Height, 21 inches. 
 
 BRONZE FIGURE OF A BUFFALO standing on a 
 base of red stone. By C. Kaupa. Signed. Height, 
 20 inches. 
 
 BRONZE SEATED MERCURY, after the antique. 
 Height, 20 inches. 
 
 BRONZE WINGED VICTORY on a marble base. 
 Height, 36 inches. 
 
 THREE-LIGHT ELECTROLIER WITH SILK 
 SHADE. Bronze Neptune on the back of an ala- 
 baster turtle holding up a dolphin. 
 
 CEILING CHANDELIER formed as a shower of flow- 
 er lights; twelve Favrile glass shades resting in silk 
 stems. 
 
 THREE SINGLE LIGHT WALL BRACKETS OF 
 BRONZE with Favrile glass shades; fitted for elec- 
 tricity. 
 
 TWO PAIRS OF GREEN SILK VELOUR WINDOW 
 
 HANGINGS lined and padded; edged with tassel 
 fringe; silk cord and tassel. 
 
 ONE PAIR OF GREEN SILK VELOUR PORTIERES 
 lined with red; the edges finished with green guipure. 
 
 34 
 
228 LONG BLUE SILK VELVET BUREAU SCARF em- 
 -__ broidered with gold. Lined. 
 
 SQUARE OF SILK TAPESTRY FOR TABLE 
 COVER. 
 
 “TWO DOWN SOFA PILLOWS. One covered with 
 _ tan silk, embroidered in a floral design, the other 
 with silk brocade with corded edge. 
 
 LARGE ROYAL COPENHAGEN VASE with decora- 
 tion of fish and water lilies. Height, 15 inches. 
 
 ELECTRIC READING LAMP. The bowl of green 
 
 overlaid with a network of bronze, rests on three 
 . large bronze crabs; the leaded green glass shade 
 a decorated in a design of daffodils. Fitted with three 
 ‘e lights. Height, 24 inches. 
 
 | 232 MANTLE CLOCK of wood, with pierced brass panels 
 
 a and four brass pineapple finials; the brass dial 
 marked for hours and minutes; hour strike. In run- 
 ning order. Francis Perigal, maker. Height, 19 
 inches; width, 1034 inches. 
 
 | 233 LANTERN CLOCK OF BRASS, with brass dial and 
 i gong; resting on four brass feet. Philip Carter, 
 : maker. Height, 1414 inches. 
 
 _ 234 TWO DOWN SOFA PILLOWS. One covered with 
 = green silk velvet, the other with green cut velvet. 
 
 235 THREE DOWN SOFA PILLOWS with tapestry and 
 ie - silk brocade covers. 
 
 » 236 SMALL DROP-LEAF TABLE OF OAK. 
 
 237 ANTIQUE OAK HALL MIRROR. Carved frame 
 with brass hooks. 
 
 238 DEER HEAD, MOUNTED. 
 
 939 TWO PAIRS OF BLUE WINDOW HANGINGS 
 edged with tassel fringe; silk cord and tassels. 
 
 THREE LAMBREQUINS to match the foregoing. 
 
 {| 240 PHILIPPINE BOLO. Engraved blade and twisted 
 cord handle. Wooden scabbard. 
 
 941 JAPANESE SHORT SWORD. Engraved blade. 
 Brass and enamel mounts. Leather sheath. 
 
 35 
 
242 
 
 243 
 
 244 
 
 245 
 246 
 
 247 
 
 248 
 
 249 
 
 299 
 256 
 
 PERSIAN DAGGER. Blade engraved on either side 
 
 sheath. 
 
 HUNTING SWORD. Blade anennae with Latin in- f[ 
 scription and wild animals. Brass mounts. Leather — 
 
 sheath. 
 
 TWO PAIRS BROWN VELVET WINDOW HANG- | 
 
 INGS. 
 TWO VELVET PORTIERES to match the foregoing. 
 
 + 
 with figure of ‘‘Pandur.’’ Brass mounts. beaten i 
 
 s 
 
 4 
 
 BRASS FOLDING FIRE SCREEN. Fan-shaped with 
 
 pierced leaves. 
 
 VICTOR TALKING MACHINE with two horns; 
 ninety records in two black leather cases. s, 
 
 PAIR OF BRASS ANDIRONS. Ball and baluster | 
 
 pattern. 
 
 CIRCULAR AUTOMOBILE LUNCH BOX containing 
 a complete service for six persons; plates, knives and 
 forks, four thermos bottles, enameled boxes, etc.; 
 the box cover fitted as a table. Never used. Di- 
 ameter, 25 inches. 
 
 RUGS 
 
 ANTIQUE HAMIDAN MAT. Soft cream color 
 sround; rose medallion. Size, 2.10 x 3.9 feet. 
 
 BALOOCHISTAN RUG. Dark red ground; conven- 
 tional design. Size, 3.4 x 6.6 feet. 
 
 SEREBEND RUG. Rose ground; cream border; small 
 palms. Size, 3.9 x 5.2 feet. 
 
 HATCHLI BOKHARA. Sometimes called Christian 
 
 Bokhara from the cross design. Excellent color and ~ 
 
 quality. Size, 3.11 x 5 feet. 
 
 HATCHLI BOKHARA. Sometimes ealled Christian 
 Bokhara from the cross design. Excellent color and 
 quality. Size, 4.3 x 5.5 feet. 
 
 LARGE PERSIAN HALL RUG. Size, 7.6 x 15.9 feet. 
 
 FINE QUALITY KERMANSHAH CARPET. Red 
 ground all over design in large and small palm 
 leaves. Cartouches with vista of gardens and dwell- 
 ings. Very unusual design. - Size, 8.9 x 12.10 feet. 
 
 36 
 
257 
 
 _— 
 “y 
 
 Sag le i. roe 
 
 SSiout 40 yards. 
 Blue, about 20 yards. 
 
 | am: Red, about 10 yards. 
 MODERN CHINESE WOOL RUG. Light blue ground 
 
 with floral pattern in green, dark blue, rose and 
 white. Size, 8.6 x 3.4. 
 * Property of Mr. A. W. Bash. 
 
 MODERN CHINESE RUNNER. Hall runner or stair 
 
 earpet of mahogany color with border of golden 
 brown. Size, 3.2 x 13. 
 * Property of Mr. A. W. Bash. 
 
 MODERN CHINESE RUG. Dull red ground with 
 peony blossoms and butterflies; border of gold and 
 blue. Size, 9 x 4. 
 
 * Property of Mr. A. W. Bash. 
 
 MODERN CHINESE WOOL RUG. With silky pile, 
 the field of deep gold, with figures in blue, red and 
 ivory; Foo Yung design with-symbols of the eight 
 precious things in the border. Size, 3.1 x 6. 
 
 * Property of Mr. A. W. Bash. 
 
 MODERN CHINESE WOOL CURIO RUG. Thick 
 ' pile, closely woven ground of golden brown, covered 
 with patterns of pottery vases, incense burners and 
 sacred emblems and having two small dragons in the 
 eenter fighting for the sun. Size, 9.4 x 11.9. 
 * Property of Mr. A. W. Bash. 
 
 MODERN CHINESH WOOL RUG. Large dining room 
 rug of pavement design in three shades of blue with 
 border of swastika pattern in dark blue. Size, 
 D2 x 13.3. 
 
 * Property of Mr. A. W. Bash. 
 
 MODERN CHINESE WOOL RUG. Thick pile, rose 
 ground closely woven, with hght green scrolls 
 throughout; center symbol of happiness in dark 
 blue. Outside border of dark blue, inner of swastika 
 pattern in light green. Size, 9.2 x 12. 
 
 * Property of Mr. A. W. Bash. 
 
 MODERN CHINESE WOOL RUG. Plain Turquoise 
 
 blue center with sun sprays in soft shades of light 
 
 brown and blue border. Thick pile. Size, 10.3 x 12, 
 * Property of Mr. A. W. Bash. 
 
 37 
 
268 
 
 269 
 
 270 
 
 271 
 
 272 
 
 2724 MODERN CHINESE WOOL RUG. Thick, silky 
 
 MODERN CHINESE WOOL RUG. Thick airy, of ¢ dark om | 
 blue ground with two large five-clawed _ drago 5 
 fighting in the clouds above the sea. Shaded wi 
 light green, having border of swastika pate ae 
 Size, 10 x 12.2. ~~} 
 
 * Property of Mr. A. W. Bash. 
 
 MODERN CHINESE SILK RUG. Golden brown field 
 strewn with butterflies and flowers in blue, light | 
 green and other colors. In the center the Chinese 
 zodiac with a blue dragon encircling the sun and in ~ 
 the corners the sacred white elephant. Triple border 
 showing swastika pattern, peony scroll and ivory | 
 buttons. Size, 9.1 x 12. | 
 
 * Property of Mr. A. W. Bash, ae 
 
 MODERN CHINESE WOOL RUG. The ground of 
 rich copper red, with closely woven pile of splendid 
 quality, strewn ‘with passion flowers, clematis, butter- 
 flies and vases, after Ming patterns in blues and 
 ivory. Size, 5.2 x 8.5, 
 
 * Property of Mr. A. W. Bash. 
 
 MODERN CHINESE WOOL RUG. Ground of golden 
 brown with five medallions, each with a different 
 motif; the center peony scroll and flowers; the bor- 
 ders of ancient pottery with flowers, fruits and but- 
 terflies and the palm of Buddha; Phoenix heads 
 guard the corners. Size, 5.9 x 9.7. 
 
 * Property of Mr. A. W. Bash. 
 
 MODERN CHINESE WOOL RUG. The blue field 
 strewn with flowers, butterflies, pomegranates, sprays 
 of peaches, and the Buddha hand, with medallion of 
 flowers encircling musical stone suspended by a bat. 
 Borders of peony scrolls, palmettes and ivory but- 
 tons. Size, 6.3 x 12.3. 
 
 * Property of Mr. A. W. Bash. 
 
 pile; golden brown ground with five medallions, each 
 of different pattern; Phoenix heads guard the cor- ~ 
 ners; blue border with scroll pattern, ancient pot-° — 
 tery, flowers, fruits, butterflies and hand of Buddha. 
 Size,.59) xi Dare 
 * Property of Mr. A. W. Bash. 
 38 
 
: oa hee of iden brown brocaded with flowers, peacock 
 feathers; medallion of peony flowers supporting the 
 
 palm of ‘Buddha; corners guarded by Phenix heads 
 and passion flowers ; there are four borders, one of 
 peony scrolls, one of swastika pattern with forty- 
 four disks (emblems of riches), others of plain blue. 
 Size, 6.4 x 12.6. 
 
 * Property of Mr. A. W. Bash. 
 
 i 274 MODERN CHINESE SILK RUG. The field is of 
 golden brown with Chinese lattice work in th. cor- 
 as ners, character of longevity in center, with leaf 
 scrolls in green and lilies, magnolias and peonies ; in 
 1 one corner is a representation of the sun. The bor- 
 ’ der shows musical instruments set in fretwork, liz- 
 Pee) ards and characters of the eight precious things. 
 | Size, 6.2 x 10. 
 * Property of Mr. A. W. Bash. 
 
 275 MODERN CHINESE WOOL RUG. The dark blue 
 ground with sprays of flowers, butterflies, fruits in 
 blue, sea green and ivory, with medallion in center 
 showing a musical stone suspended by a bat. Border 
 of white peony scroll and ivory buttons. Size, 
 6.2 x: 12.3. 
 
 * Property of Mr. A. W. Bash. 
 
 276 MODERN CHINESE SILK RUG. Dark brown of 
 Ming pattern. In the center is a tree supporting 
 two white doves; Phcenix heads guard the corners, 
 with floral firures and butterflies between. The outer 
 border shows a swastika pattern, the inner peony 
 scrolls with symbols of the eight precious things. 
 Size, 6 x 11. 
 
 * Property of Mr. A. W. Bash. 
 
 277 MODERN CHINESE WOOL RUG. The salmon pink 
 ground strewn with butterflies, flowers and pome- 
 eranates; the corners are ouarded by Pheenix heads; 
 the center medalion shows a musical stone surrounded 
 by a peony scroll with the palm of Buddha. Bor- 
 ders of peony and swastika patterns and plain deep 
 blue. Size, 6.8 x 12. 
 
 * Property of Mr. A. W. Bash. 
 39 
 
278 
 
 279 
 
 280 
 281 
 
 282 
 
 283 
 
 284 
 
 285 
 
 286 
 
 287 
 
 MODERN CHINESE SILK RUG. Copy of a melee 
 picture called the Sea Market and Pearl Buildings 
 of the Sea God, by a painter of the Ming Dynasty. — 
 It shows the pilo or memorial arch to the Sea God — 
 and the monument to the Sacred Lion; the temples — 
 in the clouds, marble stairs, bridge and pagoda are — 
 supposed to be of pearl. It has a triple border, two 
 of swastika pattern, one of peony scroll with a deep 
 blue ground for the sea with clouds in dull ivory. 
 It is called ‘‘Hai Sze Cheu how,’’ and is by the 4 
 famous artist Wong Shih Ku of the Ming Dynasty. | 
 Tradition says that, at an appointed time of each} 
 year, the sea King exhibits all precious things at this 
 market. People sometimes may view these magic 
 buildings at sea. Size, 6.3 x 11.9. 
 
 * Property of Mr. A. W. Bash. a | 
 
 MAHOGANY FURNITURE 
 
 MAHOGANY SIDE CHAIR. With lyre back; curved 
 paw feet; slip seat upholstered in green velvet. 
 
 MAHOGANY SIDE CHAIR WITH RUSH SEAT. 
 
 MAHOGANY ROUNDABOUT CHAIR with duck feet; 
 slip seat covered with blue brocade. 
 
 MAHOGANY FOLDING TOP TABLE. Hexagonal 
 pedestal rising from a wide base; plate glass top. 
 
 MAHOGANY ARMCHAIR with carved arms; cane 
 seat. 
 
 WICKER BASKET CHAIR upholstered in tufted 
 brown velour. 
 
 EASY ARMCHAIR OF MAHOGANY with cane back, 
 seat, and sides; fitted with removable back and seat 
 cushions of brown tapestry. 
 
 TRIANGULAR LIGHT STAND OF MAHOGANY 
 with three spiral legs, three drop leaves, and shelf 
 bottom. Diameter of top, 21 inches. 
 
 CARVED MAHOGANY SIDE CHAIR. Jar splat; 
 tapering legs; the slip seat upholstered in green bro- 
 eade. (Brocade slightly worn.) 
 
 40 
 
292 
 
 293 
 
 294 
 
 295 
 
 296 
 
 297 
 
 298 
 
 3 SMALL MAHOGANY WORK TABLE with deep bed; 
 
 four drawers with brass knobs; plate glass cover. 
 
 SMALL MAHOGANY STAND with deep bed contain- 
 
 ing one drawer with bronze pull. 
 
 MAHOGANY ARMCHAIR with scroll arms supported 
 
 by carved griffins; paw front feet; the seat up- 
 holstered in green velvet. 
 
 CARVED MAHOGANY SIDE CHAIR of Chippendale 
 
 design; scroll and ribbon back; cabriole legs with 
 claw and ball feet; the slip seat upholstered in green 
 cut velvet. 
 
 MAHOGANY HALL SEAT WITH DRAWER with 
 
 high square back and slip seat upholstered in blue 
 brocade; the front columns ornamented with pine- 
 apple tops; paw feet; the large single drawer fitted 
 with brass knobs. (Brocade slightly worn.) 
 
 LARGE OVER-STUFFED EASY CHAIR. Uphol- 
 
 stered in green silk velour, tufted, and ornamented 
 with large bronze-headed tacks; resting on ball feet. 
 
 LARGE OVER-STUFFED LIBRARY SOFA. Uphol- 
 
 stered in green silk velour, tufted, and ornamented 
 with large bronze-headed tacks; resting on six ball 
 feet. 
 
 OLD ENGLISH SECRETARY. Satinwood veneer 
 
 with inlaid panels; the upper part having eleven 
 drawers and a center cupboard with pigeon holes; 
 drop leaf. The serpentine base, resting on ball feet, 
 contains three large drawers. Brass drop handles 
 and key masks. 
 
 MAHOGANY HIGH CHEST OF DRAWERS. Broken 
 
 arch cornice with three carved torch and urn finials; 
 seroll and shell carving at top and bottom; carved 
 cabriole legs with claw and ball feet; five large and 
 six small drawers with brass drop pulls and key 
 masks. 
 
 WIDE COUCH WITH CARVED FEET. Upholstered 
 
 in brown velour; tufted cushion seat; three large 
 wall cushions. 
 
 MAHOGANY COMBINATION BUREAU-WARD- 
 
 ROBE. Bevel plate mirror; two large and two small 
 drawers and cupboard compartment. 
 41 
 
= ro as a » ihe? 
 " ’ ‘ P we .- mo) re 
 
 299 LARGE. MAHOGANY CABINET—BACHE ra 8 
 DELIGHT. The front ornamented with two ¢ 
 
 umns resting on paw feet; three small top cota q 
 fitted with compartments. The two large doors open- — 
 
 ing show three large sliding trays, three smaller 
 
 trays, five drawers, and hat compartment; brass drop 
 
 pulls. 
 
 300 MAHOGANY BOOKCASE. Fluted front columns 
 resting on ball feet; double glass doors; four shelves. 
 Height, 50 inches; width, 48 inches. 
 
 301 MAHOGANY ROUND TOP TABLE. With fluted 
 
 pedestal resting on a square scroll base; beaded bed; 
 veneered top in radiation. Plate glass cover. Di- 
 ameter, 52 inches. 
 
 302 LIBRARY TABLE OF MAHOGANY. With four doric 
 
 columns at each end rising from a base supported by 
 paw feet; two drawers with brass drop pulls; plate 
 glass cover. Length, 56 inches; width, 36 inches. 
 
 303. TALL MAHOGANY CORNER BOOKCASE. With 
 six glass doors; four shelves in the upper part, three 
 in the bottom. 
 
 304 TALL MAHOGANY DOUBLE BOOKCASE. Double 
 glass doors; four shelvés each. 
 
 305 DOUBLE MAHOGANY BOOKCASE. Four glass 
 doors each; four shelves each. 
 
 306 MAHOGANY BOOKCASE AND CLOTHES PRESS 
 
 COMBINED. The upper part has two glass doors 
 
 and four shelves; the lower section fitted with two 
 solid doors and six sliding shelves. 
 
 306-a OLD MAHOGANY CABINET. Shelves enclosed by 
 double glass doors with grooved mahogany tracery. 
 Cornice top. Height, 48 inches; width, 46 inches. 
 
 206-b SHERATON MAHOGANY SIDEBOARD. Round 
 corners, taper legs, with three drawers and three cup- 
 boards; holly inlays, brass drop handles and key 
 masks, Length, 6 feet; width, 26 inches, 
 
 oeemanameaanitts 
 
 = ia a ee 
 
 oa ae era) 
 
THIRD SESSION 
 
 ~ 
 
 May 16, at 8:30 o’clock 
 
 i Be 
 Sd 
 em, 2 
 
 Ol and ABodern Paintings 
 
 307 
 A. HASSELL 
 ; Contemporary English Painter. 
 ° {Gea SALMON TROUT 
 oe Canvas Height, 17 inches ; width, 22 inches. 
 * Property of Mrs. R. C. McCormick of New York. 
 
 308 
 
 UNKNOWN PAINTER 
 English School. 
 
 STABLE INTERIOR WITH HORSES 
 Beats eon Canvas. 
 Height, 20 inches; width, 24 inches, 
 
 * Property of Mrs. A. Newman of New York. 
 
 309 
 
 JOHN RUSSELL (Attributed) 
 English, 1744-1806. 
 
 DECORATIVE PORTRAIT OF A YOUNG WOMAN 
 
 , Pastel. Height, 24 inches ; width, 20 inches. 
 43 
 
 iS oe we 
 y 
 
Contemporary Ja apanese ee 
 ‘RETURNING WORSHIPPERS 
 Water-Color. Signed. 
 Height, 22 inches; width, 16 inches. 
 
 sel 
 W. P. W. DANA 
 
 Contemporary American Painter. 
 
 GATHERING SEA WEED 
 Canvas. Signed. 
 
 Height, 15 inches; width, 30 inches, 
 
 * Property of Mrs. R. C. McCormick of New Forks : 
 
 ~~ 
 
 312, 
 JOHN F. KENSETT 
 
 Contemporary American Artist. 
 LAKE COMO, ITALY 
 Height, 2214 inches; width, 37 inches. 
 * Property of Mrs. E. B. Goldman of New York. 
 
 313 zs Rac: 
 
 ARTHUR WARDLE ae 
 
 Contemporary English Painter. 
 ANIMAL SUBJECT 
 
 Pastel. Height, 914 inches; width, 1314 inches. 
 44 
 
" pia oo . ade Beas: 2 he 
 
 “contemporary Japanese Painter, 
 be AUTUMN J AT HOKOGAWA 
 _ Water-Color. Signed. 
 | Height, 23 inches; width, 15 inches. 
 
 ae 815 
 W. R. DERRICK 
 Contemporary American Painter. 
 THE FARMER AT WORK 
 Water-Color. Signed. 
 Height, 16 inches; width, 24 inches, 
 _* Property of Mr. Albert Roullier of Chicago. 
 
 ea By ie 
 _——s ROBERT J. WICKENDEN 
 
 Contemporary American Painter. 
 LANDSCAPE NEAR PITTSFIELD, MASS. 
 itis. | : Panel. Signed. 
 | __- Height, 15 inches; width, 22 inches. 
 
 317 
 C. VAN LEEMPUTTEN 
 
 Belgian Painter. 
 
 ee. SHEEP 
 ; ; Panel. Signed. 
 Height, 614 inches; width, 9 inches. 
 * Property of Miss M. P. Culyer of Mt. Kisco, N. Y. 
 45 
 
 “sa ils aide Dab = 
 VA 
 
bi hee pres é 
 z HENRY Leal 
 ey ee eae Contemporary American Painter. ot 
 
 SUNSET ON THE LAKE 
 Water Grler Signed and dated 1 1899 
 
 Height, 1214 inches; width, 18 inal 
 * Property of Mr. Albert Roullier of Chica, 
 
 319 | 
 GEORGE V. CURTIS 
 Contemporary American Painter. ehh 
 EARLY AUTUMN, FOREST OF FONTAINEBLEAU Na . 
 Canvas. Signed. 
 
 Height, 1814 inches; width, 2154 i inches. 
 * Property of Mr. G. V. Canta 
 
 ~~ 
 
 3200 
 UNKNOWN PAINTER 
 
 STILL LIFE 
 Canvas. Height, 19 inches; width, 14 inches. 
 
 321 
 
 ACHILLE FRANCOIS OUDINOT 
 French, 1820-1890. 
 
 GOING TO MARKET 
 Water-Color. Signed, = 
 Height, 714 inches; width, 1214 inches. 
 
 * Property of Mr. G. V. Curtis. 
 46 
 
Ft) “ae 
 ba z BEAUVERIE 
 
 E nae, width, 1344 a8 
 ty of Miss Mi P. Culyer of Mt. Kisco, N. Y. 
 
 are 323 
 GEORGE V. CURTIS — 
 
 _ Contemporary American Painter. 
 LES MAZETTES, BARBIZON 
 Canyas. Signed. 
 
 Height, 1814 inches; width, 2134 inches. 
 * Property of Mr. G. V. Curtis. 
 
 pam 324 
 AMIE CORBOULD 
 
 French Painter. 
 
 aa THE BLACKSMITH’S SHOP 
 BS. Canvas. Signed and dated, 1846. 
 cn Height, 1514 inches; width, 1814 inches. 
 3 -* Property of Mr. G. V. Curtis. 
 ‘5 
 4 
 4 325 
 . MAX WEYL 
 4d Contemporary American Painter. Ae 
 7 
 . GREAT FALLS OF THE POTOMAC 
 ait | Canvas. Signed. 
 
 Height, 26 inches; width, 3114 inches. 
 
 47 
 
THE SULLY BEACH, FOREST OF Hee 
 
 Canvas. Signed. 
 
 * Property of Mr. G. V. Curtis. 
 
 327 
 CHARLES P. GRUPPE 
 
 Contemporary American Painter. 
 
 GOING TO PASTURE 
 Water-Color. Signed. 
 Height, 18 inches; width, 24 inches. 
 * Property of the artist. 
 
 328 
 FUKAWA BASKE. 
 
 Contemporary Japanese Painter. 
 CHERRY SEASON AT MAKAJEMA 
 Water-Color. Signed. 
 
 Height, 14 inches; width, 22 inches. 
 
 329 
 H. M. ROSENBERG 
 
 Contemporary American Painter. E 
 
 NEAR HALIFAX | ae | 
 
 Water-Color. Signed. | f 
 Height, 16 inches; width, 22 inches. 
 
 * Property of Mr. Albert Roullier of Chicago. j | 
 48 | 
 
sate a a! 
 
 fo) ge s30 * 
 # ‘ee (0. PICHAT 
 ae Goetcupantt French Painter. 
 _ FRENCH CAVALRY OFFICER 
 nae Panel. Signed. 
 a Height, 121% inches width, 1014 inches. 
 
 331 
 LOUIS BRAQUAVAL 
 
 Contemporary French Painter. 
 RUE ST. WOLFRAM, ABBEVILLE oa : 
 Panel. Signed. 
 Height, 1494 inches ; width, 1814 inches. 
 * Property of Mr. G. V. Curtis. 
 
 332 
 HENRY FARRER 
 
 Contemporary American Painter. 
 THE EVENING HOUR 
 Water-Color. Signed and dated 1901. 
 Height, 18 inches; width, 25 inches. 
 * 2 ae of Mr, Albert Roullier of Chicago. 
 
 et eee Foe Tee ee 
 oo oul 7 
 zZ 1 or 
 F = y 
 
 333 
 PAUL VERON 
 
 Contemporary French Painter. 
 
 o CLEARING AFTER A STORM “i 
 Panel. Signed and dated, ’61. 
 Height, 9 inches; width, 12 inches. 
 
 * Property of Miss M. P. Culyer of Mt. Kisco, Nie Ys 
 49 
 
THEODORE VON DER BEEK 
 
 Contemporary Dutch Painter. 
 
 A GIRL AT PRAYER 
 Canvas. Signed. 
 
 Height, 3614 inches; width, 2514 inches. , 
 * Sold by order of James, Schell & Hlkus, 170 Broadway, 4 
 
 Attorneys for the Trustee in Bankruptcy of Lathrop, Haskins ~ 
 & Co. i 
 
 335 
 
 UNKNOWN PAINTER 
 French School. 
 
 MOTHERHOOD 
 
 Canvas. Height, 11 inches; width, 814 inches. 
 * Property of the artist, Charles P. Gruppe. 
 
 336 
 CARLETON WIGGINS 
 Contemporary American Painter. 
 CATTLE AT PASTURE 
 Canvas. Signed and dated, France, 1881. 
 
 Height, 12 inches; width, 18 inches. 
 * Property of Miss M. P. Culyer of Mt. Kiseo, N. Y. 
 
 337 
 GEORGE V. CURTIS 
 Contemporary American Painter. 
 MORNING ON THE FARM AT BARBIZON 
 Canvas. Signed. 
 Height, 1814 inches; width, 2134 inches. 
 
 * Property of Mr. G. V. Curtis. 
 50 
 
w. -R. DERRICK 
 
 Br "Contemporary American Painter. 
 
 THE SHEPHERDESS — 
 
 “W. ater-Color. Signed. 
 
 _ Height, 16 inches; width, 24 inches. 
 _ * Property of Mr. Albert Roullier of Chicago. 
 
 339 — : 
 e: "FRANCESCO CAVALIERE TREVISANI 
 Tye ane Italian, 1656-1746. 
 
 THE ADORATION OF THE SHEPHERDS 
 % ORs Height, 28 inches; width, 29 inches. 
 
 ee 340 
 
 oy 12% 
 
 LOUIS BRAQUAVAL 
 
 =! - Contemporary French Painter. 
 
 i, ON THE QUAI D’ORSAY, PARIS 
 Eo Panel. Signed. 
 
 é Height, 1314 inches; width, 15 inches. 
 -* Property of Mr. G. V. Curtis. 
 
 341 
 GEORGE V. CURTIS 
 
 Contemporary American Painter. 
 
 MY GARDEN AT BARBIZON—MORNING 
 Canvas. Signed. 
 Height, 2314 inches; width, 2814 inches, 
 -* Property of Mr. G. V. Curtis. 
 51 
 
Donteitporne Dutch : 
 
 A ROTTERDAM CANA Ne 
 Canvas. Signed and dated 190. 
 
 Height, 21 inches : width, 15 inch. 
 * Property of the artist, Charles 12. Gruppe, se 
 
 343 
 
 UNKNOWN PAINTER 
 French School. 
 
 : rm Lae REIN 
 DECORATIVE PORTRAIT OF A LADY = 
 Canvas. Height, 3514 inches; width, 2714 inches. ee 
 
 were 
 GEORGE V. CURTIS 
 
 Contemporary American Painter. 
 
 MY GARDEN AT BARBIZON—AFTERNOON 
 Canvas. Signed. - 
 
 Height, 2314 inches; width, 2814 fran tale 
 * Property of Mr. G. V. Curtis. C 4 
 
 345 — 
 U 
 FUKAWA BASKE. 
 
 Contemporary Japanese Painter. . 
 EARLY EVENING | ee || 
 Water-Color. Signed. | 
 
 Height, BG inches; width, 22 inches. 
 a 
 
 * e 
 ——$——$$<—— 
 
y ae’ Dutch Painter. 
 
 oe _ SUNSHINE AND SHADOW 
 ny 49h: 
 
 Oa. Sized, 
 
 LOUIS BRAQUAVAL 
 
 r rs Contemporary French Painter. 
 
 _ON THE QUAI DE L’HOTEL DE VILLE, PARIS 
 ae (RIGHT BANK) 
 
 Panel. ‘Signed. 
 
 Height, 1434, inches ; width, 18% inches. 
 * Property of Mr. G. V. Curtis. 
 
 348 
 
 WILM STEELINK 
 Contemporary Dutch Painter. 
 
 THE PASTURE LOT 
 Canvas. ‘Signed. 
 
 Height, 12 inches; width, 19 inches. 
 * Property of the artist, Mr. Charles P. Gruppe. 
 
 349 
 
 G. HENKEL 
 Contemporary Dutch Painter. 
 MAN SMOKING 
 Canvas. Height, 20 inches; width, 1414 inches. 
 ; 58 
 
dees ‘Signed : 
 Height, 1814 inches ; width, 2134 i ine ee 
 * Property of Mr. G. V. Curtis. 
 
 351 
 KENNETH R. CRANFORD | 
 Contemporary American Painter. 
 COMPANIONS 
 Canvas. Signed and dated, 1885. 
 Height, 31 inches; width, 42 inches. 
 * Property of Miss M. P. Culyer of Mt. Kisco, N. Y. 
 
 352 
 
 BERTRAM PRIESTMAN 
 Contemporary English Painter. 
 
 CATTLE RETURNING HOME — 
 Canvas. Signed. 
 Height, 20 inches; width, 26 inches. 
 
 353 
 LOUIS BRAQUAVAL 
 
 Contemporary French Painter. 
 IN THE TUILERIES GARDEN—MORNING 
 Panel. Signed. 
 Height, 1434 inches; width, 1814 inches. 
 * Property of Mr. G. V. Curtis. 
 54 
 
 SSS 
 
af ee. 
 
 a ie GEORGE V. CURTIS 
 
 ee Contemporary American Painter. 
 
 Zz tHE MILL AT PERTH, BARBIZON 
 : ae Canvas. Signed. 
 
 eight 18, inches width, 2134 inches, 
 aoe __ * Property of Mr. G. V. Curtis. 
 
 355 
 MAX WEYL 
 
 - Contemporary American Painter. 
 AUTUMN LANDSCAPE 
 Panel. Signed. 
 
 Height, 914 inches; width, 17 inches. 
 
 356 
 
 _._-—* PHILIP ROOS, Called Rosa Da Tivoli 
 Be German, 1657-1705. 
 
 LANDSCAPE WITH SHEEP AND CATTLE 
 ae ae “Canvas. Relined. 
 
 Mg Height, 20 inches; width, 25 inches, 
 
 * Property of Dr. Conrad Gold of Baltimore. 
 
 357 
 
 NICOLAS DE LARGILLIERE 
 French, 1656-1746. 
 
 PORTRAIT OF A LADY 
 
 Pastel. Height, 25 inches; width, 21 inches. 
 55 
 
358° pe. ; 
 GEORGE _ CURTIS. 
 
 Contemporary Mitori@amn Painter. 
 
 Canvas. Signed. 
 
 - as 
 Height, 1914 inches; width, 2314 inches. 
 * Property of Mr. G. v. Curtis. 
 
 359 
 ANTON RAPHAEL MENGS 
 ‘ Bohemian, 1728-1779. 
 PORTRAIT OF THE ARTIST’S PATHER 
 ne Pastel. é 
 
 Height, 22 inches; width, 15 inches, 
 * Property of Dr. Conrad Gold of Baltimore. 
 
 360 
 GEORGE V. CURTIS 
 
 Contemporary American Painter. sah 
 BEECH TREES IN THE FOREST OF FONTAINE- | . | 
 BLEAU | 
 Canvas. Signed. Re: 1 
 Height, 1814 inches; width, 2134 inches. - | 
 * Property of Mr. G. V. Curtis. 
 
 361 
 LOUIS BRAQUAVAL 
 
 Contemporary French Painter. i 
 ON THE QUAI DE L’HOTEL DE VILLE, PARIS = J 
 (LEFT BANK) 2 | 
 Panel. Signed. ‘ 
 \ Height, 1434 inches; width, 1814 inches. 4 
 * Property of Mr. G. V. Curtis. 
 56 
 
 a oa ee VO i ee as 
 
. a 2 GUSTAVE COURBET 
 ae French, 1819-1878. 
 ‘THE RETREAT OF THE FAUNS| 
 
 ee — Panel. Signed. 
 Bocavs 13144 inches; width, 191% inches. 
 
 a * From the Collection of M. Croizet, where it had been for 
 twenty-five years. Bought from his widow by Mr. Curtis, its 
 _-~present: owner. ey, ; 
 
 S 
 
 363 : 
 
 SCHOOL OF MIGNARD 
 French, 1610-1695. 
 
 PORTRAIT OF A LADY 
 Canvas. Height, 30 inches; width, 25 inches. 
 
 364 
 ae GEORGE V. CURTIS 
 
 Contemporary American Painter. 
 HEAD OF A GIRL 
 Canvas. Signed. 
 Height, 1814 inches; width, 1514 inches. 
 _ * Property of Mr. G. V. Curtis. 
 
 365 
 CHARLES FRANCOIS DAUBIGNY 
 
 ee eae 
 
 ~~ 
 
 4 French, 1817-1878. 
 
 . THE BANKS OF THE OISE 
 
 4 . Canvas. Signed. 
 
 j é Height, 14 inches; width, 20 inches. 
 
 f * Property of Mr. G. V. Curtis. 
 ; 57 
 
LOUIS BRAQUAVAL | 
 Contemporary French Painter. - 
 
 - MARKET SCENE AT ABBEVILL: 
 Panel. Signed. , 
 
 Height, 1434 inches; width, 1814 ees 
 * Property of Mr. G. V. ent 
 
 367 | 
 W. CLARKSON STANFIELD 
 English, 1793-1867. 
 
 OFF THE ENGLISH COAST . 
 Canvas. 
 
 Height, 16 inches; width, 24 inches, 
 * Property of Dr. Conrad Gold of Baltimore. — 
 
 368 ae 
 
 MICHEL J. VAN MIEREVELT (After) a || 
 | PORTRAIT OF A LADY | 7 | 
 Height, 45 inches; width, 2814 inches, | 
 
 369 
 GEORGE V. CURTIS a 
 
 Contemporary American Painter. 
 
 SUNSET ON THE FARM AT BARBIZON 
 Canvas. Signed. 
 Height, 2114 inches; width, 2514 inches. 
 * Property of Mr. G. V. Curtis. 
 58 
 
 Te 
 
 [aa 
 
 Fat tet nd 
 
e870. fe ei 
 _ JOSEF DE RIBERA | 
 Spanish, 1588-1656. 
 
 HEAD OF A PHILOSOPHER 
 
 _ _ Canvas. Relined. 
 Height, 25 inches; width, 20 inches. 
 
 371 
 F, NIKUTOWSKI _ 
 a Contemporary Hungarian Painter. 
 ‘VIEW OF A HUNGARIAN VILLAGE 
 2 Canvas. Signed. 
 
 " Height, 2314 inches; width, 31 inches. 
 
 F he ad * Sold by order of James, Schell & Elkus, 170 Broadway, 
 Attorneys for Trustee in Bankruptcy of Lathrop, Haskins & 
 Co. 
 
 ; . 372 
 fo 2 ~~ «6 6CHARLES P. GRUPPE 
 a 3 Contemporary American Painter. 
 
 OCTOBER DAY IN CONNECTICUT 
 Canvas. Signed. 
 Height, 30 inches; width, 45 inches. 
 
 * Property of the artist, Charles P. Gruppe. on 
 373 
 . JAN VAN GOYEN 
 hs Dutch, 1596-1656. 
 2. 
 ; WINTER SPORTS IN HOLLAND 
 
 Panel. 
 
 Height, 14 inches; width, 23 inches, 
 * Property of Dr. Conrad Gold of Baltimore. 
 59 
 
 a 
 
AT THE CLEF D’OR, BAI B. 
 Canvas. ‘Signed. 
 
 Height, 231% inches; width, 2814, Ve) inche 
 * Property of Mr. G. V. Curtis. 2 4y Ea 
 
 3¢D 
 W. DEGADE 
 Contemporary German Painter. 
 LANDSCAPE WITH RUINS 
 Canvas. Signed, 
 
 Height, 26 inches; width, 36 inches. 
 
 * Sold by order of James, Schell & Elkus, 170 Broadway, 
 Attorneys for the Trustee in Bankruptcy of Lathrop, Sa ‘) 
 & Co. a 
 
 376 
 
 SIMON DE VOS 
 1603-1676. 
 
 PORTRAIT OF A MAN 
 Panel. 
 Height, 22 inches; width, 18 inches. 
 *Property of Dr, Conrad Gold of Baltimore. 
 
 377 
 GEORGE V. CURTIS 
 
 Contemporary American Painter. 
 
 FERNS IN THE FOREST OF FONTAINEBLEAU, 
 AUTUMN 
 Canvas. Signed. 
 Height, 1814 inches; width, 2134 inches. 
 * Property of Mr. G. V. Curtis. 
 60" 
 
 rea re Lee 
 
Be 
 . ‘LouIs ; NICHOLAS CABAT 
 : French, 1812-1893. 
 
 conn _D’APREMONTT IN THE FOREST OF 
 - FONTAINEBLEAU 
 
 Cavin Relined. 
 | Height, 50 ince: width, 80 inches. 
 
 Na -* This eminent French landscape painter was made an 
 officer of the Legion of Honor in 1855, Member of the Insti- 
 tute in 1867 and-Director of the Preach Academy at Rome 
 in 1879. Though highly esteemed in France he is age kt 
 represented in American Collections. 
 
 Property of Mr. G. V. Curtis. 
 i 
 f 
 
 379) 
 
 GEORGE V. CURTIS 
 
 Contemporary American Painter. 
 ar: IRIS AND PEONY 
 ‘aa ~ Canvas. Signed. 
 
 ——sHHeight, 2114 inches; with, 2814 inches. 
 c * Property of Mr. G. V. Curtis. 
 
 a 
 
 a a 
 
 380 
 FRITZ VON WILLE 
 
 Contemporary German Painter. 
 
 r~ Sige De oe 
 
 AUTUMN LANDSCAPE 
 Canvas. Signed. 
 
 Height, 24 inches; width, 36 inches. 
 
 * Sold by order of James, Schell & Elkus, 170 Broadway, 
 Attorneys for the Trustee in Bankruptcy of Lathrop, Haskins 
 & Co. 
 
 61 
 
GEORGE V. CURT es 2 
 
 Contemporary American Painter. 
 MY HOUSE Ae BARBIZON F 
 Canvas. Signed. 
 
 Height, 1 inthes? with, 2814 inches. 
 * Property of Mr. G. V. Curtis. 
 
 382 
 R. SWAIN GIFFC 2D, N. A. 
 American 184(-1905. 
 
 LATE AFTERNOON, ISLAND OF NAUSHORN, MASS. 0 
 
 Canvas. Signed. 
 Height, 16 inches; width, 28 inches. 
 
 383 
 GEORGE H. BOGERT 
 
 Contemporary American Painter. 
 
 THE SEINE AT ROCHE-GUYON, FRANCE . | 
 Canvas. Signed. a | 
 
 Height, 28 inches; width, 36 inches. 
 
 384 
 SCHOOL OF TENIERS 
 TWO DECORATIVE LANDSCAPES WITH FIGURES — 
 
 Canvas. ; » i 
 
 Height, 96 inches; width, 72 inches. 
 
 * Formerly the property of Joseph Bonaparte and purchased + 
 from his Bordentown home. » | 
 Property of Dr. Conrad Gold of Baltimore. 
 
 62 
 
 a eS aD 
 
ane “Sign with initials. 
 Height, 7 inches; ; width, 9 inches. 
 
 os Bc 
 _ CARLO DOLCI (Attributed) 
 
 PENITEND MAGDALEN 
 Canvas. Relined. ae 
 v7 *- Height, 39 inches ; width, 29 inches. 
 
Bid ea First Word of Title 
 
 as oe 
 
 ea ee 
 
 your bids on this sheet for one sale only, with full name and address. 
 
 soks are sold us catalogued and are assumed to be in good second-hand condition. 
 
 ial defects are found, not mentioned in the catalog 
 
 f such defects must be given promptly and the goo 
 
 ® date of sale, No exception will be made to this rule. 
 graph Letters, Documents, Manuscripts, Bindings, Magazines and other periodicals 
 _\I miscellaneous books arranged in parcels are sold as they are without recourse, 
 
 rs s Clash. References or cash deposit required with orders from strangers. 
 
 ue, the lot may be returned. 
 ds returned within ten days 
 
Lot | First Word of 
 
AGAAGAERLERERSRULATES BISERREES 
 
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 ies of The Anderson Auct 
 
 New Galler 
 
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 Madison Avenue at Fort 
 
 RPOUGLAS TAYLOR & CO., NEW YORK 
 
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